Stories To Tell Before It’s All Over…

A Star Trek: The Animated Series-themed spoiler warning graphic.

Spoiler Warning: Beware of spoilers for the following Star Trek productions: Deep Space Nine Season 6, Enterprise Season 3, Discovery Seasons 1-5, Picard Seasons 1-3, Prodigy Season 1, Strange New Worlds Seasons 1-2, and Starfleet Academy.

Eight years ago, Star Trek returned to its small-screen home after over a decade in the wilderness. However, in 2025, thanks to a corporate merger, an under-performing, loss-making streaming platform, and some laughably idiotic decision-making by morons in suits, it feels like Star Trek might, once again, be coming to the end of the road. The cancellations of all but one series, failures to get a new feature film off the ground, and Paramount+ continuing to flail around in a competitive market all indicate to me that Paramount and Skydance are at the very least considering bringing production to a halt.

There will be time in the months and years ahead to talk about who’s to blame and what precisely went wrong. But that isn’t the purpose of today’s article. Instead, I want to take a look ahead. Beginning with the assumption that Skydance/Paramount aren’t interested in producing more Star Trek after the second half of the 2020s, what stories should the franchise’s writers and producers aim to tell over the next three or four years? Is there room to resolve dangling story threads, throw in a bit of fan service, and perhaps revisit characters and factions we haven’t seen in a while? Or… should Star Trek’s corporate overlords roll the dice again and chase trends in the hope of bringing in new viewers?

A room with a table and chairs and a banner on the wall that reads "Star Trek: Boldly Going in 2017."
An early tease of Star Trek’s small-screen return.
Photo Credit: TrekCore

2016 doesn’t feel like a particularly long time ago. But it’s been nine years since we got those early teases of what would go on to be Star Trek: Discovery, and since then, production has ramped up only to tail off again far more quickly than I’d expected. To go from the excitement of Star Trek’s return to the very real prospect of its total cancellation in the span of less than a decade is making my head spin! But realistically, after the cancellation of most of the main shows and with the corporate merger seeming to have put a stop to any new announcements… that’s where we’re at. If Star Trek isn’t bringing in viewers and helping Paramount+ on its long road to profitability… what did we expect? Corporations aren’t going to piss away money forever on something that isn’t making a profit… even if the reason why Star Trek, in its current incarnation, has struggled is, I would very strongly argue, entirely the fault of executive fuckwits making appalling decisions!

The cancellation announcement of Strange New Worlds kind of embodies that for me. Season 3 is literally days away, the cast and crew are about to start making the rounds on the interview circuit, hype for the new season is beginning to build… and that’s the moment that Paramount’s executives decide to announce that the show’s cancellation. This coming just a couple of years after they had to rapidly un-announce a new Star Trek film when it emerged that none of the cast had actually signed onto the project. After the merger is complete and these morons are all laid off… I hope not one of them ever works in the entertainment industry again.

But as I said, that’s not what we’re here to talk about on this occasion!

Former Paramount CEO Bob Bakish in an official portrait.
Former Paramount CEO Bob Bakish.

I’ve been thinking a lot about some of the Star Trek stories that I’d most like to see. If Star Trek does get fully cancelled later in the decade, and remains off the air for a good number of years as happened in the ’70s and the 2000s/2010s… this could be it for me. This could be the last new Star Trek I’m gonna see. Because of my health, sticking it out to the 2040s or beyond for a possible, hypothetical revival seems… well, it seems unlikely, to be blunt about it! So the next few years could bring me the final batch of Star Trek stories that I’m going to be able to watch. It’s with that mindset that I approach this piece.

So let’s clear a few things up before we go any further. These story ideas are pure fantasy, meaning I have no “insider information,” I’m not claiming any of them will actually be made, and it’s very likely that nothing we’re about to discuss will ever actually be seen on screen! This is a wishlist from a Trekkie, and should be taken in that spirit. Secondly, all of this is the wholly subjective take of just one person. If you hate all of my story concepts, or if I don’t mention a favourite of yours… that’s okay. There should be enough room in the Star Trek fan community for different ideas and the kind of polite discussion that doesn’t descend into argument and toxicity.

With all of that out of the way, let’s take a look at some of my story ideas.

Story #1:
Bring back the Xindi.

Still frame from Star Trek: Enterprise Season 3 showing the Xindi.
Xindi in Enterprise.

The Xindi have technically appeared in Discovery – albeit in a non-speaking, background role. And Xindi-Reptillians were also seen in a slightly bigger capacity in Prodigy’s first season. But we haven’t gotten a proper Xindi story since Enterprise – not one that examines the Federation’s relationship to the faction, at any rate. I’d love to see the Xindi revisited in a big way, catching up with them after the events of Enterprise and perhaps finding out a little more about what became of them after the disappearance of the Sphere-Builders.

Starfleet Academy could, for instance, introduce a Xindi cadet – perhaps one of the first Xindi to be a Starfleet officer in some time. Or Captain Pike could be sent on a diplomatic mission to the Xindi homeworld barely a century after the attempted attack on Earth. Either of these shows could incorporate a Xindi storyline, and it would be a lot of fun to either lay the groundwork for a future Federation-Xindi alliance or see what became of that in the far future.

Still frame from Star Trek: Prodigy Season 1 showing two Xindi characters.
Two Xindi from Prodigy’s first season.

A story set in the far future could also reference the Sphere Builders and perhaps expand upon something Discovery never really explained: the ban on time travel. It always struck me as an impossible thing to enforce, especially given the shattered state of the Federation, but perhaps a Xindi character in Starfleet Academy could lecture the cadets on the dangers of trying to interfere with the past.

If Pike and the Enterprise visit the Delphic Expanse, we could get a story about the Xindi’s first attempt to reconcile with Earth. They might’ve retreated back to their homeworld after their defeat, and this could be the first time they’ve reached out to the Federation in decades. There could even be a resurrection of the plot to attack Earth, perhaps some disaffected Xindi faction feels that it’s the only way to restore their world to greatness. If so, Captain Pike could have to follow in Archer’s footsteps and stop them!

Story #2:
A sequel to In The Pale Moonlight.

Still frame from Star Trek: Deep Space Nine Season 6 showing Garak and Sisko.
Garak and Sisko.

Have you ever wondered what might’ve happened if the Romulans ever figured out what Garak and Sisko did during the Dominion War? I have! And it’s one of my all-time favourite fantasy storylines. I don’t think this would even need to include Sisko or Garak necessarily – though I’d love to bring back both Avery Brooks and Andrew Robinson to reprise their roles. But a story set sometime after the Dominion War could revisit this absolute cracker of an episode and address some of the lingering questions that it posed.

Though this could be another far future story, I guess, where I think it would work best would be in the Picard era. Perhaps the Romulans discover, in some of the documents and data that they saved from the supernova, the fake recording that Sisko and Garak created and revisit it, finally realising that it was fake. That could have massive implications for Romulan-Federation relations… or maybe the new Romulan government, relying on the Federation for aid and supplies after the cataclysm, would choose to cover it up. If Legacy had gotten off the ground, this would absolutely be a story I’d have wanted to see in that show.

Still frame from Star Trek: Picard Season 3 showing Seven of Nine.
This could’ve been a great episode of Star Trek: Legacy

I can picture it already: Starfleet contacts the Enterprise, ordering Seven, Raffi, Jack, and the rest of the crew to parley with the Romulans. Seven’s Romulan connections from Picard Season 1 could come into play here, justifying Starfleet tapping the Enterprise for the mission. Upon arriving at the new Romulan homeworld, several angry Romulans – leaders of the Senate and Tal Shiar, perhaps – confront her over the deception. Seven and the crew genuinely have no idea what’s going on; Sisko and Garak told no one. In desperation, Seven contacts DS9, potentially being received by a familiar face.

At this point, the story could go in lots of different directions – all with plenty of those shades of grey which made In The Pale Moonlight so compelling. There could be genuinely uncomfortable real-world parallels – the lies told in order to start wars, threats of aid being withheld from desperate survivors of the supernova, and good people forced into impossible situations by the actions of others a generation ago.

Story #3:
A 60th Anniversary Special.

