Sixty Years of Adventures

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware of spoilers for the Star Trek franchise.

If you didn’t already know, 2026 marks the sixtieth anniversary of the Star Trek franchise! I wrote a piece to mark the occasion on the actual anniversary last month (click or tap here to check it out if you missed it!), but I’m still in a celebratory mood!

What I’m doing today is… well, exactly as the title of this piece implies! I’ve chosen one Star Trek story from every year of the franchise’s life – from the beginnings in 1966 all the way through to 2026! These aren’t necessarily my “top sixty” favourite Star Trek stories… some years are quite fallow without much going on, and the Star Trek franchise had two long-ish spells where there wasn’t much to choose from at all. But I thought it could be fun to examine some of the books, comics, and video games from Star Trek’s “lost years”, as well as talk about classic episodes and movies!

Some other events from September 1966 (the month Star Trek premiered).
Clockwise from top left: Gemini 11 launches, Botswana becomes an independent country, Operation Sunset Beach takes place in the Vietnam War, and Nazi minister Albert Speer is released from prison.

If that sounds like fun, then you and I are on the same page! But before we get stuck in, I have a couple of important caveats.

Firstly, all of this is just one old Trekkie’s *subjective, not objective* opinion. If we disagree about what makes for a good or fun Star Trek story, that’s okay! There’s plenty of room within the fan community for differences of opinion and polite disagreement.

Secondly, I haven’t read all that many Star Trek books or comics, I haven’t played all of the games, and I can’t even say that I’ve watched every episode any more, either! Star Trek kinda got oversaturated in the 2020s, so I still need to get caught up on the latter parts of Lower Decks and Prodigy. Because of the aforementioned “lost years” in the 1970s and the 2000s/2010s, that might mean we have to pick a couple of stories that I’m less familiar with. But I’ll do my best with what’s available!

A dead "redshirt" in Star Trek TOS The Man Trap
A dead “redshirt” in The Man Trap, which was the first-ever episode of Star Trek to be broadcast.

I’m only going to write one short paragraph for each story; there are sixty, after all, and I don’t want this piece to get too long to read comfortably. All dates/years referenced are based on the first airdate/publication date/release date for a given episode, film, book, etc. – which, in almost every case, is the *American* one! I’m based in the UK, and I know a lot of folks from all over the world are huge Trekkies (and visitors to my website – hi!), but we’re taking the first date that each production was available for this list.

Finally, my thanks go out to everyone at “Memory Alpha” and “Memory Beta” – the two Star Trek wiki projects – for how well-organised they’ve been with chronologing all of Star Trek’s various releases. That was such a big help to me over the course of writing this piece.

Now that all of that’s out of the way… let’s get started!

1966:
Balance of Terror

Behind-the-scenes photo from Star Trek TOS showing the Romulan ship model and a man with a clapboard

Of the fifteen TOS Season 1 episodes to air in 1966, I’m choosing Balance of Terror on this occasion. The episode introduces the Romulans – and Spock’s possible connection to them. It also harkens back to submarine films from World War II, with the cloaked Romulan Bird-of-Prey being difficult for Kirk and the crew to track down and stop. One character in the episode – Lieutenant Stiles – shows how even 23rd Century enlightened humans can have biases and xenophobic traits, something Captain Kirk would push back on in a key sequence. An iconic episode that introduced a faction that would be incredibly important to the wider franchise.

1967:
The Trouble with Tribbles

Still frame from Star Trek TOS The Trouble with Tribbles showing Kirk in a pile of tribbles

A lot of iconic episodes aired this year, but few are better-remembered than The Trouble with Tribbles, which aired in between Christmas and New Year. The story perfectly encapsulates The Original Series’ blend of serious sci-fi and humour – and the tribbles themselves, despite making just a handful of appearances, are inseparable from Star Trek in the minds of many. This is also a great episode for the ongoing Klingon-Federation conflict, which would grow in importance as Star Trek developed.

1968:
The Ultimate Computer

Still frame from Star Trek TOS 'The Ultimate Computer' showing the M5 Unit

A story that feels *more* relevant today than it did when it aired, this fable warns of an overreliance on machines – and how machine intelligence may not understand or be properly aligned with the needs of its creators. Given what’s happening in the real world today, with the advance of A.I. systems… The Ultimate Computer feels timeless; a warning from the past. It’s also a fun episode in its own right!

1969:
Whom Gods Destroy

Still frame from Star Trek TOS Whom Gods Destroy showing Garth with a phaser

A famous episode in the fan community – and spawning an entire (long-running) fan production – Whom Gods Destroy is my pick for 1969. This was the year of TOS’s cancellation, bringing Star Trek’s first phase to an end. The episode is action-packed, of course, and leans on some tropes that audiences today might find a bit dated. But there’s an inspirational, hopeful tone to parts of the story, and the idea that even the most severe mental illnesses may, one day, be curable is a good message.

1970:
Spock Must Die!

Cropped and A.I. upscaled cover for Star Trek Spock Must Die

Full disclosure: I haven’t read this novel! Sorry. But it was the first Star Trek novel with an origial story, and having read a summary, I think it has a lot of potential as a fun and very “Star Trekky” adventure. It reminds me of both The Enemy Within and TNG’s Second Chances, with an evil transporter clone of Spock getting into mischief. As the first novel to keep Star Trek alive after cancellation, I think the book deserves some recognition, too.

1971:
Star Trek 4

Cropped cover for Star Trek 4 (story collection)

No, not The Voyage Home! This book is a collection of adaptations of six TOS episodes: All Our Yesterdays, The Devil in the Dark, Journey to Babel, The Menagerie, The Enterprise Incident, and A Piece of the Action. I’ll be honest: 1971 was probably the hardest year to find something from for this list! But these short 20-ish-page adaptations of classic TOS episodes fit the bill. And, again, as The Original Series was gaining traction in syndication, it probably helped some folks continue their burgeoning fandom.

1972:
Museum at the End of Time

Cropped comic panel from Star Trek Museum at the End of Time

Our first comic book is remarkably similar to two stories I’m a bit more familiar with: The Time Trap from The Animated Series and the video game Star Trek: Voyager – Elite Force! This story sees the Enterprise trapped in an alternate dimension along with various other missing starships, and working with the Klingons to faciliate an escape. I haven’t read it myself, but I think the premise should work – and, again, comics and books were doing a good job for the growing Star Trek fan community in this time period.

1973:
The Magicks of Megas-Tu

Still frame from Star Trek TAS The Magicks of Megas-Tu showing Kirk, Bones, and a Megan

For a long time, The Animated Series was considered “officially non-canon” by Gene Roddenberry and the wider Star Trek production team. I can remember watching a few episodes when they must’ve been repeated on terrestrial TV, but I don’t think The Magicks of Megas-Tu was among them. However! I unashamedly love this episode for its silly, totally unscientific story. The Enterprise gets transported to an alternate reality where magic is real! I mean… how much fun is that? It’s a great episode, a really fun time, and the perfect blend of classic Star Trek storytelling with the “Saturday morning cartoon” style that parts of The Animated Series leaned into.

1974:
Albatross

Still frame from Star Trek TAS Albatross showing Scotty operating the transporter

From a silly, cartoony story to one with a much more serious tone – proving that The Animated Series, like Star Trek as a whole, can do both. Dr McCoy is accused of killing almost the entire population of a planet, and is consequently arrested and put on trial. A fun Spock-McCoy team-up leads to the creation of a cure, and this is just a very classic-feeling Star Trek story that would’ve made for a wonderful live-action episode, too. It’s more serious in tone than quite a few other TAS stories… but it’s because of that that I enjoy it.

1975:
Star Fleet Technical Manual

A reference guide that spawned a long-running tabletop series, the Star Fleet Technical Manual was, for a long time, the most detailed and intricate guide that the fan community had. It includes detailed designs of uniforms, starships, and pieces of tech, and even has costume patterns for fans to make replicas. It’s a very detailed, in-depth book for the nerdiest of Trekkies – and you can see why it went on to form the basis of the aforementioned tabletop game series. I guess this one isn’t a “story” per se, but I think it should still count for this list!

1976:
The New Voyages

Cropped cover for Star Trek The New Voyages collection

An anthology of fan-written stories, each of which gets an introduction by a member of the main cast; I think I’m right in saying that The New Voyages is the first example of Trekkie fan-fiction being officially published like this. I like this anthology as an example of the fan community coming together to collaborate on a project, and for the powers that be – including Gene Roddenberry – to take fan initiatives and turn them into something at least semi-official.

1977:
Phase II

Promo/still of Star Trek Phase II showing Xon

Okay, I admit it: this one’s a cop-out! Phase II never even entered full production, let alone aired any episodes; the project was later adapted into The Motion Picture. But this was the year when Star Trek’s successful re-runs and animated adaptation really paid off: Paramount Pictures began accepting pitches and ideas for a return to the world of Star Trek, and Phase II was conceived. Several of the scripts and pitches created for the series would appear in The Next Generation more than a decade later, and characters created for the show (as well as several actors hired for the project) would go on to have roles in The Motion Picture.

1978:
The Devil in the Dark (Fotonovel)

Example page from Star Trek The Devil in the Dark Fotonovel adaptation

Truth be told, 1978 was one of the toughest years to find something for! So I’m picking this fotonovel adaptation of the classic TOS story The Devil in the Dark as kind of a cheat. You know the episode: this is the one with Spock and the Horta; an exploration of “life, Jim, but not as we know it” that TOS was so famous for! It’s presented in the style of a comic book or graphic novel, except with photographs and production stills in place of hand-drawn art.

1979:
The Motion Picture

Still frame from Star Trek The Motion Picture showing Kirk in a hallway

After a decade in the wilderness, and several false starts, Star Trek returned to live-action with The Motion Picture! The film tells the story of Kirk’s return to the refitted USS Enterprise and the crew’s encounter with V’Ger – a lifeform of almost unimaginable size and power. I’ve long felt that The Motion Picture is underappreciated by some fans; it kind of gets lost amidst the overwhelming love Trekkies have for its immediate sequel. But it plays out like a high-budget, extended version of TOS, with an ethereal sci-fi story about connection and discovering a truly different form of life. Additionally, much of the visual language of Star Trek was born here; these sets and stages would remain in use until Enterprise’s cancellation a quarter of a century later.

1980:
The Galactic Whirlpool

Cropped cover for Star Trek The Galactic Whirlpool

This novel was written by David Gerrold, who also wrote The Trouble with Tribbles. The story – which depicts the Enterprise’s encounter with a generation-ship caught in a maelstrom in space – has a bit of a weird publication history! It was first pitched as a TOS episode, then re-worked into a standalone novel, before Gerrold came back to the franchise and re-adapted the novel back to its Star Trek roots. In that sense, it feels like a truly classic TOS-style story – the kind of thing that would’ve made for a solid episode of the show, had there been space for it.

1981:
The Entropy Effect

Cropped cover for Star Trek The Entropy Effect

This novel might be best-known for giving us Mr Sulu’s first name: Hikaru! It’s a time-travel story focusing heavily on Spock; he’s forced to travel backwards in time to save Captain Kirk’s life. The plot spirals into a giant threat to the entire universe, before Spock is able to find a solution. Another story that, in a different world, could’ve been a perfectly fine addition to The Original Series – and noteworthy for establishing Sulu’s first name, too.

1982:
The Wrath of Khan

Still frame from Star Trek II showing the Enterprise firing phasers

What else was it gonna be for this year? The Wrath of Khan is still heralded by many fans as the high-water mark of cinematic Trek, and one of the best stories in the entire franchise. It brought new eyes to Star Trek in a huge way, and set the table for Star Trek’s renaissance. An action-heavy film, The Wrath of Khan takes a few steps away from the franchise’s roots, but clearly that resonated with a wider audience. One of the most iconic villains not just in Star Trek, but arguably in all of cinema, serves as a dangerous antagonist for Captain Kirk and the crew – and the fight to stop Khan is brutal.

1983:
Mutiny on the Enterprise

Cropped cover of Star Trek Mutiny on the Enterprise

There’s a mutiny… and it happens on the Enterprise! That’s kind of a synopsis of this novel – though, of course, the mutiny is connected to alien shenanigans. Kirk and the crew rescue an alien woman, and she begins convincing members of the crew that the Enterprise will start the very war that the mission is meant to prevent. This mutiny could hardly come at a worse time – with an away team stuck on a planet and the ship damaged. 1983 is also the year I was born – though putting *myself* as an entry on this list would’ve seemed a tad self-centred!

1984:
The Search for Spock

Still frame from Star Trek III showing Uhura with a phaser

This is a weird one for me, because after I started getting into Star Trek in the early ’90s, I watched some re-runs of The Original Series whenever it was on the air. But The Search for Spock somehow ended up being the first film in the franchise that young Dennis ever saw! As the middle part of a trilogy, I guess that made it a bit of a weird place to start! This film depicts Kirk stealing the Enterprise and Spock’s re-birth on the Genesis Planet, as well as a climactic clash with the Klingons. It sets the stage for the final act of this three-film story; Star Trek’s first multi-part saga. And it was the final film to enter production before attention would turn to spin-offs. It’s a fantastic film with lots of practical special effects, props, puppets, and more – and a fun story to boot.

1985:
Uhura’s Song

Cropped cover of Star Trek Uhura's Song

A race of cat-like aliens, forbidden music, and a race against time to stop a dangerous plague! That’s the premise of Uhura’s Song in a nutshell – and it feels almost like a story that we might’ve seen in Strange New Worlds. The disease, which had previously only been affecting the cat-like Eeiauoan people suddenly starts spreading to humans – including the crew – and the secret to a cure seems to be hidden in clues within music. The story re-establishes contact between sister races, and puts Uhura in the driver’s seat along with Captain Kirk.

