3 Body Problem: Netflix Review

The first part of this review is free from major story spoilers. The end of the spoiler-free section is clearly marked.

Right off the bat, I ought to tell you two things. First, I’ve never read The Three-Body Problem by Liu Cixin, nor either of its sequels. I’d seen the barest of outlines of the premise when I looked into it a couple of years ago – after hearing that Netflix had greenlit this adaptation – but I didn’t track down and read a copy. To be honest… it seemed like it might be a bit weighty and dense for my reading tastes! As a result, I’m not going to be comparing 3 Body Problem to its source material – because I’m totally unfamiliar with that source material. I know there have been some alterations, with several characters being merged and ethnicities being changed to take a Chinese story and make it multi-racial and multi-cultural, but that’s really the extent of my knowledge of the changes that Netflix made with its adaptation.

Secondly, regular readers might recall that I didn’t like the final season of Game of Thrones. Why is that relevant? Because the executive producers/showrunners of 3 Body Problem are none other than David Benioff and DB Weiss – who helmed Game of Thrones for its entire eight-season run. I think I’m right in saying that 3 Body Problem is Benioff and Weiss’ second project since Game of Thrones ended, but its the first that I’ve come across – and arguably the first big project since that series ended its run back in 2019.

Cropped promo poster for 3 Body Problem (2024).
Promo poster for 3 Body Problem.

I’ve felt for a long time that Benioff and Weiss did exceptionally well at adapting a complicated series of novels for the small screen – so there was hope for their treatment of 3 Body Problem. Where they went off the rails, I would argue, and where their particular skillset was not as useful, was in writing their own narrative threads and picking up a half-complete story. Nobody could’ve known back in 2008, when Game of Thrones first entered pre-production, that the novels upon which it was based wouldn’t be finished in time and that the TV series would end up “overtaking” the books. But unfortunately, Benioff and Weiss were left to pick up the pieces – and came up short.

But that’s enough about Game of Thrones for now! All of this is to say that, when dealing with a complete novel trilogy, I felt that there was the potential to see Benioff and Weiss shine once more; to put their unique skills to use on an adaptation of a fully-complete story. And, based on the first season of 3 Body Problem, I think I was right about that.

Photograph of David Benioff and DB Weiss at the Emmy Awards.
3 Body Problem is helmed by David Benioff (left) and DB Weiss.
Image Credit: IMDB.

So here’s the headline: I liked 3 Body Problem. It was exceptionally well-paced with some incredible acting performances, even from stars that I wasn’t particularly keen to see included. Its narrative was gripping; truly well-written sci-fi with a complicated yet enthralling underlying premise. Characters behaved in ways that felt genuine and human, something that can sometimes get lost in stories about higher dimensions, aliens, and interstellar communication.

Visual effects weren’t perfect, and I felt there were a few moments of the dreaded “uncanny valley” creeping into 3 Body Problem. However, when the action focused on characters up close, set designs, costumes, and props all looked great, and many smaller CGI/animated moments looked solid. When compared to other flagship series in the sci-fi/thriller spaces, 3 Body Problem was probably about on par in terms of animation – and perhaps a cut above when it came to physical sets and props.

Still frame of 3 Body Problem (2024) showing a helicopter approaching a ship at sea.
Some CGI/animated moments fell into the “uncanny valley.”

3 Body Problem dipped its toes in narrative arcs that looked at religious communities and cults, conspiracy theories, alien races, cross-species communication, and much more. The core group of characters felt well-rounded, and the way in which they interacted with these often strange and confusing storylines went a long way to making the whole thing work and feel relatable. Although much of the action focused on scientists who are far more intelligent than I am, I still found myself relating to them and seeing this twisted version of our own world through their eyes. More than once I caught myself wondering how I would’ve reacted, or how I would’ve chosen to act if I were in their shoes – and to me, that’s great storytelling!

There were a few lines of dialogue that were either clunkily overladen with exposition or that made me roll my eyes, but for the most part the series did exceptionally well in that regard. Taking several complicated concepts from the realm of theoretical physics and making them understandable for the layperson is no mean feat – but I came away from every episode feeling like I understood what was going on, where the sources of tension and drama were, and how it was impacting our characters and the world around them. Obviously 3 Body Problem isn’t a physics class, and I don’t want to pat myself on the back and pretend that I somehow comprehend something that other viewers wouldn’t! But I want to draw attention to the very real successes that the series had in making its dense topics work in this fictional setting.

Cropped promo poster for 3 Body Problem (2024).
Most of the main cast members on a promo poster.

The only real concern I have about 3 Body Problem is this: at time of writing, it hasn’t been renewed for a second season. The first season didn’t complete the story, so it needs at least one or realistically two or three more seasons to adapt the remaining books in the series and bring everything to a satisfying conclusion. I’m sure that the production team and actors will be happy to make the rest of the story – but right now, the spectre of cancellation is hanging over the series. Netflix has a disappointing track record in this area, with a number of popular and high-profile series being cancelled after a single season. I truly hope that 3 Body Problem won’t join them in the growing Netflix graveyard.

