Tag: aurellio

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3, Star Trek: Picard, and other iterations of the franchise.

Thirteen weeks have just flown by, haven’t they? Star Trek: Discovery Season 3 premiered in the middle of October – right after Season 1 of Star Trek: Lower Decks came to an end – and now, just after New Year, it’s over. I have to say that I miss the twenty-plus episode seasons we used to get! But that’s just one way that television shows have changed since the 1990s, I suppose.

For the third week in a row, the title of the episode was changed from what had been previously announced. That Hope Is You, Part 2 was previously known as Outside, but immediately after There Is A Tide aired last week, the title was changed. That Hope Is You, Part 1 was the title of the season premiere, and while it seems odd on the surface to call the season finale the second part – especially considering the entire season has been one continuous story – it works well and bookends the season. As an interesting aside, we saw two different numbering styles used for the multi-part episodes this season. Terra Firma and Unification III both used Roman numerals to denote their parts, whereas That Hope Is You uses Arabic numerals. I wonder why that is?

There Is A Tide was phenomenal last week, and I was hoping for more of the same from That Hope Is You, Part 2. My only real criticism last time was that there seemed to be an awful lot of story left for the finale to get through, and I speculated then that the season may end on a cliffhanger – but that wasn’t the case. The episode was the longest of the season by far, clocking in at almost an hour, and while I would say one of its two storylines probably could’ve used more screen time, That Hope Is You, Part 2 did a reasonably good job at wrapping everything up. It certainly exceeded Star Trek: Picard’s finale in that regard!

I had a great time with That Hope Is You, Part 2… well, for about three-quarters of it. The sequences aboard Discovery that focused on Book, Burnham, Tilly, and other crew members were action-packed and exciting, equalling the heights Discovery reached last week. But the sequences with Saru, Adira, Culber, and Su’Kal didn’t reach that level. This storyline was not my favourite part of either the episode or the season.

And we do have to consider the role That Hope Is You, Part 2 has as the season finale. As mentioned, my theory that the season may end on a cliffhanger did not come to pass, so every story thread we saw across the season that hadn’t already been completely tied up was supposed to find a resolution here. The Emerald Chain storyline, which had been teased as early as the premiere and more firmly established by the halfway point of the season, certainly was concluded. And though perhaps it needed more screen time, or needed its sequences spread out over three or four episodes instead of two, Su’Kal’s story was concluded too.

In both of these, though, as well as in the very short, almost blink-and-you’ll-miss-it scenes showing Ni’Var and Trill, we come to what is perhaps the episode’s big weakness. After the main stories – both of them – were more-or-less over, we got an epilogue of sorts that was about six minutes long. This epilogue told us about some incredibly important events, and as you may have heard me say before, it needed to show not tell. In a rapidly edited sequence, part of which was narrated by Burnham in voiceover, we saw or heard that: Trill had rejoined the Federation, Ni’Var was on the brink of doing so, the Emerald Chain has “fractured,” Saru is taking a sabbatical – if he hasn’t outright left Starfleet, Mr Sahil has become a Starfleet officer, Aurellio has maybe joined up with the Federation – but maybe not, Stamets was reunited with Adira and Culber, the Sphere data is safe, and finally, Burnham was promoted and has become Discovery’s new captain.

None of these points are problematic at all – in fact, I adore all of them, and the sequence itself had me feeling genuinely emotional. But there was a lot of important story crammed into those final minutes, some of which I really wish had been expanded upon and given their own moment in the spotlight instead of just being briefly mentioned in this epilogue.

Also, this epilogue was the moment where other characters and stories from earlier in the season should have been included, surely? What about the denizens of the Colony from Far From Home, the humans in the Sol system from People of Earth, Nhan, who had been left alone aboard the USS Tikhov in Die Trying, or the people of Kwejian from The Sanctuary? I’m not saying the sequence needed more jammed into its six minutes, but it feels like this was the moment to at least acknowledge the stories that happened across the rest of the season considering That Hope Is You, Part 2 had already tipped its hat to the others mentioned above.