1986:
The Voyage Home

Still frame from Star Trek IV showing the Bounty under the Golden Gate Bridge

In my opinion, The Voyage Home hasn’t aged as well as most of the other Star Trek films thanks to its visit to contemporary Earth… and its overall ’80s comedy style. However, it’s still a film with plenty of fun and enjoyable moments, and I like the genuine danger posed by the whale probe. The film has a great message about the need to protect biodiversity – and the unknowable implications of even a single species going extinct. Seeing Kirk and the crew in command of a Klingon Bird-of-Prey is also a ton of fun!

1987:
Encounter at Farpoint

Still frame from Star Trek TNG: Encounter at Farpoint showing Picard and Worf on the bridge

So we made it! Star Trek is back on television, where it will enjoy almost two decades of uninterrupted production. Encounter at Farpoint started The Next Generation with a bang; a mysterious god-like entity wants to put Captain Picard and the crew on trial for humanity being a so-called “savage race.” This kicks off not only the series, but a long-running role for Q, and it does a good job of establishing the Enterprise-D, most of the main characters, and a new century for Star Trek to explore.

1988:
Elementary, Dear Data

Still frame from Star Trek TNG 2x03 showing Data, Geordi, and a drawing of the ship

An accident on the holodeck creates Star Trek’s first sentient hologram – based on Sherlock Holmes’ nemesis, Professor Moriarty. I like Dr Pulaski, and her role in this episode was a fun one. Seeing Data and Geordi having to face off against a challenging foe in a different kind of setting was great, too. Moriarty would return later in the show’s run – and even had a cameo in Picard’s third season a few years ago. I think it’s fair to call this one an iconic and well-remembered episode.

1989:
The Royale

A behind-the-scenes photo from Star Trek TNG S2 showing Brent Spiner

This is the first episode of Star Trek that I can ever remember watching (when it aired in the UK a couple of years later), so I admit that this is a bit biased on my part! However, I really adore The Royale for its fun, slightly weird kind of sci-fi story that most other franchises wouldn’t even attempt. A mysterious artefact in space leads the Enterprise-D to a violently inhospitable planet… where they discover a 20th Century hotel, the final resting place of a NASA astronaut. As the away team has to unravel the goings-on in the hotel, the crew back aboard the ship try to figure out how to bring them home safely. And this episode turned lil’ Dennis into a Trekkie all those years ago!

1990:
The Best of Both Worlds, Parts I-II

Still frame from Star Trek TNG: The Best of Both Worlds showing a Borg being shot by a phaser

Both halves of The Best of Both Worlds aired this year, either side of TNG’s summer break. This pair of episodes brought back the Borg, introduced us to the concept of assimilation, and depicted a massively existential threat to humanity and the whole of the Federation. Seeing Captain Picard “Borg-ified” was a true *shock*, and Riker had to step up to lead the crew in his absence. The Battle of Wolf-359 – though largely taking place off-screen in this episode – has become an ingrained part of the franchise’s lore. The Borg have never felt more menacing or threatening than they did here.

1991:
The Wounded

Still frame from Star Trek TNG The Wounded showing O'Brien and Maxwell

The Wounded began to set the table for Star Trek’s next spin-off: Deep Space Nine. The episode introduces the Cardassians for the first time, and gives Chief O’Brien – formerly a secondary recurring character – a major starring role ahead of his transfer to DS9. It’s an “Apocalypse Now” type of story, with the Enterprise-D tracking a rogue Starfleet captain who seems hell-bent on a personal anti-Cardassian vendetta. Picard and O’Brien are forced to work with the dislikable Cardassians, and must learn to put their differences aside. A fantastic character piece for O’Brien, a wonderful introduction to an iconic and hugely important alien race, and a tense story as well.

1992:
Relics

Still frame from Star Trek TNG Relics showing Scotty and Geordi in close-up

After Spock had appeared in Unification the previous year, it was now Scotty’s turn to team up with the crew of the Enterprise-D! This is where “transporter suspension” became a thing, as Scotty used the method to survive the crash-landing of the small USS Jenolan. The episode is a fun and occasionally awkward coming together of Star Trek’s first two engineers – Scotty and Geordi La Forge – and it’s also a story with a message about older people and how they can feel left behind as technology evolves.

1993:
Emissary

Still frame from Star Trek DS9 1x01 showing Kira, Bashir, and Dax

Kicking off DS9′s run is Emissary, widely regarded as the best Star Trek premiere episode. Commander Sisko – a veteran of the Battle of Wolf-359, and a single dad to his young son, Jake – is tapped to take command of Terok Nor, newly recommissioned as Deep Space Nine: Starfleet’s first outpost in the Bajoran system. Emissary does a great job at establishing the dynamic between Starfleet and the Bajorans, who have just come off a long fight for their independence against the Cardassians, and it also sets up the Bajoran Wormhole – a gateway to the Gamma Quadrant.

1994:
Generations

Still frame from Star Trek Generations (1994) showing Data and Picard in Stellar Cartography

This is it: the crossover fans have waited and waited for! Captain Kirk and Captain Picard work together – thanks to the time-shifting effects of the Nexus – to stop Dr Soran from destroying whole planets and stars. The film seems to get a bit of a bad rap nowadays, but I genuinely adore almost every aspect of it. We get to see the launch of the Enterprise-B, filling in a bit of a gap in Star Trek’s “lost years,” we learn what happened to Captain Kirk, the Duras sisters return as fun secondary antagonists, and Data gets to experiment with emotions for the first time. There’s a lot to love in Generations.

1995:
Improbable Cause and The Die Is Cast

Still frame from Star Trek DS9 showing Garak and Odo

This two-part story picks up the idea of a conflict between the Dominion and the various Alpha Quadrant powers. Garak’s ex-mentor and friend, Enabran Tain, recruits him to join a plot to destroy the Founders’ homeworld, which the Obsidian Order is working on in conjunction with the Romulan Tal Shiar. It’s an intense story, and Garak makes for a wonderfully complex anti-hero, in places. It also paves the way for the Cardassian-Dominion alliance, which would in turn lead to the Dominion War.

1996:
Investigations

(A.I. upscaled) still frame from Star Trek VOY Investigations showing Neelix and Janeway

This episode furthers Voyager’s Kazon conflict arc, and it follows Neelix trying to figure out what’s happening aboard the ship – and whether someone might be betraying the crew. It sets the stage for Basics – the two-parter that would end Season 2 and kick off Season 3 later in the year. It’s a fun mystery story that has genuine stakes, and it’s great to see Neelix in a different setting for a change. This conflict with the Kazon had been brewing across the season – and, really, since the start of the show – and Investigations took it to a new level. 1996 also gave us First Contact and two episodes made for the 30th anniversary, all of which are great! But I think Investigations is just no less enjoyable.

1997:
Call to Arms

(A.I. upscaled) still frame from Star Trek DS9 5x26 showing Leeta and Rom

I love DS9′s Dominion War arc, which kicks off with the explosive episode Call to Arms. Sick of seeing Dominion reinforcements pouring through the wormhole, headed for Cardassia, Sisko and the crew concoct a scheme to deploy a minefield – knowing that doing so will likely turn the “cold war” into an all-out conflict. We get great moments with practically everyone – Rom plays a huge role in setting up the mines, Kira has a wonderful scene where she reports for duty, Sisko and Weyoun dance around each other while talking peace… it’s a fantastic episode, and a great way to start this incredible arc.

1998:
In The Pale Moonlight

(AI upscaled) still frame from Star Trek DS9 6x19 showing the Vreenak meme

I think choosing an “all-time favourite Star Trek episode” would be way too difficult – but if I had to, In The Pale Moonlight would be a serious contender. Captain Sisko recounts a scheme to bring the Romulans into the Dominion War as allies, and the nefarious way he did it along with Garak. A fake holosuite recording, the assassination of a Romulan Senator, and Sisko’s grim assessment that he “can live with it,” because it was the only way to turn the tide in the war, make In The Pale Moonlight one of Star Trek’s darkest episodes. Avery Brooks’ performance is incredible, though, and the whole thing is just fantastic.

1999:
Equinox, Parts I-II

(A.I. upscaled) still frame from Star Trek VOY Equinox I showing Ransom and Burke

Compared to the crew of the titular USS Equinox, Voyager’s journey home seems like a walk in the park! Jokes aside, this episode really challenges viewers with a moral question: what would *you* have done in Captain Ransom’s place? Ransom isn’t a typical villain, and while his actions are appallingly horrific, we’re able to at least understand why he became so desperate and how the burden of commanding a smaller, less-powerful ship through the dangerous Delta Quadrant affected him. Janeway gets some good moments in this pair of episodes, too, which wrapped up Season 5 and kicked off Season 6.

2000:
Fair Haven and Spirit Folk

(A.I. upscaled) still frame from Star Trek VOY 6x11 showing Janeway

These two episodes from Voyager’s sixth season form two parts of a connected story, so I’m lumping them together this time. The crew of Voyager begin taking time away from their journey home to visit a recreation of an Irish village on the holodeck – and the expected hijinks ensue! Captain Janeway gets a rare romantic storyline, we see more of Tom Paris’ holonovel-writing skills, and later, the holographic villagers begin to realise that everything is not as it seems…

2001:
Endgame

Still frame from Star Trek VOY showing Adm. Janeway

Voyager’s seven-year run comes to an end with a time-travelling Borg story – and one of the worst genocidal war crimes ever committed by a Starfleet officer! Click or tap here for more on that! This was the culmination of Voyager’s entire arc, the long-awaited return to the Alpha Quadrant and to Earth. The Borg, having been a thorn in the crew’s side on multiple occasions across the back half of the show’s run, were the only sensible choice for a story of this magnitude, and while I don’t agree with the actions taken by a time-travelling Admiral Janeway, the best thing about Star Trek is how it encourages its viewers to think and judge for themselves – and that, for me, is the core of this story.

2002:
Minefield

(A.I upscaled) behind-the-scenes photo from Star Trek ENT Minefield showing Reed

Enterprise arguably muddled the timeline just a little with Minefield – a “prequel problem” that a show set a hundred years before TOS was bound to create sooner or later! But the episode is solid, depicting the NX-01’s first encounter with the Romulans, and shows how humanity’s first contact with this secretive alien race did not go well! It’s also a great episode for Captain Archer and Reed, who get several moments together that explore their friendship in a bit more depth. And, hey, I have head-canon about cloaking devices that gets around the issue some folks had with the storyline!

2003:
Impulse

Still frame from Star Trek ENT 3x05 showing Vulcan 'zombies'

Impulse is the “Vulcan zombie” episode, featuring a horror tone and plenty of tension throughout! It’s also one part of a season-long serialised story, as the NX-01 is dispatched to the unexplored Delphic Expanse to track down the Xindi. The episode would become very important for T’Pol’s future character arc, as the whole “trellium” syndrome that the Vulcans in the episode contracted would be passed on to her, as well. It was a creative way to use the Vulcans; stripping away their emotional control and turning them into the episode’s antagonists/monsters.

2004:
E²

Still frame from Star Trek ENT 3x21 showing Archer with Lorian on the viewscreen

E² shows how badly wrong Enterprise’s journey in the Delphic Expanse could’ve gone – in one timeline, the ship got thrown backwards in time and had to become a generation-ship, waiting for the moment where the real Enterprise would return. An older T’Pol – who lived for more than a century – meets her younger counterpart, Trip gets to work with his half-Vulcan son, and other characters get moments in the spotlight, too. It’s a time-loop paradox, which usually annoy me, but the way it’s handled works pretty well in the episode itself.

2005:
In A Mirror, Darkly, Parts I-II

Still frame from Star Trek ENT In A Mirror, Darkly showing Travis, Hoshi, and Archer

I wouldn’t usually choose a Mirror Universe episode… but In A Mirror, Darkly might just be the best of the bunch! The first episode to take place exclusively within the Mirror Universe, with only Terran characters in the spotlight, In A Mirror, Darkly works really well. We get a connection to The Original Series, which was unexpected but a ton of fun, and the return of two classic TOS villians with the Gorn and Tholians. A recreation of a Constitution-class ship – and TOS-era uniforms – makes for a fun visual presentation, too.

2006:
Legacy

Screenshot from Star Trek Legacy showing a starship

No, not the Picard successor series that was touted a couple of years ago! This is Legacy the video game – which was released on PC and Xbox 360 by Bethesda Softworks (yes, *that* Bethesda Softworks) and Mad Doc Software. The game is notable for bringing together all three Star Trek time periods – the 22nd, 23rd, and 24th Centuries – and bringing back all five captains as part of the voice cast. William Shatner, Patrick Stewart, Avery Brooks, Kate Mulgrew, and Scott Bakula all voiced their iconic characters – and that made this game feel like, well, Star Trek’s legacy. More than a year after we lost Enterprise, and with rumours of a new movie doing the rounds… it felt like things might be okay for Star Trek after all.

2007:
Excelsior: Forged In Fire

(Cropped) cover for Excelsior Forged in Fire showing Sulu

This novel brings together The Undiscovered Country, which first saw Sulu in command of the USS Excelsior, and a plotline from Deep Space Nine, which saw Dax team up with a Klingon to take down an old enemy. I like the way the crossover was handled, and a prequel story that weaves together different parts of the Star Trek franchise can be a ton of fun when done well.

2008:
Terok Nor Trilogy

Cropped/merged book covers for Star Trek: Terok Nor

These three books – which all released in 2008 – document the Cardassian occupation of Bajor prior to the events of DS9. Familiar characters, like Kira and Dukat, are present, and the saga adds a lot of backstory in between the events we’ve seen in DS9. I’m not familiar with all three books in the series, but the first one – titled Day of the Vipers – explores the beginnings of the Cardassian occupation, and from what I can remember, it was a fun book.

