The Suicide Squad – film review

Spoiler Warning: There are spoilers ahead for The Suicide Squad and other recent DC titles.

I always caveat my reviews of comic book films by saying that I’m not really a huge comics fan. I never read comic books as a kid, and while there have been some cinematic adaptations that worked well, for the most part the highest praise I can give most comic book films is that they’re moderately entertaining action fare.

My most recent encounter with a DC Comics film was Zack Snyder’s Justice League – and I really didn’t enjoy that film. But in 2016 I’d watched the first Suicide Squad and enjoyed it for what it was, so I figured I’d check in with this film to see what it had to offer. First, though, I had to figure out what The Suicide Squad is. Is it a sequel? A reboot? A soft reboot? In short, what’s going on with the confusingly similar title?

Poster for The Suicide Squad.

DC has struggled to compete with Marvel in terms of film adaptations, despite having just as many well-known and well-regarded superheroes at its disposal. Following disappointing results with some of the films of the DC Extended Universe, including the original cut of Justice League, DC opted to rework its cinematic offerings, and I think that’s why this film is called The Suicide Squad instead of Suicide Squad 2. DC hasn’t done a good job of communicating all of this, though, at least not to casual viewers. Hardcore DC fans who follow all the ins and outs of the brand and its news will know what to expect from The Suicide Squad, but there’s no doubt in my mind that its confusing name and the deeply muddled state of DC’s film universe is going to be baffling to many would-be viewers – if not outright offputting.

Compounding this was the fact that most of the cast of Suicide Squad didn’t reprise their roles this time around. Will Smith, Cara Delevigne, Jared Leto, and several other big names either chose not to return or saw their roles cut when the DCEU’s plans changed.

Though The Suicide Squad is tonally similar to its predecessor, when compared to the likes of Zack Snyder’s Justice League – a film which tried so desperately hard to take itself seriously that it became unintentionally funny – there’s a wild shift in tone. The dark humour and lack of seriousness in The Suicide Squad is a massive improvement over a film like Zack Snyder’s Justice League, and a far better fit for its source material, which was something I appreciated! But it does make DC’s recent cinematic output feel completely disjointed; wild jumps in tone and style make the two films feel like they couldn’t possibly be part of one supposedly-connected, ongoing world. Marvel comparisons again abound because that franchise handles this so much better. Marvel projects are generally consistent in basic things like their style and tone, and it’s seldom the case that one comes away from a Marvel film feeling it’s wildly out of kilter with other parts of the franchise.

The Suicide Squad had a light-hearted tone and knew what kind of film it wanted to be.

Humour is a very subjective thing, and not every joke or comedic moment will have landed for every viewer. But for me, the film’s sense of humour was generally on point. The Suicide Squad didn’t strive to take itself too seriously, and at the same time was able to successfully communicate the stakes involved for the protagonists. That isn’t a line that’s easy to walk sometimes, yet the film broadly stayed on the right side of it.

Keeping a relatively lighthearted tone throughout was to the film’s benefit. Not only was it appropriate for a story that bordered on the ridiculous (a giant starfish from outer space) but it provided The Suicide Squad with plenty of laugh-out-loud moments. A lighter style allowed the film to embrace much of the silliness that comes from comic book characters and their visual styles, and compared to other DC titles The Suicide Squad leaned into campiness in its costuming and took in its stride some truly wacky concepts, characters, and premises.

The Suicide Squad has a pretty wacky and silly premise, and the film leaned into that in a big way.

There were some definite visual misses in The Suicide Squad. The CGI and green-screen work was far from perfect, and though the worst moments were few and far between, in a film with a budget of more than $180 million that really shouldn’t be happening in the first place. There were some “uncanny valley” moments with the CGI, particularly CGI moments involving the film’s human characters. Then there were some moments where the use of green-screens was just incredibly obvious to the point of being offputting.

