The Rings of Power: first impressions

Spoiler Warning: There are spoilers ahead for The Lord of the Rings: The Rings of Power. Spoilers are also present for The Lord of the Rings, The Hobbit, The Silmarillion, and other J.R.R. Tolkien works.

The Rings of Power – or to give it its full, clumsy title: The Lord of the Rings: The Rings of Power – got underway yesterday on Amazon Prime Video. As one of the shows I’d been most interested in all year, I tuned in almost as soon as the opening pair of episodes were available, curious to see what Amazon’s sky-high budget and years of planning could bring to the high fantasy genre.

For me, and doubtless for many other viewers as well, The Rings of Power simply cannot escape three massive sets of expectations. Firstly, the show has a legacy to live up to in the form of The Lord of the Rings film trilogy. Secondly, as the first-ever “billion dollar” television show, The Rings of Power must demonstrate an ability to go above and beyond pretty much anything else present on the small screen. And finally, there are inevitable comparisons with the show that set the bar for multi-season serialised high fantasy television shows: Game of Thrones. I think it isn’t unfair to say that there hasn’t been a television project in a generation that finds itself under so much pressure to deliver.

Galadriel and Gil-Galad on a promotional poster for The Rings of Power.

As we discussed back in February when I previewed the series, some viewers have taken to pre-judging The Rings of Power. Partly there seems to be a bloody-mindedness in hoping that Amazon would fail, and there were definitely racially-motivated criticisms of some of the casting choices – something that’s been incredibly disappointing to see. But there are also some genuine concerns: could the series possibly live up to the legacies of one of the most successful film trilogies and one of the most influential television shows of the past twenty years? How would it fit in with the “established lore” of Tolkien’s Middle-earth? And more fundamentally, is there even a story here that’s worth telling?

Some folks seem to have arrived at their answers to these questions already, deciding that The Rings of Power is going to be irredeemably awful and taking to social media at every opportunity to denounce it to anyone who’d listen. In the past couple of days the show has even been subjected to a degree of review-bombing. But speaking for myself, I wanted to see The Rings of Power before rushing to judgement. While two episodes of an eight-episode season aren’t enough to paint a full picture, I feel like I can at least share my first impressions of the series with you today.

The Rings of Power has finally arrived.

I liked The Rings of Power. The acting performances were solid, the visual effects were competent, its aesthetic style harkened back to The Lord of the Rings films, and when the story got going it held my attention well enough that two episodes passed by in what felt like a matter of moments. As the credits rolled on the second episode, Adrift, I felt myself curiously interested to see what happens next.

The two-part premiere did a decent job at introducing us to what seems to be the primary characters whose stories The Rings of Power intends to follow. One of my criticisms of Game of Thrones back in 2011 was actually how dense its first few episodes felt; had I not binge-watched Season 1 I may actually have stopped watching the series, as keeping track of so many characters and storylines was pretty confusing. In that sense, The Rings of Power did a good job not to overwhelm viewers with too much all at once.

Lenny Henry as Sadoc, one of the Harfoots.

So I felt that The Rings of Power got off to a good start – but perhaps not a spectacular one. After two episodes, the show feels like it’s trying to play it safe; I didn’t note much by way of risk-taking that could take a decent, competent series and elevate it to the kind of phenomenon that The Lord of the Rings films or Game of Thrones became. By sticking relatively close to the visual style established by The Lord of the Rings, for example, The Rings of Power has tried to both find a ready-made identity and pluck at the nostalgic strings that its producers hope will bring in viewers in droves. But by re-using this aesthetic style, The Rings of Power has surrendered its opportunity to construct its own identity.

It’s also worth talking about the story framework that we saw in the premiere. The trope of a hero who finds evidence of an impending threat or disaster, only to be ignored by their superiors, may have been brand-new when Tolkien was writing in the first half of the twentieth century, but it doesn’t exactly make for a groundbreaking or unique story in 2022. Yet this is the outline of both Galadriel’s story with the Elves and, to an extent, Bronwyn’s story in the Southlands. A common trope like this doesn’t necessarily make for the strongest introduction to a new story.

Galadriel found herself opposed by Elrond and other Elves, despite presenting them with evidence of Sauron’s survival.

Though The Rings of Power did a solid job at introducing us to its main characters, there were definitely moments where I felt some background knowledge of Tolkien’s works was something that the series expected from its audience. These mainly concerned elements of backstory – who the villainous Morgoth is, what a Silmaril is, the relationship between factions like the Elves, Men, and Dwarves, and how Sauron fits into the story of a conflict between the peoples of Middle-earth and Morgoth. A very brief sequence at the beginning glossed over some of these points, but not in sufficient depth that a newcomer to the world of Middle-earth would find them easily understandable.

In terms of laying out the world of The Rings of Power, though, I felt that the series did a good job. After two episodes I feel that I understand who lives where, where locations are in relation to one another, and the layout of the world and the primary locations we’ve visited so far. The relatively simple construction of a map, shown on screen for no more than a few seconds at a time, actually ended up being a very effective tool for communicating these things, and I felt it worked well. The seamless transition from the map to the sea at one point was also a neat effect.

The inclusion of a map was a simple but effective visual tool.

Sticking with visual effects, there weren’t many in the first two episodes that I felt were sub-par. There were a few moments where the blending of real actors and sets with CGI backgrounds wasn’t entirely perfect, but those issues can be noticeable even in big-budget productions, and none of those handful of moments really pulled me out of the immersion. I’d particularly call attention to the “falling star” seen in A Shadow of the Past as one of the better CGI creations; it really managed to feel like a meteor of some kind was hurtling toward Middle-earth.

If I were to nitpick, I’d say that perhaps the physical fake snow used in the first part of A Shadow of the Past wasn’t particularly impressive, managing to have the same flat, non-reflective look of similar set dressings that have been in use for decades. The CGI snow used elsewhere in these sequences looked decent, but when Galadriel and her team were seen up close, there was a noticeable difference in texture. Otherwise, physical props and costumes used throughout the first pair of episodes were solid.

A closer look at the fake snow used in the season premiere.

One of the most interesting props is the darkly enchanted sword hilt that Theo uncovered. It’s fascinating from a story point of view, of course, and may well belong to Sauron or one of his most-important minions. But it manages to look fantastic on screen, too – a dark, intimidating design that seems to harken back to the image of Sauron in full armour from The Lord of the Rings films.

Speaking of harkening back to The Lord of the Rings: surely I’m not the only one who noticed that Halbrand actor Charlie Vickers was doing an almost over-the-top impersonation of Viggo Mortensen’s Aragorn as he made his first appearance! The way his hair was styled, the way he held himself, and even the way he opened his mouth all felt like they had been carefully choreographed to mimic that iconic portrayal. Halbrand is not a canonical character from Tolkien’s works, and the aforementioned mimicry could be a deliberate red herring, but part of me thinks we’re going to learn that this character has some kind of connection to Aragorn in the episodes ahead!

Halbrand channelling his inner Aragorn…

Some of the battle and post-battle scenes early in the season premiere carried a very strong First World War influence, and I have to assume that was done deliberately. Tolkien was himself a veteran of that conflict, and its influence can be felt in the massive scale of the wars and battles that he created for The Lord of the Rings in particular. This level of destruction, with battlefields reduced to mud, trees stripped of all of their branches, and huge piles of bodies, also succeeded at communicating the scale of the Elves’ conflict against Morgoth and Sauron in a relatively short sequence that didn’t have time to go into a lot of detail, so as an effect it worked well.

Even a century on from the First World War, the way its battlefields looked is still seared into the minds of many people here in the west, and The Rings of Power took advantage of this to use a familiar visual cue to communicate, in a short sequence, just how destructive and devastating this war was as it set the stage for the story to follow.

Galadriel stands on a battlefield that feels reminiscent of the First World War.

A good television soundtrack is unobtrusive. It subtly tells audiences what emotional state certain characters are in, whether danger is just around the corner, or fills an otherwise-awkward gap during silent moments. While a theme tune can become iconic, the soundtrack of episodes themselves should be a relatively toned-down affair. The Rings of Power didn’t get this right, in my view, bringing an incredibly dominating soundtrack that, at several critically-important moments, seemed to hit levels rarely seen outside of soap operas.

The old-fashioned, heavy soundtrack came booming in during several crucial scenes, drawing attention away from the characters and the action instead of backing it up. This is obviously the opposite of what a good soundtrack should be doing, and there are criticisms of both the composition and the sound mixing in both of the first two episodes that I really shouldn’t be needing to make. When we’re at this level, these are some of the basic competencies that a television production should be pulling off flawlessly without even thinking.

One of the moments between Bronwyn and Arondir had music that was, for me at least, too heavy and intrusive.

I’m not a Tolkien super-fan, so I can’t be sure whether some of the dialogue in The Rings of Power has been lifted directly from works like The Silmarillion. But what I would say is that much of the language used in the first two episodes, particularly in scenes featuring the Elves, was very flowery and old-fashioned, as if it had been written decades ago. That was almost certainly intentional, perhaps to tie in with Tolkien’s own writing style or perhaps to give The Rings of Power a “classiness” or even just to distinguish it from other modern shows. However, the effectiveness of this kind of flowery, old-fashioned language is very much a subjective thing, and how well it will work isn’t exactly clear at this early stage.