Promo image for Star Trek: Voyager showing Janeway and Tuvok with Rand and Sulu.
Janeway and Tuvok with Sulu and Rand from Voyager’s 30th anniversary episode, Flashback.

In 1996, two episodes were produced that really aimed to celebrate Star Trek’s thirtieth anniversary: Trials and Tribble-ations and Flashback. Both were, in my humble opinion, excellent – though fans have a clear preference for Trials and Tribble-ations! It’s been a frankly astonishing twenty-nine years since then… meaning Star Trek’s 60th is just around the corner.

A decade ago, Star Trek Beyond was the only production released during the 50th anniversary year, but Discovery was already filming. This time, I’d really love to see Paramount go all-out, using all of the resources at their disposal, to really celebrate all things Star Trek. Obviously this idea felt more likely before the recent cancellation announcements, and I would note that we’ve already had an excellent crossover between Lower Decks and Strange New Worlds that kind of occupies a similar space! But that wasn’t an anniversary special… so I think Star Trek and Paramount can do something, at least, to mark the occasion.

Still frame from Star Trek: Strange New Worlds Season 2 showing Mariner, Boimler, and Pike in the crossover episode.
Star Trek has recently done an ambitious crossover episode.

There are two shows in production that could – somehow – cross over. The best idea I can come up with at this stage would be the Starfleet Academy cadets running a simulation of Kirk’s Enterprise… which I realise sounds a lot like the maligned These Are The Voyages, but I think that same concept could’ve worked if it had been handled better and wasn’t intended to serve as Enterprise’s finale! So let’s say that, under the direction of Tilly and Vance, the cadets are aboard Kirk’s Enterprise, using the sets built for Strange New Worlds. What next?

Well, Strange New Worlds already has Kirk, Spock, Uhura, and Scotty – so we could use those characters and revisit a classic episode from The Original Series! Perhaps something like The Doomsday Machine, with the cadets observing Kirk’s actions for their assignment. This could mutate into a “the holodeck done goofed” type of story, perhaps, with the cadets having to genuinely fight for their lives alongside Captain Kirk and Spock. It wouldn’t be a pure crossover in the sense that Pike and some of the other Strange New Worlds characters would be missing… but I think it could be a huge amount of fun.

Story #4:
Save Captain Lorca!

Promo still for Star Trek: Discovery Season 1 showing Captain Lorca with a phaser.
Captain Lorca.

This has been a theory/fantasy of mine going all the way back to the announcement of Section 31 in 2019! In short, the prime timeline version of Captain Gabriel Lorca, from Discovery’s first season, switched places with his Mirror Universe counterpart before the events of the show. Mirror Lorca is dead – but we never learned what became of our universe’s version of the character. Admiral Cornwell just assumed that he’s dead… but Lorca always struck me as a resilient, resourceful man. So maybe there’s a way that he managed to survive.

Section 31 obviously went on to be a completely different thing, but we still have a show set in the 23rd Century where this kind of rescue mission might be possible: Strange New Worlds! Captain Pike confirmed back in Discovery that he knows about the existence of the Mirror Universe, and while any crossover story would have to keep characters like Spock, Uhura, and Scotty out of it, I think it could be made to work. Furthermore, we could get a glimpse of Pike’s past; perhaps he served with Lorca before either of them assumed their commands, or maybe they became friends while working together as starship captains.

Still frame from Star Trek: Enterprise Season 4 showing the Terran Empire logo.
Captain Lorca is trapped in the Terran Empire.

In my fantasy version of the story, Admiral April would contact Captain Pike with a top-secret assignment. Starfleet has received a brief message from across the divide between universes, confirming that Captain Lorca is still alive. Based on what Starfleet learned from the USS Discovery’s time in the Mirror Universe, they’ve found a way to send a small ship through the looking-glass – and Pike, as one of the few officers aware of the Mirror Universe and because of his connection to Lorca, has been chosen to lead the mission. Pike would select Ortegas to be the shuttle’s pilot and another character – perhaps La’an for security or Pelia to keep the shuttle flying and maintain its systems – for a clandestine mission akin to the one Picard undertook in Chain of Command.

Once in the Mirror Universe, Pike and the others would have to trace the source of Lorca’s signal – it’s coming from a Terran Empire prison camp. They’d come up with a plan, break him out, engage in a shootout with a few Terrans, and possibly catch a glimpse of Mirror Spock before making it home safe and sound. I think this could be a really fun story – and a great way to bring Star Trek’s current crop of shows full-circle by returning to the events of Discovery’s first season.

Story #5:
Captain Pike vs. the Borg Collective!

Still frame from Star Trek: The Next Generation Season 2 showing a Borg drone in main engineering.
The first Borg drone ever seen in Star Trek.

Okay, now we’re getting silly. But I still think that a Borg Strange New Worlds episode isn’t as far-fetched as it sounds! Let me explain why. Firstly, just like the Captain Lorca episode above, this one would have to take place in an alternate timeline. Somehow, someway, thanks to some technobabble interstellar phenomenon, the Enterprise is thrust into a parallel universe – one in which the Borg have come to dominate the entire galaxy. Pike and the crew would have to face off against a horde of cybernetic adversaries while struggling to make it home.

Characters like Spock and Una could suggest that this cybernetic race – the Borg – might not exist in the prime timeline, potentially explaining how Pike’s run-in with the Borg was never mentioned by anyone else! I think that clears up that particular issue much better than Enterprise did with its Borg episode! But I also like the idea of leaving just a little bit of ambiguity right at the end – perhaps Pike submits his report, and the camera hangs on Admiral April as he looks pensive and concerned.

Still frame from Star Trek: Strange New Worlds Season 2 showing Captain Pike in his away team armour.
How would Pike handle the Borg threat?

After Picard arguably overdid it with the Borg, I can appreciate why bringing them back so soon might not be to everyone’s taste. And when there are so many factions and races from past iterations of Star Trek still waiting to be revisited, I can entertain the argument that doing another Borg story might not be the way to go. But when I think about the most iconic villains in Star Trek, the toughest enemies to beat, and the most frightening… the Borg are absolutely up there in all three categories, and I think they’d pose a massive challenge for Pike and the crew.

The most important thing for me is setting a story like this in an alternate universe, not the prime timeline. There’d be enough wiggle-room to have an encounter like this without treading on the toes of fantastic episodes like Q Who and The Best of Both Worlds that way.

Story #6:
Push the Burn into an alternate timeline.

Still frame from Star Trek: Discovery Season 3 showing the Burn destroying starships in a flashback.
The Burn.

As a parting gift to potential future Star Trek storytellers, I can’t think of anything this current crop of shows could do that would be better than pushing the Burn and the far-future setting into an alternate reality. Don’t get me wrong: I don’t want to see Discovery and Starfleet Academy decreed to be “non-canon,” and the far-future setting had some interesting ideas that led to some genuinely great episodes. But… as the ultimate destination for the entire Star Trek galaxy, the Burn and the post-apocalyptic hellscape it created are incredibly depressing. Not only that, they risk constraining future stories, making them feel meaningless or unimportant.

Any new Star Trek project set prior to the 32nd Century becomes, by default, a Discovery prequel. And when we know how awful Discovery’s far future was for pretty much everyone… that’s not great. It completely changes how we view stories like Picard’s third season; we knew, even subconsciously in the backs of our minds, that even if Picard managed to save the day and defeat the Borg, the Burn was still going to happen. No other Star Trek project has done more to restrict and reframe subsequent productions than Discovery’s third season.

Still frame from Star Trek: Picard Season 3 showing Spacedock under attack.
Any Star Trek episode or film set in the 23rd, 24th, or 25th Centuries becomes, by default, a prequel to Discovery’s far future… and the Burn.

And I think, all things considered, “post-apocalyptic Star Trek” didn’t work as intended – at least not in Discovery with the kinds of stories the production team wanted to tell. So let’s assume Starfleet Academy will get two seasons before a cancellation in 2027 or 2028. The absolute best thing that show could do in its final episode is find some way to push this version of the future into a pocket universe or alternate timeline. You’d have to come up with some kind of technobabble and a reason why; maybe the Burn will have knock-on effects that ultimately lead to some additional disaster, and the only way to prevent it will be to travel back in time and stop the Burn from ever happening. I don’t know. But there’s gotta be someone who could write a story like that!

