Thoughts on Streaming Schedules

Back in 2021, I watched and generally enjoyed Amazon Prime Video’s The Wheel of Time adaptation. I’d read the first couple of books in the series, and although it was a long time ago and I couldn’t remember many of the details of the story, I was still interested to see what a studio with Amazon’s means could bring to the fantasy realm. In the aftermath of the success of Game of Thrones, many studios were scrounging around for fantasy properties to adapt! I was pleased with the result in 2021.

The Wheel of Time has just returned to our screens after a break of almost two years – and it’s this scheduling that I want to talk a bit about today. The Wheel of Time’s first season ran to a scant eight episodes, which isn’t out of the norm for streaming shows these days, but is still a lot shorter than a typical television show from years gone by. But a short run of episodes combined with a very long break in between seasons has meant that I’ve basically forgotten all of what happened last time – and I almost missed The Wheel of Time’s return entirely. It was only when I saw an advertising banner splashed across Amazon’s homepage that I even remembered the series existed.

Promo poster for The Wheel of Time Season 2.

This is far from an isolated example. Amazon’s Lord of the Rings: The Rings of Power also ran for eight episodes in its first season – and also looks set to take a break of at least eighteen months before its second season will be ready. The same is true of shows like The Witcher and Stranger Things on Netflix or Paramount+’s Halo adaptation. These long breaks, when combined with short seasons, are actually doing a lot of harm to these shows – and I’m surprised that none of the big streaming companies have caught on yet.

The pandemic was a major disruptive force across the entertainment industry, shutting down or prolonging many productions. And I get that – I really do. The knock-on effects of that disruption are still being felt, and while that partially explains some of these long breaks, that’s not the whole story. Made-for-streaming shows like The Wheel of Time just aren’t interested in deadlines and schedules any more, and I think that’s to their detriment.

Still waiting on that second season of Halo

Most viewers of any series are not hard-core fans. The vast majority of a show’s audience are casual viewers, folks who tune in while the show is running but don’t spend too much time thinking about it after the credits have rolled on the season finale. Those people basically pay for a production and determine whether or not it will be a success, so keeping them engaged is vitally important. It’s great when a show can be “made for the fans,” but the reality is that most viewers will never be in that hard-core category.

When a series disappears for almost two years, the way The Wheel of Time did, it makes it so much harder to retain the kind of casual audience that it relies on. I would generally consider myself to be someone who likes fantasy, and I ranked The Wheel of Time as being one of my favourite shows of 2021… but even I’m struggling to remember who’s who and what happened last time. It’s just been so long, and I’ve had other things to watch since. Sure, my ageing, addled brain isn’t as switched-on as some people’s might be… but that’s beside the point!

Who’s this again?

With shorter seasons of ten, eight, or even six episodes becoming increasingly common, it’s more important than ever for shows to not wait too long in between seasons. It’s also worthwhile, in my opinion, for streaming platforms to release shows at roughly the same time of year – at least the same season. There’s no need for rigid schedules on a streaming platform in the way there used to be on broadcast television, but if people get used to watching a particular show in the spring or the autumn, sticking with that for future seasons makes a lot of sense to me.

This must sound like a very long-winded way of saying “oops, I forgot that The Wheel of Time was a thing!” But this phenomenon goes beyond one single series or even one single streaming platform. There are perfectly understandable reasons for productions to be disrupted – whether we’re talking about the pandemic, the recent writers’ and actors’ strikes, or something else – and I’m not trying to single out Amazon or The Wheel of Time unfairly. I just really feel that these long breaks are to the detriment of practically every series and make it much harder to retain viewers.

SAG-AFTRA and WGA members on strike in 2023.

One of the benefits of the “streaming wars” over the past few years has been a glut of high-quality, big-budget entertainment on the small screen. Now I’ll be the first to tell you that not all of these shows were enjoyable, but some have been outstanding. With advancements in technology meeting a corporate need to drive and retain subscribers, the past few years have seen some of the best-looking television shows ever made. And that’s fantastic.

But when these shows disappear for years at a time – after only running to a handful of episodes – it becomes increasingly difficult to keep up. There’s a lot of choice of what to watch right now, even in genres that used to be considered small niches like fantasy. Studios like Amazon have to do better at keeping production and post-production schedules tight so that these kinds of long breaks can be avoided, especially if they only want to produce eight episodes in a season.

The Wheel of Time is produced by Amazon Studios.

So The Wheel of Time is back – and it’s already been renewed for a third season, so I guess we shouldn’t worry about the series being abandoned! But I hope Season 3 will be able to premiere in 2024, not 2025 or 2026. I’m only just beginning to figure out who’s who and what’s what all over again, and the last thing I need is for the series to disappear for nigh-on two years again!

As the streaming wars continue to rage, the studios that manage to get a grip on this situation will do well. Rigid schedules may no longer be necessary, and the flexibility that streaming allows for is, I would argue, a net positive for television production overall. But scheduling still matters, and taking two years to produce a single eight-episode season feels excessive. Worse than that, I fear it will prove harmful to any show’s prospects. Streaming services don’t only need to be concerned with signing up new subscribers, they need to worry about retaining current subscribers – and making sure that the shows people are watching don’t vanish for long periods of time is going to be part of that.

This was a bit of a whine; I’m sorry about that! And The Wheel of Time isn’t the only offender, it just happened to be the best recent example of this phenomenon. I do enjoy the series… I just hope I won’t have to wait so long for the next season. Time’s marching on, after all!

The Wheel of Time is available to stream now on Amazon Prime Video. Season 1 is also available for purchase on DVD/Blu-ray. The Wheel of Time is the copyright of Amazon Studios and Amazon Prime Video. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.