Some of the lines of dialogue in the first two episodes felt scripted and clumsy – partly as a result of this choice of language – and while I didn’t feel knocked out of my immersion once I got used to it, it was definitely something that took a little getting used to. In any work of fantasy, actors have to work hard to make strange and unusual words and phrases seem normal, but that really isn’t the issue in this case. I can easily accept conversations about warp cores in Star Trek or dragons in Game of Thrones, but here in The Rings of Power, choices as far back as the scriptwriting stage made otherwise innocuous or basic conversations feel almost stilted, as if the production itself, despite its modern visual style and impressive CGI work, was from a much earlier era. For some fans, that’ll make The Rings of Power feel even better. For others… I think it has the potential to detract from the story.

There were several clunky or unnatural-sounding lines of dialogue in the opening two episodes.

As I said, though, once my ears had acclimatised to this way of speaking I didn’t feel it was horribly awkward – but it’s worth noting that, at least for me, it was something that took some getting used to before I could fully immerse myself in Middle-earth. Perhaps I should’ve re-watched The Lord of the Rings before watching The Rings of Power, because now I can’t really remember whether this issue of flowery, old-fashioned language was present to the same degree. I don’t remember it ever being a problem, and I regard that trilogy as one of the best ever brought to screen. But it would be interesting to take a look and compare!

So let’s talk story. Although I find myself curiously interested to see where The Rings of Power goes next and how it will weave its disparate narrative threads together, I don’t feel absolutely gripped by the story after the first two episodes. I’m not desperately awaiting next Friday in the way I can be for new episodes of Star Trek, or in the way I was for Game of Thrones or even shows like Lost.

The Elves of Lindon.

I think partly this is because of the “prequel problem” that I’ve talked about here on the website on more than one occasion. In short, we know where these characters will go and what the ultimate outcome of this story will be. There’s no real sense that Galadriel will ever be in serious danger – because we know she survives for another four thousand years after the events of The Rings of Power. While the series is doing its own thing to an extent by introducing new characters and telling its own story, it’s also billing itself as being firmly set in the world of The Lord of the Rings – heck, that’s the first part of the show’s title. So given that we know the story of The Lord of the Rings and how characters like Elrond, Galadriel, and Sauron fit into it, it’s difficult for The Rings of Power to really reach out and grab me in the same way as a new story with an unknown outcome could.

When we look at The Silmarillion and other Middle-earth books set millennia before The Lord of the Rings, one of the key points is that the characters involved don’t know who Sauron is, whether he’s still around, whether he can come back, etc. But as the audience watching The Rings of Power, we know how this ends: Sauron returns, raises an army, and it takes an alliance of Men, Elves, and Dwarves to defeat him on the slopes of Mount Doom – as seen in the introduction to the film version of The Fellowship of the Ring. Knowing what’s coming robs a story like this of at least some of the tension and excitement, and while it can still be fun to see how the characters arrive at their ending points, we know the destination.

Sauron’s presence looms large over the story.

Even someone like me – and I’m no super-fan of Tolkien by any stretch – knows the basic outline of the story of Sauron’s rise and fall in this era, and just like other famous prequels have struggled to keep up the tension and excitement, I feel that the same issue is already hampering The Rings of Power – at least to an extent. The fates of characters like Nori, Bronwyn, Arondir, and Halbrand are definitely up in the air and ripe for exploration, and I’m absolutely interested to see what comes next for them. But characters like Galadriel, Elrond, Celebrimbor, Durin, and Gil-Galad have their futures written.

Overall, though, the first pair of episodes did a good job at setting up this idea of a slowly-awakening evil; a gathering storm. We saw the slow build-up to the discovery of Sauron’s survival through Galadriel’s eyes, then saw how the Southlands are slowly being corrupted and attacked by Orcs in the stories of Bronwyn and Arondir. The proto-Hobbit Harfoots also had comments to make on the unusual goings-on in Middle-earth, and of course were present for the “falling star” that brought a character currently known as the Stranger into the story. The idea that the world is on the edge of some drastic changes, and that the ruling Elves are oblivious or perhaps wilfully blind to these problems was well-established and conveyed through these different storylines. The latter part – leaders ignoring or trying to downplay serious problems – feels rather timely at the moment, too!

The “shooting star.”

I definitely felt Galadriel’s frustration at being dismissed by Elrond and Gil-Galad, and I think that’s a testament to some strong performances from Morfydd Clark, Robert Aramayo, and Benjamin Walker. Though I called this setup a trope earlier, there’s no denying that it works in this context. The aloof presentation of the High Elves gives their leaders an arrogance that absolutely succeeded at getting me firmly on Galadriel’s side. While again this isn’t something that can be said to be unique to The Rings of Power (look at how the Vulcans are portrayed in Star Trek: Enterprise, for instance) it was pitch-perfect in the way it was deployed.

The sequences at sea with Galadriel, Halbrand, and (briefly) Halbrand’s companions were among the best in the premiere. I’m not certain how or where this was filmed, but the water was so incredibly realistic, managing to look like deep ocean instead of a shallow sea or pool – and this one visual cue did so much to ramp up the tension as the duo survived an attack by a sea monster. The dark water felt dangerous, not only because of what it was hiding but because deep water like that is usually only seen far from land. Look at how films like The Bounty use this same deep water effect to signal how isolated and far from safety characters are; The Rings of Power really did a great job here.

Galadriel and Halbarad’s raft.

And these scenes with Halbrand and Galadriel also took the story in somewhat of a different direction. Galadriel’s choice to swim back to Middle-earth could have been a simple one, perhaps even one that was resolved off-screen, but putting her in this “shipwrecked” situation was a definite change of pace for a character who had been on a mission.

The Harfoots’ camp recaptured at least some of the idealised, pastoral feel of the Shire in The Hobbit and The Lord of the Rings. Showing how the Harfoots live in a temporary camp, migrating with the seasons, was a neat addition that made it feel even older, somehow – like some depictions of Native Americans prior to European colonisation.

The Harfoots’ encampment.

Within that framework we got the traditionalist Harfoots to contrast with the more adventurous Nori; her story was set up well enough by leading some of the camp’s children to a berry bush, but I didn’t feel that the danger posed by a wolf was properly paid off – though I suppose it’s something that could be revisited in later episodes, the wolf’s presence was very brief and although it did feel like a threat to the diminutive Harfoots, it seemed to be rushed past and quickly forgotten by a story that had other priorities.

Nori’s relationship with the Stranger is still something that The Rings of Power is building up – beautifully, in my view. Her care for this mysterious giant who fell from the sky humanises her and takes her from being a somewhat rebellious child to someone that I’m sure we’ll be able to get behind as the story progresses. Although I’m sure there’s a lot of speculation as to the identity of the Stranger, I felt that the impact crater and fire seemed to resemble an eye – and a flaming eye definitely carries with it memories of a certain Dark Lord!

Am I overreaching, or does this look like “a lidless eye wreathed in flame” to you?

Of all the settings we’ve seen so far in The Rings of Power, none felt quite so familiar as the Dwarves’ mountain home of Khazad-dûm. We’d spent a lot of time with Dwarven mines in The Lord of the Rings and particularly in The Hobbit trilogy, and The Rings of Power seems to borrow heavily from those projects in practically every way. From the design of the Dwarves themselves all the way to the aesthetic of their subterranean kingdom, The Rings of Power really succeeded at recapturing how the Dwarves have been presented in the past.

It was also in Khazad-dûm that I felt The Rings of Power beginning some of its more delicate and character-driven storylines. Stories focusing on Arondir and Galadriel feel epic in scale because of their focus on this growing darkness and the impact it will have on Middle-earth, but the conflict between Elrond and Prince Durin brought The Rings of Power back down to an understandable level. Durin was upset that Elrond, a long-lived Elf, had simply disappeared from his life for such a long time – and it took Elrond a moment to fully grasp that. For me at least, this became one of the best and certainly most-relatable storylines in the opening pair of episodes.

Elrond and Durin’s falling-out went a long way to bringing the story of The Rings of Power down to a relatable level.

The Rings of Power is off to a good start – but not a great one. Visually, the series is well-made. It borrows from The Lord of the Rings in many ways, but it also incorporates new design elements that help it feel distinct; part of the same world, but not a carbon copy of what came before. There were definitely some issues with the soundtrack and sound mixing that shouldn’t be present in a series that aims to compete at this level, and that’s something I hope can be addressed promptly. There have been some wonderful moments of characterisation that really pulled me in… and a handful of others that weren’t quite reaching that same high bar. Overall, I’d say that the series has left a good first impression and I’m happy to return to it next week to pick up the story. But I’m unlikely to be spending much time between now and then speculating, theory-crafting, or even really just thinking about The Rings of Power very much.

Am I nitpicking too much or being too harsh on The Rings of Power? Well, that’s up to you to decide. But what I will say is this: The Rings of Power is the most expensive television series ever created, and that brings with it expectations in terms of quality that basic competence doesn’t cover. Moreover, as much as I want to judge The Rings of Power entirely on its own merits, by very deliberately leaning into The Lord of the Rings films, the show has invited comparisons to that trilogy – and other works in the high fantasy genre.

What’s going to happen next in The Rings of Power?

I’m glad that I gave The Rings of Power a fair shake and didn’t make a snap judgement. Although I can understand a certain amount of schadenfreude at wanting to see a massive corporation like Amazon meet with financial and critical failure, speaking for myself what I really want to see is another success in the high fantasy genre. I don’t want The Rings of Power to be disappointing – I want it to be entertaining! The first episodes, while they had some issues that I’ve tried to elaborate on, broadly speaking managed to entertain me, and I came away from them feeling satisfied with what I’d seen.

