Sixty Years of Adventures

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware of spoilers for the Star Trek franchise.

If you didn’t already know, 2026 marks the sixtieth anniversary of the Star Trek franchise! I wrote a piece to mark the occasion on the actual anniversary last month (click or tap here to check it out if you missed it!), but I’m still in a celebratory mood!

What I’m doing today is… well, exactly as the title of this piece implies! I’ve chosen one Star Trek story from every year of the franchise’s life – from the beginnings in 1966 all the way through to 2026! These aren’t necessarily my “top sixty” favourite Star Trek stories… some years are quite fallow without much going on, and the Star Trek franchise had two long-ish spells where there wasn’t much to choose from at all. But I thought it could be fun to examine some of the books, comics, and video games from Star Trek’s “lost years”, as well as talk about classic episodes and movies!

Some other events from September 1966 (the month Star Trek premiered).
Clockwise from top left: Gemini 11 launches, Botswana becomes an independent country, Operation Sunset Beach takes place in the Vietnam War, and Nazi minister Albert Speer is released from prison.

If that sounds like fun, then you and I are on the same page! But before we get stuck in, I have a couple of important caveats.

Firstly, all of this is just one old Trekkie’s *subjective, not objective* opinion. If we disagree about what makes for a good or fun Star Trek story, that’s okay! There’s plenty of room within the fan community for differences of opinion and polite disagreement.

Secondly, I haven’t read all that many Star Trek books or comics, I haven’t played all of the games, and I can’t even say that I’ve watched every episode any more, either! Star Trek kinda got oversaturated in the 2020s, so I still need to get caught up on the latter parts of Lower Decks and Prodigy. Because of the aforementioned “lost years” in the 1970s and the 2000s/2010s, that might mean we have to pick a couple of stories that I’m less familiar with. But I’ll do my best with what’s available!

A dead "redshirt" in Star Trek TOS The Man Trap
A dead “redshirt” in The Man Trap, which was the first-ever episode of Star Trek to be broadcast.

I’m only going to write one short paragraph for each story; there are sixty, after all, and I don’t want this piece to get too long to read comfortably. All dates/years referenced are based on the first airdate/publication date/release date for a given episode, film, book, etc. – which, in almost every case, is the *American* one! I’m based in the UK, and I know a lot of folks from all over the world are huge Trekkies (and visitors to my website – hi!), but we’re taking the first date that each production was available for this list.

Finally, my thanks go out to everyone at “Memory Alpha” and “Memory Beta” – the two Star Trek wiki projects – for how well-organised they’ve been with chronologing all of Star Trek’s various releases. That was such a big help to me over the course of writing this piece.

Now that all of that’s out of the way… let’s get started!

1966:
Balance of Terror

Behind-the-scenes photo from Star Trek TOS showing the Romulan ship model and a man with a clapboard

Of the fifteen TOS Season 1 episodes to air in 1966, I’m choosing Balance of Terror on this occasion. The episode introduces the Romulans – and Spock’s possible connection to them. It also harkens back to submarine films from World War II, with the cloaked Romulan Bird-of-Prey being difficult for Kirk and the crew to track down and stop. One character in the episode – Lieutenant Stiles – shows how even 23rd Century enlightened humans can have biases and xenophobic traits, something Captain Kirk would push back on in a key sequence. An iconic episode that introduced a faction that would be incredibly important to the wider franchise.

1967:
The Trouble with Tribbles

Still frame from Star Trek TOS The Trouble with Tribbles showing Kirk in a pile of tribbles

A lot of iconic episodes aired this year, but few are better-remembered than The Trouble with Tribbles, which aired in between Christmas and New Year. The story perfectly encapsulates The Original Series’ blend of serious sci-fi and humour – and the tribbles themselves, despite making just a handful of appearances, are inseparable from Star Trek in the minds of many. This is also a great episode for the ongoing Klingon-Federation conflict, which would grow in importance as Star Trek developed.

1968:
The Ultimate Computer

Still frame from Star Trek TOS 'The Ultimate Computer' showing the M5 Unit

A story that feels *more* relevant today than it did when it aired, this fable warns of an overreliance on machines – and how machine intelligence may not understand or be properly aligned with the needs of its creators. Given what’s happening in the real world today, with the advance of A.I. systems… The Ultimate Computer feels timeless; a warning from the past. It’s also a fun episode in its own right!

1969:
Whom Gods Destroy

Still frame from Star Trek TOS Whom Gods Destroy showing Garth with a phaser

A famous episode in the fan community – and spawning an entire (long-running) fan production – Whom Gods Destroy is my pick for 1969. This was the year of TOS’s cancellation, bringing Star Trek’s first phase to an end. The episode is action-packed, of course, and leans on some tropes that audiences today might find a bit dated. But there’s an inspirational, hopeful tone to parts of the story, and the idea that even the most severe mental illnesses may, one day, be curable is a good message.

1970:
Spock Must Die!

Cropped and A.I. upscaled cover for Star Trek Spock Must Die

Full disclosure: I haven’t read this novel! Sorry. But it was the first Star Trek novel with an origial story, and having read a summary, I think it has a lot of potential as a fun and very “Star Trekky” adventure. It reminds me of both The Enemy Within and TNG’s Second Chances, with an evil transporter clone of Spock getting into mischief. As the first novel to keep Star Trek alive after cancellation, I think the book deserves some recognition, too.

1971:
Star Trek 4

Cropped cover for Star Trek 4 (story collection)

No, not The Voyage Home! This book is a collection of adaptations of six TOS episodes: All Our Yesterdays, The Devil in the Dark, Journey to Babel, The Menagerie, The Enterprise Incident, and A Piece of the Action. I’ll be honest: 1971 was probably the hardest year to find something from for this list! But these short 20-ish-page adaptations of classic TOS episodes fit the bill. And, again, as The Original Series was gaining traction in syndication, it probably helped some folks continue their burgeoning fandom.

1972:
Museum at the End of Time

Cropped comic panel from Star Trek Museum at the End of Time

Our first comic book is remarkably similar to two stories I’m a bit more familiar with: The Time Trap from The Animated Series and the video game Star Trek: Voyager – Elite Force! This story sees the Enterprise trapped in an alternate dimension along with various other missing starships, and working with the Klingons to faciliate an escape. I haven’t read it myself, but I think the premise should work – and, again, comics and books were doing a good job for the growing Star Trek fan community in this time period.

1973:
The Magicks of Megas-Tu

Still frame from Star Trek TAS The Magicks of Megas-Tu showing Kirk, Bones, and a Megan

For a long time, The Animated Series was considered “officially non-canon” by Gene Roddenberry and the wider Star Trek production team. I can remember watching a few episodes when they must’ve been repeated on terrestrial TV, but I don’t think The Magicks of Megas-Tu was among them. However! I unashamedly love this episode for its silly, totally unscientific story. The Enterprise gets transported to an alternate reality where magic is real! I mean… how much fun is that? It’s a great episode, a really fun time, and the perfect blend of classic Star Trek storytelling with the “Saturday morning cartoon” style that parts of The Animated Series leaned into.

1974:
Albatross

Still frame from Star Trek TAS Albatross showing Scotty operating the transporter

From a silly, cartoony story to one with a much more serious tone – proving that The Animated Series, like Star Trek as a whole, can do both. Dr McCoy is accused of killing almost the entire population of a planet, and is consequently arrested and put on trial. A fun Spock-McCoy team-up leads to the creation of a cure, and this is just a very classic-feeling Star Trek story that would’ve made for a wonderful live-action episode, too. It’s more serious in tone than quite a few other TAS stories… but it’s because of that that I enjoy it.

1975:
Star Fleet Technical Manual

A reference guide that spawned a long-running tabletop series, the Star Fleet Technical Manual was, for a long time, the most detailed and intricate guide that the fan community had. It includes detailed designs of uniforms, starships, and pieces of tech, and even has costume patterns for fans to make replicas. It’s a very detailed, in-depth book for the nerdiest of Trekkies – and you can see why it went on to form the basis of the aforementioned tabletop game series. I guess this one isn’t a “story” per se, but I think it should still count for this list!

1976:
The New Voyages

Cropped cover for Star Trek The New Voyages collection

An anthology of fan-written stories, each of which gets an introduction by a member of the main cast; I think I’m right in saying that The New Voyages is the first example of Trekkie fan-fiction being officially published like this. I like this anthology as an example of the fan community coming together to collaborate on a project, and for the powers that be – including Gene Roddenberry – to take fan initiatives and turn them into something at least semi-official.