I’ve also made the point before about long breaks in between short seasons. 3 Body Problem ran to eight episodes – which is increasingly typical for a flagship made-for-streaming series these days. With Netflix still uncommitted to a second season, it will take time to re-start production, and that could easily lead to a two-year wait for Season 2. That’s not great, in my opinion, and while I obviously want to see the series continue and finish telling the compelling story it set up, there are issues that arise when any story disappears for years at a time.

The old Netflix logo.
Do we need to start a campaign to ensure that Netflix renews 3 Body Problem?

So I think I’ve covered as much as I can without digging into specific story threads and character moments. I don’t put numbers out of ten or star ratings out of five on my reviews, but if you want to know whether or not I recommend 3 Body Problem, the answer is a resounding “yes.” Definitely give it a watch if you have access to Netflix, and it’s probably even worth picking up a month’s worth of Netflix to give it a watch if, like me, you’re being a bit more careful with subscriptions in the current economic climate. That’s what I did, at any rate!

What I’ll do now is talk in a bit more detail about characters and storylines – right up to the end of the season. So if you haven’t seen 3 Body Problem yet and you don’t want to have it spoiled, this is your opportunity to jump ship! But I hope you’ll come back to see what I have to say after you’re done watching all eight episodes.

A Star Wars-themed "spoiler warning" graphic.

This is the end of the spoiler-free section of this review. There will be spoilers for 3 Body Problem from this point forwards – including twists, character arcs, and the way the season ended.

There are some producers and writers who love to collaborate with the same actors over and over again. Tim Burton and Johnny Depp, John Ford and John Wayne, and JJ Abrams and Simon Pegg all come to mind as well-known partners across multiple productions. But I confess that I was a little surprised (and disappointed) to see Benioff and Weiss pick three prolific former Game of Thrones cast members to star in 3 Body Problem. Going into the series, I was especially cautious about John Bradley taking on a main role – but also worried about the potential for Liam Cunningham and Johnathan Pryce to overshadow or get in the way of the scenes they were in.

None of these three had any on-screen interaction, which I think is actually a good thing. Pryce is an actor who’s played many different roles over the years, and while his “religious nut” character in 3 Body Problem had echoes of his starring role in Game of Thrones, it wasn’t enough to overshadow it as I’d feared. Cunningham took on a very different role as the leader of the shadowy MI5/CIA-inspired organisation, and thoroughly excelled.

Still frame from 3 Body Problem (2024) showing John Bradley as the character Jack Rooney.
John Bradley in 3 Body Problem.

John Bradley was the actor I had the most concerns about going into 3 Body Problem, and while I wouldn’t say that he was “miscast” in that role… I think there’s a degree of favouritism from the producers there. Bradley’s performance was solid enough, but Rooney was arguably the least-convincing of the main characters – meaning his relatively early demise was probably to the series’ overall benefit.

Ever since she first appeared as Keiko O’Brien in Star Trek: The Next Generation, I felt that Rosalind Chao had the ability to play a starring role. We saw a bit of that in Deep Space Nine, with episodes like In The Hands of the Prophets that gave Keiko a central role in the plot. Chao did not disappoint in 3 Body Problem, taking on the challenging role of an elder Ye Wenjie. Ye was the one who contacted the San-Ti, and who “invited” them to come to Earth, and later had to come to terms with what that might mean for herself and for humanity. The younger version of the character seemed to be steadfast and resolute in her decision, but as time passed – and especially after the San-Ti had abandoned her and her followers to their gruesome fates – Ye was left alone with the weight of what she had done.

Still frame from 3 Body Problem (2024) showing Rosalind Chao as the character Ye Wenjie.
Ye Wenjie is confronted with the reality of the San-Ti’s impending arrival.

It’s hard to imagine an actor better-placed to play that role, and Rosalind Chao excelled. The scene in which Ye Wenjie was revealed as the true leader of the San-Ti worshippers was genuinely breathtaking, and her scenes in a holding cell as she at first resisted sharing what she knew, then came to terms with the San-Ti abandoning her and her fellow cultists, was riveting. Ye’s final realisation that she had single-handedly inflicted this catastrophe on all of humankind was shattering for her – and Rosalind Chao brought every bit of that process to life in gut-wrenching fashion.

One thing that modern sci-fi does exceptionally well is emphasising just how different an alien race could be from humanity. We’re used to seeing prosthetic foreheads on aliens in Star Trek, or the human-sized, bipedal aliens present in the Star Wars galaxy, but the reality of alien life – assuming it exists out there in the cosmos somewhere – is likely going to be very different! The Expanse showed us the “protomolecule,” and that was a really clever and fun idea. And in 3 Body Problem we’re introduced to the San-Ti.

Still frame from 3 Body Problem (2024) showing the San-Ti Sophon on a television screen.
The San-Ti presented themselves as humanoid.

I would love to know what the San-Ti really look like. Are they giant space bears? Insectoid? Perhaps some kind of multi-legged amphibian? The fact that they went unseen for the entirety of 3 Body Problem – being represented only by deliberately humanoid virtual avatars – was a hugely positive thing as it keeps the mystery going! I’m not sure whether their true form gets revealed in one of the subsequent novels, but I kind of hope that they remain a mystery. Keeping only a single humanoid avatar (and human cultists) worked exceptionally well. And I think the series might lose something significant if the San-Ti’s true form were revealed too soon!

