Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 and the trailers, teasers, and announcements for Season 3. Spoilers are also present for the following Star Trek productions: The Next Generation, Deep Space Nine, Voyager, and Prodigy.
A few days ago I picked out a dozen Star Trek episodes (and a couple of films) that I thought would make good background viewing ahead of Star Trek: Picard’s upcoming third and final season. Since then, we’ve been treated to the final Season 3 trailer, and while I wasn’t exactly blown away by the trailer itself, it raised a couple of potentially interesting points that made me think of a few more Star Trek episodes. So on this occasion we’re going to add five more Star Trek episodes to the list!
I had quite a lot to say about the final Season 3 trailer, so if you missed my thoughts and analysis you can find that piece by clicking or tapping here. And to see the first part of this list, containing other episodes and films that I think will be good to watch ahead of Picard Season 3, click or tap here.
There’s still an awful lot that we don’t know about Picard Season 3. Although we have a sense of who the main characters will be, there are still some question-marks about how they will all work together – and even which side everyone will be on. There are also, in my opinion at least, a couple of potentially-open character slots on the villainous side of the season – particularly if Captain Vadic has, as I have posited, put together a kind of “rogues’ gallery” of past Star Trek baddies!
A couple of caveats before we get started. First of all, I have no “insider information,” and I’m not trying to claim that any of the episodes listed below definitely will have a bearing on the storyline of Picard Season 3. This is guesswork on my part – and nothing more! Secondly, all of this is simply the subjective take of one person. I’ve picked a few episodes that I think could be relevant, but if you disagree with my picks or if I exclude something you think is blindingly obvious, that’s just the way it goes! This is just one person’s opinion – and it’s meant to be taken in the spirit of fun.
With that out of the way, let’s get started!
Story #1: Coming of Age and Conspiracy The Next Generation Season 1
Coming of Age is primarily about Wesley Crusher and his first attempt to get accepted into Starfleet Academy. However, the episode’s secondary plot sets up the story of Conspiracy, the penultimate episode of The Next Generation Season 1. In Conspiracy, a race of parasitic aliens infiltrate Starfleet Command, taking over senior officers, including admirals, as part of a plot to subjugate the Federation. Though the parasitic aliens would claim that they sought “peaceful coexistence,” their actions clearly showed that they planned to take over Starfleet – perhaps as a first step to conquering the Federation.
Before their “mother creature” was killed it was able to send a signal into deep space, and Data believed that the parasite-aliens would one day return. This story was originally intended to set up the Borg storyline in Season 2, but I think everyone can agree it’s for the best that that didn’t happen! For our purposes, there was something about Captain Vadic in the Season 3 trailer, and particularly Dr Crusher’s line about Picard being unable to trust anyone within Starfleet, that made me think of Conspiracy. I think it would be an incredibly bold and unexpected move to return to what was, let’s be honest, not one of The Next Generation’s finest or best-remembered stories. But at the very least, the episode’s concept of a conspiracy within Starfleet itself could be worth checking out… even if the parasite-aliens aren’t going to make a comeback!
Story #2: The Enemy The Next Generation Season 3
The Enemy is a great Star Trek episode, and an absolutely classic example of how the franchise uses its sci-fi setting to tell stories that reflect the real world. When considering what may be to come in Picard Season 3, it’s also a strong Geordi La Forge story, and one that sees him interacting with a Romulan. The Romulans were a big deal in Picard Season 1, and if we take Geordi’s role in the spin-off comics and novels that have been released in recent years, he may have been present on Mars when the Zhat Vash caused the synths to attack. He may feel he has unfinished business with the Romulans, or lingering trauma over those events, so stepping back to see Geordi’s first big meeting with a Romulan could be worthwhile.
Geordi is one of the characters whose role in Season 3 feels totally ambiguous. All we know at this stage from the trailers and teasers is that he seems to have been promoted to the rank of commodore and that he may have a senior position on board Spacedock or another similar starbase. I like the idea of revisiting an earlier Geordi story to see how far he’s come – and The Enemy is one of his best episodes in The Next Generation.
Story #3: You Are Cordially Invited, Change of Heart, and Tears of the Prophets Deep Space Nine Season 6
This trio of episodes, spread across Deep Space Nine’s fantastic sixth season, focus in large part on Worf’s relationship with Jadzia Dax. Worf and Jadzia got married at the height of the Dominion War, not long after the Federation had re-taken DS9 from the Cardassians and the Dominion, but their marriage was, sadly, not to last – Jadzia was killed at the end of the season. I remember Jadzia’s death coming as a huge shock when I first watched Tears of the Prophets; although we knew actress Terry Farrell would be leaving the series, the decision to outright kill Jadzia was still a bold one – the first main character death in Star Trek since Tasha Yar at the beginning of The Next Generation a decade earlier.
With Worf coming back in Season 3, there’s a chance, at least, that his marriage to Jadzia will be referred to. Showrunner Terry Matalas has suggested that part of Worf’s arc will connect back to his experiences not just on Deep Space Nine, but specifically to his service in the Dominion War – and although Worf did a lot for the war effort, the biggest emotional moment for him has to be his marriage and the subsequent death of his wife. Although Deep Space Nine’s seventh season explored this through Worf’s conversations with Ezri Dax, there’s definitely scope to see how Worf would have processed his grief and loss after the war’s end.
Story #4: What You Leave Behind Deep Space Nine Season 7
Picking up that same Dominion War theme, we come to the finale of Deep Space Nine and the final engagement of the conflict. The episode ends with the Dominion’s defeat and Odo choosing to return to the Founders’ homeworld to share his knowledge of living in the Alpha Quadrant – as well as Captain Sisko’s departure to the realm of the Prophets! There’s a lot to unpack in this complex and emotional feature-length episode, but for our purposes we’re focused on the Dominion War and its ending.
It’s possible that Captain Vadic will have some connection to the war – she certainly seems old enough to have potentially served in it. She could be a Founder, perhaps, and if the changelings are once again on the move, that could explain why Dr Crusher warned Picard about not trusting anyone. Or Vadic’s connection to the war could come from the other side: she could be a Federation or even Romulan officer who served. Either way, some kind of Dominion War connection has been teased – so seeing how the war came to an end could be important.
Story #5: Human Error Voyager Season 7
I didn’t really pick any Seven of Nine episodes on my last list – which is kind of an oversight, given that she will be returning in Picard Season 3! Voyager’s later seasons included quite a few Seven-focused episodes (if you’d have asked me at the time, I’d have definitely said there were too many!) but for today, I want to take a look at Human Error.
Part of Seven’s story this time around is sure to focus on her new role within Starfleet, and although Picard’s first two seasons already gave her a deeply cathartic arc and plenty of development, her change of circumstances this time around could be very interesting. Human Error shows Seven of Nine trying to hone her social skills on the holodeck, as well as setting the stage for a potential romance with Chakotay. Of all the “Seven of Nine learns how to be human” stories – of which there were a lot – Human Error is one of the more interesting, and perhaps some of the themes it touches on will be relevant this time around… even if the main plot points themselves are unlikely to be!
Bonus: Star Trek: Prodigy Season 1
I almost included this as an “official” entry on the list, but I’m not sure I could justify saying that all of Prodigy’s first season is going to make for necessary or even relevant background viewing ahead of Picard Season 3! But there are a few points of note that, while unlikely to come up in a big way, would be worth keeping in mind – especially for Seven of Nine’s story. Prodigy’s first season serves as a sequel, of a sort, to Voyager – and we learn what happened to Chakotay and Admiral Janeway in particular over the course of twenty episodes.
This isn’t Prodigy’s main focus, but it’s a story that’s weaved through the entire season, setting up the story and taking it to its end point. Seven of Nine may or may not know all of the details of what happened, and the events of Prodigy take place almost fifteen years before Picard. But as someone who was close with Janeway and Chakotay, Seven may have come to know about their adventures with the USS Protostar. I really doubt that there will be a major connection, but there could be a name-drop or some other hint at the events of Prodigy through Seven’s story arc.
So if you have time and you haven’t seen Prodigy yet… now could be the right moment!
So that’s it!
Unless I think of any more episodes – or come up with any of my patented (and usually wrong) theories – I think this is it! Between this list and the one I published a few days ago, these are all the stories that I think could make for useful background viewing ahead of Picard Season 3.
As I said last time, I’m less “excited” for this new outing than I want to be. Two difficult, muddled, mismanaged seasons of Picard have been, on the whole, a pretty big disappointment, especially when I consider that this was the series – and the Star Trek concept – that I was most interested in and had waited almost twenty years to see. Season 3, rather than being one more fantastic adventure, feels more like the last chance saloon – not only the final opportunity for Picard to tell a decent, well-paced, exciting story, but perhaps the last good opportunity for the Star Trek franchise as a whole to demonstrate to parent company Paramount that it’s worth investing in this early 25th Century setting in a big way.
But despite all of that, I’ve vowed to give Picard Season 3 a fair shake when it debuts in a couple of weeks’ time. Whether any of the stories and episodes we’ve talked about today will be relevant or not, I still think they’re all enjoyable and well worth a watch. If nothing else, they can give us a bit of a baseline to see where these legacy characters were in their prime.
Don’t forget to check out the first part of this list, which contains another batch of Star Trek stories that I think could make for useful background viewing ahead of Picard Season 3. You can find it by clicking or tapping here. And when Season 3 premieres, I hope you’ll check back for weekly episode reviews – and perhaps even a few theories!
Star Trek: Picard Season 3 will premiere on Paramount+ in the United States on the 16th of February 2023, and on Amazon Prime Video in the United Kingdom and around the world on the 17th of February 2023. Seasons 1 and 2 are already available to stream or buy on DVD/Blu-ray. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 as well as the trailers, teasers, and announcements for Season 3.
For the first time ever (at least that I can remember) we got a trailer for a trailer. A full week ago, Paramount teased us with a couple of brief clips from the final Star Trek: Picard Season 3 trailer, as well as a broadcast date. I’m not sure how well this approach will have worked; it certainly got some Trekkies talking, but I’m not sure it will have built up a great deal of anticipation beyond the confines of the existing fan community.
In the United States, advertising slots halfway through major American football games are pretty big business, and in a way it’s positive that Paramount would sacrifice one of the most valuable of these on its CBS network to promote Picard. Perhaps for some casual viewers who weren’t aware that the cast from The Next Generation will be reprising their roles, showing the trailer at such a big, heavily-viewed event will generate some interest. As a non-American, however, it’s hard not to see Paramount debuting this trailer in the middle of an American football game as just another “America First” move from a corporation that doesn’t care about its international audience. Paramount has, to its credit, put the trailer on several of its social media pages (not on its YouTube channel, though, weirdly) so at least fans who follow those pages will have been able to see it.
The trailer itself showed off two new characters, and there were explosions and battles aplenty. But I don’t think it was actually as exciting as I’d expected, and it didn’t have any big tease or reveal to really punch through and sell me on the notion that this is going to be an unmissable season of Star Trek. There were also several moments in the trailer that seemed to be recycled from past teasers and trailers, which I wasn’t wild about.
At New York Comic-Con last year, the trailer that was shown off introduced Captain Vadic and also dropped the surprise returns of Lore and Professor Moriarty as characters on the villainous side of the season. In hindsight, I wonder if at least one of these characters should have been saved for this trailer, which showed us two brand-new characters but didn’t really have anything quite at that same level in terms of stunning or surprising moments.
Of course, it’s true that Picard can’t blow all of its big surprises in pre-season marketing material! If that were to happen there’d be nothing left to shock and excite viewers when the show gets underway – and I certainly hope that there’ll be some wonderfully surprising moments in the new season. But as we said last year, the way in which Paramount schedules and reveals these things could have been better. Instead of revealing Lore and Moriarty last time, why not have revealed one character in each trailer? That would have been a bit more interesting, at least from the point of view of fans who follow Star Trek more closely.
But that’s enough about what wasn’t there or what we didn’t see! The new season’s story is taking shape, little by little, and we caught glimpses of potentially-interesting story beats that could have a major impact on Picard’s final outing.
First of all, let’s talk about Captain Vadic. In the new trailer, she was shown alongside a handful of masked characters – and they gave me a bit of a “comic book villain” feel. Their bird-like masks were intimidating – but not quite at the same level as the masked Borg Queen at the beginning of Season 2. As happened on that occasion, I wonder if there’s a reason why Vadic’s crew are masked – could some of them be familiar characters?
I’ve theorised that Vadic may have put together a kind of “rogues’ gallery” of past Star Trek villains for her mission of vengeance, and if that’s the case, the masks could serve a narrative function – keeping the identities of her crew secret until the time is right. I’m by no means certain of that, and it could simply be a design choice, but it’s interesting that, in the final trailer, we saw this glimpse of Vadic’s crew but all of their faces were concealed. Vadic also seems to have a second-in-command, a tall, burly individual who stood behind her at one point.
Sticking with villains, I’m less convinced right now that Lore and Moriarty will be allied with Vadic – or at least, less convinced that she will be the one to re-awaken them. Both characters had been deactivated the last time we saw them, and the question of who may have reactivated them is now a pertinent one! For both Lore and Moriarty, the trailer was cut together in such a way that seemed to imply that Picard and his crew may be responsible for reawakening them.
If that’s true, it raises the obvious question: why? What could Lore and Moriarty possibly have to offer to Picard’s crew as part of a mission to stop Captain Vadic and prevent what was described as “some kind of attack” for which the target could be Starfleet? I think the fact that both Lore and Moriarty are artificial life-forms must be relevant – and we should also keep in mind that Picard himself is now in a synthetic body. Could there be something going on that only affects organics?
Dr Crusher’s line, which seems to come from the first episode of the season, warning Picard to “trust no one” was very interesting, and could also tie into the same theme. Dr Crusher seems to be hinting at some kind of conspiracy, possibly within Starfleet itself, and that could lead to Picard not only having to turn to his old crew – the people he’s known the longest and trusts the most – but also to these malevolent artificial life-forms who may be immune to whatever is going on.
Two storylines from Star Trek’s past leapt to mind when I put those two things together. First we have the parasite-aliens from The Next Generation Season 1 episode Conspiracy. That story was never concluded, and it was implied that the parasite-aliens may have successfully contacted their homeworld before being defeated. It would be a bold choice to return to that story… and I’m not sure how it would connect with Captain Vadic, but I suppose she could be the new “mother creature?” Maybe this one is a bit of a stretch!
Secondly, we have the Dominion from Deep Space Nine, and specifically the shape-shifting Founders. Although later seasons focused on the Dominion War, prior to the conflict’s outbreak several episodes dealt with the idea of changeling infiltrators replacing key individuals and wreaking havoc in the Alpha Quadrant. Notable characters who were replaced by changelings included the Tal Shiar’s Colonel Lovok, Klingon General Martok, and DS9’s own Dr Bashir.
If this were to pan out, perhaps Vadic is a changeling seeking revenge for the Federation’s victory in the Dominion War. It might be impossible to know who within Starfleet is who they say they are and who might be a changeling – forcing Picard to rely on his old crew, who he knows very well, and synthetic life-forms who couldn’t be easily replaced? Maybe we’ll have to put some flesh on the bones of these ideas in the days ahead.
The two new characters that the trailer introduced are both unnamed right now, but one is a somewhat snarky Starfleet captain – presumably the commanding officer of the Titan and Seven of Nine’s boss – played by Todd Stashwick. I remember seeing Stashwick in a show called Twelve Monkeys a few years ago, and he’s a decent actor who should bring a lot to a role like this one. I’m not sure he’s long for this world, though – he’s giving me strong redshirt vibes!
The second new character is someone who may work with Dr Crusher in some capacity. I’m not familiar with actor Ed Speleers, but I like the idea of Dr Crusher having an ally of some kind who may be mistrustful of Picard and the crew at first. Could this character turn out to have a deeper connection with Dr Crusher, though? Perhaps he could be a relative – or even her son?
The addition of new characters is something that, if I’m being honest, I’m having majorly conflicted feelings about. On the one hand, the story has to have the freedom to introduce new characters, particularly if they serve a narrative function. But on the other, I’m still reeling from the loss of all but one of the new characters who had been introduced in Picard’s first season. Those characters were dumped in order to make room for the returning crew of the Enterprise-D… but now we’re seeing that there will be at least two other newbies to go along with Captain Vadic, the two La Forge sisters, and the returning villains from The Next Generation. Perhaps it’s because I’m already put out by the way the casting situation was handled, but it stings a little. I can’t help but wonder whether these characters’ roles couldn’t have been filled by the likes of Rios, Elnor, or Soji.
Last time, I commented on how Vadic’s quest for vengeance seemed to be reminiscent of Khan’s, and in this trailer, I felt Picard was really drawing quite heavily on The Wrath of Khan for inspiration. Visually we had things like the boatswain’s whistle and the battle inside a nebula, thematically of course we have the themes of age and revenge, and narratively it even seems that part of the story will see Picard and Riker given a tour of the Titan – much like Kirk was given a tour of the Enterprise at the beginning of The Wrath of Khan.
The trailer did well to juxtapose the new Starfleet captain’s lines about a boring, unexciting mission with images of explosions, phaser fire, battles, and even a starship collision at one point. The only thing I’d say about this is that the line itself felt very much like it was there for the explicit purpose of being used in pre-season marketing material… and sometimes lines of dialogue that were created for that purpose can feel out-of-place, clunky, or even just plain wrong in the context of the story itself. So while it was a great moment in the trailer, and a clever one at that, I hope when that scene rolls around in the actual show it will make sense in context for the captain to say those words!
We caught glimpses of all of the main characters in the trailer, and I hope that they’ll all play a significant role in the story of the season. “Significant” doesn’t have to mean that they’re on screen at every moment, but it really means that I hope everyone will feel as though they’ve joined the mission and come out of retirement (in some cases) for a reason that feels genuine. There’s always a danger when a series or franchise digs up old characters that they could feel superfluous; as if they’re only there because a room full of TV writers wanted them to be. So far we’ve seen Dr Crusher seemingly on an important mission… but the others I’m less clear about at this early stage.
When I previewed the season a few days ago, I wrote that I feel less “excitement” for Picard than I did in the run-up to Season 1 in 2020 and more a sense of restrained optimism. And to be blunt about it, this trailer didn’t change how I feel. There are definitely areas that seem to have potential, and a “Picard does The Wrath of Khan” narrative could be an engaging one if done well, but there are still lingering concerns and questions.
The trailer was, once again, action-packed and designed to generate plenty of excitement as Paramount enters the most crucial phase of the show’s marketing campaign, and I hope that it succeeded at drawing attention to Picard, at any rate. While the trailer may not have allayed my fears that Season 3 will blitz past and ignore the characters and storylines from Seasons 1 and 2, it didn’t really add any new points of concern, so that’s good. I guess.
To tell the truth, I want to be more excited about Picard – and about this latest trailer – than I actually am. I don’t like feeling cynical about these characters and themes, and with Picard being set in precisely the era that I’d love Star Trek to spend more time exploring, I genuinely hope that this final season will succeed, and will, as promised, finally hand the torch to some new characters who may one day star in a spin-off project also set in this time period. We might’ve seen the first glimpses of who those characters could be, but I’m not sold on that idea just yet.
If there’s one thing to take away from the final trailer it’s this: it’s probably time to give The Wrath of Khan a re-watch! This story seems to be picking up on themes, narrative beats, and character types that were present in that film – and as it’s one of the best things Star Trek has ever done, that could be a great plan. Or it could feel disappointingly regressive and repetitive.
I’m keeping my fingers crossed that Picard can pull out a decent final season to end on a high note, and while even a fantastic story won’t wash away the disappointment of two muddled, mismanaged seasons, if the show goes out with a bang at least we can be satisfied that we got a fun final adventure with the crew of the Enterprise-D. This trailer hasn’t fully sold me on that concept, and it was missing the kind of big surprise or unexpected character that might’ve generated a bit more excitement. But it didn’t ruin anything, either, and I came away from the trailer no more and no less excited for Picard’s final season than I was before I pressed play.
Star Trek: Picard Season 3 will premiere on Paramount+ in the United States on the 16th of February 2023, and on Amazon Prime Video in the United Kingdom and around the world on the 17th of February 2023. Seasons 1 and 2 are already available to stream or buy on DVD/Blu-ray. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 and the trailers, teasers, and announcements for Season 3. Spoilers are also present for the following Star Trek productions: The Next Generation, Nemesis, Deep Space Nine, and Voyager.
Is everyone going to survive the upcoming season of Star Trek: Picard? I think there are reasons to doubt that! So today I’m going to take a look at the show’s main and secondary characters and speculate about who may or may not be killed off before the curtain falls. Is that a bit macabre?
Picard hasn’t been shy when it comes to killing off legacy characters. In Season 1 we lost Hugh the Borg, Icheb, Bruce Maddox, and if you want to get technical about it, Picard himself – or at least his original body! We also saw the villainous Rizzo killed off in the season finale. And in Season 2, we said goodbye to Q most notably, but also saw Tallinn killed off as the story reached its conclusion.
In addition, several comments from showrunner Terry Matalas and others involved in the production of Season 3 have seemed to hint at the possibility of character deaths. So I think we have reason enough to speculate about who may or may not make it to the end of the story!
A well-timed character death can do wonders for a story, raising the stakes significantly. In the aftermath of television shows like The Walking Dead and Game of Thrones – pioneers of what I call the “disposable cast” model, where no main character can reasonably be assumed to be safe – audience expectations have shifted, and throwing characters into life-or-death situations definitely feels more dangerous than it ever used to!
A character death can also be the right move for a story. If a character has completed their arc or storyline, it can feel right – at least in some cases – if the way their story ends is with their death. So for all of those reasons, I think it’s at least a possibility that Star Trek: Picard will go down this route in Season 3.
When we’re dealing with legacy characters, this does get a bit more complicated. The main characters from The Next Generation are iconic and beloved, and need to be handled with care! But it could still feel right for the story, the character themselves, or both, if one or more were killed off. This season is being billed as the “final” adventure for this crew – and I can’t help but feel that “final” could really mean “final” for at least one of them!
Before we get started, a couple of caveats. First of all, I’m not necessarily advocating for any of these characters to be killed off. I adore The Next Generation and its characters, and while I could accept the loss of one or more of them if it came at the right moment and was handled well, I don’t really want to have to say goodbye to anyone!
This is also just the subjective opinion of one person. I’m going to look at each of the characters in turn and share my thoughts – but if you think I’m completely wrong or if I miss something you consider obvious, just keep in mind that it’s only my opinion… and although this is a dark subject in some ways, it’s supposed to be a bit of fun!
Finally, I have no “insider information.” I’m not even certain that all of the characters we’re going to look at will appear or even be mentioned in Season 3, let alone that they’ll have fully-fledged arcs, so please remember to take all of this in that spirit.
With all of that out of the way, let’s get started!
Character #1: Jean-Luc Picard
Star Trek: Picard has, as mentioned, already “killed” Jean-Luc Picard – and it would feel very strange if the show were to do so again! I know that a lot of folks speculated that Picard would be permanently killed off in this series, especially in the run-up to Season 1 when it wasn’t clear if the series would be renewed, but having already done a fake-out death, it would be difficult, I feel, for the show to kill off Picard for a second time.
It’s primarily for that reason that I consider Picard to be safe. If we hadn’t gone through that death-and-rebirth narrative at the end of Season 1, I’d almost certainly feel that he was in danger. And I could be wrong about that – if the series is the final chapter of his story, it makes a lot of sense for it to end with his death. But I really feel that it would be a struggle to kill off Picard for the second time in a way that would be impactful, emotional, and that would carry the necessary weight to say a permanent goodbye to such an iconic character who has been such an important part of the Star Trek franchise.
Character #2: Laris
Status: Killed Off-Screen?
Laris was central to Picard’s story in Season 2 – serving as the “love interest” that he struggled to begin a relationship with. Picard’s inability to settle into a romantic relationship was what caused Q to set the entire season’s story in motion, and by the time Picard returned to his vineyard at the end of the season, he finally seemed ready to embrace a potential new relationship with Laris, something Guinan called his “one final frontier still to come.”
But unfortunately, Laris actress Orla Brady is one of the main cast members who won’t be returning for Season 3, something she confirmed shortly after the Season 2 finale had aired. Although Picard and Laris seemed to be on the verge of becoming a couple, Brady’s absence from the new season seems to suggest that it won’t happen. One reason for that could be Laris’ death – and after Zhaban was killed off-screen in between Seasons 1 and 2, I wouldn’t be stunned to see the series treat her the same way. Either way, given Laris’ importance last season her absence will have to be addressed somehow.
Character #3: William Riker
Status: In Danger
When considering potential character deaths, one factor to consider is the impact a particular loss would have on the people around them. While all of the main characters are friends, the bond that Riker had with both Picard and Troi – his wife – would make his potential death incredibly significant for those characters in particular.
Riker has also reached a point where we could at least make the case that his story feels somewhat complete. Having served as Picard’s loyal “number one” for fifteen years, he finally accepted his own command, got married to the person he loves, had a family, and retired. If Season 3 is to be an epilogue of sorts for Riker… maybe it won’t end well for him!
Character #4: Elnor
Status: Killed Off-Screen?
I genuinely do not understand the decision to grant Elnor a last-second stay of execution at the end of Season 2. His death, while tragic in more ways than one, served a narrative function, and was of particular importance to Raffi. After a deeply emotional sequence in the penultimate episode of the season, I felt certain that Elnor was truly gone – until Q resurrected him.
Why, then, do I suspect that Elnor may have been killed off-screen? It isn’t just the confirmed absence of actor Evan Evagora, though that is a part of it, but that we seemed to see Raffi looking angry and distraught in the trailer. It would arguably be repetitive if Raffi were forced to deal with Elnor’s death for the second season in a row… but then again, it worked well as the driving force for her arc last time. Elnor’s absence will have to be explained somehow, and unless he’s being secretly tapped for a role in the long-rumoured Starfleet Academy series, he might end up dead for the second time.
Character #5: Captain Vadic
Status: Deader than dead. 101% dead.
If anyone is going to die this season, surely it will be the villain of the piece! Somehow, some way, by the time the credits roll on the season finale, Captain Vadic will have been killed – I am practically certain of that. Her defeat and death may end up costing Picard and the crew dearly, but these kinds of villains really only end one way.
I just hope that, along the way, we truly come to learn who Vadic is and what’s driving her. Seasons 1 and 2 both left a lot on the table in terms of unexplained or unclear narrative threads, and whilst we’re having fun reuniting with the crew of the Enterprise-D, I truly want to spend time with Vadic to figure out what’s going on with her.
Character #6: Dr Beverly Crusher
Status: In Danger
Because of the nature of her close relationship with Picard – regardless of whether they ever “crossed that line” and became more than just friends – Dr Crusher’s death would hit him especially hard. For that reason alone, in a show called Star Trek: Picard, Dr Crusher is absolutely in danger!
Not only that, but based on what little we know so far, Dr Crusher is going to have a significant role to play in jump-starting the story, sending a distress signal of some kind to Picard while on an assignment in deep space. We’ve already seen clips in the trailers that confirm she will be reunited with Picard, so that mission won’t prove fatal. But Dr Crusher seems to be connected to whatever’s going on – perhaps in a big way. She could be one of Captain Vadic’s targets.
Character #7: Lore
I could see Lore’s story going one of two ways. Either he really leans into the “evil twin” angle from The Next Generation, allowing Brent Spiner to put in yet another delicious villainous performance, or there’s some kind of pathway to redemption for him – perhaps even one that might lead to a resurrection or restoration of Data.
So I’m calling this one 50/50. If there’s more to Lore’s story this season than just pure villainy, I think he’s in with a chance of survival. If he remains true to his mission and is loyal to Vadic, I wouldn’t be surprised at all to see him meet his end – maybe at the hands of Geordi!
Character #8: Soji
Status: Killed Off-Screen?
Soji made scarcely more than a cameo appearance in Season 2, and didn’t even join the others for a drink at Guinan’s bar at the end of the story. If the story of Season 3 will involve some kind of attack or invasion, such as by the Season 1 super-synths as I’ve previously theorised, we could learn that Soji has been killed. However, after being absent last time, her death wouldn’t have as big an impact on either the characters on the show or on us as the audience – so that could be a reason not to do it.
Either way, I hope some reference is made to Soji to explain her absence from the season’s story. She was such a big part of Season 1 that it would be a shame to hear absolutely nothing about her in the show’s final season.
Character #9: Worf
Status: In Danger
Of all The Next Generation characters, it seems from the trailers that Worf may be the one who’s changed the most from when we last saw him. Worf seemed to suggest that he has become a “pacifist,” something that could really shake up his characterisation. After a long arc across not only The Next Generation, but the back half of Deep Space Nine too, maybe Worf’s story is finally at an end. He might even be at peace with that idea!
Worf is the character that we’ve spent the most time with in all of Star Trek, so his exit – if indeed there is to be one – will have to be handled with care. But for Worf, dying in battle to save his friends (and maybe the Federation, too) would actually be a good way to go. So maybe it will finally be a good day to die for our favourite Klingon!
Character #10: Seven of Nine
I’m calling Seven “safe” because I’m not convinced that the Star Trek franchise is done with her just yet! I know I wasn’t the only one in the aftermath of Season 2 to suggest that some kind of “Captain Seven” series could be an interesting direction to take for the next Star Trek production, but even if that doesn’t happen, the development that Seven’s character has gone through in Picard so far has set the stage for further appearances in some form.
While we’re still waiting to hear what (if anything) is coming up next for Star Trek, any future 25th Century series would do well to include Seven of Nine either as a main or recurring character. Her arc in Picard has been utterly transformative, taking one of my least-favourite characters from Voyager and getting her to a point where I could legitimately see her as the lead in her own spin-off.
Character #11: Deanna Troi
Status: In Danger
As above with Riker, Troi has to be considered in danger because of the emotional weight her death would carry. This would pack a punch for Riker in particular, as they’re married, but Troi was also close with Dr Crusher and Worf too. Like Riker, Troi has also arguably come to the end of her story: serving in Starfleet, retiring, and becoming a parent.
The loss of Troi would also deprive the crew of a particularly useful talent: her empathic abilities. As an empath, Troi has been able to get a sense of all kinds of adversaries – and in one of the trailers we saw her become deeply alarmed at what she sensed from Vadic. Losing Troi would weaken Picard’s crew in a potentially significant way – and that could provide a narrative reason for killing her off.
Character #12: Raffi Musiker
Status: In Danger
If there’s going to be any kind of “Seven of Nine show,” surely Raffi would be a part of that? But even with that caveat in mind, I can’t shake the feeling that Raffi could be in danger. If Picard’s writers and producers want the impact of killing off a main character – but don’t want the controversy of killing a legacy character – then Raffi is really their only option.
With the rest of the new characters already gone, it would be a great shame to lose Raffi as well. One of the things I hoped that Picard would do was serve as a kind of launchpad for new stories set in this time period – and for that to happen, at least some new characters need to be introduced, developed, and stick around. Raffi is the last new character standing, so if there is to be any kind of “passing of the torch,” as the show’s producers have suggested, she needs to survive!