2009:
Star Trek

Still frame from Star Trek (2009) showing the Narada (Nero's ship)

The first reboot film premiered in 2009, and definitively proved that there was life in the Star Trek franchise – and more stories to be told. I did my best to support the film while it was in production, and I went to see it on the first day I could! I don’t think Star Trek ’09 is fantastic, but it’s a by-the-book reboot, it draws a definitive line under Star Trek’s earlier incarnation, and it succeeded at making this convoluted and nerdy franchise accessible to casual viewers and newcomers. Star Trek ’09 carried the flag for the franchise at a time when it was in danger of disappearing forever.

2010:
Star Trek Online

Promo art for Star Trek Online

I tried Star Trek Online shortly after it launched… but the parts I really enjoyed – i.e. the “Star Trek” – were, sadly, overwhelmed by the parts I didn’t – namely the “Online!” I just can’t get on with massively-multiplayer games, because nothing rips me out of a story quicker than being told I’m the “one and only hero” when there’s a literal queue of other “one and only heroes” lined up behind me, waiting to speak to the same NPC. Or seeing cOcKwAnk69 of the USS YourMumsASlag griefing his way across my screen. However… Star Trek Online is still going, some sixteen years later, it’s successfully transitioned to a free-to-play model, and has even managed to recruit practically every ex-Star Trek actor you can think of for voice roles. A ton of folks love this game… and even if it was never my thing, I can respect it. Online kept a candle burning for the 24th/25th Centuries and the Prime Timeline at a time when the franchise was more interested in prequels and reboots, too.

2011:
Indistinguishable from Magic

(Cropped) cover for Indistinguishable from Magic showing a Galaxy-class ship

This book picks up the storyline from Relics, which we discussed above, and pairs up Geordi and Scotty for another adventure. The story features appearances from Nog, Guinan, Reg Barclay, and a pair of unexpected villains in DaiMon Bok and Berlinghoff Rasmussen, both of whom appeared in The Next Generation. The title is a reference to Isaac Asimov’s famous saying, and while the story feels a bit fan-servicey with all the cameos, characters, and references, it’s fun enough for what it is.

2012:
The Next Generation: The Next Level

Still frame from Star Trek TNG The Inner Light showing Picard playing the flute

Are re-releases a cheat? In any case, this re-release of three TNG episodes – Encounter at Farpoint, Sins of the Father, and The Inner Light – was a tease, really, to advertise and show off the upcoming Blu-ray remasters of the entire series. The Original Series had already been remastered, but this was fans’ first glimpse at TNG in high-definition. Unfortunately, the move away from physical discs in favour of streaming meant that TNG underwhelmed on Blu-ray (in terms of sales and revenue), and that, in turn, has meant that DS9 and Voyager never made it to the remastering suite… which is something I really hope Star Trek’s new corporate overlords will address!

2013:
Into Darkness

Behind-the-scenes photo from Star Trek Into Darkness showing JJ Abrams

For me, this is still the high-water mark of the Kelvin trilogy – even though its big Khan reveal had been spoiled for me months in advance by investigative Trekkies online! The action-packed story is much more well-suited to J.J. Abrams’ style, there are some pretty shocking twists in the story, and we get to see an inversion of The Wrath of Khan, too. A fantastic “badmiral” makes for a wonderful secondary antagonist, and this universe’s versions of Kirk, Spock, and Khan have a really epic confrontation.

2014:
William Shatner Presents: Chaos on the Bridge

Still frame from Chaos on the Bridge showing William Shatner interviewing Brannon Braga

It’s up to you to decide how accurate or unbiased you think Chaos on the Bridge is… but it’s a very interesting recounting of the events around The Next Generation’s creation and its first couple of seasons. This documentary seems to take aim at a few individuals in particular, singling them out for criticism, but it’s presented by William Shatner in a fun and engaging way. Sometimes it can be fun to catch a glimpse behind the scenes… and sometimes you come away from a documentary glad to know what happened, but disappointed at how petty and rude some of the folks involved with your favourite franchise could be!

2015:
Planet of the Apes: The Primate Directive

Trio of comic book covers for Star Trek x Planet of the Apes: The Primate Directive

A crossover between Star Trek and Planet of the Apes sounds like it would be atrocious… but this comic series makes good on that silly concept! I’d never want to see Star Trek do something like this in live-action, but as a side project… I think it works well enough in comic book form. Kirk and co. cross over from the Star Trek universe to the Planet of the Apes timeline, discovering that the Klingons are secretly working with one faction of the titular apes.

2016:
Beyond

Still frame from Star Trek Beyond (2016) showing a security team with phasers

The third and final Kelvin timeline film, Beyond was a bit of a dip in quality after Into Darkness. However, I can respect writer Simon Pegg’s intention to take the Kelvin timeline away from mindless action and closer to The Original Series in terms of narrative, even if not everything in the film succeeded at that. I liked the connection to Enterprise, and the idea that someone from that era might struggle in the more enlightened and less violent 23rd Century. There’s a message at the heart of the story – and messaging is something that Star Trek has always done.

2017:
Context is for Kings

Still frame from Star Trek DIS 1x04 showing Tilly and Burnham

Discovery got off to a rocky start, and Context is for Kings had the tough task of starting to smooth things over with a fan community that was arguably less than impressed! It’s an action-packed episode, in places, featuring a monster loose aboard the wrecked USS Glenn, but it’s also noteworthy for introducing us to the USS Discovery itself, as well as regular characters like Stamets, Tilly, and Captain Lorca.

2018:
The Brightest Star

Still frame from Short Treks showing Saru with his family

Short Treks was conceived for one reason and one reason only: to convince fans to remain subscribed to CBS All Access in between seasons of Star Trek! But that nakedly commercial purpose actually led to some fun stories – and a concept that, sadly, fell by the wayside way too soon. The Brightest Star gives us Saru’s origin story – how he came to escape his home planet, and the domination of the Ba’ul, to join Starfleet. Michelle Yeoh reprises her role as the Prime Timeline version of Georgiou, too. It’s a sweet little story – and one that proved Short Treks’ worth.

2019:
An Obol for Charon

Still frame from Star Trek DIS 2x04 showing the USS Discovery and the sphere

One of the few Discovery episodes that I feel works as a standalone piece, An Obol for Charon interrupts the show’s second season’s ongoing story arcs to introduce us to a brand-new – and very alien-feeling – life-form: the sphere. This would go on to have massive storytelling implications later on, but the episode itself works on its own. I love Captain Pike in this one, and after so many Discovery stories were all about action or soap opera levels of character drama, it was nice to get a classic-feeling episode about seeking out new life!

2020:
Nepenthe

Still frame from Star Trek PIC Nepenthe showing Picard and Riker embracing

Though it feels bittersweet to return to this episode, in light of how subsequent Picard stories landed… I can’t deny that Nepenthe seemed absolutely brilliant on that first viewing. Picard escapes the clutches of the Romulans and makes it to the planet of Nepenthe with Soji… the home of Riker and Troi. Their reunion after so many years was incredibly emotional for this old Trekkie, and I enjoyed seeing the series take a moment to step away from its mysteries and plots and ex-Borg to let us hang out with these characters. In hindsight… well, I think it was a mistake to do a story like this when other ongoing storylines needed the time and attention. And Riker and Troi would return for bigger roles in Season 3 anyway. But on its own, and without the benefit of hindsight, it would’ve been my favourite episode of Season 1.

2021:
First First Contact

Still frame from Star Trek LDS 2x10 showing the arrival of the USS Cerritos

This episode feels like it perfectly caps off Lower Decks’ first phase or first narrative arc. The crew of the USS Cerritos gets to save the day, and everyone has to pull together in a single, connected story to save a stricken Starfleet vessel. The return of Sonya Gomez was fun, it was a nice little rarity to see everyone in a single storyline, instead of being split up into A- and B-stories, and there were some genuinely emotional and high-stakes moments. I liked that this was a scientific and engineering puzzle, not something that needed violence and phaser fights, too.

2022:
The Star Gazer

Still frame from Star Trek PIC 2x01 showing the Borg Queen

I’m caveating all of my Picard inclusions, aren’t I? This one comes with the caveat that, despite being a fantastic story and introducing a truly frightening new vision of the Borg… the subsequent nine episodes absolutely ruin The Star Gazer on a repeat viewing. Picard Season 2 was, on the whole, dog shit – but hey, it got off to a fun start, at least! I liked seeing Picard and Rios back in Starfleet, young Elnor joining the Academy as a cadet, and the new USS Stargazer, too. It was also fun to see a big, diverse Federation fleet after the disappointing copy-and-paste job back in Season 1.

2023:
Hegemony

Still frame from Star Trek SNW 2x10 showing Pike on the bridge by the viewscreen

Strange New Worlds’ second season ended in spectacular fashion. The Gorn conflict, which had been part of the show since its first season, reached an explosive climax with an attack on a human colony. Several members of the Enterprise crew end up abducted, a young version of Montgomery Scott comes aboard for the first time, and Captain Pike has to figure out a way to come to the aid of the survivors of the USS Cayuga. The conclusion at the start of Season 3 was fantastic, too!

2024:
Face the Strange

Still frame from Star Trek DIS 5x04 showing Burnham and Rayner

Two caveats this time! One: I haven’t seen the Lower Decks episodes that aired this year, and if I had… I might not have picked Face the Strange for this list. Two: Discovery’s fifth season was, on the whole, repetitive and just not very good. So… yeah. However, Face the Strange is a bit of a diamond in the rough; a rare gem of an episode that stands on its own two feet and works pretty well. It was creative with its time-skipping idea, Commander Rayner got some much-needed development, and seeing Burnham having to come face-to-face with a younger version of herself was, if nothing else, a fun visual.

2025:
Terrarium

Still frame from Star Trek SNW 3x09 showing Ortegas

Far and away the best episode of Strange New Worlds Season 3 – and definitely a top ten or even top five for the series as a whole. Lieutenant Ortegas finally gets a belated turn in the spotlight, trapped with a Gorn on a desolate planet on the far side of a wormhole. After Ortegas had been abducted by the Gorn and injured, she was still dealing with the after-effects of that experience – and coming face-to-face with a Gorn was her own personal nightmare. The episode was perfectly paced, the setting was bleak, and there was an emotional sucker-punch right at the end, too.

2026:
Across The Unknown

Screenshot of Across The Unknown showing a cut-scene

This video game is based on Voyager, and allows players to experience the entire seven-year journey across the Delta Quadrant, make different choices, and try to manage the ship and its systems. If you like these kinds of management-sim/base-builder types of games, and you’re a big Voyager fan, it’s an easy recommendation! It was a ton of fun for me to go back to Voyager in this new format, and there are some wonderful models and animated sequences created for the game, too. I returned to episodes I haven’t seen in a while thanks to this wonderful game… and I had an absolute blast with it! There’s new DLC to come, too, and I’m planning to jump back in when it’s all ready.

So that’s it!

Still frame from Star Trek SNW 4x02 showing Kirk, Spock, and La'an aboard a shuttlecraft
A shuttlecraft.

Phew, that was a *lot* of Star Trek, huh?

If you made it all the way to the end, thanks for reading! I hope this has been a bit of a fun way to celebrate this milestone anniversary. And I hope I maybe picked one or two stories you weren’t expecting!

Earlier this year, I wrote a few other pieces here on the website to mark the sixtieth anniversary. I talked about my encounter with William Shatner, shared a few more of my “hot takes,” talked about some of the “worst” things that Star Trek characters have ever done, wrote up some “what-if” scenarios, discussed the benefits of a potential hiatus for the franchise, looked at some “unpopular opinions” from across the fan community, considered what might’ve happened if Star Trek was never made, reviewed Starfleet Academy Season 1, reviewed every episode from Strange New Worlds Season 4, and re-watched Where No Man Has Gone Before. Click or tap any of those links to check out those pieces.

Thanks again, and as always… Live Long and Prosper, friends!


The Star Trek franchise (except for Prodigy) is available to stream now on Paramount+ in countries and territories where the platform is available, and is also available on DVD/Blu-ray. The Star Trek franchise – including all films, shows, games, and other properties discussed above – is the copyright of the Skydance Corporation. Some photos/still frames were upscaled using A.I. tools. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek Turns Sixty!

Happy Star Trek Day, everybody! And a very happy *sixtieth* anniversary to the Star Trek franchise, which first aired on this very day in 1966.

I wanna start today’s celebrations by talking not about the sixtieth anniversary, but rather the thirtieth! In 1996, a young Dennis made the long trek by rail to Manchester. Why? Because Manchester’s Museum of Science and Industry was playing host to Star Trek: The Exhibition, which was a travelling collection of screen-used props, model ships, a replica of the Enterprise bridge, and more. The Exhibition had stays around the UK, Ireland, and Germany from 1995 through to 1998, and some of its props and exhibits later re-appeared in Blackpool, in time for the 50th anniversary in 2016.

But that visit to Manchester… I remember it being magical! It was one of my first major outings on my own, taking two separate trains, and I remember being amazed at the full-size replicas, the props that had actually been seen on screen, and everything else that was on display. It was a truly wonderful way to celebrate the franchise’s thirtieth anniversary, and I remember it being just an incredible experience.

I visited this exhibition in 1996 to celebrate the 30th anniversary!

But the thirtieth anniversary was far from over! I bought a special edition of the Star Trek Magazine, which celebrated the milestone, and then there was the BBC’s Star Trek Night! That broadcast had quizzes, interviews with famous fans, and concluded with the UK premiere of Caretaker – Voyager’s first episode. If you’re an American, that might seem a little late, but remember that in the ’90s, the UK (and much of the rest of the world) was running at least a full season – if not two – behind the United States in terms of broadcasts.

There were two special episodes produced for Star Trek’s thirtieth: Deep Space Nine’s Trials and Tribble-ations and Voyager’s Flashback. Both are great episodes that are a ton of fun to revisit, even though I didn’t get to see them until a bit later! And lest we forget, 1996 was also the year of First Contact! Widely hailed as the best TNG film (though I might be tempted to disagree!) First Contact hit cinemas in November that year.

(AI upscaled) still frame from Star Trek DS9 5x06 showing Sisko and Dax on the Enterprise bridge
We got two wonderful crossover episodes for the 30th anniversary.