The titular “three-body problem” is something that, I have to confess, my neanderthal brain is struggling with. A planet orbiting three stars is affected by the gravity of all three – but predicting its path becomes impossible beyond a certain point. That’s my ridiculously oversimplified understanding… but here’s what I don’t get. If the planet’s position can be predicted at all, what’s to stop someone clever from making prediction atop prediction, until they’ve plotted the planet’s course over centuries or millennia? It’s something to do with “chaos theory,” isn’t it? This stuff is way above my intellectual level! But it’s to the credit of 3 Body Problem that I came away with even that basic of an understanding of such a complex topic.

Still frame from 3 Body Problem (2024) showing three suns in the sky.
I’m no physicist… but there are three suns!

Having two timelines on the go at once – a “present day” and “flashback” – seems to be in vogue in made-for-streaming TV at the moment, but it’s one element of 3 Body Problem that worked well. We started with young Ye Wenjie in the 1960s, and then jumped ahead to see the main plot of the series beginning to unfold. But there were mysteries left in the past that the story would dip back into at key moments, and these two timelines came together to tell a single, cohesive story.

There were some brutal moments in the flashback timeline, right from 3 Body Problem’s premiere episode. I’m not especially familiar with the history of China and its cultural revolution, but from what I can tell, these kinds of “struggle sessions” were commonplace during the Mao regime. Seeing one unfold in such brutal fashion was pretty hard-hitting, and while the series didn’t spend a lot of time on this, the themes of authoritarianism and later environmentalism as driving forces motivating Ye, Evans, and other characters were an important part of the way the story was constructed.

Still frame of 3 Body Problem (2024) showing young Ye Wenjie in a flashback scene.
Ye Wenjie in a flashback sequence.

Despite great performances by Jonathan Pryce and Ben Schnetzer (as older and younger versions of the character respectively), Mike Evans is perhaps a character who needed a bit more screen time. I found the devotion to the “Lord” to be suitably creepy – and reminiscent of more than one real-world cult – but Evans’ transformation from wide-eyed environmental activist to oil company executive seemed pretty abrupt. And there wasn’t a lot in the flashback sequences that I felt really informed his steadfast devotion; why had he taken to worshipping the San-Ti so fervently?

And while we’re nitpicking: how had the San-Ti been communicating for (presumably) years or decades with Evans and his followers, placed spies on Earth… but didn’t understand the difference between fiction and truth, nor understand how humans are capable of lying? It seems like something they should’ve figured out a long time ago, but they didn’t until just the right moment for other narrative beats to play out. It’s not the worst contrivance in the world… and we could certainly make the case that it’s just another example of how truly different and “alien” the San-Ti are in their way of thinking. But as a story beat… it was perhaps the biggest point at which I felt the series could’ve benefitted from another couple of episodes.

Still frame of 3 Body Problem (2024) showing Jonathan Pryce as the character Mike Evans, sitting at a desk.
Mike Evans and the San-Ti had been communicating for years.

One thing I wasn’t expecting in a sci-fi series like 3 Body Problem was a realistic depiction of someone grappling with a terminal illness – but through the character of Will, the show delivered precisely that. Will’s storyline was incredibly emotional as he came to terms with the ending of his life, his regrets, and the things he’d left unsaid. I could’ve happily spent eight episodes just with Will and his friends – without any of the sci-fi shenanigans going on in the background. That’s how powerful I found those sequences to be. I’m not terminally ill, but I have health issues that I have to live with every day – and I found Will a truly relatable character as he saw his health decline.

There was, of course, a narrative pay-off to Will’s cancer diagnosis, and I liked the way in which 3 Body Problem tied all of its characters and story arcs together. Will seemed to be disconnected from the main storyline of the series much of the time, talking to the other main characters but not really involved with the plan to defend against the San-Ti. Not until the last moment! Will’s sacrifice and the revelation that the mission was a failure was genuinely heartbreaking, especially when all seemed to be going to plan.

Still frame of 3 Body Problem (2024) showing the character of Will in a hospital bed.
Will in his hospital bed.

Along with Will was the character of Saul, played by Jovan Adepo. I really enjoyed Adepo’s performance, as he brought the character to life and made him feel relatable and real. Starting as a junior researcher, Saul’s story took him through the San-Ti plot to become appointed as one of the “Wallfacers” – a unique kind of defender of Earth. The fact that he didn’t want the role was also a really relatable moment; he felt he’d been plucked from obscurity and given an impossible task. There’s a kind of wish-fulfilment fantasy in this kind of storyline; who among us hasn’t wanted, even just for a moment in the back of our minds, for someone to come along and whisk us away on an adventure, or to be told that we’re being appointed as one of the saviours of all humanity?

Rounding out the main characters were Auggie, Jin, and Raj. I liked how the story began with Auggie’s nano-fibre start-up and then, after seeming to move away from that, brought it back in spectacular fashion. That was one of the moments where I felt every piece of this story had been carefully planned, with characters and storylines being built up with purpose. Jin was perhaps the most emotional of the main characters – though there’s competition for that title! She served as our point-of-view character at several key moments, and seeing some of these events unfold from her perspective elevated them.

Still frame of 3 Body Problem (2024) showing the character of Jin in an animated environment.
Jin in the San-Ti’s virtual world.

