Star Trek Turns Sixty!

Happy Star Trek Day, everybody! And a very happy *sixtieth* anniversary to the Star Trek franchise, which first aired on this very day in 1966.

I wanna start today’s celebrations by talking not about the sixtieth anniversary, but rather the thirtieth! In 1996, a young Dennis made the long trek by rail to Manchester. Why? Because Manchester’s Museum of Science and Industry was playing host to Star Trek: The Exhibition, which was a travelling collection of screen-used props, model ships, a replica of the Enterprise bridge, and more. The Exhibition had stays around the UK, Ireland, and Germany from 1995 through to 1998, and some of its props and exhibits later re-appeared in Blackpool, in time for the 50th anniversary in 2016.

But that visit to Manchester… I remember it being magical! It was one of my first major outings on my own, taking two separate trains, and I remember being amazed at the full-size replicas, the props that had actually been seen on screen, and everything else that was on display. It was a truly wonderful way to celebrate the franchise’s thirtieth anniversary, and I remember it being just an incredible experience.

I visited this exhibition in 1996 to celebrate the 30th anniversary!

But the thirtieth anniversary was far from over! I bought a special edition of the Star Trek Magazine, which celebrated the milestone, and then there was the BBC’s Star Trek Night! That broadcast had quizzes, interviews with famous fans, and concluded with the UK premiere of CaretakerVoyager’s first episode. If you’re an American, that might seem a little late, but remember that in the ’90s, the UK (and much of the rest of the world) was running at least a full season – if not two – behind the United States in terms of broadcasts.

There were two special episodes produced for Star Trek’s thirtieth: Deep Space Nine’s Trials and Tribble-ations and Voyager’s Flashback. Both are great episodes that are a ton of fun to revisit, even though I didn’t get to see them until a bit later! And lest we forget, 1996 was also the year of First Contact! Widely hailed as the best TNG film (though I might be tempted to disagree!) First Contact hit cinemas in November that year.

(AI upscaled) still frame from Star Trek DS9 5x06 showing Sisko and Dax on the Enterprise bridge
We got two wonderful crossover episodes for the 30th anniversary.

The thirtieth is, for me, Star Trek’s best and biggest anniversary; it was a real blow-out. By the time of the fortieth in 2006, we were kinda down in the dumps as Trekkies, sadly. Enterprise’s cancellation meant that no new Star Trek was being broadcast or even in official production, so there was no chance to repeat crossover specials or anything of that nature. And by the fiftieth in 2016, Discovery was still in early production, and we just got the one Kelvin timeline film – Beyond – in cinemas. Beyond’s premiere was rather bittersweet, coming after the deaths of Leonard Nimoy and the young Anton Yelchin. So the fiftieth – a half-decade of Star Trek – came at a time of optimism in some ways, but with only the one film premiering.

So where does Star Trek stand today, as the sixtieth anniversary lands?

Well, Strange New Worlds is currently on the air, with Season 4 more than halfway over. We’ve also had Starfleet Academy’s first season, a pretty solid video game called Across The Unknown, and the announcement of another interesting-looking game called Shadow Frontier. Not bad, for sure… but perhaps not as big or spectacular as I might’ve hoped for three or four years ago!

Still frame from Star Trek SFA S1 showing the cadets
Star Trek: Starfleet Academy premiered earlier this year.

I would’ve liked to see more of an effort made to get some kind of crossover going – like we got for the thirtieth. Perhaps Pike’s crew could’ve linked up (somehow) with characters from The Next Generation era, or the Starfleet Academy kids might’ve been able to revisit the events of a fan-favourite story. There was potential to do something a bit bigger than we ultimately got from this new Skydance-Paramount corporation, and given Star Trek’s short-to-medium-term future… I’m a bit disappointed, to tell you the truth.

Every Star Trek show which had been in production at the time of the Skydance merger has since been cancelled, and I think we have to accept the disappointing reality that this modern incarnation of Star Trek did not do as well as the TNG era in terms of bringing in a wider audience. Streaming numbers aren’t always easy to come by, but neither Starfleet Academy’s first nor Strange New Worlds’ fourth seasons have cracked the top-ten most-streamed shows in the United States this year. And that’s a bit of a shame.

