Star Trek: Enterprise Episode Re-Watch: Season 1, Episode 7: The Andorian Incident

A Star Trek-themed spoiler warning graphic

Spoiler Warning: There are spoilers ahead for Star Trek: Enterprise Seasons 1-4. Minor spoilers are also present for the following Star Trek productions: The Original Series, The Motion Picture, The Voyage Home, The Next Generation, and Strange New Worlds.

I have kind of a weird relationship with Star Trek: Enterprise, and the show’s first season in particular. I can remember listening to the radio, sometime around the turn of the millennium, when news was breaking that a brand-new Star Trek series was going to be created. But my excitement at that announcement was almost immediately dashed upon learning that it would be a prequel! Yes, I’m one of *those* Trekkies – the “oh god, not a prequel show” Enterprise-avoiders!

Okay, that’s a bit of an exaggeration, but you see my point. When Enterprise landed here in the UK in early 2002, I tuned in for the premiere, but after that, I really only watched the show sporadically while it was on the air, and I didn’t really consider myself a huge fan of Captain Archer’s adventures. It was only in the latter part of the 2000s, after Enterprise’s cancellation, that I became fully acquainted with the series; I purchased Enterprise on DVD to round out my Star Trek collection.

Promo graphic from Star Trek SNW showing the NX-01
The NX-01 as it appears on a background graphic in Strange New Worlds.

I’m pretty sure that The Andorian Incident is one of the episodes I first watched on DVD; I don’t think I caught it on TV when it first aired, but I might be mixing it up with Shadows of P’Jem, its sequel/sister episode (that I hope to write up a re-watch of one day, too!). In any case, I came late to most of Enterprise, but I’ve since come to regret my snap judgement of Star Trek’s first prequel series. Enterprise told some fun, enjoyable, and very “Star Trekky” stories across its four seasons, expanded our understanding of the Federation and the wider Star Trek universe, and padded out historical events and first contact missions that other Star Trek shows only made oblique references to.

Enterprise is the show I point to whenever I hear fans (both inside and outside of the Trekkie community) use the expressions “no one’s asking for this,” or “who asked for this?” in response to a new series, film, or spin-off. If you’d asked most Trekkies in 2001 what kind of show they’d like to see, I doubt that many of us would’ve said “a prequel set a century before Captain Kirk!”, but Enterprise took that premise and did some truly wonderful things with it. It’s perhaps my biggest regret as a Trekkie that I didn’t do more to support the series during its original broadcast run, and that I misjudged it upon hearing little more than its premise.

Promo photo of the Star Trek ENT cast in S1
Several of the main characters in a Season 1 promo photo.

I’ve been meaning to return to Enterprise for a while, and regular readers might have an inkling as to why! Almost a year ago, I had the immense pleasure of meeting Connor Trinneer – Enterprise’s Trip Tucker – at a fan convention here in the UK. Being able to shake his hand was absolutely fantastic, and ever since, I’ve wanted to dip back into Enterprise and write up my thoughts on a few of the episodes. This is the first time, in almost seven years of writing here on the website, that I’ve done one of these re-watches for Enterprise, if you can believe it! I guess I’m in danger of losing my Trekkie credentials, eh?

The Andorian Incident isn’t a “Trip episode,” though Tucker is featured as part of the away team to the Vulcan outpost of P’Jem, so I think it still works for a re-watch! This’ll be the first time, since I had the opportunity to meet him, that I’m watching any episodes of Enterprise, actually – it’s a series I enjoy, but I guess I haven’t found the time to sit down and watch any episodes for a while.

Photo of Connor Trinneer on stage at a fan convention
Connor Trinneer (left) at a fan convention in the UK in 2025.
Photo: Trekking with Dennis

So that’s a bit of personal background for you as we sit down to re-watch The Andorian Incident.

The Andorian Incident was the first of ten Enterprise episodes to be directed by former Voyager star Roxann Dawson. Dawson played B’Elanna Torres for all seven seasons of Voyager, and went on to direct two episodes of that series, too. She worked on episodes across all four seasons of Enterprise, which helped to establish her as a television director; she continues to direct today.

After Enterprise, Roxann Dawson has gone on to direct episodes of The O.C., The Mentalist, Agents of S.H.I.E.L.D, House of Cards, and Foundation, among many others. It’s always nice to see the stars of Star Trek succeed beyond the franchise, and Dawson’s TV directing career really began with Star Trek; it was Enterprise where she first directed an episode of a show that she wasn’t also starring in.

Behind-the-scenes photo from Star Trek ENT 1x07 showing Roxann Dawson, Jeffrey Combs, and a camera
Roxann Dawson on the set of The Andorian Incident with Jeffrey Combs.
Photo: Star Trek Monthly via Memory Alpha

The Andorian Incident is the kind of episode that could really only work as a prequel, and saw Enterprise taking full advantage of its prequel status. At this early point in the show’s run, the Vulcans’ attitude towards their new human allies is still being established, but we know that Earth is very much the junior partner in this relationship. The Andorian Incident expands on that a little, and also sets the stage for something Enterprise would do a lot more of over its subsequent seasons: exploring contradictions within the Vulcans and showing how their High Command, in particular, was not always as friendly or peaceful as it appeared to be.

This episode is also notable for bringing the Andorians back to Star Trek after a long absence. Andorians appeared in The Original Series and The Animated Series, as well as in background roles in The Motion Picture and The Voyage Home, but they were essentially absent for the entirety of The Next Generation era, save for a couple of very minor appearances. Early ideas for this episode may have considered bringing in the Gorn, but the switch was made to the Andorians relatively early on – and I think we can all agree that that was a great choice! The Andorians went on to play a prominent role in Enterprise.