Raj was arguably the least-developed of the main characters; he served a narrative function but didn’t really get enough screen time to really shine – nor did he get any independent storylines. He was tied to either Jin’s story or the show’s main storyline, and in those capacities he helped move things along without really breaking out on his own. Any story has characters like this, I suppose, and it’s not really a criticism as much as an observation.

The depiction of Wade’s organisation – a three-letter acronym that I honestly couldn’t remember off the top of my head – as being almost everywhere, knowing almost everything felt like a bit of a stretch. As a commentary on government agencies that spy on or observe their citizens I think it could’ve been interesting, perhaps even making a comparison with the “secret police” of Maoist China as seen in the flashbacks. But 3 Body Problem didn’t really do that, and the seemingly limitless resources of the PDC/PIA were not really given a satisfactory explanation in-universe. Nor was it readily apparent why Wade was chosen to be in charge of Earth’s defence against the San-Ti. Minor points, perhaps, in the context of the story. But you know me: I can’t help nitpicking sometimes!

Still frame of 3 Body Problem (2024) showing the character of Wade on a private jet.
Wade and his organisation felt overpowered, somehow.

So that was 3 Body Problem. I had a fantastic time with the series; it’s undoubtedly the best show I’ve seen in 2024 so far, and probably the best new sci-fi property that I’ve seen going back several years. My biggest fear right now is that it gets cancelled by Netflix before it can conclude its story, because that would be a real tragedy. 3 Body Problem is reportedly an expensive production, and Netflix has been very quick to swing the proverbial axe with shows and films that don’t meet its sky-high expectations. So I admit that I’m worried about that.

With that significant caveat out of the way, however, I genuinely fell in love with this mysterious, grounded, and fascinating tale of humanity’s first contact with a strange extraterrestrial race. I could’ve happily entertained another eight or ten episodes this season, digging even more deeply into this rich and complex story. Basing major plot points on real-world science, without resorting to fantastical technologies that are basically “space magic” kept 3 Body Problem feeling realistic and mature; grown-up sci-fi of the best kind.

I will be keeping my fingers crossed for that second-season renewal, and if Season 2 does get produced I hope you’ll come back in 2025 or 2026 for my review! 3 Body Problem was great, and I highly recommend it.


3 Body Problem is available to stream now on Netflix. 3 Body Problem is the copyright of Netflix, The Three Body Universe, T-Street, and/or Plan B Entertainment. This review contains the thoughts and opinions of one person only and is not intended to cause any offence.

Looking ahead to 2023

Spoiler Warning: Minor spoilers may be present for some of the titles on this list.

As a new year gets underway, it’s a good opportunity to look ahead. There are some exciting-sounding films, television series, and video games that are currently on the schedule for 2023, and on this occasion I thought it could be fun to pick out a few that I find particularly interesting and preview them! I’ll share some of my preliminary, pre-release thoughts on ten of each.

On balance, I don’t think 2022 will be held in particularly high esteem in future in terms of its entertainment experiences. There were some good ones, but there were also plenty of delays and projects that just underwhelmed for one reason or another. Will 2023 fare any better? That’s still an open question… but there are certainly some big releases on the horizon that could potentially excel.

What does 2023 have in store?

It’s time for a couple of caveats! First of all, delays can happen at any time in the creative process, especially in a war-torn, pandemic-disrupted world. As a result, any or even all of the films, shows, and games that we’re going to talk about today could miss their intended release dates or release windows – and there really isn’t anything we can do about that! I’m firmly in the camp that says delays are almost always a net positive; while never fun, I’d rather creatives spent longer working on a project to finish getting it ready rather than launching it too soon. We don’t need to look far for examples of how wrong that goes!

Finally, these projects seem interesting or exciting to me personally for one reason or another… in my subjective opinion! I’m not trying to say that these are or will be “objectively the best” releases of 2023, nor should the exclusion from the lists below be interpreted as any kind of snub. I’ve just picked out a few projects that I find to be of interest, and if you hate all of my picks or I’ve excluded some of your favourites, please just keep in mind that this is only the opinion of one person!

With all of that out of the way, let’s get started!

Films:

I confess that I didn’t see a lot of films in 2022. I can’t go to the cinema any more due to my declining health, and while practically every major title made its way to a streaming platform last year, there were some I just wasn’t interested in or found that I didn’t have the right mindset or headspace for. That’s just the way it goes sometimes! That being said, there are some interesting films on the schedule for this year, and I shall be keeping an eye out for these ten in particular!

Film #1:
The Super Mario Bros. Movie

I’ve been pleasantly surprised by the two trailers we’ve seen so far for The Super Mario Bros. Movie. The film looks like it’s going out of its way to stay as true as possible to its source material, while at the same time putting a twist on Mario’s adventures in the Mushroom Kingdom. The “hero who has to save a princess” trope has been rather overdone – and feels pretty outdated in 2023 in more ways than one – so seeing Luigi being held captive by the villainous Bowser and Mario working with Peach feels like it should be a great change of pace.

The inclusion of an all-star Hollywood cast has proven controversial in some quarters, but from what I’ve seen of the film so far, I will be surprised if most folks aren’t won over by the time the credits roll. There will be some die-hard haters – as there always are in any franchise any time something is changed – but overall, I have high hopes for this one. This film could easily be the best animated film of the year – and one of the best non-Disney animated films of the decade!

