section 31 series – Trekking with Dennis

Will the Section 31 series get a second chance?

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3, Star Trek: Strange New Worlds Seasons 1-2, and Star Trek: Lower Decks.

Michelle Yeoh, who played the roles of Captain Georgiou and her Mirror Universe counterpart on Star Trek: Discovery, has recently won a Golden Globe award. Her role in the mind-bending multiverse adventure Everything Everywhere All At Once has also landed her an Oscar nomination, and with Yeoh’s star rising in Hollywood, some Trekkies have begun asking whether the seemingly-abandoned Star Trek series based around Section 31, in which she was set to take a leading role, might be given a second chance by Paramount. Today I thought it could be interesting to revisit the Section 31 series and reevaluate its prospects.

There’s more than one reason why the original Section 31 pitch didn’t get off the ground, and we should consider why the series has been stuck in development hell for more than four years. Firstly, we have the character of Georgiou herself. This Mirror Universe character was, at the time the series was announced, pretty one-dimensional. Thanks to a solid performance by Michelle Yeoh, she didn’t stray into the horrible pantomime-level over-acting that trips up many other Mirror Universe characters, but there really wasn’t much to indicate that this lover of murder and torture could be anything more than just a bland, one-dimensional Mirror Universe trope – at least, not as of the end of Discovery’s first season.

There are multiple reasons why Section 31 didn’t succeed when it was first announced.

It took multiple appearances across Seasons 2 and 3 of Discovery, and the two-part Georgiou spotlight episode Terra Firma in particular, to begin to soften that hard Terran exterior. By the time Georgiou entered the Guardian of Forever’s portal in the 32nd Century, there was definitely potential in her character, and seeing what would come next for her had finally begun to feel like something fans might be interested in.

Had the Section 31 show been announced at that stage, rather than two years earlier, I daresay the reaction would’ve been a lot more positive. But Paramount jumped the gun and announced the series too early, the predictable result of which was a muted, underwhelmed reaction from both Trekkies and a wider audience. Without significant numbers of fans asking for the show – or even seeming to be anything more than mildly interested in it – Section 31 was, to coin a phrase, dead on arrival.

Michelle Yeoh during production on *Discovery* Season 1.

We also can’t overlook another huge factor: Captain Pike. I don’t think it’s fair to say that Anson Mount’s portrayal of Pike in Discovery’s second season was somehow fatal to the Section 31 show’s prospects, but it clearly played a part. Along with Ethan Peck as Spock and Rebecca Romijn as Una, the reception to Captain Pike in Discovery was overwhelmingly positive. In 2019, it was clear which characters fans wanted to see more of – and which they were, at best, apathetic toward.

This seemed to catch Paramount off-guard, with no plans afoot for extending Pike and Spock’s roles on Discovery. The corporation had to spend time in the aftermath of Discovery’s second season bringing these characters back, initially for a few episodes of Short Treks before Strange New Worlds was eventually greenlit. I think this speaks to a broader problem at Paramount, with the people supposedly in charge of the Star Trek franchise clearly unable to tell what will be a hit and what won’t… but maybe that’s a discussion for another time!

The huge success of Anson Mount’s portrayal of Captain Pike in *Discovery* Season 2 seemed to catch Paramount unawares.

Regardless, when Section 31 was announced in 2019, it didn’t win a huge amount of support out of the gate. Then Discovery’s second season came along, and fans were clamouring for more Pike and Spock. Resources may have shifted to planning Strange New Worlds, and Section 31 took a back seat.

Although Terra Firma was a great story – probably the best Mirror Universe story the franchise has ever told – after Georgiou’s departure, we still didn’t really see a huge amount of interest in Section 31. Sure, some folks were talking about it, and it would crop up occasionally in online conversations, but when compared to the constant questions Paramount had been fielding about Pike and Strange New Worlds, it was hardly lighting up the board. Even the teased but still unannounced Starfleet Academy series seemed to have generated more attention.

Burnham, Georgiou, and the Guardian of Forever.

I’m not alone in having speculated that Section 31 might’ve been quietly cancelled sometime in the last couple of years. The total lack of news from Paramount, even during events and panels where the conversation turned to future and upcoming projects, has combined with news from the project’s writers and even comments from Michelle Yeoh herself to paint a pretty clear picture of a project that isn’t going ahead. But will Yeoh’s newfound superstar status change all of that?

It would be a coup for Paramount and for the Star Trek franchise to be able to launch a series with a Golden Globe winner and – potentially, at least – an Oscar winner as its lead. By essentially piggybacking off of Michelle Yeoh’s success and status, the Section 31 series could draw in a wider audience than other Star Trek projects, and expanding the franchise beyond its existing fandom and viewer base has to be something Paramount works on in the months and years ahead. Thinking selfishly and cynically, this could be a way to achieve that objective.

Michelle Yeoh won a Golden Globe earlier this year.
*Photo Credit: NBC*

But unless Paramount had the foresight to lock Michelle Yeoh into a contract back in 2019 that would still be valid, her rising star power will undoubtedly come with a growing price tag. The Section 31 series has already gotten a lot more expensive to create – and it’ll only get pricier if Yeoh wins an Oscar! But as they say, you can’t always put a price on success, and having someone of Michelle Yeoh’s calibre in a leading role would be a huge net positive for the Section 31 series.

We’ve already heard comments from Alex Kurtzman and others involved on the production side of Star Trek since Everything Everywhere All At Once started picking up Oscar buzz. These comments seem to indicate that the Section 31 show’s prospects aren’t completely bleak, and I wouldn’t be at all surprised to learn that Paramount is now scrounging around trying to bring Michelle Yeoh back and to potentially revive the Section 31 series.

Alex Kurtzman is in overall creative control of the Star Trek franchise for Paramount.

We’ve talked a lot about Paramount’s mishandling and mismanagement of the Star Trek franchise over the past couple of years, and I think the Section 31 series is another example of that. It was announced in early 2019 to try to reaffirm the corporation’s dedication to Star Trek and what was then still called CBS All Access, as well as to generate a bit more attention and interest in Discovery’s second season. But Paramount had had months to process the reaction to Discovery Season 1, and to see that Mirror Georgiou, while not exactly hated by fans and viewers, was not in a position at that time to carry a series.

I have to assume that the broad strokes of Georgiou’s arc had been planned out at the time of the Section 31 series’ announcement, and that giving her some much-needed character development was on the agenda. But looking in from the outside, even as a fan it was hard to see where such a flat, one-dimensional character might go. For the casual viewers who make up the bulk of any show’s audience, creating a spin-off from Discovery based around Mirror Georgiou must’ve seemed utterly incomprehensible.

Georgiou stepping into the Guardian of Forever’s portal.

Higher-ups at Paramount should have realised that they were onto a winner with Pike and Spock, and plans should have been made during production on Discovery’s second season – or immediately after when responses from test audiences were reviewed – to create the show we now know of as Strange New Worlds. Had that project been “shovel-ready” in 2019, and been announced during Discovery’s second season, I think Paramount could have netted an easy goal.

Section 31 should have been announced in December 2020, shortly after Terra Firma had aired. By that point, Georgiou was finally ready to take on the leading role in a new series, and the reaction from fans would have been significantly more positive. By jumping the gun and trying to announce it too early, Paramount did serious harm to the Section 31 show’s prospects. Whether that harm will prove fatal is now, quite frankly, entirely in the hands of Michelle Yeoh.

Michelle Yeoh in *Everything Everywhere All At Once*.

The Section 31 series has several things going for it, as I see it. Of course we have the wonderful Michelle Yeoh in the leading role, and that’s fantastic! But beyond just one actress, there are some genuinely great concepts. Taking the Star Trek franchise in a different direction, with a focus on espionage, would open up completely different storytelling ideas. The franchise has touched on this in the past in more ways than one, but having a series where stealth and spying are part of the foundations would be something new.

Then we have the show’s significantly darker tone. In past Star Trek stories, Section 31 was presented as a shadowy, off-the-books, black ops organisation, the kind of outfit that would do anything to protect the Federation – even violating Federation laws. The potential to tell stories where the question viewers will have to contemplate is “do the ends justify the means?” is truly a fascinating one. Star Trek has touched on this in the past, but to place this idea in focus is, again, a new idea.

Sloan in *Deep Space Nine* first introduced us to Section 31.

The kinds of characters who might make up a Section 31 outfit also have a ton of potential to be interesting. There’s a lot of room for nuance, and also for characters with hidden pasts and deep secrets. We could even see a character from a totally unknown alien race, and have a storyline exploring why this race might choose to remain hidden. There’s a lot that the Section 31 series could do with the characters who might join Georgiou.

If the show were to return to the 23rd Century, as was implied in Terra Firma, it would be possible to cross over with Strange New Worlds. Strange New Worlds currently has a crossover event planned with Lower Decks – and I can’t wait to see it! But a crossover with another live-action Star Trek show would be fantastic, too. The 23rd Century would also allow the Section 31 series to potentially pick up characters like Ash Tyler, who was himself a Section 31 leader, and continue their arcs.

A crossover with *Strange New Worlds* could be incredible.

Whether any of this will happen, though… who can say? Paramount would be stupid to write off the Section 31 series at this time, and if there was some way to re-announce it shortly after the Oscars, perhaps… that could be a great idea!

I was one of the Trekkies in 2019 who felt that this series wasn’t the best idea, and while I’m happy now to admit to being completely wrong about that… Paramount has to take its share of the blame here, too. Announcing the show at a time when its lead wasn’t ready, just after Picard had been announced and with a return to the late 24th Century finally on the agenda… it was just the wrong moment. Not for the first time, I find myself saying to Paramount that serious introspection is needed and lessons must be learned. Why did no one involved in Discovery’s production realise what the reception would be like for Pike and Spock? If plans had been made for Georgiou’s development, why was this not communicated at the time? And why was the show announced weeks after Star Trek: Picard had been?

The renewed interest in Section 31 at Paramount has been spurred on by Michelle Yeoh’s success in Everything Everywhere All At Once, and I don’t think anyone would deny that. Whether that will be enough to revive the series and see it finally enter production, though… I’m not certain. While I firmly believe Paramount should move mountains to try to see it through, they no longer hold all of the cards. It’s up to Michelle Yeoh, newly-minted award winner, to decide what direction she wants to take for her career. If she chooses to stick to feature films, no one will blame her!

The Section 31 series was announced prematurely. By the time it was narratively ready, any hype and attention it could’ve gotten had long since faded, overtaken by Picard, Strange New Worlds, and others. This is Paramount’s fault, and the corporation will need to learn lessons from this episode as it moves forward. The last thing Star Trek needs is a repeat of this kind of mistake in future!

I’ll cross my fingers for positive Section 31 news this year. With Picard ending after its third season, there will be a potential opening in the Star Trek lineup… could Section 31 take that spot?

The Star Trek franchise – including all titles and properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

There are two unannounced Star Trek projects being worked on. What could they be?

Sun 21.08.22Sun 21.08.22Dennis

Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including Picard Season 2, Strange New Worlds Season 1, and Discovery Season 4.

It’s been known for a while that there are unannounced Star Trek projects that are being worked on behind-the-scenes, and from time to time someone senior at Paramount will re-confirm this fact in public! Just last month at Comic-Con, we got yet another statement about these secretive projects, this time from Alex Kurtzman himself – the man who’s in charge of the overall direction of the Star Trek franchise. Kurtzman stated that there are two unannounced series that are in active development, so today I thought it could be a bit of fun to speculate about what exactly those projects could involve!