Still frame from Star Trek ENT 1x07 showing Andorians
The Andorians have arrived!

In Journey to Babel – the TOS episode where the Andorians first appeared – their animosity toward the Vulcans had been established, and The Andorian Incident picks up that thread in a way that feels natural. This is our first look at the pre-Federation conflict between these two powers, and we get some interesting bits of lore and background that help build up the early days of the Federation – and both races’ roles within it. That’s exactly the kind of story that only a prequel (or a flashback, I guess) can really tell, which is what I meant when I said that this is a great example of Enterprise fully taking advantage of its place in the timeline and leaning into that.

The animosity between the Vulcans and Andorians needed to have more of a reason than “just because,” but if there was ever going to be a believable narrative pathway to get them – and Earth – to one day work together, it was incredibly important for stories in this era not to make out either faction to be irredeemably awful and villainous, and for me, I think The Andorian Incident stays on the right side of that line. That isn’t to say that the Andorians or Vulcans come across as particularly *nice*, but rather there’s room in the way their conflict is depicted to see how, one day in the future, humanity and Earth could help bring it to an end.

Still frame from Star Trek ENT 1x07 showing T'Pol and an Andorian
T’Pol with an Andorian soldier.

Let’s talk briefly about Enterprise’s other regulars – the ones who didn’t go on the away mission.

Hoshi and Travis don’t get very much to do in this episode; I think they really only get a few lines each. It was interesting, though, that Hoshi was the one selected to operate the transporter – Reed’s first-ever time transporting, I think I’m right in saying. You’d think that Enterprise would’ve had a dedicated transporter officer, or that the role would’ve at least been delegated to an engineer! Still, it gave us a couple of cute moments in the transporter room as Reed and his security team prepared to beam down.

This episode also saw Reed sitting in the captain’s chair, being left in command of Enterprise in lieu of Archer, T’Pol, and Tucker. Reed’s role is more notable, really, for how the away team discussed him – Archer and Tucker both agreed that Reed wouldn’t wait indefinitely before launching a potentially deadly rescue operation.

Still frame from Star Trek ENT 1x07 showing Reed on the transporter pad
Reed got a turn in the captain’s chair… and a turn being transported.

Dr Phlox got a fun scene with T’Pol near the beginning of the episode. After agreeing to divert Enterprise to P’Jem, T’Pol shares a meal with Dr Phlox in Enterprise’s dining area, and Phlox philosophises about the nature of being an outsider aboard a human ship, as well as why T’Pol may be reluctant to appear at an important site to the Vulcans in the company of humans. It was a nice little scene, and I think it says a lot for T’Pol at this early point in the show’s run, as well as shows that she has a bond (of sorts, anyway) with Dr Phlox.

This conversation takes an interesting turn, with Phlox and T’Pol discussing the Vulcan motto “infinite diversity in infinite combinations,” and what exactly it means in the context of Enterprise’s mission. Unfortunately, in the years since The Andorian Incident aired, the word “diversity” has become a little contentious – even among some Trekkies – so I’m not sure how well a scene like this would land today! Still, as an homage to what Star Trek is and has always aimed to be, as well as an exploration of the Vulcans and T’Pol’s thoughts on serving aboard a human ship… I liked it. It was a cute scene, and Phlox helping himself to part of T’Pol’s meal showed a friendliness and familiarity between them.

Still frame from Star Trek ENT 1x07 showing T'Pol dining with 
Dr Phlox
T’Pol dines with Dr Phlox.

Since we’re talking about the start of the episode, I do want to flag up one thing that I don’t think worked especially well. The very short scene leading into the opening titles showed the Andorian squad’s arrival at P’Jem… but then later, after Archer and co. arrived, it was kind of treated as a bit of a surprise that the monastery had been invaded and attacked. I can’t help but feel that this little opening scene could’ve been cut or moved, making the revelation of the Andorians’ presence a surprise to us as the audience, not just the characters in the show.

It’s not the biggest deal in the world, sure. But, given how The Andorian Incident presented the away team’s arrival at P’Jem and encounter with the Vulcan elder, I think it could’ve been a bit more exciting or entertaining if *that* had been the moment where we learned what was really going on; a surprise ambush by the Andorians could’ve been a fun reveal instead of something we already knew was bound to happen.

Still frame from Star Trek ENT 1x07 showing T'Pol, Shran, and the ambush
The ambush.

I liked the design of P’Jem – inside and out – though I would say, unfortunately, that some of Enterprise’s early 2000s CGI doesn’t hold up quite as well a quarter of a century later! That’s not a problem unique to this series by any means; just look at the Star Wars prequels, which were also released around the same time, for plenty of other examples of CGI that just wasn’t quite ready for prime-time.

The biggest CGI/green screen offender, in my opinion, comes at the very end of the episode; Archer and co. stepping through the doorway into the Vulcan observation post has aged quite poorly. The exterior shots of the P’Jem monastery, the shuttle taking off, and shots of the NX-01 in space are all vastly superior by comparison. Is it the end of the world? No. And partly it’s because, in 2026, we’re watching on bigger, better screens; in standard definition in 2001-02, these shots probably looked a lot better! However, I’d be remiss if I didn’t say that a lot of similar shots in the movies and across the TNG era, which relied more on physical models, props, and even matte paintings, have stood the test of time a lot better. A subjective take, sure, but one I stand by!

