End-of-Year Awards 2021

Spoiler Warning: Minor spoilers may be present for some of the entries on this list.

It’s the end of 2021, so it’s time to look back on a few of the entertainment highs (and lows) of the year! Like I did last year, I’ve picked out a few of my favourite entertainment experiences from the worlds of cinema, gaming, and television, and I’ll be giving each a totally official Trekking with Dennis award!

Most categories have a winner and a runner-up; some just have one title and in those cases they’re the winners by default. I’ve put Star Trek episodes into their own category, otherwise I’d just be saying that every TV show that I liked this year was Star Trek!

Caveat time! Obviously I haven’t watched or played anywhere close to everything that was published or released this year! The exclusion from these awards of titles such as The Last Duel or For All Mankind doesn’t mean they aren’t good; I just have no experience with them so I can’t comment. It goes without saying that everything here is entirely subjective! This is just one person’s opinion – so feel free to disagree vehemently with some or all of my choices!

With that out of the way, let’s get started!

Best Documentary:

πŸ† Winner πŸ†
Half-Life Histories series; Kyle Hill

There have been some interesting documentaries this year, but I wanted to highlight a semi-professional series that has been quietly ticking up views on YouTube. Kyle Hill has crafted a series of absolutely fascinating documentaries about nuclear power, nuclear weapons, and nuclear accidents – some of which were familiar to me, but several of which actually weren’t.

Nuclear weapons are an incredibly controversial topic, of course, but nuclear power is something I firmly believe that we as a species need to embrace. At least in the short-to-medium term, nuclear power offers a reliable way for humanity to meet our growing power needs while phasing out fossil fuels.

Kyle Hill’s documentaries show how early nuclear experiments could and did go wrong, but they aren’t alarmist. Hill has a gentle, almost understated style that tells these serious (and occasionally fatal) stories with due dignity and gravitas, but without sensationalising the events in question. For anyone interested in the likes of the Chernobyl disaster or the early history of nuclear weapons and nuclear power, the entire series is well worth a watch.

Best Web Series:

πŸ₯ˆ Runner-Up πŸ₯ˆ
The Jimquisition; Jim Sterling

I’d like to highlight a fellow non-binary creator here. Jim Sterling – also known as James Stephanie Sterling – is a video games critic on YouTube. Their main weekly series, The Jimquisition, often highlights bad practices in the games industry and draws attention to misbehaving corporations. The Jimquisition was one of the first shows to criticise the practice of lootboxes a few years ago, for example, and this year Sterling has worked relentlessly to call out the likes of Ubisoft and Activision Blizzard.

Too many publications – even blogs and social media channels – now work hand-in-glove with big corporations in the video games industry, leading many so-called independent publications to, at the very least, be cautious in what they say about both their corporate friends and the games they review so as to maintain their level of access. The Jimquisition has always been different because it’s self-funded, leaving Sterling free to criticise as they see fit.

On a personal note, seeing Jim Sterling come out as non-binary was one factor among many as I made my own decision earlier this year to discuss my gender identity in public for the first time, and I want to thank them for their brave decision.

πŸ† Winner πŸ†
Tasting History with Max Miller

There really isn’t anything quite like Tasting History. There are a plethora of cooking shows and channels online – many of which are fantastic! And there are some great history shows as well, everything from mini-documentaries to living history re-enactments. Tasting History blends these two things together, as host Max Miller cooks a variety of different historical dishes, and uses those as an entry point to talk about some of the historical events and personalities associated with the food.

I love history and I love cookery shows, so Tasting History is absolutely the kind of thing that was going to appeal to me! But a fun premise alone wouldn’t be enough, and Tasting History has a well-spoken host who makes both sides of the show entertaining as well as interesting. I’ve learned a lot about different dishes and historical cultures this year, things I never would have found out about if not for Tasting History.

Best TV Special:

πŸ₯ˆ Runner-Up πŸ₯ˆ
Lego Star Wars: Terrifying Tales

After 2020’s Lego Star Wars Holiday Special had been a ton of fun, I was pleasantly surprised to see Disney+ bringing back Lego Star Wars for another outing this year. Terrifying Tales was a fun Halloween special, one which drew on many classics of the thriller and horror genres for inspiration while maintaining a child-friendly atmosphere. I’m not a huge fan of horror, so this lighter tone was just perfect for me!

Focusing on Poe Dameron, Terrifying Tales used a frame narrative to tell three different spooky stories set in all three of the Star Wars franchise’s main eras. The first short, which focused on Kylo Ren, contained more backstory for the character than the entire sequel trilogy – and I would argue that it was actually better than the minuscule character development that Kylo/Ben Solo got in the films!

Palpatine was hilarious in the vignette that featured him, and I adored the way that Terrifying Tales used the character. The third and final vignette was a parody of a Twilight Zone episode and featured Luke Skywalker, and that was pretty fun to see as well. Overall, Terrifying Tales was a cute, funny, and lightly spooky way to get ready for Halloween!

πŸ† Winner πŸ†
The Grand Tour: Lochdown

As we approach the pandemic’s second anniversary, we need things like Lochdown to poke fun at what’s been going on in the world. In a unique way that only Hammond, Clarkson, and May can really pull off, The Grand Tour’s special episode made a trip to Scotland one of the funniest and most entertaining bits of television I enjoyed all year.

The trio have found great success at Amazon, and free from the constraints of the BBC (both financially and in terms of content), I’d argue that The Grand Tour is leaps and bounds ahead of Top Gear. As the show has switched its focus to these kinds of special episodes, there’s been a lot of fun to be had!

I’m not really a car person. Cars have always been a means to an end for me; a mode of transportation. But the enthusiasm of the three hosts for their vehicles is infectious, and the fun they have on their wacky adventures always manages to succeed at pulling me in and making me feel like I’m right there with them.

Worst TV Series:

πŸ† “Winner” πŸ†
Rick and Morty Season 5

After four pretty strong and funny seasons, Rick and Morty stumbled this year. It felt to me like the writers had become a little too aware of the show’s success and place in pop culture – and didn’t really know how to handle that. Season 5 was bland and forgettable, with several episodes that didn’t even win a smile, let alone a laugh.

Rick and Morty crossed over from being a fun series with a cult following and really hit the mainstream somewhere around its third season, and clearly that’s been a double-edged sword. Too many of the attempted jokes this year came across as either desperate or else simply as gross-outs or edginess for the sake of it.

Though the show had a few successful moments, such as the scenes between Rick and Birdperson toward the end of the season, Season 5 has to be considered a failure.

Best TV series:

πŸ₯ˆ Runner-Up πŸ₯ˆ
Foundation

The first season of Foundation was imperfect but nevertheless good. The novels upon which Foundation is based are incredibly dense works that can, at points, feel more like philosophy than sci-fi, so bringing something like that to the small screen was no small challenge – but Apple TV+ stepped up.

Jared Harris put in a wonderful performance as Hari Seldon, and was joined by several actors with whom I was less familiar – but who all did an outstanding job. Foundation is also a visually beautiful series, one which makes great use of Apple’s high CGI budget. A second season has already been confirmed – so that’s something to look forward to in 2022!

