The big narrative question facing Mass Effect 4

Spoiler Warning: There are spoilers ahead for the ending of the Mass Effect trilogy, including Mass Effect: Legendary Edition.

Mass Effect 4 has a choice to make – at least it does if, as we’re all assuming, the game is planned as a sequel to the Mass Effect trilogy. The choice the developers will have to make will have knock-on effects for the entire plot of the game, and unfortunately will impact some players more than others. In short, BioWare will need to choose one of Mass Effect 3′s ending options as the foundation on which to build their new story.

We talked a little while ago about the ending options from a narrative point of view, and I came to the cop-out conclusion that all three have points in their favour as well as drawbacks. Though the “destroy” ending is seemingly favoured by a majority of players, there are still sizeable minorities who chose either “synthesis” or “control” at the climax of the story.

Which ending did you choose?

Each of the three endings are very different from one another, and each would leave the Mass Effect galaxy in a very different place. I don’t see how it would be possible for BioWare to make one game that allowed players to choose which ending to canonise; the narrative consequences are simply too different in each case to allow a single story, even a very adaptable one, to be created. Unless BioWare is prepared to essentially make three games, trying to incorporate all three endings seems like a non-starter.

There’s also the question of Commander Shepard’s fate. The teaser trailer for the next Mass Effect game that was shown off earlier in the year appeared to show Liara on a quest to either find Shepard or find their remains, and if we can infer from that that Commander Shepard will have some role to play in the game’s story – whether that’s as a playable character or not – then there needs to be some realistic way that Shepard could’ve survived the events of Mass Effect 3. As far as we know based on what we saw in the game, the only way Shepard even possibly survives is to choose the “destroy” ending.

Shepard’s possible survival was teased in Mass Effect 3.

Mass Effect 3′s ending – and really the final third of the game – was undeniably rushed, and as a result we only got a very brief epilogue showing off some of the possible consequences for each scenario. But even just in those few minutes of voiceover atop static images, we can tell that the Mass Effect galaxy ends up in a very different place depending on Shepard’s choice.

I’ve always felt that Mass Effect 3 wanted to push players toward the “synthesis” ending. That’s the one that was most difficult to unlock, and if EDI’s epilogue is to be believed it seems to lead to a technological utopia of sorts, with the rebuilding of the galaxy happening much more quickly and easily, and with the possibility of life extension for organic beings.

Turians in the aftermath of the “synthesis” ending.

But paradise doesn’t really make for an interesting story! Not only that, but synthesis was never Shepard’s goal; it was only introduced as an option right at the very end of the game with limited explanation courtesy of the Catalyst. The Catalyst would claim that synthesis – i.e. fusion of organic and synthetic life – had been its end goal since the beginning, which in effect makes it the Reapers’ objective too, as the Catalyst was the force controlling the Reapers. Shepard didn’t get the opportunity to hear anyone else’s perspective on synthesis before making their choice.

Setting aside that making such a monumental decision for every living being is not Shepard’s choice to make, “synthesis” also has some pretty disturbing implications. The way in which newly-synthesised denizens of the galaxy appear to go along with everything that’s happened, combined with the Reapers’ survival and the Catalyst’s comments about this being its own endgame, could be taken to mean that this isn’t really a victory at all for Shepard and their allies.

Did the Reapers win if Shepard chose “synthesis?”

“Control” is likewise not a strong basis for building a new story. With Shepard seizing control of the Reapers and simply directing them to leave the galaxy, the Reaper threat has not ended. Shepard may be in control for now – but how long will that control last? Can Shepard keep the Reapers under their sway indefinitely, or will millennia of isolation drive them mad?

In order for Mass Effect 4 to put the Reaper War in the rear-view mirror and move on to a new story, a decision has to be taken as to which ending is the “official” one. The popularity of “destroy”, combined with the negative consequences present in the “synthesis” and “control” options, seem to make it the only practical choice.

What will the state of the galaxy be by the time of Mass Effect 4?

My concern is that Mass Effect 4 might try to tell the same story in all three settings with a few cosmetic differences to pay lip-service to the ending choices but without really exploring in any detail what the consequences of those endings might be. Take, for example, my theory regarding the Leviathans. If BioWare wanted to make the Leviathans the main villain for Mass Effect 4, that only really works with the “destroy” ending. Consider that the Leviathans have remained hidden for millions of years following the Reapers’ first harvest. If a new force (Shepard) seized the Reapers in the “control” ending, from their point of view the Reaper threat still exists. Would they emerge from hiding? And in the case of “synthesis,” the Leviathans would be affected too. It was strongly implied in the “synthesis” epilogue that every species was now working together, so in such a case they couldn’t be villains.

That’s just one hypothetical example of how one story couldn’t be forced into three very different moulds for a new game in the series. We’ve seen smaller-scale examples of this within the Mass Effect trilogy itself, and Mass Effect 3 in particular seemed to have difficulty respecting players’ choices in previous games. To give two examples: regardless of what players did in Mass Effect 1 and Mass Effect 2, Liara will always be the Shadow Broker in Mass Effect 3, and Udina will always be Earth’s Councillor.

Udina is always the Councillor by Mass Effect 3, no matter what players choose.

These stories were relatively minor, though, at least in comparison to the things we’re considering today! Mass Effect 2 and Mass Effect 3 did respect players’ choices and the consequences of those choices in some ways, though, making each playthrough unique. In fact it’s this aspect of the trilogy that makes it so appealing to me and to many other players – Commander Shepard feels like a different person on each playthrough and the story is tweaked to recognise that.