So we seem to have started at the end, which is a little strange! But never mind. Let’s look next at Su’Kal and the Burn. Discovery Season 3 did a lot of things right, and my initial concerns about a “post-apocalyptic” Star Trek series turned out to be largely unfounded. The sense of optimism and hope that are – in my opinion – fundamental parts of the franchise were missing from the bleak, post-Burn 32nd Century – but they were present in Burnham, Saru, the crew of Discovery, Admiral Vance, Booker, Sahil, and many other characters across the season. In that sense the story of the Burn was a success.

The event itself, however, and the resolution to it that we saw in Su’Kal and That Hope Is You, Part 2 just doesn’t sit right.

We’ll come to narrative in a moment, because my primary concern right now is the Burn’s real-world messaging. We have Su’Kal, a man with mental health problems and/or a learning disability, as the unintentional cause of the Burn. There is a sizeable stigma around mental health and learning disabilities here in the real world, and I just feel that Su’Kal being presented as the man who accidentally ruined much of the galaxy plays into some harmful stereotyping. Su’Kal comes across similar to Lenny, the rabbit-loving man from John Steinbeck’s novel Of Mice And Men. It’s implied that Su’Kal is the way he is because of the environment he’s spent his life in, but even so, there’s an obvious literary parallel. Lenny ends up accidentally killing someone in that novel, because he doesn’t know his own strength and he doesn’t realise what he’s doing. Su’Kal has done the same basic thing, only on a much bigger scale.

The message this seems to send is what I find at least a little upsetting in 2021. Though Su’Kal is portrayed sympathetically – and I would credit Bill Irwin with a wonderful performance – the sympathy he elicits is more like pity. We look down at Su’Kal as a pitiable idiot, someone too dumb to know what power he had and what it could do. We look at him like we look at Lenny.

People with mental health conditions – a category into which I fall – don’t want pity, nor do people with learning disabilities. Yet Discovery is playing into century-old stereotyping that we really should be trying to move beyond. This season has seen some wonderful storylines that deal with complex issues, but its two attempts to depict mental health – with Su’Kal and Lieutenant Detmer in earlier episodes – just didn’t work. Detmer’s story got so little time that it was basically meaningless, despite being well-intentioned, and Su’Kal’s story just rubs me the wrong way. I feel that the decision to make the Burn the fault of someone in his position was the wrong one, and the message it sends is one I’m not comfortable with.

Su’Kal himself is one aspect of the Burn that I feel didn’t come across well, and I hope my explanation and reasoning make sense to you. But narratively too, the resolution to the Burn feels anticlimactic. There’s a disparity between the epic nature and scale of the Burn and the man who we now know is the cause of it. It feels like a non sequitur; that the Burn cannot logically follow from Su’Kal getting upset – or screaming, as Culber and Adira would explain.

As I said in my review of Su’Kal a couple of weeks ago, there is something uniquely “Star Trek” about this resolution to the Burn’s story. And from that point of view, as a storyline which is perhaps closer to fantasy than sci-fi, it doesn’t feel out of place in this fictional universe, not when you stand it up alongside the storylines of episodes from past iterations of Star Trek such as A Piece of the Action, Masks, Facets, or The Gift. There’s a weirdness to the Burn being a telepathic child’s scream that is, in a peculiar way, something you wouldn’t see outside of Star Trek. I count myself among many Trekkies for whom this weirdness is precisely what was appealing about Star Trek when I first saw it.

So in a sense, the story of these final few episodes as far as the Burn is concerned fits right in within a franchise that can give us the episodes mentioned above. The Gift, from Voyager’s fourth season, is actually a pretty good frame of reference, as it’s a story which shows Kes’ mental abilities. She’s able to propel a starship thousands of light-years with the power of her mind, and that’s not a million miles away from Su’Kal’s connection to dilithium.