Character #13: Geordi La Forge
Status: In Danger
One of the few things we know at this stage about Geordi in Season 3 is that he has two daughters – both of whom are set to appear in the show. As above with Troi and Riker, Geordi’s story could feel complete or close to complete in some ways, which could mean he’s in danger. His death would not only hit the main characters, but also these two new characters – and if it’s played well, the emotional impact of that could be huge.
Although I don’t think this is canon, at least one tie-in novel for Season 1 stated that Geordi had worked with Picard on the Romulan rescue plan prior to the attack on Mars. Dialogue in Season 1 confirmed the two are still friends, but I wonder if there could be unfinished business there. If so, that could give Geordi a reason to stick around – or it could set the stage for an arc that ends with his death.
Characters #14 and #15: Sidney and Alandra La Forge
Status: In Danger
Geordi’s daughters – who seem to have been given the names Sidney and Alandra – will be joining the mission, but despite their connection to him, at this point in the story they’re little more than redshirts… and we all know what can happen to characters like that!
If Picard’s writers and producers wanted to kill off a character in a way that would pack an emotional punch, Sidney and/or Alandra could be in the firing line. Their deaths would have a huge impact on Geordi, which could become a big part of his arc and characterisation across the season. It would be especially cruel to kill off both of these characters… but plenty of television shows have done exactly that kind of thing!
Character #16: Professor Moriarty
Status: In Danger
At this stage, I genuinely don’t know whether Professor Moriarty will have a significant role or if his appearance will be more of a cameo. Regardless, I think he’s in danger – and he could be one of the first villains on the chopping block, with Lore and Vadic keeping up the fight after his defeat/destruction.
Although Moriarty was programmed to be “evil” because of the source material upon which his characterisation was based, he’s a surprisingly sympathetic character – or at least he feels that way to me. His existence isn’t his fault, and the fact that he was trapped by the limitations of his technology feels strangely relatable. Could there be a redemption arc for Moriarty?
Character #17: The Borg Queen-Dr Jurati hybrid
Status: Killed Off-Screen?
The Borg Queen-Dr Jurati hybrid didn’t get a “goodbye” at all in Season 2, promising to stand watch over the mysterious anomaly that was part of that season’s story. I really hope that Season 3 will address this somehow – and I have a theory as to how the mysterious anomaly could connect not only to Season 3, but to the events of Season 1 as well!
Regardless of whether that pans out, though, we know that Alison Pill won’t be reprising her role in Season 3, which leads to the question of the Borg Queen’s survival. If the mysterious anomaly were to erupt again, could it have destroyed her ship? Or might her Borg faction have been one of Vadic’s targets?
Character #18: Sela (or Tasha Yar?)
At time of writing, we don’t know whether Denise Crosby’s rumoured appearance in Season 3 is for real. Some outlets have reported it as if it were fact, but I can’t find anything official on that! But let’s assume she is coming back for a moment. If her character of Sela is involved, somehow, I think she’s in serious danger. If there’s some kind of attempt to bring back Tasha Yar, then all bets are off!
Sela tangled with Picard and the crew of the Enterprise-D on two occasions, being defeated both times. If someone like Vadic were putting together a revenge mission, I can absolutely see Sela jumping at the chance to be part of it. Her story could also connect in some way to the Romulan storylines in Season 1. But if she’s coming back as a villain and part of Vadic’s team, I definitely think that puts her in the firing line.
Character #19: Another familiar face
Status: In Danger
One of the most shocking sequences in the trailer was the apparent destruction of Starfleet HQ (or some other major Federation building). If this is real, and isn’t some kind of vision or dream sequence, it stands to reason that a lot of Starfleet folks might be killed. Among them could easily be a familiar face or two from Star Trek’s past – either a recurring character or perhaps even a major character from The Next Generation, Deep Space Nine, or Voyager.
As we saw in Season 1, Picard hasn’t been shy when it comes to reintroducing a legacy character only to kill them off. Icheb’s death is perhaps the most noteworthy example, and it could be significant if a familiar character or two were to be killed by Vadic or someone working with her. If this happens, though, I hope we’re reintroduced to the character in some way, and that their death isn’t merely included as a line of dialogue.
So that’s it!
Those are all of the characters we know of at this stage, and I’ve made some wild guesses and perhaps even a couple of logical, educated guesses about who may or may not make it to the end of the season.
At the end of the day, when you throw characters into a high-stakes, high-tension, high-danger story, it stands to reason that they won’t all make it out alive. As television storytelling has progressed, the risk to even beloved main characters has become greater than it ever was, and although we have seen some pretty heavy plot armour in some parts of the Star Trek franchise (looking at you, Discovery) I can’t shake the feeling that someone significant is going to be killed before Season 3 is done.
But hey, maybe I’m wrong about that! In any case, we don’t have long left to wait before we’ll find out! As I said last time, I’m planning to write individual episode reviews as Season 3 is broadcast, and I’ll also craft a few theories if the series lends itself to that – so be sure to stop by when Season 3 arrives!
Star Trek: Picard Season 3 will premiere on Paramount+ in the United States on the 16th of February 2023, and in the United Kingdom and around the world on the 17th of February 2023. Seasons 1 and 2 are already available to stream or buy on DVD/Blu-ray. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1 and 2 as well as trailers, teasers, and announcements for Season 3. Spoilers are also present for The Next Generation, Nemesis, and Discovery.
With Star Trek: Picard’s upcoming third season now barely a month away, it seems like a good time to look ahead. Thanks to trailers, teasers, and interviews with the cast and crew, we know a little about how the season is shaping up, and from my point of view, it wouldn’t be unfair to say that Picard Season 3 has a lot of work to do to salvage a troubled, muddled production that hasn’t hit the high notes that I’ve been hoping for.
Let’s take a step back. My “first contact” with the Star Trek franchise came in the early 1990s. The first episode I can solidly remember watching was The Royale, from The Next Generation’s second season – though I’m fairly sure I’d seen others, or at least parts of others, prior to that. The Royale aired here in the UK in June 1991, so I’ve been a Trekkie for more than thirty years at this point! Moreover, I have an incredible fondness for The Next Generation in particular, as it was Captain Picard and the crew of the Enterprise-D that first made me into a Star Trek fan.
In short, I’m about as close as it’s possible to get to the ideal target audience for Picard Season 3; a season of television that promises to bring back the main cast of The Next Generation. But before so much as a single frame has aired, I find myself having mixed feelings. I genuinely want to see Picard Season 3 succeed – and if I dare to hope, maybe even find a way to tie up loose ends and unresolved narrative threads that were left on the table as Seasons 1 and 2 faltered. But at the same time, I have concerns.
Seasons 1 and 2 both had some incredible highlights: episodes and moments within episodes that were as good as Star Trek has ever been, that hit all of the right notes, and that left me on the edge of my seat or jumping for joy. But step back and look at the bigger picture, and I’m afraid that both seasons also had some pretty major issues that hampered my enjoyment. Both seasons told long, serialised stories… and both plodded along in places, stumbled in others, and failed to resolve key storylines and character arcs by the time it was over.
One of my biggest pre-season questions is this: will Picard simply ignore what came before as it races to tell a new story? Or might there be time to step back, even if just for a moment through a line or two of exposition-laden dialogue, and try to tie up some of these loose ends? If – as I suspect will be the case – Season 3 is going to tell a new story unrelated to the events of Seasons 1 and 2, there could still be time to acknowledge, in the most barebones of ways, what became of the Coppelius synths, the Zhat Vash, Narek, the new Borg faction, the mysterious anomaly, and other unexplained or unresolved story points.
In fact, that would be my single biggest request!
There are ways in which Picard Season 3 could tie everything together, transforming the disjointed series into something more closely resembling a single, ongoing story – and I have a theory as to how that could pan out that involves the faction of super-synths from Season 1. But even if none of that comes to pass, it would still be worthwhile, in my view, to find some way to acknowledge the events of the past twenty episodes and do something to try to tie up those loose ends. If Season 3 is to be Picard’s last, as we’ve been repeatedly told, and no other early 25th Century projects are coming up in the short term at least, this will be the last opportunity to do so for several years – possibly ever.
I think it’s worth reiterating just how disappointing it is that all but one of the new characters introduced in Picard have been dumped. Although a couple of them got what we could generously call “narrative arcs” in Season 2 that felt somewhat conclusive, I still felt that, twenty episodes in, we hadn’t really had much of a chance to get to know most of them. Soji and Elnor, who were both sidelined for practically all of Season 2, had a lot of potential as young, new characters – but that potential was squandered by a production that didn’t seem to know what to do with either of them, and then completely wasted by the decision to cut them both from Season 3.
As I said at the time, if Star Trek is to survive long-term, it will be new characters, not old ones, who will have to pick up the baton and drive the franchise forward. Just as Jean-Luc Picard and the crew of the Enterprise-D did when The Next Generation premiered, it will fall to new characters in the years ahead to keep Star Trek fresh and relevant. By removing almost all of them from the show in favour of what could turn out to be nothing more than a desperate attempt to play the nostalgia card, I truly fear that Picard’s producers have done serious harm to the Star Trek franchise’s longer-term prospects.
Before Picard Season 1 had premiered back in 2020, I said here on the website that it was my genuine hope that legions of new, younger Star Trek fans would be just as excited in another thirty years’ time to see Star Trek: Elnor or The Dr Jurati Show as I was to see Jean-Luc Picard’s return. That moment felt like it had the potential to be on par with the premiere of The Next Generation – a handing of the torch from one generation of characters to another. But it hasn’t happened, and I feel we’re seeing the Star Trek franchise as a whole struggling with its identity, not really knowing how to move beyond its legacy characters.
There’s no way in which I can fully get on board with Picard Season 3 and the return of The Next Generation characters because of this. Although I’m interested and perhaps even a little optimistic as this new adventure approaches, their return feels tainted because of who had to be unceremoniously kicked off stage in order to make it happen. I think I’d still feel that way even if all of the departing characters had been given enjoyable arcs that felt complete, but when at least two (Soji and Elnor) didn’t even get the barest of goodbyes, and Dr Jurati got more of a “see you later” rather than a definitive ending to her story, this disappointment feels all the more egregious.
That would be bad enough in isolation, but unfortunately it isn’t the first time that Picard has lost a character without giving them a proper send-off – or even a conclusion of any kind to their storyline. Narek simply vanished at the end of Season 1, midway through the second half of the finale, and was never seen nor heard from again. Despite having plenty of time to process the reaction to Season 1 and plan for ways to avoid making the same mistakes, it feels as if the producers and creative team didn’t learn any of the lessons from the rushed and disappointing Season 1 finale.
Narek’s disappearance is a big part of why I don’t have much confidence that Season 3 will do anything at all to tackle some of these unresolved narrative threads. How difficult would it have been for someone in Season 2 to comment on Narek, confirming that he had been incarcerated? It would’ve taken a line or two of dialogue at most – and in a plodding story that really slowed down and dragged in places, it’s not like there wasn’t time to fit it in!
But all of that is looking backwards when we should really be looking ahead. Despite feeling disappointed in cast departures, reminiscing about “what might have been,” and worrying about what it could all mean in the future, I’d be lying if I said that the return of the Enterprise-D’s crew isn’t something that I feel has huge potential to be entertaining and enjoyable. Seeing what these characters could do in a modern television environment that wouldn’t have been possible thirty-five years ago is genuinely appealing, and getting what should feel like a “ten-hour movie” with all of the visual effects and other trappings of a thoroughly modern production is a prospect that I daresay many fans of The Next Generation will be thrilled about.
Star Trek: Picard has already taken us back to some of these characters and showed us how much we’d missed them. I noted in Season 1 that seeing Picard give Data a proper goodbye and laying him to rest was something that I didn’t even know I wanted, but in retrospect I can see how it was a glaring omission from Nemesis. And for all the talk of characters being left in the lurch with incomplete stories and arcs, Nemesis didn’t really provide a conclusive or definitive endpoint for anyone – so this season will be an opportunity to do that; the first such opportunity that these characters have gotten.
When all of this talk about “endings” started coming out, and when executive producer and showrunner Terry Matalas talked about Picard Season 3 as giving the characters the “send-off” that they never got in 2002, I can’t be the only one who started to think about character deaths, can I? We just talked about Picard bringing the crew of The Next Generation into a modern, serialised television framework – and if there’s one thing more than any other that has defined television over the past decade or so it’s main characters being killed, often at shocking moments or in particularly gory ways.
Picard has done this too. Season 1 saw three Star Trek legacy characters killed off: Dr Bruce Maddox, Hugh the Borg, and Icheb. And although Data was already “dead,” that season also saw the last parts of his consciousness shut down as well. Season 2 then saw Q meet his final end… so I don’t think any of the characters feel safe at all as we go into this new story!
And that could be okay. A character death, if handled well, can set up the stakes for a story, or it can even feel right for the character if they’ve gone through a satisfying arc or come to the end of their place in the story. After thirty-five years, 176 episodes of The Next Generation, four films, and further involvement with Star Trek for at least some of these characters, though, it would be a pretty bold decision to kill off even one of them! But it absolutely could be the right thing to do if it fits with the story, accomplishes a narrative goal, and/or brings someone’s decades-long arc to a satisfying end.
There was speculation when Picard premiered in 2020 that the show would end with his death – but having already seen Picard die once (only to be immediately brought back to life thanks to technobabble) he actually feels pretty safe – or at least safer than the others. It would be a strange series indeed that ran to only thirty episodes in total and killed off the same character on two separate occasions!
I’ve criticised Discovery for providing its main and even its secondary characters with some borderline-ridiculous plot armour in certain episodes and sequences, and it’s been to that show’s detriment in some respects that we haven’t seen any main character deaths for two whole seasons at this point. Picard has already demonstrated a willingness to swing the proverbial axe – though the question of who may end up on the executioner’s block is still an open one. It could be no one, of course, but I can’t help but feel that the “end” to these characters’ stories that has been discussed may prove fatal and permanent for at least one of them.
The main villain of the season, Captain Vadic, feels like an interesting new element for the series. In her brief appearance in the trailer, she gives me a “Khan” kind of vibe; the obsessive, maniacal, revenge-obsessed villain archetype that Ricardo Montalbán brought to screen so perfectly in The Wrath of Khan. I don’t want to pin my hopes too much on Vadic being “the new Khan” or anything like that, because that kind of character could easily stray into a one-dimensional villain caricature, but from what we’ve seen so far, there’s potential.
I talked about this back in November, but I’d really love to see some kind of connection to the events of The Next Generation through Vadic. Bringing back the old crew for a wholly new adventure could still be fun, don’t get me wrong, but if it tied into a past Star Trek story in some way, that could be absolutely fantastic. I’ve already come up with a few ideas about how Vadic could be connected to The Next Generation, and who she could bring along for the ride if she puts together a “rogues’ gallery” of Star Trek baddies – and at this stage, none of that seems to have been ruled out!
Given that Picard has introduced new narrative elements for its main storylines so far, I stand by what I said last time we looked at Captain Vadic: if I had to place a bet right now, I’d still have to put my money on her being someone new. That would mean her driving force, the reason for her revenge obsession, is also likely to be new and unconnected to Star Trek’s past, too.
If we assume that Captain Vadic is someone new and her reason for hating Picard and/or the Federation is also new, that leaves open the question of why Picard would choose to reunite his old crew to take her on. Although Captain Rios is gone, he could still have called on Soji, Elnor, Laris, and the Borg-Jurati hybrid to help if he needed it – and I wonder how (and whether) the absences of these characters will be addressed. Could they even have been killed off-screen to both explain away their absences and to give motivation to Picard, Seven, and Raffi?
Away from narrative decisions, on the technical side of things I expect Picard Season 3 to be polished and to look great. The teasers and trailers that we’ve seen so far had no shortage of beautiful starships, vessels which continue the design philosophy of The Next Generation era but move it along into the early 25th Century. We already saw this – a little too briefly, unfortunately – with the USS Stargazer in Season 2, but with a big return to space supposedly on the agenda this time around, there’s scope to finally spend some more time with Starfleet.
Picard Season 1 was probably the low point for modern Star Trek in terms of visual effects. We’ve talked before about the copy-and-paste fleets seen in the season finale, but there was also a CGI sequence copied from Discovery’s second season, a pretty obvious redress of Discovery’s bridge, and more besides. Although none of these moments were atrocious, they didn’t hit the highs that Star Trek can reach in its modern incarnation – and when compared to what the Star Wars franchise and others have been doing, they were downright poor.
But all of that has changed! Not only did Season 2 build whole new sets for the USS Stargazer, including a bridge, ready-room, and hallway, it also showed off a beautiful and diverse Starfleet armada that more than made up for the lacklustre one we saw in Season 1! Just from what we’ve seen so far in the trailers and teasers, I have high hopes for the visual effects that we’ll be able to enjoy in Season 3.
Picard has struggled to get enough diversity in its filming locations, something that was incredibly obvious as Season 1 wore on and took us to places on Earth, including Japan and France, and then half a dozen planets – all of which were filmed in the “thirty-mile zone” around Los Angeles. Season 2, because it stepped back in time to a particular time and place, largely avoided that feeling, but I’m not sure how Season 3 will fare. If more time is going to be spent in space on starships, that’s probably a net positive for the series in more ways than one. Because Picard is filmed in California, the show doesn’t have easy access to Paramount’s AR wall in Toronto, so the choice the producers have is to either build sets on sound stages or film on location in the all-too-familiar California area. I hope they’ve chosen the former!
Nostalgia is a big deal in today’s entertainment landscape, and when done right, a show that harkens back to the past and successfully plucks the right chords can be wonderful. I’m not opposed to any and all forms of nostalgia in entertainment, and despite my disappointment in the casting situation that we discussed above, there’s a big part of me that wants to see the crew of the Enterprise-D back in action. But nostalgia is something that needs to be handled with care. Crucially, it mustn’t be overdone or overplayed.
It’s all too easy for a production to assume that digging up fan-favourite characters or returning to familiar settings will cover up all manner of storytelling sins – but there are dozens or perhaps even hundreds of examples by now that prove that isn’t the case. And there are productions that go completely overboard with attempts to play the nostalgia card, something that can come across as just plain desperate. The Star Wars franchise has fallen victim to this in more ways than one in recent years, and it’s a trap that I truly hope Picard Season 3 can avoid.
A story that goes all-in on nostalgia can end up feeling gratuitous or tacked-on; an unnecessary epilogue for characters whose stories were, for better or worse, already over. While it’s true that Nemesis didn’t exactly end in conclusive fashion, that doesn’t absolve Picard Season 3 of responsibility to these characters. Just because their stories didn’t end definitively twenty years ago, that doesn’t give the new season free rein to do anything. What comes now – especially if it’s being designed from the ground up to be a send-off or finale – has to be decent in its own right, not simply “more.”
Unlike in 2020 when Season 1 was approaching, I feel less out-and-out excitement for Star Trek: Picard and more a sense of restricted optimism. I have hope that the new season will look great, that it will be fun to welcome back fan-favourite characters after a twenty-year absence, and that we’ll get at least some enjoyable moments and perhaps a dash of that elusive sense of “Star Trek” that hasn’t always been front-and-centre in the franchise’s modern era. But I also have reservations about a season that may very well race past or just outright ignore key story points that were left on the table last time around.
Maybe I should give up hope of seeing much of anything from Season 1; those stories had the chance to be addressed in some way in Season 2, but it didn’t happen. But things like Season 2’s mysterious anomaly – that felt like an attack on the Federation or Alpha Quadrant – just being ignored as the story rushes to bring back legacy characters and set up a new mystery… I will be disappointed, I fear, if the season ends without so much as mentioning what happened last time.
I’m trying to reconcile my disappointment in the way the new cast was handled with my interest and excitement in seeing old favourites coming back for another adventure, and I’m keenly aware that I need to at least try to judge Season 3 on its own merit – for the story it aims to tell – rather than wondering what might have been or being upset at a situation that I can’t change. That’s a challenge that I will have to face – and if you stick around, you can judge for yourself how well I do when you read my episode reviews!
After two mismanaged, difficult seasons that had some great episodes and moments but ultimately failed to deliver, this is Picard’s last chance. As someone who’s a huge fan of The Next Generation and the other Star Trek shows of that era, it also feels like a last chance for the Star Trek franchise as a whole to demonstrate that there’s potential in this 25th Century setting, and that telling stories that at least tangentially connect with the themes, settings, and characters of Star Trek’s “golden age” is a concept worth pursuing. It’s definitely noteworthy to me that, at time of writing, no new Star Trek projects have been announced, despite several concepts supposedly being worked on behind the scenes. Is Picard Season 3 an opportunity not only for these characters but for this setting and this time period? Will Paramount be watching to see whether there’s still potential here? I can’t help but wonder.
I see genuine potential in the new season’s villain, Captain Vadic. A character who feels as though she’s drawing inspiration from Khan, one of the best villains not only in Star Trek but in all of cinema, could be absolutely delicious to watch, and Amanda Plummer is an actress who has the ability to pull it off. While the story remains shrouded in mystery, the teases and glimpses we’ve seen have been genuinely fascinating to this old Trekkie, and have inspired me to craft a few of my patented (and usually totally wrong) Star Trek theories!
At the end of the day, all any of us really want is for Picard to be entertaining. It doesn’t have to be high art, it doesn’t have to be the best thing Star Trek has ever done… but it does have to keep my attention and interest, not annoy me, and be basically consistent with what the show and the franchise have done before. Everything else is just fluff, and I can overlook retcons, inconsistencies, and everything else as long as the show is basically fun.
And hey, if it doesn’t go well, there’s always Strange New Worlds Season 2 to look forward to!
Star Trek: Picard Season 3 will premiere on Paramount+ in the United States on the 16th of February 2023, and in the United Kingdom and around the world on the 17th of February 2023. Seasons 1 and 2 are already available to stream or buy on DVD/Blu-ray. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. Some images used above courtesy of StarTrek.com. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including the most recent seasons of Discovery, Picard, and Strange New Worlds. There are also spoilers for upcoming and unreleased Star Trek projects.
By almost every conceivable measure, 2022 has been a fantastic year for the Star Trek franchise. We’ve seen new projects become successful, ongoing series really hitting their stride, and more seasons and individual episodes of Star Trek than at any time in the past. Barely a week has gone by without a brand-new episode to get stuck into – and with different shows targeting wildly different audiences, it really feels like Star Trek in 2022 has had something to offer to practically everyone.
But that isn’t the whole story, and unfortunately it feels as though 2022 has also been a pretty dark year for Star Trek – one in which major mistakes have been made that could very easily lead to serious consequences in the medium-to-long term, and perhaps even premature cancellations for some or all of the shows currently in production.
On this occasion, I want to look back at 2022 from the perspective of a Star Trek fan, and draw attention to both the highs and lows of a rollercoaster year for the franchise. And there’s quite a lot to say, so make sure you’re sitting comfortably!
My usual caveat applies: everything we’re going to talk about today is the subjective opinion of one person. There are a lot of reasons to think positively and optimistically about Star Trek, and the fact that I have some negative or uncomfortable points to raise shouldn’t be interpreted as me being some kind of “hater” of new Star Trek. I love the franchise, I want to see it succeed, and I raise these issues not out of spite but out of genuine concern. If you don’t agree with me, that’s okay. There’s room within the Star Trek fan community for polite discussions and civil disagreements!
Now that that’s out of the way, we can begin.
It seems only fair to allow the Star Trek franchise to put its best foot forward, so we’ll start with what went well in 2022. And there are several incredible highlights, any one of which alone would ordinarily mean we’d consider 2022 to have been a huge success for Star Trek.
Some of the best entertainment experiences that I had all year came from the Star Trek franchise, and those incredible episodes and stories weren’t limited to a single season or a single show. In fact, it wouldn’t be unfair to say that all five of 2022’s Star Trek productions had some fantastic high points; episodes or at least moments within episodes that had me on the edge of my seat, jumping for joy, or in tears.
Strange New Worlds Season 1 was fantastic:
The first season of Strange New Worlds was, without a doubt, the best that modern Star Trek has had to offer – and one of the finest seasons in the entire fifty-six-year history of the franchise. A triumphant return to an older, more episodic style of storytelling that still retained many modern serialised elements represents a model that I genuinely believe every other current and upcoming project in the franchise needs to seriously consider adopting. The diversity of stories on display in Strange New Worlds Season 1 was unprecedented in the franchise’s modern era.
Strange New Worlds’ premiere was also the culmination of a fan campaign to get Anson Mount and Ethan Peck to reprise their popular and incredibly successful roles from Discovery’s second season. The show’s very existence is testament to Paramount’s willingness to take on board feedback from Star Trek fans and a wider audience, and the fact that the corporation backed up this relative gamble by awarding the series a decently high budget should be acknowledged. Paramount didn’t have to make Strange New Worlds – plans were afoot for other Star Trek shows and spin-offs, but the corporation reacted positively to feedback from fans and viewers, and the result was an absolutely outstanding season of television that has hopefully laid the groundwork for one of the best Star Trek series of the current era – if not of all-time.
It really is hard to overstate just how incredible Strange New Worlds’ first season really was. In my spoiler-free review I talked about how the show enthusiastically tried out different genres, managing to thread the needle of staying close to Star Trek’s roots while still feeling like a thoroughly modern production. There were ten fantastic episodes – and while I had a few story nitpicks, overall the season has to be considered the best since Star Trek returned to the small screen in 2017.
So Strange New Worlds is definitely one of the highlights of 2022 – not just for the Star Trek franchise, but in the entertainment space in general. It’s a show that should be accessible to new and old fans alike, with the potential to expand the Star Trek fandom beyond its current niche.
The Strange New Worlds-Lower Decks crossover announcement:
This is something that I genuinely was not expecting – but it’s a fantastic idea! Star Trek did a fair few crossover episodes in its heyday, and while I guess we can consider parts of Discovery and Strange New Worlds to have crossed over with The Original Series, it isn’t the same as bringing together two shows that are currently in production. With five shows occupying five different time periods and regions of the galaxy, a proper crossover felt like a remote possibility – until this announcement came along at Comic-Con in July.
I mentioned the diversity of genres that Strange New Worlds dabbled in in its first season – well, one of those was comedy! We had two episodes that had overtly comedic premises, and many other moments of humour throughout much of the season. A crossover with Lower Decks – an animated comedy series – is thus not as far-fetched as we might think!
As always in Star Trek, technobabble can account for most things! The crew of the Cerritos could find themselves in the 23rd Century thanks to all manner of phenomena, so there’s no real barrier to bringing the two shows together. With some creative scriptwriting, a solid foundation should be able to bring Boimler, Mariner, and perhaps other members of the Cerritos’ crew aboard Captain Pike’s ship.
This announcement has got a lot of Trekkies very excited, and that’s a great thing. Paramount needs to make moves like these to keep the fan community engaged, and while a crossover may feel very much like fan-service, there’s also a huge potential benefit to bringing together two different parts of the Star Trek franchise. Fans of Lower Decks may check out Strange New Worlds for the first time – and vice-versa. Crossover stories have the potential to benefit both shows and increase viewership, potentially turning casual viewers into fans of the franchise as a whole. If Star Trek is to survive long-term, we need to see more moves like this.
Visual effects and CGI:
Although Discovery’s first season felt like it brought to the table some excellent visual effects, there were some definite disappointments thereafter. The Romulan and Federation fleets seen in the finale of Picard Season 1, for example, were pretty lacklustre; copy-and-paste starships that all looked the same and, in the case of the Starfleet vessels, didn’t even have names and NCC numbers. There were also some pretty sloppy CGI moments in Discovery’s third season – one example that comes to mind is a digital sword that supposedly stabbed a character, but just looked awful.
But in 2022, all that changed. We had a big, beautiful Starfleet armada in Picard’s season premiere and season finale. We had other CGI moments in the Confederation timeline that looked spectacular. Strange New Worlds did some incredible things with practical puppets in conjunction with CGI and visual effects to create some wonderful moments. And Discovery brought to screen one of the most “alien-looking” alien races ever seen in the franchise: Species 10-C.
Both Discovery and Strange New Worlds made excellent use of Paramount’s fancy new AR wall, too. When the AR wall first debuted, I felt there were definitely a few moments where its use was noticeable. But by the time we got to 2022’s Star Trek productions, the creative team and effects artists had clearly grown in both confidence and ability, taking advantage of the AR wall to craft some wonderful environments.
Finally, I’d be remiss not to mention the digital de-ageing of John de Lancie in his initial appearance as Q. That moment, which came at the end of the Picard Season 2 premiere, was absolutely fantastic!
Some of these technologies are very expensive, and Paramount doesn’t have the same resources as the likes of Disney or Netflix, so I can understand why they’re used sparingly in some cases. But overall, I’d give Star Trek’s visual effects and CGI work an A grade for 2022.
Discovery Season 4 ended on a spectacular high:
Although Discovery’s fourth season seemed to drag in places, there’s no denying that the way the season ended was pitch-perfect and went at least some way to making up for earlier narrative missteps. Coming Home (the season finale) was an incredible episode: deeply emotional, visually stunning, and tied up all of the season’s loose ends.
The way in which Season 4 ended showed off the Federation at its very best, racing in to help a planet that had left the organisation simply because they needed assistance and it was the right thing to do. I still get chills just thinking about it, and the way Admiral Vance led the charge, bringing Federation HQ to Earth in its hour of need… it’s one of the best story beats in the season.
After the drama with Unknown Species 10-C was resolved, an epilogue saw Earth coming back into the fold, rejoining the Federation, and this has set the stage for what promises to be a different kind of story in the show’s upcoming fifth season. I would challenge any Discovery-avoider to watch Coming Home and not feel that the show has grown spectacularly since its premiere almost six years ago.
By expanding its cast with some genuinely interesting secondary characters, Discovery is starting down the Deep Space Nine road, where characters outside of the main headliners could be just as important to stories. Although it’s still “the Burnham show” in some ways, there’s movement away from a laser-focus on one character, with others being given moments in the spotlight. That’s all to the good – and as Season 5 approaches, there are plenty of reasons to be optimistic.
So that’s what Star Trek got right.
There are some really amazing highlights, and were it not for some of the things we’re about to discuss, they’d have meant that the year 2022 would’ve gone down in history as one of Star Trek’s finest; the beginning of a new “golden age” that would rival the franchise’s 1990s heyday. Strange New Worlds truly excelled, Discovery did some bold and interesting things, and Picard put together a Starfleet armada that was big, diverse, and beautiful. And that’s not even mentioning solid seasons from both Lower Decks and Prodigy that continue to branch out in very different directions.
But that isn’t all there is to say, and now I’m afraid we have to consider some of the ways in which Star Trek went wrong in 2022.
Paramount did serious, almost catastrophic harm to Star Trek in 2022, and I genuinely fear for the franchise’s longer-term prospects. I had felt all but certain that we’d make it to the 60th anniversary in 2026 with new seasons and perhaps even new films being created… but that goal feels pretty far away right now, even with the promise of unannounced projects being worked on behind the scenes.
