Rating Your “Unpopular” Star Trek Opinions!

A Star Trek-themed spoiler warning

Spoiler Warning: There are spoilers ahead for practically the entire Star Trek franchise, including recent seasons of Discovery, Picard, Strange New Worlds, and Starfleet Academy.

Later this year, Star Trek will celebrate its sixtieth anniversary – that’s six decades of sci-fi adventures, space exploration, and a wonderful fan community that I absolutely adore! Today, I thought it could be a bit of fun to look at some of the Trekkie community’s so-called “unpopular opinions” about Star Trek. If you read my piece about fan theories a few weeks back, I’m going to do something similar this time around: I’ve compiled a bunch of “unpopular opinions” from across social media, and I’m going to dissect them!

I went to Tumblr, Facebook, Reddit, TikTok, and other social media pages, scanning posts and comments sections, and I pulled out twenty-five “unpopular opinions” for this piece. And rather than just state them and share my opinion, I thought it could be interesting to try to answer two questions! Firstly, I’ll share whether I agree or disagree. And secondly, I’ll try to gauge whether the opinion in question could fairly be described as “unpopular.”

Still frame from The Enterprise Incident showing Spock and the scanner
I scanned social media to detect your most controversial opinions…

Here’s a couple of examples so we’re all on the same page!

Example #1: “Khan sucks as a villain because he’s lame and boring, and his evil scheme makes no sense.”

I would say I disagree (vehemently) with this opinion! But I would concede that it is a genuinely *unpopular* opinion within the fan community and with a wider audience. In fact, it’s such an unpopular opinion that I’ve never seen anyone genuinely express it!

Still frame from Star Trek II showing Khan
Khaaaaaan!

Example #2: “Captain Picard is the best Enterprise captain, better than Kirk or Archer or anyone else by miles.”

This one’s a toughie on the “agree/disagree” bit, because Kirk, Archer, and really every Star Trek captain across the franchise have plenty of their own strengths. But if I had to come down on one side or the other, I’d say I agree; Picard is a great captain. However, this is clearly not an “unpopular” opinion within the fandom – ask any group of Trekkies who their favourite captain is, and it won’t be long before you hear multiple people say “Picard!”

So… does that cover everything in terms of the format?

Still frame from Star Trek: The Next Generation Season 2 (Q Who) showing Q materialising next to Picard.
Who’s the best Enterprise captain?

It should go without saying, but everything we’re going to talk about today is *entirely subjective, not objective* – and it’s just one old Trekkie’s take, at the end of the day. If you hate my opinions, think I’ve got it completely wrong, or if I criticise a show or character you adore, please try to keep that in mind! There are a variety of opinions out there about this wonderful franchise, and I share mine with the Trekkie community in the spirit of light-hearted celebration in this landmark anniversary year.

Some of these “unpopular opinions” have clearly been shared in a tongue-in-cheek way (at least, I hope they have!) and I’m not planning on taking any of this too seriously. This also shouldn’t be interpreted as an “attack” or “hate” for any folks in the fandom who genuinely hold any of these opinions. This is meant to be a bit of fun, partly at Star Trek’s expense, as we move closer to the 60th anniversary.

With all of that out of the way, this is your final chance to nope out if you don’t want to get into some potentially controversial Star Trek opinions!

“Unpopular” Opinion #1:
Threshold is a great body horror episode.

Still frame from Threshold showing (mutating) Paris and Janeway

“Threshold” and “great” in the same sentence, eh? We’re starting off strong! I can see where this is coming from; Tom Paris’ gradual mutation into a salamander-like “hyper-evolved human” does have some genuinely disturbing moments, brought to life by some solid prosthetics during the sequences in sickbay. The idea of mutating in real-time, and not being able to do anything to stop it… that’s the same kind of idea behind classic body horror films like The Fly, only with a Star Trek flavour in this case.

I would say, though, that for whatever successes Threshold might have on the body horror front in the middle of the story, the ending really nullifies all of it. The CGI salamanders weren’t great to look at, nor were they frightening or disturbing in any way, and the typical episodic TV “reset” of Paris and Janeway back to their normal selves meant there were no lasting consequences for either of them. This comment is clearly a response to Threshold’s meme status, and I’m glad that Trekkies are willing to re-examine even the most disliked episodes! But for me, Threshold is still a weak story, and while there is some creative body horror-adjacent storytelling in the middle, it’s completely negated by the way the episode wraps up.

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #2:
Spock and Chapel’s romance is too big a part of Strange New Worlds – and it sucks.

Still frame from Charades showing Spock and Chapel kissing

100% agree on this one – no notes! Chapel’s “crush” on Spock in The Original Series was cute. But it wasn’t a huge part of the show for either of them, and it didn’t need this kind of on-again, off-again storyline in Strange New Worlds to make sense. In my opinion, Strange New Worlds has been way too focused on Spock and putting him in situations which, frankly, are toe-curlingly cringeworthy. The Chapel-Spock romance is part of that. I had hoped that, with the addition of Chapel’s fiancé, we’d have seen the back of this storyline – but alas.

I think I could’ve stomached an episode or two in which this relationship existed and ran its course. But I agree with the original poster, here: it’s become way too big a part of the show. When combined with other “Spock comedy” storylines (which seem to be the only Spock storylines the producers are interested in or know how to write), it quickly became too much. Cringeworthy, unnecessary, and arguably treading on the toes of The Original Series, too. A bad combination all around! And, based on the number of likes and comments on posts like this, I think it’s a fairly common take among Trekkies, too.

Unpopular? 🛑No!🛑
Agree? ✅Yes.✅

“Unpopular” Opinion #3:
T’Rul should’ve become a recurring character on Deep Space Nine.

Still frame from The Search Part I showing T'Rul

In The Search, which kicked off DS9′s third season, we’re introduced to the USS Defiant for the first time: the first Federation starship (officially) able to cloak. The cloaking device was loaned to Starfleet by the Romulans, and Sub-Commander T’Rul was the officer assigned to oversee it, and make sure it wasn’t being used in a way that violated Federation-Romulan treaties. However, after her first appearance, T’Rul disappeared from Deep Space Nine. Martha Hackett, who played the character, would go on to have a recurring role on Voyager as Seska.

I quite like this idea, to be honest. T’Rul would’ve added something different to DS9 during some of the episodes set aboard the Defiant, and it could’ve been fun to see a Romulan getting to know the crew and learning how to live with the Federation. There wasn’t a Romulan character like that through the entire TNG era, and it wouldn’t be until we met Elnor decades later that we’d get to spend more time with a Romulan. I can see plenty of stories where T’Rul could’ve played a role, and I especially like the idea of her trying to socialise with members of the crew, perhaps teaching us a bit about Romulan culture and customs along the way. Definitely a niche idea, though!

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #4:
The first few episodes of Lower Decks were too “horny,” and this turned off potential viewers.

Still frame from Second Contact showing Boimler in an alien's mouth

Assuming the original poster meant “horny” as in “overly sexualised,” I have to say I don’t agree. Not that the first episodes of Lower Decks had a lot more sexual imagery and language than TNG-era Star Trek – they absolutely did! But I disagree that the early episodes are unique in that regard! I’ve only seen up to the first part of Season 3; Lower Decks is still a show I need to catch up on and finish watching. But I didn’t feel the tone changed or softened very much across the first two-and-a-bit seasons – which is basically half of the show.

In the run-up to Lower Decks’ premiere, I was a firm advocate for the fact that Star Trek can be funny, that Star Trek has always been funny, and that being an animated comedy shouldn’t matter as long as the show is good. I think the general response from Trekkies has been that Lower Decks is a solid addition to the franchise, even recapturing that episodic, TNG style which Discovery and Picard had moved away from. But did some of its crude humour or over-the-top moments mean some Trekkies switched off? Probably. In fact, almost certainly. Not every Star Trek show is right for every viewer, so folks who want to take the franchise seriously, and who don’t want a Rick and Morty-inspired take on Star Trek were probably never going to enjoy what Lower Decks had to offer.

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #5:
Chekov was “useless” in The Original Series.

Still frame from The Trouble with Tribbles showing Chekov

I think I can see where this one is coming from… but I really don’t agree. Chekov was a late addition to TOS, joining in from Season 2. He only appeared in 36 episodes in total – less than half of The Original Series. But… none of that makes him “useless.” In fact, I’d argue very passionately that Chekov’s presence on the bridge alongside Sulu, Kirk, Uhura, and the others was a very powerful and symbolic statement: at the height of the Cold War, a mere five years after the world almost blew itself up over the Cuban Missile Crisis, here was a vision of the future in which Russians, Americans, and humans from all over the world were living and working together in harmony.

Like most of the cast of The Original Series outside of “the big three” of Kirk, Spock, and Dr McCoy, Chekov got fewer moments in the spotlight and fewer lines, and because he joined the show later, I guess that shows up even more. He was also absent from The Animated Series, due to the show’s tight budget. But he does get storylines and interesting moments across practically all of his episodes, and he stands in for Sulu at points in Season 2, as well. Not useless at all!

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #6:
Discovery is overrated.

Behind-the-scenes cast photo from Discovery S5

I had to do a double-take when I saw this. “Surely,” I thought, “the original poster must’ve meant underrated, or maybe over-*hated*?” But no, this is their unpopular opinion! To be blunt, I don’t think Discovery is rated particularly highly by a large swathe of the fan community. It has its fans, of course – myself included for the most part. But “overrated” suggests that the show is held in high esteem when it shouldn’t be, when really I’d be arguing the opposite: that too many Trekkies wrote off Discovery without giving it a fair shake, and that Season 2, and parts of Seasons 3 through 5 all had good episodes, interesting moments, and more.

For something to be “overrated,” it has to have that acclaim within the fan community, and I just don’t see Discovery having that kind of reputation for the most part. I think it’s absolutely fair to criticise Discovery, as I’ve done on many occasions here on the website. And if the original commenter dislikes some or all of the show, then that’s okay. But I couldn’t say Discovery is overrated… because I just don’t think the fan community at large rates it very highly to begin with!

Unpopular? 🛑No!🛑
Agree? 🛑No!🛑

“Unpopular” Opinion #7:
Captain Janeway did the right thing with Tuvix.

Cropped screenshot from Across the Unknown showing art of Tuvix

Tuvix’s controversial status lives on! One of the best things about Star Trek is that many episodes make you stop and think. They present complex issues with moral quandaries, and they don’t shy away from reckoning with them. And Tuvix is one such example. Do you kill a man you barely know while he’s pleading for his life in order to save two of your friends? Captain Janeway believed she had to, and even stepped in to do it herself when the Doctor refused.

I can understand her point of view. The mitigating circumstances are the unique perils of the Delta Quadrant, and Tuvok and Neelix’s skills in navigating it. But was it the “right” thing to do? The episode pulls no punches, and I’ve even heard some fans say it’s the worst thing Janeway ever did. I don’t agree on that front – wiping out an entire timeline and the lives of everyone in it has to take that prize! But yeah, it was a shitty thing to do. It was a tough situation, and Janeway made the call that she felt gave her ship and crew the best chance of making it home. And hey, if you disagree… play the new video game Across the Unknown and make a different choice!

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #8:
Wesley Crusher is fine/underappreciated/good.

Still frame from The Dauphin showing Wesley

Things have changed a lot for Wesley over the years, I think in large part due to actor Wil Wheaton’s incredibly positive attitude and the great way he’s advocated for and represented the Trekkie community. But there was a time when Wesley was wildly unpopular; in the early days of Star Trek fansites, back when I was first getting started with the internet in the ’90s, hating on Wesley was one of the most common things you’d see. I never felt Wesley deserved all the hate he got; some of it crossed a line, really, into something a bit unpleasant or even sinister. We’re talking about a child, after all, or a teenager, and attacking a performer because you don’t like their character is just stupid.

However… I get where the original dislike stemmed from, especially in stories where Wesley could seemingly do no wrong, or was better and more competent than the trained officers around him. Partly, this came from Gene Roddenberry – Wesley was a bit of a self-insert character for Gene, even being named for Roddenberry’s own middle name. But Wesley did have weaknesses and flaws, even in The Next Generation’s first season. His inability to get accepted to the Academy being just one example. And when Wesley did make it to the Academy, the accident he was caught up in tested his loyalties and morality to the limit. Is he the best character in Star Trek? Arguably not. Is he better than folks give him credit for? I’ve gotta say yes.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #9:
The reboot/Kelvin timeline Enterprise is a beautiful ship.

Still frame from Star Trek 2009 showing the Enterprise

To this day, I know Trekkies who point-blank refuse to watch the Kelvin films. But… I think the out-and-out hate for the reboot has begun to fade, thanks to the passage of time. Practically everything about the 2009 reboot was controversial in some quarters of the fan community when the film was released, including the redesign of the USS Enterprise. The design took the original Constitution-class from TOS and changed a lot of things, with a different colour scheme, bulkier nacelles, a lit-up main deflector, and more. It’s certainly a different interpretation of the classic ship from four decades earlier.

I’m actually pleased to see opinions like this. There will always be holdouts – people who can’t get over the changes and who only want to stick to a certain design philosophy or a particular era of Star Trek. But as time passes and puts distance between us and the premiere of these designs, I think it’s nice to see more Trekkies revising their opinions, revisiting some of these elements of the reboot films, and coming away with a more positive impression. It gives me hope, quite honestly, for the future of the fan community in the years to come, and that some of today’s controversies may also be forgiven over time!

Unpopular? 🛑No!🛑
Agree? ✅Yes.✅

“Unpopular” Opinion #10:
“Faith of the Heart” was a good song for Enterprise’s title sequence.

Still frame from the Star Trek Enterprise title sequence showing the show's title

This is another example of the passage of time smoothing things out, I think! I remember hopping online, circa 2001, to try to download Faith of the Heart – and then burning it onto a CD and a MiniDisc (remember those?) so I could listen to it on the go! Sure, it was different – the whole sequence, really, is a very “2000s” way to open a show, and it feels a bit dated today. But I’ve always enjoyed the song, and I certainly never agreed with folks who said it “ruined Enterprise,” or turned them off so completely that they wouldn’t even watch the show!