1977:
Phase II

Promo/still of Star Trek Phase II showing Xon

Okay, I admit it: this one’s a cop-out! Phase II never even entered full production, let alone aired any episodes; the project was later adapted into The Motion Picture. But this was the year when Star Trek’s successful re-runs and animated adaptation really paid off: Paramount Pictures began accepting pitches and ideas for a return to the world of Star Trek, and Phase II was conceived. Several of the scripts and pitches created for the series would appear in The Next Generation more than a decade later, and characters created for the show (as well as several actors hired for the project) would go on to have roles in The Motion Picture.

1978:
The Devil in the Dark (Fotonovel)

Example page from Star Trek The Devil in the Dark Fotonovel adaptation

Truth be told, 1978 was one of the toughest years to find something for! So I’m picking this fotonovel adaptation of the classic TOS story The Devil in the Dark as kind of a cheat. You know the episode: this is the one with Spock and the Horta; an exploration of “life, Jim, but not as we know it” that TOS was so famous for! It’s presented in the style of a comic book or graphic novel, except with photographs and production stills in place of hand-drawn art.

1979:
The Motion Picture

Still frame from Star Trek The Motion Picture showing Kirk in a hallway

After a decade in the wilderness, and several false starts, Star Trek returned to live-action with The Motion Picture! The film tells the story of Kirk’s return to the refitted USS Enterprise and the crew’s encounter with V’Ger – a lifeform of almost unimaginable size and power. I’ve long felt that The Motion Picture is underappreciated by some fans; it kind of gets lost amidst the overwhelming love Trekkies have for its immediate sequel. But it plays out like a high-budget, extended version of TOS, with an ethereal sci-fi story about connection and discovering a truly different form of life. Additionally, much of the visual language of Star Trek was born here; these sets and stages would remain in use until Enterprise’s cancellation a quarter of a century later.

1980:
The Galactic Whirlpool

Cropped cover for Star Trek The Galactic Whirlpool

This novel was written by David Gerrold, who also wrote The Trouble with Tribbles. The story – which depicts the Enterprise’s encounter with a generation-ship caught in a maelstrom in space – has a bit of a weird publication history! It was first pitched as a TOS episode, then re-worked into a standalone novel, before Gerrold came back to the franchise and re-adapted the novel back to its Star Trek roots. In that sense, it feels like a truly classic TOS-style story – the kind of thing that would’ve made for a solid episode of the show, had there been space for it.

1981:
The Entropy Effect

Cropped cover for Star Trek The Entropy Effect

This novel might be best-known for giving us Mr Sulu’s first name: Hikaru! It’s a time-travel story focusing heavily on Spock; he’s forced to travel backwards in time to save Captain Kirk’s life. The plot spirals into a giant threat to the entire universe, before Spock is able to find a solution. Another story that, in a different world, could’ve been a perfectly fine addition to The Original Series – and noteworthy for establishing Sulu’s first name, too.

1982:
The Wrath of Khan

Still frame from Star Trek II showing the Enterprise firing phasers

What else was it gonna be for this year? The Wrath of Khan is still heralded by many fans as the high-water mark of cinematic Trek, and one of the best stories in the entire franchise. It brought new eyes to Star Trek in a huge way, and set the table for Star Trek’s renaissance. An action-heavy film, The Wrath of Khan takes a few steps away from the franchise’s roots, but clearly that resonated with a wider audience. One of the most iconic villains not just in Star Trek, but arguably in all of cinema, serves as a dangerous antagonist for Captain Kirk and the crew – and the fight to stop Khan is brutal.

1983:
Mutiny on the Enterprise

Cropped cover of Star Trek Mutiny on the Enterprise

There’s a mutiny… and it happens on the Enterprise! That’s kind of a synopsis of this novel – though, of course, the mutiny is connected to alien shenanigans. Kirk and the crew rescue an alien woman, and she begins convincing members of the crew that the Enterprise will start the very war that the mission is meant to prevent. This mutiny could hardly come at a worse time – with an away team stuck on a planet and the ship damaged. 1983 is also the year I was born – though putting *myself* as an entry on this list would’ve seemed a tad self-centred!

1984:
The Search for Spock

Still frame from Star Trek III showing Uhura with a phaser

This is a weird one for me, because after I started getting into Star Trek in the early ’90s, I watched some re-runs of The Original Series whenever it was on the air. But The Search for Spock somehow ended up being the first film in the franchise that young Dennis ever saw! As the middle part of a trilogy, I guess that made it a bit of a weird place to start! This film depicts Kirk stealing the Enterprise and Spock’s re-birth on the Genesis Planet, as well as a climactic clash with the Klingons. It sets the stage for the final act of this three-film story; Star Trek’s first multi-part saga. And it was the final film to enter production before attention would turn to spin-offs. It’s a fantastic film with lots of practical special effects, props, puppets, and more – and a fun story to boot.

1985:
Uhura’s Song

Cropped cover of Star Trek Uhura's Song

A race of cat-like aliens, forbidden music, and a race against time to stop a dangerous plague! That’s the premise of Uhura’s Song in a nutshell – and it feels almost like a story that we might’ve seen in Strange New Worlds. The disease, which had previously only been affecting the cat-like Eeiauoan people suddenly starts spreading to humans – including the crew – and the secret to a cure seems to be hidden in clues within music. The story re-establishes contact between sister races, and puts Uhura in the driver’s seat along with Captain Kirk.

1986:
The Voyage Home

Still frame from Star Trek IV showing the Bounty under the Golden Gate Bridge

In my opinion, The Voyage Home hasn’t aged as well as most of the other Star Trek films thanks to its visit to contemporary Earth… and its overall ’80s comedy style. However, it’s still a film with plenty of fun and enjoyable moments, and I like the genuine danger posed by the whale probe. The film has a great message about the need to protect biodiversity – and the unknowable implications of even a single species going extinct. Seeing Kirk and the crew in command of a Klingon Bird-of-Prey is also a ton of fun!

1987:
Encounter at Farpoint

Still frame from Star Trek TNG: Encounter at Farpoint showing Picard and Worf on the bridge

So we made it! Star Trek is back on television, where it will enjoy almost two decades of uninterrupted production. Encounter at Farpoint started The Next Generation with a bang; a mysterious god-like entity wants to put Captain Picard and the crew on trial for humanity being a so-called “savage race.” This kicks off not only the series, but a long-running role for Q, and it does a good job of establishing the Enterprise-D, most of the main characters, and a new century for Star Trek to explore.

1988:
Elementary, Dear Data

Still frame from Star Trek TNG 2x03 showing Data, Geordi, and a drawing of the ship

An accident on the holodeck creates Star Trek’s first sentient hologram – based on Sherlock Holmes’ nemesis, Professor Moriarty. I like Dr Pulaski, and her role in this episode was a fun one. Seeing Data and Geordi having to face off against a challenging foe in a different kind of setting was great, too. Moriarty would return later in the show’s run – and even had a cameo in Picard’s third season a few years ago. I think it’s fair to call this one an iconic and well-remembered episode.

1989:
The Royale

A behind-the-scenes photo from Star Trek TNG S2 showing Brent Spiner

This is the first episode of Star Trek that I can ever remember watching (when it aired in the UK a couple of years later), so I admit that this is a bit biased on my part! However, I really adore The Royale for its fun, slightly weird kind of sci-fi story that most other franchises wouldn’t even attempt. A mysterious artefact in space leads the Enterprise-D to a violently inhospitable planet… where they discover a 20th Century hotel, the final resting place of a NASA astronaut. As the away team has to unravel the goings-on in the hotel, the crew back aboard the ship try to figure out how to bring them home safely. And this episode turned lil’ Dennis into a Trekkie all those years ago!

1990:
The Best of Both Worlds, Parts I-II

Still frame from Star Trek TNG: The Best of Both Worlds showing a Borg being shot by a phaser

Both halves of The Best of Both Worlds aired this year, either side of TNG’s summer break. This pair of episodes brought back the Borg, introduced us to the concept of assimilation, and depicted a massively existential threat to humanity and the whole of the Federation. Seeing Captain Picard “Borg-ified” was a true *shock*, and Riker had to step up to lead the crew in his absence. The Battle of Wolf-359 – though largely taking place off-screen in this episode – has become an ingrained part of the franchise’s lore. The Borg have never felt more menacing or threatening than they did here.

1991:
The Wounded

Still frame from Star Trek TNG The Wounded showing O'Brien and Maxwell

The Wounded began to set the table for Star Trek’s next spin-off: Deep Space Nine. The episode introduces the Cardassians for the first time, and gives Chief O’Brien – formerly a secondary recurring character – a major starring role ahead of his transfer to DS9. It’s an “Apocalypse Now” type of story, with the Enterprise-D tracking a rogue Starfleet captain who seems hell-bent on a personal anti-Cardassian vendetta. Picard and O’Brien are forced to work with the dislikable Cardassians, and must learn to put their differences aside. A fantastic character piece for O’Brien, a wonderful introduction to an iconic and hugely important alien race, and a tense story as well.

