The fallout from the atrocious and unfair Star Trek: Discovery decision rumbles on. The ViacomCBS share price continues to tumble in the wake of their truly awful decision to piss off most of the fans of their biggest franchise, the rollout of Paramount+ continues at a snail’s pace with no specific launch dates even entering the conversation, and unfortunately we’re now seeing some divisions in the fandom itself, with North American Trekkies pitted against those of us in the rest of the world as arguments break out over the series. What a stinking mess.
At time of writing, both Star Trek: Prodigy and Star Trek: Discovery are “Paramount+ exclusives” all across the world – meaning the shows are locked behind a paywall that fans can’t actually pay for because the incompetently-managed streaming service hasn’t launched in the vast majority of countries and territories. I feel even worse for Trekkies in Australia, Latin America, and Scandinavia in some ways, though, because although Paramount+ has already arrived there, Discovery Season 4 still hasn’t been made available. If you needed any more evidence that ViacomCBS is one of the worst-run corporations in the entire entertainment industry, look no further than that arbitrary nonsense.
But Prodigy and Discovery aren’t the only Star Trek shows in production at the moment. In 2022 Trekkies have been promised Star Trek: Picard Season 2, Strange New Worlds Season 1, and Lower Decks Season 3 at a minimum. In the wake of the truly selfish and awful Discovery decision, however, I can’t help but feel very nervous about each of those shows. Will Trekkies around the world be able to enjoy any new Star Trek in the months ahead? Or will we see repeat after repeat of the Discovery mess?
Strange New Worlds seems all but certain to be denied any kind of international streaming deal. If you’re hoping to see the series hit Netflix or Amazon Prime Video, you might as well forget it – it’ll be a Paramount+ exclusive for sure. What that means in effect is that anywhere in the world without Paramount+ will miss out on Strange New Worlds. That feels like such a sure thing right now that I’d put money on it.
Currently, Picard Season 2 is scheduled for a February premiere. If the season runs for ten episodes, as Season 1 did in 2020, it’ll conclude sometime in late April or early May, meaning that Strange New Worlds could debut anytime around then – and certainly well before the middle of the year. At present, the UK and parts of Europe are promised Paramount+ in “early 2022” – which could be before the Strange New Worlds premiere, but it could also be long after the show has kicked off in the United States. And unfortunately, many countries and territories in Asia, Africa, and the rest of the world have no planned launch for Paramount+ at all, which means it could be 2023 or later before the service launches there. If it survives that long.
I simply don’t believe the promises ViacomCBS has made of an “early 2022” launch. Paramount+ has been so poorly managed and so incompetently handled by the corporation that a delay to these plans feels inevitable, so I’m not betting on the service launching here before the end of 2022. But even if, by some miracle, ViacomCBS actually manages to launch Paramount+ on time in Europe, that could still mean Strange New Worlds and Picard Season 2 won’t be broadcast simultaneously with North America.
As mentioned, Paramount+ has already arrived in Australia, Latin America, and Scandinavia – and it isn’t exactly brand-new, they’ve had it since March. But despite that, Discovery Season 4 isn’t being shown there at the same time as it’s being shown in North America… so even being very generous to ViacomCBS and assuming that the incompetent morons manage to get Paramount+ to the UK and Europe in “early 2022,” that still doesn’t necessarily mean we’ll be able to watch any of the new shows on the damn thing.
As I discussed the other day, ViacomCBS paid Netflix a large sum of money to ensure that Discovery Season 4 wouldn’t be available around the world. If they had done nothing, the show would’ve come to Netflix under existing contracts and licenses – but the corporation chose to intervene, hoping to boost sign-ups to Paramount+ (though the backlash may have actually cost the platform subscribers thanks to a fan-led boycott campaign). What’s to stop ViacomCBS from doing the same thing with Amazon Prime Video, the current home of Lower Decks and Picard?
One of the stupidest and most offensive things about the Discovery decision is that Paramount+ is unavailable across most of the world. If ViacomCBS had pulled Discovery from Netflix because Paramount+ had already launched and they wanted to keep their own shows on their own platform, it would still be frustrating, and the timing would still be awful, but at least there’d be a vague logic to it. But because Paramount+ isn’t even available, the decision has locked the show behind a paywall that no one is able to pay for. Which, as I’ve argued on more than one occasion, means you have the absolute moral justification to pirate the series.
But this kind of decision could well be repeated. I doubt very much that Paramount+ will be available here in the UK by February, in time for Season 2 of Picard. And on current form, there’s nothing to stop ViacomCBS from doing to Amazon Prime Video what they’ve just done to Netflix – pulling the series from broadcast with days to spare. I don’t think it’s safe to assume we’ll be watching Picard Season 2 on Amazon Prime Video… let alone Lower Decks Season 3, which likely won’t be broadcast until later in the year.
Rather than the Discovery mess being a one-time thing, I think as international fans we need to get used to the idea that, at least for the next year or so, watching Star Trek along with our North American friends may not be possible – or at least may not be possible via conventional methods. Picard Season 2 and Strange New Worlds Season 1 feel the most vulnerable, but realistically we’ll soon see the entire franchise disappear behind Paramount+’s paywall – regardless of whether Paramount+ is actually available.
I’d like to be proven wrong, of course, but I fear that this is the direction of travel for Star Trek as we move into 2022. This will not be a move free of long-term consequences for ViacomCBS. The corporation’s share price continues its fall, many Trekkies have pledged never to subscribe to Paramount+, and one of the biggest single pushes toward piracy since the advent of streaming will lead many fans and viewers to realise just how easy it is to pirate the latest episodes – making it even harder for Paramount+ to tempt them back in future.
As self-defeating as these plans may be, don’t expect to see ViacomCBS move away from them. And if you’re especially unlucky, living in a region of the world that ViacomCBS has apparently forgotten even exists, it may be the case that Paramount+ never arrives – or if it does it won’t be till 2023, 2024, or beyond. Star Trek has always told stories of people coming together – of a United Earth free from borders and division. But the ViacomCBS board haven’t even watched their own shows, or if they did the message went far over their shrivelled little profiteering heads.
I don’t want to be the bearer of bad news, but as I see it, the Discovery decision is just the first of many. Strange New Worlds, which has never had an international broadcaster announced, will certainly be a Paramount+ exclusive. Picard Season 2 and Lower Decks Season 3 could very easily follow the Discovery model and be pulled from Amazon Prime Video. And the rest of the Star Trek franchise? Currently the older shows are on Netflix, but the films aren’t. However, I wouldn’t bet on being able to watch any Star Trek series next year unless you have the DVD or are prepared to sign up for Paramount+.
The Star Trek franchise is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the trailers and teasers for Star Trek: Picard Season 2. Spoilers are also present for the following Star Trek productions: The Next Generation, First Contact, Voyager, and Enterprise.
Today we’re going to take a look at Q, the immortal trickster who has tangled with Captains Picard, Sisko, and Janeway – and who will soon be returning to the Star Trek franchise! Q is an unusual character in many ways. He seems to have practically unlimited knowledge of the galaxy, and may have been alive for billions of years. Yet he has an impish, almost childish sense of humour that sees him tease and mess with Starfleet – and many other people too.
I wouldn’t call Q a “villain” in any of his appearances to date. In fact, I would argue very strongly that Q sees himself as a friend, an ally, and a guide to Captains Picard and Janeway in particular, having offered his services more than once. He’s certainly selfish – forcing Starfleet officers to undergo tests and trials of his own devising – but there’s usually more to his games than meets the eye.
On several occasions – going all the way back to his first appearance – Q has presented Starfleet with puzzles to solve. These puzzles can be dangerous, and more than once Q has gotten people killed. But even so, I wouldn’t characterise him as a typical “villain” for Captain Picard or Captain Janeway to “defeat.”
The puzzles Q has presented – especially to Captain Picard – have actually proven to be deeply satisfying, and arguably helped Picard and Starfleet grow. Recognising that life can take very different forms – as Q helped Picard to see in Encounter at Farpoint – is one such puzzle he presented. He also taught Picard how to view time in a non-linear fashion – understanding that events in the future could have a causal link to events in the past in All Good Things.
Even the teasers and trailers for the upcoming second season of Star Trek: Picard may not be all they seem. Picard says he blames Q for disrupting or changing the timeline, but I think we’ll have to see that story play out before we can assign all the blame to Q. Even if Q is responsible, the question of motivation comes up. Is it really just a game; a trick to mess with Picard? Or is there something bigger going on?
That’s one of my big Picard Season 2 theories! But I’ll save the full write-up for another day. Today we’re not looking ahead to future Star Trek, we’re going to look back at past iterations of the franchise and try to answer a deceptively simple question: did Q save the Federation?
Star Trek has made a mess of the early history of Borg-Federation contact. The Raven, from Voyager’s fourth season, told us that the Borg assimilated humans and a Federation vessel in the 2350s. Regeneration, from Enterprise Season 2, showed the Borg battling against Captain Archer and his crew – and sending a message to the Delta Quadrant that would be received in the 24th Century. So the question of how the Borg first became aware of the Federation is an open one. Did they receive a message from across the galaxy? Did they first discover humanity when they assimilated Seven of Nine and her family?
Either of these explanations could account for the Borg’s interest in the Alpha and Beta Quadrants in the mid-late 24th Century. Season 1 of The Next Generation first teased the Borg’s appearance with the episode The Neutral Zone, in which both Federation and Romulan colonies had gone missing – “carried off” the surface of their planets, as Romulan commander Tebok put it. The Borg’s responsibility for these attacks would be confirmed in The Best Of Both Worlds – though the connection is easily missed, in my opinion, as it doesn’t take up much screen time.
Regardless, one thing is certain: the Borg knew of the Federation’s existence well before the Federation knew of theirs. They had even begun to send scouting vessels relatively close to Federation space; system J-25, where the Enterprise-D first encountered a Borg Cube, was a mere two-and-a-half years away from Federation space at high warp, placing the Borg tens of thousands of light-years away from their Delta Quadrant home.
Were the Borg actively scouting for the Federation, or was it just a coincidence that one of their vessels was operating so far away from their own space? We may never know the answer to that, but someone almost certainly does: Q.
In brief, here’s my theory: the Borg and the Federation were already on a collision course, but the Federation didn’t know it. Whether it was because of the First Contact–Regeneration time travel loop, the assimilation of the USS Raven, the attacks along the Neutral Zone, or simply the Borg’s continued exploration of the Alpha and Beta Quadrants, they had humanity and the Federation firmly in their sights long before Starfleet was aware that there was a problem.
Recognising this, and seeing potential in humanity thanks to his earlier run-ins with Captain Picard and the crew of the Enterprise-D, Q chose to intervene. He knew that if the Federation became aware of the threat the Borg posed, their ingenuity would lead to better defences and they’d be able to protect themselves, so he chose to deliberately introduce them to the Borg for that reason.
The events of The Next Generation Season 2 episode Q Who can be reinterpreted through this new lens. Rather than Q trying to frighten Picard for the sake of it or to prove his own superiority, he was – in his own twisted way – helping Picard and the Federation. The events of Q Who led the Federation to begin serious preparations for a Borg incursion, and without that tactical readiness it seems likely that the Borg would have been able to cruise to victory during the events of The Best of Both Worlds.
This fits with how Q operates. In stories like Encounter at Farpoint, Tapestry, and All Good Things, as well as Voyager’s The Q and the Grey, Q never explains everything he knows. Instead he obfuscates, talks around the issue, and forces Starfleet figure out what’s going on for themselves. Sometimes he pushes Picard or Janeway in a certain direction to get things moving, or even devises a puzzle or test of his own, like he did in Hide and Q. But what he never does is simply communicate – he doesn’t just sit down with Picard and tell him about Farpoint Station or the anti-time problem. He pushes Picard to figure those things out for himself.
And so it is with the Borg – according to this theory. Rather than contacting Picard and explaining what he knows about the Borg and their intention of targetting Earth, he sends the Enterprise-D to a location where he knows a Borg vessel will be and allows the crew to discover the threat for themselves. He does so knowing that the consequences will be Starfleet ramping up their defences in preparation of a Borg attack.
In All Good Things, Q told Picard that the Q Continuum saw potential in humanity – the potential to one day understand more about the universe than they ever thought possible. From Q’s point of view, perhaps he believed that seeing the Federation attacked and humanity assimilated would be a net loss to the galaxy because that potential would never be realised.
Q’s motivation for putting Picard and humanity “on trial” seems to be connected to this. In Encounter at Farpoint he accused humanity of being “a dangerous, savage, child race.” Yet even by the end of the episode, Q appeared to be impressed rather than disappointed that Picard and the crew could solve his puzzle. Rather than believing humanity to be dangerous and savage, as he asserted, Q almost certainly sees humanity as something more than that – and thus would feel humanity’s assimilation by the Borg would be a loss. His desire to avoid that fate could have motivated him in Q Who.
All of this could tie into Picard Season 2. Q may feel that Picard and the Federation are ungrateful for his “assistance” over the years, and he could cite the events of Q Who as one example of how his intervention saved the Federation from assimilation. While the latter part is up for debate, I definitely believe that Q feels underappreciated by Picard in particular, and sees his interactions with the former captain of the Enterprise-D as helpful rather than antagonistic.
So let’s recap! The Borg became aware of the existence of the Federation by the mid-24th Century. The Federation had technology and resources that the Borg considered valuable, and they began targetting outlying Federation colonies, including those near to the Romulan Neutral Zone. All the while, the Federation remained ignorant of the Borg’s existence – considering them to be little more than rumour.
Foreseeing disaster and either the total assimilation of humanity or the devastation of the Federation such that humanity could not achieve its full potential, either the Q Continuum or Q independently decided to intervene. Instead of simply contacting the Federation to share his knowledge, Q transported the Enterprise-D to the star system J-25, where they encountered the Borg. This encounter led to the Federation developing anti-Borg strategies and defences that would ultimately save them from assimilation.
Unusually, Q has never taken credit for this. However, it’s at least possible that he considered Picard and the Federation as a whole to be ungrateful for his help, and this could tie in somehow to the events of Picard Season 2 where Q will be making a return to the Star Trek franchise.
What I like about this theory is that everything feels like it fits together. This theory connects the message sent in Regeneration and the early assimilation of Seven of Nine’s family to the events of The Neutral Zone, giving the Borg a reason to be operating so far outside of their territory. It also fits in perfectly with the way Q behaves – never sharing everything he knows and presenting dangerous and often deadly puzzles to Picard and Starfleet.
Whether it’s true or not is open to interpretation! I would say that Q Who wasn’t written with any of this in mind, and a straight watch of the episode strongly suggests that Q’s motivation is simply to frighten Picard and the crew of the Enterprise-D after his offer to join the crew was rejected. Q felt that Picard was arrogant in assuming that Starfleet could handle any threat the galaxy contained, and wanted to prove him wrong. While that explanation works in the context of the episode, it doesn’t preclude anything included in this theory from also being true; Q could still have been annoyed at Picard’s assertion that the Federation was prepared for anything while also intending to provide them with advance warning of the Borg.
So that’s it for this one! As with all fan theories, anything we see on screen in a future episode or film could render the whole thing invalid. But for now, I think it’s at least plausible that the events of Q Who represent Q trying – in his own unique and twisted way – to help Picard and the Federation. Q has always seen himself as a friend of Picard’s, and based on what we know of both Q and the history of Borg-Federation contact, it seems to me that everything arguably fits together!
The Star Trek franchise – including all episodes and other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and all of the trailers and teasers for Season 2. Spoilers are also present for Star Trek: The Next Generation and Star Trek: First Contact.
As the dust settled on Star Trek Day, the Picard Season 2 trailer stuck in my mind. As exciting as it was to see the crew back in action, and to get a real tease of some of the upcoming season’s story elements, I was left with an unfamiliar and somewhat upsetting feeling. It took me 24 hours to really think it through, but I’m finally able to put it into words: I’m less excited for Season 2 of Star Trek: Picard than I had been before the Star Trek Day trailer.
This isn’t something I expected nor wanted from Star Trek Day. Picard Season 2 had been right at the top of my list when it came to the shows I’m most excited about – as I’ve said on more than one occasion. But the trailer showed off what are really two of my least-favourite Star Trek story tropes, and in its aftermath I’m finding it hard to remain as excited for the season as I was. None of this is to disparage the hard work all of the actors, directors, producers, and behind-the-scenes crew have put into the upcoming season of the show. I’m capable of separating my thoughts about individual story threads from the folks tasked with bringing them to the screen!
More than once I’ve talked about how time travel – and in particular, time travel to the modern day – as well as Mirror Universe stories are among my least favourites in Star Trek. With a big disclaimer that what we saw in the trailer doesn’t seem to be the actual Mirror Universe, it borrowed from that setting both thematically and in terms of aesthetic, and combined with a time travel plot that will see Picard and the crew of La Sirena head to the modern day… suffice to say I was underwhelmed.
Star Trek is a franchise about the future, but more than that, it feels like it’s at least a semi-realistic future; that humanity could one day achieve many of the social and technological advancements that we see in the various shows and films. Stepping out of that to do a story set in the modern world has never sat right with me primarily for that reason, but I’d also add that any return to contemporary times naturally dates a story very quickly. Episodes like Enterprise’s Carpenter Street, the two-part Voyager episode Future’s End, and even Star Trek IV: The Voyage Home are stories which feel significantly more out-of-date than others made around the same time simply because they took Star Trek to what was, at the time, the modern day.
When it comes to the Mirror Universe – which, again, I’m not saying the “totalitarian state” shown in the trailer actually will be – the setting has long lent itself to over-the-top pantomime. Even recent Discovery episodes set in the Mirror Universe – like Season 3’s two-part story Terra Firma – fell victim to this, as actors seem almost encouraged or emboldened to over-act every scene and play up all of the villain tropes they remember from middle school drama classes.
Characters in the Mirror Universe have no nuance. The entire setting seems to be populated largely by violent sociopaths, with the occasional submissive alien thrown in for contrast. Though I believe that what we saw in the trailer isn’t the Mirror Universe, the “totalitarian state” borrows a great deal in terms of its aesthetic from that setting, and my fear is that Star Trek: Picard is going to fall into the familiar Mirror Universe trap of pantomime-level over-acting.
In a nutshell, then, those are my concerns based on the latest Season 2 trailer. The season feels as though it may lurch from the excess of a Mirror Universe-inspired setting to the drab reality of the modern world – and unfortunately I’m finding it hard to get excited about either side of the story as things stand. I want to give Picard Season 2 a chance, and when it premieres in February I certainly will, but at the moment I can’t escape the sinking feeling of losing at least some of the excitement that I had for the project.
Though we were treated to a glimpse of the Borg Queen in the trailer, an alternate timeline (Mirror Universe or not) and a jaunt to the past don’t seem like settings where we’ll get to explore much of the 25th Century. I had hoped that the show might spend a little more time with Starfleet in Season 2, or perhaps take a look at one or more of the factions we remember from past iterations of Star Trek. Picard made many first contacts with alien races on The Next Generation, and has deep connections with the Klingons, for example, as well as the likes of the Bajorans.
There was even the hope that an as-yet unannounced character might reprise their role in Season 2. Though Gates McFadden had ruled out Dr Crusher’s return a few weeks ago, there were characters like Riker, Troi, Wesley Crusher, Worf, or someone else who could yet make a welcome return to the franchise. That’s still possible, but the presence of an alternate timeline and a story involving time travel cuts into the potential screen time that any returning character could have.
Past iterations of Star Trek, which were primarily episodic, could do Mirror Universe or time travel stories relatively inoffensively from my point of view. The odd episode here or there that used one of those settings was gone within a week or two, even if I really didn’t enjoy it, so I wasn’t as upset to see such a story as one small part of a season with twenty-plus episodes to enjoy. But Picard isn’t an episodic series, and not only that it’s a shorter one (Season 1 clocked in at a mere ten episodes) so a time travel-meets-Mirror Universe story could run for practically the whole season. As the foundation for an entire season-long story arc… as I said above it’s just one that I personally don’t find particularly appealing.
I recognise that, so far, all of this must seem like whining. “Star Trek: Picard isn’t doing exactly what I want!” screams the petulant crybaby! But as an independent critic, I always say that I reserve the right to express my honest feelings on any of the shows, games, and films that I talk about; despite being an avid Trekkie and a fan of modern and classic Star Trek I’m not going to blindly sing the franchise’s praises when there are points of criticism or things that I don’t like. None of this means that Picard Season 2 is somehow invalid in my mind; despite my initial impressions from the trailer I will give it a chance to impress me. But I also want to share my honest thoughts, and right now I feel that the trailer seems to show a season-long story that rolls two of my least-favourite Star Trek tropes into one.
Having got all of that out of the way, let’s look at some of the points from the trailer that are more positive – or at the very least potentially interesting!
First up, the Borg Queen herself. I had half-written a bunch of Borg theories for Picard Season 2 following the announcement that the Borg Queen would be returning – almost all of which now feel extremely unlikely! The Borg Queen that we saw in the trailer appears to be a captive – my first thought was that it could be the reactivated remains of the Queen killed by Picard in First Contact. Episodes of Voyager and also Season 1 of Picard suggested that there may be more than one Borg Queen, or that she is capable of changing bodies with ease, so it could be a different Borg Queen altogether. Regardless, she seems to be a captive – how Picard came to capture her or know about her captive status is a story I’d quite like to follow!
If the Borg Queen shown on screen is from after the timeline has been changed, perhaps we’ll see Picard and the crew of La Sirena lead a mission to capture her in order to facilitate their passage back in time. It seemed as though the Borg Queen is going to be used by Picard as a kind of time machine – though exactly how this would work isn’t clear. Perhaps the Borg Queen possesses unique knowledge of time travel, as we know she was personally present during the mission to Earth in First Contact. Maybe her presence is required for the Borg to travel through time?
As mentioned, the “totalitarian state” seems to me like it isn’t the Mirror Universe’s Terran Empire, but rather a fascistic state that emerged – somehow – in place of the United Federation of Planets in the Prime Timeline. Picard ascribes its rise by the 25th Century as being caused by something Q did to change the past, so in my opinion we’re looking at an alternate version of the Prime Timeline and not the Mirror Universe. This is backed up by something Q said in the previous trailer – that Picard and his crew had come to “the very end of the road not taken.”
So that brings us to Q’s role in the season. During First Contact Day back in April, Sir Patrick Stewart hinted that Q may not be the cause of the event that shattered the timeline – but this seems to be contradicted by what we saw and heard in this new trailer. Q made reference to “the trial” – he put Picard and all of humanity on trial in Encounter at Farpoint and has periodically returned to provoke and tease him ever since. Though episodes like Q Who saw Q deliberately interfering and putting Picard and the Enterprise-D in danger, I would very much argue that other episodes like All Good Things saw Q assume a less antagonistic role. He didn’t cause the anti-time eruption, but he did give Picard just enough clues and a little bit of a push toward finding a solution.
Q is a trickster – and not someone to be trusted. But I’ve often got the impression that, in his own twisted way, he sees himself as a friend, ally, and mentor to Picard. He didn’t introduce Picard to the Borg in Q Who with a view to getting him killed or assimilated; he wanted to demonstrate that Picard and the Federation were unprepared for the dangers lying in wait out in the galaxy. He was pleasantly surprised to see Picard solve the Farpoint mystery in Encounter at Farpoint and the anti-time puzzle in All Good Things. In short, though Q’s methods may be extreme, and while he does have an impish sense of humour, he’s never been an out-and-out villain. For him to go back in time and break the timeline so severely is, perhaps, somewhat out of character.
So my inclination at this stage is still to say that there’s more to Q’s role than meets the eye. Picard may blame him for the changes to the timeline initially, but part of the mystery of the season’s storyline may be figuring out that Q isn’t to blame – someone or something else is. I’d argue this better fits with Q’s characterisation – but it wouldn’t be completely strange to see him as the season’s antagonist as well. So I guess we’ll find out!
Notable by her absence was Guinan. Guinan has knowledge of and history with both the Borg and Q, so bringing her back could have made a lot of sense for the story of the season. Guinan could have taken on an advisory role, as we see her do in episodes like Q Who, Time’s Arrow and in Star Trek: Generations. It’s possible she will still appear and that her role will be revealed at a later date. It’s also possible that she will make an appearance in Season 3 – which we now know is officially confirmed and in production – or that her role was ultimately cut and she won’t be coming back.
We didn’t get a good sense of what any of the crew of La Sirena are up to in the trailer, really. All we can say is that there don’t appear to have been any legal consequences for Dr Jurati for murdering Bruce Maddox in Season 1 – perhaps the fact that she had been essentially brainwashed has meant that she won’t face prosecution for that act. We did see Jurati and the Borg Queen seemingly sharing a “moment” – could Dr Jurati’s love for all things synthetic give her a reason to feel sympathy for the captive Borg?
We saw very little of Soji, though she was present, and likewise not much from Elnor – though at one point he seemed to be in a medical facility possibly injured or sick. The green light of this scene could imply that the Borg are involved – perhaps the Borg Queen breaks out of her confinement, or perhaps Elnor was injured by the Borg somehow.
The trailer seems to suggest an expanded role for Laris – one of Picard’s Romulan friends who stayed behind to look after the vineyard in Season 1. She spoke in voiceover at the beginning of the trailer and later appeared alongside Picard and Rios in what could be the past. It’s at least possible, then, that Laris will join Picard’s mission back in time.
At first I thought that an explosion and the collapse of a skyscraper was taking place in the future, but looking at that moment more carefully I think it’s actually something taking place in the 21st Century. Could that explosion mark the moment that everything changed? It could be that Picard and the crew have to prevent that from happening – or ensure that it does happen, which could lead to a dark, morally difficult storyline.
Seven of Nine appeared – without her trademark Borg implants – along with Raffi. There wasn’t much of a hint at their relationship, but this is something that seems like it will be explored across the season, and I’m really quite excited to see how that comes across. They seemed to be having a disagreement when it came to driving a modern-day car, but that was played more as a comic moment than as a kind of dramatic fight between the pair.
And I think that’s all I have to say – at least for now. My head is already swimming with proto-theories, some of which may get the full write-up treatment in the weeks ahead. Despite feeling underwhelmed by the season’s premise, I’m still hopeful that Picard Season 2 will deliver enjoyment, entertainment, and drama. The underlying mystery of what happened to the timeline, what 21st Century event changed things for the worse, and what role Q played in all of that is interesting, and I’m curious to learn exactly what happened and why.
If I ultimately find Season 2 to be less enjoyable on the whole because of some of the things we’ve talked about today, at least I can look forward to Season 3! If Picard follows a similar path to Discovery then Season 3 will set aside much of what happened in Season 2 and tell a new self-contained story, so even in the worst case scenario there’s still much to be hopeful for when it comes to Star Trek: Picard.
Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video in the UK and around the world beginning in February 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including the following upcoming series: Strange New Worlds Season 1, Picard Season 2, Lower Decks Season 2, Discovery Season 4, and Prodigy Season 1.
Yesterday was Star Trek Day! And in case you missed it, ViacomCBS held a live event that was streamed online and via Paramount+ showcasing and celebrating all things Star Trek! We’ll break down the big news in a moment, but first I wanted to give you my thoughts on the event as a whole.
This was the first big in-person event that many of the folks involved had been able to attend since 2019, and there was talk of the pandemic and its enforced disruption on the various shows that have been in production over the last couple of years. There was also a lot of positivity from presenters and interviewees not only about Star Trek – which was to be expected, naturally – but also about being back together and simply being able to hold a major event of this nature. The positivity of hosts Wil Wheaton and Mica Burton was infectious, and the event was much better for the role the duo played in hosting the panels and introducing guests.
That isn’t to say that Star Trek Day was entirely without problems, though. To be blunt, the event dragged on a bit too long (it ran to over three hours) and several of the panels and interviews were the worse for being conducted live instead of the pre-recorded, edited, and curated segments and panels we’ve had to get used to in the coronavirus era. Several of the guests seemed unprepared for what should’ve been obvious questions, and there were too many awkward silences and pauses while people gathered their thoughts and responded to the hosts. Such is the nature of live broadcasting – and it sounds rather misanthropic to criticise it!
During what I assume was an intermission on the main stage we were treated(!) to a separate pair of presenters on the red carpet reading out twitter messages and posts from the audience. This was perhaps the segment that dragged the most; one of the presenters even admitted to not being a regular Star Trek viewer (she hadn’t seen Discovery at all) so unfortunately this part of the show was less interesting as the pair were a little less knowledgeable about the franchise. If it had been made clear that this section of the broadcast was going to last as long as it did I might’ve taken a break as well!
Overall, though, despite running a bit too long and the ending feeling a little rushed (something we’ll talk about later), Star Trek Day was a success. It didn’t only look forward to upcoming projects like Strange New Worlds and Picard Season 2, but it looked back at every past Star Trek series, inviting members of the casts of those shows to talk about what made them – and the franchise – so great.
As a true celebration of all things Star Trek, the broadcast has to be considered a success. And although a pre-recorded event could’ve been edited and streamlined to cut to the more interesting parts and to give interviewees a chance to gather their thoughts, it was nice to see many of the folks we know and love from Star Trek back together and able to spend time in person with one another. Hosts Wil Wheaton and Mica Burton did a great job at making us as the audience feel included, as if we were there at Star Trek Day right along with them. For those few hours – even through awkward moments and segments that seemed to run a little too long – it felt like being a member of the Star Trek family. As someone with few friends, I appreciated that immensely. For those few hours last night – and yes, even though Star Trek Day didn’t start until 1:30am UK time I did stay up to watch it – I felt like I, too, was an honorary member of the Star Trek family, and that’s a feeling I would never have been able to get anywhere else.
Now then! Let’s talk about the various panels, trailers, and interviews. Over the coming days I’ll be taking a closer look at some of the announcements and trailers in more detail (as well as perhaps crafting a few of my patented and often-wrong theories), but for now I want to try to include an overview of everything that was included in Star Trek Day.
We’ll come to the biggest announcements and trailers at the end, but first I wanted to talk for a moment about the music. Star Trek Day had a live orchestra on its main stage, and we were treated to live renditions of Star Trek theme music past and present – as well as a medley that kicked off the event. I was listening to Star Trek Day on my headphones, and the music sounded beautiful. Composer Jeff Ruso (who composed the theme music to Discovery and Picard) picked up the conductor’s baton, and the medley he arranged was really an outstanding celebration of all things Star Trek.
Star Trek Day both began and ended with music, as Isa Briones (Star Trek: Picard’s Soji) sang her rendition of Irving Berlin’s 1926 song Blue Skies to close out the broadcast.
