Let’s Have A 21st Century Christmas!

A festive spoiler warning graphic.

Spoiler Warning: There are minor spoilers for several of the titles discussed below.

Have you ever noticed that *most* of the films and TV specials that we like to watch at this time of year are… kinda old? Even if you don’t go for a real old-school classic like It’s A Wonderful Life or Miracle on 34th Street, most of the festive entertainment that I see being talked about – at least among my peers and folks of a similar age to me – originated before the turn of the millennium.

Think about it: Die Hard came out in 1988. Home Alone is from 1990. A Christmas Story was 1983. The Santa Clause was released in 1994. The Nightmare Before Christmas? That was 1993. The Muppet Christmas Carol came out in 1992.

So where’s the 21st Century in our holiday traditions? That’s a wrong we’re going to right today!

Still frame from Miracle on 34th Street (1947) showing Santa Claus.
Many of our “Christmas classics” are from the 20th Century, like Miracle on 34th Street.

I have really fond memories of this time of year, including watching the likes of 1982’s The Snowman, Mickey’s Christmas Carol from 1983, and the 1996 so-bad-it’s-good classic Jingle All The Way! But there are some wonderful films and TV specials which premiered in the first quarter of the 21st Century that I think some of us can occasionally overlook. And look, I get it: some of these still feel brand-new, even if they’re approaching their 20th or even 25th anniversaries! But Christmas, while a time of tradition and returning to things we’ve enjoyed in the past, still has room for newer and more modern touches.

If you’re British (or if you remember an earlier edition of my annual festive playlist), you might associate the term “21st Century Christmas” with the song of the same name by Cliff Richard! That’s where I got the title of this piece from. And the song itself is well worth a listen, even if Cliff’s idea of “the 21st Century” seems dated already, with lyrics talking of DVDs and faxes! But I think we’ve drifted off-topic…

The cover of Cliff Richard's 2006 CD single "21st Century Christmas".
In the immortal words of Cliff Richard, let’s have a 21st Century Christmas!

What I’ve done today is put together a short list of five films and TV specials from the 21st Century that I think are well worth checking out at this time of year. If you missed them when they were new, or haven’t seen them since they premiered… maybe check them out in 2025. We’re almost a quarter of the way through the century, if you can believe that. And I’m still trying to adjust to writing dates where the year begins with a “2!”

My usual caveats apply: everything we’re going to talk about is the entirely subjective, not objective, opinion of one person only. If I highlight something you hate or miss out something you thought would be a shoo-in for a list like this… *that’s okay!* There are loads of fun Christmas specials and films, and I’ve only picked out a handful this time. They’re listed below in the order they were originally released, and I included any Christmassy or Christmas-adjacent film or TV special released after the 1st of January 2001 on my long list of titles under consideration!

With all of that out of the way… let’s have a 21st Century Christmas!

Number One:
The Polar Express
(2004)

Still frame from The Polar Express (2004) showing the titular train on an icy lake.
The titular Polar Express.

Can you believe that The Polar Express is more than 20 years old already? The film has – in my view – aged remarkably well, shaking off a somewhat controversial start to become a true festive classic. When The Polar Express was released, I can clearly remember a colleague of mine telling me that their young children were frightened of the film and its “creepy” CGI. But as we’ve gotten more used to computer animation in the two decades since, I think that particular criticism of The Polar Express has well and truly fallen away.

This is a fun twist on the classic “does Santa really exist” dilemma that many kids face. And it’s a bold choice for a Christmas film to tackle that question head-on, not simply hand-waving away the young boy’s doubts. Instead, The Polar Express leans into this idea of doubt to tell a really engaging and just plain *fun* narrative that I’m sure continues to resonate really strongly with kids today.

Still frame from The Polar Express (2004) showing the conductor, the kids, and a crowd of elves at the North Pole.
The conductor with some of the kids.

I love a good steam train, and The Polar Express brought a wonderful engine to life with its CGI. Trains are kind of related to Christmas – especially toy trains – so that’s on theme. And there’s a wonderful musical sequence as well as a great score. The theme from The Polar Express has become a classic Christmas track in its own right!

I wrote up a longer piece on The Polar Express last year to mark the film’s twentieth anniversary, and you can find it by clicking or tapping here. I’d be really curious to know what kids who’ve grown up since 2004 – and thus remember The Polar Express as just another old Christmas film – make of it nowadays!

Number Two:
Phineas and Ferb: Christmas Vacation
(2009)

Still frame from Phineas and Ferb: Christmas Vacation showing Phineas and Ferb aboard a Christmassy steam train.
The boys on a train.

I’m a big fan of Phineas and Ferb, so I was pleased to see the series resurrected this year for a fifth season! The show’s big Christmas special, from back in 2009, is one of the absolute best episodes for me, and it puts a distinctively “Phineas and Ferb” spin on a classic holiday premise. When Christmas is endangered (by the nefarious Dr Doofenshmirtz, naturally), someone has to step up and save the day – and that task falls to Phineas, Ferb, Candace, and their friends.

Christmas Vacation also has an incredible soundtrack. Phineas and Ferb is well-known for its songs and musical numbers, but Christmas Vacation packed several great festive tracks into its runtime. Big Bad Voodoo Daddy’s song Christmas is Starting Now, which plays at the climax of the story, might be the pick of the pops, but really, all of the songs are just fantastic. Several of them are on my festive playlist!

Still frame from Phineas and Ferb: Christmas Vacation showing Perry the Platypus and a magic, sentient snowman.
Perry and a magic snowman.

I’m an absolute sucker for the whole “Christmas is in danger, so someone has to fix it” story trope, and Phineas and Ferb executes it so well. We get some fantastic buildup, with the kids excitedly decorating the entire town as part of their “thank-you letter” to Santa Claus, Doofenshmirtz gets a cute conflicted backstory about his ambivalence towards the holidays, and it all culminates on Christmas Eve with the kids having to do what they do best… with a little help from the North Pole.

Phineas and Ferb: Christmas Vacation is the only Christmas special or movie that I watch, without fail, at least once every festive season. I have done since I first saw it, I think, and it’s become a tradition that I plan to continue for as many Christmases as I’ve got left! Last year, to mark the special’s fifteenth anniversary, I wrote a longer piece about it, which you can find by clicking or tapping here.

Number Three:
Family Guy: Road to the North Pole
(2010)

Still frame from Family Guy: Road to the North Pole showing the Griffin family and their house.
The song at the beginning of the special.

Family Guy had a good thing going for a few years with its “Road To…” special episodes, and the format was perfect for this Christmas special. Stewie and Brian take off on a wild adventure to find Santa after a run-in with a fake Santa at the local shopping mall. This kicks off a ridiculous quest that takes several dark turns… but one that has a surprisingly poignant message about consumerism and overconsumption.

Road to the North Pole kicks off with one of Family Guy’s best-ever songs, too: All I Really Want For Christmas, which sees most of the show’s main and secondary characters sharing their silly Christmas wants and wishes. The musical number is fantastic, well-animated, and pretty darn funny, too. I don’t think it’s a stretch to say that Family Guy – like The Simpsons before it – has declined in quality over the years, so maybe Road to the North Pole is one of the last truly good stories.

Still frame from Family Guy: Road to the North Pole showing Brian and Stewie piloting the sleigh.
Brian and Stewie on Santa’s sleigh.

Aside from the song – which is hilarious – I think what people remember the most about Road to the North Pole is its depiction of a weak Santa Claus, wasting away, beaten down by the incessant demands of consumerism. And that’s the core message of the special: that people are asking for (or demanding) too much at Christmas instead of being satisfied with smaller gifts, spending time with family, or just what they already have. Though presented in a weird, grotesque, and typically “Family Guy” way, that message is a good one – and a timeless one, too.

What I enjoy most, though, about Road to the North Pole is the road trip itself. Starting at their New England home, Brian and Stewie trek through the United States and Canada, under the Northern Lights, before making it to Santa’s workshop. Though not the biggest part of the special, there’s something about this kind of adventure that’s always captured my imagination.

Number Four:
Doctor Who: The Time of the Doctor
(2013)

Still frame from Doctor Who showing the planet Trenzalore.
The village of Christmas.


Speaking as we were of a show’s “last hurrah” before descending into mediocrity… here’s Doctor Who! Joking aside, The Time of the Doctor, which came along just after the show’s wonderful fiftieth anniversary special earlier in 2013, is probably the final genuinely good episode of the revival. As much as I adore Peter Capaldi and his take on the ancient time-traveller, his tenure in the Tardis marked a decline in quality from which the show has simply not recovered.

But that’s not what we’re here to talk about!

The Time of the Doctor sees Matt Smith’s Eleventh Doctor battling alone, for decades, against the Daleks and a variety of other enemies, all in defence of a town named Christmas. There’s some snow, some cute Christmas imagery, and a pretty fun and emotional story as this incarnation of the Doctor reaches the end of his life.

Still frame from Doctor Who showing the 11th Doctor in the snow.
Matt Smith as the Eleventh Doctor.

Doctor Who has done a number of Christmas specials since its revival – and not all of them feel as “Christmassy” as The Time of the Doctor. While it’s still very much the culmination of a multi-story arc, and some of that context *does* add a lot to the final act in particular, I still think it’s something that can be watched and enjoyed on its own merit. I haven’t seen Season 7 of the revived Doctor Who since it was on the air back in 2012/13, but The Time of the Doctor is still fun to return to.

I’ve always found stories about doomed last stands to be intense and emotional, and I think that’s a big part of what makes The Time of the Doctor work so well. It’s a tale of a man caught between two impossible extremes – and his only friend trying to reach him. The stakes are high… but also very personal. It’s a great special – and maybe, in hindsight, it should’ve brought the revived series to an end.

Number Five:
That Christmas
(2024)

Still frame from That Christmas showing the Beccles' house.
Waking up to a snowy Christmas.