But the differences in Mass Effect 2 and Mass Effect 3 were minor. Certain characters would be missing if they’d died in previous games, for example, but there was usually someone else to take their place. Urdnot Wreav (voiced by Star Trek: The Next Generation’s Michael Dorn) would take Wrex’s place as the clan leader if Wrex died. Ashley and Kaidan were basically interchangeable in Mass Effect 2 and Mass Effect 3. And even characters like Thane, who played an important role in Mass Effect 3 when it came to the Cerberus attack on the Citadel, were replaced by a like-for-like stand-in if they’d died during the suicide mission.

If Wrex died, Wreav takes his place and the story proceeds in a very similar way.

It would be impossible, though, for BioWare to successfully repeat this on a larger scale. The three ending options for Mass Effect 3 simply can’t lead to the same story because of how radically different everything about the galaxy necessarily must be in each scenario. Add into the mix that Mass Effect 4 may be picking up a story some years or even decades after the end of Mass Effect 3 and there’s been time for those changes to multiply. In short: one single story cannot be made to work in all three scenarios, and trying to do so will all but guarantee a disappointing experience for players.

Mass Effect 4 has a difficult task. Whatever BioWare chooses to do with the game’s story, some players who were very attached to the way they played the original trilogy are bound to be left upset. Because those games offered players different routes leading to different endings, there really isn’t any escaping that. The only glimmer of hope is that one ending choice is substantially more popular than others – and BioWare has been keeping tabs on that! The fact that the “synthesis” ending was not a big part of the game at all, only appearing right at the very end, and that “control” had been the preference of Mass Effect 3′s villains also seems to set up a situation in which the choice should be acceptable to a majority of fans of the Mass Effect trilogy. I’d wager that most players chose “destroy” on at least one of their playthroughs anyway.

So that’s it for today. Mass Effect 4 has a choice to make – and it’s a big one. As I see it, any sequel has to choose one ending over the others simply because the state of the galaxy is so radically different in each case that one single story couldn’t possibly fit all three scenarios. Despite my feelings about Mass Effect: Legendary Edition, I’m curious to see what BioWare has in store for the next part of the franchise – even though it’s still a few years away!

The next Mass Effect game is in early development and most likely won’t be released for several years. Mass Effect: Legendary Edition is out now for PC, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series S/X. The Mass Effect series – including all properties mentioned above – is the copyright of BioWare and Electronic Arts. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Mass Effect 4 theory: Leviathan

Spoiler Warning: There are spoilers ahead for Mass Effect: Legendary Edition and its ending.

Though the release of the underwhelming Mass Effect: Legendary Edition earlier this year was partly a money-making ploy on the part of BioWare and Electronic Arts, there is another significant factor in the development of what we’ll generously call a “remaster.” Legendary Edition had the task of rehabilitating the series’ reputation following the disappointment of Mass Effect: Andromeda, and was also tasked with bringing in new fans – as well as getting existing fans hyped up – in time for the upcoming release of Mass Effect 4. In that sense, Legendary Edition does seem to have largely succeeded, as excitement for the next entry in the series is higher than it’s ever been.

No details have yet been announced for Mass Effect 4, and we’ve only had the tiniest of teases in the form of a CGI teaser trailer, so any details of the game’s story are complete unknowns. But based on what we know about the Mass Effect galaxy, perhaps it isn’t too early to speculate about what might come next for Commander Shepard and their crew… assuming Shepard is coming back, of course!

Mass Effect 4 is coming!

One of the key things Mass Effect 4 will have to balance is the scale of its story. Whether we get to play as Shepard or not, Mass Effect 4 will almost certainly be picking up the story in the aftermath of the Reaper War. This conflict saw the whole galaxy – led by Shepard – fighting for its very survival against a seemingly unstoppable foe, so from a narrative point of view that kind of epic tale can be hard to top.

This was the fundamental problem that befell Mass Effect: Andromeda. Even if that game had been launched in a better condition, without the bugs and visual glitches that would go on to define it for many players, the underlying story still felt anticlimactic. I’ve described Andromeda in the past as a game that feels like an overblown side-quest, and partly this is because of the story that came immediately before it. Andromeda was an attempt to branch out, to take Mass Effect away from Commander Shepard and spin it out into a larger franchise. But it failed not because of its bugs and other technical issues – though those were catastrophic in their own right – but because it told a story that many players simply weren’t interested in.

My face is tired.

Coming on the heels of the Reaper War, Mass Effect 4 has to avoid feeling anticlimactic in the way Andromeda did. But it has to balance that against telling a story that’s too derivative or repetitive; another galactic-scale threat caused by invaders from beyond the galaxy would feel like a cheap knock-off of what came before. Look to Star Wars’ old Expanded Universe for countless examples of this, as fan-fiction versions of Luke Skywalker, Han Solo, and Princess Leia battled clone after clone of Palpatine and fought dozens of bland, derivative Sith Lords and Imperial wannabes.

What comes next for the Mass Effect galaxy has to feel consistent, too, with what we already know about the setting. After Shepard succeeded at uniting the forces of practically every major faction in the galaxy, having one of them turn on the others and become an antagonist wouldn’t only be difficult to pull off narratively, it would risk upsetting fans and coming across as annoying.

The next Mass Effect game has to tell a story that follows on from the Reaper War.

So I think we can rule out stories like a krogan or turian uprising, or the sudden return of the long-dead Protheans looking to conquer the galaxy! Those kinds of stories might seem interesting – and perhaps the game will ultimately try to go down a similar path – but for the reasons mentioned I think they’d be too difficult to execute in a satisfying way.

