2026 Predictions…

A Star Trek-themed spoiler warning

Spoiler Warning: Beware of minor spoilers for some of the franchises discussed below.

I thought it could be a bit of fun to mark the start of the year by making a few predictions! This isn’t something that I usually do here on the website, but if it proves to be enjoyable, maybe I’ll make it an annual thing… who knows? For now, though, I wanted to look ahead to 2026 and share some of my predictions for what may happen in the wide world of geeky entertainment.

I’ll give a couple of important caveats, and then I’ll explain the format I’m going to use.

Firstly, I have no “insider information,” and I’m not trying to claim that anything discussed below can, will, or must happen in 2026. These are my own predictions based on… I dunno. Vibes, I guess? And, as always, all of this is the *subjective, not objective* opinion of just one person. If I miss something that you think is obvious, or I predict something you think sounds utterly ridiculous… that’s okay! This is just for fun, and I share my predictions with you in that spirit.

Still frame from a 1995 National Lottery broadcast showing Mystic Meg.
Do you remember Mystic Meg?

Okay, let’s talk format! I’ve got four categories into which my predictions will fall: Films, Games, Television, and the Star Trek Franchise. And within each category, I’m going to make three predictions using the 90/50/10 format: that’s one thing I’m 90% sure will happen, one that I’m 50/50 on, and an outlier that I think has a remote 10% chance of happening – but probably won’t!

So… have we got all that? Four categories, three predictions in each! I’ll briefly explain my prediction, discuss why I think it may or may not happen, and just generally share my thoughts on why I think it’s likely or plausible.

With all of that out of the way, let’s get started and try to predict what 2026 will look like!

Film – 90% Prediction:
A KPop Demon Hunters sequel will be announced.

Still frame from KPop Demon Hunters showing Zoey, Rumi, and Mira at the climax of the film.
Huntr/x.

KPop Demon Hunters was one of the most successful films of 2025 – and I don’t just say that because it won the highly-coveted End-of-Year Award here at Trekking with Dennis! The film topped the charts for weeks on end, becoming Netflix’s most popular original animated film ever, earned itself a sell-out theatrical release, and even saw its soundtrack reach the top of the charts, dethroning the likes of Taylor Swift in the process.

So it’s a shoo-in, then, surely, that Netflix and Sony Pictures Animation will announce a sequel within the next twelve months.

I’m not someone who believes that every successful film should – or even *can* – be turned into an ongoing franchise, and I think there’s merit in the idea of one-off, complete stories that don’t need to be revisited. But I also recognise that, in the modern entertainment landscape, big corporations don’t behave like that! Any successful film is bound to see a sequel; to Netflix and Sony, it would be like leaving guaranteed money on the table. Rumours of a KPop Demon Hunters sequel are already beginning to swirl, and I’d expect the companies involved to want to get a formal announcement out while the film is still popular to capitalise on that momentum to the highest possible degree.

Film – 50% Prediction:
The Mandalorian and Grogu will be a box office bomb.

Promo image (cropped) for The Mandalorian and Grogu showing the title characters on a sand dune.
The title characters.

Star Wars is in a weird place right now. The brand is oversaturated, with Disney having produced so much content just since 2019 that it’s hard for even big fans of the franchise to keep up. The Mandalorian and Grogu is supposed to be the final chapter of the Disney+ series The Mandalorian, but the show’s third season received mixed reviews, as did The Book of Boba Fett spin-off. I’m not sure that the fanbase is there for The Mandalorian in 2026 in the way it was in 2019, and given how Star Wars as a whole has been mishandled, I could easily see this one flopping hard at the box office.

However, this is Star Wars’ first trip to the cinema since 2019, and it’s possible that a more casual audience – folks who haven’t been trying to keep up with everything Star Wars on Disney+ – will show up for that. I don’t think it’s a guaranteed failure, hence its position on this list. But if I were an executive at Disney, I’d be concerned.

Film – 10% Prediction:
The first film with a digitally-recreated dead actor in a leading role will be announced.

Still frame from Rogue One: A Star Wars Story showing Tarkin (a digital model based on actor Peter Cushing).
A digital recreation of Peter Cushing in Rogue One: A Star Wars Story.

