Starfleet Academy: Meet the Cadets

A Star Trek-themed spoiler warning.

Spoiler Warning: There are spoilers ahead for Star Trek: Starfleet Academy Season 1. Spoilers are also present for the following Star Trek productions: The Next Generation, Discovery, and Section 31.

I promised you last time that I was sharing my “final” preview of Starfleet Academy ahead of its premiere, which is now just a couple of weeks away. But since then, we’ve learned a little more about some of the cadets thanks to Skydance/Paramount’s marketing campaign. I have to say that, on the whole, Starfleet Academy hasn’t gotten a particularly impressive marketing push so far, but there’s still a little time left for that to change. I certainly hope that, even if the show isn’t “my thing,” it’ll manage to reach its teen/young adult target audience in a big way. Star Trek definitely needs new viewers, and Starfleet Academy could be the last show of the current streaming era.

But that’s enough about that for now! I wanted to look at the main cadet characters in turn, and share my thoughts on how they seem and what could lie in store for them across the show’s first few episodes. I’m basing all of this on the trailers, interviews and comments from the actors and producers, and the show’s general marketing material. I do not have any “insider information,” and anything I say about these characters or where their storylines could go is speculation, and nothing more!

Promo images highlighting the main Star Trek: Starfleet Academy cadet characters; compilation.
Let’s take a look at the cadets.

It also goes without saying that all of this is *subjective, not objective,* so if you think I’ve missed the point, got it all wrong, or you just hate my take… that’s okay! There’s plenty of room in the Star Trek fan community for polite discussion and differences of opinion, and all I’m doing is offering my take on these characters at this very early stage. I could be wide of the mark or completely wrong, but I hope it’ll be interesting and perhaps a bit of fun to talk about Starfleet Academy once more before the series hits our screens.

I’ll be looking at the cadet characters only, not the senior officers, villains, or supporting cast. We know several of those already, and I don’t really have a lot to say about the likes of Captain Ake or Nus Braka that I haven’t already said across my other preview articles.

So with all of that out of the way, let’s get started!

Promo image of the Star Trek: Starfleet Academy bridge.
The bridge of the USS Athena.

First, a general point. This is something I hadn’t considered until I started writing this piece, but I can’t shake the feeling at this preliminary stage that one of these characters is destined to be killed off – perhaps as early as the first or second episode. We saw this in Section 31, where the Deltan character Melle was a big part of the film’s marketing campaign, but only lasted a couple of minutes and got a grand total of one or two lines before being vaporised.

It can be a good ploy for a series that plans to go all-in on action, mystery, and tension. By setting up a group of characters, only to kill off one of them at an early stage, it raises the stakes in a pretty big way. And with these characters all being brand-new, it leaves us as the audience with the impression that *no one* is safe; that Nus Braka and his band of pirates(?) could attack at any moment, and our favourite cadet could be next on the chopping-block.

Paul Giamatti as Nus Braka in a still from the second Star Trek: Starfleet Academy promo clip.
Nus Braka.

Another reason why I feel this could be possible is that there are a couple of cadets who feel kinda… samey. Genesis and Darem are both on the command track, both want to be captain, and both seem to come from a demanding family background. Then Darem and Caleb almost seem interchangeable to such an extent that I forgot who was who when watching the trailers and reading their bios. They are, obviously, distinct characters… but Darem in particular just doesn’t seem to have as much to say as some of the others.

So could an early death be on the agenda? And if so, will it succeed at raising the stakes? For what it’s worth, I think that basic idea wasn’t the worst part of Section 31, and there was shock value in seeing a hyped-up main character killed off within the first few minutes. Whether it would work as well in Starfleet Academy is unclear, and if I’m already potentially expecting something like that… maybe it won’t land as hard. But I’ll be curious, at least, to see if I’m even close to being right!

Still frame from the Star Trek: Starfleet Academy trailer showing the main cadets.
Will everyone survive the opening few episodes?

Caleb, to me, seems like he’s being set up as kind of a deuteragonist, along with Captain Ake. He certainly seems to be the most-developed of the cadets narratively, and the character who seems to have the biggest connection to the show’s overarching story – barring any surprises from the others, that is. Caleb seems to be being positioned as the “main” cadet, perhaps even taking on a role not dissimilar to Michael Burnham in Discovery. Burnham was that show’s principal character, and it was her development, relationships, and story that was in focus a lot of the time. Starfleet Academy could be doing something similar with Caleb.