There were five “legacy moments” spread throughout Star Trek Day, and these celebrations of past Star Trek series were genuinely moving. Actors George Takei, LeVar Burton, Cirroc Lofton, Garrett Wang, and Anthony Montgomery spoke about their respective series with enthusiasm and emotion. Cirroc Lofton paid tribute to his on-screen dad Avery Brooks, talking about how Deep Space Nine showed a single dad balancing his work and family commitments. He also spoke about Deep Space Nine’s legacy as the first Star Trek show to step away from a starship and take a different look at the Star Trek galaxy.
The themes of diversity and inclusion were omnipresent in these legacy moments, and all five actors spoke about how Star Trek and Gene Roddenberry have promoted diversity since the very beginning. George Takei spoke about Gene Roddenberry’s vision for Star Trek, how sci-fi had previously been something often seen as just for kids, and how putting a very diverse cast of characters together was groundbreaking in the 1960s. It’s always amazing to hear George Takei speak, and even fifty-five years later he still has a grace and eloquence when speaking on these topics. As someone who has himself been at the forefront of campaigning for diversity and equality, he does so with a gravitas that few can match.
Garrett Wang spoke about how Voyager could be a “refuge” for fans; a place to go where everyone could feel included and like they were part of the family. The way the show combined two crews was, I would argue, one of its weaker elements, but Wang looked at it through a different lens, and I can see the point about how Voyager put those folks in a difficult situation and brought them together to work in common cause. He also spoke in very flattering terms about Captain Janeway and Kate Mulgrew – who is returning to Star Trek very soon.
Anthony Montgomery was incredibly positive about Enterprise, and how the series embodied the pioneering spirit of exploration. I loved his line about how Enterprise, although it was a prequel recorded later than many other shows, laid the groundwork and filled in much of Star Trek’s previously unvisited stories and unexplained lore. Above all, he said, Enterprise was a “fun” show – and it’s hard to disagree! The orchestra concluded this speech with Archer’s Theme – the music heard over the end credits for Enterprise – which is a beautiful piece of music. If I were to remaster Enterprise I’d drop Faith of the Heart (which is a nice enough song, don’t get me wrong) and replace it on the opening titles with Archer’s Theme. The orchestra played it perfectly.
LeVar Burton talked about The Next Generation, and how Star Trek was reinvigorated for a new era. The Next Generation was the first spin-off, and it came at a time when spin-offs didn’t really exist in the sci-fi or drama spaces, so it was an unknown and a risk. Burton also spoke about The Next Generation’s sense of family, and how Star Trek can be a unifying force in the world.
Far from being mere padding, the five legacy moments saw stars of Star Trek’s past pay tribute to the franchise and the shows they were part of. There were consistent themes running through all five speeches, particularly the theme of inclusion. Star Trek has always been a franchise that strives to include people who are “different” – people like myself. For many fans, that’s one of the things that makes Star Trek so great. To see some of the biggest stars acknowledge and celebrate that aspect of Star Trek was wonderful, emotional, and rather cathartic.
Each of the five actors spoke with love, positivity, and enthusiasm for the franchise that made them household names. Anthony Montgomery’s incredibly positive attitude in particular shone through – he was beaming the whole time and seemed genuinely thrilled to have been invited to speak and to celebrate Enterprise.
If Star Trek Day aimed to celebrate all things Star Trek, then the legacy moments went a long way to making that ambition a reality on the night. The speeches were pitch-perfect, as were the orchestral renditions of all five Star Trek themes, and I had an unexpectedly good time with these moments. I wasn’t sure what to expect from the programme listed on the website; I didn’t really have any expectations of what the legacy moments would include. They surprised me by being one of the most enjoyable, down-to-earth parts of a hugely entertaining evening.
Let’s talk about news and announcements. That’s what you’re here for, right?! That was certainly what I was most interested in and excited for when I sat down to watch the Star Trek Day broadcast – though, as mentioned, I was taken aback by some of the other elements present that I wouldn’t have expected!
First, a non-announcement! Wil Wheaton interviewed the head of production on Star Trek, Alex Kurtzman, early on in the evening. Kurtzman didn’t have anything to say about the Section 31 series, nor about the upcoming Star Trek film due for release in 2023. However, he mentioned something that I found really interesting: a Starfleet Academy series or project. This isn’t anything close to an official announcement, of course, and he and Wil Wheaton talked about it in abstract terms. But a Starfleet Academy series has been something Star Trek has considered in the past; Gene Roddenberry was quite keen on a Starfleet Academy spin-off prior to developing The Next Generation. Watch this space, because it’s at least possible that a project centred around Starfleet Academy will get off the ground under Kurtzman’s leadership.
There were no brand-new shows or films formally announced at Star Trek Day. While I wasn’t necessarily expecting such an announcement, and Kurtzman’s earlier statement that no new show will be worked on until the current crop have run their course would seem to exclude it, there are multiple pitches and projects that have been rumoured or talked about over the last few years. The Section 31 series was absent again, as mentioned, and that’s more bad news for a series that feels like it isn’t going to happen. There were also no mentions of the likes of Ceti Alpha V, Captain Proton, or Captain Worf – just some of the heavily-speculated or rumoured pitches believed to be floating around over at ViacomCBS.
We did get release dates or release windows for several upcoming seasons, though! After Lower Decks Season 2 draws to a close in mid-October there’ll be a couple of weeks with no Star Trek, but then Prodigy will be available (in the United States at least) from the 28th of October. Shortly thereafter, Discovery Season 4 will kick off – it will premiere on the 18th of November in the United States and on the 19th internationally. Finally, Picard Season 2 is scheduled to arrive on our screens in February next year – presumably shortly after the season finale of Discovery.
All of this is great news! There was no release date for Strange New Worlds, but I think we can assume it will follow within a few weeks at most of Picard Season 2, which would put it perhaps in May or June 2022 at the very latest. But there will be a whole lot of Star Trek on our screens this autumn and winter, well into the first half of next year. Wil Wheaton said it best: with so many new Star Trek projects in production, we’re living through a new golden age of Star Trek right now!
I was a little surprised when the Discovery panel ended without revealing a new trailer or teaser for Season 4. Michelle Paradise, Wilson Cruz, Blu del Barrio, and Ian Alexander talked about how the show is fostering a sense of family in the 32nd Century – and that we will see Gray get a “corporeal” body in Season 4 somehow, which is great! But I have to say I’d been expecting a new trailer; the show is only a couple of months away after all. Perhaps we’ll get that nearer to the time. There wasn’t any mention of Season 5 either, but it’s possible that announcement will come as the marketing campaign for Season 4 ramps up.
Wilson Cruz seems like such a positive person in every interview I’ve ever seen him participate in, and he brought a lot of positive energy to the stage in Star Trek Day as well. There was talk of the Stamets-Culber relationship being revisited in Season 4, which is great – Stamets and Culber really form the emotional core of the show. He also spoke about how Dr Culber is embracing new roles in Season 4 – the role of counsellor to others aboard the ship as well as a parental role for Adira and Gray.
Gray’s storyline has the potential to be one of the most powerful in Discovery as the show moves into its fourth season. Being trans or gender-nonconforming can make one feel invisible – something I can speak to myself – and this is literally shown on screen by Gray’s invisibility. The powerful story of discovering how to be seen, and to do so with the help, encouragement, and support of one’s closest friends and family has the potential to be an exceptionally powerful story, one which I can already feel resonating with me. Blu del Barrio and Ian Alexander spoke very positively about their on- and off-screen relationships, and they seem like they work exceptionally well together as a duo. I can’t wait to see what Season 4 will bring for them both.
I’ve already got a Prodigy theory! The show’s co-creators talked about how Prodigy Season 1 begins with the kids on a never-before-seen planet described as being “far removed and mysterious.” It sounds like we aren’t seeing a planet that the USS Voyager visited in the Delta Quadrant – something backed up by scenes seemingly set on that world in the trailer – and the USS Protostar appears to have crashed “inside” the planet. Did it crash during the final leg of Voyager’s journey home through the Borg transwarp network? Or perhaps during one of Voyager’s other flights – the space catapult from The Voyager Conspiracy or Kes’ telepathic launch in The Gift, for example. More to come on this, so stay tuned!
So we got a release date for Prodigy in the United States, but as I’ve said on a couple of occasions now it seems as though Prodigy isn’t going to be broadcast anywhere that doesn’t already have Paramount+. Considering that the series is a collaborative project between Star Trek and Nickelodeon (itself a ViacomCBS subsidiary), it should surely have been possible to secure an international broadcast on the Nickelodeon channel – a satellite/cable channel here in the UK and in many other countries. It’s a disappointment that, once again, ViacomCBS does not care about its international fans. It’s not as egregious a failing as it was with Lower Decks, because as a kids’ show Prodigy’s primary audience won’t really notice the delay. But for Trekkies around the world, to see Prodigy teased then find out we have no way to watch it is disappointing, and there’s no way around that.
Despite that, the Prodigy panel was interesting. Dee Bradley Baker, who voices Murf – the cute blob-alien – seems like he’s a real Trekkie and spoke about the franchise with passion. It was so much fun to see him perform Murf’s voice live, as well! Brett Gray, who will take on the role of young leader Dal, seemed overjoyed to have joined a franchise – and a family – with such a legacy, and I liked the way he spoke about how the young crew of the USS Protostar will grow as the season progresses.
The show’s co-creators – brothers Dan and Kevin Hageman – spoke about how Prodigy won’t be a series that talks down to children, but rather aims to be a series with plenty to offer for adults as well. The best kids’ shows manage this – and the Hagemans have received critical acclaim and awards for their work on Trollhunters and Ninjago, so there’s a lot of room for optimism. They both seemed to have a good grasp of the legacy and role Star Trek plays and has played for young people, and I think the show is in safe hands.
The Prodigy trailer was action-packed and exciting! We got a glimpse of the villainous character played by John Noble – and heard his distinctive voice – as well as got a much closer look at the USS Protostar than we had before. Perhaps the most exciting moment, though, was seeing the Janeway hologram for the first time! Janeway’s role in the show seems like it will be that of a mentor; the kids will make their own calls and decisions, but Janeway will be on hand to offer advice – at least that’s my take at this stage.
There were some funny moments in the trailer, too, which will surely produce a lot of giggles from Prodigy’s young audience. “Just hit all the buttons” until the phasers fire was a great laugh line, and the ship losing artificial gravity was likewise hilarious. There was also a crash-landing that reminded me very much of a scene in the Voyager episode Timeless. I’m really looking forward to Prodigy and to spending time with the young crew of the USS Protostar.
The Lower Decks panel was perhaps the funniest of the night. It was also the one where the interviewees felt the most comfortable and did their best at participating and answering questions; there were none of the awkward silences or long pauses that made me cringe during other panels. Noël Wells, Eugene Cordero, and creator Mike McMahan initially took to the stage before being joined in truly spectacular fashion by Ransom voice actor Jerry O’Connell. The cast members clearly get on very well together, and this came across as the four talked with host Mica Burton about the first four episodes of the season as well as what’s to come in the remaining six episodes.
Wells and Cordero talked about how they see their characters of Tendi and Rutherford becoming friends and bonding over “nerd” things – geeking out together over things like new tricorders, engineering, or how best to do their work was a hallmark for both in Season 1. I’m not so sure how I feel about Mike McMahan saying that the rest of the season plans to go “even bigger” with some of its stories. Lower Decks can be overly ambitious, at times, with the number of characters and story threads it tries to cram into a twenty- or twenty-five-minute episode, and this can be to the detriment of some or all of the stories it wants to tell.
However, McMahan spoke about the episode Crisis Point from Season 1 as a kind of baseline for how big and bold the show wants to go in the second half of Season 2. That episode was one of the best, not just for its wacky over-the-top action, but for its quieter character moments. If the rest of Season 2 keeps in mind the successful elements from episodes like Crisis Point, then I think we’re in for a good time!
The mid-season trailer was interesting! Here are just some of the things I spotted: the Pakleds are returning, Rutherford seems to get a “Wrath of Khan-inspired” moment in a radiation chamber, Tendi was transformed into a monster that seemed reminiscent of those in Genesis from Season 7 of The Next Generation, Boimler and Mariner are involved in a shuttle crash, Mariner rejoins Captain Freeman on the bridge, there was a scene in which Boimler easily defeated some Borg that I assume must be a dream or holodeck programme, a Crystalline Entity was seen, the creepy bartender with the New England accent was back, and Boimler and Mariner shared a joke about the utility of phaser rifles. I’m sure there was more – but those were the key things I spotted! The rest of Season 2 will hopefully continue to hit the highs of the past few weeks – and there’s another episode coming out very soon here in the UK that I can’t wait to watch!
It was very sweet for Star Trek Day to take time to discuss Gene Roddenberry’s legacy, coming in the centenary year of his birth. His son Rod, and former Star Trek stars LeVar Burton, George Takei, and Gates McFadden joined Wil Wheaton to talk about Gene Roddenberry, and this was one of the most touching moments in the entire event. There were some laughs as George Takei told us about his first meeting with Gene Roddenberry and how he came to land the role of Sulu – including how both he and Gene mispronounced each others’ names! Gates McFadden seemed to have been talked into joining the cast of The Next Generation by Roddenberry, having initially wanted to return to the stage and join a play. Rod Roddenberry’s reminiscence of the design process for the Enterprise-D was hilarious – apparently his mother thought the ship looked like “a pregnant duck!”
LeVar Burton, who had been a Star Trek fan prior to joining The Next Generation, spoke about how he was overwhelmed at first when meeting “the Great Bird of the Galaxy,” and how a small role on a made-for-television film introduced him to producer Bob Justman, who later arranged for him to meet with Gene Roddenberry during pre-production on The Next Generation. All of these anecdotes went a long way to humanising Gene Roddenberry the man – we can often get lost in the legacy and philosophy he left behind, and how Star Trek and the world he created has influenced and impacted us, but this was a rare opportunity to hear small, personal stories about the man himself. I greatly appreciated that.
George Takei got one of the biggest applause lines of the evening when he spoke about the importance of Star Trek’s fans, in particular Bjo Trimble, on popularising The Original Series and getting a nationwide fan community started. Decades before the internet came along to make fandoms and fan communities a part of many peoples’ lives, Star Trek was already developing its very own devoted fan community thanks to people like Bjo Trimble, and for George Takei to take time to acknowledge the role fans have played in Star Trek’s ongoing success was wonderful to hear.
As I’ve said before, The Motion Picture was the culmination of this fan-led journey for Star Trek, but the film also laid the groundwork for much of what we’d come to know as Star Trek in the eighties and nineties. Many sets and design elements were in continuous use in some form from The Motion Picture’s premiere in 1979 right the way through to the cancellation of Enterprise in 2005, and much of the aesthetic and feel of Star Trek is owed to what The Motion Picture pioneered. George Takei acknowledged that, and that was a pretty cool moment. The Motion Picture is one of my favourite Star Trek films, and a 4K remaster was briefly shown off as well – the 4K blu-ray set of the first four Star Trek films is out now, so Star Trek Day took a moment to plug it!
The panel that seemed to get the most online attention was, I felt, one of the worst and most cringeworthy to watch! The Strange New Worlds panel was followed up by a pre-recorded video that introduced new members of its main cast, who joined Anson Mount, Ethan Peck, and Rebecca Romijn. Among the newly-revealed characters were an Aenar (an Andorian race introduced in Enterprise) a possible descendant or relation of iconic villain Khan, and three characters from The Original Series who are returning to Star Trek: Dr M’Benga, who appeared in a couple of episodes, Nurse Chapel, and the one who got the most attention: Cadet Nyota Uhura!
Uhura blew up online after the announcement, and it’s fair to say that I was not expecting this! There was scope, I felt, for Strange New Worlds to bring back classic characters, but the choices they made seem to be pitch-perfect. I’m especially excited to see more from Dr M’Benga – he was a minor character who feels ripe for a deeper look. The same could also be said of Captain Pike and Number One!
As I predicted a few months ago, the uniforms for Strange New Worlds have been slightly redesigned from their Discovery style. I was never wild about the asymmetrical collars; they worked okay on Discovery’s all-blue uniforms but looked perhaps a little clumsy on the recoloured uniforms worn by Pike and the Enterprise crew. So to see the teaser show off a redesigned style that keeps the bold primary colours but ditches the Discovery style was pretty great! As with any new uniform I think we need time to see them in action and get used to them, but there’s already a lot to like. In addition to the V-neck style worn by Pike and Spock, we saw a white medical variant worn by Nurse Chapel, another medical variant with a broad crew collar worn by Dr M’Benga, and a zipper style worn by Number One. Starfleet uniforms – like any aesthetic or design element – are of course subject to personal taste, but from what we’ve seen so far I like the Strange New Worlds uniforms.
The Strange New Worlds live panel was not the best, though. Anson Mount, who is usually so full of life and happy to talk about all things Trek, sat in silence for large parts of it, deferring to the rest of the panel to answer questions. He may have been trying to avoid jumping in too fast or dominating proceedings, but it led to several very awkward silences that weren’t fun to watch. I got the sense that perhaps he wasn’t feeling well.
The producers – Akiva Goldsman, who has previously worked on Picard, and Henry Alonso Myers – gave us a few tidbits of information about the series. I was very pleased to hear so much positive talk about returning Star Trek to a more episodic format. Goldsman, who had been instrumental in crafting Picard’s serialised story during Season 1, seems quite happy to return to episodic television. There are a lot of advantages in a show like Strange New Worlds – i.e. one about exploration – to using a more episodic format. Episodic television can still see wonderful character growth – I’d point to Ensign Mariner in Lower Decksas a recent Star Trek example – so it was great to see how positively the cast and crew talked about that aspect of Strange New Worlds.
The producers and cast seemed very keen to embrace the legacy of The Original Series in more ways than one. Without looking to overwrite anything, they want to bring their own take on classic characters, and I think that’s great. Spock benefitted greatly from the expanded look we got at him in Discovery’s second season, and there’s no reason to think characters like Nurse Chapel or Cadet Uhura won’t likewise get significant character development that plays into the characters we know and love from their roles in The Original Series.
In terms of aesthetic, Strange New Worlds is trying to walk a line between embracing the 1960s style of The Original Series and also updating the show to a more modern look. There was talk about the design of sets, in particular Captain Pike’s quarters, and how the designers had been keen to return to the 1960s for inspiration. Likewise hair and nail styles were mentioned by Rebecca Romijn for Number One – a ’60s-inspired, “retro” look seems to be on the cards for the character, but not to such an extent that it becomes distracting. Walking that line is a challenge – but one I’m glad to see the show tackling!
We didn’t get a full trailer for Strange New Worlds, and the character introductions were cut in such a way as to minimise what we could see of the USS Enterprise. However, we did get a decent look at the transporter room set, which looks really cool, and when we met Dr M’Benga we got a glimpse of what I assume to be sickbay – and it looks like the colour scheme from The Original Series is still present in some form. We also got to see the logo and typeface for Strange New Worlds.
So an underwhelming panel in some respects led to one of the biggest reveals of the night! Uhura, Chapel, and Dr M’Benga make welcome returns to Star Trek, that’s for sure. And there’s a particular genius to choosing these three characters in particular: they’re all ripe for more development and exploration. Uhura was a mainstay on The Original Series, but compared with the likes of Kirk and Spock there’s still plenty of room to explore her characterisation, background, and learn more about who she is in a way that will inform the original character and portrayal. Likewise for Nurse Chapel and Dr M’Benga – in many ways these two characters are near-blank slates for the new writers and producers to mould into their own creations.
I’m more excited today for Strange New Worlds than I was 24 hours ago, and that’s really saying something! I loved how Mount and the producers spoke about how his portrayal of Pike and Pike’s leadership style led them to redesign parts of his quarters so he could accommodate more of his crew around the table. Cooking was a big part of Captain Sisko’s character in Deep Space Nine, and I picked up at least a hint of that in some of the things said about Pike.
The panel also discussed how the USS Enterprise is a “star of the show” in many respects, and how episodic storytelling will allow the series to return to Star Trek’s roots in terms of producing entertaining stories with morals. As I’ve said before, Star Trek has always used its sci-fi lens to shine a light on real-world issues, and to learn that Strange New Worlds is embracing that is fantastic news.
Spock’s characterisation was mentioned by Ethan Peck and the producers, and there was talk of how we’d see different facets of his personality. The Cage was mentioned as showing us “smiley Spock,” and I liked how the producers have a keen knowledge of how Spock and other Vulcans perceive and experience emotions – Spock is an emotional person, even if he suppresses those emotions much of the time. An exploration of that aspect of his character – informed by his experiences in Discovery Season 2, perhaps – will be truly interesting to see play out.
Finally we come to Star Trek: Picard. This was the final event of the evening, and unfortunately the way it was teed up felt incredibly rushed. Jeri Ryan – who will reprise her role as Seven of Nine in Season 2 – raced onto the stage to introduce the new trailer, and it just seemed very obvious that the people running the event were acutely aware of time constraints and wanted to get it over with as quickly as possible. There was no Picard panel, no appearance from Sir Patrick Stewart (even by video-link or in a pre-recorded message), and though the trailer was very interesting the way Picard Season 2 was handled felt rushed right at the end of Star Trek Day – ironic, perhaps, considering the rushed way Season 1 also ended!
We’ll get to the trailer in a moment, but it was great to see that Picard Season 3 has been officially confirmed. We knew this was coming – Season 3 is already in production, and filming has already begun. But to get an official confirmation was good, and it drew a huge cheer from the audience. There’s clearly a big appetite for more Picard!
Onward, then, to the trailer. This is one that I’ll have to return to for a more detailed breakdown in the days ahead, but for now here are my summarised thoughts.
A return to the 21st Century is not what I would have chosen. Time travel isn’t my favourite Star Trek storyline, and in particular time travel stories which return to the modern day can feel awfully dated very quickly. Look, for example, at Voyager’s two-parter Future’s End, or Star Trek IV as examples of that. Star Trek feels like the future – one of the reasons I love it so much – and when it comes back to the modern day I think it risks losing something significant. It’s possible that only a small part of the story will be set in the modern day, but even so I wasn’t exactly wild about this story element, unfortunately.
We knew from the earlier trailer that there has been some kind of change or damage to the timeline. It now seems as though Q may be more directly involved, as Picard blamed him for breaking the timeline. Whatever the change was, it seems to be centred in our own 21st Century (though it could be anywhere from 2020-2040, I guess) and resulted not in the creation of the Federation but a “totalitarian state” by the 24th Century. I don’t believe that this is the Mirror Universe that we’re familiar with, but rather a change to the Prime Timeline itself – perhaps caused by Q, but earlier comments seemed to suggest that Q wasn’t to blame, so watch this space.
In voiceover we heard Laris questioning Picard’s motivation for wanting to join Starfleet or leave Earth, something we’d seen him talk about in episodes like Family and again in Generations. She seemed to question whether he’s “running” from something in his past – could it be some darker impulse or perhaps a family secret that’s connected in some way to the creation of the totalitarian state? Could it be, as I suggested recenly, tied into World War III?
One of the things I was most curious about was the role of the Borg Queen, whose return had been signalled a few days ago via a casting announcement. It seems as though Picard has access to the incarcerated remains of a Borg Queen – somehow – and that she may be vital to allowing the crew of La Sirena to travel through time. Rather than the Borg themselves playing a role in the story, then, this may be a battle involving Picard and Seven – victims of assimilation – and a captured, damaged Borg Queen.
There’s a lot more to break down from the Picard trailer, and in the days ahead I’ll put together my thoughts in more detail – as well as perhaps fleshing out a theory or two. For now, I think what I want to say is that I have mixed feelings. The big drawback I can see is the modern-day setting for part of the show. I hope I’m proven wrong, but to me Star Trek has never been at its best with these kinds of stories, and I’m concerned that it’ll stray from being a Star Trek show into something… else.
On the other hand, there are many positives. The return of Laris, who seems to have an expanded role compared to where she was in Season 1. Q’s mysterious time-bending role, too. Is he the villain of the piece, or is his latest “trial” something that he believes will help Picard and humanity? What role will he play – ally, adversary, or something in between? The “totalitarian state” definitely channelled some elements of the Mirror Universe, but also seems to have put its own spin on this concept, taking it to different thematic places. I’d be curious to see what role the Picard of this timeline has in the government of the totalitarian state.
So that’s all I have to say for now. In the days ahead I’ll take a closer look at the Picard trailer, as well as talk about other things we learned at Star Trek Day.
Although it was a late night and a long broadcast, I had a good time with Star Trek Day overall. There were some moments that didn’t work well, some unprepared interviewees and some segments that dragged on too long, but on the whole it was a fun and incredibly positive celebration of Star Trek. I came to the broadcast hoping to see more from upcoming shows, but I was blown away just as much by the celebration of Star Trek’s past as I was by the look ahead.
The hosts, presenters, and most of the speakers and guests showed off their passion and love for Star Trek in a very positive way. There was a lot of talk about returning the franchise to its roots, celebrating the legacy of Gene Roddenberry and his original vision for Star Trek and what made it so appealing to people of all ages across multiple generations. As we look ahead to Star Trek’s future in 2021, 2022, and beyond, taking these moments to look back at what got Star Trek to where it is today was fantastic, and well worth taking the time to see. Above all, Star Trek Day shone with passion and positivity, and that’s just what the franchise needed as it marked its fifty-fifth birthday. Here’s to the next fifty-five years of Star Trek!
Star Trek Day was broadcast online and on Paramount+ on the 8th of September 2021 (9th of September 2021 in the UK). At time of writing the event can be re-watched on the official Star Trek website; panels and trailers are supposed to be available via Star Trek and Paramount+ official YouTube channels. Clips may also be available via official social media pages and channels. The Star Trek franchise – including all properties and series mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for upcoming Star Trek productions, including: Star Trek: Picard, Star Trek: Discovery, Star Trek: Prodigy, and Star Trek: Strange New Worlds.
Just a short one today! Star Trek Day is coming up in a couple of days’ time, and we’re promised news and discussion of all things Trek straight from the horse’s mouth! Why is September the 8th designated as “Star Trek Day?” Good question, and here’s the answer: it was on that day in 1966 that The Man Trap premiered, kicking off Star Trek: The Original Series Season 1 and laying the groundwork for a franchise that’s still going strong today.
As an aside, last year I wrote a piece looking at the villainous creature at the heart of The Man Trap’s story, and you can find that article by clicking or tapping here. Worth a read at this time of year – if I do say so myself!
As much as Star Trek Day is an opportunity to look back at the franchise’s fifty-five years of history, this digital event hosted by Wil Wheaton and Mica Burton is also an excuse to look ahead to some of the Star Trek projects that are coming up over the next few months and years. There will undoubtedly be some news – and keep your fingers crossed because it’s even possible that we could get a big, unexpected announcement!
I’ve got a few ideas for what might be coming our way when Star Trek Day kicks off. Please keep in mind, as always, that I don’t have any “sources” nor any “insider information.” This is just a little educated guesswork – and a reminder, in case you’d forgotten, that Star Trek Day is imminent! All of the panels will be available to watch online on the official Star Trek website, so be sure to check in on the 8th to see what they have to say. Or just come back here a day or so later because I daresay I’ll summarise what I consider to be the most important points!
Let’s jump into the list!
Number 1: Official confirmation of Star Trek: Picard Season 3.
This one is a bit of a cheat, as we’ve already heard from a number of reliable sources that Season 3 was in development alongside Season 2, and the two seasons are being filmed back-to-back. In fact, it seems as though some Season 3 scenes may have already been filmed – but that’s not confirmed at this stage.
What’s also unconfirmed, at least from ViacomCBS and Star Trek officially, is the existence of Season 3 at all. Though in the past we’ve seen the company wait until a season is almost being broadcast to confirm that the next one is in development, on this occasion it would make sense to announce Picard Season 3 way ahead of time. It’s already an open secret, so why not? It seems like a great way to drum up even more excitement!
Number 2: A trailer for Star Trek: Strange New Worlds.
Since Strange New Worlds introduced us to five members of its main cast in mid-March, there really hasn’t been a lot of news about the series. We heard last month that production was drawing down on Season 1, only to later learn that some scenes outside of Toronto (where the show is based) were still being worked on. If it’s true that the season is finished, though, the time could be right for a trailer!
Along with Picard Season 2, Strange New Worlds has to be the series that I’m most curious about. Not only will it be fantastic to welcome back Anson Mount as Captain Pike, but the semi-episodic format that has been suggested feels like it could really be the best of both worlds – a return to Star Trek’s past without entirely stepping away from the modern feel of recent productions.
There is a Strange New Worlds panel that will be taking place during Star Trek Day, and a trailer would be a great way to wrap it up!
Number 3: A premiere date for Star Trek: Discovery Season 4.
At time of writing, all we know about Discovery’s impending fourth season is that it’s due before the end of the year. Maybe that’ll change and we’ll see the show fall back to early 2022, or maybe Discovery is still on track for a broadcast kicking off in mid-October after Lower Decks Season 2 has concluded. (That was what happened last year.)
Either way, I think Star Trek Day would be a great opportunity for ViacomCBS to drop the date of the new season’s premiere with a lot of attention on the franchise.
Number 4: A teaser trailer for Star Trek: Picard Season 2 featuring the Borg.
Soon we’re going to talk and theorise about the Borg in Picard Season 2. If you missed this, there’s been a casting announcement for the upcoming second season that caught me off-guard: the Borg Queen is returning! Not only that, but she may appear in as many as six of the season’s ten episodes, indicating that the Borg may play a significant role in the story.
It’s been more than eighteen years since the last Star Trek story featuring the Borg: Enterprise’s second-season episode Regeneration. After such a long time it’ll be fantastic to bring the faction back into play in a big way – assuming that’s even the plan! For all we know the Borg Queen may play an altogether different role in flashbacks or in an alternate timeline!
Regardless, following this casting announcement I’d think ViacomCBS would want to tease something about the Borg – without giving away too many potential spoilers.
Number 5: A second trailer for Star Trek: Discovery Season 4.
We got our first look at Season 4 of Discovery back in April, where a trailer showed Captain Burnham and the crew facing down a “gravitational anomaly” – whatever that could be! With the season coming up before the end of the year – all being well, that is – it would be a good time for a second trailer to get fans excited.
It can be hard to get the balance right when it comes to producing a trailer for a brand-new season, especially when a series has a mystery at its core like Discovery does. Show too little and it’ll be hard for fans and prospective viewers to get excited, but show too much and you risk spoiling major plotlines. Cutting the perfect trailer under such circumstances is a real skill!
Number 6: A release date for Star Trek: Prodigy.