In the past I’ve put out lists of prospective Star Trek shows, but this time I want to be more focused. Rather than wild speculation or pure fantasy, I want to stick as close as possible to what we know based on statements that have been made in public, filings by Paramount, and plausible rumours from around the Star Trek franchise. Rather than saying “here’s a list of my fantasy Star Trek projects,” I want to try to stay realistic and consider some projects that feel genuinely plausible. So that’s what we’re going to do today – no “hospital ship” or “colony world” concepts here! As nice as those would be from my perspective, they don’t seem like ideas that are being actively considered by Paramount at the moment.

Alex Kurtzman is in charge of the Star Trek franchise for Paramount.
*Photo Credit: Gage Skidmore, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons*

Despite wanting to stick to the real world as much as possible, my usual caveat applies: I have no “sources” close to the production of Star Trek nor any “insider information.” I’m not trying to say that any of these projects are definitely going to be made, let alone that an announcement may be imminent! I’ve tried to base the entries on this list on statements from people involved with Star Trek, official notices and filings from Paramount, and plausible, persistent rumours – but all of it could be easily wrong or otherwise untrue. So please take all of this with more than a few grains of salt!

The reason why I’m putting together this list now is twofold. Firstly, Star Trek Day is coming up in just under three weeks from now, and there’s the possibility of a big announcement as part of that event. Secondly, Season 3 of Picard will be that show’s last, so in my view Paramount will already have something lined up to replace it – and an announcement of that project may be forthcoming sooner rather than later. Announcing Picard’s replacement too close to its third season risks overshadowing the show as it comes to an end; getting the announcement out of the way ahead of time will give fans time to properly digest it.

So with all of that out of the way, let’s jump into the list!

Series #1:
Section 31

Sloan, director of Section 31 during the Dominion War era.

Although a series based around Section 31 has technically been “announced,” the lack of any official news for almost four years at this point clearly means that the series has hit some bumps in the road. While I wouldn’t be surprised at all to learn that it’s been cancelled altogether, it’s still possible that the Section 31 series will be reworked and perhaps even re-announced along with a premiere date.

As I’ve said more than once, the Section 31 series was announced far too early. Not only was it completely overshadowed by the hugely positive response from fans to Captain Pike and Spock in Discovery’s second season – something that seemed to catch Paramount completely off-guard – but its main character desperately needed the development she would receive in Discovery’s third season in particular before she could begin to feel like someone who could carry her own spin-off.

At the time the Section 31 series was first announced, many fans viewed Georgiou as a kind of sociopathic monster.

When the Section 31 series was first discussed, Michelle Yeoh’s Empress Georgiou was about as flat and one-dimensional as Star Trek characters get. Moreover, she wasn’t just a villain, she was a psychopathic, genocidal monster who kept slaves, ate sentient beings, and seemed to revel in torture, violence, and death. Even for an organisation as roguish and off-the-books as Section 31, Empress Georgiou seemed extreme – and asking fans to support a series centred around a character like that was, for many, too much.

It wasn’t until the two-part Season 3 episode Terra Firma that we really saw a change in Georgiou. After spending time away from the Mirror Universe she began to view aliens as equals rather than sub-human, and had even adopted some Federation-inspired ways of thinking. By the time she stepped into the Guardian of Forever’s portal she had changed just enough that she could be an anti-hero rather than an out-and-out villain, and both she and the Section 31 series needed that development.

Georgiou enters the Guardian of Forever’s portal in *Terra Firma, Part 2*.

My gut still says that the Section 31 series isn’t going to happen, and we should brace for a quiet cancellation sometime in the future rather than a big announcement. I haven’t heard anything about the series since its premature announcement back in January 2019 that sounded even slightly positive, and with Star Trek branching out in different directions, it’s possible that Section 31 simply missed the boat.

However, at time of writing the Section 31 series still exists, Paramount has retained the trademarked name, and it isn’t impossible to think that it will be revived. Perhaps a new team of writers and producers will take over the project and rework it in some way – potentially even without Empress Georgiou.

Series #2:
Seven of Nine and Raffi

Seven of Nine and Raffi at the end of *Picard* Season 2.

With Picard concluding its run before any of the other current Star Trek projects, a spin-off from that series feels like a distinct possibility when considering its replacement. The time period that Picard established – the dawn of the 25th Century – is not represented by any other current Star Trek project, so if Paramount wants to keep that era alive – and potentially bring in more legacy characters from Deep Space Nine and Voyager – then a series occupying the same timeframe could be a possibility.

A lot of work went into Picard Season 2 in terms of sets being constructed for the brand-new USS Stargazer – but those sets were only used in the premiere and the second half of the season finale. That seems like a lot of work for relatively little screen time, so part of me has been wondering ever since whether those sets may be destined for use in a spin-off project!

Could a Seven and Raffi series be set aboard the new USS Stargazer?

With Seven of Nine being awarded a role in Starfleet at the end of Picard Season 2, she could be being groomed for command. Depending on how she and Raffi get on in Season 3 – which we’ll see in the first half of next year – a spin-off could see those two characters headline a new show, perhaps one set aboard the USS Stargazer.

Seven of Nine was, at one time, my least-favourite Voyager character. But Picard has given her some much-needed development that led into a wonderful arc across both seasons of the show so far, culminating in her taking the Stargazer’s captain’s chair in the Season 2 finale. I would never have expected to write these words in 2000-2001, but I think I’m ready for a Seven of Nine series!

Seven of Nine takes the captain’s chair.

Both Seven and Raffi have tactical backgrounds, so we could potentially see a series set aboard a kind of rapid-response vessel. The Stargazer’s mission could be less about exploration and more tactical in nature, potentially serving as Starfleet’s “muscle” in dangerous situations. That concept isn’t one that Star Trek has done before (not as a whole series, at least) so it would be something different for the franchise.

There are other 25th Century concepts that could replace Picard, but a direct spin-off featuring at least one new character that was introduced in that series could be just what the Star Trek franchise needs. Keeping some consistency and some ties between different projects isn’t a bad idea, and I’m sure that a Seven and Raffi series could find a way to stand on its own two feet without the presence of Admiral Picard.

Series #3:
Project Khan and/or Ceti Alpha V

Iconic Star Trek villain Khan could make a return.

Earlier this year it was reported that Paramount had trademarked the name Project Khan. This follows on from a pitch by The Wrath of Khan writer/director Nicholas Meyer, whose project would focus on Khan’s life in between the events of Space Seed and The Wrath of Khan. Although these two ideas could be totally separate, there does seem to be an appetite from someone at Paramount to see this iconic villain make a comeback.

If we take the two ideas as separate for now, Project Khan could be connected to the Eugenics Wars, and could even be a spin-off from Picard. Season 2 antagonist Adam Soong very prominently picked up a folder titled “Project Khan” at the end of his storyline, with the series seeming to imply that he plans to resume working on some kind of genetic engineering.

How might this moment from *Picard* Season 2 connect to *Project Khan*?

This is a complete hypothetical, but if we were to get a series starting from that point, Khan himself may not appear. This could be a Brent Spiner project with Adam Soong attempting to recreate Khan’s work in the 21st Century, and could potentially see things like the outbreak of World War III, which purportedly happened in that era. Such a series could see the return of Chris Rios and Dr Teresa Ramirez – they could be trying to stop Dr Soong’s work.

Alternatively, Project Khan could step back to before the events of Picard and focus on Khan’s rise to power in the 20th Century. This would be an interesting concept, but it would have to be handled delicately. In short, the Star Trek timeline has, until now, been pretty vague about events in the modern day and how they relate to real-world history. If it were set in the 1990s, Project Khan could completely transform our knowledge of that era – but it could also tread on the toes of a number of other Star Trek stories.

Then we come to the Ceti Alpha V pitch. As much as I admire Nicholas Meyer’s work on Star Trek, I have to be honest: this isn’t a series I would give the green light to if I were in charge. We’re talking about the least-interesting chapter of a story where the ending is already known, and I just don’t see what Ceti Alpha V could tell us about Khan or his ambitious plans that we don’t already know from Space Seed and The Wrath of Khan.

There is the tantalising possibility that a Khan-focused project could connect with Strange New Worlds, though, as the character of La’an Noonien-Singh is a descendant of Khan. That could certainly be a point in favour of doing a new Khan story. Last year I took a longer look at the Ceti Alpha V concept, and you can find that article by clicking or tapping here.

Series #4:
Starfleet Academy

The logo of Starfleet Academy in the 24th Century.

Last year (at Star Trek Day) Alex Kurtzman came pretty close to confirming that a Starfleet Academy series may be in the works. It’s certainly the nearest we’ve gotten to any kind of outright confirmation – and as above, Starfleet Academy is a title that Paramount has trademarked, this time all the way back in 2018.

Combine that with what felt like a bit of a backdoor pilot during Discovery’s fourth season, and I think we have a solid case to make that a Starfleet Academy series could be in the works! The Discovery Season 4 episode All Is Possible featured Lieutenant Tilly heading off on an away mission with a trio of new Starfleet cadets at the recently-reopened Starfleet Academy. It ended with her deciding to take up a permanent teaching post at Starfleet Academy and departing the USS Discovery – although she would reappear in the season finale.

All Is Possible definitely feels like a backdoor pilot, although the attention wasn’t on Tilly and the cadets all of the time. Tilly’s presence would connect the series to Discovery in a major way, and there’d be the possibility of crossover episodes with both shows set in the same 32nd Century time period. A Starfleet Academy show could also feature David Cronenberg’s character of Dr Kovich – a somewhat mysterious character who I still can’t figure out!

Alternatively, a Starfleet Academy series could ignore the 32nd Century and instead be set in the 25th. This version of the series could feature characters like Raffi and Elnor – the latter of whom is a cadet, and who was resurrected at the last minute in a sequence in the Season 2 finale that feels seriously underwhelming right now. Perhaps Elnor’s survival could be given new meaning and purpose if he were to be a major character in a Starfleet Academy series.

As a series concept, Starfleet Academy has been around the longest! While The Original Series was still in production in the 1960s, Gene Roddenberry came up with the idea of a show that would have focused on young Kirk and Spock during their Academy days – something we eventually saw (albeit in an alternate timeline) in 2009’s Star Trek reboot film.

I feel like a Starfleet Academy series could be a strong addition to the franchise. Not only would it be something different, but it could also be a great first contact for younger viewers – and perhaps even a second port of call for those who’ve recently become fans of Prodigy, too – as they find their way into the Star Trek fandom. Having several cadets as major characters would mean younger viewers could find this iteration of Star Trek easier to relate to and get started with, and that can only be a positive thing. I took a longer look at the Starfleet Academy concept last year, and you can find that article by clicking or tapping here.

Series #5:
Enterprise Season 5/The Earth-Romulan War

The NX-01 Enterprise and two Romulan vessels.

This one is a bit more speculative, but I’m not the only one to wonder if there may be an attempt to bring back the 22nd Century in the near future. Calling this one “Enterprise Season 5″ might be a bit of a stretch, but any 22nd Century project could bring back at least some of the characters from that series for another adventure.

Prior to its cancellation in 2005, there were plans being drawn up for a fifth season of Enterprise. According to one of the show’s producers, if it had gone ahead Season 5 would’ve shown more of the origins of the Federation, and particularly the Earth-Romulan War that was first referenced in The Original Series. That could be the starting point for a revived Enterprise or a new 22nd Century series.

The Earth-Romulan War was established in *The Original Series* Season 1 episode *Balance of Terror*.