Still frame from Star Trek SNW 4x02 showing La'an drinking with Pike
Strange New Worlds Season 4 is currently airing.

At the same time, though, I see reasons for optimism in Star Trek’s longer-term future. As I said, there’s at least one new, interesting-looking video game from a known developer in the works, and that has the potential to be bigger and more successful than any Trek game since 2000’s Elite Force. And there’s at least one new film idea being worked on; whether it’ll make it to full production is another matter, of course!

But after the previous Paramount corporation arguably mishandled Star Trek, I think there’s value in giving a new team time and space to go through a bit of a reset. I’d have preferred if at least one show could’ve kept the flag flying, of course, but given where we are right now… maybe a break is needed. If Star Trek can come back stronger – perhaps in time for the seventieth anniversary! – we might not consider the impending hiatus to be a bad thing at all.

(Enhanced) still frame from a 1960s Star Trek TOS commercial showing the logo
An enhanced/upresed still from a 1960s TV advert promoting The Original Series.

Star Trek is still a unique offering in the sci-fi realm. Much of the genre in the modern day focuses on dystopias – civilisations where technology has gone awry, or where corporations and autocrats are in control. Star Trek’s vision of an enlightened future, where humanity has overcome many of its worst impulses and flaws, and where technology solves more problems than it causes, still makes the franchise stand out – even though some recent offerings have challenged that idea.

And there’s still a place for a franchise that looks ahead with hope and optimism. Not only is that something I’d argue many of us want and *need* to see in the entertainment space, but it’s also something that makes Star Trek different. In a growing, crowded genre, Star Trek still has something that helps it stand out from the pack. It’s going to fall on the shoulders of new producers, writers, and directors to take advantage of that properly – and in a way that, arguably, those of the recent streaming era failed to do – but I still believe that it’s not only possible, but desirable, too.

Cropped promo poster for Discovery S3
The world still needs entertainment with an optimistic tone and a hopeful approach to the future.

I first became a Trekkie in 1991. I wrote up a re-watch of the very first episode I can ever remember watchingThe Next Generation’s second season episode The Royale – earlier this year. And I’ve spoken before about how Star Trek was a source of help, comfort, escape, and companionship to an awkward, nerdy, and lonely kid through the ’90s and beyond. Star Trek helped me navigate school, social life, adolescence, and more – and the franchise has been a near-constant companion to me for more than thirty-five years at this point.

I went back to watch The Original Series and its films as I began my journey as a Trekkie – culminating in meeting William Shatner at a fan event just this year. And, as The Next Generation’s spin-offs and films made their way to the UK from the mid-90s on, I religiously watched every episode and film that I could! I even began collecting The Next Generation on VHS, before making the move to DVD box sets in the new millennium. I’ve owned action figures, model ships, prop replicas, posters, kitchenware, clothing… the works. I’m a Star Trek fan through-and-through, and I always will be.

Still frame from Star Trek TNG The Royale showing the away team beaming out
The Royale, from TNG’s second season, is the first Star Trek episode I can remember watching.

This franchise means a lot to me. I’ve supported Star Trek for most of my life, since before I turned ten years old, and for more than thirty-five of its sixty years of existence to boot. I’d love nothing more than to learn a new series is in early production, and that the new Skydance-led team has a concrete plan for where to take the franchise next. Films can be great and all… but for me, at least, Star Trek has always felt much more at home on the small screen.

Which is why, a decade ago, I was so excited for Star Trek: Discovery’s announcement and impending premiere!

Since Beyond was in cinemas ten years ago, we’ve had more than 200 episodes of new Star Trek across six-and-a-bit different shows, as well as a TV movie. Star Trek has tried some very different things in this era – new genres, new styles of storytelling, and attempts to reach out to different audiences and demographic groups. Not all of those experiments have been successful, thanks in no small part to poor decision-making on the corporate side, but if nothing else, I can say that I respect the efforts that were made, and the attempts to take Star Trek to new places while retaining what’s made the franchise so special to me for all these years.