As I mentioned in a recent episode of the DenPod (my unscripted podcast), I’ve all but given up on Prodigy getting an international broadcast when it premieres this autumn – at least outside of countries and territories where Paramount+ already exists. Though the series has been co-developed alongside Nickelodeon, it seems as though ViacomCBS is intent on keeping the show exclusively on its streaming service, so it seems unlikely to arrive here in the UK until Paramount+ does some time next year.
For everyone who’s lucky enough to live somewhere with Paramount+ already, though, keep an eye out for a release date for Prodigy. Earlier in the year the series was officially announced for “Fall 2021” – and the beginning of September basically marks the start of autumn, as I recently noted! So we could see Prodigy literally any time from now until the end of November, and I think the Prodigy panel at Star Trek Day would be a great place to announce the specific date.
Number 7: A big, surprising announcement!
What could it be? Is the untitled Section 31 series finally on the verge of entering production? Has ViacomCBS backed down after years of being pestered by Michael Dorn and decided to greenlight a Captain Worf series after all? What about the live-action series that Alex Kurtzman had previously said was in development – could we finally learn more about that?
Though I don’t think we should get too excited about this one, there’s always the possibility for a surprise announcement of some kind. One thing we know for certain is that more Star Trek is in development – so it’s not impossible to think we could see something announced this week.
So that’s it!
Star Trek Day will be upon us before you know it, so stay tuned here on the website for coverage and analysis of any major announcements, as well as for a review/roundup of the event itself. I’m looking forward to Star Trek Day very much; it’ll be a great excuse to geek out for hours on end!
I hope this list of predictions has got you suitably excited for the main event!
Star Trek Day panels will be available to watch on Paramount+ and on the official Star Trek website on the 8th of September 2021. The Star Trek franchise – including all properties and titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and the trailers for Season 2. Spoilers are also present for the following: Star Trek: The Original Series, Star Trek: Voyager, Star Trek: First Contact, Star Trek: Discovery Season 2.
Star Trek’s internal timeline gets a little inconsistent when it comes to the late 20th and early 21st Centuries. If we take a “canon purist” approach, we have to say that the Star Trek timeline diverged from our own around the 1960s, with events like Khan ruling a large portion of the world taking place in the ’80s or early ’90s, before the Eugenics Wars saw him defeated. Obviously that doesn’t line up with stories like Star Trek IV: The Voyage Home, the Voyager two-part episode Future’s End, or even Enterprise’s Carpenter Street, all of which depicted the modern world unchanged by those events.
The Third World War is a part of Star Trek’s internal timeline that was first introduced in The Next Generation’s premiere episode, Encounter at Farpoint. Episodes of The Original Series had talked about the Eugenics Wars and other conflicts on Earth, but Gene Roddenberry had been keen to avoid mention of World War III during the show’s run in the 1960s. Some episodes, such as Season 2’s The Doomsday Machine, actively went out of their way to say that such a conflict had never happened on Earth – an apparent contradiction to what would come later.
It was the film First Contact that elaborated on some of the ideas first posited in Encounter at Farpoint and thus gave us a better look at Earth in this era. Though we knew that nuclear attacks were part of the conflict, it was First Contact that first showed that some of these attacks had impacted North America, and that the conflict was fought between the United States and her allies on one side and the so-called “Eastern Coalition” on the other. Some of these moments would be shown or explored further in Enterprise’s fourth season, and most recently World War III has appeared in Discovery’s second season.
Although the Third World War has been an integral part of Star Trek’s fictional history for more than thirty years, that’s about the extent of what we know. There was a major conflict which occurred in the first half of the 21st Century, it killed hundreds of millions, there was a limited exchange of nuclear weapons (i.e. the planet wasn’t completely destroyed), and it took Earth a generation to recover – with more than a little help from the Vulcans. But this article isn’t just a history of the conflict within Star Trek’s timeline – because something in the promotional material for Star Trek: Picard Season 2 could suggest a return to this era.
When I took a look at the second Star Trek: Picard Season 2 trailer a couple of weeks ago I also looked at a newly-released poster which appears to show a modern-day city – probably Los Angeles in the United States. If the poster is supposed to represent Los Angeles circa 2021, well the timeline starts to line up for a possible World War III story.
In the real world, it’s impossible to overstate the importance of technological advancements made in wartime. The First World War saw the invention of tanks and the further development of aircraft. The Second World War gave us computers, rockets, and splitting the atom. Even recent conflicts like the Iraq and Afghanistan wars saw incredible developments in medical technology. Taking inspiration from the real world, Star Trek’s World War III is similarly an incredibly important event. The Third World War led directly to the development of warp drive in the 2060s, and thus to first contact with the Vulcans and to humanity becoming an interstellar species. The Federation would not exist without it – at least, not in a form we would recognise.
And that’s at the heart of this theory. In order for everything we know of in Star Trek’s internal history to have come to pass, World War III needed to happen. It was a devastating conflict that resulted in the deaths of hundreds of millions of people, but what emerged from the wreckage was United Earth and ultimately the Federation.
In the first teaser trailer, we heard Picard say in voiceover that “time can turn even our most impulsive, ill-considered actions into history.” He also spoke in a regretful way about “what could have been” and tells us that time does not offer “second chances.” In the second trailer, Q told Picard that he had come to “the very end of the road not taken.” We also saw what appeared to be significant changes to the timeline for Picard, Raffi, Rios, and Seven of Nine, as well as possible changes for Soji as well.
It seemed from the first teaser as though Picard was talking about events in his own past – that teaser also featured prominently a model of the USS Stargazer, from which I derived a few other theories! Picard is someone who we know cares about history a great deal and has studied it in depth, but nothing from the first teaser gave me the impression that he was talking about anything outside of his own personal experience. Whatever he was lamenting or regretting seemed to be within his own past – not an event from centuries earlier to which he had no significant emotional connection.
Although Picard did spend several days in the 21st Century, shortly after the end of World War III, he doesn’t exactly have a strong tie to the war or even to that time period, certainly not enough to have any motivation to change or undo events in that era. Picard is as far removed from the events of World War III in the 24th Century as we are from the events of the early 1700s – and I can’t imagine anyone nowadays would feel strongly about the Jacobite Rising or the War of the Spanish Succession. Those events – and many others – are just too far in the past to be something we care about, even if the impact is still felt today in some respects.
So I’m not suggesting that Picard would deliberately seek to prevent World War III – even if he found himself able to do so, somehow. But the second trailer showed off some pretty significant changes to the timeline, and combined with a poster that appears to be teasing a contemporary setting, the possibility of a World War III storyline has come up.
It seems like the story of Picard Season 2 will deal with some kind of alternate timeline – that’s what I infer from Q’s “road not taken” line, as well as the changes to characters like Seven of Nine and Rios. Picard was also heard in voiceover promising his new crew that they can “save the future,” which seems to add to this idea of something going wrong in the past causing things to change.
When we deal with alternate history and alternate timelines, practically every story hinges on a so-called “point of divergence.” This is the moment at which the real timeline and the alternate one separated. In alternate history novels, popular points of divergence include the American Civil War, with a Confederate victory being a common one, as well as World War II, with an Axis victory being similarly used. In Star Trek, a point of divergence between the Prime Timeline – the one which runs from Enterprise to Picard and beyond – could be World War III. What would the timeline look like if it didn’t happen, or happened in a different way?
It could be that the poster is teeing this up. In the background, behind the skyscrapers in the centre of the city, is a glow. That glow could be a sunrise or sunset – it looks like the right colour. But it could also be something far more sinister – the afterglow of a nuclear bomb, perhaps? Maybe that’s a stretch! But it would definitely tie into this World War III theme.
There are still two big questions, even if we assume that this theory is true and that the point of divergence has something to do with World War III. Firstly, what happened to cause the divergence in the first place? In Star Trek, these things don’t just happen naturally! Every change in the timeline that we know of had a cause – the intervention of some nefarious time-traveller. Secondly, and perhaps most importantly, why are Picard and the crew of La Sirena seemingly immune to these changes in the timeline? Q’s intervention is a possible explanation for the second point, perhaps, presenting Picard with another time-mystery to solve. But I’m not convinced that’s how the story will go.
All of this leads to an interesting moral conundrum for Picard. If we’re right and, somehow, World War III was prevented and that’s the reason for changes to the timeline, it could fall to Picard and the crew of La Sirena to trigger the worst war in history in order to restore the timeline. How’s that for a horrible decision?! Imagine being told that you had the power to prevent the First World War, and all of the misery and death that resulted from it, but that doing so would make the world worse. Instead, you have to actively choose to cause this horrible conflict in order to preserve the timeline and “save” the future. That could be Picard’s choice in Season 2 if this theory is correct.
Aside from the poster with its seemingly-modern city and some dialogue about time and changing the past, there’s no real evidence for this theory yet! Much of what we saw in the second trailer – which is the only time we’ve seen Picard and the others – may very well suggest that any changes to the timeline take place closer to the 24th Century than the 21st. But it’s interesting to consider the possibilities, especially in light of the Season 2 poster.
To summarise, then, here’s the theory in a couple of sentences: for an as-yet unknown reason, the timeline was changed to prevent World War III. This had major consequences for humanity and the Federation, and the only way to restore the timeline and save the future is to ensure World War III happens – and this is what Picard and the crew of La Sirena will have to do.
It would be quite a dark story if Season 2 goes down this road – or anywhere close to it. But it would be very interesting to see the crew wrangling with these big moral questions and issues. It could lead to quite a lot of drama! Q’s inclusion in the season would make sense, not as the cause of changes to the timeline, but as the figure who steps in to guide Picard in his understanding of those changes. It would also explain the poster, which came completely out of left-field!
Having had two teasers already, with the latest dropping only a couple of weeks ago, it may be some time before we hear anything more out of Star Trek: Picard Season 2. So all we have to go on right now is the poster and the first couple of teaser trailers! It’s not a lot, and there are certainly many different ways to interpret things. In this theory I’ve focused on how the poster could be depicting the 21st Century, but that may not be the case. Changes to the timeline could have caused the 24th Century to become less technological, and the poster could instead depict Los Angeles in the year 2399!
I’m very much looking forward to Picard Season 2, and I’m still hopeful that we’ll eventually see spin-offs and other Star Trek projects set in the same era. If and when we get any more news or another poster or trailer, check back as I’m sure I’ll have more to say!
Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States (and on Amazon Prime Video in the UK and elsewhere) in 2022. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the Star Trek: Picard Season 2 trailer, as well as for Star Trek: The Next Generation and Star Trek: Voyager.
Following Q’s appearance in the second Star Trek: Picard Season 2 trailer, I’ve seen some discussion online about Q’s age and appearance. I don’t think this is necessarily a huge topic worth dedicating a lot of time to, but it’s also one that’s potentially interesting, and it gives us an excuse to talk about Picard Season 2, the Q Continuum, and jump into a bit of Star Trek lore, so I thought I’d chime in.
Star Trek: Picard Season 2 is being produced in 2021. John de Lancie first appeared as Q right at the beginning of Season 1 of The Next Generation in the episode Encounter at Farpoint, which was filmed in mid-1987. Over the span of 34 years… he’s got older. Mystery solved!
Obviously there’s more to say than that. From an in-universe point of view, Q “shouldn’t” age – or to put it more accurately, Q doesn’t need to age. The Q as a species are noncorporeal and immortal, meaning that Q doesn’t age in any manner that humans can comprehend. The Q do, however, experience the flow of time, as we learned in the Voyager Season 2 episode Death Wish. That story centred around a member of the Q Continuum who was bored of living having effectively experienced everything in existence. But we’re off-topic.
Though the Q Continuum have a different understanding of time, they do experience the passage of time and thus can, in some way, age, or at least accumulate new memories and gain more knowledge. Part of the reason Q liked to tangle with humans like Picard and Janeway was because he wanted something to do, and presumably hadn’t been able to have those experiences already. Thus the Q don’t exist outside of time or in a non-linear way like the Bajoran Prophets.
All of this isn’t really relevant, though. What matters for this discussion is that Q can assume any form he chooses. He could presumably turn himself into Picard’s doppelganger, a big fat housecat, or a cloud of hot pink gas – he isn’t limited to a single form. He appears “older” in Picard Season 2 because he has chosen to appear older, either to mock Picard, empathise with him, or perhaps even to experience what it’s like to be an older humanoid if that’s an experience he hasn’t yet had.
So case closed, right? From an in-universe point of view, yes. There’s no plot hole nor problem with Q’s story simply because of John de Lancie’s appearance, and anyone trying to make that claim needs a refresher course in how the Q Continuum works! But that isn’t necessarily the end of the affair. There is one point to consider from the production side, and I find it to be an interesting one as it’s something we’re going to see more of in future as technology continues to improve. I’m talking about digital de-ageing and CGI.
The 2019 Netflix film The Irishman won praise (and numerous awards) for the way it made use of digital de-ageing techniques on Al Pacino, Joe Pesci, and Robert De Niro, transforming them into younger versions of their characters. The use of this technology is not limited to cinema, as it was recently used in Season 2 of The Mandalorian – and no, I won’t spoil it and tell you why if you haven’t seen it yet! This technology, along with other photorealistic CGI technologies that are continually being improved, has the potential to really transform film and television productions, and it’s already possible to see a brand-new film featuring the likeness of a long-dead actor brought back with CGI – like happened with Peter Cushing’s character of Grand Moff Tarkin in the film Rogue One. It’s only a matter of time before the leading role in a new film is a CGI recreation of someone who’s passed away.
It isn’t beyond the realm of technical possibility to de-age John de Lancie for Picard Season 2. It would be an expensive investment, certainly, and one which ViacomCBS may not want to make or may not have the budget for, but technically it would have been possible. And I think this is why we’re seeing this conversation. Fans look to shows like The Mandalorian, which while not a direct competitor certainly exists in a similar space to Picard, and wonder why Star Wars gets to use fancy new technologies while Star Trek doesn’t!
Star Trek has, in the past, pioneered some interesting technologies and filmmaking techniques. The Deep Space Nine Season 5 episode Trials and Tribble-ations brought to television the complicated technique of inserting actors into existing footage – something which had been seen in Forrest Gump only a couple of years earlier. I even noted in my look at Discovery’s Season 1 premiere the way the CGI artists seemed to have incorporated elements from the film Interstellar – which premiered a couple of years earlier – in their portrayal of the binary star system. So Star Trek has a track record at taking cutting-edge filmmaking techniques and bringing them to the franchise.
Perhaps digital de-ageing is still too new and thus too expensive to incorporate into the Star Trek franchise right now, and that’s absolutely fair enough. I don’t want Picard Season 2 to blow its whole special effects budget on a few scenes with Q, not if doing so comes at the expense of other set-pieces later in the story. The Irishman had a budget of over $150 million. Rogue One had a budget of around $200 million – and the CGI Grand Moff Tarkin still wasn’t quite perfect! The Mandalorian was reportedly working with a budget of around $15 million per episode, or $120 million for the second season’s eight episodes. In short, digital de-ageing is expensive and can inflate the budget of any production.
While The Irishman won a lot of praise, and so did The Mandalorian Season 2, in both cases critical opinion wasn’t unanimous on the de-ageing technology, with some arguing that it was a waste of money. Under those circumstances, I can understand why ViacomCBS wouldn’t want to go down the route of blowing literally millions of dollars on this technique for a secondary character. The return on investment simply may not be present.
How many people aren’t going to watch Picard Season 2 because of the way Q looks? I reckon close to zero. And how many additional viewers would the season pick up if it used the de-ageing technology and that became a talking point? That’s also got to be close to zero! People who are excited for Picard Season 2 are going to watch regardless, and those who don’t want to watch, or who dislike modern Star Trek, were always going to stay away. In that sense, these kinds of technologies are expensive luxuries for any production.
Some of the people who’ve been discussing this online are firmly in the anti-Trek camp, and they were never going to watch Picard Season 2 anyway. It’s sad, but some anti-Trek folks will pick up on any small detail and use it to justify their continuous criticism of the franchise. And that’s up to them, I guess. For my two cents, though, I don’t think there was much to be gained by spending a ton of money on de-ageing Q. It would’ve been interesting to see, and it could’ve become a minor talking point for the second season of the show. But other than that, there was a lot of expense for not much reward, and while it may work in other productions with higher budgets, I’d rather ViacomCBS spent their money cautiously so that we can continue to enjoy more Star Trek, rather than less Star Trek laced with expensive trappings.
There’s no in-universe reason why Q shouldn’t appear differently more than twenty years after he was last seen. He can change his appearance at will, and whether it was to make a joke of Picard having gotten older or to, in Q’s twisted way, express empathy with his old friend, the way he looks even makes sense. It could even be a minor story point in the episode in which he first appears. I don’t have a problem with it at all, and I suspect that some of those claiming it’s a “big deal” would have found other things to criticise and other reasons to dislike Picard Season 2 and modern Star Trek. As far as I’m concerned it’s case closed!
Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video internationally in 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
I wasn’t expecting to see anything much from Picard Season 2 for a while. With production rumbling on for the next few months, I had perhaps thought we might get to see something later in the year when either Lower Decks Season 2 or Discovery Season 4 are being broadcast, so it was a nice surprise to get a trailer this early! Season 2 is still probably ten to twelve months away from being broadcast, but this was a nice little tease to get fans in the mood.
In addition to the trailer a new poster was also revealed, and both are interesting and worth talking about. We’ll start with the poster, then move on to the trailer.
Using a similar basic concept to the first teaser poster for Season 1, the new poster uses the environment to form a Starfleet delta emblem. In this case, as you can see above, several roads or highways cross over to form the familiar logo. The city depicted in the poster appears to be Los Angeles – based on the straight concrete-sided river, the mountains in the background, and the downtown skyscrapers surrounded by a sprawl of shorter buildings. I could be wrong, but I’m going to say it’s Los Angeles.
The obvious thing to say is that there are cars on the roads. Though we have seen wheeled vehicles in Star Trek’s 24th Century – Picard drove a dune buggy in Nemesis, for example – Earth in the 24th Century has never been depicted in this manner. The cars look modern, the city looks modern, and I think everything we can see in the poster connects to themes from both the earlier teaser and the new trailer: time travel and changing the past.
The first teaser trailer, the one from First Contact Day, had Picard telling us in a voiceover that “the true final frontier is time.” That trailer had a lot of different imagery connected to Picard’s past, including the USS Stargazer, but one thing I couldn’t quite figure out was the book Paradise Lost. I speculated that the series might be connected in some way to a literal reading of the title – something Picard did or didn’t do in the past caused the future to be worse. That theme seems to be present in the new trailer.
We’re reintroduced to Q in the new trailer, and he uses a very interesting phrase – arguably the most prominent in the whole thing: “welcome to the end of the road not taken.” Combined with what Picard said in the first teaser about wishing to have done things differently in the past, I think we can start to see the building blocks of the Season 2 narrative.
Q’s arrival seems to happen after whatever event damages the timeline. In the trailer, Picard was already in a different outfit with a different Starfleet badge, and it seems as though Laris is missing – could she be a casualty of shifting timelines? Regardless, it was only at this point that Q appeared, seemingly for the first time, and this ties into comments from both Sir Patrick Stewart and John de Lancie that Q will play a role in the storyline of the season but isn’t the cause of these events.
So this isn’t going to be an All Good Things redux, where Q sets Picard a puzzle. If anything, I interpreted Q’s arrival as a friend or even an ally showing up to help – perhaps we’ll see more of a Q-Picard alliance develop over the course of the season. Q certainly seemed happy to see Picard again – though the feeling was clearly not mutual. So maybe, at the very least, that’s how Q sees himself: a friend, a helper, and an ally.
We saw Seven of Nine toward the end of the trailer, and she was featured more prominently than any of the main cast from Season 1. In Seven’s scene, I think we get even more evidence of this shifting or changed timeline, as Seven seems to wake up in an unfamiliar place – without her Borg implant. It’s possible, of course, that her implants had been removed, but as we saw with poor Icheb in Season 1, that’s a painful and often fatal process.
So the logical conclusion for Seven missing her implants is because she was never assimilated by the Borg in this timeline. But why? And what else has been changed? When we talk about alternate history – which is a fascinating genre in itself – almost every story hinges on a so-called “point of divergence.” This is the moment at which the fictional or alternate timeline separated from our own. Star Trek contains examples of this: the Kelvin timeline being the most prominent example, with a point of divergence on the day of Captain Kirk’s birth.
If all we saw was Seven missing her implants, we could say that the point of divergence might be in the 2350s – either she didn’t travel to the Delta Quadrant aboard the USS Raven with her family, or that whole voyage never happened. But there’s so much imagery in the trailer and poster that seems to hint at something more than that.
The 21st Century vehicles on the poster could suggest that Picard and the crew will visit our time period during the course of the series – which may or may not be a good thing, but that’s a whole other article! But their presence could also suggest that whatever event or series of events changed the timeline began in the modern day, with ripples flitting along the timeline, changing all manner of things in their wake.
Picard and Raffi were seen in uniform in the trailer, albeit very briefly. Picard appeared to be giving a speech or making a statement to Starfleet Command, and I wonder in what context he was making that address. I initially thought Picard was wearing his Season 1 flashback uniform in that scene – the one we saw prominently at the start of the episode The End Is The Beginning. But on closer inspection, both he and Raffi are in different uniforms – not the flashback ones, nor the 2399 ones that Riker and Commodore Oh wore. Also, Picard was wearing a 2399-style combadge, not the First Contact–Voyager one that he wore with his Admiral’s uniform in Season 1. So the plot thickens!
It’s possible that this scene is taking place at modern Starfleet, and that there has simply been a tweak to the uniforms since the events of Season 1. Starfleet does love arbitrary uniform changes, after all, and what we saw Picard and others wearing wasn’t so radically different that it couldn’t have been a dress variant, for example. But given everything else going on with Q, Seven of Nine, and potential changes or damage to the timeline, I can’t help but think that this is connected to that.
Perhaps what we’re seeing is an alternate timeline in which Picard and Raffi didn’t resign from Starfleet, and thus in which the Coppelius synths were not saved? That would tie in with Season 1. But at the same time, I’m not sure that’s the route the show is going to follow. There are questions about the Starfleet delta – the silver badges we see Picard and Rios wear are oversized and have a cross or sword shaped indent, which reminds me more than a little of the Mirror Universe. I don’t think we’re going to see a Mirror Universe story, but the symbolism is interesting. What does it mean?
In voiceover, we hear Picard speaking – presumably to the crew of La Sirena – telling them that “we can save the future” and promising to get them home safely. Whatever is going on, the crew of La Sirena are seemingly immune to changes in the timeline – we see Rios react with shock upon discovering his new badge, and Seven similarly stunned by her missing implant. Picard’s voiceover could imply that La Sirena and the crew are themselves stuck in the past – otherwise why use the word “future?”
To me, the big question is this: is Picard the one responsible for disrupting the timeline? If Q isn’t to blame, and Picard and La Sirena appear to be unaffected and right in the middle of this mysterious event, could we learn that Picard is to blame? The first teaser trailer saw him express almost regret at being unable to change the past – desperately wishing that he’d done something differently. Perhaps he found a way to do it, and thus he triggered the changes to the timeline that we see in the new trailer.
That would be an interesting way for the story to go, and it would play on themes we saw early in Season 1 of Picard being a flawed hero; someone who’s only human and who has limits. The return of Q is interesting – perhaps Q will facilitate Picard’s changes to the timeline, but I suspect he’s going to be helpful in fixing things. The use of the phrase “the road not taken” suggests that this is a timeline that could have come to pass had Picard taken different actions at some point in his past. Combined with the previous teaser, I wonder again if this is referring to his time in command of the USS Stargazer?
Though we didn’t see the rest of the cast prominently in the trailer, some of what we glimpsed was interesting. Soji appeared to be all dressed up in a fancy outfit, and the expression on her face reminded me of Sutra. Perhaps she’s putting on an act or trying to deceive someone – something akin to the “heist” in Season 1’s Stardust City Rag, for example. But it could also indicate a darker direction for Soji’s character – or even the return of Sutra.
Raffi and Elnor were glimpsed briefly, seemingly running away from someone or something. The neon lights in the background of their scene could suggest they’re on the planet Freecloud, but I wouldn’t bank on that. I have no idea what Dr Jurati was doing as we only saw a close-up of her face, but something about her outfit suggested to me that she could be in prison. She did murder Dr Maddox in Season 1, after all! We also got a glimpse of Laris, who appeared to be staring in surprise or alarm at something behind the camera. Given that Picard was looking for her unsuccessfully at the beginning of the trailer, I wonder if she’s been killed off, or perhaps even removed from the timeline.
The scene at Starfleet Command, where Picard appeared to be giving a speech, featured the flags of several known factions: the Klingons, Vulcans, Bajorans, and Ferengi were the ones I recognised, along with flags representing the Federation, Starfleet Command, and Starfleet Academy. I don’t think we can infer too much from that – the flags may mean these factions are Federation members or allies, but it could simply mean that they’re present at this event, which could be a diplomatic meeting akin to something we’d see at the G7 or United Nations.
I’m unsure about the other voice heard only in voiceover, the feminine voice saying that “time has been broken.” It sounded a little like Commodore Oh, but I don’t think she would be working with Picard in any timeline! The voice sounds familiar, though… but I can’t place it, nor figure out if it’s someone connected with a past iteration of Star Trek or not. It’s likely that this is a new character, in my opinion.
The absence of Guinan was noteworthy, as we know she will be making an appearance at some point in Season 2. In The Next Generation episode Yesterday’s Enterprise, Guinan showed a unique awareness of changes to the timeline, and considering Season 2 seems to be all about that kind of thing, bringing her back makes a lot of sense. She also has a history with Q that could be explored in more detail given his return.
And with that, I think we’ve come to the end of my analysis and guesswork! It was great fun to see a glimpse of Season 2, which now has a good three months’ worth of filming and production work under its belt. Despite events out here in the real world, production seems to be moving along well, and I have no doubt at the moment that Picard Season 2 will hit its scheduled release next year. I would guesstimate that it will premiere sometime after Discovery’s fourth season and before Strange New Worlds’ first season, so I think within ten to twelve months we’ll be sitting down to watch the first episode of Season 2.
It was wonderful to see John de Lancie back as Q, and to see him tangle with Picard once again. A trailer can only do so much with a runtime of around one minute, but there seemed to be a heavy emphasis on classic characters: Picard obviously, but also Q and Seven of Nine. This came at the expense of the new characters we met in Season 1 who we only got to see very briefly. Hopefully future marketing material can show off those characters a little more.
The mysteries of Season 2 deepen. What’s the connection to the present day? If the city from the poster is Los Angeles, what connection does that have to Picard and Starfleet? As far as I know he’s never been to the city, and no major Starfleet or Federation organisation is based there. The only Star Trek story to have spent any time in Los Angeles was the Voyager two-parter Future’s End, which was before Seven of Nine came aboard the ship. In that episode, the city of Los Angeles was said to have been destroyed by an earthquake in the mid-21st Century.
If time itself has been “broken,” who is responsible? Is it a natural phenomenon? And why are the crew of La Sirena immune? Did Q or Guinan have something to do with the changes to the timeline? And what did Q mean by “the road not taken?” I have a lot of questions… but can only guess as to the answers right now!
Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video internationally in 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Discovery Seasons 1-3, as well as the teaser trailers for Star Trek: Picard Season 2 and Star Trek: Discovery Season 4. Further spoilers may be present for other iterations of the Star Trek franchise.
During Season 1 of Star Trek: Picard last year, I kept holding out hope that the show would make a serious attempt to connect or cross over – somehow – with Discovery, its sister show. Aside from a couple of throwaway lines, however, that didn’t happen. We have since seen Discovery pick up a major faction that had been present in Picard, though, so clearly there’s some intention over at ViacomCBS to link up the two shows. Hopefully this will continue into their next seasons – and that’s what today’s theory is all about!
Discovery Season 4 will premiere months before Picard Season 2, and while I’m hopeful it will be able to include some kind of cameo or crossover like Season 3 did, where I’m going to focus much of my attention this time is on Picard Season 2, so we’ll be shooting past Discovery Season 4 for the most part. In short, there was a line in the Picard Season 2 teaser which stood out to me, and it could be interpreted as setting up some kind of crossover. At the beginning of the short teaser, we hear Picard say in voiceover that “the true final frontier is time.”
Beginning with Season 3, Discovery shot forward into the future, with Seasons 3 and 4 taking place almost 800 years after the events of Picard Season 1. That should preclude any major character crossovers… but not if time travel is somehow involved. By the 32nd Century, Admiral Vance and Starfleet believe time travel has been completely outlawed and that no way to travel through time exists. But at the dawn of the 25th Century, the Federation (and other factions) are just beginning to dip their toes in this untapped “final frontier.”
Picard himself has travelled through time on several occasions, both to the future and to the past. And while much of what we saw in the Season 2 teaser suggests that Picard and/or his new crew will travel backwards in time, if time travel is involved, all bets are off. The future and the past blend together in many time travel stories, and it’s possible – at least in my opinion – that Picard and his new crew could find themselves in Discovery’s 32nd Century at some point during their adventures.
Another point we could argue is in favour of this theory is the re-emergence of Q. Because of Q’s nature as a trickster, and an incredibly powerful being, practically anything is possible. In the Voyager Season 2 episode Death Wish, for example, a member of the Q Continuum was able to send the USS Voyager back in time to the moment of the big bang – 13 billion years in the past. The 32nd Century is nothing compared to that!
I’ve spoken before on a number of occasions about the need for Star Trek as a whole to get some threads of consistency going between the shows currently in production. There is a link between Strange New Worlds and Discovery, of course, but Picard and Discovery are almost entirely disconnected right now. Bringing the two crews together – even just for a one-off special episode – would be absolutely fantastic and a great way to celebrate all things Star Trek.
If Picard Season 2 is going to focus on travelling backwards through time instead of forwards, perhaps looking to preserve the future by righting wrongs in the past, that still doesn’t necessarily preclude the appearance of Discovery and her crew. Before Burnham, Saru, and the rest of the crew headed into the 32nd Century they were, of course, present in the 23rd, and although we’d be seeing these characters as they were in the past – and thus the storyline could become complicated – it would be possible, at least in theory, for Picard and his new crew to meet up with someone from Discovery if they visited the 23rd Century.
Given the complicated nature of the Control AI storyline in Season 2, anyone from Discovery having been aware of meeting someone from the Picard era could open up a plot hole, so it would have to be handled carefully. Perhaps Picard or someone from La Sirena is able to blend in and disguise themselves as a member of Starfleet in the 23rd Century, for example, allowing them to interact with the likes of Saru or Michael Burnham without the latter being aware of their true origins. That kind of crossover would be a lot of fun, and I think everyone involved would enjoy it!
