Tag: game of the year

End-of-Year Awards 2023

End-of-Year Awards 2023

Dennis

Spoiler Warning: Beware of minor spoilers for some of the titles below.

Where has all the time gone? We’re just hours away from the end of yet another year – and that can only mean one thing: it’s time for my annual End-of-Year Awards! Today I’ll be handing out some imaginary statuettes to some of the best (and worst) entertainment experiences of the year. I hope it’ll be a bit of fun – and not something to get too worked up over!

As always, I have a couple of important caveats. The first is that I’m just one person – and as such, I didn’t watch every film or play every game that came out this year. Titles have to clear two hurdles to win an award, and the first one is arguably the biggest: they had to convince me to try them out in the first place! I don’t have every hour of the day to dedicate to entertainment, and there are a lot of films, TV shows, and games that were released this year that won’t get a look-in because I didn’t watch or play them. They might be fantastic… but they can’t be included this time for reasons that I hope are obvious!

It’s time to dish out some awards!

Secondly, all of this is my entirely subjective opinion! I’m not trying to claim that these are somehow “objectively” the best entertainment experiences of the year and the only ones deserving of an award! That would be silly – this is just my opinion, and you are free to disagree vehemently with some or all of my choices. I share these made-up awards with the world in that spirit.

I’ve broken down my picks into a few categories and sub-categories, some of which have both a winner and runner-up and some of which just have a winner. I’ll briefly explain what it was that I liked (or didn’t like) about each.

So let’s get started, shall we?

Best Short Documentary

🏆Winner🏆
Now and Then – The Last Beatles Song

Published on YouTube at the beginning of November, this twelve-minute short documentary provided a fascinating look at the complicated production of Now and Then – a song featuring performances by all four members of The Beatles. Billed as “the last Beatles song,” Now and Then reached the number one spot on the charts here in the UK, and learning a bit more about how it came together was genuinely interesting.

Now and Then was a demo recorded by John Lennon at his home some time in the 1970s, but the recording was relatively low-quality and wasn’t deemed suitable for release. In the ’90s, the three surviving Beatles got together, and Now and Then was one of the tracks that they worked on – but again it wasn’t able to be salvaged. It’s only in the last couple of years, with the advent of AI and the ability to isolate and separate various instruments and vocals, that the song was finally ready to be worked on. Performances by John Lennon, George Harrison, Ringo Starr, and Paul McCartney were brought together – and the song was finally released.

Best Documentary

🏆Winner🏆
The American Buffalo

I have a review about this in the works – but it’s gotten buried in the pile! Ken Burns is one of my favourite documentary filmmakers, so any new production of his is going to be on my must-watch list! This year, Burns turned his attention to the Bison – or the titular “American Buffalo” – and looked at the history of the species and its near-miraculous survival from the brink of extinction.

Ken Burns and the team at PBS Studios put together a truly engrossing two-part documentary that goes into incredible depth about the history of the species and how humans have interacted with it. It’s a riveting documentary, perfect for anyone interested in the history of the United States, Native American peoples, the “Wild West,” or the titular “buffaloes” themselves.

Best Web Series

🥈Runner-Up🥈
Imperial War Museums

It’s been a long time since I was able to visit the Imperial War Museum in London. Despite its offputting name, it’s worth checking out if you’re in the area – as are the Imperial War Museums’ videos on YouTube. I’m a bit of a history buff, and although some of the channel’s content is simplified for an audience who might not be familiar with the subject matter, I still found that there was a lot to learn and plenty of interesting facts in the mix.

Imperial War Museums’ videos are well-presented and explained, and in particular I’d highlight some of the channel’s short documentaries about the First World War from earlier in the year. I didn’t know that the Imperial War Museums had a YouTube channel, but I’m glad I found it. There are some genuinely interesting videos here that are well worth a watch.