Behind-the-scenes photo from Star Trek Beyond
Behind-the-scenes photo from the set of Star Trek Beyond.

Over six decades, Star Trek has introduced us to some wonderful characters, wacky aliens, and incredibly cool technologies. The franchise arguably “predicted” the likes of cell phones, tablets, wireless tech, digital record-keeping, real-time translation, and many more things years or even decades before the real world caught up! That’s pretty cool, if you think about it. And many designs for things like starships, communicators, weapons, and uniforms have become iconic; instantly-recognisable pieces of our shared pop culture.

Star Trek memes still circulate on social media, even if the shows that spawned them have been off the air for decades! The “Picard facepalming” and “it’s a faaake!” memes have gone on to have lives of their own, far beyond the Trekkie community, and I daresay most people would recognise at least one or two things from the Star Trek franchise wherever you go in the world, from Okinawa to Harare and Port Stanley to Tromsø. Star Trek is just… that big.

(AI upscaled) still frame from Star Trek DS9 6x19 showing the Vreenak meme
“It’s a faaaaake!”

As we look to the future, I think it’s understandable, for us as fans, to feel a little anxious, a little concerned, and even a little disappointed. Some shows seem to have ended too soon, without being given a proper chance to connect with their intended audiences, and with only one feature film allegedly in early pre-production, Star Trek could be about to enter a bit of a fallow period. But the franchise has taken breaks before, only to come back stronger, and with a new corporate team now in charge… I think it’s at least possible that conversations are going on about what to do with this iconic brand and where to take it next. A bit of a break might give everyone time to let those discussions play out – and to get some new faces into the room for the first time in a decade.

I will always do my best to support Star Trek – and that means hyping it up where I can, but also calling out and criticising failures or disappointments where I see them. When I used to do Twitter a few years ago, I remember one fan had words in their bio to the effect of “I never want to say anything negative about Star Trek ever!”, and for me… that’s just silly. If we give a brand unflinching, unquestioning loyalty, that isn’t actually helpful. Sometimes it takes a franchise’s biggest fans to hold producers and corporate leaders to account – to let them know that some decisions, whatever they may be, have gone too far in the wrong direction. And that philosophy is a core tenet of my website.

Photo from a Star Trek Comic-Con event showing actors from the franchise
Representatives from across the Star Trek franchise at a recent Comic-Con panel.

So yeah, I’ll continue to support Star Trek! But I won’t hold back from criticising it, either, if and when mistakes are made. It’s easier, in some ways, to criticise an episode or two of a series when you know there are more episodes – and different shows – still in the pipeline. But if we’re back to only getting one film every few years, as happened with the Kelvin era and Star Trek’s last fallow period… it’ll suck ten times more if the *only* Star Trek content we get isn’t very enjoyable! But we all have to make decisions, as fans, about how best to support the franchise.

Six decades ago, The Man Trap graced American television screens, and introduced audiences to Captain Kirk, Spock, Dr McCoy, Sulu, Uhura, and Scotty. And all these years later, here we are, gathered together to celebrate a franchise that now extends to almost 1,000 stories across eleven mainline shows, a cinematic franchise, and more. Spin-offs have taken Star Trek to books, comics, board games, and video games – which didn’t even exist back in 1966! The fan community is still just as vibrant, passionate, and wonderful as ever – something I can attest after visiting two Star Trek conventions in the past couple of years! And even if cancellation is looming, and Star Trek might be less of a feature on our screens for a while, we still have that extensive back catalogue to revisit.

Still frame from Star Trek TOS 1x01 showing the Enterprise
The very first shot of the USS Enterprise from The Man Trap, which aired sixty years ago today.

Thanks for joining me for this celebration of Star Trek’s sixtieth anniversary.