1992:
Relics

Still frame from Star Trek TNG Relics showing Scotty and Geordi in close-up

After Spock had appeared in Unification the previous year, it was now Scotty’s turn to team up with the crew of the Enterprise-D! This is where “transporter suspension” became a thing, as Scotty used the method to survive the crash-landing of the small USS Jenolan. The episode is a fun and occasionally awkward coming together of Star Trek’s first two engineers – Scotty and Geordi La Forge – and it’s also a story with a message about older people and how they can feel left behind as technology evolves.

1993:
Emissary

Still frame from Star Trek DS9 1x01 showing Kira, Bashir, and Dax

Kicking off DS9′s run is Emissary, widely regarded as the best Star Trek premiere episode. Commander Sisko – a veteran of the Battle of Wolf-359, and a single dad to his young son, Jake – is tapped to take command of Terok Nor, newly recommissioned as Deep Space Nine: Starfleet’s first outpost in the Bajoran system. Emissary does a great job at establishing the dynamic between Starfleet and the Bajorans, who have just come off a long fight for their independence against the Cardassians, and it also sets up the Bajoran Wormhole – a gateway to the Gamma Quadrant.

1994:
Generations

Still frame from Star Trek Generations (1994) showing Data and Picard in Stellar Cartography

This is it: the crossover fans have waited and waited for! Captain Kirk and Captain Picard work together – thanks to the time-shifting effects of the Nexus – to stop Dr Soran from destroying whole planets and stars. The film seems to get a bit of a bad rap nowadays, but I genuinely adore almost every aspect of it. We get to see the launch of the Enterprise-B, filling in a bit of a gap in Star Trek’s “lost years,” we learn what happened to Captain Kirk, the Duras sisters return as fun secondary antagonists, and Data gets to experiment with emotions for the first time. There’s a lot to love in Generations.

1995:
Improbable Cause and The Die Is Cast

Still frame from Star Trek DS9 showing Garak and Odo

This two-part story picks up the idea of a conflict between the Dominion and the various Alpha Quadrant powers. Garak’s ex-mentor and friend, Enabran Tain, recruits him to join a plot to destroy the Founders’ homeworld, which the Obsidian Order is working on in conjunction with the Romulan Tal Shiar. It’s an intense story, and Garak makes for a wonderfully complex anti-hero, in places. It also paves the way for the Cardassian-Dominion alliance, which would in turn lead to the Dominion War.

1996:
Investigations

(A.I. upscaled) still frame from Star Trek VOY Investigations showing Neelix and Janeway

This episode furthers Voyager’s Kazon conflict arc, and it follows Neelix trying to figure out what’s happening aboard the ship – and whether someone might be betraying the crew. It sets the stage for Basics – the two-parter that would end Season 2 and kick off Season 3 later in the year. It’s a fun mystery story that has genuine stakes, and it’s great to see Neelix in a different setting for a change. This conflict with the Kazon had been brewing across the season – and, really, since the start of the show – and Investigations took it to a new level. 1996 also gave us First Contact and two episodes made for the 30th anniversary, all of which are great! But I think Investigations is just no less enjoyable.

1997:
Call to Arms

(A.I. upscaled) still frame from Star Trek DS9 5x26 showing Leeta and Rom

I love DS9′s Dominion War arc, which kicks off with the explosive episode Call to Arms. Sick of seeing Dominion reinforcements pouring through the wormhole, headed for Cardassia, Sisko and the crew concoct a scheme to deploy a minefield – knowing that doing so will likely turn the “cold war” into an all-out conflict. We get great moments with practically everyone – Rom plays a huge role in setting up the mines, Kira has a wonderful scene where she reports for duty, Sisko and Weyoun dance around each other while talking peace… it’s a fantastic episode, and a great way to start this incredible arc.

1998:
In The Pale Moonlight

(AI upscaled) still frame from Star Trek DS9 6x19 showing the Vreenak meme

I think choosing an “all-time favourite Star Trek episode” would be way too difficult – but if I had to, In The Pale Moonlight would be a serious contender. Captain Sisko recounts a scheme to bring the Romulans into the Dominion War as allies, and the nefarious way he did it along with Garak. A fake holosuite recording, the assassination of a Romulan Senator, and Sisko’s grim assessment that he “can live with it,” because it was the only way to turn the tide in the war, make In The Pale Moonlight one of Star Trek’s darkest episodes. Avery Brooks’ performance is incredible, though, and the whole thing is just fantastic.

1999:
Equinox, Parts I-II

(A.I. upscaled) still frame from Star Trek VOY Equinox I showing Ransom and Burke

Compared to the crew of the titular USS Equinox, Voyager’s journey home seems like a walk in the park! Jokes aside, this episode really challenges viewers with a moral question: what would *you* have done in Captain Ransom’s place? Ransom isn’t a typical villain, and while his actions are appallingly horrific, we’re able to at least understand why he became so desperate and how the burden of commanding a smaller, less-powerful ship through the dangerous Delta Quadrant affected him. Janeway gets some good moments in this pair of episodes, too, which wrapped up Season 5 and kicked off Season 6.

2000:
Fair Haven and Spirit Folk

(A.I. upscaled) still frame from Star Trek VOY 6x11 showing Janeway

These two episodes from Voyager’s sixth season form two parts of a connected story, so I’m lumping them together this time. The crew of Voyager begin taking time away from their journey home to visit a recreation of an Irish village on the holodeck – and the expected hijinks ensue! Captain Janeway gets a rare romantic storyline, we see more of Tom Paris’ holonovel-writing skills, and later, the holographic villagers begin to realise that everything is not as it seems…

2001:
Endgame

Still frame from Star Trek VOY showing Adm. Janeway

Voyager’s seven-year run comes to an end with a time-travelling Borg story – and one of the worst genocidal war crimes ever committed by a Starfleet officer! Click or tap here for more on that! This was the culmination of Voyager’s entire arc, the long-awaited return to the Alpha Quadrant and to Earth. The Borg, having been a thorn in the crew’s side on multiple occasions across the back half of the show’s run, were the only sensible choice for a story of this magnitude, and while I don’t agree with the actions taken by a time-travelling Admiral Janeway, the best thing about Star Trek is how it encourages its viewers to think and judge for themselves – and that, for me, is the core of this story.

2002:
Minefield

(A.I upscaled) behind-the-scenes photo from Star Trek ENT Minefield showing Reed

Enterprise arguably muddled the timeline just a little with Minefield – a “prequel problem” that a show set a hundred years before TOS was bound to create sooner or later! But the episode is solid, depicting the NX-01’s first encounter with the Romulans, and shows how humanity’s first contact with this secretive alien race did not go well! It’s also a great episode for Captain Archer and Reed, who get several moments together that explore their friendship in a bit more depth. And, hey, I have head-canon about cloaking devices that gets around the issue some folks had with the storyline!

2003:
Impulse

Still frame from Star Trek ENT 3x05 showing Vulcan 'zombies'

Impulse is the “Vulcan zombie” episode, featuring a horror tone and plenty of tension throughout! It’s also one part of a season-long serialised story, as the NX-01 is dispatched to the unexplored Delphic Expanse to track down the Xindi. The episode would become very important for T’Pol’s future character arc, as the whole “trellium” syndrome that the Vulcans in the episode contracted would be passed on to her, as well. It was a creative way to use the Vulcans; stripping away their emotional control and turning them into the episode’s antagonists/monsters.

2004:
E²

Still frame from Star Trek ENT 3x21 showing Archer with Lorian on the viewscreen

E² shows how badly wrong Enterprise’s journey in the Delphic Expanse could’ve gone – in one timeline, the ship got thrown backwards in time and had to become a generation-ship, waiting for the moment where the real Enterprise would return. An older T’Pol – who lived for more than a century – meets her younger counterpart, Trip gets to work with his half-Vulcan son, and other characters get moments in the spotlight, too. It’s a time-loop paradox, which usually annoy me, but the way it’s handled works pretty well in the episode itself.

2005:
In A Mirror, Darkly, Parts I-II

Still frame from Star Trek ENT In A Mirror, Darkly showing Travis, Hoshi, and Archer

I wouldn’t usually choose a Mirror Universe episode… but In A Mirror, Darkly might just be the best of the bunch! The first episode to take place exclusively within the Mirror Universe, with only Terran characters in the spotlight, In A Mirror, Darkly works really well. We get a connection to The Original Series, which was unexpected but a ton of fun, and the return of two classic TOS villians with the Gorn and Tholians. A recreation of a Constitution-class ship – and TOS-era uniforms – makes for a fun visual presentation, too.