What this story would have to do is thread the needle. Discovery and Starfleet Academy could continue to exist for folks who enjoyed them – and I certainly hope to be among the people who enjoy Starfleet Academy! But the main storyline of the Burn could push those shows into some kind of parallel universe – paving the way for Star Trek projects in the future to not have that massively depressing destination.

Story #7:
Star Trek: Legacy.

Still frame from Star Trek: Picard Season 3 showing the Enterprise-G.
The Enterprise-G.

This one isn’t a single “story” so much as an entire TV movie! In short, I’d love to see Terry Matalas’ Legacy pitch revisited, somehow. If we stick with our assumption that cancellation is coming, then it seems beyond unlikely that a brand-new big-budget series is going to get out of the starting gate. But maybe, just maybe, there’s room to turn Legacy into a Section 31-style TV movie. If it does well in that format, then who knows? Maybe Skydance/Paramount will want a continuation.

I really hope that the negative reception Section 31 received earlier in the year won’t dissuade Star Trek’s corporate overlords from revisiting the TV movie idea. There are so many stories that could work in that format – even if they couldn’t carry an entire series on their own. While I’d absolutely love to see Legacy in its originally-envisioned form as a full-blown series, a TV movie could be the next best thing… and a way to test the waters to see if the 25th Century could be Star Trek’s saviour.

Still frame from Star Trek: Picard Season 2 showing Seven and Raffi.
Seven and Raffi could return…

I’ve argued repeatedly that the Star Trek franchise can’t just coast on nostalgia and past successes, and needs to do more to bring new, younger fans on board. That’s something I hoped Section 31 could’ve done… but that doesn’t seem to have happened, unfortunately. A restructured Legacy, with just enough of a connection to Star Trek’s past without going overboard, could be the gateway into the franchise for new fans – connecting back to characters from The Next Generation era while setting the stage for new adventures in the 25th Century.

I’ll caveat all of this by saying that no one knows what was in the original Legacy pitch – it might’ve been absolute dog shite that we would’ve all despised! And there’s clearly a reason why Paramount didn’t go for it in 2022/23. But as with other missed opportunities in recent years – like Quentin Tarantino’s film idea – I can’t help but feel the decision not to move forward was the wrong one. Perhaps Legacy can still be revived, even if it has to be a one-off TV movie instead of a full series.

Story #8:
“Cardassia Prime.”

Still frame from Star Trek: The Original Series showing the USS Enterprise with the words "Cardassia Prime" in the style of an Original Series title card.

If you’re a regular reader, you might remember my fantasy “episode pitch” for Strange New Worlds from a few months back. I titled the story Cardassia Prime, and it would tell the story of first contact between the Federation and the Cardassians. But wait, there’s more! I’d also bring an elderly T’Pol into the story, serving as an ambassador and diplomat for the Federation in her later years.

The episode would start with Captain Pike receiving new orders – a Federation colony ship has been attacked by an unknown faction, and a special ambassador is coming aboard the Enterprise to help defuse the situation. The ambassador will be revealed as T’Pol – now well over a hundred years old, but still working for the Federation. I’d love to see some interaction between an elderly T’Pol and a younger Spock; perhaps she’d have some advice for him on working closely with humans and discovering personal connections with them that could foreshadow Spock’s deep bond with Kirk.

Still frame from Star Trek: Enterprise showing an elderly T'Pol.
This episode would feature an older T’Pol.

We’ll also discover that the aggressive, territorial power T’Pol has been sent to negotiate with is the nascent Cardassian Empire – and they’ve laid claim to a system that a Federation colony ship inadvertently ventured into. This kind of hostile first contact, with an emphasis on competing claims for star systems along a shared border, could set be the precursor to the Carsassian Border Wars of the 24th Century, foreshadowing events referenced in The Next Generation and Deep Space Nine. I like the idea of a non-violent resolution; Captain Pike shouldn’t have to fire his phaser even once, despite Cardassian intransigence!

We’ve never seen how first contact between Starfleet and the Cardassians went, and I just adore the idea of an episode bringing together elements from all three of Star Trek’s main eras: the 22nd Century, represented by T’Pol, the 23rd, obviously represented by Pike, Spock, and the Enterprise, and the 24th, represented by the Cardassians, who were first introduced in that era and who were a major antagonist. If you want a longer look at my “Cardassia Prime” story outline, you can find it by clicking or tapping here.

Story #9:
32nd Century Klingons.

Still frame from Star Trek III: The Search for Spock showing a Klingon Bird-of-Prey up close.
A Klingon Bird-of-Prey.

After shooting forwards in time far beyond anything we’ve seen in Star Trek before, Discovery disappointed me by showing us remarkably little of the galaxy in this era. With storylines focused on the next “massive galactic threat” and Burnham’s soap opera-like personal relationships, the show just didn’t even try to give us a bigger picture look at some of the factions and races we remember. A few were glimpsed – literally, just glimpsed in the background with a single character, like a Ferengi or Lurian. But we’ve seen hide nor hair of the Klingons.

Of all the races in Star Trek, the Klingons are perhaps the most iconic and narratively important. So it feels odd to have spent three full seasons in Discovery’s far future without so much as glimpsing a single solitary Klingon! There are so many ways this could’ve gone, too – the Klingons could’ve become fully-fledged Federation members by this time, returned to isolationism, or even broken their alliance to become an enemy once again.

Still frame from Star Trek: Deep Space Nine showing two Klingon leaders on DS9's viewscreen.
Gowron and Martok in Deep Space Nine.

And then there’s the Burn. The Burn was, in a roundabout way, caused by a Federation citizen aboard a Federation ship… so what would the Klingons make of that revelation? How did the Burn even impact their empire – or whatever was left of it by the 32nd Century? Is there still an extant Klingon state at all, or did their empire fall apart centuries ago, with surviving Klingons existing as second-class citizens under the jurisdiction of the likes of the Breen or Emerald Chain?

I’d love to see Starfleet Academy begin the process of answering these questions! Even though, as stated above, I think pushing this vision of the far future into a separate timeline would be for the best, I’m still curious to catch up with the Klingons in this era, finding out what happened to them in the centuries after we last saw them.

Story #10:
Tie up Picard’s loose ends… or some of them, at least.

Still frame from Star Trek: Picard Season 1 showing Narek's final on-screen moment.
Hi, Narek…

Who are the “alliance of synthetic life,” and what were their goals? Who created the mysterious transwarp anomaly/weapon? Could those two stories, from Seasons 1 and 2 of Picard, be related somehow? I’d love to get some closure on these two apparently-massive storylines that Picard’s writing team dropped without bothering to explain!

This is another storyline that could’ve emerged in Star Trek: Legacy… but I think there’s at least the potential for Starfleet Academy to tie up these loose ends. Even if all we get is a short scene, a few lines of dialogue, and confirmation that the super-synths tried to attack the Federation before being defeated by a renegade Borg ally… that would be something. Maybe we could learn that Starfleet established relations with the “alliance of synthetic life” and they maintain an embassy. If the writers really wanted to lean into this idea, we could even connect it to a synthetic character like the Doctor – who we know is coming back in Starfleet Academy’s first season.

Still frame from Star Trek: Picard Season 2 showing the assembled fleet and the mysterious anomaly.
The mysterious anomaly from Season 2.

As I’ve said before, Picard was a jumbled, contradictory mess of a show – one that dumped characters and storylines with no explanation, overwrote significant story beats from one episode to the next, and while it managed to pull out a satisfactory ending to its third season… there was a lot left on the cutting-room floor as the credits rolled. Getting some kind of closure to some of these points – even centuries later in a completely different context – would be fantastic.

As Trekkies, we like the world of Star Trek to make sense. And when whole storylines which appear to involve impossibly-powerful enemies and adversaries just disappear without a trace… well, that isn’t very satisfying. Even if Starfleet Academy could find time to include a couple of throwaway lines of dialogue referencing and providing some kind of closure to the super-synths and the mysterious anomaly… I think that would do a lot to improve how I feel about those storylines.