Film #2:
Dune: Part Two

The first part of Dune was a surprisingly strong adaptation of a book that has proven to be notoriously difficult to adapt. I had a fantastic time with it when it was released at the end of 2021, and I’ve been meaning to go back and re-watch it for some time now. I was concerned that this sequel might not see the light of day if Warner Bros. didn’t feel the first part did as well as they’d hoped – but fortunately there was no denying the critical and commercial success of Dune in 2021!

The cast from the first film are all reprising their roles, and director Denis Villeneuve is returning to the big chair. Filming officially wrapped a couple of months ago, and Dune: Part Two is well into post-production at this stage. A November release is on the cards, and I’m really excited to see the story continue.

Film #3:
Knock at the Cabin

Director M. Night Shyamalan has an inconsistent track record, and I suspect his career has been more harmed than helped by acquiring an early reputation as the “master of twists.” But regardless, he’s back with Knock at the Cabin in 2023, a psychological horror film about a family who are confronted by four people who claim to be trying to prevent the apocalypse.

The film’s premise sounds interesting to me, and a cast that features Jonathan Groff and Rupert Grint feels like it has potential. I wouldn’t say my expectations for Knock at the Cabin are sky-high, but we could certainly be in for one of the more interesting titles in the horror genre this year.

Film #4:
The Little Mermaid

To be blunt, I wasn’t blown away by the visuals in the teaser trailer for The Little Mermaid. The CGI looks fantastic, but the fully live-action moments didn’t feel convincingly “underwater,” and actually looked pretty amateurish. Assuming that Disney can figure out a way to pull off those underwater sequences convincingly, though, The Little Mermaid should be a creditable adaptation of the 1989 animated film.

Visual criticisms aside, I feel hopeful that this new version of The Little Mermaid will introduce the story to a new generation. While the animated film is still perfectly watchable in its own right, there’s nothing wrong with updating things and recreating the film for a younger audience, and Disney has a pretty good track record at doing so by now.

Film #5:
Indiana Jones and the Dial of Destiny

Is it a great idea to bring back Indiana Jones for another adventure? As a child of the ’80s, I’d be lying if I said I don’t enjoy the Indiana Jones films… but Kingdom of the Crystal Skull was already a let-down. Dial of Destiny could redeem the series, ending Harrison Ford’s turn with the famous hat and whip on a high note – or it could double down on the disappointment!

This film is definitely one I’m placing in the “interested in” rather than “excited about” category. I don’t really have high hopes, but I’d love to be proven wrong. At the very least, I hope Dial of Destiny will be a passable popcorn adventure flick. Whether it will truly live up to its illustrious forebears… well, I’m less hopeful of that. If it succeeds at bringing in a wad of cash, though, I think we can expect to see reboots, prequels, and spin-offs in the years ahead!

Film #6:
Asteroid City

There isn’t a lot to go on with this film, billed as a “romantic comedy-drama.” But the director, Wes Anderson, has pedigree, and has put together a diverse ensemble cast that rivals his previous pictures, such as The Grand Budapest Hotel. The full cast list is far too long to include, but some of the standout performers for me that I’m interested to see include Bryan Cranston, Tom Hanks, Willem Dafoe, Tilda Swinton, and Scarlett Johansson.

Though I’m not entirely sure what to expect from this one, it could be a lot of fun! The setting is the mid-1950s somewhere in the American Southwest, and some kind of “stargazer convention” will be part of the plot, too.

Film #7:
Wish

To mark the company’s centenary, Disney is going to release Wish – a film all about the “wishing star;” the star upon which characters in other Disney films have made their wishes. The star itself is going to be a character of sorts, but the film will also introduce a new cast of characters, including Asha, voiced by Ariana DeBose of West Side Story fame.

Wish will also bring back a hand-drawn animation style, something Disney hasn’t used since The Princess and the Frog more than a decade ago. While we haven’t seen just how the film will look, some concept art has been released that looks absolutely beautiful. Disney’s big animated releases are almost always fantastic, and I have high hopes for Wish.

Film #8:
The Haunted Mansion

The third Disney entry on this list, The Haunted Mansion is the company’s latest attempt to turn a theme park ride into a film! No one would deny that Pirates of the Caribbean set a high bar for that concept a few years ago, but other attempts haven’t always worked! An adaptation of The Haunted Mansion twenty years ago (that I’m fairly sure I’ve seen but can’t really remember much about) starred Eddie Murphy, but even he couldn’t salvage what critics regarded as a picture that was average at best.

Jungle Cruise may not have been 2021’s film of the year, but I enjoyed it for what it was, so there’s definitely room for another theme park adaptation. The Haunted Mansion could be great to watch around Halloween; a kind of lighter, child-friendly horror title that will be spooky… but not too spooky!

Film #9:
65

65 has an unusual premise – an astronaut accidentally travels back in time to the era of the dinosaurs, and must figure out a way to survive. Adam Driver will take the lead in this sci-fi action-adventure, and his presence alone should make it worth checking out. Driver’s performances as Kylo Ren in the Star Wars sequel trilogy were outstanding, and his turn as a divorcee in Marriage Story was Oscar-worthy in my opinion.