πŸ† Winner πŸ†
The Wheel of Time

The Wheel of Time was the first of Amazon’s two big-budget fantasy shows to make it to screen. We’ll have to wait until next year for the corporation’s Lord of the Rings prequel/adaptation, but The Wheel of Time is definitely a show worth watching in its own right. It has struggled, at times, to break out from the shadows of both Game of Thrones and the aforementioned Tolkien adaptation, but I’m so glad that I gave it a chance to impress me on its own merits.

Outside of the Star Trek franchise, The Wheel of Time is unquestionably the best television show I’ve seen all year. Amazon managed to adapt the first part of a long and complex story in a way that was understandable and easy to follow, bringing a new high fantasy world to the screen for the first time. There are some fantastic performances from Rosamund Pike and Madeleine Madden in particular, making The Wheel of Time a series to get lost in.

The first season concluded recently, and a second is already on the way! I can hardly wait.

Worst Video Game:

πŸ† “Winner” πŸ†
Mass Effect: Legendary Edition

This is a difficult one. There were plenty of bad games this year – games with horribly intrusive monetisation, overladen with bugs, or that just plain sucked. But for me, the year’s most egregious video game failure is a so-called “remaster” that was lazy, that didn’t feel like much of an upgrade, and that left me incredibly disappointed when I consider what might have been.

Mass Effect: Legendary Edition contains a number of bugs that were present in the original versions of its three constituent games; bugs that BioWare failed to fix. Its visual upgrade, coming less than ten years after the third game in the series, was already going to be a hard sell, but there seem to be many textures that BioWare either didn’t touch at all or else did the absolute bare minimum to.

And that’s Mass Effect: Legendary Edition in a nutshell: it’s a “remaster” that tried to get away with doing the absolute bare minimum. The sad thing is that I adore the Mass Effect games – but this version was so much less than it should’ve been.

Best Video Game:

πŸ₯ˆ Runner-Up πŸ₯ˆ
Road 96

Road 96 is quite unlike anything else I’ve played all year – and probably for quite a long time before that too! The game focuses on characters, introducing players to dozens of completely unique NPCs during a branching quest to escape a totalitarian state. It’s a road trip game… but that definition scarcely does it justice.

Road 96 has a beautiful art style, too, one that really brings to life its characters and American Southwest-inspired locales. There’s a wonderful soundtrack that accompanies the game, one with a definite ’80s inspiration – which I’m totally there for! It’s hard to go into too much detail without spoiling Road 96, and it’s an experience I really think you should try for yourself in as unspoiled a manner as possible.

πŸ† Winner πŸ†
Kena: Bridge of Spirits

When I was thinking about my pick for “game of the year,” there was never any doubt in my mind that Kena: Bridge of Spirits would take the trophy. It’s one of the most visually beautiful games that I’ve ever played, bringing an almost Disney-esque art style to life in the most fantastic way possible.

Kena: Bridge of Spirits is a modern-looking game with a distinctly old-school feel to it. The game combines elements of puzzle-solving and 3D platforming with some tight, focused combat, and the addition of the Rot – little critters that accompany Kena – is both adorable and incredibly useful. Collecting things in video games can feel like busywork, but because Kena’s power grows with every Rot she picks up, even this aspect of the game manages to feel worthwhile.

Kena: Bridge of Spirits had been one of my most-anticipated games of the year. It didn’t just meet my expectations – it surpassed them by a country mile.

Worst Film:

πŸ† “Winner” πŸ†
Zack Snyder’s Justice League

Zack Snyder’s Justice League is a film that tried to be dark and edgy and in doing so ended up robbing its source material of any of the fun and entertainment value it could’ve had. DC Comics has struggled to compete with Marvel, failing to recognise that it’s Marvel’s blend of humour and action that makes those films so appealing to many viewers. Zack Snyder’s Justice League is a case in point – and a great example, in my opinion, of a film that completely misses the mark.

Perhaps to distinguish it from the likes of The Avengers, Zack Snyder’s Justice League was packed with gimmicks, too. An incredibly dark and boring colour palette drowned the film in grey, black, and brown tones, and some scenes were so poorly-lit that following the action became difficult. It was also shot in a weird 4:3 aspect ratio – again, seemingly for the sake of a gimmick.

I’m genuinely happy for fans of DC who worked hard to secure the so-called “Snyder Cut” after a long campaign. But the end result was, for me, the worst film I’ve seen all year. And this was a year where I watched Space Jam: A New Legacy.

Best Film:

πŸ₯ˆ Runner-Up πŸ₯ˆ
Raya and the Last Dragon

I paid a lot of money (by my standards, at least) to watch Raya and the Last Dragon on Disney+! Maybe I should’ve waited the extra couple of months, but I was genuinely interested to see the latest big Disney animated picture. The one surprise was the lack of any musical numbers, but despite that I had a good time with Raya and the Last Dragon.

Kelly Marie Tran put in an outstanding performance as the titular Raya, a young woman on a quest to restore the life of a dragon and reunite a fractured land loosely based on Southeast Asia. The film was dramatic and exciting, with a fun cast of characters. It’s also noteworthy that all of the main characters – heroes and villains – were women.

Now that it’s on Disney+ (and out on DVD and Blu-Ray) it’s definitely worth a watch.

πŸ† Winner πŸ†
Dune

I was worried that Dune would once again prove to be too difficult to adapt, but I was thrilled to see that I was wrong! Dune is a sci-fi masterpiece, and if its second instalment comes anywhere close to living up to this first part, I think we’ll be talking about the duology alongside the likes of The Lord of the Rings in years to come as being an absolute classic.

Dune is a long and occasionally dense book, so condensing it down and keeping a cinematic adaptation with a large cast of characters easy to follow was no mean feat. Director Denis Villeneuve did an outstanding job, and every aspect of the film, from its dialogue to its visual effects, are pitch-perfect.

I’ve had a review of this one in the pipeline for a while, so stay tuned in the new year – I might finally get around to finishing it!

Most Exciting Announcement:

πŸ₯ˆ Runner-Up πŸ₯ˆ
Wicked

Picture Credit:Β Wicked the Musical London.

I was very lucky to have seen Wicked on the stage in London early in its run, and the soundtrack has to be up there as one of the best modern musicals. The announcement of a film adaptation came as a truly welcome surprise this year, and I will follow its progress with anticipation!

A spin-off from The Wizard of Oz, Wicked purports to tell the story from “the other side” – i.e. the Wicked Witch’s point of view. Disney in particular has shown in recent years that this concept can work exceptionally well, and Wicked pulls it off. The musical and the book that inspired it are very different, but both are enjoyable in their own ways – and I hope the film will be as well!

πŸ† Winner πŸ†
Star Wars: Knights of the Old Republic Remake

Early in 2021 there were rumours of a Knights of the Old Republic game being in development, but it wasn’t until September that its existence was finally confirmed. A full-scale remake of the first game in the series is being worked on, and the idea of being able to go back and replay one of my favourite Star Wars games of all time is a truly exciting one!

So far all we’ve seen has been a CGI teaser, so the game is probably a couple of years away. But it’s still good to have something like this to look forward to! After several years of very limited success under Electronic Arts, Star Wars games are now being tackled by more developers and publishers – meaning we should see more from the franchise in the years ahead. I’m keeping my fingers crossed for a remake of Knights of the Old Republic II after this one!