Still frame from Star Trek ENT 1x07 showing T'Pol and Archer discovering the listening post
Not a great visual effect, at least in my opinion.

In terms of physical sets and props, The Andorian Incident does a lot better. The monastery – despite being built entirely on a sound stage – manages to feel ancient, with a kind of “Mediterranean” vibe that reminds me a little of Ancient Greece or perhaps Italy. I really did get the sense, as the away team arrived, that this was an old, isolated, religious outpost – something absolutely crucial to keeping the episode’s biggest revelation a secret until the right moment.

Many of the statues, reliefs, icons, and other props also looked pretty great inside the P’Jem monastery, and again, that sensation that this is both an ancient and holy place was present throughout. The cobweb-covered transmitter was also a fun prop, and I liked Trip’s line about having “never met a radio he couldn’t fix!” Several props seen in The Andorian Incident were either recycled from episodes in the TNG era or would go on to be re-used in future Enterprise stories.

Still frame from Star Trek ENT 1x07 showing Trip holding a torch in front of a mummy
Trip meets another resident of P’Jem…

Jeffrey Combs is legendary within the Star Trek fan community! Combs has played nine different roles (or more, if clones, holograms, and alternate-timeline characters count separately) across four different series, including the iconic Weyoun on Deep Space Nine. And The Andorian Incident brings him back to play the role of Shran, the Andorian leader. Shran would go on to be another recurring role for Jeffrey Combs; his second-biggest after Weyoun.

I fear my judgement of Shran is coloured by his subsequent appearances; he’s just such a fun character, and his relationship with Archer develops across the show’s run in a truly entertaining way. In this first appearance, Shran seems to get off to a rough start – he’s almost Klingon-like in his aggression, torturing prisoners, beating Archer or ordering him beaten, and seeming to be completely unreasonable in his demands. However, the episode’s final moment reveals that Shran and the Andorians are right: there really is a listening post hidden beneath the monastery. And while that doesn’t mean that Shran was right in *everything* he did… it certainly reframes how we’re meant to understand his character.

Still frame from Star Trek ENT 1x07 showing Shran with Reed
This episode set up Shran for a recurring role.

Those final scenes show the beginnings of an understanding between Archer and Shran – and, by extension, between humanity and the Andorians. This is what I was talking about a moment ago: this is how we start to build a narrative pathway for the Andorians to become founding members of the United Federation of Planets. And it’s ironic – deliberately so – that humans and Andorians get off to such a rocky start! It doesn’t do anything to take away from or minimise the Andorians’ roles in episodes set a century later, like Journey to Babel. But it does add context, background, and – I would argue – extra believability to stories like that.

A good prequel does exactly this. It deepens our understanding of the way the Vulcans, humans, and Andorians interact, provides context that could explain lingering mistrust or ill-feelings, and makes sure we understand that there’s blame to go around. The Andorians were aggressive, mistrusting, and treated their prisoners awfully. But the Vulcans lied – to their enemies *and* their supposed friends – and used a religious site as cover for a military installation. I guess we can appreciate why Ambassadors Shras and Sarek had a hard time getting along!

Still frame from Star Trek TOS 'Journey to Babel' showing Kirk, Sarek, and Shras
Ambassadors Sarek and Shras with Captain Kirk a century later.

The Andorian Incident also does a lot to further the complex and occasionally tense relationship between Captain Archer and T’Pol. Having expressed her feelings about serving aboard a human ship earlier in the episode, T’Pol has to confront Archer’s doubts about her loyalty when they’re in captivity. She disagrees with Archer’s plan to have Reed lead a rescue mission to the monastery, but makes it clear that she will obey his orders – even if those orders, in her view, put Vulcan lives and a Vulcan holy site at risk.

At this point in the show’s run, T’Pol hasn’t had many opportunities to demonstrate that she’s a team player, and given his contentious relationship with the Vulcans in general, we can kind of understand Archer’s point of view here. It’s not always easy to step back and completely set aside dozens of other episodes which add to the Archer-T’Pol dynamic or to T’Pol’s evolving relationship with humans – both of which are parts of her character arc that Enterprise handled well. But if we *try* to keep in mind how early in the series this takes place, and how much growing Archer and T’Pol still have to do to fully trust one another, I think the scenes between them work. We feel Archer’s barely-concealed resentment toward the Vulcans in moments with T’Pol and while being “interrogated” by Shran, and we also feel T’Pol’s righteous indignation at Archer’s implication that she’d go against his orders or side with the Vulcans against him.

Still frame from Star Trek ENT 1x07 showing T'Pol, Archer, and a blanket
T’Pol and Archer.

For Tucker, The Andorian Incident is a chance to show off his friendship with the captain – I like some of their little moments of banter together both before and during the away mission – and his technical prowess. We don’t get a complicated sequence of him repairing the old transmitter, nor a lot of technobabble about what’s going on, but just the fact that he could take ageing, decrepit technology and get it to work well enough to send a signal back to the ship is impressive. Tucker is very much in the Scotty mould: a miracle-worker!

Tucker is also the one who figures out the layout of the tunnels at the P’Jem monastery, which later enables Reed and his team to get the drop on the Andorians. The scene of the large Vulcan relief exploding was incredibly cool, and it was brought to screen exceptionally well. It’s not totally unique in Star Trek, of course – see The Final Frontier’s jail-break scene, among plenty of other similar moments – but I really liked it here. And it was a fun excuse to return to one of the Star Trek franchise’s ubiquitous underground caves and caverns! Seriously, a lot of planets seem to have something like that, eh?