The simple truth is this: I have no confidence in the leadership team at Paramount. It seems as if they don’t know what they’re doing; they leap from disaster to disaster, damaging trust and confidence in the Star Trek brand, harming the Star Trek fan community, and above all, it feels as if 20th Century thinking is trying – and desperately failing – to lead Paramount into the 21st Century. Without a major change in direction at the top and a serious rethink of the corporation’s attitude and approach, Star Trek will not succeed and will not survive.
The international rollout of Paramount+:
If you’ve been a regular reader here on the website, you may remember that I’ve had a lot to say on this subject. The fact that Paramount was unable to speed up the painfully constipated rollout of its streaming platform – and crucially, the corporation’s unwillingness to broadcast Star Trek on other channels or streaming platforms in countries and territories where Paramount+ isn’t available – has been a dead weight around the neck of the Star Trek franchise, pushing Trekkies away… or into the arms of piracy.
Paramount sits atop a global media empire, and owns television channels in dozens of countries around the world. If the rollout of Paramount+ was so slow, the corporation had months or years in which to make other arrangements to broadcast Star Trek. Prodigy, for instance, is produced in part under Paramount’s Nickelodeon brand – and there are Nickelodeon channels available in more than 100 countries around the world. Why was Prodigy not broadcast on any of them until months after its first season had gotten underway? And why was Strange New Worlds not made available here in the UK on one of the dozen or so channels that Paramount already owns?
These decisions hit the Star Trek fan community hard. But more than that, they greatly harmed Strange New Worlds and Prodigy in particular. In a 21st Century media landscape, word-of-mouth on social media makes all the difference – and Paramount has consistently failed to learn that cutting off a huge portion of the potential audience for its shows means that posts get fewer likes, hashtags don’t trend, and the resulting lack of online chatter harms these shows in the United States as well. The blinkered, short-sighted “America First” approach that the corporation has adopted may have worked fine in the 1980s… but it isn’t the ’80s any more. The internet is one single worldwide audience, and by denying a huge portion of that audience access to Paramount+ and the Star Trek franchise, Paramount has done immeasurable harm to Lower Decks, Strange New Worlds, Prodigy, and the entire franchise.
At time of writing, Paramount+ doesn’t even have the faintest idea about a launch in countries like Japan or South Korea, and even in western Europe, coverage is spotty. And you can forget about the hugely growing markets in places like China or Africa – Paramount doesn’t even acknowledge their existence. If there were plans afoot to get Star Trek shown on other networks in those regions – whether Paramount-owned or not – at least that would be something. But no such plans have been forthcoming, so the option Trekkies have in much of the world is to either pirate Star Trek or miss out. There’s no prospect of bringing on board new fans as long as this attitude persists.
Why did Discovery Season 4 overlap Picard Season 2 by three weeks in the spring of 2022? And why was the Picard finale shown the same day (the same minute, in fact) as Strange New Worlds’ premiere? Paramount’s scheduling decisions were pathetic in 2022, as there was simply no need for the shows to overlap like this.
Had Picard Season 2 been delayed and not run alongside Discovery, and Strange New Worlds also been delayed a mere four or five weeks so as not to overlap Picard, that would have lined up almost perfectly with Paramount+ launching here in the UK. There would have been the option for Trekkies in the UK to join in with fans in the USA, watching Strange New Worlds together. This bizarre rush saw several weeks with two different shows on at the same time, and while that did also happen during The Next Generation era, in an age of ten-episode seasons and on-demand streaming… it just shouldn’t be happening any more.
You don’t see Disney+ having The Mandalorian and Andor overlapping one another – Disney makes sure that the Star Wars shows have room to breathe. I genuinely don’t understand how a decision was taken to have these shows clash. At the very least it should have been possible to spread out the release of episodes so that they weren’t on the same day, but Paramount even failed to consider that possibility, apparently.
Were it not for the rushed scheduling meaning that Strange New Worlds debuted in the USA weeks before Paramount+ arrived in the UK, I’d still find the whole thing pretty stupid. But when a slightly more spread out schedule could have allowed Paramount+ to land in the UK the same week as Strange New Worlds premiered… I honestly can’t forgive it. Whichever idiot at Paramount (and there’s no shortage of those, clearly) signed off the scheduling decisions for 2022 needs to be fired.
A premature announcement:
One of the most basic, entry-level rules of the entertainment industry is this: you don’t officially announce anything until all of the pieces are in place. Paramount became a laughing stock in 2022 by announcing a sequel to 2016’s Star Trek Beyond… before trying to quietly un-announce it only a few weeks later.
Whatever you may think of the merits of a new Kelvin timeline film, it should be patently obvious that this was not the way to handle it. It seems as if no main cast members had been so much as offered a contract, let alone been in a position to sign one and start work on a film that had a very ambitious release date of July and then December 2023. Paramount’s failure in this regard was spectacular, and practically unheard of for a big corporation in the modern entertainment industry.
Whether a new Star Trek film gets underway in the months ahead or not, this total own-goal from Paramount’s team of corporate morons has already damaged the film – and arguably the wider franchise, too. To make an official announcement, put a film on the schedule with an expected release date, and then have to walk it all back and try to quietly brush it aside is a bad look. It makes Paramount and the Star Trek franchise look disorganised, unprofessional, and chaotic. Who’d want to go to work for a corporation like that the next time they’re hiring?
I can’t even believe we have to say this, but here we go: if you don’t have all the contracts signed, don’t announce your film. If the executives at Paramount don’t understand that, then they need to be removed immediately.
Star Trek Day:
Oh, I feel bad about putting this on the list – but I’m afraid we must. Star Trek Day was hyped up as a celebration of all things Trek… but it was a spectacular let-down. Despite promises of “announcements and reveals throughout,” nothing major was actually announced at Star Trek Day… unless we count a scripted podcast. Which we don’t.
The live broadcast was also pretty amateurish, with hosts who seemed unprepared, guests who couldn’t answer the most basic of questions about their shows, and panels that were either cut too short or that went totally off the rails and fell apart. There were a couple of teaser trailers, but even then, Paramount seems to have been saving the biggest and boldest of those for Comic-Con a couple of months later.
By some accounts, Star Trek Day didn’t bring in much of an audience, which is a shame in a way. But if Paramount isn’t going to make this kind of celebration of the franchise and its fans a big blow-out, perhaps it’s better just to skip it next year – or at least make sure that expectations are properly set in advance.
I hoped for better things from Star Trek Day, and while I don’t want to be too critical of the main figures involved, it was a pretty big disappointment.
Social media failures:
We’ve already touched on this in a couple of places, but Paramount and the Star Trek franchise really need to get a better handle on social media. The way in which they used social media in 2022 was poor, and we need to see Star Trek becoming much more engaging and interactive with fans and viewers. Social media isn’t merely a billboard on which to paste an advertisement or show off a teaser trailer; Paramount needs to start treating social media platforms as spaces to engage with fans.
To just give a couple of examples, Star Trek’s social media pages could showcase fan art, highlighting the real passion that many Trekkies have for the franchise. And they could run competitions, with giveaways of merchandise or Paramount+ subscriptions as rewards. Take a look around at other big corporations and see what they’re doing; social media is a gateway that Paramount could open, giving new, especially younger fans a first look at Star Trek.
At the very least, Paramount and Star Trek need to be more active on social media. They need to respond to genuine questions from fans as much as possible, especially concerning things like release dates and availability. Frankly they also ought to curate their social media posts better, deleting hateful comments about some of the new Star Trek shows and especially about some of the actors. LGBT+ actors and actors from ethnic minority backgrounds are particular targets, and it’s a bad look when a post has comments of that nature.
Look at television shows as diverse as Game of Thrones, Tiger King, and Squid Game. What helped them blow up and break out of their original niches to attract massive audiences? Social media! Well-timed promotions and social media teams that actively leaned into the discussion, the jokes, the memes, and everything else helped those shows – and many more. Star Trek could have that too – if only Paramount could get someone competent to manage its social media operation.
When a director with the undeniable talent of Quentin Tarantino says that he wants to make a film for you, serious consideration of the proposal is warranted. For whatever reason, higher-ups at Paramount decided not to go ahead with a film that had been pitched by the famed director of Reservoir Dogs, Pulp Fiction, and Kill Bill. No explanation has been given – and I really do fear that this could be a huge missed opportunity.
Here’s the short version: you may not like Tarantino personally or his filmmaking style. That’s okay. Maybe you’d hate his take on Star Trek. That’s okay too. Because what someone like Tarantino has that no one else who’s come anywhere close to Star Trek has is star power and pull. Tarantino’s films are on a different order of magnitude to anything else that Star Trek has ever done, and what that would have meant for the franchise is millions of new viewers turning up for the very first time. At least some of those folks would have stuck around, gone back to watch other Star Trek films and shows, and the fan community would have grown.
The very worst possible outcome for a collaboration with Tarantino would have been a mediocre film that made a decent profit. But beyond that, the potential for legions of viewers taking a first look at Star Trek – or a second look from folks who’ve not seen it in a while – is immense. To squander such an opportunity when it was seemingly presented on a silver platter may turn out to be an unforgivable mistake.
A standalone Tarantino film need not have impacted any ongoing series or project. It could have been a one-and-done thing occupying its own little piece of the Star Trek universe, inoffensively ignoring everything else in the franchise and doing no harm. Sure, there are potential pitfalls to working with someone like Tarantino… but the gains Star Trek could have made were massive.
Where are the Prodigy toys?
It’s been well over a year since Prodigy premiered, but there are still no toys, no dolls, no dress-up costumes, no replica phasers or combadges, no teddies… nothing. Prodigy must be the only kids’ show in the world to have zero tie-in products even after its entire first season has come and gone.
There’s more to merchandise than just raw sales and profit. The way children engage with a franchise like Star Trek, especially in the moments where they aren’t sitting down to watch the latest episode, is all about play. Seeing exciting toys on shelves will literally get kids to check out the show for the first time, and seeing their friends dressed up for Halloween or playing with Star Trek dolls has the potential to expand the show’s audience.
The Star Trek franchise may be new to making a kids’ show, but Paramount isn’t. Paramount owns Nickelodeon, and has made many other films and TV series for children in the past – and knows how to make toys and merch for them. Moreover, the Star Trek franchise used to be much better at this, even giving Star Wars a run for its money in the ’90s with figures of practically every guest character, costumes for dressing up, prop replicas, and much more.
I waited and waited for Paramount to address this as Prodigy’s first season went on, then took an extended break. I hoped that we’d have gotten something before the first season finale aired… but it didn’t happen.
Most of Picard Season 2:
Now we’re getting into narrative decisions, which I admit is something quite subjective – but I’m certainly not alone in considering most of Picard’s second season to have been a disappointment. After a truly spectacular premiere (that I gushed over in my review, calling it “one of the best episodes of live-action Star Trek that I’ve seen in a long time”) the second season took a nose-dive, spending eight-and-a-half episodes wandering aimlessly in a modern-day setting that didn’t feel inspiring, exciting, or even interesting much of the time.
There were some highlights, and by the time the action returned to the 25th Century in the second half of the finale, things did improve. But by then it was almost too late; the damage was done. This was an experimental season, and it’s to the Star Trek franchise’s credit that the creative team are given leeway to try out different ideas. But this one didn’t work, and considering it was one of only three seasons that Picard is going to get, its failure feels all the more egregious and disappointing.
Picard Season 2 felt muddled, bloated, and unnecessarily long. Yet by the time it ended, there were still huge unanswered questions about key storylines and characters, questions that I feel all but certain the series has no answers to and no plans to even pay lip-service to in Season 3. A meandering, confused batch of episodes gave way to a rushed finale that didn’t have time to bring everything to a satisfactory conclusion.
Some storylines in Season 2 just felt confused, as if there were two writers working against one another. Rios’ story, for example, saw him experience the worst of the 21st Century, being incarcerated and deported. But a couple of episodes later, Rios was raving about how much he loves the 21st Century for the cigars and the food on offer at a fancy party. There were clearly ideas on the table that, had they been executed better, were potentially interesting. But the way the season as a whole came to screen was poor – and it’s a concept that I hope won’t be repeated any time soon.
Prodigy isn’t gaining much traction:
Right now, Prodigy is being watched mostly by existing Trekkies and some of their kids. It doesn’t appear to be finding much of an audience of its own, and there are a few reasons why that may be the case. The situation with toys and merch that we just talked about is definitely harming the show’s prospects, preventing it from reaching out beyond existing Trekkies for the reasons laid out above. But there’s more to say.
Prodigy hasn’t been marketed particularly well, with relatively few ads for the show cropping up online. Kids shows need to advertise where kids are – on apps like TikTok, for instance. Also, the show remained a Paramount+ exclusive until very recently, when a belated broadcast on Nickelodeon was announced. While I understand that Prodigy was made as a Paramount+ show, the platform itself is mostly being marketed at an adult audience.
Unlike something like Disney+, which clearly has a lot of content made for kids, Paramount+ just doesn’t have that reputation yet. As a result, I doubt most kids even know that Prodigy exists a full year and a full season later.
The question is this: who is Prodigy really made for? Is it for Trekkies who want to see more Captain Janeway and Chakotay? Is it for children of Trekkies as a way for their parents to get them into the franchise? Or does it have the ambition to bring in completely new viewers? The answer should be “all of the above,” but the way the show has been handled from its marketing and scheduling to its place in the wider franchise, it feels like a show that won’t succeed at growing Star Trek’s audience much beyond its current fans and viewers.
The Picard cast being unceremoniously dumped:
It was profoundly disappointing to me to learn that all but one of the new characters who had been introduced in Picard would not be returning for the show’s third season. That disappointment was compounded because most of them didn’t even get an ending to their character arcs/stories in Season 2.
There were some really interesting characters in the mix when Picard debuted, and over the course of two full seasons I feel that we didn’t really get to know all of them very well; after twenty episodes we’d barely spent any time with Elnor, for example, and Soji was absent for all of Season 2 bar a tiny cameo in the premiere. There was vast potential in these characters – but it’s potential that the show has now thoroughly wasted.
If the Star Trek franchise is to survive long-term, fans and viewers need to be given the opportunity to fall in love with a new generation of characters, because it’s these people who will drive the franchise forward in the years ahead. As much fun as I hope it will be to go on one last adventure with the crew from The Next Generation, it will be their final mission. That show is now more than thirty-five years in the past, and while there’s definitely still ways to bring back legacy characters, it isn’t exactly indicative of a franchise trying to move forwards.
It was my hope when Picard premiered that a new generation of fans would be just as excited in thirty years’ time to see Elnor or Rios make a return to the Star Trek franchise as we had been to see Picard come back. These new characters could and should have picked up the torch, taking Star Trek into the 2020s and beyond. Although I adore The Next Generation and will be happy to see its main characters make a return, it’s a bittersweet moment because of who had to be booted off the show to make it happen. And it’s a decision to double-down on nostalgia that I fear could have long-term ramifications for the entire franchise.
Paramount+ lost the Star Trek films. Twice:
On two separate occasions in 2022, all or most of the Star Trek films disappeared from Paramount+. Let’s restate that: Paramount lost most of the Star Trek films from its own streaming platform, sending them to Hulu or Peacock or one of those other second-tier streaming services for a number of months. Then, after getting them back, it happened again!
From the point of view of a Trekkie, we’re told that Paramount+ is going to be the place to get all things Star Trek. But that’s demonstrably not true, as some of the best stories in the franchise – and the projects which had the highest production values – have arbitrarily disappeared. If I’d been a paying subscriber to Paramount+ at that time I’d have been livid.
But it’s not just about Star Trek. It’s about Paramount as a whole, and what these mistakes say about the corporation and the platform it hopes to convince folks to sign up for. Losing parts of Paramount’s own back catalogue is something that simply should not be allowed to happen. It makes Paramount+ look inconsistent, cheap, and like a bad deal. The lack of communication about this – the announcement of the recent loss of the Star Trek films was made with just days to spare – also makes Paramount look chaotic, and Paramount+ look like a very poor relation indeed to the likes of Disney+ and Netflix.
Can you imagine logging into Disney+ and seeing a message that Beauty and the Beast, The Aristocats, Snow White, and more would no longer be available? Can you imagine Disney leasing the exclusive rights to those films to any other streaming platform? Of course not, because it undermines the entire concept of owning a streaming platform. Paramount+ is already on very shaky ground as a second-tier streaming platform in a massively competitive market. Mistakes like this cannot be repeated.
Was it simply too much?
2022 was a bumper year for Star Trek. In fact, the franchise barely had so much as a week’s break all year long – and as already noted, some weeks had two episodes at once. There were ten episodes each of Lower Decks, Picard, and Strange New Worlds, six episodes of Discovery, and fifteen episodes of Prodigy taking the total number for 2022 to a whopping fifty-one episodes of Star Trek. Is that too much for one franchise in a single calendar year?
There’s a danger, I fear, of “franchise fatigue” beginning to set in. Even the most ardent Star Trek fan would struggle to keep up with all the different productions, and I think there’s a case to be made that Paramount needs to take a foot off the accelerator and slow things down. The last thing we need is for fans and viewers to get burned out on Star Trek – or for the franchise to begin to look too complicated and too difficult to keep up with.
There is a balance somewhere that Paramount needs to find. After years in the wilderness with no Star Trek at all it may seem odd to be complaining about there being too much, but it feels as though the pendulum has swung too far in the opposite direction. It’s good and healthy for franchises to take breaks and not to be constantly on the air, and for both the creative teams and fans, I don’t think the level of Star Trek we saw in 2022 can be maintained.
And that’s a worry because if burnout sets in, it could prove fatal to the entire franchise. Take a deep breath, slow things down, and try to spread out some of these shows a little more. Taking breaks of a few weeks in between each series would be a good start – and this really ties in with what we said about scheduling. Paramount blitzed through fifty-one episodes of Star Trek in 2022… but there’s now nothing for at least six weeks. Had things been better spread out, we could have had short, consistent breaks in between each show that would have meant the entire franchise would be more balanced.
So that’s what went wrong.
In 2022, Star Trek premiered more episodes than at any other point in its history… but the franchise was massively harmed by decisions on the corporate side that prevented millions of fans from even being able to watch any of it. The glut of episodes was arguably too much, and poor scheduling decisions saw shows overlapping one another, and too many episodes arriving all at once.
Paramount’s failures behind the scenes have seen Strange New Worlds denied to most of the world, massively harming the show’s reputation and killing much of the online chatter. On social media, Star Trek not only ignored fans, but in some cases actively attacked them, using outdated copyright laws to get fan accounts suspended. The lack of toys for Star Trek’s first kids’ show more than a year after its launch and after its entire first season has finished its run is pretty pathetic – and is just another way that Paramount has harmed its prospects.
2022 was, as the title of this piece states, a great and terrible year for Star Trek.
I can’t overstate how much I enjoyed Strange New Worlds, and how that show’s first season has to be one of the strongest debuts in the entire history of the franchise. After three seasons that were of varying quality, Discovery finally seems to be hitting its stride, too. Season 4 wasn’t perfect, but it was the best the show has had to offer so far. Lower Decks continues to do its thing and do it well, though it isn’t really reaching out beyond the existing Star Trek fan community in a big way. Prodigy is also a fun series, continuing to build up its characters. Even in Picard Season 2 there were fun moments; highlights in practically every episode even if the overall story itself wasn’t stellar.
But I can’t shake the feeling that 2022 could be both the zenith and a turning point for modern Star Trek. The sheer number of episodes and the way in which they were scheduled was enough to start the process of burnout, and one of the key lessons for Paramount has to be to better schedule the Star Trek franchise and spread it out more.
Moreover, on the production side of things, Paramount had an absolutely atrocious year. Failing to bring Paramount+ to fans around the world is a weight around the neck of the Star Trek franchise and will continue to be for years to come. The lack of communication with fans, and Paramount’s piss-poor “America First” corporate attitude is also doing considerable harm to the Star Trek fan community and the wider brand.
In a difficult economic climate, it’s hard to see Paramount+ breaking into the top tier of streaming platforms, and on current form I would be surprised if it survives the decade. When Disney+ and Netflix – platforms with many more subscribers backed up by far bigger and more successful corporations – are struggling to turn a profit, one can only imagine how much money Paramount+ is losing and will continue to lose. If Paramount+ fails, will it drag Star Trek down with it?
Pull back the curtain and I’m afraid it was a tough year for Star Trek. I don’t see anything changing in the immediate term, either, as Paramount looks set to keep doing what it’s been doing for the past few years. No major changes seem to be coming on the horizon, and teases of unannounced projects came and went in 2022 with no major announcements for new shows. And of course the Beyond sequel had to be rapidly un-announced as it became clear that Paramount had completely screwed things up.
If you enjoyed having fifty-one Star Trek episodes in a single year, I guess what I’d say is this: don’t get used to it. For all manner of reasons, I doubt we’ll see another year quite like 2022. And maybe that’s for the best.
The Star Trek franchise – including all films and television series discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
I’ve written longer articles and columns about several of the subjects discussed above, and you can find links to them here:
Spoiler Warning: Minor spoilers may be present for some of these titles.
As we enter the final hours of 2022, it’s time to look back at the entertainment experiences that we’ve enjoyed – as well as a few that we didn’t enjoy all that much! I’ve cobbled together a few categories from the world of television, film, and video games, and today I’m going to hand out some highly-coveted Trekking with Dennis Awards to some of my favourites!
You’ll find a couple of titles from the tail end of 2021 on this list; I reckon anything released in December is fair game as those titles often get the short end of the stick when it comes to lists like these. Some outlets put together their “best of” lists way back at the start of December, which is far too early in my opinion! But we’re drifting off-topic already!
There are plenty of titles that, for one reason or another, I didn’t get around to this year – so for reasons that I hope are obvious they can’t be included. I’m only one person and I don’t have every minute of the day to devote to these pursuits, so the exclusion from this list of certain big titles shouldn’t be interpreted as any kind of deliberate snub!
And as always, a caveat before we begin: all of this is the subjective opinion of one person. I may give an award to a production you vehemently hate, or talk negatively about something you enjoyed, but at the end of the day this is supposed to be a bit of fun. Feel free to disagree with any or all of my picks – but there’s no need to take any of it too seriously!
With all of that out of the way, let’s get started!
Best Television Miniseries/Limited Series:
🥈 Runner-Up🥈 Five Days At Memorial
Five Days At Memorial had the challenging task of dramatising a real-world event – and a gruelling one at that. I remember the harrowing news reports in 2005 showing the aftermath of Hurricane Katrina, and I could absolutely understand why some folks might feel it’s too soon to make a programme like this. But for my money, Five Days At Memorial did a good job at adapting the events at Memorial Hospital as delicately as possible, staying true to what happened while still making the story engrossing and understandable for viewers.
The fact that Five Days At Memorial shows what happened at Memorial Hospital from two very different angles felt a bit strange at first, but by doing so the series lends the events the challenging ambiguity that they continue to have. By refusing to come down on one side or another – to condemn as guilty or exonerate Dr Pou – Five Days At Memorial strikes the right balance. There was some choppy editing in some sequences that meant the miniseries didn’t feel as smooth as it could’ve, but other than that it was a very interesting look at a very difficult moment in the recent past.
🏆 Winner 🏆 1899
Netflix original 1899 is taking the crown in this category this year. The show goes on a wild and unpredictable ride, blending themes of mental health that resonated strongly with me with mystery and psychological horror. The multilingual series is, in my view, best enjoyed without being dubbed, as the different characters and the language barriers between them are key elements in the story at several crucial junctures.
I was first attracted to 1899 because of its setting – both in time, at the end of the 19th Century, and on a boat making a transatlantic voyage. But what I found when I got started was one of the most unique and different television productions that I’ve seen in a long time. 1899 may not be to everyone’s taste, but I found it absolutely riveting all the way through.
Worst Television Series:
🏆 “Winner” 🏆 Obi-Wan Kenobi
After I’d enjoyed what The Book of Boba Fett brought to the table, I felt a pang of hope that Obi-Wan Kenobi might at least be passable. But it wasn’t to be, and the series was a horrible slog through the absolute worst kind of tacked-on story that used increasingly desperate nostalgia plays to try to recreate some of the magic that, frankly, Star Wars hasn’t had since the ’80s.
Say it with me, folks: it’s time for Star Wars to move on! The vast sandbox that is the Star Wars galaxy has trillions of inhabitants, millions of star systems, thousands of planets, and hundreds of factions and organisations – and tens of thousands of years of history that could explore any of them. For more than forty years, Star Wars has been laser-focused on the same handful of characters and the same tiny sliver of this wonderful setting, but it’s over. If Star Wars is to survive, something’s gotta change. Obi-Wan Kenobi proved that.
Best Television Series:
🥈 Runner-Up🥈 Halo
Halo wasn’t spectacular, but as the first real attempt to bring the long-running video game franchise into a new medium, it got a lot right. The story it told was a riff on the familiar story that fans will remember from the games, but there were important differences which not only kept the mystery going, but also gave genuine characterisation to the Master Chief.
In terms of cinematography, I liked the way that Halo incorporated some first-person sequences into its action-heavy moments. This could have easily felt like a gimmick, but the way it was done – and crucially, not overdone – made it feel like a throwback to the series’ source material while also mixing things up in the television space. Halo used a fairly standard format that would be familiar to anyone who’s seen a made-for-streaming television show in the past few years, with a slowly unfolding mystery, multiple storylines, and characters who grow and change over the course of the series. It wasn’t anything groundbreaking, and I certainly get the argument that it wasn’t as action-packed as some fans might’ve wanted. But it was, all in all, a decent bit of sci-fi.
🏆 Winner 🏆 The Lord of the Rings: The Rings of Power
The Rings of Power had a lot of work to do to impress me. It had to live up to the legacy of the trilogy of films from a few years ago. It had to show that it could go toe-to-toe with the likes of Game of Thrones, The Witcher, and other big-budget productions in the fantasy space. And, to be blunt, it had to justify its billion-dollar price tag.
Whether The Rings of Power managed to accomplish all of those goals in its first season is still arguably an open question. But it certainly laid the groundwork for what should be a television spectacular, and it was, on balance, probably the best show I’ve seen this year. When I was at a low ebb in the autumn and didn’t have the energy or headspace for watching many new things, The Rings of Power was the one show that I made time for. Sure, there were big battles and other CGI spectaculars, but there were also some genuinely wonderful performances that brought to life some incredible character-focused storytelling. I can’t wait for Season 2!
Best Web Series:
🥈 Runner-Up🥈 How To Cake It
After a hiatus of more than a year, YouTube show How To Cake It made a welcome return this year. This time, there’s less of a focus on the kind of attention-grabbing, visually spectacular cakes that look like rocket ships or Princess Elsa or a completely different food, and I think that’s actually been a positive thing! Host Yolanda Gampp has branched out, doing much more of a variety when it comes to baking. Some highlights include flavoured cookies, baklava, and even popcorn.
As often happens when a web series takes an extended break, recent episodes of How To Cake It haven’t been doing the same numbers as the series used to get. But I hope that, as time goes by, it will pick up some of those wayward viewers – and perhaps bring on board a whole host of new ones, too. This new version of How To Cake It seems to be making more down-to-earth recipes that you or I might feel brave enough to attempt, rather than showing off impressive designs that only a master baker could create. For me at least, that’s a great thing, and I hope to see much more from Yolanda and the team in the new year.
🏆 Winner 🏆 Anti-Chef
If How To Cake It shows a master at work, Anti-Chef – as the name suggests – is the complete opposite! The show is a lot of fun, and Jamie, the host, isn’t shy about sharing his failures in the kitchen as he works his way through some very complicated recipes. Though he’s not a total newbie any more, many of the techniques in the recipes he challenges himself to try are very advanced, and the personal, relatable style makes me feel like I’m right there in the kitchen.
I love a good cooking show, and as much fun as it can be to see an experienced chef at work, it can be even more entertaining to see an inexperienced home cook tackling some of these recipes. Anti-Chef has given me a lot of laughs this year – but also some cooking tips and inspiration, too.
The Worst of Star Trek:
🏆 “Winner” 🏆 Most of Picard Season 2
I thought long and hard about whether I wanted to call out Picard Season 2, but I think it’s earned a place on this list. The first episode of Season 2 was absolutely fantastic, and if the rest of the season had been anywhere close to that level, we’d be talking about Picard as the best show of the year. But unfortunately things took a pretty sharp nose-dive after the second episode of the season, with Picard and his crew wandering aimlessly for much of the season in a present-day setting that didn’t feel inspiring or enjoyable in the least.
By the time the action returned to the 25th Century in the second half of the season finale, the damage had been done, and despite Farewell pulling out a decent ending, this disconnected, disjointed, overly-long story has to go down as one of Star Trek’s big misses – perhaps even one of the biggest missteps in the franchise’s history. There were individual elements in most episodes that I can honestly say that I enjoyed… but Picard Season 2 overall feels like a massive disappointment.
Star Trek’s Biggest Surprises:
🥈 Runner-Up🥈 Kobayashi Star Trek: Prodigy
We ought to talk more about Prodigy here on the website – and I hope we will next year! But for now, the episode Kobayashi came out of nowhere in January to be one of the biggest surprises in the show’s first season. The Kobayashi Maru training programme famously tests would-be captains in a “no-win scenario,” and you wouldn’t think that premise would lead to such a genuinely heartwarming and wholesome episode – but as a longstanding fan, I really appreciated what Kobayashi brought to the table.
Without giving too much away, the Kobayashi Maru scenario plays out on the holodeck, and a cast of fan-favourite Star Trek characters all join in on the action. It’s a nostalgic treat – but it doesn’t overplay its hand, keeping a tight focus on the new characters introduced in Prodigy.
🏆 Winner 🏆 All Those Who Wander Star Trek: Strange New Worlds
Strange New Worlds had an incredible first season, showing off a varied, episodic approach in which it wasn’t shy about trying out many different genres. All Those Who Wander draws inspiration from the likes of The Thing and Alien to create a tense, claustrophobic sense of horror aboard a crashed starship.
It’s hard to say too much more without getting into spoiler territory – and of all the episodes in Season 1, All Those Who Wander has to be the most important to go into un-spoiled! Suffice to say that the episode takes the horror angle right up to the edge of my personal comfort zone, but never crosses that line. It’s an intense experience, and one that shows just how incredible Star Trek can be when it throws itself into another genre.
The Best of Star Trek:
🥈 Runner-Up🥈 Coming Home Star Trek: Discovery
Discovery’s fourth season plodded along, in places, and definitely teased us with mysterious factions and characters that ultimately turned out to be brand-new. But by the time the season finale rolled around, most of that was already settled. What we got was an incredibly emotional episode that saw Captain Burnham and the crew racing against time to reach an unknown, uncontacted alien race.
There were resolutions to disagreements between characters, several incredibly dramatic moments, and a storyline involving Admiral Vance at Federation HQ that showed off Starfleet and the Federation at their very best. Coming Home is, without a doubt, one of Discovery’s very best episodes.