The thirtieth is, for me, Star Trek’s best and biggest anniversary; it was a real blow-out. By the time of the fortieth in 2006, we were kinda down in the dumps as Trekkies, sadly. Enterprise’s cancellation meant that no new Star Trek was being broadcast or even in official production, so there was no chance to repeat crossover specials or anything of that nature. And by the fiftieth in 2016, Discovery was still in early production, and we just got the one Kelvin timeline film – Beyond – in cinemas. Beyond’s premiere was rather bittersweet, coming after the deaths of Leonard Nimoy and the young Anton Yelchin. So the fiftieth – a half-decade of Star Trek – came at a time of optimism in some ways, but with only the one film premiering.

So where does Star Trek stand today, as the sixtieth anniversary lands?

Well, Strange New Worlds is currently on the air, with Season 4 more than halfway over. We’ve also had Starfleet Academy’s first season, a pretty solid video game called Across The Unknown, and the announcement of another interesting-looking game called Shadow Frontier. Not bad, for sure… but perhaps not as big or spectacular as I might’ve hoped for three or four years ago!

Still frame from Star Trek SFA S1 showing the cadets
Star Trek: Starfleet Academy premiered earlier this year.

I would’ve liked to see more of an effort made to get some kind of crossover going – like we got for the thirtieth. Perhaps Pike’s crew could’ve linked up (somehow) with characters from The Next Generation era, or the Starfleet Academy kids might’ve been able to revisit the events of a fan-favourite story. There was potential to do something a bit bigger than we ultimately got from this new Skydance-Paramount corporation, and given Star Trek’s short-to-medium-term future… I’m a bit disappointed, to tell you the truth.

Every Star Trek show which had been in production at the time of the Skydance merger has since been cancelled, and I think we have to accept the disappointing reality that this modern incarnation of Star Trek did not do as well as the TNG era in terms of bringing in a wider audience. Streaming numbers aren’t always easy to come by, but neither Starfleet Academy’s first nor Strange New Worlds’ fourth seasons have cracked the top-ten most-streamed shows in the United States this year. And that’s a bit of a shame.

Still frame from Star Trek SNW 4x02 showing La'an drinking with Pike
Strange New Worlds Season 4 is currently airing.

At the same time, though, I see reasons for optimism in Star Trek’s longer-term future. As I said, there’s at least one new, interesting-looking video game from a known developer in the works, and that has the potential to be bigger and more successful than any Trek game since 2000’s Elite Force. And there’s at least one new film idea being worked on; whether it’ll make it to full production is another matter, of course!

But after the previous Paramount corporation arguably mishandled Star Trek, I think there’s value in giving a new team time and space to go through a bit of a reset. I’d have preferred if at least one show could’ve kept the flag flying, of course, but given where we are right now… maybe a break is needed. If Star Trek can come back stronger – perhaps in time for the seventieth anniversary! – we might not consider the impending hiatus to be a bad thing at all.

(Enhanced) still frame from a 1960s Star Trek TOS commercial showing the logo
An enhanced/upresed still from a 1960s TV advert promoting The Original Series.

Star Trek is still a unique offering in the sci-fi realm. Much of the genre in the modern day focuses on dystopias – civilisations where technology has gone awry, or where corporations and autocrats are in control. Star Trek’s vision of an enlightened future, where humanity has overcome many of its worst impulses and flaws, and where technology solves more problems than it causes, still makes the franchise stand out – even though some recent offerings have challenged that idea.

And there’s still a place for a franchise that looks ahead with hope and optimism. Not only is that something I’d argue many of us want and *need* to see in the entertainment space, but it’s also something that makes Star Trek different. In a growing, crowded genre, Star Trek still has something that helps it stand out from the pack. It’s going to fall on the shoulders of new producers, writers, and directors to take advantage of that properly – and in a way that, arguably, those of the recent streaming era failed to do – but I still believe that it’s not only possible, but desirable, too.

Cropped promo poster for Discovery S3
The world still needs entertainment with an optimistic tone and a hopeful approach to the future.

I first became a Trekkie in 1991. I wrote up a re-watch of the very first episode I can ever remember watching – The Next Generation’s second season episode The Royale – earlier this year. And I’ve spoken before about how Star Trek was a source of help, comfort, escape, and companionship to an awkward, nerdy, and lonely kid through the ’90s and beyond. Star Trek helped me navigate school, social life, adolescence, and more – and the franchise has been a near-constant companion to me for more than thirty-five years at this point.

I went back to watch The Original Series and its films as I began my journey as a Trekkie – culminating in meeting William Shatner at a fan event just this year. And, as The Next Generation’s spin-offs and films made their way to the UK from the mid-90s on, I religiously watched every episode and film that I could! I even began collecting The Next Generation on VHS, before making the move to DVD box sets in the new millennium. I’ve owned action figures, model ships, prop replicas, posters, kitchenware, clothing… the works. I’m a Star Trek fan through-and-through, and I always will be.

Still frame from Star Trek TNG The Royale showing the away team beaming out
The Royale, from TNG’s second season, is the first Star Trek episode I can remember watching.

This franchise means a lot to me. I’ve supported Star Trek for most of my life, since before I turned ten years old, and for more than thirty-five of its sixty years of existence to boot. I’d love nothing more than to learn a new series is in early production, and that the new Skydance-led team has a concrete plan for where to take the franchise next. Films can be great and all… but for me, at least, Star Trek has always felt much more at home on the small screen.

Which is why, a decade ago, I was so excited for Star Trek: Discovery’s announcement and impending premiere!

Since Beyond was in cinemas ten years ago, we’ve had more than 200 episodes of new Star Trek across six-and-a-bit different shows, as well as a TV movie. Star Trek has tried some very different things in this era – new genres, new styles of storytelling, and attempts to reach out to different audiences and demographic groups. Not all of those experiments have been successful, thanks in no small part to poor decision-making on the corporate side, but if nothing else, I can say that I respect the efforts that were made, and the attempts to take Star Trek to new places while retaining what’s made the franchise so special to me for all these years.

Behind-the-scenes photo from Star Trek Beyond
Behind-the-scenes photo from the set of Star Trek Beyond.

Over six decades, Star Trek has introduced us to some wonderful characters, wacky aliens, and incredibly cool technologies. The franchise arguably “predicted” the likes of cell phones, tablets, wireless tech, digital record-keeping, real-time translation, and many more things years or even decades before the real world caught up! That’s pretty cool, if you think about it. And many designs for things like starships, communicators, weapons, and uniforms have become iconic; instantly-recognisable pieces of our shared pop culture.

Star Trek memes still circulate on social media, even if the shows that spawned them have been off the air for decades! The “Picard facepalming” and “it’s a faaake!” memes have gone on to have lives of their own, far beyond the Trekkie community, and I daresay most people would recognise at least one or two things from the Star Trek franchise wherever you go in the world, from Okinawa to Harare and Port Stanley to Tromsø. Star Trek is just… that big.

(AI upscaled) still frame from Star Trek DS9 6x19 showing the Vreenak meme
“It’s a faaaaake!”

As we look to the future, I think it’s understandable, for us as fans, to feel a little anxious, a little concerned, and even a little disappointed. Some shows seem to have ended too soon, without being given a proper chance to connect with their intended audiences, and with only one feature film allegedly in early pre-production, Star Trek could be about to enter a bit of a fallow period. But the franchise has taken breaks before, only to come back stronger, and with a new corporate team now in charge… I think it’s at least possible that conversations are going on about what to do with this iconic brand and where to take it next. A bit of a break might give everyone time to let those discussions play out – and to get some new faces into the room for the first time in a decade.

I will always do my best to support Star Trek – and that means hyping it up where I can, but also calling out and criticising failures or disappointments where I see them. When I used to do Twitter a few years ago, I remember one fan had words in their bio to the effect of “I never want to say anything negative about Star Trek ever!”, and for me… that’s just silly. If we give a brand unflinching, unquestioning loyalty, that isn’t actually helpful. Sometimes it takes a franchise’s biggest fans to hold producers and corporate leaders to account – to let them know that some decisions, whatever they may be, have gone too far in the wrong direction. And that philosophy is a core tenet of my website.

Photo from a Star Trek Comic-Con event showing actors from the franchise
Representatives from across the Star Trek franchise at a recent Comic-Con panel.

So yeah, I’ll continue to support Star Trek! But I won’t hold back from criticising it, either, if and when mistakes are made. It’s easier, in some ways, to criticise an episode or two of a series when you know there are more episodes – and different shows – still in the pipeline. But if we’re back to only getting one film every few years, as happened with the Kelvin era and Star Trek’s last fallow period… it’ll suck ten times more if the *only* Star Trek content we get isn’t very enjoyable! But we all have to make decisions, as fans, about how best to support the franchise.

Six decades ago, The Man Trap graced American television screens, and introduced audiences to Captain Kirk, Spock, Dr McCoy, Sulu, Uhura, and Scotty. And all these years later, here we are, gathered together to celebrate a franchise that now extends to almost 1,000 stories across eleven mainline shows, a cinematic franchise, and more. Spin-offs have taken Star Trek to books, comics, board games, and video games – which didn’t even exist back in 1966! The fan community is still just as vibrant, passionate, and wonderful as ever – something I can attest after visiting two Star Trek conventions in the past couple of years! And even if cancellation is looming, and Star Trek might be less of a feature on our screens for a while, we still have that extensive back catalogue to revisit.

Still frame from Star Trek TOS 1x01 showing the Enterprise
The very first shot of the USS Enterprise from The Man Trap, which aired sixty years ago today.

Thanks for joining me for this celebration of Star Trek’s sixtieth anniversary.

If you missed them, across 2026 I’ve been writing articles here on the website to mark this milestone anniversary. I talked about my run-in with William Shatner back in May, I shared more of my infamous “hot takes” on the franchise, another batch of my “what-if” scenarios, and I checked out some of the “worst” theories from across the fandom. Then I rated some “unpopular” Star Trek opinions, pulled out some “hidden gems” from across the franchise, and previewed an upcoming base-building game *and* an upcoming survival horror game. I’ve reviewed Starfleet Academy’s first season, and talked in depth about two of its storylines: one involving a surprise callback to DS9 and one involving the Doctor. I’ve also reviewed the new Voyager game Across The Unknown – then updated my review, and finally reviewed the first part of its planned DLC. I’ve written up episode re-watches of: Where No Man Has Gone Before, Arena, The First Duty, The Royale, Skin of Evil, and The Andorian Incident. And, of course, I’ve been reviewing Strange New Worlds’ fourth season episode by episode.

Click or tap any of those links to check out those pieces.

All that’s left to say is this: Happy Sixtieth Anniversary, Star Trek! Here’s to many, many more milestones and celebrations. And, as always, Live Long and Prosper, friends!


Most episodes and films discussed above can be streamed on Paramount+ in countries and territories where the platform is available, and are also available on DVD and/or Blu-ray. The Star Trek franchise – including all series, films, and properties discussed above – is the copyright of the Skydance-Paramount Corporation. Still frames from Star Trek: Deep Space Nine, Star Trek: Voyager, and an old TV commercial were upscaled using A.I. tools. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: The Road Not Taken

As part of my ongoing series of articles to celebrate Star Trek’s big sixtieth anniversary year, I want to take you to an alternate reality! No, not the Kelvin timeline, the Mirror Universe, nor any of the other parallel worlds glimpsed in various Star Trek productions over the past six decades. What I want to examine is what our world – the real world – might look like if Star Trek had never aired.

Because… we came closer to that than you might think.

I daresay most Trekkies know this, but I’ll very briefly recap for anyone new or who doesn’t remember. In 1964, Gene Roddenberry penned Star Trek Is…, the first pitch for what would become The Original Series. In late 1964 and into 1965, The Cage was produced by Desilu for NBC… who shot it down. However, convinced that Star Trek could still be made to work – subject to some revisions – NBC approved the production of a second pilot. That episode would become Where No Man Has Gone Before, which I re-watched here on the website a few weeks back.

Still frame from Star Trek TOS showing Kirk and Spock
Kirk and Spock in Where No Man Has Gone Before, the second pilot.

But for our purposes today… we’re gonna say that the second pilot didn’t happen, and then examine the alternate timeline created by Star Trek’s absence.

In this timeline, NBC took a look at The Cage and rejected it even more strongly, refusing to pick up Star Trek or greenlight that second pilot, let alone commission a full season. Gene Roddenberry and Desilu might’ve tried to shop the project to CBS and others, but they also refused to pick it up. Star Trek would never be made, and The Cage would remain in Desilu and NBC’s vaults for decades without being broadcast.

What’s the point of this exercise? Good question!

Promo poster for Star Trek SNW S4 (cropped) showing the USS Enterprise
The USS Enterprise on a recent promotional poster.

I think it’s an interesting thought experiment. What might the sci-fi landscape look like, six decades on, without Star Trek? Would other shows of the mid-60s have stepped up to take its place? Would some shows that, in the real world, only lasted one or two seasons, have taken the audience that TOS got, and gone on to become enduring, popular franchises? And what of Star Trek’s legacy beyond the world of entertainment? The franchise has inspired people all over the world to get into fields like engineering, medicine, and, of course, astronomy and space sciences.

In short… what might the world look like without Star Trek, and how big can we really argue the franchise’s influence has been? Those are the questions I want to consider as we step “through the looking-glass” to this strange parallel universe!

So let’s get back to our alt-history story. It’s early 1965, and the word from NBC and Desilu is “no.” Gene Roddenberry’s sci-fi pitch hasn’t been picked up and won’t be going ahead.