One image that was prevalent in the Picard Season 2 teaser was the USS Stargazer – Picard’s first command. He first sat in the captain’s chair in the 2330s – about 75 years after the events of Discovery Seasons 1-2. That’s quite a long time, but considering the extended lifespans we know are present in Star Trek, it’s not so long that characters from Discovery couldn’t still be alive. Spock, obviously, is still alive in this era. And Dr McCoy was present at the launch of the Enterprise-D, despite being 137 years old. This opens up the possibility to see “aged up” versions of characters from the 23rd Century that we met in Discovery, such as Ash Tyler, L’Rell, or Saru’s sister Siranna.
Even just a short cameo from someone like that would be an amazing way to tie the shows together. Ash Tyler could have risen through the ranks to become a senior officer in Starfleet Intelligence by this era, and he could be someone Picard speaks with upon assuming command of the Stargazer, just as one idea off the top of my head. The introduction of Q and time travel into Picard Season 2 has opened up the possibility of such crossovers in a way that I hadn’t previously considered possible.
There is one other possibility, and it’s an inversion of a theory I had in the months before Discovery Season 3 premiered. Back then I theorised that something would go wrong with Burnham and Discovery’s jump into the future, leading them to arrive not in the 32nd Century but at the dawn of the 25th, leading to a crossover with Picard. That didn’t happen, of course, but right now there exists the possibility of this happening in reverse – for Picard and La Sirena to find themselves in the 32nd Century.
Maybe I’m in the minority, and both casual fans and Trekkies love to see the various Star Trek shows and films split up along the timeline – and in parallel universes! But I really do believe that consistency and stability are the hallmarks of a successful franchise, and if Star Trek wants to build on recent successes, picking a single time period to focus on for a majority of its shows and films makes a lot of sense. It makes following the franchise as a whole easier, and it makes it simpler for casual viewers to hop from one series to another without needing to read whole encyclopaedia articles about Star Trek lore to understand who’s where and what’s what. Perhaps bringing Picard into the 32nd Century could be a way to cut down on the franchise’s ongoing time periods.
This would be bittersweet, in my opinion. While it would be great for Star Trek to replicate its ’90s heyday by picking an era and sticking with it, taking Picard out of the 25th Century would make future character returns significantly more difficult. It was great fun to see the likes of Data, Riker, Troi, and Seven of Nine again, and I think one thing a lot of Trekkies are hoping for is that Season 2 of Picard will reintroduce more characters from The Next Generation era. Shooting the show forward by more than eight centuries would make that much more difficult.
We’d also miss out on finding out more about the state of the galaxy as the 25th Century dawns. We spent some time with the Romulans in Season 1, but we know next to nothing of the Klingon Empire, the Cardassians, the Bajorans, and so many others. In my opinion, if Star Trek is going to pick one era to be the main focus for upcoming projects, I’d rather it was the 25th Century than the 32nd. Jumping forward in time by a generation instead of centuries is what the Star Wars sequel trilogy tried to do, allowing for the return of classic characters alongside new ones. That’s one reason why I wondered if Discovery was going to end up in this time period too!
At the end of the day, time travel in Star Trek allows for many different possibilities. Even if Picard just visits the 23rd or 32nd Centuries briefly, during a single episode, the potential for using this technobabble as an excuse for a major crossover exists. If Season 2 is going to have a major focus on time travel, it would almost be a wasted opportunity if the show didn’t include some kind of crossover with Discovery!
The inclusion of Q almost certainly means that some wacky shenanigans are afoot in Picard Season 2. Whether he’s responsible for Picard travelling through time or not, he certainly has the potential to be a disruptive influence, and I could absolutely see Q sending La Sirena spiralling into the path of the USS Discovery – either the refitted 32nd Century version or the older 23rd Century variant! Heck, this could even be how the Short Treks episode Calypso gets resolved… though maybe that’s too much to hope for!
So that’s my theory. A rather disjointed and vague theory, I grant you, but a theory nevertheless. Somehow, the time travel storyline in Picard Season 2 will lead to a crossover with Discovery. Regardless of whether it happens or not, I’m really looking forward to Picard Season 2. It’s been over a year since Season 1 wrapped up, and despite the ending of the first season not quite hitting the highs of its premiere episode, I cannot wait to find out what will come next for Picard and the crew of La Sirena.
Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States and on Amazon Prime Video in the United Kingdom and elsewhere. Star Trek: Discovery Seasons 1-3 are available to stream now on Paramount+ in the United States and on Netflix in the United Kingdom and elsewhere. Star Trek: Picard Season 2 is currently targeting a 2022 broadcast, and Discovery Season 4 is scheduled to premiere before the end of 2021. The Star Trek franchise – including Picard, Discovery, and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard, including the entirety of Season 1 and, most significantly, casting information for Season 2. There are also spoilers for Star Trek: The Next Generation.
Over the course of Star Trek: Picard Season 1, we learned a little about some of Picard’s former crewmates from his time aboard the Enterprise-D. We saw Riker and Troi appear in person in the episode Nepenthe, as well as a version of Data. In the episode Maps and Legends, new character Zhaban – an ally of Picard’s – mentioned La Forge and Worf by name, seemingly confirming that both are still alive… at least as of the early part of Season 1! The only main characters from The Next Generation whose fates were not confirmed, and who were not even mentioned, were Dr Beverly Crusher and her son Wesley.
I don’t necessarily expect to see Wesley Crusher return, though I would suggest that actor Wil Wheaton’s continued involvement with Star Trek means it’s a possibility, at least on the production side. But given the close relationship between Picard and Beverly Crusher, I wasn’t alone in wondering what her absence from Season 1 might mean.
The teaser for Picard Season 2, which debuted at last month’s First Contact Day digital event, included a lingering shot over a model of the USS Stargazer – the ship Picard commanded prior to the events of The Next Generation. This, combined with Picard discussing the possibility of time travel in voiceover, seems to hint that the ship may play a role in Season 2. This is significant for the Picard-Crusher conversation, because while Picard was in command of the Stargazer, Dr Crusher’s husband Jack was killed. This event was mentioned a couple of times in The Next Generation, and it was arguably hinted at that Picard felt responsible for Jack’s death.
It may even have been the death of Jack Crusher that stopped Dr Crusher and Picard taking their relationship any further, at least in events we saw on screen. So a return to the USS Stargazer could potentially have brought back memories for Picard of Beverly Crusher, and there was scope for us to learn more about what happened to her after we last saw her in Star Trek: Nemesis.
However, recent comments by Gates McFadden – the actress who played Dr Crusher in The Next Generation and four films – seem to rule that out, at least in Season 2. Though no character return should be seen as guaranteed, after Riker and Troi came back in Season 1, and with Season 2 seeming to at least acknowledge areas of Picard’s past that may be connected to his relationship with Dr Crusher, it wasn’t an unreasonable guess to think she might appear, and thus I’m a little surprised to hear Gates McFadden ruling it out with the season still in relatively early production.
Though we should be careful about assigning motivations, McFadden is about to launch her own podcast, and it was in that capacity that she spoke to website TrekMovie. Generating attention drives clicks and brings in listeners, and while I don’t doubt that McFadden was being honest about her non-appearance in Picard Season 2, we also have to consider in context what she’s saying and what she’s trying to do by talking about it so openly.
Ever since Star Trek: Picard was announced, practically every former Star Trek actor under the sun has expressed interest in reprising their role, and some have outright lobbied ViacomCBS and the creative team in charge of the franchise to make it happen. In short, by discussing her non-appearance in Season 2, McFadden may be hoping to generate buzz around a future return to the role in Season 3, or in another potential Star Trek project. And again, as with the launch of the podcast, we have to take into account why she chose this moment to talk about it.
In a way this is a pretty big spoiler, because now we know that Dr Crusher won’t be appearing in Season 2 – at least, not in any form we’d recognise. Given the season’s apparent time travel aspect and possible return to the USS Stargazer, I’m at least a little surprised by that. But perhaps there’s still scope to learn more about Dr Crusher and what became of her after the events of Star Trek: Nemesis, even if she doesn’t appear in person.
During The Next Generation’s second season, Gates McFadden’s absence was explained away by saying that Dr Crusher was working at Starfleet Medical on Earth. It seems plausible that she might’ve returned to that role following the disbanding of the Enterprise-E’s crew. If she continued to work with Picard in the years before the attack on Mars, there’s the possibility that their relationship took a romantic turn. It’s a shame we won’t get to see for ourselves in Season 2, though.
There is, of course, the possibility that Dr Crusher will be mentioned, as La Forge and Worf were in Season 1. If that’s the case, her presence wouldn’t be necessary in order for us to know at least whether she’s still alive in this era – I’m assuming she is until I hear anything to the contrary! And it’s also possible that, if the series is going to indulge in some serious time travel, that the role of a younger Dr Crusher will be recast for the new season. The supporting roles of Bruce Maddox and Icheb were recast in Season 1, and we’ve seen Discovery win a great deal of praise for the recasting of Captain Pike and Spock in Season 2, so the possibility of the role being recast certainly exists. I would think, though, that unless Gates McFadden has somehow talked herself out of returning to the role, if Picard Season 2 wanted Dr Crusher circa 2399-2400, the producers would approach her to reprise the role.
So it was a bit of a surprise, as I keep saying! However, with John de Lancie returning as Q and Whoopi Goldberg coming back as Guinan, perhaps the producers decided that the show risked being overwhelmed with too many classic characters, or that there wasn’t enough time to do justice to Dr Crusher’s return. As with Riker and Troi last season, Dr Crusher would really need at least one entire episode in which she and her relationship with Picard could be a major story element. In a ten-episode season that has a lot of other storylines running, perhaps the producers decided that was too much.
And if that’s the case, I have to say I’m pleased – because it means the writers and producers have learned a lesson from Season 1. I’ve mentioned on a few occasions that I felt Season 1 of Picard did not conclude in particularly strong fashion. Too many storylines were abruptly dropped or not given any meaningful conclusion, and while Et in Arcadia Ego, Part 2 in particular was a very emotional episode with some fantastic moments, the finale as a whole left a lot on the table.
Dr Crusher could be essential to the story of a future season of Picard. Or, like Riker and Troi last season, she could simply be incidental. If the latter is true, the season as a whole needs to be structured in such a way that taking an episode off to visit her doesn’t have implications for the remainder of the story. And if it happens to be the case that the story of Season 2 is too full to fit Dr Crusher in, then that’s okay. I’d rather wait and see her return in a truly meaningful way than either have a rushed cameo or feel that the episode in which she featured was detrimental to the main story of the season overall – which, sorry to say because it’s an outstanding episode in its own right, is kind of how I feel about Season 1’s Nepenthe.
As always, I encourage you to check out Gates McFadden’s full comments (which can be seen on TrekMovie and appear in their podcast) for context, and to see for yourself exactly what she had to say. This is just my take on the situation! Given that Dr Crusher was very close to the top of my list of characters I considered plausible for Picard Season 2, and considering how amazing it would be to spend some more time with the dancing doctor, it’s a bit of a surprise – and perhaps even a little disappointing – that she isn’t returning.
Regardless, I hope that Dr Crusher can return to Star Trek in future, when a suitable role can be found for her. Hopefully there will be more seasons of Picard to come, and perhaps even more shows and/or films set in this era. Any such project could bring Dr Crusher back, and she would be very welcome!
Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. Season 2 is currently filming and is targeting a 2022 broadcast. Gates McFadden was speaking exclusively to the website TrekMovie and the full interview may be found there. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, the teaser for Season 2, and for the following: Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager.
Star Trek’s First Contact Day event a few days ago provided a lot of information and teases for upcoming projects in the franchise! Yesterday I took a look at one element from the Discovery Season 4 teaser, and today it’s Picard’s turn to go under the microscope! I wrote up my thoughts on the entire First Contact Day event, by the way, and if you missed that article you can find it by clicking or tapping here.
Both Discovery Season 4 and Lower Decks Season 2 are well into production – in fact, we now know that Lower Decks will be broadcast beginning on the 12th of August! Both shows were able to compile teaser trailers that incorporated a number of different scenes, probably from multiple episodes, and thus we had quite a lot to pick through for each! Picard Season 2, however, only entered production at the end of February, so naturally there wasn’t much to show.
Instead what we saw was a stylised teaser, which I assume was deliberately filmed for First Contact Day. It seemed to include a shot of Château Picard – the Picard family vineyard – that was part of Season 1; a recycled shot to set up the rest of the teaser. The rest of the teaser comprised a shot of Picard’s study/office at the vineyard, with the camera lingering over a handful of items in the empty room.
The item most confusing to me at the moment is the book Paradise Lost! It’s an epic poem that I once had to read at school, written in the 1600s. And it’s all about Satan and God. Given what Picard is heard to say in voiceover about travelling through time and not knowing what might have been had different actions been taken, perhaps the meaning of Paradise Lost is less to do with the content of the poem than a literal reading of the title – something Picard did or didn’t do in the past changed the present, making things worse. That could be his “paradise lost.” This is frustrating!
But Paradise Lost is not what we’re talking about today. In the teaser, Picard spoke of time as “the true final frontier,” and combined with the teaser focusing both on clocks and a backwards-running hourglass, time travel seems to be on the agenda! That’s before we get to Q, who is returning to tangle with Picard once more. Q is quite capable of time travel, as we’ve seen numerous times. Sir Patrick Stewart seemed to at least hint that Q isn’t responsible for whatever happens to Picard, but he’s clearly involved to some degree.
In addition to all of the time-related imagery, one thing from the trailer really leapt out at me: a model of the USS Stargazer. It’s the Stargazer that we’re going to talk about today, as the teaser seemed to at least hint at the possibility of revisiting this chapter of Picard’s life – something I predicted Season 2 might do a few weeks ago!
So let’s consider a few possibilities for how the USS Stargazer could be included in Season 2 of Picard. We’ve already heard the ship mentioned in Season 1; Dr Benayoun referenced Picard’s time aboard the ship in the episode Maps and Legends. Perhaps that was a hint at things to come in Season 2, and perhaps Dr Benayoun himself will make a return. We’ll have to wait and see what happens when the season airs next year!
My usual caveat applies: I have no “insider information.” I’m not claiming any of the things on this list will definitely happen in Season 2. This is just speculation and guesswork; a bit of fun and a chance to spend a bit more time talking and theorising about Star Trek. That’s all! So with that out of the way, let’s take a look at my six USS Stargazer theories.
Number 1: Picard’s “death” and a redux of The Next Generation Season 6 episode Tapestry.
When I think of Q, Picard, and time travel, one of the first episodes that comes to mind is Tapestry. Given that Picard has faced death in Season 1, perhaps the stage is set for some kind of redux of this episode, or at least a story which uses a similar premise. In Tapestry, Picard was given a chance by Q to go back to his past and make changes in his life, choosing to use the wisdom of age to be more cautious and less impulsive. At first it seemed to save his life, but the changes made his life far worse and unliveable.
What wasn’t clear in Tapestry is whether Q and Picard were truly travelling through time or whether it was an elaborate illusion. I choose to think it was the former; Q had the power to do all of those things, after all! So maybe he will give Picard a chance to do so again.
At this stage we don’t know why Picard wants or needs to travel through time. It may be connected to the Zhat Vash, Coppelius, the super-synths from the season finale, or something else that happened last season. It may be connected to something from The Next Generation. Or it may simply be a new storyline written for the show as happened in Season 1. But if he did want to go back in time to change the past, perhaps he would enlist the help of Q, setting up a story similar to Tapestry.
If Picard were to go back in time to his Stargazer days, there are a lot of things he could potentially do differently, and thus a lot of different ways that the story could go. You’d think that, after what happened in Tapestry, Picard would have learned his lesson about changing the past. But if Q showed him a very different, far better future, perhaps he could be convinced to make such a change.
This might connect to the “paradise lost” concept that I touched on at the beginning. Perhaps Q is able to convince Picard that his best option, or the only option, to get a particular outcome in the future is to change the past?
Number 2: The Cardassian Border Wars.
Though only mentioned briefly in The Next Generation, Picard was in command of the USS Stargazer during the Cardassian Border Wars. Not to be confused with Deep Space Nine’s Dominion War, this conflict took place in the mid-24th Century, prior to the events of The Next Generation. Picard made reference to one encounter in which a Cardassian ship fired on the Stargazer while the shields were down, causing him to have to flee!
One of the interesting things about choosing the Stargazer for part of Season 2’s setting as opposed to the Enterprise-D is that we know relatively little of Picard’s exploits while in command of the ship. Picard was in command of the Stargazer for around twenty years (from the 2330s to the 2350s) yet we only got brief hints at what he did in all that time. That makes it a relatively blank slate as far as the writers and producers of Season 2 are concerned.
We do know, however, that Picard and the Stargazer saw action during the Cardassian Border Wars, and perhaps this could be a way for Star Trek to revisit the faction we got to know so well in Deep Space Nine. As one of the few known events during Picard’s time in command of that vessel, it’s at least possible that we’ll see it mentioned!
The Next Generation Season 4 episode The Wounded saw Picard work with the Cardassians, so it doesn’t seem as though he harbours any lingering feelings toward them; certainly not like the trauma he carries after his experiences with the Borg. So I don’t think that revisiting the Cardassian Border Wars would lead to the kind of powerful moment that we saw when Picard visited the Artifact in Season 1. But there could be something from those days that Picard has to confront, or perhaps he’s been hiding or repressing his feelings about the Cardassians since then?
The advantage to bringing the Cardassian Border Wars into play, at least from my point of view, would be that it would allow the series to revisit some of the events seen in Deep Space Nine and Voyager. Picard may not have much connection to those events, but other characters do. Seven of Nine, for example, served with and was once in a relationship with Chakotay, and his Maquis friends were killed by the Cardassians. Perhaps some kind of story related to Cardassia and the Cardassian Border Wars is on the cards.
Number 3: Assuming command in the 2330s.
One of the things that Picard inadvertently changed during the events of Tapestry was that he never assumed command of the USS Stargazer. All we know of this event is that, following the death of the ship’s captain, Picard boldly assumed command. Doing so was a risk, one that the less cautious young Picard was willing and able to take. Following this event, he was appointed as the ship’s permanent commander and (presumably) promoted to the rank of captain.
The death of a ship’s captain is a significant moment, one that we haven’t seen often within Star Trek. Presumably the Stargazer’s captain was killed violently or during some kind of disaster or emergency; if he’d simply died of natural causes Picard’s tale of assuming command would be far less grand! So whatever happened, I think it’s fair to say it came at a difficult moment for the ship and crew.
This event may turn out to have some connection to Q or to something from Season 1 of the show. We could learn, for example, that the Zhat Vash or the super-synths were responsible for the attack on the Stargazer, and thus for Picard’s ascent to the captain’s chair. It may then be the Zhat Vash who want to go back in time to undo something, changing events so that Picard wouldn’t be in a position to help Soji and the Coppelius synths.
Maybe that’s a stretch and a reach, but the idea of undoing a mistake and trying to alter the future seems to be a theme of the season, according to the teaser. Picard himself was heard in voiceover saying that time never offers second chances – so perhaps the person or faction hoping to change the past is not Picard and his new crew, but some other nefarious faction. Picard and the crew of La Sirena may even be travelling back in time to preserve the timeline, not change it.
When it comes to factions we know of within Picard that could be interested in changing the past, the Zhat Vash have to be right up at the top. They’re fanatics, and after their recent defeat both at Coppelius and with the repeal of the ban on synthetic life they may try to travel back in time to exact their revenge. Going back to prevent Picard ever becoming a captain, changing his career and stopping him interfering in their plans, may be what they have in mind. One of the neat things about revisiting this era would potentially be a return of the red Starfleet uniforms!
Number 4: The Battle of Maxia.
At the opposite end of Picard’s time in command was the Battle of Maxia. At this battle, in which Picard faced a Ferengi ship, he devised the “Picard Manoeuvre” – a tactic that allowed his ship to appear to be in two places at once, and which was later taught at Starfleet Academy. In the aftermath of this battle, however, the Stargazer was lost. Presumed to have been destroyed, the ship was actually salvaged by the Ferengi.
The “Picard Manoeuvre” was referenced in Season 1, during the episode Et in Arcadia Ego, Part 2. As with the earlier reference to the USS Stargazer, perhaps this was setting up something that will become important in Season 2, or at least reminding us of its existence! These little crumbs could form a trail for us to follow, perhaps informing us of planned events in Season 2. Or I could be reading too much into individual lines, as I always seem to be!
The Battle, the ninth episode of The Next Generation, explored the Battle of Maxia in more detail. It’s probably the one event involving the USS Stargazer that has been most closely examined on screen. That could mean it’s a good place for Season 2 to go, as it’s something we’re at least a little familiar with. Or it could mean that, as Picard has already confronted his actions at the battle and their consequences, there isn’t much left to explore.
In any case, it remains a possibility. Returning to the Battle of Maxia could see the return of the Ferengi in some capacity, though their involvement was not known at the time. As above, it could be a chance either for Picard to correct a mistake, or for someone nefarious to attempt to change the past – his past – by changing the outcome of the battle.
Number 5: The death of Jack Crusher.
Jack Crusher – husband to Beverly and father to Wesley – died while serving under Picard’s command aboard the USS Stargazer. It was at least implied that Picard bears a degree of responsibility for his death, or at least feels responsible for what happened. Perhaps that’s simply because of how he is as a commanding officer – but could there be more to it than that?
Of the main cast of The Next Generation, only Dr Crusher’s fate was left unconfirmed in Season 1. We saw Riker and Troi of course, and Data we know has died. Zhaban also confirmed that Geordi La Forge and Worf are still alive, so that only leaves Dr Crusher. In at least one future timeline, she and Picard had married – we saw no evidence for or against this idea in Season 1, so perhaps it could be explored in Season 2.
In the teaser, Picard spoke about how we often wish we’d acted differently during a crisis, and perhaps one thing he wishes he had been able to change was whatever led to Jack Crusher’s death. We could also learn that the Zhat Vash, super-synths, or some other faction or entity from Season 1 is involved in the events that led to him being killed, forming a kind of circular story going back to Picard’s past.
If Dr Crusher were to be involved in Season 2, she would undoubtedly have something to say about the possibility of revisiting the moment of Jack’s death! Maybe she would try to talk Picard out of it, saying that changing an event more than fifty years in the past would have huge ramifications for them both. Or maybe she’d be in favour of going back in time to prevent it from happening if his death set in motion a series of events that led to horrible consequences at the dawn of the 25th Century.
It’s also possible that Jack Crusher’s death may simply be the backdrop for the story – an event connected to something else in the series, but not something Picard hopes to undo.
Number 6: Anti-time and All Good Things…
In the finale of The Next Generation, Q set Picard a puzzle to solve that required him to think outside the box. In short, events in the future were – somehow – having a causal effect on events in the past. Figuring that out, and learning for the first time that time is not necessarily linear and moving only in one direction was what Picard learned.
As above with Tapestry, when I think of Q and time travel, I also think of All Good Things. The teaser made reference to “the trial,” and I believe even used a line spoken by Q in All Good Things as it drew to a close. Q told Picard in that episode that his and humanity’s trial in the eyes of the Q was ongoing, so perhaps the return of Q will mean revisiting some of these concepts.
Something that will be potentially interesting to explore are Q’s views on mortality. In the Voyager Season 2 episode Death Wish, Q helped a fellow member of the Q Continuum to die, but has never had to confront mortality himself. In many ways, Q seemed to regard Picard as something akin to a friend, and watching him age and confront death might be something that would interest and bemuse him.
In the panel that immediately followed the teaser, Sir Patrick Stewart appeared to refer to Q appearing in only a single episode, so perhaps his influence over the season won’t be as significant as we’re assuming. It was also implied that Q is not the cause of whatever the main event of the season is. However, if Picard needed to travel back in time for some reason – such as to prevent something catastrophic from happening in the present – he may voluntarily call upon Q. After all, how many other methods of time travel is Picard aware of?
All we can say for sure at this stage is that Q is involved somehow. But given the teaser’s focus on time travel, maybe his involvement will be in sending Picard and his new crew back in time, perhaps to the time he served aboard the Stargazer.
So that’s it. Six theories about Picard Season 2 and the USS Stargazer!
At this stage, with the second season perhaps as much as a year away from being broadcast, we have very little to go on. As mentioned, the teaser didn’t include a single character or completed scene or sequence, so I’m reading an awful lot into a few lines of voiceover and the imagery presented! We don’t even know for sure that the USS Stargazer will be included in any form, let alone visited through time travel!
Despite that, however, it’s great fun to speculate and theorise about what might be happening. The series is currently in production, with filming ongoing at time of writing, and while we’re unlikely to see another teaser or trailer any time soon, I’ll be keeping an eye out for any tiny tidbits of news that may come our way!
Discovery has shot forward into the 32nd Century; the far future. As such, it’s less easy for that show to bring back characters, themes, and storylines from Star Trek’s past – though that didn’t stop me making a few guesses about what may be going on in Season 4! But Picard is only set twenty years on from the events of the 24th Century Star Trek shows, and as such we could potentially see the inclusion of all manner of characters and other story elements – as indeed we saw happen in Season 1.
Regardless, I’m excited to see where Picard Season 2 takes the story next. The return of Q promises to be great fun, and while the season is a way off yet, I think it’s okay to make a few tentative guesses about what may be going on!
Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States and other regions where the platform is available. It may be streamed on Amazon Prime Video in the United Kingdom and other countries and territories. Star Trek: Picard Season 2 is scheduled to premiere on Paramount+ and/or Amazon Prime Video next year. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Lower Decks Season 1, Star Trek: Discovery Seasons 1-3, and most importantly, there are spoilers (including images) from the teaser trailers for Picard Season 2, Lower Decks Season 2, and Discovery Season 4. There are also spoilers for Prodigy.
Yesterday was “First Contact Day” – the 5th of April is the day in 2063 when humans made first contact with the Vulcans, as depicted in Star Trek: First Contact. We’ve seen the event celebrated within Star Trek on a few occasions, and apparently one dish often served is salmon! But we’re off-topic already.
The creative team in charge of Star Trek set up First Contact Day as a digital event, somewhat akin to last year’s Comic-Con @Home presentations, and other similar events that they’ve done periodically. It was marketed on social media, particularly on Facebook and Twitter. But it wasn’t 100% clear how fans were supposed to access the virtual panels – whether they were just going to be available on the website, on social media directly, or even via Paramount+. Even navigating to the right part of the Star Trek website took clicking through several links.
That confusion was entirely self-inflicted and clarifying it would have been easy to do. It was almost as if the social media/website teams were making watching the panels “live” – they were actually pre-recorded – as difficult as possible. Thankfully all five of the panels were later made available on YouTube (vital for me, so I could go back and take screenshots!) But while we’re complaining about Star Trek/Paramount+/ViacomCBS’ social media, if you want to watch the full panels on YouTube I advise you to do so fast – in the past, some Star Trek videos, including one of the trailers for the first season of Picard and last year’s Comic-Con panel I mentioned earlier, were taken down by YouTube’s copyright protection algorithm. Hopefully that won’t happen this time, but it’s worth keeping in mind the possibility.
One of the pre-event social media posts was really tantalising and very well put-together. A “teaser” clip of a viewscreen which briefly flashed up two numbers – that looked like map coordinates – got a number of Trekkies talking and speculating, successfully building up a degree of hype for the First Contact Day event. In 2021, this kind of audience engagement via social media is vital for any franchise, and I’m glad to see Star Trek at least making an attempt!
So let’s start with the big news!
We got teaser trailers for Lower Decks Season 2, Picard Season 2, and Discovery Season 4! In addition, we got to see the design for Captain Janeway in Prodigy. Each of the panels gave us a few clues and tidbits of information about these upcoming Star Trek projects, which was fantastic.
The mysterious numbers mentioned above did in fact turn out to be coordinates – for a convention centre in Chicago! Star Trek: Mission Chicago is going to take place in April 2022, and will be the first in-person convention since the coronavirus pandemic hit. Perhaps it’s because I was never going to be in attendance, but I’m not sure the convention was the strongest way to end the First Contact Day event. It was saved for the last moment by co-hosts Wil Wheaton and Mica Burton, and it just felt a tad anticlimactic after an event that had seen so much other exciting news.
With so much going on, and so many amazing reveals, it’s hard to know what to talk about first! Let’s start with Prodigy, since the newly-revealed image of Captain Janeway is probably going to be seen as First Contact Day’s most iconic takeaway. While there was no trailer or teaser for the series, which I admit I had been half-hoping for, we did get a bit more information.
The series is set several years after Voyager, at roughly the same time as Lower Decks, in the 2380s. And the reason why none of the aliens we saw in the first teaser image a few weeks ago look familiar is because the show is set in the Delta Quadrant. The aliens are (presumably) all Delta Quadrant natives who are, according to the show’s creators, totally unaware of Starfleet or the Federation.
The version of Captain Janeway that they encounter is a “training hologram” that has been left behind on some kind of training vessel, presumably by the USS Voyager as it passed through the Delta Quadrant. This is the abandoned Starfleet vessel that had been mentioned in the show’s original description.
The design of Janeway is just fantastic. Modern Star Trek has not been shy about changing up classic designs, but Janeway retains her Voyager-era uniform and combadge, and the design manages to blend the way she looked in the show with a CGI-cartoon aesthetic just perfectly. Looking at her, you know immediately who she is! I honestly cannot fault the design, and I can’t wait to see her in action along with the new crew.
The premise of Prodigy has now fully taken shape. The setting has been laid out and the crew assembled. Now all we’re missing is the ship itself! Could that be the Delta Flyer?
The creators of Prodigy talked about how the new series will be great fun for kids, stimulating their imaginations and creativity. Both words, “imagination” and “creativity,” came up several times during the panel, and it sounds as though they’re really pushing hard for Prodigy to be something more than just background noise or brainless entertainment. The best kids’ shows do this, and as a result have a lot to offer kids and adults. There was a mention that Prodigy is for “all ages,” which is great!
Finally, Prodigy promised a number of surprises and connections to Star Trek’s broader canon, both of which I like the sound of! There was a hint that one of the characters we saw in the teaser image has a connection to The Original Series; my first guess was the rock-like alien perhaps being a Horta, as that was something I guessed at when I first saw the image. But we’ll have to wait and see on that!
So that was Prodigy. Since we’re looking at animation, let’s move on to Lower Decks next.
Creator Mike McMahan was involved in a panel that looked at Star Trek’s sense of humour. Considering how many “critics” attacked Lower Decks before it was broadcast for being an un-serious take on Star Trek, I think it was worthwhile to remind people that humour has been a huge part of the franchise going all the way back to The Original Series. McMahan in particular noted the interactions between Kirk, Spock, and Dr McCoy as being a great example of this.