So that’s it… for now.

Concept art of the USS Excalibur from Star Trek Online.
Star Trek Online’s USS Excalibur.

With Strange New Worlds not even halfway through its four-and-a-half season run, and Starfleet Academy having been announced but not so much as glimpsed yet… it feels strange to be thinking about Star Trek as a whole potentially being shut down in just a few years’ time. However, unless something massive changes – and quickly – that seems to be what we’re headed for. It’s a depressing thought, especially since cancellation in the late 2020s could very well mean that these upcoming episodes and stories will be the last brand-new Star Trek I’ll ever see. But what can you do, eh?

I hope this has been an interesting thought experiment, at least. There are some stories and episode ideas that I’d really love to see brought to the screen over the next few years, and if they’re to be among the last in this current incarnation of Star Trek… well, let’s just hope they’re good ones!

Thanks for tuning in, and as always… Live Long and Prosper!


Star Trek: Strange New Worlds Season 3 and Star Trek: Starfleet Academy Season 1 are in production and will be broadcast on Paramount+ in the months ahead. Other Star Trek shows and films are already on the platform now, and may also be available on DVD and/or Blu-ray. The Star Trek franchise – including all episodes, films, series, and other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Bad News For Strange New Worlds…

A Star Trek spoiler warning graphic.

Spoiler Warning: Beware of very minor spoilers for Strange New Worlds Seasons 1 and 2, Discovery Seasons 1 and 2, and Picard.

If you follow Star Trek on social media, or really any of the big Star Trek fansites or channels, you’ve probably already heard the news that Strange New Worlds is to be cancelled after a truncated fifth season. I find this to be an especially disappointing blow, as Strange New Worlds has been the best show – and by far the best live-action show – since Star Trek’s small-screen resurrection back in 2017. Captain Pike has been telling us in voiceover form that the Enterprise is on a “five-year mission,” of course, but I’m not gonna lie: a big part of me was hoping that this show would continue to go from strength to strength, pushing past that five-year mark.

This decision is quite clearly coming from the corporate side. Paramount’s finances have been bad for a long time, Paramount+ is on shaky ground as very much a second-tier streaming service, and the ongoing Skydance merger seems to be pretty convoluted, even by industry standards. So I’m not stunned at this news – just as Discovery’s cancellation, Lower Decks’ cancellation, and the lack of interest in Star Trek: Legacy didn’t shock me too much, either. But that doesn’t make it any more pleasant or easy to digest.

Logo of Skydance - the corporation soon to merge with Paramount.
Skydance and Paramount are involved in a messy buyout/merger.

It seems odd to announce the cancellation at this stage: a few weeks before Season 3’s premiere, and potentially two, three, or even four years before the show’s fifth and final season will be broadcast. Is it not at least possible that high viewership and a strong fan reaction to Seasons 3, 4, and 5 could make the show a more intriguing business proposition? With the Skydance merger still ongoing and a new leadership team potentially coming in, mightn’t they be interested in the flagship series for one of Paramount’s biggest franchises? Or conversely, did Skydance insist on cancelling Strange New Worlds – and perhaps other Star Trek projects, too – ahead of the merger?

We may never learn exactly what happened or what the ins and outs of it all were. But it’s disappointing in more ways than one to learn that Strange New Worlds isn’t being given more of a chance. I don’t know what the show’s viewership has been like, but I would remind everyone that Season 1 wasn’t available internationally at first, so there’s only really been one full season that was available around the world on Paramount+ on broadcast day. It feels premature to cancel the show when you bear that fact in mind. And that’s not to mention that, historically speaking, Star Trek shows tend to improve as they go along, picking up more support and viewers from their second seasons onwards.

Behind-the-scenes photo from the set of Strange New Worlds Season 4 showing Adrian Holmes and Anson Mount in costume.
Adrian Holmes (Admiral April) with Anson Mount (Captain Pike) on the set of Strange New Worlds Season 4.

Then there’s the shortened fifth season. Season 5 will run to a mere six episodes instead of the usual ten. What, were those extra four episodes really fucking up the budget that badly? Is Paramount so broke that the corporation can’t stump up a few extra dollars for four episodes of a series that’s already in production, where the majority of its sets are already built, and the main roles are already cast? C’mon… that’s just pathetic.

Strange New Worlds has been the high-water mark of modern Star Trek. But, as with almost everything Paramount’s executive fuckwits have touched over the past decade, some appalling decision-making at the highest levels has worked against the show and its prospects. Oversaturation of the Star Trek brand is a major contributing factor, with Strange New Worlds having to compete for attention against four other Star Trek shows at various points, including episodes of Picard which were literally broadcast on the exact same day. Then there was the piss-poor decision to cut off the series from anyone outside of the United States during its critical first season. And even when Strange New Worlds was available and wasn’t being trodden all over by other Star Trek shows… it didn’t get much of a marketing budget, hardly any tie-in merchandise, and Paramount always seemed to treat the show as secondary to Discovery and Picard. Even as those shows came to the end of their runs, there wasn’t as much love for Strange New Worlds as there should’ve been.

Still frame from Strange New Worlds Season 1 showing Captain Pike on horseback.
Captain Pike in the series premiere.

I heaped praise on Paramount back in 2020 for commissioning Strange New Worlds. The show wouldn’t have come to exist without the incredibly positive reaction fans had to Pike and Spock’s roles in Discovery Season 2, and I think it’s worth acknowledging how at least some folks at Paramount had the basic business acumen to recognise that. Strange New Worlds was prioritised ahead of Section 31, arguably contributing to that series being put on hold and eventually re-worked into the TV movie we got earlier this year. And I stand by what I’ve said multiple times: that was the right decision. Fans were clamouring for more adventures with these versions of Pike and Spock, as well as for an episodic series that returned Star Trek to its roots. It’s no exaggeration to say that Strange New Worlds is the Star Trek show that I and many other Trekkies had been waiting for for a very long time.

There’ll be time in the months and years ahead to give Strange New Worlds a proper autopsy, discussing what went wrong, what went right, and what lessons the newly-formed Skydance-Paramount corporation can learn for Star Trek’s future… if Star Trek has a future beyond the next few years. But for now… I just feel like wallowing, to be honest with you. The timing of the news caught me off-guard, with Season 3’s marketing campaign ramping up, and while a five-season run is in keeping with modern Star Trek and with Pike’s “five-year mission,” I’m still disappointed to learn that the end is nigh for Strange New Worlds.

Still frame from Strange New Worlds Season 2 showing the USS Enterprise.
The USS Enterprise.

Let’s talk a little about the timing, because this really is a bit of an oddity, isn’t it?

We’re weeks away from Season 3’s premiere. A new trailer was released just a few days ago. The cast are soon gonna be out and about on the interview circuit. This is categorically not the time to announce that the show is being cancelled! It risks overshadowing the marketing push for Season 3, and it risks turning away potential viewers. What’s the point, after all, in tuning in for Season 3 if the show’s about to be canned? A lot of people won’t read the whole press release; they’ll hear “Strange New Worlds is being cancelled” and push the series out of their minds. Paramount has always struggled with timing – and with plenty of other incredibly basic things that practically every other entertainment corporation handles better – but even by their standards this is pretty bad.

The only thing I can think of to justify the announcement is this: the news was about to be leaked. Someone at Paramount got wind of an imminent leak and jumped in first, trying to head it off. Maybe that’s what happened… I don’t know. It seems to me to be the only logical justification for the timing of this announcement.

Promo photo from Strange New Worlds Season 2 showing Spock.
Spock.

So what does all of this mean for Star Trek’s future?

This might have to be the subject of a longer piece in the weeks ahead (when I’ve had more time to process things and get my thoughts in order) but I have a couple of things to say at this stage.

Firstly, I sincerely hope Strange New Worlds can be Star Trek’s last prequel series – at least for a good long while. There were fun moments in Enterprise, Discovery’s first couple of seasons, and the Kelvin films… but for a franchise that’s always been about looking to the future, prequels have never felt right to me. Strange New Worlds has, in my view, been outstanding… but if there is to be more Star Trek on our screens in the years ahead, let’s move the timeline along instead of re-treading old ground. Many Strange New Worlds episodes would’ve worked just as well – if not better – had they been set in the Picard era. A few small tweaks here and there and you’d be all set!