Still frame from Star Trek ENT 1x07 showing an explosion
The Vulcan sculpture gets blown up!

One thing Enterprise did well, especially in these early episodes, was conveying that sense of exploration; that space really was “the final frontier,” full of wonders and dangers to encounter. And for me, The Andorian Incident is among those stories. We continue the trend of seeing humanity as the junior, less-experienced partner to the Vulcans, hammered home by the fact that Archer and co. don’t even know who the Andorians are. And we get the sense that space is bigger and more dangerous than they could’ve expected, as seen by the Andorian attack on a seemingly-peaceful Vulcan monastery.

At the same time, The Andorian Incident is a great prequel: linking up with events in The Original Series in a big way, doing a lot to establish the Vulcan-Andorian conflict and cold war, while also setting the stage for a more peaceful future and the founding of the Federation. We also learn that there’s clearly more going on with the Vulcans than meets the eye, while giving T’Pol her clearest opportunity yet to demonstrate – to us as the audience as much as to Archer – that she’s on the side of Enterprise and the humans, even if that brings her into conflict with the Vulcan High Command. This arc would pay off in a big way in the seasons ahead.

Still frame from Star Trek ENT 1x07 showing Archer
Archer discovers the listening post.

I’d forgotten just how abruptly The Andorian Incident ends. Although the story started here would be picked up later in the season in Shadows of P’Jem, the final moments of this episode seem to wrap up very quickly. We don’t see Archer and the away team returning to Enterprise, nor Shran’s ship departing the planet. The Vulcan listening post is exposed, Shran is handed the sensor data, and then… that’s it. While this storyline will be continued, the episode itself kind of just ends, and that’s a bit of an odd feeling.

All in all, though, I like The Andorian Incident. We met Shran for the first time, Archer and T’Pol shared a blanket, and the Vulcans turned out to be sneaky little so-and-sos! It’s a fun episode in its own right, as well as an important one for Star Trek’s fictional history. It’s one of the episodes that really justifies Enterprise’s prequel setting and place in the timeline, stepping back in time to add context and detail to historical events but without treading on the toes of stories set a century or more later. That isn’t always easy to get right – and Enterprise could mess this up, too – but when it works… it works.

Still frame from Star Trek ENT 1x07 showing Archer, T'Pol, and Tucker at the monastery door
A fun episode of Enterprise.

I hope this has been a bit of fun. I’d been meaning to revisit Enterprise for a while, even before I got to meet Connor Trinneer, because it’s been a while since I last sat down and just enjoyed an episode or two of Enterprise. And in Star Trek’s big sixtieth anniversary year – and Enterprise’s landmark quarter-of-a-century milestone anniversary year, too – it seemed like the right moment! Here’s hoping it won’t take *another* seven years for me to get around to doing another one of these re-watches!

If you missed them, I’ve done a few other re-watches this year. When Starfleet Academy was on the air, I went back to revisit The First Duty – the Academy’s first big on-screen appearance in The Next Generation. Then I re-watched The Original Series’ second pilot, Where No Man Has Gone Before. And I’ve also re-watched The Royale from TNG’s second season, which was my personal “first contact” with the Star Trek franchise. Earlier this year, I had the fantastic opportunity to meet William Shatner – Captain Kirk himself – at an event here in the UK. And, as I’ve noted a few times already, I met Enterprise’s Connor Trinneer last year at a Star Trek convention.

Click or tap any of those links to check out those re-watches and other articles, and stay tuned! I’ll have more to say about Star Trek before long. Thanks for joining me for this re-watch, and as always… Live Long and Prosper, friends!


Star Trek: Enterprise is available to stream now on Paramount+ in countries and territories where the platform is available. The entire series is also available on DVD and Blu-ray. The Star Trek franchise – including Enterprise and all other properties discussed above – is the copyright of the Skydance-Paramount corporation. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Voyager – Thirty Years Later

A spoiler warning graphic - featuring Neelix.

Spoiler Warning: There are spoilers ahead for Star Trek: Voyager and Star Trek: Prodigy.

In 1996, the Star Trek: Voyager episode Flashback was broadcast as part of the Star Trek franchise’s thirtieth anniversary celebrations. Today – and I can scarcely believe I’m writing these words – we’re marking Voyager’s own thirtieth anniversary!

That’s right: it was on the 16th of January 1995 that Caretaker, the premiere episode of Star Trek: Voyager, debuted in the United States. I thought it could be worth taking a few minutes to look back at not only the premiere, but Voyager as a whole – and try to assess its legacy and its place in the history of Star Trek. That’s what we’re going to talk about today, so I hope you’ll join me on a rose-tinted look back at Star Trek’s fourth live-action series!

Still frame from Star Trek: Voyager showing the title "Caretaker" with Captain Janeway and Tom Paris.
Caretaker premiered on this day in 1995.

When Voyager premiered in 1995, the Star Trek franchise was arguably at the absolute peak of its “golden age.” The Next Generation cast had started making feature films, Deep Space Nine was well into its third season, and it felt like Star Trek had well and truly made it; a franchise that was dominating the sci-fi world. I remember at the time hearing some criticism of launching another series, but with The Next Generation having explored strange new worlds in the Alpha and Beta Quadrants, and Deep Space Nine tackling the Gamma Quadrant… I gotta admit that I was excited to see Voyager head to the unexplored and mysterious Delta Quadrant!