That being said, I can’t help but feel that 65 could go either way! Its premise could make for a different kind of sci-fi title in a genre overrun by sequels and comic book adaptations… or it could turn out to be an overblown B-movie that didn’t deserve a leading man of such quality! Time will tell… but I’m definitely interested to see how it shakes out.

Film #10:
Napoleon

Ridley Scott will direct this historical epic that focuses on the rise to power of Napoleon Bonaparte. Scott has a great track record, with films like Alien and Thelma & Louise under his belt, but an earlier attempt at an historical epic – 1492: Conquest of Paradise – was not particularly well-received! Could this be a chance for redemption for the director in the genre?

The title role has gone to Joaquin Phoenix, and that feels like it could be an inspired choice. Backed up by a cast that features Ben Miles and Vanessa Kirby, I’ll be curious to see what Napoleon has to offer when it releases. The film will be an Apple TV+ exclusive, which is also a point of note.

Television Series:

2023 looks set to be another year where franchises, spin-offs, and continuations of ongoing stories dominate the television landscape. There are several big shows whose new seasons I’m eagerly anticipating, but it feels like there are fewer wholly original projects to look forward to. That being said, there were some great new stories in 2022 – so hopefully this year will bring along some surprises, too!

Television Series #1:
Star Trek: Strange New Worlds
Season 2

Strange New Worlds was truly outstanding in its first season, blending old-school episodic storytelling with modern serialised elements. As much as I like what Discovery and Picard have done with season-long story arcs, the approach used by Strange New Worlds should, in my view at least, serve as a model for the entire Star Trek franchise going forward.

The show’s second season wrapped months ago – and I will be positively stunned if we don’t get an announcement that a third season is being worked on sometime before Season 2 premieres this spring. I absolutely cannot wait to spend more time with Captain Pike, Spock, and the rest of the crew of the Enterprise!

Television Series #2:
Hailey’s On It!

Hailey’s On It! is a Disney Channel animated series that will feature Moana’s Auli’i Cravalho in its leading role. The premise sounds interesting – a young woman must step outside of her comfort zone and confront her fears in order to “save the world.” And with Cravalho leading the charge, I think there’s the potential for the show to be something a little more than just a distraction that parents can use to get a few minutes’ peace!

The animation style shown off in concept art looks fantastic, and while I wouldn’t normally say that I’m excited for a new Disney Channel cartoon, I feel hopeful, at least, that Hailey’s On It! could be the kind of kids’ show that has something to offer to a grown-up audience as well.

Television Series #3:
Star Trek: Picard
Season 3

After a decidedly lacklustre second season, my disappointment was compounded by the announcement that all but one of the new characters introduced in Picard will not be returning for the show’s final outing. Season 3 has a lot of work to do, then, to pull out a satisfying ending to what has been a troubled production. If the trailers and teasers are anything to go by, it just might be up to the task after all!

The return of main characters from The Next Generation feels bittersweet because of who had to be unceremoniously kicked off stage to make room for them. This season could be a roaring return to form, or it could drown in failed attempts to play the nostalgia card. I’m absolutely hoping for the former… but trying to prepare myself for the latter.

Television Series #4:
The Lord of the Rings: The Rings of Power
Season 2

It isn’t entirely clear when The Rings of Power’s second season might be ready. Filming only started in October, and a series with such extensive post-production work may take a while. That’s not to mention that Season 2 is being filmed in new locations, and may even serve as somewhat of a soft reboot of a series that proved controversial in some quarters.

Despite that, however, I called The Rings of Power my favourite television series of 2022, so I’m incredibly excited to see what happens next. The first season ended with several massive cliffhangers for both individual characters and for the story as a whole, so it’ll be great to see the next chapter of this fantasy epic unfold.

Television Series #5:
Star Trek: Discovery
Season 5

Discovery’s fourth season ended on a high, with what is almost certainly one of the best episodes that the show has ever produced. I was concerned that the show would attempt yet another recycling of the old “the entire galaxy is in danger and only Burnham and the crew can save it!!!” narrative framework that has been used four times now… but thankfully, based on the first trailer and comments from the show’s producers, it seems as though Discovery will finally be bold enough to try something different!

As a result, my excitement for Season 5 grew immensely! Although Season 4 dragged in parts, on the whole I think it marks a turning point in the show’s run, and the addition of some wonderful secondary characters to the cast has given new life to a series that is rapidly approaching its sixth anniversary and sixty-fifth episode. Season 5 could build on what Season 4 did, taking these well-rounded characters to new thematic and storytelling places.

Television Series #6:
Masters of the Air

Produced by the same team that created Band of Brothers and The Pacific, this new World War II drama will follow the stories of members of the United States Army Air Forces – the precursor to the Air Force. The miniseries seems to be following a similar format to its popular predecessors, with an expansive cast of characters, almost all of whom are based on real people. Masters of the Air is based on a biography of the unit that was published in 2007.

I’m expecting a tightly-focused story with plenty of character. CGI and visual effects have improved since Band of Brothers premiered, so I’d hope that the show will look fantastic and really succeed at bringing World War II to life on the small screen.