Richard Curtis, who also penned the festive favourite Love Actually, wrote this charming and distinctly British animated Christmas flick for Netflix just last year. And you know what? It’s fantastic. There are definitely echoes of Love Actually, with the film’s cast of characters spread out into different groups, whose stories are all connected in some way. And there’s plenty of the awe and wonder that Christmas time inspires thanks to Santa Claus, a blizzard, and the magic of Christmas Eve.

When you’ve got so many characters, it can be difficult to find enough time to give all of them personalities and motivations, but That Christmas never feels like it has that issue. With the caveat that a few of the adults seem particularly incompetent, everyone involved feels well-rounded and real, and given that the film’s only got a nintey-minute runtime, that’s pretty special.

Still frame from That Christmas (2024) showing the lighthouse.
The town’s lighthouse on Christmas Eve.

The main song from That Christmas – Ed Sheeran’s Under The Tree – wasn’t my favourite at first, but the slow, almost haunting track has grown on me a lot since I first heard it, and it’s now a mainstay on my festive playlist. It’s the perfect melancholic track for one part of the film – but don’t worry, there’s bound to be a happy ending! After all, it’s Christmas.

That Christmas hadn’t been on my radar last year, but I’m really glad I checked it out. If you liked Love Actually, I think there’s a lot to love here, as the same kind of style is on show. Maybe it’s a bit early to hail That Christmas as a “classic,” but having seen it just last year, it’s already on my “watch again” list. If you missed it in 2024, definitely check it out. And if you want to read my full review, which I wrote last December, you can find it by clicking or tapping here.

So that’s it… for now!

A stock photo of a London street with Christmas lights, a Routemaster bus, and a black cab.
London’s Christmas lights.

I’ve already thought of *at least* five more 21st Century Christmas films and TV specials, so maybe this is an idea I’ll revisit next December. I don’t wanna play all of my cards at once, after all! But I hope this has been a bit of fun, and maybe I’ve highlighted a modern Christmas film or special that you missed or haven’t seen since it was new. If I’ve helped even one person find one thing to watch this festive season, I reckon I’ve done a good job!

A few days ago, I updated my annual festive playlist with twelve Christmassy songs – click or tap here to check that out, if you haven’t already! And between now and the big day, I have a few other pieces in my writing pile that I hope to get to. And coming up at the end of the month will be my End-of-Year Awards, so I hope you’ll join me as I hand out some imaginary trophies and statuettes to some of my favourite productions of 2025.

Until then… I hope you’re having a fantastic December!


All titles discussed above are the copyright of their respective studio, publisher, broadcaster, distributor, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A Festive Review: That Christmas

The first part of this review is free from major plot spoilers. The end of the spoiler-free section is clearly indicated.

With Christmas approaching, I like to enjoy a festive film or two! And after That Christmas had been recommended to be by a family member, I thought it would be worth re-subscribing to Netflix for a month or two in order to check it out. And you know what? I’m glad I did – That Christmas is one of the sweetest and most fun Christmas films that I’ve seen in years!

That Christmas is a film with heart, populated by a really great cast of characters. A story that brings different groups of characters together for one big Christmas mission always hits me right in the feels – and that’s what That Christmas delivers. It’s a film for kids, sure – but there’s a lot for adults to enjoy, too.

Still frame from That Christmas showing Santa dangling upside down from a rooftop.
Santa Claus in That Christmas.

There’s some fantastic animation work present in That Christmas. I’ve talked before about how snow can be difficult to get right in animation, but That Christmas really nails the look and feel of both snowfall and deep snow lying on the ground. Christmas wouldn’t be Christmas without snow – and as both a playground for some of the younger characters and an obstacle for the adults, the snow serves both a narrative function and manages to look fantastic, setting the tone of the film.

Voice acting is stellar across the board – even for younger characters. That Christmas features some well-known names – Doctor Who’s Jodie Whittaker, Brian Cox, and Bill Nighy all play big roles. But there are also some newer performers and younger voice actors with whom I wasn’t familiar, and they all did a fantastic job of bringing their characters to life.

Still frame from That Christmas showing kids in a mini-bus.
Several of the film’s younger characters.

That Christmas also has a great soundtrack. There are a couple of familiar festive hits in there, and one brand-new song: Under The Tree by Ed Sheeran. Earlier in the year, Under The Tree was being talked up as a potential Christmas number one; it didn’t get there, peaking at a lowly number 92 in the charts a couple of weeks ago. But for my money it’s a sweet song – and it plays at a particularly emotional moment in the film. To land a songwriter of Ed Sheeran’s calibre is a coup for That Christmas, even if the song didn’t storm the charts on its own!

That Christmas was based on a book: That Christmas and Other Stories by Richard Curtis, which released earlier in 2024. Curtis is a great writer and scriptwriter, being known for co-writing the likes of Mr Bean, Blackadder, and perennial festive favourite Love Actually. I actually felt echoes of the latter in That Christmas, particularly in the way the film started off with different character pairs and groups, but gradually weaved their stories together. That Christmas is much more overtly about the holiday than Love Actually, though!

Photo of Richard Curtis and Simon Otto at an animation festival in front of a Netflix-branded banner.
Writer Richard Curtis (left) with director Simon Otto at an animation festival earlier in 2024.
Photo Credit: Netflix

So I think I’ve said as much as I can without getting into story spoilers. If you just want to know whether or not I recommend That Christmas, the answer is an emphatic “yes!” It’s a fantastic holiday film, one that will almost certainly be hailed in the years to come as a classic. I know that I’ll be returning to it next Christmas – and every Christmas thereafter for as long as I’m still alive and kicking!

Now we’re going to talk in a bit more detail about a few of the storylines. Nothing in That Christmas is earth-shattering, but if you want to watch the film completely un-spoiled, this is your opportunity to jump ship. If you want to come back after you’ve seen it to get my full thoughts, that would be great, too!

Still frame from That Christmas showing Santa on his sleigh at the end of the film.

A spoiler warning graphic (featuring Santa Claus, of course!)

This is the end of the spoiler-free section of the review. Expect story spoilers for That Christmas from here on out!

I absolutely love a story about Santa Claus. I’ve talked about this before, but for me, Christmas wouldn’t be Christmas without Santa and that mysterious magical quality that he brings. In That Christmas, Santa’s role is really interesting, as he gives other characters in the story a bit of a push in the right direction – through the medium of gift-giving.

Santa’s defining trait in every story are the presents he delivers on Christmas Eve. But in That Christmas, these presents become integral to the plot, with all of the children receiving gifts that help some other part of the story. Using Santa Claus in this way – instead of just delivering generic toys to the good children – was really creative and fun. It presents Santa as being a kind of omniscient observer, and someone who wants to do good, but who doesn’t get actively involved. We don’t see Santa join in the search for the missing Evie at the climax of the story, but the gifts he provided to some of the kids gave them the boost they needed to aid in the search on their own terms.

Still frame from That Christmas showing the search party from above.
The search party setting out to look for Evie.

I also liked the visual presentation of Santa, Dasher, and particularly the sack full of presents! Something that can be hard to depict in Christmas stories is Santa’s sack – how could he possibly fit presents for all of the world’s children in one sack? Some films simply show an incredibly large sack on an oversized sleigh, but That Christmas kept things smaller and much more in line with visual depictions of Santa in popular culture. The answer to this apparent contradiction was simple: a blue-tinted magical glow inside Santa’s sack.

We didn’t ever get to see inside the sack, but it was implied through this neat little visual effect that there’s bona fide Christmas magic at work – and that’s how Santa is able to carry the sack and deliver all of the gifts. I really liked this idea, and I think it added to the magical feel of the character.

Still frame from That Christmas showing Santa Claus reaching into his sack.
Santa’s magical sack.

As to the reindeer, though… I suspect the reason only one reindeer was included was to make the sequences easier to animate, as well as perhaps to limit the number of speaking roles. I’m not sure I would’ve chosen Dasher as the only reindeer – Rudolph is surely much more associated with Christmas! But I really liked Dasher’s personality, which was brought to life thanks to a wonderful vocal performance from Guz Khan.

That Christmas found many ways to tug at the heartstrings, but no more so than with the aloof, strict, and apparently very lonely school teacher Ms Trapper. I think many of us can remember having a teacher that we found to be unpleasant or overly strict; it’s an almost universal childhood memory! Ms Trapper reminded me, at first, of Miss Trunchbull – from Roald Dahl’s Matilda. I certainly felt echoes of that character in Fiona Shaw’s performance. But it soon turned out that Ms Trapper – while being strict – was an ultimately caring character with a tragic side.

Still frame from That Christmas showing Danny and Ms Trapper building an igloo.
Danny with Ms Trapper.

Pairing her up with the young Danny Williams made for one of That Christmas’s most emotional and sweet stories. The lonely teacher and the boy feeling abandoned made great foils for one another, both during the town’s snow day and later, as they teamed up to make Danny’s mum’s Christmas special and then setting out to aid in the rescue of the stranded adults in the mini-bus. There were some adorable moments between the two as Danny came to appreciate his teacher and Ms Trapper’s strict facade started to show some cracks.

Also on the Williams side of the story was a relatable conversation about healthcare – and Britain’s overworked NHS in particular. Mrs Williams was a nurse, and was called into action repeatedly at Christmas time, sacrificing time with her family in order to be there for her patients. During the pandemic, we celebrated NHS workers. But with the service under increasing pressure, it’s worth drawing our attention to the real heroes who continue to work there and continue to provide care for people who need it the most.

Still frame from That Christmas showing Mrs Williams looking at her phone in the snow.
There was a surprisingly realistic portrayal of life as an NHS nurse.