Having read a preview of the series (I think in the Radio Times; a UK TV magazine) I was also intrigued by this “one ship, two crews” idea that Voyager seemed to be promoting. Seeing Starfleet officers having to work hand-in-hand with the Maquis seemed like a really interesting concept, and one that could’ve given Voyager a unique selling point and a way to stand out from the pack as Star Trek continued its growth and expansion. I don’t think Voyager’s writers ever really made good on that promise – but more on that in a moment!

An early mock-up of the Star Trek: Voyager logo before the show premiered.
An early placeholder logo for the show circa 1994.

Stories about long journeys, people from different backgrounds having to work together in common cause, and having a small “island of safety” in a dangerous and unexplored environment are all things I absolutely adore in fiction – so Voyager seemed to be bringing together a bundle of elements that might as well have been tailor-made for me! And across its seven-season run, all of those things came to the fore in different ways. Voyager was a fun series.

Of course, one of the most-discussed things leading up to Voyager’s premiere was the show’s new captain: Kathryn Janeway, played by Kate Mulgrew, became Star Trek’s first woman captain. I remember this news being received positively at the time, at least in the Star Trek fan groups I was aware of. No one in 1995 knew what the word “woke” would come to mean, so Janeway’s announcement didn’t get the same kind of negative reaction and whining as we might expect in 2025! That’s not to say there wasn’t some degree of pushback, of course. There have always been toxic individuals within the fan community.

Promotional photo of Kate Mulgrew as Captain Janeway.
Captain Kathryn Janeway.

I remember the days leading up to Voyager’s premiere being ones of positivity and anticipation. I was absolutely thrilled at the prospect of Star Trek’s expansion, at getting a new exploration-focused series after The Next Generation’s finale, and at meeting a whole new crew and cast of characters. There was a lot to be excited about as Voyager’s premiere got closer!

Star Trek: Voyager was almost a very different show, though, and I think it’s worth taking a diversion to acknowledge that. As work began on the series, the question of who should sit in the captain’s chair was perhaps the biggest individual casting decision that befell casting directors Nan Dutton and Kathryn Eisenstein… and they fucked it up. Kate Mulgrew was considered for the role of Janeway, along with several others, but the role was given to Oscar-nominated actress Geneviève Bujold instead.

Still frame from the Star Trek: Voyager DVD special features showing Geneviève Bujold as Nicole Janeway.
What might’ve been…

Bujold was a terrible fit for the role of Janeway – as evidenced by the scenes she shot for Caretaker, which were included as a bonus in Voyager’s DVD box set – and seriously struggled with working on the show. Thankfully, Winrich Kolbe – who directed Caretaker – and executive producer Rick Berman recognised this before it was too late, and Bujold was replaced with Kate Mulgrew after only a couple of days. Still, this near-miss could’ve derailed Voyager before the show had a chance to get started.

As an aside, I don’t think Geneviève Bujold is in any way a bad actress or performer. But the idea to cast a character closer in style and tone to Jean-Luc Picard would’ve been wrong for Voyager, and that’s how I interpret her performance in those few scenes that have been revealed. Voyager needed a dynamic, energetic captain – someone who could make incredibly tough decisions under pressure while retaining the support of her crew. I didn’t see any of that in Bujold’s performance, so replacing her was unquestionably the right call.

Promo photo showing the main cast of Star Trek: Voyager Season 1.
The main cast in Season 1.

Having to re-cast your lead role after filming has already started isn’t a great look for any television series, but Voyager was able to recover. Caretaker kicked off the show in style – and put a very interesting twist on a story premise that we’ve seen before in other episodes of Star Trek.

Several times in The Original Series, The Next Generation, and Deep Space Nine, our crews found themselves apparently stranded – perhaps on an alien planet, or else far away from Federation space. But in all of these, they found their way home again by the time the credits rolled. To me, Voyager always felt like it was taking one of those episodes and asking the obvious question: what if there wasn’t an instant way home? I really loved that idea, even in 1995 it felt subversive and creative; a unique and different take on a Star Trek story concept that we’d seen before.

Still frame from Star Trek: Voyager showing the USS Voyager and the Maquis raider Val Jean in orbit of a planet.
The USS Voyager (and Chakotay’s ship) in orbit of the Ocampa homeworld.

Caretaker was also a fantastic crossover episode, bringing in characters and locations from Deep Space Nine. A couple of years earlier, the two-part episode Birthright had brought The Next Generation to DS9, too – so launching the show in this way felt like a real thread of continuity between all three extant Star Trek projects. Star Trek was doing the whole “shared universe” thing decades before the likes of Marvel!

Quark, Morn, and Gul Evek returned from past iterations of Star Trek, further tying Voyager into the franchise before striking out on its own. These three characters – along with Q – are the only ones to have appeared in all three of The Next Generation-era Star Trek shows, which is a fun little bit of trivia for your next Star Trek quiz night! Having that connection to the rest of the franchise was important, though, and it continued the trend of characters from Star Trek’s past appearing in the premiere of a new series.

Still frame from Star Trek: Voyager showing Morn at Quark's bar.
Morn in Caretaker.

Caretaker gave Captain Janeway a moral dilemma, one that tied into the idea of the Prime Directive and Starfleet’s core mission of peaceful exploration. Janeway ultimately decided to intervene, destroying the Caretaker’s array to prevent it from falling into the hands of the aggressive Kazon – but stranding her ship and crew in the Delta Quadrant in the process. This kicked off a story that would run for seven seasons, blending Star Trek’s normal episodic format with an underlying quest: Voyager’s journey home.