The panel concluded with the aforementioned Lower Decks Season 2 teaser, and in a scant few seconds there was a lot going on! Here are just a few of the things I noticed: Rutherford’s implant is back, meaning his design remains unchanged despite the events of the Season 1 finale. Boimler, as promised, remains aboard the USS Titan, though his posting doesn’t seem to be going well!
Jonathan Frakes will return as Riker, which we had assumed but hadn’t been confirmed. At one point, Mariner wore what looked like the anbo-jyutsu armour from Season 2 of The Next Generation – something Riker wore once in that show. A Miranda-class ship was briefly shown. And finally, there was a sequence in which Mariner appeared to be fighting several Cardassians!
There’s a lot to digest in just those few seconds, and taken out-of-context it’s hard to be sure of what’s going on! What we didn’t see was Boimler interacting with the other three main characters, and perhaps that’s to keep his fate a secret. Or perhaps it’s indicative of the fact that he will remain aboard the USS Titan for several episodes!
Lower Decks Season 2 looks to be coming together nicely, and there was a lot shown off in the teaser that seems to be from quite a few different episodes. We now know that Lower Decks Season 2 will premiere on the 12th of August, which is pretty much one year after Season 1’s debut! So that’s fantastic news, and it means we’ll get at least some Star Trek this year!
Discovery’s fourth season is also scheduled for 2021, though no date was confirmed. After an interesting panel which focused on Nichelle Nichols and a documentary that has been made about her and her work and influence over women at NASA called Women In Motion, Sonequa Martin-Green introduced the first Season 4 teaser trailer.
Before we look at the teaser in depth, I enjoyed the Women In Motion panel. One point that came up is the value of representation, which was something Michelle Hurd (Star Trek: Picard’s Raffi) discussed at length. Representation matters in entertainment, and I’ve had an essay in the pipeline on that very subject for a while. One of these days I’ll get it finished!
On to the teaser trailer. The first thing to note is that Discovery’s uniforms have been changed. The grey design appears to have been retired in favour of a more colourful look – the basic layout of the uniforms appears to be very similar, but the colours have changed. This is something I predicted a few weeks ago, and I look forward to seeing more of the new uniforms at some point soon; it’s difficult to assess them fairly from a few short scenes in a teaser!
After the Burn in Season 3, it seems as though Discovery is returning to another “natural disaster” concept in Season 4. An “anomaly” described as being five light-years in diameter seems to be threatening both the Federation and other worlds, perhaps meaning there will need to be some working together to figure out a solution.
After Seasons 1 and 2 both ended up being about fighting and had major villains to defeat, it was a nice break for Discovery to largely have to deal with a scientific problem in Season 3, so I think the same concept could work well again. I just hope that it doesn’t end up feeling either repetitive, as though copying the Burn, or anticlimactic, coming after the galaxy-wide catastrophe and simply not being as impactful.
When I heard talk of a gravitational anomaly that was several light-years wide, my first thought was the Nexus, as seen in the film Generations. That “energy ribbon” was known to be able to damage starships and even planets, and though we didn’t see any evidence of the Nexus, perhaps it could be the cause of this strange anomaly?
It looks as though the USS Discovery takes a beating in Season 4, and may even end up destroyed or irretrievably damaged! At one point, Burnham was the sole figure on the bridge and had to wear a helmet, presumably because of the extent of the damage suffered by the ship. Though the uniforms have been redesigned, I didn’t see any significant changes to the internal design of the USS Discovery itself, which is something I think would be nice to see now they’re established in the 32nd Century.
It was great to see Cleveland Booker back, and it seems as though David Ajala will be back as a regular cast member for the show. Book was such a fun character in Season 3 that I’m thrilled he’s back. He wasn’t in a Starfleet uniform, so it seems as though he’s keeping his status as an outsider. That worked well in Season 3, so why change what works?
Lieutenant Detmer appears to have upgraded her cybernetic implant! We saw at least one glimpse of a scene in which the USS Discovery appeared to lose artificial gravity, which is something rarely seen in Star Trek. We saw the return of the President of Ni’Var, who appeared in Season 3, as well as the debut of a new character who seems to be a Federation official.
Saru was shown briefly, and looks to be in some kind of diplomatic or ambassadorial role based on the few seconds he was on screen. We also saw one other Kelpien, a couple of unknown aliens, and Burnham once again talking about togetherness and unity as ways to tackle the threat they all face – presumably this anomaly. And most importantly: Grudge is back!
So all I can think to say is “wow!” Discovery Season 4 looks action-packed to say the least! We didn’t see either Admiral Vance or Kovich; the latter we know is returning but I certainly hope Admiral Vance will be back as well. Oded Fehr’s performance in Season 3 was fantastic, and it’s wonderful to have a Star Trek admiral who does what’s right and isn’t an adversary; it makes a nice change!
Based on what we saw, Discovery Season 4 looks fantastic, and getting confirmation that it’s aiming for a 2021 release is great news as well. Though no date was given, at this stage I would assume (alright, guess) that we’ll see something of a repeat of last year, with Lower Decks running from August to October, and Discovery Season 4 picking up sometime in mid-October; certainly before Halloween. It would then run through the autumn and winter before concluding sometime in the New Year. That was 2020’s pattern, and with Lower Decks scheduled for August, I think we can reasonably guesstimate that the same thing will happen this year as well.
That brings us to Picard, which was one of the first things we saw! The Picard Season 2 teaser was totally unlike the Lower Decks and Discovery teasers, being comprised of no filmed scenes and featuring no characters – which makes sense, given how early in production the season is! Despite that, however, in the short teaser we actually got a lot of information – or possible information – about what might be going on!
Firstly, time travel appears to be involved. Specifically, travelling backwards in time. This was represented by an hourglass running in reverse. We also saw the teaser linger very prominently over a model of the USS Stargazer – Picard’s first command. There was also a glimpse of Paradise Lost, an epic poem about falling from grace and the rejection of God. I’m sure that’s a tease at something… but what? Then we got the biggest bombshell of the entire teaser: Q is returning!
John De Lancie, who plays Q (and who recently appeared in Lower Decks) joined Wil Wheaton and Sir Patrick Stewart to confirm Q’s return, and it was great to see him back! The combination of time travel plus Q seems to make for an interesting setup to the new season!
The USS Stargazer was under Picard’s command for more than twenty years, seemingly from the 2330s to the 2350s. Having spent so much of his life aboard the ship, revisiting it makes a lot of sense for the show! It’s also an almost-blank slate, as aside from a few references and lines here and there across The Next Generation, the Stargazer’s exploits are largely unknown. We do know that the ship was involved in the Cardassian Border Wars, and that Jack Crusher served aboard the ship before being killed. In voiceover, Picard talked about time being the real “final frontier,” and about the desire to do things differently.
A couple more hints about the storyline and Q’s involvement came in the panel which followed. Sir Patrick Stewart made a couple of references to Q appearing in an “episode” using the singular, so perhaps Q will be back for just one appearance! It doesn’t sound as though Q caused whatever time-related event is happening, which is also a point of note.
Q’s arrival was said to come at a “shattering moment” – perhaps the moment that time shattered? Or perhaps a moment in which Picard feels traumatised, as Sir Patrick Stewart and others made reference to Picard being “traumatised” both by his past and whatever is going on in the new season.
There seemed to be a hint that Picard may visit more than one time period, as well as Jonathan Frakes’ inclusion suggesting that Riker may make a reappearance in Season 2 as well. My first thought, putting all of these elements together, is some kind of follow-up to the events of All Good Things, the finale of The Next Generation. In that story, Q allowed Picard to move between three time periods in order to solve a puzzle – events in the future were having a causal effect on events in the past! Perhaps some kind of similar “anti-time” story is on the cards?
Q appeared in the first episode in which we met Picard – Encounter at Farpoint right at the beginning of The Next Generation’s run. As I said once, it would be poetic if he were also to appear in the episode – or at least the season – which marks Picard’s end as a Star Trek character as well. Though a third or even fourth season of Picard was said to be there for the taking if Sir Patrick Stewart wanted to do it, I wonder if Q’s inclusion in Season 2 may mean that it will be the last season of the show – and may even see Picard killed off.
That’s pure speculation on my part, though!
With production having only been going on since late February, I’m not surprised that Picard didn’t have more to show at this stage. It seems certain we won’t see Season 2 before next year, and that’s actually okay! As excited as I am to continue the journey, we’ll have plenty of Star Trek to get stuck into later this year.
So that wraps up my thoughts on the three teasers (plus one image) that we got during yesterday’s First Contact Day event. Before we go, though, I want to talk briefly about the other panels.
This year is the 25th anniversary of Star Trek: First Contact (gosh I feel old now, as I remember seeing it at the cinema!) There was a panel hosted by Wil Wheaton that featured Sir Patrick Stewart, Jonathan Frakes, Brent Spiner, and Alice Krige – the actress who played the Borg Queen in that film. It was a very sweet panel, as all the participants had fond memories of working on the film.
Krige in particular spoke very highly of working with the cast of The Next Generation, and being welcomed aboard by a team that had been working together for almost a decade at that point. There were some lighthearted moments too, as Frakes was quizzed over his “Two Takes Frakes” nickname! It was a lot of fun, and it’s nice to see that, even after so many years, the cast still enjoy one another’s company.
The only panel I haven’t touched on yet was that hosted by Mica Burton in which several designers and artists participated. It reminded me of a book I own called Aliens and Artifacts which similarly looks at makeup, uniform design, prosthetics, and so on, and how all of those things are created by artists behind the scenes.
It’s always interesting to learn a little more about how these things work, and it was neat to hear from some of the folks who have been involved with designing new aliens, new uniforms, and other aesthetic elements that go on to be iconic and emblematic of Star Trek.
So that’s it! First Contact Day was interesting, and we got to learn a lot about upcoming Star Trek projects! The return of Q in Picard Season 2, as well as a time travel story, sounds interesting. Discovery Season 4 looks to be playing up the strengths of Season 3. And Lower Decks looks like another wacky good time! It was great to see Captain Janeway’s design in Prodigy, as well as learn a little more about that series. Though I hoped to find out when it will debut or even see a trailer, I’m content to wait and let the creators get it ready first!
The Star Trek franchise, including all properties mentioned above, is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are minor spoilers ahead for Star Trek: Discovery Season 3.
In addition to the first teaser image for Star Trek: Prodigy, a recent update from ViacomCBS (that was primarily directed at their investors) has given us a couple of interesting bits of news regarding both current and future Star Trek projects. Today I thought it would be worthwhile to take a look at what was said and try to figure out what may or may not be coming our way in 2021 and the first half of 2022.
The most significant piece of news was that ViacomCBS plans to have something from the Star Trek franchise on Paramount+ every quarter. Since it’s already almost March I think we can rule out anything in Q1 this year! But that still potentially leaves us with three Star Trek projects before the end of 2021.
I said just after New Year that I believed we’d see both Prodigy Season 1 and Lower Decks Season 2 this year, and those will almost certainly be two of the three. With Discovery Season 4 having been in production since November, I have to assume that will be the third series planned for this year – perhaps targeting a Q4 broadcast like Season 3 received in 2020. That’s ambitious in my opinion – post-production work on Discovery Season 3 took over nine months to complete – but if ViacomCBS and Paramount+ can manage it, it will be a fantastic achievement! And it will mean one extra Star Trek show in 2021 that I wasn’t expecting!
If that’s the plan, that would then open up Q1 and Q2 of 2022, and it seems certain that we’d get Picard Season 2 (which has just started filming) and Strange New Worlds Season 1 in the first half of next year – probably in that order. So this current quarter could be the longest we’ll have to go without any new Star Trek for quite some time!
What will happen after that is in question, and this is where the other interesting bit of news comes in: ViacomCBS has no plans to produce any other Star Trek shows until those currently in production have concluded.
This seems to mean that the Section 31 series, which originally had a premiere date suggested for this year, is going to be delayed yet further, and I interpret comments by some of its writers and producers to mean that the series going ahead at all is less certain now than ever. Strange New Worlds completely stole the Section 31 show’s thunder, both before and after it was announced, and as I said a while ago, I never really got the impression that there was much excitement for Section 31. Many Discovery fans were clamouring for a Pike series almost from the first episode of the show’s second season, but Georgiou and Section 31, while not badly received, were very much the lesser part of that story overall.
Georgiou’s recent departure from Discovery has set the stage for Section 31 – but it also left things very open as to where (and when) she will end up. Perhaps behind the scenes what’s going on is some major retooling of the Section 31 show’s premise; it had been suggested by Alex Kurtzman and others fairly recently that the scripts were still being worked on, and this feels like another indication of changes to the upcoming series.
So this unfortunately raises the question of the Section 31 show’s ultimate fate. Is this the first step to it being cancelled… or “un-announced?” It feels like it could be, sadly. Despite not being as interested in Section 31 when it was announced, I’ve recently come around to the idea of this kind of spy thriller. If done well I think it could be something really fun and different within Star Trek, and with it having been announced I kind of want to see it come into being. Even if it only runs for a single season, or gets cut down to a miniseries or television movie I still think it could be worthwhile.
The longer-term futures of other Star Trek projects are less clear. No future seasons of any in-production shows were announced – though it seems likely, according to the rumour mill, that we’ll see Discovery Season 5, and Picard Season 3 was said to be there for the taking if Sir Patrick Stewart wanted it. Beyond the halfway point of 2022, though, Star Trek’s future gets a little harder to predict. We could see Lower Decks Season 3, Prodigy Season 2, or perhaps a new set of Short Treks mini-episodes.
What is clear, though, is that Section 31, the potential Ceti Alpha V miniseries that I covered a few weeks ago, and the still-unannounced live-action series that is in pre-production won’t be coming imminently.
ViacomCBS has “plans” for expanding Star Trek beyond the projects that we know about, though, and there was talk of ideas and concepts being worked on behind the scenes. Paramount+ is being established with a view to a widespread international rollout, which will begin next month with the USA, Canada, and Australia, before heading to Scandinavia and Latin America later in the year. Hopefully it’ll come to the UK soon!
Other recently-announced projects for Paramount+ include a Halo television series, a prequel to Western drama Yellowstone, a reboot of Nickelodeon cartoon Rugrats, and more. CBS All Access has grown its subscriber base since it was launched, passing the 8 million mark last year. The relaunch of the service as Paramount+, with its promised live sport and varied mix of films and television shows will surely bring in a lot of viewers – keeping Star Trek on the air for a long time to come.
These announcements were interesting, and I feel reasonably confident now that we’ll see three Star Trek shows this year instead of the two I had been expecting, so that’s fantastic! And I cannot wait for both Season 2 of Picard and the debut of Strange New Worlds next year. It’s a wonderful time to be a Star Trek fan right now – we have literally never had so many different projects all on the go at once. Someone pinch me… I must be dreaming!
The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and Star Trek: Discovery Season 3.
Just a short one today. It seems as though the long-delayed second season of Star Trek: Picard has officially entered production, with filming commencing in California. Raffi actress Michelle Hurd posted on social media that she was “back to work.”
Details of the season are otherwise hard to come by; ViacomCBS is keeping a tight lid on production. Partly that will be due to coronavirus-related concerns, but also to avoid leaks or spoilers. Sir Patrick Stewart has been back in California for a while, and from what he’s said has been raring to go! Stewart recently appeared during the ad campaign for Paramount+ – the new name for the rebranded CBS All Access, and the future home of Star Trek: Picard.
Aside from Stewart and Hurd, the Season 2 cast will comprise Isa Briones as Dahj, Santiago Cabrera as Chris Rios, Evan Evagora as Elnor, Alison Pill as Dr Jurati, and Jeri Ryan as Seven of Nine in a “special guest star” capacity. The only main character from Season 1 who isn’t returning (as far as we know, anyway) is Harry Treadaway’s Narek. I’m still hopeful, however, that Season 2 will somehow make note of Narek’s fate, as the Season 1 finale left things unclear.
The timeframe for Season 2’s production and release is still up in the air. If we use Season 1 as a baseline for comparison, we can expect filming to last approximately four months (Season 1 filmed from late April to the end of August 2019). However, it goes without saying that coronavirus-related safety protocols could delay things. Four months of filming would put the end of production somewhere in late June or early July, and again if we use Season 1 as a baseline, where post-production work took approximately four-and-a-half months, we could potentially see Season 2 being wrapped up and ready to go before Christmas.
However, Discovery’s third season took closer to nine months in post-production due to coronavirus and the teams all having to work from home, so I’d be surprised to see Picard Season 2 before next year. There’s also Discovery Season 4 to consider – it began filming back in November, so will likely conclude first. I’m not sure how much crossover there is of post-production staff between the two shows, but it stands to reason that if work on Discovery Season 4 is already underway, Picard Season 2 may have to wait longer.
So let’s assume, for now, that sometime in the first half of 2022 seems like a reasonable guesstimate for when we could see the season air! If we get any significant news regarding character crossovers, plot details, or a trailer, be sure to check back as I’ll almost certainly have something to say.
Speaking of character crossovers, have you heard the news that Thadiun Okona (from The Next Generation Season 2 episode The Outrageous Okona) may be appearing in Star Trek: Prodigy?! What an odd choice. But actor William O. Campbell confirmed on a recent podcast that he’s already been in the recording studio, so I guess we’ll see what he brings to the series when it arrives later this year! I had suggested Okona as a possible character for Picard Season 2 months ago, but I would never have guessed he’d crop up in Prodigy!
So that’s all I have to say, really. Picard Season 2 felt in danger for a while there, so I’m very glad indeed to hear that filming is underway. A few weeks ago I wrote up some preliminary predictions for what Season 2 may contain, so be sure not to miss that article if you’re interested in my pre-season musings!
Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – remains the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: The Next Generation, and for other iterations of the franchise.
Season 1 of Star Trek: Picard expanded our knowledge and understanding of the Star Trek galaxy in the 24th Century. As the lore of Star Trek grows (pun intended!) one thing I find fun is seeing how any new information we get can be made to fit with past iterations of the franchise, and in the case of Picard, I think I’ve hit on a theory that is plausible based on some new facts that we learned last year.
I previously touched on this theory as part of my essay on Commodore Oh a few months ago, but I thought it warranted being expanded and given its own article – so that when it’s finally confirmed on screen I can say “I told you so!” Or not. In short, this theory connects Data’s brother Lore to the Zhat Vash, the faction introduced in Star Trek: Picard.
Before we go any further and get into the weeds, let’s recap. Lore was introduced in The Next Generation Season 1 episode Datalore, and would return in Brothers in Season 4, as well as the Season 6 finale Descent, and Descent, Part II which opened Season 7. He was, in effect, Data’s “evil twin,” and would go on to cause havoc for Data and the crew of the Enterprise-D. We would also learn that Lore was responsible for luring a spacefaring lifeform called the Crystalline Entity to his homeworld, killing most of the citizens of the colony.
Next we have the Zhat Vash, who were introduced in Star Trek: Picard. An ancient, secretive Romulan sect, the Zhat Vash were on an anti-synthetic crusade. They believed that the development of artificial life would lead to all life in the galaxy being exterminated, and sought to wipe out synthetics wherever they found them. As part of their plan to prevent the Federation developing synths, a Romulan agent named Oh infiltrated Starfleet shortly after the discovery of Data in 2338.
This theory begins with something that The Next Generation never really explained: Lore being evil. Apparently this is a flaw in at least some Soong-type androids, as we’d also see Sutra exhibiting many similar traits to Lore in the two-part finale of Picard Season 1. But is there more to it than a simple mistake, as Dr Soong believed?
Though the Zhat Vash despise synthetic life, as part of their crusade to exterminate synths from the galaxy they seem to have learned a great deal about them – including how to reprogram them. In Picard Season 1, we learned that rogue synths had attacked Mars, destroying Admiral Picard’s fleet. It was the intervention of the Zhat Vash, hacking into the synths and reprogramming them, that caused this attack. If the Zhat Vash possessed the ability to do this in the 2380s, it’s at least possible that they were able to do something similar to Lore in the 2330s.
Lore was activated months (or possibly years) before Data, and lived with his creator on the Omicron Theta colony. Dr Soong’s reputation seems to have been known within the Federation, and his work doesn’t appear to have been classified or somehow kept secret. The Zhat Vash seem to have been able to infiltrate the Federation with relative ease, having two spies inside Starfleet that we know of, and even if a Zhat Vash operative in this era were not an especially high-ranking officer, given the openness of Dr Soong’s work and the dedication the Zhat Vash have to their cause, I think we can reasonably suggest that they would have come to know what he was doing, and thus of the existence of Lore.
As I suggested in my last crossover theory, it stands to reason that the Zhat Vash will have been deeply alarmed about the Federation and their synthetic research. In the mid-23rd Century, two Federation AIs went rogue: Control (as seen in Discovery Season 2) and the M-5 multitronic unit (as seen in The Original Series second season episode The Ultimate Computer). Although it seems to be androids that were the main focus of Zhat Vash attention, as Laris made clear, the Romulans fear all kinds of AI – so these events would certainly have upset them enough to keep an eye on Starfleet and the Federation.
That makes it even more likely, in my opinion, that the Zhat Vash would have found out about Dr Soong and Lore on Omicron Theta. If they were following Dr Soong’s work on positronic brains, they may have been working on ways to shut down his research or reprogram Lore. As mentioned, none of this appears to have been classified, and while Dr Soong kept his work private, it may have been possible for the Zhat Vash to infiltrate Omicron Theta and gain access to his research.
Their main goal was to prevent the rise of synthetic life. A single android was bad enough, but what they feared most was a civilisation of them. But Dr Soong didn’t have a civilisation – he had one single operational android. From the Zhat Vash’s perspective in the 2330s, if they could force Lore to be shut down – and ideally kill Dr Soong at the same time – the Federation would be unable to replicate the work and would thus be unable to build more.
At some point following his activation, Lore began to exhibit “emotional instability” to the point that he upset and worried the colonists on Omicron Theta. This doesn’t appear to have happened from the moment of his activation, though, which lends credence to the idea that he was reprogrammed – perhaps rather crudely in an attempt to force Dr Soong to take him offline.
However, before Dr Soong could take action to shut him down, Lore contacted the Crystalline Entity, which arrived and wiped out the Omicron Theta colony. If Lore had been reprogrammed, was this something he chose to do of his own volition? It seems a very specific action to take if he wanted to kill the colonists – he was more than capable of physically overpowering and outwitting them if he wanted to kill them.
The destruction of Omicron Theta can be seen as a classic Romulan move. By using the Crystalline Entity, not only was Lore assumed destroyed, but so were Dr Soong, his assistants, and all of his research, setting back synthetic research in the Federation by decades. Of course we know that Dr Soong and Lore both escaped – but that clearly wasn’t part of the Zhat Vash’s plan! Perhaps they underestimated Lore.
Most importantly, though, having the Crystalline Entity wipe out Omicron Theta absolved the Romulans of any direct involvement, as well as potentially destroyed any evidence that they had ever been there. It reminds me in many ways of the false flag operation that they ran on Mars; the synths were reprogrammed and forced to go rogue, an event which so thoroughly shocked the Federation that the Zhat Vash were able to persuade them to shut down all synthetic research.
With Lore being the only extant android, a “clean” attack on the colony, wiping out the entire site and all of its inhabitants, would work very well from the Zhat Vash’s perspective. Openly attacking Omicron Theta would surely have started a conflict with the Federation, and if that could be avoided through this kind of cloak-and-dagger operation, well that seems exactly like something they would seek to do.
So that’s the extent of the theory, and any Zhat Vash involvement afterwards appears to have ignored Lore. Perhaps they figured that the existence of Data showed that the Federation would not stop until they were forced to, or at least that it was no longer possible to stop Federation AI research by killing one android. This would explain why they didn’t take any aggressive action against Data during The Next Generation era, and could also explain why Dr Soong went into hiding after the Omicron Theta attack – he may have been hiding from the Zhat Vash.
This theory fits with Lore’s appearances in The Next Generation and doesn’t step on the toes of anything as far as I can see. It provides backstory to why Lore acted the way he did, and explains his motivations for doing so in a different way. It also elevates Lore from simply being an “evil twin” trope into more of a tragic character – we will never know what Lore could have been were he not interfered with.
Crucially, this theory fits with what we learned of the Zhat Vash in Picard Season 1, both in terms of their goals and their methods. It seems at least possible that the Zhat Vash are responsible for the attack on Omicron Theta and for reprogramming Lore, turning him into the malevolent adversary that Data and the crew of the Enterprise-D had to deal with.
This could have even been the first mission of a young Zhat Vash operative named Oh. Maybe she was the one sent to Omicron Theta to deal with Dr Soong, and this entire situation is her doing.
So that’s it. That’s my theory! I doubt it will ever be confirmed, but you never know! It seems plausible to me, at least. I hope this was a bit of fun and an excuse to jump back into the Star Trek galaxy. As always, please remember not to take this theory, or any other fan theory, too seriously. Theory-crafting is supposed to be enjoyable, and the last thing we need right now is something else to argue about!
Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and The Next Generation – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1. There are also minor spoilers for Star Trek: Lower Decks and Star Trek: Discovery.
Time certainly flies, doesn’t it? It was one year ago today that Star Trek: Picard Season 1 debuted in the United States (and a day later in the rest of the world). It’s not unfair to say that I was incredibly excited about this series, which would take the Star Trek timeline forward in a significant way for the first time in eighteen years. Though I tried hard to keep my hype and expectations in check, there was no getting around how much I was looking forward to Star Trek: Picard.
As we hit the first anniversary, I thought it could be a good moment to look back on my remembrances (ha! get it?) of the show as well as what the first season achieved, what it did well, and where it came up short.
If you were a regular reader a year ago, you’ll recall from my reviews that the season started very strongly. In fact, I named Remembrance (the season premiere) the best Star Trek episode of 2020 – a year which, for all its problems, saw 33 episodes across three shows. I rank Remembrance very highly among modern Star Trek episodes, and I’d even compare it favourably to Deep Space Nine’s Emissary, perhaps placing them joint-first as the best Star Trek premieres.
The finale, on the other hand, let the season down somewhat. Carefully-established mysteries that the show had slowly build up over the preceding eight episodes felt rushed through in a two-part conclusion that dumped new characters, a new location, a new faction, and whole new storylines into play right at the very end. The season also ended with a plot hole unexplained – why Dr Maddox travelled to Freecloud – and the disappearance of main character Narek, whose storyline was dropped halfway through the second part of the finale.
So despite enjoying Picard overall, as I look back a year later at Season 1, I’m afraid I have to say that it was a mixed bag.
From the moment Star Trek: Picard was announced it shot to the top of my list of shows I was excited for. I may have talked about this in the run-up to the season, but I remember feeling distinctly underwhelmed when Enterprise was announced in 1999. I wasn’t particularly interested in a Star Trek prequel, and while the show had heart and told some exciting stories, there was a sense really since Voyager ended and Nemesis had been in cinemas that Star Trek wasn’t moving forward.
Enterprise, the Kelvin reboot films, Discovery, and even Short Treks all told stories in the 22nd or 23rd Centuries, and though those stories were enjoyable and fun, there was a lot left behind in the 24th Century that was never explored. What would become of the characters we knew, of the Federation, of Starfleet, and all the other factions, races, and planets? The 24th Century had been Star Trek’s biggest era – with 517 episodes of television and four films starring three crews and a huge supporting cast of secondary and recurring characters.
The 24th Century was also “my” Star Trek era. The Next Generation was the first Star Trek series I watched, and it was literally my way into being a Trekkie. I have a great fondness for the shows of that era, and I consider it to be not only the time when Star Trek was at its most successful in terms of viewership (and finances) but also the closest the franchise has to a “Golden Age.” So to see that era abandoned for prequels and mid-quels wasn’t exactly disappointing, but it wasn’t something I was wild about.
So for eighteen years (Nemesis was released in 2002) Star Trek hadn’t moved forward in terms of the timeline. And even when Discovery launched and established itself with Short Treks and a spin-off, there was still no plan to revisit the 24th Century. Picard came along like a breath of fresh air, and I was incredibly excited, hyped up, and interested in what the series would bring. That was my mindset going into the premiere and each of the subsequent nine episodes.
Picard was not Season 8 of The Next Generation – and I didn’t want it to be. I was very keen that the new cast be given an opportunity to establish themselves within the franchise and become fan favourites for a new generation of Trekkies. What I hoped for was that, in thirty years’ time, people would be clamouring for a Dr Jurati series or Star Trek: Elnor with the same vigour I have for Picard. And I think, in that sense, we’ve begun to see at least the beginnings of that.
A lot of television shows don’t really settle in until Season 2, which is where the overused term “growing the beard” comes from. I’ve used that expression myself a few times, but in the aftermath of Discovery’s recent outing it seems to be the only phrase that critics are using to describe the show and it’s honestly put me off! But we’re off topic. There was perhaps a degree of leniency on my part going into Season 1 of Picard; a willingness to let some minor issues slide in order to see the show continue to build and grow. And as underwhelming as the Season 1 finale was, I’m hopeful that Season 2 can build on the foundation that has been laid.
Though there was the mystery of Dr Maddox’s location, the Romulans’ scheme, and later the beacon to contact the super-synths, what Season 1 really was, when you boil it down, was a team-up story. Picard, over the course of ten episodes, put together a new crew and gave them a reason to work together. Establishing each member of the crew, giving them a side-quest of their own, and binding them together to follow Picard was the primary accomplishment of the season.
I’ve used the analogy of the Mass Effect video game series once in relation to Star Trek: Picard already – when it comes to the basic existence of the super-synths and their beacon. But there is a second point of comparison that is interesting to me, and may be to you if you’ve played those games. In Mass Effect 2, much of the game is comprised of Commander Shepard recruiting a crew. Each member of the crew needs to be brought on board, then later a side-mission is given in which players can earn their loyalty. Picard Season 1 played out similarly.
Raffi wanted to go to Freecloud to reunite with her son. Dr Jurati had a secret plot to kill Dr Maddox. Elnor had to resolve his lingering emotional issues with Picard. Rios had to put together the pieces of what happened aboard the USS Ibn Majid. Seven of Nine wanted revenge for Icheb. Each of the main characters – at least those on the mission to save Soji – had to be recruited and then have their side-quest resolved before the story could reach its conclusion. This isn’t just a story from Mass Effect 2, it’s something many team-up stories do.
As I mentioned when considering some preliminary ideas for Season 2, finding a way to keep this crew together will be something that the next chapter of this story needs to address. Because they came together to do a single task – rescue Soji – and then continued to help the synths on Coppelius and prevent the arrival of the super-synths, they’re done. Their mission is complete, and Season 2 will have to find a believable reason for keeping them together. But that is a challenge for next time!