I’ve believed for a long time now – even since before “generative A.I.” was a big deal – that we weren’t far off a snooty director deciding that the leading role in their magnum opus could *only* be played by someone like James Dean or Marilyn Monroe. And with today’s technology – motion capture, voice cloning, facial animations, etc. – it’s technologically feasible to bring back long-dead actors in films. As far back as 2016, we saw this, when the Star Wars franchise digitally recreated both Peter Cushing and a young Carrie Fisher in Rogue One. And the technology has only improved over the last decade.

What we still haven’t seen, though, is a film where the *lead* role is “played” by a long-dead performer. That’s different from using a lookalike or recreating an actor for just a couple of scenes, and I think it would be incredibly controversial. There’d be arguments over who owns the rights to the performer’s likeness and image… but that’s something a project could clear. Whether a film like this would be any good, and whether a digital performance (perhaps assisted by A.I.) would actually be worth watching… the jury’s out, I guess. But as I’ve said before: people care more about the finished product than the process that went into it, so if a film that was created using this method was good, and the result was basically indistinguishable… it could start a whole new trend!

Video Games – 90% Prediction:
Prices will rise even further.

Promo/concept art of Wario for the Nintendo game Wario Ware.
Gaming is already too expensive…

Sorry, everyone. I’m not happy about it, but after several years of price hikes across the games industry, I don’t see this unfortunate trend stopping. Grand Theft Auto VI could legitimately launch with a base price of $100, which would almost certainly see other publishers raise their prices to match. And with component shortages thanks to A.I. datacentres buying up large volumes of stock – as well as major manufacturers “pivoting” to an A.I.-first strategy – hardware prices may very well rise, too.

2025 saw the Switch 2 launch at an inflated price, as well as the first $80 game. It also saw price hikes from Sony and Microsoft, as well as a rise in the price of the Game Pass subscription service. Much of this isn’t actually a reaction to events – it’s plain and simple greed. These things are a cause of, not a consequence of, inflation. But, regrettably, I don’t see it stopping anytime soon, especially if sales remain weak. Games companies will try to wring more money out of existing players to compensate for a lack of new ones.

Video Games – 50% Prediction:
Microsoft and Xbox will announce a new Fallout game… which is not being developed by Bethesda.

Promo screenshot for Fallout 76 featuring a playable ghoul character wearing headphones.
Is a new Fallout game close to being announced?

With The Elder Scrolls VI still years away, and the Fallout TV series riding high on Amazon Prime Video, it’s not exactly a secret that Microsoft and Xbox want a new Fallout game for fans to sink their teeth into. But because of Bethesda’s absolutely idiotic and outdated approach to making video games, their hypothetical version of Fallout 5 may not even *begin* development until 2029, and likely won’t see the light of day until, say, 2034 or beyond.

So could Microsoft hit the nuclear button (pun very much intended) and take Fallout away from Bethesda? If it were to happen, there’d surely be a ton of PR-speak about how this new game is a spin-off, the license is still Bethesda’s, Microsoft still has full confidence in Bethesda… blah, blah, blah. But it would also speak volumes about how far Bethesda has fallen since their 2000s heyday, and how their approach to creating games needs to change if they still want to tell stories in multiple franchises.

Video Games – 10% Prediction:
Grand Theft Auto VI fails to meet its sales targets and is considered an expensive failure.

Still frame from the second GTA 6 trailer showing the protagonists riding on a jet ski.
Protagonists Jason and Lucia on a jet ski.

No video game is a “guaranteed” hit. Not even the sequel to the most successful video game of all-time. So I consider it an outside possibility that, for any one of a number of reasons, Grand Theft Auto VI fails to convince fans of GTA 5 that they need to switch to the new game, with its online mode in particular struggling to gain traction. Players who do buy the game and try out the online mode could even drift back to GTA 5 if it isn’t what they’re hoping for. The result? GTA 6 could go down in history as one of the most expensive video game flops.

To be clear, while I can conceive of a world in which something like this happens, it feels very unlikely – hence its place on this list! But there are reasons to be concerned if you’re a Take-Two executive. Slow hardware sales for the PS5 and Xbox Series, combined with GTA 6 not getting a PC release, mean there’s a smaller potential audience for the game. Price rises for the game itself and the hardware it plays on in a difficult economy could price people out. And if GTA 5 is still fun and enjoyable for its online players, convincing them to switch to a new game – especially if it means an investment of £650-700 to buy the game and a new console to play it on – won’t be a walk in the park.