“Archer’s Theme,” the music heard during Enterprise’s end credits, is the track some folks argue the show should’ve used instead. And I get wanting Star Trek to revert to type; to have the ship warping over a starry background while an orchestra plays a piece of music. But did “Faith of the Heart” really change much about the series? It’s still Star Trek. And if you hate it… well, it’s never been easier, thanks to DVDs and streaming, to skip it! That being said, I think this is still a minority position within the wider fan community, even if the song’s reputation has recovered somewhat over the years.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #11:
Neelix and Kes were a good couple.

Promo photo for Star Trek: Voyager showing Neelix and Kes kissing

This one has to be trolling, right? I’d go so far as to say that, if Neelix’s relationship with Kes had been in focus in Voyager much more than it was, it could’ve been genuinely detrimental to both characters and even the entire series. As the setup for getting Neelix to help Janeway and ultimately join the crew, it tracks. But what it says about Neelix – a man in the Talaxian equivalent of middle age – falling in love with a girl who’s… one year old, and the Ocampan equivalent of, what? Seventeen or eighteen? It’s… really, truly icky.

Moreover, the relationship exaggerated some of Neelix’s worst qualities. In episodes like Parturition, we’d see him getting jealous and possessive over Kes in a way that, frankly, felt uncomfortable. A man who seems positive and happy-go-lucky on the outside seemed to have a dark, possessive, almost abusive streak, and if that had been brought up even once or twice more, it would make Neelix truly difficult to root for. Fortunately, this isn’t an opinion I’ve ever seen another Trekkie endorse, though!

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #12:
Sybok was a fun and deep villain in Star Trek V.

Still frame from Star Trek V showing Sybok.

The Final Frontier has its issues. But is Sybok one of them? This commenter argues he isn’t, and that a religious zealot who belatedly realises that he’s wrong and he’s been lied to or manipulated gave Sybok a lot of depth. I’d add to that that the idea of exploring a Vulcan offshoot – someone who doesn’t care to suppress his emotions – was also something different. It was certainly unique at this point in the franchise, coming before the Vulcans got more development in episodes like TNG’s Sarek, and of course, through storylines in Enterprise.

The problem I have with this, really, is not so much in concept – I think the original poster is right about that – but in execution. Sybok’s best moment is arguably his final one, when he sacrificed himself to help his brother and the Enterprise escape. Prior to that… Sybok wasn’t *outstanding*, really. There is more to The Final Frontier than some fans give it credit for. And like most Star Trek characters, really, there are elements to Sybok, to the way he’s written, and to the portrayal on screen that worked or that hold some interest. And I will say, to the original comment’s credit, it’s not an argument I’ve seen before.

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #13:
All of “Kurtzman Trek” sucks and should be considered a failure.

Behind-the-scenes photo from Star Trek SFA S1 showing Kurtzman directing

In the time Alex Kurtzman has been in charge of Star Trek for CBS, then Paramount, and now Skydance, there have been more than 200 episodes (and a TV movie) produced and broadcast. Are you telling me, original commenter, that there’s absolutely no merit to *any* of it? Because I find that hard to believe! Even Trekkies who’ve hated most of modern Star Trek have enjoyed some projects – Picard’s third season, or perhaps Strange New Worlds. Alex Kurtzman was in charge of the franchise for that, and was executive producer on both shows.

I don’t think you can write off an entire era of the franchise, any more than you could say “Berman Trek” was bad, or “Roddenberry Trek” sucked. But even if someone is of the opinion that *all* of modern Star Trek is atrocious and without merit… we can agree to disagree without getting into personal attacks. I hope! Has Alex Kurtzman got everything right? No – and I think he’d admit that. But has there been some fantastic Star Trek on our screens since he’s been helming the franchise? I believe there has been.

Unpopular? 🛑No!🛑
Agree? 🛑No!🛑

“Unpopular” Opinion #14:
Voyager focused too much on Janeway, the Doctor, and Seven of Nine from Season 4 onwards.

Composite of promo photos for Star Trek Voyager showing Janeway, Seven, and the Doctor

I was surprised to see this on one of the “unpopular opinion” posts – not because I disagree (I don’t), but because I’ve never seen anyone else share this opinion online before! For me, the back half of Voyager’s run felt swamped by one character: Seven of Nine. Seven would apparently “learn” some lesson in how to be human one week, only to seemingly forget it all in time for the next story. This led to several Seven/Janeway and Seven/Doctor episodes being so awfully repetitive that I sometimes mix them up. Voyager’s still a great show, don’t get me wrong, but taking some spotlight episodes away from Seven and redistributing them to neglected characters like Chakotay, Tuvok, or B’Elanna wouldn’t have gone amiss.

Picard rehabilitated Seven of Nine for me, though – I even went so far as to say that that series made Seven into an interesting character for the very first time! So this aspect of Voyager, while admittedly not great, doesn’t feel so bad in hindsight, I guess. And the issue isn’t really that most of these episodes are “bad,” but rather that they’re too narrow in their focus on one or two characters at the expense of other members of the cast. When I used to use Twitter and I shared a similar opinion about Seven of Nine being repetitive and boring, though, I got a fair bit of pushback! So I think this opinion can truly be said to be “unpopular” within the fan community.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #15:
The Maquis were right to leave the Federation.

Photo of the Maquis Raider filming model

This comment went on to lay out that, in the writer’s opinion, the Maquis had every right to reject the Federation and want to leave, regardless of whether they wanted to fight the Cardassians or not. This seems to come from a place of “popular sovereignty;” the political philosophy which states that people should be free to choose how they are governed – and whether they want to remain as part of an institution like the Federation. The right to secession, by definition, exists if popular sovereignty exists within the Federation – something we’ve seen a lot more of in Discovery and Starfleet Academy, to be fair.

So should the Maquis have been allowed to leave? I would say yes… in principle. But it also isn’t quite so straightforward. The Federation had to balance the rights of its citizens along the Cardassian border with the need to avoid war with the Cardassians – something that would have impacted Maquis colonists *and* the rest of the Federation. Sometimes, as Spock would say, “the needs of the many outweigh the needs of the few.” If you’re one of the few, in that case… that kinda sucks, especially if it means you have to abandon your home. So it’s not quite as cut-and-dry as presented. But as a general rule, if Federation member worlds want to leave, even if they began life as colonies… they should surely be allowed to do so.

Unpopular? 🛑No!🛑
Agree? ✅Yes.✅

“Unpopular” Opinion #16:
The Tellarites and Andorians deserve more screen time.

Still frame from Lower Decks Mining the Mind's Mines showing Jennifer

The four original founding members of the United Federation of Planets were humans, Vulcans, Tellarites, and Andorians – yet only Vulcans have really been explored across Star Trek’s nearly six decades of history. Enterprise told more stories with the Andorians, sure, and we’ve seen Tellarites (and half-Tellarites) in Prodigy and Starfleet Academy. But these two races still feel underrepresented across the franchise as a whole. Partly, it must be said, that’s because of their almost complete absence from all three shows of The Next Generation era.

Since the turn of the millennium, Star Trek has made moves to address this. But it would still be neat to get a major Andorian or Tellarite character in the next live-action film or series. These two races are important to the Federation within Star Trek’s fictional history, so it is kind of odd, when you think about it, that they haven’t been seen more often. I would suggest, perhaps, that the more complex prosthetic makeup – when compared to the likes of the Vulcans, Bajorans, and so on – may have made it a bit more difficult or expensive in years gone by. Less of an issue today, though! It’s not an argument I’ve seen very often, and I think that, especially prior to Enterprise, a lot of Trekkies had more or less forgotten about both of these races, and didn’t seem to care much about them.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #17:
Jack Crusher was an especially bad character in Picard Season 3 because of what his existence says about Beverly.

Still frame from No Win Scenario showing Jack

This post argued that Jack Crusher’s “secret birth” storyline actively harms his mother’s characterisation. By essentially hiding Picard’s son from him, concealing the birth, and disappearing for decades, Dr Crusher – in this person’s opinion – committed an unforgivable sin, and it was also something that she wouldn’t have done based on the way she was in TNG.

For my two cents, I didn’t think Jack was the best part of Season 3. The storyline he was wrapped up in, while not his fault on his own, wasn’t all that great, and I found it hard to buy into the idea that the character was only twenty-one years old (since the actor who played him was in his mid-thirties). Further, giving this version of Picard a storyline about discovering he had a long-lost son didn’t feel right, either – it felt like a story better-suited to someone younger, which seemed to go against other themes in the season. However, on the specific criticism of Jack “harming” Dr Crusher’s character… I don’t think I agree. It was explained in the show why she did it – to keep Jack safe from the shenanigans that constantly swirl around Picard – and I actually felt that this version of Dr Crusher had a bit more personality than she did in most of TNG. It wasn’t a random thing; Dr Crusher didn’t decide to leave for no reason. And her reasoning made sense in the context of the show.

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #18:
Strange New Worlds’ Gorn arc is good, and the Gorn make for entertaining villains.

Still frame from Hegemony Part 2 showing a Gorn

I didn’t really realise that this one was quite so controversial until I saw some of the comments under posts expressing this opinion! Personally, I’ve really enjoyed Strange New Worlds’ take on the Gorn – transforming them into almost Xenomorph-inspired “monsters” has definitely shaken things up. At the same time, though, leaning too heavily on the monstrous angle does raise questions about the Gorn’s sentience and ability to be a spacefaring race, so there probably are moments where it went a little too far in one direction.

Strange New Worlds had a bit of a challenge, I suppose, when it came to villains. Most Star Trek villainous factions are off the table: Discovery had recently done the Klingon war, DS9 has already done a big Cardassian war, there can’t be the Romulans in a big way due to the timeline, and returning to the likes of the Xindi from Enterprise wouldn’t have worked very well, either. So to pick a race like the Gorn – who have run-ins with Starfleet in this era – wasn’t a bad idea. And giving them a new, more frightening presentation has – in my view – worked pretty well.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #19:
It’s hard to get used to the way Avery Brooks delivers his lines.

Still frame from In The Pale Moonlight showing Sisko

This one’s a toughie for me, because I first watched Deep Space Nine in the mid-1990s when I was a wee bairn. I can’t remember ever thinking that the way Sisko speaks is weird or offputting, as this commenter suggests. In fact, all of my DS9 memories are positive from that period, and Sisko quickly became one of my favourite parts of the entire Star Trek franchise. His vocal delivery, cadence, and manner of speaking weren’t things I’d considered at all until I read this post.

I suppose, to be fair to the commenter, Avery Brooks might come across as a bit of a thespian; the way he speaks and emotes is at least partially inspired by acting in the theatre for a live audience. But the same is definitely true of Sir Patrick Stewart, in that case – and other Star Trek regulars, too. Many actors get their start in stage productions, and that’s not a negative thing at all. Obviously, the way any of us feel about an actor and a performance is going to vary, and I would never say that everyone “must” like Captain Sisko or the way Avery Brooks portrayed the character. But for me… this just isn’t something I ever remember feeling when DS9 was new, and I haven’t heard this argument before.

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #20:
Bending the rules of “canon” is okay.

Stock photo of a cannon

Every time a new Star Trek story touches on a character, alien, faction, or even an aesthetic or design we’ve seen before, some folks crawl out of the woodwork to moan about “violating the integrity of canon!” I’ve actually written about this subject before, and I tried to lay out that my position is a bit more nuanced than the black-or-white, “respect all canon” versus “I don’t care” debate that flares up, from time to time, within the Trekkie community! In short, I’d argue that the foundational building blocks of a fictional world and its key characters should be kept the same, but the minutiae can be changed.

As an example: warp drive works using dilithium, so future Star Trek stories need to keep that in mind. But if one episode says warp seven takes a week to reach Romulus and another episode says it takes three days… that kind of thing doesn’t matter. Nor does the fact that uniform designs look different from one show to another. So, yes, canon matters because basic internal consistency within Star Trek’s fictional setting is important if I’m to maintain my suspension of disbelief. But it isn’t the only thing that matters, and we needn’t sacrifice interesting narrative ideas at the altar of “canon purity” if there’s a fun story to be told.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

“Unpopular” Opinion #21:
A crossover between Star Trek and Star Wars is a great idea.

Still frame from Return of the Jedi showing Vader and Luke on Endor

As a kid playing with action figures, I already achieved this goal thirty-five years ago! Jokes aside, fans of both Star Trek *and* Star Wars have speculated about what a crossover might look like for decades. And who knows… with Paramount buying up everything in Hollywood, maybe it’s no longer the impossible dream that it once appeared to be!

There are some pretty big hurdles, though, just from a practical point of view. Both franchises are owned by competing companies, and both have decades’ worth of complicated lore and history. Then there’s the question of time and place – Star Wars famously takes place “a long time ago in a galaxy far, far away,” whereas Star Trek takes place in a vision of our future. Which characters would be involved? And how would Star Trek’s technology co-exist with hyperdrives, lightsabres, and the Force? As tempting as it might sound on some level, I don’t think I’d go for it if I were in charge!

Unpopular? 🛑No!🛑
Agree? 🛑No!🛑

“Unpopular” Opinion #22:
The Prime Directive is unethical.

Still frame from Star Trek Insurrection showing the duck blind

Several commenters argued that the Federation’s Prime Directive is a fundamentally unethical policy, because it condemns whole civilisations to extinction just because they haven’t developed one specific technology. And, on the surface, that seems to track – stories like Pen Pals, Dear Doctor, and the beginning of Into Darkness quite clearly show Starfleet has the ability to intervene, but chooses not to, even when there’s an existential risk to an entire race of sentient beings.

The Prime Directive, fundamentally, is about not interfering with or altering the trajectory of societies that haven’t yet discovered alien life. And it makes sense, right? Think of the chaos it would cause to our own society if aliens descended from the skies – even if they had the best of intentions. We aren’t ready for that, and maybe we won’t be for a long time. The rigidity of the Prime Directive throws up some strange situations, though – but we often see our heroes finding ways around it, and the fact that they never seem to get in trouble suggests that Starfleet is okay with rule-bending, sometimes!

