emh – Trekking with Dennis

Thirty Episodes to Celebrate Thirty Years of Star Trek: Voyager

A spoiler warning graphic featuring Janeway.

Spoiler Warning: There are spoilers ahead for the Star Trek: Voyager episodes on this list.

The celebration of Star Trek: Voyager’s thirtieth anniversary continues! Today, I’m marking the occasion by picking out a whopping thirty of my favourite Voyager episodes to mark thirty years since the series premiered in the United States. This is gonna be a long one, so you might wanna grab a drink and a snack before we jump in!

Voyager premiered on the 16th of January 1995, meaning it’s been a full thirty years since the series officially joined the Star Trek franchise. I wrote a longer piece detailing my thoughts and memories on Voyager as a whole, so if you missed that you can find it by clicking or tapping here.

Behind-the-scenes photo showing Michael Okuda working on a model of the USS Voyager. — Mike Okuda working on the USS Voyager filming model.
*Photo Credit: Forgotten Treks/TrekDocs*

Before we get into the list, a couple of caveats. There’s no right or wrong answer to the question “what’s the best Voyager episode,” so please keep in mind that all of this is subjective, not objective. If I pick out episodes you hate, or exclude something you think should’ve been on the list… that’s okay! We all have different opinions about the Star Trek franchise, and there’s enough room in the fan community for polite discussion and differences of opinion.

I’m listing the episodes in broadcast order – so these aren’t being ranked! There are a few two-part episodes that I’m counting as just one entry on the list. I’ll try to explain what I enjoyed, found amusing, or just what I thought about each episode as we go along.

With all of that out of the way, let’s talk about some of my favourite Voyager episodes!

Season 1, Episodes 1-2:
Caretaker

Still frame from Star Trek: Voyager showing a Cardassian ship firing on a much smaller Maquis vessel.

Where else to start but at the beginning? Caretaker set the stage for Voyager, kick-starting the voyage home that would run for all seven seasons. It’s a great episode, introducing us to Chakotay and his Maquis band, as well as to Captain Janeway and the crew of the USS Voyager. The sequence where Tom Paris is brought aboard Voyager by shuttlecraft was also a wonderful introduction to the starship.

Janeway has to confront a big ethical question in Caretaker, and ultimately makes the sacrifice of stranding her ship and crew on the far side of the galaxy. By destroying the Caretaker’s array, Janeway saved the Ocampans – at least in the short-term – but paid a heavy price. It’s a fascinating twist on a premise we’d seen before, taking the idea at the core of episodes like Where No One Has Gone Before and running with it.

Season 1, Episode 3:
Parallax

Still frame from Star Trek: Voyager showing Janeway and Torres on a shuttlecraft.

Parallax is one of a handful of Season 1 episodes to lean into the idea of a split between the Maquis and Starfleet members of Voyager’s crew – and that’s really why I’m placing it on the list. Its main “quantum singularity” plot is interesting, too, but it’s nothing we haven’t seen before in Star Trek. Where Parallax really shines is in those character moments – particularly as the two crews begin the process of coming together.

This episode also establishes B’Elanna as Voyager’s chief engineer, as well as Kes’ hydroponics bay and Neelix’s role as the ship’s cook. All of these would be important in future stories. Parallax is a great episode for Torres in particular, setting her up in engineering and developing her relationships with both Chakotay and Captain Janeway.

Season 1, Episode 7:
Eye of the Needle

Still frame from Star Trek: Voyager showing a Romulan officer on Voyager's viewscreen.

Eye of the Needle was one of the first episodes to tease Voyager’s crew – and Ensign Kim in particular – with finding a shortcut back to the Alpha Quadrant. Kim’s enthusiasm for the wormhole is cute, and just makes the disappointment later so much more heartbreaking. Garrett Wang puts in one of the best performances of the first season in those moments, taking Kim from elation to dejection.

The idea of bringing in the notoriously difficult Romulans as the faction Voyager is able to reach was a masterstroke, and Telek R’Mor was an engaging character, too. Guest star Vaughn Armstrong, who played R’Mor, had also played a Klingon in The Next Generation, a Cardassian in Deep Space Nine, and would go on to have a recurring role as Admiral Forrest in Enterprise. The final twist in Eye of the Needle felt particularly cruel for our heroes… but it wouldn’t be the last chance they’d get to communicate with someone back in the Alpha Quadrant!

Season 1, Episode 10:
Prime Factors

Still frame from Star Trek: Voyager showing Harry Kim and an alien in the episode Prime Factors.

On several occasions, Star Trek stories have shown the Federation being unwilling to intervene or to share certain technologies, citing the Prime Directive as the reason why. Janeway herself invoked the Prime Directive when choosing not to trade replicators and weapons with the Kazon, and when destroying the Caretaker’s array. But Prime Factors did something different – it put Janeway and the crew on the other side, on the receiving end of that kind of intransigent attitude.

Prime Factors gave us another example of Harry Kim’s eager excitement at discovering a potential shortcut, but also did a lot for the relationship between Tuvok and Janeway – Tuvok’s breach of trust, while well-intentioned, hurt her. Seska’s involvement in the story was interesting, too, and set the stage for her future villainous arc.

Season 1, Episode 15:
Jetrel

Still frame from Star Trek: Voyager showing a close-up of Neelix.

Jetrel is an intense and emotional Neelix episode… which is a weird statement when you consider Neelix’s usual role on Voyager! Neelix, however, had a tragic past, and we got to learn more about where he came from and what became of his people – the Talaxians. The metreon cascade, an obvious analogy for chemical and nuclear weapons, was presented as a real and very deadly weapon, and Dr Jetrel’s attempt at undoing some of the damage he’d caused made for an interesting character.

There’s one quite shocking jump-scare in Jetrel, which is still a rarity for the Star Trek franchise. You’ll know the one I mean if you remember the episode; if you don’t… well, consider this a warning! As an episode that got into the horrors of war and the dangers of weapons of mass destruction, Jetrel did what Star Trek has always done: used its sci-fi setting to examine real-world issues. For my money, it does so exceptionally well.

Season 2, Episode 3:
Projections

Still frame from Star Trek: Voyager showing the EMH and Barclay.

Projections was Reg Barclay’s Voyager debut – though after this episode it would be four years before he returned to the show! It was also a fun story with a deadly serious edge – as the Doctor awakened on an apparently abandoned Voyager. Seeing the Doctor able to leave the confines of sickbay was also a bit of a novelty; I think this was the first time he got to visit the bridge or engineering, coming years before he acquired his mobile emitter.

Barclay made for a pleasant surprise in Projections; I wouldn’t have expected to see him aboard Voyager, but his interactions with the Doctor were good fun. Dwight Schultz brought the same chaotic energy to the role as he had in The Next Generation, and he and Robert Picardo worked well together. This was a great episode for Voyager’s EMH, as we got to see him stepping outside of his comfort zone – literally and figuratively.

Season 2, Episode 5:
Non Sequitur

Still frame from Star Trek: Voyager showing Tom Paris and Harry Kim in a Starfleet runabout.

Harry Kim finally gets what he’s wanted all along: to be back home on Earth. But after realising that “something’s wrong with the timeline,” Kim has to spend the entire episode trying to get back to Voyager and the Delta Quadrant! This inversion of Kim’s goal made for an interesting episode, and I’ve always enjoyed Star Trek stories that showed us glimpses of civilian life back on Earth.

Non Sequitur also made for a great “bromance” story for Paris and Kim, showing off their friendship and putting them in a completely different situation. Friendship is about trust, and Kim turned to the only person he felt he could trust to get him back to Voyager and restore the timeline. Kim and Paris would remain firm friends across the show, but Non Sequitur was a great example of the depth of that relationship and the bond of trust they shared.

Season 2, Episode 6:
Twisted

Still frame from Star Trek: Voyager showing a distorted Jeffries tube and hand.

Apparently, Twisted has a bad reputation – not only among fans and viewers, but with the cast themselves. A holdover from Season 1, there was a rumour that Twisted was “so bad” that UPN (Voyager’s original broadcaster) didn’t want to air it… but the episode was eventually included as part of Season 2. For my money, Twisted isn’t anywhere near as bad as its reputation suggests!

However, Twisted makes the cut on this list for one primary reason: the sequence near the end where most of the main characters are sitting in Sandrine’s, expecting to die. This is an intense moment, and several of the characters clear the air, while others pray or try to find comfort. Was it rendered a little anticlimactic by both a pretty poor visual effect and the revelation that no-one was ever in danger? Maybe. Was the whole “it was only trying to communicate” cliché a bit of a silly twist right at the end? Probably. But there are some great character moments in Twisted, so don’t let its reputation put you off.