Still frame from the Strange New Worlds Season 3 teaser showing Captain Pike.
Star Trek doesn’t need another prequel series.

Secondly, I feel increasingly certain that, by the time we get to 2028 or 2029, Star Trek as a whole will cease production.

There are other projects in production right now: two seasons of Starfleet Academy and potentially at least one season of Tawny Newsome’s “workplace comedy” show. To me, a reasonably plausible timeline might see us get Starfleet Academy next year, Strange New Worlds Season 4 in 2027, Starfleet Academy and/or the comedy show in 2028, and Strange New Worlds’ finale in 2028 or 2029. But after that? Paramount’s merger will have fully concluded, and it’ll be up to the new executives to decide what – if anything – they want to do with Star Trek.

When Paramount+ was beginning its painfully slow rollout a few years ago, I said that I wouldn’t be surprised if the streaming platform doesn’t make it to the end of the decade. And despite talks of a potential merger of Paramount+ with another platform, I feel like that looks more and more likely, too. The future of streaming feels like it’s going to consolidate around a few large, profitable platforms, meaning second-tier, unprofitable ones like Paramount+ are on the way out. I don’t see the merger changing that, either.

The logo of Paramount+ on a blue background.
Will Paramount+ survive the decade?

What that means for Star Trek is that, if the franchise survives, it’ll likely be licesned out to someone like Netflix or Amazon in the future, rather than being made for Paramount’s own platform. Even in the Paramount+ era we’ve seen this; Prodigy was recently licensed to Netflix, though that deal is shortly coming to an end. With Netflix having been burned before, though, with both Discovery and Prodigy… will they want to make another investment in this beleaguered brand? If Star Trek kind of fizzles out in the second half of the 2020s, will it be an appealing prospect to any big streaming platform in the future?

Maybe we’re getting ahead of ourselves. It’s still possible that the remaining seasons of Strange New Worlds or Starfleet Academy will bring in new viewers, attracting new eyes to Star Trek at just the right time to greenlight more from the franchise! Maybe that’s a little too optimistic for this moment, but my point is that you never know. Strange New Worlds is fantastic with its episodic storytelling, and Starfleet Academy has the potential, at least, to appeal to younger folks. There are a couple of glimmers of hope there, I feel.

Still frame from the Strange New Worlds Season 3 trailer showing multiple main characters with wine glasses.
Here’s to Strange New Worlds

But none of that can hide the disappointment of today. Strange New Worlds – the show spawned by a fan campaign and which quickly became the best thing Star Trek has done in years – is cancelled. And Season 5 won’t even manage a measly ten episodes.

I’m glad that Star Trek was resurrected in 2017, and there have been some fantastic, hilarious, and emotional episodes produced over the past eight years. But we’re seeing the effect of Paramount’s epic mismanagement now; shows failing to find an audience, being either cut off from the world or squashed up too tightly together, and ultimately the result is premature cancellation. I don’t know what the future might hold for Star Trek beyond Strange New Worlds’ finale… but I hope whoever’s in charge of the franchise by that point does a better job than the current crop of executive morons.

Despite this disappointing news, I still hope to watch and review Strange New Worlds Season 3 later this summer, so be sure to check back for that. Until then… well, I don’t really have any encouraging or optimistic words to end on, I’m afraid.


Star Trek: Strange New Worlds Seasons 1 and 2 are available to stream now on Paramount+ and are also available on DVD and Blu-ray. Season 3 will premiere on the 17th of July. The Star Trek franchise – including Strange New Worlds and all other properties discussed above – remains the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The end of the beginning… or the beginning of the end?

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4 and the trailers and teasers for Season 5.

We’re going to have to delay my review of the latest Star Trek: Picard episode by a day or two in order to do something that I rarely do here on the website: cover some breaking news. If you haven’t heard, let me be the bearer of what may or may not – depending on your perspective – be a bit of bad news: Star Trek: Discovery is going to end after its fifth season.

Forgive me for thinking negatively, but as soon as I heard that announcement, I felt a sinking feeling in my gut. Since filming wrapped on Discovery’s fifth season late last year, no live-action Star Trek has been in production for the first time in a couple of years. Not only that, but Picard’s ongoing third season is going to be that show’s swansong… and despite a spectacular first season, there’s been no news on a third season renewal for Strange New Worlds, at least at time of writing, even though production on Season 2 wrapped months ago. So could this be, as I fear, the beginning of the end for Star Trek in its modern incarnation?

How much life is left in the Star Trek universe?

Discovery brought Star Trek back to its small screen home in 2017 after twelve years in the wilderness. The show served as a launchpad for the Star Trek franchise as it exists today – and it’s highly likely that we would never have seen Picard, Lower Decks, Prodigy, or of course Strange New Worlds were it not for the trail that Discovery blazed. But with its cancellation after Season 5 – which is due to be broadcast sometime in early 2024 – is Star Trek in a better or more secure place than it was in 2017… or in 2005?

I’d argue that it isn’t.

Shortly after new year, I published a piece here on the website titled 2022: A Great and Terrible Year for Star Trek, in which I took a look at what I considered to be the highs and (considerable) lows that the franchise endured over the course of a rollercoaster year. Although there was a lot to say, perhaps my biggest conclusion was simply this: franchise fatigue is beginning to set in. It’s through that lens that I must view the news of Discovery’s imminent ending.

The final shot of Discovery’s fourth season finale.

Unlike with Enterprise in 2005, it’s my hope that Discovery’s writers will have known the end was coming well enough in advance to have planned out a conclusive ending for the series and its characters. Enterprise’s finale was divisive among fans, and the show’s final season seemed to leave more than a few characters and storylines up in the air by the time the curtain fell. If this recently-announced news had been known to the producers and creative team, hopefully they will have been able to put together an ending worthy of the show and its great cast of characters.

And as I’ve said more than once: it’s infinitely better for a show to end leaving its audience wanting more, lamenting that we didn’t get “just one more season,” rather than dragging on too long and having us regret that the end didn’t come earlier! Discovery has been an imperfect production, don’t get me wrong, but with the current state of Star Trek being what it is… maybe this is simply the right time for the show to come to an end. If there weren’t great ideas on the table for future story arcs, then I’d rather it came to a close with one last hurrah instead of dragging on ad infinitum.

Michael Burnham in the trailer for Discovery Season 5.

Star Trek can’t keep up the pace that we saw in 2022, where more than fifty episodes across five shows all debuted in a single calendar year. It’s just too much – and it risks putting off new viewers, who are precisely the people that Paramount needs to convince to tune in if Paramount+ is to have a snowball’s chance in hell of surviving the streaming wars. Making Star Trek too dense, too convoluted, and just too large is what’s been happening over the last few years, so stepping back from that shouldn’t be seen as a bad thing. If anything, it should be a net positive for the franchise.

With Picard also coming to an end, there’s the potential to perhaps scale back Star Trek and refocus. Take what worked about the shows over the last few years and hone it, disregard failed experiments, and have Star Trek operate in a similar fashion to other streaming franchises – with a focus on quality over quantity.

Star Trek: Picard is also coming to the end of its run.

But is that Paramount’s goal? With two live-action shows coming to an end, there’s the potential to put more money and energy into Strange New Worlds, for example, as that show was very well-received. But with no third season having been announced so far… I can’t shake the feeling that this really could be the beginning of the end for the franchise as a whole.

Depending on how things are scheduled, there’s enough Star Trek in production or post-production to coast through into the first half of 2024. But what then? A third season of Strange New Worlds – if one is to be produced – might also debut that same year… but 2025 could end up being like 2005: the end of the road.

Is this moment akin to 2005?

If that were to happen, Paramount only has itself to blame. The corporation has mismanaged both the Star Trek franchise and its streaming platform in catastrophic fashion, seemingly led by the most inept team of morons to ever assemble in a boardroom. Before Discovery had even been conceived, an ageing corporate board with no knowledge or understanding of streaming or the internet saw the success of Netflix and said “make me one of those.” CBS All Access was born – and Star Trek was tapped to be its flagship franchise.