Unpopular? 🛑No!🛑
Agree? 🛑No!🛑

“Unpopular” Opinion #23:
Too many people are related to Spock, best friends with Spock, falling in love with Spock, or revere Spock.

Still from YesterYear (Star Trek TAS) showing Spock

Spock has become a larger and larger part of Star Trek, over the years, even as we’ve moved further away from The Original Series. He and his father appeared in The Next Generation, Spock crossed over to the Kelvin timeline where he met his younger self, and Spock has had two long-lost siblings that he never mentioned: Sybok and Michael Burnham. Chapel falls in love with Spock, La’an falls in love with Spock, and all the while, Spock is betrothed to T’Pring. Characters like Boimler talk about Spock with reverence, too. Yeah… it’s kind of a lot, huh?

It can feel, sometimes, like Spock is too present and too big a part of the storylines he’s included in. I’d be totally fine with stepping back from Spock, for a while, and giving other characters a chance to be in the spotlight. The Burnham connection has been established at this point, and there won’t be any retconning or removal of that. But going forward… if we’re lucky enough to see more Star Trek entering production, setting Spock aside would probably be for the best – at least for a while.

Unpopular? 🛑No!🛑
Agree? ✅Yes.✅

“Unpopular” Opinion #24:
René Auberjonois should’ve played Odo with an exaggerated French accent.

Still frame from What We Left Behind showing Odo

This one… I think it was entirely tongue-in-cheek! But I thought it was funny, and it’s my list so I’m including it. René Auberjonois played the French chef in The Little Mermaid, and his French accent is pretty iconic! It would’ve certainly shaken things up, with Odo becoming much more of a comic relief character, especially if Auberjonois really hammed it up. Would it have made DS9 *better*? Uh, probably not. Would some of his conflicts with Quark have been a lot funnier, though? Yes.

Look, this was just a bit of silly fun. I’m pretty sure no one’s out there seriously suggesting that giving *any* Star Trek character a comedy accent would’ve improved the show. But it’s fun, as fans, to think about these things sometimes. How different would episodes like The Die Is Cast have been if Odo were hamming it up, sounding like the French chef from The Little Mermaid? And, to the credit of the original commenter, it’s not an opinion I have *ever* heard expressed before!

Unpopular? ✅Yes.✅
Agree? 🛑No!🛑

“Unpopular” Opinion #25:
Star Trek *should* change over time, and not simply re-make TOS or TNG for every new series.

Still frame from Vox in Excelso showing the cadets

As early as the ’70s, when The Animated Series entered production, Star Trek was changing. When Phase II was reimagined as The Motion Picture, and Star Trek went to the cinema for the first time, the franchise changed. Star Trek, like any long-running franchise, moves with the times. That means the way shows look and feel changes, it means the way characters are cast and handled changes, and it means the nature of storytelling changes, too. The entertainment industry is not a static, stagnant thing, and if the higher-ups at Star Trek tried to recreate The Original Series every time… well, the franchise probably would have died out a long time ago.

That being said, some experiments and changes work better than others. I’m firmly of the opinion, having seen multiple seasons of modern Star Trek, that the franchise *needs* the freedom episodic television brings, and that serialised stories need to be a much smaller part of Star Trek in the future… assuming there will be a future. It seems that Skydance, Star Trek’s new corporate overlords, are more interested in films than streaming TV, so that could be another change coming down the pipeline. But the original poster is correct – Star Trek can’t afford to be left behind as the entertainment industry shifts around it. Figuring out what to change, how far to take those changes, and what fundamentals need to be left in place, though… that’s a tougher set of questions, and modern Star Trek hasn’t always stuck the landing, unfortunately.

Unpopular? ✅Yes.✅
Agree? ✅Yes.✅

So that’s it… for now!

Concept art of the USS Enterprise in Spacedock for The Search for Spock
Concept art of the USS Enterprise in Spacedock.

Stay tuned, because I have *at least* another twenty-five of these “unpopular” opinions that I’d love to write up one day.

I hope this has been a bit of fun. If I tore a hole in an opinion you agree with… please try not to take it personally! This is meant to be a bit of light-hearted fun, joining in with the Star Trek fan community in my own way, and not something to get too upset about or offended by. I tried to pick a mix of different opinions from across social media, touching on different parts of the franchise, including things I agreed with and didn’t agree with.

If you missed it, I have a two-part review of Starfleet Academy’s first season, which is now live on the website. You can find part one by clicking or tapping here, and the follow-up by clicking or tapping here. And there’s more Star Trek content to come as the 60th anniversary nears! I’ve got plans for re-watches, theories, and more, so I hope you’ll check back from time to time. Thanks for joining me to dissect these “unpopular opinions,” and Live Long and Prosper!


Most Star Trek films and TV shows discussed above can be streamed now on Paramount+ in countries and territories where the service is available. The Star Trek franchise – including all films, TV programmes, and other properties discussed above – is the copyright of Skydance/Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The Star Trek Fan Community’s Worst Theories

A Star Trek-themed spoiler warning.

Spoiler Warning: There are spoilers ahead for practically the entire Star Trek franchise, including recent seasons of Picard, Strange New Worlds, and Starfleet Academy.

I like to engage in a bit of theory-crafting here on the website! If you’re a regular reader, you might’ve followed along with my weekly Discovery and Picard theories while those shows were on the air. Or perhaps you clicked on one of my viral theories speculating about Unknown Species 10-C, Q, or Vadic. Or maybe you’re brand-new to Trekking with Dennis… in which case, welcome! But my point is that I like Star Trek fan theories, I write a lot of Star Trek fan theories, and I get a *lot* of things utterly wrong.

I give that caveat for one important reason: this piece, in which I’m going to demolish some fan theories that I’ve found doing the rounds in the online Trekkie community, is meant to be tongue-in-cheek! I’m trying to have a bit of fun with the Star Trek franchise in this landmark sixtieth anniversary year, and picking apart some fan theories I’ve come across on social media seemed like it could be a way to do that. But I’m not taking this too seriously, and you only need look at my own fan theories to see how bad some of them were.

Cropped promo poster for The Search for SquarePants (in a Star Trek style).
Brace yourself. Things are about to get… silly.

More than ever, I encourage you to keep in mind that this is entirely *subjective, not objective*, and that we’re dealing with non-canonical fan theories which are likely never to be confirmed nor even referenced on screen. This is just for fun, it’s supposed to be a light-hearted exploration of some of the Trekkie community’s “wilder” and more “out there” ideas, and it’s just one person’s take on things, at the end of the day. So please try to keep all of that in mind as we go through these theories!

I visited a few different Star Trek social media pages and channels, collecting twenty-five theories that I thought sounded… well, to be blunt, I thought they sounded kinda silly. Some of these seem to have been written almost as parody, but others did seem to have elicited debate, and clearly have believers. But in any case, all of these made interesting (or weird) points, and I thought breaking them down could be a bit of fun as we continue our year-long celebration of the franchise’s sixtieth anniversary.

Screenshot from Star Trek: Generations (PC game) showing the Enterprise-D firing phasers.
The Enterprise-D. Bonus points if you know where this image comes from!

These theories cover all kinds of topics, and span the breadth of Star Trek’s history, from The Original Series all the way through to some of the most recent episodes of Starfleet Academy. Some fans have been, shall we say, especially *creative* with their ideas! Which is fantastic. I adore the Star Trek fan community and how passionate folks can be. As I’ve said many times here on the website: crafting a theory is a great excuse to spend a bit more time in Star Trek’s wonderful galaxy, and even though I may disagree vehemently with a theory, I love that Trekkies all over the world are so invested in this franchise.

We’re going to get into the theories now, so consider this your final content warning. This is your last chance to jump ship if you need to avoid spoilers or if you don’t want to come across some potentially controversial Star Trek opinions! The theories below are in no particular order.

Theory #1:
Dr McCoy knows that he’s a character in a TV show.

Still frame from Star Trek: The Original Series Journey to Babel showing Dr McCoy.
Leonard “Bones” McCoy.

In The Original Series, there were a handful of moments that seemed to break the fourth wall – i.e. where characters within Star Trek seemed to acknowledge the audience, or that what was unfolding on screen might not be real. Dr McCoy was a key part of one of the most (in)famous fourth wall breaks in The Original Series: the closing scene of the Season 2 episode Journey to Babel. In this scene, Dr McCoy remarks that he “finally got the last word,” after shushing Kirk and Spock – seemingly referencing other episode endings in which Kirk, Spock, or another character would say the closing line or remark on what had transpired. Furthermore, McCoy seems to say this while looking *almost* straight into the camera.

Without getting too nitpicky, I think we can debunk this one by explaining that McCoy was simply commenting on Kirk and Spock’s tendency to talk over him in-universe, rather than anything more meta! And the choice of camera angle, rather than hinting at McCoy somehow being self-aware, was merely a close-up. The Original Series did close-up shots like that all the time, and McCoy’s gaze is slightly off to one side, not straight down the lens. There’s nothing in canon to suggest that Dr McCoy is somehow self-aware of his status as a character, and anything that hints otherwise can be written off as a quirk of the show’s production or writing.

Theory #2:
The show T.J. Hooker depicts Kirk’s adventures on a holodeck.

Poster/box art for T.J. Hooker.
It’s Captain Kirk!

T.J. Hooker stars William Shatner in the lead role, and if you don’t know it, it’s a police procedural show from the ’80s. Besides Shatner’s role, Leonard Nimoy had a small role in one episode (and directed another), and James Darren (DS9′s Vic Fontaine) was a regular character. The series was in production alongside three Star Trek films – The Wrath of Khan, The Search for Spock, and The Voyage Home. But… that’s it. There are no overt references to Star Trek in T.J. Hooker, nor to T.J. Hooker anywhere in Star Trek – at least, not that I can recall.

If fans want to watch the show and make this inference… I mean, there’s nothing stopping you anymore. A few years ago, I might’ve said that the holodeck is a 24th Century creation, but Strange New Worlds has blown that theory out of the water. Holodecks clearly did exist at the time of The Wrath of Khan, and to be honest, I could see Kirk choosing to play make-believe as a cop in the ’80s. Obviously this isn’t and never will be canon… but don’t let that stop you!

Theory #3:
Borg “transwarp” is actually the mycelial network (from Discovery).

Still frame from Star Trek: Picard S1 showing the Artifact at transwarp.
A Borg Cube exiting a transwarp aperture into normal space.

I think we have enough context to fully debunk this one, right? Discovery’s mycelial network and Borg transwarp behave completely differently to one another, with the USS Discovery able to “jump” instantaneously to points across the galaxy, whereas Borg vessels enter a transwarp network and are accelerated to vast speeds. Borg transwarp is way quicker than warp speed and clearly allows for much faster transport than anything 24th or 25th Century Starfleet is capable of. But it lacks the instantaneous movement or the “jumping” effect of Discovery’s mycelial network. So I think that alone rules it out.

One thing that Star Trek’s writers usually do well is keep the intricacies of different technologies pretty vague. We know that dilithium crystals moderate the antimatter reaction in a warp core… but what that technobabble actually means, or how it all truly works, is a mystery. And you could argue that Borg transwarp is even more mysterious; just because no Borg character ever said the words “mycelial network” doesn’t mean they don’t have access to that technology. I will concede that it stands to reason that, if the mycelial network is a known phenomenon in the Star Trek galaxy, the Borg would be aware of it. But that doesn’t mean it’s how their transwarp network operates, and there are enough differences between how they appear on screen as to render this one null and void for me.

Theory #4:
Transporters beam out everyone’s bodily waste.

Star Trek art of a giant poo on a transporter pad.
Yuck.

Uh, sure… *that’s* what the Federation uses transporters for. Rather than going to the toilet, no one in the future is potty trained, and instead, transporters automatically empty everyone’s bladders and bowels every time they start to fill up. That’s why you never see a toilet aboard a starship, and why only the most oblique references are made to “waste extraction.”

But… this is just plain *silly*, isn’t it? “Waste extraction” was only ever mentioned in DS9, and only on a few occasions. There are few direct depictions of toilets in Star Trek, but there are references to them. Kirk sits on a toilet (clothed) in The Final Frontier, and Boimler says he dropped his tricorder in the toilet in Lower Decks. If we count non-canon sources, like starship blueprints, toilet facilities can be seen on a few different 23rd and 24th Century vessels, too. There are types of toilet today that don’t use water or a flushing system, and it’s conceivable that, in the future, refinements or brand-new designs could have been invented. Considering the energy cost, the number of transporters required, and the constant need to be in transporter range… I can’t see this being realistic. A fun, jokey idea? Sure. But something to take seriously? No!

Theory #5:
The USS Riker (from Starfleet Academy) is crewed entirely by Will Riker’s descendants.

(Cropped) still frame from Star Trek: Starfleet Academy S1 showing a Federation fleet.
One of these ships (probably the one on the far left) is the USS Riker.

The USS Riker has (at time of writing) appeared in one episode of Starfleet Academy – a blink-and-you’ll-miss-it cameo in Vox in Excelso. Someone online suggested that the Riker’s entire crew are the descendants of TNG’s Will Riker – famous, somewhat, for his womanising ways and romantic liaisons with a variety of different characters across the show’s seven-season run. Riker would later settle down with Deanna Troi, as we saw in Picard, and had two children – only one of whom survived to the dawn of the 25th Century.

But could Riker’s many flings and one-night stands across The Next Generation have led to more… offspring? This theory says so! And while I think it’s a cute joke within the fandom at the expense of how Riker was sometimes written, I don’t think it has an ounce of actual merit. Firstly, we don’t even know for sure that the USS Riker is named for *William* Riker and not some hypothetical other character. Riker’s father, Kyle, also worked for the Federation, the transporter clone known as Thomas may have survived the Dominion War, and Riker’s daughter may also have gone on to achieve something significant, just to give three examples of characters we know to exist. So… this cameo was cute, and appreciated by this old TNG fan. But the idea of a ship crewed entirely by the descendants of Riker’s various liaisons? Silly!

Theory #6:
Discord (from My Little Pony: Friendship is Magic) is actually Q.

Still frame from My Little Pony: FiM S6 showing Discord.
Discord.