Best Star Trek Episode:

πŸ₯ˆ Runner-Up πŸ₯ˆ
There Is A Tide…
Discovery Season 3

There Is A Tide is basically “Star Trek does Die Hard!” If that sounds like fun to you, then we are definitely on the same page! Featuring a desperate plan to re-take the USS Discovery following its capture by a villainous faction, Michael Burnham, Tilly, and several members of the bridge crew all get their chances to be action heroes.

It isn’t an entirely self-contained episode, as it brings to a head Starfleet’s conflict with the aforementioned villainous faction that had been running for much of the season, as well as containing other ongoing story threads. But it works well as a single episode, too, with an explosive and action-packed story that feels like it was lifted right out of an action blockbuster!

There Is A Tide is a great episode for Michael Burnham, but it’s also good for Admiral Vance as well. He truly seems to embody the values that Starfleet and the Federation have always held, and anyone who feels that Discovery has placed less of an emphasis on that should pay attention to Vance’s scenes in particular.

πŸ† Winner πŸ†
First First Contact
Lower Decks Season 2

First First Contact is an incredibly well-done episode of Lower Decks. The series’ trademark sense of humour is still present, but we see the entire crew of the USS Cerritos working hard to overcome an incredibly difficult challenge and save not only an ailing Starfleet ship but also an entire planet. The crew rise to the occasion as we always knew they could, and First First Contact hits all of the emotional highs you could ever want from an episode of Star Trek.

It’s also an episode that truly embraces the spirit of the franchise. The Cerritos’ crew aren’t faced with some horrible monster or alien to defeat, instead the puzzle that lies before them is scientific – and the solution to it has to be as well. All of the main and secondary characters get moments in the spotlight, and First First Contact even found time to further advance the relationship between Ensign Mariner and Captain Freeman.

Finally, there was an incredible moment of symmetry toward the end of the episode, as the Cerritos saved the day in a very similar fashion to how it had to be saved in the Season 1 finale. That moment was pitch-perfect – and I won’t lie… I teared up!

So that’s it!

We’ve dished out a handful of awards to some of the best – and worst – entertainment experiences of the year. 2021 is a difficult one to summarise. The ongoing disruption caused by the pandemic has been noticeable, with delays and even some cancellations getting in the way and spoiling the fun. But there were some fantastic projects across cinema, television, and video games too – including some brand-new titles that I feel have the potential to lead to ongoing franchises, or to be talked about a lot in future as classics of their various genres.

As 2022 approaches, I hope you’ll stay tuned for a lot more to come from Trekking with Dennis! In the days ahead I plan to look forward to some of the films, games, and television shows that we could enjoy throughout the coming year, so definitely stay tuned for that! And I have a number of reviews and other articles in the pipeline.

So the only thing left to do is to wish you a very Happy New Year! Whatever you have planned for tonight, I hope you have an amazing time. See you next year!

All titles listed above are the copyright of their respective owner, company, studio, broadcaster, developer, distributor, publisher, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.


Check out reviews or articles featuring some of the films, games, and TV shows mentioned on this list by clicking or tapping the links below:

Lego Star Wars: Terrifying Tales

Rick and Morty Season 5

The Wheel of Time

Mass Effect: Legendary Edition

Kena: Bridge of Spirits

Zack Snyder’s Justice League

Raya and the Last Dragon

Wicked

Knights of the Old Republic Remake

Discovery 3×12 There Is A Tide…

Lower Decks 2×10 First First Contact

End-of-Year Awards 2020

Spoiler Warning: There are spoilers ahead for some of the films, games, and television shows listed below.

Welcome to my first annual End-of-Year Awards! These are the best (and worst) entertainment events of the year – in my subjective opinion! Rather than writing a top ten list (like I did last year to mark the end of the decade) I’m instead choosing a few categories and awarding my picks for the best entertainment experiences of the year.

I’m including a few titles from the tail end of 2019 on this list simply because many people will have only got around to watching or playing them this year. These decisions are always difficult and I often feel that – because people put these lists together weeks or months before the end of the year – titles released in December tend to miss out. As such you’ll find a few titles from the final few weeks of 2019 being given an award – and perhaps next year there may be a title or two from the end of 2020 featured!

Most categories will have a runner-up and a winner; a few only have one, and in those cases that title wins by default.

A note about exclusions: if I haven’t seen or played a title for myself, for reasons that I hope are obvious it can’t be included. I’m only one person, and I don’t have every moment of the day to dedicate to entertainment. As such, some titles others may consider to be “massive releases” for 2020 aren’t going to be given an award. In the gaming realm, this also applies to titles that I haven’t completed. The exclusion from these awards of titles like Ghost of Tsushima and Tenet isn’t to say they aren’t good; they may be – but I have no experience with them so I’m unable to comment at this time.

With all of that out of the way let’s jump into the awards! If you like, you can try to imagine a fancy stage and some celebrity presenter handing out statuettes. That may or may not be what I’m doing as I write!

Web Series:

Nowadays many of us get at least a portion of our entertainment away from big-budget productions on websites and apps like YouTube. There are a number of top-tier YouTube shows that may have started off as typical amateur productions, but have since become far more professional. As better cameras and microphones become readily available, even low-budget YouTube productions can offer impressive audio and visuals.

Personally I watch a video or two on YouTube most days, and there are a number of channels which have produced top-quality entertainment this year. When the pandemic hit, many YouTube shows were able to keep going despite the chaos engulfing the wider entertainment industry. They had the means and the technology to do so, and that’s fantastic.

πŸ₯ˆRunner-upπŸ₯ˆ
Linus Tech Tips

Linus Tech Tips is one of the first YouTube channels I began watching regularly, having stumbled upon it when looking for PC building tips a few years ago. Though some of what they do is complete overkill (what YouTube channel needs $20,000 cameras?) they have a lot of fun while doing it. Linus Tech Tips explores the high-end and cutting-edge of computers, cameras, and other technologies, and the presenters manage to make it entertaining.

The channel has continued its steady growth and now boasts a number of regular presenters in addition to the titular Linus, most of whom specialise in particular topics. There are also several other channels produced by the same team, including TechQuickie, Short Circuit, and TechLinked. The combined output of the main channel plus its subsidiaries means there’s at least one new video per day, which is great. Even less-interesting topics can be made fun when presented well, and the team at Linus Tech Tips manage to be interesting and entertaining every time.

πŸ†WinnerπŸ†
SORTEDfood

I love a good cooking show. Not only can they be entertaining but also very relaxing. SORTEDfood has a usual output of two videos per week, and while in recent years they’ve stepped away from purely doing recipes and into things like kitchen gadget reviews, everything is food-themed and the enthusiasm that the five presenters have is infectious. During the coronavirus pandemic, London (where the show is recorded) was in lockdown. Despite that, the team found creative ways to get around it, and even incorporated it into their videos. In addition to recipes there were helpful things like reviews of food delivery services, which at the height of lockdown here in the UK was actually really useful. I was able to use a couple of the services they recommended to send gifts to people I couldn’t see in person; gift ideas I would never have had were it not for SORTEDfood.

Their pandemic programming was good, but when lockdown was lifted it was nice for the team to come back together and get back to their regular output. I’m a huge fan of their “ultimate battles” in particular, which pit the presenters head-to-head to create the best dish. The “pass it on” series, where all five take turns to create a single dish, is also fantastic – and often very funny. SORTEDfood manages to be both informative and entertaining, and their output during lockdown was phenomenal and undoubtedly helped many viewers during a difficult time. For all of those reaons, I’m crowing SORTEDfood the best web series of the year.

