Star Trek Day roundup!

Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including the following upcoming series: Strange New Worlds Season 1, Picard Season 2, Lower Decks Season 2, Discovery Season 4, and Prodigy Season 1.

Yesterday was Star Trek Day! And in case you missed it, ViacomCBS held a live event that was streamed online and via Paramount+ showcasing and celebrating all things Star Trek! We’ll break down the big news in a moment, but first I wanted to give you my thoughts on the event as a whole.

This was the first big in-person event that many of the folks involved had been able to attend since 2019, and there was talk of the pandemic and its enforced disruption on the various shows that have been in production over the last couple of years. There was also a lot of positivity from presenters and interviewees not only about Star Trek – which was to be expected, naturally – but also about being back together and simply being able to hold a major event of this nature. The positivity of hosts Wil Wheaton and Mica Burton was infectious, and the event was much better for the role the duo played in hosting the panels and introducing guests.

Mica Burton and Wil Wheaton were great hosts.

That isn’t to say that Star Trek Day was entirely without problems, though. To be blunt, the event dragged on a bit too long (it ran to over three hours) and several of the panels and interviews were the worse for being conducted live instead of the pre-recorded, edited, and curated segments and panels we’ve had to get used to in the coronavirus era. Several of the guests seemed unprepared for what should’ve been obvious questions, and there were too many awkward silences and pauses while people gathered their thoughts and responded to the hosts. Such is the nature of live broadcasting – and it sounds rather misanthropic to criticise it!

During what I assume was an intermission on the main stage we were treated(!) to a separate pair of presenters on the red carpet reading out twitter messages and posts from the audience. This was perhaps the segment that dragged the most; one of the presenters even admitted to not being a regular Star Trek viewer (she hadn’t seen Discovery at all) so unfortunately this part of the show was less interesting as the pair were a little less knowledgeable about the franchise. If it had been made clear that this section of the broadcast was going to last as long as it did I might’ve taken a break as well!

This segment in the middle of the broadcast dragged on a bit.

Overall, though, despite running a bit too long and the ending feeling a little rushed (something we’ll talk about later), Star Trek Day was a success. It didn’t only look forward to upcoming projects like Strange New Worlds and Picard Season 2, but it looked back at every past Star Trek series, inviting members of the casts of those shows to talk about what made them – and the franchise – so great.

As a true celebration of all things Star Trek, the broadcast has to be considered a success. And although a pre-recorded event could’ve been edited and streamlined to cut to the more interesting parts and to give interviewees a chance to gather their thoughts, it was nice to see many of the folks we know and love from Star Trek back together and able to spend time in person with one another. Hosts Wil Wheaton and Mica Burton did a great job at making us as the audience feel included, as if we were there at Star Trek Day right along with them. For those few hours – even through awkward moments and segments that seemed to run a little too long – it felt like being a member of the Star Trek family. As someone with few friends, I appreciated that immensely. For those few hours last night – and yes, even though Star Trek Day didn’t start until 1:30am UK time I did stay up to watch it – I felt like I, too, was an honorary member of the Star Trek family, and that’s a feeling I would never have been able to get anywhere else.

Star Trek Day was a successful celebration of all things Trek!

Now then! Let’s talk about the various panels, trailers, and interviews. Over the coming days I’ll be taking a closer look at some of the announcements and trailers in more detail (as well as perhaps crafting a few of my patented and often-wrong theories), but for now I want to try to include an overview of everything that was included in Star Trek Day.

We’ll come to the biggest announcements and trailers at the end, but first I wanted to talk for a moment about the music. Star Trek Day had a live orchestra on its main stage, and we were treated to live renditions of Star Trek theme music past and present – as well as a medley that kicked off the event. I was listening to Star Trek Day on my headphones, and the music sounded beautiful. Composer Jeff Ruso (who composed the theme music to Discovery and Picard) picked up the conductor’s baton, and the medley he arranged was really an outstanding celebration of all things Star Trek.

Star Trek Day both began and ended with music, as Isa Briones (Star Trek: Picard’s Soji) sang her rendition of Irving Berlin’s 1926 song Blue Skies to close out the broadcast.

Isa Briones’ rendition of Blue Skies brought proceedings to a fitting end.

There were five “legacy moments” spread throughout Star Trek Day, and these celebrations of past Star Trek series were genuinely moving. Actors George Takei, LeVar Burton, Cirroc Lofton, Garrett Wang, and Anthony Montgomery spoke about their respective series with enthusiasm and emotion. Cirroc Lofton paid tribute to his on-screen dad Avery Brooks, talking about how Deep Space Nine showed a single dad balancing his work and family commitments. He also spoke about Deep Space Nine’s legacy as the first Star Trek show to step away from a starship and take a different look at the Star Trek galaxy.

The themes of diversity and inclusion were omnipresent in these legacy moments, and all five actors spoke about how Star Trek and Gene Roddenberry have promoted diversity since the very beginning. George Takei spoke about Gene Roddenberry’s vision for Star Trek, how sci-fi had previously been something often seen as just for kids, and how putting a very diverse cast of characters together was groundbreaking in the 1960s. It’s always amazing to hear George Takei speak, and even fifty-five years later he still has a grace and eloquence when speaking on these topics. As someone who has himself been at the forefront of campaigning for diversity and equality, he does so with a gravitas that few can match.

George Takei’s speech was outstanding.

Garrett Wang spoke about how Voyager could be a “refuge” for fans; a place to go where everyone could feel included and like they were part of the family. The way the show combined two crews was, I would argue, one of its weaker elements, but Wang looked at it through a different lens, and I can see the point about how Voyager put those folks in a difficult situation and brought them together to work in common cause. He also spoke in very flattering terms about Captain Janeway and Kate Mulgrew – who is returning to Star Trek very soon.

Anthony Montgomery was incredibly positive about Enterprise, and how the series embodied the pioneering spirit of exploration. I loved his line about how Enterprise, although it was a prequel recorded later than many other shows, laid the groundwork and filled in much of Star Trek’s previously unvisited stories and unexplained lore. Above all, he said, Enterprise was a “fun” show – and it’s hard to disagree! The orchestra concluded this speech with Archer’s Theme – the music heard over the end credits for Enterprise – which is a beautiful piece of music. If I were to remaster Enterprise I’d drop Faith of the Heart (which is a nice enough song, don’t get me wrong) and replace it on the opening titles with Archer’s Theme. The orchestra played it perfectly.