But the Burn was not a single-episode story, nor the kind of one-off story fit for episodic television. Not only did it impact the entire season, but it will continue to have ramifications for Discovery’s fourth season, and for any future Star Trek series or films set in or around this time period. Furthermore, it was a mystery that had been teased for over a year, since the first trailer for Season 3 was shown in late 2019. Expectations had been built up over thirteen episodes, and arguably for more than a year before the season premiered. As much as I can respect the Burn and Su’Kal and their place in the greater Star Trek canon, unfortunately those expectations were not met – at least not for me.

The disconnect between the devastating Burn and the small Su’Kal is just too big a gap to bridge at the end of a season that has been so dominated by this one event. It makes sense, and I get it – it’s not that the Burn’s explanation is somehow incomprehensible – and I’m incredibly pleased that the writers chose to make sure the Burn did receive an explanation instead of trying to brush it aside and say it doesn’t matter. But the explanation that we got is one that I feel was weak.

The story of Su’Kal being trapped alone in a disintegrating holo-world, and Saru coming to his rescue is one that could have worked as another of Season 3’s semi-standalone stories, like Georgiou’s illness and trip to the Mirror Universe. It didn’t need to be connected in any way to the Burn in order to be emotional and significant; it was a good story all on its own. By tying it to the Burn and by saying that this is the cause of the Star Trek galaxy’s biggest and worst catastrophe, the overarching story of the season has unfortunately come to an underwhelming end.

It almost feels like the writers and producers came up with the effects of the Burn and how the galaxy would look in its aftermath, and only then tried to come up with a cause. In the best post-apocalyptic stories and the best mystery stories aren’t written that way; Agatha Christie didn’t start by writing the murder and decide on a murderer later, and the Burn should have worked the same way. I’m not saying I know for a fact that they did it this way, but it certainly has that feel. The sheer randomness of the Burn may have been intended to be a shock or a surprise, and the disconnect between the scale of the event and the single individual who caused it may likewise be intentional – but it wasn’t successful.

Because the Burn is really quite unlike any other storyline in Star Trek, it arguably needed a better and more substantial payoff. I’m not saying that it needed to have one of the causes that I speculated about before the season began, nor am I saying that my disappointment and sense of being underwhelmed comes from a fan theory not being met. Instead what I’m saying is that the ultimate explanation needed to be something more than the scream of an upset child.

Finally on the Burn, its cause was only really explained in a handful of technobabble-heavy lines of dialogue. In Su’Kal, Burnham and Dr Culber had a couple of lines each, and this week Culber and Adira likewise had a scant handful of lines in which they tried to explain what happened. None of these lines of dialogue were bad – though a couple were perhaps heavy on exposition – but combined with the already-underwhelming narrative, the fact that the season’s biggest mystery was resolved with such little discussion again makes it feel as if it were an afterthought instead of the most significant storyline we’ve been watching.

There were some things to like, though. Guest star Bill Irwin put in a wonderfully complex performance as Su’Kal, showing a range of emotions as he wrangled with the idea that his entire life was changing. Despite my criticisms of the mental health aspects of Su’Kal’s story, one thing the writers managed to convey very well was the sense of isolation and loneliness that many people with mental health issues feel. I’ve been in Su’Kal’s shoes, feeling trapped and fearful, and from that point of view the depiction was something understandable and that did a good job conveying its message. Though the current state of the world wasn’t known at the time Season 3 was being written and filmed, there’s also a strong metaphor in someone who feels trapped, isolated, and disconnected, stuck in an artificial world. Many people watching in 2021 can sympathise with Su’Kal far more than they would’ve been able to a year ago.

Saru and Dr Culber were both highlights of this storyline too. Both got the chance to show off their sympathetic sides, and while Saru was the focus, as he was someone who had more of a connection to Su’Kal, Dr Culber contributed too. Su’Kal’s ability at the end of the story to push through his fears and to understand what had happened was a result of both of their efforts. Adira didn’t interact much with Su’Kal himself, but it was an inspired choice to put them in this side of the story. I feared that Adira may have been shuffled away to the dilithium planet simply to give Stamets more of an intense emotional reaction, but they contributed to the story both by bringing the lifesaving medication and by helping the others work through some of the puzzles.