Documentaries:

I’m setting aside a whole category for documentaries because I’m a big fan. There have been some great ones in 2020, both standalone films and series. Netflix has surprised me over the last few years by growing to become a huge player in the documentary genre, funding many productions – including some Academy Award nominees. Disney+ joined the streaming wars late last year – or in March this year if you’re in the UK – and has also brought some fascinating pieces of documentary content to the small screen. It’s a great time for documentaries at the moment!

πŸ₯ˆRunner-upπŸ₯ˆ
We Need To Talk About A.I.

This documentary was fascinating, if perhaps somewhat alarmist. Looking at the possible creation of general artificial intelligence, and the potential for such an AI to surpass humanity, it was a truly interesting peek behind the curtain at what researchers are doing on the cutting-edge of AI research. The documentary was presented by Keir Dullea, famous for his role as Dave in 2001: A Space Odyssey. That film saw his character go up against an out-of-control AI, and Dullea brings a gravitas to the role of narrator as a result.

The film made reference to a number of sci-fi films which look at rogue AI, most significantly Terminator 2: Judgement Day, whose director James Cameron was interviewed. From my perspective as a Trekkie, having just seen Star Trek: Discovery Season 2 and Star Trek: Picard Season 1, which both look at the potential for out-of-control AIs, the documentary brought the world of fiction uncomfortably close to the world we inhabit today. While most of the interviewees offered a fairly bleak look at future AI, particularly in the military realm, others did paint a more positive picture. The biggest thing I took away from it, though, it how little consensus there is among researchers and scientists not only on whether AI is a good idea, but whether it’s even truly possible, or how long it will take.

The film is a fascinating, slightly unnerving watch.

πŸ†WinnerπŸ†
The Imagineering Story

Though it isn’t a subject I’ve talked about often here on the website, I have a great fondness for Disney’s theme parks. It’s doubtful given my health that I’ll be able to go any time soon, but I have fond memories of visits to several parks with both family and groups of friends. Combine that love of Disney with my aforementioned love of documentaries and I got what was one of the most underrated yet fascinating entertainment experiences of the year!

Prior to the launch of Disney+ in the UK in March, there was already a Disney-branded streaming platform here. I wasn’t sure what kind of an upgrade to expect when the new service arrived – except for The Mandalorian there didn’t seem to be much new. The Imagineering Story was one of the few documentaries on Disney+ at launch, but it’s absolutely fascinating, detailing the behind-the-scenes work that went into building Disney’s various parks and themed lands.

The addition of some National Geographic documentaries to Disney+ over the last year or so has made the platform into a good home for the format, though I would like to see more films and series either added from Disney’s extensive back catalogue or better yet, commissioned exclusively for Disney+.

But we’re off-topic! The Imagineering Story was beautifully narrated by Angela Bassett, and as a series made by Disney itself was able to get the perspectives of many senior people who worked at the parks and on many of the projects it covered.

Video Games:

Despite the all the chaos and pandemonium in the world in 2020, many new games – and two new consoles – managed to make it to release. While it’s true that some titles have suffered delays, by far the majority of planned and scheduled releases made it, and that’s no small accomplishment!

As a new console generation gets ready for its centre-stage moment, it’s often been the case that we get a quieter-than-average year as companies shift their focus. Despite that, though, we’ve seen some pretty big titles in 2020, including a couple that will likely be heralded as “game of the generation” or even “game of the decade!” If I’m still alive and kicking in 2029, by the way, check back as I may have a thing or two to say about that!

Though it’s far too early to say which of the two newly-launched consoles will do best in the years to come, 2020 has given all of us some great gaming experiences… and some crap ones.

Worst Game:

Let’s start by getting the worst games out of the way. 2020 has seen some stinkers, including big-budget titles from successful developers and publishers. They really ought to know better.

πŸ₯ˆRunner-upπŸ₯ˆ
Marvel’s Avengers

Marvel’s Avengers is the Anthem of 2020. Or the Fallout 76 of 2020. Or the Destiny 1 of 2020. Or the The Culling II of 2020. Pick any of those live service, broken-at-launch disasters, and that’s what Marvel’s Avengers is. The “release now, fix later” business model has condemned what could have been a popular and successful title to failure. But Marvel’s Avengers hasn’t even failed spectacularly enough to be forever etched in the annals of gaming history alongside titles like 1982’s E.T. Instead it’s slowly fading away, and in six months or a year’s time, nobody will even remember it existed.

Disney and Square Enix looked at a long list of crappy video game business ideas, including paid battle-passes, console-exclusive characters, corporate tie-ins with unrelated brands like phone providers and chewing gum makers, in-game currencies, and microtransactions for each of the six main characters individually. They then decided to put all of these into the game, robbing it of any soul or heart it could have had and turning it into a bland corporate cash-grab. As soon as I heard the company planned the game as a “multi-year experience,” the writing was on the wall. If, underneath all of the corporate nonsense, there had been a halfway decent game with fun gameplay, perhaps more players would have stuck it out. But, as usual with these types of games, there wasn’t. I’m not the world’s biggest Marvel fan. So I’m not horribly offended by this game in the way some folks undoubtedly are. But I can sympathise with them, because fans deserve better than this steaming pile of crap to which Disney and Square Enix have attempted to affix the Marvel logo.

πŸ†WinnerπŸ†
The Last of Us Part II

The Last Of Us Part II’s cover-based stealth/action gameplay is fine. Though better than the first game, I didn’t feel there was a colossal improvement in terms of gameplay – but that could be said about countless sequels over the last couple of console generations. Where The Last Of Us Part II fell down was its story. This was a game I was sceptical of from the beginning; the first title felt like lightning in a bottle, something that neither wanted nor required a follow-up. In 2020, though, practically every successful title ends up being spun out into a franchise.

With a theme of breaking the cycle of violence, The Last Of Us Part II considers itself “artistic” and clever. Unfortunately that theme led to a horribly unsatisfying narrative, with players not only forced to take on the role of the person who murdered Joel – the protagonist/anti-hero from the first title – but ends with Ellie letting her escape and refusing to take revenge. Had the same concept been part of a new game with new characters, it could have worked better. But crammed into this title it fell flat. I stuck with it out of stubbornness as a fan of the first title, but it was a profoundly unenjoyable ride, and that’s why The Last Of Us Part II is the worst game of 2020.

Best Casual Game:

How do we define a “casual” game? It’s a difficult one, and it’s one of those contentious topics where fans of a title who may have spent hundreds of hours in the game world will get upset at hearing their favourite game referred to as “casual.” When it came to choosing titles for this category, I looked at games that could be easily picked up for a short burst, then put down. Games that can be played for a few minutes and that have gameplay suited to that was one of the main criteria. Games in this category also had to be pick-up-and-play. Some casual games can indeed be hard to truly master, but for my money, any game to which we assign the “casual” title has to be accessible and easy to get started with.

So that was how I came to my shortlist. Now let’s look at the runner-up and winner… though if you’ve been a reader all year I doubt you’ll be too surprised!

πŸ₯ˆRunner-upπŸ₯ˆ
Fall Guys

Fall Guys seemingly came out of nowhere in August. It wasn’t a title I’d heard of, let alone one I was looking forward to, but it turned out to be a lot of fun. Taking a format inspired by television game-shows like Gladiators or Total Wipeout, the basic gameplay consists of running a series of obstacle courses, looking to be the last one standing at the end to win a crown.

