Star Trek Turns Sixty!

Happy Star Trek Day, everybody! And a very happy *sixtieth* anniversary to the Star Trek franchise, which first aired on this very day in 1966.

I wanna start today’s celebrations by talking not about the sixtieth anniversary, but rather the thirtieth! In 1996, a young Dennis made the long trek by rail to Manchester. Why? Because Manchester’s Museum of Science and Industry was playing host to Star Trek: The Exhibition, which was a travelling collection of screen-used props, model ships, a replica of the Enterprise bridge, and more. The Exhibition had stays around the UK, Ireland, and Germany from 1995 through to 1998, and some of its props and exhibits later re-appeared in Blackpool, in time for the 50th anniversary in 2016.

But that visit to Manchester… I remember it being magical! It was one of my first major outings on my own, taking two separate trains, and I remember being amazed at the full-size replicas, the props that had actually been seen on screen, and everything else that was on display. It was a truly wonderful way to celebrate the franchise’s thirtieth anniversary, and I remember it being just an incredible experience.

I visited this exhibition in 1996 to celebrate the 30th anniversary!

But the thirtieth anniversary was far from over! I bought a special edition of the Star Trek Magazine, which celebrated the milestone, and then there was the BBC’s Star Trek Night! That broadcast had quizzes, interviews with famous fans, and concluded with the UK premiere of CaretakerVoyager’s first episode. If you’re an American, that might seem a little late, but remember that in the ’90s, the UK (and much of the rest of the world) was running at least a full season – if not two – behind the United States in terms of broadcasts.

There were two special episodes produced for Star Trek’s thirtieth: Deep Space Nine’s Trials and Tribble-ations and Voyager’s Flashback. Both are great episodes that are a ton of fun to revisit, even though I didn’t get to see them until a bit later! And lest we forget, 1996 was also the year of First Contact! Widely hailed as the best TNG film (though I might be tempted to disagree!) First Contact hit cinemas in November that year.

(AI upscaled) still frame from Star Trek DS9 5x06 showing Sisko and Dax on the Enterprise bridge
We got two wonderful crossover episodes for the 30th anniversary.

The thirtieth is, for me, Star Trek’s best and biggest anniversary; it was a real blow-out. By the time of the fortieth in 2006, we were kinda down in the dumps as Trekkies, sadly. Enterprise’s cancellation meant that no new Star Trek was being broadcast or even in official production, so there was no chance to repeat crossover specials or anything of that nature. And by the fiftieth in 2016, Discovery was still in early production, and we just got the one Kelvin timeline film – Beyond – in cinemas. Beyond’s premiere was rather bittersweet, coming after the deaths of Leonard Nimoy and the young Anton Yelchin. So the fiftieth – a half-decade of Star Trek – came at a time of optimism in some ways, but with only the one film premiering.

So where does Star Trek stand today, as the sixtieth anniversary lands?

Well, Strange New Worlds is currently on the air, with Season 4 more than halfway over. We’ve also had Starfleet Academy’s first season, a pretty solid video game called Across The Unknown, and the announcement of another interesting-looking game called Shadow Frontier. Not bad, for sure… but perhaps not as big or spectacular as I might’ve hoped for three or four years ago!

Still frame from Star Trek SFA S1 showing the cadets
Star Trek: Starfleet Academy premiered earlier this year.

I would’ve liked to see more of an effort made to get some kind of crossover going – like we got for the thirtieth. Perhaps Pike’s crew could’ve linked up (somehow) with characters from The Next Generation era, or the Starfleet Academy kids might’ve been able to revisit the events of a fan-favourite story. There was potential to do something a bit bigger than we ultimately got from this new Skydance-Paramount corporation, and given Star Trek’s short-to-medium-term future… I’m a bit disappointed, to tell you the truth.

Every Star Trek show which had been in production at the time of the Skydance merger has since been cancelled, and I think we have to accept the disappointing reality that this modern incarnation of Star Trek did not do as well as the TNG era in terms of bringing in a wider audience. Streaming numbers aren’t always easy to come by, but neither Starfleet Academy’s first nor Strange New Worlds’ fourth seasons have cracked the top-ten most-streamed shows in the United States this year. And that’s a bit of a shame.