🏆Winner🏆
Food Wishes

I honestly can’t believe that in more than four years of writing here on the website I’ve never mentioned Food Wishes! This is one of my favourite YouTube cooking channels – and one of the longest-running series on the entire platform. Chef John began uploading videos to the platform all the way back in January 2007, which is almost seventeen years ago! And perhaps the most astonishing thing about Food Wishes is how little things have changed in all that time.

This year, Chef John has continued making recipe videos. The format is relatively simple, but there’s plenty of humour and fun alongside the instructional recipes. With well over 1,000 videos on the channel, you’d worry that there might be fewer interesting or appealing recipes… but somehow that isn’t the case! There have been some incredibly mouthwatering creations this year, and I look forward to seeing what 2024 has in store for Food Wishes, too.

Funniest TV Episode

🏆Winner🏆
Worldwide Privacy Tour
South Park

South Park is one of the entertainment industry’s great equalisers. Its creators poke fun at pretty much everyone, from politicians and celebrities to whole industries and nations. In Worldwide Privacy Tour, Harry and Meghan – better known as the Duke and Duchess of Sussex – were firmly in the crosshairs. And the episode was absolutely hilarious, lampooning the hapless, talentless duo for simultaneously crying about “privacy” while jetting off to California to live as celebrities.

I’m no monarchist. In fact, I’m a small-R republican, which in a British context means that I’m someone who wants to see the outdated and corrupt monarchy abolished. But even I find Harry and Meghan to be grating, at times – even while I’m pleased that some of their statements and escapades are eroding support for an institution I’d like to see the back of. The pair are among the most privileged people on the planet, but they’re also useless hypocrites. Whether it’s lecturing people about climate change before hopping on a private jet, complaining about being bullied while being a serial harasser of servants and staff, or whining about “privacy” while sitting down for an extensive interview and writing a tell-all book, Harry and Meghan deserved everything they got from South Park… and then some.

Best TV Miniseries

🏆Winner🏆
The Fall of the House of Usher

It’s relatively rare – in this age of franchises, sequels, and spin-offs – for a big budget to be afforded to a one-off miniseries. Netflix’s The Fall of the House of Usher, which is based on the works of American gothic horror author Edgar Allan Poe, is one of the year’s best examples. I don’t usually go for horror, but with Halloween approaching I decided to give The Fall of the House of Usher a shot – and I’m glad that I did!

The miniseries keeps the tense and disturbing atmosphere of Poe’s stories, but changes many of the characters and plotlines, as well as setting things firmly in the modern day. You might think that there’d end up being a clash, but the production pulls out a surprisingly coherent and entertaining story. There are moments of gore and a handful of jump-scares, but nothing too offputting for someone who isn’t the world’s biggest horror fan.

Best TV Series

🥈Runner-Up🥈
Star Trek: Picard
Season 3

For the past few years, Star Trek episodes have been afforded their own category when I’ve dished out my End-of-Year Awards, but as I kind of burned out on the franchise midway through 2023, there are a lot of episodes that I just haven’t seen. Picard’s third season was imperfect, containing a villain who was built up only to be discarded, yet another return of an over-used faction, and a story that felt a bit stretched and occasionally muddled. But it also had some incredibly well-executed emotional moments, and I can’t deny that I enjoyed seeing the crew of the Enterprise-D reunited for another adventure.

In the new year – or at some point in the future, at any rate – I’ll talk about what worked and didn’t work in Season 3 in a bit more detail. Because I have thoughts, don’t you know! But for now, suffice to say that Picard’s third season was one of the highlights of 2023… even if it wasn’t perfect. I’m still holding out hope that there’ll be a new Star Trek series taking place in the time period that Picard established.

🏆Winner🏆
Silo
Season 1

Silo was an impressive sci-fi series with a distinct air of mystery. I particularly enjoyed its subterranean setting, and the idea that the people in the titular silo didn’t know what had happened on the surface, nor why they were forced to live underground. Playing out against that backdrop was an engaging murder mystery, a struggle for power within the confines of a sealed community, and much more besides.