Interestingly, these issues also plagued Zack Snyder’s Justice League. In my review of that film I wondered if some of the visual effects misses might’ve been due to the lower budget afforded to the re-editing of the film. It now seems as though that wasn’t the case; DC just isn’t especially good at green-screen and CGI moments. In a film that relies heavily on visual effects, this isn’t just noticeable – it actively detracts from the experience and can completely ruin suspension of disbelief.

One of several green-screen moments that missed the mark.

After his recent controversy for apologising to the Chinese dictatorship, it was ironic – no, it was grotesque – to see John Cena playing a character whose defining characteristic is is love of freedom and peace. Though this character was always presented as a semi-antagonist, something about the casting really got under my skin. Cena’s portrayal of Peacemaker was fine – competent, even. But knowing how the actor favours Chinese money over basic human rights, seeing him spouting lines like “I would do it for liberty” was vomit-inducing.

Idris Elba took the leading role in The Suicide Squad and put in a creditable performance as a mercenary “with a heart of gold;” taking on the dangerous mission for the sake of his daughter. Giving Bloodsport this extra motivation added an extra dimension to the character and kept him believable – despite the wacky situation and the chaos that unfolded around him. Elba had previously played Krall, the villain in Star Trek Beyond, and it was fun to see him in a different role on this occasion.

Idris Elba’s Bloodsport was the main hero of the piece.

Margot Robbie got top billing alongside Idris Elba, but in 2016 I felt her forced “American” accent as Harley Quinn was just plain awful, and unfortunately that situation has not improved in the slightest in the years since. Robbie put in an otherwise impressive performance as the damaged, psychotic Quinn, but her accent was never believable and that did detract from the character at points.

The surprise star for me was Portuguese actress Daniela Melchior, who played Ratcatcher 2. Her deeply emotional portrayal cut through what was a strange and even silly premise to become an unexpectedly impressive performance in a film laden with established stars. Her character arc, coming to terms with the loss of her father and finally putting to use his odd invention, was elevated far beyond what it could’ve been by Melchior’s performance, which is even more impressive considering that The Suicide Squad is one of her first ever English-speaking roles. She provided vulnerability and emotion to the character – and the paternal relationship between Bloodsport and Ratcatcher 2, while not fully developed, really formed the film’s entire emotional core.

Daniela Melchior put in an amazing and emotional performance as Ratcatcher 2.

The decision to begin the film with a fake-out – setting up a secondary “suicide squad” and then watching them get slaughtered – was a bold decision. Setting up a different crop of characters, and framing that part of the film from the point of view of one of them, did succeed at setting up Harley Quinn’s storyline and at communicating the stakes involved and the level of risk to the main characters. But at the same time it felt cheap; setting up minor characters – redshirts – to be killed off allowed most of the other main characters to survive their so-called suicide mission. Only one of the principal characters on Bloodsport’s team ended up dead by the film’s end, which might not be enough for a film literally called The Suicide Squad.

Perhaps the decision for all but the Polka Dot Man to survive is DC’s way of teeing up another sequel. If that’s the case, I would definitely be interested to see Bloodsport and Ratcatcher 2 return for another outing. The disjointed way DC still runs its cinematic arm makes me wonder if they have any such plans, though – and if they do, whether it’ll ever happen!

The characters from the film’s opening act were all killed (except one).

In a film with a larger cast, some characters can end up feeling underused, and Peter Capaldi’s Thinker definitely fell into that trap. Set up early on in the film as one of the main villains of the piece, he ended up being little more than a one-dimensional hurdle for other characters to blaze past on their way to completing their mission. Peter Capaldi is an actor I’ve admired in the past, yet in recent years he never seems to land roles that are honestly worthy of his time. His tenure in Doctor Who saw lacklustre stories, and now his role in The Suicide Squad was, at best, a run-of-the-mill “mad scientist” trope.

It was a little disappointing we didn’t spend more time with the Thinker, nor really learn what he was doing at Project Starfish. A brief scene showed off a number of caged folks infected with the Starfish’s face-huggers and a few gory-looking but unexplained experiments. Yet the Thinker, despite being the closest The Suicide Squad got to a supervillain, had no motivation, no real accomplishments, and seemed to exist simply to fill a hole in the script.