Television – 90% Prediction:
Either 3 Body Problem or Strange New Worlds will be my “TV Series of the Year” in December.

Cropped promo posters for 3 Body Problem S1 (left) and Star Trek: Strange New Worlds S1 (right).
3 Body Problem (left) and Strange New Worlds.

I dish out my annual “End-of-Year Awards” every December – in fact, I just did the awards for 2025 a couple of days ago; click or tap here to check them out! But when I look ahead to 2026, there are really only a couple of shows that I think (at this early stage) could be in contention for the top award. Those are 3 Body Problem and Star Trek: Strange New Worlds. I’d be very surprised if something else comes along this year and eclipses *both* of these productions; the only one I could see even possibly doing so would be Silo.

Strange New Worlds is far and away the best modern Star Trek series, and even one of the best parts of the franchise as a whole. I was very disappointed to learn it would be cancelled after a cut-down fifth season. And 3 Body Problem’s first season was one of the best, most grown-up sci-fi shows I’ve seen in a long time. I’m genuinely looking forward to both shows’ continuations – and unless, for some reason, neither debuts in 2026, I’m almost positive they’ll be competing for my “TV Series of the Year” award in eleven-and-a-bit months from now!

Television – 50% Prediction:
A big, long-running series will finally be cancelled.

Still frame from The Simpsons depicting a "ratings graph" showing a steep decline.
It might be some kind of visual metaphor…

There are quite a few shows floating around that have been running for fifteen years or more. Grey’s Anatomy, Family Guy, Law and Order, Doctor Who, SpongeBob SquarePants, Criminal Minds, The Simpsons… the list goes on. But some of these shows are almost unrecognisable from their original incarnations, or worse, feel like they’re just going through the motions and coasting on past success. I tried for years to keep up with The Simpsons, for example, even though I could feel the quality declining. But I haven’t watched any new episodes for several seasons at this point, and it just feels like the show has well and truly run its course.

The Simpsons has been renewed for several more seasons and – inexplicably – another movie. But could we learn in 2026 that the show will eventually end? Or could another long-running programme, like Doctor Who’s revival, SpongeBob SquarePants, or Grey’s Anatomy, finally find themselves on the chopping block? I’d always rather a show end too soon, leaving me wanting more and lamenting that we didn’t get “just one more episode,” instead of running too long and becoming a joke. Maybe 2026 will finally be the year that one or more of these long-running television institutions kicks the bucket.

Television – 10% Prediction:
The Lord of the Rings: The Rings of Power will be cancelled after Season 3.

Promo still for The Lord of the Rings: The Rings of Power showing Elrond on horseback.
It’s Elrond!

The Rings of Power hasn’t been everyone’s favourite show, to put it mildly. And with long breaks in between seasons – Season 3 is not guaranteed to land in 2026, despite Season 2 wrapping up in the autumn of 2024 – even the folks who did tune in have begun to find other things to watch. Although Amazon and the Tolkien Estate had an agreement to make five seasons of The Rings of Power… are we sure the series will hit that mark?

According to some reports, The Rings of Power shed boatloads of viewers across its first season, with barely one-third of the people who watched the premiere making it to the finale. And Season 2 didn’t bring them back. No TV show is going to be worth making if no one’s turning up to watch it, let alone the most expensive TV series ever made. And with middling reviews from audiences, and a baked-in hate campaign from some folks online… The Rings of Power could, hypothetically, be more vulnerable than we thought. Amazon has done this before with another high fantasy show: The Wheel of Time was cancelled before its story could be wrapped up.

Star Trek – 90% Prediction:
Starfleet Academy will be confirmed to run for just two seasons.

Cropped promo poster for Star Trek: Starfleet Academy showing the main characters.
Will there be more Starfleet Academy after Season 2?

Unless Starfleet Academy can do something extraordinary that no other Star Trek show of the current streaming era has done, I think we’ll learn that there won’t be a third season. The series would, in my view, need to go viral and become a phenomenon – particularly with its younger target audience. If Starfleet Academy can genuinely compete with the likes of Stranger Things and Wednesday in terms of review scores and audience numbers, and also drive a massive, unprecedented number of new subscribers to Paramount+, then – and only then – would Skydance consider renewing the show.

But… do we really think that’s gonna happen?