There were several familiar faces in Silo, including Tim Robbins and Will Patton, both of whom excelled. I greatly enjoyed Rebecca Ferguson’s performance in the lead role, too. A second season of Silo is already in production, and I will be eagerly awaiting its arrival in 2024.

Best Kids Film

🏆Winner🏆
Ladybug and Cat Noir: The Movie

With the major caveat that I haven’t watched Disney’s Wish yet, I want to highlight Ladybug and Cat Noir: The Movie. I don’t think it turned a lot of heads when it was released, but it’s a creditable adaptation of a fairly long-running animated series that offers a new look at its titular heroes. The film could be a great introduction point for someone new to the world of Miraculous, serving less as a reboot than a reimagining of the show and its characters.

The story was easy to follow for younger eyes, but still strong and engaging, and the film had an uplifting message at its core that’s sure to resonate with its intended audience. The idea that anyone can become a hero is always going to be appealing, and the idea of people doing bad things with good – albeit selfish – intentions is likewise important. All in all, a solid film that I enjoyed – and one that I’m sure many kids will, too.

Best Film

🥈Runner-Up🥈
Barbie

I really wasn’t sure what to expect from Barbie. Director Greta Gerwig had pedigree, with titles like Lady Bird earning her nominations for the top awards. But I really didn’t know what she’d do with the world-famous Barbie name and brand. I’m surprised that Mattel, the makers of Barbie dolls, greenlit a film like this – because Barbie really isn’t a film for kids, despite its name and source material. But I’m glad that the film was able to go ahead, because it was funny and clever; a really unique picture.

I daresay Barbie isn’t for everyone; the film can feel quite subversive, challenging the expectations of its audience in places. But it has an important message – and considering that it’s basically a corporate cash-in on a famous brand, that’s actually pretty great. Margot Robbie is, of course, the film’s star – but I’d also say that Will Ferrell was particularly well-cast as the chief executive of Mattel.

🏆Winner🏆
The Super Mario Bros. Movie

I adored The Super Mario Bros. Movie, and although it might seem like a bit of a silly pick, I’m happy to crown it my favourite film of 2023. The film did such a good job of adapting the familiar world of Nintendo’s Mushroom Kingdom for the big screen, while at the same time putting a nice twist on the tired “save the princess” trope. There were cameos and callbacks to many different things from the video games, and a few new ideas that I’m astonished to see Nintendo has failed to take advantage of!

As a film aimed at kids, the main story here isn’t anything groundbreaking. But what there is is just so much fun and is presented in such a bright, vibrant style that I found it impossible not to smile. The Super Mario Bros. Movie is going to become a textbook example of how to successfully adapt a story for the cinema – so other studios should be taking notes!

Most Disappointing Video Game

🥈Runner-Up🥈
The Lord of the Rings: Gollum

Maybe you were never sold on the idea of playing as the contemptible Gollum, but I’d been following the development of this title for years and felt that it could’ve offered something a bit different. You know the story by now, though: Gollum was released in an unfinished, practically unplayable state, and was shredded by professional critics and players alike. I maintain that the game could have found an audience had it been marketed correctly – and, y’know, finished – but unfortunately it wasn’t to be.

As the video games industry seems to be consolidating around relatively few genres and ongoing franchises, what appealed to me about a title like Gollum was that it seemed to be something different. In terms of narrative and gameplay, its developers had a vision for what they wanted to create, and it seemed like something that could have been fun. Unfortunately, for what seems likely to be a multitude of reasons, Daedalic Entertainment lacked the skill, resources, or money to pull it off.

🏆“Winner”🏆
Star Wars Jedi: Survivor

As with Gollum above, Jedi: Survivor was released in a broken, bug-riddled state. The fact that I struggled to play the game even after waiting for several months and after seeing several major patches roll out is shocking, and the blame lies at the door of publisher Electronic Arts. However… there’s more to the Jedi: Survivor story than just bugs. What I found underneath the buggy veneer was a game that was narratively weak and that failed to live up to its illustrious predecessor.

