
Spoiler Warning: Beware minor spoilers for Phineas and Ferb, including the Season 5 teasers and trailers.
By the time you read this, the season premiere of Phineas and Ferb’s revival might already have aired! I’m working hard to get this piece out before the full season hits Disney+, though!
I’ve talked about Phineas and Ferb on a few occasions here on the website. The show is unironically one of my all-time favourites, and moreover, it’s something I often turn to when I’m not feeling great or struggling with my mental health. To say Phineas and Ferb is one of my “comfort shows” wouldn’t be wide of the mark.
So I have a few thoughts about its imminent revival!

It goes without saying that all of this is the entirely subjective opinion of just one viewer, so if you hate my take, think I’ve missed something important, or I’m excited about something that sounds awful to you… that’s okay! There should be enough room in the fan community for polite and civil discussion. I think it’s also worth noting, in a piece like this, that I don’t have any “insider information,” and I’m not trying to pretend that anything we’re about to discuss can, will, or must be included in Season 5.
Phew! Now that that’s out of the way, let’s talk about some of my hopes, fears, and expectations for Phineas and Ferb’s revival.

This first point is a big one, but it can be kind of difficult to quantify. Too many reboots and revivals feel corporate and forced; soulless, money-grubbing “content” created not with any artistic vision or integrity, but to please shareholders and/or pad out the increasingly meagre lineup of a streaming platform in a fractured marketplace. I remember that, in the mid-2010s, the rumour was that Phineas and Ferb’s creators felt they had ideas for a potential fifth season – so that’s good news. But at the same time, I’m acutely aware that Phineas and Ferb is being revived for business reasons; Disney wants to use the revival to sign up and retain as many Disney+ subscribers as possible.
Corporate executives tend to treat existing brands and IP much more favourably than something new. We can see that in the marketing push Phineas and Ferb’s revival has gotten; comparable recent projects, even from the same creative team, like Milo Murphy’s Law or Hamster and Gretel didn’t get the same love and attention from Disney. And that’s to say nothing of shows like Hailey’s On It, which was cancelled after just one season and seemed to get absolutely no marketing budget whatsoever.

Photo Credit: The Walt Disney Company
In short, will Phineas and Ferb feel… hollow? Will it be noticeably more corporate in its tone, and will that impact the enjoyment of the finished product? Anything Disney is and always has been corporate, but in its original form Phineas and Ferb was at least an original idea. Will this version be noticeably worse for being revived a decade after it went off the air?
Another way to think about this point is like this: are there genuinely good ideas left and new stories to tell with these characters? Or will it be obvious from the first episode that everyone involved just came back to earn a stack of money? There are some reboots and revivals that are so nakedly corporate that they’re painfully unwatchable; think Dexter or Sex and the City, for instance, though those shows are far outside of Phineas and Ferb’s animated comedy genre. I guess I’m just worried that there’s nothing left in the tank; that all of the good episode ideas were made during the show’s original run, and that this revival will not only fail to recapture the magic… but might even taint the original series by being obviously soulless and so much weaker.

Photo Credit: The Walt Disney Company
And I think there’s a valid cause for concern in that regard. I don’t believe it’s an especially “hot take” to say that, outside of a few special feature-length episodes, the quality of Phineas and Ferb seemed to dip during its fourth season. It seemed, even then, that some premises had been done and done again, and that certain characters were more or less played out in terms of how far their arcs could take them. There were still some enjoyable episodes in the mix, but they tended to be ones that flipped the script or tried something different.
This ties into my next point. The revived series is going to be set one year later, meaning everyone will be a bit older. What impact will that have on character dynamics? Will Candace be as high-strung at sixteen as she was at fifteen? Will Phineas and the gang still be together on the same terms as before? The character this matters most for is Dr Doofenshmirtz; after an entire year as a “good guy,” and having had multiple adventures in Milo Murphy’s Law, how will he be different and how will that impact his relationships with Vanessa and Perry?