We could’ve done an entire article on *just* theories involving crossovers with other franchises, I guess! But this one really does make me smile, because it’s just so silly. I concede that Q and Discord have some pretty obvious similarities: their personalities, their penchant for trickery, and the fact that they’re both ancient beings who form a bond with a mortal protagonist. But c’mon, guys… these are two completely different franchises with very little in common, totally different target audiences, and which are owned by two competing corporations.

John de Lancie portrays both characters, which is where this idea seems to have originated, but that’s really as far as it can go. The same voice actor has found himself somewhat typecast into playing a role which may have been directly inspired by his earlier character. That’s it. Q can’t exist in a franchise where… Q doesn’t exist. It’s a fun head-canon, I guess, if you’re a fan of both universes. But there’s no way it can be anything more than that.

Theory #7:
Benny Russell is real, and Gene Roddenberry stole Star Trek from him.

Still frame from Star Trek: DS9 showing Sisko seeing Benny Russell.
Sisko sees a reflection of Benny Russell.

There are a few variants of this theory. Some posit that, in-universe, the episode Far Beyond the Stars suggests that Star Trek as a whole exists as a fictional creation. I don’t agree with that at all (it’s always seemed logical, to me, that Benny Russell is a vision from the Prophets and nothing more), but I don’t, like, viscerally *object* to fans subscribing to that idea or exploring it. But I have seen fans propose – I *hope* entirely in jest – that there was a real Benny Russell once upon a time, and Gene Roddenberry either got the idea for Star Trek from him… or stole it.

If this is a total joke, which I believe it is, then… I mean, sure. Humour is subjective, and just because I don’t personally find it all that funny… I’m not the joke police. I can’t imagine any Star Trek fan taking this idea seriously, though, because it implies that not only did Gene Roddenberry steal these stories and this world-building, but then the DS9 writers – who must’ve known or been in on it – created a fictionalised version of Benny Russell as a character in their show… for… reasons? As a “confession?” A fun joke, maybe, but not something to take seriously.

Theory #8:
Saavik and/or Tuvok are transgender (because of Vulcan naming customs).

Saavik and Tuvok (from Star Trek) on a rainbow background.
Saavik and Tuvok.

In The Original Series, every named Vulcan we met had a name beginning with S if they were male or T if they were female. But then, in The Wrath of Khan, we met Saavik – the first female Vulcan whose name begins with an S. Cue the fan theories! In short, this theory posits that, because of Vulcan naming conventions that were established in TOS, Saavik and Tuvok “must” be transgender. Saavik would be a trans woman and Tuvok a trans man.

Setting aside the silly premise for a moment, let’s think about this. There are some transgender folks who keep their birth name after transitioning, but it’s more common in the trans community to choose a name more befitting of one’s true gender. For Saavik and Tuvok to keep their deadnames wouldn’t make a lot of sense. Then there’s the fact that there’s absolutely no trans storytelling for either character… at all. In a way, you might say that’s great – that the Federation just accepts everyone and doesn’t make a big deal of it. But for a writer to introduce a character who is intended to be trans and then make no effort to tell a single trans or trans-adjacent story with them? And for fans to have to infer, years after the stories were first told, that these characters are meant to be trans? We’re hitting “Harry Potter” levels of fake inclusivity. If you find something relatable in Tuvok or Saavik as a trans person, I don’t wanna take that away from you. But it’s not how I read either character, and there are other explanations for their names.

Theory #9:
Star Trek V: The Final Frontier didn’t happen; it’s all just Kirk’s bad dream.

Three posters for Star Trek V: The Final Frontier.
Did it really happen?

Have you ever taken a creative writing class? One of the first things the teacher warns you about is the importance of avoiding tired narrative clichés… like “but it was all just a dream.” And to me, that’s how this fan theory comes across. I get that not everyone likes The Final Frontier; I personally rank it as one of the lesser Star Trek films, too. But just because it isn’t popular… that doesn’t mean its events can be scrubbed from canon altogether. Not to mention that the film does genuinely have redeeming features and moments of characterisation (like Kirk, Spock, and McCoy camping) that I wouldn’t want to lose.

This theory hinges on Kirk’s starring role, and the fact that some of his worst fears seem to come true. Sybok’s presence (and Spock never having mentioned him) seems to threaten their special bond. His ship is stolen from him. Members of his own crew turn against him. And there are discrepancies, like the number of decks the Enterprise-A seems to have, or the “Galaxy-class” feel to the ship (caused by recycling sets from The Next Generation). But to me, this one feels like wishful thinking at best… or clutching at the tiniest of straws at worst.

Theory #10:
Nick Locarno and Tom Paris are the same person.

Promo photo for Star Trek: Voyager showing Tom Paris.
Tom Paris… or should that be Nick Locarno?

I think it’s safe to say that Lower Decks has debunked this one (though I still need to get caught up on that show!) But before Locarno made a return to Star Trek, fans speculated that “Nick Locarno” was actually a pseudonym adopted by Tom Paris prior to enrolling in Starfleet Academy. The theory went that Paris wanted to keep his connection to his father (who is a senior officer) a secret – either to be judged on his own merits, or for some other reason.

There are similarities between Locarno and Paris, besides the obvious point that both characters were played by Robert Duncan McNeill. They’re both able pilots, they both have a cocky or arrogant streak, and both have an ambivalent relationship with the Federation and its rules. On the production side of things, it’s long been rumoured that Voyager’s creators wanted to use Nick Locarno, but were concerned about having to pay royalties to the writer of The Next Generation episode in which he originated, so a new, very similar character was created. A photo of McNeill in his role as Locarno can be briefly seen in Voyager, representing a younger Tom Paris in his father’s office. So there’s merit to this in theory… but Lower Decks has completely debunked it by now. And if it were true, I’d have expected Paris to have said so, or for it to have been noted by Janeway early on in the series. The “Locarno” persona might’ve worked for a while, but the scandal would surely have blown his cover, and his identity would be common knowledge by the time of Voyager – at least among senior officers.

Theory #11:
Section 31 isn’t a real Federation organisation – it’s a criminal syndicate pretending to be one.

Still frame from Star Trek: Section 31 showing four main characters.
Section 31: Federation black-ops division or crime syndicate?

The way Section 31 has been depicted in Star Trek has fluctuated a lot. There’s been the clandestine, shadowy agency we encountered in DS9 and later in Enterprise. Then there’s the out-in-the-open branch of Starfleet Intelligence from Discovery. And finally, the “rag-tag gang of misfits” from the TV movie. But one thing that has remained consistent in Section 31 is that the people involved are all Federation die-hards doing things they believe to be in the Federation’s best interests… even as they answer to no one and wield almost unfathomable power.

I can see a world in which a criminal syndicate would side with Starfleet to help prevent, say, the Federation’s total conquest by the Dominion. Or in which Starfleet would make deals with shady crime lords to acquire some kind of biological weapon when faced with an existential crisis. And I can even see a world where a clever criminal would *claim* to be from a government agency or black-ops division as a tactic. But do any of those things apply to Section 31? I would argue no. The closest Section 31 has come to that kind of presentation came in the TV movie, but even then, it was clear that Starfleet was involved – albeit that the mission was still off-the-record. So this idea is simply debunked by what we’ve seen on screen – as fun as it might seem.

Theory #12:
Jean-Luc Picard is Wesley Crusher’s biological father (and he treats him the way he does out of a sense of guilt or obligation).

Still frame from Star Trek: TNG S1, showing Picard, Dr Crusher, and Wesley.
Picard with Wesley on the bridge of the Enterprise-D.

Sometimes you come across a theory – even one that’s been doing the rounds for years – and you just feel… gobsmacked. I simply don’t read Picard and Wesley’s relationship in this way, and any paternal feelings Picard has for the younger Crusher is pretty clearly explained within the context of the show as stemming from his close friendships with Jack and Beverly. Picard does come to appreciate Wesley’s talents, even giving him a role on the bridge of his ship… but not out of any kind of obligation or guilt – it’s in recognition of Wesley’s skills.

I will admit that Picard’s third season complicated my rebuttal somewhat, as we learned that Picard and Dr Crusher did have a child together, and that Dr Crusher kept this a secret. If she did it once, could she have done it years earlier? It could have been an interesting plotline in The Next Generation or even in Picard, if it had been handled well, but despite having some merit in theory, nothing in the show itself leads us to that conclusion. And such a complex story would require a very sensitive and well-written episode or arc, and I’m not sure it would’ve been handled well or been well-received by a large portion of the fanbase. So this one… it can be your head-canon, if you like, but it goes no further in my opinion!

Theory #13:
The Progenitors evolved into the Founders.

Still frame from Star Trek TNG showing an ancient alien/Progenitor.
A Progenitor in The Next Generation.

I don’t know if this theory came about because the same actress (Salome Jens) played both the ancient alien hologram in The Chase and the Female Changeling on DS9, but I suspect that has something to do with it! In any case, this theory posits that the “Progenitors,” as Discovery would later dub them, didn’t go extinct or disappear from the galaxy, but instead evolved to become the Founders of the Dominion. And on the surface, it doesn’t seem totally impossible. The Founders claim to have once been fully solid. And the Founders are capable of genetically engineering entire races. But if the Founders *were* descendants of the ancient aliens who seeded the entire galaxy with life… you’d think they might’ve mentioned it.

For me, that’s where this theory falls down. Something so monumental to who the Founders are – and most Founders seem to be almost ageless – would surely be preserved knowledge, handed down through the millions of years of their existence. Yet the Founders not only don’t bring this up, but they’re distrustful of any non-shapeshifters to the point of paranoia – not something you’d expect to see in the grandparents of the galaxy’s races. I don’t really like the way the Progenitors’ storyline went or what it says about the Star Trek galaxy, and perhaps that’s my own bias showing through when I rule out this theory. But I do believe that something so important would be known to the Founders, and it would be something they’d have at least tried to communicate in their various dealings with “solids.” Not to mention that, for a race that would need to be billions of years old… it’s weird that their technology got to a 24th Century level and apparently stayed there.

Theory #14:
Every film and episode that premiered after First Contact takes place in an alternate reality, due to the changes made to the timeline.

Still frame from Star Trek: First Contact showing the launch of the Phoenix.
The launch of the Phoenix.

Time travel is a pain in the arse, isn’t it? Time-loops, paradoxes… all of that. It’s very difficult to write a compelling time travel story and pull it off flawlessly – even more so in a long-running franchise with a timeline that has to be basically consistent from one episode to the next. This theory posits that the changes Picard and co. made in the 21st Century were so serious that the Star Trek franchise can essentially be divided into two alternate realities: pre- and post-First Contact stories.

I don’t know how to word this without using terms like “destiny” or “fate,” but I think the way we’re meant to read the events of First Contact is that the interventions by the Borg and Enterprise-E were always “meant” to happen; i.e. they happen in every timeline. That’s why there was no Department of Temporal Investigations inquiry, and no ramifications for Picard for meddling in the timeline. We could also ask why First Contact should be the divide – why not other time travel stories, like The City on the Edge of Forever, Assignment: Earth, Past Tense, or even Endgame. All of these made major changes to the timeline that, by the same logic this theory uses, could create an alternate reality.

Theory #15:
Discovery Seasons 3-5 didn’t happen – and what we saw are Pike’s imaginings during his convalescence on Talos IV.

Still frame from Star Trek: Discovery showing Saru, Tilly, and Burnham.
Tilly, Saru, and Burnham in the 32nd Century.

I don’t see how you could subscribe to this theory without also writing off Starfleet Academy, Section 31, and probably Strange New Worlds, too, as they’re all connected. But setting that aside… this theory reminds me more than a little of the Star Wars so-called “theory” that one or more of the sequel trilogy films is “about to be removed from canon!!1!” In short, it feels like a bit of a cope from folks who don’t like Discovery, the 32nd Century setting, and in particular, the Burn.

My personal view, by the way, is that – somehow – a future Star Trek production should find a way to gently push Discovery’s 32nd Century out of the prime timeline, partially because of how depressing the Burn is as a future destination, but also because of how it turns any potential future film or TV show into a de facto prequel to Discovery. But that isn’t the issue here: this theory posits that nothing we saw on screen in Discovery’s 32nd Century actually happened to begin with. That simply isn’t true; Discovery, Strange New Worlds, Section 31, and Starfleet Academy all coexist in the prime timeline. You can choose to disregard different parts of Star Trek from your personal head-canon; fans have been doing that for decades. Or you can choose not to tune in to any new shows set in that era. That’s totally okay. But this theory can be nothing more than head-canon, and a heavy hit of copium for folks who hate where Discovery went.

Theory #16:
Dr Zimmerman used the Professor Moriarty hologram when creating the EMH.

Still frame from Star Trek: Voyager showing Dr Zimmerman.
Dr Lewis Zimmerman.

In the episode Elementary, Dear Data, we saw the creation of a sentient, self-aware hologram: Professor Moriarty, Sherlock Holmes’ nemesis. Moriarty would later be re-activated and trapped in a holographic world, before apparently being transferred to Section 31’s Daystrom Station by the early 25th Century. As one of the first truly sentient holograms, it’s not impossible to think Starfleet would’ve wanted to study Moriarty, figuring out how a simple miscommunication with the Enterprise-D’s computer could lead to such an entity coming to exist.

This theory goes a lot further, though, suggesting that Dr Zimmerman – the creator of the EMH programme – used Moriarty in some way, either as a “template” or just to further his own research. And while nothing on-screen explicitly contradicts this idea, it’s just not something I think makes a ton of sense. Zimmerman is presented as egotistical and selfish, so the idea that he’d rely on someone else’s work instead of developing his own holograms doesn’t make a lot of sense. And it’s strongly implied in DS9 and Voyager that the EMH Mark I (i.e. the Doctor) had a long and difficult creation process, with some of Zimmerman’s more basic holograms coming first. So while the idea of Starfleet researching Moriarty makes sense, I don’t think Zimmerman being involved really does.

Theory #17:
Enterprise’s mysterious “Humanoid Figure” is Archer from the future, and he’s trying to sabotage his own earlier missions. For some reason.

Still frame from Star Trek: Enterprise showing Archer and the Humanoid Figure.
Archer meeting… himself?