2006:
Legacy

Screenshot from Star Trek Legacy showing a starship

No, not the Picard successor series that was touted a couple of years ago! This is Legacy the video game – which was released on PC and Xbox 360 by Bethesda Softworks (yes, *that* Bethesda Softworks) and Mad Doc Software. The game is notable for bringing together all three Star Trek time periods – the 22nd, 23rd, and 24th Centuries – and bringing back all five captains as part of the voice cast. William Shatner, Patrick Stewart, Avery Brooks, Kate Mulgrew, and Scott Bakula all voiced their iconic characters – and that made this game feel like, well, Star Trek’s legacy. More than a year after we lost Enterprise, and with rumours of a new movie doing the rounds… it felt like things might be okay for Star Trek after all.

2007:
Excelsior: Forged In Fire

(Cropped) cover for Excelsior Forged in Fire showing Sulu

This novel brings together The Undiscovered Country, which first saw Sulu in command of the USS Excelsior, and a plotline from Deep Space Nine, which saw Dax team up with a Klingon to take down an old enemy. I like the way the crossover was handled, and a prequel story that weaves together different parts of the Star Trek franchise can be a ton of fun when done well.

2008:
Terok Nor Trilogy

Cropped/merged book covers for Star Trek: Terok Nor

These three books – which all released in 2008 – document the Cardassian occupation of Bajor prior to the events of DS9. Familiar characters, like Kira and Dukat, are present, and the saga adds a lot of backstory in between the events we’ve seen in DS9. I’m not familiar with all three books in the series, but the first one – titled Day of the Vipers – explores the beginnings of the Cardassian occupation, and from what I can remember, it was a fun book.

2009:
Star Trek

Still frame from Star Trek (2009) showing the Narada (Nero's ship)

The first reboot film premiered in 2009, and definitively proved that there was life in the Star Trek franchise – and more stories to be told. I did my best to support the film while it was in production, and I went to see it on the first day I could! I don’t think Star Trek ’09 is fantastic, but it’s a by-the-book reboot, it draws a definitive line under Star Trek’s earlier incarnation, and it succeeded at making this convoluted and nerdy franchise accessible to casual viewers and newcomers. Star Trek ’09 carried the flag for the franchise at a time when it was in danger of disappearing forever.

2010:
Star Trek Online

Promo art for Star Trek Online

I tried Star Trek Online shortly after it launched… but the parts I really enjoyed – i.e. the “Star Trek” – were, sadly, overwhelmed by the parts I didn’t – namely the “Online!” I just can’t get on with massively-multiplayer games, because nothing rips me out of a story quicker than being told I’m the “one and only hero” when there’s a literal queue of other “one and only heroes” lined up behind me, waiting to speak to the same NPC. Or seeing cOcKwAnk69 of the USS YourMumsASlag griefing his way across my screen. However… Star Trek Online is still going, some sixteen years later, it’s successfully transitioned to a free-to-play model, and has even managed to recruit practically every ex-Star Trek actor you can think of for voice roles. A ton of folks love this game… and even if it was never my thing, I can respect it. Online kept a candle burning for the 24th/25th Centuries and the Prime Timeline at a time when the franchise was more interested in prequels and reboots, too.

2011:
Indistinguishable from Magic

(Cropped) cover for Indistinguishable from Magic showing a Galaxy-class ship

This book picks up the storyline from Relics, which we discussed above, and pairs up Geordi and Scotty for another adventure. The story features appearances from Nog, Guinan, Reg Barclay, and a pair of unexpected villains in DaiMon Bok and Berlinghoff Rasmussen, both of whom appeared in The Next Generation. The title is a reference to Isaac Asimov’s famous saying, and while the story feels a bit fan-servicey with all the cameos, characters, and references, it’s fun enough for what it is.

2012:
The Next Generation: The Next Level

Still frame from Star Trek TNG The Inner Light showing Picard playing the flute

Are re-releases a cheat? In any case, this re-release of three TNG episodes – Encounter at Farpoint, Sins of the Father, and The Inner Light – was a tease, really, to advertise and show off the upcoming Blu-ray remasters of the entire series. The Original Series had already been remastered, but this was fans’ first glimpse at TNG in high-definition. Unfortunately, the move away from physical discs in favour of streaming meant that TNG underwhelmed on Blu-ray (in terms of sales and revenue), and that, in turn, has meant that DS9 and Voyager never made it to the remastering suite… which is something I really hope Star Trek’s new corporate overlords will address!

2013:
Into Darkness

Behind-the-scenes photo from Star Trek Into Darkness showing JJ Abrams

For me, this is still the high-water mark of the Kelvin trilogy – even though its big Khan reveal had been spoiled for me months in advance by investigative Trekkies online! The action-packed story is much more well-suited to J.J. Abrams’ style, there are some pretty shocking twists in the story, and we get to see an inversion of The Wrath of Khan, too. A fantastic “badmiral” makes for a wonderful secondary antagonist, and this universe’s versions of Kirk, Spock, and Khan have a really epic confrontation.

2014:
William Shatner Presents: Chaos on the Bridge

Still frame from Chaos on the Bridge showing William Shatner interviewing Brannon Braga

It’s up to you to decide how accurate or unbiased you think Chaos on the Bridge is… but it’s a very interesting recounting of the events around The Next Generation’s creation and its first couple of seasons. This documentary seems to take aim at a few individuals in particular, singling them out for criticism, but it’s presented by William Shatner in a fun and engaging way. Sometimes it can be fun to catch a glimpse behind the scenes… and sometimes you come away from a documentary glad to know what happened, but disappointed at how petty and rude some of the folks involved with your favourite franchise could be!

2015:
Planet of the Apes: The Primate Directive

Trio of comic book covers for Star Trek x Planet of the Apes: The Primate Directive

A crossover between Star Trek and Planet of the Apes sounds like it would be atrocious… but this comic series makes good on that silly concept! I’d never want to see Star Trek do something like this in live-action, but as a side project… I think it works well enough in comic book form. Kirk and co. cross over from the Star Trek universe to the Planet of the Apes timeline, discovering that the Klingons are secretly working with one faction of the titular apes.

2016:
Beyond

Still frame from Star Trek Beyond (2016) showing a security team with phasers

The third and final Kelvin timeline film, Beyond was a bit of a dip in quality after Into Darkness. However, I can respect writer Simon Pegg’s intention to take the Kelvin timeline away from mindless action and closer to The Original Series in terms of narrative, even if not everything in the film succeeded at that. I liked the connection to Enterprise, and the idea that someone from that era might struggle in the more enlightened and less violent 23rd Century. There’s a message at the heart of the story – and messaging is something that Star Trek has always done.

2017:
Context is for Kings

Still frame from Star Trek DIS 1x04 showing Tilly and Burnham

Discovery got off to a rocky start, and Context is for Kings had the tough task of starting to smooth things over with a fan community that was arguably less than impressed! It’s an action-packed episode, in places, featuring a monster loose aboard the wrecked USS Glenn, but it’s also noteworthy for introducing us to the USS Discovery itself, as well as regular characters like Stamets, Tilly, and Captain Lorca.

2018:
The Brightest Star

Still frame from Short Treks showing Saru with his family

Short Treks was conceived for one reason and one reason only: to convince fans to remain subscribed to CBS All Access in between seasons of Star Trek! But that nakedly commercial purpose actually led to some fun stories – and a concept that, sadly, fell by the wayside way too soon. The Brightest Star gives us Saru’s origin story – how he came to escape his home planet, and the domination of the Ba’ul, to join Starfleet. Michelle Yeoh reprises her role as the Prime Timeline version of Georgiou, too. It’s a sweet little story – and one that proved Short Treks’ worth.

2019:
An Obol for Charon

Still frame from Star Trek DIS 2x04 showing the USS Discovery and the sphere

One of the few Discovery episodes that I feel works as a standalone piece, An Obol for Charon interrupts the show’s second season’s ongoing story arcs to introduce us to a brand-new – and very alien-feeling – life-form: the sphere. This would go on to have massive storytelling implications later on, but the episode itself works on its own. I love Captain Pike in this one, and after so many Discovery stories were all about action or soap opera levels of character drama, it was nice to get a classic-feeling episode about seeking out new life!

2020:
Nepenthe

Still frame from Star Trek PIC Nepenthe showing Picard and Riker embracing

Though it feels bittersweet to return to this episode, in light of how subsequent Picard stories landed… I can’t deny that Nepenthe seemed absolutely brilliant on that first viewing. Picard escapes the clutches of the Romulans and makes it to the planet of Nepenthe with Soji… the home of Riker and Troi. Their reunion after so many years was incredibly emotional for this old Trekkie, and I enjoyed seeing the series take a moment to step away from its mysteries and plots and ex-Borg to let us hang out with these characters. In hindsight… well, I think it was a mistake to do a story like this when other ongoing storylines needed the time and attention. And Riker and Troi would return for bigger roles in Season 3 anyway. But on its own, and without the benefit of hindsight, it would’ve been my favourite episode of Season 1.