Season 2, Episode 24:
Tuvix

Still frame from Star Trek: Voyager showing Tuvix on the transporter pad.

Ah, Tuvix: the meme episode. Seriously, what is up with Trekkies citing Tuvix all the time these days? I get that poor old Tuvix was hard done by at the end, but I admit that I’m surprised to see this episode constantly referenced and called back to! Memes aside, though, this “the transporter done goofed” story was actually a genuinely interesting one – for Janeway as well as Neelix and Tuvok.

If you were going to blend two characters together, you couldn’t pick two who were more different than Tuvok and Neelix. Neelix’s one-sided friendship with Tuvok was a fun element of Voyager, and Tuvix only added to that, in my opinion – giving both men a renewed appreciation for one another. Janeway’s final choice – and the Doctor’s refusal to carry it out – was heartbreaking, and I get why it’s still a hotly-debated topic all these years later. That just speaks to the quality of the episode, the writing, and the moral conundrum that Janeway had to confront.

Season 3, Episode 2:
Flashback

Promotional photo for the Star Trek: Voyager episode Flashback, showing Rand, Sulu, Janeway, and Tuvok in uniform.

Flashback was one of two episodes made to celebrate the Star Trek franchise’s 30th anniversary; the other was Deep Space Nine’s Trials and Tribble-ations. I can’t believe we’re now celebrating Voyager’s own 30th anniversary – but time really does fly, I guess! Flashback saw Tuvok and Janeway take a visit to the USS Excelsior, and is set during the events of The Undiscovered Country. It was a fun way to include Captain Sulu and Janice Rand; the episode has become one of many threads of continuity that tie Star Trek together.

I would posit that Flashback’s core premise – a “memory virus” that Tuvok was infected by – wasn’t especially strong, but that’s almost incidental. Digging into Tuvok’s past was fun, and I’ll never tire of seeing Sulu in command of the Excelsior. Getting some interactions between Janeway and Sulu was fantastic to see, too. Perhaps Flashback is overshadowed by Trials and Tribble-ations, but it’s an excellent episode in its own right.

Season 3, Episodes 8-9:
Future’s End, Parts I & II

Still frame from Star Trek: Voyager showing Tuvok and Paris in the '90s using a mobile phone.

Let’s be honest: Future’s End is horribly dated – it might be one of the most dated Star Trek episodes. Everything about it screams “nineties,” but that’s just fine by me! At the time, Future’s End seemed like just another fun Voyager story – just with a time travel twist. But now, almost thirty years after its premiere, it feels like a little slice of history; Voyager captured perfectly this moment in time. And yes, I know that’s my nostalgia talking… but this is my list, so get over it!

Future’s End teased Janeway and the crew with a return to Earth… but unfortunately it was in the wrong time period! It was neat to see them visiting a sun-drenched California, though, and comedian Sarah Silverman made for an unexpectedly sweet guest star. Time travel episodes aren’t usually my favourites, but Future’s End bucks the trend.

Season 3, Episode 12:
Macrocosm

Still frame from Star Trek: Voyager showing Janeway wielding a phaser rifle.

Macrocosm was a great episode for Janeway, showing off her action-heroine side! If you read my earlier piece marking Voyager’s thirtieth anniversary, you might remember I talked briefly about the first actress cast for the role of Janway, before it passed to Kate Mulgrew. Episodes like Macrocosm would’ve been borderline impossible if Voyager’s producers had stuck with a different interpretation of the character – and in my view, the series would be worse for it.

This was a story that did something Star Trek hasn’t always been good at: showing off a truly alien-feeling alien life-form. In this case, Janeway and the Doctor were forced to confront human-sized viruses, and it turned out to be a fight to the death! An action-packed episode, for sure.

Season 3, Episode 26/Season 4, Episode 1:
Scorpion, Parts I & II

Still frame from Star Trek: Voyager showing Seven of Nine while she was still a Borg drone.

Alright, I suppose we’d better talk about Scorpion. The two-parter that introduced Seven of Nine also went a long way to damaging the Borg Collective as a villain. It wasn’t the only story to do so across the back half of Voyager’s run, but seeing the Borg so easily-defeated and inept… it took something away from them. Sure, it set up Species 8472 as a frightening adversary, but Voyager never really did much with them after this, so it all just feels a bit… wet.

Still, I recognise Scorpion’s importance to Voyager, shaking up the cast and setting the stage for more confrontations with the Borg – who would sporadically show up from here on out. Despite my later feelings about the character, Seven of Nine got one of the best introductions in Star Trek history, and seeing her reaction to being cut off from the Collective was especially interesting.

Season 4, Episode 6:
The Raven

Still frame from Star Trek: Voyager showing Seven of Nine and Tuvok surveying a crashed starship.

Across Voyager’s later seasons, I burned out on Seven of Nine going through one repetitive story after another. As one of the first to give her a starring role and explore her backstory, though, I give The Raven a bit of a pass. Finding out what became of Annika Hansen, and how she came to be assimilated, was genuinely interesting – even if it came as part of a story that muddled the history of the Borg’s contact with humanity and the Federation.

The wreck of the USS Raven was also an interesting setting. This was one of the first episodes to start the process of humanising Seven of Nine, breaking her away from her Borg indoctrination and establishing relationships with other members of the crew. The scene where she sits in the mess hall with Neelix was particularly cute.

Season 4, Episode 14:
Message in a Bottle

Still frame from Star Trek: Voyager showing the USS Prometheus at warp.

Coming at basically the halfway point of Voyager’s run, Message in a Bottle established contact between the stranded vessel and Starfleet Command for the first time. It’s also absolutely hilarious thanks to a wacky guest star, a prototype starship that can break into three parts, and a surprise attack by the Romulans!

There are some excellent comedic moments in Message in a Bottle, with comedian Andy Dick playing a new, updated version of the EMH. He and Robert Picardo both have great timing and played well off of one another, leading to some laugh-out-loud scenes. It’s also an important episode for establishing the first point of contact between Voyager in the Delta Quadrant and Starfleet back at home.

Season 4, Episode 21:
The Omega Directive

Still frame from Star Trek: Voyager showing the Omega mission symbol on an LCARS monitor.

Are you interested in the philosophy of the Borg Collective? Or do you want to see one of Starfleet’s most top-secret, classified missions? Then The Omega Directive has you covered! This episode was a genuinely interesting look at the technology and science of Star Trek’s galaxy – from two very different and diametrically opposed angles.

Seeing Voyager ground to a halt by the titular Omega directive showed us how seriously Starfleet takes this issue, and it also became a challenge for Janeway – having to deal with Omega while being thousands of light-years from home with no backup. Her reluctance to open up to the crew and over-reliance on Seven of Nine weren’t great for her character, in my opinion, but that just shows the difficult situation she found herself in. The Omega Directive also expanded upon the idea of the Borg Collective seeking “perfection,” which was interesting.

Season 5, Episode 1:
Night

Still frame from Star Trek: Voyager showing an alien lying in sickbay.

Night introduces us to the Malon – a villainous faction who showed up a few times in Season 5. There’s an interesting environmentalist message here, one that seems all the more important a quarter of a century later. Janeway and the crew also had to confront something that we’d never seen before: a species refusing the Federation’s help and superior technology for economic reasons. Again, something that’s still highly relevant today!

But Night isn’t really here for that reason. It shows us an empty region of space, which is something a bit different, and we get to see how the crew spend their time when there isn’t a mission of exploration to embark upon or a villain to be defeated. That’s something no Star Trek series had really done before; examining the “down time” in between missions while at warp was interesting, even if it only took up a small portion of the episode. Moreover, this is an important episode for Janeway – without something going on to distract her, she becomes depressed, re-playing the decision that stranded Voyager in the Delta Quadrant over and over again in her head.

Season 5, Episode 6:
Timeless

Still frame from Star Trek: Voyager showing Tessa and an older Chakotay aboard the frozen, derelict Voyager.

I don’t like time-loop/time-paradox storylines, and I don’t like stories in which the magical, magnificent Seven of Nine is the only one who’s able to save the day. So Timeless really shouldn’t have much to offer for me! But you know what? It’s a surprisingly entertaining affair, one that looks at how badly wrong Voyager’s journey home could’ve gone. Harry Kim and Chakotay are the stars; the former torturing himself over the mistakes and miscalculations that led to Voyager’s crash.