This theory has the benefit of having been discussed by some of the original writers of Enterprise – with a suggestion that this was even a seriously-considered plot point for what would’ve been Season 5. But as we said above: time travel, time-loops, and paradoxes are really difficult to get right, and the idea of an older, jaded Archer somehow deciding that he wants to sabotage his own earlier mission and his own life… such a story would be difficult to write in a way that made sense, and it would be a challenge to pull it off successfully.

I’ve always interpreted the “Humanoid Figure” as simply being one of the leaders of a faction from the Temporal Cold War/Temporal Wars, though to be honest, I try not to think too hard about this element of Enterprise. Time travel stories just aren’t my favourites in Star Trek, and a significant portion of Enterprise was taken up by these kinds of plotlines. If the “Humanoid Figure” was meant to be Archer – which he wasn’t, at least not originally, as no identity was built into the character at first – it raises too many questions, and would realistically have needed a multi-episode arc. Given what we know of Archer’s future – his captaincy of the NX-01 and his later role in the founding and leadership of the Federation – this villainous turn (and his apparent acquiring of time travel tech) doesn’t make sense, and I struggle to see how a story could be written to take Archer from the textbook definition of a Starfleet captain to a man who tries (and fails) to sabotage… himself.

Theory #18:
We (the audience) are living in the timeline that ultimately becomes the Mirror Universe.

Still frame from Star Trek: Discovery S3 showing Terrans on the bridge.
Soldiers of the Terran Empire.

Do you ever read something and just think to yourself, “god, you were *so close* to understanding the point… but then you blew it?” The Mirror Universe is *intended* to be uncomfortably close to reality – any sci-fi dystopia is! That’s the point of the genre, and Star Trek’s Mirror Universe is meant to be a mirror (get it?) of our current society’s darkest impulses, moral failings, and inclination towards autocracy. That’s the entire point! It’s Star Trek showing us a dark reflection of ourselves to make us pause and think.

If you see elements of the Mirror Universe in today’s world, that isn’t because we’re in some dark timeline that Star Trek predicted… it’s because the stories were deliberately written that way to show us some of our own failings and societal problems. The point isn’t to fall into depression and pessimism, to say that we’re on a dark path and there’s nothing we can do but wait for the Terran Empire to emerge. We’re meant to look at these stories and say, “let’s do something about that. Let’s make changes for the better.” The Mirror Universe, with its pantomime-level overacting and one-dimensional baddies, has never been my cup of tea, and as a metaphor I think it’s almost too basic and too unserious. But in a way, that’s part of how it works: it’s storytelling by fable. The point was never that we’re locked into a dark path to the “bad outcome,” the point is that we have these dark impulses, but we can overcome them. Bad things can happen, and bad leaders can rise to power – but we can stop them.

Theory #19:
The Genesis Device and replicators are the same technology.

Still from Star Trek III showing the Genesis Planet.
The Genesis Planet.

This one made me smile. In a way, I like the idea of Starfleet looking at the Genesis Project and saying, “yeah, let’s not use it to terraform planets, let’s use it to make bowls of tomato soup.” It’s just kind of small-scale and silly. And it’s true that, out here in the real world, technological innovation often comes from unexpected places. An attempt to create a high-strength adhesive famously led to the weak glue used for post-it notes, for instance!

Star Trek works best when its technologies are deliberately kept vague. That allows for maximum wiggle-room when telling a story, and it also allows for head-canon like this to exist. I guess you could say that, based on what we know of both the Genesis Device and replicators, they both use subatomic particles to change one form of matter into another. But does that mean that one was developed from the other, or that Starfleet shut down Project Genesis only to use the same technology in a totally different way? I don’t see it.

Theory #20:
The entire Soong family are clones – which is why they all look the same.

Composite image of various Soong characters from Star Trek.
A family portrait…

This theory exists for one reason and one reason alone: every member of the Soong family that we’ve met is played by the same actor! Brent Spiner took on the role of Data’s creator in The Next Generation, and this was later expanded in Enterprise and Picard to include new ancestors and descendants of the Soong family. They all look the same because they’re all Brent Spiner. But could there be more to it than that?

Adam Soong, the earliest-known Soong ancestor, was interested in genetic engineering, so could he have cloned himself in the mid-21st Century, sometime after the events of Picard’s second season? I mean, it’s not *impossible*, I suppose. But we know in the prime timeline that genetic engineering has been outlawed, so the practice can’t have continued through the generations all the way to Altan Soong in the late 24th Century, surely.

Theory #21:
Worf has an incorrect (or incomplete) idea of what it means to be a Klingon, because he only learned about his culture from Federation books.

Promo photo for Star Yrek: Picard S3 showing Worf.
Worf.

Worf is a Klingon… but he was raised from a young age by humans. That’s a core part of his character background, and having lived away from his homeworld and his people, Worf can feel torn between his loyalties to Starfleet and to the Klingons. But does Worf truly know what being a Klingon means, having only learned about his culture from books? Some fans seem to think he doesn’t, arguing that it explains why Worf seems to lack the famous Klingon sense of humour, being very dour and serious almost all of the time. Others have even suggested that Worf might have a form of “Klingon autism.”

There is the kernel of an interesting idea here, and I think it could’ve been fun to put Worf into a Klingon story as a “fish out of water,” or better, as someone who *thinks* they know everything… until they’re confronted by people who’ve been immersed in that culture from day one. But Star Trek never went down that route, and there are other examples of stoic Klingons who share some of Worf’s traits. It’s an interesting theory, in some ways, but we’ve spent so much time with Worf over the years, and he’s had so many encounters with a huge number of Klingons, that if this theory were even close to true… we’d have seen something more concrete.

Theory #22:
Romulans are the “true” Vulcans, and Vulcans are the ones who left.

Still frame from Star Trek: Strange New Worlds showing a Romulan commander.
A 23rd Century Romulan.

This just flat-out isn’t true. It’s established multiple times in Star Trek that the Romulans were the ones who left their homeworld behind after rejecting the Vulcans’ moves to embrace logic and purge their emotions. Now, if this theory had said that Romulan culture is the original Vulcan culture, I guess we could have more of a conversation, because there’s a way to read the Romulan-Vulcan split that would say the Romulans preserved a pre-Surak, pre-logic culture that the Vulcans may have possessed. But that’s never been confirmed on screen.

What I think would be a way more interesting theory is this: the Vulcans have *always* known the Romulans’ true identity, but chose not to share that with Earth and humanity, perhaps out of a sense of shame or fear. I think there’s a great case to be made that the Vulcans either kept track of the Romulans or else were able to scan their bio-signs, analyse their language, or something after re-encountering them. It’s always seemed likely to me that Vulcan leadership, at least, was aware of their shared history – even if individuals like Spock may not have been. But this idea that the Vulcans are the offshoot… it just doesn’t line up with what we’ve seen on screen in many different stories.

Theory #23:
There is no “Q Continuum;” there’s only one Q, and after billions of years of isolation and loneliness, he’s developed some kind of multiple personality disorder.

Still frame from Star Trek Picard S2 showing Q.
Q in Star Trek: Picard.

Again, we have a theory that directly contradicts things we’ve seen on screen. As far back as The Next Generation, Q was confirmed to be just one member of a species, and we even met other Q in the show. I guess this theory would also propose that all of those individuals were the same Q, but that doesn’t make a lot of sense, does it? Nor does the idea of a Q civil war, as seen in Voyager, or one member of the Continuum committing suicide. If we’d only met Q a few times, and never seen other members of his race, I’d at least have to concede that this one was plausible. But having met dozens of other Q and literally visited the Continuum itself… I think there’s more than enough evidence to dump this one in the “debunked” pile.

There are mysteries associated with Q, though – not least what became of the familiar John de Lancie character after his apparent “death” in Picard’s second season. I just don’t see this as being a plausible theory, or even something mysterious at all. The Q Continuum exists, other Q exist, and trying to overwrite that would mean dozens of stories would be adversely affected. It’s an interesting thought, for sure, but one that just feels thoroughly debunked by what we see on screen.

Theory #24:
The species that abandoned Armus were the Founders.

Still frame from Star Trek: TNG S1 showing Armus.
Armus.

This theory obviously comes from Armus and the Founders both existing in a liquid state, and I can see why it might seem plausible on the surface. But there are two pretty big issues which, in my view, render it null and void. Firstly, Armus lives in the Alpha (or Beta) Quadrant, whereas the Founders and Dominion are native to the Gamma Quadrant. Without access to the Wormhole (which the Founders canonically did not know about until they met the Federation), that’s a decades- or centuries-long journey.

Secondly, and perhaps most importantly, if the point of creating and abandoning Armus was for the Founders to shed their “skin of evil,” and to leave all of their negative traits and qualities behind… it didn’t exactly work, did it? The Founders are paranoid, hateful, and view themselves as superior to most other forms of life. So… how is Armus alone the sum total of all of their negative qualities? Between that and the distances involved, I have to say that I don’t find this one to be plausible. The fact that both the Founders and Armus are liquid doesn’t do enough to outweigh that.

Theory #25:
Apparent discrepancies between The Original Series and the rest of Star Trek are because TOS is a holonovel being viewed from the 24th Century.

Promo image of Kirk, Spock, and McCoy from Star Trek.
Kirk, Spock, and Dr McCoy.

I admire the lengths some fans are willing to go to in order to smooth out inconsistencies in Star Trek’s canon. A similar theory states that These Are The Voyages didn’t happen as shown, because it was an exaggerated or misremembered holo-programme. But in this case… I mean, firstly there’s just no evidence at all that a single part of TOS is a holo-programme. Then there are episodes like Trials and Tribble-ations, which very clearly show that TOS and the 24th Century share a setting. And while there can be inconsistencies within Star Trek’s canon, I’m not even convinced at this point that the line should be drawn between TOS and the rest of the franchise. Why not between, say, Voyager’s finale and everything that came after?

This will sound unsatisfying, especially for folks who love to theorise – and I get that, believe me. But the plain and simple fact is that these discrepancies and inconsistencies exist because Star Trek is a long-running franchise, and these are stories. Sometimes, a new story seems to overwrite or retcon something, or makes a change that’s inconsistent with what came before. While I have argued in the past that internal consistency is important, I’m also not a stickler for the tiniest minutiae of canon, and I believe there’s enough wiggle-room in Star Trek for all of the various parts of its universe to coexist in a single setting.

So that’s it… for now!

Still frame from Star Trek IV showing the sun on the Bounty viewscreen.
We’re flying too close to the sun…

I hope this has been fun. Twenty-five theories was a lot, but at the same time… I feel there’s more to this idea. So if your favourite bad theory didn’t make the cut, stay tuned. I may revisit this concept in the future, if I can find more fan theories to pick on.

As I said at the beginning, this was meant to be a bit of fun, and not something to get too wound up or upset over. While I don’t personally subscribe to any of these theories – for reasons I’ve tried to explain – I found all of them to be interesting, and I don’t want to dent anyone’s passion for Star Trek. I’m a theory-crafter myself, so I respect and appreciate other folks putting their theories out there to be discussed.

HD still frame from the documentary What We Left Behind showing a close-up of DS9.
It’s DS9!

I’ve got a few more ideas for articles and columns as Star Trek’s huge sixtieth anniversary year rolls on. How many TV shows and franchises can say they’ve made it this far, eh? Not many, that’s for sure! It’s a testament to how amazing this franchise is that so many years later, people like us are still discussing and debating every aspect of Star Trek, and still enjoy getting lost in this fantastic setting.

So please stick around throughout 2026 for more pieces celebrating all things Star Trek! Next month, I daresay I’ll be writing a review of Starfleet Academy’s first season. And I’m still hopeful we’ll see Strange New Worlds before the year is out. And there are other theories, discussions, and episode re-watches to get into, too.

Thanks for tuning in this time… and Live Long and Prosper, friends!


The Star Trek franchise – including most films and TV series discussed above – can be streamed now on Paramount+ in countries and territories where the platform is available. Many are also available on DVD and/or Blu-ray. The Star Trek franchise is the copyright of Skydance-Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek Films: My Tier List

A spoiler warning graphic.

Spoiler Warning: There are spoilers ahead for all fourteen Star Trek films, including Section 31.

Almost five years ago, I put all of the Star Trek films into a ranked list. I talked about what I liked and didn’t like about each, and tried to justify my choices! But since I wrote that list, a couple of things have happened. Firstly, I’ve gotten better at using images here on the website – that old piece looks pretty janky in comparison to some of my more recent articles. But secondly – and way more importantly – there’s been a new Star Trek film since then!

I think Trekkies are still a little divided on whether the made-for-streaming Section 31 should count as a Star Trek “film,” and I get that. But for me, Section 31 has the runtime of an (admittedly rather short) film, it’s not a series, miniseries, or anything like that, it has mostly original characters, and it was afforded a higher budget than any individual Star Trek episode would’ve been. For all intents and purposes, Section 31 counts as the newest Star Trek film – the fourteenth since 1979… and hopefully not the last!

Promo photo of Star Trek: Section 31 showing Quasi.
Section 31 is the most recent Star Trek film, and it’s on this list!

So today, I’m going to revisit the Star Trek films, this time using the internet-friendly tier list format that you might’ve seen on a couple of other occasions here on the website! I think most folks have a vague idea about tier lists at this point – but if you don’t, I’ll happily explain how it works.

Instead of giving each film a number from 1-14, which would be hard, we’re going to assign each film one of five tiers: D, C, B, A, and S. D-tier films are the least-enjoyable with noticeable flaws, C-tier titles are average or “just okay,” B-tier films are a step up, being above average, A-tier titles are getting really good, and S-tier is reserved for the absolute cream of the crop! Why is S-tier the top instead of A or something like A-plus? The truth is… I don’t know! But that’s the way everyone else does it, so I’m sticking with it! Some tier lists also include an F-tier for absolute disasters, but since I don’t consider any of the fourteen Star Trek films to be that bad, I’ve opted not to include it on this occasion.

A tier list with ranks S through D and fourteen question marks where the entries would be.
Let’s fill out this blank tier list together!

Now that the explanation of the format is out of the way, a handful of important caveats!