2021:
First First Contact

Still frame from Star Trek LDS 2x10 showing the arrival of the USS Cerritos

This episode feels like it perfectly caps off Lower Decks’ first phase or first narrative arc. The crew of the USS Cerritos gets to save the day, and everyone has to pull together in a single, connected story to save a stricken Starfleet vessel. The return of Sonya Gomez was fun, it was a nice little rarity to see everyone in a single storyline, instead of being split up into A- and B-stories, and there were some genuinely emotional and high-stakes moments. I liked that this was a scientific and engineering puzzle, not something that needed violence and phaser fights, too.

2022:
The Star Gazer

Still frame from Star Trek PIC 2x01 showing the Borg Queen

I’m caveating all of my Picard inclusions, aren’t I? This one comes with the caveat that, despite being a fantastic story and introducing a truly frightening new vision of the Borg… the subsequent nine episodes absolutely ruin The Star Gazer on a repeat viewing. Picard Season 2 was, on the whole, dog shit – but hey, it got off to a fun start, at least! I liked seeing Picard and Rios back in Starfleet, young Elnor joining the Academy as a cadet, and the new USS Stargazer, too. It was also fun to see a big, diverse Federation fleet after the disappointing copy-and-paste job back in Season 1.

2023:
Hegemony

Still frame from Star Trek SNW 2x10 showing Pike on the bridge by the viewscreen

Strange New Worlds’ second season ended in spectacular fashion. The Gorn conflict, which had been part of the show since its first season, reached an explosive climax with an attack on a human colony. Several members of the Enterprise crew end up abducted, a young version of Montgomery Scott comes aboard for the first time, and Captain Pike has to figure out a way to come to the aid of the survivors of the USS Cayuga. The conclusion at the start of Season 3 was fantastic, too!

2024:
Face the Strange

Still frame from Star Trek DIS 5x04 showing Burnham and Rayner

Two caveats this time! One: I haven’t seen the Lower Decks episodes that aired this year, and if I had… I might not have picked Face the Strange for this list. Two: Discovery’s fifth season was, on the whole, repetitive and just not very good. So… yeah. However, Face the Strange is a bit of a diamond in the rough; a rare gem of an episode that stands on its own two feet and works pretty well. It was creative with its time-skipping idea, Commander Rayner got some much-needed development, and seeing Burnham having to come face-to-face with a younger version of herself was, if nothing else, a fun visual.

2025:
Terrarium

Still frame from Star Trek SNW 3x09 showing Ortegas

Far and away the best episode of Strange New Worlds Season 3 – and definitely a top ten or even top five for the series as a whole. Lieutenant Ortegas finally gets a belated turn in the spotlight, trapped with a Gorn on a desolate planet on the far side of a wormhole. After Ortegas had been abducted by the Gorn and injured, she was still dealing with the after-effects of that experience – and coming face-to-face with a Gorn was her own personal nightmare. The episode was perfectly paced, the setting was bleak, and there was an emotional sucker-punch right at the end, too.

2026:
Across The Unknown

Screenshot of Across The Unknown showing a cut-scene

This video game is based on Voyager, and allows players to experience the entire seven-year journey across the Delta Quadrant, make different choices, and try to manage the ship and its systems. If you like these kinds of management-sim/base-builder types of games, and you’re a big Voyager fan, it’s an easy recommendation! It was a ton of fun for me to go back to Voyager in this new format, and there are some wonderful models and animated sequences created for the game, too. I returned to episodes I haven’t seen in a while thanks to this wonderful game… and I had an absolute blast with it! There’s new DLC to come, too, and I’m planning to jump back in when it’s all ready.

So that’s it!

Still frame from Star Trek SNW 4x02 showing Kirk, Spock, and La'an aboard a shuttlecraft
A shuttlecraft.

Phew, that was a *lot* of Star Trek, huh?

If you made it all the way to the end, thanks for reading! I hope this has been a bit of a fun way to celebrate this milestone anniversary. And I hope I maybe picked one or two stories you weren’t expecting!

Earlier this year, I wrote a few other pieces here on the website to mark the sixtieth anniversary. I talked about my encounter with William Shatner, shared a few more of my “hot takes,” talked about some of the “worst” things that Star Trek characters have ever done, wrote up some “what-if” scenarios, discussed the benefits of a potential hiatus for the franchise, looked at some “unpopular opinions” from across the fan community, considered what might’ve happened if Star Trek was never made, reviewed Starfleet Academy Season 1, reviewed every episode from Strange New Worlds Season 4, and re-watched Where No Man Has Gone Before. Click or tap any of those links to check out those pieces.

Thanks again, and as always… Live Long and Prosper, friends!


The Star Trek franchise (except for Prodigy) is available to stream now on Paramount+ in countries and territories where the platform is available, and is also available on DVD/Blu-ray. The Star Trek franchise – including all films, shows, games, and other properties discussed above – is the copyright of the Skydance Corporation. Some photos/still frames were upscaled using A.I. tools. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: The Animated Series Episode Re-Watch: How Sharper Than a Serpent’s Tooth

A spoiler warning graphic.

Spoiler Warning: There are spoilers ahead for Star Trek: The Animated Series as well as The Original Series and Voyager Season 2.

I haven’t really talked about The Animated Series very much here on the website, but to mark the fiftieth anniversary of the episode How Sharper Than a Serpent’s Tooth – which premiered on this day back in 1974 – I thought it might be a bit of fun to step back in time to Star Trek’s first foray into the world of animation. It’s actually been a long time since I last watched this episode (or really any of The Animated Series), so we’re going into this re-watch almost completely blind!

I have to confess that I have a bit of a psychological block when it comes to The Animated Series. From the late ’80s to the early 2000s, the official line from Gene Roddenberry, Gulf+Western, Viacom, and Star Trek’s other corporate overlords was that the show was officially “non-canon.” For the purposes of The Next Generation-era Star Trek, nothing in The Animated Series happened, and that’s left me with a lingering feeling about that show that’s difficult to put into words. The era in which I became a Trekkie was the era in which The Animated Series was deemed to be “too low-quality” to be an official part of the franchise. I watched a few episodes here and there in the ’90s, but The Animated Series wasn’t a mainstay on terrestrial TV here in the UK at the time, so I didn’t see it in full until it arrived on DVD in the mid-2000s.

The DVD box set of Star Trek: The Animated Series on a space-themed background.
Remember when Star Trek DVD box sets came in chunky plastic cases that were awkward to open?

It was only when the DVD box set was being readied for release that CBS formally ditched the “non-canon” line, by the way, declaring The Animated Series to be a full and official part of the Star Trek franchise once again. At that time, with Enterprise being cancelled, it seemed as if Star Trek might’ve been over – so why not include The Animated Series if it helps shift a few more DVDs? I guess that was the thinking when that decision was taken!

So that’s my background with The Animated Series as we come to this episode re-watch! Although it’s a show I only occasionally dip into, the fiftieth anniversary is still a big deal, and it’s always worth keeping in mind the role The Animated Series played in the history of Star Trek. As re-runs of The Original Series gained traction in the early 1970s, calls grew for Star Trek to be brought back. The Animated Series was a compromise; a way to make new episodes and satisfy the growing fan community without having to commit the money required to re-start production on a live-action show.

A photo of Gene Roddenberry in his office in the early 1970s, with a model of the USS Enterprise next to him.
Gene Roddenberry in the early ’70s, around the time The Animated Series was entering production.
Photo Credit: Starlog Press

And the lack of budget awarded The Animated Series… well, let’s just say it can be obvious! There is a distinctly old-school charm to parts of the show, and the low-budget animation of the time. But The Animated Series can also feel quite janky, especially if you aren’t used to it or if you prefer today’s slicker, computer-animated visual style. I think there’s a real warmth to this style of animation, and the obvious jank just adds to that in my opinion!

As the show that boosted Star Trek during what could’ve been its darkest hour, we owe a lot to The Animated Series for the franchise’s re-birth at the end of the 1970s. The Motion Picture and Star Trek’s subsequent renewal in the ’80s would arguably not have been possible without this show keeping things fresh and growing the audience. Bringing younger eyes to Star Trek through this “Saturday morning cartoon” style bolstered the franchise’s prospects and shouldn’t be understated.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a top-down view of the bridge.
Kirk and the crew (including a rather pale-looking Uhura) on the bridge of the Enterprise.

By happy coincidence, the episode I picked for this re-watch happens to be the 100th episode of Star Trek! After 79 episodes of The Original Series there were 22 produced for The Animated Series across two seasons – this being the penultimate one. I know it isn’t a huge deal, but these milestones can feel important.