If you missed them, across 2026 I’ve been writing articles here on the website to mark this milestone anniversary. I talked about my run-in with William Shatner back in May, I shared more of my infamous “hot takes” on the franchise, another batch of my “what-if” scenarios, and I checked out some of the “worst” theories from across the fandom. Then I rated some “unpopular” Star Trek opinions, pulled out some “hidden gems” from across the franchise, and previewed an upcoming base-building game *and* an upcoming survival horror game. I’ve reviewed Starfleet Academy’s first season, and talked in depth about two of its storylines: one involving a surprise callback to DS9 and one involving the Doctor. I’ve also reviewed the new Voyager game Across The Unknown – then updated my review, and finally reviewed the first part of its planned DLC. I’ve written up episode re-watches of: Where No Man Has Gone Before, Arena, The First Duty, The Royale, Skin of Evil, and The Andorian Incident. And, of course, I’ve been reviewing Strange New Worlds’ fourth season episode by episode.

Click or tap any of those links to check out those pieces.

All that’s left to say is this: Happy Sixtieth Anniversary, Star Trek! Here’s to many, many more milestones and celebrations. And, as always, Live Long and Prosper, friends!


Most episodes and films discussed above can be streamed on Paramount+ in countries and territories where the platform is available, and are also available on DVD and/or Blu-ray. The Star Trek franchise – including all series, films, and properties discussed above – is the copyright of the Skydance-Paramount Corporation. Still frames from Star Trek: Deep Space Nine, Star Trek: Voyager, and an old TV commercial were upscaled using A.I. tools. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Bad News For Strange New Worlds…

A Star Trek spoiler warning graphic.

Spoiler Warning: Beware of very minor spoilers for Strange New Worlds Seasons 1 and 2, Discovery Seasons 1 and 2, and Picard.

If you follow Star Trek on social media, or really any of the big Star Trek fansites or channels, you’ve probably already heard the news that Strange New Worlds is to be cancelled after a truncated fifth season. I find this to be an especially disappointing blow, as Strange New Worlds has been the best show – and by far the best live-action show – since Star Trek’s small-screen resurrection back in 2017. Captain Pike has been telling us in voiceover form that the Enterprise is on a “five-year mission,” of course, but I’m not gonna lie: a big part of me was hoping that this show would continue to go from strength to strength, pushing past that five-year mark.

This decision is quite clearly coming from the corporate side. Paramount’s finances have been bad for a long time, Paramount+ is on shaky ground as very much a second-tier streaming service, and the ongoing Skydance merger seems to be pretty convoluted, even by industry standards. So I’m not stunned at this news – just as Discovery’s cancellation, Lower Decks’ cancellation, and the lack of interest in Star Trek: Legacy didn’t shock me too much, either. But that doesn’t make it any more pleasant or easy to digest.

Logo of Skydance - the corporation soon to merge with Paramount.
Skydance and Paramount are involved in a messy buyout/merger.

It seems odd to announce the cancellation at this stage: a few weeks before Season 3’s premiere, and potentially two, three, or even four years before the show’s fifth and final season will be broadcast. Is it not at least possible that high viewership and a strong fan reaction to Seasons 3, 4, and 5 could make the show a more intriguing business proposition? With the Skydance merger still ongoing and a new leadership team potentially coming in, mightn’t they be interested in the flagship series for one of Paramount’s biggest franchises? Or conversely, did Skydance insist on cancelling Strange New Worlds – and perhaps other Star Trek projects, too – ahead of the merger?

We may never learn exactly what happened or what the ins and outs of it all were. But it’s disappointing in more ways than one to learn that Strange New Worlds isn’t being given more of a chance. I don’t know what the show’s viewership has been like, but I would remind everyone that Season 1 wasn’t available internationally at first, so there’s only really been one full season that was available around the world on Paramount+ on broadcast day. It feels premature to cancel the show when you bear that fact in mind. And that’s not to mention that, historically speaking, Star Trek shows tend to improve as they go along, picking up more support and viewers from their second seasons onwards.

Behind-the-scenes photo from the set of Strange New Worlds Season 4 showing Adrian Holmes and Anson Mount in costume.
Adrian Holmes (Admiral April) with Anson Mount (Captain Pike) on the set of Strange New Worlds Season 4.