The sequence in which the ship crash-lands is brutal, and seeing most of our heroes meet an untimely end was genuinely shocking the first time I saw it. Timeless also brought back The Next Generation’s Geordi La Forge, which was neat to see, and we also caught a glimpse of the future of Starfleet in this era. There was an emotional character story at the core of Timeless, and plenty of other interesting elements, too.

Season 5, Episode 18:
Course: Oblivion

Still frame from Star Trek: Voyager showing a melting and distorted corridor.

Course: Oblivion is a heart-wrenching episode – one that sees its entire cast of characters dead by the time the credits roll. Taking the Silver Blood aliens from the Season 4 episode Demon as a starting point, it sees the crew of an alternate Voyager discovering the truth about their identities, before slowly succumbing to the ravages of space, radiation, and warp engines over the course of an agonising forty-five minutes.

There’s a case to be made that Course: Oblivion is Voyager’s most depressing individual episode, even more so than the likes of Year of Hell. Because the Silver Blood characters took on the familiar identities of our heroes, there’s an automatic attachment to all of them when they’re in danger – and the episode delivers gut-punch after gut-punch as they slowly suffer the worst fate imaginable.

Season 5, Episode 23:
11:59

Still frame from Star Trek: Voyager showing a newspaper article about Mr Janeway's bookshop.

I don’t typically care for stories that leave Star Trek’s spaceships and future behind. The likes of Far Beyond the Stars, The Inner Light, and so on just aren’t my favourites, and I usually skip over them when re-watching The Next Generation and Deep Space Nine. But 11:59 – despite having a similar premise – has a unique charm, perhaps because of its close association with the millennium.

In the UK, 11:59 was broadcast in September 2000, mere weeks before it was set. I greatly enjoyed the episode and its focus on Janeway’s ancestors at the turn of the millennium. There was an interesting story about how “progress” can come at the expense of everyday people – and how history, even personal history, can be subject to interpretation. As an episode filmed before the millennium, it was also quite prescient in its observations of things like the millennium bug!

Season 5, Episode 26/Season 6, Episode 1:
Equinox, Parts I & II

Still frame from Star Trek: Voyager showing Captain Janeway confronting Captain Ransom in the briefing room.

I’m glad that Voyager’s writers didn’t try to tell a story like Equinox too early – I think a run-in with Starfleet like this needed to come this far into the show. It’s a powerful story, one that doesn’t treat Captain Ransom as and out-and-out villain, but rather challenges viewers. Equinox asks: “what would you have done in his place?” and I think that’s a really interesting way to watch it.

Sure, there are moments of pure villainy. Equinox’s EMH is a deliciously immoral baddie, as is Lieutenant Burke. And the story of what the Equinox’s crew did to the sentient nucleogenic life-forms is horrible and tragic. But there’s an amount of moral ambiguity to Captain Ransom and at least some of his crew, making Equinox a tale of desperation and survival at any cost rather than a purely black-and-white morality play.

Season 6, Episode 7:
Dragon’s Teeth

Still frame from Star Trek: Voyager showing the USS Voyager on the surface of a planet, surrounded by ruins.

I love the idea of Dragon’s Teeth: an ancient alien race goes into cryo-sleep, only to be awakened centuries later. Voyager puts a fun spin on this story premise, too, by making the Vaadwuar into an evil all-conquering empire, adding to the moral complexity of the situation. Because they’d been in stasis for centuries, the surviving Vaadwaur also told us quite a bit about the Delta Quadrant as it was almost a millennium ago. Most interestingly, the Borg Collective was positively tiny, only occupying a handful of star systems. Little tidbits of information like that about the Star Trek galaxy are incredibly interesting to me!

Dragon’s Teeth also told an interesting story about the Vaadwaur and their enemies, with Voyager accidentally caught in the middle of the conflict. The Vaadwaur were an interesting race, and I’d love to see Star Trek revisit them one day. It would be fun to find out if the re-awakened Vaadwaur were able to re-establish their civilisation… or their empire.

Season 6, Episode 10:
Pathfinder

Still frame from Star Trek: Voyager showing Admiral Paris and Commander Harkins.

Pathfinder builds on Barclay’s appearance in Projections and the Doctor’s visit to the Alpha Quadrant in Message in a Bottle – see both of those episodes above for more! In short, the story focuses on Barclay and the Pathfinder Project at Starfleet, as the Federation attempts to find a way to establish contact with the USS Voyager, despite the vast distances involved.

Barclay is a fun character, and throwing him into a technological challenge like this was a bit of a change of pace. Bringing Deanna Troi into the episode, too, was a neat inclusion, and another of those threads of continuity that I talked about earlier. Barclay’s obsession with Voyager could feel uncomfortable, in places – but deliberately so, and it seemed in keeping with what we learned about him in The Next Generation. As the episode to establish the first proper communication between Voyager and Starfleet HQ, Pathfinder is an important one going into the show’s final couple of seasons.

Season 6, Episodes 11 & 17:
Fair Haven and Spirit Folk

Still frame from Star Trek: Voyager showing a holographic Irishman.

I’m putting these two episodes together because they form two parts of a single story. After Tom Paris created a holo-programme set in an Irish village, Spirit Folk expanded upon that idea, and let us see the impact the crew were having on the holographic world through the eyes of the villagers. Sentient holograms have been part of Star Trek since The Next Generation introduced us to Professor Moriarty, but this was a completely different take on the idea.

There are plenty of laugh-out-loud moments in both episodes, but also serious themes, too. It was nice to see the crew – including Captain Janeway – letting their hair down a bit and just having fun in a different setting. I definitely prefer Fair Haven’s holodeck stories to anything involving Captain Proton!

Season 6, Episode 20:
Good Shepherd

Still frame from Star Trek: Voyager showing an escape pod floating in a nebula.

Good Shepherd sees Janeway go on an away mission with three under-performing crew members, trying to boost their confidence. I like the premise, and it was fun getting to meet other members of the crew that we don’t usually get to spend much time with. My only criticism of Good Shepherd, really, is that none of the three guest stars became recurring characters going into Season 7. There was definitely room for some of them to pop up in future episodes.

Disappointment aside, though, there was a neat story at the core of Good Shepherd, and it put Captain Janeway’s leadership skills to the test! I find the character of Harren to be especially relatable; I think I’d also want to squirrel myself away below decks and not interact with people if I were trapped on a starship!

Season 7, Episode 11:
Shattered

Still frame from Star Trek: Voyager showing Chakotay and Janeway in the assimilated cargo bay.

Shattered was a fun way to celebrate Voyager as the show entered its final season. The premise saw the ship caught in a temporal anomaly, with only Chakotay able to move between different parts of the ship. He’s able to turn to Janeway for help – but coming from different time periods, she struggles to trust him at first. It’s a creative take on Star Trek’s “temporal anomaly” idea, and one that Discovery would draw inspiration from for its fifth season episode Face the Strange.

I’m glad that Shattered was given to Chakotay, and not Janeway or Seven of Nine. He made for a fun point-of-view character as the madness unfolded, and stepping back in time to see different villains and different problems that befell Voyager earlier in the journey was a lot of fun. In many ways, Shattered feels like a love letter to Voyager.

Season 7, Episode 14:
Prophecy

Still frame from Star Trek: Voyager showing the USS Voyager and a Klingon battle cruiser side by side.

Because Voyager was in the Delta Quadrant, far away from Klingon space, there weren’t a lot of Klingon characters to meet. Prophecy changed all of that, and introduced us to a Klingon generation ship that had travelled across the galaxy for religious reasons. It was really fun to see a D7 battle cruiser in Voyager, and this episode was also an interesting one for B’Elanna Torres.

We’d seen B’Elanna confront her Klingon heritage before, in episodes like Barge of the Dead and Faces, but this time the Klingons were 100% real – and they were interested in her unborn child. Tom Paris got a turn wielding a bat’leth, which was fun to see, and the episode looked at the themes of religion and peace between old enemies; the Kligons not being aware of the Khitomer Accords was particularly interesting.

Season 7, Episode 20:
Author, Author

Still frame from Star Trek: Voyager showing a holographic Tom Paris and the Doctor.