Firstly, all of this is subjective, not objective. There is no “objectively best” Star Trek film, and even within the fan community opinions vary wildly on which titles are better and what makes for a good Star Trek story. So if I rank a title you hate highly or speak ill of your favourite… that’s okay! There ought to be enough room in the fan community for civil conversations and polite disagreement.

Secondly, this piece supersedes my old film ranking list, and I have made a couple of changes to where films were ranked five years ago. I’ll be leaving the old piece as it is, though – it’s a part of the website and it would be silly to delete it! But going forward, this is the official Trekking with Dennis Star Trek films tier list!

Still frame from Star Trek: The Motion Picture showing the assembled crew.
Admiral Kirk addressing his crew in The Motion Picture.

Third, I’ll rank each production in order of release, beginning with The Motion Picture and finishing with Section 31. Then I’ll show you the final tier list at the end. I’ll do my best to explain what I liked and/or didn’t like about each title to justify my ranking – but please feel free to vehemently disagree if you like!

Finally, all of this is just for fun! I like writing, I like Star Trek, and finding an excuse to talk about some of the Star Trek films that I love – or that I haven’t seen in a while – is supposed to be a bit of escapism. Nothing about this should be taken too seriously, because the point of Star Trek for me has always been entertainment and escaping to a fun vision of the future.

With all of that out of the way, let’s begin.

Film #1:
The Motion Picture (1979)
Tier: S

Still frame from Star Trek: The Motion Picture showing Spock in a space suit.

The Motion Picture had a complicated production history! It was originally envisioned as a television series, bringing Star Trek back as Phase II in the late 1970s after re-runs of The Original Series had been growing in popularity. Actors had been cast, sets were being designed, and scripts were written… but then, in 1977, another sci-fi film’s wild success led to Phase II being reimagined as a feature film. Star Trek as a cinematic franchise was born!

In my experience, Trekkies tend to underrate and underappreciate The Motion Picture. In a very literal sense, much of the visual language of Star Trek was born here, not in 1966: metal Starfleet badges, the warp core as an upright glowing tube, angled corridors, Starfleet Headquarters, the re-designed Klingons… and so much more. Sets built for The Motion Picture would remain in continuous use all the way through Enterprise’s cancellation in 2005, defining what makes Star Trek look like Star Trek for millions of viewers.

Still frame from Star Trek: The Motion Picture showing Admiral Kirk in a hallway.

The Motion Picture also has one of what I consider to be the best starship introductions in the franchise – something that set the bar for other shows! Kirk and Scotty’s shuttlepod flight to the refit Enterprise – complete with Jerry Goldsmith’s Academy Award-nominated score – is beautiful, and I get teary-eyed every time I watch it. It’s one of the best moments in Star Trek for me, and everything about it is pitch-perfect.

I get that The Motion Picture’s main story isn’t for everyone. It was also a bit of a mess, with re-writes continuing even during filming, and that probably didn’t help. But for me, The Motion Picture plays out like an extended episode of The Original Series. It’s ethereal, thought-provoking, and not overladen with fast-paced action set-pieces. I think that’s to the film’s credit, even if many don’t agree.

I have a longer piece about The Motion Picture, written in 2019 to mark the film’s 40th anniversary. You can find it by clicking or tapping here.

Film #2:
The Wrath of Khan (1982)
Tier: S

Still frame from Star Trek II: The Wrath of Khan showing a close-up of Khan.

For many folks, The Wrath of Khan is still the Star Trek franchise’s high-water mark; a film that no other in the franchise has even come close to. I wouldn’t go that far personally – I think there are a couple of other equally brilliant films, as we’ll talk about in a moment – but The Wrath of Khan is definitely up there! The mix of sci-fi with high-octane action proved to be a perfect blend for Kirk and the crew, with a vengeance-obsessed Khan becoming one of the best villains not only in Star Trek, but in all of cinema.

The Wrath of Khan has one of the best and most intense starship battles in the franchise. Drawing inspiration from submarine and naval battles in World War II films, the fight between the badly-damaged Enterprise and Khan’s USS Reliant is incredible. The sequence builds up tension masterfully – by showing the extent of the damage to the Enterprise, by robbing Kirk and Khan of their sensors in the nebula, and with Spock cleverly explaining Khan’s “two-dimensional thinking” as a way to convey the tactics of starship battles in a three-dimensional space.

Still frame from Star Trek II: The Wrath of Khan showing the USS Reliant on the Enterprise's viewscreen.

Toward the end of The Wrath of Khan, we also get one of the most poignant and emotional moments in any film in the franchise… or really anywhere in the entirety of Star Trek, come to that. Spock’s death – sacrificing himself to save the Enterprise and his friends – really hits hard. Even though on my first viewing of The Wrath of Khan I already knew that Spock would be resurrected, there’s still a real emotional weight to this moment. Star Trek has attempted to do similar things with other characters (we’ll look at a couple further down the list) but none came close to matching this moment.

Ultimately, The Wrath of Khan was the first film to wrest control of Star Trek away from its creator, Gene Roddenberry, and to try new and different things with this cast of characters. It’s very different in tone and style from The Original Series, but that turned out to be a net positive for many fans – and many new fans, too. The Wrath of Khan firmly established Star Trek as a cinematic franchise.

Film #3:
The Search for Spock (1984)
Tier: A

Still frame from Star Trek III: The Search for Spock showing the surface of the Genesis Planet.

Sandwiched in between the ever-popular Wrath of Khan and the light-hearted Voyage Home, I think some folks can overlook The Search for Spock. As the middle part of a trilogy, the film has the difficult task of moving the story along but without being able to draw all of its story threads to a firm conclusion. For my money, though, it’s a great film – and it manages a complicated sci-fi story exceptionally well.

The Search for Spock gave us an extended look at the re-designed Klingons from The Motion Picture, and also introduced the Klingon Bird-of-Prey, arguably the faction’s most iconic spaceship. It’s the film which re-introduced the Klingons in a big way, expanded the Klingon language, and introduced starship and uniform designs that have become inseparable from the faction. The Klingon Empire as we know it would not be the same – and might not be a big part of Star Trek at all – without The Search for Spock and its main villain, Kruge.

Still frame from Star Trek III: The Search for Spock showing Uhura wielding a phaser pistol.

I’ve always appreciated the design of the Genesis Planet. The story of its creation is a bit “out there,” even by Star Trek standards, but the practical sets, props, and puppets created to represent the Genesis Planet all feel like ’80s sci-fi at its best. And yes, as a child of the ’80s I’m acutely aware of my biases here! But when I compare the way that The Search for Spock looks to modern Star Trek, with its CGI and AR wall… I can’t help it. I know what I like!

As the film that destroyed the original USS Enterprise, The Search for Spock was always going to court controversy. But I don’t agree with the take that “all of the odd-numbered Star Trek films are bad,” lumping The Search for Spock in with The Final Frontier. There are some wonderful moments of characterisation for David Marcus, Kirk, Dr McCoy, and others. And thanks to the insistence of director Leonard Nimoy, all of the main cast members got moments in the spotlight.

I have a longer piece about The Search for Spock – which was the first Star Trek film I watched – and you can find it by clicking or tapping here.

Film #4:
The Voyage Home (1986)
Tier: B

Still frame from Star Trek IV: The Voyage Home showing Kirk and Spock on a bus.

Maybe this is a “hot take,” but I’ve never been wild about The Voyage Home. As with similar Star Trek stories involving time travel to the modern day, its ’80s setting has left the film feeling so much more dated than any other in the cinematic franchise, and while I enjoy a good ’80s comedy as much as anyone else… it’s not necessarily what I want from a Star Trek film.

That being said, I don’t hate The Voyage Home by any stretch. It has some incredibly funny moments as Kirk and the crew attempt to navigate a time period that’s completely alien to them. Moments like Kirk asking if $100 is “a lot” of money, or Scotty trying to use a mouse to talk to a computer spring to mind as laugh-out-loud moments, and Spock having to cover his Vulcan ears to pass as a human is a fun look. Kirk and Spock’s confrontation with a punk on a city bus was also a hilarious moment.

Still frame from Star Trek IV: The Voyage Home showing HMS Bounty approaching the sun.

On the sci-fi side of things, I really like the design and power of the “whale probe.” I think it’s unintentionally one of the franchise’s most unnerving alien creations, too. Its design harkens back to The Doomsday Machine’s planet-killer, but its power is used completely differently. The idea that this machine could simply disable all of Starfleet – and Earth – without breaking a sweat is already frightening, but when it can’t be reasoned with or even communicated with… that’s outright terrifying. Sometimes the Star Trek franchise can lean too heavily on “nose and forehead” aliens, but the likes of the “whale probe” remind us that the galaxy is a dangerous and sometimes incomprehensible place.

The Voyage Home did something Star Trek has often done: used a sci-fi lens to examine real-world issues. In this case, the loss of biodiversity and humanity’s impact on the environment were in the spotlight. The message was simple: we can’t predict the consequences of even a single species going extinct, and we should do everything we can to preserve biodiversity on Earth. That’s a good message, and it’s presented in a fun, creative story.

Film #5:
The Final Frontier (1989)
Tier: D

Still frame from Star Trek V: The Final Frontier showing Kirk, Spock, and Dr McCoy camping.

I said at the beginning that I wasn’t giving any F-tier rankings, and The Final Frontier is kind of the reason why. I get why folks don’t like it, and I think it has some obvious narrative weaknesses, as well as a smattering of sub-par special effects that make it less visually impressive than other titles in the franchise. But it isn’t a complete cinematic failure on par with something like Baz Luhrmann’s Australia or The Rise of Skywalker, so I think we can safely say that even the least-impressive Star Trek films avoid that ignominious fate!

Star Trek has delved into religion and religious-adjacent subjects before, so the idea of an alien claiming to be the god figure from various cultures isn’t totally out of left-field. But the execution of this storyline leaves something to be desired, and I just don’t think The Final Frontier really knew what it wanted to say or where it wanted to take this heavy idea.

Still frame from Star Trek V: The Final Frontier showing Scotty laying unconsious on the floor.

The film also suffers from a little too much interference from William Shatner, who exercised his contractual right to helm a Star Trek film after Leonard Nimoy had his turn in the director’s chair. Shatner wanted to tell a story that put Kirk – and Kirk alone – centre-stage, as the sole character who could stand up to Spock’s villainous half-brother. Changes were made to the first draft of that story, when Nimoy objected to Spock’s characterisation, but Shatner’s determination to put Kirk front-and-centre still comes across.

I don’t believe that The Final Frontier is irredeemably bad. There are some wonderful moments, too, like the campfire sequence with Kirk, Spock, and McCoy, Scotty’s line “I know this ship like the back of my hand,” and the away mission to Nimbus III. McCoy’s incredibly painful backstory is also one that hits close to home, and has to be one of DeForest Kelley’s best and most emotional scenes with the character. Kirk’s line to Sybok about “needing” his painful and traumatic moments – that they define who he is – is a powerful idea, too. I just feel that, taken as a whole, The Final Frontier misses the mark with some of its storylines and loftier concepts.

Film #6:
The Undiscovered Country (1991)
Tier: A

Still frame from Star Trek VI: The Undiscovered Country showing Starfleet officers and Klingons at a diplomatic dinner.

After the disappointment of The Final Frontier, it took some persuading for another Star Trek film to be greenlit. In 1991, with The Next Generation well underway and work progressing on spin-off ideas, there were some at Paramount Pictures who argued that Star Trek had moved on from The Original Series and its characters. A proposal to reboot Star Trek with a Starfleet Academy film was seriously considered, but ultimately Gene Roddenberry and others were able to convince the studio to allow the cast one final film to end on. The Undiscovered Country was thus given the green light.

The story here is great, and incredibly timely! The script uses the Federation and Klingons as a metaphor for the end of the Cold War; communists had been swept from power in 1989, and the Soviet Union was itself dissolved just days after the film’s premiere. The story of old rivals finding a path to peace, and old warriors with grudges finding a way to bury the hatchet, was an exceptionally powerful one – even if Gene Roddenberry hated the depictions of Kirk and Starfleet when he was shown an advance copy of the film.

Still frame from Star Trek VI: The Undiscovered Country showing the attack on Kronos One.

We get to see an exploration of the Klingon Empire, including one of its brutal prison colonies, and how the Klingons of the 23rd Century came to be neighbours and rivals rather than enemies by the time of The Next Generation’s 24th Century. There was even a role for TNG’s Michael Dorn, who played an ancestor of Worf. The Undiscovered Country did a lot to bring Star Trek’s two eras together, and as one crew departed the stage, work on the next expansion of the franchise began. Deep Space Nine would premiere just over a year after The Undiscovered Country had been in cinemas.

The “Praxis effect” – a two-dimensional circular shockwave created by a planet exploding – was named for the destruction of the Klingon moon seen in The Undiscovered Country! In a very real sense, the film’s legacy goes far beyond the Star Trek franchise, with similar visual effects still being used in sci-fi and fantasy to this day. Special effects were great across the board, and The Undiscovered Country also has a fantastic ship battle between the Enterprise, Sulu’s Excelsior, and a cloaked Bird-of-Prey.

Film #7:
Generations (1994)
Tier: S

Still frame from Star Trek: Generations showing Picard and Data in the stellar cartography room.

Is it controversial to say Generations is a good film? Because I honestly think it’s one of the franchise’s best. Bringing Kirk and Picard together was an absolute joy to watch, and I think it came at just the right moment, too – the film represents a handing of the torch from one crew to another. It didn’t come too soon, as this kind of story would’ve overshadowed The Next Generation’s characters before they’d found their feet. But by 1994, I really think the time was right for this kind of epic crossover.

I find Dr Tolian Soran to be an incredible villain, too. His motivations were easily understood, and while he absolutely needed to be stopped… part of me sympathises with him. The presentation of the Nexus as this heaven-like paradise realm, where time has no meaning and your heart’s desires can be made manifest, is the perfect motivation for someone like Soran – whose quest takes on a quasi-religious tone as a result.

Still frame from Star Trek: Generations showing the Nexus approaching Soran, who has his arms raised.