Photo of Gene Roddenberry wearing a hat
Gene Roddenberry.
Photo Credit: Majel Barrett Roddenberry/The Roddenberry Estate

Gene Roddenberry, by the mid-1960s, had already been working in TV for a decade. He had credits as a writer and as a producer on dozens of productions in genres like police procedurals and westerns, and was the creator of The Lieutenant, a drama series set in the US Marine Corps. I daresay that, if Star Trek hadn’t been picked up, Rodenberry’s career would have continued in a similar vein – writing a few episodes here and there for various different shows, working as a producer where he could, and perhaps continuing to pitch new ideas to the networks. Whether anything else would’ve been on Star Trek’s level, though… well, I doubt it.

Here in the real world, after The Original Series had aired, but before the Star Trek films and The Next Generation were created, Roddenberry put together a few more pitches and ideas for new TV shows. Four of these became TV movies: Genesis II, Planet Earth, The Questor Tapes, and Spectre. I daresay none of these would’ve been made without Roddenberry’s status having been inflated by Star Trek’s success – and there’d almost certainly be no Earth: Final Conflict or Andromeda, either – the two ’90s/’00s sci-fi shows produced after Roddenberry’s death based on his work and ideas.

Title card for Andromeda
No Star Trek almost certainly means no Andromeda…

The Original Series, despite its prominence to us Trekkies, wasn’t the only sci-fi series on American TV in the mid-1960s. Science fiction was still a relatively new genre, especially on television, but there were successful sci-fi and sci-fi-adjacent shows on the air. The Twilight Zone is one of the most famous, of course, and predates Star Trek by more than seven years. The first Batman TV series – the one starring Adam West – was also on the air from 1966 to 1968. Then there’s the likes of Lost in Space, which aired for three seasons from 1965, The Time Tunnel, which only managed a single season in 1966-67, Voyage to the Bottom of the Sea, which ran for four seasons from 1964, and The Invaders, which ran for one season.

In a world without Star Trek, might some of these have been more successful?

We already know the legacy of Batman – new films with the titular character are still being created today, and Batman was a pretty big hit at the time. The same is true for The Twilight Zone. But I want to zoom in on The Time Tunnel, The Invaders, and Voyage to the Bottom of the Sea this time – I think, in a world without Star Trek, they’re exactly the kinds of niche, nerdy, “cult classic” TV shows that could have hoovered up the Trekkie community that never was!

End card for The Time Tunnel S01E01
The Time Tunnel was one of Star Trek: The Original Series’ sci-fi contemporaries.

Picture this: The Time Tunnel doesn’t get canned in 1967, but runs for two more seasons. It gets re-broadcast in syndication in the early ’70s, growing in popularity, and before you know it… fans are clamouring for more. Perhaps an animated series would be created to satiate fans, or maybe the show would be picked up for some kind of second phase.

Voyage to the Bottom of the Sea could be in a similar boat (if you’ll excuse the pun). It has a lot in common with Star Trek, with aliens, monsters, and a lot of themes that tie into real-world events and issues. In a world without Star Trek, Voyage to the Bottom of the Sea – which was already on the air – could’ve been primed to pick up the baton for sci-fi with a message, and the fan community could’ve latched onto that. Again, after the series went off the air, re-runs could’ve grown its audience, leading to calls for a sequel series or movie.

Still frame from Voyage to the Bottom of the Sea showing the Seaview
The Seaview from Voyage to the Bottom of the Sea.

The Invaders only lasted for a single season, but I can absolutely see a pathway for a show like that to succeed in a world without Star Trek. After defeating the initial alien invasion, perhaps the characters would’ve discovered that it was only the first part of a larger plan, or that other alien races also have designs on Earth. The Invaders, being set on Earth, is different to Star Trek – but still has that “cult classic” potential.

I haven’t mentioned another ’60s classic, yet – but there’s a reason for that.

Doctor Who started airing here in the UK in 1963, and it quickly became a family favourite with us Brits! But Doctor Who didn’t cross the Atlantic until well into the 1970s, and I think its legacy is still very much a British thing. That isn’t to say Doctor Who couldn’t have gotten even bigger, if there were a big Star Trek-shaped void in the sci-fi realm. But in terms of what we’re talking about today… I consider it kind of off to one side in its own, very British niche.

Still frame from the first episode of Dr Who showing the Tardis
Doctor Who didn’t hit American screens until the 1970s.

So that’s our alt-history ’60s! With no Star Trek, a show like Voyage to the Bottom of the Sea, Lost in Space, The Invaders, or The Time Tunnel manages to pick up some of the would-be Trekkies, and blows up to become much bigger than it ever did in our world.

If I had to pick just one – based on my admittedly incomplete knowledge of these programmes – I’m going to say, for the sake of argument, that it’s Voyage to the Bottom of the Sea that makes the leap. Lost in Space might seem superficially more similar to Star Trek, and I like The Time Tunnel for its visual style and timeline-hopping shenanigans! But if we’re picking just one of these, for the purposes of building out our alt-history of televised sci-fi, I’m gonna say that Voyage to the Bottom of the Sea has the right mix of sci-fi, classic adventures, and a comparable kind of moral messaging to The Original Series, so it’s going to be the winner!

Promo photo for Voyage to the Bottom of the Sea
In our alt-timeline, the void left by Star Trek’s absence is filled by Voyage to the Bottom of the Sea…

But what does that mean for the next chapter of our alternate timeline?

In the real world, the success of Star Trek – especially in the early 1970s after being rebroadcast – directly led to an expansion of the sci-fi genre. George Lucas, the creator of Star Wars, has said on the record that Star Trek paved the way for Star Wars, literally saying that Star Wars stood “on the shoulders” of Star Trek and the sci-fi-friendly audience that it helped to create. So, without Star Trek… do we get Star Wars?

There are other sci-fi films and series in our alt-timeline, so I’m not going to suggest that an expansion of the science fiction genre “never happens.” 2001: A Space Odyssey was in pre-production before Star Trek came along, and that film is still hugely influential over the genre, just as one example.

Still frame from 2001: A Space Odyssey showing Space Station V
Other sci-fi titles, like 2001: A Space Odyssey, would still be made.

However, I do believe that, in a world without Star Trek, the timings of some of these things changes. Perhaps 2001: A Space Odyssey is still a success, or maybe it’s slightly less successful without Star Trek giving its audience a bit of a boost. But without Star Trek, and especially without the resurgence of space-based sci-fi that Star Trek led in the late ’60s and early ’70s, I’m going to say that there’s no Star Wars in 1977 – and no Alien in 1979, either.

There’s still a place, in our alt-timeline, for both an epic space fantasy like Star Wars and a gritty sci-fi horror picture like Alien. But because Star Trek looms so large over both films (and their subsequent franchises), and because in this alt-timeline, sci-fi has gone in a different direction, I’m going to posit that neither of these hugely influential pictures gets made. There will be epic sci-fi and sci-fi horror… but it won’t come along in the second half of the ’70s, it’ll come much later.

Gene Roddenberry and George Lucas
Gene Roddenberry (left) and George Lucas.
Photo: Dan Madsen

Now we have to talk even more speculatively!

I’ve suggested that, without Star Trek, and with the sci-fi genre looking very different in the ’70s, we don’t see Star Wars in 1977 or Alien in 1979. Star Wars, according to George Lucas, was only able to come along when it did because Star Trek had “softened the ground” for sci-fi and brought new eyes to the genre. And Alien almost feels like the antithesis of Star Trek in many ways – a working-class crew of “space truckers,” a corporate dystopia, and a film that presents space not as “the final frontier” for peaceful exploration, but as a dark, dangerous place. Neither film gets to exist without Star Trek.

But what does the absence of *those* titles mean? Arguably, the Star Wars franchise is even more important for sci-fi going into the ’80s than Star Trek, and Alien is not only a landmark science fiction film, but a seminal work of the horror genre, too. If Star Trek means neither of those films get made… well, now we have to look at the snowball effect and the ramifications of that!

Still frame from Star Wars 1977 showing Luke in the Falcon
No Star Trek means no Star Wars, and no Star Wars means…

I maintain that, somehow, sci-fi would have a resurgence on both the big and small screens in our alt-timeline. But if it doesn’t happen in the ’70s, then do we get films like E.T., The Terminator, Blade Runner, Flight of the Navigator, or The Last Starfighter in the ’80s? And without Alien, what becomes of films like The Thing or The Fly? None of this is to say that Star Trek, Star Wars, and Alien are directly responsible for these films’ existence, but if you hack away at the foundations of sci-fi on the small and big screens, it’s at least conceivable to me that these stories never get greenlit; that studio executives and producers aren’t willing to fund “experimental” films or “unproven” genres like sci-fi and sci-fi/horror in such a big way. The entire landscape of ’80s cinema would be completely changed as a result.

With less space-based sci-fi, we come back to my idea about shows like Voyage to the Bottom of the Sea and The Time Tunnel proving popular. Perhaps sci-fi goes in more of a terrestrial direction, with films inspired by those shows doing more with sci-fi concepts on Earth, in the deep sea, and going backwards and forwards through time. That might bode well for Back to the Future, The Abyss, RoboCop, and similar titles in this era!

Still frame from The Abyss showing a submersible
Our alt-timeline could see more Earth-based sci-fi stories, like The Abyss.

I also think that, in lieu of sci-fi, we could see more films in the fantasy or superhero genres in the ’70s and continuing into the ’80s. There are landmark fantasy films in this era – The NeverEnding Story, for instance, which was a favourite of mine when I was a kid. You could also point to Labyrinth, The Dark Crystal, The Last Unicorn, Highlander, and even The Princess Bride as films that would likely still exist. Some of these titles might grow in popularity in a world without Star Trek and Star Wars, with fantasy becoming a much bigger genre in this era.

Without Star Trek and Star Wars leading the way for sci-fi, films like Superman could have led to the superhero genre becoming much bigger, much earlier. It’s hard to remember nowadays – almost twenty years into the Marvel Cinematic Universe’s dominance at the box office – but the superhero/comic book adaptation genre wasn’t always a guaranteed box office draw. The end of the ’80s saw Tim Burton’s Batman, but in our alt-timeline, I wonder if superheroes like Iron Man, the X-Men, and others might’ve stepped into the void left by fewer sci-fi titles. Superheroes and sci-fi have a lot of things in common, and comic book adaptations could easily be this timeline’s biggest blockbusters.

Promo for Superman 1978 showing the superhero
There might be a lot more superheroes and comic book adaptations in our alt-timeline.

Having rolled the snowball into the ’80s, I think changes from here become harder to predict. If we have more fantasy films, for instance, could an adaptation of The Lord of the Rings be produced years earlier? And if so… would it be as well-received? That’s very much an open question. If superheroes dominate the ’80s box office, how long does that last? And what does it mean for blockbuster titles in the ’90s and towards the millennium? Again, stacking change atop change makes things harder to predict!

I will posit, though, that sometime in the late ’80s or early ’90s, someone, somehow, cracks the sci-fi genre open again. Films set in space, be they horror titles, pure sci-fi, or epic adventures will – eventually and, from our point of view, belatedly – hit the big and small screens. But in our alt-timeline, I doubt we’d recognise any of them, or any of their names. Some might draw inspiration from the same sources as Star Trek and Star Wars, whereas others may be inspired by the dominant fantasy and superhero genres, or even the terrestrial sci-fi shows that replaced Star Trek. But somehow, some way, we don’t see space stories completely disappear. And going into the millennium and beyond, there may be fewer films and TV shows like that… but there are still going to be *some*.

The galaxy Centaurus A
Films set in space wouldn’t be entirely absent.
Photo: ESO/WFI (Optical); MPIfR/ESO/APEX/A.Weiss et al. (Submillimetre); NASA/CXC/CfA/R.Kraft et al. (X-ray)

Star Trek’s influence, though, doesn’t merely extend to the world of entertainment. So let’s also consider what the franchise’s absence could mean outside of the realm of film and TV.

There are countless individual stories of people who were inspired to become engineers because of Scotty, doctors because of Dr McCoy, or astronomers because of Star Trek’s focus on science. We can’t possibly account for all of those individually, but there are some trends we can point to.

First of all, I think a world without Star Trek would gradually see less interest in space and space exploration. It wouldn’t be obvious at first; the moon landing, the Space Shuttle, and so on would still happen on schedule and would still attract interest and attention. But gradually, over time, without the inspirational aspect that Star Trek brought to the table, there’d be fewer people getting interested in astronomy and related scientific fields, and – as above – that would have a kind of snowball effect.

Gene Roddenberry and several members of The Original Series cast at the dedication ceremony for the Space Shuttle Enterprise
Gene Roddenberry and several members of The Original Series cast at the dedication ceremony for the Space Shuttle Enterprise, 1976.
Photo: NASA

There are some specific areas where Star Trek had more of a direct influence. For example, the first Space Shuttle was only named “Enterprise” because of a campaign by Trekkies! So I think, in our alt-timeline, that Shuttle would almost certainly have a different name (most likely “Constitution,” for America’s bicentennial) – and that could have knock-on effects for the rest of the fleet. Then there’s Nichelle Nichols’ role in helping to recruit female astronauts, as detailed in Women In Motion, a great documentary film.

NASA would still want to recruit women astronauts to go into space, but it’s conceivable that this would be slower, and perhaps the first American woman to go into space (which, in the real world, was Sally Ride in 1983) wouldn’t happen until later.

I don’t think we’re talking about major discoveries or missions not going ahead; the space shuttle was already in early development by the late ’60s, and I can’t really point to any specific mission to space that wouldn’t have been able to go ahead without Star Trek and its legacy. But I think it’s fair to say that some missions might’ve launched later, that fewer people might’ve felt called to work in space-related scientific fields, and that there would be knock-on effects of that. By the time our alt-timeline reaches 2026, the snowball effect could put it several years behind the real world in terms of certain missions and discoveries.

Photo of Nichelle Nichols at NASA
Nichelle Nichols leveraged her fame and role on Star Trek to help NASA recruit women astronauts.