Anthony Montgomery spoke with passion and good humour about Enterprise.

LeVar Burton talked about The Next Generation, and how Star Trek was reinvigorated for a new era. The Next Generation was the first spin-off, and it came at a time when spin-offs didn’t really exist in the sci-fi or drama spaces, so it was an unknown and a risk. Burton also spoke about The Next Generation’s sense of family, and how Star Trek can be a unifying force in the world.

Far from being mere padding, the five legacy moments saw stars of Star Trek’s past pay tribute to the franchise and the shows they were part of. There were consistent themes running through all five speeches, particularly the theme of inclusion. Star Trek has always been a franchise that strives to include people who are “different” – people like myself. For many fans, that’s one of the things that makes Star Trek so great. To see some of the biggest stars acknowledge and celebrate that aspect of Star Trek was wonderful, emotional, and rather cathartic.

Cirroc Lofton paid tribute to Deep Space Nine and his on-screen dad Avery Brooks.

Each of the five actors spoke with love, positivity, and enthusiasm for the franchise that made them household names. Anthony Montgomery’s incredibly positive attitude in particular shone through – he was beaming the whole time and seemed genuinely thrilled to have been invited to speak and to celebrate Enterprise.

If Star Trek Day aimed to celebrate all things Star Trek, then the legacy moments went a long way to making that ambition a reality on the night. The speeches were pitch-perfect, as were the orchestral renditions of all five Star Trek themes, and I had an unexpectedly good time with these moments. I wasn’t sure what to expect from the programme listed on the website; I didn’t really have any expectations of what the legacy moments would include. They surprised me by being one of the most enjoyable, down-to-earth parts of a hugely entertaining evening.

Garrett Wang represented Voyager in the show’s legacy moment segment.

Let’s talk about news and announcements. That’s what you’re here for, right?! That was certainly what I was most interested in and excited for when I sat down to watch the Star Trek Day broadcast – though, as mentioned, I was taken aback by some of the other elements present that I wouldn’t have expected!

First, a non-announcement! Wil Wheaton interviewed the head of production on Star Trek, Alex Kurtzman, early on in the evening. Kurtzman didn’t have anything to say about the Section 31 series, nor about the upcoming Star Trek film due for release in 2023. However, he mentioned something that I found really interesting: a Starfleet Academy series or project. This isn’t anything close to an official announcement, of course, and he and Wil Wheaton talked about it in abstract terms. But a Starfleet Academy series has been something Star Trek has considered in the past; Gene Roddenberry was quite keen on a Starfleet Academy spin-off prior to developing The Next Generation. Watch this space, because it’s at least possible that a project centred around Starfleet Academy will get off the ground under Kurtzman’s leadership.

Alex Kurtzman seemed to tease that a Starfleet Academy project may be coming sometime soon!

There were no brand-new shows or films formally announced at Star Trek Day. While I wasn’t necessarily expecting such an announcement, and Kurtzman’s earlier statement that no new show will be worked on until the current crop have run their course would seem to exclude it, there are multiple pitches and projects that have been rumoured or talked about over the last few years. The Section 31 series was absent again, as mentioned, and that’s more bad news for a series that feels like it isn’t going to happen. There were also no mentions of the likes of Ceti Alpha V, Captain Proton, or Captain Worf – just some of the heavily-speculated or rumoured pitches believed to be floating around over at ViacomCBS.

We did get release dates or release windows for several upcoming seasons, though! After Lower Decks Season 2 draws to a close in mid-October there’ll be a couple of weeks with no Star Trek, but then Prodigy will be available (in the United States at least) from the 28th of October. Shortly thereafter, Discovery Season 4 will kick off – it will premiere on the 18th of November in the United States and on the 19th internationally. Finally, Picard Season 2 is scheduled to arrive on our screens in February next year – presumably shortly after the season finale of Discovery.

Prodigy is coming soon… if you live in the USA, anyway.

All of this is great news! There was no release date for Strange New Worlds, but I think we can assume it will follow within a few weeks at most of Picard Season 2, which would put it perhaps in May or June 2022 at the very latest. But there will be a whole lot of Star Trek on our screens this autumn and winter, well into the first half of next year. Wil Wheaton said it best: with so many new Star Trek projects in production, we’re living through a new golden age of Star Trek right now!

I was a little surprised when the Discovery panel ended without revealing a new trailer or teaser for Season 4. Michelle Paradise, Wilson Cruz, Blu del Barrio, and Ian Alexander talked about how the show is fostering a sense of family in the 32nd Century – and that we will see Gray get a “corporeal” body in Season 4 somehow, which is great! But I have to say I’d been expecting a new trailer; the show is only a couple of months away after all. Perhaps we’ll get that nearer to the time. There wasn’t any mention of Season 5 either, but it’s possible that announcement will come as the marketing campaign for Season 4 ramps up.

Wilson Cruz speaking during the Discovery panel.

Wilson Cruz seems like such a positive person in every interview I’ve ever seen him participate in, and he brought a lot of positive energy to the stage in Star Trek Day as well. There was talk of the Stamets-Culber relationship being revisited in Season 4, which is great – Stamets and Culber really form the emotional core of the show. He also spoke about how Dr Culber is embracing new roles in Season 4 – the role of counsellor to others aboard the ship as well as a parental role for Adira and Gray.

Gray’s storyline has the potential to be one of the most powerful in Discovery as the show moves into its fourth season. Being trans or gender-nonconforming can make one feel invisible – something I can speak to myself – and this is literally shown on screen by Gray’s invisibility. The powerful story of discovering how to be seen, and to do so with the help, encouragement, and support of one’s closest friends and family has the potential to be an exceptionally powerful story, one which I can already feel resonating with me. Blu del Barrio and Ian Alexander spoke very positively about their on- and off-screen relationships, and they seem like they work exceptionally well together as a duo. I can’t wait to see what Season 4 will bring for them both.

Blu del Barrio and Ian Alexander play Adira and Gray respectively. I’m greatly looking forward to their stories in Season 4.