Of all the cadets, Caleb seems like the one most impacted by the aftermath of the Burn, too, and that’s something I hope Starfleet Academy will be able to make more of than Discovery ever did. I wrote a while ago that Discovery’s “post-apocalyptic” setting didn’t really stick the landing for me, and a big part of why is because of how quickly the Burn, its impact, and its aftermath were ignored after Season 3. Most characters we met and most storylines we saw either made the barest of references to the Burn or sidelined it entirely, and that just wasn’t very satisfying.

Still frame from the Star trek: Starfleet Academy trailer showing Caleb being rescued.
How was Caleb’s life influenced by the Burn and its aftermath?

Caleb, coming from a difficult background outside of the rump Federation, seems to have experienced the worst of the post-Burn galaxy firsthand, presumably prior to the discovery of the dilithium nebula and the restoration of much of Starfleet. That backstory is genuinely interesting, and through Caleb’s eyes we might get to see a bit more of what the galaxy looked like before Burnham and the USS Discovery began to put things right.

This could also tie into Caleb’s “undeclared” speciality at the Academy. I picked up on this a while ago, when all of the other cadets had their specialities (or majors, if you prefer) mentioned when we were introduced to them. “Undeclared” doesn’t necessarily mean that Caleb hasn’t yet chosen a speciality – command, science, medical, engineering, and so on. It *could* mean that he knows what track he’s on, but for some reason he can’t make it public. That could indicate he’s on some kind of security or intelligence course, which could be interesting.

Still frame from a Star Trek: Starfleet Academy promo clip showing Caleb.
Caleb.

If so, would that connect to his backstory as an orphan with a difficult upbringing? Could Caleb have an agenda for enrolling at the Academy – perhaps hoping to use his new Starfleet security and military skills to help the people he left behind? That could be interesting – all of the other cadets are there by choice, but maybe Caleb, who seemed to have his arm twisted into enrolling by Captain Ake, has a hidden agenda. Given modern Star Trek’s love for Section 31, Caleb’s “undeclared” major could also connect with that.

Romantically, Caleb seems to be linked with Tarima, a character we know very little about and who may not be as big a part of the show. A romantic entanglement definitely fits the whole “teen drama” thing that Starfleet Academy is going for, and if anyone was going to get a (presumably) rocky or complex romantic relationship, it makes sense that it would be the main cadet! I expect we’ll see something comparable to Burnham’s relationship with Booker in Discovery, but with more of a young adult/teen flavour.

Still frame from the Star trek: Starfleet Academy trailer showing Tarima and Caleb holding hands.
A romantic entanglement…

Tarima, who isn’t included as one of the “main” cadets in most of the show’s pre-release marketing, is described as being a “daughter of the president of Betazed,” which opens up a few interesting possibilities. There’s a remote chance, perhaps, that we’ll get a link back to Lwaxana and Deanna Troi, or just a reference to those characters. We could learn more about the Betazoids – I never knew, until now, that Betazed was a republic. Lwaxana’s very regal-sounding titles (Daughter of the Fifth House, Holder of the Sacred Chalice of Rixx, Heir to the Holy Rings of Betazed) always felt like they implied, to me, some kind of aristocracy at the very least, if not a theocratic or monarchical system.

Having a Betazoid character also opens up telepathy and empathic storylines, with Tarima perhaps able to “read” people the way Deanna Troi did in The Next Generation. She might be able to sense Nus Braka’s approach, for instance, or help guide Caleb (and others) with their own fears and feelings. Tarima says at one point that she’s “not like other Betazoids,” which is interesting, and I also noted that she isn’t wearing a typical cadet’s uniform in any images or clips we’ve seen of her so far, so she may not be a full cadet. A Betazoid character is also a nice callback to The Next Generation era, and even if Tarima isn’t a major player in the series, her inclusion is one of those threads of continuity that helps keep Star Trek together.

Still frame from a Starfleet Academy promo clip showing Tarima.
Tarima says she’s “not like other Betazoids.”