I’m hopeful that The Rings of Power now has a foundation upon which to build a successful series. With five seasons having been planned – and potentially somewhat of a soft reboot coming in Season 2 thanks to a change in filming locations – there’s a long story to get stuck into, one that, like Game of Thrones before it, will unfold over the next few years. There’s time for some of the production’s weaker elements to be addressed, even if it doesn’t happen this season. Whether The Rings of Power will still be talked about in the same breath as Game of Thrones and The Lord of the Rings by future audiences… well, that’s still an open question. But it feels as though all of the elements exist for this series to reach those high bars. I genuinely hope that it will.

The Lord of the Rings: The Rings of Power is available to stream now on Amazon Prime Video. The Lord of the Rings: The Rings of Power is the copyright of Amazon Studios, New Line Cinema, and Amazon. The Lord of the Rings, The Silmarillion, and other works mentioned above are the copyright of the Tolkien Estate. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Looking ahead to The Rings of Power

Spoiler Warning: There are minor spoilers ahead for The Lord of the Rings films and for The Lord of the Rings: The Rings of Power.

It’s been several years since Amazon announced that it had purchased the rights to make a television series based on J.R.R. Tolkien’s work. In that time, the corporation has kept a tight lid on the show’s progress, and very little news has trickled out. However, with the series aiming to premiere later this year, Amazon has kick-started the marketing push! After the show’s actual name was finally revealed a couple of weeks ago, we got a few different poster designs, and then a few images featuring some of the cast, before the first official teaser trailer made its debut a few days ago.

Today I thought it could be interesting to look at what’s been revealed and teased so far, and see what we might be able to gleam about The Lord of the Rings: The Rings of Power. This is going to be the most expensive television series ever created, and was greenlit out of the gate for five seasons. Intended to be Amazon’s answer to Game of Thrones, the show aims to build on the renewed success that the high fantasy genre has been experiencing. Based on Amazon’s financial commitment we should be in for a series with high production values and great visuals – one which can push boundaries and set a new high bar for television in general. That might sound like I’m asking for too much, but with a billion dollars on the line and competitors like Disney doing some incredible things with visual effects on streaming shows like The Book of Boba Fett, anything less would be underwhelming in the extreme.

Morfydd Clark as Galadriel in a promotional image.

First up, let’s talk about the title. I’m sorry, but The Lord of the Rings: The Rings of Power is an incredibly clunky, unwieldy title for a television series. In its short form, I guess we’ll be referring to the series as The Rings of Power, which is better! But the first thing that struck me was that it wasn’t a particularly inspired or original title. It frames the new series entirely around the rings Sauron had made for the Elves, Dwarves, and Men of Middle-earth, and that seems to take the series back to the familiar story that we’ve already seen play out.

Rather than this prequel using Tolkien’s work as a base for building its own story, the title seems to suggest that we’re really going to be seeing earlier chapters in the story we already know. There was scope, when stepping back literally thousands of years, to do something different. Early rumours suggested that the series might look at the rise and fall of Númenor, one of the kingdoms of Middle-earth that was extinct by the time of The Lord of the Rings, and while Númenor’s story may indeed play a role, the title of the series now suggests that we’re really going to be focusing more on Sauron and his rise to power.

Is this Númenor?

Such a focus makes The Rings of Power more of a direct prequel to the events of The Lord of the Rings and less of an expansion of Middle-earth and Tolkien’s work on the small screen. That isn’t to say it will be bad as a result – but The Rings of Power will be confronted by the typical “prequel problem” that many such productions face: namely, we already know how this story ends. We’ve already seen what is arguably the more interesting part… so just convincing people to stick around and see what came before is automatically a challenge for The Rings of Power to surmount, one that wouldn’t have been present if the series had been structured differently.

Over the past few years since Amazon announced this project, I’ve heard a lot of people saying that the corporation shouldn’t be using the placeholder title “The Lord of the Rings on Prime” because the new series isn’t going to be about The Lord of the Rings. But it now seems that it actually is going to be all about the One Ring, Sauron, and his rise and fall. I’m not the only one who had been expecting the series to go in a different direction, and I think that the decision to stick closer to the established, familiar story represents a lack of boldness on Amazon’s part. Having spent all of this money for the rights to Middle-earth, there may have been a fear that steering away from established characters and storylines would be detrimental to the show’s prospects.

The character of Bronwyn – a healer and single mother, played by Nazanin Boniadi – was created for The Rings of Power.

On the flip side, I’ve heard fears from some fans that The Rings of Power will stray too far from Tolkien’s stories, so I guess there’s no way to satisfy everyone! For those folks, though, I would suggest that the title of the series, and the fact that characters like Elrond, Galadriel, and others will play significant roles means that it can’t be diverting too far away from storylines we might be familiar with.

It’s been a long time since I read The Hobbit or The Lord of the Rings, and I don’t claim to be a Tolkien super-fan who knows all of the ins and outs of Middle-earth and the stories set there. So from my point of view, if the show’s central story arcs are engaging and exciting, they can dip in and out of the so-called “established canon” of Tolkien’s world at will. The same applied in some respects to Game of Thrones, a series which moved progressively further away from its source material season by season. If the stories continue to be well-written and entertaining, and the world populated by fun characters, that’s going to go a long way to making up for any deviations from the stories Tolkien wrote.

Charging horses seen in the teaser trailer.

In terms of the look of The Rings of Power, there’s definitely a heavy influence from the Peter Jackson films. I noted in the poster of King Durin in particular that the Dwarves seem to be modelled on those we remember from The Lord of the Rings and The Hobbit trilogies. In other areas, The Rings of Power has seemed to move away and begin to chart its own course, but this will likely be a balancing act that the series will need to keep up for its entire five seasons. New showrunners, designers, and other creatives will always want to stamp their mark on their creation, but if Amazon is banking on fans of The Lord of the Rings films turning up in droves – and nostalgia for those films being a driving force – then it makes sense to expect to see many familiar visual elements.

There will be a marked change after Season 1, though, with production moving from New Zealand to the UK. New Zealand has become practically synonymous with Middle-earth for many folks because of The Lord of the Rings being produced there, and the country has even traded on that, using Middle-earth to bring in tourism. Unfortunately it’s the fault of the pandemic that production had to be moved, but we won’t see the consequences of that – in either a positive or negative sense – until next year. It’s possible, in my view, that if Season 1 is deemed underwhelming the second season could be a soft reboot, changing up the look and feel of the series. Time will tell!

Robert Aramayo as Elrond and Morfydd Clark as Galadriel.

The trailer itself was action-packed and looks exciting. We saw different races (Men, Dwarves, and Elves) featured, as well as a few magical creatures and CGI monsters that I confess I’m not familiar with. But the whole thing was well constructed and cut together, and I think it showed off a diversity of characters and locations without revealing too many spoilers or too much about the potential storylines. It was a tease to get viewers interested, and I think it largely succeeded in that regard.

I noted what could be either a sinking ship or, perhaps, the sinking/destruction of the island of Númenor among the clips in the trailer, something that was also shown off in one of the behind-the-scenes photos. There was also what appeared to be a large battle taking place; this can’t be the climactic battle between Sauron and the Last Alliance, surely, because it was that battle that led to Sauron’s defeat and the loss of the One Ring. So I assume that this battle is taking place somewhere else between different groups of forces.

A battle scene from the teaser trailer.

There is definitely a contingent of people who want to see The Rings of Power fail, either because they dislike Amazon in a general sense, or because they see The Rings of Power as moving too far away from their understanding of Tolkien’s works. Personally, I don’t think it’s fair to pre-judge the series at this stage, with a one-minute-long teaser and a handful of photos being all we’ve seen, and I’d encourage everyone to try to lower the temperature in some of these discussions. There’s definitely a racial edge to some of the attacks I’ve seen thrown at The Rings of Power, with some so-called “fans” decrying the inclusion of non-white performers.

Because of Amazon’s status as one of the biggest companies in the world, I guess I can understand the bloody-mindedness of wanting to see it fail – even though it isn’t a sentiment I share. But to have decided already, months before the premiere, that The Rings of Power is somehow going to be unenjoyable – particularly if one of the primary reasons for thinking that way is because non-white actors are in it – seems utterly ridiculous to me. For some of these so-called “fans” to be actively willing the series to fail because it isn’t as white as they wish it would be is just pathetic.

The Rings of Power is coming soon.

As a fan of fantasy, and as someone who has enjoyed Tolkien’s work since I first read The Hobbit before I was ten years old, I want to enjoy The Rings of Power and for it to be an enjoyable and entertaining ride. Some of Amazon’s past productions in the sci-fi and fantasy genres – like The Expanse and The Wheel of Time – have been great, and while this project is certainly bigger and more ambitious, and thus has farther to fall if it doesn’t work, the potential exists for a fantasy series that could be on par with, or even eclipse, those early seasons of Game of Thrones. Amazon certainly has precedent and knows how to make some excellent television shows.

But I will judge the series on its merits when it’s here, and if I review it either as a whole season or as individual episodes I’ll be sure to give my honest thoughts and opinions at the time. I’m not a cheerleader for Amazon, but I’m certainly not going to go on the attack this early on. In my view, the trailer and photos show promise. Everything from costumes and set design to CGI work looked impressive, and The Rings of Power should be on course to make good use of its high budget in that regard. Whether the show’s writing, pacing, editing, acting performances, and the like are up to scratch… the jury is still out and we won’t know until September! But anyone pre-judging the series this early is, in my view, misguided.