I won’t say too much lest I spoil Jedi: Survivor’s story for you, but suffice to say a major plot point in the game’s narrative felt ridiculously obvious and seemed to be telegraphed from almost the first moment. The return of a major character from the first game was handled poorly, and while I liked some of the customisation options for protagonist Cal Kestis, the amount of these and the way they were unlocked felt ridiculously unbalanced. An open-world setting did not suit Jedi: Survivor, and the game was notably worse for trying to go down this route.

The “I Can’t Believe Anyone Chose To Die On This Hill” Award

🏆“Winner”🏆
Hogwarts Legacy

I was surprised at the number of people who outed themselves as being what I shall generously call “fairweather allies” to the LGBT+ community over Hogwarts Legacy. The game is, by all accounts, a bog-standard open-world affair with a fairly uninspired main story, boring side missions, and a map outside of the main Hogwarts castle that just screams “generic.” The fact that the game is nowhere on anyone’s “game of the year” lists speaks volumes; Hogwarts Legacy turned out to be forgettable fluff.

Which makes it all the more sad and upsetting that people ended friendships and got into massive online arguments over this game. Hogwarts Legacy was not worth the hassle, the hurt, or the destruction that it caused. I don’t agree with the “hot take” that says that anyone who played or bought the game is automatically a transphobe – even though the Harry Potter series’ creator has said, on the record, that she considers sales of the game and all other merchandise as being acceptance and agreement with her transphobic views. But for the folks who chose to die on this hill earlier in the year, and who prioritised such a mediocre game over allyship and friendships… I hope it was worth it.

Best Ongoing Video Game

🏆Winner🏆
Civilization VI

I’ve played quite a bit of Civilization VI this year – thanks in part to the game’s ongoing support and the addition of new leaders. It’s been fun to jump back into the game and find several new factions and leaders to both play as and play against, as well as other updates. Although I’ve played Civilization VI on and off since its launch back in 2016, the game can still surprise me – and there are still plenty of Steam achievements that I’m yet to unlock! I finally managed to win a religious victory this year, though, so I can cross that one off my list!

In addition to new leaders, some of Civilization VI’s updates have introduced climate change mechanics and rising sea levels, as well as imaginary near-future technologies and government types. These are a blast, and stomping a city with a Giant Death Robot that I’ve named “The Danger Roomba” will never not be fun! Civilization VI can be expensive to pick up, and I’m always wary about recommending a game with £100+ of DLC and expansion packs. But for the amount of enjoyment it’s given me this year, I couldn’t leave Civilization VI out.

Most Improved Video Game

🏆Winner🏆
Cyberpunk 2077

A little over a year ago, in early December 2022, I said that Cyberpunk 2077 was a fairly average, unremarkable game that was elevated slightly by a solid story. I felt that the game’s bug-riddled launch actually distracted from its real mechanical flaws – and in a perverse way, that probably helped CD Projekt Red. But a year later, it’s stunning to me just how many of my complaints have been fixed! To coincide with Phantom Liberty, the game’s first and only expansion pack, a major update was released that completely reworked entire gameplay mechanics and systems, improving the game dramatically.

A review of Phantom Liberty is still a ways off, but I hope you’ll stay tuned for my full thoughts sometime in the new year. For now, suffice to say that Cyberpunk 2077 is much closer to that original vision, and a far, far better game than it was a mere twelve months ago. The transformation may seem subtle at first, but when you start levelling up your character and getting into combat encounters, you’ll see a huge difference.

Game of the Year

🏆Winner🏆
Baldur’s Gate 3

If you’re a regular reader, you’ll have seen this coming from a mile away! Baldur’s Gate 3 is an absolutely fantastic game, one of the best I’ve played in years. And to think I only bought it because I was looking for something to play while waiting for Starfield! I had no idea what I was getting into, because I’ve never played Dungeons and Dragons, but I ended up having a whale of a time. The game has an incredibly strong story with some great characters – and fantastic voice acting – but it’s a mechanical masterpiece, too. There are weapons and spells galore, and so many choices to make that really do make each playthrough feel unique.