I’ve said a few times now that I’m not particularly hyped for Starfleet Academy. The show, with its serialised story and teen focus, just doesn’t seem like it’ll be my thing. But that’s not why it’s part of this discussion. I’d love nothing more than to see Starfleet Academy succeed at bringing in legions of new fans to the franchise. I just struggle to see how it’ll manage to do so. And given Skydance’s obvious preference for films over TV, and the cancellations of all other Star Trek shows, I just get the sense that the two seasons which have already entered production will be all the series will get.

Star Trek – 50% Prediction:
Paramount-Skydance will do very little to celebrate the franchise’s 60th anniversary.

The "Star Trek 60" logo on a Starfleet Academy set photo.
Star Trek turns 60 years old in 2026.

With the exception of soap operas, how many TV shows reach their 60th anniversary with new episodes still being created and aired? Star Trek is practically unique amongst big sci-fi properties – heck, amongst entertainment franchises in general. Yet I don’t think that this new incarnation of Paramount really intends to do anything major to acknowledge the milestone. We’ve heard talk of a float at some parade in the United States. And Star Trek’s god-awful online shop will probably release some crappy A.I.-generated merch, like tote bags and beanies, featuring the new “Star Trek 60” logo. But will there be a crossover episode? Some kind of unannounced project that really leans into what Star Trek means and goes all-in?

I would *love* to see Paramount/Skydance do something big. A live broadcast, maybe, reuiniting the stars of past shows to talk all things Trek. Or a documentary about the creation of those early episodes. I’d really love to see a crossover – like we got in 1996 for the 30th anniversary. Maybe we could see Starfleet Academy characters visiting Pike’s Enterprise, or even using the Strange New World sets and bringing back some of the performers to re-tell a classic TOS story. Because Star Trek had gone off the air, we couldn’t get anything like that for the 40th or the 50th. But there’s a window of opportunity right now, in 2026, that may not come again, to really celebrate Star Trek with some kind of big on-screen event. I really hope Skydance has already given it the green light.

Star Trek – 10% Prediction:
A brand-new series will be announced.

Concept art of the USS Enterprise created for Phase II/The Motion Picture.
Will there be more Star Trek to come?

This one… I mean, it’s not gonna happen, is it? Don’t get me wrong: I’d love nothing more than for Skydance to make the genuinely shocking announcement that they’re commissioning a brand-new, episodic, exploration-focused Star Trek series! But I think it’s a remote possibility right now, given the new corporation’s clear choice to prioritise the cinema over television and streaming. A new Star Trek film has been announced and is potentially targeting a 2028 release, so will we see a new show announced before then?

My view remains that Star Trek as a whole – save for the occasional film project – will be shutting down for the foreseeable future after 2027 or 2028, whenever the final episodes of Starfleet Academy and Strange New Worlds air. But there’s still so much potential in this franchise, and it’s downright depressing to go into the big sixtieth anniversary year predicting cancellation and failure. So I’m crossing my fingers that we’ll get just one new series being announced.

So that’s it.

A render of the number 2026 in green.
2026 is just beginning.

I’ve made a few predictions for 2026, so let’s revisit this piece together in late December to see how much I got wrong! This is my first year making predictions like these, but I really like the 90/50/10 format, so I might try to make it an annual thing… if I remember. And if, next year, I actually have more predictions to make!

In any case, I hope this has been interesting, or just a bit of fun. I’m hopeful for some enjoyable entertainment experiences this year, and I’ll be doing my best to keep up with some of the films, games, and TV shows that I’ve been looking forward to – so stay tuned for some reviews and commentary here on the website!


All titles discussed above are the copyright of their respective developer, publisher, broadcaster, studio, distributor, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

KPop Demon Hunters: Film Review

A spoiler warning graphic.

Spoiler Warning: There are spoilers ahead for KPop Demon Hunters.

I know absolutely nothing about K-pop. The last (and probably only) K-pop song I listened to was Psy’s Gangnam Style when that was all over the airwaves – which is more than a decade ago at this point! Gosh, I’m old. In fact, is Gangnam Style even K-pop? I think we’re off-topic already! The point is: I know nothing about this style of music, I don’t follow K-pop, I don’t listen to it, and while I’ve been dimly aware of Korean music’s popularity in the west… it’s just never been something I felt the need to look into.