The Earth-Romulan War is a major event in Federation history, one that pushed the founding members of the Federation closer together. It was also a devastating conflict in its own right, and a series focusing on the war could have echoes of Deep Space Nine’s Dominion War arc. Star Trek can do war stories incredibly well – as we’ve seen in episodes of Discovery and Strange New Worlds just in the last couple of years – so this could be a great fit for an expanding franchise.

Any franchise has to be careful about coming across as too backwards-looking and introspective if it dives deeply into chapters of its own lore and backstory, but I think there’s space as Star Trek continues its renaissance to potentially step back to the time of the Earth-Romulan War. I know a lot of fans would happily welcome back Captain Archer or any other members of the Enterprise crew, so this project could be a real “love letter to the fans.”

There were a number of factors that led to Enterprise’s cancellation in 2005, and although it was sad at the time, in many ways the Star Trek franchise needed a break and a reset. But maybe the time is right to bring back some of the characters and stories that had been conceived for unproduced seasons of Enterprise now that the franchise is back on solid ground.

There are definitely arguments to be made against establishing yet another different time period for Star Trek, as the franchise can already feel overcomplicated, especially for newcomers. But there are points in favour of returning to the 22nd Century, too, particularly if a series had a relatively tight focus on something like the Earth-Romulan War.

Series #6:
Captain Worf

Worf on a promo poster for *Picard* Season 3.

Along with most of the rest of the main crew members from The Next Generation, Worf will be returning in Season 3 of Picard next year. It’s no secret that actor Michael Dorn has been talking up his own “Captain Worf” idea for the better part of a decade, and with the casting announcements for Picard, part of me has been wondering if that show’s final season might lead into a Worf spin-off.

As the character with the most Star Trek appearances to date – 274, in case you were wondering – we’ve spent a lot of time with Worf already! We’ve seen our favourite Klingon wrangle with his heritage and his duty to Starfleet, gain promotions, establish friendships with two different casts of characters, become a father, get married, become a widower, and much more besides. Is there room for another chapter in Worf’s life after the events of Deep Space Nine? I still think that’s an open question!

Is there room for new Worf-focused stories?

This one really depends on how Picard Season 3 goes down. Executive producer Terry Matalas has described Picard Season 3 as being a “send-off” for the crew of The Next Generation, presumably including Worf, and that sounds pretty definitive and final. We may see some characters killed off as the season goes on, especially if Picard and the crew are facing off against some kind of galaxy-ending threat. Even if Worf survives, it’s possible that all of the characters’ stories will come to a conclusive end, and if that’s the case there may be no room – and no need – for a Captain Worf series.

But it’s also possible that Picard Season 3 will be testing the waters to see whether certain spin-off ideas are viable. We’ve already considered the possibility of a Seven of Nine and Raffi series, and that’s one possibility. But maybe there’s a chance that, if fans respond incredibly positively to Worf in his new role, he could finally take the lead in his own series.

Worf as he appeared in Season 1 of *The Next Generation*.

For me, I feel that Worf in a leading role is an untested idea, and one that may not work. Although there are nuances in Worf’s characterisation, many episodes of The Next Generation and Deep Space Nine played up his Klingon traits, and while I’d never call him something like “flat” or “one-dimensional,” there’s definitely a case to be made that a character like Worf works best in a supporting role rather than a leading one.

But we can reserve judgement on that until we see what role has been created for Worf in Season 3 of Picard. Maybe he’ll get a fantastic ending to his decades-long story, one that feels conclusive and satisfying, rounding out his arc and tying up loose ends from both The Next Generation and Deep Space Nine. But maybe, just maybe, he’ll establish himself as the next character deserving of a spin-off project.

So that’s it!

Paramount (and subsidiary CBS Studios) has trademarked other names associated with the Star Trek brand that may be connected with shows or films that are currently in development, but it’s very difficult to know what to make of some of them! Vague titles like Star Trek: Destiny, Star Trek: Revolution, or Star Trek: Reliant have all been trademarked over the past few years – though several of these have now lapsed and haven’t been renewed. It isn’t clear whether any or all of these names were even intended to be used for films and television shows, or whether they were meant for merchandise and other projects. The interesting-sounding Star Trek Continuum trademark, for example, isn’t connected with a film or TV show at all, but is instead an official line of awful-looking NFTs.

For now at least, these are the Star Trek projects that seem to be the most likely based on what we’ve heard through official and unofficial channels. It’s definitely possible that work is ongoing in secret to develop some completely different Star Trek projects that we can’t predict at the moment, but in terms of what may be announced in the weeks or months ahead, the projects we’ve talked about today feel the most likely.

Next month’s Star Trek Day could be the venue for a big announcement…

Although trademarks exist for Ceti Alpha V and Starfleet Academy, if it were up to me I’d pick a 25th Century series to fill the hole that will be left when Picard finishes its run. Lower Decks and Prodigy will still be representing the late 24th Century, but I think it’ll feel like something’s not right if the 25th Century that Picard has only just begun to explore is abandoned with that show’s conclusion. Not only because we won’t get to carry on the journey, but because that era feels like the natural next step for a franchise that found so much success in the 1990s with shows set in the 24th Century.

But we’ll have to wait and see what the creative team at Paramount has in store! I think it’s possible – but by no means guaranteed – that an announcement could come as soon as next month. The Star Trek Day live broadcast has promised “announcements, reveals, and surprises” in its official press release, and the inclusion of certain actors – such as Jeri Ryan and Michelle Hurd – could hint at something big to come.

I hope this has been a bit of fun! I tried to steer clear of baseless rumours and fan-fantasies to focus instead on concepts and pitches that are known to exist and that seem plausible. But we’ll have to wait and see whether any of them are really going to happen!

The Star Trek franchise – including all properties (and potential properties) discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten 25th Century Star Trek concepts

Thu 26.05.22Thu 26.05.22Dennis

Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including Picard Season 2, Discovery Season 4, Prodigy Season 1, Strange New Worlds Season 1, and more.

With Season 3 of Star Trek: Picard purportedly being the series’ last, I’m not ready to give up the 25th Century! Ever since Nemesis in 2002, I’d been desperately keen to see Star Trek show us what happened next; to move its timeline along. After the briefest of glimpses in 2009’s Star Trek, it was Picard that finally scratched that itch! Although Discovery is still in production with a fifth season being worked on, that show’s 32nd Century is far removed from the characters, factions, and themes of The Next Generation era. That’s why today I wanted to consider ten possibilities or concepts for shows that could pick up the baton from Picard.

For me, The Next Generation era – i.e. the late 24th Century setting that also includes Deep Space Nine and Voyager – is the franchise’s “golden age.” These shows – and the four films made during that time, too – represent the bulk of Star Trek’s 800+ episodes, and while there are definitely points of interest in the 22nd Century and 23rd Century that the franchise could revisit, for me it’s this time period that I’d like to see picked up for more adventures.

With Star Trek: Picard having established the dawn of the 25th Century as its setting, I really do feel that there’s scope to build on what’s been created so far. Season 3 may spend more time with Starfleet, but as of the end of Season 2 at least, there’s a lot we haven’t seen of this era. Picking up some of the characters, factions, storylines, and themes from past iterations of Star Trek is a big part of why spending more time in this era is worthwhile, but that doesn’t mean that every potential 25th Century project has to be a straight-up sequel to something that’s come before. I’d be thrilled to see a Strange New Worlds-style semi-episodic exploration-focused series with a brand-new cast, for example, set in this time period.

Although Picard Season 3 is still being worked on and likely won’t hit our screens until next year, I sincerely hope that the creative teams over at Paramount have already considered their next move. Alex Kurtzman (who is in charge of the Star Trek franchise for Paramount) has stated that there are other concepts in early development, and that as the current shows come to the end of their runs, these new shows would begin to be worked on. Whether any of the series concepts that he was referring to are going to be set in the 25th Century is unknown – but there are significant advantages to doing so.

Alex Kurtzman was interviewed by Wil Wheaton for Star Trek Day back in September and commented on the potential Starfleet Academy series.

I would wager that a significant portion of the Star Trek fan community would rank at least one of The Next Generation, Deep Space Nine, or Voyager in their top two favourite shows. And fans under the age of forty literally won’t be able to remember a time before The Next Generation! Most fans of my age will have either come to Star Trek during The Next Generation era or will have encountered it soon after becoming a fan; The Next Generation era was dominant from 1987 to 2002.

Fans who were invested in storylines like the Dominion War, the Maquis, Voyager’s journey home, and many, many more are interested to know what came next for their favourite characters. Picard has shown us a little of this – with a focus on Admiral Picard himself, naturally – and there have also been teases and glimpses in Lower Decks, Prodigy, and potentially in Discovery’s 32nd Century, too. But there’s a heck of a lot of room to do more.

With Strange New Worlds flying the flag for the 23rd Century, and Discovery off doing its own thing in the far future, there’s a gap in live-action Star Trek that at least one 25th Century project needs to fill. Having established a few interesting details about what we must now call the Picard era, it would be positively criminal for Paramount to just abandon it. There are so many characters who we could catch up with, so many incomplete storylines to resume, and so many codas and epilogues still to be written.

Time is marching on, too – a sad reality for all of us. It won’t always be possible to bring back original actors and the characters that they portrayed, so it’s really a case of “if not now, when?” Wait too long to greenlight projects set in this time period and it may be too late to bring back certain characters.

So with all of that in mind I’ve put together a list of a few Star Trek projects that I personally think could be interesting and could pick up the baton from Picard. Although I feel confident that conversations are happening about future projects set in this era behind closed doors, my usual caveat applies: I have no “insider information.” I’m not trying to claim that any of these ideas will be picked up and make it to screen. This is a wishlist from a fan, and nothing more! It’s also entirely subjective, so if you hate all of my ideas or I don’t include something that you think should obviously be included, then that’s okay! There’s plenty of room within the Star Trek fan community for respectful disagreement and civil conversations!

Concept #1:
Starfleet Academy

When Lieutenant Tilly departed the USS Discovery early in Season 4, she became an instructor at Starfleet Academy in the 32nd Century. With her departure episode feeling like somewhat of a backdoor pilot thanks to introducing us to a handful of cadets, I’m sure I’m not alone in assuming that the heavily rumoured Starfleet Academy series will be set in the 32nd Century with Tilly as a major character. So that’s a big caveat to this potential project!

But a 25th Century Starfleet Academy series has a lot of potential, too. As a direct spin-off from Picard it could bring back characters like Raffi and Elnor, the latter of whom has already been established as a Starfleet cadet. That could even give meaning to Elnor’s unexpected survival at the end of Season 2.

A 25th Century Starfleet Academy series would be perfect for bringing back all sorts of characters from Star Trek’s past. We could learn, for instance, that Miles O’Brien is still at the Academy teaching engineering – as was established at the end of Deep Space Nine. Even if Chief O’Brien wasn’t a major character he could still make occasional appearances in that role.

One of the big advantages to a Starfleet Academy series right now is how it could serve as a kind of soft landing for new, younger fans who’ve been enjoying Prodigy. A series starring young adult cadets (or featuring cadets in major roles even if they aren’t the exclusive focus) would be a natural next step in so many ways, and could be a gateway into the Star Trek fandom for legions of newcomers. Just as holo-Janeway has been a guide in Prodigy, a returning character could fill a similar role here.

Concept #2:
The Seven and Raffi show

Seven of Nine and Raffi in the *Picard* Season 2 finale.