🏆 Winner 🏆 A Quality of Mercy Star Trek: Strange New Worlds
Captain Pike gets a visit from “the Ghost of Christmas Yet To Come” in A Quality of Mercy – and the episode is incredible. In Discovery Season 2, when it became apparent that Captain Pike knew in advance that he was going to suffer a debilitating accident, an obvious question would be “why didn’t he try to prevent it?” And A Quality of Mercy takes that idea and runs with it.
In addition to a very emotional story involving Captain Pike – one that I, as a disabled person, found incredibly relatable – there’s also a wonderful callback to an episode of The Original Series, and moments for all of the main characters to get a chance to shine. Ethan Peck puts in a spectacular performance as Spock, and there was even time at the very end of the episode for one final twist as the curtain fell on one of the best seasons of Star Trek ever put to screen.
Best Animated Film:
🥈 Runner-Up🥈 Minions: The Rise of Gru
The Despicable Me franchise is usually good for some fun escapism, and so it proved again with The Rise of Gru. There isn’t anything completely groundbreaking here; you know how the titular Minions behave by now. But stepping back in time to a ’70s setting allowed for some fun jokes, and the over-the-top villains that Gru encountered were a ton of fun.
There was still heart and emotion in The Rise of Gru thanks to Gru’s relationship with the villainous Wild Knuckles, and that did enough to ground what was otherwise a pretty wacky adventure. There were plenty of references and callbacks to other franchises for nerds like us to enjoy, and on the whole, I had a good time with the film. I’m not in a desperate rush to re-watch it, but it was good fun for what it was.
🏆 Winner 🏆 Encanto
After several years in which Disney has focused on live-action adaptations and sequels, Encanto came along like a breath of fresh air! It’s one of the best Disney films of the current era without a doubt, with a deeply engrossing and frequently emotional story that has an uplifting message. And thanks to a wonderful soundtrack by the phenomenally talented Lin-Manuel Miranda, there are some incredible songs too!
A setting inspired by Colombia was also something different for a major Disney production, and the company has done well at diversifying the peoples and places it depicts in its major releases. But that would have been meaningless had Encanto not been such a wonderful, well-told story – and I’m so very pleased that it was.
Best Live-Action Film:
🥈 Runner-Up🥈 The Unbearable Weight of Massive Talent
With the caveat that I didn’t see that many films this year, The Unbearable Weight of Massive Talent is definitely up there as one of the better ones! I genuinely couldn’t believe that this film existed when I first heard of its premise – Nicolas Cage playing a fictionalised version of himself and going on a wacky adventure. But you know what? I’m very glad that it does!
The Unbearable Weight of Massive Talent could have ended up as a bargain-bin B-movie – or worse, it could’ve tried to take itself far too seriously. But instead it leans into a kind of self-deprecating humour as well as tropes of the action genre, coming across as light-hearted and just plain fun. Nicolas Cage is a good sport for taking part, and The Unbearable Weight of Massive Talent is definitely worth a watch if you haven’t seen it already.
🏆 Winner 🏆 All Quiet on the Western Front
Netflix’s reimagining of this classic German war film is absolutely brutal. If any film has ever come close to accurately depicting the true horrors of the First World War, this is it. The story follows a young conscript from Germany as he joins the army and is dispatched to the front line, and then jumps ahead to the closing days of the war.
Every version of All Quiet on the Western Front – and there have now been three adaptations of the original novel – have shown just how senseless and meaningless war can be, taking a very individualist, human look at warfare. This version hammers that home, and can be uncomfortable viewing. But it’s an incredibly powerful film – one that absolutely deserves to be in contention for some of the top awards.
The “I-didn’t-play-this-game-but-you-probably-should” Award:
🏆 Winner 🏆 Elden Ring
I wish I could say I was interested in Elden Ring… but I’m just not. The “difficult for the sake of it” style of gameplay that has come to be known as the “Souls-like” genre just isn’t my cup of tea, but by all accounts Elden Ring is one of the best examples of this type of game, and one of the best games of the year – if not the generation.
Taking the Dark Souls format into an expansive open-world setting, Elden Ring has won almost universal acclaim from critics and players alike, becoming one of the most talked-about releases of the year. For a single-player title in a gaming landscape increasingly dominated by the online multiplayer scene, I think that’s a fantastic thing, and even though Elden Ring isn’t for me, I still think it’s worth noting it as one of the most important releases of the year.
Best Browser Game:
🏆 Winner 🏆 Wordle
I wouldn’t usually dedicate much time to browser games on a list like this, but since I first played Wordle back in February or March, I don’t think I’ve missed a single day. The format is fun, with a single word each day to guess and only six chances to get it right. Wordle was snapped up by the New York Times and has since spawned dozens or perhaps even hundreds of clones – including variants that have multiple words to guess, and variants based on specific topics or franchises. There’s even a Star Trek-themed one!
Wordle blew up to become an internet phenomenon in 2022, and for a while it seemed like you couldn’t move for people showing off their Wordle results on social media. It’s become part of my daily routine – and my current streak is 77 wins in a row, going all the way back to the middle of October!
The “buggy piece of crap” Award:
🏆 “Winner” 🏆 Uncharted: Legacy of Thieves Collection (PC version)
The PC port of Uncharted: Legacy of Thieves Collection is the worst I’ve come across in recent years. I’d thought that the days of amateurish PC ports were finally over, but PlayStation Studios, Naughty Dog, and Iron Galaxy Studios showed me that I was wrong about that. In short, Uncharted is incredibly poorly-optimised for PC, with a piss-poor frame rate and weird visual and texture bugs that were incredibly offputting. The screenshot above shows off one such glitch.
It’s such a shame because the Uncharted series has always been a blast. The Indiana Jones-inspired games still feel like something different in the action-adventure space, even with the likes of Tomb Raider being reimagined for a new generation. The stories present here are great – but if I have to spend as much time battling bugs as I do enemies, I’m going to have a bad time. Other PlayStation titles – like Spider-Man and God of War – don’t have these issues, so I don’t understand how Uncharted: Legacy of Thieves Collection managed to launch on PC in such a bad state.
Best Expansion Pack/DLC:
🏆 Winner 🏆 Mario Kart 8 Deluxe – Booster Course Pass
The Booster Course Pass has given Mario Kart 8 Deluxe a new lease on life – even if it’s not as transformative as a new entry in the series would’ve been. I was disappointed as the year went by and it became clear that there would be no Mario Kart 9, but the Booster Course Pass has definitely convinced me to dust off my Nintendo Switch and pick up Mario Kart 8 Deluxe again.
The “wave” approach to the DLC has been fun, too, keeping the game feeling fresher for longer when compared to dumping all 48 new racetracks at once. Don’t get me wrong, the longevity of Mario Kart 8 Deluxe is still an issue, and I now have the additional concern that there will be fewer racetracks left to adapt whenever Mario Kart 9 eventually comes along. But in the short-term, the Booster Course Pass is proving to be great fun.
Game of the Year:
🥈 Runner-Up🥈 Stray
Stray is absolutely adorable: a game in which you get to play as a kitty cat! I was sold on that premise alone, but what I found when I got stuck in was a genuinely enjoyable, well-paced, well-structured indie title. Stray has great graphics, with the movement of the main cat character in particular being incredibly realistic. There’s some wonderful art design in both the environments and the robotic non-player characters, too.
Stray is further proof that there’s plenty of life in the narrative, linear, single-player space, and that not every game needs to be forced into the open-world mould. But at the same time, it’s something very different. Not only is the idea of playing as an animal unique, but the game’s slow pace and focus on peaceful interaction with the environment instead of combat and quick-time events all make for a relaxing, yet deeply engrossing experience.
🏆 Winner 🏆 Disney Dreamlight Valley
If you’d told me a few months ago that my favourite game of 2022 would be an early access Disney title, I wouldn’t have believed it! But I’ve sunk well over 150 hours into Disney Dreamlight Valley since its launch at the end of August, and I’ve been having an incredible time. The game basically took all of my criticisms of Animal Crossing: New Horizons and fixed them, then threw in dozens of new features I didn’t even know I wanted – and some fun Disney-centric stories with a diverse cast of characters for good measure.
Disney Dreamlight Valley is so much fun and has so much to offer, even in this early access form, that it’s hard to know where to begin. There’s an interesting main quest, dozens of character-focused missions, the kind of home-building and design gameplay that players loved about titles like The Sims, and all of the fun of living another life in a fantasy land as you’d expect from an Animal Crossing game. There’s so much to love about Disney Dreamlight Valley, and I’m happy to crown it my favourite game of the year.
So that’s it!
We’ve dished out awards to some of my favourite entertainment experiences of the year. The countdown is on to 2023 – there are just hours left until the sun will rise on a whole new year! Stay tuned in the days ahead because I plan to take a look at some of the things I’m most looking forward to between now and Christmas. Is that the earliest you’ve seen someone mention Christmas 2023?
I hope that this was a bit of fun. There were plenty of enjoyable films, television shows, and video games this year – despite the delays that still hang over the entertainment industry. Though I wouldn’t say that 2022 is likely to go down in history as one of the best-ever years for entertainment, I think we still got a wide variety of experiences, many of which were enjoyable.
So I suppose all that’s left to say is this: Happy New Year! Whatever you plan to do, I hope you have a wonderful time!
See you next year!
All titles listed above are the copyright of their respective owner, company, studio, broadcaster, developer, distributor, publisher, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Check out reviews or articles featuring some of the films, games, and TV shows mentioned on this list by clicking or tapping the links below:
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 and the trailers, teasers, and announcements for Season 3. Spoilers are also present for the following Star Trek productions: The Next Generation, Deep Space Nine, Voyager, Discovery, and Lower Decks.
Last time we talked about Captain Vadic – the mysterious villain who will appear in Picard’s third and final season next year. We considered a few possibilities as to who she might be and what her grievance might be with Admiral Picard, so if you want to check out those theories – some of which are more plausible than others – you can do so by clicking or tapping here.
This time I want to move beyond Captain Vadic. Taking the most recent trailer as a starting point, I thought it could be fun to look back at other characters from The Next Generation and beyond who might have a bone to pick with Admiral Picard. The most recent trailer for Season 3 included two pretty big surprises: the return of Lore and Professor Moriarty, both of whom seem to be allied with Captain Vadic. So here’s my theory: those two won’t be the only villains on her team!
Could Captain Vadic have put together what I’ve termed a “rogues’ gallery” of Star Trek villains? If so, it could make for an even more explosive and exiting final season – and there’s certainly no shortage of candidates for such a team. Like Marvel’s HYDRA or DC Comics’ Legion of Doom, perhaps Captain Vadic has managed to create her very own rogues’ gallery!
So today, I thought it could be fun to consider which other characters could be included – if indeed this is part of Captain Vadic’s scheme. During his adventures aboard the Enterprise-D, it’s not unfair to say that Picard made more than his share of enemies, and it stands to reason that many of them would jump at the chance to seek revenge.
As always, a caveat: this is just for fun! I don’t have any “sources” or “insider information,” and I’m not trying to claim that any of the characters below definitely will appear in Season 3 of Picard. I don’t even know for sure that there will be any other villainous characters besides those we’ve already glimpsed, so please take all of this with a healthy pinch of salt! With that out of the way, let’s get started!
Rogue #1: Toral, son of Duras
The two-part episode Redemption, which closed out Season 4 of The Next Generation and kicked off Season 5, introduced us to Toral, son of Duras. The House of Duras made several attempts to take over the Klingon Empire and to cover up their family’s collaboration with the Romulans, including at the attack on Khitomer in which Worf’s family was killed. Although Toral was relatively young during the events of Redemption, and was merely being used by his more powerful and manipulative aunts, there’s no denying his ambition.
Toral’s father and his aunts were killed by the crew of the Enterprise-D, and both Toral and his house were left disgraced and without a future in Klingon politics. If given the chance, Toral – or perhaps another member of the House of Duras – would surely be on board with a mission to destroy Admiral Picard and the crew of the Enterprise-D.
Rogue #2: Ro Laren
Although Ro Laren, a former Starfleet officer and Maquis defector, didn’t hate Picard the last time they met, subsequent events could certainly have changed her opinion. In the years before the Dominion War, Picard was very much in favour of maintaining peace with the Cardassians at all costs – even if that included abandoning Federation colonies in Cardassian space. The former Ensign Ro took a different approach, ultimately defecting to the Maquis and abandoning Starfleet.
As we learned in Deep Space Nine, following their alliance with the Dominion the Cardassians were able to wipe out nearly all of the Maquis, leaving only a few survivors. Starfleet was unable to help, and given how bad relations had got between the Federation and the breakaway Maquis, it stands to reason that any survivors would carry a deep hatred for the Federation. If Ro Laren survived the Dominion War, maybe she’d try to seek revenge on her former captain and the organisation that abandoned her friends to their fate.
Rogue #3: The Remans
The Romulans treated the native Remans horribly, essentially using them as a class of slave labourers. The Remans’ only real chance to overturn this came when Shinzon – a Romulan-created clone of Picard – seized power on Romulus and uplifted many Remans, putting them into positions of power. Picard defeated Shinzon and his Reman Viceroy, potentially restoring the status quo on Romulus and relegating the Remans once again to their enslavement.
Not only that, but Starfleet’s decision to abandon the Romulan rescue armada that Picard was in charge of arguably cost Reman lives. The Romulans would surely have prioritised saving their own citizens ahead of saving Remans, so it stands to reason that many Remans were killed during the supernova. Although there are no remaining Reman main characters (the Viceroy was killed in Nemesis) I think it’s possible that we could see a Reman figure who wants to get revenge on Picard.
Rogue #4: Sela
The half-Romulan daughter of an alternate timeline’s Tasha Yar was an adversary for Picard and the crew of the Enterprise-D on more than one occasion. Picard prevented her from interfering on behalf of the House of Duras during the Klingon succession crisis, and then thwarted her plans again when she tried to use Ambassador Spock’s peace process to invade and conquer Vulcan. Sela survived – but her authority within the Romulan hierarchy was surely undermined by these major defeats.
Sela would almost certainly want revenge on Picard for those incidents, and I could absolutely see her teaming up with someone like Captain Vadic. Assuming that Sela survived the Romulan supernova, Picard must be right at the top of her enemies’ list! Furthermore, Picard disrupted yet another Romulan scheme back in Season 1, and while we can’t say that Sela was involved with the Zhat Vash, it’s possible that she was privy to their plans or involved, to some degree, in the mission to Coppelius.
Sela and Tasha Yar actress Denise Crosby has teased a possible appearance in Season 3, too… so I think Sela showing up is a distinct possibility!
Rogue #5: DaiMon Bok
While in command of the USS Stargazer – about ten years before the events of The Next Generation – Picard defeated a Ferengi vessel, and in doing so killed the son of DaiMon Bok, a Ferengi captain. Bok attempted to get his revenge on Picard on two subsequent occasions, firstly by sabotaging the wreck of the Stargazer, which he had salvaged, and secondly by convincing Picard that he had a son. Both times, Bok was defeated.
However, Bok survived his run-ins with Picard, and as I noted last time, the grudge he carried is deeply personal and feels like it would be something he would never be able to let go of. Like Sela above, Bok has a personal vendetta against Picard, and if the opportunity were to arise to join a mission to kill or defeat him, I could see Bok signing up in a heartbeat!
Rogue #6: The Conspiracy parasite-aliens
After thirty-five years, could a continuation of the story begun in The Next Generation first season episode Conspiracy finally be on the agenda? Anything’s possible, right?!
The Conspiracy parasite-aliens attempted to take over Starfleet and the Federation before being thwarted by Picard and the crew of the Enterprise-D. Although their “mother creature” was killed, before it died it was able to send a message, presumably to its home world or others of its species… but the story was never continued (although the parasite-aliens were recently referenced in an episode of Lower Decks).
The parasite-aliens were originally conceived as part of the storyline that would eventually lead to the introduction of the Borg in Season 2, but this connection was written out of the series before Q Who entered production. So the parasite-aliens have remained a mystery ever since – but would surely want to gain revenge on the people most responsible for foiling their plans. Maybe Captain Vadic and others on her crew have been taken over by these parasitic beings.
Rogue #7: Norah Satie
Rear Admiral Norah Satie was sent to the Enterprise-D to investigate an apparent act of sabotage. However, she massively overstepped her brief and became paranoid, treating the entire crew with suspicion and using her power to drag innocent officers before a hastily-arranged “drumhead” trial. Picard was eventually able to outmanoeuvre her at the trial, ending her investigation – and possibly her career as well.
We don’t know what became of Norah Satie after her humiliation, but it’s at least possible that she would hate Picard as a result. Perhaps her actions led to her being kicked out of Starfleet, or at least losing her investigative position, and after having had years in which to build up resentment, she might be ready to seek revenge.
Bringing a Federation officer into the “rogues’ gallery” (if Captain Vadic is not a former member of Starfleet herself) could lead to some really interesting and complex storytelling.
Rogue #8: Altan Inigo Soong and/or the Coppelius synths
Although we’ve seen Brent Spiner as Lore in the most recent trailer, could he also be back as Season 1’s Altan Inigo Soong? One line from the first teaser trailer really stood out to me (as I flagged up at the time) and that line came from one of Spiner’s characters: “evolution is not an act of preservation; it’s addition.” I’ve wondered ever since if that line could be Dr Soong – or one of his synths – arguing in favour of some kind of organic-synthetic synthesis.
Connected to this idea is something we touched on last time – my theory that Captain Vadic could be motivated by the Season 1 super-synths. Both of the characters we know of so far in her “rogues’ gallery” are synthetic: Lore is an android and Moriarty is a hologram. If her crusade against Picard and the Federation is somehow connected to the super-synths from Season 1, perhaps other synthetics will join her cause, such as the ones on Coppelius.
Rogue #9: Captain Benjamin Maxwell
Captain Maxwell was a fascinating character in his sole appearance. A renegade Starfleet officer who took his ship on an unsanctioned mission into Cardassian space, Maxwell held a personal grudge against the Cardassians for the deaths of his family. He found it hard to adjust to peace with the Cardassians, and sought to expose their secret military build-up – something that he was, in the end, right about.
Picard was sent after him, and with the help of Miles O’Brien, Maxwell was taken into custody before peace between the Cardassians and Federation could be jeopardised. But Maxwell wasn’t exactly wrong about the Cardassians – something that feels even more significant in the aftermath of the Dominion War. Would someone like Maxwell – an otherwise upstanding Starfleet officer – want to get revenge on Picard and his crew? It’s got to be at least a possibility!
Rogue #10: T’Paal (also known as Tallera)
T’Paal used the assumed identity of “Tallera” to track down an ancient Vulcan weapon called the Stone of Gol. She hoped to use the weapon to purge Vulcan of all alien influence, believing that contact with non-Vulcans was “polluting” her planet and culture. Picard, on an undercover mission of his own, managed to stop her, and she was taken into custody by the Vulcan authorities.
I’d consider T’Paal to be a real zealot, someone completely dedicated to her cause and her scheme. When Picard thwarted her attempts to use the Stone of Gol to rid Vulcan of all alien influence, she became enraged – and someone like that could hold a grudge for a very long time indeed. Though perhaps not as iconic or well-remembered as some of The Next Generation’s other adversaries, T’Paal could certainly make a return and join Captain Vadic’s mission.
Rogue #11: Kelsey the mercenary
Known only by her first name, Kelsey was presumed to have been killed when her ship was destroyed near Arkaria Base – but maybe there’s some way she could have survived! Picard thwarted her plot to steal a valuable and highly dangerous substance called trilithium resin from the Enterprise-D when it was undergoing maintenance at the base, allowing her to escape with a sabotaged canister that caused her ship to explode moments later.
If Kelsey survived somehow – such as by boarding an escape pod – it stands to reason that she’d be furious with Picard. Not only did he prevent her from getting the trilithium resin, he was responsible for the deaths of several of her friends, and the destruction of her ship. Although we’ve considered her dead ever since Starship Mine aired, it’s possible that there might be an unexpected resurrection!
Rogue #12: Commodore Oh
One of the primary antagonists in Season 1 was the Romulan spy Commodore Oh. Oh infiltrated Starfleet shortly after the discovery of Data, playing a very long game to sabotage the Federation’s work on developing synthetic life. She was responsible for the attack on Mars, the death of Chris Rios’ captain aboard the USS Ibn Majid, and the attack that claimed Dahj’s life.
Commodore Oh was also a zealot, completely dedicated the Zhat Vash mission to prevent and exterminate synthetic life. Although she was convinced to withdraw from Coppelius, I see no evidence whatsoever that she or the Zhat Vash would abandon their anti-synthetic crusade. Having been exposed, the Zhat Vash may be on a quest for revenge – and as the person who stopped them and exposed their secrets, Picard would surely be at the top of Oh’s list.
Rogue #13: The Control AI
Returning to the theme of artificial life that we discussed above, one other “evil” AI that springs to mind is Control, which was the primary antagonist for much of Discovery’s second season. Control wanted to evolve and become fully sentient, so if it had the opportunity to contact a race of super-synths, that seems like something it would have tried to do! Although the end of Discovery Season 2 implied that Control was completely and utterly dead (or shut down), it’s not implausible to think that it could be revived.
One thing that I’ve been disappointed with in modern Star Trek has been a lack of major points of connection between the franchise’s main live-action shows. Discovery and Picard have run alongside one another since 2020, and four seasons of television have been produced in that time. But aside from a couple of blink-and-you’ll-miss-it references, there haven’t been any major connections or crossovers. If Captain Vadic is on a mission connected to the Season 1 super-synths, synthetic life, or building a crew of artificial life forms, including Control would be a way of rectifying that.
Rogue #14: The impostor known as “Ardra”
“Ardra” – whose real name remains unknown – was a con artist who attempted to prey on the Ventaxian civilisation in The Next Generation Season 4 episode Devil’s Due. She claimed to be the Ventaxian devil, and tried to force the entire population into slavery to enforce a “contract” that they had signed in the distant past.
Picard and the crew of the Enterprise-D were able to expose “Ardra” for what she really was, denying her the chance to rule over the Ventaxians. She was subsequently arrested – and I’m sure she’d hold a grudge against Picard for that! Although “Ardra” isn’t one of the most iconic Star Trek villains, I could entertain the idea of bringing her back as part of a team-up against Picard.
Rogue #15: Nicholas Locarno
Nicholas Locarno is probably best-known to Trekkies nowadays because he was portrayed by future Tom Paris actor Robert Duncan McNeill. But he was a complex and interesting character in The First Duty, an episode of the fifth season of The Next Generation, and I could conceivably see him holding Picard responsible for his expulsion from Starfleet Academy.
Locarno was the head of Nova Squadron – an elite flight performance team at the Academy – when he covered up the death of a fellow cadet. Wesley Crusher, after a major dressing-down from Captain Picard, eventually told the truth at an inquiry into the cadet’s death, leading to Locarno’s expulsion.
Rogue #16: Narek
I was disappointed that Narek’s story was abandoned partway through the Season 1 finale of Picard. Could Season 3 bring back Narek in some form – if for no other reason than to bring some kind of closure to his narrative arc? I’m not sure… but if we’re considering characters from within Picard who might want to join a crusade against the retired Admiral, Narek has to be in contention.
Like Commodore Oh above, Narek was a true believer in the Zhat Vash cause to the very end – and while I know some fans didn’t like his storyline, for me it was at least interesting that he stuck to his mission and didn’t fall into the clichéd trap of being the “spy with a heart of gold” who falls in love with his target. I’d quite like to see Narek again, and if Captain Vadic is putting together a squad, his unique skillset could make him an invaluable addition.
Rogue #17: The Ux-Mal prisoners
After more than five hundred years imprisoned on a moon, stripped of their physical bodies, a group of prisoners belonging to a race called the Ux-Mal came very close to escaping. Using the bodies of several Enterprise-D officers and crew, they hoped to transport their fellow prisoners away from the torturous moon that they had been confined to – until the rest of the Enterprise-D’s crew thwarted their plans.
If some of the Ux-Mal prisoners were able to escape the moon of Mab-Bu VI, it’s at least possible that they would want to get revenge on Picard and the others who stopped their earlier escape attempt. Captain Vadic could even turn out to be “possessed” by one of the prisoners in the same way as they took over the bodies of Data, Troi, and O’Brien.
Rogue #18: Thomas Riker
Like Ro Laren above, Thomas Riker was a Starfleet officer who defected to the Maquis in the years before the Dominion War. A transporter clone of William Riker, Thomas spent years in isolation on the planet Nervala IV before being rescued by the crew of the Enterprise-D and resuming his Starfleet career. He would later attempt to steal the USS Defiant from Deep Space Nine – exposing a fleet of ships that the Obsidian Order had been building in secret.
Thomas Riker was arrested by the Cardassians and sent to a labor camp – with the approval of the Federation. It’s unclear what happened to him during and after the Dominion War, but if he survived he may very well hold a grudge against the Federation and his doppelgänger – as well as Picard.
Rogue #19: Jev
Jev was an Ullian, a member of a telepathic race whose job was to gather memories. However, he abused his powers, telepathically assaulting dozens of people across multiple star systems. His crimes were brought to light when he tried to attack Deanna Troi and other members of the Enterprise-D’s crew. Jev was arrested by the Ullians and was expected to receive a harsh punishment for his crimes.
As a classic narcissist who put his own pleasure ahead of the basic rights of others, Jev may well blame Picard and others for his downfall rather than being able to admit his own wrongdoings. Although the episode in which he appeared, Violations from Season 5, may not be as well-remembered as some others, Jev is certainly a slimy, nasty villain who could be interesting to revisit.
Rogue #20: Admiral Erik Pressman
In the late 2350s, before Picard assumed command of the Enterprise-D, Admiral Pressman was in charge of a secret project to design and test a cloaking device – despite the Federation being prohibited from doing so under the terms of a treaty with the Romulans. The mission went wrong and a young Ensign Will Riker was one of the few survivors. Years later, Pressman came aboard the Enterprise-D to go looking for his old ship, the Pegasus, and recover or destroy its prototype cloak.
Riker, along with Picard, was instrumental in exposing Pressman to both Starfleet and the Romulans, and he was taken into custody to face a court-martial. Although we don’t know what became of Pressman after the events of The Pegasus, it stands to reason that he lost his reputation, and possibly his position in Starfleet as well. If he suffered major repercussions, he could blame Picard and Riker for his troubles and want to get his revenge.
So that’s it!
We’ve considered quite a few candidates for Captain Vadic’s “rogues’ gallery” – some of whom, I freely admit, are more likely to appear than others! But it was a bit of fun to put together this list and to speculate about what kind of team Captain Vadic might have put together, as well as what her criteria could be for choosing people.
As I said at the start, I’m not convinced that we’ve seen every member of what I’m calling the “rogues’ gallery” just yet, and there may be more surprise casting announcements to come either before Season 3 premieres or saved for surprises after it kicks off. I quite like the idea of a team-up of some of Picard’s enemies from his many Star Trek appearances, as that’s something that has the potential to be explosive and exciting.
Last time we talked about Captain Vadic as having a Khan-esque obsession with Picard and the crew of the Enterprise-D. While we still don’t know why that is, there are many events that we’ve seen on screen that could connect to the story of the new season, and while it’s still possible that Vadic is someone new whose grudge against Picard and the crew originates with some hitherto-unseen occurrence, it would be an absolute blast if it turned out that something we’re already familiar with from a past episode or story was her driving force.
I hope this was a bit of fun while we wait for Season 3, if nothing else! Please remember what I said at the beginning: all of this is pure speculation and the opinion of just one person. It’s quite likely that none of the characters discussed above will appear in Season 3, and that’s totally fine. As much fun as it is to speculate – and to occasionally get things right – it’s also fantastic when Star Trek can take us on adventures to truly unexpected places.
Star Trek: Picard Season 3 will stream on Paramount+ in the United States and on Amazon Prime Video around the world beginning on the 16th of February 2023. Seasons 1 and 2 are available to stream now and are also available on DVD and Blu-ray. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 as well as for announcements and trailers for Season 3. Spoilers are also present for the following Star Trek productions: The Next Generation, Voyager, First Contact, Insurrection, Nemesis and Discovery.
Today we’re going to talk about Captain Vadic, the villainous commander of the Shrike who appeared in the most recent trailer for Season 3. Based on the information that Paramount has released so far, Captain Vadic appears set to be the main adversary that Admiral Picard and the former crew of the Enterprise-D will face off against in the upcoming final season of the show, and I think we have enough evidence to put together a few theories about who she could potentially be.
One thing we can say for near-certain based on her appearance in the trailer is that Captain Vadic has become obsessed with Picard – and possibly with his former crewmates as well. Her desire to get revenge for some (real or perceived) wrong that was done to her seems to be her driving force, and as a result there are favourable comparisons to one of the Star Trek franchise’s most iconic villains – Khan. Vadic seems to channel much of the same energy as Khan did in The Wrath of Khan, with a passionate quest for vengeance that strays into near-madness.
The question of why Vadic is so obsessed with getting revenge is inherently tied to who she is. Although past iterations of Star Trek didn’t ultimately connect to the big story arcs in Seasons 1 or 2 of Picard, it has to be at least possible that Captain Vadic has a connection to some character or event that we’ve seen unfold on screen before. She could even be a character that we’ve already met.
So that’s what we’re going to take a look at today! Who could Captain Vadic be? And tied to that question is the nature of her revenge plot – why is she seeking vengeance? What could Picard and the crew of the Enterprise-D have done to her in the past?
Theory #1: An Ex-Borg
Captain Vadic appears to have scars on her face that superficially resemble those of the ex-Borg that we met in Season 1, so some kind of Borg origin feels like a possibility. We could learn that Vadic was among the survivors of the Artifact when it crash-landed on Coppelius at the end of Season 1, and that could be the beginning of her vendetta against Picard.
It’s possible that Vadic was assimilated by Locutus – Picard’s Borg designation when he was himself briefly part of the Borg Collective. If Vadic was assimilated at, for example, the Battle of Wolf-359, she may have spent years in the Collective before she was freed, and may hold Picard personally to blame for her traumatic experience.
Seasons 1 and 2 both dealt with the Borg to an extent, albeit in different ways, so this could be somewhat of a continuation of that familiar theme. Although Picard and the crew of the Enterprise-D faced off against many enemies and opponents during their adventures, few are as ferocious or intimidating as the Borg, so there’d be something significant if the final foe they have to deal with has some kind of Borg connection.
If Captain Vadic is an ex-Borg, that could also explain her interest in both Picard’s crew and the Federation as a whole; she may blame the Enterprise-D and Starfleet more broadly for what happened to her.
Theory #2: An augment.
We talked a moment ago about the superficial similarities between Captain Vadic and iconic Star Trek villain Khan… but what if there’s more to it than that? The end of Season 2 seemed to imply that Picard’s adversary Adam Soong would either begin or re-start research into Khan-inspired human augments, connecting his story to that of Dr Arik Soong in Enterprise. Could Captain Vadic be a descendant of one of Dr Soong’s augments – or perhaps even an augment who had been kept alive in stasis?