Onward, then, to the episode How Sharper Than a Serpent’s Tooth!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a close-up of Uhura.
:-O

The first thing to note is the opening titles! A slightly jazzed-up version of The Orignal Series theme plays, heavy on the horns, and William Shatner gives his usual “these are the voyages” voice-over as Captain Kirk. Hearing it again after not watching either show for a while was a real blast of nostalgia… and we haven’t even got started yet!

The episode proper kicks off with a captian’s log, with Kirk narrating that the Enterprise is tracking a mysterious probe. Lower Decks and Strange New Worlds have brought back the captain’s log as a framing device after the likes of Picard and Discovery used logs much more sparingly, and I have to say I’m glad for that. The captain’s log is an integral part of the franchise, after all!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Kirk and other characters on the bridge.
Arex, Kirk, and Walking Bear on the bridge.

The opening scene on the bridge sets the stage for the episode – a second probe is coming in, following the same trajectory as the first. Characters created specially for The Animated Series are present: the three-armed, three-legged Arex being a personal favourite of mine! Ensign Walking Bear – a Native American – is at the helm. Both characters (and many others in The Animated Series) were voiced by the late James Doohan, better known for his role as Scotty.

On the viewscreen, the alien probe appears as little more than a smudge of yellow-green – and waddles unconvincingly toward the Enterprise! This is a great example of what I mean about finding charm in the jankiness of The Animated Series; by anyone’s standards, even in the ’70s, this doesn’t look great! But part of the fun of fantasy and sci-fi is getting lost in the setting, looking past things like that, and even using one’s imagination to help suspend disbelief. Sure, the alien probe looks like something you might find in a newborn’s nappy… but so what? It’s an alien probe, dammit, and that’s that!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a blob on the main viewscreen.
The alien smudge… I mean probe.

As the Enterprise becomes trapped in a “globular force-field” – which looks like a snow-globe or Christmas bauble from the outside – Spock proclaims it is “fascinating” while Scotty reports to Kirk that he doesn’t know how long the ship can take the strain! Classic lines from the classic crew, and I’m right back there with them. The ship comes to a complete stop while Kirk and the crew decide how to proceed.

The smudge “de-cloaks” to reveal a beautiful spaceship that could be right out of a dozen or more mid-century sci-fi properties! The vibrant shades of red, purple, and blue give it a striking appearance, and the glittering panel at the front makes the vessel stand out. It really is a beautiful ship – and clearly more than a match for the entrapped Enterprise. Though you might not assume so from appearances alone! I love this kind of design; a pre-Star Wars retro sci-fi look, bold in its colour choices. They don’t make ’em like that any more!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Kukulkan's starship.
I really like this spaceship design.

The Animated Series was also pretty limited with its soundtrack. At this point in the episode, with the Enterprise under attack by the beautiful alien vessel, the show’s only “action theme” plays – and I’d forgotten just how much I love this piece of music, too. It seems to perfectly capture the danger that the crew are in… even if, by this point in The Animated Series’ run, we’d have heard it twenty times or more!

Kirk tries everything – reversing the engines, powering up the shields, and hailing the ship – but running out of options and limited by the globe preventing the Enterprise from moving, he reluctantly orders phasers to fire. Although this also proves ineffective, I like how The Animated Series was still true to Kirk’s character: he was never spoiling for a fight and would look for a peaceful way out where possible.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Captain Kirk.
Kirk only fired on the alien ship when he’d tried everything else.

The new character – Ensign Walking Bear – recognises the ship when it projects a dragon-like design (using something like an early holo-projector, perhaps?) and this seems to give the attacker pause. Pleased that at least one human “remembers” them, they give the crew a chance to succeed – but warn that failure will mean death.

Now we see why Walking Bear was on the bridge, eh? Star Trek always finds uses for redshirts and always has! Even classic episodes like Balance of Terror put secondary characters like this in just the right place to contribute to the story or to building up the lore of the franchise. I’ve been critical of modern Star Trek, sometimes, for nakedly shoehorning in some piece of backstory to a secondary character solely for the purposes of connecting to the main narrative… and I guess in some cases it works better than others. But it’s worth remembering that it’s something the franchise has always done in one form or another.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Kukulkan's message on the viewscreen.
Kirk and the crew received a message from their attacker.

This Kukulkan – described by Walking Bear as an ancient legendary god of the Aztecs and Mayans – is who’s attacking the Enterprise. I’m reminded of two episodes – one from The Original Series and one produced much later during Voyager’s run. Who Mourns for Adonais? during the second season of The Original Series introduced Kirk and the crew to the “gods” of Ancient Greece. And Tattoo, the Voyager Season 2 episode that saw Chakotay encountering an alien race that his people called the “Sky Spirits.” The stories aren’t identical by any means, but there’s a similarity in the underlying premise of all three.

Midway through a conversation with Kirk, Walking Bear vanishes – as do Scotty, Dr McCoy, and eventually Kirk himself. Spock assumes temporary command of the Enterprise, before the action switches to the kidnapped men aboard Kukulkan’s ship. They seem to be in some kind of holodeck – the room, while plain silvery-grey at first – soon morphs into a landscape filled with trees, and then ultimately a city. There was a vaguely Mayan or Aztec look to this city, which was adorned with several statues of Kukulkan. The statues themselves, though, almost gave me a Chinese or East Asian vibe; dragons are a big part of the folklore of that part of the world, too.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing the away team.
The reluctant “away team.”

Back on the Enterprise, we get a short scene with Spock and Uhura. Uhura wants to do something to help Kirk, but Spock insists that their priority is to free the Enterprise from Kukulkan’s clutches. It isn’t easy to convey facial expressions with such limited animation, but I think we’re meant to understand that Uhura isn’t thrilled with this response!

Kirk, Walking Bear, and the others try to puzzle out what Kukulkan wants. Using Walking Bear’s knowledge of history, they piece together that Kukulkan tried to instruct several ancient cultures, but that none of them did exactly what the entity wanted. Kirk heads to the top of an Aztec pyramid that has appeared in the middle of the city – which seems to be comprised of elements from several different cultures. For its time, this is a pretty sensitive and historically accurate depiction of Native Americans, Maya, Aztecs, and others. There’s even a mention of the Mayan calendar… giving me flashbacks to the 2012 phenomenon!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing the away team in a city.
The city created by Kukulkan.

Maybe it’s an old memory bubbling under the surface from when I last watched How Sharper Than a Serpent’s Tooth some years ago, or perhaps it was just a pretty obvious story beat, but the fact that the statues could be rotated to generate the signal Kukulkan was looking for wasn’t exactly a surprise! It seemed like something the crew figured out pretty easily, so maybe I shouldn’t be patting myself on the back too hard for figuring it out. It felt like a puzzle you might have to solve in a video game like Tomb Raider!

Kukulkan makes their appearance after Kirk solved the (easy) puzzle, but complains yet again that they have been forgotten. I like the design of Kukulkan – appearing as a colourful winged snake with a kind of mane or frill. I wouldn’t say the design was “intimidating” as it appears in the show, but I daresay if I came face to face with a real-life Kukulkan I’d be quite frightened! It was neat, at any rate.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Kukulkan.
Kukulkan.

Kirk and the others are then transported to a “zoo,” one populated by a number of other aliens and animals. Kukulkan’s convoluted explanation is that they’re the last member of a race that wiped itself out, and that they keep these creatures in cages, using technology to create “mental worlds” for them to inhabit. Dr McCoy is shocked that one of the creatures is a Capellan power-cat – an animal that’s notorious for hating being kept in captivity. The power-cat is adorable, by the way, and I won’t hear a bad word said about it.

Kirk argues that Kukulkan has no right to interfere with humanity or any other culture – but all this does is enrage them. Kukulkan hisses like a snake and seemingly attacks the crew, while back on the Enterprise Spock seems to have found a way out of the globe force-field. I wasn’t wild about Kukulkan’s explanation here; it seemed a bit basic. And it runs into the problem that other, similarly powerful aliens encounter in other stories: it should be clear that humanity has changed a lot over the centuries, growing, evolving, developing new technologies – and in this case, becoming more peaceful. Sure, the Enterprise fired phasers – but as Kirk points out, only in self-defence.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a three-eyed alien.
One of the alien animals in Kukulkan’s zoo.

Spock’s plan works – because of course it does! – and the Enterprise is able to break free from the trap. It’s always fun to see Arex in action on the bridge, and at the time this three-limbed alien could really only be created for animation. The Animated Series, in that sense, gave Star Trek a chance to branch out beyond the make-up and basic prosthetics of its original incarnation. Kukulkan is also a great example of this: live-action couldn’t really have made a similar-looking alien – not with the budget usually set for a single episode of Star Trek, at any rate!