Instead I want to focus on a faction from Mass Effect 3′s DLC – the Leviathans. The Leviathan DLC is integrated into Mass Effect: Legendary Edition (albeit not especially well; there are some issues which arise from the timing of its insertion into the story) so I think we can safely assume that it’s fully canon and that most Mass Effect fans will have played it. Leviathan introduced Commander Shepard to the titular Leviathans – ancient lifeforms with the power to control minds.

Commander Shepard meets with one of the surviving Leviathans in Mass Effect 3.

The Leviathans revealed to Commander Shepard that their species created the Reapers; much like the way the quarians created the geth, the Reapers were artificial intelligences designed to aid the Leviathans. Of course, they soon betrayed their masters, having interpreted their directive to “preserve” all life in an apocalyptic manner.

Commander Shepard encountered a handful of Leviathans hiding deep below the surface of an uncharted ocean world. These were the survivors – or more likely the descendants of survivors – of a race whose empire once spanned the entire galaxy. The Leviathans were unapologetic for their dominance of other “lesser” races, who they forced to worship them as gods. The survivor who spoke with Commander Shepard had little regard for humans or other races, and seemed only willing to act in the Reaper War out of self-interest.

The Leviathans wanted other races to worship them and pay tribute to them.

Despite being in hiding for millions of years – perhaps longer – the Leviathans’ sense of self-importance was undimmed. They regard themselves as the galaxy’s “apex race,” and used their mind control powers to attack or kill anyone they perceived as even a minor threat.

The Leviathans seem to regard the entire Milky Way galaxy as their own personal fiefdom; their domain. Sharing power or joining a broader galactic community is simply not on their agenda, and with the destruction or removal of the Reapers, it seems at least plausible that they might seize the opportunity to emerge from hiding to reclaim the empire they had lost in the distant past.

The planet 2181 Despoina was the Leviathans’ hiding place.

On a much smaller scale, this was the Protheans’ idea. At least two Prothean facilities – on Eden Prime and Ilos – were designed to host hundreds of thousands of Protheans in hibernation, to emerge after the Reaper threat had passed. The Protheans failed in their goal – though a single individual did survive – but the Leviathans didn’t. They managed to sustain a viable population at the bottom of the ocean on an uncharted world, and although we only saw a few individuals it’s possible that there are hundreds, thousands, or even more Leviathans. They may even have populations on other worlds.

Of the three endings offered to the player at the conclusion of Mass Effect 3, a Leviathan return works best with the “destroy” ending. If Shepard opted to take control of the Reapers, it stands to reason that the Leviathans would still consider them to be a threat, whereas if Shepard chose the “synthesis” ending then presumably the fusing of organic and synthetic DNA across the galaxy would also have affected the Leviathans.

The “synthesis” ending would surely have affected the Leviathans as well as everyone else.

But if the Reapers were destroyed – the most popular ending choice – suddenly the Leviathans could find themselves in a galaxy where their biggest foe has been vanquished. Not only that, but with the Mass Relay network critically damaged and the combined fleets and forces of the galaxy all massed around Earth (and feeling a lot worse for wear after months of conflict, no doubt), the Milky Way might appear to them to be practically undefended – and ripe for the taking.

Striking out from their hidden undersea base, the Leviathans could use similar tactics to the Reapers to gain control of key worlds – using their mind control abilities to sway military and political leaders and bring them into the fold. From there, Leviathans could abandon their base, taking up residence at key locations around the galaxy before the survivors of the battle for Earth even realise what’s happened.

Amidst the wreckage of the Citadel and the ruins of Earth, it might be a long time before anyone realised the Leviathans were attacking.

Repairing the Mass Relays will take time – if the assembled scientific minds can even figure out how to do so – and with communications and travel disrupted across the galaxy on account of the long war, the Leviathans could establish a commanding position even if they didn’t make their move immediately.

A power vacuum on this scale is chaotic – and many war-weary citizens and refugees might even welcome Leviathan rule if it were accompanied by stability, and if the Leviathans could provide them with basic supplies like food and shelter. By the time the Council races realise what’s happened, large swathes of the galaxy could already be under Leviathan control – perhaps even including three of the four Council homeworlds.

The Leviathans could be the next threat for Commander Shepard and the rest of the galaxy.

Fighting the Leviathans would be similar, in some ways, to fighting the Reapers – their armies would largely consist of enthralled mind controlled victims of the galaxy’s races. The difference might be that taking on an actual Leviathan would be comparatively rare – unlike the Reapers, the Leviathans don’t seem like they’d want to get involved on the front lines, preferring instead to sit back (or hide) and let their enthralled victims do their dirty work.

So that’s the extent of this theory, really. To summarise it in a single sentence: with the Reapers defeated, the Leviathans finally emerge from hiding, intent on reclaiming a galaxy they’ve always considered to be “theirs.” Commander Shepard may be pressed back into action to save the galaxy all over again, or maybe we’ll take on the role of a new character when Mass Effect 4 is ready. Please keep in mind that, as always, I don’t have any “insider information.” This is nothing more than a fan theory – and it may very well be completely wrong!

Despite how I felt about Legendary Edition, I do like the Mass Effect series. In fact, the reason I was upset at BioWare for the sloppy work and unimpressive upgrades that Legendary Edition offered was because the games are so enjoyable – the series has the potential to be so much more than Legendary Edition made of it. I’m hopeful that Mass Effect 4 will be a game worth getting excited about – but there’s no rush. If BioWare and Electronic Arts have learned anything from recent releases, it should be to take their time!