Then there’s the shortened fifth season. Season 5 will run to a mere six episodes instead of the usual ten. What, were those extra four episodes really fucking up the budget that badly? Is Paramount so broke that the corporation can’t stump up a few extra dollars for four episodes of a series that’s already in production, where the majority of its sets are already built, and the main roles are already cast? C’mon… that’s just pathetic.

Strange New Worlds has been the high-water mark of modern Star Trek. But, as with almost everything Paramount’s executive fuckwits have touched over the past decade, some appalling decision-making at the highest levels has worked against the show and its prospects. Oversaturation of the Star Trek brand is a major contributing factor, with Strange New Worlds having to compete for attention against four other Star Trek shows at various points, including episodes of Picard which were literally broadcast on the exact same day. Then there was the piss-poor decision to cut off the series from anyone outside of the United States during its critical first season. And even when Strange New Worlds was available and wasn’t being trodden all over by other Star Trek shows… it didn’t get much of a marketing budget, hardly any tie-in merchandise, and Paramount always seemed to treat the show as secondary to Discovery and Picard. Even as those shows came to the end of their runs, there wasn’t as much love for Strange New Worlds as there should’ve been.

Still frame from Strange New Worlds Season 1 showing Captain Pike on horseback.
Captain Pike in the series premiere.

I heaped praise on Paramount back in 2020 for commissioning Strange New Worlds. The show wouldn’t have come to exist without the incredibly positive reaction fans had to Pike and Spock’s roles in Discovery Season 2, and I think it’s worth acknowledging how at least some folks at Paramount had the basic business acumen to recognise that. Strange New Worlds was prioritised ahead of Section 31, arguably contributing to that series being put on hold and eventually re-worked into the TV movie we got earlier this year. And I stand by what I’ve said multiple times: that was the right decision. Fans were clamouring for more adventures with these versions of Pike and Spock, as well as for an episodic series that returned Star Trek to its roots. It’s no exaggeration to say that Strange New Worlds is the Star Trek show that I and many other Trekkies had been waiting for for a very long time.

There’ll be time in the months and years ahead to give Strange New Worlds a proper autopsy, discussing what went wrong, what went right, and what lessons the newly-formed Skydance-Paramount corporation can learn for Star Trek’s future… if Star Trek has a future beyond the next few years. But for now… I just feel like wallowing, to be honest with you. The timing of the news caught me off-guard, with Season 3’s marketing campaign ramping up, and while a five-season run is in keeping with modern Star Trek and with Pike’s “five-year mission,” I’m still disappointed to learn that the end is nigh for Strange New Worlds.

Still frame from Strange New Worlds Season 2 showing the USS Enterprise.
The USS Enterprise.

Let’s talk a little about the timing, because this really is a bit of an oddity, isn’t it?

We’re weeks away from Season 3’s premiere. A new trailer was released just a few days ago. The cast are soon gonna be out and about on the interview circuit. This is categorically not the time to announce that the show is being cancelled! It risks overshadowing the marketing push for Season 3, and it risks turning away potential viewers. What’s the point, after all, in tuning in for Season 3 if the show’s about to be canned? A lot of people won’t read the whole press release; they’ll hear “Strange New Worlds is being cancelled” and push the series out of their minds. Paramount has always struggled with timing – and with plenty of other incredibly basic things that practically every other entertainment corporation handles better – but even by their standards this is pretty bad.

The only thing I can think of to justify the announcement is this: the news was about to be leaked. Someone at Paramount got wind of an imminent leak and jumped in first, trying to head it off. Maybe that’s what happened… I don’t know. It seems to me to be the only logical justification for the timing of this announcement.

Promo photo from Strange New Worlds Season 2 showing Spock.
Spock.

So what does all of this mean for Star Trek’s future?

This might have to be the subject of a longer piece in the weeks ahead (when I’ve had more time to process things and get my thoughts in order) but I have a couple of things to say at this stage.