I’m always gonna love a sweet story about a “bad” but ultimately reformable character – and we got that with the Beccles twins. After realising her misbehaviour had caught up to her, Charlie made the ultimate sacrifice to give the Christmas presents back to her sister after Santa – deliberately, surely! – put them on her side of the room. This led to the revelation that Charlie’s actions were all intended to make Sam smile, further adding to the adorableness of this storyline!

The twins were great characters, and their contrasting personalities made for entertaining viewing. Unlike in some stories, I always got the sense that the sisters really enjoyed each other’s company – even though they had wildly different perspectives on practically everything. This set up Charlie’s big act of kindness and the later revelation perfectly; it would have been harder to pull off if we’d seen the twins fighting or arguing with one another.

Still frame from That Christmas showing the Beccles twins with their gifts.
The twins on Christmas morning.

The blended family – The McNutts, Forrests, and Muljis – were an interesting bunch. I felt the adults here were a little too incompetent, perhaps… getting stranded very easily and being unable to get themselves out of the situation by, y’know, walking a few metres. But that can be a trope of kids’ fiction, and it kept the adults out of the way so that the kids could have their version of a “perfect Christmas,” free from the oppressive traditions forced upon them by their parents. As the setup for a fun story, I think it worked well enough.

The standout character here was Bernadette – the eldest of the children and the designated babysitter for her siblings and cousins. There was a duality to her characterisation: she both took a lead role in caring for the kids and giving them a wonderful and memorable Christmas – all the while keeping them distracted while their parents were missing – and then later realised her own limitations when Evie went missing. There’s a story here about growing up too fast, and how even the most mature kids are still just kids, at the end of the day.

Still frame from That Christmas showing Bernadette, Evie, and their mother.
Bernadette with Evie and her mother.

The climactic search effort to save Evie was fantastic. It brought everyone together and gave the kids a starring role, while still including all of the adult characters, too. A toddler lost in the snow was a plotline that had genuine stakes – and seemed to put into context all of the other conflicts, arguments, and problems that the characters had been facing. The threat to little Evie, as she wandered off into the cold night, led everyone to put their issues aside and step up to help. It was brilliantly done, well-written, and a wonderfully engaging storyline.

Evie’s disappearance had a huge impact on Bernadette, as she blamed herself for what happened. But no-one else blamed her – even her parents – and the way everyone in the community came together to help was fantastic. I also really liked the visual effect of text messages being sent across Wellington-on-Sea, represented by little text boxes above everyone’s homes. It was a very creative way to show the community spreading the word and leaping into action.

Still frame from That Christmas showing text messages about Evie going missing.
This was a very creative and powerful visual effect.

With every story in That Christmas being connected and serving a purpose, the escaped turkeys ultimately led to Evie being found – and the planning that went into every aspect of the film’s narrative was on full display. As the characters came together to celebrate finding the lost girl, I really felt how well-scripted and well-planned the entire story had been. Even aspects that seemed less interesting at first – like the over-the-top presentation of the unpleasant farmer – had all been in service of a cleverly-woven narrative, and it really was fantastic to see it all come together.

So if you’ve watched your usual festive favourites too many times this December, and you need something new… give That Christmas a chance. I really think it’s one of the best, most creative, and just plain fun Christmas films that I’ve seen in a while! And if I’m still here next Christmas – which, touch wood, I will be – I’ll definitely be firing it up again.

Still frame from That Christmas showing Danny and Ms Trapper on a quad bike.
Merry Christmas!

I really had a great time with That Christmas. It’s clever, funny, and dramatic in different places, with a great cast of young and older characters who all feel real and whose motivations seem genuine. It’s also distinctly British in its tone and setting, reminding me in more ways than one of Christmases when I was younger, as well as harkening back to perennial festive favourites like 1991’s Father Chrismas as well as Richard Curtis’ own Love Actually. If you enjoyed either of those, I daresay you’ll find a lot to love in That Christmas, too.

I’m glad this was recommended to me – and now, in turn, I pass the recommendation on to you and yours this Christmas! With a couple of days left to go before the big day, there’s still time to jump in and give That Christmas a watch. With so little on TV this Christmas, it could even be your big Christmas Day film; I think That Christmas would be fantastic in that role.

Until next time – and Merry Christmas!


That Christmas is available to stream now on Netflix. That Christmas is the copyright of Netflix and/or Locksmith Animation. This review contains the thoughts and opinions of one person only and is not intended to cause any offence.

The Polar Express: Twenty Years Later

A Christmassy spoiler warning graphic.

Spoiler Warning: Beware of spoilers for The Polar Express and the book upon which it’s based.

It’s astonishing to me that the “brand-new” film The Polar Express – which I feel I’ve only just begun to incorporate into my Christmas celebrations – is turning twenty years old this year! To mark this milestone anniversary, I thought it could be fun to re-watch the film and talk about its successes and its legacy.

I’ll start by telling you up-front that I’m a fan of The Polar Express and I have been since it premiered in 2004. So this isn’t going to be a tear-down of the film; it’s become one of my festive favourites and I’ve returned to it many times during the holiday season. I’d even go so far as to call it a Christmas classic; a film that has understandably become one of the most-replayed at this time of year.

Still frame from The Polar Express showing the conductor and the Hero Boy.
All aboard!

But it didn’t always seem that way. In fact, in 2004 you would’ve found many people who didn’t like The Polar Express. Film critics, fans of animation, parents… it seemed for a time as if The Polar Express was catching flak from several angles. And despite its reputation today as one of the best Christmas animated films… ever, there was a time when I felt it was going to be maligned and forgotten.

Most criticisms of The Polar Express in 2004 centred around the art and animation style. The semi-realistic CGI – particularly characters’ faces – was described as being “creepy,” and I distinctly remember a colleague of mine at the time telling me their young children were in tears and refused to watch the “frightening” film. I don’t remember the term “uncanny valley” being in use at the time, but that’s basically what critics were talking about. Faces used for human characters in the film felt not quite real enough… leading to people calling the whole aesthetic “creepy” or “weird-looking.”

Still frame from The Polar Express showing the hobo.
CGI in The Polar Express was criticised in 2004.

That’s one area where I think the passage of time has been kind to The Polar Express! We’ve gotten more used to 3D computer animation both in films and on TV over the last twenty years, and if the film had been released today I daresay no one would bat an eye at the way its characters and their faces look. In 2004, The Polar Express was the first film to pioneer facial capture technology, but this has become commonplace in animation in the years since.

There’s also something a little charming about the look of the world of The Polar Express. There are some undeniably beautiful shots of things like the northern lights or the central square at the North Pole. But twenty years’ worth of hindsight and improvements in animation also show, on a return to the film, where 2004’s CGI wasn’t quite realistic enough. To me at least, these things just add to the personality and unique aesthetic on display.

Still frame from The Polar Express showing the conductor, the northern lights, and the north pole.
The northern lights over the North Pole.

To pick on one example: for a film made twenty years ago, the snow that coats the train and the whole world around it looks fantastic! But when you compare scenes in deep snow to a title like Disney’s Frozen, you can see The Polar Express coming up short. Far from being a problem, though, I find these little weaknesses to be charming. The Polar Express wouldn’t be the same if its animation was “perfect,” after all!

It may have taken a while for some folks in 2004 to get over the film’s art style, but hiding under the surface is an incredibly sweet tale of a young boy re-discovering his belief in Santa Claus and Christmas. The Polar Express is based on a 1985 children’s book of the same name (I had no idea that was the case until researching this article; oops) but it expands on that original story to add more dimension to some of its characters and give them a bit of an extended and exciting adventure. The book is still in print, by the way, and could make a cute Christmas present for a young child (or an adult fan of the film!)

Scan of the original illustration of the sleigh bell from The Polar Express book.
The all-important sleigh bell as it appeared in the original book.

Since we’re talking about other media, it’s worth briefly commenting on the video game adaptation of The Polar Express. This phenomenon has mostly died out in the 2020s, but in 2004 it was pretty common for a big-budget film to get a video game adaptation, and The Polar Express was no exception. The game was released for GameCube, PC, and PlayStation 2 in November 2004, with a GameBoy Advance version also arriving that same month.

I confess that I haven’t played any of these games – I didn’t in 2004 and I haven’t since. But having checked out some gameplay online, I think the console and PC versions look more or less like what you’d expect. 3D adventure games with some platforming and puzzles – not uncommon for 2004. The GameBoy Advance, being a much less powerful system, naturally got the worst version of the game, which is something reflected in reviews at the time. There’s less of a focus on the core story in the game adaptations, which is a bit of a shame in some ways. But I’m sure a lot of kids enjoyed receiving a copy from Santa Claus in 2004!

Screenshot of The Polar Express video game showing the main character on the train roof.
There’s a video game adaptation of The Polar Express from 2004.

When I was a kid, there may have been one or two Christmases when I was very young where I believed in Santa Claus. But my family didn’t do the whole “all of your gifts come from Santa” thing, so I guess in that sense I don’t have the same memory of learning about Santa and coming to terms with that revelation – not in the same way as it’s presented in The Polar Express, in any case. As an aside, one of my earliest Christmas-adjacent memories is being forced by my parents to write thank-you letters to family members for the gifts I’d received!

But this idea of questioning one’s belief in Santa Claus is at the core of The Polar Express, and while it’s a little outside of my own personal experience, I daresay it’s something many people can relate to. For the film’s intended audience, its core theme may resonate particularly strongly.

Still frame from The Polar Express showing Santa Claus.
Belief in Santa Claus was a central part of the film’s narrative.

Though The Polar Express isn’t the only festive story or film to deal with this theme of doubt, it’s one of the only big blockbusters aimed at kids to really call into question Santa’s existence. For children of a certain age, where they’re having their own doubts about Santa Claus and what Christmas is really all about, I daresay there’s something relatable. And for adults, doubting one’s beliefs – albeit not a belief in Santa Claus specifically – is also something that many people have experience with. I know I do!