Television Series #7:
Shōgun

The second adaptation of James Clavell’s 1975 novel has a lot to live up to! An earlier adaptation, made in 1980, was one of the most popular shows of the year, and with a troubled production that saw scripts scrapped and rewritten, new showrunners brought on board, and a shoot that overran by two months… let’s just say that Shōgun has work to do.

But the story, set in 17th Century Japan, is an interesting one, and there’s potential in this new adaptation to see it introduced to legions of new fans. A shipwreck sets up the story of a “fish-out-of-water” hero in an unfamiliar land, and the palace intrigue at the castle of the titular Shōgun could rival the very best drama series of the year.

Television Series #8:
The Last Of Us

Video game adaptations are notoriously difficult, but The Last Of Us has an all-star cast, a sky-high budget, and crucially, it seems to have won over many fans of the video game. The Last Of Us is one of the best video game narratives that I’ve ever experienced, and it feels like a natural fit for a serialised drama series; the story would certainly be far too long to condense into a film. So I’m hopeful that – finally – a video game adaptation will get the accolades it deserves!

Moreover, I’m really excited to be able to show this fascinating and unique horror-drama story to friends and family members who have no interest in gaming. The story of The Last Of Us is fabulous and absolutely deserves to find a bigger audience. There’s reason to hope that this adaptation will be up to the task.

Television Series #9:
Halo
Season 2

I enjoyed what the Halo series did in its first season, all things considered. It succeeded at bringing the long-running video game franchise to the small screen, adapting its story to fit the new format and making a few changes along the way. Some of those changes proved controversial – as such things always do – and I can certainly entertain the argument that there was less action than fans were hoping for.

But Halo will press on, potentially taking on board some of those criticisms, and it’s my hope that Season 2 will build on the accomplishments of Season 1 to progress the story in an enjoyable way. The first season had some great performances, clever cinematography that incorporated a first-person perspective during key sequences, and a mysterious story that will have kept even fans of the games guessing. I’m interested, and dare I say even excited, to see more.

Television Series #10:
Faraway Downs

I am joking. This is a joke. Nobody should ever be tortured into watching Faraway Downs. I can honestly think of nothing less appealing than watching an extended, reworked version of Baz Luhrmann’s Australia – quite possibly the worst film that I have ever had the misfortune to see. When I heard that Luhrmann was planning to use cut footage to expand Australia into a six-part miniseries I was flabbergasted. Who on earth would possibly want to see this? Was anyone asking for it to be made?

I’d rather trek to the bottom of the garden, heave the lid off the septic tank, and spend six hours staring unblinkingly at the festering sewage within.

Television Series #10:
The Three-Body Problem

China can often feel like a world unto itself; western productions struggle to cross over, and Chinese productions seldom attract mainstream attention over here. The Three-Body Problem is an adaptation of a Chinese sci-fi novel (or rather, the first part of a trio of novels) and is helmed by Game of Thrones’ showrunners David Benioff and DB Weiss.

I haven’t read The Three-Body Problem, but the premise sounds absolutely fascinating to me. Benioff and Weiss have proven themselves capable when it comes to adapting novels for the small screen – at least, completed novels – so there’s reason to hope that The Three-Body Problem will be interesting and entertaining in equal measure. This one could easily go toe-to-toe with the likes of Foundation in the sci-fi genre.

Video Games:

There are some massive releases on the schedule for 2023 – several of which were originally promised for last year! If even one of these big titles succeeds, 2023 will already be a great year for gaming. Single-player games are definitely holding the line in an industry where online multiplayer continues to bring in the big bucks, so there are plenty of reasons to think that 2023 could actually turn out to be a fantastic year for the medium.

Video Game #1:
Tchia

I’ve been tracking the progress of this amazing-looking indie game for more than a year, and it looks like 2023 could be Tchia’s moment. Based on legends from the developers’ New Caledonia home, Tchia will see players take on the role of a young girl on a quest to rescue her father. In addition to platforming and action-adventure gameplay in an open-world archipelago based on the island of New Caledonia, the ambitious game promises to unleash players’ creativity – and even includes a playable ukulele!

There have been some fantastic debut games by indie studios in recent years. My game of the year in 2021 was Kena: Bridge of Spirits – and without wanting to raise expectations too high, at least part of me is hoping that Tchia might just reach that same high bar.

Video Game #2:
Mario Kart 8 Deluxe
DLC: Booster Course Pass Waves 4, 5, and 6

You might think it a cheat to include a piece of downloadable content on this list, but it’s my list so that’s just tough! Although I was disappointed not to see a wholly new Mario Kart title in 2022, the Booster Course Pass for Mario Kart 8 Deluxe has been a surprising amount of fun. Not only have racetracks from past games in the series been updated and made welcome returns, but wholly new tracks have been created, too.

The Booster Course Pass is only half-finished, and three more waves are planned for 2023. Specific dates aren’t known, nor is it certain which racetracks will be appearing, but I’m nevertheless excited to have more Mario Kart to get stuck into!

Video Game #3:
Star Trek: Resurgence

A narrative adventure game with a branching storyline sounds like a perfect fit for the Star Trek franchise. After years in which no new Star Trek games had been licensed for PC or home consoles, two have come along within a few months of each other; Resurgence is hot on the heels of last year’s Star Trek: Prodigy – Supernova, which I really must get around to playing!