Gray becoming corporeal for the first time was also a fun part of the story on the dilithium planet. Having been a phantom presence all season, it was great to see Gray finally able to interact not only with the “real world” but also with other characters. Gray’s presence has yet to be explained – and it was left completely unclear as of the end of the episode whether Gray has been given a new holo-body or if he has returned to being someone only Adira can see. But Gray, despite really only participating in one sequence, did well in That Hope Is You, Part 2, and I hope his status is clarified so he can have a role in Season 4.

So the Burn and the action on the dilithium planet was the side of That Hope Is You, Part 2 that I felt was weakest. Now we come to the bulk of the episode, and I’m happy to say that I had a whale of a time with Burnham, Book, Tilly, Admiral Vance, and everyone else.

Scenes aboard Discovery played out like an action film for the second week in a row. There were some clichés, a couple of confusing moments, and one rather awkward line, but even so it was action-packed fun. Star Trek can do action very well, and it surprises me in some ways to see Trekkies criticising Discovery or the Kelvin timeline films for being “brainless action,” then turning around to heap praise on The Wrath of Khan or First Contact. That Hope Is You, Part 2 was up there with those films and other action-heavy stories in the franchise, and it’s one of the better examples of how Star Trek can be an action-sci fi franchise when it chooses to be.

What was great about this part of the episode’s story, considering how much of a Burnham-cenrtic show Discovery can be, is that other characters got to take turns being the action hero. We certainly got to see Burnham in that role, and perhaps if she’d been alone it would’ve continued the trend of making her, and her alone, the show’s focus. But Tilly and Book in particular got big moments that not only put them at the centre of the action, but gave them genuine agency over the story, driving it forward. Burnham played one role in a larger story as the crew struggled to regain control of the ship – and that’s something the show needs to do more of!

Burnham’s mission to the data core would have been useless had Tilly and the bridge officers not been able to force the ship out of warp, and if Book hadn’t been able to defeat Zareh she would have had a much harder time. So both of them got significant roles to play – even if we could argue that, narratively speaking, it would have been nice to see Tilly be the one to kill Zareh.

I just can’t bring myself to criticise Zareh’s death, though! Book has a loving attachment to Grudge, the beautiful cat who we’ve seen as a constant presence aboard his ship this season. And when Zareh threatened Grudge I got genuinely angry with him, so to see Book use that moment to regain his strength and send Zareh falling to his doom was incredibly satisfying and more than a little emotional. I have several cats, and they’re incredibly sweet animals. No one should threaten a kitty, so Zareh got exactly what was coming to him. And Book’s action hero quip as Zareh fell from the turbolift capped the sequence off perfectly. I honestly can’t fault it. Book got his heroic moment, the creepy, evil Zareh got a fitting end, and Grudge is safe! What more could you want?

The second action hero quip was Burnham’s, and it just didn’t quite stick the landing in the same way! As Osyraa pushed Burnham into a wall of programmable matter in the data core, she said that she “already tried that [negotiating] with Vance. I won’t make that mistake again!” and then, moments later when Burnham shot and killed her, she responded by saying “Yeah, well… unlike you… I never quit.” And I honestly burst out laughing, because the response to Osyraa was just so unrelated to what she’d said a moment earlier. It feels like it was written in response to a totally different line, and it doesn’t seem to make sense in context of what Osyraa said. Osyraa never mentioned quitting, she never said that Burnham should quit, or that she had quit doing something… so it just doesn’t follow. It’s a non sequitur. The writers wanted to give Burnham an action hero line, but unlike Book’s, which is almost his catchphrase any time someone talks about Grudge, Burnham’s just didn’t make sense.