Lots of Christmas films – especially those aimed at younger children – present Santa Claus as a totally real person, with no acknowledgement made of the questions or doubts that kids can have. And that’s a good thing; I think there’s a real sense of “magic” present in the holiday season that would be lost if the legend of Santa Claus were to disappear. But for kids who have their doubts and who feel uncertain, a story like the one told in The Polar Express can be cathartic.

Still frame from The Polar Express showing Santa on his sleigh.
Santa on his sleigh toward the end of the film.

If we take belief in Santa Claus as a marker of childhood, part of the film’s message is about choosing to hang on to one’s youth – or at least to aspects of it. The Polar Express, being told from the perspective of young children, has a sense of mystery and wonder; the protagonist and his friends don’t really know how everything works. And it successfully conveys that sensation even to an adult audience – which isn’t the easiest thing to do! Making me as a viewer see things from a child’s point of view is a real challenge, but it’s one that The Polar Express tackles with ease.

Christmas is a holiday for the little ones first and foremost, so a message or metaphor about retaining at least some part of one’s youth and childhood is incredibly relevant at this time of year. And for older kids who may be wavering in their belief… I guess the film’s final act could go a long way to reinforcing the legend of Santa Claus, at least for one more Christmas!

Still frame from The Polar Express showing the train in the snow.
The titular train.

I have a similar story to share, and perhaps that’s why I feel this side of The Polar Express hitting so strongly. When I was in my late teens, I was dating a girl who had a younger sibling. Their sibling was either ten or eleven years old – precisely the age when one’s belief in Santa Claus might start to wane. As Christmas time approached, I was excitedly talking to them about Santa, but I could tell it wasn’t really getting through. So I told them about how Norad (which I explained was the US government and air force) tracks Santa’s flight every Christmas Eve.

Norad’s Santa Tracker had just got its own website, and showing them “proof” of Santa from an official source seemed to delight them and reinforce their belief. I’m sure it only lasted for that Christmas; my girlfriend and I had broken up by the next year, so I never got to see if that had become a part of their family’s festive traditions. But I still remember how it felt a quarter of a century later to bring just a tiny fraction of that Christmas magic to someone… and that’s how The Polar Express makes me feel, too.

Screen grab of the Norad Tracks Santa website from 2000.
The Norad Tracks Santa website as it appeared in the year 2000.

Sorry for the diversion, but I hope you can see why it’s related!

To get back on topic, The Polar Express isn’t just about one kid and their feelings about Santa Claus. It’s also a film that shows how Christmas can be different for different families, and how the magic of Christmas can mean so much to someone who has missed out on it. The character of Billy – the only named child in the whole film – represents the poorer, less well-off kids who, at this time of year, can feel especially left out.

It’s heartbreaking to hear a young child saying that Christmas “never works out” for them, but it’s also incredibly sweet to see how their friends come together to help them have a great Christmas… most likely the first really enjoyable Christmas they’ve ever had. There’s some really heartwarming stuff on this side of the story – tales of friendship between the “hero” characters and Billy intertwine with the more heavy themes of belief and the action-packed adventurous sequences set aboard the train.

Still frame from The Polar Express showing the three kids singing the song Believe.
Billy with the two unnamed kids.

Speaking of trains, I do so love a good old-fashioned steam locomotive! The one depicted in The Polar Express is actually based on a real engine from the 1920s; one of which still survives as a museum piece. Steam trains have long had an association with Christmas time, so the choice of vehicle doesn’t come out of nowhere! But the titular train is another place where I feel the CGI really works and makes things come alive.

The detail on the train – the locomotive in particular – is fantastic, and if you’ve ever had the good fortune to step up onto the footplate of a steam locomotive, I daresay you’d recognise many of the components. The brake, the throttle, the furnace… all of it’s there and rendered in incredible detail. There was a lot of love put into animating the train, the way its wheels move, and the action taking place at the front. It’s wonderful to see as an old train fanatic!

Still frame from The Polar Express showing the kids in the locomotive cab.
The cab of the locomotive was brought to life in detail.

The soundtrack to The Polar Express is fantastic, and the film’s main theme has become a recognisable piece of Christmas music in its own right. I’ve even seen other arrangements of it cropping up on set-lists around this time of year. The film also brings a couple of solid songs to the table, including the Grammy Award-winning Believe. I also quite enjoy the Hot Chocolate song – though that’s more the overall sequence with dancing and spinning seats rather than just the song on its own.

It’s also worth talking about The Polar Express in terms of the performance of one actor in particular: Tom Hanks. There are some great vocal and mo-cap performances from others, of course. Daryl Sabara (of Spy Kids fame) voiced Hero Boy, and Nona Gaye voiced Hero Girl, and both were exceptional. But The Polar Express is a Tom Hanks project first and foremost; the veteran performer plays six different roles, and manages to make each one feel distinct.

Behind-the-scenes still frame from The Polar Express showing Tom Hanks in motion-capture.
Tom Hanks performing motion-capture for The Polar Express.
Image Credit: IMDB

So that’s all for now, I think. All that’s left to say is this: Happy Anniversary to The Polar Express! I don’t know if I have another twenty Christmases in me, but if I do I’ll be watching this film every time. It’s a sweet, heartwarming, and adventurous tale of a trip to the North Pole. There are messages for kids about keeping the Christmas magic alive and making friends, some fun action-packed scenes aboard an old steam train, and plenty of Christmas spirit! And, of course, some animation that, in my view anyway, has aged exceptionally well.

I always enjoy firing up The Polar Express at this time of year. And I thought it was particularly appropriate this year, on the occasion of its twentieth anniversary, to celebrate the film, its art style, and its place in the top tier of Christmas films.


The Polar Express is out now on DVD, Blu-Ray, and on-demand streaming platforms. The Polar Express is the copyright of Warner Bros. Entertainment, Playtone, Shangri-La Entertainment, and/or Castle Rock entertainment. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five “Christmas” Films To Watch In December… Or Any Time Of Year, Really

Spoiler Warning: Beware of minor spoilers for some of the films on this list.

I love Christmas – it’s the most wonderful time of the year, don’t you know! And there are some absolutely phenomenal Christmas films that are on everyone’s must-watch list every single year. You know the ones: films that we’ve watched at this time of year for almost as long as we can remember; films that have come to define every aspect of the word “Christmas.”

And I thought it could be fun to take a look at five of them and explain why they’re not really Christmas films!

That’s right, it’s time for a little bit of festive controversy as I pick out five “Christmas” films that aren’t really Christmas films! Instead, I would argue that these films are in other genres entirely, or are only tangentially related to Christmas either by being set at that time of year or even just by association.

Father Christmas is indisputably a Christmas film – which is why it won’t be on the list below!

Before we get into the list, an important caveat: this is just for fun! I don’t think the debate around what is or isn’t a “Christmas” film is something that needs to be taken seriously at all, and I’m making this list with tongue firmly embedded in cheek. It’s also one person’s entirely subjective opinion – so please try not to get too upset if I call out your favourite Christmas film!

I enjoy all of the films on this list, and regularly watch them at this time of year. But for reasons I’ll try my best to explain, I don’t necessarily consider them to be true “Christmas” films in every sense of the phrase. Definitions of what constitutes a Christmas film may vary – and it might be enough to say that a film set at Christmas, released at Christmas, or that has developed an association with Christmas over the years counts. But I’m going to argue that those reasons are not enough – for a film to truly be a Christmas film its plot has to be directly tied up with Christmas!

So let’s jump into the list, shall we?

Film #1:
The Nightmare Before Christmas (1993)

Jack Skellington.

Wait, this film literally has the word “Christmas” in its name! Not only that, but it sees protagonist Jack Skellington take the reins of Santa’s sleigh on Christmas Eve… so how can it possibly not be a Christmas film? Well, that’s simple: it’s a Halloween film best enjoyed in the autumn.

Most of the action in The Nightmare Before Christmas takes place in Halloween Town, and practically all of the principal characters are Halloween Town residents who are inspired by the monsters and ghouls of horror fiction and folklore. Although the plot touches on Christmas and sees characters visit Christmas Town, those scenes and sequences are told from the point of view of the denizens of Halloween Town – and their take on Christmas is very much a spooky one!

The film is largely told from the perspective of Halloween Town residents.

For that reason, The Nightmare Before Christmas is a great film to watch in between Halloween and Christmas – say, in the middle of November! But as Christmas gets closer, we should really be leaving Halloween behind to focus on what lies ahead. For me, The Nightmare Before Christmas is too strongly rooted in Halloween, and decked out with the trappings of that holiday, to truly be considered a Christmas film.

That being said, I love how the film shows Halloween Town characters discovering Christmas for the first time, and how they work to save Christmas – after putting it in danger! There are some fun moments amidst the frights and scares… but it’s still very much a film that’s best enjoyed before Christmas time fully arrives!

Film #2:
Love Actually (2003)

Lost in translation lovebirds!

This is simple: Love Actually is a film set at Christmas, not a Christmas film. Are we clear on that? Good! Wait, what do you mean I have to fill three-and-a-half more paragraphs? D’oh!

As stated, Love Actually may be set at Christmas, but setting alone does not – in my view – make for a Christmas film! Many of this romantic comedy’s storylines have nothing whatsoever to do with Christmas, and the simple fact that they play out in front of an occasionally festive backdrop doesn’t magically make the entire film a Christmas film!

It’s the Prime Minister!

Because of Love Actually’s narrative structure, some of its storylines and characters arguably have more to do with Christmas than others. Billy Mack, for instance, is desperately chasing the Christmas number one single, and the kids are taking part in a school’s nativity play. But other characters really don’t do anything Christmassy at all during their time on screen, with their stories taking them in different directions.

I enjoyed Love Actually when it was released – and to think it’s celebrating its twentieth anniversary this year makes me feel old! But I must confess that I was surprised to see it hailed as a “Christmas” film in the years after its release. To me, it has much more in common with writer Richard Curtis’ other rom-coms like Four Weddings and a Funeral and Notting Hill than it does with bona fide Christmas films.