As we can see, Star Trek’s absence doesn’t mean there’s *no* sci-fi, no space adventures on TV, or massive, earth-shattering impacts on space exploration. But the entertainment landscape – and the world at large – would be undeniably different without it. Science fiction could easily have gone in a very different, more terrestrial direction, focusing for years not on outer space, but on the deep oceans, time travel, and the future of Earth. If aliens appeared at all, they’d appear as visitors – or invaders – rather than being encountered out in space, on their own home worlds.

Star Trek’s vision of humanity’s future is more optimistic, uplifting, and aspirational than practically any other sci-fi setting, and its writers have almost always found ways to tell interesting and dramatic stories despite the denizens of Earth living in a tech-driven post-scarcity “utopia.” I’m not sure any other franchise – real or imagined – could pull that off quite so successfully in our alt-timeline, and that means that sci-fi almost certainly looks darker and more dystopian than it does in the real world.

Crop from the Star Trek Stargazers webtoon showing DS9
Sci-fi (and entertainment in general) would be bleaker and less hopeful without Star Trek.

I would like to add one addendum; an epilogue to our alt-timeline. After passing through various different corporate owners, and with its sole tape remaining locked in a vault… I think The Cage would eventually be cleaned up, remastered, and turned into a TV movie. It would take decades before it would ever see the light of day, and the chance to launch Star Trek as a real show would have long since slipped away. But a version of The Cage would eventually be broadcast – and audiences would see it as a fun little curiosity; a relic of a bygone era of television production. There might even be articles like this one, wondering “what might have been” if this weird little mid-60s sci-fi series had been picked up for a full season!

So that’s all for today. I hope this little thought experiment has been of some interest.

I was inspired by Star Trek’s 60th anniversary, and I’ve actually had a piece in my writing pile for several years, tentatively titled “Star Trek’s Contemporaries”, in which I planned to look a bit more deeply at shows like The Time Tunnel and Voyage to the Bottom of the Sea, which I referenced in this piece. Stay tuned, because I daresay I’ll get around to that one day!

Still frame from Star Trek's pilot, The Cage, showing a close-up of Captain Pike.
Jeffrey Hunter as Captain Pike in The Cage.

The point was to take a look at a world without Star Trek… not because that’s a world I’d ever want to live in, but as a way to highlight the very real, tangible impacts that Star Trek has had and continues to have on sci-fi, the wider entertainment industry, and even beyond. If Star Trek had never got past the pilot stage – as very nearly happened – I think we can make a case for sci-fi being in a radically different place, the entertainment industry looking quite different, and perhaps even some real-world space missions not happening on schedule. As we celebrate the franchise’s landmark sixtieth anniversary, I think it’s worth taking time to acknowledge how important Star Trek has been and continues to be.

If you want to check out more pieces celebrating Star Trek’s 60th, I’ve recently written up re-watches of The Original Series’ second pilot, Where No Man Has Gone Before, and the very first episode of Star Trek that I can ever remember watching: The Next Generation Season 2 episode The Royale. Earlier in the year, I reviewed Star Trek’s newest series, Starfleet Academy, and the video game Star Trek: Voyager – Across The Unknown. I also took a look at the franchise’s uncertain future amidst a corporate merger, and wrote about my encounter with William Shatner – Captain Kirk himself – who I met at Comic-Con. Click or tap any of those links to check out those articles, and stay tuned! There’s more to come here on the website as the sixtieth anniversary year continues.

Thank you for coming along with me on this alt-timeline adventure! And, as always… Live Long and Prosper, friends.


All TV programmes and films discussed above are the copyrights of their respective studios, production companies, distributors, and/or broadcasters. The Star Trek franchise – including The Original Series and all other properties discussed above – is the copyright of the Skydance Paramount Corporation. Star Trek: The Original Series is available to stream now on Paramount+ in countries and territories where the platform is available, and is also available on DVD/Blu-ray. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek “Hot Takes” (For The 60th Anniversary!)

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware of spoilers for the following Star Trek productions: The Original Series, The Motion Picture, The Next Generation, Voyager, First Contact, Discovery, Picard, Prodigy, Strange New Worlds, and Starfleet Academy.

2026 will mark the 60th anniversary of the Star Trek franchise. And what better way to celebrate the beginning of this milestone year than by stirring the pot in the Trekkie community? So today, I thought we could all enjoy six more of my patented Star Trek “Hot Takes!”

Before we go any further, I’d like to give a couple of caveats. Firstly, these are all opinions that I genuinely hold, and I’m not making things up for the sake of clickbait or to deliberately upset people. But, with that being said, I’m also a huge Star Trek fan, and I share these “hot takes” with tongue firmly embedded in cheek! This is meant to be a bit of light-hearted fun in the 60th anniversary year – not something to get too worked up or annoyed about.

Promo screenshot for Star Trek Online showing a D'Kora Class ship.
A Ferengi marauder.

These are *hot* takes, not “super obvious takes that everyone will agree with,” so you can expect some degree of controversy! And, as always, everything we’re talking about is just one person’s *subjective, not objective* opinion. Feel free to disagree vehemently; I’m well aware that my position will be the minority one in most cases. However, if you aren’t in the right frame of mind for some potentially controversial Star Trek opinions… consider this your final content warning!

With all of that out of the way, let’s celebrate the beginning of Star Trek’s big sixtieth anniversary year with six “hot takes”!

“Hot Take” #1:
Star Trek got way better after Gene Roddenberry was out of the picture.

Promotional photo of Star Trek: The Next Generation creator Gene Roddenberry on set.
Gene Roddenberry.

Gene Roddenberry was Star Trek’s creator. He established the world, the lore, the look and feel of Star Trek… he quite literally built the franchise from nothing, and his philosophy and ideas are *still* a core part of Star Trek today. But after Roddenberry lost control of the cinematic franchise in the early ’80s, and especially after he stepped away from day-to-day work on The Next Generation, well… that’s where Star Trek got a heck of a lot better.

Gene Roddenberry cut his teeth on the TV serials of the mid ’50s, and his writing style… it never really evolved beyond that, even as the entertainment landscape around him was utterly transformed. Look at his final work with the original Star Trek crew: The Motion Picture, which he was heavily involved with, had a troubled production, with script re-writes happening during filming, and the finished story feels like an extended cut of a TOS episode. This came two years after Star Wars, a year after Superman, and the same year as Alien and Apocalypse Now. And although The Motion Picture made more than its money back, it’s not exactly the definitive Star Trek story for either Trekkies or a more general audience.

Behind-the-scenes photo from Star Trek: The Motion Picture showing director Robert Wise, creator Gene Roddenberry, William Shatner, DeForest Kelley, and Leonard Nimoy.
Roddenberry with Leonard Nimoy, director Robert Wise, DeForest Kelley, and William Shatner on the set of The Motion Picture.

The simple truth is that Roddenberry was lapped by a new generation of sci-fi storytellers and filmmakers in the years after Star Trek. And ironically, many of those projects would never have been greenlit were it not for the huge success of Star Trek! But by the end of the ’70s at the very latest, what Gene Roddenberry was capable of, particularly as a scriptwriter, had fallen way behind audience expectations. He tried to reclaim his place at the head of the Star Trek franchise with The Next Generation in 1987, but again… most of that show’s best episodes and stories came *after* he was no longer involved.

In The Original Series, Roddenberry penned the critically-panned episode The Omega Glory, his original treatment of The Cage almost got Star Trek cancelled before it could get off the ground, and of the other writing credits he has in the franchise… could you name a single one? Return of the Archons, Bread and Circuses, The Savage Curtain… none of these leap out at me as being “must-watch classics.”

Behind-the-scenes photo from the Star Trek TNG S3 episode Menage a Troi showing Gene Roddenberry and actor Peter Slutsker (in Ferengi makeup).
Gene Roddenberry with actor Peter Slutsker on the set of The Next Generation.

Roddenberry had a very rigid, almost dogmatic vision of what the future should look like. And, admirable as that may have been, it didn’t really lend itself to interesting, engaging, or realistic storytelling. If Starfleet characters and humans in this era are all heroic paragons of virtue, free of prejudices, conflicts, and negative feelings of any kind… how do you build tension and drama in a story? How can characters have arcs when they begin at “already perfect”? And the less we say about Roddenberry’s self-insert character of Wesley Crusher (named after his own middle name) the better!

Okay, okay. I’m exaggerating just a little. But I don’t think it’s a coincidence that The Original Series films were better-recieved after Roddenberry was kicked off them. Nor that The Next Generation began to improve after he was no longer directly involved. I personally *adore* The Motion Picture, but there’s no denying it’s not one of the best films in the franchise in most people’s opinions. Gene Roddenberry was simply a man of his time… and his time came and went. When The Next Generation was underway, and spin-offs were being worked on, Roddenberry’s time was over. And Star Trek improved as a result. Characters could be flawed, humanity and Starfleet could better reflect the world of today by being imperfect, and Star Trek began to feel less like an impossible utopia or a morality fable and more… real.

“Hot Take” #2:
The overuse of legacy characters did more harm than good in modern Star Trek.

Promo photo for Star Trek: Picard Season 3 showing the main characters.
(Most of) the main characters from The Next Generation returned in Picard Season 3.

In 2018, I was… concerned. For the second time in a decade, we were going to see Captain Pike and Spock re-cast for a new project: Discovery’s second season. And, around the same time, we also learned that Jean-Luc Picard was being brought back for his own series. Star Trek’s return to its small-screen home had already been complicated by including Michael Burnham as Spock’s long-lost adopted sibling, but these announcements seemed to signal a disturbing trend: Star Trek was doubling-down on legacy characters and storylines at the expense of trying something new.

And that trend would continue. Prodigy, despite being billed as a show for kids, functions more as a sequel to Voyager than an independent production. Picard quite literally dumped almost all of its new characters – without bothering to resolve most of their arcs and storylines – in order to bring back the crew of The Next Generation for one final adventure. And Strange New Worlds, despite introducing us to some interesting new characters, focuses excessively on Spock, Kirk, Uhura, Scotty, and other TOS characters that have been introduced. We even got an entire episode in Season 3 where it was *only* those legacy characters who were in focus.

Still frame from Star Trek SNW Season 3 showing Kirk and Scotty.
Kirk and Scotty in Strange New Worlds.

If I’m right, and Star Trek will be disappearing from the small screen for the foreseeable future in the next few years, I really think we’ll come to regret this overabundance of legacy characters. Why? Well, to put it simply: it’s left Star Trek with nothing to build on and nowhere to go in the future. You and I may love Janeway, Seven, Picard, Riker, Spock, Uhura, and more… but these stories have either been sequels, showing these characters firmly in retirement or at the ends of their careers, or prequels, bringing the characters from their younger selves closer to the people we remember. By the time these shows are all over… where’s the foundation Star Trek needs to build something new?

There are ways to include legacy characters without totally overwhelming or swamping a production. But it requires discipline on the production side of things. It needs someone to step in and say “no, we’ve seen enough of the Doctor or Uhura or Picard already, let’s tell a story that focuses on someone new.” It’s my hope that – however late in the day it may be – Starfleet Academy will strike a better balance in this regard that any of its predecessors have. It’ll be fun to catch up with the Doctor after all this time… but he doesn’t need to be a main character. He should be, as Robert Picardo has said, “the Yoda of Star Trek,” offering advice and help to this new cadre of cadets, but without getting in their way or making things all about himself.

Kate Mulgrew and Robert Picardo at the Starfleet Academy premiere in 2026.
Kate Mulgrew and Robert Picardo in January 2026.

Look at the absolutely awful mess that Star Wars has gotten itself into thanks to an inability to move on from legacy characters (and the only story that the franchise has ever told). Is that what we want for Star Trek? If Star Trek had gone down this kind of route in the ’80s and ’90s, sticking doggedly with Kirk and his crew, think of all the incredible characters we’d never have met, and all of the stories that would’ve never been told. Modern Star Trek, by focusing so heavily on legacy characters at the expense of new creations (and, arguably, because some of the few new creations haven’t been particularly well-written or well-received), has deprived the franchise of innovation for current audiences, failed to open the doorway to new audiences, and most importantly, stagnated the franchise and left it with fewer narrative directions in the future.

I can’t help but feel, as this current streaming era seems to be winding down, that modern Star Trek will come to be seen as a catastrophically mishandled period, and a massive missed opportunity to build a new, solid foundation for the future. In another twenty or thirty years, there won’t be able to be a revival of any of the modern shows, except perhaps for Lower Decks, because of how heavily they’ve all leaned on either returning actors or re-cast characters. There’s nowhere left for most of them to go now, and they’ve left Star Trek as a whole feeling kinda… tired.

“Hot Take” #3:
The Borg Queen ruins the Borg, and her inclusion fundamentally misunderstands the Collective and what made them such an intimidating villain.

(Cropped) still frame from Star Trek: First Contact showing the introduction of the Borg Queen.
The Borg Queen’s first appearance.

This is a subject I’ve touched on before – and it really ought to be a longer essay on its own, one day! For now, here’s the short version: the Borg Queen has always felt, to me, like the worst and most egregious kind of studio interference. “Films need to have villains!” decreed someone at Paramount Pictures in the mid ’90s, and because the Borg had already been decided upon for First Contact, the writers had to go out of their way to create a unique individual Borg character for Picard, Data, and the others to face off against. Even though the idea of a “unique individual Borg” is a complete oxymoron.

Think back to what Q told Picard when the Borg first appeared in Q Who: “They’re not interested in political conquest, wealth, or power as you know it. They’re simply interested in your ship, its technology. They’ve identified it as something they can consume.” That description presents the Borg as an adversary for the Federation unlike anything we’ve ever seen in the franchise before or since. And it’s *terrifying.*

Still frame from Star Trek: TNG showing Picard, Q, Geordi, and Worf in engineering.
Q Who introduced the Borg.