If so, her vendetta may be inspired by Dr Soong – she may blame Picard for changing the timeline and preventing Dr Soong from being celebrated in the Confederation timeline that we saw in Season 2. Successive generations of augments may have carried that grudge, or alternatively Captain Vadic may have been “programmed” to awaken in the early 25th Century by Dr Soong to get his revenge.
This would connect the story of Season 3 to what happened last time in a major way, and I think that would be to the show’s overall benefit. Season 2 could even look better in retrospect if it ends up being one piece of a larger connected story, so giving Captain Vadic a connection to what happened in Season 2 would be a net positive.
There’s also a possibility that Captain Vadic is an augment, but one who isn’t connected to Adam Soong or Khan. There are a couple of episodes of The Next Generation in which Picard and the crew tussled with genetic engineering and human augmentation: Season 2’s Unnatural Selection and The Masterpiece Society from Season 5. Perhaps Captain Vadic is one of the augments from the Darwin Genetic Research Station or one of the Moab IV colonists whose society was disrupted by the arrival of the Enterprise-D.
Theory #3: A Romulan (or Romulan ally)
I know, I know: Captain Vadic doesn’t have the right ears to be a Romulan! But as noted above, she does have significant facial scars – could those hint at some kind of cosmetic surgery to alter her appearance? The design of her warship, the Shrike, definitely feels Romulan to me. It evokes both Nero’s Narada (from the 2009 Star Trek reboot film) and the Scimitar, Shinzon’s flagship in Nemesis. Could that design hint at some kind of Romulan origin for Vadic… or at least for her ship?
Picard has dealt with the Romulans on multiple occasions, and thwarted major Romulan schemes to invade Vulcan, to end the alliance between the Federation and the Klingons, and to use a thalaron radiation weapon to attack Earth, just to name three examples. Then there’s Picard’s failure to aid in the Romulan evacuation in the aftermath of the attack on Mars – perhaps Captain Vadic blames Picard for the deaths of people she cared about. And finally there’s Sela: the daughter of Tasha Yar who was raised by Romulans and eventually held a senior role in the Romulan military. Picard outmanoeuvred and defeated her on two separate occasions.
I don’t think we’ve seen all of the members of Captain Vadic’s “rogues’ gallery” of Star Trek villains just yet, so I wouldn’t be at all surprised to see Denise Crosby reprise her role as Sela in Season 3. So at this point I don’t think we can say “Vadic is Sela,” although that’s a possibility. But she may be an ally of Sela, perhaps a relative or another child of Tasha Yar.
The Romulans played a major role in Season 1 of Picard, and bringing them back in some form in Season 3 could tie things together nicely. We could learn more about the Zhat Vash and Tal Shiar, and particularly what happened to the Zhat Vash’s anti-synthetic crusade after it was exposed. Maybe Captain Vadic is a Zhat Vash zealot who is unwilling to accept her faction’s defeat at the hands of Picard and his crew.
Theory #4: A descendant of Adam and/or Noonian Soong
We touched on a potential connection to the Soong family above, but rather than being an augment or genetic creation, could it be possible that Captain Vadic is a relative or descendant of the Soongs? This could explain how she managed to recruit Lore for her revenge quest, or how she was able to reassemble and reactive him after the events of The Next Generation two-part story Descent.
Clearly the relationship between Picard and the Soong family is complicated. On the one hand, Picard’s strong friendship with Data should mean that he and the Soongs would get along, but on the other hand his actions in Season 2 prevented Adam Soong from becoming one of the most important humans in history, and from establishing a dynasty that was still important in the early 25th Century. Surely some members of the family would want revenge for that – if they knew about it.
Picard also tussled with Altan Inigo Soong in Season 1, disrupting his research into synths and potentially denying him a synthetic body of his own. Although Altan would eventually team up with Picard’s crew to stop Sutra and Soji’s plan to contact the unnamed faction of super-synths, it isn’t clear what happened after that to the Coppelius synths.
If things went wrong, maybe a relative or colleague of Altan Inigo Soong would want revenge. Perhaps Altan sought out and reactivated Lore in order to continue his research; the loss of Data’s neurons may have brought his work to an abrupt halt. Again, this could explain how and why Lore is back!
Theory #5: A Son’a
There are a couple of reasons why the Son’a spring to mind as a possible origin for Captain Vadic. Firstly there are the facial scars that we’ve already discussed; the Son’a had to use technology to keep their skin stretched and to get rid of toxins in their bodies after losing access to the metaphasic radiation of their home planet. Although the Ba’ku believed their physiology would be restored if they returned home, it’s possible that there would be lingering physical effects of being away for so long.
Secondly, the most recent trailer showed off Captain Vadic’s ship, the Shrike, engaging in a battle against the USS Titan in a nebula that looked awfully similar to the Briar Patch – the location of the Ba’ku/Son’a home planet. After Picard was instrumental in defeating the Son’a, could some members of the faction hold a grudge against him personally?
The Son’a had planned their revenge on their Ba’ku cousins for a long time – they had been living in exile for almost a century at the time of the events of Insurrection. Although the Ba’ku welcomed them back, it stands to reason that not every Son’a would have wanted to return home under those circumstances.
Ru’afo, the Son’a leader, was killed, and it’s possible that Captain Vadic may have been his partner or close friend. Even if she wasn’t a true believer in the Son’a cause, she may be seeking revenge for the loss of someone she cared about.
Theory #6: A member of Picard’s crew
Could it be possible that Captain Vadic once served under Picard’s command? She could be an officer or crewman who served on the Stargazer, the Enterprise-D, the Enterprise-E, or during the Romulan rescue and the attack on Mars. Although Picard never deliberately endangered members of his crew – and would go above and beyond to help them on multiple occasions – during his time in command we saw a number of casualties.
Perhaps Captain Vadic was badly wounded during Soran’s attack on the Enterprise-D, or was left behind on Bersallis III during the firestorm that nearly claimed the life of Nella Daren. She could be a victim of the first Borg encounter when a slice was carved out of the Enterprise-D’s saucer section in system J-25, or an officer who was assimilated when the Borg took over the lower decks of the Enterprise-E. She could even be a familiar character, such as Ensign Sito, who was sent on a dangerous mission into Cardassian space by Picard.
The reality is that Picard has no shortage of “victims” – people who were killed or maimed while serving under his command going all the way back to his time on the Stargazer. Any one of them – or their close friends or family – could hold Picard personally responsible, even if he did everything he reasonably could have to prevent what happened to them.
I think this is an interesting idea. Starfleet is far from perfect, and we haven’t often seen the organisation or its leaders having to confront those left behind or caught up in conflicts, battles, or dangerous situations. Whoever Captain Vadic is, she clearly has a personal grievance against Picard, and if she had once served under his command, that could explain why.
Theory #7: An ally of DaiMon Bok
One of the first villains that we ever saw Picard deal with was DaiMon Bok, a Ferengi captain who blamed Picard for the death of his son. Bok is similar to what we know of Captain Vadic insofar as his vendetta against Picard was deeply personal. After being defeated in the episode The Battle, Bok would tangle with Picard one final time toward the end of The Next Generation’s run in the episode Bloodlines – and while he suffered a mutiny from his crew, he was still alive as of the end of the episode.
Most importantly for this theory, Bok’s quest for revenge was left incomplete, his personal vendetta unfulfilled. Bok would almost certainly have carried this grudge for his entire life – and while we don’t know for sure that he would still be alive thirty years after we last saw him, there’s no reason to think he wouldn’t be. Perhaps Captain Vadic is an ally of Bok’s, and her quest for vengeance is connected to his.
Even if DaiMon Bok’s revenge mission isn’t the main factor driving Captain Vadic, I would consider it at least a possibility that Bok could be another of the hidden members of her rogues’ gallery. Few characters in Star Trek have such a strongly-felt personal animosity toward Picard, so if someone asked him to join a mission of this type, Bok would surely have jumped at the chance!
So whether Bok proves to be a big part of the story or not, it’s definitely possible that we’ll see him or hear of him in Season 3!
Theory #8: A devotee of the super-synths from Season 1
The super-synths from Season 1 claimed to be “an alliance of synthetic life,” and they left behind at least one beacon to instruct other synths on how to contact them. Whether their offer to help the Milky Way’s synthetics was genuine or part of an elaborate trap was never explained, and the super-synths themselves were only glimpsed on screen very briefly.
But one thing we know is that their beacon – known to the Zhat Vash as the “admonition” – could drive organic minds to madness, and that madness could be so powerful that it could even damage an entire Borg cube if a Zhat Vash initiate was assimilated. Sutra’s behaviour after being exposed to the beacon’s message could also be argued to show that synthetic minds were not entirely immune from this, especially in synths with human qualities.
In short, whether she’s organic or synthetic, it’s possible that Captain Vadic has been exposed to the beacon on Aia – either before or after the events of Season 1. But rather than taking the Zhat Vash approach of fearing the coming of the super synths, maybe she had a different reaction: she wanted them to arrive. If she’s a synth, that could be because she wants to team up and attack organic civilisations – and that may explain why she’s teamed up with Lore and Moriarty, who are both artificial constructs. If she’s an organic, she may have simply been driven mad by the beacon’s vision and somehow come to worship the super-synths.
It was the intervention of Admiral Picard at the end of Season 1 that prevented the arrival of the super-synths at Coppelius, and if Starfleet took further action against the Zhat Vash in the aftermath of Season 1, such as shutting down the beacon on Aia, it may not be possible to construct another portal. Either way, as the person most responsible for stopping the super-synths, a devotee of theirs would surely hate Picard as a result.
Theory #9: Someone entirely new
In Season 1, both the Zhat Vash and super-synths were brand-new to Star Trek. Likewise in Season 2, a new story was told that didn’t rely on events or characters from past iterations of the franchise. So it has to be considered plausible – perhaps even more likely than not – that Captain Vadic is a brand-new character, and that the event in her past that kicked off her revenge obsession will also be new to us as the audience.
Modern Star Trek has, I feel, rather teased longstanding fans with implied or hinted connections that have ultimately failed to materialise. Discovery’s second season seemed to be setting up a possible Borg origin story – before that was ripped away in the season finale. Storylines in Seasons 3 and 4 also could have connected to events in Star Trek’s past, but decisions were taken to go in new directions again, despite seemingly teasing those potential ties. And as mentioned, both seasons of Picard have likewise not made major connections in terms of their main storylines.
Depending on your point of view, this can be a positive or negative thing! I would suggest, though, that after Season 2 spent a long time on an element of Picard’s personal history that was entirely new to us as the audience, it wouldn’t be a bad thing if Captain Vadic was connected to an event that longstanding Star Trek fans would be familiar with.
The “mystery box” style of storytelling can work very well, but it can also feel rather hollow if the story doesn’t pull out an excellent ending, and when a connection to past iterations of Star Trek has been teased – as it arguably has been with Vadic’s quest for revenge – it could feel underwhelming if we’re once again confronted with some brand-new story that bears no relation to anything from The Next Generation or other aspects of Picard’s past that we already know. So there’s a potential stumbling block here, I fear.
So that’s it!
We’ve considered a few possibilities for who Captain Vadic could be and what her beef might be with Admiral Picard and his crew. As much as I like the idea of Vadic having a major connection to an event in The Next Generation or one of the films, if you forced me to place a bet right now, in November 2022, I’d have to put my money on her being someone brand-new, with her quest for vengeance stemming from an event that will also be entirely new to us as the audience. Two seasons of Picard in which Star Trek’s past didn’t matter (as well as similar things going on in Discovery) may have left me feeling a little jaded in that respect!
But regardless, it was fun to speculate. All of the suggestions I’ve made feel plausible at this juncture… based on what little we’ve seen of Captain Vadic in her sole appearance in one teaser trailer! It would certainly be fun, in a season that will bring back the main cast members of The Next Generation, if the villain they had to defeat was also someone from the past.
As mentioned, I don’t think we’ve yet seen all of Vadic’s friends and allies in what I’ve termed the “rogues’ gallery.” The most recent trailer showed us Professor Moriarty and Lore, but there seem to be at least four others with Captain Vadic on the bridge of her ship in one of the clips – and her ship will need more than just a handful of people on its crew! I think it’s possible that other villains from The Next Generation era, such as Sela or Bok, could make appearances in Season 3.
I’m looking forward to Season 3, even though I was generally unimpressed with much of Season 2. A return to space and a villain who feels rather Khan-esque promises to be a good combination, one that should lead to a fun and exciting story. When Season 3 premieres in February, I hope you’ll join me for episode reviews and perhaps some theory-crafting, and if we get any more trailers or significant announcements between now and then, I’ll take a look at those as well!
Star Trek: Picard Season 3 will stream on Paramount+ in the United States and on Amazon Prime Video around the world beginning on the 16th of February 2023. Seasons 1 and 2 are available to stream now and are also available on DVD and Blu-ray. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2 and the trailers, teasers, and announcements for Season 3. Spoilers are also present for Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager.
At New York Comic-Con back in September, Paramount showed off a new trailer for the upcoming third season of Star Trek: Picard, and I’m finally getting around to taking a look at it! This time, I’m going to give my thoughts and analysis of what was shown off in the trailer, as well as speculate a little about what the plot of Picard’s final season might end up looking like.
The first thing to say is that Season 3 appears to be another standalone story, one that doesn’t follow on directly from the events of Season 2. Does that mean that we’ll never know who or what caused the anomaly that was so central to kicking off (and resolving) last season’s main story? And does it mean that the dangling story threads from Season 1 will also be left unresolved when Picard comes to an end? I hope not – but I have to say that, based on what we know of Season 3 at this stage, my hopes of the unresolved storylines from Seasons 1 and 2 being addressed are fading fast.
And before we go any further, I want to address that. Picard, despite having a lot of promise when it was announced and when it premiered, has been hit-and-miss so far; a rather disconnected series that has boldly tried some new and potentially-interesting ideas, but that hasn’t always managed to pull them off successfully. I still haven’t written up my full thoughts on Season 2 as a whole, but suffice to say that there were some pretty significant problems that seriously hampered my enjoyment. If Season 3 is, as I suspect, leaving all of that behind to rush off into another new story, for me that’s a double-edged sword. On the one hand, spending too much time looking back at the underwhelming elements of Season 2 isn’t what I’d want to see… but on the other, Season 3 represents Star Trek’s last chance – at least in this iteration – to make more of some of those unresolved storylines. Season 2 could end up looking better in retrospect if it turns out to be one piece of a greater whole… but if Season 3 drops those stories to do its own thing, it will remain a disappointment.
I’ve already shared my thoughts on the way the casting situation has been handled, but as we’re diving back into Picard Season 3, I think it’s worth pointing out again that the return of The Next Generation’s main characters – all of whom got some screen time in the new trailer – has come at the expense of several genuinely interesting characters from Seasons 1 and 2 of Picard that we were only just beginning to get to know. As it seems unlikely that most of them will be seen in the franchise again – at least, not for a long time – I think it’s worth reiterating just how much potential has been squandered.
If the Star Trek franchise is to survive long-term, it can’t simply coast on nostalgia. Trying new things, innovating, and introducing new characters has been what the franchise has done since the 1980s, but the current crop of Star Trek shows all seem to be falling back on nostalgic crutches in a way that they really shouldn’t. Picard Season 3 may be the epitome of this backwards-looking take on the franchise, but it’s certainly not the only example.
But that’s enough about that for now! We’re here to look at the trailer rather than talk about Picard or the franchise in a general sense, and the New York Comic-Con trailer definitely raised a lot of interesting (or potentially-interesting) points!
First of all, the season’s main villain, played by veteran actress Amanda Plummer, will be called Captain Vadic. Vadic was seen briefly in the trailer, and seems to have an almost Khan-like obsession with getting revenge on Picard and his former Enterprise-D crewmates. Exactly what her beef is with the retired admiral is unclear… but given who else is involved, surely there has to be a connection to The Next Generation, right?
Well, not so fast! In both Seasons 1 and 2, key storylines were ultimately not connected in a major way to Picard’s past… or at least, not to elements of his past that we were already familiar with. Speculation abounded regarding the Coppelius synths, the mysterious super-synths, the Borg Queen, the anomaly, and Q, but ultimately in both seasons the writers chose to go in a different and new direction. Captain Vadic could be connected to Picard either because she’s a returning character utilising a nom de guerre or because she’s related to or otherwise connected to a classic character. And don’t worry, I have plenty of ideas in that vein that we’ll talk about on another occasion! But I think we have to consider the very real possibility that this character, as well as whatever may have caused her to hate Picard and his crew, will be something entirely new to us as the audience.
I liked what I saw of Amanda Plummer’s performance in the trailer. She brought a ferocity to Captain Vadic that straddled the line between dedication and obsession, and had an almost animalistic or beastly quality that echoed not only Khan, but other great Star Trek villains too. Vadic has been described as an “alien,” though what species she could be if not human wasn’t clear. Could her scars suggest some kind of ex-Borg origin, perhaps?
Vadic’s ship, the Shrike, seemed to draw inspiration from Nemo’s Narada that we saw in 2009’s Star Trek reboot film, as well as perhaps from the Romulan vessels seen in Nemesis, which could all hint at a Romulan (or Reman) origin or connection. The sweeping, blade-like lines of the Shrike give the vessel a genuinely threatening appearance, and if what we saw from Picard and Riker in the trailer depicts them and their vessel in combat against the Shrike, Vadic’s ship seems to have the weapons to back up its intimidating look!
Speaking of starships, we got a closer look at the USS Titan in the new trailer – and it looks absolutely fantastic! One of the criticisms some fans have had of Picard – especially with last season’s 21st Century story – has been the lack of starships, and in addition to the Titan we also caught a glimpse of Star Trek Online’s Enterprise-F. Though I dabbled briefly in Star Trek Online, MMO games aren’t really “my thing,” but I’m nevertheless happy to see the creative team take inspiration from the game on this occasion. Fans of Star Trek Online will be thrilled, undoubtedly!
La Sirena was also present, and may be being used by Raffi and/or Seven of Nine. I like the design of La Sirena and I hope the story will find a way to include the smaller vessel alongside bigger ships like the Titan and Enterprise-F. Rounding out the “starship porn” in the trailer was a beautiful shot of Earth Spacedock – bringing back memories of both The Next Generation and some of the Star Trek films in which the massive station was featured. Could a Search for Spock-inspired starship heist be on the cards? I guess we’ll have to wait and see!
Although the producers are keeping a pretty tight lid on the season’s story, the trailer did actually give us quite a lot to go on. Captain Vadic seems to be chasing Dr Crusher – perhaps to get to Picard or get his attention – and her reason for doing so seems to be connected to her hatred of Picard and his Enterprise-D crewmates. As I said, we’ll speculate more about her possible reasons in the days ahead.
As part of her anti-Picard vendetta, Captain Vadic appears to have put together what I’d describe as something of a “rogues’ gallery” of The Next Generation’s villains. We saw Professor Moriarty – the sentient hologram created in the Season 2 episode Elementary, Dear Data – as well as Lore, Data’s “evil twin.” Could there be more villains from The Next Generation era who’ll be brought on board? I think that’s a distinct possibility!
Captain Vadic was seen speaking to a group of characters – most of whom had their faces covered or obscured – promising “vengeance,” so I think it’s at least possible that we haven’t seen the last big or surprising announcement of a returning villain! Several of the characters with Vadic seemed to be aliens, and I can think of no shortage of alien adversaries that Picard and the crew of the Enterprise-D tackled during their adventures. Could the promise of revenge combined with Captain Vadic’s powerful personality have convinced them all to work together?
Any time a television show brings back a number of past characters all at once, there’s a risk of some of them being overshadowed. If, as I suspect, Captain Vadic is someone wholly new connected to a hitherto-unseen event in Picard’s past, her dominant role as the leader of the rogues’ gallery could end up relegating the likes of Lore and Professor Moriarty to smaller cameos. Depending on how it’s handled that could be fine – or it could be a little underwhelming. Paramount is promising big things from this “explosive” final season of Picard… so I hope the series can deliver!
We saw quite a lot of Riker in the new trailer, more than almost anyone else aside from Picard himself. The relationship between Riker and Picard was, in my view anyway, beautifully restored in the Season 1 episode Nepenthe, which saw the two men reuniting for the first time in almost twenty years (at least on screen). After seeing Riker out of uniform enjoying his family life and retirement, it’ll be great to see him back in action once more.
I feel that Worf’s appearance has the most potential to cause controversy out of all of the returning cast members. His statement in the trailer that he “prefers pacifism” and has abandoned the way of violence was played for laughs at first, but it represents a major departure from the character we knew through seven seasons of The Next Generation and four of Deep Space Nine. It’s definitely something that could feel like a natural progression if it’s suitably well-explained – some older Klingon characters, like Kor, for instance, seemed to mellow with age and become less quick to anger – but it’s definitely a move that could be controversial in some quarters. Could this be the producers and creators potentially setting up a calmer, more level-headed Worf for a leading role in his own series or film?
We didn’t see too much of either Dr Crusher or Deanna Troi, though the former seems to be a major driving force in kicking off the storyline. I expect we’ll hear of her distress signal in the season premiere, and that could be the moment where an off-duty Picard was approached by two Starfleet officers (was that scene in Guinan’s bar? I couldn’t tell!) As for Troi, she seems to be along for the ride with Riker, and her Betazoid senses were put to use describing the mood on what could be the Shrike as an “all-consuming darkness.” This ties into the themes of obsession and revenge that I touched on earlier.
Seeing Dr Crusher in some form of stasis pod was interesting; could her distress signal have been the lure to get Picard (and the others) back out into space? If Dr Crusher was the only one of the Enterprise-D crew who was on a deep space assignment, she would seem to be the logical target – as bait in a trap!
Raffi also seems to be being hunted – can we assume it’s by the same adversary? If so, Captain Vadic may be doing more than simply targeting the crew of the Enterprise-D – she may be trying to get to Picard by attacking anyone he’s worked closely with in the past. As his former aide-de-camp from his time as an Admiral, Raffi certainly fits the profile!
But there could be more to it than that. We’re getting into some seriously speculative territory, but if the story of the new season involves a villain (and/or a rogues’ gallery of villains) trying to hurt Picard by targeting those close to him, we could potentially learn of the deaths of some friendly faces. Elnor and Soji spring to mind as possible victims – both worked closely with Picard and neither are scheduled to make a major appearance this time around. Could one or both of their deaths have sent Raffi into hiding? Or put her on the revenge trail?
Finally we have Geordi La Forge. In the trailer his main moment came when he seemed to criticise Picard for dragging Worf and Riker into whatever crisis is going on… but it doesn’t end there. We know from casting – and briefly from an appearance at the Titan’s helm in the trailer – that Geordi will be joined by two of his children. One of his daughters will be played by LeVar Burton’s real-life daughter Mica, which is neat. Mica Burton hosted Star Trek Day 2021 alongside Wil Wheaton, and has been a fixture in the expanded Star Trek community ever since the franchise returned to the small screen.
Having covered the main characters – and speculated a little about some of them – we still have a few disjointed clips and images to assess from the trailer before we wrap things up! Starfleet Academy or Starfleet HQ appears to be attacked and destroyed at one point, but for some reason my gut instinct is to say that that may not happen in the real world. We could be looking at a simulation, dream, or plan rather than an actual attack. I don’t know exactly why I feel that way… but I do!
Amongst some wreckage in space we caught a glimpse of a derelict or abandoned starship. Could this be Dr Crusher’s ship – the one from which she sent the distress signal to Admiral Picard? The name and registry number was hard to make out from the trailer, and the design seemed similar to the USS Titan. The field of debris in which the ship was drifting seems too large to all have come from one (largely intact) vessel, so could this be the aftermath of a larger battle in which other ships were destroyed?
As mentioned, I can’t quite tell if the trailer’s opening shot sees Picard at Guinan’s bar on Earth (“Ten” on Forward Avenue in Los Angeles’ historic district that was featured in Season 2), but it certainly could be. Starting Season 3 in a location that was central to the story of Season 2 would go some way to tying the stories together if there isn’t a bigger connection between what seems to be two separate stories.
Some of the shots of the Shrike and Titan chasing one another and battling seem to be reminiscent of the Briar Patch from the film Insurrection, so could that be a clue? Starship battles that take place in nebulae have been a part of the franchise from The Wrath of Khan all the way through to Discovery’s most recent outing, so it’s by no means a cast-iron statement. But the colour and appearance of the clouds in the nebula certainly brought back memories of Insurrection for me.
The Shrike having the power to outgun the Titan could mean that the ship is incredibly powerful – like Nero’s Narada or Shinzon’s Scimitar, for example – but it could also speak to the Titan potentially being an older vessel, perhaps one that has been recently taken out of mothballs and potentially with only a skeleton crew aboard. While the Shrike definitely has the appearance of a warship or a hunter, it could be worth keeping in mind the Titan’s potential condition!
After being given a field commission last season and assuming command of the USS Stargazer, Seven of Nine appears to wear the rank pips of a commander rather than a captain, though she does still seem to be on the command track. It wouldn’t be the first time that an officer below the rank of captain has been given a command, though, so Seven may yet prove to be in command of a vessel. Geordi, meanwhile, appears to hold the rank of either a commodore or perhaps a one-star admiral based on the single pip seen on his uniform collar.
I find it interesting, too, that Seven has chosen to remain in Starfleet while Raffi appears to have taken La Sirena on a mission of her own. Is this something that we’ll see her do during the season, or is this where her story will begin? If so, what could have caused her to abandon Seven, Elnor, and her role in Starfleet? And could this connect with my theory above about Captain Vadic potentially having attacked, kidnapped, or killed the likes of Elnor and Soji?
By far my biggest question at this stage is this: who else, besides Moriarty and Lore, might be joining Captain Vadic’s rogues’ gallery? I feel all but certain that we’re going to see other villains of The Next Generation era coming on board if this is a quest for vengeance against Picard and the crew of the Enterprise-D. From the Duras family and Sela to DaiMon Bok and even the Maquis, Picard and his crew thwarted the nefarious schemes of many villains during their adventures – and if Captain Vadic is indeed putting together a crew of her own to seek revenge, there must be no shortage of applicants!
If Picard and the crew are going to go out with a bang, as we’ve been promised, facing off against a team of their most powerful and feared adversaries could absolutely make for an exciting, tense, and explosive season of Star Trek. After the slower pace of Season 2 and its focus on Picard’s innermost thoughts and his personal family history, something a bit more action-oriented this time around could be just what the doctor ordered. Although I’m still upset about the decision to ditch most of the main cast members from Seasons 1 and 2 in favour of this return to The Next Generation’s characters, I’m hopeful that what we’ll get will be a fun ride and a great way to say goodbye.
The trailer shown off at New York Comic-Con looked action-packed and exciting, so hopefully that’s representative of the new season. Although Picard has its problems and I have some gripes, the trailer itself has raised my hopes, and I’m now definitely looking forward to the new season.
So that’s it for now! Although this summer and autumn has seen me writing less and making fewer posts here on the website, when Picard Season 3 kicks off in February I still plan to review each episode in turn, as well as crafting a few theories and giving my thoughts on how the season as a whole shapes up. So I hope you’ll stay tuned and join me for that in the new year!
Star Trek: Picard Season 3 will stream on Paramount+ in the United States and on Amazon Prime Video around the world beginning on the 16th of February 2023. Seasons 1 and 2 are available to stream now and are also available on DVD and Blu-ray. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including Picard Season 2, Strange New Worlds Season 1, and Discovery Season 4.
It’s been known for a while that there are unannounced Star Trek projects that are being worked on behind-the-scenes, and from time to time someone senior at Paramount will re-confirm this fact in public! Just last month at Comic-Con, we got yet another statement about these secretive projects, this time from Alex Kurtzman himself – the man who’s in charge of the overall direction of the Star Trek franchise. Kurtzman stated that there are two unannounced series that are in active development, so today I thought it could be a bit of fun to speculate about what exactly those projects could involve!
In the past I’ve put out lists of prospective Star Trek shows, but this time I want to be more focused. Rather than wild speculation or pure fantasy, I want to stick as close as possible to what we know based on statements that have been made in public, filings by Paramount, and plausible rumours from around the Star Trek franchise. Rather than saying “here’s a list of my fantasy Star Trek projects,” I want to try to stay realistic and consider some projects that feel genuinely plausible. So that’s what we’re going to do today – no “hospital ship” or “colony world” concepts here! As nice as those would be from my perspective, they don’t seem like ideas that are being actively considered by Paramount at the moment.
Despite wanting to stick to the real world as much as possible, my usual caveat applies: I have no “sources” close to the production of Star Trek nor any “insider information.” I’m not trying to say that any of these projects are definitely going to be made, let alone that an announcement may be imminent! I’ve tried to base the entries on this list on statements from people involved with Star Trek, official notices and filings from Paramount, and plausible, persistent rumours – but all of it could be easily wrong or otherwise untrue. So please take all of this with more than a few grains of salt!
The reason why I’m putting together this list now is twofold. Firstly, Star Trek Day is coming up in just under three weeks from now, and there’s the possibility of a big announcement as part of that event. Secondly, Season 3 of Picard will be that show’s last, so in my view Paramount will already have something lined up to replace it – and an announcement of that project may be forthcoming sooner rather than later. Announcing Picard’s replacement too close to its third season risks overshadowing the show as it comes to an end; getting the announcement out of the way ahead of time will give fans time to properly digest it.
So with all of that out of the way, let’s jump into the list!
Series #1: Section 31
Although a series based around Section 31 has technically been “announced,” the lack of any official news for almost four years at this point clearly means that the series has hit some bumps in the road. While I wouldn’t be surprised at all to learn that it’s been cancelled altogether, it’s still possible that the Section 31 series will be reworked and perhaps even re-announced along with a premiere date.
As I’ve said more than once, the Section 31 series was announced far too early. Not only was it completely overshadowed by the hugely positive response from fans to Captain Pike and Spock in Discovery’s second season – something that seemed to catch Paramount completely off-guard – but its main character desperately needed the development she would receive in Discovery’s third season in particular before she could begin to feel like someone who could carry her own spin-off.
When the Section 31 series was first discussed, Michelle Yeoh’s Empress Georgiou was about as flat and one-dimensional as Star Trek characters get. Moreover, she wasn’t just a villain, she was a psychopathic, genocidal monster who kept slaves, ate sentient beings, and seemed to revel in torture, violence, and death. Even for an organisation as roguish and off-the-books as Section 31, Empress Georgiou seemed extreme – and asking fans to support a series centred around a character like that was, for many, too much.
It wasn’t until the two-part Season 3 episode Terra Firma that we really saw a change in Georgiou. After spending time away from the Mirror Universe she began to view aliens as equals rather than sub-human, and had even adopted some Federation-inspired ways of thinking. By the time she stepped into the Guardian of Forever’s portal she had changed just enough that she could be an anti-hero rather than an out-and-out villain, and both she and the Section 31 series needed that development.