Peter Capaldi’s character of the Thinker felt underused.

The Suicide Squad wasn’t shy in its criticism of American foreign policy, particularly the way the United States can be selective when it comes to favouring liberty and human rights. There were echoes of American policies toward Cuba and nations in Central America in its portrayal of Corto Maltese, as well as the United States’ general policy of supporting “pro-American” dictators all over the world.

These themes have been explored better and in more detail in other films, and while their inclusion in The Suicide Squad wasn’t necessarily bad, it didn’t exactly make for biting satire either. Nor was it particularly original; the political themes present in the narrative had things to say that have already been said both in entertainment and non-fiction on many other occasions, and the film added nothing to this conversation that hasn’t already been discussed and dissected in many other projects. In that sense, the political stuff was a bit unnecessary. It added little to the film except to elevate the ambiguous morality of Viola Davis’ character of Waller, the leader of the suicide squad programme.

The political themes didn’t really add a lot to the film, and similar criticisms of American policies have been done better in other titles.

Seeing Waller get her comeuppance from members of her own team was satisfying, and perhaps this was the best-executed moment on that side of the film. Waller had been presented as ruthless in the first Suicide Squad, but on this occasion we saw her team grow increasingly uncomfortable with the way she handled the squad and their mission, culminating in her getting wacked on the head. It was definitely a satisfying moment, but as with a couple of other storylines it feels as though there was no real resolution to what happened between Waller and her team.

Even the post-credits scene, which revealed that the Peacemaker survived, didn’t see Waller getting her own back or even interacting with her team in any way. After being knocked unconscious she never says another word on screen to any of them, and that conflict, which had been expertly built up in a number of sequences across the film, feels like it reached its climax then fizzled out. Perhaps it’s something else to be addressed in a sequel?

Perhaps a future sequel plans to look at the conflict between Waller and her team in more detail?

The Starfish alien, which was the reason for the story, was definitely one of the weirder villains I’ve seen in any comic book film to date. It was familiar enough to not be frightening in its appearance, yet it was also eerie in the way it moved. The face-hugging smaller starfish were like something right out of sci-fi horror classic Alien, but despite being unoriginal were still intimidating enough at first to seem to offer a degree of threat.

The fact that the suicide squad themselves were so easily able to fight off the smaller, mind-controlling starfish was poor, though. I’ve said this before, but the concept of a zombie virus, Borg assimilation, or anything else that can control minds and turn allies into enemies is deeply frightening; the thought of losing control of one’s body is, for many folks, a fate worse than death. Yet when it really could’ve mattered, The Suicide Squad wasted this concept. The only characters we saw get caught by the face-huggers were nameless goons (and one villain). As a result, the Starfish alien lost its only genuinely threatening aspect pretty quickly.

The smaller mind-controlling starfish only seemed to harm minor characters and extras.

It was still a giant monster to fight, and the squad had trouble taking it down. Because of the name of the film there was a sense that any of them could’ve been in danger, yet as noted only one character ended up being killed off during this climactic final battle. I had become somewhat attached to the likes of King Shark and Ratcatcher 2 (and the adorable Sebastian the rat) so on the one hand I’m glad that they all made it. On the other, it feels as though there could’ve been more casualties.

A film called The Suicide Squad and which sets up the premise of a forlorn hope type of mission seems like it should’ve ended with more casualties. Even one of the characters who appeared dead – Peacemaker – was later revealed to have survived, so at least part of the film’s premise doesn’t feel fulfilled. Though losing a protagonist is almost never fun, in some stories it feels right – and The Suicide Squad was certainly a story that could’ve seen more of its protagonists fail to make it home.

The main characters (bar one) survived to the end of the film.