Each character we met was interesting, and none felt unoriginal or bland in the way some secondary characters can in a story which primarily focuses on one person. We’ll deal with Picard himself in a moment, but for now: Elnor was a lonely member of an all-female sect, and also had abandonment issues after Picard’s disappearance. Rios pretended to be the roguish “Han Solo” type, but had serious post-traumatic stress following his former captain’s murder-suicide while aboard the USS Ibn Majid. Raffi was a flawed genius whose drug problem had dominated her life and cost her her most important relationships. Dr Jurati had been brainwashed into murdering someone she loved. Narek was the spy with a heart of gold – but instead of being a cliché he turned that trope on its head by sticking to his mission to the end. Dahj and Soji were different from one another – androids unaware of their synthetic nature. One was drawn to Picard, the other deeply suspicious of him.
Then we had the reintroduction of several legacy characters. Dr Maddox, who we met in The Next Generation, had continued his research after his meeting with Data, and eventually was able to develop his own line of androids. Seven of Nine had helped Icheb become a Starfleet officer, but lost him when she was betrayed by Bjayzl. Riker and Troi, who had married in Nemesis, had a family – but their son had died. Hugh was perhaps the most successful of all the legacy characters, the ex-Borg who had taken full advantage of his own liberation to assist hundreds or possibly thousands of other ex-Borg on the Artifact.
There was tragedy and drama aplenty in each of the characters we met, but none of it felt forced or contrived in the way some drama shows can. This wasn’t a soap opera, it was hard-hitting. Picard Season 1 may not have followed the traditional episodic Star Trek formula, but it had a distinctly Star Trek tone – it used its sci-fi setting to examine real world issues. It did so in a tense, dramatic, and exciting way, and expanded on themes from The Next Generation and elsewhere in the franchise, looking at basic rights such as the right to life.
The attack on Mars can be analogous to many different recent and historical events, but the reaction to it is certainly reminiscent of the western world’s post-9/11 outlook. The aftermath of a tragedy allowed a nefarious faction to push through a prohibition on certain groups of people. Islam was not “banned” after 9/11, but as recently as 2016 Donald Trump talked of a “ban on people from Muslim countries” – these restrictions were in place for much of his term as President.
The theme of the season was in realising that we mustn’t judge whole groups of people by the actions of a few. This could apply just as much to the supporters and voters of Donald Trump in 2021 as it did to Muslims and others. The fanatics who attacked the United States Capitol a couple of weeks ago are no more representative of the 70+ million Trump voters as ISIS or al-Qaeda are of Islam. That is the message of this synthetic ban storyline: not to be so quick to judgement, and not to allow those with a pre-existing agenda to force the issue.
The Zhat Vash quietly infiltrated Starfleet, and slowly began poisoning the minds of Starfleet officers and Federation civilians. We have the literal expression of this metaphor via the mind-meld – this represents how those with an agenda are using propaganda and “fake news” to unduly influence the discourse. These themes are buried in the narrative, but they are there – and open to interpretation. This is how I see some of these storylines having real-world comparisons, but it may not be how you or someone else sees it. Fiction is always subjective, and that’s okay. If you disagree, that’s great!
As I’ve said before, a story doesn’t just have merit because it can be seen through a real-world lens. In some cases, pushing too far in that direction can lead to a narrative being less enjoyable. So Picard balanced out some of these contemporary metaphors with a truly engaging and mysterious Star Trek story.
We saw these events from Picard’s point of view, and he’s such a great character for telling this story because he didn’t know exactly what happened and why, just as much as we as the audience didn’t know. So when the synths attacked Mars, his life, his career, and his whole world fell apart. We meet him at the beginning of the season premiere as someone who’s fallen into a major depression. Dahj would be the catalyst for bringing him out of that – but it wasn’t until the mysteries and conspiracies had been unravelled and brought to light that he could truly move on.
We went on that journey with Picard. We began together, not knowing what had happened on Mars, not understanding why, and then along comes Dahj. She was equally mysterious: who was she, why was she seeking out Picard, who were the assassins that were trying to hurt her? And as we learned more about both of these elements of the story, this chapter of Picard’s life – and the lives of those around him – came into focus.
My criticisms of the season finale generally don’t stem from the fact that any of the narrative decisions were bad, but rather that I wanted to see more. We rushed through Sutra’s story, Dr Soong’s story, and the end of Narek’s story. We don’t know anything about the super-synths, and precious little about the civilisation on Coppelius. There was scope to know more if the season had been structured differently and perhaps extended by an episode or two, and that’s really where I felt things came unstuck.
From an aesthetic point of view, Picard blended The Next Generation-era elements with a style firmly centred in modern-day sci-fi. The design of La Sirena reflects this – it was clearly not a Starfleet ship. Inside and out, La Sirena has touches of Star Trek, but stands apart and very much does its own thing. Beginning with the redesign of the USS Enterprise in Star Trek: The Motion Picture and carrying all the way through to Discovery, we’ve seen starship interiors with certain visual elements – angled corridors and hallways, grey or blue pastel carpeting, panels with distinctive lines, the warp core as a glowing column, and so forth. La Sirena has some hints at some of these, but is much closer to ships seen in The Expanse, for example, and other modern sci-fi properties in other ways.
Within the Star Trek fandom, starship designs and uniforms are both subjective things with a range of opinions on which are best. And before anyone rushes to judgement to say La Sirena looks bad or they dislike the mermaid-combadges, I’d say that we need to give the show time for its aesthetic to grow on us. There have only been ten episodes of Picard compared with 176 of The Next Generation, and those episodes are only a year old. Obviously nothing in Picard will feel as “iconic” yet – but as time goes by and we spend more time in this era that may happen.
I adored the design of La Sirena. It felt like a runabout mixed with a hot-rod, and I think that shows to some extent the personality of Captain Rios. This is his ship, and he’s put his personal stamp on it – as we saw in a very funny (and incredibly well-acted and well-filmed) sequence with five different Rios-holograms. After the blue boiler suits of Enterprise were followed up with another all-blue look in Discovery I was also glad to see more colour back in the two new Starfleet uniform designs which debuted in Picard. The one in the “current” time (that we saw people like Riker and Commodore Oh wearing) was my favourite of the two when compared to the design seen in flashbacks, but both were neat.
The only aesthetic problem I felt Season 1 had was its outdoor filming locations and their lack of variety. We visited locations on Earth which were supposedly in France, Japan, and North America, as well as half a dozen planets, and each looked exactly like southern California. Because Picard had ten episodes and almost all of them had some outdoor filming this was amplified far more than it had been in the likes of The Next Generation, which would see fewer outdoor shoots with more episodes in between them. But as the season progressed, the fact that each planet Picard visited was a barely-disguised location within a few miles of Los Angeles detracted from the look.
Some locations, like the planet of Aia, were beautifully created in CGI, but then ruined when scenes on the surface not only didn’t match the CGI creation of the planet (the colour and tone are way different). What made no sense to me about the Aia scenes in particular is with so little time spent there, why not use a sound stage? Rig up a planet that looks genuinely different instead of using an outdoor filming location. We only saw two or three scenes set on Aia, all around the beacon, and I honestly just thought it was a wasted opportunity. Vashti, Nepenthe, and Coppelius all felt very samey because of the decision to shoot outdoors in the same area, and that’s just a shame to me. I would love to see some more variety in Season 2 – either by travelling to shoot on location further afield, or by using indoor sound stages that can be made to look different each time.
So we come to the man himself: Jean-Luc Picard. I mentioned earlier that he was depressed, and the way this part of his story was conveyed was heartbreaking and wonderful. I recently wrote an article looking at the characterisation of Luke Skywalker in the 2017 film The Last Jedi, because he was also depressed in that story. It was one that some Star Wars fans hated, but it resonated with me. Picard’s story in Season 1 resonated with me too, for many of the same or similar reasons as I explained in that essay.
Depression and mental health are not easy subjects to convey in fiction, and Picard itself had a scene in the episode The End Is The Beginning which unfortunately painted a pretty stereotypical picture of mental health. But Picard’s story was much better, and very well done overall. It showed that anyone – no matter how heroic they have been in the past – can fall victim to depression. Picard lost his fleet, he lost his role in Starfleet, and instead of saying “no, the right thing to do is to help so I’m going to fight on,” he collapsed. He hit a problem that he couldn’t solve, suffered a humiliating defeat, and gave up. He spent years in quiet retirement – which was more like a self-imposed exile – because of how he felt.
That is powerful in itself, as it shows how anyone – even heroes that we want to put on a pedestal – can fall victim to depression. The same was true of Luke Skywalker. But what came next is equally important – Dahj gave Picard a reason to believe in something again. Not only was there a mystery to figure out, which can be tantalising in itself, but Picard was the only one capable and willing to help Soji – so he stepped up. Where he had fallen into the lowest point of his life, he found a reason to believe and that set him on the path to recovery. I find that a powerful and inspiring story.
There were two cathartic moments for me in Season 1 that I didn’t know I needed to see. The first was with Seven of Nine. During the latter part of Voyager’s run, Seven was my least-favourite character. She was annoying, arrogant, and worst of all, after learning some “lesson in how to be human” from Captain Janeway or the Doctor, she’d seemingly reset and forget it ever happened by the next episode, requiring her to “learn” the same lesson in being human many times over. She was repetitive and boring. But in Picard she had finally moved past her Borg years and embraced her humanity and emotions – even though she lost Icheb, seeing her get so genuinely angry and react in such a human way was something wonderful to see – and was performed beautifully by Jeri Ryan.
The second cathartic moment came from Data. His death in Nemesis wasn’t something I was happy about, but within the story of that film I remember feeling at the time that it worked. However, looking back I can see how, for example, seeing Picard and the rest of the crew laughing and moving on at the end of the film was perhaps not the right way to end the story. Data didn’t get to say goodbye to anyone – his sacrifice happened in a brief moment, and after saving Picard he was just gone.
Picard carried that regret with him in a far more significant way than the closing moments of Nemesis hinted at. Riker and Troi did too, and we got to see both of them express that. Picard poured his heart out to Data when he was in the digital afterlife, and the scene between the two of them was something incredible. It was something I as a fan needed to see, to put Data to rest properly after all these years.
In a sense, Picard and Data’s story is an inversion of the story Kirk and Spock went through in The Search For Spock and The Voyage Home. After Spock’s death, Kirk would stop at nothing to find a way to bring his friend back to life – even stealing the Enterprise. While Picard set out on his journey to save Data’s “daughter” from harm, what he ended up doing was bringing a final end to Data’s life. There was no way to save Data, nor to transfer whatever remained of him into a new body. The only thing Picard could to for his friend was finally allow him his mortality, and permit him to die. As Kirk might’ve said, that sounds like a “no-win scenario.” But as Kirk never really had to learn – at least until the moment of his own death – those scenarios exist every day. It might sound cool to say “I don’t believe in no-win scenarios” and push to save everyone all the time, but that isn’t possible. It’s a fantasy – and Picard confronted the genuine reality of death in a way Kirk never had to.
Data had desperately yearned to be more human. From his first appearance in Encounter at Farpoint when he struggled with whistling through to the introduction of his emotion chip in Generations and beyond, all Data wanted was to feel less like an android and more like a human. Mortality is one of humanity’s defining characteristics – especially when compared to machines and synthetic life. By shutting down Data’s remaining neurons and consciousness, Picard gave him perhaps the greatest gift he could give – and Data achieved his goal of getting as close to humanity as possible.
As I look back on Season 1 of Picard, I can see that it had some flaws and some issues. But none of them were catastrophic, and even though there was one episode that I described at the time as a “misfire and a dud,” the season as a whole was great. It started off with what is perhaps the best premiere of any Star Trek series, and though the ending was imperfect we got some amazing story-driven dramatic Star Trek.
Perhaps Season 1’s legacy will be defined by what comes next. Not only by future seasons of Picard, but by other shows and films set in or around this time period, expanding the Star Trek franchise and pushing it to new places. The Next Generation served as a launchpad for two other series and four films, and perhaps Picard has similarly laid a foundation upon which more Star Trek will be built. That’s my hope, at any rate.
Even if that doesn’t happen, though, Season 1 was an entertaining ride – with a few bumps in the road as mentioned. We got to learn a lot more about some of Star Trek’s factions – the Romulans in particular, but also the Borg – and meet some genuinely interesting new characters. Despite some leftover story threads from Season 1, Season 2 is potentially wide open to tell some new and interesting stories when it’s finally ready to be broadcast. I can’t wait for that!
Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
A significant portion of Season 1 was occupied by recruiting the crew, but after they came together basically to do one job – find Soji – and accomplished that objective, the big thing that Season 2 needs to do is find a truly convincing reason for keeping the crew together. Rios seemingly worked as a commercial pilot, and the others have lives of their own too. Now that Soji is safe and the super-synths have been called off, what exactly is preventing everyone from drifting back to their old lives?
Right now, I see that as perhaps the biggest challenge and point of interest. What will bind this disparate crew together after their mission is complete? Unlike a Starfleet crew they don’t have a new mission or new orders, and they aren’t just going to fly around aimlessly in La Sirena looking for adventure. So finding a convincing reason for keeping them together – or reuniting them if they’ve already separated as of the beginning of the season – will be key.
As I said last time, it’s very early in the process to be considering what may or may not be included in the upcoming season. At time of writing filming hasn’t even commenced; Picard is filmed in California, and while production is in theory able to resume it’s a slow process. There have been suggestions that February may be the goal for filming to begin – but it wouldn’t be the first time we’ve been given a timeframe that didn’t pan out, so watch this space. I’m not claiming any “insider information,” nor saying that anything on my list is certain to happen. This is guesswork at best – educated guesswork in some places, perhaps, but nothing more.
With those big caveats out of the way, let’s jump into the list.
Number 1: A Galaxy-class ship.
Season 1 showed us a beautiful CGI rendition of the Galaxy-class Enterprise-D. But this ship was only seen in Picard’s dream and didn’t make a real appearance – despite the Federation fleet in the season finale presenting a good opportunity to do so. One lesson I hope the team behind Picard has learned is that the two fleets we saw during the standoff over Coppelius looked less impressive for being comprised of only a single starship design each – and bringing more ships into the show would be something great to see.
Obviously Picard himself has connections with several different classes of ship: the Sovereign-class from his time aboard the Enterprise-E, the Constellation-class from the Stargazer, and we even saw him on a Deep Space Nine Danube-class runabout once. But no ship design is more greatly associated with Picard than the Galaxy-class, and while the Enterprise-D is gone, there were others, including those which served in the Dominion War.
In an alternate timeline seen in the Voyager fourth season episode Timeless, Galaxy-class ships were still in use in the 2390s, which is close to the time in which Picard is set. An updated Galaxy-class Enterprise-D was also seen in The Next Generation’s finale All Good Things in sequences set in the 2390s.
In addition, Excelsior-class ships from the late 23rd Century were shown to be in use for decades, and the Galaxy-class ship seems like such a versatile vessel that it would make sense to see them still in use. La Sirena will clearly continue to be the home for Picard and his new crew, and I’m not suggesting they be given their own Galaxy-class ship somehow! But it would be wonderful to see Picard’s reaction to a real-life Galaxy-class ship, triggering memories of his time aboard the Enterprise-D.
Number 2: Confirmation of Narek’s fate.
The two-part Season 1 finale had some issues. From my point of view, the biggest problem was that the final two episodes had far too much story to cram into a relatively short span of time; new characters, new antagonists, new storylines, and a whole new civilisation were all introduced right at the end of the season.
One of the consequences of this was the abandonment of some previously-important storylines. Narek, who was a major character across the rest of the first season, was symbolic of this, as his character was simply dumped without any explanation or resolution midway through the finale.
I know that Narek wasn’t everyone’s favourite character in Season 1, but I found him genuinely interesting. He looked certain to play out a relatively common trope in thriller stories: the spy with a heart of gold who abandons his mission after falling in love with his target… but to my surprise – and great enjoyment – he didn’t go down that route and remained loyal to the Zhat Vash crusade.
There are several possibilities for what happened to Narek after his attempt to destroy Soji and Sutra’s beacon. He could have been recovered by the Romulans, he could have been handed over to the Federation, he could have remained a prisoner of the synths on Coppelius, or he could even have renounced his wicked ways and joined Picard’s crew. The latter may seem less likely, but as we didn’t see or hear anything about Narek after the beacon attack it would be great if Season 2 could give us the rest of the story – even if it’s just by way of a line or two of dialogue.
Number 3: Riker and Troi.
Though I believe Riker actor Jonathan Frakes will be returning to Picard in the director’s chair, we don’t yet know whether Riker and/or Troi will return in Season 2. However, I would argue that their post-The Next Generation storylines have more to give, and I would love to see them both back.
One thing I was very keen on in the run-up to Season 1 is for the show to avoid being The Next Generation Season 8, and by only including a few classic characters in a few episodes, I would say the show accomplished that goal. But there is still a lot of interest from fans about the fates of many characters we knew and loved in past iterations of Star Trek, and the already-established Troi-Riker family could be a stepping stone for telling some of those stories too.
It would also be interesting to see whether the events of Season 1 have brought either Riker, Troi, or both back to Starfleet on a permanent basis. Riker described himself as “acting captain” in the Season 1 finale, so perhaps he will return to his family home on Nepenthe. But maybe not!
If Season 2 is to feature Starfleet more significantly than Season 1 did, we will need at least one Starfleet character to be portrayed on screen. Someone Picard knew and can work with would be a good bet, as he could call on them to help out, cashing in favours. However, I did also like the way Raffi used her Starfleet contacts in Season 1, as well as the introduction of Admiral Clancy.
Number 4: Revisiting an event from Picard’s past – such as the Stargazer or the Borg.
Season 1 saw Picard confront his past with the Borg as he boarded the Artifact. But there’s scope to further explore his history with the Borg, especially if the faction were to come back in a major way. Nothing we saw in Season 1 suggested that the Borg threat has gone away, and the super-synths we met in the finale could possibly have a connection to Star Trek’s iconic cybernetic villains.
The inclusion of Seven of Nine and the ex-Borg could also contribute to a Borg story. Perhaps the ex-Borg would work together with Picard to use knowledge or technology from the Artifact to defeat another Borg threat. The Borg would also be a reason for Picard’s new crew staying together instead of going their separate ways.
Alternatively we could revisit an event from Picard’s past that The Next Generation hinted at but didn’t explore in detail. We know Picard commanded the USS Stargazer and that Jack Crusher – husband to Beverly and father to Wesley – was killed. But the specifics of that event have never been shown on screen.
The inclusion of Dr Benayoun in Season 1 connected to Picard’s time aboard the Stargazer, and a storyline looking back at this time could bring back this character. It would also be a way for Dr Crusher and even Wesley to be included – perhaps something that happened around the time of Jack Crusher’s death is going to be relevant to a new event or storyline.
Number 5: Development of Seven of Nine and Raffi’s relationship.
The Season 1 finale showed Raffi and Seven of Nine had become close, and the possibility for the two to enter a relationship would be something really interesting for Season 2 to look at in more detail. We know that Seven of Nine and Chakotay had a relationship toward the end of Voyager, and that Raffi has a son from a previous relationship. But this could be a great opportunity for some more LGBT+ representation – in this case, perhaps, bisexuality.
Both characters saw significant development in Season 1 – Raffi by finding her son and Seven of Nine by avenging Icheb. Seeing Seven of Nine finally break out of the repetitive, emotionally stifled character she was in Voyager was genuinely cathartic, and giving her even more opportunities to show off her humanity and emotional side would be fantastic.
Both characters have experienced the loss of either a child or child figure, and that could strengthen their bond. They’re different people, and having gone through very different life experiences have responded differently to loss – Seven by becoming obsessed with revenge, and Raffi by falling into addiction.
They could help each other overcome these issues. Seven of Nine could help Raffi through recovery from her drug and alcohol addictions, and Raffi in turn could help Seven move on from the loss of Icheb and the murder of Bjayzl. There’s a lot of scope for very interesting and emotional stories in this pair of characters.
Number 6: Foreshadowing of the Romulan-Vulcan reunification seen in Discovery Season 3.
Discovery’s third season confirmed that Vulcans and Romulans had managed to set their differences aside – for the most part – and come back together. Though Discovery said this happened “centuries” after Spock’s first visit to Romulus, perhaps we could see some movement in that direction in Picard.
The attack on Mars and its aftermath has arguably left Federation-Romulan relations – and by extension, relations between the Vulcans and Romulans – at an all-time low. However, the unmasking of the Zhat Vash and their role in the attack may have led ordinary Romulans to look upon the Federation less harshly, and if there have been reforms to Romulan society – as was hinted at by the use of the name “Romulan Free State” instead of “Romulan Star Empire” – maybe the beginnings of reunification have already been seen.
Picard had a heavy focus on the Romulans in Season 1, and at least one Romulan character – Elnor – will return in Season 2. Thus the show is the perfect vehicle to show the path forward, bridging the gap between the secretive Romulan Empire of The Next Generation’s era and the reunified Ni’Var of Discovery’s 32nd Century.
The return of a character such as Tuvok could also be a part of this; seeing Elnor working closely with a Vulcan could set up his character for a future role in the reunification process, for example. With Seven of Nine already confirmed to be coming back, bringing one of her Voyager colleagues on board would be great to see.
Number 7: Spend more time with Starfleet.
Season 1 made good on its promise of taking Picard away from Starfleet. While two members of the new crew are ex-Starfleet officers – as well as Picard himself – they operate outside of the organisation. I wouldn’t want to see that change; Picard has done what no other Star Trek show ever really did by focusing entirely on a non-Starfleet crew and that’s been fantastic. But there is scope to see more of Starfleet at the beginning of the 25th Century.
After Season 1 saw Picard and his crew largely working against Starfleet, from him being denied access to a Starfleet ship to Raffi and Rios breaking all the rules to gain access to the Artifact, it would be great to see some cooperation. The Season 1 finale gave us a taste of that with Riker and his armada, but there are more ways Picard and La Sirena could work with Starfleet while still remaining separate.
Alternatively – or perhaps additionally – we could see more of the story of Season 2 unfold from Starfleet’s point of view. Admiral Clancy was our major Starfleet character in Season 1 and she could certainly return. But this could also be how another legacy character is introduced, and Picard could work alongside them for some reason.
Having at least one major character being a Starfleet officer, and depicting events within Starfleet, would be something I think I’d like to see Season 2 do, provided it could balance that with keeping La Sirena on the outside. Starfleet and the Federation have always been a huge part of Star Trek, and while it was great to see that they’re still the “good guys,” spending more time with them next season would be fantastic.
Number 8: Consequences for Dr Jurati.
Though she did so under the influence of a mind-meld, Dr Jurati still murdered Dr Maddox in Season 1. Star Trek has done some great courtroom drama stories over the years, and I think it would be really interesting to see Dr Jurati arrested and even stand trial. Would the mind-meld be a suitable defence in the eyes of the law? We’ve never seen such a case in Star Trek.
This is another storyline that the finale rushed and ultimately failed to do justice to. At the beginning of Et in Arcadia Ego, Part 1 Dr Jurati is still expecting to turn herself in and be arrested for murder, as Picard insisted she would be. However, by the end of Part 2 she seems free to remain aboard La Sirena and has even formed a relationship with Rios.
The question of Dr Jurati’s culpability is potentially interesting. Despite still being under the influence of the mind-meld she refused to try to harm Soji, pushing through Commodore Oh’s brainwashing. If she could stop herself from harming Soji, how did she harm Dr Maddox – someone with whom she was intimate?
Even if the legal side of things is only briefly addressed, such as a line of dialogue telling us that the charges were dropped, Dr Jurati may suffer psychological effects from what she did. She murdered someone she was very close to, and threatened to sabotage Picard’s mission. Even if he and the others have forgiven her, will she be able to so easily forgive herself? She has already attempted suicide once, and this is an angle the show could look at in more detail as well.
Number 9: The return of Dr Soong.
Even if Season 2 takes Picard away from Coppelius for the most part, it would be great to catch up with Dr Soong – a character who felt underdeveloped in the Season 1 finale. We never learned why Dr Soong wanted to transfer his mind to a synthetic body, nor what the consequences are for him of giving that body to Picard.
I picked up a hint or two in Season 1 that Dr Soong may be sick or dying, so perhaps donating the synthetic body he planned to use to Picard has condemned him to death. Alternatively, however, he may simply be able to build a new one now that he understands the mind-transfer process.
A story on Coppelius could also show us what impact the loss of Data’s neurons may have on Dr Soong. Without them, is he able to build new synths, or build another golem for himself? The finale left these questions unanswered, and while I don’t expect Season 2 to spend all of its time tying up loose ends, it would be nice to see some of these points addressed.
Dr Soong is of course played by Data actor Brent Spiner, and welcoming him back to Star Trek was wonderful in Season 1. It would be great if a role could be found for him in Season 2, even if it was only for a single episode.
Number 10: Guinan.
This is a total cheat since we already have confirmation that Guinan is coming back, but I wanted to include it anyway. Sir Patrick Stewart invited Guinan actress Whoopi Goldberg to join the show for its second season months ago, so it seems like Guinan will have a significant role in the season. Whether she’ll be a recurring character or make an appearance in a single episode isn’t known at this stage, but she will certainly be back.
Picard and Guinan’s relationship was touched on in The Next Generation, but never fully explained. There’s certainly scope to learn more about how they came together, why their relationship goes “beyond friendship, beyond family,” as well as what the impact of Picard’s reclusion had on Guinan. What has Guinan been doing since we last saw her? We simply don’t know – so it will be interesting to find out!
Number 11: Foreshadowing the dilithium shortage seen in Discovery Season 3.
This is the second “foreshadowing Discovery” entry on this list, and I don’t expect (or want) Picard Season 2 to spend all of its runtime doing that. However, this is another way that we could potentially see a connection to the events of Picard’s sister show.
For some unknown reason, by the 28th or 29th Centuries dilithium supplies in the galaxy were beginning to run low. This is what prompted Starfleet to begin seeking out new sources of the important fuel, ultimately culminating in the Burn, as well as the people of Ni’Var withdrawing from the Federation believing their alternative propulsion experiments caused the Burn.
Though the dilithium shortage depicted in Discovery’s recent season is centuries away, the beginnings of it could be seen in Picard… somehow. Perhaps dilithium supplies were already beginning to run low but the Federation was keeping it quiet, or perhaps they discovered a major cache of dilithium similar to the Verubin Nebula’s planet some time in this era which kept them going for centuries.
Even a single line of dialogue noting that a starship is on a mission to seek out new sources of dilithium would be a subtle nod to fans of Discovery, and a minor way in which the two shows could be connected.
Number 12: A broader look at the galaxy as the 25th Century dawns.
Despite bringing back a few legacy characters – not all of whom survived – and spending a lot of time with the Romulans, Season 1 didn’t paint a very broad picture of the state of the galaxy. We know that the Federation is doing well, despite the attack on Mars and the effects of the Dominion War years earlier. But what of other factions? And is all well in Starfleet?
There are so many races and factions that Season 2 could look at that I don’t know where to begin. But rather than a repetition of Season 1, with its relatively narrow focus on one faction and a handful of events, it would be great if Season 2 could expand the map and look at a few different places and peoples – even if that means doing so in less detail.
Right now, Picard is the only Star Trek production set in this post-Nemesis era. I wouldn’t be surprised if more shows, miniseries, and films were announced, but for the foreseeable future we only have Picard to show us the galaxy and what’s been going on in the years since Nemesis. Obviously the attack on Mars was a significant event, but there must be other things that happened in that twenty-year span.
As I mentioned in my last piece, a personal favourite story arc of mine is Deep Space Nine’s Dominion War, so I would be fascinated to learn anything about Bajor, Cardassia, DS9, the Gamma Quadrant, or the Dominion. But given Picard’s lack of connection to those events (except for a link to Bajor via Ro Laren) perhaps that isn’t on the agenda this time. Still, anything we could get to look at the bigger picture of the galaxy would be wonderful.
Number 13: Looking at current events.
One thing Picard Season 1 did very well was show how Picard’s mental health was suffering as a result of his rejection by Starfleet. I think a lot of people who’ve been through almost a year of lockdowns and isolation could watch the Season 1 premiere, Remembrance, and empathise much more with the isolated, lonely Admiral Picard than they could when it was first broadcast.
Star Trek has never shied away from using its sci-fi setting to tackle real-world issues, and the biggest right now is of course the pandemic and its associated effects. Season 2 may have had a complete draft written before the pandemic hit – production was meant to take place last year, after all – but there has been plenty of time to change things up and include contemporary themes. Not every series has to use the pandemic as inspiration, and in many ways people come to sci-fi and fantasy to escape the real world – something that’s arguably even more necessary right now – so maybe this won’t happen.
Number 14: The return of Laris and Zhaban.
Laris and Zhaban – Picard’s Romulan assistants – served a fairly typical adventure story role in Season 1. They were the safe reminders of home that Picard had to leave behind when setting off on his quest; a role filled by the residents of Hobbiton in The Lord of the Rings, for example.
But they were also more than that. The decision to make them Romulans did serve a purpose – without them, Picard would never have learned of the Zhat Vash, for example. But given Picard’s complicated history with the Romulans after abandoning his efforts to help them evacuate their homeworld, the question of why these two ex-Tal Shiar operatives were so steadfastly loyal to him raised its head.
Maybe this is simply a minor plot contrivance, but I don’t want to just overlook it and say it’s fine. What did Picard do to win their trust and loyalty so strongly that they’d follow him to isolation on Earth? And why did they choose not to follow him into space when he set out to help Soji? It wasn’t to attend to the grape harvest, surely.
Some further development of these two characters would be welcome, and while I know they did feature in a novel, most folks don’t read those and it arguably isn’t canon – Star Trek, unlike Star Wars, has always drawn a line between what happens on screen and what happens in apocryphal works. So their backstory in relation to Picard is still, in my opinion at least, an open question that Season 2 could address.
Number 15: The Artifact will come under Federation control.
Though parts of it have been picked over by the Romulans for decades, the opportunity to study a largely-intact Borg vessel does not present itself every day. Unless the Borg have somehow been defeated off-screen between the events of Nemesis and Picard – which I very much doubt given their popularity among fans – the Federation will surely want to avail itself of this opportunity.
The Artifact crash-landed on Coppelius at the end of Season 1, but with the planet designated a Federation protectorate they now have access to the wreck. Who knows what Federation scientists could learn about the Borg if not constrained by the Romulans. The Artifact may not play a big role in Season 2, but I would argue it is incredibly important to the Federation. That may even be the cynical reason why they chose to send a fleet to defend Coppelius.
Number 16: The appearance of Section 31.