So… why watch KPop Demon Hunters, then? It’s a film that uses the world of K-pop as its foundation, blending that in with Korean legends and some of the trappings of anime – another entertainment genre I have absolutely no experience with! It’s simple, really: I love a good animated film, and Netflix has been a fantastic destination for animation in recent years. KPop Demon Hunters has quickly acquired a great reputation, so I thought I’d give it a watch during one of the months where I’m paying for Netflix. And you know what? I had a whale of a time.

Concept art for KPop Demon Hunters; Huntr/x on the left, demons on the right.
Concept art of Huntr/x (left) and a selection of demons.

KPop Demon Hunters took what could’ve been a basic black-and-white, good-versus-evil story and shook it up, weaving a much more complex and nuanced tale than similar kids’ films. The unexpected connection between the main protagonist and the demon world, and the complex relationship she built with one of the primary antagonists, were a big part of what made the story work. There was genuine depth to these two characters, and that kept what could’ve otherwise been a silly and outlandish film feeling genuinely grounded. It wasn’t perfect, and there were some weaknesses with the way the other characters were set up, but when the film found its feet, it did a fantastic job getting me invested in its world.

The story was epic in scope, but also small and personal – and it’s the latter side that really made the film so enjoyable to watch. Anyone can write a story about the end of the world, but if there’s no one in that world to care about… it kind of doesn’t matter. KPop Demon Hunters gave me characters to feel for when they were in danger, when their secrets were about to be exposed, and that really elevated the film to be something a lot more special.

Still frame from KPop Demon Hunters (2025) showing Jinu and Rumi.
Jinu and Rumi.

The story also had important messages, at least some of which I hope will resonate with its younger intended audience. Not judging people because of where they come from, and not falling back on hatred, are timeless – but unfortunately also very timely – things that we all need to be reminded of, sometimes. It can be fun to go on the attack and to try to tear someone down, but at the same time, that isn’t always the right answer.

Then there’s the idea of shame and covering up some part of oneself. We got this through the visual effect of Rumi’s demonic skin patterns, which I think you can read as an analogy for scars, skin conditions, and so on, but also in a more metaphorical sense for the concept of shame in general. Shame leads people to make poor choices, lying to loved ones, and retreating inwards… those are just part of what the film wanted to say.

Still frame from KPop Demon Hunters (2025) showing Rumi with her demonic patterns.
Rumi with her patterns.

I felt KPop Demon Hunters had some wonderful animation and creative designs. The demons – which I assume are inspired by depictions of demonic entities in Korean culture – looked great; obviously otherworldly and spooky without being out-and-out frightening for the film’s younger viewers. And the designs of the characters in the two bands were great, too, drawing on both real-world K-pop bands and anime for inspiration. Some of the overly exaggerated anime-inspired facial expressions weren’t exactly “my thing,” but in the context of the film I think they worked well enough.

I loved the cute tiger and bird pair. Their designs were weird in one way, and certainly not of this world, but at the same time, I felt they were adorable! The multi-eyed bird with its cute little hat, and the chubby blue tiger just made for such a fun duo. The scene of Rumi riding the tiger was sweet, too. Again, I assume these entities are inspired by Korean folklore, and I think they were a lot of fun. If there’s not merchandise of both already, well… Netflix better get on top of that!

Still frame from KPop Demon Hunters (2025) showing Rumi riding on the tiger.
I need a tiger teddy!

I spent a little while looking into this, because I would’ve sworn that KPop Demon Hunters was deliberately using a “stop-motion” effect with its animation. But it seems as if that wasn’t a deliberate choice; rather the film is animated at a relatively slow 12 frames-per-second, resulting in what felt like a bit of a choppy effect – at least on my screen. I didn’t hate it; I actually quite like stop-motion films, and it gave KPop Demon Hunters its own kind of charm. But some of the ultra-fast dance and fight sequences definitely had that choppy look as a result. I’ve seen people online claim this was a “stylistic choice,” but there’s nothing official on that as far as I can tell. I haven’t seen Sony’s SpiderMan: Into The Spider-Verse, but apparently the same kind of visual style is on display in that film, too.

The film makes wonderful use of colour. Gold and blue were framed as the positive, earthly, or “good” colours, where pink – in various shades – seemed to be more connected with Gwi-Ma and the demons. The climax of the story showed many characters bathed in a deep pink glow, and it was genuinely unsettling. At various stages in KPop Demon Hunters, colours really popped, and the film has an overall bright and fun look.

Still frame from KPop Demon Hunters (2025) showing the demonic boyband.
The colour pink was used for the demonic entities.