Film #3:
Frozen (2013)

Let It Go!

Frozen just isn’t a Christmas film, okay? It’s set in the middle of summer! And the princesses of the magical kingdom of Arendelle may not even celebrate Christmas for all we know; the holiday isn’t mentioned once!

A lot of people seem to associate Frozen with Christmas for two reasons: it was originally released shortly before Christmas, and it’s full of ice and snow thanks to Elsa’s magical powers. But there’s more to a Christmas film than a magical blizzard – and while Frozen may have a cute winter aesthetic going for it, as well as some well-animated snow, that’s not enough to make me believe it’s truly a Christmas film. And I say that with sincere apologies to everyone under the age of ten!

Snow and ice do not automatically make a film Christmassy.

The story of Frozen is set in the summer time; it’s only Elsa’s magic that causes Arendelle to freeze over. And the snow and ice is presented as a genuine danger to the kingdom’s inhabitants – hardly the carefree presentation of a white Christmas that we’d expect to see in a proper Christmas film! Many films use ice, snow, and blizzards to great effect – but we don’t call all of them “Christmas” films, and with good reason!

As more of the kids who grew up watching Frozen come of age, I expect its status as a “Christmas” film will only be further cemented. We’ve already seen songs like Do You Want To Build A Snowman showing up on Christmas compilation albums and playlists… so this idea of Frozen as a Christmas film clearly isn’t going away any time soon.

Film #4:
Die Hard (1988)

John McClane is fed up with this debate!

Uh oh, now we’re really getting into some controversial territory! Look, here’s the way I see it: I don’t dispute that Die Hard is set at Christmas and has some of the visual and musical trappings of the holiday season. That’s indisputable. But Die Hard is an action film set at Christmas time – not a Christmas film.

A couple of years ago, I saw somewhere online a homemade Christmas ornament featuring protagonist John McClane crawling through the ventilation ducts at Nakatomi Plaza. That was creative and cute – but the action movie trope of sneaking around in a crawlspace isn’t exactly something that screams “Christmas” to me!

Alan Rickman as terrorist leader Hans Gruber.

One of the best tests of whether something can truly be considered a Christmas film is this: can you comfortably watch it outside of the Christmas season? I’d have no issue watching Die Hard in the middle of summer – because its plot doesn’t hinge on Christmas, its characters aren’t interested in Christmas, and fundamentally, nothing about the film would change if its office Christmas party was instead a birthday party or a Fourth of July celebration.

And that’s the key to understanding Die Hard’s place on this list. It’s an action film with a few incidental Christmas trappings, and it’s been hyped up by fans as a “Christmas” film on the internet in recent years – but it isn’t. Being set at Christmas does not automatically make for a Christmas film!

Film #5:
Trading Places (1983)

An ’80s Christmas classic – but rightly so?

I’ve only seen the comedy film Trading Places a couple of times; I think it’s more popular in the United States than it is over here. But it’s a film that’s often discussed in a Christmas context – and seems to be on many people’s list of Christmas favourites!

As with Die Hard above, though, Trading Places is definitely a film set at Christmas time… but that doesn’t necessarily make it a true Christmas film. It’s a comedy, it’s a wacky adventure, and it’s a film that calls out and criticises racism as well as the weird excesses of wealth and capitalism. And those are all good things; Trading Places is funny! But again, that doesn’t make it a Christmas film.

A happy ending!

The Christmas setting and the film’s annual airings on television in December have combined to make it a film that a lot of folks associate with the holidays. If you grew up watching Trading Places every year, there’s no doubt it’s become a part of your household’s festive tradition! We all have our own little Christmas traditions that we stick to – and that’s totally okay.

But for me, Trading Places is another film that can really be watched and enjoyed at any time of year. Nothing in its story is exclusive to the festive period – and that’s actually a good thing! It means Trading Places is a film that can be enjoyed on its own merit year-round.

So that’s it!

A festive cat!

We’ve picked out five not-really-Christmas films! But I can already think of several more… so come back next December to see which other so-called “Christmas” films are going to be targeted!

As I said at the beginning, I hope you’ve taken this list in the spirit of festive fun. It’s meant to be a bit of silliness as the big day approaches – and while I will make the case for all five of these films not really being 100% Christmassy, I’m not about to die on that hill – or get into a massive argument about it!

So I hope this has brought you a bit of light-hearted festive cheer as Christmas draws nearer. The big day will be upon us before we realise it! I have a couple of other festive ideas that may (or may not) make their way onto the website before then, so please stay tuned! And Merry Christmas!

All of the films discussed above are the copyright of their respective studio, distributor, company, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five films (and TV specials) to watch this Holiday Season!

Christmas is edging closer by the day! The main event itself is now only a couple of weeks away, so we’re well and truly in the wintery grip of the Holiday Season. This time I thought it could be fun to take a look at five films and television specials that make for great festive viewing.

Although I’m not a religious person by any stretch, Christmas has always been an event I look forward to… beginning as early as September! Though not every Christmas was perfect when I was a kid, I have some pretty happy memories of this time of year, and there’s something about the juxtaposition of the cold, dark winter going on outside with the warmth and the twinkling lights of a Christmas tree inside that really makes this time of year feel special, almost magical!

Christmas is coming!

Between the lights, decorations, and festive pop hits, I think it’s fair to say I’m all about the secular, commercial side of Christmas; Santa Claus, not Jesus, stands out to me as the season’s main character! So that’s my mindset as we go into this list.

Please keep in mind, as always, that this list is wholly subjective. If you don’t like any of these Christmas films and television specials, that’s perfectly fine. I’m not trying to pretend that these are the “all-time best ever” Christmas specials, or anything of the sort!

With that caveat out of the way, let’s dive into the list!

Number 1:
The Polar Express (2004)

The titular Polar Express.

When it was released in 2004, The Polar Express received criticism for its “creepy” CGI – but I think it’s safe to say that its semi-realistic animated style has aged pretty well. Tom Hanks stars in this modern animated classic, and takes on several different voice roles across the film. Not providing names for main characters is a risk (not to mention something you’d get a failing grade for in most creative writing classes!) but that doesn’t actually hamper The Polar Express. The nameless protagonists are arguably more relatable as a result, allowing the audience to project themselves onto the characters with ease.

There may have been a couple of Christmases when I was very young where I did, in fact, believe in Santa Claus (or Father Christmas, as we call him here in the UK). But my parents didn’t do the whole “all of your gifts come from Santa” thing, and among my earliest Christmas memories I can remember writing thank-you notes to family members for the gifts they’d given me. These things vary from family to family, though, and while I wouldn’t like to speak outside of my own experience, I think a lot of you probably have some recollection of believing in Santa Claus and subsequently losing that belief. It’s a theme that many different Christmas films have tackled – but The Polar Express gets it right. The protagonist learns, over the course of his adventures, to keep believing – a metaphor, perhaps, for valuing one’s childhood and remaining youthful.

The nameless protagonists.

I’ve always liked trains, and The Polar Express shows us a beautiful CGI rendition of an old-fashioned steam locomotive. Trains – model trains in particular – have somewhat of an association with Christmas, but this method of transporting kids to the North Pole was certainly unique! It gives The Polar Express a sense of adventure that road trip films and other films about long journeys often capture so well, with scenes like running around on the train roof and the train skidding across the ice all playing into that.

The Polar Express is a film with heart, but it’s also something a little different from the typical “let’s go and meet Santa Claus” fare of many other shows and films aimed at children. There’s a sense of scale in the journey we see the protagonists undertake, and because it’s told from a child’s perspective, there’s still some of that mystery and wonder; the sense that the kids don’t really know how everything works on the train. That magic is part of what makes the holidays so special.

Number 2:
The Lego Star Wars Holiday Special (2020)

Promo image for The Lego Star Wars Holiday Special.

I’ve had a review of this one in the pipeline since last year, but for various reasons it got buried under too many other writing projects in the days before Christmas! Stay tuned, though, because I daresay I’ll get around to a full write-up eventually! For now, let’s hit the key points. The Lego Star Wars Holiday Special is hilarious, and I found it to be a great palate-cleanser after The Rise of Skywalker had been such a disappointment.

Unlike this year’s Lego Star Wars Terrifying Tales, which focused solely on Poe Dameron, The Lego Star Wars Holiday Special brings back all of the main characters from the sequel trilogy – then takes a wild ride through all three of Star Wars’ main eras thanks to some well-timed space magic! Star Wars fans should appreciate many, many callbacks to past iterations of the franchise – not least the notorious Holiday Special, which was released in 1978 to critical derision!

Finn, Rey, Poe, Rose, and Chewbacca.

The Lego Star Wars Holiday Special is full to the brim with gentle jokes and parodies that poke fun at the Star Wars franchise without ever coming across as mean-spirited or laughing at fans. Some humourless fans, or those who want to lose themselves in that world, might find that offputting, but I reckon that a majority will be able to enjoy The Lego Star Wars Holiday Special for what it is: non-canon fun.

I was pleased to see that Disney+ is intent on doing more with the Star Wars brand than just serious projects like The Mandalorian, and in some respects I think we can argue that The Lego Star Wars Holiday Special – and other Lego Star Wars titles too – fill a niche similar to Star Trek: Lower Decks over in another wonderful sci-fi franchise. No Star Trek holiday special yet, though… but maybe one day!

Number 3:
I Won’t Be Home For Christmas
The Simpsons Season 26 (2014)

The Simpsons’ house all decorated for the season.

The Simpsons has undeniably lost its edge in recent seasons, and it’s increasingly rare to pluck out a genuinely good episode from the ever-growing pile – something I found out when I put together a list of a few of my favourite episodes earlier this year. But every now and then The Simpsons can still produce an episode somewhat akin to those from its more successful past. I Won’t Be Home For Christmas is, in my view anyway, among them.