Other superhero films using a team-up premise often set up at least some of their characters beforehand. As a result we know going in what to expect from them. In the case of The Suicide Squad, one negative point against the film is that none of the characters really felt like villains. We didn’t know any of them (except Margot Robbie’s Harley Quinn) before the film started, and though we heard from Waller and others that some of them had done bad things in the past, that never really came across on screen; none of them felt like bad people.

To me, this chips away at the premise of The Suicide Squad. It wanted to throw anti-heroes at a far worse villain, allowing us as the audience to feel like they were redeemable and not all bad. Yet because of the way the film started and the way the characters were introduced, none of them ever really felt like bad people or even people who deserved to be imprisoned. Perhaps if we’d seen for ourselves a montage of some of their worst moments earlier in the film that sense could’ve been present, and the moral ambiguity it would’ve brought to the film might’ve elevated it into something more complex. Instead we were given that fake-out sequence with the suicide squad B-team.

The titular suicide squad – and friends.

Overall, I had a good time with The Suicide Squad. It wasn’t the perfect film by any means, but it was funny when it wanted to be, it leaned into its over-the-top storyline in a way that was in keeping with its comic book origins, and featured a couple of truly outstanding emotional performances that I wasn’t expecting.

Though DC continues to struggle and not really know what kind of films they want to make, I would say they should try to make more like this one! It was everything I expected from a comic book film, and thanks to the emotional performances of a couple of its main characters, maybe even managed to be something more. There were some visual misses, some underdeveloped characters, and a childish storyline featuring a weird alien, but under that fluff I found a decent action-comedy that I decidedly enjoyed.

The Suicide Squad is currently available to stream on HBO Max in the United States. The Suicide Squad is the copyright of DC Films and/or Warner Bros. Pictures. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What might we watch and play in 2021?

Happy New Year! As we put the calamitous 2020 behind us, let’s look ahead to some of the entertainment experiences we might enjoy between now and Christmas. There’s only 51 weeks till the big day, you know. Better start your Christmas shopping!

The effects of 2020’s disruption are still being felt, and while we should hopefully see a return to normalcy slowly building over the next few months, there will undoubtedly be changes to come. From my point of view as a Trekkie, the big question is this: how much Star Trek will we get this year? After 2020 saw the release of three different Star Trek projects, it’s not inconceivable that the only episode we’ll see in 2021 will be next week’s finale of Star Trek: Discovery Season 3!

We do know, at least, that some big projects still intend to release this year. Let’s look at a few – in no particular order.


The pandemic has not magically gone away with the arrival of the new year, and many cinemas look set to remain closed in the weeks ahead. The distribution of vaccines will be key to their re-opening, and thus to the release of at least some big films. However, there have been plans announced to bring some of 2021’s big releases to streaming platforms – either instead of or in addition to a theatrical release. How well this will work, and whether many of these plans go ahead if the pandemic is brought under control is up in the air right now – but it remains a possibility.

Number 1:

The latest adaptation of Dune is the first part of a duology, and was originally supposed to be released in 2020. Of course that couldn’t happen, and Dune is now set for a December release, and will supposedly come to HBO Max at the same time. Though the story has been notoriously difficult to adapt, this version has a huge budget, a stellar cast, and what look like wonderful visual effects based on the trailer. It feels like a film with great potential, and I’m eagerly awaiting its release.

Number 2:
No Time To Die

The latest Bond film – which is set to be Daniel Craig’s final outing as 007 – has been delayed by over a year. It was originally scheduled for an April 2020 release, but that has been pushed back to April 2021. There are no current plans to bring the film to streaming, and as it’s supposedly the most expensive Bond film of all time, perhaps that makes sense. April feels optimistic, but we’ll see how things go! Regardless, I’ve always enjoyed the Bond franchise, and it’ll be interesting to see what happens as this chapter of the 007 cinematic saga draws to a close.