Mass Effect: Legendary Edition is out now for PC, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series S/X. A new Mass Effect game – referred to above as Mass Effect 4 – is currently in development, but no release date has been announced. The Mass Effect series – including all properties mentioned above – is the copyright of BioWare and Electronic Arts. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Mass Effect 4 – a wishlist

Spoiler Warning: There are spoilers present for the Mass Effect games, including Legendary Edition and Andromeda.

When rumours of a Mass Effect trilogy remaster were swirling last year, I felt sure that one of the big reasons for working on an updated version of those games would be in anticipation of a sequel. We’ve had the tiniest of teases from EA and BioWare that a new Mass Effect project is in the works, and I’m tentatively calling the game Mass Effect 4.

There’s certainly an argument to be made that the original Mass Effect trilogy was unique, and we can point to the failure of the overblown side-mission Mass Effect: Andromeda to say that other projects set in this fictional world haven’t succeeded. Perhaps the Mass Effect trilogy doesn’t need a sequel; it’s very hard to top saving the entire galaxy from a narrative standpoint, after all, so any sequel risks feeling anticlimactic.

A new Mass Effect game is coming!

Regardless of any misgivings we may have, a sequel is coming. And while it may yet be several years away – the next Dragon Age game seems likely to be BioWare’s next project – barring any major problems we will eventually see it. So this is a preliminary wishlist from a Mass Effect fan, detailing a few things that I think the next entry should and shouldn’t include.

As always, please keep in mind that I have no “insider information.” This isn’t a list of things that definitely will be part of Mass Effect 4 or any future game in the series. It’s just a fan’s wishlist, nothing more. If I include something you don’t want to see, or exclude something you think the next game needs, please keep in mind that this is just one person’s subjective opinion! With all that out of the way, let’s jump into the list.

Number 1: A sequel not a prequel.

It’s Mass Effect 4, not Mass Effect 1¾.

I’ve heard some suggestions that the next Mass Effect title could be a prequel, perhaps focusing on humanity’s first contact with the turians. Over the course of the first three Mass Effect titles we’d learn that first contact did not go smoothly and led to a brief conflict. While that could be an interesting story to see, at least in theory, I don’t think now is the right moment for a backwards look.

After the disappointment of Mass Effect 3′s ending and the failure of Andromeda, the franchise needs to re-establish itself. There is absolutely scope for a Mass Effect prequel at some point in the future, but every fan I’ve spoken to would rather see the story move forward than look backwards, at least right now.

The ending of Mass Effect 3 didn’t sit right with many fans.

It took the Star Trek franchise decades before the idea of a prequel was taken seriously, and it feels to me like Mass Effect could do more to build on what the trilogy accomplished in terms of setting, characters, and story. If Mass Effect 4 can guide the wayward franchise back to solid ground, maybe then we can reconsider the idea of making another attempt to expand beyond Commander Shepard and other familiar characters.

Though Mass Effect 3 did provide a definitive ending to Shepard’s story, and to the story of the Reaper War, all three variant endings teased that there was more to come for the denizens of the Mass Effect galaxy. Fans want to see that; we want to know what happens next.

Number 2: Bring back Commander Shepard.

*Inhales*

Some stories feel very narrow, as though the world they’re set in doesn’t exist much beyond their protagonist. Mass Effect is not one of those, and the world-building done across the trilogy has created a setting that feels truly lived-in, inhabited by billions or perhaps trillions of unique individuals. So it may seem odd to return the series’ focus to its original protagonist, but in light of the failure of Andromeda, I think that’s what needs to happen.

Although the story of the war against the Reapers was decisively concluded – one way or another – by the end of Mass Effect 3, the story of the Mass Effect galaxy and of most of our crewmates and familiar characters was not. In that sense, the trilogy ended on a cliffhanger; we got a tease of what might come next, but nothing conclusive.

Mass Effect 4 should bring back Commander Shepard.

That’s part of the reason why Andromeda was unsuccessful. It was a good idea – in theory – to try to expand Mass Effect beyond Commander Shepard, and I think that’s something we need to see more of in future. But because of the way the trilogy ended, fans wanted to know what came next for their favourite characters and races. Andromeda made absolutely no attempt to address any of that, instead trying to ignore the potential consequences of the Reaper War and tell its own story.

What BioWare and EA should have learned from the underwhelmed reaction fans had to Andromeda – aside from the need to actually finish their games before releasing them – is that sidestepping the Reaper War and its repercussions is not an option. We want to see familiar characters return, and follow the next chapter of their story.

Number 3: Significant visual and gameplay improvements over Legendary Edition.

Many textures and visual elements of Legendary Edition had not been noticeably improved and look outdated in 2021.

Legendary Edition was a disappointment. The three games themselves were fine, but they hadn’t been upgraded or worked on anywhere near as much as they could’ve been, and overall I felt that the so-called “remaster” was not worth the price. Mass Effect 4 can’t repeat that mistake. The new game needs a brand-new game engine, one suitable for a third-person role-playing shooter in the Xbox Series X and PlayStation 5 era.

The Mass Effect trilogy as presented in Legendary Edition was in a weird place both visually and in terms of gameplay. Some aspects aged well and felt good in 2021 – the basic cover-based shooting being a good example. But many other parts of the trilogy felt really outdated when compared to genuinely modern titles. Lip-synching is a good example – characters’ mouths in Legendary Edition seemed to flap open with the scantest connection to the dialogue supposedly being spoken. There are dozens more examples of things like that; areas where the gameplay was fine in 2007 but not 2021.

Improving things like lip-synching will make the next game feel more immersive than Legendary Edition.