Perhaps it’s the holiday theme that elevates what might otherwise be a less-enjoyable episode, but I find that there’s something very relatable about I Won’t Be Home For Christmas. A few years ago, when I was suffering with undiagnosed mental health issues and in the midst of a divorce, I found myself wandering the dark, empty streets on Christmas Eve – trying to clear my head. The sequences in which Homer does something similar in this episode really hit home for me because I’ve been in a similar position myself.

I found this presentation of Homer to be very relatable.

When you’re watching what feels like the whole rest of the world closing their doors and enjoying the holidays without you, life can feel incredibly lonely. Homer meets a number of characters on his own journey, but that sense of loneliness and missing out on what’s supposed to be the most wonderful time of the year is still a prevalent theme that runs through the entire story.

On a more positive note, I Won’t Be Home For Christmas features a couple of genuinely good jokes and laugh-out-loud moments. It also kicks off with a Christmas-themed reworking of the show’s famous opening sequence, so if you’re watching on Disney+ don’t hit the “skip intro” button! You’ll miss something fun if you do. In a lot of ways I feel echoes of Simpsons Roasting on an Open Fire in I Won’t Be Home For Christmas – and not just because of its holiday setting. The episode feels like a throwback to earlier seasons, when The Simpsons as a whole was doing far better at producing stories like this one.

Number 4:
Winnie the Pooh and Christmas Too (1991)

Is that Santa and his reindeer?

My younger sister received a VHS copy of Winnie the Pooh and Christmas Too as a Christmas present (I would guess in 1992) and watched it endlessly! As a result, it’s probably one of the Christmas specials that I’ve seen most often – it was a mainstay in our house in the run-up to Christmas for several years in a row! What’s more, the original Winnie the Pooh books by A. A. Milne were permanent fixtures on my childhood bookshelf, and I’m sure those books were read to me when I was very small. So the entire Winnie the Pooh series is something I have a great fondness for!

Christmas is a time for nostalgic steps back like this, forgetting the modern world and all of its troubles for a while. Winnie the Pooh and Christmas Too is an incredibly sweet Christmas tale set in the Hundred Acre Wood, perfect for a few minutes wrapped up in Christmas-themed cuteness and escapism. Or is that just the nostalgia talking?

Eeyore, Piglet, Tigger, and Pooh.

Because Winnie the Pooh has always been pitched at very young children, the story here is rather basic. There’s a kerfuffle surrounding Christopher Robin’s letter to Santa, and Pooh tries to save the day. Despite those limitations, though, the story is incredibly cute, really sweet, and full to the brim with Christmas fun.

Winnie the Pooh and Christmas Too isn’t something I go back to year upon year; doing so would probably ruin the magic. But every once in a while I treat myself to this blast of very personal ’90s nostalgia and enjoy my memories of Christmases past. As 2021 looks set to be the second Christmas in a row where we may not be able to do everything we’d want, I think finding moments like that might be very important for a lot of folks.

Number 5:
Phineas and Ferb: Christmas Vacation (2009)

The special’s title card.

As a childless adult, Phineas and Ferb is a series that shouldn’t have had much appeal for me! But as I’ve said many times before, the best kids’ shows have something to offer adults as well, and when I sat down to watch Phineas and Ferb for the first time back when I had the Disney Channel, I found a truly engaging and fun little cartoon.

That extends to the Christmas special too, which is one of the high points of the entire series – in my subjective opinion, naturally! I’m a total sap for the “Christmas is in danger, someone needs to save it!” plot cliché, and Phineas and Ferb: Christmas Vacation puts the series’ trademark spin on that familiar premise. It’s a lot of fun!

Perry and Dr Doofenshmirtz.

I never miss an opportunity to talk about Phineas and Ferb. The show finished its run in 2015, but last year returned for a one-off Disney+ original film, which was absolutely fantastic too. Unlike some of the other entries on this list, which I’ll happily rewatch on occasion, I return to Phineas and Ferb: Christmas Vacation every year without fail – something I’ve done for a decade now!

Phineas and Ferb: Christmas Vacation keeps the series’ trademark twin storylines – the boys and the other kids on one side, Perry the Platypus and Dr Doofenshmirtz on the other. Both stories come together in one connected narrative, but the show sticks to its two angles throughout – and what results is a story with moments of excitement, high drama, and emotion as the boys race to save Christmas.

Bonus:
Animal Crossing: New Horizons
Nintendo Switch (2020)

Promo for New Horizons’ Christmas event.

If you’re an Animal Crossing player, Christmas Eve is where it’s at! But throughout December it’s possible to buy special seasonal items, to see your island all decorated for the holidays, and to take note of what some of your island friends might want by way of gifts! The Christmas event is known as Toy Day in the world of Animal Crossing, and while it’s possible to ignore it and get on with your regular island life, it’s a bit of fun to play through these one-off events.

As December dawns on your island – at least if you’re playing on a Northern Hemisphere island – snow will start to fall. You’ll be able to build a snowman every day – and building the perfect one unlocks special ice-themed items. There are snowflakes to catch, which are used as DIY ingredients to craft new seasonal items too.

A wintery New Horizons island!

Later in December, Isabelle will announce that she’s decorated some of the island’s trees – but only the pine trees. When I played last year not every pine was decorated, but those that were looked adorable with their little festive lights! Shaking these trees also provided yet another crafting material which could be used to create holiday-themed items.

I’ve been critical of New Horizons for its longevity in particular, but there are few games that offer this style of gameplay. Last year I played through the Halloween, Thanksgiving, Christmas, and New Year events on my island, and I have to say I had a lot of fun with all of them. The Toy Day event on Christmas Eve (not Christmas Day!) is the kind of sweet Christmassy fun you’d expect from a game in the Animal Crossing series, and if you missed it last year it’s well worth playing through at least once.

So that’s it!

It’ll be the big day before we know it!

I’ve got a few more holiday-themed ideas for the website between now and Christmas – which is getting closer and closer by the day. I hope you like the festive banner and the little Santa hat on the website’s logo, too! I had fun messing around and putting those together.

There are lots of great festive films and holiday specials that I didn’t include on this list, so have a browse through the television listings or your streaming platform of choice. I’ll probably be checking out a mix of old favourites and new entries – there are always plenty of new holiday films every year. I’ve heard good things about 8-Bit Christmas this year, for example! I hope this list has been a bit of festive fun as we continue to get into a holiday groove!

All titles mentioned above are the copyright of their respective studio, distributor, broadcaster, streaming platform, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

My favourite adaptation of A Christmas Carol

The earliest filmed version of Charles Dickens’ classic novel A Christmas Carol was in 1901. Since then there have been at least sixty-five filmed adaptations – not including the many times where productions borrowed one or more themes or elements from the story. Some adaptations are good, some were even great, but for the last two decades there has been – in my opinion – one that stands out from the others.

Because A Christmas Carol has been adapted so many times, newer versions have a tendency to try to bring new creative elements to the story, or to have some gimmick that will make it feel different from all the others. The 1999 adaptation doesn’t do this, to its credit, and generally plays it straight. Though there is much to love in the likes of A Flintstones Christmas Carol or Scrooged, when I’m in the mood for a faithful adaptation of Dickens’ book, I reach for this version.

Sir Patrick Stewart as Ebenezer Scrooge.

Sir Patrick Stewart, who takes on the role of the miserly Ebenezer Scrooge, had previously adapted A Christmas Carol to be a one-man play which he starred in on the stage beginning in 1988. Though I’ve never been fortunate enough to see this version, in it Sir Patrick takes on most of the roles in the book; over thirty characters. During the play’s run, Sir Patrick began working with director David Jones, who was a versatile director of stage and screen. They adapted the novel into a made-for-television film and it was broadcast on American cable network TNT in the run-up to Christmas 1999.

This adaptation of A Christmas Carol is the first to make use of CGI and digital special effects. Though some of these have aged – the production is over twenty years old at this point – most hold up remarkably well even compared to higher-budget films and television shows of the era. The 1990s was an interesting time for special effects. CGI meant that many productions were able to make use of effects that would have been prohibitively expensive to do physically, yet even at the time many could be underwhelming. The Star Wars prequels suffered greatly from an overuse of CGI that wasn’t quite ready for prime-time, but in this adaptation of A Christmas Carol, the effects are kept to a minimum and aren’t intrusive.

As a big Star Trek fan, the main draw of this adaptation was, of course, the presence of Sir Patrick Stewart. I don’t believe it was broadcast here in the UK before the millennium, but I certainly would have seen it for the first time in the early 2000s. After being initially interested simply because of who was in it, what I found when I sat down to watch A Christmas Carol was a largely-faithful adaptation of Dickens’ novel, one that retained all of the heart and sweetness at the core of this story of Christmas and redemption. Sir Patrick’s performance is outstanding, but it’s hardly the only great work of acting. Richard E. Grant co-stars as Scrooge’s hard-done-by employee Bob Cratchit, and there were great performances from lesser-known actors taking on the roles of the three spirits, the Cratchit family, and the people Scrooge encounters in his visions.

Scrooge walks the streets of London.

As an historical piece, A Christmas Carol nails the Victorian feel. It even succeeds at showing different periods of the 19th Century – when Scrooge is taken back to his past, the setting and costumes change to reflect the passage of time. Though things like set design and costuming can be subtle, if something isn’t right – especially in a film set in a distinct time period – it can really be offputting. This is one aspect that the film gets spot on.

Making Dickensian language understandable to contemporary audiences can be a challenge. Not quite so much as with Shakespeare or Chaucer, but many 19th Century texts can sound odd to our ears today. Though I’d argue 19th Century writing is often beautiful, when adapted for the screen in particular it can sound ostentatious and stilted. This adaptation of A Christmas Carol manages to avoid that – for the most part – and the dialogue works well, especially when you get stuck into it!