When Season 2 of Picard premiered, I really thought that a USS Stargazer spin-off with Captain Rios in command would be a fantastic new series. That can’t happen now (and after Rios’ disappointing regression in Season 2, I don’t think I’d want it anymore anyway), but there is still the possibility to see a direct spin-off. This version would feature Seven of Nine and Raffi.

Although Seven of Nine’s captaincy of the USS Stargazer in Farewell felt very much like a brevet or a temporary thing, I feel there’s potential to see her given a commission in Starfleet. Raffi certainly felt that she would make an excellent captain! So maybe the next Star Trek series could be Star Trek: Stargazer with Captain Seven and XO Raffi taking the USS Stargazer on all kinds of adventures.

Seven of Nine is particularly well-suited to feature in stories that focus on the Borg, but there’s more to her character than that. I’m not sure whether a traditional exploration-focused series would be the best fit; maybe Seven and Raffi’s ship would be a rapid-response vessel designed for combat and tactical missions. An overtly action-oriented series would be new to Star Trek, so this could be a fun experiment to see how well it could work.

I’ve thoroughly enjoyed Seven of Nine’s arc across the first two seasons of Picard. It’s been cathartic to see a character I once disliked for her dull and repetitive storylines undergo genuine and lasting growth, and we might just be reaching a point where Seven of Nine is a strong enough character to take on the challenge of headlining a brand-new series of her own… supported by Raffi, of course!

Concept #3:
Captain Sisko’s return

Perhaps better-suited to being a miniseries or limited series, I really love the idea of Captain Sisko finally returning to the galaxy after spending time with the Prophets. At the end of Deep Space Nine, Sisko promised us that he wasn’t really gone and that he would return “one day.” After more than twenty years, could “one day” finally be just around the corner?

It’s worth acknowledging that Avery Brooks has seemed less willing than some other former Star Trek actors to reprise his role, and although there has been speculation as to why that may be, there’s never been any definitive statement from the man himself. I wouldn’t want to see Sisko recast at this moment in time (nor recreated through some kind of CGI process), so if Avery Brooks isn’t interested, the project won’t get off the ground.

*In The Pale Moonlight* is one of my all-time favourite Star Trek episodes.

One massive advantage to bringing back Captain Sisko is that he’d make a wonderful point-of-view character for us as the audience. As someone who’s spent decades away from the galaxy, Sisko would be just as interested as we are to learn what happened to his friends, to Deep Space Nine, to the Cardassians and Dominion, and so on. A Sisko-focused series could get away with dropping a lot of exposition in a way that feels natural, bringing us up to speed on the events of the past couple of decades without it feeling out-of-place.

More than that, though, I want to spend more time with Captain Sisko. Although picking favourites is hard, Sisko has always been one of the best and most interesting characters of The Next Generation era, and one of the best captains in the Star Trek franchise. Bringing him back would be just as impactful as bringing back Picard has been, and providing an epilogue and closure to Sisko’s story would be absolutely worth doing.

Concept #4:
Section 31

A black Section 31 combadge in the mid-23rd Century.

The untitled Section 31 series was announced in 2019, shortly before Season 2 of Discovery aired. But since then, the supposedly ready-to-go project has been sidelined. Lack of interest from fans was part of the equation, perhaps, but Strange New Worlds certainly stole its thunder too!

The proposed series was to follow ex-Terran Empress Georgiou as she worked with the shadowy organisation that was first introduced in Deep Space Nine, and after Georgiou went through some significant character growth in Discovery’s third season, she finally seemed to get to a place where she could potentially take on the role of a morally ambiguous Section 31 leader without feeling like someone who resorts to violence and literal genocide at the drop of a hat.

To briefly recap, Georgiou had to leave the 32nd Century due to suffering from a technobabble illness that appeared to be fatal, and she was permitted to do so by the Guardian of Forever. If a suitable explanation could be found, Georgiou could potentially emerge in the 25th Century, setting the stage for her to play a role in Section 31 in this time period.

Alternatively, a Section 31 show set in this era could drop Georgiou altogether and focus on new characters instead. With Borg, Romulans, super-synths, strange anomalies, and other potential threats to the Federation that we’ve glimpsed in Picard, Section 31 could have a lot of work to do in this era!

Concept #5:
A new exploration-focused series

Strange New Worlds is currently flying the flag for semi-episodic “old school Star Trek” with a big focus on exploration. But this is the foundation of Star Trek; the franchise’s roots. Returning to this format in the 25th Century could be absolutely fantastic – and it could be a fun way to include a mix of new and legacy characters.

One of the limitations faced by Strange New Worlds is that it’s set a decade before The Original Series. There’s still a lot of wiggle room in that time period, and we could see Captain Pike make first contact with new and familiar alien races alike. But there are still constraints on which alien races can be included and how, and what stories Captain Pike and the crew could reasonably take part in.

In contrast, a new exploration series set in the 25th Century would basically have free rein to hop all across the galaxy, meet brand-new aliens, and bring back classic factions without treading on anyone’s toes. As long as such a series avoided Unknown Species 10-C (basically the only major new faction introduced in Discovery’s far future that Captain Burnham made first contact with), a show like this one could do what The Original Series, The Next Generation, and to an extent Voyager all did: set out on a mission of exploration with a blank canvas.

Seeking out strange, new worlds is where Star Trek began; it’s the core mission of Starfleet and the main goal of the Federation. Strange New Worlds is already proving that fans enjoy a series with that kind of focus, so picking up that concept and reworking it to be set in the Picard era absolutely could work.

Concept #6:
Hospital ship

The USS Pasteur – a Federation medical ship.

In the ’90s, when I was watching and enjoying the shows of The Next Generation era, this was a concept that I thought could be a ton of fun! I imagined “ER in space,” with a hospital ship like the USS Pasteur being the show’s main setting and a chief medical officer as the main protagonist. My original version of this concept would’ve seen characters like Dr Pulaski and Dr Bashir return; a team-up of some of my favourite medical characters from other Star Trek shows.

Although Dr Pulaski is unlikely to be part of such a series now, there’s definitely scope to bring back the likes of Dr Bashir or Voyager’s EMH, as well as secondary medical staff like Nurse Ogawa, as part of a series that also introduces new characters.

The hospital ship would travel around the Federation and beyond, lending its services to planets, bases, and starships in need. There’d be illnesses and diseases to cure, natural disasters to bring aid to, and the ship could even be part of major military engagements and battles, tending to wounded soldiers and crewmen. Star Trek has shown us all of these basic concepts before, but this time they’d have an overtly medical focus.

There’s a huge audience for shows like House, ER, and Grey’s Anatomy, and a medical Star Trek series could have an appeal that extends far beyond the franchise’s typical sci-fi niche. Without the constraints of the real world, and with numerous aliens as both staff and patients, there’s almost unlimited potential in terms of creativity as well. We could see new deadly diseases created that could be timely reflections of our pandemic-afflicted world, and we could even take a deeper dive into diseases and medical conditions that have been referenced in past iterations of Star Trek.

Concept #7:
Captain Kim

It’s become a bit of a joke in the Star Trek fan community: Harry Kim spent seven years as an ensign without being promoted. Perhaps he could finally get the command he’s always wanted and headline a new Star Trek show in the process!

Harry Kim would be the second major character from Voyager to play a role in this era of Star Trek, and that could lead to crossovers. It could be a lot of fun to see an older and more mature Harry Kim reunite with Seven of Nine – perhaps for the first time in many years. The series could even feature a Voyager reunion of the kind seen in Endgame. And of course, any time we’re talking about Voyager these days there’s the potential to tie in with themes and ideas present in Prodigy.

An older Harry Kim (from an alternate future) in the episode *Timeless*.

Captain Kim could show us a different side of Starfleet. Perhaps he’s in command of a hospital ship as we were discussing above, or perhaps his vessel is much more scientific in its mission; charting anomalies and stellar phenomena rather than making lots of first contact missions. A series like that would be more personality-driven and serialised rather than episodic with a “monster-of-the-week” to engage with, and I think someone like Harry Kim would excel in that kind of role.

Out of everyone on Voyager, I’d suggest that Harry Kim has perhaps the most potential for growth if he were to return. Considering that we met him on his first mission after graduating – and that he stuck with that “young and eager” characterisation for a long time during Voyager’s run – there’d be something rather cathartic about being reintroduced to an older, more mature Captain Kim.

Concept #8:
A Klingon series

General Martok, a 24th Century Klingon leader.

This one would be quite a radical departure from anything that Star Trek has tried before. Leaving the Federation and Starfleet behind, this show would be set aboard a Klingon vessel. A Starfleet officer could be present as a point-of-view character and a way to help us as the audience find both a way in and a frame of reference, but the rest of the characters would be Klingons.

With Worf returning for Picard Season 3, he could become a recurring character on a Klingon-focused series. A character like Worf bridges the gap between the Klingon Empire and Starfleet, and along with a Starfleet officer aboard the ship he could also help ground the series.

Kol, a 23rd Century Klingon who recently appeared in *Discovery*.

What I like about this idea is that it would be something genuinely bold and different. We’ve spent a lot of time with the Klingons across various iterations of Star Trek – they’re probably the faction we know the most about after the Federation itself. But there’s still plenty of room to expand our understanding of the Klingons, and to show us the next chapter for their Empire in the aftermath of the Dominion War and their alliance with the Federation.

What kind of mission would a Klingon vessel have? If it’s exploration, how different would their approach be to what we’d expect from Starfleet? A Klingon series could also show off different roles for Klingons beyond that of “warrior.” How does a Klingon crew treat its engineers, scientists, and medical personnel, for example? Far from being one-dimensional “baddies,” there’s plenty of room for nuance and to show us a different side to the Klingons, and different Klingon personalities.

Concept #9:
Captain Worf

Could Michael Dorn finally get his Captain Worf series?

Sticking with the Klingons, Michael Dorn has been talking about his pitch for a Captain Worf series for the better part of a decade at this point! Although I confess that I remain sceptical of the proposal for a number of reasons, with Worf’s imminent return in Picard Season 3, it has to be considered at least a possibility that there’ll be some kind of backdoor pilot or an attempt to test the waters to see if a Captain Worf series could be viable.

As the character who’s made the most Star Trek appearances (280+, not counting upcoming appearances in Picard Season 3), I feel that we’ve seen more than enough of Worf! We’ve seen his inner conflict between his Klingon and Starfleet identities, his struggles with fatherhood, his marriage and the grief he felt at losing Jadzia… and I’m just not sure where else there is to go.

But despite my personal reservations, a Captain Worf series could prove me wrong and be the right move for Star Trek once Picard ends. Like Picard itself, a Captain Worf series would be anchored by its familiar face but perhaps rounded out with a fun group of new characters. There would be potential, perhaps, depending on how things go in Season 3, to bring in someone like Raffi as Worf’s first officer, tying the show to Picard in an even greater way.

As with Seven of Nine and Raffi above, a Captain Worf series could go all-in on action, with Worf commanding a tactical vessel and rushing into dangerous situations and combat missions. Or, in an attempt to put a completely different spin on the character, maybe Captain Worf would be in command of a lightly-armed science vessel on a mission of exploration! That could be a fun way to go and a twist on the expected premise of the series.

Concept #10:
Super-synth invasion

The mechanical noodles of the super-synths.

Spoiler alert for a future theory article, but one of my guesses about Picard Season 3 is that the Admiral and his friends will have to face off against the super-synths from Season 1 – and that they’re responsible for the anomaly in Season 2. That would be a neat way to tie all three seasons of the show together!