Sam (or SAM, in all caps?) confuses me. Why go to all the trouble of creating a sentient hologram – an A.I. – only to make them… go to school? I hope we’ll learn what the point of that was; previous holograms, from the Doctor to Professor Moriarty, emerge fully-formed, or at least equipped with the knowledge and skills they need to perform the roles they’re assigned. The Doctor, in Voyager, wasn’t created as a kid and forced to go to medical school; the whole point of making an A.I. (in Star Trek as well as in the real world) is that they can perform tasks humans can’t or supplement human skills. So… why create a holographic teenager and send her to school?

Also from Sam’s backstory we learned something a bit… I dunno. Disappointing, I guess. Sam will be the first-ever hologram to attend Starfleet Academy. But this is coming more than eight centuries after the Doctor first began to establish the idea of holograms having rights, and after Picard and the crew of La Sirena overturned a ban on synthetic life-forms. For so much time to have passed with no holograms being admitted to the Academy feels like it’s something that requires an explanation.

Still frame from a Starfleet Academy promo clip showing Sam.
Sam… or SAM.

One thing that interests me about Sam – and this could also apply to the Doctor, too – is how there’s the possibility to look at the development of artificial intelligence through Star Trek’s sci-fi lens. As far back as The Original Series, with episodes like The Ultimate Computer, the Star Trek franchise tackled the growth of automation, of A.I. “misalignment,” and through characters like Data and the Doctor, the idea of synthetic life as being akin to organic life. Sam’s inclusion in the series could set up similar storylines.

With A.I. being such a big deal at the moment – generating a ton of money, a ton of interest, and a ton of backlash – you could have hardly picked a better time to tell a story about a young, “newborn” A.I. system coming online, and having to learn how to interact with humans and other organic beings. There’s the potential, at least, for some very interesting allegorical storytelling through this character. And, as I said before when we first learned that Sam is a hologram, her interactions with the Doctor will be of particular interest.

Still frame from the Starfleet Academy trailer showing SAM and the Doctor.
Sam with the Doctor.

Jay-Den is an interesting name for a Klingon, isn’t it? Is that meant to be a joke; a silly reference to the name of someone on the production team? Or could there be more to the idea of a Klingon having a human-inspired first name? As far as I know, Jay-Den is a full Klingon – not like Nus Braka or Lura Thok, who are partial Klingons with other ancestry. And he’s also attending Starfleet Academy – a traditionally human-centric school based on the human homeworld. Is his name a clue to some kind of human ancestry or human-supporting Klingon faction, perhaps?

One thing that disappointed me after Discovery shot forwards in time was the lack of attention paid to the state of the galaxy at large. There are several major factions that we met across Star Trek’s history who were never even mentioned, leaving it totally unclear whether they even still existed as independent powers. The Klingon Empire was first amongst them. It seems, thanks to Jay-Den’s role in Starfleet Academy, that there’s the potential to learn a lot more about the Klingons in this era, and that can only be a good thing. It’s also interesting to note, in a time period populated by a lot of hybrid characters who are half-one species, half-another, that Jay-Den appears to be a full Klingon.

Still frame from the Starfleet Academy trailer showing Jay-Den Kraag sitting in a window.
Jay-Den aboard the USS Athena.

My two biggest questions would be whether the Klingon Empire eventually joined or merged into the Federation, or whether it remained an independent power. And secondly, what happened to the Klingons – independent or Federation members – during and after the Burn? One storyline that could have been interesting in Discovery, that the show never even attempted to tackle, would have been the reaction of other interstellar powers to the Federation being the source – and arguably the *cause* – of the Burn. It was a Federation member’s ship, operating under Starfleet orders, that was the epicentre of the Burn, and a Federation citizen who (unknowingly) instigated it. How would the Klingon Empire react to that information?

And more broadly, what happened to the Klingons after the Burn? Given that we didn’t see a single Klingon in Discovery, we could assume that they weren’t full Federation members, right? But then… how is Jay-Den a Starfleet cadet? Would Starfleet really give priority to a non-Federation citizen right as the Academy re-opens, when surely there would be millions of Federation citizens who’d want to apply? Those are interesting ideas that this character could explore. At the very least, the status of the Klingons, their Empire, and their possible Federation membership will all be points that Jay-Den’s storylines could touch on.

Still from a behind-the-scenes promo clip for Star Trek: Starfleet Academy showing Karim Diané's uniform test.
Actor Karim Diané during a costume test.