Number 3:
Jungle Cruise

I love Disney World and the other Disney theme parks! When I heard that the House of Mouse was planning to make a film based on their Pirates of the Caribbean ride in the early 2000s I thought it sounded like a terrible idea – yet Pirates of the Caribbean: The Curse of the Black Pearl was an incredibly fun film with heart. Jungle Cruise is likewise based on a Disney World/Disneyland ride, one which, if memory serves, is cute and action-packed! The film adaptation will have to try hard to retain at least some elements of what makes the ride enjoyable, but if it can succeed it could grow to become an ongoing series like Pirates of the Caribbean.

Number 4:
The Matrix 4

As I said last time, I really don’t know where The Matrix 4 could possibly take the story of the series. However, I’m still fascinated to find out! This will be our first time back in this setting since 2003’s The Matrix Revolutions, and I’m sure a lot of fans are excited and nervous in equal measure. The idea of the world being artificial was somewhat of a novelty for the big screen when The Matrix did it in 1999, but we’ve since seen other takes on the concept. Will it stick to the late-90s/early-00s aesthetic for scenes set in the simulated world? Will there even be a simulated world if humanity broke free? We’ll soon find out.

Number 5:
Raya and the Last Dragon

After Disney saw success with the Polynesian-themed Moana, they have turned to Southeast Asia for inspiration for Raya and the Last Dragon. Kelly Marie Tran will voice the titular Raya, and Disney animated films have always been worth watching so I’m expecting an enjoyable film. Disney appears to be going through somewhat of a second renaissance in the aftermath of Frozen’s huge success in 2013, and hopefully this will be a continuation of that. I’m also rooting for Kelly Marie Tran after the awful treatment she had to endure at the hands of some so-called “fans” of Star Wars. Raya and the Last Dragon will take the approach pioneered by Mulan and be released on Disney+ for a fee.

Number 6:
The Suicide Squad

2016’s Suicide Squad won an Academy Award. Just in case you forgot! Was it an outstanding cinematic triumph that I’m happy to rewatch time and again? Not exactly, but it was a decent action-packed blockbuster that was an okay way to kill a couple of hours. And that’s what I expect from this direct sequel – nothing groundbreaking, but a solid film with some cute comic book elements.

Number 7:
The King’s Man

Kingsman was a surprisingly fun film when it was released in 2014, and the third entry in the series is a prequel. The King’s Man looks set to examine the outlandish spy organisation’s past and possibly its origins, as well as throw together another action-comedy that takes inspiration from the likes of James Bond. I think that sounds like fun! The King’s Man will feature some pretty big names, including Ralph Finnes, Charles Dance, and Rhys Ifans.

Number 8:

Films based on video games have not often performed well. Though some have become cult classics in their own right, most films adapted from video games have not been successful. Will Uncharted be any different? The project has been in development for a long time and seen many behind-the-scenes changes, but having settled on a script and director, Tom Holland was cast in the role of Nathan Drake. At the very least there’s potential for a summer popcorn flick; a blockbuster adventure film. Whether it will succeed at becoming “the new Indiana Jones” is up for debate – but maybe!

Number 9:
Death on the Nile

2017’s Murder on the Orient Express was great fun, and Death on the Nile is a sequel of sorts. Adapted from a 1937 novel by famed murder-mystery author Agatha Christie, Kenneth Branagh both directs and stars in the picture as detective Hercule Poirot. The cast list reads like a who’s who of British and international stars, including Jennifer Saunders, Rose Leslie, Russell Brand, and Gal Gadot. If you’re familiar with the book or one of the two earlier adaptations the ending will no doubt be known – but that doesn’t mean the journey there won’t be mysterious and thrilling!

Number 10:
Free Guy

Free Guy is about a non-player character in an open world video game who becomes sentient and tries to escape the game. And he’s played by Ryan Reynolds. Are you sold yet? Because that premise (and casting choice) was all it took to hook me in and decide that Free Guy would be worth a look! It sounds like fun, and Reynolds has great comedic timing as we’ve seen with titles like Deadpool. At the very least it’s a unique premise for a film, and one that seems like it could be really funny.