I’m not usually interested in online multiplayer titles, but Fall Guys was something so genuinely different that I was prepared to give it a go. And what I found was a game that was shockingly fun. Each round lasts barely a couple of minutes, meaning even if you don’t qualify it’s not a big deal. Just jump into the next game. Though there are microtransactions, at time of writing they aren’t intrusive and the game is quite generous with the in-game currency given out simply for playing. There are fun cosmetic items to dress up your adorable little jelly bean character in, and the whole game is cute and lots of fun. Though it did have a cheating problem for a while, the addition of anti-cheat software appears to have fixed things. I’m probably about done with Fall Guys as I move on to find new things to watch and play, but I had a wonderful time with it this summer and autumn.

πŸ†WinnerπŸ†
Animal Crossing: New Horizons

With over 120 hours played, I’ve spent more time this year with Animal Crossing: New Horizons than with the next two games on my list put together. That’s no small accomplishment – even if my 120 hours seems paltry compared to the amount of time some players have put into this title. Time alone doesn’t make a title worthy of winning an award, though. Why Animal Crossing: New Horizons deserves the title is because practically all of those hours were enjoyable.

It’s true that the base game at launch was missing features from past entries in the series, notably 2013’s Animal Crossing: New Leaf. And I find that disappointing, even if updates have since improved the game. But despite the missing content, what the game did have was fantastic, and there really isn’t anything like New Horizons on the market. It’s cute wholesome fun, and the kind of game that can be played for even just a few minutes at a time. It doesn’t demand a huge commitment in the way some titles do – but if you get stuck into it, you’ll find yourself wanting to spend more and more time on your island.

Best Racing Game:

There’s only one game in this category this year, simply because the other racing games I’ve played in 2020 were released in previous years. I had a lot of fun with Forza Horizon 4 in particular, but as a 2018 title it can’t be included here for obvious reasons.

πŸ†WinnerπŸ†
Hotshot Racing

Congratulations to Hotshot Racing for winning by default! Jokes aside, this game is a lot of fun. An unashamed arcade racer that makes no attempt at realism, it’s fast-paced, exciting, and ridiculous in equal measure! What attracted me to the game when it was released in September was its deliberately mid-90s aesthetic; a beautifully simple art style inspired by racing games of the Sega Saturn and PlayStation 1 era.

At a time when many games feel overpriced, the Β£15 I paid for Hotshot Racing actually feels cheap! For how much fun the game is, even when simply playing against the AI, it could arguably ask for a lot more money! Speaking of playing against the AI, that’s something Hotshot Racing encourages, and considering how many titles that supposedly offer a single-player mode still try to force players to go online, I appreciated that. In the mid-90s, some games could do four-player split-screen, but many titles were limited to just two players at the most, so racing against the AI was something all gamers had to do; that was just how those games were meant to be played!

As a visual throwback to games past, Hotshot Racing caught my eye. But there’s more to it than just the way it looks, and what’s under that cute retro skin is a genuinely fun arcade racer.

Best Star Wars Game:

It’s unusual for two games in a single franchise to release within a year of each other, but that’s what happened! There was even supposed to be a third Star Wars title this year – Lego Star Wars: The Skywalker Saga – but it was delayed until 2021.

πŸ₯ˆ Runner-up πŸ₯ˆ
Star Wars: Squadrons

Though Squadrons is less arcadey than classic starfighter titles like Rogue Squadron, it’s a remarkably fun game. If you’ve ever dreamed of being a pilot in a galaxy far, far away, this is about as close as you can get! Though I don’t play in VR, the option to use a VR headset – as well as to set up a proper HOTAS or other flight controller on PC – surely makes this the most immersive Star Wars experience out there. Even just with a control pad, though, Squadrons truly transports you to the cockpit of an X-Wing, TIE Fighter, or one of the game’s other starfighters.

The single-player campaign was fun, giving players the opportunity to fight on both sides of the war as the New Republic seeks to defeat the rump Empire – the game is set in the aftermath of Return of the Jedi. I’m not much of a multiplayer gamer, so the fact that there is an AI mode, allowing me to continue to have fun just playing against the computer, is fantastic. I had a truly enjoyable time with Star Wars: Squadrons, and I keep going back for more.

πŸ†WinnerπŸ†
Star Wars Jedi: Fallen Order

Jedi: Fallen Order was released in November 2019, so including it on this list is a bit of a stretch, I admit. But I got to play it this year, and it was the first game where I fully documented my playthrough. Jedi: Fallen Order managed to feel like a cross between Knights of the Old Republic and the Uncharted series, with protagonist Cal taking on a quest to visit several ancient worlds in search of a Jedi Holocron.

There were twists and turns along the way, but the whole time I felt like I was taking part in a Star Was adventure all my own. After the disappointment of The Rise of Skywalker, playing through Jedi: Fallen Order convinced me that the Star Wars franchise was going to be okay, and that there were still new and original stories worth telling in this universe.

The gameplay was great too, with lots of exciting action and lightsabre-swinging as Cal took on the forces of the Empire. I won’t spoil the ending if you haven’t played it for yourself, but Jedi: Fallen Order was a wild and incredible ride, and one I heartily recommend.

Best Action or Adventure Game:

This category ended up with two first-person shooters, but I’m keeping the name the same! There were many great action, adventure, and first-person shooter titles released this year, and I didn’t have time to play all of them. Here are the two I enjoyed most.

πŸ₯ˆ Runner-up πŸ₯ˆ
Doom Eternal

The sequel to the wonderful 2016 reboot of Doom is just fantastic. Gone is the horror vibe that Doom 3 mistakenly introduced, and instead what you get is action and excitement – with some interesting platforming sections thrown in for good measure. There is a story, of course, but unlike many games I’m not really all that interested in it. I come to games like Doom Eternal to feel like a demon-killing badass, and that’s precisely what the game offers.

There was a lot of fun to be had in the days leading up to Doom Eternal’s launch, as it coincided with the launch of Animal Crossing: New Horizons. I greatly enjoyed the memes and artwork created by folks on the internet, depicting Doom Guy and characters from the Animal Crossing series together! All in all, this is just a fast-paced, fun shooter that doesn’t try to be anything more. It isn’t a jack-of-all-trades; it does one thing and does it to perfection.

πŸ†WinnerπŸ†
Halo: The Master Chief Collection

Throughout 2020, developers 343 Industries have brought the Halo series to PC. Halo: Reach arrived late last year, and in the months since we’ve gotten every other title in the series – except for Halo 5! It had been a long time since I played Halo: Combat Evolved on the original Xbox, and I had a lot of fun rediscovering the series and enjoying it all over again. The updated graphics improved the experience in a lot of ways, but it was also fun (and innovative) to be able to switch between visual styles on the fly.

I hadn’t played either Halo 3: ODST or Halo 4, so I not only got to recreate my Halo experience from years past, but expand on it too. The setting the series uses is as unique and interesting as any sci-fi video game I’ve played, and I’m very curious to see what Halo Infinite can bring to the series when it’s eventually ready.

Television Shows:

There have been some wonderful television shows this year. While the pandemic led to the shutdown of cinemas and a delay in many films being released, a lot of television shows were able to press ahead – at least, those that had completed filming before the worst effects were felt. I hoped to include more categories, such as best miniseries, but time got away from me and I have a number of shows still on my list of things to watch!