Genesis is the cadet who left the least significant impression on me. The only thing I put in my notes about her is that she’s the daughter of a Starfleet admiral, and she’s on the command track, which seems to lead her to butt heads with Darem at one point. The only Starfleet admiral we’ve met and who we know has a role in the series is Vance – and we know, from Discovery, that he has a wife and daughter. Those characters looked human when we caught a glimpse of them, so unless there’s a retcon, I doubt Genesis is meant to be connected to Admiral Vance… but it’s not impossible, I guess.

Through Genesis, we could get a story about living in the shadow of an illustrious parent – something a *lot* of Hollywood writers, producers, and performers have experience with! We could get a story about overcoming those connections, perhaps with Genesis trying to make a name for herself on her own terms, or having to combat the idea that she is, for want of another term, a “nepo baby.” Maybe we’ll even learn that her admiral parent pulled some strings to get her into the Academy ahead of other candidates… that could be interesting. A kind of “Operation Varsity Blues,” Star Trek edition.

Still frame from a Starfleet Academy promo clip showing Genesis.
Genesis.

Honestly, though, I don’t really have a lot to add about Genesis. Her species, the Dar-Sha, appear to be new to the franchise, and despite some apparent visual similarities, don’t appear to be connected to the villainous Nus Braka, who’s described as part-Klingon, part-Tellarite. Maybe it’ll be interesting to learn about her people; if one of her parents is a Starfleet admiral, the Dar-Sha could be longstanding Federation members, perhaps.

Darem, as mentioned, seems to be a character who has some traits similar to Genesis and Caleb. He’s the second command track cadet, along with Genesis, and aside from potentially pitting them against each other, I’m not really sure what that will add to the series. If I had to pick one cadet for my “killed off early to raise the stakes” theory, I think it’s gotta be Darem.

Promo photo for Star Trek: Starfleet Academy showing cadets in the cafeteria.
Darem with the other cadets.

At one point, we seemed to hear other cadets chanting his name, which could mean he’s popular among his peers – another point in favour, perhaps, of my “kill him off” theory! And Darem, supposedly from a wealthy background, could have something to say, perhaps, about wealth inequality in the university admissions process. Darem isn’t human, he’s a Khionian, which seems to be another new species created for the show. Though there are two similarly-named species – one extinct and one made of pure energy – that we’ve seen in Star Trek before.

One question I’d have about Darem, or rather his family, is where their wealth comes from. If they’re Federation members, surely they conform to the “no money” idea that’s been present in Star Trek since the beginning. But in the post-Burn galaxy, it seems like the way to get rich probably isn’t by behaving ethically. So there’s that – and there’s the same kind of question I had with Genesis: did wealth have any bearing on the admissions process when Darem wanted to attend the Academy?

Still frame from a Starfleet Academy promo clip showing Darem.
Am I right about Darem?

So I think that’s all I have for today.

Starfleet Academy is only a couple of weeks away from its premiere, and I will certainly be reviewing the two-part start to the season. I still haven’t decided whether I’ll do individual episode reviews after that, or whether I’ll review the entire season in a single piece. I think it’ll depend on whether I feel there’s a lot to say, whether I have theories I want to write, and so on! But at the very least, you can expect a review of the premiere in a couple of weeks’ time, and a review of the season as a whole after it wraps.

I hope this has been interesting. After Skydance-Paramount produced those little vignettes about the cadets, and teased a little more information about them, I wanted to talk about what we learned, speculate, and preview where some of their character arcs might go. I could be totally wrong with all of it… but it’s still a bit of fun to spend a bit more time in the Star Trek galaxy! Be sure to join me for that review of the premiere, and until then… Live Long and Prosper, everyone!


Star Trek: Starfleet Academy will premiere on the 15th of January 2026 on Paramount+ in countries and territories where the service is available. The Star Trek franchise – including Starfleet Academy and all other properties discussed above – is the copyright of Skydance/Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Starfleet Academy: The Final Preview

A Star Trek-themed spoiler warning

Spoiler Warning: There are spoilers ahead for Star Trek: Starfleet Academy. Spoilers are also present for the following Star Trek productions: Discovery, Picard, and Prodigy.