Generations killed off Captain Kirk, drawing a line under Star Trek’s original incarnation. Kirk would, of course, remain important to Star Trek, and it wouldn’t be the final time we’d see a member of his crew on screen. But in that moment it did feel very final – and Kirk’s act of sacrifice to save Picard’s crew and the population of a planet he didn’t even know… it was an intensely emotional sequence.

Generations does a lot to explore the connection between Picard and Guinan, which would go on to be important in Star Trek: Picard, too. It was also a great film for Geordi and Data – the latter receiving his emotion chip and really expanding his programming beyond what he’d been capable of before. All of the main characters got a turn in the spotlight, and there were moments of mystery, emotion, and action throughout this wonderful film.

I wrote a longer piece about this film’s villain, Dr Soran, and you can find it by clicking or tapping here.

Film #8:
First Contact (1996)
Tier: A

Still frame from Star Trek: First Contact showing the Enterprise-E and other Federation vessels firing their weapons.

First Contact is a fantastic film. But I’m docking a couple of points because of one element it introduces that I feel complicates – and crucially, detracts from – one of the franchise’s best, most iconic, and most frightening villainous factions. I’ll have to elaborate on this one day in a standalone piece, because there’s too much to fit into a few sentences right now, but in short: the Borg Queen kind of ruins the Borg for me. Worse, her presence takes away a lot of the Collective’s fear factor – especially when we get to her later appearances. I get it: First Contact is a feature film and it needed to have a single villain for Picard and Data in particular to face off against. But on the whole, I’d say the Borg Queen was not a net positive for the Collective or Star Trek.

But enough about that for now! First Contact re-introduced the Borg in style, depicting a deadly battle in space, and a slow-paced assimilation of the brand-new Enterprise-E. The scenes aboard the Enterprise’s lower decks in particular are incredibly tense; the Borg are far more frightening here than they had been in any of their earlier appearances. And although I have gripes with the Borg Queen as a concept, her scenes with Data and Picard – and the latter’s trauma stemming from his earlier assimilation experience – are all played exceptionally well.

Still frame from Star Trek: First Contact showing Captain Picard on the bridge.

First Contact also did a lot to set the stage for Enterprise – though that wasn’t necessarily the intention at the time! Enterprise does, though, build on what First Contact did with its depiction of Earth and humanity’s first efforts to build a faster-than-light engine. James Cromwell, who played Zephram Cochrane, would even have a cameo in Enterprise’s premiere.

Picard is the real star of the show this time, as he lets his emotions overwhelm him when faced with the Borg’s return. After the episode Family, we didn’t really get much exploration of Picard’s mental state and how he was coping with having been assimilated by the Borg, but First Contact took that as a starting point to tell a story touching on things like post-traumatic stress. It was genuinely interesting – and also left a lot for Star Trek: Picard to build on a quarter of a century later.

Film #9:
Insurrection (1998)
Tier: B

Still frame from Star Trek: Insurrection showing Data wielding a phaser pistol.

Insurrection gets an unfairly bad rap, in my opinion. I like some of the connections in the film to the wider world of Star Trek – nowhere else will you hear Troi and Riker mention the Dominion War, for instance! The Briar Patch is a fun idea both narratively and visually, leading to the crew being cut off from Starfleet HQ. It also sets up a particularly creative starship battle, which as always is something I appreciate!

Star Trek has, on several occasions, had a “badmiral” (a portmanteau of ‘bad’ and ‘admiral’) as a villain, and the concept of a rogue or renegade senior officer is an interesting one. The best villains have some degree of nuance, and Anthony Zerbe does an excellent job conveying this with the character of Admiral Dougherty. Dougherty genuinely believed that he was doing something great for the Federation… even though, with the story being told from the perspective of the Enterprise crew and the Ba’ku, he was the villain.

Still frame from Star Trek: Insurrection showing a close-up of Admiral Dougherty.

The Son’a were an interesting addition to Star Trek, and I’d love to explore a bit more of their culture one day – it’s a shame they’ve never returned. I would posit that the film’s twist – that the Son’a and Ba’ku are the same race – was imperfectly executed, but it was an interesting idea that achieved most of what it was aiming for. It’s also an idea that felt very “Star Trek,” harkening back to The Original Series episodes that had messages about war, race, and so on.

Insurrection has another great villain in Ru’afo, who doesn’t have that same nuance we were talking about, but was delicious to watch nevertheless thanks to an excellent performance from F Murray Abraham. It’s also a great film for Riker – who gets a turn in the captain’s chair during a tense battle, and also sees a starship manoeuvre named after him – and Data, whose “injury” and ethical reset kicks off the entire story. A story about a renegade crew who have to operate outside of the law to do the right thing? That’s something I love – and while I get there are criticisms of the main cast apparently acting “out-of-character,” that’s explained well enough in Insurrection itself.

Film #10:
Nemesis (2002)
Tier: D

Still frame from Star Trek: Nemesis showing Picard and Data, illuminated by a green light.

Walking out of the cinema after the credits rolled, I remember feeling okay about Nemesis. But looking back, particularly after seeing Data being laid to rest in Star Trek: Picard’s first season, the deficiencies of the film are much more apparent. I would argue, with Brent Spiner ageing out of the role by 2002, that killing off Data made some degree of sense as a narrative point. But it wasn’t handled well in Nemesis, with the film rushing past Data’s death, pushing his friends to a “let’s all move on” type of ending that was just weirdly out-of-place and had completely the wrong tone.

Sci-fi tropes and character archetypes will land differently for different folks, and what I’d say about Nemesis’ main villain – played by Tom Hardy in one of his first big-screen roles – is that the idea of a clone of Picard isn’t as silly as it sounds! There’s genuine lore and story here, expanding our understanding of the Romulans and the way they operate, and I really did enjoy that side of the story. Shinzon also makes for a complex character; a human raised by Reman slaves, who has Picard’s DNA but none of his humanity.

Still frame from Star Trek: Nemesis showing the damage to the Enterprise-E's bridge.

Shinzon quite quickly turns to “I’m evil for no reason and I love it” with his characterisation, though, despite some early promise, and by the time the film moves to his plot to attack Earth and the Federation, the plot kind of goes off the rails. Much has been made of director Stuart Baird’s lack of experience and knowledge of Star Trek at the time of the film’s production (he hadn’t so much as watched a single episode of The Next Generation) and I think that comes across in the way the film treats most of the main characters, too.

After Insurrection hadn’t been particularly well-received, and with Enterprise struggling to find an audience, Nemesis didn’t do the Star Trek franchise any favours in 2002. It also seemed – for close to twenty years, anyway – to be a weak and unimpressive ending for The Next Generation characters and Star Trek’s 24th Century setting. As in any Star Trek project, pretty much, there are moments in Nemesis that work, but not enough of them to make the film a success.

Film #11:
Star Trek (2009)
Tier: C

Still frame from Star Trek (2009) showing the Narada on the Enterprise's viewscreen.

I have some conflicting thoughts about 2009’s Star Trek. On the one hand, I was absolutely thrilled to learn of the film’s existence after Enterprise’s cancellation seemed to signal the demise of the entire Star Trek franchise. I did my best from 2006 to support the film while it was in production, and raced to the cinema to see it on the first day it was available. And I would make the case to anyone that Star Trek ’09 is a solid action/sci-fi film, a great introduction to Star Trek for newbies, and a successful title that proved the franchise could still bring in audiences and money at the box office.

But on the other hand, the film’s action-heavy storyline, re-cast classic characters, and fairly basic villain just aren’t what I come to Star Trek for. The new actors were given an exceptionally difficult job and were brave to take it on; I know some Trekkies who, to this day, have refused to watch any of the Kelvin timeline films because of the decision to re-cast Kirk and the crew. Some of the new actors got a lot of criticism before the film had even premiered due to that. Personally, I generally feel they all did a solid job… but there’s always gonna be a sense that they aren’t the “real” Kirk, Spock, Uhura, and so on. Some decisions – like pitting Kirk and Spock against one another, even coming to blows at one stage – really hammers home how different these versions of the characters feel.

Still frame from Star Trek (2009) showing Spock Prime.

Star Trek ’09 is unashamedly a reboot, and if you meet it where it is and you’re able to accept that, I think there’s a good time to be had with at least parts of it. But as someone who’d been a Trekkie for close to twenty years when the film premiered, who’d been immersed in the world of The Next Generation era in particular… I wasn’t really interested in a reboot. After Enterprise, I wanted to see Star Trek move its timeline forward again, not stepping back to re-cast classic characters for a pretty basic action story.

All that being said, I appreciate what Star Trek ’09 did for the franchise. If this film hadn’t found an audience and proved to studio executives that there was still life in Star Trek and still stories to tell here, that would’ve almost certainly been the end of the franchise, and I doubt we’d have seen Lower Decks, Strange New Worlds, and the rest of modern Star Trek. Keeping the flag flying for the franchise after it had burned out on the small screen is the real legacy of Star Trek ’09 – at least for me.

Film #12:
Into Darkness (2013)
Tier: B

Cropped promotional poster for Star Trek Into Darkness.

I would argue that Into Darkness is the high-water mark of the Kelvin timeline. There are still issues with the characters, some contrivances with the story, and so on… but the film’s script is generally much stronger than either of the other Kelvin films. Not only that, but this particular story – featuring notorious villain Khan and a “badmiral” scheming from within Starfleet itself – lends itself much more to the kind of action-packed film that JJ Abrams wanted to make.

Captain Pike’s death in Into Darkness genuinely hit me – it was unexpected in the moment, and Kirk’s reaction to the loss of someone he viewed as a surrogate father figure was truly heartbreaking. It’s definitely one of the most powerful moments for this version of the character, and the way it spurs on the plot was good, too. I also liked the callback to Star Trek ’09 with the “transwarp beaming” idea returning, this time as a problem to be overcome.

Still frame from Star Trek Into Darkness showing Khan and Kirk.

If you were online and involved in Star Trek discussion groups and forums circa 2011-2013, you would’ve almost certainly had Into Darkness’ big reveal spoiled for you ahead of time. Unfortunately, fans correctly guessed that Benedict Cumberbatch would be playing the legendary Khan – and going into the film with that expectation certainly put a downer on the scene where Kirk learns the truth. I always prefer to see films un-spoiled, but this rumour was everywhere at the time, so it was unavoidable.

For a variety of reasons, this story just feels stronger and, most importantly, better-suited to these characters and this style of film. Into Darkness is a better film as a result, with a consistent tone, understandable character motivations, and a pair of solidly entertaining villains. There are some contrived moments – and I don’t think Kirk’s sacrifice and “death” works anywhere near as well as Spock’s did in The Wrath of Khan, which Into Darkness tries to emulate in more ways than one – but on the whole, it’s not a bad film by any stretch.

Film #13:
Beyond (2016)
Tier: C

Still frame from Star Trek Beyond showing Kirk with a seatbelt on.

Penned by Scotty actor Simon Pegg, Beyond was a genuine, well-intentioned attempt to bring the Kelvin timeline films slightly closer to “classic Star Trek” in terms of tone and themes, and I really do admire the effort. There are moments that link up with Star Trek’s past – most notably Enterprise – and parts of the film, particularly its opening scenes, succeed at recreating at least some of that “mission of exploration” feeling that the other Kelvin timeline films didn’t spend even a second on.

But there are some flaws and weaknesses, though. The destruction of the Enterprise is by far the weakest loss of a ship in the franchise, as we just don’t have anywhere near as much attachment to it as we did to the original Enterprise, the Enterprise-D, and other ships that have been destroyed. The sequence was tense, particularly as the crew rushed to their escape pods, but the emotional weight of the moment didn’t ring true for me.

Still frame from Star Trek Beyond showing a Federation security team aboard the Enterprise.

I felt that an actor of Idris Elba’s calibre was also squandered on a pretty basic “I’m mean and I hate everyone” type of villain. Krall had potential – the “lost” captain who felt abandoned by Starfleet and the Federation, and whose xenophobic and war-like traits were a century or more out of date. But the film didn’t do enough with Krall, and the big reveal that this alien-looking alien was, in fact, a human didn’t really stick the landing. Again, it was interesting in theory but kind of wasted by the time it came to the screen.

I might be alone in this, but I detest the name “Jaylah” for the film’s new character. A homonym of “J-Law” – the tabloid nickname given to American actress Jennifer Lawrence, who was a big star at the time thanks to her role in The Hunger Games – this reference just felt cringeworthy and unnecessary. I’m happy for Star Trek to take inspiration from a wide range of other films, including the likes of The Hunger Games, but don’t stoop to this level when it comes to character naming. It’s just… well, it’s pretty pathetic, to be honest.

I couldn’t end this section without also noting that Beyond was rather overshadowed by the deaths of Leonard Nimoy and Anton Yelchin in the months leading up to its premiere.

Film #14:
Section 31 (2025)
Tier: C

Still frame from Star Trek: Section 31 showing a trio of main characters.

You have to try to meet Section 31 where it is. It’s a B-movie; the Star Trek equivalent of The Fast and the Furious or Transformers, complete with a cookie-cutter plot, some pretty mindless action, and plenty of tropes of both action flicks and spy movies. Once I realised that that’s what I was watching… I just kind of went with it. On those terms, I found Section 31 to be just fine.

Where my disappointment comes in is in the wasted potential. There was scope for Section 31 to be the kind of film that brings new eyes to Star Trek for the first time, genuinely expanding the fan community by making what can feel like a nerdy and overcomplicated franchise approachable. I don’t believe Section 31 came close to achieving that goal, unfortunately. And from my perspective, that felt like the biggest point in its favour and a key reason for making it.

Still frame from Star Trek: Section 31 showing Sahar and Fuzz fighting.

I would also argue that Georgiou’s arc in Section 31 was pretty repetitive, dragging up her Mirror Universe origin and forcing her through a story that we’d already seen a lot of in Discovery. Dragging her back from the more complex character we’d started to see so she could re-start that arc wasn’t great. And that’s before we get into the weeds on whether a redemption story for someone at least as evil and despotic as Star Wars’ Emperor Palpatine was even possible, let alone successfully executed in Section 31.