Worst Television Series:

Luckily there’s only one in this category! If I’m not enjoying a television series I tend to just stop watching – unless there seems to be a real prospect of improvement. Likewise, if I feel something won’t be to my taste I’ll just skip it; life is too short, after all, for bad entertainment. That said, there are exceptions, and I found one in 2020.

πŸ†WinnerπŸ†
Supernatural

Supernatural is the king of running too long – a crown it inherited from The Big Bang Theory! Fifteen years ago, when it debuted, there was a great premise as brothers Sam and Dean Winchester set out to hunt ghosts and monsters, all the while keeping an eye out for the demon that killed their mother and Sam’s girlfriend.

But by the time the show reached its third season, many of its ongoing storylines had concluded. The writers began reaching for new and different demons and creatures for Sam and Dean to tackle, and the quality dipped. By the time the show crossed over into the self-congratulatory fan-servicey mess it has been in recent seasons it had just become ridiculous; a parody of itself.

As the seasons dragged on, writers began pumping more and more Biblical themes into Supernatural, transforming its protagonists into invincible prophets anointed by God. An episode a few seasons back saw Sam and Dean cross over into a world where their adventures are a television show in what has to be one of the worst examples of fan-service I’ve ever seen.

Thankfully Supernatural has now wrapped up its final season. I tuned back in – against my better judgement – to see if the impending end of the series would make a difference to its quality. But it didn’t, and I stand by something I’ve been saying for years: many television shows have a natural lifespan. Supernatural had maybe three decent seasons, and should certainly have ended a long time ago.

Best Animated Series:

πŸ₯ˆ Runner-up πŸ₯ˆ
Rick & Morty

We got five episodes of Rick & Morty in 2020; the back half of Season 4, which had premiered last year. The show’s entire premise is wacky, sometimes over-the-top humour, and that doesn’t always stick the landing, especially when the creative team have been working on it for seven years already. So with that in mind, I consider four episodes out of five being decent to be a pretty good run.

When the show stopped flying under the radar and really hit the mainstream in 2017, there was a fear perhaps that the newfound popularity would lead to changes. But I don’t really think that’s happened, and I wouldn’t say that this year’s episodes were substantially different to those in past seasons. They weren’t necessarily any better, but certainly no worse.

There were some great jokes, some hilarious moments, and some weird and wonderful aliens as Rick and Morty (along with Summer, Jerry, and Beth) took off on their interdimensional adventures.

πŸ†WinnerπŸ†
Star Trek: Lower Decks

It could hardly be anything else, right? Building on the success of both the Star Trek franchise and animated comedies like Rick and Morty, Star Trek: Lower Decks represented the franchise’s biggest attempt to try something new – and arguably its biggest risk – in a very long time. Despite the controversy surrounding Lower Decks’ lack of an international broadcast, judging the series on merit it was a very enjoyable ride.

There were plenty of laugh-out-loud moments in Lower Decks, but more than that, the show paid homage to my personal favourite era of Star Trek – the 24th Century. There were so many callbacks and references to events in The Next Generation, Deep Space Nine, and Voyager and the series managed to feel like Star Trek while at the same time having an overtly comedic style.

While its sense of humour won’t be to everyone’s taste, there’s no denying that Lower Decks was made by fans for fans, and I’m really excited to see its second season whenever that may come – especially now that the show’s international broadcast has been settled meaning that fans everywhere can enjoy it together.

Best Live-Action Television Series:

πŸ₯ˆ Runner-up πŸ₯ˆ
Cobra

Right at the beginning of the year I watched Cobra, a British thriller about a government dealing with the aftermath of a disaster. Such an interesting fictional concept, I thought. How innocent we were back then, eh?

Cobra wasn’t what I expected. Having read the pre-release marketing I was expecting a disaster series, something dealing with an apocalyptic event. Instead it’s much more of a thriller with elements of political drama. Even though that was completely not what I expected, I had an enjoyable time with the series.

Robert Carlyle – who plays the role of a British Prime Minister clearly inspired by Tony Blair – is an actor I’ve always felt was underrated. I saw him a few years ago in a miniseries called Hitler: The Rise of Evil, and ever since I’ve found him to be a decent actor who can take on a variety of roles. He was the star of Cobra – but didn’t overwhelm the series. It was an entertaining ride with some truly tense moments.

πŸ†WinnerπŸ†
Star Trek: Picard

This should come as no surprise to anyone who’s followed my articles and columns this year! Star Trek: Picard did something I’d been desperately wanting the franchise to do for basically twenty years: move forward. Since Enterprise premiered shortly after the turn of the millennium, Star Trek has looked backwards, with all of its attention focused on prequels and reboots. Many of those stories were great, don’t get me wrong, but I wanted to know what came next, and Picard scratched that itch.

But its premise alone would not make it the best television series of the year! Star Trek: Picard told an engaging, mysterious story as the retired Admiral Picard set out on a new adventure. The story touched on contemporary themes of artificial intelligence, isolationism, and mental health, and was an enthralling watch. Though it stumbled as the first season drew to a close, the first eight episodes were outstanding, and have hopefully laid the groundwork not only for future seasons and more adventures with Picard and his new crew, but also for further Star Trek stories set at the dawn of the 25th Century.

It’s difficult to pick out one individual episode and say it was the best the season had to offer, because Star Trek: Picard is designed to be watched from beginning to end as one continuous story. But that doesn’t mean I won’t try!

Star Trek Episodes:

2020 was the first year since 1998 with three Star Trek productions, so there’s a lot of episodes to choose from! As Trekkies we’re spoilt for choice at the moment – long may that continue! This year I reviewed every single Star Trek episode that was broadcast. The year began with Picard in late January, then Lower Decks came along in August, and finally Discovery premiered in mid-October.

Worst Episode:

There weren’t a lot of options here, because the quality of modern Star Trek has been high. That said, every Star Trek show has misfires and duds from time to time, and this year was no exception.

πŸ₯ˆ Runner-up πŸ₯ˆ
Et in Arcadia Ego, Part 1 (Star Trek: Picard)

After an incredibly strong start, Star Trek: Picard stumbled as its first season drew to a close. My primary complaint about Et in Arcadia Ego as a whole (aside from that godawful gold makeup they used for the synths) was that it introduced too many new characters and storylines, most of which didn’t get enough screen time to properly develop. The first part of a finale needs to bring together everything that’s already happened, not dump an awful lot of new things onto the audience, but that’s what Et in Arcadia Ego, Part 1 did.

The episode was also very poorly-paced, which is down to a combination of scripting and editing. The story jumped from point to point without sufficient time for the audience to digest what was going on. It also skipped over what should’ve been massive emotional moments, like Picard and Soji learning Hugh’s fate, or Elnor learning of Picard’s illness. Dr Soong and Sutra in particular needed more development and more screen time – though Isa Briones’ terrible, one-dimensional performance means that’s something I’m half-glad we didn’t get!

Overall, this was Picard’s worst episode by far. The aesthetic, editing, and pacing were all wrong, and if the story of Season 1 wanted to include all of these new characters, factions, and settings, we needed not only more episodes, but to have brought them in much earlier.