If you followed my reviews and theories during Season 1, you may remember that I thought of numerous ways that Section 31 could’ve been included. This stemmed from the production side of Star Trek: Section 31 had recently been a major part of Discovery, and there’s an upcoming Section 31 series in development. For those reasons, Section 31 seemed like a way that all three Star Trek projects could’ve had a familiar theme.
It didn’t happen in Season 1, of course, and with Discovery completely ignoring Section 31 in its third season perhaps you could argue that it’s less important this time around. But I don’t necessarily agree. The Section 31 series is still coming, with pre-production having already begun and Michelle Yeoh’s departure from Discovery setting the stage.
In addition, Discovery introduced us to the enigmatic Kovich in Season 3, played by famed director David Cronenberg. If you followed my Discovery theories, you’ll know I’ve posited the idea that he is an operative of Section 31 – or maybe even its leader in the 32nd Century.
As a result, Section 31 remains one way that many of the ongoing Star Trek projects can find common ground, despite being split up along the timeline. It would remind fans of each series that they’re watching one part of a greater whole, and connecting the Star Trek franchise together will hopefully help fans of one show jump over to others that are currently in production. I know of many people who have either watched Discovery or Picard – but not both. Finding more ways to connect the shows and bring the franchise together will be important to Star Trek’s future – and vital to its ongoing success.
Number 17: Fallout from Picard’s newfound synthetic status.
There had been a widespread ban on synthetic life for over a decade as a result of the attack on Mars. Though we learned in Season 1’s closing moments that the ban has been rescinded, the attack, its aftermath, and the ban may have lingering effects on non-synthetics. Will Picard face discrimination and hate as a result of his synthetic nature?
Perhaps, given the reaction in some areas of the fandom to Picard becoming a synth and the whole death-and-rebirth narrative, Season 2 will seek to downplay Picard’s status. But it would be interesting to explore the ramifications. We’ve talked about Riker, Troi, and Guinan possibly being major characters in the story – how will they react to Picard being synthetic? Can Troi read synthetic minds? Would Guinan feel he’s no longer the same person given her sensitivity to such things?
There are real-world analogies that anti-synthetic discrimination could be used to show. Star Trek has, on many occasions in the past, looked at the complex issues of race relations in the United States, and in the wake of the events of 2020 and ongoing efforts to ensure racial justice and equality, this could be something the synthetic storyline highlights.
There are also interesting legal and ethical questions that the show could address. Most significantly: is Picard the same person as he was, or is he legally and morally a distinct person now that he has a synthetic body? Will Starfleet, for example, consider him to be the same retired Admiral, or will he no longer have those privileges?
Number 18: Making peace with the super-synths.
Although she stood down and turned off the synths’ beacon on Coppelius, Soji did nevertheless contact the super-synths (the villains I nicknamed the “Mass Effect Reapers” for their similarity to that video game faction). There may yet be consequences for having done so, because the super-synths might not simply return to dark space to wait for another faction to contact them – they may already be en route to the Milky Way galaxy.
Even if the super-synths themselves don’t initiate a conflict, from Starfleet’s point of view it makes sense to reach out and tell them what happened. By explaining Starfleet’s position – that they value synthetic life and will not seek to harm the Coppelius synths – perhaps a conflict could be avoided. Making the attempt seems like something Starfleet would do, at least.
There’s a lot of potential to make the super-synths more than a plot device and one-dimensional incomprehensible villain. They could, as previously suggested, connect to the Borg. They could also be expanded upon as we learn more about them, their name, their motivations, and so on. We know precious little about the super-synths right now, and it would be great to learn more. Was their offer to help the synths genuine – or was it a trap?
Soji, as the instigator of contact with the super-synths, could be just the person to help pacify them if they turn out to be on the warpath. That could be why she needs Picard and the crew of La Sirena: to seek out the super-synths and prevent a war.
Number 19: Shutting down the beacon on Aia.
Now that the Zhat Vash have been exposed, we don’t really know what will become of their anti-synthetic crusade. The decision to have Commodore Oh withdraw so quickly in the Season 1 finale is not one I particularly liked; the Zhat Vash were presented as zealots who would stop at nothing to achieve their goal of wiping out synthetic life, and despite Soji closing the portal, from Oh’s point of view she could just open another one.
However, criticisms aside, it makes sense that Starfleet – or at least Picard – would want to find the octonary star system and shut down the beacon on Aia. Not only would this prevent the Zhat Vash from continuing to use it, but it would also avoid the possibility of other synths accidentally finding it and using it to contact the super-synths.
This should be a priority for Starfleet, at least in my opinion! Though we may not see it for ourselves, this could be something communicated in a line or two of dialogue, just noting that the beacon has been shut down.
Alternatively it could be a major storyline, with Picard and La Sirena setting out to find Aia and continue their fight against the Zhat Vash. I’m not sure if this would be the right way to go – it feels like an epilogue to Season 1 rather than the main event for Season 2. But it could make for an interesting episode!
Number 20: The return of Dr Crusher (or another major character from The Next Generation era).
Dr Crusher was the only major character from The Next Generation who wasn’t confirmed to be alive in Season 1. We saw Troi and Riker, of course, and thanks to Zhaban we heard about Worf and La Forge too. But despite how close Picard and Dr Crusher were – they had even married in an alternate timeline – no mention was made of her.
The question of what became of their relationship is an open one. In the aftermath of Picard’s resignation and retirement, did Dr Crusher visit him? Were they married, or romantically involved? If so, could the wedding of Troi and Riker (that we saw in Nemesis) have been the prompt for them to revisit their relationship?
Picard was clearly single in Season 1, so if he and Dr Crusher had been romantically involved it’s clearly something that has already ended. But his new lease on life – thanks to a new body and overcoming his depression – could mean he wants to renew things or at least contact her.
Alternatively we could learn that Dr Crusher has died, or that she and Picard never got together. They could even have had a major falling-out and may not have spoken in over a decade. Such a storyline could see them coming back together, moving on from whatever caused the fight.
So that’s it. I didn’t plan to write this at first, but writing up some preliminary guesses for Discovery Season 4 was so much fun that I wanted to do the same thing for Picard Season 2 as well!
Picard Season 2 will – fingers crossed – begin filming some time soon. I wouldn’t bet on seeing it on our screens in 2021, though, just because of how much time post-production will take. So it may be a while before we see Picard, Raffi, Elnor, Rios, Dr Jurati, and Seven of Nine! But that doesn’t mean speculating and guessing about what may be coming is any less enjoyable.
These are not even theories – I want to call them guesses rather than anything else. So please, please don’t get carried away thinking that any of these are destined to happen. We all need to remember to take such theories and predictions with a pinch of salt at the best of times, and guesswork this far out when we know less than nothing about the upcoming season is almost silly! So as fun as this was to put together, let’s all try not to get too excited about anything listed above.
Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the most recent seasons of Star Trek: Picard and Star Trek: Discovery. There may be further spoilers for other iterations of the Star Trek franchise.
While Star Trek: Picard Season 1 was ongoing earlier in the year, I postulated a number of theories about what was going on in the show. One theory that I had related to Control – the rogue artificial intelligence from Star Trek: Discovery Season 2. Specifically, I speculated that the Zhat Vash’s hatred and fear of synthetic life may have stemmed from a run-in with Control, or that the Romulans may have been trying to compete with Starfleet in a mid-23rd Century AI arms race. It seemed possible that Control could have attacked Romulan ships or settlements in the time between its takeover of Section 31 and its defeat by the USS Discovery, or that if the Romulans developed their own AI that it would have similarly gotten out of control and attacked them.
This theory came back with a vengeance after Picard reused a couple of CGI sequences from Discovery in the latter part of the season, particularly as those sequences depicted Control attacking – and ultimately destroying – all organic life in the galaxy. While Picard and Discovery had thematic similarities in their most recent seasons, insofar as both stories looked at the creation of synthetic life and how that synthetic life could go rogue, there was no broader crossover. The Zhat Vash were not motivated by either their own rogue AI from the mid-23rd Century or by an attack from Control.
But that doesn’t necessarily mean that we have to drop the idea of there being any connection between the Zhat Vash in Picard and Control in Discovery. My theory started with the idea that Control could have been the reason for the Zhat Vash… but what if it’s the other way around? What if the Zhat Vash are responsible for Control going rogue?
There was no explanation given for why Control decided to lash out and attack its creators. It wanted to acquire the data from the planetoid-sized lifeform known as the Sphere, believing that data would help it achieve true sentience. But that isn’t a reason to go on to commit genocide; something inside Control made it want to kill. Remember that Dr Gabrielle Burnham – Michael’s mother – arrived in a future timeline where no sentient organic life existed in the known galaxy; Control had wiped it all out. Why did it want to do that?
We could try to argue that Control’s murderous rage is somehow a result of Starfleet denying it access to the Sphere data. But Starfleet and the USS Discovery only came to possess the data because of the time-travelling interventions of Dr Burnham; we don’t know how Control came to acquire it in the “original,” pre-intervention timeline. There are a couple of possibilities. The first is that when the Sphere died, it broadcast its data as far and wide as possible and that’s how Control acquired it. It’s also possible that Starfleet received the transmission and Control gained access to it from there. However, neither of these scenarios involve Starfleet actively trying to prevent Control accessing the data, meaning that it wasn’t Starfleet who started the fight with Control.
So if Control had no reason on the surface to attack its organic creators, why did it do so? It could simply be a programming error; Control was programmed to prevent war, and perhaps that got twisted around so that it decided the only way to prevent the Milky Way’s organic civilisations from fighting was to exterminate all of them. This kind of basic AI programming mistake is one that’s not uncommon in science fiction, and arguably something we need to consider out here in the real world as we develop our own AIs!
So that’s one possibility. But here’s where the Zhat Vash could come in: what if they are responsible for corrupting Control’s programming? We saw in Picard that the Zhat Vash know enough about synthetic life to hack into Federation synths and change their programming. That’s what they did on Mars, causing F8 and the other synths to go rogue and destroy Admiral Picard’s rescue armada. If they had that capability in the 24th Century, it isn’t much of a stretch to think they could have been capable of something similar in the 23rd Century too.
We also know that the Zhat Vash are “far older” than the Tal Shiar. Let’s look at what we know for sure to try to pin down a rough estimate of how old they could be. The Romulans split from the Vulcans somewhere around the 4th Century AD, and by that time were capable of interstellar flight. By the 2150s the Romulans were involved in covert operations on Vulcan, trying to start a war between Vulcans and Andorians. While it was never stated outright in Enterprise that the Romulan operatives we saw were working for the Tal Shiar, it’s not an unreasonable assumption. The Zhat Vash sent Commodore Oh to infiltrate the Federation sometime around the discovery of Data, which took place in the year 2338. When Raffi asked La Sirena’s Emergency Navigational Hologram about the octonary star system, he described the Romulan star charts that depicted it as “ancient,” which seems to suggest they’re more than a century old at least. It was the discovery of Aia, the planet in the octonary star system, and the beacon that resided there that led to the creation of the Zhat Vash.
Put all of that together and we can assume with reasonable confidence that the Zhat Vash existed by the mid-23rd Century. We also know, thanks to what we saw in Enterprise and Deep Space Nine, that Romulan intelligence was far better than Starfleet’s – they knew a lot more about the Federation than the Federation did about them.
There’s a question of just how secret Control was. Section 31 was much more out in the open in Discovery than it was by the time of Deep Space Nine, but even so it seems logical to assume that Control would be a top-secret project within an already-secretive organisation. Still, when most Starfleet flag officers used Control regularly, word of its existence would get out and it was generally known within Starfleet that an AI existed. Thus any Zhat Vash or Tal Shiar operative would have come to know about Control.
Okay, so let’s slow down. Even if we’re confident that the Zhat Vash existed by Discovery’s era, and had commenced their anti-synthetic crusade, and even if they had operatives within Starfleet who would have made them aware of the existence of Control, that doesn’t mean they could just walk up to Control’s data servers and start messing around. Right? I mean, Control was based at Section 31 headquarters, which as we saw in the show was incredibly well-protected. And we saw no evidence of such an operative. Did we?
How about Admiral Patar, the Vulcan Starfleet admiral who was killed by Control at Section 31 headquarters? We know that Commodore Oh spent decades embedded within Starfleet, waiting to make her move at just the right moment. We also know she was able to attain a very high rank, and it’s only one short step from being a commodore to being an admiral. It’s at least possible. Admiral Patar had the means to access Control. She spent time at Section 31 headquarters right around the time Control went rogue. She was a Vulcan, and thus was biologically indistinguishable from a Romulan – meaning she could have been an undercover Romulan operative. Enterprise depicted Romulans undercover on Vulcan a century earlier, meaning that they had infiltrated Vulcan by that time and were able to do so with relative ease. The pieces fall into place for Admiral Patar to be a Romulan operative – or to have been replaced by one – even if the evidence is only circumstantial. Even if it wasn’t Patar, there may well have been other Vulcans working at Section 31 headquarters, any one of whom could have been a Romulan spy.
Once they had access to Control’s systems and specifications, the Zhat Vash could have figured out how to mess with Control’s programming and turn it hostile. Perhaps they only intended for it to attack the Federation, forcing them to shut it down permanently. Or perhaps they hoped it would cause wider chaos so they could force the kind of galactic ban on synthetic life that we saw in Picard. So the question of what they had to gain by such a move is obvious; it’s the same basic goal as they had for staging the attack on Mars.
If the Zhat Vash introduced a glitch in Control’s programming that would turn it murderous, they obviously didn’t intend for Control to go on and wipe out everything. That wasn’t the goal; that’s what they were trying to prevent. However, as I wrote earlier, it’s possible for even well-intentioned AI to get out of control or to act in a way its creators and programmers couldn’t anticipate. Perhaps that’s what happened with Control, and by the time it had assimilated Captain Leland, killed off most of Section 31’s leadership, and got a fleet at its command, there was no way for the Zhat Vash to stop it. If their sole operative had been killed when Control wiped out Section 31’s headquarters, the Zhat Vash may not have even been aware that the mission was not going to plan until it was too late.
So that’s my crossover theory for Star Trek: Discovery and Star Trek: Picard – the Zhat Vash hacked or reprogrammed Control, and that’s what made it go rogue. There’s enough circumstantial evidence for this theory to be possible, and it would explain why Control went from being a useful tool for Starfleet to a menace capable of wiping out all sentient life in the galaxy. However, there’s no concrete proof. All we really have are two shows with similar themes, and a bunch of unrelated pieces that could be made to fit together – but also may not fit at all!
As I always say: it’s just a fan theory. Unless we get some confirmation on screen in future – which seems unlikely given both Picard and Discovery are almost certainly moving on to new stories in their upcoming seasons – we have to consider it as unconfirmed at best. I consider it plausible (obviously, or I wouldn’t have written an article about it!) but it may prove to be a complete miss… just like many of my other Star Trek: Picard theories!
This post was edited 31.03.21 to replace header image. Star Trek: Discovery and Star Trek: Picard are available to stream now on CBS All Access in the United States. Discovery is available internationally on Netflix; Picard is available internationally on Amazon Prime Video. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1. There are further spoilers for Star Trek: Discovery (including the Season 3 trailers) and for other iterations of the Star Trek franchise.
It’s been a little over six months since Season 1 of Star Trek: Picard came to an end. The series set up a number of mysteries, and while many of them were completely resolved by the first season finale, some weren’t. Some of these may be addressed in future – in fact, that’s something I’d really like to see – but assuming the series follows a similar pattern to Star Trek: Discovery, Picard and his new crew will likely warp away to a different adventure next time. That may mean that we never learn the truth behind these mysterious unresolved story threads.
Many television series nowadays set up mysteries or unanswered questions early on that become important later, and I don’t mean to come across as impatiently banging on the table demanding we get answers to everything now! Part of the fun of watching a series like Star Trek: Picard – at least for me – is the theorising and speculating, trying to figure out the puzzles that the producers and writers have created.
One small caveat: it’s possible that some of these points have been addressed in non-canon sources (like comic books) but I’m not counting that. Star Trek, unlike Star Wars, has always drawn a clear line between official canon and unofficial sources. Occasionally we will see points from unofficial material make its way into Star Trek, but unless we see these points resolved on screen, the potential exists for the writers of Season 2 – or indeed of any future Star Trek production – to overwrite anything published in a novel, comic, video game, etc.
With that out of the way, let’s dive into the list!
Number 1: Who are Laris and Zhaban, and what is the nature of their relationship with Picard?
The first few episodes of Season 1 introduced us to Laris and Zhaban – Picard’s assistants at his vineyard in France. Laris and Zhaban are Romulans, and not just any Romulans but former Tal Shiar operatives. I assumed, before we learned what happened to Picard’s planned rescue armada, that he had won their loyalty by saving them (or their families) from the Romulan supernova. But now we know that Picard only evacuated a minuscule number of Romulans, most of whom wound up on the planet Vashti. Those refugees detest Picard for abandoning them – even though the decision was taken by the Federation rather than him personally.
So the question remains: why are Laris and Zhaban so loyal to Picard that they’d give up everything to become housemaids and winemakers on Earth? Even if he saved their lives during the evacuation, very shortly afterwards he gave up on helping their people and their cause. Not only do they seem 100% fine with that, but they appear to have made no effort to help either, despite being operatives of the Tal Shiar.
A related point would be why didn’t Laris and Zhaban accompany Picard when he left the vineyard to go back into space? Picard seems to convince them to stay behind by telling them he needs them to attend to the grape harvest – but if you stop to think about it, this doesn’t make much sense. If they’re staying with him out of sheer stubborn loyalty – for some as-yet-unidentified reason – why would they allow him to head off on a dangerous mission unaccompanied?
And finally, now that Picard seems to have a ship and loyal crew, what will happen to Laris and Zhaban back on Earth? Are they just going to remain behind as custodians of the vineyard while Picard is away? That’s certainly a possibility, but it still raises the question of why he has such steadfast loyalty from them.
Laris and Zhaban filled a story role in Season 1, not only by introducing Picard (and us as the audience) to the idea of the Zhat Vash’s existence, but also by being representations of Picard’s home and safe harbour that he has to leave behind as he goes on his adventure. They serve the same role as some of the Hobbiton Hobbits in The Hobbit and The Lord of the Rings novels in that regard. As a story point and character archetype that’s fine, but in the Star Trek galaxy, given everything we learned about Picard and the Romulans, some explanation would be nice!
Number 2: What happened to Soji’s Trill friend after Maps and Legends?
Maps and Legends (the second episode of Season 1) introduced us to a Trill character: Dr Kunamadéstifee. The two sequences in which she featured appeared to have a lot of horror film-style foreshadowing, leading to a theory I held onto for almost the whole of the season that she was going to meet an unpleasant fate. However, after Maps and Legends the character was abruptly dropped with no explanation.
From a production point of view, it would have been beneficial to keep this character around. Soji had precious little interaction with anyone aside from Narek for much of the season, and a character like Dr Kunamadéstifee could have been a friend she could speak to, if only occasionally. Star Trek has always had guest stars who make a single appearance then don’t return, and from that point of view this isn’t odd or out of the ordinary. But it would still be nice to learn what became of Dr Kunamadéstifee – one way or the other!
Number 3: Why was Dr Bruce Maddox on Freecloud?
This is a huge point, because right now it represents a gaping hole in the story of the first season. I’ve talked about this before, but just to recap: the storyline of the first half of the season was about locating Bruce Maddox, who had been missing since the ban on synthetic life. Maddox was eventually tracked to Freecloud, and the only reason he’d travelled to the dangerous planet was because his lab had “been destroyed by the Tal Shiar.”
Obviously he can’t have been referring to his lab on Coppelius – Picard was literally sat in that room at one point, and it didn’t look destroyed to me! But even assuming Maddox had built a second lab away from Coppelius, why did he not simply return there if the new facility had been attacked? Why did he go to Freecloud instead? Dr Soong and the other synths would have welcomed him with open arms, yet he chose to go to a dangerous place and visit a woman he owed a lot of money to.
Bjayzl may not have killed him or successfully sold him to the Tal Shiar, but she contributed to his death by weakening him significantly. Travelling to Freecloud – and to Bjayzl’s club in particular – appears to be an act of desperation or of last resort, yet Maddox clearly had other options.
Right now, the only reason Maddox was on Freecloud is to enable other aspects of the storyline to make sense, and to get Picard and other characters into position. Without Maddox, Picard would have had to find a different way to track down Soji, so he’s important to the plot. Unfortunately, the lack of explanation to this point leaves a pretty wide plot hole, and because finding Maddox was the main focus of the first half of the season, it’s one I can’t overlook. It needs a satisfactory expanation.
Number 4: What will happen to the ex-Borg and the Artifact?
At the climax of the Artifact’s storyline, Seven of Nine and Elnor attempted to lead a rebellion of ex-Borg against the Romulans. However, Rizzo and the Zhat Vash were prepared and ended up killing a lot of xBs. Not all of them were killed, though, and while we don’t know how many survived, there clearly were survivors after the Artifact arrived at Coppelius. A Borg cube can easily have tens of thousands of drones aboard, and while it was suggested that Rizzo killed the majority of them, we don’t really know how many could have survived. It could easily be hundreds – or possibly more.
Seven of Nine appeared to take on a leadership role for the xBs, filling a void left by Hugh’s death. Many xBs seemed confused or traumatised by their experiences – and they will need someone to help them get through that. At the end of the Season 1 finale, though, both Seven of Nine and Elnor had rejoined Picard aboard La Sirena, and the ship then warped away to an unknown destination. Without Seven of Nine, what will happen to the ex-Borg?
The Artifact itself is likely to come under Starfleet control, at least in my opinion. Its wreckage on Coppelius is largely intact, and presumably the Federation will want to study as much Borg technology as it can get its hands on. It’s possible that something has happened in the galaxy in the two decades that we didn’t see that may have resolved or ended the Borg threat, but that was never mentioned on screen so I assume Starfleet would be very keen to get its hands on a mostly-intact Borg cube – even if it had been picked at by Romulans and may be several years out-of-date!
The ex-Borg are another matter, though. There appeared to be a wide range of races, including many non-Federation species. Some may wish to return home, but in the case of species like the Hirogen, that may not be possible. The Federation may offer them all refugee status and help them reacclimate to life outside the Borg Collective, but it still seems very strange to me that Seven of Nine has just seemingly abandoned the survivors. It’s possible that the final scenes of Season 1 took place many months later, in which case this may have been handled off-screen. Still, it would be nice to get a proper resolution, even if it’s just a couple of lines of dialogue.
Number 5: What will Starfleet do about Aia?
Somewhere beyond Romulan space – and out of reach of Starfleet – lies Aia, a planet at the centre of eight stars. The stars were deliberately moved and aligned to strongly indicate Aia’s location, and at some point in the past – perhaps centuries ago – the Romulans stumbled upon it. On Aia there’s a beacon left behind by a powerful synthetic race (I nicknamed them the “Mass Effect Reapers”) and it tells synthetics to contact them. The Romulans would interpret this information as something apocalyptic, and the Zhat Vash came to believe that any synthetic life would ultimately lead to the extinction of all sentient organic life in the galaxy.
The beacon was more complicated than that, and instead contained an instruction for synths, telling them to contact the “Mass Effect Reapers” if they need help or are being persecuted by organics. Given the immense power that the “Mass Effect Reapers” appear to possess, surely Starfleet can’t risk leaving the beacon on Aia for anyone to find.
The beacon already caused massive problems – the attack on Mars and the Romulan attempt to attack Coppelius being just two examples, and there may be countless others. Leaving it alone will not only perpetuate the Zhat Vash’s conspiracy theory, but will also be dangerous. What if someone else encounters the beacon and contacts the “Mass Effect Reapers”?
I have a theory that – somehow – the Romulans have “cloaked” the octonary star system and Aia, otherwise surely with 24th Century scanning technology and telescopes the Federation would have noticed it. So it may not be as easy as just travelling there and shutting it down. Attempting to do so could even lead to war with the Romulans. However, I think it’s a risk the Federation will have to take; leaving the beacon alone is simply not an option.
Number 6: Who are the super-synths that I nicknamed the “Mass Effect Reapers”?
The “Mass Effect Reapers” – nicknamed for their similarities to a faction from a video game series – are a total unknown quantity. There are many possibilities for who they are and what their motivations are, but we only caught the barest of glimpses of them in the Season 1 finale, and in the aftermath of Picard’s “death,” no one mentioned them. Surely, however, they’re an existential threat to Starfleet – and indeed the whole galaxy – on a scale comparable to the Borg. Heck, they could actually be the Borg.
I have a theory that the “Mass Effect Reapers” may be the cause of the Burn – a galactic catastrophe seen in the trailers for Star Trek: Discovery Season 3. If that’s the case, perhaps Discovery will explain this faction’s backstory in more detail. If they reside in an area of space far beyond the Milky Way galaxy it could have taken them centuries to travel here, meaning the timelines match up for Discovery’s far-future setting.
Theories aside, we know next to nothing about this faction. They were powerful enough to move stars and to create a sustainable eight-star octonary system. They also appear to have altruistic motivations when it comes to synthetic life, offering to help synths in their struggle against organic oppressors. But is that genuine? Or when they arrive would they simply harvest or assimilate whoever they found? We simply don’t know, but it feels like something that could easily be a trap.
Soji was talked into closing the beacon – but whoever the “Mass Effect Reapers” are, they’re now aware of the existence of the Federation, the Romulans, and the Coppelius synths. If I were Starfleet, I’d immediately work on a plan to contact them and try to open a dialogue. Explaining what happened, and that the Coppelius synths are safe, may be the only way to avert a conflict.
Number 7: Why was Dr Soong planning to transfer his mind to a synthetic body?
When Picard and the crew of La Sirena arrived on Coppelius they met Dr Soong – the son of Data’s creator. Dr Soong was working on a synthetic body for himself, but had been unable to perfect the mind-transfer that he would have needed to accomplish that goal. He ended up donating the body – nicknamed the “golem” – to Picard, but what consequences (if any) will there be for that?
Sadly we didn’t get to spend a lot of time with Dr Soong, but I felt it was at least hinted at in Et in Arcadia Ego, Part 1 that he needed a synthetic body. Perhaps he, like Picard, is dying? The finale had a lot of story to get through and rather skipped over that point, so we don’t really know why Dr Soong wanted to become a synth. Was it a desire for immortality? Was it because of illness? Was it because all of his friends were synths and he felt left out? We simply don’t know.
With Brent Spiner set to reprise the role in Season 2, I’d say we have a decent chance of finding out.
Number 8: What became of Narek?
Narek’s story came to an abrupt end partway through Et in Arcadia Ego, Part 2. After convincing Raffi and Rios to go along with his plan to attack the synths’ beacon, Narek was wrestled to the ground by a group of synths during the botched attack. After that he was never seen or referenced again.
Apparently there’s a deleted or unfilmed scene from the episode which was to depict Narek being taken into custody by the Federation. While it isn’t canon, it remains the most likely outcome. However, there are other possibilities. Narek could have been retrieved by the Romulans during their mission to Coppelius, being transported aboard a Romulan ship during the standoff. He could have been held by the synths, who have cause to hate him for unleashing the Zhat Vash upon them. He could have recanted his Zhat Vash ideology and left aboard La Sirena with Picard – though I consider this one unlikely.
There are many reasons why Et in Arcadia Ego, Part 2 was a mixed episode and a somewhat stumbling finale. The lack of any resolution to the story of a major character is just one of them. Though unconfirmed at this stage, I doubt Narek will return as a major character in Season 2, so unless we get some dialogue or a cameo confirming his fate, the deleted/unfilmed scene may be all we have to go on.
Number 9: Are the synths safe on Coppelius?
The timely arrival of Riker’s Starfleet armada is the only reason Coppelius wasn’t obliterated from orbit by a massive Romulan attack fleet. Soji may have listened to Picard and shut down the beacon, but Commodore Oh and the Zhat Vash are fanatics and zealots, and the idea that they would have simply stood down having witnessed that and having heard Picard’s speech doesn’t make a lot of sense.
With that in mind, what’s to stop them returning at any point in the future to finish the job and destroy this colony of synths? Unless Starfleet plans to permanently base an entire fleet in the system, and perhaps build a Starbase there too, it seems like the synths can never be safe if they remain on Coppelius. Evacuating them to a new home would seem to be the safest option.
Number 10: Who knows that Picard is now a synth?
Obviously Dr Soong, Dr Jurati, and Soji know that Picard is now a synth. The rest of La Sirena’s crew must know too, as will Seven of Nine. At the very end of Et in Arcadia Ego, Part 2 Picard basically admitted it out loud in front of all of them. But does anyone else know? What about Riker and Troi? They played big roles in Season 1, but Riker left Coppelius before Picard’s “death” so he may not be aware of what transpired.
There are potential ramifications for Picard’s death-and-rebirth. From Starfleet’s perspective, is he the same Jean-Luc Picard as before? To his friends he may seem the same, but to those prejudiced against synths after a long prohibition on synthetic life, will they treat him the same? Picard may reunite with other people from his past in Season 2 – someone like Dr Crusher or Guinan. I wonder how they will react if they learn what happened.
So that’s it. Ten unresolved mysteries from Star Trek: Picard Season 1. Some of these I fully expect future seasons to tackle, but others feel in danger of being abandoned as Picard and the crew move on to new adventures.
Overall, Season 1 of Star Trek: Picard did a good job of resolving the mysteries and storylines that it set up. But there are some that fell by the wayside and didn’t get a proper conclusion. If the plan is to continue these stories and make more of them in future seasons then I’m all for it, because that sounds fantastic. But if we aren’t going to see these storylines and characters return, doing something to bring proper closure is something I really hope the producers and writers try to do.
Star Trek: Picard is available to stream now on CBS All Access in the United States and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard, Star Trek: Discovery, and the trailer for Discovery’s upcoming third season.
Ever since we first caught a glimpse of Star Trek: Discovery’s third season setting, I’ve been wondering what’s going on. According to everything we know at this stage, Burnham and the ship will successfully complete a 930-year time jump into the far future. That future looks pretty bleak, and perhaps could even be described as post-apocalyptic. If it’s true that Discovery plans to tell a story set in an era where the Federation is defeated or in decline, figuring out how that happened – and reversing it – is surely going to be the overarching story.
For now we’re going to have to set aside reservations about how a post-apocalyptic or otherwise bleak setting will work with Star Trek from a storytelling point of view. Instead, let’s look at things from an in-universe perspective and try to figure out what may be going on. I have already covered this theory back in March when I was wrapping up my Star Trek: Picard theories, so if you’re a regular reader it may be familiar to you.
In short, here’s how the theory goes: the race of super-synths from Star Trek: Picard are the cause of Discovery’s post-apocalyptic setting. Let’s break it down, look at why it could be a possibility, and explore it in more detail.