But was Star Trek ever big enough to place such a burden upon it? Even if Discovery had been flawless and had landed with minimal controversy, pinning the profitability of a streaming platform on its success was always a bad idea. It isn’t Discovery’s fault that CBS All Access – as Paramount+ used to be known – didn’t become the “next big thing” in streaming… and it isn’t Discovery’s fault that Paramount+ remains massively unprofitable today.

Discovery was created to be the flagship series for CBS All Access.

Paramount is in the wrong business. The board is right about one thing: streaming is the future. But they jumped into that market a decade too late, unprepared, and without the technical know-how or infrastructure to really make it work. The only thing CBS All Access/Paramount+ had going for it were shows like Star Trek – but I think Paramount is belatedly learning that the Star Trek franchise simply doesn’t have the mainstream appeal to carry an entire streaming platform.

So what does all of this mean for Star Trek’s future? Maybe it’s too early to hit the panic button… but I confess that I feel echoes of 2005. It’s been surprising to me that no spin-offs or new projects have been announced, and in a way, the announcement of Discovery’s cancellation was another opportunity to do so. The tone would be very different if the press release had stated that “Discovery is coming to an end… but Starfleet Academy or Captain Seven are entering production.”

Does Alex Kurtzman have a surprise up his sleeve?

So here we are. After a creditable six-year run, and numerous cancellation scares, Discovery will be coming to an end. Its imminent fifth season actually looks fantastic – and if it makes good on its promise of telling a different kind of story, perhaps in another world that could have set the stage for the show’s continuation. Perhaps the tragedy here will be that Discovery changed tack too late – that four whole seasons of “the galaxy is in danger and only Burnham and the crew can save it!” was just too much. That would certainly be my assessment, and as enjoyable as parts of Season 4 were, maybe if a different kind of adventure had been written last time around, we could’ve gotten an extra season or two.

There are a lot of unanswered questions. What of the backdoor pilot for a Starfleet Academy series that we seemed to get partway through Season 4? If Star Trek as a whole continues, will another series pick up Discovery’s 32nd Century setting – or does Paramount consider the far future to have been a bit of a misfire? Will Star Trek continue at all after Strange New Worlds Season 2 and Discovery Season 5? Is anyone at Paramount ready for a difficult conversation about what’s going wrong?

Paramount ought to reconsider many of its recent decisions…

I’m not thrilled to learn that Discovery won’t continue. Although not every season and every character fully stuck the landing, there’s been some fantastic entertainment along the way – episodes and moments within episodes that hit all of the high notes that we know Star Trek can. Moreover, by the time the curtain fell on Season 4, I felt that Discovery had finally turned a corner. Having settled Burnham into the captain’s chair, and told a story about seeking out new life – the very core of Starfleet’s mission – it felt that the show had finally achieved its potential. Season 5 will hopefully capitalise on this – but it will be short-lived, with only ten episodes left for the series to shine.

The history of Star Trek is one of stepping-stones: series and films that lead to new, different, and often better things. Just as Enterprise and the Kelvin films led to Discovery, so too has Discovery led to Picard, Lower Decks, Prodigy, and Strange New Worlds. Whether these shows will lead, in turn, to new things, or whether the trail will go cold for a while, Discovery played its part. It may not have always done so perfectly, but I’m confident that its place in the franchise’s history is assured – and I suspect that at least some of its critics will be won over if they give it a second chance!

I’m still looking forward to Season 5 – but it’s now a rather bittersweet feeling, knowing it will be our final outing with Captain Burnham and the crew. Not to mention that this news has massively increased concerns for the overall direction – and indeed the future – of the Star Trek franchise as a whole.

Star Trek: Discovery Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available, and are also available on Blu-ray. Season 5 will stream on Paramount+ in 2023 or 2024. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten 25th Century Star Trek concepts

Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including Picard Season 2, Discovery Season 4, Prodigy Season 1, Strange New Worlds Season 1, and more.

With Season 3 of Star Trek: Picard purportedly being the series’ last, I’m not ready to give up the 25th Century! Ever since Nemesis in 2002, I’d been desperately keen to see Star Trek show us what happened next; to move its timeline along. After the briefest of glimpses in 2009’s Star Trek, it was Picard that finally scratched that itch! Although Discovery is still in production with a fifth season being worked on, that show’s 32nd Century is far removed from the characters, factions, and themes of The Next Generation era. That’s why today I wanted to consider ten possibilities or concepts for shows that could pick up the baton from Picard.

For me, The Next Generation era – i.e. the late 24th Century setting that also includes Deep Space Nine and Voyager – is the franchise’s “golden age.” These shows – and the four films made during that time, too – represent the bulk of Star Trek’s 800+ episodes, and while there are definitely points of interest in the 22nd Century and 23rd Century that the franchise could revisit, for me it’s this time period that I’d like to see picked up for more adventures.

Captain Picard.

With Star Trek: Picard having established the dawn of the 25th Century as its setting, I really do feel that there’s scope to build on what’s been created so far. Season 3 may spend more time with Starfleet, but as of the end of Season 2 at least, there’s a lot we haven’t seen of this era. Picking up some of the characters, factions, storylines, and themes from past iterations of Star Trek is a big part of why spending more time in this era is worthwhile, but that doesn’t mean that every potential 25th Century project has to be a straight-up sequel to something that’s come before. I’d be thrilled to see a Strange New Worlds-style semi-episodic exploration-focused series with a brand-new cast, for example, set in this time period.

Although Picard Season 3 is still being worked on and likely won’t hit our screens until next year, I sincerely hope that the creative teams over at Paramount have already considered their next move. Alex Kurtzman (who is in charge of the Star Trek franchise for Paramount) has stated that there are other concepts in early development, and that as the current shows come to the end of their runs, these new shows would begin to be worked on. Whether any of the series concepts that he was referring to are going to be set in the 25th Century is unknown – but there are significant advantages to doing so.

Alex Kurtzman was interviewed by Wil Wheaton for Star Trek Day back in September and commented on the potential Starfleet Academy series.

I would wager that a significant portion of the Star Trek fan community would rank at least one of The Next Generation, Deep Space Nine, or Voyager in their top two favourite shows. And fans under the age of forty literally won’t be able to remember a time before The Next Generation! Most fans of my age will have either come to Star Trek during The Next Generation era or will have encountered it soon after becoming a fan; The Next Generation era was dominant from 1987 to 2002.

Fans who were invested in storylines like the Dominion War, the Maquis, Voyager’s journey home, and many, many more are interested to know what came next for their favourite characters. Picard has shown us a little of this – with a focus on Admiral Picard himself, naturally – and there have also been teases and glimpses in Lower Decks, Prodigy, and potentially in Discovery’s 32nd Century, too. But there’s a heck of a lot of room to do more.

The new USS Stargazer.

With Strange New Worlds flying the flag for the 23rd Century, and Discovery off doing its own thing in the far future, there’s a gap in live-action Star Trek that at least one 25th Century project needs to fill. Having established a few interesting details about what we must now call the Picard era, it would be positively criminal for Paramount to just abandon it. There are so many characters who we could catch up with, so many incomplete storylines to resume, and so many codas and epilogues still to be written.

Time is marching on, too – a sad reality for all of us. It won’t always be possible to bring back original actors and the characters that they portrayed, so it’s really a case of “if not now, when?” Wait too long to greenlight projects set in this time period and it may be too late to bring back certain characters.

So with all of that in mind I’ve put together a list of a few Star Trek projects that I personally think could be interesting and could pick up the baton from Picard. Although I feel confident that conversations are happening about future projects set in this era behind closed doors, my usual caveat applies: I have no “insider information.” I’m not trying to claim that any of these ideas will be picked up and make it to screen. This is a wishlist from a fan, and nothing more! It’s also entirely subjective, so if you hate all of my ideas or I don’t include something that you think should obviously be included, then that’s okay! There’s plenty of room within the Star Trek fan community for respectful disagreement and civil conversations!