I’ve already got a Prodigy theory! The show’s co-creators talked about how Prodigy Season 1 begins with the kids on a never-before-seen planet described as being “far removed and mysterious.” It sounds like we aren’t seeing a planet that the USS Voyager visited in the Delta Quadrant – something backed up by scenes seemingly set on that world in the trailer – and the USS Protostar appears to have crashed “inside” the planet. Did it crash during the final leg of Voyager’s journey home through the Borg transwarp network? Or perhaps during one of Voyager’s other flights – the space catapult from The Voyager Conspiracy or Kes’ telepathic launch in The Gift, for example. More to come on this, so stay tuned!

So we got a release date for Prodigy in the United States, but as I’ve said on a couple of occasions now it seems as though Prodigy isn’t going to be broadcast anywhere that doesn’t already have Paramount+. Considering that the series is a collaborative project between Star Trek and Nickelodeon (itself a ViacomCBS subsidiary), it should surely have been possible to secure an international broadcast on the Nickelodeon channel – a satellite/cable channel here in the UK and in many other countries. It’s a disappointment that, once again, ViacomCBS does not care about its international fans. It’s not as egregious a failing as it was with Lower Decks, because as a kids’ show Prodigy’s primary audience won’t really notice the delay. But for Trekkies around the world, to see Prodigy teased then find out we have no way to watch it is disappointing, and there’s no way around that.

The USS Protostar in flight.

Despite that, the Prodigy panel was interesting. Dee Bradley Baker, who voices Murf – the cute blob-alien – seems like he’s a real Trekkie and spoke about the franchise with passion. It was so much fun to see him perform Murf’s voice live, as well! Brett Gray, who will take on the role of young leader Dal, seemed overjoyed to have joined a franchise – and a family – with such a legacy, and I liked the way he spoke about how the young crew of the USS Protostar will grow as the season progresses.

The show’s co-creators – brothers Dan and Kevin Hageman – spoke about how Prodigy won’t be a series that talks down to children, but rather aims to be a series with plenty to offer for adults as well. The best kids’ shows manage this – and the Hagemans have received critical acclaim and awards for their work on Trollhunters and Ninjago, so there’s a lot of room for optimism. They both seemed to have a good grasp of the legacy and role Star Trek plays and has played for young people, and I think the show is in safe hands.

Dee Bradley Baker gave us a tease of Murf’s voice!

The Prodigy trailer was action-packed and exciting! We got a glimpse of the villainous character played by John Noble – and heard his distinctive voice – as well as got a much closer look at the USS Protostar than we had before. Perhaps the most exciting moment, though, was seeing the Janeway hologram for the first time! Janeway’s role in the show seems like it will be that of a mentor; the kids will make their own calls and decisions, but Janeway will be on hand to offer advice – at least that’s my take at this stage.

There were some funny moments in the trailer, too, which will surely produce a lot of giggles from Prodigy’s young audience. “Just hit all the buttons” until the phasers fire was a great laugh line, and the ship losing artificial gravity was likewise hilarious. There was also a crash-landing that reminded me very much of a scene in the Voyager episode Timeless. I’m really looking forward to Prodigy and to spending time with the young crew of the USS Protostar.

The crew of Prodigy on the bridge of the USS Protostar.

The Lower Decks panel was perhaps the funniest of the night. It was also the one where the interviewees felt the most comfortable and did their best at participating and answering questions; there were none of the awkward silences or long pauses that made me cringe during other panels. Noël Wells, Eugene Cordero, and creator Mike McMahan initially took to the stage before being joined in truly spectacular fashion by Ransom voice actor Jerry O’Connell. The cast members clearly get on very well together, and this came across as the four talked with host Mica Burton about the first four episodes of the season as well as what’s to come in the remaining six episodes.

Wells and Cordero talked about how they see their characters of Tendi and Rutherford becoming friends and bonding over “nerd” things – geeking out together over things like new tricorders, engineering, or how best to do their work was a hallmark for both in Season 1. I’m not so sure how I feel about Mike McMahan saying that the rest of the season plans to go “even bigger” with some of its stories. Lower Decks can be overly ambitious, at times, with the number of characters and story threads it tries to cram into a twenty- or twenty-five-minute episode, and this can be to the detriment of some or all of the stories it wants to tell.

Mike McMahan, Noël Wells, Eugene Cordero, and Jerry O’Connell participated in the Lower Decks panel.

However, McMahan spoke about the episode Crisis Point from Season 1 as a kind of baseline for how big and bold the show wants to go in the second half of Season 2. That episode was one of the best, not just for its wacky over-the-top action, but for its quieter character moments. If the rest of Season 2 keeps in mind the successful elements from episodes like Crisis Point, then I think we’re in for a good time!

The mid-season trailer was interesting! Here are just some of the things I spotted: the Pakleds are returning, Rutherford seems to get a “Wrath of Khan-inspired” moment in a radiation chamber, Tendi was transformed into a monster that seemed reminiscent of those in Genesis from Season 7 of The Next Generation, Boimler and Mariner are involved in a shuttle crash, Mariner rejoins Captain Freeman on the bridge, there was a scene in which Boimler easily defeated some Borg that I assume must be a dream or holodeck programme, a Crystalline Entity was seen, the creepy bartender with the New England accent was back, and Boimler and Mariner shared a joke about the utility of phaser rifles. I’m sure there was more – but those were the key things I spotted! The rest of Season 2 will hopefully continue to hit the highs of the past few weeks – and there’s another episode coming out very soon here in the UK that I can’t wait to watch!

Rutherford’s “Wrath of Khan moment” from the mid-season trailer.

It was very sweet for Star Trek Day to take time to discuss Gene Roddenberry’s legacy, coming in the centenary year of his birth. His son Rod, and former Star Trek stars LeVar Burton, George Takei, and Gates McFadden joined Wil Wheaton to talk about Gene Roddenberry, and this was one of the most touching moments in the entire event. There were some laughs as George Takei told us about his first meeting with Gene Roddenberry and how he came to land the role of Sulu – including how both he and Gene mispronounced each others’ names! Gates McFadden seemed to have been talked into joining the cast of The Next Generation by Roddenberry, having initially wanted to return to the stage and join a play. Rod Roddenberry’s reminiscence of the design process for the Enterprise-D was hilarious – apparently his mother thought the ship looked like “a pregnant duck!”