With two new consoles barely a month old, both Sony and Microsoft will surely make moves to shore up their player bases this year. There are some titles on the schedule that look absolutely fantastic, and while the release of many of these on what is now last generation’s hardware will mean we won’t see the full power of the next-gen machines just yet, we should begin to see some improvements in what games are capable of. I better get on with upgrading my PC!

Number 1:
Mass Effect: Legendary Edition

Rumours swirled for much of last year of an impending Mass Effect trilogy remaster, and the project was finally announced a few weeks ago. Despite its controversial ending, the three games tell a deep and engaging story in a unique sci-fi setting, and were great fun during the Xbox 360 era. Has enough time passed to make updating the trilogy worthwhile? Mass Effect 3 was only released eight years ago, after all. And will the remaster do everything needed to bring these games up-to-date? With Mass Effect 4 on the distant horizon, it will have to! I’m cautiously interested in this one – it could be wonderful to replay these games, but as we’ve seen with some recent remasters, not every company manages to hit a home run when it comes to updating a beloved title.

Number 2:
Lego Star Wars: The Skywalker Saga

Though I didn’t have time to review it before Christmas, The Lego Star Wars Holiday Special was great fun over on Disney+. I had hoped to see Lego Star Wars: The Skywalker Saga last year, but it got pushed back and is currently due for release in “early 2021” – whatever that may mean! The first couple of Lego Star Wars games, which were released in the mid-2000s, were really great fun, and I’ve been looking forward to the latest bricky reimagining of the Star Wars saga since it was announced. Lego games have never tried to take themselves seriously, and the end result has always been titles which are just a lot of fun.

Number 3:
The Lord of the Rings: Gollum

What could a game starring Gollum possibly bring to the table? I have absolutely no idea! But games – and stories in general – focusing on an antihero can be wonderful, so I’m very curious to find out. It’s also great to see another big single-player title given the glut of live services and always-online multiplayer games. I’m a fan of Middle-earth and the world Tolkien built, so hopefully this game will be a fun return to that setting. Taking on the role of Gollum will offer a different look at Middle-earth, and whether it focuses on the main story from the books or not, has the potential to be fascinating.

Number 4:
Skull & Bones

Assassin’s Creed IV: Black Flag demonstrated that there’s still a lot of appeal in pirate-themed titles. Skull & Bones wasn’t something I was especially interested in at first, but upon learning it will feature a single-player campaign I was happy to add it to the list. It seems to be a game that will deal with the naval combat side of things, and as long as it can really nail ship-to-ship combat within its game engine it should at least be a solid title. Naval games are relatively rare in the combat/strategy/action genres, so perhaps Skull & Bones will offer something a little different.

Number 5:

Outriders was one of the first next-gen games that reviewers really had a chance to get to grips with before the launch of the PlayStation 5 and Xbox Series X. The consensus was that it seems like a fun third-person shooter, even if it wasn’t quite as “next-gen feeling” as some had hoped. Regardless, Outriders has continued its development and will be released this year. The basic premise feels like a mix of sci-fi and superhero comics, and at the very least it’s a brand-new setting at a time when a lot of studios are focused on sequels and franchises.

Number 6:
GhostWire: Tokyo

I honestly don’t know what to expect from GhostWire: Tokyo. It’s a game shrouded in mystery! One thing we know for sure is that it will feature a supernatural storyline, and that alone sounds like it has potential. A teaser trailer released last year didn’t show much, but we know that the game will draw on Japanese mythology and will be a first-person action-adventure game with some supernatural horror elements. It might be wonderful… or it might not be my thing! We’ll have to wait and see.

Number 7:
Diablo IV

After disappointing fans with Diablo Immortal, and then messing up with the controversy around their decision to censor a professional player who supported the protests in Hong Kong, it’s not unfair to say that there’s a lot riding on Diablo IV for Blizzard’s reputation. Early indications are that the dungeon-crawler looks good, and could be a return to form. Diablo III had issues at launch, so this is very much one to take a “wait-and-see” approach with, but if the studio can recreate the magic of older titles then Diablo IV should offer a fun experience.