The Lord of the Rings: The Rings of Power will premiere on Amazon Prime Video in September. The Lord of the Rings: The Rings of Power is the copyright of Amazon, and The Lord of the Rings, Middle-earth, and other properties are the copyright of the Tolkien Estate. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A handful of older films, games, and TV shows that I enjoyed in 2021

Spoiler Warning: Minor spoilers may be present for some of the entries on this list.

At this time of year, practically every outlet – from dying newspapers to new social media channels – churns out list upon list of the best entertainment products of the year. The top threes, top fives, top tens and more of 2021 abound! I have something similar in the pipeline, but today I wanted to take a look back at a handful of films, games, and TV shows from previous years that I found myself enjoying in 2021.

I have long and seemingly ever-growing lists of films, games, and TV shows that I keep meaning to get around to! I still haven’t seen Breaking Bad, for example, nor played The Witcher 3, despite the critical and commercial acclaim they’ve enjoyed! I also have a huge number of entertainment properties that I keep meaning to re-visit, some of which I haven’t seen since we wrote years beginning with “1.” In 2021 I got around to checking out a few titles from both of these categories, and since there are some that I haven’t discussed I thought the festive season would be a great opportunity for a bit of positivity and to share some of my personal favourite entertainment experiences of 2021… even though they weren’t brand-new!

Film #1:
The Lord of the Rings trilogy (2001-03)

We’ve recently marked the 20th anniversary of The Fellowship of the Ring, the first part of Peter Jackson’s epic adaptation of J. R. R. Tolkien’s magnum opus. The passage of time has done nothing to detract from these amazing films, and this year a 4K Blu-Ray release has them looking better than ever before.

The early 2000s had some serious pitfalls for film and television. CGI was becoming more mainstream and many filmmakers sought to take advantage of it, but just look to the Star Wars prequels and how outdated the CGI in those titles is; it hasn’t held up well at all. The majority of the special effects in The Lord of the Rings were practical, and combined with clever cinematography even incredibly dense and complex battle sequences still look fantastic two decades on.

Though I don’t re-watch The Lord of the Rings every single year without fail, I’m happy to return to the trilogy time and again – and I almost certainly will be for the rest of my days! The Hobbit and Tolkien’s Middle-earth was one of the first fantasy worlds I encountered as a young child; I can vaguely remember the book being read to me when I was very small. The conventional wisdom for years was that The Lord of the Rings was unfilmable – but Peter Jackson proved that wrong in some style!

Film #2:
Despicable Me (2010)

I spotted this while browsing Netflix one evening, and despite having seen at least one film with the Minions, I hadn’t actually seen the title that started it all. I have to confess that I didn’t have particularly high expectations, thinking I was in for a bog-standard animated comedy. But Despicable Me has heart, and there were some genuinely emotional moments hidden inside.

The Minions got most of the attention in the aftermath of Despicable Me, and can now be found on everything from memes to greetings cards! The critters are cute, but they’re also somewhat limited – and I think it’s for that reason that I didn’t really expect too much from Despicable Me except for maybe a few laughs and a way to kill an empty evening. I was pleasantly surprised to find a much more substantial film than I’d been expecting.

There were still plenty of laughs and a ton of cartoon silliness to enjoy and to keep the tone light-hearted. But there was a surprisingly emotional story between the villainous Gru and the three children he adopts – especially Margo, the eldest. I can finally understand why the film has spawned four sequels, fifteen shorts, and a whole range of merchandise!

Film #3:
Star Trek V: The Final Frontier (1989)

The Final Frontier has a number of issues that I’m sure most of you will be aware of. It arguably suffered from a little too much involvement from William Shatner, who sought to put Captain Kirk at the centre of the story at the expense of others. But The Final Frontier has some truly great character moments, including one of the final times that Kirk, Spock, and Dr McCoy would be together before The Undiscovered Country brought an end to Star Trek’s original era.

The film has some truly funny moments, too: the scene where Uhura catches Chekov and Sulu pretending to be caught in a storm being one, and Scotty’s moment of slapstick being another that never fails to win a chuckle. The Undiscovered Country was a great send-off for Star Trek’s original crew, but it was quite a heavy film with a lot of tense moments and high-octane action. The Final Frontier brings more light-hearted moments to the table, and that’s something I can appreciate when I’m in the right mood.

There are some exciting sequences too, though. The shuttle crash is a very tense and dramatic moment, and the final confrontation with the entity at the centre of the galaxy, while silly in some respects, does succeed at hitting at least some of those same dramatic highs. Though I wouldn’t suggest that The Final Frontier is anywhere near the best that Star Trek has to offer, it’s well worth a watch from time to time.

Game #1:
Control (2019)

Though hardly an “old” game, I missed Control when it was released in 2019. It had been on my list for a couple of years, and I was pleased to finally get around to playing it this year. The game had a far creepier atmosphere than I’d been expecting, with protagonist Jesse having to battle an unseen enemy called the Hiss.

One thing I really admire about Control is the way it made incredibly creative use of some fairly plain environments. The entire game takes place in what’s essentially a glorified office building, and rows of cubicles or the janitor’s workspace could, in other games, come across as feeling bland and uninspired. But Control leans into this, using the environments as a strength, juxtaposing them with incredibly weird goings-on at the Bureau of Control.

I also liked that, for the first time in years, we got full-motion video sequences in a game! FMV was a fad in gaming in the early/mid-1990s I guess, primarily on PC, and titles like Command and Conquer and Star Trek: Starfleet Academy made use of it. It had been years since I played a game with FMV elements, and it worked exceptionally well in Control – as well as being a completely unexpected blast of nostalgia!

Game #2:
Super Mario 64 (1996)

Despite the serious limitations of Super Mario 3D All-Stars on the Nintendo Switch, which I picked up last year, I can’t deny that it’s been fun to return to Super Mario 64. One of the first fully 3D games I ever played, Super Mario 64 felt like the future in the late ’90s, and even some titles released this year, such as Kena: Bridge of Spirits, owe parts of their 3D platforming to the pioneering work that Nintendo did with this game.

Super Mario 64 is and always has been good, solid fun. There doesn’t need to be an in-depth, complex story driving Mario forward to collect stars, because the game’s levels and bosses are all so incredibly cleverly-designed. Jumping in and out of different painting worlds is relatively quick and feels great, and the sheer diversity of environments is still noteworthy in 2021. Mario goes on a journey that takes him through snowy mountains, a sunken shipwreck, sunlit plains, cities, clouds, and more.

I can’t in good conscience recommend Super Mario 3D All-Stars. The way these games have been adapted for Nintendo Switch isn’t worth the asking price. But even so, going back to Super Mario 64 has been one of my favourite parts of 2021, a chance to reconnect with a game I played and loved on the Nintendo 64. If you’ve never played it, track down a copy and give it a go. You won’t regret it.

Game #3:
Red Dead Redemption II (2018)

I’d been meaning to get around to Red Dead Redemption II for three years – but I’d always found a reason not to pick it up (usually it was too expensive!) It took forever to download on my painfully slow internet connection, but it was well worth the wait. I’ve had a fascination with America in the 19th Century for as long as I can remember – I guess partly inspired by playground games of “the wild west” that were fairly common when I was young. I even had a cowboy hat, toy gun, and “Davy Crockett” hat when I was a kid!

Red Dead Redemption II transported me to that world in a way that I genuinely did not think was possible. Films and TV shows can do a great job at pulling you in and getting you lost in a fictional world, but the interactive element of video games can add to that immersion – something that was absolutely the case with Red Dead Redemption II. The amount of detail in the game’s characters and open-world environments is staggering, and having finally experienced it for myself I can absolutely understand why people hail this game as a “masterpiece.”

I wasn’t prepared for the many emotional gut-punches that Red Dead Redemption II had in store. In many ways the game tells a bleak and even depressing story, one with betrayal, death, and many examples of the absolute worst of humanity. But every once in a while there are some incredibly beautiful moments too, where characters sit together, sing, play, and revel in their bonds of friendship. Red Dead Redemption II gave me the wild west outlaw fantasy that my younger self could have only dreamed of!

TV series #1:
Star Trek: The Original Series (1966-69)

I’ve re-watched quite a lot of The Original Series this year, probably more episodes than I’d seen in the past few years. Because of its episodic nature, it’s easy to dip in and out of The Original Series, firing up an episode or two to spend an hour with Captain Kirk and the crew without feeling the need to commit to an entire season of television.

The Original Series started it all for Trekkies, and I’m always so pleased to see that modern Star Trek hasn’t lost sight of that. In this year’s episodes of Lower Decks and Discovery we’ve gotten many references and callbacks to Star Trek’s first series, keeping the show alive and relevant as we celebrated its fifty-fifth anniversary – and the centenary of its creator, Gene Roddenberry.

Though dated in some ways, many of the themes and metaphors present in The Original Series are still relevant today. Society has changed since the 1960s, but in some areas we’re still fighting the same or similar fights for acceptance, for equality, and so on. The Star Trek franchise has always had a lot to say about that, being in some ways a mirror of society and in others depicting a vision of a more enlightened, optimistic future.

TV series #2:
Fortitude (2015-18)

I went back to re-watch Fortitude this year, for the first time since its original run. The series starts very slowly, seeming at first to be little more than a murder-mystery in a different setting. But it builds up over the course of its first season into something truly unexpected, crossing over into moments of political thriller, action, and even horror.

There are some truly shocking and gruesome moments in Fortitude, and it can be a harrowing watch in places. But it’s riveting at the same time, and I managed to get hooked all over again by the complex characters, the mysteries and conspiracies, and the bleak but beautiful arctic environment.