There are also gripes with how disconnected this film feels from the rest of Star Trek, with the barest of references and none of the franchise’s visual language present. If, however, you can set most of that aside… there are fun moments hiding under the surface. And as I said a moment ago, if you can meet Section 31 where it is, on its own terms, I think it’s a perfectly adequate B-movie.

I have a two-part review of Section 31. You can find the non-spoiler part by clicking or tapping here and the part containing story spoilers by clicking or tapping here.

So that’s it!

We’ve put all fourteen Star Trek films into a tier list. So let’s take a look and see how we did:

The finished tier list with all fourteen Star Trek films.

Well, I hope that was worth it! As you can see, we have more films in the upper tiers than the lower ones, and even the “worst” Star Trek films still have redeeming qualities – at least in my opinion.

I wanted to put this list together after Section 31 had premiered, updating my older list to include the new film. This piece almost certainly concludes my Section 31 coverage for the foreseeable future, as I really don’t have much more to say about the made-for-streaming movie at this point. If you’ve been following my coverage of Section 31, thank you! I hope you’ve found my take to be interesting.

Still frame from Star Trek: The Motion Picture showing the Enterprise at warp.
The USS Enterprise at warp.

At time of writing, there are supposedly two Star Trek films in pre-production or at least being worked on in some capacity. The first is a Beyond sequel, bringing back the Kelvin timeline cast for another outing. And the second is supposedly set in between Enterprise and Star Trek ’09, perhaps serving as a kind of Kelvin timeline prequel. You can read my thoughts on that idea by clicking or tapping here.

There have been other film proposals pitched over the years. Sir Patrick Stewart teased fans in early 2024 with news of a Picard movie idea, but I don’t think anything came of that. For my money, I’d like to see Paramount do more with the TV movie format, using it to tell one-off stories that wouldn’t necessarily fit anywhere else in the franchise. With new sets having been constructed, and the AR wall too, there are almost no limits on the kinds of stories that could be told as one-off specials – and the budget for such a production would be lower than a feature film, too! With Section 31 proving to be a disappointment, though, I’m not sure whether that’ll ever happen.

Still frame from Star Trek VI: The Undiscovered Country showing two starships, a planet, and a star.
The Enterprise and the Excelsior in orbit over Khitomer.

So I hope this has been a bit of fun! Beginning with Generations, I watched every Star Trek film at the cinema. Unfortunately, due to my health, I won’t be able to do that in future – which is why I enjoyed having Section 31 as a TV movie! But if there ever is another full-length Star Trek film, I’ll do my best to support it here on the website.

Until next time… Live Long and Prosper!


Most of the Star Trek films are available to stream on Paramount+ in countries and territories where the platform is available. The first thirteen films are also available on Blu-ray and DVD, and a Blu-ray release of Section 31 is planned. The Star Trek franchise – including all films and properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A handful of older films, games, and TV shows that I enjoyed in 2021

Spoiler Warning: Minor spoilers may be present for some of the entries on this list.

At this time of year, practically every outlet – from dying newspapers to new social media channels – churns out list upon list of the best entertainment products of the year. The top threes, top fives, top tens and more of 2021 abound! I have something similar in the pipeline, but today I wanted to take a look back at a handful of films, games, and TV shows from previous years that I found myself enjoying in 2021.

I have long and seemingly ever-growing lists of films, games, and TV shows that I keep meaning to get around to! I still haven’t seen Breaking Bad, for example, nor played The Witcher 3, despite the critical and commercial acclaim they’ve enjoyed! I also have a huge number of entertainment properties that I keep meaning to re-visit, some of which I haven’t seen since we wrote years beginning with “1.” In 2021 I got around to checking out a few titles from both of these categories, and since there are some that I haven’t discussed I thought the festive season would be a great opportunity for a bit of positivity and to share some of my personal favourite entertainment experiences of 2021… even though they weren’t brand-new!

Film #1:
The Lord of the Rings trilogy (2001-03)

We’ve recently marked the 20th anniversary of The Fellowship of the Ring, the first part of Peter Jackson’s epic adaptation of J. R. R. Tolkien’s magnum opus. The passage of time has done nothing to detract from these amazing films, and this year a 4K Blu-Ray release has them looking better than ever before.

The early 2000s had some serious pitfalls for film and television. CGI was becoming more mainstream and many filmmakers sought to take advantage of it, but just look to the Star Wars prequels and how outdated the CGI in those titles is; it hasn’t held up well at all. The majority of the special effects in The Lord of the Rings were practical, and combined with clever cinematography even incredibly dense and complex battle sequences still look fantastic two decades on.

Though I don’t re-watch The Lord of the Rings every single year without fail, I’m happy to return to the trilogy time and again – and I almost certainly will be for the rest of my days! The Hobbit and Tolkien’s Middle-earth was one of the first fantasy worlds I encountered as a young child; I can vaguely remember the book being read to me when I was very small. The conventional wisdom for years was that The Lord of the Rings was unfilmable – but Peter Jackson proved that wrong in some style!

Film #2:
Despicable Me (2010)

I spotted this while browsing Netflix one evening, and despite having seen at least one film with the Minions, I hadn’t actually seen the title that started it all. I have to confess that I didn’t have particularly high expectations, thinking I was in for a bog-standard animated comedy. But Despicable Me has heart, and there were some genuinely emotional moments hidden inside.

The Minions got most of the attention in the aftermath of Despicable Me, and can now be found on everything from memes to greetings cards! The critters are cute, but they’re also somewhat limited – and I think it’s for that reason that I didn’t really expect too much from Despicable Me except for maybe a few laughs and a way to kill an empty evening. I was pleasantly surprised to find a much more substantial film than I’d been expecting.

There were still plenty of laughs and a ton of cartoon silliness to enjoy and to keep the tone light-hearted. But there was a surprisingly emotional story between the villainous Gru and the three children he adopts – especially Margo, the eldest. I can finally understand why the film has spawned four sequels, fifteen shorts, and a whole range of merchandise!

Film #3:
Star Trek V: The Final Frontier (1989)

The Final Frontier has a number of issues that I’m sure most of you will be aware of. It arguably suffered from a little too much involvement from William Shatner, who sought to put Captain Kirk at the centre of the story at the expense of others. But The Final Frontier has some truly great character moments, including one of the final times that Kirk, Spock, and Dr McCoy would be together before The Undiscovered Country brought an end to Star Trek’s original era.

The film has some truly funny moments, too: the scene where Uhura catches Chekov and Sulu pretending to be caught in a storm being one, and Scotty’s moment of slapstick being another that never fails to win a chuckle. The Undiscovered Country was a great send-off for Star Trek’s original crew, but it was quite a heavy film with a lot of tense moments and high-octane action. The Final Frontier brings more light-hearted moments to the table, and that’s something I can appreciate when I’m in the right mood.

There are some exciting sequences too, though. The shuttle crash is a very tense and dramatic moment, and the final confrontation with the entity at the centre of the galaxy, while silly in some respects, does succeed at hitting at least some of those same dramatic highs. Though I wouldn’t suggest that The Final Frontier is anywhere near the best that Star Trek has to offer, it’s well worth a watch from time to time.

Game #1:
Control (2019)

Though hardly an “old” game, I missed Control when it was released in 2019. It had been on my list for a couple of years, and I was pleased to finally get around to playing it this year. The game had a far creepier atmosphere than I’d been expecting, with protagonist Jesse having to battle an unseen enemy called the Hiss.

One thing I really admire about Control is the way it made incredibly creative use of some fairly plain environments. The entire game takes place in what’s essentially a glorified office building, and rows of cubicles or the janitor’s workspace could, in other games, come across as feeling bland and uninspired. But Control leans into this, using the environments as a strength, juxtaposing them with incredibly weird goings-on at the Bureau of Control.

I also liked that, for the first time in years, we got full-motion video sequences in a game! FMV was a fad in gaming in the early/mid-1990s I guess, primarily on PC, and titles like Command and Conquer and Star Trek: Starfleet Academy made use of it. It had been years since I played a game with FMV elements, and it worked exceptionally well in Control – as well as being a completely unexpected blast of nostalgia!

Game #2:
Super Mario 64 (1996)

Despite the serious limitations of Super Mario 3D All-Stars on the Nintendo Switch, which I picked up last year, I can’t deny that it’s been fun to return to Super Mario 64. One of the first fully 3D games I ever played, Super Mario 64 felt like the future in the late ’90s, and even some titles released this year, such as Kena: Bridge of Spirits, owe parts of their 3D platforming to the pioneering work that Nintendo did with this game.

Super Mario 64 is and always has been good, solid fun. There doesn’t need to be an in-depth, complex story driving Mario forward to collect stars, because the game’s levels and bosses are all so incredibly cleverly-designed. Jumping in and out of different painting worlds is relatively quick and feels great, and the sheer diversity of environments is still noteworthy in 2021. Mario goes on a journey that takes him through snowy mountains, a sunken shipwreck, sunlit plains, cities, clouds, and more.

I can’t in good conscience recommend Super Mario 3D All-Stars. The way these games have been adapted for Nintendo Switch isn’t worth the asking price. But even so, going back to Super Mario 64 has been one of my favourite parts of 2021, a chance to reconnect with a game I played and loved on the Nintendo 64. If you’ve never played it, track down a copy and give it a go. You won’t regret it.

Game #3:
Red Dead Redemption II (2018)

I’d been meaning to get around to Red Dead Redemption II for three years – but I’d always found a reason not to pick it up (usually it was too expensive!) It took forever to download on my painfully slow internet connection, but it was well worth the wait. I’ve had a fascination with America in the 19th Century for as long as I can remember – I guess partly inspired by playground games of “the wild west” that were fairly common when I was young. I even had a cowboy hat, toy gun, and “Davy Crockett” hat when I was a kid!

Red Dead Redemption II transported me to that world in a way that I genuinely did not think was possible. Films and TV shows can do a great job at pulling you in and getting you lost in a fictional world, but the interactive element of video games can add to that immersion – something that was absolutely the case with Red Dead Redemption II. The amount of detail in the game’s characters and open-world environments is staggering, and having finally experienced it for myself I can absolutely understand why people hail this game as a “masterpiece.”

I wasn’t prepared for the many emotional gut-punches that Red Dead Redemption II had in store. In many ways the game tells a bleak and even depressing story, one with betrayal, death, and many examples of the absolute worst of humanity. But every once in a while there are some incredibly beautiful moments too, where characters sit together, sing, play, and revel in their bonds of friendship. Red Dead Redemption II gave me the wild west outlaw fantasy that my younger self could have only dreamed of!

TV series #1:
Star Trek: The Original Series (1966-69)

I’ve re-watched quite a lot of The Original Series this year, probably more episodes than I’d seen in the past few years. Because of its episodic nature, it’s easy to dip in and out of The Original Series, firing up an episode or two to spend an hour with Captain Kirk and the crew without feeling the need to commit to an entire season of television.

The Original Series started it all for Trekkies, and I’m always so pleased to see that modern Star Trek hasn’t lost sight of that. In this year’s episodes of Lower Decks and Discovery we’ve gotten many references and callbacks to Star Trek’s first series, keeping the show alive and relevant as we celebrated its fifty-fifth anniversary – and the centenary of its creator, Gene Roddenberry.

Though dated in some ways, many of the themes and metaphors present in The Original Series are still relevant today. Society has changed since the 1960s, but in some areas we’re still fighting the same or similar fights for acceptance, for equality, and so on. The Star Trek franchise has always had a lot to say about that, being in some ways a mirror of society and in others depicting a vision of a more enlightened, optimistic future.

TV series #2:
Fortitude (2015-18)

I went back to re-watch Fortitude this year, for the first time since its original run. The series starts very slowly, seeming at first to be little more than a murder-mystery in a different setting. But it builds up over the course of its first season into something truly unexpected, crossing over into moments of political thriller, action, and even horror.

There are some truly shocking and gruesome moments in Fortitude, and it can be a harrowing watch in places. But it’s riveting at the same time, and I managed to get hooked all over again by the complex characters, the mysteries and conspiracies, and the bleak but beautiful arctic environment.

Fortitude featured some star names among its cast, including Michael Gambon, Stanley Tucci, and Dennis Quaid – the second-most-famous Dennis to be featured on this website! Although it was fun to watch it weekly during its original run, Fortitude is definitely a show that can be enjoyed on a binge!

TV series #3:
Family Guy (1999-Present)

Family Guy’s sense of humour sometimes runs aground for me, dragging out jokes too long or failing to pay off neat setups with decent punchlines. But with the full series (up to midway through Season 20 at time of writing) available on Disney+, I’ve found myself putting it on in the background a lot this year. The short runtime of episodes, the lightheartedness, and the way many of the jokes are often disconnected from whatever nonsense plot the episodes have going on all come together to make it something I can dip in and out of while doing other things.

There are some insensitive jokes, and some entire storylines in earlier episodes have aged rather poorly. But Family Guy seldom strikes me as a show punching down; it satirises and pokes fun at many different groups. In that sense it’s kind of halfway between The Simpsons and South Park; the former being more sanitised and family-friendly, the latter being edgier and meaner.

I rarely sit down and think “gosh, I must watch the latest Family Guy episode.” But if I’m in need of background noise or something to fill up twenty minutes, I find I’ll happily log into Disney+ and put on an episode or two.

So that’s it.

There have been some great films, games, and television shows that were released in 2021. But there were also plenty of entertainment experiences from years past that, in different ways, brightened my year. As we gear up for New Year and for everyone’s end-of-year top-ten lists, I wanted to take a moment to acknowledge that.

I hope you had a Merry Christmas, a Happy Holiday, or just a relaxing day yesterday! I did consider writing something to mark the day, but I found that I had remarkably little to say that was different from the piece I wrote last year. 2021 has been “2020 II” in so many respects, unfortunately. However, unlike last Christmas I will be able to visit with some family members – I’ll be seeing my sister and brother-in-law later this week, which will be a nice treat! So here’s to 2021’s entertainment experiences – and as we enter the new year, it’s worth keeping in mind that we don’t only have to watch and play the latest and newest ones!

All titles on the list above are the copyright of their respective broadcaster, distributor, developer, network, publisher, studio, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.