Author, Author focuses on the Doctor – and whether he, as a sentient hologram, has the same rights as the rest of the crew. It could’ve ended up as little more than a re-do of The Next Generation episode The Measure of a Man, where Data’s rights were also up for debate. However, it’s to the writers’ credit that Author, Author doesn’t feel repetitive at all. The Doctor’s holo-programme was also a lot of fun – and raised questions about discrimination, matters of perspective, and how conspicuous and out-of-place one can feel.

Tom Paris intervened with a hilarious re-working of the Doctor’s original holo-programme, giving him a taste of his own medicine. That was a fun sequence, and this was a great episode for the Doctor’s growth as an independent being and as a creator.

Season 7, Episode 23:
Homestead

Still frame from Star Trek: Voyager showing Neelix preparing to disembark.

As Season 7 wound down, it seemed clear that Voyager and her crew were going to make it home. But Homestead really came out of left-field, seeing Neelix depart the ship – and the show – before making it back to the Alpha Quadrant. It always seemed a tad silly and unrealistic to me that a colony of Talaxians could be so many thousands of light-years away from home… but if you set that aside, what you get in Homestead is a touching story of a man finding his family.

Neelix’s departure is heart-wrenching, and Ethan Phillips puts in an outstanding performance. Neelix saying goodbye to Naomi is one of the most emotional moments, but seeing the entire crew lining up to say goodbye gets the tears flowing every single time.

Season 7, Episodes 25-26:
Endgame

Still frame from Star Trek: Voyager showing an older Admiral Janeway with a younger Captain Janeway.

Endgame is a complicated episode – but there’s no way to finish a re-watch of Voyager without it! A time-travelling Admiral Janeway basically breaks every rule in the book for the sole purpose of saving Seven of Nine… and in doing so appears to have destroyed the entire Borg Collective. Scenes set in the future timeline are interesting, and I wish we could’ve explored more of this time period before hopping back to the 24th Century.

After seven seasons, it was great to see Voyager and her crew make it back home. I’ve heard some Trekkies say that the final scene of Endgame feels abrupt, but I never interpreted it that way. It was the end of the story – the goal Janeway and the crew had been striving for. Voyager made it home, back to Earth. What else were people expecting to see other than the ship being escorted back home by Starfleet? I don’t think Endgame as a whole is the perfect episode, but those closing scenes were great – at least in my opinion.

Bonus Video Game:
Star Trek: Voyager – Elite Force

Screenshot of Star Trek: Voyager - Elite Force showing a first person viewpoint, a tricorder, and one of the hallways aboard the USS Voyager.

We’ve done thirty episodes, but I couldn’t let the occasion pass by without talking briefly about Elite Force. This game, which was released just after the turn of the millennium, was absolutely fantastic, and features a detailed (for the time) recreation of parts of the USS Voyager that can be walked through and explored. There’s a strong single-player story, too, with the USS Voyager pulled into a “void” in space.

Elite Force is a rare Star Trek game insofar as it broke through to a wider audience. In the early days of LAN parties and online matchmaking, Elite Force, powered by its Quake III engine, was pretty popular. Personally, I was always more interested in the single-player campaign, though! Copies are still available for PC and PlayStation 2, and I believe the game is also available digitally via the GOG platform.

So that’s it!

Behind-the-scenes photo from Star Trek: Voyager's 100th episode celebration. A large cake is present along with the cast and crew. — *Voyager’*s 100th episode party, featuring the cast and crew.

I’ve picked out a whopping thirty episodes (plus one bonus video game) to celebrate Voyager’s landmark anniversary.

I hope this has been an interesting look back at Voyager – and my personal memories of the show. I greatly enjoyed Voyager during its original run, and I don’t think I missed more than one or two episodes while the show was airing. I later went back and bought the entire series on DVD when it was released that way.

I keep holding out hope for a Voyager remaster – I think that would be a fantastic addition to Paramount+. Fingers crossed we’ll get to see the show in 4K one of these days, eh?

A high-definition digital render of the USS Voyager from TrekCore. — A high-definition digital render of the USS Voyager.
*Image Credit: Robert Bonchune/TrekCore*

So Star Trek: Voyager is officially thirty years old. Does that make you feel ancient? It makes me feel ancient. I enjoyed re-visiting the series to pick out this selection of episodes, and there were at least thirty others that I wanted to include! I tried to get a good mix of stories featuring different characters and with different themes, rather than being too repetitive or with a singular focus.

Thanks for joining me as we celebrate Voyager’s anniversary. I’m not sure what’s on the agenda next… perhaps a longer write-up of one or two of these episodes? Or another look at Elite Force? Truth be told I haven’t got a plan, but it would be nice to do something else in the next few days or weeks to continue the anniversary celebrations!

Until then… Live Long and Propser! And happy anniversary, Voyager!

Star Trek: Voyager is available to stream now on Paramount+ in countries and territories where the platform is available. The series is also available on DVD. The Star Trek franchise – including Voyager and all other properties discussed above – is the copyright of Paramount Global. Some images courtesy of TrekCore and Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Voyager – Thirty Years Later

Thu 16.01.25Thu 16.01.25Dennis

A spoiler warning graphic - featuring Neelix.

Spoiler Warning: There are spoilers ahead for Star Trek: Voyager and Star Trek: Prodigy.

In 1996, the Star Trek: Voyager episode Flashback was broadcast as part of the Star Trek franchise’s thirtieth anniversary celebrations. Today – and I can scarcely believe I’m writing these words – we’re marking Voyager’s own thirtieth anniversary!

That’s right: it was on the 16th of January 1995 that Caretaker, the premiere episode of Star Trek: Voyager, debuted in the United States. I thought it could be worth taking a few minutes to look back at not only the premiere, but Voyager as a whole – and try to assess its legacy and its place in the history of Star Trek. That’s what we’re going to talk about today, so I hope you’ll join me on a rose-tinted look back at Star Trek’s fourth live-action series!

Still frame from Star Trek: Voyager showing the title "Caretaker" with Captain Janeway and Tom Paris. — *Caretaker* premiered on this day in 1995.

When Voyager premiered in 1995, the Star Trek franchise was arguably at the absolute peak of its “golden age.” The Next Generation cast had started making feature films, Deep Space Nine was well into its third season, and it felt like Star Trek had well and truly made it; a franchise that was dominating the sci-fi world. I remember at the time hearing some criticism of launching another series, but with The Next Generation having explored strange new worlds in the Alpha and Beta Quadrants, and Deep Space Nine tackling the Gamma Quadrant… I gotta admit that I was excited to see Voyager head to the unexplored and mysterious Delta Quadrant!

Having read a preview of the series (I think in the Radio Times; a UK TV magazine) I was also intrigued by this “one ship, two crews” idea that Voyager seemed to be promoting. Seeing Starfleet officers having to work hand-in-hand with the Maquis seemed like a really interesting concept, and one that could’ve given Voyager a unique selling point and a way to stand out from the pack as Star Trek continued its growth and expansion. I don’t think Voyager’s writers ever really made good on that promise – but more on that in a moment!

An early placeholder logo for the show circa 1994.

Stories about long journeys, people from different backgrounds having to work together in common cause, and having a small “island of safety” in a dangerous and unexplored environment are all things I absolutely adore in fiction – so Voyager seemed to be bringing together a bundle of elements that might as well have been tailor-made for me! And across its seven-season run, all of those things came to the fore in different ways. Voyager was a fun series.

Of course, one of the most-discussed things leading up to Voyager’s premiere was the show’s new captain: Kathryn Janeway, played by Kate Mulgrew, became Star Trek’s first woman captain. I remember this news being received positively at the time, at least in the Star Trek fan groups I was aware of. No one in 1995 knew what the word “woke” would come to mean, so Janeway’s announcement didn’t get the same kind of negative reaction and whining as we might expect in 2025! That’s not to say there wasn’t some degree of pushback, of course. There have always been toxic individuals within the fan community.

Promotional photo of Kate Mulgrew as Captain Janeway. — Captain Kathryn Janeway.

I remember the days leading up to Voyager’s premiere being ones of positivity and anticipation. I was absolutely thrilled at the prospect of Star Trek’s expansion, at getting a new exploration-focused series after The Next Generation’s finale, and at meeting a whole new crew and cast of characters. There was a lot to be excited about as Voyager’s premiere got closer!

Star Trek: Voyager was almost a very different show, though, and I think it’s worth taking a diversion to acknowledge that. As work began on the series, the question of who should sit in the captain’s chair was perhaps the biggest individual casting decision that befell casting directors Nan Dutton and Kathryn Eisenstein… and they fucked it up. Kate Mulgrew was considered for the role of Janeway, along with several others, but the role was given to Oscar-nominated actress Geneviève Bujold instead.