After Bones and Kirk free the power-cat from captivity, it runs wild. Using its high-voltage fur(?) it threatens Kukulkan, whose ship’s power has been damaged following an attack by the Enterprise. Kirk intervenes, subduing the power-cat with a hypospray, demonstrating to Kukulkan that he doesn’t wish the entity any harm, despite the damage that has been caused.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a Capellan power-cat.
The Capellan power-cat.

What follows is a fairly typical Star Trek dialogue, with Kirk and the others emphasising how much humanity has grown since Kukulkan visited centuries earlier. Kirk rejects the idea of being caged or led around like the animals in the zoo, and Kukulkan capitulates, realising that humanity no longer needs or wants to associate with them. I actually felt a bit sad for Kukulkan in this moment – their dreams of having sentient companions instead of just animals seemed to be shattered, and being told “we no longer need you” is just harsh to hear!

Kirk says that the price for Kukulkan sharing its knowledge was too high, and back on the Enterprise he and Spock ponder the implications of several of Earth’s civilisations having contact with this ancient alien – as well as the irony that, at the end of the day, Kukulkan was just lonely and seeking companionship. The danger averted, Kukulkan withdraws, and the credits roll.

Still frame from Star Trek: The Animated Series Season 2 (1974) showing Kirk and Dr McCoy with an alien.
Kukulkan with Dr McCoy and Kirk.

All in all, this was a fun episode to re-visit. I adored the designs of Kukulkan’s ship and the entity itself, as well as some of the very alien critters in the zoo. The power-cat is something I’d love to see make a re-appearance in modern Star Trek; I can see it being a ton of fun to depict in live-action! But then again I’m a cat lover, so I suppose I would say that.

This was a story that felt very “Star Trek.” An ancient alien visited humanity in the past, and returns only to be disappointed with the war-like nature of humans. Kirk and the crew had to intervene to show that their perceptions weren’t entirely right, and that humanity has developed beyond the need for gods and deities. It’s far from the only episode to touch on themes like this – but something about the design of Kukulkan as this winged, dragon-like serpent, and its connection to real cultures like the Maya and Aztecs, gave the story some more depth. At the very least, Kukulkan stands out from the pack of Star Trek aliens with prosthetic noses and foreheads!

Still frame from Star Trek: The Animated Series Season 2 (1974) showing a pyramid.
Kukulkan’s pyramid.

As a bit of background, How Sharper Than a Serpent’s Tooth was submitted as the episode to be assessed when The Animated Series was nominated for a Daytime Emmy Award in 1975; the series would go on to win that award. It’s the only time a Star Trek show has won the award for “Best Series,” so this episode turned out to be quite influential! It also marks Spock’s 100th Star Trek appearance, and as noted above is the franchise’s 100th instalment.

It was a blast to go back to The Animated Series for the first time in years, and I’m glad that I got to mark the milestone anniversary of at least one of its episodes. Very few TV shows – and even fewer cartoons – can claim to have such a legacy half a century after their first broadcast, but The Animated Series really does occupy a unique place in Star Trek’s history. I hope you’ll join me in celebrating this fun show as we mark the fiftieth anniversary of the episode How Sharper Than a Serpent’s Tooth.

So which episode of The Animated Series should we look at next? I’ve always had a soft spot for the frankly bizarre episode The Magicks of Megas-Tu… a story that no other franchise would dare attempt, especially not nowadays! I’ve also never written a proper episode re-watch for The Original Series here on the website, despite being up and running for almost five years. We’ll have to rectify that one day, too. But for now, I hope you’ve enjoyed stepping back in time with me. And until next time: Live Long and Prosper!


Star Trek: The Animated Series is available to stream now on Paramount+ in countries and territories where the platform is available. The series is also available on DVD and Blu-ray. The Star Trek franchise – including The Animated Series and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five planets that Star Trek probably won’t revisit any time soon!

Spoiler Warning: There are spoilers ahead for the following Star Trek productions: The Original Series Season 2, The Animated Series, The Next Generation Season 1, Voyager Season 2, Star Trek 2009, Picard Season 1, Discovery Season 3, and Lower Decks Season 2.

I wouldn’t even like to guess how many different planets (and other planetary bodies) have been visited across all 800+ episodes and films in the Star Trek franchise! It must be a lot… maybe someone has been keeping a tally, but I certainly haven’t! There are some worlds that we’ve visited more than others – Bajor, Qo’noS, and of course Earth all spring to mind. But there are some planets that, for one reason or another, are best left behind in the franchise’s past.

As Star Trek moves on to bigger and better things, some planets – and their inhabitants – seem outdated, or perhaps the concept behind the planet was never a good one to begin with. Today I thought it could be interesting to consider five examples of planets that Star Trek will almost certainly never revisit!

Planet #1:
Ekos

The USS Enterprise in orbit of Ekos (as it originally appeared).

Ekos was created for The Orignal Series Season 2 episode Patterns of Force, but you might know it better as “that Nazi planet.” There’s definitely scope for the Star Trek franchise to tackle authoritarianism, fascism, and even Nazism – and as recently as 2004, Enterprise put its own spin on the “Star Trek-versus-Nazis” concept. But there are a few deeply unsettling things about Ekos, and how its Nazi-inspired government came to power.

First of all we need a brief history lesson! In the 1960s, when Patterns of Force was created, some historians, economists, and other political scientists regarded Nazi Germany as an “efficient” state. Resting all power in a single individual, they argued, made for a powerful government that could be run very efficiently. In Patterns of Force, Federation anthropologist/historian John Gill cites this theory as the reason for introducing Nazism to the Ekosians.

Ekos is also known as “Planet of the Nazis.”

That theory was flat-out wrong, and even by the 1970s and 1980s, the flawed thinking that led to the myth of “Nazi efficiency” had been exposed and thoroughly debunked. In short, Nazi Germany was a very poorly-run government, with a handful of cronies of the führer wielding disproportionate levels of power, and micromanagement in certain departments and industries majorly hampering the state’s industrial output. How this myth ever came to be as widely believed as it was is, in some respects, a bit of a mystery. But suffice to say that the central conceit behind Patterns of Force has been exposed as a falsehood.

John Gill, the academic at the heart of the story, also represents a very distinct kind of betrayal of Federation values, taking things to perhaps the most unpleasant extreme possible. Star Trek has never shied away from showing us flawed human beings and Federation officials, but Gill is a step too far, and Patterns of Force can be an uncomfortable watch for many Trekkies.

John Gill, the Federation historian who became the Führer of Ekos.

Though it might be interesting, in some respects, to revisit Ekos in the 24th, 25th, or 32nd Centuries to see how things had progressed, in many ways it’s a planet – and a story concept – that should probably remain on the sidelines. Modern Star Trek can tell far more subtle stories about authoritarianism, racism, and the like without needing to resort to overt depictions of Federation-sponsored Nazism.

Patterns of Force is based on an outdated concept, and while it was brought to screen quite well by the standards of The Original Series, with some clever visual effects for the time and some surprisingly accurate costumes, it feels like an anachronism overall. This is one best left behind in the 1960s!

Planet #2:
Megas-Tu

The USS Enterprise near Megas-Tu.

The Animated Series had some very wacky sci-fi concepts. Taking Star Trek away from live-action meant that the franchise was no longer confined by the limitations of practical special effects, and thus it was possible to depict things like a 40-foot tall clone of Spock, an entirely underwater civilisation, or, in The Magicks of Megas-Tu, an alternate universe where magic is real and science is not.

I’ve always had a soft spot for The Magicks of Megas-Tu, and I think it’s an episode that every Trekkie should watch at least once. It’s an example of mid-century sci-fi at its wackiest, but it manages to retain a Star Trek tone throughout the very unusual adventure that Captain Kirk and the crew of the Enterprise find themselves on.

A group of Megans departing their homeworld.

With the possible exception of Lower Decks, which has been more willing to explore some of the stranger elements of classic Star Trek, I can’t imagine Megas-Tu ever making another Star Trek appearance. How would it fit in Discovery, for example, or Picard? The tone of modern Star Trek is just too different – and even by the time of The Next Generation, Star Trek had moved away from concepts like this. Megas-Tu feels homeless, in a sense, in a franchise that has moved on.

That isn’t to say that it was a bad concept when it was first developed, but like several ideas from The Original Series and The Animated Series, magic and fantasy just seem to be a step too far for a franchise that has retained its esoteric side and sense of fun, but refocused them into more science-based stories rather than stories that use literal magic and fantasy as core elements.

Cheers!

It’s hard to see how a story about Megas-Tu could fit in with modern Star Trek. Audience expectations have shifted when it comes to science-fiction, and with the Star Trek franchise moving away from stories like The Magicks of Megas-Tu, it seems very unlikely that we’ll see anything like it in the franchise anytime soon.