Harry Kim made a fine addition to the crew, and also filled an important role for Voyager in a narrative sense. Kim was always the first character to jump on the idea of finding a shortcut home, and the most eager (of the main characters, at least) to make it back to the Alpha Quadrant. I wouldn’t say it was his sole defining character trait, but it was an important one. Voyager needed at least one character like this to keep the voyage home at the top of the agenda.

Promotional photo of Garrett Wang as Ensign Harry Kim.
Garrett Wang portrayed Harry Kim in all seven seasons.

More recently, Kim has become best-remembered in the fan community for never receiving a promotion! And I can kind of understand that; particularly as the show wore on and Kim gained more experience, it began to stretch belief to think that he’d remain a mere ensign. Again, though, Voyager was a semi-episodic show, and a show that needed at least one “young and eager” junior officer to fulfil that narrative role and occupy that space.

I was a big fan of Kes in Voyager’s early days; her gentle bedside manner and strong sense of empathy stood in contrast to the brash and often impolite Doctor in scenes set in sickbay. The idea of a short-lived species (Ocampa typically had a lifespan of around nine years) was also a unique one at this point in Star Trek’s history. Kes had close relationships with Neelix, Tom Paris, and of course the Doctor, too, all of which gave her plenty to do.

Promotional photo of Jennifier Lien as Kes.
A promotional photo of Kes.

I was disappointed when I learned that Kes was going to be dropped from Voyager heading into the show’s fourth season, particularly as she’d just begun developing her telepathic powers under the tutelage of Tuvok. I felt there was still more to explore with her character, and it was a shame that she was booted off the show before this potential could really be reached… especially because of who replaced her.

I know I’m in the minority here… but during the back half of Voyager’s run, I came to really dislike Seven of Nine. This character felt so boring and repetitive, but due to her popularity with at least a portion of the show’s audience she was prominently featured in many different episodes from Season 4 onwards. Seven always seemed to learn some lesson in “how to be human” in an episode… only to forget it all a week later and have to re-learn the same stuff over and over again. I really burned out on her character pretty quickly.

Still frame from Star Trek: Voyager showing Seven of Nine (looking surprised).
Seven of Nine wasn’t my favourite character.

But there’s no denying that Star Trek’s first ex-Borg main character (not counting Picard, of course) shook up Voyager and added something new to the show. Seven’s introduction also kicked off a succession of Borg-centric episodes… which, I’m afraid, were more miss than hit in my opinion, and went a long way to damaging the fear factor that a villain like the Borg needs to have. However, recent Seven of Nine appearances in Star Trek: Picard rehabilitated the character for me, resolved many of the issues I had with her, and generally left me with a much more positive view of Seven as a whole. Here’s hoping she might return one day!

I’ve said this before, but Tom Paris was the Star Trek franchise’s first proper pilot – the first helmsman to really seem like he loved being in the chair. Paris was a fun character – an ex-Maquis and ex-Starfleet officer who seemed to attract the ire of both halves of the combined crew, but came to be seen as a dependable fixture on Voyager’s bridge. Paris’ arc took him from a failure and a criminal to a rehabilitated Starfleet officer and family man, and it was great to see it play out.

Promotional Photo of Robert Duncan McNeill as Tom Paris.
Tom Paris had a great character arc across Voyager’s run.

Paris’ love for the holodeck also led to some fun diversions across Voyager’s run. I was less enthusiastic about the likes of Captain Proton – though it could be fun for an episode or two – but his creations of Sandrine’s bar, the town of Fair Haven, and the Maquis insurrection holo-programmes all led to fun and exciting stories.

How can we talk about Tom Paris without mentioning B’Elanna Torres? Torres became – at Chakotay’s insistence – Voyager’s chief engineer, and had the challenge of standing out as both the second Maquis main character and (after Worf in The Next Generation) the second character with Klingon heritage. Voyager didn’t always know how to define and handle Torres, with some early episodes presenting her as angry and belligerent… but she soon settled into the role of chief engineer.

Behind-the-scenes photo from Star Trek: Voyager showing Roxann Dawson having her prosthetic makeup applied.
Roxann Dawson in the makeup chair.

B’Elanna, for me, is defined by two key relationships that would develop later in Voyager’s run: her antagonistic stance against Seven of Nine and her relationship and later marriage to Tom Paris. B’Elanna often stood as the voice of reason against Seven’s “Borg-ification” of parts of the ship, but her relationship with Tom went a long way to settling both characters down and giving them purpose. We’d also see several episodes featuring B’Elanna’s Klingon side – and these could be fun changes of direction for a show set thousands of light-years away from Klingon space.

Chakotay feels like the embodiment of Voyager’s missed opportunities. Voyager’s writers never made good on the “one ship, two crews” idea, meaning Chakotay basically became a Starfleet officer and Janeway’s confidante within a couple of episodes, robbing him of more than one potential character arc. His relationships with most of the crew besides Janeway and B’Elanna were never really explored in much depth, and he just feels like… a presence. Chakotay was on the bridge the whole time, but can you think of many episodes where he drove the plot or was otherwise in focus? Because I can’t!

Still frame from Star Trek: Voyager showing Chakotay - the first shot of the series.
Chakotay was the first character we saw at the very beginning of Star Trek: Voyager.