Still frame from the Star Trek: Voyager DVD special features showing Geneviève Bujold as Nicole Janeway. — What might’ve been…

Bujold was a terrible fit for the role of Janeway – as evidenced by the scenes she shot for Caretaker, which were included as a bonus in Voyager’s DVD box set – and seriously struggled with working on the show. Thankfully, Winrich Kolbe – who directed Caretaker – and executive producer Rick Berman recognised this before it was too late, and Bujold was replaced with Kate Mulgrew after only a couple of days. Still, this near-miss could’ve derailed Voyager before the show had a chance to get started.

As an aside, I don’t think Geneviève Bujold is in any way a bad actress or performer. But the idea to cast a character closer in style and tone to Jean-Luc Picard would’ve been wrong for Voyager, and that’s how I interpret her performance in those few scenes that have been revealed. Voyager needed a dynamic, energetic captain – someone who could make incredibly tough decisions under pressure while retaining the support of her crew. I didn’t see any of that in Bujold’s performance, so replacing her was unquestionably the right call.

Promo photo showing the main cast of Star Trek: Voyager Season 1. — The main cast in Season 1.

Having to re-cast your lead role after filming has already started isn’t a great look for any television series, but Voyager was able to recover. Caretaker kicked off the show in style – and put a very interesting twist on a story premise that we’ve seen before in other episodes of Star Trek.

Several times in The Original Series, The Next Generation, and Deep Space Nine, our crews found themselves apparently stranded – perhaps on an alien planet, or else far away from Federation space. But in all of these, they found their way home again by the time the credits rolled. To me, Voyager always felt like it was taking one of those episodes and asking the obvious question: what if there wasn’t an instant way home? I really loved that idea, even in 1995 it felt subversive and creative; a unique and different take on a Star Trek story concept that we’d seen before.

Still frame from Star Trek: Voyager showing the USS Voyager and the Maquis raider Val Jean in orbit of a planet. — The USS Voyager (and Chakotay’s ship) in orbit of the Ocampa homeworld.

Caretaker was also a fantastic crossover episode, bringing in characters and locations from Deep Space Nine. A couple of years earlier, the two-part episode Birthright had brought The Next Generation to DS9, too – so launching the show in this way felt like a real thread of continuity between all three extant Star Trek projects. Star Trek was doing the whole “shared universe” thing decades before the likes of Marvel!

Quark, Morn, and Gul Evek returned from past iterations of Star Trek, further tying Voyager into the franchise before striking out on its own. These three characters – along with Q – are the only ones to have appeared in all three of The Next Generation-era Star Trek shows, which is a fun little bit of trivia for your next Star Trek quiz night! Having that connection to the rest of the franchise was important, though, and it continued the trend of characters from Star Trek’s past appearing in the premiere of a new series.

Still frame from Star Trek: Voyager showing Morn at Quark's bar. — Morn in *Caretaker*.

Caretaker gave Captain Janeway a moral dilemma, one that tied into the idea of the Prime Directive and Starfleet’s core mission of peaceful exploration. Janeway ultimately decided to intervene, destroying the Caretaker’s array to prevent it from falling into the hands of the aggressive Kazon – but stranding her ship and crew in the Delta Quadrant in the process. This kicked off a story that would run for seven seasons, blending Star Trek’s normal episodic format with an underlying quest: Voyager’s journey home.

Harry Kim made a fine addition to the crew, and also filled an important role for Voyager in a narrative sense. Kim was always the first character to jump on the idea of finding a shortcut home, and the most eager (of the main characters, at least) to make it back to the Alpha Quadrant. I wouldn’t say it was his sole defining character trait, but it was an important one. Voyager needed at least one character like this to keep the voyage home at the top of the agenda.

Promotional photo of Garrett Wang as Ensign Harry Kim. — Garrett Wang portrayed Harry Kim in all seven seasons.

More recently, Kim has become best-remembered in the fan community for never receiving a promotion! And I can kind of understand that; particularly as the show wore on and Kim gained more experience, it began to stretch belief to think that he’d remain a mere ensign. Again, though, Voyager was a semi-episodic show, and a show that needed at least one “young and eager” junior officer to fulfil that narrative role and occupy that space.

I was a big fan of Kes in Voyager’s early days; her gentle bedside manner and strong sense of empathy stood in contrast to the brash and often impolite Doctor in scenes set in sickbay. The idea of a short-lived species (Ocampa typically had a lifespan of around nine years) was also a unique one at this point in Star Trek’s history. Kes had close relationships with Neelix, Tom Paris, and of course the Doctor, too, all of which gave her plenty to do.

Promotional photo of Jennifier Lien as Kes. — A promotional photo of Kes.

I was disappointed when I learned that Kes was going to be dropped from Voyager heading into the show’s fourth season, particularly as she’d just begun developing her telepathic powers under the tutelage of Tuvok. I felt there was still more to explore with her character, and it was a shame that she was booted off the show before this potential could really be reached… especially because of who replaced her.

I know I’m in the minority here… but during the back half of Voyager’s run, I came to really dislike Seven of Nine. This character felt so boring and repetitive, but due to her popularity with at least a portion of the show’s audience she was prominently featured in many different episodes from Season 4 onwards. Seven always seemed to learn some lesson in “how to be human” in an episode… only to forget it all a week later and have to re-learn the same stuff over and over again. I really burned out on her character pretty quickly.

Still frame from Star Trek: Voyager showing Seven of Nine (looking surprised). — Seven of Nine wasn’t my favourite character.

But there’s no denying that Star Trek’s first ex-Borg main character (not counting Picard, of course) shook up Voyager and added something new to the show. Seven’s introduction also kicked off a succession of Borg-centric episodes… which, I’m afraid, were more miss than hit in my opinion, and went a long way to damaging the fear factor that a villain like the Borg needs to have. However, recent Seven of Nine appearances in Star Trek: Picard rehabilitated the character for me, resolved many of the issues I had with her, and generally left me with a much more positive view of Seven as a whole. Here’s hoping she might return one day!

I’ve said this before, but Tom Paris was the Star Trek franchise’s first proper pilot – the first helmsman to really seem like he loved being in the chair. Paris was a fun character – an ex-Maquis and ex-Starfleet officer who seemed to attract the ire of both halves of the combined crew, but came to be seen as a dependable fixture on Voyager’s bridge. Paris’ arc took him from a failure and a criminal to a rehabilitated Starfleet officer and family man, and it was great to see it play out.

Promotional Photo of Robert Duncan McNeill as Tom Paris. — Tom Paris had a great character arc across *Voyager’*s run.

Paris’ love for the holodeck also led to some fun diversions across Voyager’s run. I was less enthusiastic about the likes of Captain Proton – though it could be fun for an episode or two – but his creations of Sandrine’s bar, the town of Fair Haven, and the Maquis insurrection holo-programmes all led to fun and exciting stories.

How can we talk about Tom Paris without mentioning B’Elanna Torres? Torres became – at Chakotay’s insistence – Voyager’s chief engineer, and had the challenge of standing out as both the second Maquis main character and (after Worf in The Next Generation) the second character with Klingon heritage. Voyager didn’t always know how to define and handle Torres, with some early episodes presenting her as angry and belligerent… but she soon settled into the role of chief engineer.

Behind-the-scenes photo from Star Trek: Voyager showing Roxann Dawson having her prosthetic makeup applied. — Roxann Dawson in the makeup chair.

B’Elanna, for me, is defined by two key relationships that would develop later in Voyager’s run: her antagonistic stance against Seven of Nine and her relationship and later marriage to Tom Paris. B’Elanna often stood as the voice of reason against Seven’s “Borg-ification” of parts of the ship, but her relationship with Tom went a long way to settling both characters down and giving them purpose. We’d also see several episodes featuring B’Elanna’s Klingon side – and these could be fun changes of direction for a show set thousands of light-years away from Klingon space.

Chakotay feels like the embodiment of Voyager’s missed opportunities. Voyager’s writers never made good on the “one ship, two crews” idea, meaning Chakotay basically became a Starfleet officer and Janeway’s confidante within a couple of episodes, robbing him of more than one potential character arc. His relationships with most of the crew besides Janeway and B’Elanna were never really explored in much depth, and he just feels like… a presence. Chakotay was on the bridge the whole time, but can you think of many episodes where he drove the plot or was otherwise in focus? Because I can’t!