A common trope in Star Trek is “they were only trying to communicate!!1!” where we learn, belatedly, that a supposed enemy or alien monster wasn’t interested in harming our heroes, but that their form of life was so different that we interpreted their actions as aggression. Another trope of the franchise is our heroes using diplomacy and negotiation to defuse dangerous situations; talking down the Cardassians, Romulans, or Sheliak before a conflict can even break out. The Borg – prior to First Contact – completely ruled out all of that. They don’t talk, they don’t negotiate, they don’t want to be pals. They want to consume; to exploit technological and biological resources to add to their Collective. And you don’t get a say in that.

The Borg Queen opens up a channel to conversation and negotiation with the Borg, and was also a scenery-chewing bad guy in the mould of so many other villains of stage and screen, both in the Star Trek franchise and beyond. I’ll concede the point that the Borg Queen is one of Star Trek’s most memorable and iconic villains. But that’s not the issue. There didn’t need to be an individual Borg leader in order for the Collective to be so dangerous and threatening. Worse, the Queen actively detracts from the previously unique nature of the Borg, transforming them into just another enemy faction with an over-the-top leader.

Still frame from Star Trek: Picard Season 3 showing the defeat of the Borg Queen.
“Noooo!”

This got worse in Voyager, where the Queen developed a weird relationship with Janeway and, in particular, Seven of Nine. The Borg Queen is supposedly a manifestation of the Borg Collective itself, in control of literally trillions of drones, tens of thousands of starships, and the biggest interstellar empire in the galaxy. Yet, for some reason, she obsesses over Picard, Janeway, and Seven of Nine in a way that never felt plausible or realistic. It continued the trend of making villains in Star Trek simultaneously more bland and more over-the-top. And, of course, it all came to a head in Picard’s third season, where the finally-defeated Borg Queen even yells out “noooo!” as she’s beaten, as if she were a second-rate supervillain from a cheap comic book.

The Borg Collective worked because it held up a dark mirror to a society just beginning to get started with computers, showing us how an over-dependence on technology could go awry. It played on similar tropes to zombies, fears of Cold War-era “brainwashing,” and more. The idea that every hero lost turns into another enemy to fight is a powerful one, and the thought of losing one’s mind and being turned against one’s friends is truly a fate worse than death for a lot of folks. But what made the Borg work was that they were incomprehensible, unstoppable, and far beyond Starfleet in terms of size and technology. Adding a scenery-chewing bad guy at the behest of a studio executive? It took away all of those unique qualities, set the stage for a noticeable decline in the quality of Borg stories, and just… ruined the Borg.

“Hot Take” #4:
The transporter is more magic than sci-fi… which is why arguments about whether it “kills and copies” characters are kinda silly.

Concept art for Star Trek: Phase II/Star Trek: The Motion Picture showing a transporter room and two characters.
Concept art for Phase II showing the transporter.

Of *all* the fictional technologies in the Star Trek franchise, none have become quite as controversial as the transporter. There’s a raging debate about how the transporter works, what happens to people who get transported, and whether they’re the same person, clones, or something else entirely. Some folks are adamant that the transporter basically murders and then clones anyone who steps into it, arguing that, if the transporter were ever to be invented in the real world, our current understanding of physics and atomic particles means that the person who steps out the other side of a transporter beam is basically a clone.

But here’s the thing: the transporter is probably the least-realistic of any of the major technologies we know of in Star Trek. There are proposals for faster-than-light communication via quantum entanglement. There are concepts for actual warp drive and other faster-than-light engines. There are realistic artificial gravity ideas that seem feasible. But a transporter? It’s basically magic wrapped in technobabble. That technobabble makes it *feel* technological rather than magical, but it’s the least-plausible of all Star Trek technologies. And for me, it’s one of those “you just gotta suspend your disbelief” things.

Still frame from Star Trek TOS Season 2 showing characters mid-transport.
Transporting in The Original Series.

We don’t apply the same rigorous real-world quantum physics analyses to things like warp drive, do we? Not at the same rate, anyway, based on my engagement with the fan community. Yet, if you approach faster-than-light travel the same way as some pseudo-scientists and armchair physicists do the transporter, you pretty quickly find that it’s impossible, too. My point is this: Star Trek is science-*fiction*, and, as in all works of fiction, there comes a moment where you can either… go with a story and suspend your disbelief, or you can’t. Lots of things in Star Trek are totally fictional. Klingons. Phasers. Dilithium Crystals. And while I get the argument that we want the world of Star Trek to make sense, it’s more important to me that it remains consistent with itself, not that it has to conform to our current understanding of real-world science in every instance.

If Star Trek was constrained by real-world science all the time, that wouldn’t just affect the transporter! Starships at warp would have to deal with time dilation as they travelled faster than the speed of light. Energy weapons would be basically invisible. Starship battles would look a heck of a lot different, too. Can you imagine, in the Battle of the Mutara Nebula, if we had to sit in the cinema for eight weeks while the Enterprise’s torpedo slowly made its way, at sub-light speeds, towards the Reliant? That wouldn’t be a lot of fun, right?

Still frame from Star Trek: TNG showing Barclay being transported.
Lt. Barclay mid-transport.

There is a sub-genre of “hard” sci-fi, where real science matters a lot more than it does in Star Trek. And I daresay it’s true that you’d either never get a technology like the transporter there, or if you did, it’d be treated as some kind of existential horror. But Star Trek isn’t that kind of franchise, despite what some Trekkies like to think, and if we want to enjoy Star Trek episodes and stories on their own merit, we kinda have to accept some scientific inaccuracies and some of the franchise’s more magical and fantastical elements. The transporter is one such example.

I will say, though, that I totally get this argument, and when it’s made in a less-than-serious way, I don’t *object* to it, nor to having a discussion around it. But if someone’s gonna try to claim that it “ruins” Star Trek, or that the franchise needs to explain, in-universe, how the transporter works in detail, then that’s something I’m just flat-out not interested in. Most of Star Trek’s technologies benefit from a degree of vagueness, and the transporter is one of them. It can adapt to fit the needs of all manner of stories, and while there may be implications to the technology based on our current understanding of sub-atomic particles and physics… well, who’s to say that those implications won’t be overcome or proven wrong in the next few centuries? All it takes is a little bit of creative thinking to accept that the transporter works in exactly the way we see it work in episode after episode!

“Hot Take” #5:
Most pitches for new Star Trek shows from ex-actors (and a lot of fantasy proposals from fans, too) would be just *awful*.

Still frame from Star Trek: Enterprise Season 4 showing Archer and T'Pol.
President Archer, anyone?

Scott Bakula has been doing the rounds recently with his proposal for a “Star Trek: President Archer” series; a kind of sequel to Enterprise focusing on the early years of the Federation with Archer as its leader. Robert Duncan McNeill unironically pitched a Captain Proton show a few years ago. Michael Dorn spent years trying to convince CBS and Paramount to go for his “Captain Worf” idea. And those are just a handful of ideas for new shows, sequels, or spin-offs that I just… I really think wouldn’t be much fun.

Picard demonstrated that there can be a place for sequels in Star Trek – though it did so *very* imperfectly a lot of the time. But as we were just saying, modern Star Trek already relies excessively on legacy characters, so doing *more* Picard-type shows, focusing on characters like Seven, Janeway, Worf, or Archer… I think it’s just too much, especially right now. And without a hook nor a compelling reason for *why* any of these characters need to return, I think they’d struggle to tell engaging and interesting stories that would really justify bringing them back.

Still frame from Star Trek: Voyager Season 5 showing Captain Proton (Tom Paris), the Doctor, and Harry Kim in a black-and-white holo programme.
A Captain Proton series? Really?

On the one hand, I get it. If you’re… well, to be honest, *most* ex-Star Trek actors, returning to the franchise is the best work you’re gonna get this decade – if not ever. And when the former ViacomCBS and Paramount corporations seemed to have been greenlighting Trek projects all across the board, you’ve basically got nothing to lose by putting a pitch together. But I think what Star Trek needs right now is to move on, to genuinely leave the past in the past. If there’s even a remote chance of a new series anytime soon, it should be set further along the timeline, in a new era, with new characters. Modern Trek has already overdone it with the legacy characters, in my opinion.

But that’s somewhat incidental. The blunt reality is that I don’t think I’ve seen a single one of these pitches that I actually liked, or that I felt had even the remotest justification for being created. Take Kate Mulgrew’s Janeway idea as an example. Between Voyager, Prodigy, and references to her in Picard, we’ve seen her entire arc… and then some. What could a hypothetical “Star Trek: Janeway” do for the character that we haven’t already seen? It would be a sequel for the sake of making a sequel… worse, it would be a sequel for the sake of cutting Kate Mulgrew a cheque.

Still frame from Star Trek: Prodigy's premiere showing holo-Janeway.
A holographic version of Captain Janeway from Prodigy.

I’m loathe to give studio executives *any* credit whatsoever – especially the brain-dead hacks who used to run the old ViacomCBS and Paramount corporations. But if there’s one thing I could say in defence of some of these folks, it’s that they recognised the obvious lack of quality (and lack of broader audience appeal) in these kinds of actor-led pitches and proposals. There’s an alternate timeline, perhaps, where the Star Trek franchise is swamped by a succession of disappointing sequel shows centred around one or two returning characters… and I just don’t see how any of that would be an improvement.

I’d also extend this to a whole lot of fan-made proposals and “fantasy” Star Trek shows, too – probably including some of my own! I’d have loved to see, for example, a series set aboard a hospital ship; ER in space. But let’s be honest, hardly anyone would be interested in that! There’s no shortage of ideas and proposals from fans for new Star Trek shows, sequels, and spin-offs, and while I will occasionally come across one that sounds genuinely interesting… most of them are absolute trash, and would be truly awful if they ever made it to the screen. This isn’t to say that the Star Trek franchise has got everything right in recent years – far from it. Look at the repetitiveness of Discovery’s storytelling as the show wore on, the bizarre decision to commission a Section 31 show, then re-work it into a TV movie, or making a half-kids show, half-sequel to a series from a quarter of a century earlier. But just because the folks in charge of Star Trek have made mistakes, that doesn’t magically make some of these truly awful-sounding pitches any better!

“Hot Take” #6:
Star Trek is, at a fundamental level, not the right fit for a serialised streaming TV show.

Behind-the-scenes photo from Star Trek: Picard showing Patrick Stewart and a camera.
Behind-the-scenes on Picard Season 2.

Since Lost premiered in the mid 2000s, and especially after Game of Thrones took the world by storm, most big-budget TV shows have gone down a serialised route, mandated by broadcasters and streaming platforms. And there have been some wonderful success stories with the serialised format… in other franchises. But when you think about what Star Trek is at its core – a franchise about exploring strange new worlds – that just doesn’t gel with the kind of serialised storytelling that has become the norm on streaming. And I think that’s a big part of why modern Star Trek has struggled.

A typical Star Trek series needs the freedom that only episodic storytelling can provide. It needs to be able to warp to a new planet every week, encounter new aliens, new villains, and new temporary allies. There can be character arcs and growth within that format – I’m not suggesting we go back to the days where something huge or traumatic would happen, only for it to be ignored in every subsequent story. But in terms of what Starfleet is and what almost all of our main characters do for a living… the only way to tell these kinds of stories, really, is to use that older, episodic style.

Still frame from Star Trek: The Next Generation showing the Enterprise-D at DS9.
The Enterprise-D at DS9.

The only series where serialised storytelling had a chance of working was Deep Space Nine. A static setting with a large cast of secondary characters gave the franchise that opportunity. And I’m not averse to the idea of doing something like that again – DS9 is, on balance, probably my favourite series, and I’d like to see another Star Trek show set on a space station or even a colony. Both of those settings offer more potential for serialised storytelling.

But a show like Discovery, set on a vessel of exploration, needed the freedom of an episodic format to really shine. There were a few semi-standalone episodes across Discovery’s run, and I think most of them would probably rank as my personal favourites that the show produced. But for me, Discovery’s format – which was later recycled in Picard and even Prodigy – felt more like a constraint than an advantage. Blindly chasing the latest trend did not benefit any of the Star Trek shows that tried it, and it’s no coincidence that Strange New Worlds – which employs much more of an episodic style – is, in my view, far and away the best part of modern Star Trek.

Still frame from Star Trek: Strange New Worlds 3x09 showing the USS Enterprise.
The Enterprise in Strange New Worlds.

Unfortunately, Starfleet Academy seems poised to repeat the mistakes made by Discovery, Picard, and Prodigy – telling a season-long, fully-serialised story with a “huge galactic threat,” a villain with a mysterious connection to a main character, and so on. It’s my sincere hope that, if and when Star Trek is revived on the small screen one day, we’ll get something closer to Strange New Worlds in terms of the kind of storytelling employed. Most Star Trek shows just aren’t a good fit for these kinds of serialised stories. And that’s before we get into how repetitive it is to have existential threats, scenery-chewing villains, and the like every single time.

Star Trek has *always* taken inspiration from the entertainment landscape around it, and that’s not inherently a bad thing. But in this case, the way streaming TV has gone over the past fifteen years or so has taken it in a direction that doesn’t suit the Star Trek franchise, and I wish the higher-ups had recognised that sooner. There’s scope to tell *some* serialised stories in Star Trek – I’m not saying it should never be attempted. But doing so at the expense of episodic storytelling in almost every case is why, for a lot of folks, the modern franchise hasn’t “felt like Star Trek.”

So that’s it… for now!

Still frame from Star Trek IV showing Kirk and Spock on a bus.
Kirk and Spock in 1986…

We’ve talked about six of my “hot takes” to mark the beginning of the 60th anniversary year – but there’s more to come! Starfleet Academy will premiere later this week (for some reason, Paramount-Skydance didn’t invite me to the premiere nor give me the episodes to watch early; wonder why?) My current plan for Starfleet Academy is to write a review of the two-episode premiere, then write a review of Season 1 as a whole after it concludes in early March. I don’t think I have enough in the tank for weekly episode reviews right now, I’m afraid, but I hope you’ll join me as I check out the premiere, at least.