My gut still says that the Section 31 series isn’t going to happen, and we should brace for a quiet cancellation sometime in the future rather than a big announcement. I haven’t heard anything about the series since its premature announcement back in January 2019 that sounded even slightly positive, and with Star Trek branching out in different directions, it’s possible that Section 31 simply missed the boat.
However, at time of writing the Section 31 series still exists, Paramount has retained the trademarked name, and it isn’t impossible to think that it will be revived. Perhaps a new team of writers and producers will take over the project and rework it in some way – potentially even without Empress Georgiou.
Series #2: Seven of Nine and Raffi
With Picard concluding its run before any of the other current Star Trek projects, a spin-off from that series feels like a distinct possibility when considering its replacement. The time period that Picard established – the dawn of the 25th Century – is not represented by any other current Star Trek project, so if Paramount wants to keep that era alive – and potentially bring in more legacy characters from Deep Space Nine and Voyager – then a series occupying the same timeframe could be a possibility.
A lot of work went into Picard Season 2 in terms of sets being constructed for the brand-new USS Stargazer – but those sets were only used in the premiere and the second half of the season finale. That seems like a lot of work for relatively little screen time, so part of me has been wondering ever since whether those sets may be destined for use in a spin-off project!
With Seven of Nine being awarded a role in Starfleet at the end of Picard Season 2, she could be being groomed for command. Depending on how she and Raffi get on in Season 3 – which we’ll see in the first half of next year – a spin-off could see those two characters headline a new show, perhaps one set aboard the USS Stargazer.
Seven of Nine was, at one time, my least-favourite Voyager character. But Picard has given her some much-needed development that led into a wonderful arc across both seasons of the show so far, culminating in her taking the Stargazer’s captain’s chair in the Season 2 finale. I would never have expected to write these words in 2000-2001, but I think I’m ready for a Seven of Nine series!
Both Seven and Raffi have tactical backgrounds, so we could potentially see a series set aboard a kind of rapid-response vessel. The Stargazer’s mission could be less about exploration and more tactical in nature, potentially serving as Starfleet’s “muscle” in dangerous situations. That concept isn’t one that Star Trek has done before (not as a whole series, at least) so it would be something different for the franchise.
There are other 25th Century concepts that could replace Picard, but a direct spin-off featuring at least one new character that was introduced in that series could be just what the Star Trek franchise needs. Keeping some consistency and some ties between different projects isn’t a bad idea, and I’m sure that a Seven and Raffi series could find a way to stand on its own two feet without the presence of Admiral Picard.
Series #3: Project Khan and/or Ceti Alpha V
Earlier this year it was reported that Paramount had trademarked the name Project Khan. This follows on from a pitch by The Wrath of Khan writer/director Nicholas Meyer, whose project would focus on Khan’s life in between the events of Space Seed and The Wrath of Khan. Although these two ideas could be totally separate, there does seem to be an appetite from someone at Paramount to see this iconic villain make a comeback.
If we take the two ideas as separate for now, Project Khan could be connected to the Eugenics Wars, and could even be a spin-off from Picard. Season 2 antagonist Adam Soong very prominently picked up a folder titled “Project Khan” at the end of his storyline, with the series seeming to imply that he plans to resume working on some kind of genetic engineering.
This is a complete hypothetical, but if we were to get a series starting from that point, Khan himself may not appear. This could be a Brent Spiner project with Adam Soong attempting to recreate Khan’s work in the 21st Century, and could potentially see things like the outbreak of World War III, which purportedly happened in that era. Such a series could see the return of Chris Rios and Dr Teresa Ramirez – they could be trying to stop Dr Soong’s work.
Alternatively, Project Khan could step back to before the events of Picard and focus on Khan’s rise to power in the 20th Century. This would be an interesting concept, but it would have to be handled delicately. In short, the Star Trek timeline has, until now, been pretty vague about events in the modern day and how they relate to real-world history. If it were set in the 1990s, Project Khan could completely transform our knowledge of that era – but it could also tread on the toes of a number of other Star Trek stories.
Then we come to the Ceti Alpha V pitch. As much as I admire Nicholas Meyer’s work on Star Trek, I have to be honest: this isn’t a series I would give the green light to if I were in charge. We’re talking about the least-interesting chapter of a story where the ending is already known, and I just don’t see what Ceti Alpha V could tell us about Khan or his ambitious plans that we don’t already know from Space Seed and The Wrath of Khan.
There is the tantalising possibility that a Khan-focused project could connect with Strange New Worlds, though, as the character of La’an Noonien-Singh is a descendant of Khan. That could certainly be a point in favour of doing a new Khan story. Last year I took a longer look at the Ceti Alpha V concept, and you can find that article by clicking or tapping here.
Series #4: Starfleet Academy
Last year (at Star Trek Day) Alex Kurtzman came pretty close to confirming that a Starfleet Academy series may be in the works. It’s certainly the nearest we’ve gotten to any kind of outright confirmation – and as above, Starfleet Academy is a title that Paramount has trademarked, this time all the way back in 2018.
Combine that with what felt like a bit of a backdoor pilot during Discovery’s fourth season, and I think we have a solid case to make that a Starfleet Academy series could be in the works! The Discovery Season 4 episode All Is Possible featured Lieutenant Tilly heading off on an away mission with a trio of new Starfleet cadets at the recently-reopened Starfleet Academy. It ended with her deciding to take up a permanent teaching post at Starfleet Academy and departing the USS Discovery – although she would reappear in the season finale.
All Is Possible definitely feels like a backdoor pilot, although the attention wasn’t on Tilly and the cadets all of the time. Tilly’s presence would connect the series to Discovery in a major way, and there’d be the possibility of crossover episodes with both shows set in the same 32nd Century time period. A Starfleet Academy show could also feature David Cronenberg’s character of Dr Kovich – a somewhat mysterious character who I still can’t figure out!
Alternatively, a Starfleet Academy series could ignore the 32nd Century and instead be set in the 25th. This version of the series could feature characters like Raffi and Elnor – the latter of whom is a cadet, and who was resurrected at the last minute in a sequence in the Season 2 finale that feels seriously underwhelming right now. Perhaps Elnor’s survival could be given new meaning and purpose if he were to be a major character in a Starfleet Academy series.
As a series concept, Starfleet Academy has been around the longest! While The Original Series was still in production in the 1960s, Gene Roddenberry came up with the idea of a show that would have focused on young Kirk and Spock during their Academy days – something we eventually saw (albeit in an alternate timeline) in 2009’s Star Trek reboot film.
I feel like a Starfleet Academy series could be a strong addition to the franchise. Not only would it be something different, but it could also be a great first contact for younger viewers – and perhaps even a second port of call for those who’ve recently become fans of Prodigy, too – as they find their way into the Star Trek fandom. Having several cadets as major characters would mean younger viewers could find this iteration of Star Trek easier to relate to and get started with, and that can only be a positive thing. I took a longer look at the Starfleet Academy concept last year, and you can find that article by clicking or tapping here.
Series #5: Enterprise Season 5/The Earth-Romulan War
This one is a bit more speculative, but I’m not the only one to wonder if there may be an attempt to bring back the 22nd Century in the near future. Calling this one “Enterprise Season 5″ might be a bit of a stretch, but any 22nd Century project could bring back at least some of the characters from that series for another adventure.
Prior to its cancellation in 2005, there were plans being drawn up for a fifth season of Enterprise. According to one of the show’s producers, if it had gone ahead Season 5 would’ve shown more of the origins of the Federation, and particularly the Earth-Romulan War that was first referenced in The Original Series. That could be the starting point for a revived Enterprise or a new 22nd Century series.
The Earth-Romulan War is a major event in Federation history, one that pushed the founding members of the Federation closer together. It was also a devastating conflict in its own right, and a series focusing on the war could have echoes of Deep Space Nine’s Dominion War arc. Star Trek can do war stories incredibly well – as we’ve seen in episodes of Discovery and Strange New Worlds just in the last couple of years – so this could be a great fit for an expanding franchise.
Any franchise has to be careful about coming across as too backwards-looking and introspective if it dives deeply into chapters of its own lore and backstory, but I think there’s space as Star Trek continues its renaissance to potentially step back to the time of the Earth-Romulan War. I know a lot of fans would happily welcome back Captain Archer or any other members of the Enterprise crew, so this project could be a real “love letter to the fans.”
There were a number of factors that led to Enterprise’s cancellation in 2005, and although it was sad at the time, in many ways the Star Trek franchise needed a break and a reset. But maybe the time is right to bring back some of the characters and stories that had been conceived for unproduced seasons of Enterprise now that the franchise is back on solid ground.
There are definitely arguments to be made against establishing yet another different time period for Star Trek, as the franchise can already feel overcomplicated, especially for newcomers. But there are points in favour of returning to the 22nd Century, too, particularly if a series had a relatively tight focus on something like the Earth-Romulan War.
Series #6: Captain Worf
Along with most of the rest of the main crew members from The Next Generation, Worf will be returning in Season 3 of Picard next year. It’s no secret that actor Michael Dorn has been talking up his own “Captain Worf” idea for the better part of a decade, and with the casting announcements for Picard, part of me has been wondering if that show’s final season might lead into a Worf spin-off.
As the character with the most Star Trek appearances to date – 274, in case you were wondering – we’ve spent a lot of time with Worf already! We’ve seen our favourite Klingon wrangle with his heritage and his duty to Starfleet, gain promotions, establish friendships with two different casts of characters, become a father, get married, become a widower, and much more besides. Is there room for another chapter in Worf’s life after the events of Deep Space Nine? I still think that’s an open question!
This one really depends on how Picard Season 3 goes down. Executive producer Terry Matalas has described Picard Season 3 as being a “send-off” for the crew of The Next Generation, presumably including Worf, and that sounds pretty definitive and final. We may see some characters killed off as the season goes on, especially if Picard and the crew are facing off against some kind of galaxy-ending threat. Even if Worf survives, it’s possible that all of the characters’ stories will come to a conclusive end, and if that’s the case there may be no room – and no need – for a Captain Worf series.
But it’s also possible that Picard Season 3 will be testing the waters to see whether certain spin-off ideas are viable. We’ve already considered the possibility of a Seven of Nine and Raffi series, and that’s one possibility. But maybe there’s a chance that, if fans respond incredibly positively to Worf in his new role, he could finally take the lead in his own series.
For me, I feel that Worf in a leading role is an untested idea, and one that may not work. Although there are nuances in Worf’s characterisation, many episodes of The Next Generation and Deep Space Nine played up his Klingon traits, and while I’d never call him something like “flat” or “one-dimensional,” there’s definitely a case to be made that a character like Worf works best in a supporting role rather than a leading one.
But we can reserve judgement on that until we see what role has been created for Worf in Season 3 of Picard. Maybe he’ll get a fantastic ending to his decades-long story, one that feels conclusive and satisfying, rounding out his arc and tying up loose ends from both The Next Generation and Deep Space Nine. But maybe, just maybe, he’ll establish himself as the next character deserving of a spin-off project.
So that’s it!
Paramount (and subsidiary CBS Studios) has trademarked other names associated with the Star Trek brand that may be connected with shows or films that are currently in development, but it’s very difficult to know what to make of some of them! Vague titles like Star Trek: Destiny, Star Trek: Revolution, or Star Trek: Reliant have all been trademarked over the past few years – though several of these have now lapsed and haven’t been renewed. It isn’t clear whether any or all of these names were even intended to be used for films and television shows, or whether they were meant for merchandise and other projects. The interesting-sounding Star Trek Continuum trademark, for example, isn’t connected with a film or TV show at all, but is instead an official line of awful-looking NFTs.
For now at least, these are the Star Trek projects that seem to be the most likely based on what we’ve heard through official and unofficial channels. It’s definitely possible that work is ongoing in secret to develop some completely different Star Trek projects that we can’t predict at the moment, but in terms of what may be announced in the weeks or months ahead, the projects we’ve talked about today feel the most likely.
Although trademarks exist for Ceti Alpha V and Starfleet Academy, if it were up to me I’d pick a 25th Century series to fill the hole that will be left when Picard finishes its run. Lower Decks and Prodigy will still be representing the late 24th Century, but I think it’ll feel like something’s not right if the 25th Century that Picard has only just begun to explore is abandoned with that show’s conclusion. Not only because we won’t get to carry on the journey, but because that era feels like the natural next step for a franchise that found so much success in the 1990s with shows set in the 24th Century.
But we’ll have to wait and see what the creative team at Paramount has in store! I think it’s possible – but by no means guaranteed – that an announcement could come as soon as next month. The Star Trek Day live broadcast has promised “announcements, reveals, and surprises” in its official press release, and the inclusion of certain actors – such as Jeri Ryan and Michelle Hurd – could hint at something big to come.
I hope this has been a bit of fun! I tried to steer clear of baseless rumours and fan-fantasies to focus instead on concepts and pitches that are known to exist and that seem plausible. But we’ll have to wait and see whether any of them are really going to happen!
The Star Trek franchise – including all properties (and potential properties) discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including recent seasons of Picard, Discovery, Lower Decks, and Strange New Worlds.
The 8th of September is Star Trek Day! On that date in 1966, The Original Series premiered in the United States with the episode The Man Trap, kick-starting a franchise that’s still going strong fifty-six years later. Last year, Paramount organised a major broadcast to mark the occasion, hosted by Wil Wheaton (The Next Generation’s Wesley Crusher and host of The Ready Room) and Mica Burton (daughter of Geordi La Forge actor LeVar Burton). It was a fun event – albeit one that probably went on a little too long – that celebrated all things Star Trek. With Star Trek Day coming back this year, I wanted to look ahead to the event and consider what we might see when it arrives in just under three weeks’ time.
My usual caveat for these sort of things applies: I have no “insider information,” and I’m not trying to claim that anything discussed below will definitely be included in this year’s Star Trek Day broadcast. This is speculation from a fan – and an opportunity to talk Trek – and nothing more! With that out of the way, let’s get started!
First of all, I think it’s worth talking about some of the big announcements we’ve seen over the past few months, because Paramount hasn’t been shy when it comes to making headlines for the Star Trek franchise. We’ve had major announcements about Picard Season 3, including who will be part of – and excluded from – the main cast, we’ve seen trailers, clips, and teasers for Lower Decks, which will be a couple of episodes into its third season by Star Trek day, we’ve had plenty of news about Strange New Worlds Season 2 – including the surprising return of a fan-favourite character… and much more besides. Events like last month’s Comic-Con saw big panels featuring main cast members and major announcements, like the Strange New Worlds crossover with Lower Decks.
In short, I’m not so sure that we should expect a glut of trailers and teaser clips and a plethora of massive announcements! Paramount could’ve saved things like the Picard Season 3 teaser and posters that were shown off at Comic-Con for Star Trek Day, but in a way it makes sense to use an event like that – where all eyes are on the world of entertainment – to make waves and show off Star Trek’s renaissance. Star Trek Day itself, at least based on what we saw last year, is more of a celebration for Trekkies and the Star Trek community.
But that doesn’t mean there won’t be anything of substance, and the official press release for Star Trek Day promised announcements, reveals, and surprises! With Season 3 being Picard’s last, and principal photography already having been completed, I can’t help but wonder whether we might get an announcement of what could replace it in the lineup. When Picard disappears from the schedule next year, there will be a gap – and as Alex Kurtzman (head honcho of Star Trek for Paramount) has previously told us, there won’t be any new Star Trek until one of the current shows has ended its run. Well, something’s going to have to fill the Picard hole in late 2023 or 2024… so could the announcement of a new project be imminent?
I note that the official press release for Star Trek Day specifically mentioned that Michelle Hurd (Raffi) and Jeri Ryan (Seven of Nine) will be present to talk about Picard. I know I’m not the only one who’s talked up the possibility of a “Seven and Raffi Show” as a spin-off from Picard, so it’s interesting that these two actors will be present together at Star Trek Day. Sure, they could just be there to talk about Picard Season 3… but maybe, just maybe, there’s more to it than that!
There are at least two unannounced Star Trek projects in the works at Paramount, again according to Alex Kurtzman. I don’t think we’d get two massive announcements like that at Star Trek Day, and if I had to put my money anywhere I’d say that a Picard spin-off or at least another show set in that same 25th Century era is the most likely. But you never know! There are rumours of a Khan-focused project and a Starfleet Academy series, the latter of which may (or may not) be a Discovery spin-off set in the 32nd Century with Mary Wiseman reprising her role as Lieutenant Tilly.
Does the untitled Section 31 series still count as having been “announced,” given that there’s been no official news for almost four years at this point? We could finally hear something about that project, too, I suppose. But I’m not holding my breath on that one.
So there are a few different possibilities for a major announcement. A brand-new series would be a heck of a way to celebrate Star Trek Day, especially if the announcement came along with things like concept art or maybe even casting information.
The other big project that’s currently up in the air is the untitled feature film Star Trek 2023. As we recently discussed, I seriously doubt whether the film will make its intended December 2023 release date given that most of the main Kelvin timeline cast don’t appear to be on board yet, but Star Trek Day could surprise us with some more information about the project.
So those are the potential projects that I think we could hear something about. As I said, my money would be on some kind of 25th Century Picard replacement if you forced me to make a bet… but there are definitely cases to be made to hear something about a Starfleet Academy series or perhaps a some kind of Khan project, too.
This year’s Star Trek Day will be hosted by Tawny Newsome (Ensign Mariner on Lower Decks) and Paul F. Tompkins (Dr Migleemo on Lower Decks) who co-host The Pod Directive, Star Trek’s official podcast. I’m sure they’ll make a great presenting duo – though part of me feels a little sad that Wil Wheaton won’t be on hosting duties. His energy and passion for Star Trek really elevated last year’s event.
I’m curious to see what may be teased about Discovery Season 5. Filming is currently underway in Toronto, and a behind-the-scenes tour hosted by Wilson Cruz (Dr Culber) promises appearances by some of the cast members and a look at new sets. I’m not sure when Discovery’s fifth season will make its debut; it seems right now as if Picard and Strange New Worlds will be ready first, even though Discovery Season 4 wrapped up back in March, so we could see one or both of those arrive before Season 5 is ready. Still, it’ll be neat to catch a glimpse behind the curtain – and maybe there’ll even be a teaser of some kind!
We’re edging closer to the first anniversary of Prodigy’s premiere, and we’ve been promised a second batch of ten episodes to round out that show’s first season before the end of this year. With a Prodigy panel on the agenda for Star Trek Day, I have to assume we’ll get some more details about those episodes – hopefully including a premiere date. If I had to guess, I’d say that the second half of Season 1 could directly follow on from Lower Decks, which could mean a premiere date in late October or early November.
Prodigy has not been particularly well-supported by Paramount, in my view, at least not so far. Splitting up its first batch of episodes into chunks of four and five respectively with a long gap in between is not a great way for a new series to gain traction – especially with its young target audience. There’s also a lack of toys and tie-in products, and while there are plans in place to address that, at time of writing none of those items are available for purchase. Paramount has a lot of work to do to really sell Prodigy – and I really hope they get on with it, because it’s a unique project within the Star Trek franchise and one that could turn a whole generation of kids into Trekkies if handled better.
Either Lower Decks or Strange New Worlds stars could go into more detail about the upcoming crossover, and although it’s still early days we could get some kind of teaser for Strange New Worlds’ upcoming second season. I don’t expect to see any clips from the crossover at Star Trek Day – that’s just a hunch, of course, but something tells me it’ll be kept under wraps until much closer to the episode’s premiere. But we could learn more about Season 2, including whether any new cast members will be coming on board. There’s at least one and perhaps two spots open if the producers wanted to make additions, although I hope they don’t go overboard and try to cram in too many new characters – especially not characters from The Original Series.
Season 1 managed to strike a good balance between legacy and new characters, and I’d hope that would continue in Season 2. There must be a temptation to add characters like Scotty, for example, in engineering, but I hope that the show’s writers can resist – at least for now. There may be scope to bring in more legacy characters in later seasons, but for now I’d like to spend more time with some of the newbies who we’re just getting to know.
There’s also a decent chance, in my view, that we’ll hear about a Season 3 renewal for Strange New Worlds. Season 2 has already finished its main production phase, and with Discovery Season 5 well underway, it’s definitely time for those conversations to be happening behind-the-scenes. It seems utterly unfathomable to me that there won’t be a third season (and a fourth…) given how well Season 1 was received. Pre-production may be already happening, so it wouldn’t shock me at all to get a formal announcement at Star Trek Day.
In a similar vein there could be announcements for a fifth season of Lower Decks, a third for Prodigy, and perhaps even a sixth for Discovery – though the latter may be premature at this stage. As Discovery has been running since 2017 (and in production since 2016), it’s not an absolute certainty that we’ll get more after Season 5, but at the same time the 32nd Century feels like a really interesting setting to spend more time in, so I’m hopeful that there’ll be more to come from Captain Burnham and the crew.
So those are my main thoughts/predictions. I’m also looking forward to some of the other events that will be part of the live broadcast, including a tribute to Nichelle Nichols, as well as a couple of fan-focused events, some music, and even some stand-up comedy. Star Trek Day’s stated runtime is two hours, and that feels about right for something like this. As mentioned, last year’s event may have dragged just a little – at least for me – so it seems as though some lessons may have been learned from that. But as they say, live events have the potential to take unexpected turns, so I won’t be shocked if Star Trek Day ends up running a little over that time limit!
I guess that’s about all there is to say. I’m glad Paramount is doing this, and I’m glad the event will be free to stream on the official Star Trek website instead of being locked behind a Paramount+ paywall. It’s a nice way to celebrate all things Star Trek, and even if there are no massive announcements about brand-new shows or films, I still think it’ll be a fun time. There’ll be glimpses behind-the-scenes, chats with cast members, and hopefully a lot of positivity and excitement about the Star Trek franchise.
I’m looking forward to Star Trek Day, and when the event is over I’ll be sure to share my thoughts on the broadcast, as well as perhaps take a longer look at any major trailers, teasers, or announcements. Stay tuned here on the website in the next few days because I have a list of a few potential upcoming Star Trek projects currently in the works – and who knows, we may hear about some of those at Star Trek Day!
Star Trek Day will be live-streamed on the official Star Trek website and social media channels on the 8th of September 2022 beginning at 3:00pm Eastern Standard Time/8:00pm British Summer Time. The Star Trek franchise – including all shows and properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-3, Star Trek: Lower Decks Seasons 1-3, Star Trek: Strange New Worlds Seasons 1-2, and for other iterations of the Star Trek franchise – including upcoming and unreleased projects.
This year’s San Diego Comic-Con is winding down – and we got a lot of Star Trek news to process over the weekend! I didn’t attend Comic-Con myself, but I’ve been following the event online, and there were several big announcements, a big surprise, teasers and trailers, and comments from Star Trek stars past and present to dive into. I’ll do my best to take a look at all of the major points today!
I’m actually a little surprised that there was so much news coming out of Comic-Con; a Lower Decks trailer and something about Picard felt like certainties, but beyond that I was wondering if Paramount might hold things back and put together a repeat of last year’s “Star Trek Day” broadcast event where the franchise could be centre-stage.
An event like Comic-Con is a double-edged sword in some ways for corporations like Paramount. On the one hand, there’s a lot of attention directed at Comic-Con even from mainstream news outlets, which can be good for promotional purposes. But on the other, Star Trek has to compete for that attention with the likes of Marvel, Star Wars, Amazon’s Lord of the Rings series, and many others.
So I hope it was a success from Paramount’s point of view and managed to bring at least some new eyes to the Star Trek franchise. It feels as though Paramount put a significant amount of investment into this weekend’s events and promotional materials, so as someone who hopes to see Star Trek continuing to be a success, I’d like to think it paid off!
So let’s start with Star Trek: Picard. We didn’t get to see a proper trailer, instead getting another teaser that showed off the main cast of Season 3. I’m still quite disappointed with how the casting situation has been handled, and the fact that we aren’t going to get to spend more time with characters like Elnor and Soji feels like a backwards step – at least in some respects – for a franchise that should be moving forward. But that decision has long ago been taken, so let’s consider what we did see instead of what we didn’t!
First of all, Seven of Nine’s field commission seems to have been made permanent, and she’s seen in uniform for the first time. That was neat, and seems to further her wonderful arc from both seasons of the show so far. The design of Worf was perhaps the most interesting to me; after the Klingons had undergone a major redesign for both the Kelvin films and Discovery, the design of Worf shown off in the Picard Season 3 teaser is much closer to the post-Motion Picture Klingon look that Worf had during The Next Generation’s run.
Absent from the teaser was Brent Spiner – so we still don’t know who he may be portraying. It’s tempting to suggest that his absence may be hiding some major design secret (such as a reimagined Data, Lore, or B4) but I’m not convinced of that yet. Altan Inigo Soong (from Picard Season 1) feels like the most obvious choice for Spiner to portray, but we don’t know that for certain.
At the panel, Sir Patrick Stewart indicated that a visit to “more than one” USS Enterprise could be on the cards in Season 3, which could imply anything from travelling through time to a Search for Spock-inspired starship theft! Precisely which Enterprise(s) Picard and the crew may visit wasn’t stated – so could it be Pike’s Enterprise, perhaps?
There’s actually not much else to say about Picard right now. The teaser didn’t give much away, and aside from design choices like several characters wearing leather jackets, we don’t actually know a whole lot more about the show’s final season than we did before Comic-Con. Some of what was discussed – like a potential female villain and revisiting the Enterprise – sounds interesting, and Picard Season 3 is definitely one of my most-anticipated right now. But after an underwhelming Season 2 and the disappointment of the rather callous cutting of under-used characters, there’s no doubt it has serious work to do. Nothing I saw at Comic-Con has me anxious or worried… but because what we saw was relatively barebones, nothing blew me away either.
The upcoming video game Star Trek: Resurgence made an appearance at Comic-Con. Still scheduled for release later this year, the panel didn’t go into a lot of story details for obvious reasons, but the game seems to be shaping up nicely. It looks to be very much in line with Telltale Games titles from the past few years – the likes of Batman, The Wolf Among Us, and The Walking Dead, to name but a few – and considering that developer Dramatic Labs is made up of a number of ex-Telltale creators, that makes sense! I’ll be sure to take a detailed look at Resurgence when it launches, so stay tuned for that!
I wasn’t expecting to see any kind of teaser or trailer for Strange New Worlds Season 2; although filming recently wrapped up we’ve only just finished watching Season 1, so Season 2 is likely ten-plus months away! There was no news about a potential third season renewal either – although I suspect that’s just a matter of time!
The biggest news from the Strange New Worlds panel, though, was the surprise announcement of a crossover with Lower Decks. I’ve been longing for a proper crossover between the current crop of Star Trek shows – so this is great news! Strange New Worlds had moments of humour and comedy in its first season, so the pairing is not as unnatural as it might first appear. I’m not quite sure how the episode will blend live action and animation, though – will Boimler and Mariner appear as cartoons on a live-action set? That’s something to watch out for!
The crossover episode will air as part of Strange New Worlds’ second season sometime next year, and will be directed by Jonathan Frakes. Frakes has directed some of Discovery and Picard’s best episodes and knows the Star Trek franchise inside and out, so I’m really hopeful that this crossover will end up being as much fun as it sounds! I might not have chosen to stick Lower Decks and Strange New Worlds together, but with both shows hitting their stride after successful debut seasons, the time is right for a crossover. Hopefully it will be the first of many as Star Trek’s renaissance continues!
There were some interesting pieces of merchandise shown off at Comic-Con, too. I didn’t see any Prodigy toys or figures, but there were some prototypes from Playmates and EXO-6 showing off their latest figures of the likes of Captain Kirk, Locutus of Borg, and other classic characters. Factory Entertainment also debuted their Motion Picture insignia and Type II “dustbuster” phaser – which I hope will come to the UK!
Alex Kurtzman teased us with news that there may be two unannounced Star Trek projects in early production. With Picard finishing its run after Season 3 next year, I feel like an announcement can’t be far away for at least one new project, but what that project may be is still unknown! One potential series is the untitled Section 31 spin-off that was announced back in 2019, but my gut says that project probably won’t see the light of day. There’s been talk of a Ceti Alpha V miniseries focusing on Khan, and there’s also a rumoured Starfleet Academy series. Any of those could be announced before the end of the year – so watch this space!
I wonder, though, if one of these unannounced projects could be a 25th Century post-Picard series, perhaps even a spin-off focusing on Seven of Nine and Raffi. There seemed to be a lot of investment in new sets built for Picard Season 2 that were only seen at the beginning and end of the season, so could those sets be repurposed for a new series set aboard the new USS Stargazer? It’s all speculation at this point, of course, but I can’t help wondering!
A trailer for Lower Decks Season 3 debuted at Comic-Con, and the series has recently been confirmed to be returning on the 25th of August – in just a month’s time! The trailer picked up from where the Season 2 finale left off, with Captain Freeman in custody and the crew having to figure out what to do next. It seems like we saw several clips from the first episode – at least, that’s the impression I got – so there may be surprises still to come later in the season!
One story will take the Lower Decks crew to Deep Space Nine, and we saw the station and nearby wormhole shown off in the trailer – along with the familiar Deep Space Nine theme. I absolutely adore Deep Space Nine, and after the station was briefly glimpsed in a Season 1 flashback, it will be amazing to head back there for what will be the first post-Dominion War episode in that setting. Series creator Mike McMahan has promised us a look inside the station as well as some familiar faces, too!
One of those familiar faces seems to be the Klingon General Martok – an important recurring character in the latter part of Deep Space Nine’s run. It may be too much to hope for to get a real Deep Space Nine-inspired story that picks up some of the dangling threads that series left behind… but I can’t help it! I’d love to see the next chapter in the Deep Space Nine story unfold on screen, and even just getting a glimpse or a tease would be fantastic.
Other scenes in the trailer seemed to show a return to one of the first planets visited by Mariner and Boimler in Season 1, stealing the impounded USS Cerritos (presumably to rescue Captain Freeman), Boimler in Cetacean Ops, Rutherford and Tendi at Sisko’s restaurant in New Orleans, Boimler and Mariner acting as Starfleet recruiters, Dr T’Ana performing an amputation, and more! We saw Captain Freeman in uniform alongside Commander Ransom briefly, so I assume she will be able to escape the false charges laid against her!
The trailer looked like the familiar blend of animated comedy hijinks and throwbacks to The Next Generation era that we’ve come to expect from Lower Decks across its first two seasons. We’ve had some genuinely outstanding episodes so far – and only a couple of duds, really – so more of the same is no bad thing! I’m curious to see how the Captain Freeman cliffhanger will be resolved – will it be a one-episode story or will it rumble on for much of the season?
There was a surprising absence at Comic-Con: Prodigy. There was no mention of Prodigy (aside from a poster as part of the broader “Star Trek Universe” marketing), and that strikes me as odd. We’re supposedly going to be seeing ten more episodes of Prodigy before the end of this year to round out the show’s first season, so it was surprising that nothing was mentioned. We don’t even have an official broadcast date for the next batch of episodes – and there’s currently no new Star Trek being shown for the next few weeks.