I’m about to kick off a second run through the game – after delaying it for a while – and I’m really looking forward to creating a completely different character and trying new things. There are two large chunks of the map that I didn’t explore last time around, characters and companions that I didn’t get to meet, and so much to get stuck into that it’ll feel almost like a brand-new game all over again. A thoroughly deserved win for one of the best games of the last few years.

So that’s it for 2023!

Did your favourite win a trophy?

I sincerely hope that you’ll join me for more reviews and commentary in the new year – because I’m sure there’ll be plenty of fun things to talk about in 2024!

2023 has been a solid year, entertainment-wise. The disruption of the pandemic seems to be settling down, and we got some decent films, decent games, and decent TV shows to get stuck into. I didn’t get around to seeing or playing all of them… but there’s always next year, right?

What does next year have in store?

Hopefully these awards have been a bit of fun. I enjoy putting these together once a year, and I think it’s important to show off some of the best and most enjoyable titles of the year. We won’t always agree on which ones should win an award… but that’s okay. There should be plenty of room for polite discussion and disagreement – and it’s in that spirit that I share my choices.

Whatever you’re doing for New Year’s Eve, I hope you have a fun (and safe) time ringing in 2024. I’ve bought myself a suitably silly New Year-themed hat that I shall be donning… as I hang out with the cats and possibly watch some of the fireworks on TV! To those of you who’ve been regular readers all year long, thank you for sticking with me! And I look forward to sharing my thoughts with all of you once more in 2024.

Happy New Year!

All titles listed above are the copyright of their respective studio, publisher, broadcaster, distributor, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The Game “Awards” – Please Wrap It Up

The Game “Awards” – Please Wrap It Up

Dennis

If you missed it, the so-called Game “Awards” was broadcast a few days ago. I don’t usually pay a lot of attention to the event – I have my own End-of-Year Awards to prepare for, after all! – but one particularly striking image has come out of the highly-commercial event, and I wanted to share my two cents.

Overshadowing the awards ceremony itself, and even many of the award winners, was a simple phrase that was shown on a massive prompt facing the stage: “Please Wrap It Up.” After being given as little as thirty seconds to speak upon receiving an award, the message would be displayed to developers and award-winners – before music would begin to play and they’d be ushered off-stage. Out of the entire three-hour broadcast, barely ten minutes was given to the award-winners themselves – who are, surely, supposed to be the stars of any awards ceremony. The rest of the time was dedicated to advertisements, trailers, speeches by the presenters, and even musical acts. Some awards weren’t even presented at all, being skipped over in a mere couple of seconds.

The now-infamous sign.

I’m far from the only person to have noticed this, and that’s surely because the Game “Awards” has become incredibly unbalanced. By prioritising trailers and presenters plugging upcoming games live on stage over the actual awards, the Game “Awards” is in danger of losing its audience. People turned up hoping to see their favourite titles of the year being honoured, not ushered off-stage after thirty seconds to make way for an incoherent ramble from an overhyped developer about his latest (completely unseen) title. Yes, I’m talking about Hideo Kojima. Or to make way for yet another trailer or commercial – practically all of which, this year, were entirely CGI creations that didn’t show any gameplay.

There’s a line to walk here. I think a lot of folks would agree that the likes of the Academy Awards and Golden Globes, which honour the best films of the year, can be pretentious and can feel like an industry congratulating itself and inflating the egos of its stars a little too much. Fewer and fewer people pay attention to the Oscars and Golden Globes as a result; those broadcasts have been losing viewers by the boatload over the past few years.

Nicolas Cage at the 1997 Oscars.