Fortitude featured some star names among its cast, including Michael Gambon, Stanley Tucci, and Dennis Quaid – the second-most-famous Dennis to be featured on this website! Although it was fun to watch it weekly during its original run, Fortitude is definitely a show that can be enjoyed on a binge!

TV series #3:
Family Guy (1999-Present)

Family Guy’s sense of humour sometimes runs aground for me, dragging out jokes too long or failing to pay off neat setups with decent punchlines. But with the full series (up to midway through Season 20 at time of writing) available on Disney+, I’ve found myself putting it on in the background a lot this year. The short runtime of episodes, the lightheartedness, and the way many of the jokes are often disconnected from whatever nonsense plot the episodes have going on all come together to make it something I can dip in and out of while doing other things.

There are some insensitive jokes, and some entire storylines in earlier episodes have aged rather poorly. But Family Guy seldom strikes me as a show punching down; it satirises and pokes fun at many different groups. In that sense it’s kind of halfway between The Simpsons and South Park; the former being more sanitised and family-friendly, the latter being edgier and meaner.

I rarely sit down and think “gosh, I must watch the latest Family Guy episode.” But if I’m in need of background noise or something to fill up twenty minutes, I find I’ll happily log into Disney+ and put on an episode or two.

So that’s it.

There have been some great films, games, and television shows that were released in 2021. But there were also plenty of entertainment experiences from years past that, in different ways, brightened my year. As we gear up for New Year and for everyone’s end-of-year top-ten lists, I wanted to take a moment to acknowledge that.

I hope you had a Merry Christmas, a Happy Holiday, or just a relaxing day yesterday! I did consider writing something to mark the day, but I found that I had remarkably little to say that was different from the piece I wrote last year. 2021 has been “2020 II” in so many respects, unfortunately. However, unlike last Christmas I will be able to visit with some family members – I’ll be seeing my sister and brother-in-law later this week, which will be a nice treat! So here’s to 2021’s entertainment experiences – and as we enter the new year, it’s worth keeping in mind that we don’t only have to watch and play the latest and newest ones!

All titles on the list above are the copyright of their respective broadcaster, distributor, developer, network, publisher, studio, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What might we watch and play in 2021?

Happy New Year! As we put the calamitous 2020 behind us, let’s look ahead to some of the entertainment experiences we might enjoy between now and Christmas. There’s only 51 weeks till the big day, you know. Better start your Christmas shopping!

The effects of 2020’s disruption are still being felt, and while we should hopefully see a return to normalcy slowly building over the next few months, there will undoubtedly be changes to come. From my point of view as a Trekkie, the big question is this: how much Star Trek will we get this year? After 2020 saw the release of three different Star Trek projects, it’s not inconceivable that the only episode we’ll see in 2021 will be next week’s finale of Star Trek: Discovery Season 3!

We do know, at least, that some big projects still intend to release this year. Let’s look at a few – in no particular order.

Cinema

The pandemic has not magically gone away with the arrival of the new year, and many cinemas look set to remain closed in the weeks ahead. The distribution of vaccines will be key to their re-opening, and thus to the release of at least some big films. However, there have been plans announced to bring some of 2021’s big releases to streaming platforms – either instead of or in addition to a theatrical release. How well this will work, and whether many of these plans go ahead if the pandemic is brought under control is up in the air right now – but it remains a possibility.

Number 1:
Dune

The latest adaptation of Dune is the first part of a duology, and was originally supposed to be released in 2020. Of course that couldn’t happen, and Dune is now set for a December release, and will supposedly come to HBO Max at the same time. Though the story has been notoriously difficult to adapt, this version has a huge budget, a stellar cast, and what look like wonderful visual effects based on the trailer. It feels like a film with great potential, and I’m eagerly awaiting its release.

Number 2:
No Time To Die

The latest Bond film – which is set to be Daniel Craig’s final outing as 007 – has been delayed by over a year. It was originally scheduled for an April 2020 release, but that has been pushed back to April 2021. There are no current plans to bring the film to streaming, and as it’s supposedly the most expensive Bond film of all time, perhaps that makes sense. April feels optimistic, but we’ll see how things go! Regardless, I’ve always enjoyed the Bond franchise, and it’ll be interesting to see what happens as this chapter of the 007 cinematic saga draws to a close.

Number 3:
Jungle Cruise

I love Disney World and the other Disney theme parks! When I heard that the House of Mouse was planning to make a film based on their Pirates of the Caribbean ride in the early 2000s I thought it sounded like a terrible idea – yet Pirates of the Caribbean: The Curse of the Black Pearl was an incredibly fun film with heart. Jungle Cruise is likewise based on a Disney World/Disneyland ride, one which, if memory serves, is cute and action-packed! The film adaptation will have to try hard to retain at least some elements of what makes the ride enjoyable, but if it can succeed it could grow to become an ongoing series like Pirates of the Caribbean.

Number 4:
The Matrix 4

As I said last time, I really don’t know where The Matrix 4 could possibly take the story of the series. However, I’m still fascinated to find out! This will be our first time back in this setting since 2003’s The Matrix Revolutions, and I’m sure a lot of fans are excited and nervous in equal measure. The idea of the world being artificial was somewhat of a novelty for the big screen when The Matrix did it in 1999, but we’ve since seen other takes on the concept. Will it stick to the late-90s/early-00s aesthetic for scenes set in the simulated world? Will there even be a simulated world if humanity broke free? We’ll soon find out.

Number 5:
Raya and the Last Dragon

After Disney saw success with the Polynesian-themed Moana, they have turned to Southeast Asia for inspiration for Raya and the Last Dragon. Kelly Marie Tran will voice the titular Raya, and Disney animated films have always been worth watching so I’m expecting an enjoyable film. Disney appears to be going through somewhat of a second renaissance in the aftermath of Frozen’s huge success in 2013, and hopefully this will be a continuation of that. I’m also rooting for Kelly Marie Tran after the awful treatment she had to endure at the hands of some so-called “fans” of Star Wars. Raya and the Last Dragon will take the approach pioneered by Mulan and be released on Disney+ for a fee.

Number 6:
The Suicide Squad

2016’s Suicide Squad won an Academy Award. Just in case you forgot! Was it an outstanding cinematic triumph that I’m happy to rewatch time and again? Not exactly, but it was a decent action-packed blockbuster that was an okay way to kill a couple of hours. And that’s what I expect from this direct sequel – nothing groundbreaking, but a solid film with some cute comic book elements.

Number 7:
The King’s Man

Kingsman was a surprisingly fun film when it was released in 2014, and the third entry in the series is a prequel. The King’s Man looks set to examine the outlandish spy organisation’s past and possibly its origins, as well as throw together another action-comedy that takes inspiration from the likes of James Bond. I think that sounds like fun! The King’s Man will feature some pretty big names, including Ralph Finnes, Charles Dance, and Rhys Ifans.

Number 8:
Uncharted

Films based on video games have not often performed well. Though some have become cult classics in their own right, most films adapted from video games have not been successful. Will Uncharted be any different? The project has been in development for a long time and seen many behind-the-scenes changes, but having settled on a script and director, Tom Holland was cast in the role of Nathan Drake. At the very least there’s potential for a summer popcorn flick; a blockbuster adventure film. Whether it will succeed at becoming “the new Indiana Jones” is up for debate – but maybe!

Number 9:
Death on the Nile

2017’s Murder on the Orient Express was great fun, and Death on the Nile is a sequel of sorts. Adapted from a 1937 novel by famed murder-mystery author Agatha Christie, Kenneth Branagh both directs and stars in the picture as detective Hercule Poirot. The cast list reads like a who’s who of British and international stars, including Jennifer Saunders, Rose Leslie, Russell Brand, and Gal Gadot. If you’re familiar with the book or one of the two earlier adaptations the ending will no doubt be known – but that doesn’t mean the journey there won’t be mysterious and thrilling!

Number 10:
Free Guy

Free Guy is about a non-player character in an open world video game who becomes sentient and tries to escape the game. And he’s played by Ryan Reynolds. Are you sold yet? Because that premise (and casting choice) was all it took to hook me in and decide that Free Guy would be worth a look! It sounds like fun, and Reynolds has great comedic timing as we’ve seen with titles like Deadpool. At the very least it’s a unique premise for a film, and one that seems like it could be really funny.

Gaming

With two new consoles barely a month old, both Sony and Microsoft will surely make moves to shore up their player bases this year. There are some titles on the schedule that look absolutely fantastic, and while the release of many of these on what is now last generation’s hardware will mean we won’t see the full power of the next-gen machines just yet, we should begin to see some improvements in what games are capable of. I better get on with upgrading my PC!

Number 1:
Mass Effect: Legendary Edition

Rumours swirled for much of last year of an impending Mass Effect trilogy remaster, and the project was finally announced a few weeks ago. Despite its controversial ending, the three games tell a deep and engaging story in a unique sci-fi setting, and were great fun during the Xbox 360 era. Has enough time passed to make updating the trilogy worthwhile? Mass Effect 3 was only released eight years ago, after all. And will the remaster do everything needed to bring these games up-to-date? With Mass Effect 4 on the distant horizon, it will have to! I’m cautiously interested in this one – it could be wonderful to replay these games, but as we’ve seen with some recent remasters, not every company manages to hit a home run when it comes to updating a beloved title.