In fact it reminded me of that moment in Family Guy where they make a big joke about action movie lines. Peter Griffin uses the famous line from Lethal Weapon 2: “it’s just been revoked,” but does so in completely the wrong context. And that’s kind of how Burnham’s line felt here. That might be due to script rewrites and revisions but even so, more attention should have been paid to this line. If we’re comparing That Hope Is You, Part 2 to an action film, this was the climax of the hero-versus-villain story, and if they wanted to give Burnham a hero quip to round it off… it needed to at least make sense in context. And I know that picking on one line is a minor thing. Compared to how well the storyline as a whole worked it’s incidental, but I wanted to highlight it as it made me laugh in the moment.

There are a couple of points from this side of the story that I feel may be prone to criticism, and I want to look at each in turn. First is the sequence in the turboshafts – or rather, in the large empty space beyond the corridors on some of Discovery’s decks. This is new to Star Trek, and while there are spacious areas inside some starships that we’ve seen – particularly in engineering sections – I can foresee that some fans may feel that this huge area isn’t what they expected the inside of the ship to look like. While I don’t personally have an issue with it, and I would suggest it may be connected to engineering, the Spore Drive, or programmable matter as explanations for the large spacious area, I didn’t want to ignore this point, as it does represent a change to how starships in general – and the USS Discovery in particular – have usually been shown.

The second point is Book’s ability to fly the ship. I would argue that Aurellio, Tilly, and Stamets have all set up this moment at points throughout the season, hinting at ways to expand the Spore Drive beyond Stamets, so I don’t think it came from nowhere. I do think, however, that we could have seen a little more of Aurellio talking about or even just mentioning the possibility for empaths to connect to the mycelial network. There was an opportunity for him to have done so last week when he and Stamets talked for some time about Spore Drive options – this would certainly have better set up what was to come. As a story point, though, I don’t dislike it, and perhaps a second Spore Drive can be created for another Starfleet vessel as a result. Other members of Book’s tribe or race may even be able to join up with Starfleet to serve as Spore Drive operators, and even if only Book and Stamets can use it, well at least Discovery now has a backup!

Osyraa fell into the Bond villain trap of leaving the crew to be killed slowly and then rushing off to do something else. While Tilly, Owosekun, Detmer, Bryce, Rhys, and random dark-haired bridge officer (what happened to Nilsson?) were slowly suffocating, they managed to come up with a plan to regain control of the ship. Burnham gave Tilly an instruction via the intercom and Tilly rallied the crew to set off a bomb in one of the nacelles – knocking Discovery out of warp.

I’ll forgive the minor contrivance of Osyraa leaving them to suffocate. It’s the kind of thing I could imagine her doing, and again if we’re using the action film analogy, it’s something we see often enough. Tilly remained in control of her officers, and handled herself well in what were undeniably difficult circumstances. Her line to them that they didn’t need to join her on what looked to be a suicide mission was very much something we could imagine other Star Trek captains saying – and indeed we have seen other captains in the past telling their senior officers that a mission is voluntary. Despite losing the ship to Osyraa, Tilly stepped up and was a big factor in being able to regain control of it.

My only criticism of this side of the story is that the stakes were lowered significantly when no one was killed. Even when it seemed as if Owosekun wouldn’t survive the explosion, a last-second intervention by the Sphere data in one of the remaining DOT 23 robots saved her life. Since returning to the small screen in 2017, Star Trek has not been shy to follow the trail blazed by some other big television projects – like The Walking Dead or Game of Thrones – and kill of major and secondary characters. Star Trek: Picard Season 1 had a pretty big death toll of both new and legacy characters – yet no one at all died in this storyline, despite the superficial dangers posed to the crew. In fact, Ryn was the only casualty on the heroes’ side all season.

Killing a character for shock value or just for the sake of it is not what I’m advocating. But over the last decade or so, the well-executed death of a major or secondary character can add to the stakes of a storyline, making it clear that there is significant danger and emphasising to the audience that quite literally anything could happen. In Star Trek: Discovery, being a major character seems to provide a degree of plot armour, and that risks dropping the tension at some of these key moments.