Concept #1:
Starfleet Academy

The emblem of Starfleet Academy.

When Lieutenant Tilly departed the USS Discovery early in Season 4, she became an instructor at Starfleet Academy in the 32nd Century. With her departure episode feeling like somewhat of a backdoor pilot thanks to introducing us to a handful of cadets, I’m sure I’m not alone in assuming that the heavily rumoured Starfleet Academy series will be set in the 32nd Century with Tilly as a major character. So that’s a big caveat to this potential project!

But a 25th Century Starfleet Academy series has a lot of potential, too. As a direct spin-off from Picard it could bring back characters like Raffi and Elnor, the latter of whom has already been established as a Starfleet cadet. That could even give meaning to Elnor’s unexpected survival at the end of Season 2.

Cadet Elnor in Picard Season 2.

A 25th Century Starfleet Academy series would be perfect for bringing back all sorts of characters from Star Trek’s past. We could learn, for instance, that Miles O’Brien is still at the Academy teaching engineering – as was established at the end of Deep Space Nine. Even if Chief O’Brien wasn’t a major character he could still make occasional appearances in that role.

One of the big advantages to a Starfleet Academy series right now is how it could serve as a kind of soft landing for new, younger fans who’ve been enjoying Prodigy. A series starring young adult cadets (or featuring cadets in major roles even if they aren’t the exclusive focus) would be a natural next step in so many ways, and could be a gateway into the Star Trek fandom for legions of newcomers. Just as holo-Janeway has been a guide in Prodigy, a returning character could fill a similar role here.

Concept #2:
The Seven and Raffi show

Seven of Nine and Raffi in the Picard Season 2 finale.

When Season 2 of Picard premiered, I really thought that a USS Stargazer spin-off with Captain Rios in command would be a fantastic new series. That can’t happen now (and after Rios’ disappointing regression in Season 2, I don’t think I’d want it anymore anyway), but there is still the possibility to see a direct spin-off. This version would feature Seven of Nine and Raffi.

Although Seven of Nine’s captaincy of the USS Stargazer in Farewell felt very much like a brevet or a temporary thing, I feel there’s potential to see her given a commission in Starfleet. Raffi certainly felt that she would make an excellent captain! So maybe the next Star Trek series could be Star Trek: Stargazer with Captain Seven and XO Raffi taking the USS Stargazer on all kinds of adventures.

Captain Seven.

Seven of Nine is particularly well-suited to feature in stories that focus on the Borg, but there’s more to her character than that. I’m not sure whether a traditional exploration-focused series would be the best fit; maybe Seven and Raffi’s ship would be a rapid-response vessel designed for combat and tactical missions. An overtly action-oriented series would be new to Star Trek, so this could be a fun experiment to see how well it could work.

I’ve thoroughly enjoyed Seven of Nine’s arc across the first two seasons of Picard. It’s been cathartic to see a character I once disliked for her dull and repetitive storylines undergo genuine and lasting growth, and we might just be reaching a point where Seven of Nine is a strong enough character to take on the challenge of headlining a brand-new series of her own… supported by Raffi, of course!

Concept #3:
Captain Sisko’s return

Captain Sisko.

Perhaps better-suited to being a miniseries or limited series, I really love the idea of Captain Sisko finally returning to the galaxy after spending time with the Prophets. At the end of Deep Space Nine, Sisko promised us that he wasn’t really gone and that he would return “one day.” After more than twenty years, could “one day” finally be just around the corner?

It’s worth acknowledging that Avery Brooks has seemed less willing than some other former Star Trek actors to reprise his role, and although there has been speculation as to why that may be, there’s never been any definitive statement from the man himself. I wouldn’t want to see Sisko recast at this moment in time (nor recreated through some kind of CGI process), so if Avery Brooks isn’t interested, the project won’t get off the ground.

In The Pale Moonlight is one of my all-time favourite Star Trek episodes.

One massive advantage to bringing back Captain Sisko is that he’d make a wonderful point-of-view character for us as the audience. As someone who’s spent decades away from the galaxy, Sisko would be just as interested as we are to learn what happened to his friends, to Deep Space Nine, to the Cardassians and Dominion, and so on. A Sisko-focused series could get away with dropping a lot of exposition in a way that feels natural, bringing us up to speed on the events of the past couple of decades without it feeling out-of-place.

More than that, though, I want to spend more time with Captain Sisko. Although picking favourites is hard, Sisko has always been one of the best and most interesting characters of The Next Generation era, and one of the best captains in the Star Trek franchise. Bringing him back would be just as impactful as bringing back Picard has been, and providing an epilogue and closure to Sisko’s story would be absolutely worth doing.

Concept #4:
Section 31

A black Section 31 combadge in the mid-23rd Century.

The untitled Section 31 series was announced in 2019, shortly before Season 2 of Discovery aired. But since then, the supposedly ready-to-go project has been sidelined. Lack of interest from fans was part of the equation, perhaps, but Strange New Worlds certainly stole its thunder too!

The proposed series was to follow ex-Terran Empress Georgiou as she worked with the shadowy organisation that was first introduced in Deep Space Nine, and after Georgiou went through some significant character growth in Discovery’s third season, she finally seemed to get to a place where she could potentially take on the role of a morally ambiguous Section 31 leader without feeling like someone who resorts to violence and literal genocide at the drop of a hat.

Empress Georgiou’s departure.

To briefly recap, Georgiou had to leave the 32nd Century due to suffering from a technobabble illness that appeared to be fatal, and she was permitted to do so by the Guardian of Forever. If a suitable explanation could be found, Georgiou could potentially emerge in the 25th Century, setting the stage for her to play a role in Section 31 in this time period.

Alternatively, a Section 31 show set in this era could drop Georgiou altogether and focus on new characters instead. With Borg, Romulans, super-synths, strange anomalies, and other potential threats to the Federation that we’ve glimpsed in Picard, Section 31 could have a lot of work to do in this era!

Concept #5:
A new exploration-focused series

The original USS Enterprise.

Strange New Worlds is currently flying the flag for semi-episodic “old school Star Trek” with a big focus on exploration. But this is the foundation of Star Trek; the franchise’s roots. Returning to this format in the 25th Century could be absolutely fantastic – and it could be a fun way to include a mix of new and legacy characters.

One of the limitations faced by Strange New Worlds is that it’s set a decade before The Original Series. There’s still a lot of wiggle room in that time period, and we could see Captain Pike make first contact with new and familiar alien races alike. But there are still constraints on which alien races can be included and how, and what stories Captain Pike and the crew could reasonably take part in.

Captain Pike.

In contrast, a new exploration series set in the 25th Century would basically have free rein to hop all across the galaxy, meet brand-new aliens, and bring back classic factions without treading on anyone’s toes. As long as such a series avoided Unknown Species 10-C (basically the only major new faction introduced in Discovery’s far future that Captain Burnham made first contact with), a show like this one could do what The Original Series, The Next Generation, and to an extent Voyager all did: set out on a mission of exploration with a blank canvas.

Seeking out strange, new worlds is where Star Trek began; it’s the core mission of Starfleet and the main goal of the Federation. Strange New Worlds is already proving that fans enjoy a series with that kind of focus, so picking up that concept and reworking it to be set in the Picard era absolutely could work.

Concept #6:
Hospital ship

The USS Pasteur – a Federation medical ship.

In the ’90s, when I was watching and enjoying the shows of The Next Generation era, this was a concept that I thought could be a ton of fun! I imagined “ER in space,” with a hospital ship like the USS Pasteur being the show’s main setting and a chief medical officer as the main protagonist. My original version of this concept would’ve seen characters like Dr Pulaski and Dr Bashir return; a team-up of some of my favourite medical characters from other Star Trek shows.

Although Dr Pulaski is unlikely to be part of such a series now, there’s definitely scope to bring back the likes of Dr Bashir or Voyager’s EMH, as well as secondary medical staff like Nurse Ogawa, as part of a series that also introduces new characters.

Nurse Alyssa Ogawa.