At time of writing, we’re just over five weeks away from the premiere of Star Trek: Starfleet Academy! Paramount/Skydance has begun ramping up the show’s marketing, with interviews, a new poster, and most recently, a new clip from the show. I thought we could take a look at those today, as well as look back at earlier trailers and teasers, and just talk a little about my thoughts, fears, and hopes for the Star Trek franchise’s newest series.

First of all… I still feel, based on what we’ve seen and heard since the Skydance takeover, that Starfleet Academy will be the final Star Trek series, at least for the foreseeable future. And unless it were to truly explode in popularity, storming the streaming charts to genuinely compete with the likes of Wednesday, Squid Game, and Stranger Things, I also feel increasingly confident that the two already-announced seasons will be all the show will get. This is not one of Skydance’s pet projects, and I get the impression that – as with Strange New Worlds – Star Trek’s new corporate overlords will fulfil their contractual obligations, but won’t pursue any kind of continuation for the series beyond what had already been lined up. I could be wrong – and I hope Starfleet Academy will prove such an overwhelming hit that it prompts a rethink in the Paramount-Skydance boardroom! But that’s where I feel the show, and the wider franchise, are at right now.

Still frame from the Star Trek: Starfleet Academy promotional clip showing the USS Athena.
The USS Athena.

And from that negativity to… some more negativity. Sorry.

I… did not think very much of the new clip, to be blunt. Don’t get me wrong: there are some interesting things and some great acting performances, and it was wonderful to see the Doctor back in live-action for the first time. But there are also some pretty disappointing things to see, one of which ties into something I’ve been saying about Starfleet Academy since before the show was even officially announced: this didn’t need to be a serialised story with another galaxy-threatening, over-the-top villain.

Paul Giamatti is *fantastic.* I loved him in the miniseries John Adams a few years ago, and this is a man who’s won three Golden Globes, an Emmy, and been nominated for two Academy Awards. Giamatti was talking about Starfleet Academy at a recent promotional event, and he seems genuinely enthusiastic about Star Trek, recalling watching the show as a kid, and even talked positively about Deep Space Nine. Which makes it such a shame that, from everything I’ve seen of his performance in the previous trailer and now in the new clip, he seems flat, one-note, over-the-top to a totally unnecessary degree, and just… boring.

Still frame from the Star Trek: Starfleet Academy promotional clip showing Nus Braka laughing.
Do you see what I mean?

Star Trek *can* do great things with bad guys who get under your skin and really chew the scenery. Khan was like that, if you think about it, and yet fans adore both Space Seed and The Wrath of Khan to this day. But in this modern era, after we’ve had Discovery’s Klingons, the Control AI, the Zhat Vash, Osyraa and the Emerald Chain, various Borg Queens, the Diviner Vadic, Moll, and… whoever else I can’t call to mind right now, do we need *yet another* villain in that mould? After we’ve had so many “villain with a mysterious connection to a main character,” and “villain seeking revenge against Starfleet/a main character” storylines across the past decade… do we need to go down that road again?

To me, Starfleet Academy seemed like the perfect vehicle to do something different. The show would benefit, in my opinion, from following the Strange New Worlds style – leaning much more heavily on episodic storytelling, and leaving things like a main villain and galaxy-ending threats behind. Star Trek, in its prime, was the best kind of episodic television, and while there’s always been room for sequels, character growth, and ongoing story and character arcs… a show like Starfleet Academy, with its focus on a new generation of up-and-coming officers, just seems like it should be perfectly placed to bring back that style of storytelling.

Still frame from a Star Trek: Starfleet Academy promo video showing Paul Giamatti in the makeup chair.
Paul Giamatti in the makeup chair.

Maybe, if Nus Braka didn’t seem so cartoonishly over-the-top, I’d be a bit less critical. And despite what I’ve said, I really will try to give the character – and Starfleet Academy – a fair shake in January. I’m not going to turn up for the show wanting to have a bad time, just so I can say “I knew it” later on. But when one of the things that had excited me the most about Starfleet Academy, before we knew anything else about the show, had been the casting of Paul Giamatti… I’m decidedly unimpressed with what I’ve seen from him so far.