Still frame from Star Trek SNW 4x02 showing La'an drinking with Pike
Strange New Worlds Season 4 is currently airing.

At the same time, though, I see reasons for optimism in Star Trek’s longer-term future. As I said, there’s at least one new, interesting-looking video game from a known developer in the works, and that has the potential to be bigger and more successful than any Trek game since 2000’s Elite Force. And there’s at least one new film idea being worked on; whether it’ll make it to full production is another matter, of course!

But after the previous Paramount corporation arguably mishandled Star Trek, I think there’s value in giving a new team time and space to go through a bit of a reset. I’d have preferred if at least one show could’ve kept the flag flying, of course, but given where we are right now… maybe a break is needed. If Star Trek can come back stronger – perhaps in time for the seventieth anniversary! – we might not consider the impending hiatus to be a bad thing at all.

(Enhanced) still frame from a 1960s Star Trek TOS commercial showing the logo
An enhanced/upresed still from a 1960s TV advert promoting The Original Series.

Star Trek is still a unique offering in the sci-fi realm. Much of the genre in the modern day focuses on dystopias – civilisations where technology has gone awry, or where corporations and autocrats are in control. Star Trek’s vision of an enlightened future, where humanity has overcome many of its worst impulses and flaws, and where technology solves more problems than it causes, still makes the franchise stand out – even though some recent offerings have challenged that idea.

And there’s still a place for a franchise that looks ahead with hope and optimism. Not only is that something I’d argue many of us want and *need* to see in the entertainment space, but it’s also something that makes Star Trek different. In a growing, crowded genre, Star Trek still has something that helps it stand out from the pack. It’s going to fall on the shoulders of new producers, writers, and directors to take advantage of that properly – and in a way that, arguably, those of the recent streaming era failed to do – but I still believe that it’s not only possible, but desirable, too.

Cropped promo poster for Discovery S3
The world still needs entertainment with an optimistic tone and a hopeful approach to the future.

I first became a Trekkie in 1991. I wrote up a re-watch of the very first episode I can ever remember watchingThe Next Generation’s second season episode The Royale – earlier this year. And I’ve spoken before about how Star Trek was a source of help, comfort, escape, and companionship to an awkward, nerdy, and lonely kid through the ’90s and beyond. Star Trek helped me navigate school, social life, adolescence, and more – and the franchise has been a near-constant companion to me for more than thirty-five years at this point.

I went back to watch The Original Series and its films as I began my journey as a Trekkie – culminating in meeting William Shatner at a fan event just this year. And, as The Next Generation’s spin-offs and films made their way to the UK from the mid-90s on, I religiously watched every episode and film that I could! I even began collecting The Next Generation on VHS, before making the move to DVD box sets in the new millennium. I’ve owned action figures, model ships, prop replicas, posters, kitchenware, clothing… the works. I’m a Star Trek fan through-and-through, and I always will be.

Still frame from Star Trek TNG The Royale showing the away team beaming out
The Royale, from TNG’s second season, is the first Star Trek episode I can remember watching.

This franchise means a lot to me. I’ve supported Star Trek for most of my life, since before I turned ten years old, and for more than thirty-five of its sixty years of existence to boot. I’d love nothing more than to learn a new series is in early production, and that the new Skydance-led team has a concrete plan for where to take the franchise next. Films can be great and all… but for me, at least, Star Trek has always felt much more at home on the small screen.

Which is why, a decade ago, I was so excited for Star Trek: Discovery’s announcement and impending premiere!

Since Beyond was in cinemas ten years ago, we’ve had more than 200 episodes of new Star Trek across six-and-a-bit different shows, as well as a TV movie. Star Trek has tried some very different things in this era – new genres, new styles of storytelling, and attempts to reach out to different audiences and demographic groups. Not all of those experiments have been successful, thanks in no small part to poor decision-making on the corporate side, but if nothing else, I can say that I respect the efforts that were made, and the attempts to take Star Trek to new places while retaining what’s made the franchise so special to me for all these years.