I must get caught up with Prodigy, because Chakotay may get the kind of cathartic redemption arc that we were discussing with Seven of Nine, and that’s something I need to see! And across the show’s seven years, Chakotay did get a few spotlight episodes and storylines – notably exploring his Native American heritage and his relationship with Seska. I just feel there was more that Voyager could have done with this character – he was the first officer, after all, and it would be weird if the likes of Spock, Riker, or Major Kira had been similarly sidelined in their respective shows.

I remember feeling confused on learning that Voyager’s doctor was going to be a hologram! “How could that work?” I remember thinking to myself. “Exceptionally well” seems to be the answer, because Voyager’s Doctor was an incredibly fun character – and one who experienced growth over the course of the series. Starting out as a holo-programme with relatively little personality and no interests, the Doctor changed and evolved over the course of the show, taking on new challenges and new interests, and that was a really fun thing to see play out.

Still frame from Star Trek: Voyager showing the Doctor in sickbay.
The Doctor – the first holographic main character in Star Trek.

When the Doctor got his mobile emitter – a piece of 29th Century technology – in the third season, I was sceptical. But allowing him to leave the confines of sickbay and the holodeck turned out to be a great decision, leading to more involvement from this fun and enjoyable character across the second half of the show’s run. The Doctor could be great comic relief, and actor Robert Picardo has excellent comedic timing, but there’s much more to the character than that. We got some great emotional moments with him, too, such as losing his holographic family or sitting in court arguing for his rights as a sentient life-form.

Speaking of comic relief, we have Neelix! Star Trek shows had had barkeeps before – Guinan in The Next Generation and Quark in Deep Space Nine – but never a cook. Neelix took broad liberties with that role, serving first as a guide to the area around Ocampa, then as a “morale officer” for the ship – while cooking up a selection of interesting dishes to feed a hungry crew! I bought a copy of Ethan Phillips’ Star Trek Cookbook and even tried a few of them for myself… with terrestrial ingredients, of course.

Promotional photo of Ethan Phillips as Neelix (in a Starfleet uniform for some reason).
A promo photo of Neelix… in a Starfleet uniform.

Neelix’s relationship with Kes could feel a little uncomfortable, but fortunately it wasn’t in focus all that much outside of a few early episodes. As Neelix settled in aboard the ship, he became an important character – and would often serve as a bridge between characters who didn’t always get much interaction. His largely one-sided friendship with Tuvok – though often played for laughs – was great to see, too, and showed Neelix’s way of accepting people different from him.

And speaking of Tuvok, Star Trek’s second Vulcan main character made quite an impact! Spock was always going to be a hard act to follow, but taking the calm and logical Tuvok as far away from science and exploration as possible was undeniably the right call. A Vulcan security and tactical officer makes a lot of sense when you stop to think about it – and Tuvok demonstrates exactly why. Calm and stoic under pressure is just what that job requires!

Promotional photo of Tim Russ as Tuvok.
Tuvok.

Tuvok also served as Janeway’s friend and confidante – arguably treading on the toes of the traditional first officer role, in that sense. I wish we’d gotten more of an examination of his relationship with Chakotay, though that’s more from Chakotay’s side, as mentioned above. Tuvok also bridged the gap between The Original Series era and Voyager in the most unexpected of ways – check out the episode Flashback, that I mentioned at the beginning, for more on that!

So that leaves us with Captain Janeway. Janeway was the captain that Voyager needed on a quest like this, and she had the strength to guide her crew home. She also had some fun character quirks, like her love of coffee, that kept her feeling grounded and real. The first woman to sit in the captain’s chair for a Star Trek series embodied elements of all three of her predecessors: Kirk’s toughness, Picard’s diplomacy and tact, and Sisko’s dedication to doing the right thing. But she was always her own woman, never feeling overshadowed by any of the captains that had come before.

Still frame from Star Trek: Voyager showing Captain Janeway at the penal colony in the premiere.
Captain Janeway in Caretaker.

As mentioned above, Kate Mulgrew was the perfect choice for this role, and she delivered a masterful performance across all seven seasons of the show. Voyager’s journey home wouldn’t have been the same without her, in fact, and across the show’s run we got several great episodes that shone a spotlight on the captain. Stories pitted her against villains like the Krenim and the Borg Queen, and Janeway always found a way to come out on top!

The USS Voyager still feels like a futuristic design to me even thirty years on from its debut! Something about the more angled saucer section makes it feel more modern than the circular hull of Kirk’s Enterprise and the Enterprise-D, and the sleeker lines also scream “speed!” Voyager was a long-range tactical ship made for exploration and combat, and the ship’s design philosophy reflects that. I will never tire of the sequence in Caretaker of Paris being flown in by shuttlecraft, seeing Voyager for the first time.

Still frame from Star Trek: Voyager showing a shuttlecraft flying over Voyager's saucer section.
Our first introduction to this wonderful starship.

On the inside, we got a continuation of the Starfleet aesthetic that debuted in The Motion Picture and has been a mainstay in the franchise since. Voyager’s bridge is larger and wider, though – or at least it feels larger and wider – than anything we’d seen before. This expansive space was the perfect stage for interactions between all of our favourite crew members! Again, the bridge felt more modern than that of the Enterprise-D, while at the same time continuing the design trends that we saw in The Next Generation.

Janeway’s ready-room was an interesting area, giving her a large desk but also a couch that could act as a social space. Engineering had a really neat effect for its warp core, and the expansive entryway was often where intense conversations played out. The Doctor had sickbay as his domain, but he also got an office and a small lab off to one side that were fun inclusions. Voyager also had a shuttlebay, holodecks, crew quarters, corridors, and the mess hall – all of which would get moments where they were in focus!