But would more people tune in to the Oscars if half of the awards weren’t presented on-screen, actors and directors were given less time to speak, and the broadcast was overstuffed with adverts and trailers? I mean, more than half of the Game “Awards” three-hour presentation consisted of trailers and adverts. That seems excessive, and there has got to be a way to strike a better balance.

The creators and producers of the Game “Awards” are trying to frame the event as video gaming’s equivalent to the Oscars or the Golden Globes… but if the games industry wants that kind of prestige, the ceremony has to be handled better. Right now, it’s an overblown advertisement – worse, somehow, than the likes of E3, because at least with E3 I knew from the start what I was getting into. The Game “Awards,” by putting its emphasis on the statuettes it plans to hand out, feels deliberately dishonest in its marketing. But at least it has that in common, rather ironically, with many of the video games it advertises.

Look, it’s a new Jurassic Park game!

It feels incredibly disrespectful to developers to invite them to a fancy ceremony under the guise of potentially receiving an award – only to then give them in some cases literally no time whatsoever on the stage to accept that award. If these awards are, as the organisers would like you to believe, the most prestigious in the industry… shouldn’t they want to see people receiving them? Shouldn’t that part of the broadcast be the biggest deal? After all, if receiving a Game Award is so unimportant that it’s relegated to a footnote in its own live presentation, why should anyone give a shit about who the winners or nominees are? If the titular trophies are so meaningless to the Game “Awards” itself… what’s the point?

I don’t like to throw the word “scam” around lightly; I think too many people do that these days, leading to the word’s impact and severity being diminished. But if you entice audiences to turn up to your event under false pretences… we’re definitely getting close to “scam” territory. The Game “Awards” pretends to be an Oscars-style ceremony with fancy suits and statuettes, then it flips the script on viewers and shows them basically two-plus hours of ads and barely ten minutes of actual award-winners. What else can we call such duplicity?

Geoff Keighly, principal organiser and presenter of the Game “Awards.”

Maybe some folks like tuning in to watch the trailers – and that’s okay. I like a good trailer as much as the next person, and it can be fun to look ahead to games that we might hope to enjoy in the months and years to come. Some of these trailers can be well-made, with creative visual effects, great soundtracks, celebrity endorsements, and much more. But that isn’t the point I’m making. If I choose to watch ads and trailers, that’s up to me and I can do that all I want. But if the Game “Awards” pretends to be an awards ceremony just to trick me into watching two hours of ads… well, I don’t appreciate that.

And let’s be honest: that’s exactly what’s happening here. The organisers of the Game “Awards” would ditch the statuettes in a heartbeat and make the entire event nothing but trailers, celebrities, and advertisements if they could get away with it. They don’t give the tiniest of shits about handing out awards or honouring the best and most creative titles of the year – all they care about is selling more and more advertising space and making a metric fuckton of cash, and they’ve done that by diminishing and minimising the actual awards portion of the broadcast so much that it feels like a footnote.

Baldur’s Gate 3 won “game of the year.”

So what’s the solution? I don’t really have one, if I’m honest. Maybe the complaints received about the “Please Wrap It Up” screen will prompt some minor changes, and perhaps for the next year or two you might see award recipients being given sixty or perhaps even ninety seconds to speak. But sooner or later the desperation to grab as much cash as possible will overwhelm the Game “Awards” organisers once again, and the excessive ad-to-award ratio will be back.

The only thing we can do, as consumers in this marketplace, is register our disapproval. Don’t tune in to the next Game “Awards” and let the organisers know that we care as little about their made-up trophies as they seem to. If fewer and fewer people tune in, and make it clear that the reason we aren’t bothering to watch is because of how unbalanced the broadcast is in favour of trailers and ads, maybe the message will get through. As we’ve seen with the collapse of E3, no event in gaming is sacred or safe – they rely on our viewership and patronage to remain relevant.

I won’t bother watching another Game “Awards,” because what’s the point? If the organisers care so little about the actual awards, why should I?

All titles mentioned above are the copyright of their respective developer, studio, and/or publisher. The Game Awards can be streamed now on YouTube. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.