Behind-the-scenes photo from Star Trek Beyond
Behind-the-scenes photo from the set of Star Trek Beyond.

Over six decades, Star Trek has introduced us to some wonderful characters, wacky aliens, and incredibly cool technologies. The franchise arguably “predicted” the likes of cell phones, tablets, wireless tech, digital record-keeping, real-time translation, and many more things years or even decades before the real world caught up! That’s pretty cool, if you think about it. And many designs for things like starships, communicators, weapons, and uniforms have become iconic; instantly-recognisable pieces of our shared pop culture.

Star Trek memes still circulate on social media, even if the shows that spawned them have been off the air for decades! The “Picard facepalming” and “it’s a faaake!” memes have gone on to have lives of their own, far beyond the Trekkie community, and I daresay most people would recognise at least one or two things from the Star Trek franchise wherever you go in the world, from Okinawa to Harare and Port Stanley to Tromsø. Star Trek is just… that big.

(AI upscaled) still frame from Star Trek DS9 6x19 showing the Vreenak meme
“It’s a faaaaake!”

As we look to the future, I think it’s understandable, for us as fans, to feel a little anxious, a little concerned, and even a little disappointed. Some shows seem to have ended too soon, without being given a proper chance to connect with their intended audiences, and with only one feature film allegedly in early pre-production, Star Trek could be about to enter a bit of a fallow period. But the franchise has taken breaks before, only to come back stronger, and with a new corporate team now in charge… I think it’s at least possible that conversations are going on about what to do with this iconic brand and where to take it next. A bit of a break might give everyone time to let those discussions play out – and to get some new faces into the room for the first time in a decade.

I will always do my best to support Star Trek – and that means hyping it up where I can, but also calling out and criticising failures or disappointments where I see them. When I used to do Twitter a few years ago, I remember one fan had words in their bio to the effect of “I never want to say anything negative about Star Trek ever!”, and for me… that’s just silly. If we give a brand unflinching, unquestioning loyalty, that isn’t actually helpful. Sometimes it takes a franchise’s biggest fans to hold producers and corporate leaders to account – to let them know that some decisions, whatever they may be, have gone too far in the wrong direction. And that philosophy is a core tenet of my website.

Photo from a Star Trek Comic-Con event showing actors from the franchise
Representatives from across the Star Trek franchise at a recent Comic-Con panel.

So yeah, I’ll continue to support Star Trek! But I won’t hold back from criticising it, either, if and when mistakes are made. It’s easier, in some ways, to criticise an episode or two of a series when you know there are more episodes – and different shows – still in the pipeline. But if we’re back to only getting one film every few years, as happened with the Kelvin era and Star Trek’s last fallow period… it’ll suck ten times more if the *only* Star Trek content we get isn’t very enjoyable! But we all have to make decisions, as fans, about how best to support the franchise.

Six decades ago, The Man Trap graced American television screens, and introduced audiences to Captain Kirk, Spock, Dr McCoy, Sulu, Uhura, and Scotty. And all these years later, here we are, gathered together to celebrate a franchise that now extends to almost 1,000 stories across eleven mainline shows, a cinematic franchise, and more. Spin-offs have taken Star Trek to books, comics, board games, and video games – which didn’t even exist back in 1966! The fan community is still just as vibrant, passionate, and wonderful as ever – something I can attest after visiting two Star Trek conventions in the past couple of years! And even if cancellation is looming, and Star Trek might be less of a feature on our screens for a while, we still have that extensive back catalogue to revisit.

Still frame from Star Trek TOS 1x01 showing the Enterprise
The very first shot of the USS Enterprise from The Man Trap, which aired sixty years ago today.

Thanks for joining me for this celebration of Star Trek’s sixtieth anniversary.