It’s possible that we’ll come to learn more about Prodigy’s next steps and some of these in-production but unannounced projects in the near future. The 7th of September will be “Star Trek Day,” for example, and we could see another presentation of some kind to mark the occasion. Prodigy could also follow Lower Decks and kick off the second half of Season 1 in late October or early November – this would keep Star Trek on our screens through the holiday season and into 2023.
There was a comment from William Shatner about Star Trek that a lot of folks have picked up on on social media. At Comic-Con, Shater claimed that Gene Roddenberry would not approve of the direction of modern Star Trek, saying that the franchise’s creator would be “spinning in his grave” at the many of the creative and narrative decisions that have been taken. I think it’s worth pointing out that Shatner was similarly dismissive of The Next Generation, the Kelvin reboot films, and practically every Star Trek project that doesn’t feature his take on Captain Kirk. I don’t think we need to dedicate a lot of time to what Shatner has said; he’s entitled to his opinion, of course, and really the question of whether Gene Roddenberry would or wouldn’t approve of certain shows, episodes, or stories is rather a moot point. Modern Star Trek is doing some great things – and I for one hope it’s here to stay!
So I think that about wraps things up.
For me, the biggest and most interesting piece of news is the Lower Decks-Strange New Worlds crossover. A story like that has massive entertainment potential as both shows have demonstrated respect and reverence for past iterations of Star Trek. It seems to me that the crossover could be a real “made for fans” moment – but perhaps also one that could bring in new viewers to both series. Blending animation and live-action can be a challenge, but Star Trek has always risen to meet technical and creative challenges as it strives to tell new, different, and exciting stories!
The tease of new projects on the horizon is fascinating – but until we start to get information about what those projects may be, it’s hard to get overly excited! I’ve got a few different articles and lists here on the website looking at pitches and concepts – as well as putting together a few ideas of my own – so check those out if you’re interested. As and when Alex Kurtzman and the creative teams see fit to tell us more, I’ll be sure to cover it in-depth and give my thoughts!
So that was Comic-Con. Star Trek put in a decent showing this year, and it seems like we have a lot to look forward to both later this year and in 2023.
The Star Trek franchise – including all shows, films, and properties discussed above – is the copyright of Paramount Global. Some images used above courtesy of Star Trek/Paramount Global on social media. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1 and 2, as well as the teaser trailer and casting announcements for Season 3. Further spoilers are present for Star Trek: Discovery Seasons 1-4, Star Trek: The Next Generation, and other iterations of the Star Trek franchise.
Even as we continue to wind down from Season 2 of Star Trek: Picard, my thoughts have already turned to Season 3! Although the new season is still in production and is probably a year away, I wanted to get one of my big pre-season theories written down ahead of time. This one ties together events in all three seasons of the show – and I think that could make it a satisfying story if it were to unfold.
There are some legitimate concerns about Picard Season 3, at least from where I’m sitting. The fact that most of the new cast members have been unceremoniously dumped in order to make way for the returning characters from The Next Generation really stings, and I’m truly disappointed that we won’t get to spend more time with the likes of Elnor and Soji next time around. I wanted to acknowledge that before we proceed with the theory, because both the cutting of characters and the fact that several of them have disappeared without a proper goodbye is poor form from Picard’s producers and creative team.
So let’s talk about this theory, then! In short, what I’ve come up with connects events in both Seasons 1 and 2 with what has been teased about Season 3, potentially meaning that Picard will turn out to be one long connected story after all. We’re taking the mysterious anomaly encountered at the end of Season 2 as a starting point and asking “who could have created something like that?” The Borg Queen-Dr Jurati hybrid believed it was artificial in nature and had the potential to wipe out all life in an entire sector of space. That seems like the first phase of an invasion or attack – so who can we think of in Star Trek who could create a weapon on that scale?
We could absolutely pick on factions like the Dominion, Enterprise’s Sphere-Builders, or Species 8472. All of those – and many more – were potential suspects when it came to another mysterious anomaly in Discovery’s fourth season, too, and for good reason! But when we consider the elements that have already been introduced in Star Trek: Picard in particular, one faction more than any other appears to stand out: the super-synths from Season 1.
To briefly recap if it’s been a while since you watched Et in Arcadia Ego: the super-synths claimed to be “an alliance of synthetic life,” and it was implied that they resided far beyond the Milky Way galaxy. I nicknamed them the “Mass Effect Reapers” for their similarities to that video game faction! The super-synths literally moved stars to point to a beacon that they’d left behind on the planet of Aia, and in a vision that seemed jumbled and terrifying to organic minds they promised to come to the aid of any synths who requested their help.
The super-synths believed that all organics would eventually attack and destroy their synthetic creations; that war between synthetic and organic life was inevitable. The plans they left behind could open a portal to their home in dark space, allowing the super-synths to show up anywhere in the galaxy at a moment’s notice. It was left ambiguous as to whether their offer to help synths in their fight against organics was actually genuine or whether it was some kind of elaborate trap.
Although Admiral Picard was able to convince Soji to close the portal she had opened before the super-synths could arrive at the planet of Coppelius, the portal was open for a significant amount of time. In that time the super-synths would’ve seen a civilisation of synthetics on Coppelius asking for their help, and two massive fleets of starships engaged in a stand-off over the planet. Whatever their intentions may have been, Soji and Sutra’s actions have ensured that the super-synths are now aware of the Milky Way, the Federation, the Romulans, and the Coppelius synths.
The super-synths then disappeared from the plot and weren’t mentioned again. It isn’t clear what happened to them, what their goals may have been, nor how they would have reacted to the portal being closed at the last moment. What we do know is that the super-synths possess powerful technology – technology that seems to allow them to hop from one part of the universe to another in an instant.
This brings us to the anomaly encountered by the Borg and the Federation at the end of Season 2. The strange anomaly was described by Seven of Nine as being akin to a “transwarp conduit.” The Borg Queen-Dr Jurati hybrid was unsure of who created it, but considered them to be “a threat” requiring close observation. The anomaly was also described as being one piece of a larger puzzle – something that could tie in with a theory like this one!
Given what we know of the super-synths based on their appearance in Season 1, creating something on this scale seems well within their capabilities. They left behind instructions on how to create a portal to their domain, and what is a transwarp conduit if not a portal between two points in spacetime? Then there’s the scale of the attack: the initial outpouring of energy was enough to destroy an entire sector of space, something that hardly seems impossible for a faction that can literally move entire stars.
So I think we have enough evidence based on what we saw on screen in the Season 2 finale to make the case that the anomaly may have been created by the same faction of super-synths that very nearly arrived at Coppelius in Season 1. But what of Season 3?
Not much has been officially teased so far about Picard’s upcoming third season – but we have a little to go on. Besides the announcement of returning cast members, we heard a few new lines of dialogue and caught a glimpse of both Admiral Picard and Captain Riker in a teaser trailer released to mark First Contact Day last month, and nothing there contradicts anything I’ve suggested above.
In fact, we could try to build a case for the Season 3 teaser hinting at this theory!
Firstly, the clips we saw of Admiral Picard and Captain Riker showed them readying themselves for combat, wielding some kind of phaser pistol (possibly the kind seen briefly in Seasons 1 and 2). At least part of the season, then, is going to involve a fight of some kind against a hitherto-unseen enemy! That’s hardly conclusive, of course, but it doesn’t contradict the idea that the main enemy is the super-synths.
Secondly, we have a handful of lines heard in voiceover. Geordi talked about “rushing into danger” during his time aboard the Enterprise. Worf speaks, saying that “sacrifice is required.” Dr Crusher spoke directly to Picard, telling him that “the galaxy comes calling.” In typical understated style, Riker talked about a “good old-fashioned road trip,” before Troi rounded things out by letting Picard know that he “will not be alone.” Again, nothing conclusive there – but also nothing contradictory. All the characters seem to be talking about gearing up for a big mission or battle.
But the most interesting line in the trailer – and one that could perhaps be pointing to some kind of connection to synthetic life – came from Brent Spiner’s currently-unknown character. Spiner’s inflection sounded very emotive, definitely not like Data or B4. My first thought was that he could be portraying Lore (Data’s “evil twin” from The Next Generation), but he could also be portraying Dr Altan Inigo Soong – the son of Data’s creator who was a major character at the end of Season 1.
The line that stood out to me was this: “Evolution is not an act of preservation; it’s addition.” That line is ambiguous, naturally, but if we assume that Spiner’s character has something to do with synthetic life and synthetic research, he could very well be talking about the creation of new synths or the search for new synthetic life. He could also be talking about some kind of fusion between organic and synthetic life – perhaps Borg assimilation.
We don’t know what goals or objectives the super-synths might have, but if they view organic life as a threat it’s possible that they plan some kind of assimilation-like process to forcibly convert organics to become partially synthetic. That could be what Dr Soong is referring to – and he could be the super-synths’ advocate if they arrive in force and broadcast their intentions. Akin to someone who has been “indoctrinated” by the Reapers in the Mass Effect series, Dr Soong may be doing the super-synths’ bidding. That could set up Brent Spiner’s character to be one of the season’s main villains (again).
Am I clutching at straws? Well, that’s possible. But because of how deliberately coy the writers and producers of Picard have been about several key aspects of the storylines of both Seasons 1 and 2, I think this idea is a solid possibility. We don’t know what the super-synths wanted, but we do know they’re technologically very powerful and more than capable of creating portals and anomalies. We don’t know where the mysterious anomaly in Season 2 came from, nor why the Dr Jurati-Borg Queen hybrid considered it and its creators to be a threat. There’s enough ambiguity in those two points alone to reasonably connect them.
Ever since Season 1 came to a rather unspectacular conclusion, I’ve been hoping that Star Trek will do something more with this faction of super-synths. I suggested that they could be involved with the main storylines in both Seasons 3 and 4 of Discovery, as they seemed to be a faction with the technological power to do something like the Burn or to create something like the DMA. Those theories didn’t pan out, of course, but it’s possible that things will come full-circle and we’ll see them again before Picard comes to an end.
What we’d get, if this theory were to pan out, would be a transformation in the way Star Trek: Picard has operated. Rather than being three essentially standalone seasons with three distinct, separate stories, everything would be connected. What happened on Mars that sent Picard into a decade-long depression would be connected to the final fight against the super-synths; they’d be responsible for all of it. It would bring together the stories of Seasons 1, 2, and 3 in a neat way. The first two seasons could still be enjoyed as standalone affairs; nothing in Season 3 would overwrite any of that. But for fans who want to see a broader connection, this theory would deliver it!
Setting this theory aside for a moment, one of the concerns I have about Season 3 is that the events of Seasons 1 and 2 will be ignored. The fact that most main cast members aren’t returning has really ramped up the sense that Picard Season 3 may try to ignore everything that’s just happened – or relegate it to a couple of short scenes at the beginning of episode 1 – and rush ahead to become The Next Generation Season 8.
In particular, the mysterious anomaly that was shown off at the end of the season could be ignored as part of this push to get to a new story. I truly believe that would be a mistake; not only was the anomaly massively important to the plot of Season 2, but it was also very deliberately unexplained. Who could create something like that? Why would someone do that? Was it meant to be an attack against the Federation? How did the Borg know it was coming? There are many questions like this that Season 2 chose not to answer; if Season 3 ignores them as well then it’ll be very disappointing.
Regular readers may recall from my Picard Season 2 reviews and commentary that I wasn’t wild about many of the storytelling decisions made last time. This new season is an opportunity to build on what came before; to make some of the first two seasons’ underwhelming events matter in a way that they currently don’t. If the Season 2 anomaly, for example, was just a naked plot device to give the Borg Queen-Dr Jurati hybrid something to do then it’ll remain a disappointing element of an already underwhelming season. But if it turns out that Season 3 revisits it in a big way and builds on what we saw last time, it has the potential to transform this aspect of Season 2 and make it matter.
So I think that’s all there is to say this time. To briefly recap my theory: the super-synths from Season 1 were responsible for creating the mysterious anomaly that almost destroyed an entire sector of space at the end of Season 2. They will use this anomaly – and perhaps others like it – to travel to the Milky Way galaxy, where they will become one of the main villains of Season 3.
I quite like this idea of bringing the story of Star Trek: Picard full circle, as well as bringing together the seemingly disconnected events of Seasons 1 and 2 in a natural, understandable way. Nothing we’ve seen on screen would prevent the Season 1 super-synths from also creating the dangerous anomaly in Season 2 – so if Season 3 ignores both of those things to go in a different direction… well, this might just have to become my own personal head-canon!
It’s always worth saying that no fan theory, no matter how fun or plausible it may seem, is worth getting too worked up over. This is an idea that I came up with to bind together events in Star Trek: Picard that may ultimately be unrelated. This theory may go nowhere – and that’s okay! I like it when Star Trek can surprise me and take me to different and unexpected places, so I always like to caveat my theories by saying that I have no “insider information,” I’m not trying to claim that anything we’ve talked about today will ever be seen on screen, and I hope you’ll join me in welcoming the story of Season 3 – whatever direction it ultimately goes.
Having touched on this theory briefly the other day I wanted to give it a full write-up here on the website. I hope you’ll stay tuned for more Star Trek content in the weeks and months ahead – including a look at any major news or trailers for Picard Season 3. Until next time!
Star Trek: Picard Season 3 will stream on Paramount+ in the United States and on Amazon Prime Video around the world some time next year. Seasons 1 and 2 are available to stream now and are also available on DVD and Blu-ray. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including Picard Season 2, Discovery Season 4, Prodigy Season 1, Strange New Worlds Season 1, and more.
With Season 3 of Star Trek: Picard purportedly being the series’ last, I’m not ready to give up the 25th Century! Ever since Nemesis in 2002, I’d been desperately keen to see Star Trek show us what happened next; to move its timeline along. After the briefest of glimpses in 2009’s Star Trek, it was Picard that finally scratched that itch! Although Discovery is still in production with a fifth season being worked on, that show’s 32nd Century is far removed from the characters, factions, and themes of The Next Generation era. That’s why today I wanted to consider ten possibilities or concepts for shows that could pick up the baton from Picard.
For me, The Next Generation era – i.e. the late 24th Century setting that also includes Deep Space Nine and Voyager – is the franchise’s “golden age.” These shows – and the four films made during that time, too – represent the bulk of Star Trek’s 800+ episodes, and while there are definitely points of interest in the 22nd Century and 23rd Century that the franchise could revisit, for me it’s this time period that I’d like to see picked up for more adventures.
With Star Trek: Picard having established the dawn of the 25th Century as its setting, I really do feel that there’s scope to build on what’s been created so far. Season 3 may spend more time with Starfleet, but as of the end of Season 2 at least, there’s a lot we haven’t seen of this era. Picking up some of the characters, factions, storylines, and themes from past iterations of Star Trek is a big part of why spending more time in this era is worthwhile, but that doesn’t mean that every potential 25th Century project has to be a straight-up sequel to something that’s come before. I’d be thrilled to see a Strange New Worlds-style semi-episodic exploration-focused series with a brand-new cast, for example, set in this time period.
Although Picard Season 3 is still being worked on and likely won’t hit our screens until next year, I sincerely hope that the creative teams over at Paramount have already considered their next move. Alex Kurtzman (who is in charge of the Star Trek franchise for Paramount) has stated that there are other concepts in early development, and that as the current shows come to the end of their runs, these new shows would begin to be worked on. Whether any of the series concepts that he was referring to are going to be set in the 25th Century is unknown – but there are significant advantages to doing so.
I would wager that a significant portion of the Star Trek fan community would rank at least one of The Next Generation, Deep Space Nine, or Voyager in their top two favourite shows. And fans under the age of forty literally won’t be able to remember a time before The Next Generation! Most fans of my age will have either come to Star Trek during The Next Generation era or will have encountered it soon after becoming a fan; The Next Generation era was dominant from 1987 to 2002.
Fans who were invested in storylines like the Dominion War, the Maquis, Voyager’s journey home, and many, many more are interested to know what came next for their favourite characters. Picard has shown us a little of this – with a focus on Admiral Picard himself, naturally – and there have also been teases and glimpses in Lower Decks, Prodigy, and potentially in Discovery’s 32nd Century, too. But there’s a heck of a lot of room to do more.
With Strange New Worlds flying the flag for the 23rd Century, and Discovery off doing its own thing in the far future, there’s a gap in live-action Star Trek that at least one 25th Century project needs to fill. Having established a few interesting details about what we must now call the Picard era, it would be positively criminal for Paramount to just abandon it. There are so many characters who we could catch up with, so many incomplete storylines to resume, and so many codas and epilogues still to be written.
Time is marching on, too – a sad reality for all of us. It won’t always be possible to bring back original actors and the characters that they portrayed, so it’s really a case of “if not now, when?” Wait too long to greenlight projects set in this time period and it may be too late to bring back certain characters.
So with all of that in mind I’ve put together a list of a few Star Trek projects that I personally think could be interesting and could pick up the baton from Picard. Although I feel confident that conversations are happening about future projects set in this era behind closed doors, my usual caveat applies: I have no “insider information.” I’m not trying to claim that any of these ideas will be picked up and make it to screen. This is a wishlist from a fan, and nothing more! It’s also entirely subjective, so if you hate all of my ideas or I don’t include something that you think should obviously be included, then that’s okay! There’s plenty of room within the Star Trek fan community for respectful disagreement and civil conversations!
Concept #1: Starfleet Academy
When Lieutenant Tilly departed the USS Discovery early in Season 4, she became an instructor at Starfleet Academy in the 32nd Century. With her departure episode feeling like somewhat of a backdoor pilot thanks to introducing us to a handful of cadets, I’m sure I’m not alone in assuming that the heavily rumoured Starfleet Academy series will be set in the 32nd Century with Tilly as a major character. So that’s a big caveat to this potential project!
But a 25th Century Starfleet Academy series has a lot of potential, too. As a direct spin-off from Picard it could bring back characters like Raffi and Elnor, the latter of whom has already been established as a Starfleet cadet. That could even give meaning to Elnor’s unexpected survival at the end of Season 2.
A 25th Century Starfleet Academy series would be perfect for bringing back all sorts of characters from Star Trek’s past. We could learn, for instance, that Miles O’Brien is still at the Academy teaching engineering – as was established at the end of Deep Space Nine. Even if Chief O’Brien wasn’t a major character he could still make occasional appearances in that role.
One of the big advantages to a Starfleet Academy series right now is how it could serve as a kind of soft landing for new, younger fans who’ve been enjoying Prodigy. A series starring young adult cadets (or featuring cadets in major roles even if they aren’t the exclusive focus) would be a natural next step in so many ways, and could be a gateway into the Star Trek fandom for legions of newcomers. Just as holo-Janeway has been a guide in Prodigy, a returning character could fill a similar role here.
Concept #2: The Seven and Raffi show
When Season 2 of Picard premiered, I really thought that a USS Stargazer spin-off with Captain Rios in command would be a fantastic new series. That can’t happen now (and after Rios’ disappointing regression in Season 2, I don’t think I’d want it anymore anyway), but there is still the possibility to see a direct spin-off. This version would feature Seven of Nine and Raffi.
Although Seven of Nine’s captaincy of the USS Stargazer in Farewell felt very much like a brevet or a temporary thing, I feel there’s potential to see her given a commission in Starfleet. Raffi certainly felt that she would make an excellent captain! So maybe the next Star Trek series could be Star Trek: Stargazer with Captain Seven and XO Raffi taking the USS Stargazer on all kinds of adventures.
Seven of Nine is particularly well-suited to feature in stories that focus on the Borg, but there’s more to her character than that. I’m not sure whether a traditional exploration-focused series would be the best fit; maybe Seven and Raffi’s ship would be a rapid-response vessel designed for combat and tactical missions. An overtly action-oriented series would be new to Star Trek, so this could be a fun experiment to see how well it could work.
I’ve thoroughly enjoyed Seven of Nine’s arc across the first two seasons of Picard. It’s been cathartic to see a character I once disliked for her dull and repetitive storylines undergo genuine and lasting growth, and we might just be reaching a point where Seven of Nine is a strong enough character to take on the challenge of headlining a brand-new series of her own… supported by Raffi, of course!
Concept #3: Captain Sisko’s return
Perhaps better-suited to being a miniseries or limited series, I really love the idea of Captain Sisko finally returning to the galaxy after spending time with the Prophets. At the end of Deep Space Nine, Sisko promised us that he wasn’t really gone and that he would return “one day.” After more than twenty years, could “one day” finally be just around the corner?
It’s worth acknowledging that Avery Brooks has seemed less willing than some other former Star Trek actors to reprise his role, and although there has been speculation as to why that may be, there’s never been any definitive statement from the man himself. I wouldn’t want to see Sisko recast at this moment in time (nor recreated through some kind of CGI process), so if Avery Brooks isn’t interested, the project won’t get off the ground.
One massive advantage to bringing back Captain Sisko is that he’d make a wonderful point-of-view character for us as the audience. As someone who’s spent decades away from the galaxy, Sisko would be just as interested as we are to learn what happened to his friends, to Deep Space Nine, to the Cardassians and Dominion, and so on. A Sisko-focused series could get away with dropping a lot of exposition in a way that feels natural, bringing us up to speed on the events of the past couple of decades without it feeling out-of-place.
More than that, though, I want to spend more time with Captain Sisko. Although picking favourites is hard, Sisko has always been one of the best and most interesting characters of The Next Generation era, and one of the best captains in the Star Trek franchise. Bringing him back would be just as impactful as bringing back Picard has been, and providing an epilogue and closure to Sisko’s story would be absolutely worth doing.
Concept #4: Section 31
The untitled Section 31 series was announced in 2019, shortly before Season 2 of Discovery aired. But since then, the supposedly ready-to-go project has been sidelined. Lack of interest from fans was part of the equation, perhaps, but Strange New Worlds certainly stole its thunder too!
The proposed series was to follow ex-Terran Empress Georgiou as she worked with the shadowy organisation that was first introduced in Deep Space Nine, and after Georgiou went through some significant character growth in Discovery’s third season, she finally seemed to get to a place where she could potentially take on the role of a morally ambiguous Section 31 leader without feeling like someone who resorts to violence and literal genocide at the drop of a hat.
To briefly recap, Georgiou had to leave the 32nd Century due to suffering from a technobabble illness that appeared to be fatal, and she was permitted to do so by the Guardian of Forever. If a suitable explanation could be found, Georgiou could potentially emerge in the 25th Century, setting the stage for her to play a role in Section 31 in this time period.
Alternatively, a Section 31 show set in this era could drop Georgiou altogether and focus on new characters instead. With Borg, Romulans, super-synths, strange anomalies, and other potential threats to the Federation that we’ve glimpsed in Picard, Section 31 could have a lot of work to do in this era!
Concept #5: A new exploration-focused series
Strange New Worlds is currently flying the flag for semi-episodic “old school Star Trek” with a big focus on exploration. But this is the foundation of Star Trek; the franchise’s roots. Returning to this format in the 25th Century could be absolutely fantastic – and it could be a fun way to include a mix of new and legacy characters.
One of the limitations faced by Strange New Worlds is that it’s set a decade before The Original Series. There’s still a lot of wiggle room in that time period, and we could see Captain Pike make first contact with new and familiar alien races alike. But there are still constraints on which alien races can be included and how, and what stories Captain Pike and the crew could reasonably take part in.
In contrast, a new exploration series set in the 25th Century would basically have free rein to hop all across the galaxy, meet brand-new aliens, and bring back classic factions without treading on anyone’s toes. As long as such a series avoided Unknown Species 10-C (basically the only major new faction introduced in Discovery’s far future that Captain Burnham made first contact with), a show like this one could do what The Original Series, The Next Generation, and to an extent Voyager all did: set out on a mission of exploration with a blank canvas.
Seeking out strange, new worlds is where Star Trek began; it’s the core mission of Starfleet and the main goal of the Federation. Strange New Worlds is already proving that fans enjoy a series with that kind of focus, so picking up that concept and reworking it to be set in the Picard era absolutely could work.
Concept #6: Hospital ship
In the ’90s, when I was watching and enjoying the shows of The Next Generation era, this was a concept that I thought could be a ton of fun! I imagined “ER in space,” with a hospital ship like the USS Pasteur being the show’s main setting and a chief medical officer as the main protagonist. My original version of this concept would’ve seen characters like Dr Pulaski and Dr Bashir return; a team-up of some of my favourite medical characters from other Star Trek shows.
Although Dr Pulaski is unlikely to be part of such a series now, there’s definitely scope to bring back the likes of Dr Bashir or Voyager’s EMH, as well as secondary medical staff like Nurse Ogawa, as part of a series that also introduces new characters.
The hospital ship would travel around the Federation and beyond, lending its services to planets, bases, and starships in need. There’d be illnesses and diseases to cure, natural disasters to bring aid to, and the ship could even be part of major military engagements and battles, tending to wounded soldiers and crewmen. Star Trek has shown us all of these basic concepts before, but this time they’d have an overtly medical focus.
There’s a huge audience for shows like House, ER, and Grey’s Anatomy, and a medical Star Trek series could have an appeal that extends far beyond the franchise’s typical sci-fi niche. Without the constraints of the real world, and with numerous aliens as both staff and patients, there’s almost unlimited potential in terms of creativity as well. We could see new deadly diseases created that could be timely reflections of our pandemic-afflicted world, and we could even take a deeper dive into diseases and medical conditions that have been referenced in past iterations of Star Trek.
Concept #7: Captain Kim
It’s become a bit of a joke in the Star Trek fan community: Harry Kim spent seven years as an ensign without being promoted. Perhaps he could finally get the command he’s always wanted and headline a new Star Trek show in the process!
Harry Kim would be the second major character from Voyager to play a role in this era of Star Trek, and that could lead to crossovers. It could be a lot of fun to see an older and more mature Harry Kim reunite with Seven of Nine – perhaps for the first time in many years. The series could even feature a Voyager reunion of the kind seen in Endgame. And of course, any time we’re talking about Voyager these days there’s the potential to tie in with themes and ideas present in Prodigy.
Captain Kim could show us a different side of Starfleet. Perhaps he’s in command of a hospital ship as we were discussing above, or perhaps his vessel is much more scientific in its mission; charting anomalies and stellar phenomena rather than making lots of first contact missions. A series like that would be more personality-driven and serialised rather than episodic with a “monster-of-the-week” to engage with, and I think someone like Harry Kim would excel in that kind of role.
Out of everyone on Voyager, I’d suggest that Harry Kim has perhaps the most potential for growth if he were to return. Considering that we met him on his first mission after graduating – and that he stuck with that “young and eager” characterisation for a long time during Voyager’s run – there’d be something rather cathartic about being reintroduced to an older, more mature Captain Kim.
Concept #8: A Klingon series
This one would be quite a radical departure from anything that Star Trek has tried before. Leaving the Federation and Starfleet behind, this show would be set aboard a Klingon vessel. A Starfleet officer could be present as a point-of-view character and a way to help us as the audience find both a way in and a frame of reference, but the rest of the characters would be Klingons.
With Worf returning for Picard Season 3, he could become a recurring character on a Klingon-focused series. A character like Worf bridges the gap between the Klingon Empire and Starfleet, and along with a Starfleet officer aboard the ship he could also help ground the series.
What I like about this idea is that it would be something genuinely bold and different. We’ve spent a lot of time with the Klingons across various iterations of Star Trek – they’re probably the faction we know the most about after the Federation itself. But there’s still plenty of room to expand our understanding of the Klingons, and to show us the next chapter for their Empire in the aftermath of the Dominion War and their alliance with the Federation.
What kind of mission would a Klingon vessel have? If it’s exploration, how different would their approach be to what we’d expect from Starfleet? A Klingon series could also show off different roles for Klingons beyond that of “warrior.” How does a Klingon crew treat its engineers, scientists, and medical personnel, for example? Far from being one-dimensional “baddies,” there’s plenty of room for nuance and to show us a different side to the Klingons, and different Klingon personalities.
Concept #9: Captain Worf
Sticking with the Klingons, Michael Dorn has been talking about his pitch for a Captain Worf series for the better part of a decade at this point! Although I confess that I remain sceptical of the proposal for a number of reasons, with Worf’s imminent return in Picard Season 3, it has to be considered at least a possibility that there’ll be some kind of backdoor pilot or an attempt to test the waters to see if a Captain Worf series could be viable.
As the character who’s made the most Star Trek appearances (280+, not counting upcoming appearances in Picard Season 3), I feel that we’ve seen more than enough of Worf! We’ve seen his inner conflict between his Klingon and Starfleet identities, his struggles with fatherhood, his marriage and the grief he felt at losing Jadzia… and I’m just not sure where else there is to go.
But despite my personal reservations, a Captain Worf series could prove me wrong and be the right move for Star Trek once Picard ends. Like Picard itself, a Captain Worf series would be anchored by its familiar face but perhaps rounded out with a fun group of new characters. There would be potential, perhaps, depending on how things go in Season 3, to bring in someone like Raffi as Worf’s first officer, tying the show to Picard in an even greater way.
As with Seven of Nine and Raffi above, a Captain Worf series could go all-in on action, with Worf commanding a tactical vessel and rushing into dangerous situations and combat missions. Or, in an attempt to put a completely different spin on the character, maybe Captain Worf would be in command of a lightly-armed science vessel on a mission of exploration! That could be a fun way to go and a twist on the expected premise of the series.
Concept #10: Super-synth invasion
Spoiler alert for a future theory article, but one of my guesses about Picard Season 3 is that the Admiral and his friends will have to face off against the super-synths from Season 1 – and that they’re responsible for the anomaly in Season 2. That would be a neat way to tie all three seasons of the show together!
But assuming that doesn’t happen, I’d love to revisit the super-synths that we only caught a glimpse of in the Season 1 finale. Assuming that their intentions were hostile, and that they planned to attack organic life in the Alpha Quadrant, could a new spin-off revisit that concept and perhaps show the super-synths making their invasion attempt?
This is a reworking of another concept that I’ve had kicking around for some time: a Borg invasion series. But with the Borg having already played a big role in Season 2, perhaps the super-synths could be subbed in to become the antagonists of a series (or miniseries) that sees the Federation involved in a war for its very survival.
This kind of existential threat has been used and re-used in Discovery, and I could understand if some fans wouldn’t want to see it brought back so soon! As I’ve said recently, it’s my hope that Discovery will try something different in Season 5! But it would be fun to bring back the super-synths and to revisit the Federation at war for the first time since Enterprise’s conflict with the Xindi – and it could be a great way to bring in a mix of new and legacy characters.
So that’s it!
Those are ten concepts for Star Trek shows that I think could pick up the baton from Star Trek: Picard in the years ahead, sticking with the early 25th Century and potentially expanding on what Picard has already done.
My “first contact” with Star Trek back in the early 1990s was The Next Generation, and I was a big fan of Deep Space Nine and Voyager during their original broadcast runs as well. With live-action Star Trek series set in the 23rd and 32nd Centuries, it seems to me that Picard’s eventual finale is going to leave a pretty significant hole in the franchise. Even if every major character from The Next Generation returns and gets an amazing goodbye, there are still characters, themes, storylines, and more from Deep Space Nine and Voyager that I’ve been longing to see picked up for more than two decades!