I was pleased to see that Aurellio – the scientist working for Osyraa – wasn’t on board with her methods. But this was one point where perhaps an extra minute or two was needed to show him firmly break away from her and the Emerald Chain and join up with Burnham and the crew. After making his protest and being rendered unconscious, Aurellio didn’t really have much of an opportunity to do or say anything else. We saw him briefly on the bridge later on, but that was it. This character had been set up so well last week that his significantly reduced role this time was just a little disappointing. Hopefully we can see more of Aurellio in Season 4 and beyond.

That Hope Is You, Part 2 went out of its way to show Osyraa at her worst, in order to make her irredeemable and justify Burnham killing her later on. Torturing Book was a big part of that, and the sequence in which she and Zareh used the mind control device first introduced a couple of weeks ago as an implement of torture was truly gruelling to watch – in the best possible way! Both David Ajala and Sonequa Martin-Green put in outstanding performances, and I wanted to highlight how well they played their roles. It’s easy to either under- or over-sell such an extreme moment – both in terms of the pain experienced by the victim and the emotional turmoil their partner is going through when forced to watch – but both actors hit the sweet spot and were pitch-perfect.

Admiral Vance, Lieutenant Willa, and Kovich had some short but interesting moments at Federation HQ as they organised the defence of their base against the Emerald Chain. I was concerned for Vance in particular – if no one aboard Discovery were to be killed, I thought he was probably the writers’ main target! There was organised chaos at Federation HQ as Discovery, under Osyraa’s command, ran amok inside. It was really neat to see the ships battling within this confined space at the beginning of the episode, as well as seeing Osyraa know just where to hit the base to take down its shield wall.

The arrival of the fleet from Ni’Var was one of those stirring emotional moments up there with the arrival of the Kelpiens and Klingons in the Season 2 finale, Riker showing up in the Picard Season 1 finale, or the Enterprise-E sweeping in to battle the Borg in First Contact. I adored this moment, and it felt like the beginning of the Federation coming back together – a payoff to Burnham and Saru’s diplomatic efforts throughout thr season. It was a little early in the story, perhaps, but there’s no taking away from the fantastic way it felt when the fleet arrived.

A couple of weeks ago, I said that the end of the season seemed formulaic and obvious – save or neutralise Su’Kal to prevent a second Burn, retake Discovery from Osyraa, and use the dilithium in the Verubin Nebula to power and reunite the Federation. And although I didn’t predict how exciting and action-packed that storyline would be, I was right. The end of the season was mapped out in Su’Kal, and Discovery stuck to the path. Not every show has to have twists and turns and shockingly unexpected moments, but I was still hopeful, even as That Hope Is You, Part 2 entered its final moments, that something different may have come along to shake things up.

For all the reasons given above, the Burn is the least interesting and most underwhelming part of both the season and its finale. However, despite that, I had a truly great time with That Hope Is You, Part 2. It’s true that the story unfolded exactly how I would have expected it to for the last two weeks, and it’s also the case that there were some tropes and clichés along the way. But there’s a reason why these action-oriented stories work, and That Hope Is You, Part 2 hit all the right notes in that regard. It was a solid, incredibly fun, action-packed episode of Star Trek.

Burnham assuming command of Discovery has been a goal that the series has been trying to reach since Season 1. Shuffling Saru off to Kaminar with only a brief explanation would not have been my first choice for getting there, because I feel his character deserved more respect than that. But that’s where we are – Captain Burnham. Her stupid disobeying of orders in the episode Scavengers and her struggle to come to terms with that in Unification III do undeniably undermine her ascent to the captaincy. And perhaps we need to step back when the dust settles and look at Burnham across all three seasons to see whether she really meets the criteria. Right now though, as of the time I’m writing this, her becoming captain not only works well, but it feels great too.