Still frame from Star Trek: Voyager showing Chakotay - the first shot of the series. — Chakotay was the first character we saw at the very beginning of *Star Trek: Voyager*.

I must get caught up with Prodigy, because Chakotay may get the kind of cathartic redemption arc that we were discussing with Seven of Nine, and that’s something I need to see! And across the show’s seven years, Chakotay did get a few spotlight episodes and storylines – notably exploring his Native American heritage and his relationship with Seska. I just feel there was more that Voyager could have done with this character – he was the first officer, after all, and it would be weird if the likes of Spock, Riker, or Major Kira had been similarly sidelined in their respective shows.

I remember feeling confused on learning that Voyager’s doctor was going to be a hologram! “How could that work?” I remember thinking to myself. “Exceptionally well” seems to be the answer, because Voyager’s Doctor was an incredibly fun character – and one who experienced growth over the course of the series. Starting out as a holo-programme with relatively little personality and no interests, the Doctor changed and evolved over the course of the show, taking on new challenges and new interests, and that was a really fun thing to see play out.

Still frame from Star Trek: Voyager showing the Doctor in sickbay. — The Doctor – the first holographic main character in Star Trek.

When the Doctor got his mobile emitter – a piece of 29th Century technology – in the third season, I was sceptical. But allowing him to leave the confines of sickbay and the holodeck turned out to be a great decision, leading to more involvement from this fun and enjoyable character across the second half of the show’s run. The Doctor could be great comic relief, and actor Robert Picardo has excellent comedic timing, but there’s much more to the character than that. We got some great emotional moments with him, too, such as losing his holographic family or sitting in court arguing for his rights as a sentient life-form.

Speaking of comic relief, we have Neelix! Star Trek shows had had barkeeps before – Guinan in The Next Generation and Quark in Deep Space Nine – but never a cook. Neelix took broad liberties with that role, serving first as a guide to the area around Ocampa, then as a “morale officer” for the ship – while cooking up a selection of interesting dishes to feed a hungry crew! I bought a copy of Ethan Phillips’ Star Trek Cookbook and even tried a few of them for myself… with terrestrial ingredients, of course.

Promotional photo of Ethan Phillips as Neelix (in a Starfleet uniform for some reason). — A promo photo of Neelix… in a Starfleet uniform.

Neelix’s relationship with Kes could feel a little uncomfortable, but fortunately it wasn’t in focus all that much outside of a few early episodes. As Neelix settled in aboard the ship, he became an important character – and would often serve as a bridge between characters who didn’t always get much interaction. His largely one-sided friendship with Tuvok – though often played for laughs – was great to see, too, and showed Neelix’s way of accepting people different from him.

And speaking of Tuvok, Star Trek’s second Vulcan main character made quite an impact! Spock was always going to be a hard act to follow, but taking the calm and logical Tuvok as far away from science and exploration as possible was undeniably the right call. A Vulcan security and tactical officer makes a lot of sense when you stop to think about it – and Tuvok demonstrates exactly why. Calm and stoic under pressure is just what that job requires!

Promotional photo of Tim Russ as Tuvok. — Tuvok.

Tuvok also served as Janeway’s friend and confidante – arguably treading on the toes of the traditional first officer role, in that sense. I wish we’d gotten more of an examination of his relationship with Chakotay, though that’s more from Chakotay’s side, as mentioned above. Tuvok also bridged the gap between The Original Series era and Voyager in the most unexpected of ways – check out the episode Flashback, that I mentioned at the beginning, for more on that!

So that leaves us with Captain Janeway. Janeway was the captain that Voyager needed on a quest like this, and she had the strength to guide her crew home. She also had some fun character quirks, like her love of coffee, that kept her feeling grounded and real. The first woman to sit in the captain’s chair for a Star Trek series embodied elements of all three of her predecessors: Kirk’s toughness, Picard’s diplomacy and tact, and Sisko’s dedication to doing the right thing. But she was always her own woman, never feeling overshadowed by any of the captains that had come before.

Still frame from Star Trek: Voyager showing Captain Janeway at the penal colony in the premiere. — Captain Janeway in *Caretaker*.

As mentioned above, Kate Mulgrew was the perfect choice for this role, and she delivered a masterful performance across all seven seasons of the show. Voyager’s journey home wouldn’t have been the same without her, in fact, and across the show’s run we got several great episodes that shone a spotlight on the captain. Stories pitted her against villains like the Krenim and the Borg Queen, and Janeway always found a way to come out on top!

The USS Voyager still feels like a futuristic design to me even thirty years on from its debut! Something about the more angled saucer section makes it feel more modern than the circular hull of Kirk’s Enterprise and the Enterprise-D, and the sleeker lines also scream “speed!” Voyager was a long-range tactical ship made for exploration and combat, and the ship’s design philosophy reflects that. I will never tire of the sequence in Caretaker of Paris being flown in by shuttlecraft, seeing Voyager for the first time.

Still frame from Star Trek: Voyager showing a shuttlecraft flying over Voyager's saucer section. — Our first introduction to this wonderful starship.

On the inside, we got a continuation of the Starfleet aesthetic that debuted in The Motion Picture and has been a mainstay in the franchise since. Voyager’s bridge is larger and wider, though – or at least it feels larger and wider – than anything we’d seen before. This expansive space was the perfect stage for interactions between all of our favourite crew members! Again, the bridge felt more modern than that of the Enterprise-D, while at the same time continuing the design trends that we saw in The Next Generation.

Janeway’s ready-room was an interesting area, giving her a large desk but also a couch that could act as a social space. Engineering had a really neat effect for its warp core, and the expansive entryway was often where intense conversations played out. The Doctor had sickbay as his domain, but he also got an office and a small lab off to one side that were fun inclusions. Voyager also had a shuttlebay, holodecks, crew quarters, corridors, and the mess hall – all of which would get moments where they were in focus!

Behind-the-scenes photo from Star Trek: Voyager showing the bridge set under construction. — Voyager’s bridge set under construction circa 1994.
*Image Credit: Forgotten Treks/TrekDocs*

As an aside, being able to virtually explore Voyager in the game Elite Force was one of my absolute favourite things about that game! In 2000, being able to wander through the bridge, sickbay, and some of the ship’s corridors felt absolutely magical as a Star Trek fan, and while Elite Force wasn’t the only game to offer that experience (the adaptation of Generations had a mission set on the Enterprise-D, and there were probably others around the same time), it was certainly one of the most memorable for me personally.

One thing Voyager didn’t really have was an expansive secondary cast. Deep Space Nine gradually gave more time and attention to characters like Rom and Martok, but Voyager, by and large, kept its focus on its main cast of characters. The Borg children – and Icheb in particular – were really the only ones to break through in more than a handful of episodes, though some, like Seska and The Next Generation’s Reg Barclay, would go on to make multiple appearances. Deep Space Nine showed what Star Trek could do with a wider and more expansive cast… and it’s something the franchise has yet to return to. Voyager had the opportunity to build out some of its secondary characters, but never really went there. I think that’s a bit of a shame – but it is what it is!

Behind-the-scenes photo from Star Trek: Voyager showing Jennifer Lien reading her script while sat on the floor. — Jennifer Lien (Kes) reading her script on the set of *Caretaker*.

For a variety of reasons, Voyager never really made good on its “one ship, two crews” idea, and by about halfway through Season 1, the main Maquis characters were basically entirely integrated with the Starfleet crew. With the exception of plot-relevant moments, such as stories involving Seska, the fact that almost one-third of Voyager’s complement were Maquis never really came to the fore in a big way, and I think that’s a bit of a missed opportunity.

Don’t get me wrong, a story about people from different backgrounds finding a way to work together for the common good is something I absolutely adore, and there were times where Voyager absolutely nailed that feeling. I guess I’ve just always felt that I would’ve liked to see more tension, scepticism, and disagreement as the two crews began the process of integrating. I never really felt as much of that as I would’ve liked – and that’s perhaps Voyager’s biggest sore spot for me, thirty years on.

Still frame from Star Trek: Voyager showing a Maquis rebellion (on the holodeck!) — *Voyager* struggled to make good on its “one ship, two crews” premise.

That being said, Voyager was a great show all around, and a welcome addition to Star Trek. With The Next Generation’s crew off making feature films and Deep Space Nine occupying a space station, there was plenty of room for a new series set aboard a starship. Voyager embodied Star Trek’s ethos of peaceful exploration… but set that exploration against a new backdrop of trying, against the odds, to make it home. It was both familiar and different at the same time; a really interesting blend of storytelling styles.