The hospital ship would travel around the Federation and beyond, lending its services to planets, bases, and starships in need. There’d be illnesses and diseases to cure, natural disasters to bring aid to, and the ship could even be part of major military engagements and battles, tending to wounded soldiers and crewmen. Star Trek has shown us all of these basic concepts before, but this time they’d have an overtly medical focus.

There’s a huge audience for shows like House, ER, and Grey’s Anatomy, and a medical Star Trek series could have an appeal that extends far beyond the franchise’s typical sci-fi niche. Without the constraints of the real world, and with numerous aliens as both staff and patients, there’s almost unlimited potential in terms of creativity as well. We could see new deadly diseases created that could be timely reflections of our pandemic-afflicted world, and we could even take a deeper dive into diseases and medical conditions that have been referenced in past iterations of Star Trek.

Concept #7:
Captain Kim

Ensign Harry Kim.

It’s become a bit of a joke in the Star Trek fan community: Harry Kim spent seven years as an ensign without being promoted. Perhaps he could finally get the command he’s always wanted and headline a new Star Trek show in the process!

Harry Kim would be the second major character from Voyager to play a role in this era of Star Trek, and that could lead to crossovers. It could be a lot of fun to see an older and more mature Harry Kim reunite with Seven of Nine – perhaps for the first time in many years. The series could even feature a Voyager reunion of the kind seen in Endgame. And of course, any time we’re talking about Voyager these days there’s the potential to tie in with themes and ideas present in Prodigy.

An older Harry Kim (from an alternate future) in the episode Timeless.

Captain Kim could show us a different side of Starfleet. Perhaps he’s in command of a hospital ship as we were discussing above, or perhaps his vessel is much more scientific in its mission; charting anomalies and stellar phenomena rather than making lots of first contact missions. A series like that would be more personality-driven and serialised rather than episodic with a “monster-of-the-week” to engage with, and I think someone like Harry Kim would excel in that kind of role.

Out of everyone on Voyager, I’d suggest that Harry Kim has perhaps the most potential for growth if he were to return. Considering that we met him on his first mission after graduating – and that he stuck with that “young and eager” characterisation for a long time during Voyager’s run – there’d be something rather cathartic about being reintroduced to an older, more mature Captain Kim.

Concept #8:
A Klingon series

General Martok, a 24th Century Klingon leader.

This one would be quite a radical departure from anything that Star Trek has tried before. Leaving the Federation and Starfleet behind, this show would be set aboard a Klingon vessel. A Starfleet officer could be present as a point-of-view character and a way to help us as the audience find both a way in and a frame of reference, but the rest of the characters would be Klingons.

With Worf returning for Picard Season 3, he could become a recurring character on a Klingon-focused series. A character like Worf bridges the gap between the Klingon Empire and Starfleet, and along with a Starfleet officer aboard the ship he could also help ground the series.

Kol, a 23rd Century Klingon who recently appeared in Discovery.

What I like about this idea is that it would be something genuinely bold and different. We’ve spent a lot of time with the Klingons across various iterations of Star Trek – they’re probably the faction we know the most about after the Federation itself. But there’s still plenty of room to expand our understanding of the Klingons, and to show us the next chapter for their Empire in the aftermath of the Dominion War and their alliance with the Federation.

What kind of mission would a Klingon vessel have? If it’s exploration, how different would their approach be to what we’d expect from Starfleet? A Klingon series could also show off different roles for Klingons beyond that of “warrior.” How does a Klingon crew treat its engineers, scientists, and medical personnel, for example? Far from being one-dimensional “baddies,” there’s plenty of room for nuance and to show us a different side to the Klingons, and different Klingon personalities.

Concept #9:
Captain Worf

Could Michael Dorn finally get his Captain Worf series?

Sticking with the Klingons, Michael Dorn has been talking about his pitch for a Captain Worf series for the better part of a decade at this point! Although I confess that I remain sceptical of the proposal for a number of reasons, with Worf’s imminent return in Picard Season 3, it has to be considered at least a possibility that there’ll be some kind of backdoor pilot or an attempt to test the waters to see if a Captain Worf series could be viable.

As the character who’s made the most Star Trek appearances (280+, not counting upcoming appearances in Picard Season 3), I feel that we’ve seen more than enough of Worf! We’ve seen his inner conflict between his Klingon and Starfleet identities, his struggles with fatherhood, his marriage and the grief he felt at losing Jadzia… and I’m just not sure where else there is to go.

Worf as he appeared in Season 1 of The Next Generation.

But despite my personal reservations, a Captain Worf series could prove me wrong and be the right move for Star Trek once Picard ends. Like Picard itself, a Captain Worf series would be anchored by its familiar face but perhaps rounded out with a fun group of new characters. There would be potential, perhaps, depending on how things go in Season 3, to bring in someone like Raffi as Worf’s first officer, tying the show to Picard in an even greater way.

As with Seven of Nine and Raffi above, a Captain Worf series could go all-in on action, with Worf commanding a tactical vessel and rushing into dangerous situations and combat missions. Or, in an attempt to put a completely different spin on the character, maybe Captain Worf would be in command of a lightly-armed science vessel on a mission of exploration! That could be a fun way to go and a twist on the expected premise of the series.

Concept #10:
Super-synth invasion

The mechanical noodles of the super-synths.

Spoiler alert for a future theory article, but one of my guesses about Picard Season 3 is that the Admiral and his friends will have to face off against the super-synths from Season 1 – and that they’re responsible for the anomaly in Season 2. That would be a neat way to tie all three seasons of the show together!

But assuming that doesn’t happen, I’d love to revisit the super-synths that we only caught a glimpse of in the Season 1 finale. Assuming that their intentions were hostile, and that they planned to attack organic life in the Alpha Quadrant, could a new spin-off revisit that concept and perhaps show the super-synths making their invasion attempt?

Did Soji paint a target on the Alpha Quadrant thanks to her beacon?

This is a reworking of another concept that I’ve had kicking around for some time: a Borg invasion series. But with the Borg having already played a big role in Season 2, perhaps the super-synths could be subbed in to become the antagonists of a series (or miniseries) that sees the Federation involved in a war for its very survival.

This kind of existential threat has been used and re-used in Discovery, and I could understand if some fans wouldn’t want to see it brought back so soon! As I’ve said recently, it’s my hope that Discovery will try something different in Season 5! But it would be fun to bring back the super-synths and to revisit the Federation at war for the first time since Enterprise’s conflict with the Xindi – and it could be a great way to bring in a mix of new and legacy characters.

So that’s it!

Admiral Picard.

Those are ten concepts for Star Trek shows that I think could pick up the baton from Star Trek: Picard in the years ahead, sticking with the early 25th Century and potentially expanding on what Picard has already done.

My “first contact” with Star Trek back in the early 1990s was The Next Generation, and I was a big fan of Deep Space Nine and Voyager during their original broadcast runs as well. With live-action Star Trek series set in the 23rd and 32nd Centuries, it seems to me that Picard’s eventual finale is going to leave a pretty significant hole in the franchise. Even if every major character from The Next Generation returns and gets an amazing goodbye, there are still characters, themes, storylines, and more from Deep Space Nine and Voyager that I’ve been longing to see picked up for more than two decades!

Deep Space Nine.

If it were up to me, the early 25th Century would probably be the main setting that I’d want to use for the majority of new Star Trek projects. There was even scope a couple of years ago to bring Captain Burnham and Discovery into this time period, and I think that could’ve worked exceptionally well too. I don’t think that Picard necessarily needs a direct spin-off, bringing back main characters in a huge way, but I’d dearly love to see the setting and time period re-used in future.

I’m hopeful that Season 3 will be a fun adventure with the crew of The Next Generation, and that it can serve as a launchpad for one or more new Star Trek projects set in this era. Whether any of my own ideas will make it… well, I doubt it. But who knows! More than ever it feels like Paramount is listening to Star Trek fans; without a massive fan campaign we would never have seen Strange New Worlds. So there’s a possibility, perhaps, if Picard Season 3 is well-received that a spin-off or follow-up could indeed make it. Time will tell!

Star Trek: Picard Season 3 will be broadcast on Paramount+ in the United States and on Amazon Prime Video around the world sometime in the next year or so. The Star Trek franchise – including Picard and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.