Number 2:
Hogwarts Legacy

I wrote about this game when it was first announced, but suffice to say I’m truly interested to see what Hogwarts Legacy delivers. It promises to be an “action role-playing game set in the Wizarding World of Harry Potter in the 1800s,” meaning it’s set decades before any of the Harry Potter books. That basic premise worked well for games like Knights of the Old Republic over in the Star Wars franchise, and should allow Hogwarts Legacy to tell a standalone story. The only games set in Harry Potter’s world so far have been straight adaptations of the films, so this is something genuinely different. Hopefully it can tell a fun story!

Number 3:
Lego Star Wars: The Skywalker Saga

Though I didn’t have time to review it before Christmas, The Lego Star Wars Holiday Special was great fun over on Disney+. I had hoped to see Lego Star Wars: The Skywalker Saga last year, but it got pushed back and is currently due for release in “early 2021” – whatever that may mean! The first couple of Lego Star Wars games, which were released in the mid-2000s, were really great fun, and I’ve been looking forward to the latest bricky reimagining of the Star Wars saga since it was announced. Lego games have never tried to take themselves seriously, and the end result has always been titles which are just a lot of fun.

Number 4:
The Lord of the Rings: Gollum

What could a game starring Gollum possibly bring to the table? I have absolutely no idea! But games – and stories in general – focusing on an antihero can be wonderful, so I’m very curious to find out. It’s also great to see another big single-player title given the glut of live services and always-online multiplayer games. I’m a fan of Middle-earth and the world Tolkien built, so hopefully this game will be a fun return to that setting. Taking on the role of Gollum will offer a different look at Middle-earth, and whether it focuses on the main story from the books or not, has the potential to be fascinating.

Number 5:
Skull & Bones

Assassin’s Creed IV: Black Flag demonstrated that there’s still a lot of appeal in pirate-themed titles. Skull & Bones wasn’t something I was especially interested in at first, but upon learning it will feature a single-player campaign I was happy to add it to the list. It seems to be a game that will deal with the naval combat side of things, and as long as it can really nail ship-to-ship combat within its game engine it should at least be a solid title. Naval games are relatively rare in the combat/strategy/action genres, so perhaps Skull & Bones will offer something a little different.

Number 6:
Outriders

Outriders was one of the first next-gen games that reviewers really had a chance to get to grips with before the launch of the PlayStation 5 and Xbox Series X. The consensus was that it seems like a fun third-person shooter, even if it wasn’t quite as “next-gen feeling” as some had hoped. Regardless, Outriders has continued its development and will be released this year. The basic premise feels like a mix of sci-fi and superhero comics, and at the very least it’s a brand-new setting at a time when a lot of studios are focused on sequels and franchises.

Number 7:
GhostWire: Tokyo

I honestly don’t know what to expect from GhostWire: Tokyo. It’s a game shrouded in mystery! One thing we know for sure is that it will feature a supernatural storyline, and that alone sounds like it has potential. A teaser trailer released last year didn’t show much, but we know that the game will draw on Japanese mythology and will be a first-person action-adventure game with some supernatural horror elements. It might be wonderful… or it might not be my thing! We’ll have to wait and see.

Number 8:
Diablo IV

After disappointing fans with Diablo Immortal, and then messing up with the controversy around their decision to censor a professional player who supported the protests in Hong Kong, it’s not unfair to say that there’s a lot riding on Diablo IV for Blizzard’s reputation. Early indications are that the dungeon-crawler looks good, and could be a return to form. Diablo III had issues at launch, so this is very much one to take a “wait-and-see” approach with, but if the studio can recreate the magic of older titles then Diablo IV should offer a fun experience.

Number 9:
Super Mario 3D World + Bowser’s Fury

My most recent foray into Mario’s 3D adventures was underwhelming, as Super Mario 3D All-Stars was not actually all that great. However, Super Mario 3D World + Bowser’s Fury might be! The base game was released on the Wii U, but Bowser’s Fury is something altogether new. How substantial it will be remains to be seen, but taken as a whole the package seems to offer good value. I love the cat suits introduced in Super Mario 3D World, they’re cute and add a different element to Mario and the gang’s 3D adventures.

Number 10:
Humankind

Humankind initially attracted me because of how similar it looks to Civilization VI – one of my most-played games of the 2010s. But there’s more to it than that, and the concept of creating a unique civilisation by combining different historical empires and cultures is, at the very least, innovative. I love a good strategy game, and Humankind could be a big time-sink for me this year – if it can deliver on some pretty big ambitions!

Television

After 2020 saw major disruption to cinema, 2021 could be television’s turn. Though shielded from the brunt of the pandemic, a number of television shows planned for 2021 have seen major delays to production. Despite that, there are still plenty of options on the horizon, including some that look absolutely phenomenal.

Number 1:
Zack Snyder’s Justice League

I can’t actually remember if Justice League is one of the DC films I’ve seen or not. If you’re a regular around here, you’ll know I’m not a big comic book fan generally speaking. And it’s not unfair to say that DC is the lesser of the two comic book powerhouses right now! I honestly did not expect the so-called “Snyder cut” of Justice League to ever see the light of day, but after a campaign by fans the film will be released – as a four-part miniseries on HBO Max. I’m at least somewhat interested to see what all the fuss is about!

Number 2:
Star Trek: Prodigy

After Lower Decks took the Star Trek franchise in a different – and very funny – direction in 2020, I’m curious to see what Prodigy will bring to the table. Some shows made for kids can actually tell very meaningful and interesting stories, and it’s my hope that Prodigy will manage to offer at least something to Trekkies beyond its target audience. The addition of Kate Mulgrew to the cast – reprising her role as Captain/Admiral Janeway – is tantalising too, and although that’s about all we know at this stage, the series aims to have a 2021 release. That could be pushed back, but fingers crossed we’ll see Prodigy some time soon.

Number 3:
Amazon’s Lord of the Rings series

Despite not having so much as a title, Amazon’s Lord of the Rings series has been targeting a 2021 release. It seems certain that, if this is to happen, it will have to be later in the year; filming is still ongoing at time of writing. However, a return to the land of Middle-earth is truly an exciting prospect, as is a look at the setting away from most of the characters we remember. The series will take place thousands of years before The Hobbit and The Lord of the Rings, so there’s the potential to tell some very different fantasy stories in Tolkien’s world.

Number 4:
Station Eleven

Based on a 2014 novel of the same name, Station Eleven is a post-apocalyptic drama set after the world has been devastated by a pandemic. Timely, right? Though filming began in early 2020 the series is still being worked on, but could finally see the light of day on HBO Max at some point this year. It feels like a project that, simply due to bad timing, may be controversial – but that could simply increase its appeal! Regardless, I’ll be keeping an eye out for it.

Number 5:
Foundation

Isaac Asimov is one of the grandfathers of science fiction. Whether his work will translate well from page to screen is an open question… but one I’m very curious to see answered. This adaptation of Asimov’s Foundation series will star Jared Harris, an absolutely incredible actor you might recall from 2019’s Chernobyl. It’s being produced for Apple TV+ as one of their first big-budget productions – or at least, the first one I’ve come to care about. 2021 looks set to be a big year for some of these second-tier streaming services!

Number 6:
Star Trek: Lower Decks

Lower Decks has finally secured an international broadcast agreement, more than five months after its first season premiered for viewers in North America. That’s good news, because a second season is already in development and will be able to be shared by fans around the world when it’s ready. Season 1 ended with some surprising twists for an animated comedy, and it remains to be seen what the end result of those storylines will be for our young ensigns aboard the USS Cerritos. Lower Decks took a few episodes to really hit its stride – and there were some missteps along the way – but for my money it’s up there with the best animated comedies of recent years, and I hope that the combination of its international debut and second season will see the show get the admiration it warrants.

Number 7:
The Expanse

I haven’t yet sat down to watch Season 5 of The Expanse, which premiered last month on Amazon Prime Video. However, the first four seasons were outstanding, and Season 6 is set to be the show’s last. Hopefully it will go out on a high! The Expanse is a wonderful science fiction series, one which has tried to take a more realistic look at the dangers of space travel and alien life. Many sci-fi stories treat these elements almost as mundane, yet The Expanse approached them with wide-eyed wonder, making things like accelerating a spacecraft integral parts of its story. It’s a wonderful series, and its final season should be explosive, entertaining, and ever so slightly sad as we bid it a fond farewell.

Number 8:
The Witcher

I half-expected to see the second season of Netflix’s The Witcher last year, but for whatever reason the streaming powerhouse is taking its time. Henry Cavill was great in the title role in Season 1, and hopefully the second season will keep up the high quality. I always appreciate a new fantasy series, and while the show owes its existence to the popular video games, it’s distinct from them at the same time, drawing more on the original book series for inspiration. Its return to our screens – which may not be until later in the year – is highly anticipated!

Number 9:
Star Wars: Andor

I wasn’t exactly wild about the recent announcements of upcoming Star Wars projects. As I wrote at the time: “spin-offs to spin-offs and the increasingly minor characters given starring roles is indicative of a franchise out of ideas.” Part of that criticism was aimed at Andor, the series which will focus on Rogue One’s Cassian Andor. However, on its own merit the show – which bills itself as a “spy thriller” – may very well be decent, and I’m cautiously interested to see what Disney and Lucasfilm bring to the table. Rogue One was certainly one of the better offerings since Disney began producing Star Wars projects, so maybe Andor will surprise me and tell some genuinely different stories in the Star Wars galaxy.

Number 10:
Clarice

Alex Kurtzman’s latest project for ViacomCBS will focus on Clarice Starling – the FBI agent introduced in Silence of the Lambs. How well will a show about Clarice work without Hannibal Lecter? Well that’s an open question, quite frankly, because as far as we know, complicated licensing and rights agreements mean Dr Lecter can’t appear. The show is being pitched as horror, though, following Agent Starling as she investigates sexual crimes in the aftermath of the events of Silence of the Lambs. It certainly has potential!