LeVar Burton, who had been a Star Trek fan prior to joining The Next Generation, spoke about how he was overwhelmed at first when meeting “the Great Bird of the Galaxy,” and how a small role on a made-for-television film introduced him to producer Bob Justman, who later arranged for him to meet with Gene Roddenberry during pre-production on The Next Generation. All of these anecdotes went a long way to humanising Gene Roddenberry the man – we can often get lost in the legacy and philosophy he left behind, and how Star Trek and the world he created has influenced and impacted us, but this was a rare opportunity to hear small, personal stories about the man himself. I greatly appreciated that.

LeVar Burton spoke about working with Gene Roddenberry before giving a speech about The Next Generation.

George Takei got one of the biggest applause lines of the evening when he spoke about the importance of Star Trek’s fans, in particular Bjo Trimble, on popularising The Original Series and getting a nationwide fan community started. Decades before the internet came along to make fandoms and fan communities a part of many peoples’ lives, Star Trek was already developing its very own devoted fan community thanks to people like Bjo Trimble, and for George Takei to take time to acknowledge the role fans have played in Star Trek’s ongoing success was wonderful to hear.

As I’ve said before, The Motion Picture was the culmination of this fan-led journey for Star Trek, but the film also laid the groundwork for much of what we’d come to know as Star Trek in the eighties and nineties. Many sets and design elements were in continuous use in some form from The Motion Picture’s premiere in 1979 right the way through to the cancellation of Enterprise in 2005, and much of the aesthetic and feel of Star Trek is owed to what The Motion Picture pioneered. George Takei acknowledged that, and that was a pretty cool moment. The Motion Picture is one of my favourite Star Trek films, and a 4K remaster was briefly shown off as well – the 4K blu-ray set of the first four Star Trek films is out now, so Star Trek Day took a moment to plug it!

There was a brief glimpse of the remastered version of The Motion Picture from this new box set.

The panel that seemed to get the most online attention was, I felt, one of the worst and most cringeworthy to watch! The Strange New Worlds panel was followed up by a pre-recorded video that introduced new members of its main cast, who joined Anson Mount, Ethan Peck, and Rebecca Romijn. Among the newly-revealed characters were an Aenar (an Andorian race introduced in Enterprise) a possible descendant or relation of iconic villain Khan, and three characters from The Original Series who are returning to Star Trek: Dr M’Benga, who appeared in a couple of episodes, Nurse Chapel, and the one who got the most attention: Cadet Nyota Uhura!

Uhura blew up online after the announcement, and it’s fair to say that I was not expecting this! There was scope, I felt, for Strange New Worlds to bring back classic characters, but the choices they made seem to be pitch-perfect. I’m especially excited to see more from Dr M’Benga – he was a minor character who feels ripe for a deeper look. The same could also be said of Captain Pike and Number One!

Uhura’s return pretty much broke the internet!

As I predicted a few months ago, the uniforms for Strange New Worlds have been slightly redesigned from their Discovery style. I was never wild about the asymmetrical collars; they worked okay on Discovery’s all-blue uniforms but looked perhaps a little clumsy on the recoloured uniforms worn by Pike and the Enterprise crew. So to see the teaser show off a redesigned style that keeps the bold primary colours but ditches the Discovery style was pretty great! As with any new uniform I think we need time to see them in action and get used to them, but there’s already a lot to like. In addition to the V-neck style worn by Pike and Spock, we saw a white medical variant worn by Nurse Chapel, another medical variant with a broad crew collar worn by Dr M’Benga, and a zipper style worn by Number One. Starfleet uniforms – like any aesthetic or design element – are of course subject to personal taste, but from what we’ve seen so far I like the Strange New Worlds uniforms.

The Strange New Worlds live panel was not the best, though. Anson Mount, who is usually so full of life and happy to talk about all things Trek, sat in silence for large parts of it, deferring to the rest of the panel to answer questions. He may have been trying to avoid jumping in too fast or dominating proceedings, but it led to several very awkward silences that weren’t fun to watch. I got the sense that perhaps he wasn’t feeling well.

Anson Mount was not on his best form for the Strange New Worlds panel, unfortunately.

The producers – Akiva Goldsman, who has previously worked on Picard, and Henry Alonso Myers – gave us a few tidbits of information about the series. I was very pleased to hear so much positive talk about returning Star Trek to a more episodic format. Goldsman, who had been instrumental in crafting Picard’s serialised story during Season 1, seems quite happy to return to episodic television. There are a lot of advantages in a show like Strange New Worlds – i.e. one about exploration – to using a more episodic format. Episodic television can still see wonderful character growth – I’d point to Ensign Mariner in Lower Decks as a recent Star Trek example – so it was great to see how positively the cast and crew talked about that aspect of Strange New Worlds.

The producers and cast seemed very keen to embrace the legacy of The Original Series in more ways than one. Without looking to overwrite anything, they want to bring their own take on classic characters, and I think that’s great. Spock benefitted greatly from the expanded look we got at him in Discovery’s second season, and there’s no reason to think characters like Nurse Chapel or Cadet Uhura won’t likewise get significant character development that plays into the characters we know and love from their roles in The Original Series.

Jess Bush will be taking on the role of Nurse Christine Chapel in Strange New Worlds.

In terms of aesthetic, Strange New Worlds is trying to walk a line between embracing the 1960s style of The Original Series and also updating the show to a more modern look. There was talk about the design of sets, in particular Captain Pike’s quarters, and how the designers had been keen to return to the 1960s for inspiration. Likewise hair and nail styles were mentioned by Rebecca Romijn for Number One – a ’60s-inspired, “retro” look seems to be on the cards for the character, but not to such an extent that it becomes distracting. Walking that line is a challenge – but one I’m glad to see the show tackling!

We didn’t get a full trailer for Strange New Worlds, and the character introductions were cut in such a way as to minimise what we could see of the USS Enterprise. However, we did get a decent look at the transporter room set, which looks really cool, and when we met Dr M’Benga we got a glimpse of what I assume to be sickbay – and it looks like the colour scheme from The Original Series is still present in some form. We also got to see the logo and typeface for Strange New Worlds.

The Strange New Worlds logo.

So an underwhelming panel in some respects led to one of the biggest reveals of the night! Uhura, Chapel, and Dr M’Benga make welcome returns to Star Trek, that’s for sure. And there’s a particular genius to choosing these three characters in particular: they’re all ripe for more development and exploration. Uhura was a mainstay on The Original Series, but compared with the likes of Kirk and Spock there’s still plenty of room to explore her characterisation, background, and learn more about who she is in a way that will inform the original character and portrayal. Likewise for Nurse Chapel and Dr M’Benga – in many ways these two characters are near-blank slates for the new writers and producers to mould into their own creations.