Starfleet has always been willing to bend the rules to accommodate talent; it’s a meritocratic organisation. Admiral Vance made his reasoning plain: Burnham may not always follow the exact letter of the rules, but she follows their spirit. She’s willing to make changes and sacrifices to adapt to the moment she’s in, and those are certainly strong qualifications for becoming a captain. Captains Kirk and Janeway in particular bent or broke the rules numerous times, and Picard, Archer, and Sisko were not immune to that either. Knowing how and when to work around the rules is part of what has always made for a great Starfleet captain. Burnham has that ability – and we’ve seen across all three seasons that she’s a natural leader, too.

The crew want to follow Burnham. They respected Saru, of course, but they love Burnham and they’re willing to follow her literally anywhere – or to any time. There are lingering issues which I hope will be picked up in Season 4 – notably with Stamets, who still seems unhappy with Burnham after she kicked him off the ship last week. But everyone else is fully on board with Captain Burnham, ready for her to lead them on to new adventures.

Where I criticised her earlier in the season for her lack of commitment to Starfleet, that has been resolved too. She felt that she might no longer fit in within the rigid confines of a Starfleet rulebook and uniform, but it turns out that she has at least some freedom to bend those rules to achieve important goals. And that does not come from nowhere. She earned that right across all three seasons of the show. She can be selfish, and she can be overly emotional, and as we saw in the Season 1 premiere she can be a complete idiot. But with a crew around her to support and advise her, with Book by her side as an emotional foundation, and having settled into her position in Starfleet, I can’t fault Admiral Vance – or Star Trek: Discovery – for putting her in the captain’s chair.

If you’d told me three or four weeks ago that I was going to say that, I would never have believed it! But that is the strength of the second half of the season. Beginning really with The Sanctuary and running through to the season finale this week, Burnham has grown in leaps and bounds and the series has put in the work to make it feel that she earned her promotion. Where I called her arrogant and selfish I can now see a character with strength and commitment, and that’s not only because she has seen this character development, it’s also because Discovery took at least some of the focus away from her and allowed other characters to shine.

Discovery isn’t an ensemble show, but giving some significant plot threads to characters other than Burnham and spending time with them instead of largely with her has contributed to getting her to where she is at the end of the season finale. There was a sense in some earlier episodes that no other character would be allowed to do anything other than ride on Burnham’s coattails, and I was pleading with the series to allow someone else to do something of consequence… and then it happened. And not only was the show itself better for it, but so was Burnham. Freed from being the “chosen one” who was somehow destined to play the only significant role, her victories truly feel like her own. She accomplished a lot, not just this week but across the latter part of the season, and the work put into developing her character, stabilising her, and getting her ready for a leadership role ultimately paid off.

There are, as noted, open questions at the end of That Hope Is You, Part 2. Saru’s status is perhaps the biggest, but I’d also like to know what became of Nhan and whether Earth has been in touch with the Federation. But those questions will have to be left for Season 4 to answer – whenever that may come.

So that was That Hope Is You, Part 2. And that was Star Trek: Discovery Season 3. For the first time in almost six months, there’s no new Star Trek to talk about! But don’t despair, because I still have to bring my Season 3 theories to a close. In addition, over the next few weeks I’ll take a look at the season as a whole, the Burn, Burnham herself, and other things we learned over the last few weeks.

There is more Star Trek just over the horizon – Lower Decks Season 2 may be coming out this year, and will finally get its international broadcast in just a couple of weeks’ time. We also have Prodigy to look forward to this year all being well. And you can bet that there’ll be news about Picard, the Section 31 series, Strange New Worlds, and other Star Trek projects coming before too long. It’s a wonderful time to be a Star Trek fan! Despite some gripes with part of its story, That Hope Is You, Part 2 was a great way to bring to an end this season and to the 23 weeks of Star Trek we’ve been lucky to enjoy.

Star Trek: Discovery is available to stream on CBS All Access in the United States, and on Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.