As humans we have an innate fear of death, and it’s from this fear that the first legends of ghosts and hauntings were created. The idea of spirits unable to leave this world nor enter the afterlife is frightening; a fate worse than death, you could say. And A Christmas Carol doesn’t shy away from the frightening side of the spirits who visit Scrooge. I’d even go so far as to say that there are several jump-scares in this adaptation. A great soundtrack accompanies these moments in particular, escalating the tension. It may not be the best version to watch if you have very young children.

Ghosts shown to Scrooge.

Dickens wrote A Christmas Carol at a time when folks in Britain were rediscovering many Christmas traditions that had fallen by the wayside. Though it’s not fair to credit the novel with saving or inventing Christmas, many of the traditions we associate with the holiday today are included in the novel – and in this adaptation.

So that’s it, really. I just wanted to highlight this great and underappreciated adaptation of Dickens’ novel as we’re now in the grip of the holiday season! It made my list last year of twelve things to watch during the festive season, but I wanted to expand a little on what I said and give A Christmas Carol its own moment in the spotlight!

As a big fan of Star Trek: The Next Generation and Sir Patrick Stewart, I was incredibly excited when I first heard of this adaptation. I wasn’t disappointed when I saw it for the first time around twenty years ago, and it’s become a permanent fixture on my holiday watchlist. I wouldn’t say I watch it without fail every Christmas season, but certainly most years I’ll fire up the DVD and spend an hour-and-a-half with this festive favourite. I highly recommend it, both to Trekkies and non-Trekkies alike.

A Christmas Carol (1999) is out now on DVD and may be streamed on Amazon Prime in the United Kingdom. Access to the film on streaming platforms may vary by location. A Christmas Carol may be the copyright of TNT and/or Sonar Entertainment, Inc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A festive list to get you in the holiday spirit!

Spoiler Warning: There are some minor spoilers ahead for the titles on this list.

Tis the season to be jolly… and all that. There are some fun Christmas films and television specials, and with it being only four days till the big day, I thought I’d share a few of my favourites. I’m sure most will be familiar to you, but they’re all worth a watch at this time of year.

With all of the controversy around projects like Star Wars, it’s nice to kick back with an old favourite at this time of year. Some of the titles below are full-on guilty pleasures, the kind of film you’d never watch if it wasn’t Christmas-themed. But there’s nothing wrong with that every once in a while.

These titles are in no particular order, but it’s a list so I had to number them.

Number 1: Carols From King’s (Annual)

Title card for Carols From King’s.

I’m by no means a religious person. In fact, I can’t remember the last time I set foot in a church. But when I was at school, every Christmas just before the end of term we all trooped down to the local church and attended a Christmas carol service. My English teacher would pick on a few of us every year to read aloud some kind of Christmassy poem or short section from a story, so every year while at school I got to take part. The only benefit was that we got to miss a few lessons in the run-up to the event, but that alone made it worthwhile.

Carols From Kings is basically the kind of Christmas carol service I remember from my schooldays – just much better quality(!) There’s a choir, and they sing a selection of Christmas carols interspersed with a few readings and churchy things. While the selection of carols varies somewhat year on year, most of the traditional English carols make an appearance, such as Once In Royal David’s City, or The First Nowell.

As a fan of Christmas music in general, Carols From Kings is a pleasant, calm television programme of the sort that I’d never be interested in at any other time of year. At the end of the day, all it really is is a church choir singing Christmas carols – but that’s okay. Of course if you just wanted to hear the music you could find 1,001 versions of all of these carols on any music streaming platform, but seeing it and knowing it was recorded live does make it a different experience, and focuses attention on the music and the event itself rather than letting the songs be background noise for whatever else you might be doing.

There are new editions of Carols From King’s recorded every year (or most years, at least). Several past years, including 2018, are available on YouTube at time of writing, and I believe the 2019 edition is to be broadcast on Christmas Eve here in the UK.

Number 2: The Polar Express (2004)

Poster for The Polar Express.

This film was a novel take on the “does Santa Claus exist?” theme that a lot of Christmas titles explore. Following a young boy who finds it hard to believe in Santa, The Polar Express takes the unnamed child on a whirlwind adventure to the North Pole, complete with snow, ice, and a weird train roof-riding hobo.

Notable at the time of its release for its CGI animation – which some critics called “creepy” due to its attempts at realism – the film has aged well and has rightly become a modern-day Christmas classic, one which is fun to return to year upon year. I’d especially recommend it for families – though with the caveat that very young children may find a few scenes frightening.

Tom Hanks is on form here, voicing several characters and giving each a unique sound. You might recognise him in the persona of the train’s conductor, such is the nature of semi-realistic CGI animation, but some great voice acting ensures his other characters are unrecognisable.

Trains – especially toy steam engines – have somewhat of an association with Christmas, so The Polar Express doesn’t come from nowhere. However, its unique approach to Christmas, Santa Claus, and the North Pole, as well as some comical moments, make for a fun modern Christmas film with heart. The message is that Santa is real, and for little ones wavering on that issue it might be a reassurance. And though it’s primarily a fun adventure for kids, there’s some entertainment for grown-ups to have here as well.

Number 3: Father Christmas (1991)

The VHS and/or DVD box art for Father Christmas.

A semi-sequel to 1982’s The Snowman, Father Christmas sets out to answer a simple question: what does Santa do for the other 364 days of the year? Apparently the answer is that he takes a massive round-the-world holiday. And gets drunk.

As a kid, the scene where Father Christmas (as Santa is known in the UK) gets completely trashed and starts hallucinating/dreaming and throwing up was a really weird thing to witness. And that sequence may be why this animated short doesn’t seem to be readily available at the moment. It is, of course, online on various streaming sites – none of which I’d happily recommend, so take your own chances – but it is on DVD at least here in the UK.

Clocking in at only 25 minutes, it’s a bit steep to pay a lot of money for a copy, but it is a fun, wholly British, and entirely tongue-in-cheek look at Santa’s everyday life. For some reason he lives in a terraced house in the UK. And has a pet dog and cat. And his neighbours seem blissfully unaware of his true identity.

The animation style is, frankly, outdated. It’s very much a product of its time, with a particular hand-drawn style that may not be to everyone’s taste. And as mentioned, a few scenes may be offputting for sensitive young ones. But there is a bloomin’ great song (which you can almost certainly find on YouTube).

Number 4: The Star Wars Holiday Special (1978)

Could it be? A Star Wars film worse than The Phantom Menace?

I’m kidding – no one should watch this nonsense.

Thankfully non-canonical, the Star Wars Holiday Special takes classic characters from the original film and sets up the premise of Life Day – a celebration on Chewbacca’s home planet.

It has been rightly ridiculed for its bad script, bad effects, and for being an all-round failure.

It is, however, a wholly unique piece of television. Sometimes bad films make for entertaining viewing simply because of how bad they are, and if you have a few Star Wars-loving friends (and a healthy amount of alcohol or other substances) maybe this could be a fun romp for you.

And since this came out before Empire Strikes Back is is technically the first Star Wars sequel.

Still, it’s better than The Phantom Menace.

Real Number 4: Miracle on 34th Street (1947; 1994)

Box art for the 1947 original Miracle on 34th Street.

I actually had a hard time deciding which version of this Christmas classic to put on this list. The 1994 version is a rare example of a successful remake – thanks largely to the wonderful performance of the late Richard Attenborough.

I’m not a huge fan of black-and-white films in general. Not so much the lack of colour itself, but primarily because older films tend to be very dated in their effects, sets, and especially their acting style. I know that’s a horribly subjective statement, but as a very general rule I’d say most films (and TV series) prior to the mid-1960s don’t really work for me. The original Miracle on 34th Street was an exception, however. I actually saw the remake first, probably not long after it was released, and for years I wasn’t even aware there was an older version. When I did encounter it, I was initially put off by the black-and-white and the year it came out, but when I gave it a chance I found the same heartwarming tale underneath.

When a Thanksgiving parade needs a replacement Santa Claus, a man named Kris Kringle steps up – and claims to be the real deal. After being briefly institutionalised, a court case find that (for differing reasons in the two versions) they cannot prove he isn’t Santa – so therefore he can go free.

Actor Edmund Gwenn won both a Golden Globe and an Academy Award for his role as Kris Kringle in the original film, and though his performance is in many ways iconic, Richard Attenborough took over the role for the 1994 version and also gave an incredible performance.

Number 5: Love Actually (2003)

Poster for Love Actually.

So here’s a conundrum – is Love Actually a Christmas film, or is it a romantic comedy with a Christmas background? I can’t decide.

Some films seem to pick a Christmas setting and hope it will cover all manner of sins. Not so for Love Actually, because while Christmas serves as a backdrop for the film and the various sets of characters, it’s actually (pun intended) rather good.

Taking multiple plot threads and a huge cast of characters, the completely different stories slowly work their way together over the course of the film. And there are some wonderful performances in there, as well as some funny ones. Hugh Grant’s take on the British Prime Minister came mere months after then-PM Tony Blair took Britain controversially into the Iraq War. And the scene in which Grant’s character stands up to a rude, pushy American President (a pitch-perfect performance from Billy-Bob Thornton) was, in a very real sense, something that large sections of the country were looking for and responded to.

Alan Rickman also gives one of his best performances here, and his on-screen chemistry with Emma Thompson is part of what gives the film its heart.

I didn’t expect Love Actually to become as culturally significant as it is when I first saw it. I dismissed it as “just another rom com”, having seen Hugh Grant in what felt like several dozen similar pictures by that point. But, helped by its Christmas setting no doubt, Love Actually is another modern classic which I think families will enjoy at this time of year for a long time to come.

Number 6: A Christmas Carol (1999)

The 1999 version of A Christmas Carol stars Patrick Stewart.