But assuming that doesn’t happen, I’d love to revisit the super-synths that we only caught a glimpse of in the Season 1 finale. Assuming that their intentions were hostile, and that they planned to attack organic life in the Alpha Quadrant, could a new spin-off revisit that concept and perhaps show the super-synths making their invasion attempt?

Did Soji paint a target on the Alpha Quadrant thanks to her beacon?

This is a reworking of another concept that I’ve had kicking around for some time: a Borg invasion series. But with the Borg having already played a big role in Season 2, perhaps the super-synths could be subbed in to become the antagonists of a series (or miniseries) that sees the Federation involved in a war for its very survival.

This kind of existential threat has been used and re-used in Discovery, and I could understand if some fans wouldn’t want to see it brought back so soon! As I’ve said recently, it’s my hope that Discovery will try something different in Season 5! But it would be fun to bring back the super-synths and to revisit the Federation at war for the first time since Enterprise’s conflict with the Xindi – and it could be a great way to bring in a mix of new and legacy characters.

So that’s it!

Those are ten concepts for Star Trek shows that I think could pick up the baton from Star Trek: Picard in the years ahead, sticking with the early 25th Century and potentially expanding on what Picard has already done.

My “first contact” with Star Trek back in the early 1990s was The Next Generation, and I was a big fan of Deep Space Nine and Voyager during their original broadcast runs as well. With live-action Star Trek series set in the 23rd and 32nd Centuries, it seems to me that Picard’s eventual finale is going to leave a pretty significant hole in the franchise. Even if every major character from The Next Generation returns and gets an amazing goodbye, there are still characters, themes, storylines, and more from Deep Space Nine and Voyager that I’ve been longing to see picked up for more than two decades!

If it were up to me, the early 25th Century would probably be the main setting that I’d want to use for the majority of new Star Trek projects. There was even scope a couple of years ago to bring Captain Burnham and Discovery into this time period, and I think that could’ve worked exceptionally well too. I don’t think that Picard necessarily needs a direct spin-off, bringing back main characters in a huge way, but I’d dearly love to see the setting and time period re-used in future.

I’m hopeful that Season 3 will be a fun adventure with the crew of The Next Generation, and that it can serve as a launchpad for one or more new Star Trek projects set in this era. Whether any of my own ideas will make it… well, I doubt it. But who knows! More than ever it feels like Paramount is listening to Star Trek fans; without a massive fan campaign we would never have seen Strange New Worlds. So there’s a possibility, perhaps, if Picard Season 3 is well-received that a spin-off or follow-up could indeed make it. Time will tell!

Star Trek: Picard Season 3 will be broadcast on Paramount+ in the United States and on Amazon Prime Video around the world sometime in the next year or so. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

I’m beginning to worry about the Section 31 series…

Thu 29.04.21Sun 13.11.22Dennis

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3 and for other iterations of the Star Trek franchise.

It’s been a while since the still-untitled Star Trek: Discovery spin-off based around Section 31 was announced. In January 2019, prior to Discovery’s second season premiere, ViacomCBS first told us about the spin-off, which would star Michelle Yeoh as Terran Empress Philippa Georgiou and focus on her new career as an agent of shadowy intelligence organisation Section 31. Since then, we haven’t heard much direct news about the planned series, and some of the indirect news we’ve been hearing out of the production side of Star Trek now officially has me worried for the show’s prospects.

It’s not unfair to say that the reaction from Trekkies to the announcement of the Section 31 series was muted at best. There was excitement at the prospect of a new Star Trek series, of course, but with Star Trek: Picard already in production by this point, many fans were less interested in Georgiou and Section 31. There are a couple of reasons why I think this was the case, and before we go any further it’s not a bad idea to look at them in turn.

Firstly, Mirror Georgiou herself. Michelle Yeoh is an amazing actress, and in many ways Discovery had been lucky in its first season to land someone of her calibre. If you haven’t seen the sci fi-horror film Sunshine, in which Yeoh plays a supporting role, I highly recommend it, and that’s just one example. But the character she plays in Discovery is a Terran, and when the show was first announced it was before any character movement or development that would come later in Discovery’s run. Mirror Georgiou was about as flat and one-dimensional as Terrans get.

Unlike a number of other Star Trek actors and actresses we could mention, Michelle Yeoh’s performance as Georgiou managed to avoid the pitfalls that Mirror Universe characters can easily fall into – namely hammy, over-the-top, pantomime villain performances. While that is a positive, and a further reflection on Yeoh’s hard work and talent, the character of Mirror Georgiou doesn’t offer much room for manoeuvre, or at least didn’t at the end of Discovery’s first season. She was a typical Terran: quick to violence, petty and demeaning toward others, and unpleasant. There seemed to be little room for Mirror Georgiou to be even an antihero; basing a series around this character as a protagonist felt like a mark against it rather than a point in its favour.

Georgiou was a very flat character in *Discovery* Season 1.

Secondly there was Star Trek: Picard’s impending arrival, as already mentioned. Picard had been announced about six months earlier, and many Trekkies were incredibly excited for Star Trek’s return to the 24th Century after such a long time, as well as for the return of Captain Picard himself – and possibly other characters from that era too.

These two factors came together to see the series announced to a lukewarm reception even from Star Trek’s biggest fans and supporters. There was a sense that the show might just be unnecessary with the franchise heading back to the 24th Century and in a different direction, and at best there was mild interest, but no real hype or excitement. Discovery had made some significant investments ahead of Season 2 in anticipation of the Section 31 series, such as constructing a full bridge/operations centre set for the Section 31 starship, and it’s likely – in my opinion as an outsider, at least – that the underwhelming reception to the show’s announcement was disappointing to ViacomCBS and the creative team behind Star Trek.

The announcement of *Star Trek: Picard* a few months earlier arguably worked against the Section 31 series.

Then along came Captain Pike. With the Section 31 series already on the ropes, Discovery Season 2 reintroduced fans to the classic captain from Star Trek’s first pilot episode… and we absolutely loved it! Anson Mount’s excellent portrayal of Pike led to calls for him to get his own spin-off, and even before the season finale wrapped up, Trekkies were signing petitions and doing everything they could to show ViacomCBS that there was a real appetite for more of Captain Pike.

This appeared to catch the production team rather off-guard, and it was more than a year after Discovery Season 2 was over and done with before Strange New Worlds – the highly-requested Pike spin-off – would be announced.

Coming on top of an underwhelming announcement, which was probably done in the run-up to Season 2 to drum up interest and convince more folks to subscribe to CBS All Access, Captain Pike totally stole the Section 31 show’s thunder and pulled the rug out from under whatever plans had been put into place for the new series. If there was room for one Star Trek: Discovery spin-off in ViacomCBS’ plans, it was clear which one fans were clamouring for – and which one they were not.

Anson Mount’s outstanding performance in *Discovery* Season 2 quite rightly led to calls for a Captain Pike series.

So the combination of a disappointing announcement and the overwhelming popularity of Captain Pike evidently saw the Section 31 series drop down the priority list. Discovery Season 3 was announced and went into production. Picard Season 1 came and went, and a second season was announced. Lower Decks Season 1 was broadcast and Season 2 entered production. Strange New Worlds was announced and entered production. Prodigy was announced and entered production. Even Discovery Season 4 entered production, and we heard nothing in all that time about Section 31.

I assumed that, with so many other Star Trek shows on the books, ViacomCBS had simply taken the sensible route by prioritising Strange New Worlds Season 1, since that’s the show fans were really excited about. The Section 31 series would surely follow, right? After all, we knew as far back as 2019 that the show was in pre-production with its stories written and potentially one full set already built.

Georgiou holding a black Section 31 combadge in *Discovery* Season 2.

ViacomCBS’ radio silence on the Section 31 series became apparent over the course of 2020, when several big Star Trek events came and went without any mention of the show at all. I began to wonder at that point what was happening behind the scenes, but then we learned that the series was “still being worked on,” with producers and writers collaborating via Zoom due to the pandemic, and that at least some of the scripts were being heavily edited or re-written. That did not sound like good news for a show that had been supposedly ready to go for more than a year.

The next time we heard anything connected to the Section 31 show it came from Alex Kurtzman, who’s in charge of the overall direction of Star Trek at ViacomCBS. Gone was the notion that the Section 31 series was imminent, and instead Kurtzman explained that there were no plans to produce or broadcast any new Star Trek series until at least one of the current ones – Discovery, Picard, Strange New Worlds, Lower Decks, and Prodigy – had concluded. That seemed to mean that Section 31 was officially on the back burner.

Georgiou in *Discovery* Season 3, after a return to the Mirror Universe.

It got even worse, however, for the Section 31 series, when talk of pre-production was nixed. The show’s co-executive producers recently said that they’re still “having conversations” about the series going ahead, which is a big step down from where the show seemed to be in 2019. Those so-called “conversations” feel like a Hollywood euphemism for a show that’s dying or on life-support, and as we’ve recently seen with at least two Star Trek feature film concepts, until a project is officially greenlit and in production, things can change.

Finally we come to the comment that prompted this article. Michelle Yeoh, who plays Mirror Georgiou and who was supposed to star in the Section 31 series, was recently interviewed on The Pod Directive, which is Star Trek’s official podcast. She made absolutely no mention of the Section 31 series or any plans for appearing in it, and could only speak in pretty vague terms about how there’s potential to come back to the franchise “one day,” and even saying at one point “Who knows?” when discussing Georgiou’s future.

Michelle Yeoh recently spoke on the official Star Trek podcast, but made no mention of the Section 31 series.

Those comments are ambiguous and I encourage you to listen to the full interview for the sake of context. But what was striking to me more than what Yeoh said is what she and the podcast hosts didn’t say. Remember that this is an official Star Trek podcast, so there will be a degree of “toeing the party line,” so to speak. I think it’s not unfair to say that if Yeoh had been interviewed by Trekkies outside of an official setting, the Section 31 series would have come up, especially in the context of discussions about Georgiou’s future. The fact that neither she nor the podcast hosts tried to steer the conversation in that direction is, in my opinion, rather telling.

And that’s why I’m officially worried about the Section 31 show’s future prospects. Will it ever see the light of day? Or will we remember it in years to come alongside Planet of the Titans, Phase II, and that weird Lwaxana Troi sitcom as a Star Trek show that was never produced?

I was initially not sold on Section 31 as a concept, and I’m happy to admit to that. But I’ve since come around to the idea, especially following Georgiou’s arc across the third season of Discovery, and I think she would make for an interesting and more nuanced character to follow now than she would’ve done prior to Season 2 when the show was announced. There’s potential in a darker Star Trek series, something akin to some of the episodes in the latter part of Deep Space Nine’s run, showing off some really difficult situations where there is no such thing as a “no-win scenario.” Bringing a character like Georgiou into a setting that allows for morally ambiguous choices could be an interesting and explosive mix.

Will this be the last we ever see of Georgiou?

It would be a real shame if the Section 31 series were cancelled at this stage. There’s a lot of potential in the series, even if it didn’t seem to have much at first. If Georgiou were to return to the 23rd Century, as seems likely following her departure from the 32nd, there would even be the possibility of linking up with Strange New Worlds for crossover stories, like we saw The Next Generation and Deep Space Nine do on a handful of occasions.

Michelle Yeoh’s recent comments – and lack of comments – about Mirror Georgiou and her future in the Star Trek franchise are the latest that have worried me, but the Section 31 series has felt like it’s been on shaky ground for a while now. The fact that no new information has been officially announced about the series in such a long time is concerning for its survival, as are other comments from people involved with its production. I will continue to keep my fingers crossed, and if we get any significant news about the Section 31 series – or any other Star Trek project – I hope you’ll join me again for more discussion.