And as we get closer to the anniversary, I’ve got a couple of ideas for episode re-watches and other pieces to celebrate this impressive milestone. I’m not 100% sure if Strange New Worlds Season 4 will be out this year, but if it is, I daresay I’ll be reviewing those episodes, too. And I’m always on the hunt for more Star Trek topics to write about, especially in an important year like this. So definitely check back!

Until then, I hope this has been a bit of fun – and not something to get too worked up or upset about! I enjoyed writing up these “hot takes,” and I hope you’ll take them in the spirit of good-natured fun as we come together to celebrate what makes Star Trek such a great franchise. See you… out there!


Most Star Trek films and TV programmes can be streamed on Paramount+ in countries and territories where the platform is available, and are also available on DVD and/or Blu-ray. The Star Trek franchise – including everything discussed above – is the copyright of Skydance/Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Happy Star Trek Day!

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware of minor spoilers for Strange New Worlds Seasons 2-3.

Happy Star Trek Day, friends!

The 8th of September – i.e. today – was the date in 1966 when the very first episode of Star Trek premiered in the United States, and in recent years, it’s been celebrated within the fan community as “Star Trek Day.” Next year’s going to be the milestone 60th anniversary, but I thought we could take stock of where Star Trek finds itself, reflect on the importance of the franchise, and just geek out a little bit today, since it’s a special occasion.

Though it was the first episode to be broadcast, The Man Trap wasn’t the first episode to be produced. After The Cage didn’t make the cut, Gene Roddenberry and co. were given a rare second chance to make a pilot, and they settled on Where No Man Has Gone Before. However, although the network liked this episode more than The Cage, it wasn’t considered as straightforward a story when it came to deciding on the broadcast schedule. Basically, by process of elimination, The Man Trap won out against the few other completed episodes in September 1966. And just the other day, I got to meet Budd Albright – one of the actors who was in The Man Trap. Being able to say I’ve met one of the performers who was in the first ever Star Trek episode is, without a doubt, one of the coolest things I can add to my resume as a Trekkie!

Still frame from Star Trek: The Original Series S01, E01, "The Man Trap," showing Barnhart and the M-113 Creature.
Budd Albright (left) in The Man Trap, which aired 59 years ago today.

When you look back with 59 years of hindsight, having seen how Star Trek attracted a fandom and expanded into a massive franchise, it’s easy to fall into the trap of saying its success was always a sure thing. But if you read up on the early production history of Star Trek, what amazes me is how it could’ve either been completely different… or might never have made it off the ground at all. Even today, if a television pilot gets rejected, being offered a second chance by a broadcaster is something that very rarely happens. In the mid-1960s, with sci-fi still a relatively new and untested genre on television – and an expensive one, thanks to sets, costumes, props, prosthetics, and special effects – it’s genuinely stunning to think that the higher-ups at the network were willing to give Gene Roddenberry that all-important second chance.

There were several key decisions taken early in the production of The Original Series that I genuinely believe took a great concept and turned it into something that became a phenomenon. The first was the avoidance of product placement; Gene Roddenberry was keen to avoid Kirk and Spock turning to the camera, cigarette in hand, and plugging brands like Lucky Strike. The second, and probably most important, was that The Original Series was filmed and broadcast in colour, at a time when colour TV was only just getting started. Doctor Who, one of Star Trek’s contemporaries in the ’60s, didn’t broadcast in colour until 1970, and American shows around the same time – like The Addams Family, The Twilight Zone, and The Fugitive – were all still airing in black-and-white.

Kirk, Spock, and Dr McCoy from Star Trek on a promo poster for the series' Betamax release c. 1986 (cropped).
Kirk, Spock, and Dr McCoy.

Star Trek was cancelled in 1969 due to low ratings – but those ratings massively improved when the series was rebroadcast in the early 1970s – and I firmly believe that if it had been in black-and-white, not colour, it would’ve been more difficult for Star Trek to have garnered the level of support that led to the creation of The Animated Series and, eventually, The Motion Picture. I don’t know if colour was always the plan, and for a while, I remember reading that the only full cut of The Cage that existed was in black-and-white, though I’m not sure if that was just a pre-internet rumour! In any case, being filmed and broadcast in full colour definitely gave Star Trek a much-needed boost as colour TV was just about to take off.

At the core of Star Trek, though, were great characters and fun stories – often, but not always, with morals and messages that reflected the world in which they were written in different ways. I said a few years ago that The Man Trap is more than just an “alien monster” story; what makes the episode so poignant and powerful are the reflections Kirk, Spock, McCoy and others have when they consider the implications that the Salt Vampire may have been the last of its kind… and they killed it in self-defence. Star Trek has always trusted its audience to think, and encouraged viewers to consider the implications and possibilities of its stories. Star Trek episodes are designed to be dwelt upon after the credits have rolled – which, I think, explains why there’s such a vocal and passionate fan community!

Still frame from Star Trek: The Original Series S01, E01, "The Man Trap," showing the M-113 Creature/Salt Vampire.
The M-113 Creature.

After The Cage was rejected, Gene Roddenberry and the team re-worked most of its characters. “Number One” was originally intended to be the stoic and logical one, but that role was reassigned to the new incarnation of Spock. Captain Pike was out, replaced with Captain Kirk. Dr Boyce became Dr McCoy, but retained a similar role as an older confidant of the captain. Characters like Sulu and Uhura were created, and the stage was set for the show we’re all familiar with.

If you’d told the cast and crew then, in 1966, that new episodes featuring Spock, Scotty, Uhura, and Nurse Chapel would still be airing 59 years later… well, I doubt anyone would have believed you!

But I think it says a lot about those characters, and the way The Original Series was written, that Strange New Worlds came to exist at all – let alone that it’s the best thing Star Trek has done in a long time. Those characters, their personalities, and the way they’d conduct themselves in their roles… it’s a huge part of what made Star Trek into the franchise it would become. We’re still watching episodes starring these same characters, alebit in an updated format, all these years later.

Still frame from Star Trek: Strange New Worlds 3x06 showing Spock, Scotty, Chapel, and Uhura on the bridge of the USS Farragut.
Spock, Scotty, Chapel, and Uhura in a recent Strange New Worlds episode.

I didn’t come to Star Trek via The Original Series. It was The Next Generation that first made me a Trekkie in the early 1990s. I’ve said this before, but Season 2’s The Royale is the first episode I can remember watching all the way through (though I think I’d seen at least parts of episodes before that, as well as having seen some action figures and props that my uncle had at the time.) In any case, I date my entry into the Trekkie community to 1991, when The Royale aired for the first time here in the UK. I went back to watch The Original Series here and there, when it was on TV and when I could afford to rent video tapes!

But as I progressed my journey into the Trekkie community through the 1990s, including attending my first-ever fan meetup and going to visit the Star Trek Exhibition around the time of the 30th anniversary, I came to watch The Original Series episodes and films. I’m afraid I couldn’t tell you what the first TOS episode I watched was; that memory is lost in the recesses of an addled brain! But I soon fell in love with Kirk, Spock, Dr McCoy, and the rest of the crew – just as the first generation of Trekkies had done a quarter of a century earlier. I don’t think I knew that The Man Trap had been the first episode to air until I got online around the turn of the millennium and started talking to other Star Trek fans; there was a debate, for a time, about which episode “technically counts” as the first one – should we go in broadcast order or production order? Broadcast seems to have won that argument, by the way!

Behind-the-scenes photo/still frame from Star Trek: TOS showing the original USS Enterprise model against a blue screen.
The original USS Enterprise filming model.

Some people have gone so far as to suggest that, without Star Trek, there’d be no sci-fi on our screens today. I don’t agree with that assessment, I’m afraid. By 1966, when The Man Trap aired, Kuberick’s 2001: A Space Odyssey was in production. Other sci-fi and sci-fi-adjacent shows, like The Outer Limits, My Favorite Martian, and The Twilight Zone were already airing, and with the space race in full swing, there was a growing amount of attention on the genre. But without Star Trek, the sci-fi landscape would’ve been very different. Even back then, there was a lot of “doomerism” floating around. Star Trek is one of the very few entertainment properties – then or now – to present an optimistic vision of the future, where technology cures problems rather than causes them, where humanity has overcome its violent impulses rather than surrendered to them, and where the future is bright, not dark.

That’s what appealed to a lot of people about Star Trek: the core fundamentals of its setting. Technology could cure diseases. There was still an economy and private property, but humanity had moved to become a “post-scarcity society,” where an abundance of energy and resources meant we could dedicate our time to science, exploration, and other pursuits instead of being tied to a desk or working in a factory. Those elements of escapism appeal just as much today as they did 59 years ago – and they probably always will.

Still frame from Star Trek: The Original Series S01, E01, "The Man Trap," showing Dr McCoy holding his medical tricorder.
Dr McCoy with his medical tricorder in The Man Trap.

As someone who’s had health issues going back decades, I can say with certainty that one of the most appealing things about Star Trek’s vision of the future is the potential to cure diseases, and how it depicts an inclusive, friendly society that’s largely free from discrimination and hate. Technologies like the hypospray and medical tricorder are seen diagnosing and treating all manner of ailments and conditions. Some episodes suggested that limbs could be regenerated, scar tissue covered up, and even the ageing process itself could be reversed (in some stories, at least!) Dr McCoy (and later the likes of Dr Crusher, Dr Pulaski, and Dr Bashir) would be seen treating patients in state-of-the-art medical facilities, with bio-beds, computer monitoring, and research labs to develop brand-new cures.

Star Trek “predicted” technology that we take for granted today. What is the Enterprise’s viewscreen if not an early take on video-calling and FaceTime? Communicators seem an awful lot like mobile phones. Combadges? Bluetooth microphones and speakers. There are laser weapons in use by militaries around the world, and proposals for things like nuclear fusion reactors, ion thrusters, and even a “warp drive” concept of sorts – many of which are at least partly inspired by Star Trek. And there are countless individuals who have cited Star Trek as a reason for their interest in medical, scientific, or engineering fields.

Still frame from Star Trek: The Original Series S01, E01, "The Man Trap," showing the main viewscreen.
The planet M-113 (remastered version) on the Enterprise’s main viewscreen.

So if that’s Star Trek’s legacy and early history… what’s next? What may lie in store for Star Trek as we pass its 59th birthday?

This is where, I’m afraid, things start to look a little less rosy. In my view, Skydance – Star Trek’s new corporate overlords – are not as interested in making new television shows as the previous incarnations of Paramount and CBS had been. I don’t believe it’s a coincidence that Discovery, Lower Decks, Prodigy, and Strange New Worlds were all cancelled after Paramount took the decision to go ahead with the Skydance merger. David Ellison, the CEO of Skydance and, by extension, the man with the final say over new Star Trek productions, does seem interested in some kind of feature film adaptation – and as luck would have it, there are supposedly at least two such projects currently being worked on. But with Paramount+ struggling, and not every recent Star Trek project being particularly well-received… I will not be at all surprised if the final episodes of Strange New Worlds and Starfleet Academy will bring an end to this era of Star Trek on TV.

With that being said, as depressing as it may sound, it isn’t always a bad thing for a franchise to take a break, get shaken up, and come back after some time has passed! It worked for Doctor Who in the mid-2000s, it arguably worked for Star Trek after Enterprise’s cancellation, and it’s at least possible to think that future Star Trek productions may benefit from learning the lessons of this era of streaming TV… as well as from having a bit of a hiatus.

Concept art of the USS Enterprise produced for Phase II/The Motion Picture.
Concept art of the USS Enterprise produced for Phase II/The Motion Picture.

I don’t have any “insider information,” by the way. But based on what’s been said publicly about potentially merging Paramount+ with Peacock (or some other streaming platform), David Ellison’s apparent preference for films over streaming TV, and the cancellation announcement for Strange New Worlds coming before Season 3 had even aired… that’s my gut feeling. No new Star Trek has been greenlit for a while, and one of the shows that had been announced – Tawny Newsome’s “workplace comedy” series – now seems to not be going ahead. So I think we have to contend with the possibility, as we pass the 59th anniversary, that Star Trek may once again be heading for a fallow period.

But there will be time to talk about that in more detail on another occasion!

Today, I want to raise a glass and toast to Star Trek’s success. Not many other entertainment properties from the mid-1960s are still around, still being worked on, and still so beloved as Star Trek. Very few franchises get anywhere near the 1,000-story mark – yet Star Trek, at time of writing, is just about 40 episodes shy of that incredible milestone. If Strange New Worlds and Starfleet Academy proceed as planned, as well as the films which are supposedly being worked on… hitting that 1,000-story mark seems within reach in the next few years.

Still frame from Star Trek: Strange New Worlds 3x09 showing transporting.
Beaming down to a moon in the most recent Star Trek episode.

On a personal note, though I’ve dealt with burnout and felt the franchise had been over-saturated in the early 2020s, I’m still a huge Trekkie. I’ve been keeping up with Strange New Worlds this season, and I regularly go back to watch my favourites from The Next Generation era in particular. Being a Trekkie has been part of my identity, in a way, since I was a pre-teen, and now I’m in my forties! Nothing else in the entertainment world compares to Star Trek, for me, and even when I’m not actively watching the latest film or episode, Star Trek is still on my mind, its philosophy and vision of the future are still things I take into account, and my love for this franchise remains. The way I express that may fluctuate, sure, but I am still a Trekkie – and I daresay I always will be.

So happy Star Trek Day! Wherever you are in the world, whatever you’re doing, and regardless of whether you plan to watch The Man Trap (or any other episode) to mark the occasion, thank you for checking in, and I hope you have a wonderful Star Trek Day. This incredible franchise brought us together, today, 59 years on from that first episode – and I think that’s something pretty darn special.

Live Long and Prosper.


The Star Trek franchise – including all episodes and properties discussed above – is the copyright of Skydance/Paramount. Most Star Trek shows and films can be streamed on Paramount+ in countries and territories where the platform is available, or purchased on DVD and Blu-ray. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.