So that’s it.

You may have noticed some exclusions – notably Star Trek: Picard, Star Trek: Discovery, and Star Trek: Strange New Worlds. While all three are in pre-production for their upcoming seasons, none have been confirmed for 2021 at this juncture. Given the state of the world and how badly production has been impacted, while I remain hopeful that at least one live-action Star Trek show will make it to air, it’s entirely plausible that none will. That’s why they didn’t feature on the list.

If all goes well, 2021 should be a good year for entertainment. I see a lot of projects in film, gaming, and television that have the potential to tell wonderful, engaging stories. If lockdowns and quarantines remain in place – where I live in the UK restrictions just got a lot tougher – then we’ll need all the distractions we can get!

Mark your diary for some upcoming releases!

The year ahead is unpredictable, and it’s possible that some of the projects I’m excited for won’t make it to release – or will end up being less enjoyable than expected. But on the flip side, there are undoubtedly films, games, and television shows waiting in the wings to surprise me; titles that didn’t make this list that I will come to greatly enjoy as the year rolls on. There were several wonderful surprises in 2020 that, had you asked me in January of last year, were not even on my radar. The same will perhaps happen this year too!

With everything going on in the world, having something to look forward to is important. Even if all you can think of that excites or interests you is a television show or video game, that’s okay. It gives you something to hang on to; light at the end of the tunnel. I wish you a very Happy New Year, and all the best for 2021.

All titles listed above are the copyright of their respective company, studio, developer, publisher, broadcaster, distributor, etc. Some promotional artwork and images courtesy of IGDB. Stock photos courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five things to watch at New Year (instead of fireworks)

Spoiler Warning: There are minor spoilers ahead for the titles on this list.

This year has seen a lot of cancellations, and as the end of the year approaches that has extended to New Year celebrations too. Around the world, fireworks displays and other big events are being shut down due to the pandemic, and while I’m sure most of you are too sensible to have even considered attending such an event in person, many of these parties and countdowns were scheduled to be televised, which leaves us with a gaping hole in our New Year’s Eve viewing. With parties also off the agenda for most of us, I thought I’d put together a fun list of things to watch instead as the minutes tick closer to midnight.

I’ve never been particularly impressed by fireworks. A professional display can be fun to see if you’re there in person, but on television much of the impact is lost. Despite that, for the last few years I’ve spent my New Year’s Eves with the London fireworks display on television – one of the many events that has been cancelled this time around – simply because there aren’t a lot of other options. At least, there weren’t until now!

I started thinking about other things to watch, and I came up with five potentially fun ideas (and a couple of bonus ones!)

Number 1: The Lord of the Rings: The Two Towers (2002)

Timestamp: 2:50:20 (Extended Edition Blu-ray)

“So it begins.”

I have to admit this one is not an original idea (I stole it from a meme). But if you want to begin the new year with Théoden of Rohan proclaiming “so it begins,” you can! If you start The Two Towers at precisely 21:09:40 (assuming you have the extended edition on Blu-ray), Théoden will utter that line at the stroke of midnight. Not only that, but you’ll begin the year with one of the best fantasy battles ever filmed: the Battle of Helm’s Deep.

Why not make New Year’s Eve a Lord of the Rings marathon while you’re at it? I could think of far worse ways to start the new year than with three of the finest films of the genre.

Number 2: Phineas & Ferb Season 4, Episode 2: For Your Ice Only/Happy New Year (2012)

Timestamp: 00:19:26 (Disney+ version)

Perry the Platypus.

Episodes of Phineas and Ferb come bundled in pairs on Disney+, so if you want to celebrate with Phineas, Ferb, Candace, Perry, and Dr Doofenshmirtz you’ll have to start this duo of episodes at precisely 23:40:34 on New Year’s Eve. That will ring in the New Year with a countdown, a ball drop (from outer space, no less) and one of Dr Doofenshmirtz’s wacky inventions.

The song from this episode, which itself is titled Happy New Year, has to be one of the show’s best, and is well worth a listen even if you don’t watch the entire story. I’ve been a fan of this Disney Channel cartoon since it premiered, and I recently reviewed Phineas and Ferb the Movie: Candace Against the Universe.

Number 3: Ghostbusters II (1989)

A crowd singing Auld Lang Syne in Ghostbusters II.

The climactic final act of Ghostbusters II takes place on New Year’s Eve in New York City, and if you’re up for some comedy to ring in 2021, this could be the way to do it! Though not as spectacular as the 1984 original, Ghostbusters II is nevertheless decent, and manages to have heart despite the ridiculous nature of its premise.

If you start the film around 22:30, you’ll get to the scenes on New Year’s Eve by midnight, and will have started the new year with a funny, heartwarming, and slightly spooky tale.

Number 4: Futurama – Season 1, Episode 1: Space Pilot 3000

Timestamp: 00:01:52 (DVD)

Fry in Space Pilot 3000.

Futurama premiered in 1999, and fittingly its pilot episode was set on Millennium Eve. Fry, a pizza delivery guy, ends up alone – before falling into a cryogenic stasis chamber and waking up 1,000 years later! If you begin the episode – at least, the DVD version – at 23:58:08 on New Year’s Eve, you’ll begin the new year not just with Fry, but with a surprisingly fun multilingual New Year’s countdown.

If you haven’t seen Futurama in a while, this could be a fun way to get back into it. So what do you say? Wanna go around again?

Number 5: Star Trek: The Next Generation – Season 3, Episode 26: The Best of Both Worlds (1990)

Timestamp: 00:43:58

Commanders Shelby and Riker in The Best of Both Worlds.

It wouldn’t be a Trekking with Dennis list without some Star Trek, right? If you begin watching The Best of Both Worlds (part one or the omnibus version on Blu-ray and Netflix) at precisely 23:16:02 on New Year’s Eve, you will begin the new year with Locutus proclaiming that “resistance is futile!” The Best of Both Worlds would be many folks’ pick for the absolute best episode of The Next Generation, and it’s an engrossing watch even thirty years later.

Stick around for the second part to see how Riker and the crew manage to overcome the Borg incursion into Federation space, and start the new year with one of the best and most iconic Star Trek stories there is. I’d challenge even non-Trekkies to be underwhelmed with that!

Bonus #1: Last year’s London fireworks!

The fireworks displays in London are centred around the London Eye.

This one is a total cheat because I said we would look at things to watch instead of the usual fireworks displays. But on YouTube you can find the official broadcasts of many different New Year’s Eve events, including the London fireworks. If you go for the official (BBC) broadcast of the 2019-20 fireworks show, you’ll need to start it at eleven seconds to midnight in order for the countdown to line up. That’s not a lot of room for error if you’re planning on having a busy evening!

There are many recordings of these shows available online, and you can check out the New York ball drop, Hogmanay in Scotland, and many more. Out of everything I’ve put forward, picking one of these would make for the most “normal” feeling New Year’s Eve, so if you’ve had anxieties or worries this year, or if you’re caring for someone who is keen on a return to normalcy, this could be a good option. You can even pick which year you’d like to relive. Personally I might go back and re-celebrate the Millennium!

Bonus #2: Animal Crossing: New Horizons (Nintendo Switch, 2020)

No that’s not the New Year’s event… but it could look similar.

Though I believe it hasn’t yet been officially confirmed, every past game in the Animal Crossing series featured a New Year’s Eve event, complete with countdown, party poppers, and an in-game fireworks display. New Horizons will almost certainly follow suit, with events taking place either side of midnight. If you’ve been spending a lot of time on your island this year, it could be fun to spend New Year with your animal friends.

Games like Animal Crossing: New Horizons provide players with these kinds of experiences. If you’re missing the party atmosphere and want to feel like you’re participating in an event instead of simply watching along, this could be perfect. Well not perfect, but a reasonable substitute nevertheless.

So that’s it. A few silly suggestions for what to watch on New Year. It’s not long now till 2020 will be finally over, and with the rollout of the coronavirus vaccine having already begun – at least here in the UK – hopefully by the time we’re thinking about the next New Year’s Eve, things will be much closer to normal.

Stay tuned because I have more festive and holiday-themed things to come before we reach 2021!

All titles listed above are the copyright of their respective studio, broadcaster, distributor, or production company. Header image courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Previewing Amazon’s Lord of the Rings series

Spoiler Warning: Beware of minor spoilers for The Hobbit and The Lord of the Rings.

Though disrupted by the pandemic, filming for Amazon’s upcoming Lord of the Rings prequel series resumed earlier this year, and the series currently has a tentative 2021 release date. That could easily slip back into 2022 depending on production-side factors, but I don’t think it’s too early to begin considering what the series could be – and what I’d like to see from it.

The Lord of the Rings was part of my childhood. Not the films – those came years later – but the books. I remember my father reading The Hobbit to me when I must’ve been only six or seven years old, and I later read The Lord of the Rings while still quite young, so it’s not unfair to say they spurred a lifelong interest in fantasy that I still enjoy today. I came to enjoy Tolkien’s works years before I watched Star Trek, so you could even call it one of my earliest fandoms!

The films, which were released from 2001-03, are many folks’ first and only encounter with The Lord of the Rings, and many elements from the films – like the music – which didn’t come from the original books are now considered inseparable from the realm of Middle-earth. The new series has a line to walk between respecting that and trying to do its own thing.

The Lord of the Rings films are held in very high regard.