If there’s more subtlety and nuance to the character of Nus Braka in Starfleet Academy, I will happily take back everything I’ve had to say about the character and the performance. And I’ve been wrong before – going into projects with low or no expectations only to be left genuinely impressed. Heck, I was not on board with the idea of re-casting Pike, Spock, and Number One for Discovery’s second season… and look how that turned out! So if I’m wrong, I’ll gladly hold up my hands and admit it. But… if I *am* wrong, and this character isn’t the one-note, scenery-chewing villain stereotype that he seems to be, it’ll leave me wondering why the clips and trailers were cut in such a way as to leave me with that impression!

Promotional photo of Paul Giamatti as Nus Braka in Star Trek: Starfleet Academy.
Nus Braka.

The second performance from the recent clip that’s giving me pause is Gina Yashere’s. Yashere plays the role of Lura Throk – an interesting character on paper, as she’s half-Jem’Hadar, half-Klingon. But the way she delivered the couple of lines she had in the clip really just felt amateurish to me. I’m only familiar with Yashere’s work as a comedian; several of her stand-up specials were televised here in the UK, and she also appeared a few times on a comedy panel show called Mock the Week.

Lura Thok *looks* great – there’s some fantastic prosthetic makeup that’s really brought the character to life. And I’m genuinely intrigued at the possibility of learning more about the Jem’Hadar – and by extension the Dominion, perhaps – in this new 32nd Century era. But the way she delivered her lines left me incredibly wary and unconvinced; it felt like I was watching a fan film, when Lura Thok was in focus. Again, these are short moments, and the performance may come across way better in the finished product. But… this is Starfleet Academy’s big push, and the show should be putting its best foot forward to attract as wide of an audience as possible. Performances like that are not the way to do it.

Still frame from the Star Trek: Starfleet Academy promotional clip showing Lura Thok and Captain Ake.
Lura Thok with Captain Ake.

After criticising those two performances, I find myself wrangling with Starfleet Academy’s status and its place in the franchise. When I’ve spoken about two other Star Trek projects in the past – Prodigy a few years ago and Scouts earlier in 2025 – I went out of my way to note that they’re productions aimed at a younger audience. That, by definition, changes how we approach them and where we might choose to be critical. In short, Prodigy and especially Scouts aren’t really being made for the likes of you and I – adult fans who’ve been Trekkies for a long time. They’re aimed at children, with a view to expanding the Star Trek franchise beyond its usual niche.

Is Starfleet Academy in the same camp? Or, to put it another way, am I being too harsh on the show already under the mistaken impression that, because it’s in live-action not animation, it should be held to the same standards as the likes of Strange New Worlds?

Still frame from the Star Trek: Starfleet Academy promotional clip showing Captain Ake in the captain's chair.
Nahla Ake in the captain’s chair.

This gets to a deeper question, I guess. What’s the purpose of Starfleet Academy? Is it to give Trekkies and sometime fans of the Star Trek franchise another show to enjoy? Or is it aiming to attract a younger audience – tweens, teens, and young adults, the kinds of folks who’ve shown up in droves for the aforementioned Wednesday and Stranger Things? And if it’s the latter… should we be a bit more forgiving about some of the things we don’t like?

Some entertainment products which are supposedly made for kids or aimed at a younger audience end up going way beyond their target demographics. I have a neighbour who’s in his 80s, and in a random conversation with him he brought up that he’d watched and enjoyed Wednesday, having been a fan of The Addams Family decades earlier. And speaking for myself, I greatly enjoy some films and TV shows aimed at a younger audience: just this year I’ve watched and enjoyed Phineas and Ferb, for instance, and the film KPop Demon Hunters. So I don’t necessarily think that the argument “it’s for kids, dumbass” can or should be used to cover any and all flaws; there’s good and bad kids’ entertainment, just as there’s good and bad entertainment made for adults. But, at the same time, Starfleet Academy’s marketing material has shown me pretty clearly that, as someone in their 40s, I’m not really the target audience for a show about young adults at their equivalent of university. And I’m okay with that!

Still frame from Star Trek: Scouts showing the three main characters.
Star Trek: Scouts is a new web series aimed at a preschool audience.