Firstly, I sincerely hope Strange New Worlds can be Star Trek’s last prequel series – at least for a good long while. There were fun moments in Enterprise, Discovery’s first couple of seasons, and the Kelvin films… but for a franchise that’s always been about looking to the future, prequels have never felt right to me. Strange New Worlds has, in my view, been outstanding… but if there is to be more Star Trek on our screens in the years ahead, let’s move the timeline along instead of re-treading old ground. Many Strange New Worlds episodes would’ve worked just as well – if not better – had they been set in the Picard era. A few small tweaks here and there and you’d be all set!

Still frame from the Strange New Worlds Season 3 teaser showing Captain Pike.
Star Trek doesn’t need another prequel series.

Secondly, I feel increasingly certain that, by the time we get to 2028 or 2029, Star Trek as a whole will cease production.

There are other projects in production right now: two seasons of Starfleet Academy and potentially at least one season of Tawny Newsome’s “workplace comedy” show. To me, a reasonably plausible timeline might see us get Starfleet Academy next year, Strange New Worlds Season 4 in 2027, Starfleet Academy and/or the comedy show in 2028, and Strange New Worlds’ finale in 2028 or 2029. But after that? Paramount’s merger will have fully concluded, and it’ll be up to the new executives to decide what – if anything – they want to do with Star Trek.

When Paramount+ was beginning its painfully slow rollout a few years ago, I said that I wouldn’t be surprised if the streaming platform doesn’t make it to the end of the decade. And despite talks of a potential merger of Paramount+ with another platform, I feel like that looks more and more likely, too. The future of streaming feels like it’s going to consolidate around a few large, profitable platforms, meaning second-tier, unprofitable ones like Paramount+ are on the way out. I don’t see the merger changing that, either.

The logo of Paramount+ on a blue background.
Will Paramount+ survive the decade?

What that means for Star Trek is that, if the franchise survives, it’ll likely be licesned out to someone like Netflix or Amazon in the future, rather than being made for Paramount’s own platform. Even in the Paramount+ era we’ve seen this; Prodigy was recently licensed to Netflix, though that deal is shortly coming to an end. With Netflix having been burned before, though, with both Discovery and Prodigy… will they want to make another investment in this beleaguered brand? If Star Trek kind of fizzles out in the second half of the 2020s, will it be an appealing prospect to any big streaming platform in the future?

Maybe we’re getting ahead of ourselves. It’s still possible that the remaining seasons of Strange New Worlds or Starfleet Academy will bring in new viewers, attracting new eyes to Star Trek at just the right time to greenlight more from the franchise! Maybe that’s a little too optimistic for this moment, but my point is that you never know. Strange New Worlds is fantastic with its episodic storytelling, and Starfleet Academy has the potential, at least, to appeal to younger folks. There are a couple of glimmers of hope there, I feel.

Still frame from the Strange New Worlds Season 3 trailer showing multiple main characters with wine glasses.
Here’s to Strange New Worlds

But none of that can hide the disappointment of today. Strange New Worlds – the show spawned by a fan campaign and which quickly became the best thing Star Trek has done in years – is cancelled. And Season 5 won’t even manage a measly ten episodes.

I’m glad that Star Trek was resurrected in 2017, and there have been some fantastic, hilarious, and emotional episodes produced over the past eight years. But we’re seeing the effect of Paramount’s epic mismanagement now; shows failing to find an audience, being either cut off from the world or squashed up too tightly together, and ultimately the result is premature cancellation. I don’t know what the future might hold for Star Trek beyond Strange New Worlds’ finale… but I hope whoever’s in charge of the franchise by that point does a better job than the current crop of executive morons.

Despite this disappointing news, I still hope to watch and review Strange New Worlds Season 3 later this summer, so be sure to check back for that. Until then… well, I don’t really have any encouraging or optimistic words to end on, I’m afraid.


Star Trek: Strange New Worlds Seasons 1 and 2 are available to stream now on Paramount+ and are also available on DVD and Blu-ray. Season 3 will premiere on the 17th of July. The Star Trek franchise – including Strange New Worlds and all other properties discussed above – remains the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.