The Star Trek franchise – including the untitled Section 31 series, Discovery, and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The Section 31 series – when is it set?

Mon 29.03.21Mon 21.11.22Dennis

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3, Star Trek: Picard Season 1, and for other iterations of the franchise.

At the end of Star Trek: Discovery Season 2, Mirror Georgiou surprised me – and a lot of other viewers as well – by remaining aboard the USS Discovery as it headed into the future. Michelle Yeoh, who plays the character, had been announced as the lead in a new spin-off series based on the shadowy organisation Section 31 in the run-up to Season 2’s broadcast, and it was assumed that the new series would take place in the 23rd Century. Georgiou’s departure into the future seemed to complicate that!

Part of that story has since been resolved, and we now know that Georgiou will not be remaining in the 32nd Century with Burnham and the rest of Discovery’s crew. The Guardian of Forever sent Georgiou to an unknown destination in the episode Terra Firma, Part 2. Georgiou’s destination was left ambiguous, deliberately so. And in my Discovery Season 3 theories post after Terra Firma, Part 2 was broadcast I speculated about a few possible time periods that she could find herself in on the other side of the Guardian’s portal. This time I’m going to expand on that a little, looking at the possibilities of different time periods, as well as the possible pros and cons of each from both an in-universe and production perspective.

Mirror Georgiou – played by Michelle Yeoh – is set to headline the upcoming Section 31 series.

Before we get into the different time periods, it’s worth considering the Section 31 show’s status. Despite being announced in early 2019, before Discovery Season 2 was broadcast, the show has yet to enter production. Comments from Alex Kurtzman and particularly the two lead writers/producers (Bo Yeon Kim and Erika Lippoldt) seem to suggest that the show’s fate is not certain, and recent news about Star Trek projects through at least the first half of 2022 explicitly excluded the Section 31 series. It seems as though it won’t be entering production any time soon, perhaps not until Discovery, Picard, or Strange New Worlds have concluded their runs.

I must admit that this news doesn’t leave me feeling great. The Section 31 series already took a back seat to Strange New Worlds – fans were clamouring for more of Anson Mount and Ethan Peck as Pike and Spock after Discovery Season 2, and that definitely stole the Section 31 show’s thunder. Fans just weren’t as excited about Mirror Georgiou and Section 31 as they were for Pike, and as a result we’ve seen Strange New Worlds greenlit and enter production before Section 31, even though it was announced later.

*Strange New Worlds* is already in production, despite being announced after the Section 31 show.

I was one of the fans who wasn’t particularly excited for Section 31 during Discovery Season 2. But I have since come around to the idea of this show, and I feel that – if properly executed – it could be a truly interesting and different part of a growing Star Trek franchise. A James Bond-esque spy thriller, which is what the series seems to want to be, holds a lot of appeal, and may even succeed at bringing in new viewers beyond Star Trek’s usual crowd. That’s all to the good!

So despite my initial reaction, I’m now firmly in the camp that’s looking forward to Section 31 – and I hope it does manage to enter production before too long! With that out of the way, let’s start to consider just when in the Star Trek timeline the series could be taking place. My usual caveat applies: I have no “insider information.” This is guesswork from a fan, and a chance to spend a bit more time with Star Trek. Nothing more.

A black Section 31 combadge, as seen in *Discovery* Season 2.

To briefly recap, Discovery Season 3 took the crew – including Mirror Georgiou – to the 32nd Century. For technobabble reasons, crossing over from a parallel universe and travelling forward in time caused Georgiou to become terminally ill, suffering as a result of her molecules being pulled in two directions. In order to save her life, Burnham and the AI aboard Discovery took Georgiou to an isolated planet in the Gamma Quadrant, which was later revealed to be the new home of the Guardian of Forever. After putting Georgiou through a test in which she appeared to revisit the Mirror Universe, the Guardian allowed her to use the portal to travel backwards through time.

The one thing we need to pay closest attention to is what the Guardian said of Georgiou’s destination. He didn’t specify in any real way where or when he was sending her, instead opting to ambiguously tell her that he was sending her “to a time when the Mirror Universe and the Prime Universe were still aligned.” That does not necessarily mean the 23rd Century, and it’s largely because of this line that we can theorise about Georgiou’s destination!

Without further ado, let’s look at my list of possible destinations for Georgiou, and thus the possible settings for the Section 31 series.

Number 1: The 23rd Century

Despite everything else I’m going to say on this list, the 23rd Century has to be the most likely destination for Georgiou. From the production side of things, this is what we were told when the show was announced, and it would allow for possible crossovers with Strange New Worlds and any future series or films set in this time period. And from an in-universe point of view, the only way to cure Georgiou’s technobabble illness was either to return her to her own time period – the 23rd Century – or to the Mirror Universe. None of the other time periods on this list would, as far as we know, cure her condition.

However, the Guardian of Forever’s statement, quoted above, seems to rule out the 23rd Century. As we’ve seen in both The Original Series and Discovery, by the 23rd Century the two universes were very much not in alignment. The Federation and the Terran Empire are about as far apart as it’s possible to be, and Discovery even implied that there are genetic differences between Terrans and humans.

Kovich, the Federation official who conducted Georgiou’s debriefing in the 32nd Century.

Returning to the 23rd Century could see Georgiou reunite with Ash Tyler, the head of Section 31 as of the end of Discovery Season 2. Tyler could have an interesting role to play in the new series, and the clash of personalities between him and Georgiou – as well as a potential for them to bond over their mutual love for Burnham – could see some truly interesting and perhaps even emotional character moments.

If Georgiou does arrive in the 23rd Century, one of the big storylines would surely be the disappearance of Section 31, explaining how it went from being an open secret in Discovery’s era to something entirely underground by the time of Deep Space Nine 120 years later. Ash Tyler may have started that process – and it could even be something we see hinted at in Strange New Worlds if he makes an appearance there – but Georgiou could be the driving force behind cloaking Section 31 in secrecy – and may even kill off Starfleet officers who are aware of the organisation’s existence.

Section 31 was hidden and its existence unknown to most Starfleet officers by the mid-24th Century.

The Guardian of Forever’s line may count against it, but I believe that the 23rd Century remains Georgiou’s most likely destination. She may arrive within days, or even hours, of her departure, or she may not arrive until several years later. The latter may be more likely, but either way the potential for crossovers with Strange New Worlds exists and is enticing.

In addition to seeing the organisation disappear and move into the shadows, Section 31 stories set in the 23rd Century could bring back races and factions we got to know in Discovery and The Original Series. We could explore in more detail the relationship between the Federation and the Romulans in this era, for example, which would tie in with Star Trek: Picard‘s Romulan focus. Or we could see how Section 31 reacted to Pike and Kirk’s missions of exploration.

Number 2: The Mirror Universe

As noted above, there are two known ways to cure Georgiou’s technobabble illness: return her to her own time period, or return her to her native universe. Perhaps the Guardian of Forever was so impressed by Georgiou’s attempts to reform the Terran Empire (depicted in Terra Firma, Part 1 and Terra Firma, Part 2) that he chose to send her back there to continue that work – even though he said he wouldn’t!

This raises its own question of when Georgiou will arrive – will it be in the Mirror Universe’s 23rd Century, or will she arrive at some other time? If the Section 31 show goes down the Mirror Universe route it would already be a pretty significant curveball, so I would assume she would return to the 23rd Century rather than complicating matters further by having her arrive in a different time period.

Georgiou with her honour guard in *Terra Firma, Part 1*.

So let’s assume this theory is right and Georgiou arrives back “home” in the Mirror Universe. What would that mean for the show – it’s supposed to be based on Section 31, not the Mirror Universe! There could be a Mirror version of Section 31, perhaps one which acts in a different way to the Section 31 of the Prime Timeline. Georgiou may even establish such an organisation to further her attempts at reforming the Terran Empire.

In the timeline of the Mirror Universe shown in Deep Space Nine, reforms put in place by Spock led to the collapse of the Terran Empire, and the Mirror Universe by the 24th Century came to be dominated by a Klingon-Cardassian alliance. Perhaps the tragedy of the Section 31 series will be that the reforms Georgiou tries to put into place will ultimately lead to Terrans being enslaved and subjugated.

Terrans like Mirror O’Brien were conquered and enslaved by the 24th Century.

I’m not sure that this would be the best way to go, even though on the surface it appears to be something different. The Mirror Universe, as I’ve said on more than one occasion, can be okay to visit for one-off stories, but the over-the-top violent nature of the setting tends to mean Mirror Universe characters are boring and pretty one-dimensional, all enjoying gratuitous violence for its own sake. The Mirror Universe also descends far too easily into pantomime, with hammy, over-the-top performances even from otherwise good actors.

The role of Section 31 in the Mirror Universe is not clear either, and it doesn’t seem like something the Terran Empire would necessarily need. If they’re already successful as a dominant, authoritarian state with a huge military, an organisation like Section 31 just seems like overkill! Not to mention that, thanks to Terran morality, there’d be no reason for such an organisation to be clandestine. It could be out in the open, just another branch of the Terran military. In short, while a Mirror Universe series may seem interesting to some fans, I don’t think this would be the right way to do it. It would be too much of a twist on the series we’re expecting to see, and it would be limited in its scope.

Number 3: The 25th Century

Specifically I’m thinking that Georgiou could arrive at the very beginning of the 25th Century. Why? Well, basically the entire reason for this hangs on the production side of things! The dawn of the 25th Century is when Star Trek: Picard is set. Having Georgiou arrive at this time would potentially allow for the Section 31 show to cross over with Picard. Even if that didn’t happen, it would expand the 25th Century setting, perhaps laying the groundwork for more shows and films in this era.

Out of all of the possible destinations for Georgiou, this one has the least going for it from an in-universe point of view. There’s nothing we know of to suggest that the Mirror and Prime Universes are in some kind of alignment by this time, nor would sending her here cure her technobabble condition. In fact, if she did arrive here she should arguably still be suffering from it. It would be a contrivance, one set up specifically to allow Georgiou to cross over and appear in Picard – or other future Star Trek projects which also occupy this place in the timeline.

I mentioned Deep Space Nine’s Mirror Universe episodes above, and in theory we could see a connection to those episodes if the dawn of the 25th Century is when the Section 31 show is set. If the Terran Rebellion depicted in Deep Space Nine was a success, the Terrans we met in that show seemed far less aggressive and domineering than their 23rd Century counterparts. Perhaps we could learn that they didn’t simply re-establish the Terran Empire and created a more enlightened democratic society in its place.

However, there are two issues with this. The first is that in Discovery Season 3, Kovich at least implied that some form of Terran Empire or Terran-centric society existed after the 24th Century. Kovich appeared to be an expert on Terrans, and while he did say that the Terran Empire had collapsed “centuries” before the 32nd Century, he didn’t say exactly how long ago that happened. The second point comes from the production side of things: how many viewers will be familiar with those five episodes of Deep Space Nine? Us Trekkies will be, of course, but most casual viewers of the series won’t remember them, and thus there isn’t any real benefit to tying Georgiou and the Section 31 show to Deep Space Nine in a big way.

Number 4: The 21st Century

Could the Section 31 series be the first ever Star Trek show to be set in the present day?! Well, no. But maybe!

Here’s why I think it could at least be possible that a mid-to-late 21st Century setting is on the cards. The Guardian of Forever’s statement, quoted above, says that Georgiou is being sent to a time when the Mirror and Prime Universes were aligned. In Star Trek’s timeline, the earliest point of divergence that we know of came in the year 2063, during first contact between humans and Vulcans.