Mass Effect 4 needs to address those issues and make sure they aren’t present. Nobody wants the visuals of Mass Effect 3 again – not even the Legendary Edition version. Games in 2021 can look significantly better as well as feel more expansive – look at games like Jedi: Fallen Order or Control as just a couple of examples, or even how titles like Subnautica and No Man’s Sky pushed for different gameplay mechanics and visuals.

The cinematic teaser that BioWare showed off a few months ago looked good, but any idiot can make a pretty CGI trailer. The actual game engine is where the real work needs to be done, and the adapted engine used for Legendary Edition is out of date and won’t cut it.

Number 4: Don’t re-use the same basic narrative.

Let’s not bring back the Reapers… or a stand-in for them!

Narrative is difficult to get right in any project, not least one which is taking place after a story has already been completed. Mass Effect 3 was a definitive end to the trilogy, and that leaves Mass Effect 4 with a problem. What comes next after the end of the Reaper War? Not only that, but how will players interact with a post-Reaper galaxy?

There will be a huge temptation to basically recreate the original trilogy, substituting the Reapers for some other nefarious, galaxy-threatening faction. But that would be far too derivative, and as the Star Wars franchise has learned to its cost, there is a line between paying homage to what came before and outright copying – and fans can tell the difference.

There’s a line between respectful homage and overreliance on the past. Star Wars crossed it – hopefully Mass Effect won’t.

At the same time as avoiding a simple retelling of the Reaper War, Mass Effect 4 has to manage not to feel anticlimactic. That will be very difficult, because if Commander Shepard comes back from the dead and is tasked with apprehending a minor criminal or helping Aria keep the peace on Omega, the story will feel too small in comparison to what came before.

Once again, there’s a balance to be struck. The new game needs a new story – one that doesn’t rip off the original games or try to retell the same basic “galactic threat” narrative. It also needs to have a story that can match the epic feel of the original without leaving players feeling underwhelmed. It’s a difficult path to navigate – and as we know from Star Wars, even highly accomplished storytellers can get it utterly wrong.

Number 5: Pick one ending from Mass Effect 3 and stick with it.

Whether it’s “synthesis,” “destroy,” or “control,” Mass Effect 4 needs to stick with one ending from the trilogy instead of trying to incorporate all three.

It isn’t going to be possible for one game to incorporate three totally different narratives based on the three endings of Mass Effect 3. The ending options are too different from one another for each to be the jumping-off point for the same basic story. The “destroy” ending killed off all synthetic life; “control” saw Shepard seize control of the Reapers and simply make them fly away; and “synthesis” fused synthetics and organics together. Even if the basic storyline of the game is based around something that would impact the galaxy no matter which ending were chosen, the galaxy is going to be a very different place when that narrative kicks off.

I’m all for ambitious games, but trying to incorporate all three ending choices into Mass Effect 4 would either mean BioWare would have to make three very different games in one package, or it would mean that one story would have to be forced to fit three very different settings – and that almost certainly wouldn’t work in two out of three cases.

The “control” ending is the one I feel works least well.

If Mass Effect 4 intends to bring back Commander Shepard, there’s only one option based on what we’ve seen on screen: the “destroy” ending. That ending is, according to information I could find, at any rate, the most popular among players – and I would argue that it probably best represents Shepard achieving their goal!

But Mass Effect 3 appeared to present “synthesis” in the most positive light, both during Shepard’s conversation with the Catalyst and based on EDI’s epilogue. Choosing “synthesis” as a starting point for a new game would be incredibly controversial, I think, and the changes made to everyone in the galaxy by that ending may make it hard to craft a story. It’s also an ending in which Shepard is unequivocally dead. Regardless, I think those are the two most likely choices.

Number 6: Resolve dangling story threads from Andromeda.

My face is tired… of waiting for a proper ending to Mass Effect: Andromeda.

This doesn’t need to be a big part of the game. It could literally be a collection of codex entries or other random bits of information picked up over the course of the game. In short, Andromeda’s story was left unresolved due to the decision to cancel its planned story DLC. All Mass Effect 4 would need to do is somehow acknowledge what happened with the final arks that were heading to Andromeda.

The quarian ark was the main one that I can recall being missing, and if Commander Shepard were to pick up a datapad in Mass Effect 4 that showed the quarian ark departing for Andromeda a few weeks behind schedule, we could consider the mystery resolved. The characters from Andromeda could thus continue to exist and we could assume that they all lived happily ever after.

What happened next?

There will never be a sequel to Andromeda, I think. The game was memed to death due to its bugs and glitches when it launched, and its reputation never recovered. EA’s decision to abandon the failing game meant that there was no chance of a No Man’s Sky-style rehabilitation, and the game is an overlooked part of the franchise. If people remember it at all, they remember the bugs and the memes.

Even I can’t remember every detail of Andromeda’s story. I just know that there was a sense that it ended somewhat abruptly, and if Mass Effect 4 could do something to mitigate that, even just by way of an “easter egg” for longstanding fans of the series, I think that would be great. It really wouldn’t take a lot of effort.

Number 7: A story that genuinely reflects player choices.

There are many different ways that the story could go. The game should reflect those choices properly.

The worst part of Mass Effect 3 wasn’t the “pick a colour” ending. It was the fact that, across at least the final third of the game, myriad choices that players made across the entire trilogy received no meaningful payoff. Even the War Assets that Shepard collected on the path to defeating the Reapers were only ever shown as text on a screen, and many War Assets even reused the same stock image.