πŸ† Winner πŸ†
Envoys (Star Trek: Lower Decks)

Envoys’ opening sequence, in which Ensign Mariner kidnaps a sentient energy lifeform “for a laugh,” was the closest I came to switching off Star Trek’s second animated series and not going back. Where Lower Decks succeeded was in making the regular goings-on in Starfleet comical. Where it failed was in attempting to set up Ensign Mariner as Star Trek’s answer to Rick Sanchez (from Rick & Morty). This sequence encapsulated all of Mariner’s worst qualities, and was about as un-Star Trek as it’s possible to get.

It’s a shame, because the episode’s B-plot starred Ensign Rutherford in what was one of his better stories as he hopped from role to role aboard the ship, trying out different postings in different departments. The main story stuck with Mariner and Boimler, and derived much of its attempted humour from her mean-spirited selfishness. The ending of the episode did go some way to humanising Mariner, and arguably set the stage for her becoming a much more likeable character across the remainder of the season. But that opening sequence in particular is awful, and is the main reason why I’m crowing Envoys as the worst Star Trek episode of the year.

Best Episode:

This is a much more fun category than the one above! And there are plenty of candidates. All three shows managed to have some real gems, and picking just two was not an easy task.

πŸ₯ˆ Runner-up πŸ₯ˆ
Far From Home (Star Trek: Discovery)

After Michael Burnham arrived in the 32nd Century in the season premiere, Far From Home saw Discovery and the rest of the crew arrive too. We were treated to an excellent crash landing sequence that was reminiscent of Voyager’s fourth season episode Timeless, and we got an interesting storyline which saw Saru and the crew forced to adapt to a very different and difficult future.

Saru and Tilly both stepped up, and the dynamic between these two characters has been continued through the rest of the season. As two main characters who hadn’t spent a huge amount of time together before this episode, their relationship was somewhat new and very interesting. Saru stepped up to become the captain we all hoped he could be in Far From Home, and Tilly showed us that there’s more to her than mere comic relief.

As the second half of the series premiere, Far From Home does a lot of world-building, establishing the violent, chaotic nature of the 32nd Century. It was also rare in that it was a Star Trek: Discovery episode with practically no input from Burnham – something which allowed many other crew members to shine in unexpected ways.

πŸ†WinnerπŸ†
Remembrance (Star Trek: Picard)

I don’t think I’ve ever been more excited for a Star Trek episode than I was for Remembrance. This was the moment Star Trek returned to the 24th Century for the first time since 2002’s Nemesis – and it was the first time the overall story of the Star Trek galaxy had moved forward since we heard about the destruction of Romulus in 2009’s Star Trek.

Children of Mars – the Short Treks episode that served as a prologue to Picard – had been somewhat of a let-down, so there was a lot riding on Remembrance as far as I was concerned! And I’m so happy to report that it delivered. It was mysterious and exciting, with moments of tension and action, and although the now-retired Admiral Picard was not exactly the same as he was the last time we saw him, flickers of the man we knew were still there.

Remembrance set the stage beautifully for Season 1 of Star Trek: Picard. It took things slow and didn’t overwhelm us with storylines and heavy plot all at once. By the end of the episode we’d only really met two of the season’s principal characters. Perhaps seen in the light of the rushed finale this could be argued to be a mistake, and that we needed to get a quicker start. But I don’t think I agree with that assessment; Remembrance is perfect the way it is, and probably the best single episode of television I saw all year.

Films:

Let’s be blunt for a moment: 2020 has been a catastrophic year for the film industry. So many titles that should have been released simply didn’t come out due to the pandemic, and as a result it’s been slim pickings. A few bigger titles managed to premiere in January or February before the worst effects hit, but since the end of February very few titles have come out. We’ve missed out on films like No Time To Die, Ghostbusters: Afterlife, and Dune, all of which have been delayed to 2021. And there will be ramifications for years to come, as titles planned for 2021 are being pushed to 2022, and so on.

There have been some titles that managed to come out this year, and from my selfish point-of-view, I’m happy that more have come straight to streaming! My health is poor, and one thing that I sadly can’t do any more is get to the cinema (I haven’t been able to for several years). So in that sense I don’t feel that I personally have missed out in quite the same way! However, the massively-curtailed release schedule has had an effect, and as a result I don’t really have a lot of titles to choose from for this section of the awards. In another year I might’ve split up the films into several genres, but instead we just have three categories.

Worst Film:

Luckily there’s only one film in this category this year. If you recall my review of it from the spring, it perhaps won’t be a surprise!

πŸ†WinnerπŸ†
Star Wars Episode IX: The Rise of Skywalker

The Rise of Skywalker is saved from being the worst Star Wars film solely by the existence of The Phantom Menace – and it’s not always clear which is worse. The clumsy insertion of Palpatine into a story that was clearly not supposed to have anything to do with him is perhaps the worst example of corporate-mandated fan service I’ve ever seen. Not only does Palpatine ruin The Rise of Skywalker, but the revelation that he’s been manipulating the entire story of Star Wars from behind the scenes undermines every other story that the cinematic franchise has tried to tell. It was a monumentally bad decision; the worst kind of deus ex machina. And his presence wasn’t even explained.

But while Palpatine stank up the plot, he wasn’t the only problem in The Rise of Skywalker. The ridiculously choppy editing meant no scene lasted more than a few seconds, leaving the audience no time to digest what was happening. There was some truly awful dialogue. General Hux’s story makes no sense at all and was totally out of character. Rose Tico was sidelined, despite her character being a huge part of the previous film. Palpatine’s plan – and his decision to announce it to the galaxy before enacting it – makes no sense. The stupid limitation to his fleet also makes no sense. Rey’s character arc across the trilogy was ruined by the decision to listen to bad fan theories. Poe and Finn basically did nothing of consequence. And the scenes with Leia – I’m sorry to say given Carrie Fisher’s untimely demise – were so obviously lifted from another film that it was painful.

JJ Abrams ran around undoing so many storylines from The Last Jedi that The Rise of Skywalker felt like two films haphazardly smashed together, but cut down to the runtime of a single picture. There was an occasional moment where either something funny happened or perhaps the nostalgia hit hard, but otherwise it was a total failure, and by far the worst film I’ve seen all year.

Best Animated Film:

πŸ₯ˆRunner-upπŸ₯ˆ
Frozen II

Disney does not have a good track record when it comes to sequels. Most of the time their big animated features are one-offs, with any sequels being relegated to direct-to-video offerings. But Frozen had been such a cultural landmark after its 2013 release that a sequel was, perhaps, inevitable. And far from being an afterthought, Frozen II was a film that equalled – and occasionally surpassed – its illustrious predecessor.

There was some fantastic animation work in Frozen II, such as the effects used for the fog. There was less snow than in the first film, and the snow in Frozen was beautiful, so that’s a shame in a way! The soundtrack was fantastic too, with several catchy songs that are well worth listening to.

Frozen II’s story was engrossing and genuinely interesting, and unlike some Disney sequels managed to avoid feeling tacked-on. The parents of the two sisters at the heart of the story had been killed early in the first film – and Frozen II saw them learn more about what happened to them, as well as discovering the source of Elsa’s powers.

πŸ†WinnerπŸ†
Phineas and Ferb the Movie: Candace Against the Universe

Phineas and Ferb went off the air in 2015, and as Disney Channel shows are usually one-and-done affairs I didn’t expect to see it return. But Candace Against the Universe premiered in August on Disney+ and was absolutely amazing.