I want to judge Starfleet Academy as fairly as possible, and meet it where it is, on its own terms. This is something I’ve said before on multiple occasions – earlier this year, for instance, I wrote that Star Trek: Section 31 felt, to me, like a perfectly adequate B-movie; not great, not terrible, the kind of mindless action flick that’s the television equivalent of “easy listening” and that doesn’t demand much thought or attention. When I realised that I was watching a B-movie, I kind of went with it. While I get that there was a lot of disappointment in the fan community around Section 31, on its own terms, it was okay. Not the best thing I’ve ever seen the franchise put out… but in context, it was fine.

So… shouldn’t I try to be consistent and hold Starfleet Academy to that same standard?

Rather than judging Starfleet Academy by the standards of Picard and Strange New Worlds, I think – based on what I’ve seen so far – we need to compare it to something like… Dawson’s Creek or The O.C. It’s clearly being pitched to younger folks as a “teen drama” set in the Star Trek universe, not a Star Trek show which just happens to have young adult characters. And maybe that means we’ll get storylines about first loves, skipping class, overly-strict teachers, and all of the tropes that come with that kind of television. That isn’t usually my cup of tea… but I will try to keep that in mind when I talk about Starfleet Academy and the stories it aims to tell.

Still frame from the Star Trek: Starfleet Academy trailer showing the cadets.
The main cadet characters, as seen in the first trailer.

The recently-released poster also leaves that impression. I’ve seen some Trekkies online complaining about or criticising the poster – which depicts the cadets in a casual pose, lying on the grass, presumably in between classes! It evokes a kind of carefree schooldays feel, as if the characters are taking a break from their lessons and whatever personal conflicts or drama may be brewing.

Again, trying to keep in mind who Paramount-Skydance is trying to appeal to… I think that’s probably a good way to go. If the objective is for Starfleet Academy to be a teen drama first and a Star Trek show second, this kind of promo is *exactly* what I’d have suggested. It doesn’t mean we’ll get to see the poster recreated in the show itself, but rather the sensation or feeling that the designers and marketers wanted to create is one of carefree youth. Hopefully it’ll reach the right eyes and convince some new folks to tune in.

Promo poster for Star Trek: Starfleet Academy (landscape version).
The new promotional poster.

To get back to the latest clip, I’m glad we got to see the Doctor in action. Robert Picardo seems to have slid effortlessly back into the role, and I’m really keen to see what this new take on the character will look like. We’re catching up with the Doctor centuries after we last saw him, though I got the impression from a recent interview that *maybe* the Doctor’s holo-programme hasn’t been running continuously for all of that time. Don’t quote me on that, it’s as much a guess as a “theory,” at this stage!

Although the Doctor will clearly have some kind of role as an educator, the clip showed him back in action, tending to and potentially treating wounded cadets and Starfleet personnel after the attack on the USS Athena. Even if that’s the only time the Doctor plays that kind of role… I’m still glad to see it! As an artificial life-form, the Doctor should retain all of his knowledge and skills, even after all this time. I hope the Doctor’s role won’t just be a succession of short cameos, though. There are only ten episodes in the new season, and we’ve got a whole new cast of characters to meet and new storylines to follow. But if Star Trek is gonna do this – bring back another legacy character – they have to be handled with care, and given enough time in the spotlight to feel like they’re there for a purpose. Otherwise… it’s just a nostalgia play to get grumpy old gits to tune in for this new kids’ show!

Still frame from the Star Trek: Starfleet Academy promotional clip showing the Doctor assisting an injured colleage.
The Doctor… and the patient.

We didn’t see very much of the cadets in the recent clip. A scene on the bridge with Captain Ake was interesting – and we’ve learned fairly recently that she’s a Lanthanite. The Lanthanites are a long-lived humanoid species, of which Pelia, from Strange New Worlds, is the only member we’ve met so far. I wonder if there’ll be a connection between them, or some kind of reference to Pelia in the new series.

Holly Hunter, the Academy Award-winner who plays Captain Ake, was far and away the standout performer in the recent clip. She seems to have perfectly brought to life this character who’s both a captain and a teacher, ancient and wise yet constantly surrounded by children. There wasn’t much of Pelia’s light-heartedness in Captain Ake’s characterisation, but that’s fine. I don’t think that, just because one member of a species acts a certain way, every subsequent character must do the same! I’m not sure how I feel about her choosing to wear glasses, though – but perhaps it’ll be explained that that’s a quirk she’s retained after centuries of life? I dunno.