I’m more excited today for Strange New Worlds than I was 24 hours ago, and that’s really saying something! I loved how Mount and the producers spoke about how his portrayal of Pike and Pike’s leadership style led them to redesign parts of his quarters so he could accommodate more of his crew around the table. Cooking was a big part of Captain Sisko’s character in Deep Space Nine, and I picked up at least a hint of that in some of the things said about Pike.

Dr M’Benga, despite being a returning character, offers a lot of scope for further development by a new team of writers.

The panel also discussed how the USS Enterprise is a “star of the show” in many respects, and how episodic storytelling will allow the series to return to Star Trek’s roots in terms of producing entertaining stories with morals. As I’ve said before, Star Trek has always used its sci-fi lens to shine a light on real-world issues, and to learn that Strange New Worlds is embracing that is fantastic news.

Spock’s characterisation was mentioned by Ethan Peck and the producers, and there was talk of how we’d see different facets of his personality. The Cage was mentioned as showing us “smiley Spock,” and I liked how the producers have a keen knowledge of how Spock and other Vulcans perceive and experience emotions – Spock is an emotional person, even if he suppresses those emotions much of the time. An exploration of that aspect of his character – informed by his experiences in Discovery Season 2, perhaps – will be truly interesting to see play out.

Captain Pike and the crew of Strange New Worlds will be on our screens in 2022.

Finally we come to Star Trek: Picard. This was the final event of the evening, and unfortunately the way it was teed up felt incredibly rushed. Jeri Ryan – who will reprise her role as Seven of Nine in Season 2 – raced onto the stage to introduce the new trailer, and it just seemed very obvious that the people running the event were acutely aware of time constraints and wanted to get it over with as quickly as possible. There was no Picard panel, no appearance from Sir Patrick Stewart (even by video-link or in a pre-recorded message), and though the trailer was very interesting the way Picard Season 2 was handled felt rushed right at the end of Star Trek Day – ironic, perhaps, considering the rushed way Season 1 also ended!

We’ll get to the trailer in a moment, but it was great to see that Picard Season 3 has been officially confirmed. We knew this was coming – Season 3 is already in production, and filming has already begun. But to get an official confirmation was good, and it drew a huge cheer from the audience. There’s clearly a big appetite for more Picard!

Picard is coming back for a third season!

Onward, then, to the trailer. This is one that I’ll have to return to for a more detailed breakdown in the days ahead, but for now here are my summarised thoughts.

A return to the 21st Century is not what I would have chosen. Time travel isn’t my favourite Star Trek storyline, and in particular time travel stories which return to the modern day can feel awfully dated very quickly. Look, for example, at Voyager’s two-parter Future’s End, or Star Trek IV as examples of that. Star Trek feels like the future – one of the reasons I love it so much – and when it comes back to the modern day I think it risks losing something significant. It’s possible that only a small part of the story will be set in the modern day, but even so I wasn’t exactly wild about this story element, unfortunately.

We knew from the earlier trailer that there has been some kind of change or damage to the timeline. It now seems as though Q may be more directly involved, as Picard blamed him for breaking the timeline. Whatever the change was, it seems to be centred in our own 21st Century (though it could be anywhere from 2020-2040, I guess) and resulted not in the creation of the Federation but a “totalitarian state” by the 24th Century. I don’t believe that this is the Mirror Universe that we’re familiar with, but rather a change to the Prime Timeline itself – perhaps caused by Q, but earlier comments seemed to suggest that Q wasn’t to blame, so watch this space.

A visit to the 21st Century would not have been my choice… but I will give it a chance!

In voiceover we heard Laris questioning Picard’s motivation for wanting to join Starfleet or leave Earth, something we’d seen him talk about in episodes like Family and again in Generations. She seemed to question whether he’s “running” from something in his past – could it be some darker impulse or perhaps a family secret that’s connected in some way to the creation of the totalitarian state? Could it be, as I suggested recenly, tied into World War III?

One of the things I was most curious about was the role of the Borg Queen, whose return had been signalled a few days ago via a casting announcement. It seems as though Picard has access to the incarcerated remains of a Borg Queen – somehow – and that she may be vital to allowing the crew of La Sirena to travel through time. Rather than the Borg themselves playing a role in the story, then, this may be a battle involving Picard and Seven – victims of assimilation – and a captured, damaged Borg Queen.

What role will the Borg Queen play? She appears to be a captive of some kind.

There’s a lot more to break down from the Picard trailer, and in the days ahead I’ll put together my thoughts in more detail – as well as perhaps fleshing out a theory or two. For now, I think what I want to say is that I have mixed feelings. The big drawback I can see is the modern-day setting for part of the show. I hope I’m proven wrong, but to me Star Trek has never been at its best with these kinds of stories, and I’m concerned that it’ll stray from being a Star Trek show into something… else.

On the other hand, there are many positives. The return of Laris, who seems to have an expanded role compared to where she was in Season 1. Q’s mysterious time-bending role, too. Is he the villain of the piece, or is his latest “trial” something that he believes will help Picard and humanity? What role will he play – ally, adversary, or something in between? The “totalitarian state” definitely channelled some elements of the Mirror Universe, but also seems to have put its own spin on this concept, taking it to different thematic places. I’d be curious to see what role the Picard of this timeline has in the government of the totalitarian state.

Something has broken the timeline – leaving Picard and his crew trapped in a “totalitarian” nightmare.

So that’s all I have to say for now. In the days ahead I’ll take a closer look at the Picard trailer, as well as talk about other things we learned at Star Trek Day.

Although it was a late night and a long broadcast, I had a good time with Star Trek Day overall. There were some moments that didn’t work well, some unprepared interviewees and some segments that dragged on too long, but on the whole it was a fun and incredibly positive celebration of Star Trek. I came to the broadcast hoping to see more from upcoming shows, but I was blown away just as much by the celebration of Star Trek’s past as I was by the look ahead.