Voyager was also a much more episodic series than Deep Space Nine – despite its voyage home story being omnipresent and frequently referred to. There were plenty of one-off stories featuring a wide range of alien races, factions, and wacky premises. It was a Star Trek series through and through, one that brought a fantastic cast of characters to the table and threw them into plenty of fun, exciting, and occasionally emotional situations.

Promotional image of the Star Trek: Voyager cast. — The cast on a promotional poster.

The excitement I felt thirty years ago was more than rewarded! Voyager was an outstanding show, and I got thoroughly invested in the crew and their quest to return to the Alpha Quadrant. There were some episodes that were wide of the mark – as there are bound to be in any show that runs to 168 episodes across seven seasons! But even at its worst, there were things to enjoy, fun lines of dialogue, entertaining character moments, or creative decisions that made Voyager well worth watching for any Trekkie or fan of sci-fi in general.

As the final show of what I consider to be Star Trek’s “golden age,” I’ve long had a soft spot for Voyager. Of course I watched every single episode during the show’s run – I would tune in when they made their debut on terrestrial TV here in the UK, and I very rarely missed a week. I later bought all seven seasons when they were released on DVD and enjoyed the series all over again.

Still frame from Star Trek: Voyager showing the USS Voyager preparing to jump to warp. — The USS Voyager set course for the Alpha Quadrant thirty years ago today.

So I hope this has been an interesting look back! I wanted to do something to acknowledge Voyager’s milestone anniversary, but it’s hard to summarise my thoughts on 168 episodes and seven years’ worth of television in a single article! Stay tuned, though, because I’ll be writing up my thoughts on some of my favourite episodes in the days ahead as we continue to celebrate Voyager’s thirtieth anniversary.

I hope that Paramount and the folks in charge of Star Trek plan to do something to mark this momentous occasion, so I’ll definitely be checking out the official Star Trek website and social media pages over the next couple of days. With Seven of Nine, Janeway, Chakotay, and others all having returned to the Star Trek franchise in the last few years, Voyager’s legacy is very much alive. The documentary To The Journey: Looking Back at Star Trek: Voyager has had its official premieres, too, though I don’t think it’s available to stream just yet. Still, another thing to keep an eye on.

All that remains to say is this: happy thirtieth anniversary, Star Trek: Voyager! Thanks for all the memories.

Star Trek at Comic-Con

Tue 30.07.24Tue 30.07.24Dennis

Spoiler Warning: There are spoilers ahead for upcoming and recent seasons of Star Trek: Prodigy, Star Trek: Strange New Worlds, Star Trek: Starfleet Academy, Star Trek: Lower Decks, and Star Trek: Section 31. Minor spoilers may also be present for other parts of the Star Trek franchise.

The Star Trek franchise recently made a splash at San Diego Comic-Con – one of the biggest such events in the world. With a couple of new trailers and several interesting announcements, I thought it could be a bit of fun to talk about what was discussed and shown off at the event. I’ll try to cover all of the biggest pieces of news as well as share my thoughts on what we learned and saw.

First of all, a couple of caveats. I’ve been feeling unenthusiastic and pretty burned out on Star Trek lately, and I still have some catching-up to do on some of the franchise’s recent outings. That doesn’t mean I’m not still a Trekkie or that I’m not still interested in these latest announcements; far from it. But as Star Trek has added more and more series and films to its lineup, I admit that I’ve struggled to keep up. Secondly, and perhaps most importantly, everything we’re going to talk about today is the subjective opinion of one person only! If I’m excited about something that sounds awful to you, or sceptical about something you couldn’t be happier about… that’s okay! There should be enough room in the Star Trek fan community for polite discussion and disagreement.

With that out of the way, let’s take a look at what’s been going on at Comic-Con!

Alex Kurtzman and writer Noga Landau at the *Starfleet Academy* panel at Comic-Con 2024.

The biggest announcement is one that took me by surprise: a new Star Trek series is in development. Though its announcement was haphazard during one of the panels, it has subsequently been confirmed by Paramount (and franchise head Alex Kurtzman) that it is officially in development. With Tawny Newsome (Beckett Mariner in Lower Decks and one of the writers attached to Starfleet Academy) taking a leading role in its creation, the series has been described as Star Trek’s “first live-action comedy series.”

Paramount later released the show’s one-sentence pitch: “Federation outsiders serving a gleaming resort planet find out their day-to-day exploits are being broadcast to the entire quadrant.”

I’ve long argued that Star Trek and comedy go hand-in-hand, with humour having been a big part of the franchise going all the way back to The Original Series. Not everyone was sold on Lower Decks at first, but I think over time the general consensus is that it’s a solid addition to the franchise, and one that didn’t sacrifice its sense of “Star Trek-ness” at the altar of comedy. That was certainly my takeaway from its first couple of seasons.

This announcement was brief and short on detail!

Paramount’s pitch does leave me a little confused, though. Are we going to be getting something like The Truman Show, with hidden holo-cameras on this resort planet? I can see the idea working well as a one-off story; an individual episode in a longer season. But it feels like a premise that might have its limits, especially when the main characters realise that they’re being recorded. Look at the Futurama episode Fry and Leela’s Big Fling as an example, perhaps.

That being said, it’s nice to hear that Paramount hasn’t given up on Star Trek, despite financial issues. The corporation is soon to merge with Skydance, and that could lead to a shake-up in the longer term, including a proposal that would see Paramount+ and fellow streaming service Peacock join forces. It’s good to see that Paramount – at least in its current form – remains committed to making more Star Trek. Would I have rather seen an announcement for Legacy, or another Picard-era series? Well… sure. But that’s no reason to be negative about this comedy series! With it still untitled and clearly very early in its development, I doubt we’ll see it on our screens before 2027.

Co-creators of the new untitled Star Trek series Justin Simien and Tawny Newsome.

There have been a couple of announcements of cast members joining Starfleet Academy over the last few months. The most interesting prior to Comic-Con had been the inclusion of Paul Giamatti, Emmy and Golden Globe winner and multiple Academy Award nominee. Giamatti will play the season’s villain – a concept I’m still not sold on, for reasons I’ve already discussed – but Paramount could hardly have selected a better, more seasoned actor for the part. At Comic-Con we learned that Oded Fehr and Mary Wiseman will join the series, reprising their roles as Admiral Vance and Tilly respectively on a recurring basis. This was something that, at least as of Season 4 of Discovery, made a lot of sense, as both characters were strongly linked to Federation HQ and Starfleet Academy. Tig Notaro will also join the series, reprising her role as Jett Reno from Discovery.

The most surprising announcement for Starfleet Academy, though, has to be Robert Picardo returning to Star Trek as the Doctor! I talked about this years ago, prior to Discovery’s third season, and how the Doctor (or at least a version of him) could still be active in the 32nd Century. It seems that idea was valid after all, and the Doctor will have a role to play in Starfleet Academy. Whether this will be the original version of the character or a future version seen in the Voyager episode Living Witness isn’t clear – I’d guess the former, but modern Star Trek hasn’t been afraid to make deeper cuts to individual episodes, so we’ll have to see! It’s worth noting that the Doctor has recently appeared in Prodigy, so his return in Starfleet Academy doesn’t come entirely out of nowhere.

The Doctor in *Prodigy’*s second season.

So Starfleet Academy really sounds like it’s taking shape, with its main characters having seemingly been cast and its first season’s story written. There are some interesting announcements and ideas in the mix, though I confess I remain unconvinced at the series’ apparent direction of having an overarching villain and a serialised main story. For me, a series like Starfleet Academy felt like it could’ve been perfect for a return to a more episodic format, akin to what Strange New Worlds has been doing, with different planets to visit week-to-week. Still, the inclusion of the Doctor and the return of characters from Discovery is good news in my book!

Starfleet Academy has also seemingly gotten its official logo/typeface, which you can see below.

Though I could be reading too much into this, I feel like the font used is a slightly softer, more child-friendly version of the Original Series film-era typeface that we’d often see on starships. The refit USS Enterprise, the Excelsior, and other ships in those films and through the early part of The Next Generation era used a similar font. This seems to carry the same outline, but in a slightly softer and more rounded form, and with a curve to the text that wouldn’t seem out-of-place on a university/college sweatshirt. First impressions are positive, at any rate!