If you missed them, across 2026 I’ve been writing articles here on the website to mark this milestone anniversary. I talked about my run-in with William Shatner back in May, I shared more of my infamous “hot takes” on the franchise, another batch of my “what-if” scenarios, and I checked out some of the “worst” theories from across the fandom. Then I rated some “unpopular” Star Trek opinions, pulled out some “hidden gems” from across the franchise, and previewed an upcoming base-building game *and* an upcoming survival horror game. I’ve reviewed Starfleet Academy’s first season, and talked in depth about two of its storylines: one involving a surprise callback to DS9 and one involving the Doctor. I’ve also reviewed the new Voyager game Across The Unknown – then updated my review, and finally reviewed the first part of its planned DLC. I’ve written up episode re-watches of: Where No Man Has Gone Before, Arena, The First Duty, The Royale, Skin of Evil, and The Andorian Incident. And, of course, I’ve been reviewing Strange New Worlds’ fourth season episode by episode.

Click or tap any of those links to check out those pieces.

All that’s left to say is this: Happy Sixtieth Anniversary, Star Trek! Here’s to many, many more milestones and celebrations. And, as always, Live Long and Prosper, friends!


Most episodes and films discussed above can be streamed on Paramount+ in countries and territories where the platform is available, and are also available on DVD and/or Blu-ray. The Star Trek franchise – including all series, films, and properties discussed above – is the copyright of the Skydance-Paramount Corporation. Still frames from Star Trek: Deep Space Nine, Star Trek: Voyager, and an old TV commercial were upscaled using A.I. tools. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Pondering Star Trek’s Future

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware spoilers for the following Star Trek productions: Discovery, Picard, Prodigy, Strange New Worlds, and Starfleet Academy.

Although it was predictable, unfortunately, that a third season renewal would be a bridge too far for Starfleet Academy, the timing of that announcement still felt pretty brutal. It came just days after the Season 1 finale, perhaps a year or eighteen months away from Season 2’s arrival, and in the middle of a fairly muted 60th anniversary year to boot. But the news did get me thinking about what Star Trek might look like in the future, now that all of the CBS All Access/Paramount+ shows are being wound down. And also… it got me thinking about what I’d like Star Trek to look like, too.

I said a couple of weeks ago that Starfleet Academy was the “final pillar of streaming Trek;” i.e. the last surviving show of the franchise’s modern incarnation. That pillar is now set to fall, so it means we have to look to the future.

Still frame from Rubincon showing the Athena saucer in a gas cloud
The USS Athena in Starfleet Academy.

As an aside, a fan petition or campaign, however creditable its numbers may be, will undoubtedly not save Starfleet Academy. Star Trek has a long, well-established history of fan campaigns, with the most famous still being the one that got The Original Series renewed for its third season. But the new Skydance-Paramount corporate entity is a completely different beast, and I’m increasingly of the opinion that Starfleet Academy had been “de facto cancelled” before it had even premiered. The new leadership team came in, intent on taking Star Trek in a different direction, but still committed to the shows currently in production. Starfleet Academy was too far along to officially cancel – and announcing a cancellation before the show’s premiere would’ve been idiotic, even by the standards of the old Paramount corporation. So Season 1 went ahead as planned.

I also feel ever more sure that Alex Kurtzman – who’s been in charge of the franchise for eight years – is on the way out. Whatever other ideas he and his team may have had – like Tawny Newsome’s “workplace comedy” show, for instance – seem unlikely to see the light of day.

Behind-the-scenes photo from Star Trek Starfleet Academy S1 of Alex Kurtzman and Bella Shepard
Alex Kurtzman (right) with Bella Shepard during production on Starfleet Academy.

So that leaves us with two questions: what does this new Skydance-Paramount intend to do with Star Trek? And in an ideal world, what would I like to see happen to this storied franchise?

The first question’s the easy one, at least right now: they’re going to make at least one feature film. That’s, uh, it. At least as far as we know right now, when Strange New Worlds and Starfleet Academy wrap up, there’ll be at least one new film hitting the big screen. And if it makes waves and picks up a lot of traction, maybe there’ll be a sequel or a spin-off. But it certainly seems, as of mid-2026 anyway, that Skydance plans to make Star Trek a cinematic franchise – and an occasional one at that.