The game is being developed by folks who used to work for studio Telltale Games, a developer whose games were often praised for their narratives. I’m hopeful that, after a drought of games for Trekkies who aren’t interested in the online multiplayer scene, Resurgence will be a welcome return to the video game realm for the Star Trek franchise.

Video Game #4:
Disney Speedstorm

Developers Gameloft worked with Disney and created my favourite gaming experience of 2022: Disney Dreamlight Valley. Having taken Nintendo’s Animal Crossing formula and massively improved upon it… could they be about to do the same thing by creating a Disney-based rival to the Mario Kart series? Maybe that’s expecting too much… but Disney Speedstorm looks like a ton of fun!

I like casual, arcade-style racing games, and I’m a pretty big Disney fan, too. Bring those two things together and I hope it’ll be a fun time.

Video Game #5:
Starfield

One of the year’s biggest releases has to be Bethesda’s Starfield – the company’s first foray into a wholly new world in a quarter of a century. An epic sci-fi adventure has been promised, with all of the hallmarks of past Bethesda titles: joinable factions, a huge mix of varied side-quests, diverse non-player characters to interact with, customisation of every facet of your character, and much more besides.

Starfield will also give players the opportunity to design and upgrade their very own spaceship, before setting off to journey to one of a thousand different planets across dozens of star systems. Starfield is ambitious, and while there are certainly things that give me pause – such as Bethesda’s insistence on reusing its outdated game engine – I can already feel myself getting swept along by a growing hype train!

Video Game #6:
The Lord of the Rings: Return to Moria

I confess that I’m not entirely sure what to expect from this one. The game promises base-building and adventures in the Dwarven realm of Moria, set years after The Lord of the Rings as the Dwarves seek to reclaim their abandoned halls. It sounds as if the game will be set up for multiplayer – though the official blurb promises that it can be played solo, too.

There’s something about an underground setting that harkens back to the days of dungeon-crawler games, and the subterranean setting combined with the lore of Tolkien’s Middle-earth could make for a genuinely exciting title. I’m curious and perhaps a little hopeful of having some fun adventures deep underground!

Video Game #7:
Star Wars Jedi: Survivor

The much-anticipated sequel to Jedi: Fallen Order is almost ready! The game – which I played through back in 2020 – is one of the best Star Wars experiences I’ve had in recent years, and it was left open-ended by the time the credits rolled. Finding out what happens next for Cal Kestis, the former Jedi padawan, is something I’m really interested in!

Jedi: Survivor seems to have taken the gameplay of Fallen Order and expanded upon it, giving Cal new weapons and abilities – and at least one new companion, too. I recently played through it for a second time, which seems to be perfect timing with the sequel coming up! I really can’t wait to join Cal and the crew of the Stinger Mantis for another adventure in a galaxy far, far away.

Video Game #8:
Forspoken

Unlike many action-adventure titles, it seems as though Forspoken will focus much more on magic and spell-casting – something that could be absolutely fascinating. Set in an open-world, the game will follow the story of Frey, a young woman from our world who finds herself transported into a mysterious realm where magic exists and must find her way home.

Forspoken hadn’t really been on my radar until recently, but I’m now genuinely looking forward to it.

Video Game #9:
Perfect Dark

Though unconfirmed at this stage, Xbox’s Perfect Dark remake/reimagining would be well-timed if it should be ready this year – because the original game on the Nintendo 64 was set in 2023! Perfect Dark was originally created by Rare, hot on the heels of their success with Goldeneye 007 on the same platform, and it was a ton of fun when it released in the year 2000.

I’m genuinely curious to see what a recreated Perfect Dark might look like. Could it kick off another first-person shooter series for Xbox… and, perhaps more importantly, for Microsoft’s Game Pass service? I think that’s a possibility – but my main hope is that the single-player campaign will be fun to play through!

Video Game #10:
EA Sports FC

Bear with me on this one, okay? I know football (soccer) isn’t everyone’s favourite thing, and I know that sports games – and especially Electronic Arts’ sports games – have been particularly scummy with their in-game gambling and monetisation. But for the first time since EA published FIFA International Soccer in 1993, the corporation won’t have the official license or naming rights from world football’s governing body. That could mean we’re about to witness a sea change in the series… or it could lead to nothing of consequence at all!

Nevertheless, I’m curious to see what changes – if any – will come about as a result of EA and FIFA going their separate ways. Will EA Sports FC be noticeably different from recent entries in the FIFA series? We’ll find out later this year!

So that’s it!

We’ve picked out ten films, ten television shows, and ten video games to watch out for as 2023 gets underway. There will be many surprises along the way, I have no doubt, and it’s possible that some of the entertainment experiences that I’m excited in right now will either end up being disappointments or won’t even make it out of the door this year. But I’m hopeful that we’ll get some exciting, dramatic, and just plain fun stories to enjoy between now and Christmas!

There are definitely things to look forward to. I’ll try to cover at least some of these titles with reviews, first impressions, and general commentary here on the website over the next twelve months. I hope that you found this interesting, and that it was a fun, positive look ahead to some of what I hope will be the entertainment highlights of 2023.

Until next time!

All titles discussed above are the copyrights of their respective studio, developer, publisher, distributor, broadcaster, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.