So although I said this would be an in-universe explanation of the theory, there is one production-side reason we need to look at too. One thing that modern Star Trek shows lack is a relationship to each other. Discovery did a pretty good job of tying itself to The Original Series, and both Picard and Lower Decks have connected themselves to The Next Generation, but there’s essentially nothing beyond a couple of throwaway lines linking Picard to Discovery right now. That would have been unthinkable during the 1990s, where The Next Generation, Deep Space Nine, and Voyager all shared characters, settings, locations, factions, and themes.
Modern Star Trek is hampered by its shows being split up along the timeline, and this makes it harder for new fans to transition smoothly from one series to another. There are no threads of consistency running between the different series, and while they are semi-independent productions they are all being produced by one overall team of people under the Star Trek Universe umbrella.
If we were to learn at some point in Discovery’s third season that the events depicted in Picard were directly related to the Federation’s decline or defeat, suddenly there would be a reason for Discovery fans who missed Picard to go back and watch it, and for Picard fans who haven’t seen Discovery to jump over and watch that show too. There would be the strong feeling that both shows genuinely take place in the same universe and the same timeline, which right now is lacking. This would help the Star Trek brand stay cohesive, and be a frame of reference for casual viewers, all while allowing both shows to provide each other a boost.
So that’s on the production side of things. But I promised you an in-universe look! First let’s very briefly recap, in case you forgot the events of the final few episodes of Picard. While investigating Soji’s origins, Picard and the crew of La Sirena came to realise that there are a race of synthetic life-forms – created by Bruce Maddox – living on a planet called Coppelius. The Romulan faction known as the Zhat Vash were searching for the synths too, because they believe that the synths will trigger an apocalyptic event. This apocalypse was revealed to them by a beacon left behind by an ancient race on a world they called Aia, and when we got a clearer look at the message the beacon contained, it was less a warning to organics than a message to the synths themselves, offering aid. A faction of super-synths that I nicknamed the “Mass Effect Reapers” exist somewhere beyond the galaxy, and they have promised aid to any synthetic race that calls on them. Sutra and Soji planned to contact them, and to open a portal that would have allowed the “Mass Effect Reapers” to travel to the Milky Way galaxy. They successfully built the beacon, but at the last second Picard convinced Soji to shut it down, closing the portal and preventing the arrival of the “Mass Effect Reapers”.
Did I miss anything? I hope not! I nicknamed this faction the “Mass Effect Reapers” because they have noteworthy similarities to another race of super-synths in the Mass Effect series of video games.
I think that the most important thing to note is that in the finale, Soji and Sutra were successful in opening the portal. Thus, the “Mass Effect Reapers” are aware of the existence of a race of synths in the Milky Way galaxy, and also of the existence of the Federation. While Picard was able to convince Soji to stand down and close the portal, questions remain.
Now that the “Mass Effect Reapers” know of the existence of the Romulans, Federation, and synths, will they be content to go back to sitting still, waiting for another race of synths to contact them? Or did Sutra and Soji set into motion a chain of events that can no longer be stopped? Closing the portal may have prevented the imminent arrival of the “Mass Effect Reapers”, but it’s totally unclear what they will choose to do next.
The “Mass Effect Reapers” were presented as hyper-intelligent, arguably far beyond the Federation and Romulans in terms of technology, and thus their motivations and actions can be difficult to predict. This may be an oversimplification, but at the moment Soji closed the portal and shut down the beacon, she didn’t seem to communicate to the “Mass Effect Reapers” why she was doing so. From their point of view, a portal was opened – through which they could see a race of synths threatened by an imposing fleet of starships – then before they could take action the portal was closed. If I were the “Mass Effect Reapers”, I’d want to know why. And if I were paranoid, I might be thinking that the synths who tried to contact me were under attack and that the beacon had been forcibly shut down.
If the “Mass Effect Reapers” followed this line of thinking, and their motivation is still to provide help to any synthetic race that asks for it, the logical next step would be for them to set off to the Milky Way as fast as they can. Depending on how far away they are – and the show never really explained that – it could take years, decades, or even centuries for them to travel, even if their technology is more advanced than anything we’ve ever seen in Star Trek. That’s assuming they set off immediately – there may have been a debate or discussion about what to do that could have lasted years or longer.
In any case, it’s not inconceivable that this extra-galactic threat could take centuries to arrive. I like to assume that Picard and/or Starfleet will travel to Aia and disable or destroy the beacon to prevent not only the Romulans from using it, but from other synths finding it in future. Even shutting down the beacon on Aia may be too late, though, because of the events of Et in Arcadia Ego, Part 2.
The “Mass Effect Reapers” are perhaps the only faction other than the Borg who could be capable of waging a successful war against the Federation. Even if all of the powers of the Alpha and Beta quadrants were to band together, it still might not be enough against the superior technology of these super-synths, and we could certainly expect any such conflict to be long and catastrophically costly. Even if the Federation survived it would be seriously weakened. Furthermore, a large-scale attack on the Federation would result in far-flung colonies being cut off, and any news or information might be hard to come by.
This is where the trailer for Discovery’s third season comes in. We see a setting best described as bleak, as Burnham and the crew arrive in a part of the galaxy that seems far away from Earth. The Federation seems to be in decline, Starfleet is described as a “ghost”, and we’re left wondering what happened to cause all of this. We’ve seen the Federation in the far future before, both in Voyager and Enterprise, and certainly 100-200 years before Discovery’s far future setting, the Federation and Starfleet seemed to be doing pretty well, even furthering their mission of exploration to include time as well as space. Reconciling that image of the future with Discovery’s setting is something Season 3 will need to do.
As a faction we know essentially nothing about – not even their name – the “Mass Effect Reapers” are ripe for exploring in more detail. Discovery could do so in such a way that doesn’t interfere with anything Picard set up, providing not only the next part of the story, but also some background. We could learn about their leadership, motivations, and level of technology in much more detail. And it would still be a practically blank slate for Discovery’s team to use to set up the third season’s bleak and dark setting.
The question of the “Mass Effect Reapers” motivation comes into play again. There are two broad possibilities for their actions in Picard – either they were genuine in their offer to help synthetic races, or the beacon on Aia was part of an elaborate trap. Neither option bodes well for the Federation, assuming that the “Mass Effect Reapers” are now aware of their existence. If it was a trap, and the “Mass Effect Reapers” were waiting to be contacted by synths simply because that would mean advanced civilisations are present, they may now have a new target. If it wasn’t a trap and their desire to help was genuine, they may be motivated by concern for the Coppelius synths or even anger at the Federation and Romulans for intruding before communication could be established. While it’s hard to say what this faction could be planning or thinking based on such a small amount of information, these possibilities seem reasonable, and if they decided they wanted to attack or investigate, the events of Et in Arcadia Ego, Part 2 could have set that in motion.
Because Picard Season 1 wrapped up in the immediate aftermath of the standoff over Coppelius and the closing of the beacon, we don’t know what happened next. However, I consider two things to be somewhere between possible and likely: the synths on Coppelius would be relocated (in order to keep them safe from the Romulans), and Starfleet would make some attempt to contact the “Mass Effect Reapers” to explain what happened.
Relocating the synths feels like a necessity. Commodore Oh may not have wanted to risk war with the Federation when staring down a massive armada, but there’s no indication that she changed her mind on the necessity of exterminating synthetic life. From her perspective, Soji and Sutra building the beacon was a culmination of her worst fears, and although Soji may have been convinced to stand down, again from Oh’s point of view what’s to stop her changing her mind? Or one of the other synths building a new beacon? Leaving the synths on Coppelius would be very dangerous for them, unless Starfleet plans to permanently base a fleet in the system, so the easiest option for everyone would be to relocate them to a safer place.
However, in the context of our theory, this could be problematic. Suppose it takes the “Mass Effect Reapers” a long time to arrive in the Milky Way galaxy, and they don’t manage to travel to Coppelius for several centuries. What do they find when they arrive? No synths, but several massive interstellar civilisations and empires of organic beings. Put the two things together and it’s not unreasonable to assume that the organics wiped out the synths – especially if the last thing the “Mass Effect Reapers” saw before the portal closed was two massive fleets approaching the planet. They may take the missing synths as proof of an attack and go on the rampage.
Even if Starfleet were able to contact the “Mass Effect Reapers”, there’s no guarantee a successful dialogue could be opened. Setting aside other theories like the “Mass Effect Reapers” actually being the Borg, a race of super-synths that considers themselves light-years ahead of organic beings in every respect may look at humans the way humans look at ants or bacteria, and consider any attempt at communication unworthy of their time. That’s assuming Starfleet could find a way to make contact without opening another portal – it may simply not be possible, though I expect the Federation would want to try.
Taken together, all of these different factors make at least a plausible argument for Discovery taking this story beat and expanding it for the basis of its third season. It could certainly be done in such a way that wasn’t confusing and didn’t make Picard essential viewing to understand what was happening – just like Discovery did with Pike, Vina, and the Talosians in Season 2. The Cage certainly provided extra details and informed what was going on, but viewers didn’t miss anything important for not having seen it. I’m sure the same could be done here, especially if the attack by or war against the “Mass Effect Reapers” was already over. It would exist simply as backstory; an encouragement to hop over and watch Picard without making doing so a necessity.
While this theory remains a possibility, at least in my opinion, it’s hardly a certainty and I wouldn’t be at all surprised to learn Discovery is going in a wholly different direction. Many of my theories during Picard Season 1 didn’t pan out, and this may simply be another that falls by the wayside! Nevertheless, it’s fun to craft theories and speculate, and at the end of the day that’s all this is: a bit of fun, and a chance to spend more time thinking about Star Trek. So please take everything I’ve said today with a healthy pinch of salt.
Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries. Star Trek: Discovery Season 3 will air beginning on the 15th of October on CBS All Access in the United States and Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including all series and films discussed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1, including its ending. There may also be spoilers for other iterations of the Star Trek franchise.
Star Trek: Picard’s first season wrapped up at the end of March – and it feels like forever ago, what with everything that’s happened in the world since! While the season was running, in addition to reviewing each of the episodes in turn I also concocted a number of different theories for what was going on in the show. Star Trek: Picard very carefully set up a number of mysteries, and even heading into the second half of the finale, it wasn’t clear exactly how they would be resolved.
I’d argue that the first season’s two-part finale wasn’t the show at its best, and it felt as though a season which started incredibly strongly ended up stumbling a little as it crossed the finish line. There were a number of reasons for this – which I covered at the time – but it boils down to some of the show’s mysteries not being fully explained, and some storylines being dropped or left unresolved. That and the truly awful gold makeup used for the synths on Coppelius!
If you’d like to read all of my theories from Star Trek: Picard Season 1, you can find them on my dedicated Star Trek: Picard page. Click or tap here to be taken there!
This time, what I’d like to do is take a look back at some of the theories I postulated while the season was running. I’ll explain why I thought they seemed viable – and why they ended up being total misses! In a way, part of the fun of theory-crafting and speculating is knowing that you won’t always get it right… and boy oh boy did I have some seriously wrong theories!
Number 1: Dahj and Soji aren’t synthetics, they’re genetically-engineered humans.
This is a theory I first came up with right at the beginning of the series, almost from the very moment Picard begins to suspect that Dahj is synthetic. It seemed like it could’ve been a clever idea for a double-bluff – establishing Dahj and Soji as synths, only to rip that away and challenge both Picard’s and the audience’s expectations. However, it didn’t pan out that way, and looking back, this theory was kind of ridiculous!
Genetic enhancements, similar to those made on characters like Dr Bashir and Khan, could have given Dahj the incredible speed and strength that she possessed in Remembrance, so from that point of view it wasn’t wholly unthinkable. But looking back, while Star Trek: Picard did aim to be a show that kept us guessing and didn’t telegraph every aspect of its storyline, this kind of subversion of expectations would have been a step too far. We didn’t know anything about Dahj or Soji at the beginning of the series, and to take the one established fact about them and make it a lie or a misunderstanding would have been a storytelling mistake.
There was also plenty of evidence that Dahj and Soji were synthetic: Picard’s meeting with Dr Jurati, Narek’s interest in Soji, and the strong connection Picard felt to Dahj (and later to Soji) because of his friendship with Data. All of that would have made no sense in the story if we’d ended up dealing with genetically-enhanced humans!
I brought this theory back after episode 3, The End is the Beginning, based on a line spoken by one of the Romulans who attempted to assassinate Picard: “she’s not what you think she is!” This of course referred to Soji, and it struck me that, as Picard and his comrades believed Soji to be a synth, perhaps the Romulan knew that she was not. However, as the story progressed it became abundantly clear that Soji and Dahj were the synthetics that the story established them to be, and that I was barking up the wrong tree with this one!
Number 2: Section 31 will make an appearance in the show.
This theory was crafted not so much because of anything that directly happened in the plot of the show, but rather for production reasons. In short, the Star Trek timeline is seriously fractured, with shows being produced simultaneously occupying very different timeframes. When Discovery’s third season kicks off in a few weeks time, there will be four shows occupying four time periods. This complicates the franchise, and what that means is that some threads of continuity would be very helpful, especially for casual viewers.
Section 31 featured heavily in Discovery’s second season, and in addition, a spin-off based on the organisation is currently being worked on. It seemed logical that Star Trek: Picard might want to find some way of incorporating Section 31 if for no other reason than having one of those threads of continuity running through the franchise, tying things loosely together and being a frame of reference for casual viewers.
My first thought for a potential Section 31 appearance was that they could’ve been responsible for the attack on Mars and the destruction of Picard’s armada. I theorised they might have taken such aggressive action to prevent the Federation giving aid to the Romulans. This was extended to include Section 31 hacking the Mars synths as part of this plan.
I next had two potential Section 31 operatives pegged – Chris Rios and Seven of Nine. Rios because he worked aboard a Starfleet ship that was “erased” from the records, and Seven of Nine because it wasn’t clear who she worked for or why she was following Picard.
Finally, as these other theories fell by the wayside, I speculated that Section 31 may have arrived to take control of the Artifact after it was abandoned by the Romulans and later crashed on Coppelius. While I suppose you could argue that might yet happen, it didn’t happen in Season 1, and thus any real benefit of the organisation crossing over from a behind-the-scenes perspective was lost.
I maintain that this theory makes a lot of sense from a production perspective, and my final idea in particular – Section 31 taking control of the Artifact to study it – could have been accomplished without making any changes whatsoever to the season’s storyline. However, it didn’t happen!
Number 3: Soji’s Trill friend will end up getting assimilated or killed.
Episode 2, Maps and Legends, introduced a Trill doctor working aboard the Artifact along with Soji. She ultimately only appeared in one sequence, but that sequence seemed to contain a lot of horror film-style foreshadowing, and for weeks I was insistent that we’d see this character meet an unpleasant end! Aboard a Borg cube – even a disabled one – the most likely way that would manifest would’ve been her assimiliation.
After Soji helped Dr Kunamadéstifee with her uniform, the two stood together while they listened to a speech from one of the Artifact’s Romulan guards. He stated that the area they were about to enter was incredibly dangerous, and a nearby sign seemed to reinforce the possibility of assimilation by counting the days since it had last happened. This seemed as thought it could tie in with Soji working on de-assimilating Borg drones; was she about to see her friend end up on her operating table?
It turned out, of course, that I was reading too much into one side character and one short sequence, because not only didn’t Dr Kunamadéstifee end up assimilated, she was never seen again after Maps and Legends, which was a shame because she seemed like a potentially interesting character. Soji spent much of her time from episodes 2-6 with Narek, and giving her someone else to interact with was a good idea. My theory was that their friendship may have built up a little more, leading to shock and sadness for Soji upon learning of Dr Kunamadéstifee’s fate.
I suppose in theory we could say that it’s unlikely that she survived the various disasters which befell the Artifact, from Narissa executing huge numbers of ex-Borg to the ship crashing on Coppelius, but nothing was ever seen on screen to even hint at her fate.
Number 4: Commodore Oh is a synthetic.
As with Soji and Dahj being human, this was kind of an “out there” theory! But the whole point of theory crafting is to make wild guesses sometimes, and there were a couple of reasons why I considered this a possibility. First of all, it would have been thoroughly unexpected and shocking. Many recent films, games, and television series have tried to pull off genuinely unexpected twists, and had this been true, it would have been one heck of a shock!
Secondly, the premise of Star Trek: Picard’s first season had been the cloak-and-dagger factions vying to thwart or create synthetic life. The Zhat Vash and the Tal Shiar were on one side, Maddox and his team on the other. There were rogue traders, Romulans, ex-Borg, and all sorts of shadowy figures involved – any one of whom could have not been what they seemed. The show crafted mysteries for us to examine. As we learned more about the Zhat Vash and their mission, I began to wonder if they could have been infiltrated by someone who wanted to stop them harming synths. This later evolved into wondering if they’d been infiltrated by someone who wanted to bring about the very disaster they sought to prevent.
Dahj and Soji were both unaware of their true synthetic natures, which built on past iterations of Star Trek that showed synths can be programmed to not realise they’re synths. Commodore Oh could have genuinely believed in the Zhat Vash cause – but been programmed to “activate” at the opportune moment. We later learned that the Zhat Vash feared the arrival of a faction of super-synths that I dubbed the “Mass Effect Reapers” (because they were very similar to that video game faction) and I incorporated that into this theory, suggesting that Commodore Oh may be working for the “Mass Effect Reapers” to try and bring about their arrival.
Of course it was a complete bust! Commodore Oh was a Zhat Vash operative to the core, and as far as we know, wholly organic in nature! I still think she’s a fascinating character, and I wrote an article a few months back looking at her place in the Star Trek timeline. You can find it by clicking or tapping here.
Number 5: Picard telling everyone that their enemies are the Tal Shiar – and not the Zhat Vash – will have consequences.
One thing that Star Trek: Picard didn’t do particularly well, in my opinion, was staying consistent in how it referred to its antagonists. In Remembrance, the faction who attacked Picard and Dahj weren’t named, but in Maps and Legends we learned of the existence of the Zhat Vash – an ancient, shadowy organisation which operated within, yet were distinct from, the Tal Shiar.
Yet for several episodes, Picard and others kept referring to their adversaries as the Tal Shiar. In-universe, there’s a certain kind of logic to this. Picard may not have believed fully in the Zhat Vash’s existence, having only heard about them from one source, or he may have felt trying to explain the difference would have been too time consuming and/or made him seem too conspiratorial. However, with practically everything else in the show being done deliberately to achieve certain story payoffs, I wondered whether Picard’s decision not to be up front with his crew might have had repercussions.
Elnor was the one character who I felt seemed most likely to be affected by the revelation that it was the Zhat Vash, not the Tal Shiar, that he was up against. As a member of the Qowat Milat, Elnor was opposed to the Tal Shiar. But the Qowat Milat’s relationship with the Zhat Vash was unclear; even if they were enemies, the Qowat Milat may have had particular techniques for dealing with them. And at the very least, Elnor and his faction seemed likely to know of their existence.
However, Elnor learned in Nepenthe that he was facing off against the Zhat Vash, not the Tal Shiar, and the revelation seemed to have no impact on him whatsoever. The rest of La Sirena’s crew were equally nonplussed, and there were no consequences at all for the confused terminology – at least, not from an in-universe point of view. I think that, unfortunately, the decision to complicate the terminology around the show’s antagonists may have made it harder to follow for casual viewers. When dealing with made-up names like “Tal Shiar” and “Zhat Vash”, remaining consistent is important for the audience to be able to follow what’s going on.
Number 6: There’s a Starfleet-Zhat Vash conspiracy.
In Maps and Legends, we were introduced to Commodore Oh for the first time. It was a great shock to see a high-ranking Starfleet officer involved in Dahj’s murder, and at the time it wasn’t at all clear whether Commodore Oh was a Romulan infiltrator or a Vulcan co-conspirator. If she was a Starfleet officer working with the Zhat Vash, it stood to reason that others in Starfleet were as well – perhaps even senior admirals.
Furthermore, when we learned how Commodore Oh recruited Dr Jurati into the conspiracy – all it took was a brief mind-meld – it seemed plausible that she may have used the same technique on others. Commodore Oh had been embedded in Starfleet for more than sixty years, and in that time there’s no telling how many people she may have interacted with.
However, it turned out not to be the case. Admiral Clancy, the head of Starfleet Command, wasn’t compromised, nor were any of the other Starfleet officers and leaders seen or referenced in Season 1. As far as we know – and this could change if future Star Trek projects decide to look at this aspect more deeply – only Commodore Oh and Rizzo were involved within Starfleet, and they were both Zhat Vash operatives.
This is one theory that I’m definitely pleased didn’t pan out. Making Starfleet itself the “bad guys”, even if there were a reason for it, wouldn’t have felt great in a Star Trek series, and would have been a far darker path for the show to have taken. Seeing Riker show up in Et in Arcadia Ego, Part 2 at the head of a Starfleet armada was a beautiful moment (though sadly one that had been telegraphed ahead of time) in large part because it proved that Starfleet and the Federation were still on the right side. The plot to kill the synths and attack Mars was purely a Zhat Vash creation.
Number 7: The Control AI, from Star Trek: Discovery Season 2, is involved.
Although I initially considered it to be a bit out of left field, the episode Nepenthe really kicked this theory into high gear! My first thought had been that perhaps the reason why the Zhat Vash were so frightened of synthetic life was because they had some involvement with Control, the rogue artificial intelligence from Star Trek: Discovery’s second season. I was convinced – wrongly – that the producers behind the overall Star Trek franchise would have wanted to build a major connection between Discovery and Picard for some of the reasons already discussed, and bringing Control in seemed like a viable option for accomplishing this.
In the episode Nepenthe, we finally got to see how Dr Jurati came to be recruited into the conspiracy – she was shown a vision by Commodore Oh, one that seemed to warn of something apocalyptic. Contained within this vision were a couple of visuals that were made for Star Trek: Discovery – more specifically, they were used to show a vision Michael Burnham and Spock had of the Control AI.
At the time, I noted that there could be production-side reasons to re-use visual effects, as it was less time-consuming and cheaper than making wholly new CGI. However, for a couple of weeks I really did think that we were going to find some connection between Control and the Zhat Vash; perhaps the Romulans and Federation had been competing in some kind of mid-23rd Century AI arms race, or perhaps while Control was on the loose it had attacked Romulan ships or planets.
In a thematic sense, Star Trek: Picard’s first season and Discovery’s second season share some significant points. Both consider the potential for rogue or out-of-control artificial life, and both look at the consequences of continuing to develop AI – something that we arguably should be concerned about today! But there was no deeper crossover beyond basic themes, and the shows remain almost entirely separate from one another. The re-used visuals are what completely threw me for this one!
Number 8: The synths on Coppelius are already dead.
Star Trek: Picard’s first season had, unfortunately, one rather large plot hole. The driving force for much of the first half of the season was locating and rescuing Bruce Maddox, the Federation cyberneticist who built Soji, Dahj, and many of the other synths. Maddox was on a planet called Freecloud, a place he travelled to when he seemed to have nowhere else to turn. He ended up returning to the dangerous Bjayzl, someone he owed a lot of money to, and was captured. The reason he put himself in such grave danger was because his lab had been destroyed by the Tal Shiar, or so he claimed.
But in the two-part finale, Picard and the crew travelled to Coppelius and saw for themselves that Maddox’s lab hadn’t been destroyed, and the Tal Shiar or the Zhat Vash had never been there. This feels like a pretty major issue, because the question of why Maddox was on Freecloud now has no satisfactory answer. The reason seems to be “because plot”, and that’s never a good thing.
However, before the finale I was still trying to square that particular circle. One of the possibilities I came up with was that Maddox was right – his lab had already been destroyed, which could mean that the synths he’d built were already dead. It would have made Narek’s mission kind of a waste of time, as his colleagues had already killed off the synths, not to mention being a rather bleak way to end the season, but it would have fit together with what had already been established.
I don’t think I’d have enjoyed this storyline, which would have left Soji as perhaps the sole survivor of her race. It would have been very dark, and would have felt like a victory for the show’s antagonists. But at the time, I was scrambling around looking for ways to make the story of the first half of the season – culminating in Maddox’s statement to Bjayzl about his lab being destroyed – fit with the second half of the season and the revelation of the existence of more synths.
Number 9: The captain of the USS Ibn Majid is a character from a past Star Trek show.
This was a pretty simple theory by my standards. When we learned that Rios had served aboard a ship called the USS Ibn Majid, which was destroyed and covered up, I began to wonder who might’ve been in command of the vessel. Rios was clearly very attached to his former captain, and I wasn’t sure if we might’ve seen – in flashback form – this character make an appearance.
From Rios’ initial comments about the character – that they were dead, male, and “heroic” – I put together a shortlist based on possible characters from past Star Trek shows who could conceivably have been starship captains in that era. I ruled out those who seemed to have no desire to sit in the captain’s chair, like Dr Bashir or Tom Paris, and obviously ruled out those who wouldn’t be eligible like Chief O’Brien. Finally, Zhaban had mentioned that La Forge and Worf were still alive, so they were out too. That left a handful of characters, including Chakotay and Harry Kim, both from Voyager. I also suggested Edward Jellico from The Next Generation two-parter Chain of Command, Solok from the Deep Space Nine episode Take Me Out to the Holosuite, and Captain Bateson from The Next Generation Season 5 episode Cause and Effect.
There were other possibilities – most of which were minor characters who made only one or two appearances in Star Trek – and there were many male officers who could, in theory, have made the cut. I liked this idea simply for the sake of continuity, as having the Ibn Majid’s captain be someone we already knew seemed like an interesting concept.
With Bruce Maddox, Hugh, and Icheb all killed off in Star Trek: Picard’s first season, it was clear that the producers has no qualms about getting rid of legacy characters! That fact also contributed to making this theory plausible. Past iterations of Star Trek has been reluctant to kill off main characters, but Star Trek: Picard did so several times. However, none of this came to pass, and instead a new character – Captain Alonso Vandermeer – was created for the show, and was only seen briefly in a photograph.
Number 10: Narek will go rogue.
Narek was a unique character, not only in Star Trek: Picard but in the whole franchise. Never before had an out-and-out villain been a main character, with their name in the opening titles. Narek was also an interesting and nuanced character in a season where – most of the time – the villains could feel flat and one-dimensional. I’m still disappointed that his storyline was unceremoniously dumped midway through the season finale; we didn’t even learn what became of him after Picard’s “death”.
But that’s somewhat beside the point. From as early as the third episode, I began speculating that somehow, Narek would be convinced to abandon his mission and join with Soji and Picard. His clear feelings for Soji seemed to offer a route for him to make this happen, but even if the show didn’t go for the “spy falls in love with his target” trope, there were other ways it could’ve happened. Narek seemed like a reasonable man; if it were demonstrated to him that the synths were not a threat, it seemed at least plausible that he might’ve switched sides.
However, as of the last time we saw him – before he just dropped of the face of the series with no conclusion to his story – he was still 100% committed to the Zhat Vash cause. In fact, he never wavered. His attempt to kill Soji may have caused him great distress, but that didn’t stop him going ahead with his mission; he didn’t even hesitate.
I actually like that Narek was unpredictable, and as a whole I like that the show set up what looked to be a familiar trope – the spy with a heart of gold who switches sides for the girl he loves – only to say that actually, Narek was still committed to his cause and his mission. However, it’s a shame that this never really got a proper payoff, as Narek disappeared. His character arc feels incomplete, and as I’m fairly confident he won’t be returning for the show’s second season, we may never learn what happened to him after the events on Coppelius.
So that’s it. A handful of my theories for Star Trek: Picard Season 1 that never came to pass! I did manage to successfully predict a handful of (more obvious) plot points across the first season, so my theories didn’t all fail as hard as those listed above. The important thing, though, was that I had fun doing this. Thinking about the series and writing up the theories was really enjoyable at the time, and it’s something I hope to do with Discovery later in the year – at least, provided it has suitable theory-crafting material to work with!
The important thing when considering fan theories is to remember that they’re just guesses and speculation. The showrunners, writers, and producers are the ones who craft the story, and they’re the ones who get the final say on how it’s going to pan out. Getting overly attached to any one theory – no matter how much we like it or how plausible it seems – really just means we’re setting ourselves up for disappointment. I could point to many projects in recent years which have suffered as a result of this, but all I really want to say is that, for those of you who followed my theories during Star Trek: Picard Season 1, I hope that I didn’t cause you any disappointment or frustration when I was wrong. At the end of the day, this is supposed to be fun and an excuse to spend more time in the Star Trek galaxy. Let’s all try to take fan theories with an extra-large pinch of salt!
Star Trek: Lower Decks is currently airing its first season – the second of three Star Trek projects in 2020. For all the problems that this year has thrown at us, having three different Star Trek shows to enjoy has been a blessing. If you missed it, I’ve reviewed the first episode of Lower Decks and I’ll soon be taking a look at episode 2, which will be available to watch (at least for viewers in the US and Canada) later today. And as mentioned I’ll be looking at Discovery when that airs in October. There’s no word on when exactly we can expect to see Season 2 of Star Trek: Picard. It has an optimistic release date of 2021, but given that California is still largely locked down and filming has yet to begin, I wouldn’t be surprised if that slips back. Regardless, whenever we get it I’ll be taking a look at the episodes and probably crafting a bunch more theories!
Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: In addition to spoilers for the episodes listed below, there may be spoilers for other iterations of the Star Trek franchise, including the most recent seasons of Discovery and Picard.
It’s been a while since I last picked out ten great Star Trek episodes. Having run through all five of the shows prior to the Kelvin timeline and Discovery, I seem to have got sidetracked! It’s been over a month since I last visited this topic, so if you’d like to revisit the episodes I pulled from the other Star Trek shows, you can find them all archived on a single page by clicking or tapping here.
My first five articles looked at one Star Trek show apiece. Those shows each had at least three seasons’ worth of episodes to choose from, so it was relatively easy to pick ten great ones! The shows we’ll be looking at today have fewer episodes, and I felt it was too difficult to pick ten from each one. The Star Trek shows we’ll be looking at are: The Animated Series, the Kelvin-timeline films, Discovery, Short Treks, and Picard.
Here’s a recap on how this format works: this isn’t a “top ten” ranked list. Instead, this is merely ten episodes (okay, nine episodes and one film) that I consider to be well worth your time, and they’re listed in order of release.
Number 1: The Magicks of Megas-Tu (The Animated Series Season 1)
After Star Trek’s cancellation in 1969, it was rebroadcast and gained many new fans. As early as 1971 or 1972, parent network NBC was considering options for bringing the show back. The re-runs were more popular than the original broadcasts had been, and there was an ongoing letter-writing campaign by fans to bring Star Trek back. Ultimately, in ord