The hosts, presenters, and most of the speakers and guests showed off their passion and love for Star Trek in a very positive way. There was a lot of talk about returning the franchise to its roots, celebrating the legacy of Gene Roddenberry and his original vision for Star Trek and what made it so appealing to people of all ages across multiple generations. As we look ahead to Star Trek’s future in 2021, 2022, and beyond, taking these moments to look back at what got Star Trek to where it is today was fantastic, and well worth taking the time to see. Above all, Star Trek Day shone with passion and positivity, and that’s just what the franchise needed as it marked its fifty-fifth birthday. Here’s to the next fifty-five years of Star Trek!

Star Trek Day was broadcast online and on Paramount+ on the 8th of September 2021 (9th of September 2021 in the UK). At time of writing the event can be re-watched on the official Star Trek website; panels and trailers are supposed to be available via Star Trek and Paramount+ official YouTube channels. Clips may also be available via official social media pages and channels. The Star Trek franchise – including all properties and series mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Let’s take a look at the second Discovery Season 3 trailer

Spoiler Warning: There will be spoilers ahead for Star Trek: Discovery, including the Season 3 trailer and the end of Season 2. There are also spoilers for Star Trek: Picard Season 1 and other iterations of the Star Trek franchise.

It’s only a little over a month until Star Trek: Discovery Season 3 premieres, and during yesterday’s digital Star Trek Day panels we got a surprise new trailer! With the new season so close, and with everything going on in the world, I didn’t expect to see another one. We had the first trailer released almost a year ago, and it felt like that was all we were going to get! I’ve already taken an in-depth look at the first trailer, by the way, and you can find my thoughts by clicking or tapping here.

Overall, the trailer was… interesting? There were some things that looked very exciting, and others which are definitely concerning. Taken as a whole, Discovery’s third season looks different to what we had before in terms of its setting, but also familiar. Burnham still seems to be the main focus of the plot, with the rest of the crew there to help out.

Michael Burnham in the Season 3 trailer.

So let’s start with by far the biggest reveal: “The Federation mostly collapsed… after the Burn.” This confirms what a lot of Trekkies – myself included – had been thinking since we saw the first trailer: that this season will take the show into a future that’s as close to post-apocalyptic as anything we’ve seen in Star Trek before.

This is the part which concerns me most about this season. A post-apocalyptic setting is so incredibly far removed from anything we’ve ever seen in Star Trek, and that’s because Star Trek has always presented a positive, hopeful depiction of the future. It’s possible to use a post-apocalyptic setting to showcase the theme of hope within a narrative, but that’s not the same thing as having a hopeful and optimistic setting. Star Trek’s core has always been that humanity has overcome whatever obstacles came our way, no matter how insurmountable they seemed. We had been able to build a future for ourselves and our friends and allies where, to paraphrase Trip Tucker: poverty, war, and disease have been eliminated.

Booker tells Burnham about “the Burn.”

A post-apocalyptic setting represents a fundamental shift in the underlying premise of Star Trek, and could result in the franchise losing what makes it special and unique. In other franchises, this kind of setting can work. But in Star Trek it’s untested, and while what results may well be a perfectly sound television show, it may not be a perfectly sound Star Trek show.

In past iterations of Star Trek, the tension and drama came from threats to our heroes and their friends, but in a more fundamental way, it came from the idea that everything humanity had worked hard to create was in danger. That’s what the Borg represented. That’s what the Dominion represented. That’s what villains from The Original Series right through to Picard all represented. Humanity had overcome so much and built this amazing future, and suddenly it was under threat by some nefarious evildoer. That setup brings more than enough excitement – look at stories like The Best of Both Worlds or Deep Space Nine’s Dominion War storyline. They didn’t need to rely on something post-apocalyptic to generate drama and stakes. Even Discovery, in its first two seasons, was able to use Star Trek’s optimistic future as a way to generate tension – first with the Klingon War and then with the threat posed by Control.

I guess I’m just not convinced that this huge change in the underlying premise of Star Trek’s setting will work as intended.

A post-apocalyptic junkyard or shanty town.

All that being said, I’m very interested to learn more about this “Burn” – the event that caused the collapse of the Federation. The only clue we got in the trailer was that it was an event that caused the galaxy as a whole to take “a hard left”, whatever that may mean! We can infer a few things from this statement, though. The mention of the galaxy seems to suggest that whatever effect the Burn had wasn’t just limited to the Federation. It may have been truly galactic in scale, impacting all four quadrants, or Booker may have used the term to refer to a wide area, but regardless it seems that the Burn had a massive impact that extended beyond the boundaries of the Federation. Alex Kurtzman elaborated just a little on this, explaining that it was something external that caused the collapse as opposed to something within the Federation itself.

This neither confirms nor debunks my theory that the race of super-synths from Star Trek: Picard are involved! They could be the cause of the Burn, but equally at this stage it could be something entirely different. We don’t even know for sure how recent the Burn is to Discovery’s setting – it could be anywhere from a few years to a couple of centuries earlier. The furthest Star Trek has ever gone in canon is the 31st Century, which we saw in both the Voyager episode Living Witness and the Enterprise two-part episode Shockwave. Daniels, the time-traveller in Enterprise, was from this era, and in his time the Federation was still active. The trailer states very clearly that Burnham arrives in the year 3188, which puts the new season at the tail end of the 32nd Century, meaning the season takes place anywhere from roughly 90 to 180 years further into the future than anything we’ve seen previously. This obviously allows plenty of time for the Burn to happen without impacting canon – though I can think of a problem with that.

Did this faction of super-synths from Star Trek: Picard – that I nicknamed the “Mass Effect Reapers” – cause the Burn?

It was suggested in several Star Trek stories – if not stated outright – that the Federation patrols and explores the timeline. That includes the future timeline too, not just the past, and it raises the big question of how Starfleet managed to get caught up in the Burn when – at least theoretically – they could have foreseen and prevented it.

Time travel narratives in Star Trek have never been my favourite for a number of reasons, though I freely admit that Discovery Season 2 did a good job with that premise. Based on what we know of the Federation’s time travel capabilities, though, I think it’s at least possible that Season 3 will include some time travel elements. It’s even possible, though admittedly unlikely, that whatever the Burn is could be related to the Temporal Cold War seen in Enterprise – perhaps a faction opposed to the Federation was able to use time in such a way as to cause the Burn and with it the collapse of the Federation. Enterprise is arguably less well-remembered that other Star Trek series though, so I consider basing a major plot point around one of its storylines to be less likely.