Things like saving both the quarians and geth, which required players to navigate a specific path across all three games and multiple optional missions, should have been more impactful in the final push to defeat the Reapers. The fact is that Mass Effect 3 was rushed, and whatever intentions BioWare may have had ended up being cut or curtailed as a result.

The recycled War Asset image.

Mass Effect 4 simply cannot repeat this failing. The game will almost certainly follow a non-linear narrative – as is the Mass Effect tradition – with paragon and renegade options, a branching storyline, and optional side-missions. Those choices have to feel like they matter to players; if everyone gets the same basic ending regardless of how they played the game, Mass Effect 4 will receive one heck of a backlash.

It’s possible that Mass Effect 4 will be the jumping-off point for a new trilogy of games, and if that’s the case its ending may need to be simplified in order to ensure the next game in the series works as intended. But if that is the plan, the story still needs to offer a good degree of choice – and reflect those choices properly while the game is progressing.

Number 8: The return of all surviving squadmates.

Garrus needs to come back!

Mass Effect 3 picked up some criticism at the time of its release for cutting back on the number of squadmates, with very few members of Shepard’s team from the Suicide Mission in Mass Effect 2 returning in squadmate form. Practically everyone had something to do in the game – but many fan-favourite squadmates were no longer part of the team, with their appearances relegated to a mission or two at most.

Depending on many different choices across the trilogy, it’s possible for a number of squadmates from all three games to have survived – or at least to have still been alive as of the final act of the game. I would love to see Mass Effect 4 bring them all back as proper squadmates. It would take some creative writing in certain cases – Wrex, for example, appears to have a leadership role on Tuchanka in one possible version of the story – but it would absolutely be worth doing. In the Star Trek franchise, Worf, who was a character on Deep Space Nine, was able to be included in three films with the crew of The Next Generation despite having a different posting. If Star Trek can do it, Mass Effect can do it!

Wrex could be a problem, but I think it’s possible to get around that and bring him back anyway.

Not every squadmate resonated with every player, and giving fans the freedom to pick and choose from every past member of Shepard’s crew instead of being constrained to a few hand-picked ones would make the roleplaying experience so much better and more immersive. I mentioned this during my review of Legendary Edition, but “my” Commander Shepard is a different character to other Shepards. They had different friendships, different relationships, and the game is a different experience as a result. Mass Effect 4 will do its best to reflect that, no doubt, and one way to do so is to bring back every surviving squadmate.

This doesn’t mean that there can’t be one or two new characters, and indeed I’d welcome a new couple of squadmates in addition to returning favourites. The franchise needs to grow, after all!

Number 9: Allow players to carry over characters from Legendary Edition.

Players should be able to import their Legendary Edition characters to Mass Effect 4.

Mass Effect 2 and Mass Effect 3 allowed players to take their Commander Shepard from the previous game and import them. This worked really well, and meant that players could complete the entire story without having to begin from scratch with each new game. Though Legendary Edition has some problems and inconsistencies with the way this save importer works, I think it’s absolutely worth allowing players to take their version of Commander Shepard into the next game.

There are a couple of roadblocks that I can see – the first being the ending choices. If Mass Effect 4 does what I suggest and picks one ending, players who made a different choice would have to either reload their save and re-do the ending, or the importer would have to simply ignore this choice.

All decisions and all surviving squadmates should be imported as well.

However, if Mass Effect 4 is to reflect other choices, like which characters survived, which factions players chose to help and ignore, etc. then an import facility is really the only way that could happen. Mass Effect 2 and Mass Effect 3 originally came with an “interactive comic” to allow new players to make certain key decisions, but that really isn’t a great option.

Part of the reason Legendary Edition was made was to bring the Mass Effect series back into contention so that Mass Effect 4 will generate hype, excitement, and sales. It succeeded in that regard, bringing back old players, picking up many new ones, and wiping away most of the stink left over from Andromeda and, to a lesser extent, Anthem. People are looking forward to Mass Effect 4. Having played through the trilogy with our own custom characters, though, and made many decisions which impacted the Mass Effect galaxy, those characters and choices need to carry over to the next game in the series. Even if Commander Shepard isn’t coming back, Mass Effect 4 needs to have the facility for players to import their choices from the original trilogy.

So that’s it.

What happened after the Reaper War? I can’t wait to find out!

Mass Effect 4 is several years away from release, and we’re unlikely to get any more details any time soon. I don’t even want to guess at when we could see the game – it could be 2023, 2024, or even later still depending on all manner of development-side factors.

Despite that, it was a bit of fun to look ahead and consider what I’d like to see from the title. Although I felt Legendary Edition was underwhelming and not all it could’ve been for a remaster, the Mass Effect games are great fun, and the world-building is exquisite. The Mass Effect galaxy feels genuinely lived-in in a way few sci-fi or fantasy worlds ever really achieve, and I’m not alone in looking forward to finding out what happens next!

If we get any significant Mass Effect 4 news, such as casting information, a new trailer, or anything else, be sure to check back as I’ll do my best to analyse it all here on the website.

Mass Effect: Legendary Edition is out now for PC, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series S/X. The Mass Effect series – including Legendary Edition and all other titles mentioned above – is the copyright of Electronic Arts and BioWare. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A Mass Effect remastered wishlist

Spoiler Warning: There are spoilers ahead for the Mass Effect series.

It’s been eight-and-a-half years since Mass Effect 3 was released, rounding out the original trilogy of Mass Effect games. Since then, the franchise has put out a single new title – Mass Effect: Andromeda – which was underwhelming to say the least. For the last six months or more, rumours have been floating around of an impending Mass Effect remaster, and while I was disappointed not to hear any official mention of it at June’s EA Play event, the rumours haven’t subsided. Is something going on with the Mass Effect series?