Just prior to Comic-Con there were comments from Prodigy’s co-creators and some of the voice actors about a potential third season for the show. Since we’re doing Star Trek news I’ll share my thoughts on that, and in a word I’d say a third season of Prodigy feels unlikely. It’s clear that the series didn’t do much for Paramount or Paramount+, hence its cancellation and sale to Netflix and other broadcasters. Re-starting production at this stage would be complicated, with question-marks over the rights to the show and how proceeds would be divided. As nice as it would be to think a third season is possible… my gut feeling is that it won’t happen, despite some enthusiasm for the series since it landed on a more accessible, kid-friendly streaming platform.

*Prodigy’*s second season found a new home on Netflix.

Returning to Comic-Con, we got our first trailer for Section 31. In terms of style, the trailer was undoubtedly the most energetic and modern that the Star Trek franchise has done in a long time; it wouldn’t have felt out-of-place at the cinema in between trailers for big-budget superhero films and summer blockbusters. As a piece of marketing material, I think it was excellent. It had a great soundtrack, clips that looked exciting and entertaining without giving too much away, and it genuinely felt like a project that could open up Star Trek to new fans and especially younger fans. All of that is positive!

However, I do have a couple of notes that are a tad more negative. Firstly, in just the few clips in the Section 31 trailer, I saw several barely-redressed sets from Discovery. I would have hoped that a project like Section 31 would’ve had new sets built, or at least that redresses would have been less obvious. Maybe there are in-universe reasons for that – such as Georgiou and her crew commandeering another Crossfield-class ship, perhaps. But I wasn’t blown away by seeing the same sets and, at one point, the same special effect as I’ve already seen elsewhere in Star Trek.

*Section 31* looks explosive… and maybe a little familiar.

Secondly, although the tone of the trailer was positive and modern, I didn’t get a real sense of “Star Trek” from what we saw. The nature of Section 31 as a black ops division always meant that this story would have more freedom to step away from typical Starfleet officers and missions, and that’s something I’m generally supportive of. And as mentioned, I feel that Section 31 having a more modern identity could entice new viewers to the franchise – something that Star Trek needs if it is to survive.

But there should be a balance between telling this kind of one-off story with Star Trek’s core identity. The Kelvin films went in a more action-heavy direction but still managed to retain at least some of what made Star Trek feel like Star Trek, as have other productions post-2017. I don’t want to pre-judge Section 31 based on a few carefully-edited clips, but if one character hadn’t mentioned Starfleet during the trailer, there really wouldn’t have been much else in there to tie in with the wider franchise.

Michelle Yeoh is reprising her role as Empress Georgiou.

I like the idea of exploring more of Georgiou’s background… up to a point. As I’ve said before, prior to discovering her humanity in Discovery’s third season, Georgiou could feel quite one-dimensional. In the trailer, she seemed at her most interesting, I would argue, in what must be a flashback to her ascent to the Terran throne in the Mirror Universe; present-day Georgiou seemed to be back to her old tricks. This leaves me conflicted. I don’t think Section 31 would benefit from being “Star Trek does Suicide Squad,” where a gang of criminals and murderers without much nuance are the only main characters. That would conflict a little too much with what we know of Section 31 from its earlier appearances.

But at the same time, pushing the boat out and doing new things with Star Trek is a good thing. Reintroducing Georgiou to a more casual audience is also going to be necessary, given that it will have been five years since her last appearance by the time Section 31 lands on our screens next year. Flashing back to her time as Empress could be a great way to set up the character – as well as show how much she’s grown.

Is this the moment Georgiou assumed control of the Terran Empire?

The trailer didn’t tell us much about the plot or who the central villain(s) might be – and again, I think that’s probably a smart move. There was enough action and excitement to tease fans and get us invested without revealing too much or spoiling big story beats ahead of time. I’m sure we’ll get to see more in a second trailer before Section 31 arrives – and that trailer could introduce the main villain or show us a glimpse of what Georgiou and her crew are up against.

I will say that I’m a little disappointed that Ash Tyler, played by Shazad Latif in Discovery’s first two seasons, isn’t going to be part of Section 31. Tyler was an interesting character, and he could have been a moderating influence on Georgiou’s more violent methods. We didn’t get to see much of the new characters, but one is reportedly a chameloid – the shape-shifting species introduced in The Undiscovered Country. That could be a fun inclusion, and actor Sam Richardson is a fine addition to the cast. We’ll also get to know a younger Rachel Garrett – the captain of the Enterprise-C who we met in The Next Generation third season episode Yesterday’s Enterprise. There’s definitely a lot going on in Section 31!

*Section 31* is scheduled to arrive next year.

There were also trailers for the third season of Strange New Worlds and the fifth and final season of Lower Decks. Despite not being fully up to speed on either series yet, I braced myself for spoilers and decided to take a look! Generally, I liked what I saw from the trailers, and while we didn’t get any massive news about either series, it seems like their upcoming seasons are in good hands. As with Discovery, I’m a little concerned that cancellation came too late for Lower Decks’ writers and producers to have written a conclusive ending to the series… but that may be a blessing in disguise if a revival could be on the cards one day! Perhaps that’s clutching at straws… but you never know. These things happen in animation – just ask Futurama!

The Strange New Worlds teaser was really an extended scene from one of the upcoming Season 3 episodes, and it was genuinely hilarious. We talked before about comedy in Star Trek… well, look no further! The crew are turned into Vulcans for reasons unknown, and the entire sequence was just a ton of fun. There were callbacks to events in The Original Series, as well as to Spock’s half-human heritage. Seeing several main characters dressed up as – and acting like – Vulcans was a blast. I hope the rest of the episode can live up to the scene we just got to see!

Captain Pike and his crew are transformed into Vulcans!

The Lower Decks trailer emulated a commercial that I vaguely remember from the ’90s or early 2000s promoting one or other of the Star Trek films. I wish I could remember which one – but clearly the Lower Decks crew are geekier than I am. It was a neat callback, at any rate, and one that definitely plucked a nostalgic note for this old Trekkie!

We got to see a few clips from the upcoming season, including one that seems to feature a crossover with an alternate USS Cerritos from another timeline. That could be fun, and exploring alternate versions of our favourite characters is something that Lower Decks’ comedic style could be perfect for. There were also scenes showing Klingons, an undercover mission, a decontamination chamber, and more. Though I still need to fully catch up with Lower Decks, I liked what I saw and it seems like the show’s final outing will be a blast.

So to recap: we got big news about returning characters in Strange New Worlds, and I’m especially keen to catch up with the Doctor almost a millennium after we last saw him! A new live-action series is in early development, and it has a comedic focus. Section 31 looks like it’s going to take Star Trek in a different direction. And Strange New Worlds and Lower Decks will be returning in style.

All in all, I’d say that Star Trek had a pretty successful outing at Comic-Con this year. There were enough teases and trailers to keep fans engaged, but nothing went overboard. Maybe the untitled series’ announcement was a tad premature, as we really don’t have much to go on, but given the recent cancellations and the confusion over Paramount’s merger, taking the time to confirm that more Star Trek will be produced after Section 31 and Starfleet Academy is a good thing – it’s reassuring to both fans and investors that the brand isn’t going anywhere until at least 2027 or 2028!

Robert Picardo will be returning to live-action Star Trek.

I think my favourite announcement was the return of the Doctor. Ever since Discovery headed into the far future at the end of Season 2 back in 2019 – more than five years ago now – I’ve wondered whether the Doctor could still be around in that time period and if he might make an appearance. Although technobabble magic could have, in theory, brought back any character, as a hologram the Doctor had an easier explanation than most for his survival into the far future. I’ll be interested to see what role he might have in Starfleet Academy… as well as whether he might have some connection to the villain of the season!

So I hope this has been a fun look ahead. Some of the teases and announcements seem all but certain to keep Star Trek in production and on our screens for several years to come, and at a time when Paramount has been struggling and its flagship streaming platform has seemed to be in trouble, that’s good news in my book. Now all I have to do is catch up on the episodes and seasons I’ve missed before all of this new stuff arrives!

The Star Trek franchise – including all films, series, and properties discussed above – is the copyright of Paramount Global. Lower Decks Season 5 will be broadcast on Paramount+ in October 2024, Section 31 and Strange New Worlds Season 3 are scheduled to be broadcast on Paramount+ in 2025, and Starfleet Academy may follow in 2026. The untitled live-action series has no release date on the schedule. All broadcast dates are tentative and subject to change. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.