Still frame from the Star Trek: Starfleet Academy promotional clip showing Nahla Ake.
Captain Nahla Ake.

I’m not *wild* about the design of the USS Athena. To be fair, I don’t think what I’ve seen of the exterior of the ship is atrocious, and it’s probably in line with other 32nd Century Starfleet designs that we saw in Discovery… but I wasn’t especially keen on those, either. Inside, the bridge still feels to me like a redress of the USS Discovery bridge set, rather than a totally original creation. Combined with an exterior that doesn’t feel all that special, the USS Athena just doesn’t strike me as being particularly memorable. When I think about some of the best starship designs, my mind goes to iconic vessels like the Excelsior-class, Galaxy-class, or Intrepid-class. All I can say is that I hope the Athena will grow on me over the course of the show.

One thing I did like, though, was the design of Braka’s ship. Three separate pieces seem able to break apart and come together. It reminded me of a cross between Booker’s ship, which we saw in Discovery, and the USS Prometheus from Voyager, which also had a three-part separation sequence. Perhaps there was also a dash of the Shrike – Vadic’s ship from Picard – thrown in there, too. Certainly a more memorable design than the Athena!

Still frame from the Star Trek: Starfleet Academy promotional clip showing a villain's spaceship.
Nus Braka’s three-part ship.

The callback to Discovery’s programmable matter was interesting – but I hope this will be developed a bit more in the new series. In Discovery, programmable matter was basically a glorified macguffin, used to fill holes in a few storylines but without ever really being explained. Star Trek’s technobabble has always been like that, but if programmable matter is as important to Starfleet in this era as it appeared in Discovery, and is going to be used by the villain of this story, I hope we get to look at it in a little more detail this time.

One thing I noted in the clip was that Caleb – the cadet we saw being rescued by Captain Ake, and who seems to have a mysterious connection to Nus Braka – didn’t know what this programmable matter attack was. Does that tell us something, perhaps, about his life prior to enlisting in Starfleet? I thought it was potentially interesting that, of all the cadets who could’ve filled that role, it was Caleb who was the one to get the “what is that?!” line. It could be nothing of consequence, though, if Starfleet Academy ends up following Caleb’s story more closely than those of the other cadets.

Still frame from the Star Trek: Starfleet Academy promotional clip showing Caleb and Kraag.
Does this moment mean… anything?

I think that’s everything I had in my notes for today.

This time last year, I said that I was sceptical about the Section 31 TV movie. I felt that it was targeting a younger audience, raised on action and superhero flicks, and that that kind of film might not be to my taste. But I tried to set appropriate expectations and gave the film as fair a shake as I could. I will endeavour to do the same for Starfleet Academy, which likewise feels like a project that may not be “my thing.”

I hope this has been interesting, and I hope I didn’t come across as too harsh, unfair, or overly negative. I really will try to be fair to Starfleet Academy when it premieres next month, and to go into the show with an open mind. Even if it is the kind of teen drama that I’m assuming, based on its marketing material, that doesn’t, by default, mean it will be unenjoyable! The clip may not have impressed me, and I do have some concerns about the show’s villain and a potential return to serialised storytelling. But I’m also crossing my fingers and hoping that – finally, belatedly – *this* will be the project to bring a new generation of fans to the Star Trek franchise.

Still frame from the Star Trek: Starfleet Academy promotional clip showing the programmable matter attack.
The programmable matter attack…

In January, I plan to review Starfleet Academy’s premiere, which I think I’m right in saying will be two episodes. After that, I will make a decision about whether or not to review individual episodes or the season as a whole – that’s not something I want to commit to until I’ve got more of a feel for the show. But regardless, I will review Starfleet Academy in some form in the new year, so I really hope you’ll join me again for that.

And until then, I’ve still got a couple of other reviews from 2025 that I’m working on, and later in the month there’ll be my annual End-of-Year Awards, in which I’ll hand out some imaginary trophies and made-up statuettes to some of my favourite entertainment experiences of the year. Hope to see you for some of those!

Live Long and Propser, friends!


Star Trek: Starfleet Academy will premiere on the 15th of January 2026 on Paramount+ in countries and territories where the platform is available. Star Trek: Starfleet Academy is the copyright of the Skydance-Paramount corporation. This preview contains the thoughts and opinions of one person only and is not intended to cause any offence.