In the Prime Timeline, first contact went smoothly and led to an alliance between Earth and Vulcan that eventually evolved into the Federation. In the Mirror Universe, Zefram Cochrane led a mob that massacred the arriving Vulcans. In fairly short order, Terra had conquered Vulcan and the Terran Empire was born. We can’t be certain that this is absolutely the earliest point of divergence, but it’s the earliest we can be sure of.

The Guardian of Forever in the guise of “Carl.”

Using this logic, the 21st Century is the best fit for the Guardian’s statement, as it can be argued that prior to first contact, the Mirror and Prime Universes were in total alignment. Sending Georgiou to the mid-21st Century – perhaps the 2050s or 2060s – would thus cure her of her technobabble illness, which was the whole point of sending her back in time.

While this is certainly a good fit (we can argue about “best fit” till we’re blue in the face!) for the Guardian of Forever’s statement, what would it mean for the Section 31 show? If Georgiou arrived in the 2050s or 2060s, she’d be on Earth either during or shortly after the Third World War. This event has been referenced a few times in Star Trek but never really explored, and we could learn more about the factions involved, as well as more about the impact first contact had on humanity.

Might Georgiou arrive some time before the events of *Star Trek: First Contact*?

However, for a Star Trek show, I think a 21st Century, pre-first contact setting would be a severe limitation. Instead of Georgiou trekking across the galaxy kicking butt, she’d be limited to Earth and the solar system, with adversaries being humans and perhaps the occasional Vulcan. That limitation would be difficult, and as we’ve never seen a Star Trek show set so early in the timeline, there would be unique challenges to overcome.

However, on the flip side it could be interesting to learn that Georgiou – the former Terran Empress – was instrumental in the creation of the Federation. By laying the groundwork for Section 31, perhaps even creating the organisation itself, Georgiou could keep humanity safe in its crucial early days as a spacefaring people. Georgiou could be seen not just as the leader of Section 31, but as its first ever leader, laying down the ground rules for how Section 31 will operate, and its objective of defending the Federation at all costs.

Number 5: The 27th Century

In the Discovery Season 3 episode Die Trying, Kovich gave us a bit more information about the Mirror Universe. Specifically, he explained that the “distance” between the two parallel realities had been slowly growing, meaning that by the 32nd Century it was no longer possible to cross between them as it had once been. The last crossover before the 32nd Century came “five hundred years” earlier – which would put it sometime in the 27th Century.

Does this mean that it fits with the Guardian of Forever’s statement about the two universes being “aligned?” I don’t think so, and it’s a stretch to make that argument. However, as the 27th Century was (indirectly) referenced only a few episodes before Georgiou’s departure, I think we have to consider it as a possibility for her ultimate destination. If it wasn’t in play at all, why bring it up? Maybe it’s just a red herring; a throwaway line I’m too focused on! But maybe there’s more to it than that.

Burnham and Georgiou chat with the Guardian of Forever.

What do we know about the 27th Century? The answer is “very little.” It was referenced in The Next Generation Season 3 episode Captain’s Holiday, when a powerful weapon created in this period was sent back in time. Time travel had been definitively invented by this time, and the Federation used it in some capacity. Otherwise, all we can be sure of is that the Federation existed in this era.

Having an almost-blank slate like this is what a lot of creators and producers want! So in that sense, it would be a great setting for a new Star Trek series, just as the 32nd Century was for Discovery Season 3. However, unless there’s a bigger plan to bring more Star Trek projects to this time period, it would isolate the Section 31 show, separating it by hundreds of years in both directions from everything else in the franchise. I’m not sure that would be a positive thing.

So that’s it. We’ve looked at five possibilities for the Section 31 show’s setting, largely based on a single ambiguous line from Terra Firma, Part 2!

At this stage, if I had to place a bet with my own money I’d have to say that the 23rd Century is most likely to be the right choice. The others all have drawbacks, and while all five have the potential to tell different and interesting stories, the plan all along seems to have been for the Section 31 series to use a 23rd Century setting. The reason for all of this speculation, of course, is that we didn’t see for ourselves where – or when – Georgiou ended up after she stepped through the Guardian of Forever’s portal!

This is the last we saw of Georgiou. Her destination? Unknown.

I’m still hopeful that the positive reception received by Star Trek: Picard will lead to more projects occupying its 25th Century setting in future, and if that’s the case then bringing the Section 31 series to that time period would make a lot of sense. As I’ve said on a number of occasions, when Star Trek was at the pinnacle of its success in the 1990s, the shows and films being produced all shared the same setting and time period, something which modern Star Trek has opted to disregard. From the point of view of casual fans and viewers, this unquestionably makes the Star Trek franchise harder to follow, so consolidating as many projects as possible into a single time period makes a lot of sense.

However, if Strange New Worlds proves to be the success that ViacomCBS – and many fans – are hoping for, returning to the 23rd Century with the Section 31 series would still accomplish that goal. There could be crossover episodes between the two series, and future projects – like the potential Ceti Alpha V miniseries – could also be incorporated into a broad, interconnected set of shows.

Georgiou just before leaving the 32nd Century.

I remain hopeful that the Section 31 series will make it. Though it seems as if production may be months or even years away right now, the show remains in contention over at ViacomCBS, and would certainly take Star Trek to different thematic places. As I said when I wrote up a wishlist of things I’d like to see included, a spy thriller has the potential to tell some fascinating stories, and perhaps some that are morally ambiguous. I see the future cast of Section 31 – including Georgiou – as antiheroes; a team kind of like the DC Comics villains in the film Suicide Squad, doing bad things to bad people in the name of keeping others safe.

I hope you’ll stay tuned for any and all future Section 31 news! If we hear any major announcements, casting information, or see a trailer, I’ll do my best to cover it here on the website. There’s a huge amount of Star Trek on the horizon, and Section 31 could be a significant part of that. Time will tell what will ultimately happen, but I’ll be keeping my fingers crossed!

Stay up to date with my Section 31 articles on my dedicated Section 31 page. The untitled Section 31 series currently has no broadcast date scheduled. However, it will almost certainly premiere on Paramount+ in the United States, Australia, and other countries and territories where the service is available. Further international distribution has not been announced. The Star Trek franchise – including the Section 31 series, Discovery, and all other titles mentioned above – is the copyright of ViacomCBS. Some stock photos courtesy of pixabay. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Some Star Trek updates for 2021-22

Sat 27.02.21Sun 13.11.22Dennis

Spoiler Warning: There are minor spoilers ahead for Star Trek: Discovery Season 3.

In addition to the first teaser image for Star Trek: Prodigy, a recent update from ViacomCBS (that was primarily directed at their investors) has given us a couple of interesting bits of news regarding both current and future Star Trek projects. Today I thought it would be worthwhile to take a look at what was said and try to figure out what may or may not be coming our way in 2021 and the first half of 2022.

The most significant piece of news was that ViacomCBS plans to have something from the Star Trek franchise on Paramount+ every quarter. Since it’s already almost March I think we can rule out anything in Q1 this year! But that still potentially leaves us with three Star Trek projects before the end of 2021.

The teaser image for *Prodigy*, in case you missed it!

I said just after New Year that I believed we’d see both Prodigy Season 1 and Lower Decks Season 2 this year, and those will almost certainly be two of the three. With Discovery Season 4 having been in production since November, I have to assume that will be the third series planned for this year – perhaps targeting a Q4 broadcast like Season 3 received in 2020. That’s ambitious in my opinion – post-production work on Discovery Season 3 took over nine months to complete – but if ViacomCBS and Paramount+ can manage it, it will be a fantastic achievement! And it will mean one extra Star Trek show in 2021 that I wasn’t expecting!

If that’s the plan, that would then open up Q1 and Q2 of 2022, and it seems certain that we’d get Picard Season 2 (which has just started filming) and Strange New Worlds Season 1 in the first half of next year – probably in that order. So this current quarter could be the longest we’ll have to go without any new Star Trek for quite some time!

Picard and his new crew are coming back soon.

What will happen after that is in question, and this is where the other interesting bit of news comes in: ViacomCBS has no plans to produce any other Star Trek shows until those currently in production have concluded.

This seems to mean that the Section 31 series, which originally had a premiere date suggested for this year, is going to be delayed yet further, and I interpret comments by some of its writers and producers to mean that the series going ahead at all is less certain now than ever. Strange New Worlds completely stole the Section 31 show’s thunder, both before and after it was announced, and as I said a while ago, I never really got the impression that there was much excitement for Section 31. Many Discovery fans were clamouring for a Pike series almost from the first episode of the show’s second season, but Georgiou and Section 31, while not badly received, were very much the lesser part of that story overall.

Anson Mount recently cropped up in his Starfleet uniform in the ad campaign for Paramount+.

Georgiou’s recent departure from Discovery has set the stage for Section 31 – but it also left things very open as to where (and when) she will end up. Perhaps behind the scenes what’s going on is some major retooling of the Section 31 show’s premise; it had been suggested by Alex Kurtzman and others fairly recently that the scripts were still being worked on, and this feels like another indication of changes to the upcoming series.

So this unfortunately raises the question of the Section 31 show’s ultimate fate. Is this the first step to it being cancelled… or “un-announced?” It feels like it could be, sadly. Despite not being as interested in Section 31 when it was announced, I’ve recently come around to the idea of this kind of spy thriller. If done well I think it could be something really fun and different within Star Trek, and with it having been announced I kind of want to see it come into being. Even if it only runs for a single season, or gets cut down to a miniseries or television movie I still think it could be worthwhile.

Michelle Yeoh is set to return as Mirror Georgiou in the Section 31 series some time soon.

The longer-term futures of other Star Trek projects are less clear. No future seasons of any in-production shows were announced – though it seems likely, according to the rumour mill, that we’ll see Discovery Season 5, and Picard Season 3 was said to be there for the taking if Sir Patrick Stewart wanted it. Beyond the halfway point of 2022, though, Star Trek’s future gets a little harder to predict. We could see Lower Decks Season 3, Prodigy Season 2, or perhaps a new set of Short Treks mini-episodes.

What is clear, though, is that Section 31, the potential Ceti Alpha V miniseries that I covered a few weeks ago, and the still-unannounced live-action series that is in pre-production won’t be coming imminently.

ViacomCBS has “plans” for expanding Star Trek beyond the projects that we know about, though, and there was talk of ideas and concepts being worked on behind the scenes. Paramount+ is being established with a view to a widespread international rollout, which will begin next month with the USA, Canada, and Australia, before heading to Scandinavia and Latin America later in the year. Hopefully it’ll come to the UK soon!

Other recently-announced projects for Paramount+ include a Halo television series, a prequel to Western drama Yellowstone, a reboot of Nickelodeon cartoon Rugrats, and more. CBS All Access has grown its subscriber base since it was launched, passing the 8 million mark last year. The relaunch of the service as Paramount+, with its promised live sport and varied mix of films and television shows will surely bring in a lot of viewers – keeping Star Trek on the air for a long time to come.

These announcements were interesting, and I feel reasonably confident now that we’ll see three Star Trek shows this year instead of the two I had been expecting, so that’s fantastic! And I cannot wait for both Season 2 of Picard and the debut of Strange New Worlds next year. It’s a wonderful time to be a Star Trek fan right now – we have literally never had so many different projects all on the go at once. Someone pinch me… I must be dreaming!

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The Section 31 series – a wishlist

Mon 25.01.21Sun 13.11.22Dennis

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Season 3, Star Trek: Picard Season 1, Star Trek: Lower Decks Season 1, and for other iterations of the franchise.