Number 8:
Super Mario 3D World + Bowser’s Fury

My most recent foray into Mario’s 3D adventures was underwhelming, as Super Mario 3D All-Stars was not actually all that great. However, Super Mario 3D World + Bowser’s Fury might be! The base game was released on the Wii U, but Bowser’s Fury is something altogether new. How substantial it will be remains to be seen, but taken as a whole the package seems to offer good value. I love the cat suits introduced in Super Mario 3D World, they’re cute and add a different element to Mario and the gang’s 3D adventures.

Number 9:

Humankind initially attracted me because of how similar it looks to Civilization VI – one of my most-played games of the 2010s. But there’s more to it than that, and the concept of creating a unique civilisation by combining different historical empires and cultures is, at the very least, innovative. I love a good strategy game, and Humankind could be a big time-sink for me this year – if it can deliver on some pretty big ambitions!


After 2020 saw major disruption to cinema, 2021 could be television’s turn. Though shielded from the brunt of the pandemic, a number of television shows planned for 2021 have seen major delays to production. Despite that, there are still plenty of options on the horizon, including some that look absolutely phenomenal.

Number 1:
Zack Snyder’s Justice League

I can’t actually remember if Justice League is one of the DC films I’ve seen or not. If you’re a regular around here, you’ll know I’m not a big comic book fan generally speaking. And it’s not unfair to say that DC is the lesser of the two comic book powerhouses right now! I honestly did not expect the so-called “Snyder cut” of Justice League to ever see the light of day, but after a campaign by fans the film will be released – as a four-part miniseries on HBO Max. I’m at least somewhat interested to see what all the fuss is about!

Number 2:
Star Trek: Prodigy

After Lower Decks took the Star Trek franchise in a different – and very funny – direction in 2020, I’m curious to see what Prodigy will bring to the table. Some shows made for kids can actually tell very meaningful and interesting stories, and it’s my hope that Prodigy will manage to offer at least something to Trekkies beyond its target audience. The addition of Kate Mulgrew to the cast – reprising her role as Captain/Admiral Janeway – is tantalising too, and although that’s about all we know at this stage, the series aims to have a 2021 release. That could be pushed back, but fingers crossed we’ll see Prodigy some time soon.

Number 3:
Amazon’s Lord of the Rings series

Despite not having so much as a title, Amazon’s Lord of the Rings series has been targeting a 2021 release. It seems certain that, if this is to happen, it will have to be later in the year; filming is still ongoing at time of writing. However, a return to the land of Middle-earth is truly an exciting prospect, as is a look at the setting away from most of the characters we remember. The series will take place thousands of years before The Hobbit and The Lord of the Rings, so there’s the potential to tell some very different fantasy stories in Tolkien’s world.

Number 4:
Station Eleven

Based on a 2014 novel of the same name, Station Eleven is a post-apocalyptic drama set after the world has been devastated by a pandemic. Timely, right? Though filming began in early 2020 the series is still being worked on, but could finally see the light of day on HBO Max at some point this year. It feels like a project that, simply due to bad timing, may be controversial – but that could simply increase its appeal! Regardless, I’ll be keeping an eye out for it.

Number 5:

Isaac Asimov is one of the grandfathers of science fiction. Whether his work will translate well from page to screen is an open question… but one I’m very curious to see answered. This adaptation of Asimov’s Foundation series will star Jared Harris, an absolutely incredible actor you might recall from 2019’s Chernobyl. It’s being produced for Apple TV+ as one of their first big-budget productions – or at least, the first one I’ve come to care about. 2021 looks set to be a big year for some of these second-tier streaming services!

Number 6:
Star Trek: Lower Decks

Lower Decks has finally secured an international broadcast agreement, more than five months after its first season premiered for viewers in North America. That’s good news, because a second season is already in development and will be able to be shared by fans around the world when it’s ready. Season 1 ended with some surprising twists for an animated comedy, and it remains to be seen what the end result of those storylines will be for our young ensigns aboard the USS Cerritos. Lower Decks took a few episodes to really hit its stride – and there were some missteps along the way – but for my money it’s up there with the best animated comedies of recent years, and I hope that the combination of its international debut and second season will see the show get the admiration it warrants.