There are many adaptations of Charles Dickens’ famous novel – the book credited with bringing Christmas back into the popular imagination after a period in which it wasn’t widely celebrated. And many of those versions are good. Some are funny, some are animated, and some take great liberties with the source material. But if I had to pick just one adaptation, the 1999 made-for-TV version is my choice.

Starring Sir Patrick Stewart (hot off his role as Capt. Picard in Star Trek: Insurrection) this version of the story sticks fairly closely to the original novel. There’s nothing especially ground-breaking here, nothing that will change the way future adaptations are viewed. But as a pure adaptation of the novel, I don’t think the performances can be bettered.

Some of the effects, especially those for the ghosts, may look a little dated by now, but overall the film does a great job telling the classic story of bitter old miser Ebenezer Scrooge as he learns to embrace the spirit of Christmas. I’m a big fan of Sir Patrick (as you probably know by now if you’re a regular around here) but his performance here is a great example of why. He carries this film all the way, appearing in practically every scene, and if you can get over the fact that he’s not Jean-Luc Picard and simply enjoy the story being presented, you’re in for a treat because his performance is incredible.

Some actors are inexorably linked to their most iconic roles, and if you’re a huge Star Trek fan perhaps this version will be jarring for you. But stick with it if you can, because in my opinion this is the best adaptation of A Christmas Carol.

Number 7: Phineas and Ferb Christmas Vacation (2009)

Streaming icon for Phineas and Ferb Christmas Vacation.

You might remember from the list of my top television series of the decade, but I’m a big fan of this Disney Channel animated series.

Christmas Vacation is actually one of the best episodes as well, a feature-length episode in which the evil Dr Doofenshmirtz builds a machine to make everyone in town naughty – thus cancelling Christmas. The boys manage to save the day, of course, and there’s plenty of mayhem and fun along the way.

The soundtrack to this special episode is great, too, featuring a couple of Christmas classics and a few original songs – including a Christmas-themed version of the show’s opening song.

If you’re a sucker for the “Christmas is in danger, then someone saves it” plot cliché – and I absolutely am – then this will be a fun time. Yes it’s a kids’ show, but Phineas and Ferb has always been a series that holds some appeal to adults too, so it’s not without merit here. It’s by no means an original premise, but it is a uniquely Phineas and Ferb take on that premise, and as a fan of the series it’s great to come back to this special at this time of year.

The soundtrack album (which also includes a few tracks from a couple of other holiday episodes) is also well worth a listen. Yes, I bought it.

Number 8: Rudolph The Red-Nosed Reindeer (1964)

DVD box art for Rudolph The Red-Nosed Reindeer.

Every family has different Christmas traditions, and these traditions vary an awful lot from country to country. It wasn’t until I spent a Christmas in the United States that I became aware of this charming stop-motion film, and I think from people I’ve spoken to that it doesn’t have as big of a following over here.

Despite first encountering Rudolph The Red-Nosed Reindeer as an adult, I had a fun time with this film and enjoyed a look at another country’s idea of a Christmas classic. And a classic it certainly is – it was on TV dozens of times in the run-up to Christmas when I lived in the States, and almost everyone I spoke to reacted with incredulity when I said I’d never seen it.

It’s a re-telling of the Rudolph story with a few original characters that haven’t appeared elsewhere, like Yukon Cornelius, and Hermey the elf who wants to be a dentist. After facing rejection, the characters run away together, only to be welcomed back after their adventures in a heartwarming tale of… bullies that decide to stop bullying? I guess.

Number 9: Delia’s Classic Christmas (2009)

Delia’s Classic Christmas DVD box art.

I wanted to put at least one cookery programme on this list, because of all the various holidays and events throughout the year, none are so intrinsically linked to food as Christmas.

Delia Smith is the original British television cook, appearing on TV since at least the 1980s. Her 2009 outing – Delia’s Classic Christmas – is exactly what it sounds like. British Christmas classic dishes, presented in her trademark gentle style.

As a collection of classics, don’t expect much outside the mainstream of British cuisine. That’s actually what I like about this television special, because in many ways, Christmas is the one time of year where traditions dominate and it’s great to celebrate that. In this case, we’re talking about food traditions like roast turkey with all the trimmings. For my American readers, Turkey has been traditional Christmas fare in the UK for at least the last century. Though some families will still opt for ham or beef as their main meat of choice, turkey is still the king. And because we don’t have Thanksgiving, this is for most people their main turkey dinner of the season – possibly of the whole year.

But to get back to Delia’s Classic Christmas for a moment, Delia Smith’s style of presenting is just pleasant and enjoyable to watch. This is pure light entertainment at its festive best, and even if cookery shows wouldn’t normally be your thing, maybe you can make an exception at this time of year. It does wonders to get me excited for my Christmas dinner, anyway!

Number 10: Die Hard (1988)

Bruce Willis on the poster for Die Hard.

I debated whether or not to put Die Hard on this list. Is it a Christmas film? Or is it an action film with a couple of Christmas references? That argument will rage on and on, I fear.

Christmas film or not though, Die Hard is a classic of the action genre. While its sequels haven’t really lived up to the original, that doesn’t detract from the enjoyment here. Bruce Willis is on form as action hero John McClane – trapped in a building under siege and where terrorists have taken hostages (including his wife), McClane slowly cuts his way through the terrorist troupe.

Alan Rickman features on this list for the second time, in his iconic role as terrorist leader Hans Gruber. Though protagonist and antagonist only meet at the film’s climax, their radio communication earlier in the story is fantastic and the way Willis and Rickman portray their characters’ hatred for one another in this limited format is really something to witness.

Die Hard could’ve ended up like so many other action films of its day – a fun but mediocre gun-fest. But there’s something about the two leads, perhaps aided by the Christmas backdrop, that elevates the title to something better.

Number 11: Jingle All The Way (1996)

Poster or DVD box art for Jingle All The Way.

In the entry above for the Star Wars Holiday Special, I mentioned that sometimes a bad film can be entertaining. And make no mistake, Jingle All The Way is, by practically every conceivable measure, a bad film.

It’s on this list purely as a guilty pleasure, and were it not for its Christmas theme it would probably be long-forgotten. In Jingle All The Way, Arnold Schwarzenegger (future Governor of California) has to get his son a must-have Christmas toy… but they’re all sold out. What follows is a slapstick comedy in which Arnie fights with another kid’s dad to find the last one on Christmas Eve.

It really is as bad as it sounds – Arnie’s acting has always been wooden at best, and this is certainly not his best performance by a long way. The premise is dumb, and the comedy is really quite stupid in parts, but what’s hiding just below the surface is a story worth telling – one of a family man recognising his flaws and trying to redeem himself in the eyes of his son. Christmas is both the setting and the driving force for the main story, but the idea of a family coming back together from the brink of falling apart is a timeless one in many ways, and one that epitomises Christmas.

Number 12: Simpsons Roasting on an Open Fire (1989)

Several main characters from The Simpsons.

Simpsons Roasting on an Open Fire is actually the first ever episode of the long-running animated sitcom. And it is a classic in its own right, as Homer tries to turn his financial troubles into a successful family Christmas.

Much of what makes The Simpsons great is on display here. At the end of the day, the series has been so successful and lasted so long because it has heart. There are plenty of funny moments, but despite his failings, it’s easy to root for Homer. He’s a likeable protagonist in this episode.

Arguably this isn’t The Simpsons at its best, because the show probably took at least to the end of the first season to really hit its stride, but despite that, and despite the fact that many of what would become the show’s principal supporting cast aren’t present, it’s a solid episode.

And as a Christmas story, it’s oddly timeless. The down-on-his-luck dad, trying to hide his finances from his family and then having to get into deeper and deeper trouble to cover it up, all while trying to provide them with Christmas gifts is, in an unfortunate way, still as relevant today as it was thirty years ago. While life has changed in many ways since The Simpsons premiered, there are still too many people who don’t have enough money at this time of year – or indeed all through the year. That sense of a real-world situation comes through, despite the fact that we’re looking at a cartoon, and I think that’s what makes it so relatable.

Honourable Mentions:

I couldn’t possibly cover every Christmas film or television special on this list. There are far too many, and there are some real classics that I’ve probably forgotten all about. Here are a few more that could’ve made this list, and are definitely worth a look.

Santa Claws (2014) – Not to be confused with the 1996 horror film of the same name, this family adventure sees a litter of kittens save the day and deliver Santa’s presents – after he has an allergic reaction to them.
The Snowman (1982) – The predecessor to the 1991 film Father Christmas listed above, this animated short sees a boy and his magical snowman go on an adventure.
Home Alone (1990) – A holiday classic. When a young boy is left behind by his family, he has to cope on his own while fending off burglars who want to rob his mansion.
It’s A Wonderful Life (1946) – After losing his firm’s money, a desperate man contemplates taking his own life and wishes he was never born. His guardian angel shows him the effect his life has had on others.
The Flight Before Christmas (2008) – A reindeer who’s afraid of flying saves the day in this cute animated film.
Elf (2003) – A human raised by Santa’s elves at the North Pole travels back to the human world in this lighthearted comedy.
The Nightmare Before Christmas (1993) – Is it a Halloween film or a Christmas film? Either way, this stop-motion film directed by Tim Burton has become a classic.
The Morecambe and Wise Show Christmas Specials (1968-83) – For well over a decade in the late 1960s, ’70s, and into the ’80s, these variety shows by a comedy duo were the most-watched thing on British television on Christmas Day.
The Nativity Story (2006) – Future Star Wars actor Oscar Isaac features as Jesus’ father Joseph in this re-telling of the Biblical story.

So that’s it.

A few Christmas specials and films to get us all in the holiday mood now that we’re on the home stretch. Only four days left and then it’ll all be over for another year!

I hope you all have a Merry Christmas!

All titles mentioned above are the copyright of their respective studios, networks, and/or distributors. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.