Two years on from its announcement, we don’t know very much about the upcoming Section 31 series. It doesn’t even have an official title – we all assume it will be some variant of Star Trek: Section 31, but even that much has never been confirmed. Both Strange New Worlds and Prodigy were announced after the Section 31 series but have been given titles and have even seen major announcements.

Perhaps the lack of news is caused, in part, by main character Philippa Georgiou (the Mirror Universe version) being part of Star Trek: Discovery’s third season. There may have been a desire to avoid spoiling her storyline and ultimate fate, which is commendable – if true! However, there have also been rumours – which we must look at with a healthy dose of scepticism – that seem to suggest the scripts have undergone re-writes which may have contributed to the delay.

Georgiou recently departed the 32nd Century.

It’s been a while since I looked at the Section 31 series in any depth – though I have touched on it on a number of occasions in relation to Discovery – and despite the lack of anything concrete, now seems as good a time as any, so what I thought I’d do is put together a nice internet-friendly list and go over a few options for the series and what it could include.

Number 1: Some James Bond-style action.

Roger Moore as James Bond in 1981’s *For Your Eyes Only*.

You don’t make a series based around Starfleet’s answer to MI6 and not use it to tell some great action stories… do you? Spies work in the shadows, but no one wants to see Georgiou and her new crew sat behind desks listening in on subspace messages like a futuristic NSA. We want to see them out in the field, on dangerous black-ops assignments, making full use of their licenses to kill.

Section 31 is supposed to be the no-holds-barred last line of defence for the Federation, so action should be on the agenda. We could see them sabotaging spaceships, assassinating rogue planetary leaders, and chasing supervillains halfway across the universe. It should be sufficiently over-the-top, too, or we’ll be left wondering why Starfleet security couldn’t handle things!

Number 2: Enter the Picard time period.

The crew of La Sirena in *Picard* Season 1.

When Georgiou stepped into the Guardian of Forever’s portal in the Discovery third season episode Terra Firma, Part II, her destination was not clear. The Guardian merely said that he was sending her to a time period where the Mirror and Prime universes were closely aligned. Many have assumed that her destination is the 23rd Century – and everything we’ve heard so far suggests the series takes place then. But what if that isn’t the plan?

When I wrote up a shortlist of possible time periods during Discovery’s third season I suggested that, rather than the 23rd Century as predicted, Georgiou may instead arrive at the beginning of the 25th, the era in which Picard is set. This would connect all three eras that Star Trek currently has on the go (at least in live-action). Georgiou would be the one character who has spent time with Pike – soon to be of Strange New Worlds – as well as Burnham in the 32nd Century and potentially Picard – or someone else we met in that series.

Finding some way to tie the disparate parts of Star Trek together is a challenge facing the current creative team. At the moment, every ongoing Star Trek project occupies a different place in the timeline, with precious little binding them together beyond a brand name and some general themes. It’s not that I’m concerned about this as a creative decision – as a Trekkie I quite like seeing different eras and settings. But from the point of view of Star Trek’s general audience this starts to look convoluted to the point of being offputting. The franchise needs those casual viewers in order to remain profitable and successful, so simplifying the timeline would be one of my top priorities.

At the very least, I would hope that the Section 31 series doesn’t end up in a distinct time period of its own!

Number 3: A great supporting cast.

Michelle Yeoh is a fine actress, but she can’t carry the series all by herself. Georgiou will need people around her, especially if she finds herself once again caught in a new time period.

These characters can’t all be morally ambiguous, butt-kicking super-spies either. Georgiou already fills that kind of role, so we’ll need to see some diversity in the personalities she works with. Each will also need a distinct role in the organisation – and here we leave the basic Star Trek formula behind. Even if the series is set aboard a single ship, the usual crew roster of a captain, doctor, scientist, and engineer won’t really fit with the kind of stories the Section 31 show could and should be telling.

Instead we’ll need to see roles closer to those in a series like Agents of SHIELD or the aforementioned Bond films – mission specialists, weapon and gadget experts, hackers/technology experts, as well as scientists, spies, and a commander to tie the team together. Georgiou may be the commander – but she could still have a superior to answer to; the overall head of Section 31.

There could be roles of that nature for half a dozen characters or more, and like Picard did, the show could expand beyond Starfleet to pick up a wide array of unique and interesting people.

Number 4: Moral ambiguity.

You’ve heard of the internet’s favourite philosophical question: the “trolley problem.” Would you be willing to actively kill one person to save the lives of several? Do the needs of the many outweigh the needs of the few – even if that means murdering the few? These are the kinds of questions Section 31 has the answer to – and it’s a solid “yes.”

In Deep Space Nine, Section 31 poisoned the Founders of the Dominion with a virus that they were unable to cure, potentially committing genocide against the changelings in pursuit of ending the destructive Dominion War. Whether it’s a season-long story arc or a single episode, I want to come away from the Section 31 show at least once wondering if the ends justified the means.

These people are not Starfleet – and they cannot let such things as Federation morality, the laws of war, or anything else get in the way of their objectives.

Number 5: A mix of standalone stories with a season-long arc.

*Discovery* Season 3 had both ongoing storylines and single-episode plots.

One thing that Discovery really managed to do well in Season 3 was blending standalone stories with its season-long plotlines. Strange New Worlds has promised something similar, and it would be great if the Section 31 show was likewise a mix. Picard showed that telling a single story across one season can be a lot of fun… but it also showed how that story has to really stick the landing to avoid feeling disappointing. A blend of episodic and serialised storytelling seems to be the direction of travel for Star Trek at the moment, and that’s probably for the best.

For example, we could see season-long character arcs which develop Georgiou and some of her fellow Section 31 operatives, while telling a handful of smaller one- or two-episode stories depicting some of their missions. There could be ongoing stories – like Discovery’s Burn or the search for the Federation – but allowing each episode (or at least some episodes) to stand on their own.

Number 6: A fun new starship design.

Lower Decks gave us the California-class USS Cerritos. Picard gave us La Sirena. Discovery gave us the Crossfield-class USS Discovery. Along the way we’ve seen a few other neat starship designs, and in many ways the ship itself is a major part of any Star Trek show. Thus whatever ship the Section 31 folks use will need to look awesome.

The design used for the Section 31 ship in Discovery Season 2 may come back – I did note in Season 2 that a whole set had been built for that ship’s multi-level operations centre, so perhaps we can infer from that that we’ll see Georgiou on a similar vessel. There’s scope to redesign the craft, however, especially if the Section 31 series doesn’t return to the 23rd Century.

Though Star Trek has done one series set aboard a space station, the nature of Section 31 suggests the possibility of black ops missions all across the galaxy – and for that they’ll need a ship. Modern Star Trek has done well with ship designs, in my opinion, and I’m hopeful for another great one this time around.

Number 7: Why did Georgiou not warn Section 31 about the Burn?

The Burn happened in the 31st Century and devastated the Federation.

If Section 31 don’t care about the Prime Directive, surely they don’t care about its temporal equivalent either. It’s obvious that Georgiou won’t and can’t warn Section 31 about the impending Burn – but I think seeing her wrangle with that decision would be interesting.

Georgiou has a unique relationship with Michael Burnham, and her reasoning for never mentioning the Burn to anyone in this pre-Burn era may be simple: to avoid contaminating or changing the timeline Michael is currently living in. Doing so could have serious repercussions, and perhaps we’ll see her learn about that and come to the conclusion that she doesn’t want to put Michael in danger.

Or it could simply be that Georgiou does not care about the impending future devastation of the Federation!

Number 8: If returning to the 23rd Century, reunite with Captain Pike.

Pike, Number One, and Spock on the bridge of the Enterprise.

As mentioned above, the time period in which the Section 31 series will be set has not yet been confirmed. In some ways, the 23rd Century does not fit the Guardian of Forever’s statement that he was sending Georgiou to a time when the Mirror and Prime universes were in alignment – we know from what we’ve seen of the Mirror Universe in this era that it is very different! However, returning her to the 23rd Century would cure the fatal technobabble illness she was suffering from in Discovery, so it remains a likely option.

If she returns, I’d love to see her surprise Captain Pike. As far as Pike knows, she has forever left the 23rd Century, so it would be a shock to see her return! She could convey a message from Saru and Burnham to him, if she felt like it, but she could also be on a secret Section 31 mission where she needs the help of Pike, Spock, and the Enterprise – connecting the Section 31 show to Strange New Worlds.

Number 9: A time-loop storyline involving Kovich.

Kovich oversaw Georgiou’s debriefing in *Discovery* Season 3.

Why did Kovich – the ambiguous character played by David Cronenberg in Discovery’s third season – not warn Georgiou about the ailment she was about to experience? Why did he take a personal interest in debriefing her? Whether Kovich is a Section 31 operative or not, he’s clearly a high-ranking Federation official with a high security clearance. Georgiou may have been able to send a message to him by preserving it in Section 31.

This would explain some of Kovich’s actions in Discovery – such as why he didn’t tell Georgiou her health was about to suffer. He may have received the message from her at just the right moment, explaining exactly what he needed to do to ensure she would be sent back in time by the Guardian of Forever. If he’s working for Section 31 himself this would make more sense, but even if not it would be an interesting time-loop story.

Number 10: Bridge the gap between Discovery and Deep Space Nine.

Sloan, a Section 31 operative seen in *Deep Space Nine*.

Section 31 in Deep Space Nine was so deep underground that even Starfleet captains like Benjamin Sisko were not aware of its existence. All records of the organisation – which was relatively out in the open in the Discovery era – seem to have been purged, and memory of the organisation forgotten even by Starfleet. How did this happen? And why? That’s something the Section 31 series could explain.

I don’t think we need to go all-out on this one story point. It would be enough to show the organisation disappearing and heading underground, perhaps forcing senior Starfleet admirals to make its existence classified. We don’t need a repeat of Enterprise’s Klingon augment virus, perhaps showing Section 31 using Men In Black-style memory erasers on everyone who ever encountered them! Assuming the Section 31 series is set in this time period, at least paying lip service to the fact that the organisation has been depicted very differently in the past would be sufficient.

So that’s it. A short wishlist, or collection of ideas that the untitled Section 31 series could adopt.

It may be a while before we see Georgiou and the Section 31 show. Discovery Season 4 is currently filming, with Picard and Strange New Worlds both set to start filming sometime soon too. While there’s nothing to stop multiple shows being produced simultaneously, with the pandemic proving disruptive and with the two animated shows also being worked on, Section 31 may simply be at the back of the queue. I doubt we’ll see it premiere this year – but who knows, I’ve been wrong about such things before!

Georgiou steps into the Guardian of Forever’s portal… and into the new Section 31 show.

Speaking of being wrong – this entire list may be. I don’t claim to have any “insider information,” and as we’re so far away from seeing anything at all from the Section 31 show it may be futile to wish and speculate about what may be included. As always, I encourage you to be sceptical of anyone making such a claim, and also to keep in mind that no fan theory or wish is worth getting upset or worked up over.

With Georgiou having departed Discovery, the stage is set for the Section 31 series. Despite not being particularly excited about it at first, I think there’s potential here to tell some interesting – and perhaps quite different – stories set in the Star Trek universe. I’m interested to see what the franchise can do with a Bond-esque spy thriller.

The untitled Section 31 series currently has no broadcast date scheduled. However, it will almost certainly premiere on Paramount+ in the United States, Australia, and other countries and territories where the service is available. Further international distribution has not been announced. The Star Trek franchise – including the Section 31 series, Discovery, and all other titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.