Number 7:
The Expanse

I haven’t yet sat down to watch Season 5 of The Expanse, which premiered last month on Amazon Prime Video. However, the first four seasons were outstanding, and Season 6 is set to be the show’s last. Hopefully it will go out on a high! The Expanse is a wonderful science fiction series, one which has tried to take a more realistic look at the dangers of space travel and alien life. Many sci-fi stories treat these elements almost as mundane, yet The Expanse approached them with wide-eyed wonder, making things like accelerating a spacecraft integral parts of its story. It’s a wonderful series, and its final season should be explosive, entertaining, and ever so slightly sad as we bid it a fond farewell.

Number 8:
The Witcher

I half-expected to see the second season of Netflix’s The Witcher last year, but for whatever reason the streaming powerhouse is taking its time. Henry Cavill was great in the title role in Season 1, and hopefully the second season will keep up the high quality. I always appreciate a new fantasy series, and while the show owes its existence to the popular video games, it’s distinct from them at the same time, drawing more on the original book series for inspiration. Its return to our screens – which may not be until later in the year – is highly anticipated!

Number 9:
Star Wars: Andor

I wasn’t exactly wild about the recent announcements of upcoming Star Wars projects. As I wrote at the time: “spin-offs to spin-offs and the increasingly minor characters given starring roles is indicative of a franchise out of ideas.” Part of that criticism was aimed at Andor, the series which will focus on Rogue One’s Cassian Andor. However, on its own merit the show – which bills itself as a “spy thriller” – may very well be decent, and I’m cautiously interested to see what Disney and Lucasfilm bring to the table. Rogue One was certainly one of the better offerings since Disney began producing Star Wars projects, so maybe Andor will surprise me and tell some genuinely different stories in the Star Wars galaxy.

Number 10:

Alex Kurtzman’s latest project for ViacomCBS will focus on Clarice Starling – the FBI agent introduced in Silence of the Lambs. How well will a show about Clarice work without Hannibal Lecter? Well that’s an open question, quite frankly, because as far as we know, complicated licensing and rights agreements mean Dr Lecter can’t appear. The show is being pitched as horror, though, following Agent Starling as she investigates sexual crimes in the aftermath of the events of Silence of the Lambs. It certainly has potential!

So that’s it.

You may have noticed some exclusions – notably Star Trek: Picard, Star Trek: Discovery, and Star Trek: Strange New Worlds. While all three are in pre-production for their upcoming seasons, none have been confirmed for 2021 at this juncture. Given the state of the world and how badly production has been impacted, while I remain hopeful that at least one live-action Star Trek show will make it to air, it’s entirely plausible that none will. That’s why they didn’t feature on the list.

If all goes well, 2021 should be a good year for entertainment. I see a lot of projects in film, gaming, and television that have the potential to tell wonderful, engaging stories. If lockdowns and quarantines remain in place – where I live in the UK restrictions just got a lot tougher – then we’ll need all the distractions we can get!

Mark your diary for some upcoming releases!

The year ahead is unpredictable, and it’s possible that some of the projects I’m excited for won’t make it to release – or will end up being less enjoyable than expected. But on the flip side, there are undoubtedly films, games, and television shows waiting in the wings to surprise me; titles that didn’t make this list that I will come to greatly enjoy as the year rolls on. There were several wonderful surprises in 2020 that, had you asked me in January of last year, were not even on my radar. The same will perhaps happen this year too!

With everything going on in the world, having something to look forward to is important. Even if all you can think of that excites or interests you is a television show or video game, that’s okay. It gives you something to hang on to; light at the end of the tunnel. I wish you a very Happy New Year, and all the best for 2021.

All titles listed above are the copyright of their respective company, studio, developer, publisher, broadcaster, distributor, etc. Some promotional artwork and images courtesy of IGDB. Stock photos courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.