Stock photo of cinema seats
Star Trek is headed back to the cinema.

There is an additional complication, though – one which could, perhaps, see Star Trek on the small screen granted a reprieve sooner than we might expect. After buying out Paramount just last year (and incurring a ton of debt in the process), Skydance is now set on doing the same thing again. This time, their target is Warner Bros./Discovery, which owns the likes of CNN, HBO, Cartoon Network, and more. Brands and franchises like Game of Thrones, DC Comics, and the cinematic adaptation of The Lord of The Rings all come under that corporate umbrella.

This new buyout – assuming it will be completed (which is a big assumption at this stage!) – will leave the new Skydance-Paramount-Warner Bros. corporation in a mountain of debt. And yes, films at the cinema will be part of the new entity’s strategy to pay back its investors. But so will streaming and TV. And if there’s any hope for Star Trek coming back to the small screen in the years ahead, I think it’s gotta be there. At least, that’s how it feels right now.

Paramount-Skydance logo white on blue.
Skydance-Paramount is making a bid to buy Warner Bros.-Discovery.

Star Trek has told some fun stories at the cinema. I enjoy basically all of the Star Trek films on some level – even so-called “lesser” offerings like The Final Frontier or Insurrection. But, for me, Star Trek has always been more at home on the small screen, which is why Discovery’s premiere nine years ago felt like a true homecoming.

One of the lessons that I *hope* the new Skydance-Paramount team has learned is that Star Trek can’t just be blended up and poured into a typical streaming TV mould. This franchise – arguably more than any other, at least in the sci-fi space – *needs* the freedom that episodic storytelling brings, and trying to chop and change Star Trek to fit in with other modern streaming shows simply hasn’t allowed it to shine. That isn’t to say there haven’t been some wonderful stories over the past nine years, because there absolutely have been. But at its core, Star Trek is about exploring, right? It’s about seeking out new life and new civilisations… and that means that the crews of your starships have to be free to warp away to a new planet, a new star system, and a new adventure pretty much every week.

Still frame from Vox in Excelso showing the cadets
The Starfleet Academy cadets.

That, for me, is what modern Star Trek has been missing more often than not. Discovery, Picard, and, to an extent, Prodigy and Starfleet Academy, too, went for season-long serialised arcs, with big villains, unfolding mysteries, and characters who grow and evolve over the course of a single story. But that isn’t really what Star Trek ever was, if you look back. There were serialised seasons, especially in DS9 and Enterprise, sure. But even those seasons still had those episodic elements, or else took diversions along the way to visit different places and keep Star Trek’s core theme of exploration in the picture.

I’ve said multiple times here on the website that Star Trek, like any long-running project, has to be adaptable and must be able to change with the times. Doubling-down on what used to work thirty or sixty years ago is not necessarily going to cut it in a transformed media landscape. And I stand by that; as much as some of us fans might want to see it, a return to the exact style of The Next Generation era is off the table.

Still frame from The Enterprise Incident showing Spock and the scanner
Star Trek can’t just fall back on repeating what it’s already done.

But I find myself also being of the opinion that there can be too much change, too much attempted modernisation, and too much of an emphasis on copying what’s working for someone else. That’s led to multiple seasons of live-action Star Trek over the past few years that not only feel samey and repetitive when compared to each other, but which have also failed to establish a firm identity for the franchise. What *is* Star Trek to a new viewer? What does Star Trek look like to someone who’s tuning in for the first time? If all you’ve seen of Star Trek is Discovery or Starfleet Academy, you’d be forgiven for thinking that this franchise is just… more of the same. It’s no different from the Star Wars shows on Disney+, or countless other modern sci-fi and fantasy offerings from other networks. There’s nothing unique about Star Trek any more… nothing to make it stand out in a crowded marketplace.