I can’t help but feel it was a mistake to move the timeline along. It risks undermining the powerful and emotional ending that the show’s original run got in 2015, and for an episodic series… would anyone really notice if the new episodes were set in that same endless summer? We can argue that some characters didn’t really change a lot over the course of the show, but Doofenshmirtz definitely did – and having him “become evil again” after going through everything and promising to change for Vanessa’s sake just… it doesn’t sit right, somehow.
The opposite problem might also arise. If we’re saying the kids are all a year older, it’ll seem strange if they look, dress, and behave exactly the same way, won’t it? I think it’s unlikely that the time-skip will do anything narratively; there won’t be some big off-screen adventure that happened during the school year that will be called back to. So if the time-skip doesn’t do anything for the story, and doesn’t seem to have affected most of the characters either, based on what we’ve glimpsed from trailers and teasers… why do it? Why not set the new episodes in that original summer, before the events of the series finale?

The combination of Doofenshmirtz’s arc being potentially regressed or overwritten and the apparent lack of change to any of the other characters has me concerned that the time-skip will be seen as a mistake. I can see the reasoning behind it, and the temptation to give the kids another 104 days to plan all-new adventures. But there are drawbacks to it, too, and I can’t help but feel that these outweigh any potential benefits.
I mentioned that Phineas and Ferb was, in its original incarnation anyway, an episodic series. And one of my biggest hopes for the revival is that it stays that way! I don’t need Phineas and Ferb to become some kind of weird serialised cartoon, with each episode setting up the next and ending on a cliffhanger. There’s more than enough serialised storytelling out there; one of the most appealing things about Phineas and Ferb has always been that each episode is a self-contained adventure.

Many episodic shows from the past are being brought back in a new, serialised form. Just look at the Star Trek franchise as an example, but I’m sure you can think of plenty of others. Episodic storytelling was the order of the day a few years ago, but in the aftermath of successful shows like Lost and Game of Thrones, every media executive seems to be demanding season-long narrative arcs nowadays. I hope that Phineas and Ferb won’t fall victim to this, and that Disney’s producers have recognised that the show’s episodic style is a core part of its identity and one of the biggest reasons why it worked so well.
Two-part episodes, feature-length specials, and the like are all okay, of course! But I don’t want to log in to Disney+ to find that each episode leads directly into the next; that Season 5 is one long narrative arc. It just wouldn’t be right for Phineas and Ferb, and it would almost certainly make it feel much more corporate, bland, and unexceptional in the ways we were discussing above.

Photo Credit: The Walt Disney Company
I have one specific casting concern, and I’m not really sure how best to broach this. Richard O’Brien – who voices Lawrence, the boys’ father – is 83 years old at time of writing. And throughout the revival’s marketing campaign, I haven’t so much as glimpsed him. Is O’Brien part of the revival? He’s tentatively credited on IMDB, but only for one episode of Season 5, which feels like a placeholder. I haven’t heard talk of the role of Lawrence being re-cast, but I haven’t seen or heard anything from Richard O’Brien himself or the show’s production team to confirm his involvement.
Phineas and Ferb is no stranger to re-cast roles, of course. Ferb – literally one of the title characters – was re-cast in 2020 for Candace Against the Universe, and I think that passed by inoffensively enough. But it would be a shame to lose Richard O’Brien, or to see the role of Lawrence diminished if he’s not able to voice the character as often or as freely any more. I guess we won’t know for sure until the new season arrives, but O’Brien’s absence and silence have left me a little concerned about a potentially reduced role for one of the core members of the Flynn-Fletcher family. Lawrence may not have always been the centre of attention in the way Linda is with Candace, but he’s often been an important presence in episodes, setting up key storylines or just butting in with a funny one-liner.

I’m not an artist or an animator, so please be aware of that caveat as I make this next point. From the clips and still images I’ve seen so far, something feels “off” about some of the background characters. I’m not sure if it’s something in their eyes, something to do with the colour palette used, or how they’re integrated into scenes, but some of these secondary characters feel floaty and lifeless. It’s like they’re not really there; ghostly, almost transparent presences.
Could that be connected to Disney using a different animation studio, or even just different digital animation software? I’m not sure. I hope it’s not something that’s gonna be too noticeable throughout the revival, though! The main characters – at least from what I’ve seen so far – stay true to their original designs and don’t seem to be impacted by whatever animation changes have been made. That’s positive, for sure, and visual/artistic styles are usually something I can get used to (or get over) given enough time. But from what I’ve seen so far, some of these secondary characters have left me feeling unimpressed.