I have absolutely no idea. But that doesn’t make it any less fun to speculate and fantasise!

Promo artwork for Mass Effect 2.

After Andromeda’s weak launch led to mediocre reviews, memes, and poor sales, EA put the franchise “on hiatus” and Bioware moved on, focusing on the ultimately unsuccessful Anthem. To many of us that sounded ominous – especially given EA’s history of shutting down game studios and killing brands – but if it’s true that a remaster really is in the works, I have a wishlist of things I’d like to see included.

For the record, because I know people like to get excited: I have no idea if a Mass Effect remaster is even being worked on, let alone if any of these ideas or concepts will be included. This is a wishlist from a fan, not “insider information”. If anyone tells you they know something for sure about an unannounced or unreleased project, take it with a grain of salt. With that caveat out of the way, let’s look at my wishlist, which is in no particular order.

Number 1: Delay the project if necessary.

“My face is tired…”

This may seem like an odd one – why talk about a delay to a game that hasn’t even been announced? Well there are two reasons: Anthem and Mass Effect: Andromeda. Bioware’s two most recent titles launched before they were properly finished and polished, resulting in lacklustre sales, mediocre review scores, and online mockery. I’ve said it before, but the memes hurt Mass Effect: Andromeda’s sales far more than review scores. It’s a shame, because the most egregious visual bugs and glitches were fixed in a patch within days, but by then it was too late – the damage had been done.

Andomeda’s development was difficult, and the final build of the game was – at least according to reports – put together in mere months, despite the game having been in development for five years. The reason why I’m saying to EA and Bioware that one of the things I want from any potential Mass Effect remaster is a delay, if necessary, is because I want them to learn from that mistake. The “release now, fix later” concept doesn’t work, and if the game launches to mockery, memes, and mediocrity as Andromeda did, there’ll be no salvaging it – or the franchise, quite frankly.

Number 2: 4K resolution and 60 frames-per-second.

The whole point of remastering a game is to improve its graphics and the way it looks using newer and better technology than was available to the original development team. But the second and third Mass Effect titles in particular still look decent today, and as I keep saying, graphical improvements get smaller and smaller with each new generation.

One thing that has improved in the last few years, however, is the frame rate games can run at. 30fps was commonplace in the Xbox 360 era, when Mass Effect debuted, but now we have 60fps as standard, and on higher-end machines we can push frame rates way further. The bare minimum for a big-budget game in 2020 is 4K resolution at 60fps. If the Mass Effect remaster can’t manage that, a lot of people will wonder what the point of it is.

Number 3: Rework Mass Effect 1 to use Mass Effect 2 and 3′s gameplay.

Mass Effect 2 offered massive gameplay improvements over its predecessor. Gunplay was faster and more fluid, the complicated inventory system was streamlined, and many more quality-of-life improvements made the second game way better than the first. If a Mass Effect remaster is going back to the drawing board to rebuild the games from the ground up, it would be a great opportunity to update the first game to be in line with the second and third.

Aside from making the first game more enjoyable to play, this would also standardise the remastered trilogy, making it an easier experience to go from one game to the next, especially for new players. Mass Effect 2 and 3 don’t really need much improving from a gameplay point of view, but the first title could do with an update.

Number 4: Include all three games – plus all of their DLC – in one package.

No special editions. No deluxe editions. No console exclusive characters or missions. No paid DLC for a thirteen-year-old game. All of the content for all three games should be available in one package. While I’d prefer to see the full trilogy released all at once, one possible option is to follow the trail blazed by Halo: The Master Chief Collection on PC and release the first game, then the second, then the third. But regardless, one price should get players all three games plus all of the DLC.

The Mass Effect series has been poor in this regard. Both Mass Effect 2 and Mass Effect 3 had day-one DLC – which is industry slang for cut content that they could sell separately for more money. Some of the expansions were great, but others added what felt like content that should have been part of the main game, or felt like small additions for the asking price – like adding a single character. Javik, the series’ first Prothean character, was only available as DLC – despite the fact that he played a pivotal role in Mass Effect 3. It’s a good opportunity for the series to put all of that behind it and release the entire story in one package.

Number 5: If the game needs microtransactions, save them for multiplayer.

Mass Effect 3 and Mass Effect: Andromeda had multiplayer modes. I only knew about Mass Effect 3′s multiplayer because failure to participate had an impact on your “war score” or “galactic readiness” during the single-player campaign, which was incredibly annoying. But both games enjoyed moderate success with their multiplayer modes, so I wouldn’t be surprised if EA crams multiplayer in to a Mass Effect remaster too.

If there is a multiplayer mode, this is the place to dump DLC and microtransactions, not in the already-complete single-player story. As someone who doesn’t play a lot of multiplayer, having DLC and microtransactions here will have no impact on my enjoyment of the campaign. If EA has to include in-game monetisation, the least they could do is keep it away from the story.

Number 6: Tweak Mass Effect 3 to at least pay lip service to more player choices.

This was a huge moment in Mass Effect 3 that seemed to go unrecognised afterwards.

I’m not asking for Mass Effect 3′s ending to be fundamentally rewritten; that will never happen. What I think could be done to massively improve the final third of that game is to add in some more cut-scenes, animations, and lines of dialogue recognising the choices players made across all three titles. One of the most disappointing things about Mass Effect 3 for me was that during the climactic final act, many accomplishments from earlier in the game and in the series went completely unacknowledged.