Behind-the-scenes photo from Star Trek: Voyager showing the bridge set under construction.
Voyager’s bridge set under construction circa 1994.
Image Credit: Forgotten Treks/TrekDocs

As an aside, being able to virtually explore Voyager in the game Elite Force was one of my absolute favourite things about that game! In 2000, being able to wander through the bridge, sickbay, and some of the ship’s corridors felt absolutely magical as a Star Trek fan, and while Elite Force wasn’t the only game to offer that experience (the adaptation of Generations had a mission set on the Enterprise-D, and there were probably others around the same time), it was certainly one of the most memorable for me personally.

One thing Voyager didn’t really have was an expansive secondary cast. Deep Space Nine gradually gave more time and attention to characters like Rom and Martok, but Voyager, by and large, kept its focus on its main cast of characters. The Borg children – and Icheb in particular – were really the only ones to break through in more than a handful of episodes, though some, like Seska and The Next Generation’s Reg Barclay, would go on to make multiple appearances. Deep Space Nine showed what Star Trek could do with a wider and more expansive cast… and it’s something the franchise has yet to return to. Voyager had the opportunity to build out some of its secondary characters, but never really went there. I think that’s a bit of a shame – but it is what it is!

Behind-the-scenes photo from Star Trek: Voyager showing Jennifer Lien reading her script while sat on the floor.
Jennifer Lien (Kes) reading her script on the set of Caretaker.

For a variety of reasons, Voyager never really made good on its “one ship, two crews” idea, and by about halfway through Season 1, the main Maquis characters were basically entirely integrated with the Starfleet crew. With the exception of plot-relevant moments, such as stories involving Seska, the fact that almost one-third of Voyager’s complement were Maquis never really came to the fore in a big way, and I think that’s a bit of a missed opportunity.

Don’t get me wrong, a story about people from different backgrounds finding a way to work together for the common good is something I absolutely adore, and there were times where Voyager absolutely nailed that feeling. I guess I’ve just always felt that I would’ve liked to see more tension, scepticism, and disagreement as the two crews began the process of integrating. I never really felt as much of that as I would’ve liked – and that’s perhaps Voyager’s biggest sore spot for me, thirty years on.

Still frame from Star Trek: Voyager showing a Maquis rebellion (on the holodeck!)
Voyager struggled to make good on its “one ship, two crews” premise.

That being said, Voyager was a great show all around, and a welcome addition to Star Trek. With The Next Generation’s crew off making feature films and Deep Space Nine occupying a space station, there was plenty of room for a new series set aboard a starship. Voyager embodied Star Trek’s ethos of peaceful exploration… but set that exploration against a new backdrop of trying, against the odds, to make it home. It was both familiar and different at the same time; a really interesting blend of storytelling styles.

Voyager was also a much more episodic series than Deep Space Nine – despite its voyage home story being omnipresent and frequently referred to. There were plenty of one-off stories featuring a wide range of alien races, factions, and wacky premises. It was a Star Trek series through and through, one that brought a fantastic cast of characters to the table and threw them into plenty of fun, exciting, and occasionally emotional situations.

Promotional image of the Star Trek: Voyager cast.
The cast on a promotional poster.

The excitement I felt thirty years ago was more than rewarded! Voyager was an outstanding show, and I got thoroughly invested in the crew and their quest to return to the Alpha Quadrant. There were some episodes that were wide of the mark – as there are bound to be in any show that runs to 168 episodes across seven seasons! But even at its worst, there were things to enjoy, fun lines of dialogue, entertaining character moments, or creative decisions that made Voyager well worth watching for any Trekkie or fan of sci-fi in general.

As the final show of what I consider to be Star Trek’s “golden age,” I’ve long had a soft spot for Voyager. Of course I watched every single episode during the show’s run – I would tune in when they made their debut on terrestrial TV here in the UK, and I very rarely missed a week. I later bought all seven seasons when they were released on DVD and enjoyed the series all over again.

Still frame from Star Trek: Voyager showing the USS Voyager preparing to jump to warp.
The USS Voyager set course for the Alpha Quadrant thirty years ago today.

So I hope this has been an interesting look back! I wanted to do something to acknowledge Voyager’s milestone anniversary, but it’s hard to summarise my thoughts on 168 episodes and seven years’ worth of television in a single article! Stay tuned, though, because I’ll be writing up my thoughts on some of my favourite episodes in the days ahead as we continue to celebrate Voyager’s thirtieth anniversary.

I hope that Paramount and the folks in charge of Star Trek plan to do something to mark this momentous occasion, so I’ll definitely be checking out the official Star Trek website and social media pages over the next couple of days. With Seven of Nine, Janeway, Chakotay, and others all having returned to the Star Trek franchise in the last few years, Voyager’s legacy is very much alive. The documentary To The Journey: Looking Back at Star Trek: Voyager has had its official premieres, too, though I don’t think it’s available to stream just yet. Still, another thing to keep an eye on.

All that remains to say is this: happy thirtieth anniversary, Star Trek: Voyager! Thanks for all the memories.


Star Trek: Voyager is available to stream now on Paramount+ in countries and territories where the platform is available. The series is also available on DVD. The Star Trek franchise – including Voyager and all other properties discussed above – is the copyright of Paramount Global. Some images courtesy of TrekCore and Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.