Expectations will be sky-high for this series. Not only because of its association with the most famous works of the fantasy genre, but because of the frankly insane budget afforded to the show. Simply purchasing the rights to use Tolkien’s world set Amazon back an eye-watering $250 million, and that was before any work had been done on the show at all; no actors had been cast, no scripts written, etc. The budget for the series, which has been given a preliminary five-season order from Amazon, may top out at over $1 billion. This makes it by far the most expensive television series of all time, surpassing the likes of Game of Thrones, and that alone generates a lot of attention and scrutiny. And speaking of Game of Thrones, despite that show’s controversial and disappointing final season, comparisons will be inescapable. The stakes could hardly be higher.

Our last visit to the realm of Middle-earth didn’t go so well. The first two parts of The Hobbit were decent, even good films, but The Battle of the Five Armies wasn’t spectacular, something caused at least in part by the entire film being adapted from a handful of pages of text instead of a whole book! In a way, the disappointment some fans felt at The Hobbit’s adaptation means that Amazon’s series has even more work to do. It has to convince sceptical fans that they want to come back to Middle-earth, and that there are stories worth telling beyond the first three films.

The Hobbit was a less-enjoyable experience overall.

The series will be set during Middle-earth’s Second Age, which makes it a prequel to the events of Lord of the Rings. Taking a setting several thousand years in the distant past could open up myriad possibilities within the story. And we’ve seen some prequels that go down this kind of route achieve success – Star Wars: Knights of the Old Republic, for example. But the stories of Middle-earth in the Second Age are all background, building up slowly toward the events of the “main” books. The initial rise of Sauron – who is still alive in this era – may prove fascinating to see. Or it may feel underwhelming considering we’ve already seen his ultimate defeat at the hands of Frodo.

Prequels can be difficult to get right. The Hobbit trilogy attempted to bring in characters who weren’t present in the original book in order to “foreshadow” the events of The Lord of the Rings, and it was hit-and-miss. Some elements worked, and some fell flat. Telling a story that serves as a fully-direct prequel to The Lord of the Rings, with characters like Gandalf, Sauron, and the ancestors of people like Aragorn and Legolas could be tricky to get right – there will always be a sense that we’ve seen the main event, and this is just unnecessary fluff.

That’s what happened – in my subjective opinion, of course – with the Star Wars prequels. They took on the less-interesting part of the story, a story that was ultimately wholly unnecessary. We didn’t need a three-film saga depicting the rise and fall of Anakin Skywalker to know that Darth Vader was an evil, yet ultimately redeemable, character. Everything we needed to know about Vader was already present in the original films, and the prequels – which had numerous other problems, don’t get me wrong – didn’t feel like they had a purpose or told a particularly compelling story. They did, at least, tell one single story, which is something the Star Wars sequel trilogy failed to do! But that comparison is not a redeeming feature, despite what some like to think.

Legolas in The Desolation of Smaug. The character was not part of The Hobbit novel but was included in the film version.

But we’re off-topic! Prequels can be troublesome and difficult to get right, so one way around that is to tell a story that’s tangentially related to the main event but is otherwise a wholly standalone affair. As strange as it may sound for a show with the working title Lord of the Rings on Prime, the fewer direct references to The Lord of the Rings the better. There’s plenty of scope to see familiar places and races, and if the show keeps to an aesthetic that fits with the films then all of that will be to the good. But where The Hobbit was less interesting was when it ham-fistedly tried to “foreshadow” the events of The Lord of the Rings, so if the new series could find a way to stick to new characters and a storyline that doesn’t stray too much into setting up the events of the earlier films, I think all of that will be to its overall benefit.

Middle-earth, much like the Star Trek or Star Wars galaxies, is a sandbox. It’s a beautifully-created world with a rich lore built up over decades, but the main works set in Middle-earth focus on a relatively narrow slice of that world across a relatively short span of time. Taking us back to the Second Age opens up a lot of possibilities – as would moving forward to a potential Fourth Age! Star Trek demonstrated as early as the 1980s that it’s possible for a franchise to expand beyond its original incarnation and do completely different things. Star Wars has yet to really attempt this, as I noted once, but this is a chance for Middle-earth to do what Star Trek did more than thirty years ago. It has the opportunity to expand beyond Sauron, Bilbo, Frodo, and the Rings of Power.

The kings of Middle-earth receive their rings of power, as seen in The Fellowship of the Ring.

The history of the Second Age is documented, in part, in Tolkien’s The Silmarillion. But unlike The Hobbit and The Lord of the Rings, which each look in detail at a few characters across a relatively short timeframe, The Silmarillion is broad, encompassing thousands of years of history and legend within a single work. There are so many opportunities within these legends and this fictional history to either expand upon events it touches on or to create something completely new. There’s certainly the prospect of doing both.

One of the few things we know about the upcoming series is that it will look, at least in part, at the land of Númenor – an Atlantis-type land that would later vanish beneath the sea. Some Númenoreans would settle in Middle-earth, and these long-lived men would be the ancestors of Aragorn and a few other familiar characters.

The destruction of Númenor is documented in The Silmarillion, and if it’s the case that the show will look at that event (or the lead-up to it) there’s still a lot of scope to expand on the familiar and branch out into something entirely new. In fact, because The Silmarillion is a single book, and doesn’t contain anywhere near enough material for a straight adaptation, the producers of the new series will have to get creative!

The Silmarillion may be the basis for the new series.

Picture Credit: Stojanoski Slave, CC BY-SA 3.0 http://creativecommons.org/licenses/by-sa/3.0/, via Wikimedia Commons

Speaking of the creative team, there are some very interesting folks amongst the producers and writers. Showrunners JD Payne and Patrick McKay both worked on Star Trek Beyond, and amongst the writing team are folks with credits on such diverse works as Breaking Bad, Hannibal, and Toy Story 4. The director of the first two episodes has also been announced: JA Bayona, the Spanish director of Jurassic World: Fallen Kingdom. Some fans were critical when Amazon debuted the creative team, but let’s try to give them a chance. Though most of their names would not be familiar to the average viewer, between them they’ve worked on some huge and very successful projects. There’s an expression that the whole is greater than the sum of its parts – perhaps that’s true here. Having spend this much money, Amazon would surely not waste that on a creative team it wasn’t 100% happy with. Unlike some recent projects, there haven’t been any high-profile firings or departures, which I take as indicative of a project progressing nicely.

On the cast front, none of the main players from The Hobbit or The Lord of the Rings seem to be returning, at least not at this stage. I do consider cameos at least a possibility, but so far no announcements have been made. The cast that we do know of is led by Robert Aramayo, who is probably best-known for his flashback scenes as young Ned Stark in Game of Thrones. Nazanin Boniadi, who has had co-starring roles in shows like Homeland, also joins the cast along with Tom Budge, Owain Arthur, Morfydd Clark, Ismael Cruz Córdova, who played the Twi’lek Qin on The Mandalorian, Ema Horvath, Joseph Mawle, who played Benjen Stark in Game of Thrones, Markella Kavenagh, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, Daniel Weyman, and Maxim Baldry. What do most of these folks have in common? You’ve never heard of them. And why is that significant (aside from perhaps saving Amazon some money)? It follows a trail blazed by Game of Thrones. Set up a series with a mostly-unknown cast, give them a chance to grow into their new roles and become household names for those roles. It was a successful formula in 2011, and for the most part, people weren’t watching that show thinking “hey, I know that actor!” That was a deliberate choice, and I assume the same is true here too.

Robert Aramayo (seen here as young Ned Stark in Game of Thrones) leads a mostly-unknown cast.

Amazon is positioning this new series as a successor to Game of Thrones. The way the casting has been handled, the amount of money being thrown at it, and the general way they’re working on the series all smacks of being an attempt to recreate the magic of one of the last decade’s most important television series. Game of Thrones built on what The Lord of the Rings films had done, and at this stage, folks who would have balked at the idea of watching anything in the fantasy genre a few years ago will surely be interested to check out what this new series has to offer. The genre has become a major part of our cultural landscape, and The Lord of the Rings films set the stage for that in a huge way.

Other than a single map of Middle-earth in the Second Age, Amazon is keeping a tight lid on this project. There haven’t been any leaks or significant rumours about the series, which is a good thing. It’s always nice to go into a new show unspoiled!

The map depicting parts of Middle-earth in the Second Age.

Despite some positive moves from Amazon, and the huge amount of money involved in this production, there are no guarantees of success. The show needs to be well-written, with interesting characters and a story arc – or multiple storylines – that are interesting and worth getting invested in. Game of Thrones, at least in its earlier seasons, came with that built-in because it was based on an already-successful series of novels. The Silmarillion is indeed a successful book, but as mentioned can hardly be adapted verbatim in the same way as A Song of Ice and Fire was for Game of Thrones’ earlier seasons. In that sense, this show represents more of a risk.

I’m hopeful for some truly awe-inspiring fantasy. Returning to the land of Middle-earth is always a treat, and by filming the show in New Zealand – where the films were all produced – it might just feel like a homecoming. Game of Thrones’ final season was a disappointment to many, but this new series has the potential to help us all forget about that and get stuck into another fantasy story all over again – one inspired by the works of the grandfather of the modern fantasy genre. I can hardly wait!

Lord of the Rings on Prime (working title) is the copyright of Amazon Studios. The Silmarillion, The Hobbit, and The Lord of the Rings books are the copyright of the Tolkien Estate. Film versions of The Hobbit and The Lord of the Rings are the copyright of New Line Cinema and Wingnut Films. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.