To give an example I’ve used before: if players followed a specific path across all three titles, it’s possible to save both the Geth and Quarian species when it looks like it would only be possible to save one or the other. Having both powerful fleets instead of just one feels like it should have a huge impact on the war against the Reapers… but it didn’t. A few extra “war score points” and two words of dialogue confirming that both fleets had arrived for the final battle was literally all you got for all that effort, and it just felt so hollow and disappointing. That was almost worse than the actual pick-a-colour ending.

Bringing back a few of the voice actors to record a few extra lines, creating some new animations to represent different combinations of fleets, soldiers, and survivors, and overall just tweaking and adjusting the final portion of Mass Effect 3 would go a long way to negating this issue, and if the game is being massively overhauled anyway, why not put in the extra effort? Fans may still be disappointed in the ultimate finale, but if the journey there were improved, it would be a better experience as a whole.

Number 7: Set the stage for a potential Mass Effect 4?

One of the possible endings to the trilogy.

I don’t know if this is really something I want – hence the question mark. But I can only assume that a Mass Effect remaster would be seen by EA and Bioware as a stepping stone to a potential new entry in the franchise, and after the disappointment of Andromeda, surely the only way that could happen would be a fourth mainline entry in the series.

Andromeda’s fundamental problem, beyond the animations and glitches and bland characters, was that it felt like an overblown side-quest. The entire game felt like the B-plot of a better story, and I think that feeling would have persisted regardless of how well-built it might have been. So how could a fourth Mass Effect game work? That’s a huge question, because the ending of Mass Effect 3 was simultaneously so final yet so transformative.

An idea I’ve been kicking around for a while is this: in the aftermath of the Reapers being defeated, a past race that had survived a Reaper harvest re-emerges or returns to the galaxy, looking to reclaim what they see as “theirs”. Shepard comes out of retirement, perhaps fifteen or twenty years after the end of Mass Effect 3 (which would allow time for the galaxy to have rebuilt). The new enemy would be tough and would be just as much an existential threat as the Reapers had been – keeping the stakes high and avoiding the sense of the new fight being anticlimactic.

The Leviathans featured in DLC for Mass Effect 3 and are exactly the kind of faction I’m thinking about with this concept.

But that’s just one fan concept, and there are myriad ideas for how a fourth mainline game could work. However it may happen, the Mass Effect remaster will have to set the stage for a potential fourth game – perhaps by adding an epilogue.

As we’ve recently seen with The Last of Us Part II, some stories don’t need sequels, and when a decision is made to make one anyway, what results can be disappointing to fans. There’s definitely an argument to be made that the Mass Effect trilogy was so special and unique that a sequel is unnecessary – or even unwanted.

Number 8: More customisation options and a better character creator.

The character creation screen in Mass Effect 1.

For a game that released in 2007, Mass Effect’s character creator was okay. But even by the time Mass Effect 2 and 3 were released, the limitations of the original game’s character creator were apparent. Games today can offer so much more in terms of building a unique face for a player character – from hairstyles to tattoos to beards and so much more. The Mass Effect trilogy is jam-packed with cut-scenes which show off Shepard, so making him or her look good is important! The default faces are fine, but a roleplaying game needs some degree of customisation, and the outdated character creator definitely needs an overhaul.

And while we’re at it, let’s have more cosmetic options for armour and weapons. The first game was noticeably lacking in this department, but the second and third titles did have pretty solid armour and weapon customisation. I’d like to see this expanded with a variety of cosmetic options for customising Shepard’s appearance and outfits, including his uniform when not in armour as well as individual weapons. While it may be tempting to turn this feature into a microtransaction marketplace, as mentioned above let’s try to keep that just for multiplayer!

So that’s it. A few things I’d like to see from a potential – but still unconfirmed – Mass Effect remaster.

Fans of Star Trek: Picard who haven’t played through this fun sci-fi game series will note some similarities in the broad strokes of the plot: an ancient race left behind a beacon, warning of the dangers of a race of synthetics who will come to wipe out all sentient life in the galaxy. Sounds familiar, right? While Star Trek: Picard took a very different approach to this story outline, the similarity in premise is something I thought at the time was noteworthy – I even referred to the unnamed faction of super-synths in that show as the “Mass Effect Reapers”.

Remember this faction from Star Trek: Picard?

Is it the right time for a Mass Effect remaster? That’s a good question. The stink of Andromeda is still pretty fresh for a lot of gamers, and the trilogy only ended in 2012. I could absolutely entertain the argument that it’s something best saved for five or ten years’ time rather than something the gaming world needs in 2020 – but I’m not the one making those decisions! If there is a remaster this year or next, I have no doubt I’ll take a look to see what it has to offer. I’ll be curious to stack up a remastered version of Mass Effect 2 or Mass Effect 3 against the original to see how much better it could really look. As I’ve said before, in a lot of ways I’d be happy with a game that has Mass Effect 2′s visual effects even if it were released today, so any remaster will have to go above and beyond to wow me with the way it looks.

Still, I’ll take any excuse to revisit a beloved series. In December I put Mass Effect 3′s ending on my list of entertainment disappointments of the decade, and I stand by that. It was a let-down then. But time is a great healer! Although I’ve replayed the trilogy several times I haven’t touched it in five or six years, so it will definitely be nice to jump back in – assuming the rumours are true and there really is a remaster in the works!

I hope you’ll check back soon for more sci-fi and gaming articles!

The Mass Effect series – including all titles discussed above, as well as potential new titles – is the copyright of Electronic Arts and Bioware. Some screenshots and promotional artwork courtesy of press kits on IGDB. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.