If it were up to me, the early 25th Century would probably be the main setting that I’d want to use for the majority of new Star Trek projects. There was even scope a couple of years ago to bring Captain Burnham and Discovery into this time period, and I think that could’ve worked exceptionally well too. I don’t think that Picard necessarily needs a direct spin-off, bringing back main characters in a huge way, but I’d dearly love to see the setting and time period re-used in future.
I’m hopeful that Season 3 will be a fun adventure with the crew of The Next Generation, and that it can serve as a launchpad for one or more new Star Trek projects set in this era. Whether any of my own ideas will make it… well, I doubt it. But who knows! More than ever it feels like Paramount is listening to Star Trek fans; without a massive fan campaign we would never have seen Strange New Worlds. So there’s a possibility, perhaps, if Picard Season 3 is well-received that a spin-off or follow-up could indeed make it. Time will tell!
Star Trek: Picard Season 3 will be broadcast on Paramount+ in the United States and on Amazon Prime Video around the world sometime in the next year or so. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for the following Star Trek productions: Picard Seasons 1-2, Discovery Season 3, Strange New Worlds, the Kelvin timeline films, Deep Space Nine, and The Next Generation.
Today I thought we could have a bit of fun! There are many so-called “hot takes” about the Star Trek franchise flitting about online, and I thought it could be a change of pace to share a few of my own. These are – based on my limited engagement with the wider Star Trek fan community, at least – opinions that aren’t widely held or especially popular. I’ll do my best to explain why I feel the way I do about each of the six subjects we’re going to consider below.
More than ever, I ask you to keep in mind that all of this is subjective, not objective! I’m not saying that these opinions are factual and unquestionable; this is just my singular perspective on a handful of very complex topics. As with everything in media, there are going to be a range of views, and while I’ll try to justify my opinions below, I know that a lot of people can and do disagree. And that’s okay! There’s room in the Star Trek fan community for respectful disagreement about all manner of things.
With all of that out of the way, this is your last chance to jump ship if you aren’t interested in some potentially controversial Star Trek opinions!
“Hot Take” #1: Star Trek: Picard transformed Seven of Nine into an enjoyable character for the first time.
Star Trek: Picard hasn’t been perfect across its first two seasons, but one thing that it absolutely got right is Seven of Nine’s characterisation. Seven was an unexpected character for the series to introduce – she’d never interacted with Jean-Luc Picard on screen before, and the pair hadn’t even the barest bones of a relationship to build on. In that sense, I was surprised (and maybe a little concerned) when it was made clear that she’d be featured in a big way in the first season.
Perhaps I should explain myself before we go any further. Seven of Nine was introduced midway through Voyager’s run in the two-part episode Scorpion. At first she seemed to be a character with a lot of potential, and I enjoyed what she brought to the table in early Season 4 episodes such as Scientific Method and The Raven. But Seven very quickly became repetitive. Week after week she’d learn some lesson in “how to be more human” from the Doctor or Captain Janeway, but she’d seem to forget all about it and revert to her semi-Borg self by the next episode. This was exacerbated by the fact that Voyager’s latter seasons seemed to include a lot of Seven-heavy episodes and stories, making her a prominent character.
That’s how episodic television works, and I get that. Most other Star Trek characters up to that point in the franchise’s history also “reset” in between episodes, and we could talk at length about how characters like Miles O’Brien could go through some horrible trauma one week only to be happily playing darts at Quark’s a few days later as if it never happened. But with Seven of Nine, a combination of her prominence and storylines that often revolved around learning and taking to heart some aspect of what it means to be human and exist outside of the Borg Collective meant that her week-to-week resets and lack of significant growth really began to grate. Toward the end of Season 7, Seven was given an arc of sorts that threw her into a relationship with Chakotay – but I’m hardly the only person who feels that didn’t work particularly well!
So by the time Voyager ended, I was burnt out on Seven of Nine. Out of all the main characters from Voyager, she was perhaps the one I was least interested to see picked up for a second bite of the cherry – but I was wrong about that. Where Seven had been static and repetitive in Voyager, Picard gave her that development I’d been longing to see, and it was incredibly cathartic! Even though Seven’s post-Voyager life hadn’t been smooth, it had been human, and seeing her experience genuine emotions like anger, betrayal, and later through her relationship with Raffi, love, was something I didn’t know I wanted. Having seen it now, though, there’s no way I’d want to lose this element of Picard.
The death of Icheb, which was shown in one of Picard Season 1’s most gory sequences, became a key part of Seven’s character arc. His loss devastated her – and the idea that Seven of Nine could be devastated was already a colossal leap for her character. That it spurred her on to one of the most human of desires – revenge – is even more significant for her. And this growth continued across the rest of Season 1, with Seven coming face-to-face with the Borg and even becoming a leader (of sorts) for the liberated ex-Borg on the Artifact.
Even though Season 2 was a mixed bag (at best) with some lacklustre storylines, Seven of Nine shone once again. Her relationship with Raffi added a whole new dimension to her character, and after seeing her experiencing anger and negative emotions in Season 1, Season 2 gave her a chance at love. Season 2 also saw Seven revelling in a new experience, having hopped across to a new timeline and found herself in a body that had never been assimilated. That set her on an arc to accepting herself for who she is – including her Borg past.
Seven’s journey has been beautiful to see, but also cathartic. To me, her journey in Picard feels like it’s righted a twenty-year wrong, finally giving Seven of Nine genuine development and an arc that stuck. While I’m sure fans can and will debate individual plot points (like Icheb’s death or Seven’s off-screen involvement with the Fenris Rangers), taken as a whole I’ve really enjoyed what Picard did with what had been one of my least-favourite characters of The Next Generation era.
I’m keeping my fingers crossed for more from Seven of Nine – and if you’d told me in 2000-2001 that I’d write those words I wouldn’t have believed you!
“Hot Take” #2: I don’t like The Inner Light.
Often held up as an example of The Next Generation at its best, I’ve never enjoyed The Inner Light. It’s an episode I usually skip over without a second thought when re-watching The Next Generation, but I put myself through the chore of viewing it recently; it’s part of what inspired me to put together this list!
The Inner Light steps away from the exciting adventures of the Enterprise-D to show us a pre-warp civilisation living on a random alien backwater planet, and while exploring strange new worlds is part of the gig, the way this episode in particular does that is just not interesting or enjoyable in the slightest. It’s certainly “different” – and I will concede that point. Star Trek has never been shy about experimenting, after all! But this particular experiment didn’t work, which is probably why we haven’t really seen another episode quite like it.
I don’t like to say that something “doesn’t feel like Star Trek,” not least because that vague and unhelpful phrase has become associated with a subgroup of so-called fans who use it to attack everything the franchise has done since 2009. But to me, The Inner Light feels about as far away from what I want and hope to see from an episode of Star Trek as it’s possible to get.
By spending practically its entire runtime in the past, with Picard taking on the role of an alien blacksmith in a pre-warp society, The Inner Light abandons not only the entire crew of the Enterprise-D, but also many of the fundamental adventurous elements that are what makes Star Trek, well… feel like Star Trek. Its deliberately slow pace doubles-down on this sensation, and The Inner Light seems to drag as a result, coming across as boring.
I’m not particularly bothered by the way the Kataan probe operates – that seems technobabbley enough to get a pass. But after Picard has been hit by the probe and the majority of the episode is then spent on Kataan with Kamin and his family… I’m just not interested. Sir Patrick Stewart is a great actor, and what happened to the Kataan people is both tragic and a timely reminder of our own burgeoning environmental catastrophe (something that we haven’t even tried to fix more than a quarter of a century later). But despite all of the elements being in place, the story just doesn’t grab me like I feel it should. At the end of the day, I can’t find a way to give a shit about Kataan, nor about Kamin or anyone else.
There are many episodes of Star Trek with races and characters who only appear once, and yet very few of them manage to evoke that same “I just don’t care” reaction. Just within Season 5 of The Next Generation we have characters like Hugh the Borg and Nicholas Locarno, or aliens like the Children of Tama and the Ux-Mal, all of which manage to hook me in and get me invested in their storylines. I’d generally consider The Next Generation’s fifth season to be one of its best, with many of my favourite episodes. But The Inner Light isn’t one of them.
There are points to The Inner Light that did work. The Ressikan flute theme, for example, is a beautiful piece of music, and Picard’s flute-playing ability (which he learned during the events of The Inner Light) would become a minor recurring element for his character going forward, notably appearing in episodes like Lessons. And the underlying premise of a probe that transmits a message in this way could have worked; it feels quite Star Trek-y in and of itself.
But for me, The Inner Light just isn’t fun to watch. It’s boring, uninspiring, and I can’t find a way to get invested in the story of Kataan and its people – despite good performances from Sir Patrick Stewart and the other actors present.
“Hot Take” #3: Modern Trek needs to pick a single era (and timeline) and stick to it.
Star Trek, perhaps more so than any other major entertainment franchise, is convoluted. As Trekkies, we love that! The fact that modern Star Trek can explore different timelines, different eras, and broadcast different shows that are entirely separate from one another makes for a diverse and interesting presentation. It also means that we can simultaneously step back in time to before Captain Kirk’s five-year mission while also seeing what came next for Captain Picard twenty-five years after the events of Nemesis.
But try to look at Star Trek from the point of view of a newcomer. Every single one of the five shows currently in production is set in a different time period and location, and just figuring out where to start with Star Trek – or where to go next for someone who’s enjoyed watching one of the new shows – is the subject of essays, articles, and lists. It’s beginning to remind me of Star Wars’ old Expanded Universe – a combination of games, books, comics, and so on that had become so convoluted and dense after decades in production that it felt offputting.
In order for Star Trek to successfully convert viewers of one of its new iterations into fans of the franchise, it needs to simplify its current output. A fan of Strange New Worlds might think that their next port of call should be Picard or Lower Decks – but they’d be completely lost because those shows are set more than a century later.
The lack of a single, unified setting also prevents crossover stories – and these aren’t just fun fan-service for Trekkies like us! Crossovers link up separate Star Trek outings, bringing fans of one show into close contact with another. Just as The Next Generation did with Deep Space Nine (and DS9 did with Voyager), modern Star Trek should make the effort to link up its current shows. There are links between Discovery and Strange New Worlds – but any crossover potential has evaporated due to Discovery shooting forward into the far future.
This also applies to alternate realities, most significantly the Kelvin timeline which is supposedly being brought back for a fourth film. The Kelvin films served a purpose in the late 2000s and early 2010s, but as I’ve argued in the past, is it really a good idea to bring back that setting – as well as its presentation of characters who have recently been recast for Strange New Worlds – with everything else that Star Trek has going on?
In 2009, it was possible for new fans to jump from the Kelvin films to other iterations of Star Trek and keep up with what’s going on. But we’ve had more than 100 new episodes of Star Trek since then across several different eras, some including recast versions of characters who appeared in the Kelvin timeline films. I’m not so sure that a new Kelvin timeline film serves its intended purpose any more.
I wouldn’t want to see any of the shows currently in production shut down before their time. We’ve only just got started with Strange New Worlds, for instance, and I’m hopeful that that series will run for at least five seasons (to complete Captain Pike’s five-year mission!) But as the current crop of shows wind down, the producers at Paramount need to consider their next moves very carefully. Where should Star Trek go from here, and where should its focus be?
Discovery’s 32nd Century is certainly a contender, and setting the stage for new adventures years after the stories we know provides a soft reboot for the franchise while also opening up new storytelling possibilities. But it would also be great to see Star Trek return to the late 24th or early 25th Centuries of the Picard era, picking up story threads from The Next Generation era – Star Trek’s real “golden age” in the 1990s. Setting all (or almost all) of its films, shows, miniseries, and one-shot stories in a single, unified timeline has many advantages, and would be to the franchise’s overall benefit.
Stay tuned, because I have a longer article about this in the pipeline!
“Hot Take” #4: Far Beyond The Stars is an unenjoyable episode, albeit one with a very important message.
This is my way of saying that “I don’t like Far Beyond The Stars” while still giving credit to the moral story at its core. Star Trek has always been a franchise that’s brought moral fables to screen, and Far Beyond The Stars does this in a very intense – and almost brutal – way, shining a light on America’s racist past and present.
But as I’ve already discussed with The Inner Light above, the way in which this story is presented doesn’t really work for me. I find Benny Russell’s story sympathetic… but because what’s happening is so far removed from the events of Deep Space Nine, it’s difficult to turn that investment over the course of a single episode into anything substantial. The “it was all a dream or a vision” explanation also hammers this home; whatever was happening to Captain Sisko was taking place outside of the real world – perhaps inside his head, perhaps as a vision from the Prophets – and thus it doesn’t feel like it matters – in the context of the show – in the same way as other, similar stories.
Far Beyond The Stars is comparable to The Inner Light insofar as it steps out of the Star Trek franchise’s fictional future. In this case, the story returns to our real world a few short years in the past. While there are occasional flashes of Star Trek’s signature optimism, the darker tone of the story combines with its real-world setting to feel different; separate from not only the events of Star Trek, but its entire universe.
“But that’s the whole point!” fans of Far Beyond The Stars are itching to tell me. And I agree! Far Beyond The Stars knows what it’s trying to be and knows the kind of story it wants to tell and goes for it, 100%. I’d even say that it achieves what it set out to. But that doesn’t make it a fun watch, an entertaining story, or an episode I’m keen to revisit. As with The Inner Light, I almost always skip over Far Beyond The Stars when I’m watching Deep Space Nine.
Perhaps if I were an American, more of Far Beyond The Stars’ real-world elements would hit closer to home. But when I first saw the episode in the late ’90s here in the UK, I confess that at least parts of it went way over my head. That’s perhaps my own bias showing – but the whole point of this exercise is to discuss parts of the Star Trek franchise beginning with my own biases and opinions!
Having re-watched Far Beyond The Stars after spending time living in both the United States and South Africa – two societies which continue to wrangle with legacies of structural and systemic racial discrimination – I definitely felt its hard-hitting message a lot more. In fact, Far Beyond The Stars could be a great episode to use as a starting point for a broader conversation about race and structural racism. But having a moral message – especially a very on-the-nose one – doesn’t always make for the most interesting or enjoyable story.
I don’t find Far Beyond The Stars to be “uncomfortable” to watch. The racial aspects of its story have purpose, and even with the progress that America has made since the turn of the millennium, many of the racial issues that Far Beyond The Stars highlights are just as relevant today as they were twenty-five years ago. But I guess what I’d say about the episode is that it doesn’t deliver what I personally find interesting and enjoyable about an episode of Star Trek.
Taken as a one-off, I can put up with Far Beyond The Stars. It didn’t become a major recurring thing in Deep Space Nine, and while Captain Sisko would recall the events on more than one occasion, it didn’t come to dominate the latter part of Deep Space Nine’s run in any way. So in that sense, I’m content to set Far Beyond The Stars to one side, acknowledging what it brought to the table in terms of allegory and morality while being content to rewatch it infrequently.
“Hot Take” #5: Canon matters – up to a point.
There seems to be a black-and-white, either/or debate in the Star Trek fan community when it comes to the franchise’s internal canon. Some folks are adamant that the tiniest minutia of canon must be “respected” at all costs, criticising things like the redesign of uniforms or even the recasting of characters because it doesn’t fit precisely with what came before. Then there are others who say that “it’s all just a story,” and that canon can be entirely ignored if a new writer has an idea for a story. I don’t fall into either camp!
Canon matters because internal consistency matters. Internal consistency is – for me, at least – an absolutely essential part of the pathway to suspension of disbelief. If I’m to believe that transporters and warp cores exist, the way they work and the way they’re presented on screen has to be basically consistent from one Star Trek story to the next.
The same applies to characters. If a character has a background as an assassin and that’s a central part of their characterisation in one story, the next episode can’t arbitrarily change that and make them into a marine biologist because the plot demands it. Characters need to feel like real people, and the world they inhabit needs to operate by its established rules.
Luckily for Star Trek’s writers, there is a lot of flexibility in those rules! Most of the specifics of how individual pieces of technology work have never been delved into in any detail, and there’s a lot we don’t know about even the most basic of things within the Star Trek universe. So new writers find themselves with considerable leeway if they want to make a change or do something differently for the sake of a story.
But there is a limit to that – or at least there ought to be. And the Star Trek franchise has tripped up by introducing new elements that seem to tread on the toes of what has already been established, even if they don’t technically overwrite anything. Spock’s family is a case in point. The Final Frontier gave Spock a half-brother who had never been mentioned, and then Discovery came along and gave him an adopted sister as well. Neither of these additions overwrote what we know of Spock’s family history… but they definitely came close.
On the other side of things, I’m quite okay with Star Trek making changes and updates to its visual style. The redesign of the USS Enterprise that debuted in Discovery and has been expanded upon for Strange New Worlds is a great example of one way that the franchise has modernised its look without really “damaging” established canon. All that’s required to get around the apparent visual changes – for anyone who feels it’s necessary – is to say that the Enterprise must’ve undergone some kind of retrofit in between Pike’s command and Kirk’s.
Where canon matters to me is in terms of characterisation and story. If we’ve established, for example, that the Vulcans and Romulans are related to one another, then future stories must remain consistent with that; there can be no “Romulan origin story” that tries to say that they evolved separately, for example. Likewise for characters. We all love a good character arc – but if a character’s personality and background are established, changing those fundamentals in an arbitrary manner should be off the table.
So to the canon purists, my message is going to be “loosen up a little!” And to the canon ignorers, what I’d say is “internal consistency matters.”
“Hot Take” #6: The Kelvin films got a lot right – and could be textbook examples of how to reboot a franchise.
Even today, more than a decade after 2009’s Star Trek kicked off the Kelvin timeline, I still have Trekkie friends who have refused to watch them. Other fans who showed up at the cinema were unimpressed with what they saw, and the Kelvin films can feel like a controversial part of the Star Trek franchise sometimes. For my two cents, though, although the Kelvin films were imperfect and certainly different to what had come before, they managed to get a lot of things right. I’d even say that Star Trek and Star Trek Into Darkness could be used as textbook case studies in how to reboot a franchise successfully!
Modern Star Trek – from Discovery to Picard and beyond – would simply not exist without the Kelvin films. When Enterprise was cancelled in 2005, it really did feel as though the Star Trek franchise itself had died and wouldn’t be returning. Even as someone who hadn’t been a regular viewer of Enterprise, that still stung! But if there had been doubts over the Star Trek brand and its ability to reach out to new audiences and bring in huge numbers of viewers, 2009’s Star Trek shattered them.
Into Darkness eclipsed even the massively high numbers of its predecessor and remains the cinematic franchise’s high-water mark in terms of audience figures and profitability, so it’s not exactly shocking to learn that Paramount hopes to return to the Kelvin cast for a fourth outing next year! These films took what had been a complicated franchise with a reputation for being geeky and nerdy and skimmed off a lot of the fluff. What resulted was a trio of decent sci-fi action films that may just have saved the franchise’s reputation.
The Kelvin films also gave Star Trek a visual overhaul, modernising the franchise’s aesthetic and visual style while still retaining all of the core elements that longstanding fans expected. Transporters were still there – but they looked sleeker and prettier. Warp drive was still present – but a new visual effect was created. Many of these aesthetic elements have remained part of the franchise ever since, appearing in the various productions that we’ve seen since Star Trek returned to the small screen in 2017.
By establishing an alternate reality, the Kelvin films found scope to take familiar characters to very different places. We got to see how Kirk and Spock met for the first time at Starfleet Academy – a premise that Gene Roddenberry had considered all the way back during The Original Series’ run – but with a twist. Star Trek reintroduced us to classic characters, but put its own spin on them, providing a satisfactory in-universe explanation for why so many things were different.
But at the same time, the inclusion of Leonard Nimoy’s Spock from the prime timeline anchored the Kelvin films, providing a link to what had come before. This reboot wasn’t about erasing anything; it was an expansion of Star Trek into a new timeline, one that had basically unlimited potential to tell some very different stories. The trio of films took advantage of that, and while I would argue that there’s no pressing need to revisit the Kelvin timeline right now, I absolutely do appreciate what they did for Star Trek.
As a reboot, the Kelvin films succeeded in their ambition. They reinvented Star Trek just enough for mainstream audiences to discover the franchise – many for the first time. Some of those folks stuck around and have become big Trekkies all off the back of what the Kelvin films did. They updated Star Trek without overwriting anything, and they set the stage for further expansion and growth. By every measure, the Kelvin films were successful.
That isn’t to say they’re my favourite part of the franchise! But as a fan who wants Star Trek to stick around and continue to be successful, projects like the Kelvin films are essential.
So that’s it!
I hope that this was a bit of fun rather than anything to get too seriously upset about. Everyone is entitled to their own opinions about the episodes, films, characters, and storylines that Star Trek creates, and whether I’m thrilled about something, hated it, or have mixed feelings, I will always try to explain myself and provide reasons for why I feel the way that I do. But at the end of the day, all of this is just the subjective opinion of one person!
We’re very lucky to have so much Star Trek content coming our way in the next few years. It seems like the franchise will make it to its sixtieth anniversary in 2026 with new films and episodes still being produced, and there can’t be many entertainment franchises that could make such a claim to longevity!
There are definitely points on the list above that I could expand upon, and I’m sure I could think of a few more “hot takes” if I tried! So stay tuned for more Star Trek content to come here on the website as we move into the summer season.
The Star Trek franchise – including all properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 2. Spoilers are also present for Star Trek: Voyager and Star Trek: The Next Generation.
As the dust settles on Season 2 of Star Trek: Picard, there are still questions that remain. Season 3 may build on some of what Season 2 brought to the table – the strange anomaly, most notably – but other narrative elements will fade into the background and won’t be revisited. For me, one of the unexplained elements that I found intriguing as the season wore on concerns Q. Specifically, what was it that caused this once-immortal superbeing to be reaching the end of his life? What caused Q to die?
For the sake of the story that Picard Season 2 aimed to tell, finding a cause for Q’s death was not strictly necessary. The point of Q’s story and Picard’s relationship with him wasn’t to figure out what was happening, find a cure, or reverse it, but to come to accept it and for Q to find forgiveness and redemption at the end of his life. In that sense, there wasn’t really a narrative problem with the idea of Q dying – but as Trekkies and as fans who’ve followed Q’s journey over the span of more than three decades, it definitely feels like there’s a missing piece of the puzzle. Even if Q’s death was inevitable, explaining why it was happening in the first place would have felt satisfying.
We’ll probably have to address this in more detail when I get around to writing a proper retrospective-review of Season 2 as a whole, but one aspect of Q’s death that I feel wasn’t handled well is how nonchalant Picard seemed to be about it. Despite all the trouble he’s caused, the story here was about Picard finding a way to forgive Q and embrace the friendship he had been offering for decades. Wouldn’t someone like Picard have wanted to find out why his friend was dying? And wouldn’t someone like Picard want to do everything in his power to prevent it?
Even if we drop the “friendship” angle, Q is a unique life-form from Starfleet’s perspective. As a being who had been considered to be functionally immortal – or as close to it as the Federation has ever encountered, at least – learning more about the Q as a race and what could possibly harm them seems like an opportunity that a Starfleet Admiral shouldn’t have passed up. Even if it wasn’t possible to find a way to save Q’s life, I would have expected Picard to offer to try. And even if Q was unwilling to share too much information about his condition, his people, and the state of the Q Continuum, I would have expected Picard to have at least asked – and to have not immediately taken “no” for an answer.
Perhaps a longer season (or a season that was better-paced and didn’t waste time reaching its conclusion) could have dedicated more time to Q and included some of those questions. In Farewell, the Season 2 finale, Picard seemed to very quickly acknowledge that Q was dying, accept that fact at face-value, and made no effort to follow up on it or ask questions about it. While I understand why it happened that way in terms of the story, it leaves Q’s death feeling like it’s missing something critical – something that could’ve furthered our understanding of both Q himself and the Q Continuum as a whole.
So today, that’s what we’re going to talk about. We’re going to consider a handful of possibilities for why Q might’ve died at the end of Picard Season 2 and look at the pros and cons of each from both an in-universe and production-side perspective. It goes without saying that all of this is speculative and purely subjective; Q’s cause of death is highly unlikely to be explained on screen in the near future, and if you don’t like my ideas or I miss out something you do like, remember that this is all just the opinion of one person!
With all of that out of the way, let’s begin.
Theory #1: Q was being punished by the Q Continuum.
In The Next Generation Season 3 episode Deja Q, we saw Q come face-to-face with mortality for the first time. In that story, Q had his powers taken away by the Q Continuum – or whatever passes for the leadership of the Q – and found himself a mortal human. This seems to establish the principle that the Q Continuum has the power – in both a legal and physical sense – to strip individual Q of their immortality.
Though somewhat contradicted by the events of the Voyager episode Death Wish – in which it was strongly suggested that a member of the Q Continuum dying is something its leaders sought to prevent at any cost – Deja Q at least gives us something to work with. It was the first episode that established that certain members of the Q Continuum could inflict this kind of punishment on others, and while the specific nature of the Q Continuum and its power structure (if such a thing exists) is suitably vague, we at least have a starting point of sorts!
Based on what we know about Q himself, and specifically his role in causing the death of a fellow Q, sparking a Q Civil War, and creating the first “baby” Q in thousands of years, perhaps we can piece together that the Continuum were not happy with Q’s behaviour and actions. Could it be possible that, after what Q did in episodes like The Q and the Grey, the leadership of the Continuum turned on him?
Given that we’ve also seen the Q Continuum strip powers – and immortality – away from at least two other Qs, this kind of punishment by the Continuum has to be a pretty high probability for explaining what happened to Q. Regardless of what reasons the Continuum may have had, as far as we know they’re the only ones powerful enough to force a Q to become mortal.
Theory #2: The entire Q Continuum has been attacked.
This was a theory that I hatched during Season 2 – so it may be familiar to you if you followed along with my weekly theory posts! In short, it seemed possible to me that one explanation for Q’s condition could be related to the Q Continuum itself. If the Continuum had been attacked by some outside force, maybe that could explain what was happening to Q – and it could also explain a cryptic line in Discovery Season 4. Admiral Vance explained to Captain Burnham that the 32nd Century Federation has had no contact with the Q Continuum in over 600 years – and while the events of Picard Season 2 took place approximately 780 years before that conversation, perhaps the two are linked somehow.
One line from Guinan in Picard Season 2 is also of interest here. Guinan described a “cold war” between her people and the Q Continuum in the past, a conflict that was eventually resolved. But based on what we know of the two races, a “cold war” doesn’t seem plausible, does it? The Q are immortal and god-like, and while the El-Aurians certainly have abilities of their own, they’re very much a race of mortals – a race who were conquered by the Borg. So any conflict between the Q and the El-Aurians should’ve been a one-sided rout. That is, unless the El-Aurians knew of some kind of weakness inherent in the Q.
Some kind of weak point in the Q Continuum would seem to be the only possible explanation for how the El-Aurians could pose any semblance of a threat. That weakness (whatever it may be) could be something that another faction discovered, and instead of negotiating as the El-Aurians had, they might’ve gone on the attack. Or after the El-Aurians were assimilated by the Borg, the Q Continuum’s weakness could’ve become known to them – which could mean that the Borg are responsible for attacking and defeating the Q.
So there are possibilities here – some of which are more plausible than others, admittedly – based on what we know! It isn’t clear whether the powers of an individual Q are tied in any way to the Q Continuum – but it’s possible that they are. If so, perhaps a weakness in the Continuum weakens every surviving Q, and the defeat or destruction of the Continuum would reduce the power of any Q who remained. It seems a possibility to me – even though it was never stated on screen.
Theory #3: The Q Continuum was destabilised after its Civil War.
Voyager established that the Q Continuum devolved into civil war in the late 24th Century, with two opposing factions. The war came to an end with the birth of a new Q – the first such child in thousands of years. However, as Captain Janeway suggested toward the end of the episode: it doesn’t seem like having a baby would solve the underlying tensions within the Q Continuum.
While the causes of the war and its details were, in Q’s words: “beyond the understanding of humans,” it stands to reason that not only were the underlying issues not fully resolved, but that the fact that the Q Continuum was at war with itself in the first place would be hugely destabilising. After what seems to have been millennia of peace and quiet the Q Continuum was shattered by civil conflict, and as we know from out here in the real world, the consequences of wars – even brief ones – can be incredibly devastating and long-lasting.
Even if war never resumed between the two factions, there was still a lot of cleaning up to be done, rebuilding to achieve, and the need for reconciliation between one-time enemies. We don’t know for sure what kind of resources the Q Continuum might need to sustain itself, but it’s possible these were reduced or exhausted by the war, too. In the conflict’s aftermath, it’s even possible that two distinct Q Continuums were created.
Taking the Q Civil War as a starting point, we could argue that a general destabilisation of the Q Contniuum itself may have occurred. In the aftermath of the Civil War, perhaps the Q Continuum even collapsed, and individual members of the Q were left to fend for themselves. Without the support and resources of a united and undamaged Continuum, perhaps individual Q began to lose their powers and their immortality.
Theory #4: Death by natural causes.
This seems to be what Picard Season 2 at least implied was happening to Q. Q gave no explanation for his impending death, seeming not to know why it was happening, and the explanation could simply be that Q reached the end of his natural life. To us, members of the Q Continuum may seem immortal, but it’s possible that they have a natural lifespan – even if it’s imperceptible to humans because it’s measured in millions or billions of years.
Q, despite appearances, may be one of the oldest members of the Q Continuum, and could thus be the first – or the first in many years – to reach such a ripe old age. He may not know what’s happening to him because death is incredibly rare in the Q Continuum, and a death by natural causes or old age simply hasn’t happened in a very long time.
We also don’t know how long Q has been flitting about the galaxy – nor how long it has been for Q in between visits to Picard. From Picard’s point of view, he last saw Q approximately 30 years ago (during the events of All Good Things at the end of The Next Generation). But has it only been 30 years for Q?
A being that can travel through time could have spent millions or billions of years away from Picard before reuniting with him. Q could have travelled back in time to the Big Bang and done other things for 13.8 billion years… then gone back to the Big Bang again and spent another 13.8 billion years killing time and doing his own thing before finally returning to Picard. In short, Q may be far, far older than we assume, and it might’ve been a lot longer in between visits than the 30 years of linear time that Picard experienced. All of these could explain why Q was coming to the end of his life.
Bonus Theory: Q didn’t really die or was saved at the last moment.
If there’s no body, is anyone in film or TV really dead? Star Wars uses this trope to an excessive degree! But maybe it’s true in Star Trek, too. After Q’s final “snap” that sent Picard and the crew of La Sirena back to the 25th Century, we don’t know what became of Q. Did his body dissipate into energy? Was he vaporised? Did his empty corpse collapse in a French vineyard while Rios and Teresa looked on?
Though it would completely undermine the powerful and deeply emotional sequence at the end of Season 2, maybe the real end to this story has yet to be written. Somehow – perhaps through the intervention of another member of the Q Continuum – Q actually survived, or was reborn immediately after sacrificing himself.