And that’s what Star Trek will need to do in the future: stand out. If the streaming landscape continues to be dominated by short, six- or eight-episode fully-serialised seasons, let’s make Star Trek shows longer and more episodic. If big, over-the-top baddies are still the name of the game, step away from those kinds of characters. In fact, use violence sparingly, and focus on stories with scientific and engineering puzzles rather than mindless action and phaser fights. That kind of thing, I believe, is what could give a future Star Trek show enough of a unique hook to appeal to viewers. As audiences begin to tire of some of these streaming programmes, things will undoubtedly change – and Star Trek could, with the right timing, be on the crest of the wave, or even *lead* a trend away from TV shows that are akin to “ten-hour movies.”

Sir Patrick Stewart at 2018 Star Trek Las Vegas
Sir Patrick Stewart (pictured) famously described Star Trek: Picard as a “ten-hour movie.”

That doesn’t mean a new Star Trek show can’t have *any* modern features. I think retaining character growth or even giving characters season-long arcs which play out across multiple stories can work exceptionally well. And I’m also not advocating for a return to low-budget “bottle shows” every other episode. Quite a bit of so-called “classic Star Trek” is filler, if you think about it; unremarkable episodes which exist solely to pad out a season and make the mandatory twenty-two or twenty-six episode limit. We don’t need more Shades of Gray, thank you very much!

If you’re already thinking of three words, then you and I are on the same page, because the kind of show I’m describing is… Strange New Worlds. That show, for me, is the model that any and all future Star Trek pitches should be based around. You’ve got an episodic adventure set on a moving starship. You warp away to a new planet and a new story every week. But within that framework, you have characters who develop, grow, and change, and who retain things that happened to them last week in this week’s adventure.

Still frame from Star Trek SNW S3 showing Batel and Pike
Sitting on the sofa to watch Strange New Worlds

For me, Strange New Worlds has been the absolute highlight of modern Star Trek for this exact reason. By reverting to an older, more episodic style, the show has been able to explore more aliens, more planets, and more of the Star Trek galaxy as a whole than any of its contemporaries. And it’s also been a beautifully diverse series, with episodes in a variety of genres: the horror and war tones of the Gorn conflict, comedy and drama with Spock and Chapel, a zombie episode… and even a musical. Strange New Worlds really has tried to do it all! Not every story worked or was to my taste, sure… but I appreciate the commitment to trying new things and keeping that episodic style throughout.

That doesn’t mean, by the way, that I’m asking for “more Strange New Worlds,” or the “Year One” idea that’s been floated around. Strange New Worlds has been cancelled, and for my money, Year One isn’t the direction I’d go. But what I *am* saying is that the show’s core model – episodic storytelling with character growth – is what any future Star Trek show should look to adopt.

Concept Art for Star Trek TMP showing the USS Enterprise
Concept art for The Motion Picture showing the USS Enterprise in drydock.

Whether it will happen, though… who’s to say? Star Trek has been cancelled before and found a way back, so I don’t think Starfleet Academy’s finale will be the last we’ll ever see of it. And with corporate shenanigans afoot, it may not be long before Sky-Mount-Bros.-Max decides it *needs* a new Star Trek show to win subscribers or viewers and pay down its debt. But whether Star Trek will take the kind of form I’m advocating for here… I’m not so sure, unfortunately. I’d love to see it happen; I’d love nothing more than to get the kind of exploration-focused, episodic adventure that used to be the franchise’s bread and butter. But in 2026, the entertainment landscape has definitely moved away from TV shows like that. And I have to accept that there may not be a way back.

If you made it to the end, thanks for reading. I hope this has been interesting. As I said, Starfleet Academy’s cancellation prompted this conversation and got me thinking about what Star Trek could or should look like in the future.

All I can really say is this: I hope we aren’t coming to the end of the line, and that Skydance’s warm words about Star Trek over the past months and years are genuine. We are heading into uncharted waters, in a way, with takeovers, mergers, and the streaming wars. Star Trek’s future is unclear right now… but it’s my sincere hope that there will be a future beyond the announced feature film and the end of the 2020s.


Most Star Trek films and TV shows discussed above can be streamed now on Paramount+ in countries and territories where the service is available. The Star Trek franchise – including all films, TV programmes, and other properties discussed above – is the copyright of Skydance/Paramount. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.