If the central pair of Rumi and Jinu felt well-developed and real, some of the other main characters… didn’t quite reach the same level. Both Mira and Zoey got a few seconds’ of “backstory,” which was explained incredibly quickly by random characters right at the start of the film. At first I felt sure that this would be fine, but when their personal histories and issues actually mattered at the climax of the story… I felt we could’ve got a bit more than just a couple of hand-wavy lines of dialogue and half a line each in song form to explain who they were, why they might’ve felt they way they did, and where their exploitable vulnerabilities came from.

The same was true of the band’s leader, Celine – though we did get a bit more from her later on in the film. And the rest of the demons, aside from Jinu, didn’t really get much screen time. The demons’ king – Gwi-Ma – got plenty of time on screen, but his plan seemed to be “I’m evil and I want to eat everyone’s souls, mwahahaha,” without really much else going on. There’s absolutely a role in fiction for pure baddies, and Gwi-Ma made for a fine antagonist here. But I would’ve liked to have seen more from some of the other demons; was Jinu really the only one with a history?

Still frame from KPop Demon Hunters (2025) showing a crowd of demons in the underworld.
A gaggle of demons. Was Jinu really the only one who’d been manipulated?

Jinu’s story at least implies that some other demons in Gwi-Ma’s domain are similarly victims of exploitation, doesn’t it? Maybe his fellow demon boy-band popstars were 100% committed to the evil team… but were all of the other demons? Some of them, in their brief moments on screen in Gwi-Ma’s realm, felt almost human-like with their emotions and reactions to what was going on… and if there was some way to free them from their suffering instead of trapping them with it forever… well, wasn’t that part of what Rumi learned over the course of her interactions with Jinu?

I guess that raises implications for the film’s final act! If the story wanted to say something like “some of these demons are victims of Gwi-Ma’s manipulation, which you’ve just seen first-hand,” then is trapping all of them in the underworld the right thing to do? Jinu’s soul may have been saved by his interactions with Rumi, but what about the rest of them? I’m not trying to come across as “pro-demon” here, and I could be getting the wrong end of the stick. But it felt to me as if the film kind of tripped over the corner of its own story just a little.

Still frame from KPop Demon Hunters (2025) showing Huntr/x floating in the air.
Huntr/x at the climax of the film.

Let’s talk songs!

I really enjoyed Golden; that track has been playing on repeat since I watched KPop Demon Hunters. Soda Pop was a perfectly catchy pop song that worked really well given its prominent role in the story. Takedown came with an important message about judgement – but it’s also a badass song in its own right. How It’s Done was also a fantastically upbeat track. And I liked Your Idol, too. Does that mean I’m a K-pop fan now? Well… who can say! But I know that KPop Demon Hunters had a really fun, up-tempo, and enjoyable soundtrack, perfect for this kind of musical.

It was inevitable that a film about battling bands was gonna have some good songs, but I admit I was surprised at just how powerful and emotional tracks like Free and Golden actually were. There’s some great songwriting and composition on display here.

Still frame from KPop Demon Hunters (2025) showing Rumi singing.
I’ve been listening to Golden on repeat!

So I think that about wraps things up. KPop Demon Hunters hadn’t been on my radar at all, but it was a surprisingly fun film that will absolutely be in contention for my “animated film of the year” award come December! Netflix scooped the prize last year with Spellbound, so it’s definitely possible that KPop Demon Hunters can keep the streak going! Netflix is definitely becoming a go-to place for animated films like this, which is wonderful to see.

I thoroughly recommend KPop Demon Hunters. It was a fun introduction to the world of K-pop, a world I’m totally unfamiliar with. It had a strong story centred around two engaging characters, plenty of laugh-out-loud moments, and a fantastic soundtrack to boot. It’s also a bit of a change in tone from the last film I reviewed (28 Years Later)! There’s talk of a sequel, and while I wouldn’t necessarily say it’s a story that’s desperately asking for a follow-up, in 2025 almost every successful film ends up being spun off into a franchise, so I wouldn’t be surprised if there’s more to come from Zoey, Mira, and Rumi. Watch this space, I guess!


KPop Demon Hunters is available to stream now on Netflix. KPop Demon Hunters is the copyright of Netflix and/or Sony Pictures Animation. This review contains the thoughts and opinions of one person only and is not intended to cause any offence.