After a five-year break the film brought back practically everything that made Phineas and Ferb great. There was a wacky but fun plot that brought together the kids and Dr Doofenshmirtz, there were some great musical numbers, and above all a deep story that had heart. Candace – the sister of the titular Phineas and Ferb – took centre-stage in a story that made depression accessible to even the film’s young target audience. It ended by telling a story that showed kids that they don’t have to be the centre of the universe to matter, and I think that’s an incredibly powerful message.

I’m a big advocate of sensitive depictions of mental health in entertainment. Not every story has to touch on the subject, of course, but Candace Against the Universe did – and it did so in a way that was relatable and understandable. But beyond that, it was a fun return to a series I thought was over. It’s possible the film could be the springboard for more Phineas and Ferb, but even if it isn’t I’m still glad we got to see it.

Best Live-Action Film:

Ordinarily I’d try to split up films by genre, and at least have sections for comedy, sci-fi, and maybe one or two others. But so few films have staggered out the door this year that there’s not really a lot of choice. As I’ve seen so few new films I just picked my top two. It wasn’t even all that difficult.

πŸ₯ˆRunner-upπŸ₯ˆ
Sonic the Hedgehog

In any other year, Sonic the Hedgehog wouldn’t have got a look-in as one of the best releases. But this is 2020, and as we’ve already discussed, there aren’t a lot of options. After receiving backlash for its visual effects when the first trailer was released in 2019, the creative team behind Sonic the Hedgehog went back to the drawing board and redesigned the titular Sega mascot, bringing him closer to his video game appearance. The willingness of the studio to delay the project in response to fan criticism is appreciated, especially when many other studios have chosen to double-down in the face of such backlash.

The film itself is surprisingly fun, though as with 1993’s Super Mario Bros., features a storyline quite far-removed from the video game franchise it’s inspired by. Jim Carrey hasn’t exactly disappeared in recent years, but has been nowhere near as ubiquitous as he was in his late-90s heyday, so his performance here feels like a return to form. And that’s all I have to say, really. It was a fun film, and an enjoyable way to kill a couple of hours. Is Sonic the Hedgehog going to be hailed as a classic of modern cinema alongside Lincoln and Bohemian Rhapsody? Of course not. But out of the available titles this year, it’s one of the best.

πŸ†WinnerπŸ†
1917

Now for a complete change of tone! 1917 was released in December last year, and is a truly epic war film that missed out on winning any of the top Academy Awards. However, despite the snub by the Oscars, it’s an outstanding piece of historical cinema, and though its novel “one-take” style of editing was perhaps less impressive than I expected it to be, it was nevertheless interesting.

I fully expect 1917 to be considered a classic of the war genre in decades to come, such is its quality. At its core is an emotional story of two young men thrown into a gut-wrenching situation. The First World War was one of the worst and bloodiest in history, yet few films have depicted that horror with such brutal accuracy as 1917.

Though it isn’t the kind of popcorn flick you’ll want to watch a dozen times in a row, 1917 is artistic and inspired in all the ways that matter. From the performances to the costuming to the camera work, every tiny detail has been honed and perfected. Director Sam Mendes deserves a lot of credit for putting together this masterpiece.

Announcements:

In this final section I’ll briefly cover a handful of announcements for upcoming productions that got me excited in 2020. There are so many interesting projects in the works, and while some of these may not see the light of day until 2022 or even later, they’re still genuinely appealing and I’m keeping my ear to the ground listening for news!

Video Games:

πŸ₯ˆRunner-upπŸ₯ˆ
Mass Effect: Legendary Edition

I’d been hoping for an announcement of the remastered Mass Effect trilogy ever since rumours of its existence began to swirl earlier in the year. Though EA and Bioware kept us waiting, the remaster was finally announced a short time ago and is due for release in 2021. Whether it will really tick all the boxes, and whether enough time has passed for a remaster to feel like a substantial improvement are both open questions… but I’m very interested to find out!

πŸ†WinnerπŸ†
Hogwarts Legacy

It’s been a long time since a video game announcement got me so excited – and an even longer time since anything in set in the Wizarding World did! Hogwarts Legacy looks like a game with great potential – telling a new story set decades before the Harry Potter books. It also seems to be a game that offers a great degree of player choice. That combination worked very well for Star Wars: Knights of the Old Republic, and I think it could do wonderful things here.

Television Shows:

πŸ₯ˆRunner-upπŸ₯ˆ
Alien

There’s a television show based on the 1979 classic Alien in development! Practically everything is being turned into a streaming television series right now, so perhaps that shouldn’t come as a surprise, but I’m truly interested to see what the Alien franchise can do with more than a couple of hours. Television as a medium allows for longer and more complex stories than can fit in a two-hour film, so there’s a lot of potential here.

πŸ†WinnerπŸ†
Star Trek: Strange New Worlds

Almost since the moment he beamed aboard Discovery at the beginning of the second season, fans had been clamouring for a Captain Pike series, and Alex Kurtzman and ViacomCBS listened! Strange New Worlds was announced in May, along with a short video from its three principal cast members. The show has already begun production, and while I doubt it’ll see the light of day before 2022, it’s one of the things keeping me going right now!

Films:

πŸ₯ˆRunner-upπŸ₯ˆ
The Matrix 4

Though I have no idea where the story of The Matrix 4 could possibly take the series, I’m cautiously interested. Filming has already begun, but was disrupted by – what else – the pandemic. The two sequels to 1999’s The Matrix didn’t quite live up to the first part of the saga, but nevertheless were solid action-sci fi titles. I’m hoping that, after the series has taken a long break and with access to better CGI than was available in the early 2000s, The Matrix 4 will be just as good as the first. Could this be the beginning of a greatly expanded franchise?

πŸ†WinnerπŸ†
Dune

The first part of this new Dune duology should have been released this month, but because most cinemas remain closed it’s been pushed all the way back to December next year. Dune has previously been difficult to adapt, with at least one attempted film version never making it to screen, but this adaptation has clearly been a labour of love. It seems to feature a great cast, and based on the trailer will have some stunning visual effects. Here’s hoping that it can get the cinematic release that the director and studio hope for.

So that’s it!

Those are my picks for the entertainment highlights of 2020. It’s been a very unusual year in terms of what all of us have been able to watch and listen to. A number of big titles weren’t able to make it to release, especially in the realm of cinema. We’re also going to be feeling the knock-on effects of this disruption well into 2021 and 2022, even if things get back to normal relatively quickly – which hopefully will be the case!

2020 brought Star Trek back to the small screen in a huge way. There literally has not been this much Star Trek to get stuck into for decades, and as a big fan of the franchise I think that’s just fantastic. It’s also been a year which has accelerated the move toward streaming as a main way of accessing content. I wouldn’t like to guess how many cable or satellite subscriptions have been cancelled in favour of Netflix, Disney+, CBS All Access, and the like!

I hope that you managed to find some fun things to watch and play this year – even as the outside world seemed to be falling apart. Entertainment is great escapism, and we all needed some of that in 2020. This may be my last post of the year, so all that remains to be said is this: see you in 2021!

All titles listed above are the copyright of their respective company, studio, broadcaster, publisher, distributor, etc. Some promotional images and artwork courtesy of IGDB. Stock photos courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.