Daniels was from the 31st Century.

One thing that the team behind Star Trek have to be careful with is that this decision to see the Federation collapse in the 31st/32nd Century doesn’t adversely impact other Star Trek shows. One problem that can plague prequels is that much of the drama and tension that makes for a good story isn’t present simply because we know what comes next. This happened to a degree in Enterprise – when the Xindi attacked Earth and then planned to destroy the planet, we knew they weren’t going to succeed because we’d seen Earth two hundred years later. The story was still good, but at the back of our minds or even just on a subconscious level, we as the audience knew that Captain Archer and his crew would prevail. The journey can still be fun if the destination is known, but sometimes knowing the ultimate outcome can rob a prequel of its stakes.

By making every Star Trek show from Strange New Worlds to Picard to Lower Decks a prequel to Discovery, any galaxy-threatening villain the heroes of those series have to tackle becomes at least slightly less intimidating. Not only that, but the successes Captain Pike, Picard, and the Lower Decks ensigns may have become at least a little bittersweet – because we know that no matter what they do and how victorious they are, the Burn will still happen and the Federation will still collapse. Picard and the crew of La Sirena succeeded in defeating the Romulans and the race of super-synths, but did it actually matter if within a few hundred years all that was undone by this other cataclysm? The argument that it matters far less is certainly present, and while it doesn’t “taint” those productions, future Star Trek projects produced in the wake of Discovery Season 3 will be broadcast to an audience who know about the Burn and what’s coming for the Federation. That certainly changes the way we look at Starfleet and the Star Trek galaxy.

A woman in uniform – could she be Starfleet?

The trailer did raise my hopes – just a little – that things may not be totally bleak for the Federation. At one point we saw a black-uniformed woman (seen above) who seemed to be human and could perhaps be a representative of Starfleet. There’s also the Federation flag – seen again in this trailer – and the official we saw in the first trailer. Burnham and the crew also appear to get combadges sporting a new variant of the Starfleet emblem – surely there could only be a new design if there’s still some kind of rump Starfleet to wear it.

Despite that, however, it seems like the future Burnham and the crew will find is far bleaker than they – or we – could have imagined. I have my concerns about how well this will work, but I’m willing to give Discovery a chance to pull it off. Having covered the setting in sufficient detail for now, let’s look at the rest of the trailer.

The trailer begins with both Burnham – in her Red Angel suit from the Season 2 finale – crashing. Burnham appears unable to contact the ship, and flies into a field of debris. This same debris field would be glimpsed again moments later as Booker and Burnham discussed the fate of the Federation; I infer from that that it’s Federation debris. This is just a guess, but I would say perhaps the remains of a space station – I saw what looked like it could have been parts of a Starbase-style space station amongst the wreckage.

Could this be the remains of a Federation Starbase?

The shot of the USS Discovery after its crash-landing on the planet’s surface was not good. It looked amateurish, as though it had been thrown together by an art student in Photoshop. I think it was probably the worst visual effect of the entire trailer, and I hope it’s improved by the time the series airs. I think the lighting was wrong, because something about the look of this shot gave the distinct impression that the USS Discovery and just been copied-and-pasted onto a planet’s surface image. It was only seen briefly, though, and the sequence of the ship crash-landing as a whole looked pretty good; I was reminded of the Voyager Season 5 episode Timeless.

Although the scream was a little much, I loved seeing Burnham’s elation at the discovery of lifesigns on the planet where she crashed. The entire point of taking the USS Discovery out of the 23rd Century was to prevent the rogue AI Control from getting its hands on the ship and the data it contained; if it had been able to do so it would have wiped out all life in the galaxy. Burnham is simultaneously thrilled and relieved to learn that her plan worked.

This shot did not look good.

Burnham, in a voiceover, describes the journey into the far future as a “one-way trip, no going back.” But present among the crew is Mirror Georgiou, a character who is supposed to headline the currently-untitled – but still in production – Section 31 series. As far as we know that series is set in the 23rd Century, so the question of how that circle will be squared is still up in the air. Perhaps Georgiou will travel back in time somehow, or perhaps the Section 31 series will take place in this new time period.

There was a great moment between Stamets and Reno – who I’m thrilled to see return. Reno was great comic relief in Season 2, and it seems like her dynamic with fellow engineer (and boss?) Stamets is going to be a fun element in Season 3 as well. I hope we’ll get to see plenty of interaction between these two characters!

Reno and Stamets.

I’m trying to decide if there’s going to be anything romantic between Burnham and Booker. At one point, the trailer seemed to show them close to kissing – though whether there will be anything more is unclear. They spend a lot of time together, and I believe Booker will be the first person from this era Burnham encounters. He’s the one who tells her about the Burn, and may help her (and the audience) get acquainted with this time period. We’ve had the Burnham-Tyler relationship play out across Seasons 1 and 2, but with Tyler remaining in the 23rd Century, could a new partner be what Burnham needs?

If the series is to keep its “sole protagonist” approach – which seems to be the case – giving her a romantic entanglement could be a good source of drama. I like anything that humanises Burnham and brings her a little more down-to-earth, and showing her emotions and being vulnerable with a romantic partner is a good way to achieve those goals.

Burnham and a shirtless Booker.

So as mentioned, Burnham appears to be the main focus of the story once again. Though she has improved in leaps and bounds from her disastrous role in Discovery’s premiere, I’ve never felt she was the best and most interesting part of either season. And putting Burnham in stories where she, and she alone, is capable of solving the galaxy’s problems amplifies some of her less-attractive character traits. It seems from the two trailers that we’re going to get another Burnham-centric narrative, and all I can really say about that is that I hope it’ll be one that not only keeps her relatable, but that provides the other crew members with genuine volition and agency over the story. Simply having Saru and the rest of the crew trailing along in Burnham’s wake is not Discovery at its best and never has been. Hopefully this season can address that issue in some way!

I mentioned Mirror Georgiou, and she appears to get into a fight with someone who I would say could be a faction leader or even a warlord; someone who has control over a ship, fleet, planet, or region in the aftermath of the Federation’s collapse. I doubt this character is the primary villain of the season – if indeed such a villain exists – but he certainly seems to be in the way of whatever she’s trying to accomplish – perhaps putting his own needs ahead of the “greater good.” I wonder what role Georgiou will play in a “restore the Federation” story – she’s someone who is wholly uncommitted to the ideals of the Federation, and left to her own devices would surely scheme to create a new Terran Empire instead! Hopefully Saru and Burnham will be able to keep her in check.