So I think that’s everything I had to say on the negative side of things. Let’s try to be a bit more positive now and look ahead to some of the things I’m most looking forward to!
First of all, to counter some of the negative thoughts I had about the show’s time-skip, I think there’s at least some potential in that idea. It gives the writing team – who are a mix of old hands and newbies – a virgin, unspoiled landscape for telling new stories. There’s no need to worry about how certain character beats or narrative moments might impact stories which are supposedly set further along the show’s timeline, and there’s unlimited room for growth for pretty much all of the characters. In an episodic series – which I’m crossing my fingers and hoping Phineas and Ferb will continue to be – there’s perhaps less of a need for consistent character growth, but the potential is still there.

Image Credit: Dan Povenmire
With the kids all being one year older, that could potentially open up new storylines, too. The original run of the show saw various characters develop crushes, but only older characters like Candace and Jeremy got to take things further and develop a full-blown relationship. Could someone like Buford or Ferb get a partner this time? That could be an interesting thing to explore.
And on the teen side, with Jeremy potentially leaving for university and Candace old enough to drive, there could be new storytelling potential. How would Candace react to Jeremy leaving, for example? If she’s able to drive, could that mean more adventures for her and her friends, or her and her brothers, without any adult supervision? That could definitely open up new locations further afield for adventures and building projects!

One of my favourite episodes of Phineas and Ferb is the Christmas special from Season 2, and even though it’s June and the show’s usually set in summer… I wonder if we could see another holiday-themed episode either this season or sometime further along in the revival. There were a couple of Halloween episodes during the show’s original run, too, and that’s always a fun holiday to visit! It would be fun to see at least one episode – even if it’s not feature-length – set outside of the summer during one of the holiday events.
And speaking of special episodes – how about another vacation or travel story? Phineas and Ferb took characters to Hawaii, Africa, France, Japan, and my native UK… but there’s huge potential to visit locations all across the United States and around the world. The boys could visit Australia, the Amazon rainforest, or even Antarctica as part of one of their adventures, or maybe Dr Doofenshmirtz will visit a country like Spain or South Africa while pursuing an evil scheme. There’s a huge amount of storytelling potential when characters step outside of their usual environment, and the show used this to great effect last time around.

So far, I’ve only heard one song from the revived series: Summer Is Starting Right Now which is from the season premiere. The songs in Phineas and Ferb have always been one of the best parts of the show, and at least the first song from the revival seems to keep that trend going in the best possible way! The song feels like it’s right out of the original series, in tone, in terms of vocal performances, and everything. Given that I want to feel like Phineas and Ferb basically picked up where it left off, the revival’s first song definitely hits the right notes for me.
And I think that last point pretty much encapsulates what I want to see from this revival. Sure, there are going to be new stories to tell and new ways for characters to interact and for the two-and-a-half storylines to intersect. But for me, the point of doing a revival of this type is to give fans new stories which stay true to the original formula. That isn’t to say there’s no room for experimentation, but fundamentally, what I want out of a Phineas and Ferb revival is quite simply… Phineas and Ferb.

I want to see Phineas and the gang inventing and building impossibly awesome and fun projects. And I want to see Dr Doofenshmirtz work on an evil scheme to conquer the Tri-State Area. Candace should be on top form trying to get the boys in trouble, and Perry needs to be pushing Doof’s self-destruct buttons. These storylines should come together at the climax of the plot, with Doofenshmirtz’s inator somehow causing the boys’ mom not to see what they’d built. That’s Phineas and Ferb in a nutshell, and it’s what made the show so enjoyable to watch during its original run. I really hope the revival won’t stray too far from that wonderful formula.
Despite some concerns, I’m genuinely excited to welcome Phineas and Ferb back to our screens after such a long absence. You might remember me talking about the show’s Christmas special back in December; it’s something I revisit with fondness every holiday season. Phineas and Ferb is one of my favourite shows, and I really hope this revival will succeed at recapturing the magic.
Check back some time soon for a review… I’ll be sure to let you know if it achieves that objective!
Phineas and Ferb Season 5 will premiere on the 5th of June 2025 on the Disney Channel in the United States, with all ten episodes being available on Disney+ on the 6th of June 2025 in the United States and “select markets.” The rest of the world will follow later in the year. Phineas and Ferb is the copyright of Disney Television Animation and/or The Walt Disney Company. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

