Bonk.

The trailer appeared to show the USS Discovery making use of its spore drive. I was glad to see this, as the spore drive has felt like an underused piece of technology. In Season 1 it was little more than a macguffin to allow for travel to and from the Mirror Universe, and after that it really felt as though the writers and producers didn’t know what to do with it – or at least didn’t know what to do with it in a way that didn’t completely break canon. Now that we’re out of the 23rd Century, canon issues are no longer present. That potentially opens up Discovery for more stories which put the spore drive through its paces.

We also got another look at the directed energy weapon seen in the first trailer. This weapon seems to produce a large shockwave capable of knocking people over; whether this is a kind of stun setting is unknown, as is what the device is called. As I mentioned last time, it doesn’t feel particularly futuristic – it’s something we could have imagined existing in the 23rd or 24th Centuries. But that in itself probably ties in very neatly with the post-apocalyptic setting – Discovery had to find a way to make its ship, crew, and technology not feel horribly outdated in the 32nd Century.

The USS Discovery in orbit of a planet.

We caught the briefest of glimpses of two new members of the cast. Star Trek’s first non-binary character, played by Blu del Barrio, and first transgender character, played by Ian Alexander appeared for a split-second in the trailer. We don’t know anything about these characters aside from their gender identities, which made headlines even in mainstream news outlets.

There was a scene with a large tree that was interesting. I have nothing but a gut feeling to go on with this, but I believe it’s a memorial tree, planted in honour of the USS Discovery and the crew that were lost. This could be on Earth, perhaps at Starfleet Academy or Starfleet Headquarters – assuming either facility still exists. The tree looked very old, and the crew seemed to have a strong emotional reaction to it, which is why I’m guessing it’s a memorial. It’s also possible that this tree was planted in honour of someone like Captain Pike, who the crew knew well.

The tree.

Burnham says that the Federation gave her and/or the USS Discovery “a mandate to solve the biggest problems in the galaxy.” This ties into the post-apocalyptic nature of the theme; I think we can infer that whatever remains of Starfleet has very few ships at its disposal, and that’s why the centuries-old Discovery can be pressed into service.

The typeface used for the series seems to have changed as well, which is in keeping with the idea of Season 3 being a kind of soft reboot for Discovery. I like the way this looks, and it will be used for the show going forward according to showrunner Michelle Paradise. It’s a cleaner, sleeker font than that based on the classic Star Trek typeface which the series had used until now. It looks great, and gives the show a more modern look.

The new typeface.

We saw several new settings in the trailer, and it’s unclear whether they’re all on one planet or are spread out. There were two that looked decidedly post-apocalyptic: a market, shanty town, or junkyard where Burnham is being guided by someone who may be Orion, and the place where Georgiou gets into the fight with the man who may be a faction leader.

There was one scene that could be set aboard a futuristic Starfleet vessel or space station; this could be the location where the official seen in the first trailer was based, as it looked superficially similar. The line “welcome to the future” was heard over the top of this brief shot, which may be intentional or may just be incidental! This facility had curved lines and holographic interfaces, and looked suitably futuristic – but at the same time it wasn’t so futuristic that it couldn’t be something from the 23rd or 24th Centuries.

The possible starship or space station.

It looked as though we could see a flashback to the Burn at one brief moment in the trailer, but it could be this facility (or a similar one) coming under attack. Flashbacks could be a great way to explain what happened, so I hope we do get to see the events of the Burn instead of just hear about them secondhand from other characters.

I think that covers everything from the trailer that I wanted to mention. After the trailer premiered there was a panel which included the definitely not-fired Alex Kurtzman, the man who’s basically in charge of Star Trek as a whole right now. Kurtzman appeared alongside showrunner Michelle Paradise and Booker actor David Ajala in a panel hosted by – of all people – LeVar Burton’s daughter Mica. I’m not sure how I feel about Kurtzman citing Gene Roddenberry’s optimistic vision of the future in the context of Discovery taking a very dark, post-apocalyptic setting. Optimism and hope can certainly be themes in this kind of setting, but it’s still fundamentally different to anything Roddenberry imagined.

The Star Trek: Discovery Star Trek Day panel.

The panel was okay, and there were a few minor points of interest. But I’m never the biggest fan of these kind of things, especially when done at a distance. As I wrote when looking at Star Trek’s Comic-Con @Home panel, a glorified Zoom call isn’t always the most interesting thing to watch.

A couple of highlights are that Booker and Burnham get into a fight when they first meet, which is certainly an interesting and dramatic way to introduce two characters! Despite the point I made above regarding the level of technology in the 32nd Century, the showrunners were keen to stress that there will be new and different technologies than what we’ve seen in Star Trek previously. The question of the Trill came up, and the answer surprised me a little: instead of saying that the Trill could be an anchor point for returning fans to perhaps understand the far future a little better, instead it was stated that they may not be the same as we remember.

Booker and his cat.

Booker has a cat! I love cats, and regular readers will know I have several of my own – including one named after a Discovery character. A short featurette included in the panel showed how the cat was recruited to the show and how they helped him act. The cat looks beautiful too! David Ajala spoke beautifully about the Star Trek franchise, its history, legacy, and what it means to him. The sincerity was greatly appreciated, and he seems like he will be a wonderful part of the series and the franchise. That was all from the panel – the guests had a lot to say and it is worth a watch if you’re a fan.

So that wraps things up. The trailer had some fascinating and exciting parts, but I’m not going to lie or pretend it doesn’t have some concerning elements too. I’m enjoying Lower Decks at the moment, as you know if you’ve been following my reviews! Discovery Season 3 marks the third Star Trek project this year, and I’m looking forward to it despite any concerns I may have about certain narrative elements. Season 2 was truly excellent, and though Season 3 aims to be a soft reboot, in some respects I hope it’ll be able to build on what the show achieved last year.

I hope you’ll come back in mid-October as I review each new episode and possibly engage in a little theory-crafting to go along with the season.

Star Trek: Discovery Season 3 premieres on the 15th of October on CBS All Access in the United States, and on the 16th of October on Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including Discovery – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.