There’s also the in-universe problem of travelling to the Megans’ universe, and while technobabble can always be created to explain away these things, it seems like a bit of a stretch. It’s possible we’ll get more references to The Animated Series – Picard Season 1 made reference to the Kzinti, for example. But a full revisit to Megas-Tu is probably off the table!

Planet #3:
Ligon II

Ligon II.

The planet that inspired me to put together this list, Ligon II was visited in Code of Honor, the notorious Season 1 episode of The Next Generation that has been widely criticised for its use of racial stereotypes. The Ligonians encapsulated stereotypes of Africans and African-Americans, and Code of Honor has to be one of the worst episodes of The Next Generation as a result.

Some stories from past iterations of the franchise are open to redemption; to being revisited to right the wrongs of the past. We’ve seen this, to an extent, with certain characters in modern Star Trek who saw much-needed development or expansions of incomplete arcs. We’ve also seen Lower Decks revisit planets like Beta III to comment on Starfleet’s somewhat chaotic approach to first contact.

Code of Honor has been widely criticised for stereotyping.

But Code of Honor and the episode’s depiction of the Ligonians feels so utterly wrong that it’s irredeemable. There are some parts of Star Trek’s past that the franchise brushes under the carpet, choosing to ignore and even overwrite things rather than try to fix the unfixable. Captain Pike’s “woman on the bridge” line in The Cage is such an example – overt sexism from a character that we’re now very excited to see return. Ligon II and Code of Honor are definitely in the “let’s all just pretend that never happened” category… for the good of the franchise!

It’s amazing, when you think about it, that Code of Honor was produced as late as 1987. It would still feel outdated had it been part of The Original Series in the 1960s, but to know that it was produced for The Next Generation – within my own lifetime – is one of those things that boggles the mind.

A ritual combat arena on the surface of Ligon II.

Code of Honor is an episode that I think Trekkies need to watch. It’s worth remembering that, despite its lofty ambitions and attempts to depict a better future, the people who create Star Trek can still make mistakes. This was an episode that Gene Roddenberry had some creative input in and signed off on – he was The Next Generation’s executive producer at the time.

The episode is noteworthy for its complete lack of awareness. The people who created this story, cast it, and put it to screen were so blind to the offensive stereotypes that it depicted that they allowed it to progress and even get broadcast. Star Trek may have made strides, even in its early years, in its attempts to confront and tackle things like segregation and race hate – but it was blind, at times, to subtler, more covert forms of racism and racial stereotyping.

Planet #4:
Uninhabited Delta Quadrant world

A hyper-evolved human on the surface of this unnamed planet.

This planet doesn’t have a name… but I vote we call it “Tom Paris and Captain Janeway’s sex planet.” That’s right, it’s the planet from Threshold! After crossing the Warp 10 barrier and experiencing hyper-evolution, Tom Paris kidnapped Captain Janeway and took her to this remote, uninhabited world somewhere in the Delta Quadrant. By the time Chakotay and the crew of the USS Voyager tracked them down, both Paris and Janeway had mutated into amphibious salamander-like creatures… and mated.

Although the crew of Voyager successfully recovered Paris and Janeway and the Doctor was able to revert them back to their human forms, for some reason they left their offspring behind. That means somewhere in the Delta Quadrant, little human-salamander offspring are polluting a perfectly innocent planet that was just minding its own business. I’m pretty sure that violates the Prime Directive… in the most disgusting way possible.

This planet now belongs to the human-salamander babies.

As much as some fans (myself included) like to joke about Threshold – which is absolutely one of Voyager’s worst stories – I can’t see Star Trek ever doing anything more with this episode, this concept, or the planet visited in the final few minutes. For completely different reasons to those laid out above, this is another part of Star Trek’s past to simply ignore!

Again, the one exception could be Lower Decks, which has an irreverent take on these things. We saw mating mugatoes in the Season 2 episode Mugato, Gumato, so I wouldn’t put it past the Lower Decks team to dream up a reason to bring back the human-salamanders one day! After all, Tom Paris made an appearance in the show!

Tom Paris in Threshold.

To Threshold’s credit, it won an award for its prosthetic makeup, and while the story was undeniably ridiculous to the point of abject failure, it was at least an attempt to go into a little more detail about Warp Drive and the limits to warp speed. It never sat right with me that Warp 9.9999 was as fast as anyone could ever go… but Warp 10 was supposedly fast enough to travel anywhere in an instant.

However, as with many technobabble things in Star Trek, maybe the complexities of Warp Drive work better when they’re left ambiguous! Ambiguity and vaguery allow for the creative teams to take stories in wildly different directions, allowing for maximum storytelling potential without different writers and different shows being constrained or tripping over one another.

Planet #5:
Romulus

Romulus as it appeared in Nemesis.

What? Too soon?

Romulus was destroyed during the events of 2009’s Star Trek, and we got to learn a little more about this event and its aftermath in Star Trek: Picard Season 1. Though the Romulans survived – well, some of them did, anyway – their homeworld, as well as its sister planet of Remus, is gone. The surviving Romulans are living on a number of other worlds in and around the territory of their former Empire.

The destruction of Romulus was shown in 2009’s Star Trek.

Both Star Trek and Picard Season 1 were somewhat ambiguous on this latter point, though. We don’t know how many Romulans survived, where they went next, or even what became of their Empire. We do know that a faction called the Romulan Free State existed as of 2399, but that the Tal Shiar and Zhat Vash still existed in some form too, and were able to launch military operations on Earth, at the heart of the Federation.

Presumably Romulus’ destruction didn’t kill off either organisation, and the fact that they retained the capability to launch such powerful operations suggests that the Romulan government and its espionage operation still exist in some capacity, presumably having relocated to a different world. To what extent the Romulan Empire remains united is unclear, as is the fate of races like the Remans, who had second-class citizen status.

The Romulan capital city as it appeared in Inter Arma Enim Silent Leges.

With Star Trek: Picard Season 2 going in a different direction, I presume we won’t be in a position to learn much more about the Romulans for a while. But if there are future 24th and 25th Century stories in the years ahead, it would be nice to get some kind of closure; to fully learn what happened to the Romulans in the years and decades after the loss of their homeworld.

By the time of Discovery’s 32nd Century, at least some Romulans had relocated to Vulcan as part of a reunification project. The planet was renamed Ni’Var, and while tensions still existed between the Romulans, Vulcans, and Romulo-Vulcans, it seems that the Romulans got a happy ending of sorts – even if it took centuries to get there!

So that’s it.

The USS Enterprise in orbit of Earth.

There have been plenty of fun and interesting worlds that the Star Trek franchise has visited, with many making just one single appearance. Modern Star Trek has contained a number of references in dialogue or on-screen displays to some of these worlds, giving us tantalising teases about what became of them after we last saw them. Those references are always appreciated!

With over fifty-five years of history and more than 800 episodes at time of writing, it’s inevitable that not all of these planets (and the peoples who populated them) worked well or would be worth going back to. Fortunately it’s relatively uncommon for Star Trek to have made truly egregious missteps, but there are certainly some episodes – and the planets and factions they included – that are best left behind. I hope it was a bit of fun (or at least mildly interesting) to consider a few examples today!

The Star Trek franchise – including all films, series, episodes, and other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten great things from Lower Decks Season 1

Spoiler Warning: There are spoilers ahead for Star Trek: Lower Decks Season 1 and the trailers and teasers for Season 2. Spoilers are also present for the following Star Trek productions: Discovery Season 3, Picard Season 1, The Next Generation, and The Animated Series.

Star Trek: Lower Decks Season 2 is now less than a week away, and as the buildup to its premiere continues I thought it could be fun to step back to last year’s episodes and pull out ten of my favourite moments – and other things!

There was a lot to enjoy in Season 1 last year. The show succeeded at taking the regular goings-on in Starfleet and making them funny, while at the same time it managed to avoid the pitfall of coming across as mean-spirited and laughing at Star Trek. A sense of humour is a very subjective thing, and it’s certainly true that Lower Decks’ comedic style won’t be to everyone’s taste. But for my money, by and large the jokes and humour worked – and underlying all of that was a truly solid and engaging Star Trek show.

Lower Decks is coming back soon! Yay!

When Lower Decks’ first season ended last October I wrote that I was going to miss my weekly viewing appointment, and though Discovery’s third season came along and offered up a different kind of fun, as we’ve got to see more teasers, trailers, and discussion about the upcoming season, I’ve come to realise again just how much I missed Lower Decks in the months it’s been off the air. Though the Star Trek franchise has always had a sense of humour – something I said many times in the run-up to Lower Decks’ first season in response to critics of the concept – this show was the first to put comedy front-and-centre. It also took us back to the 24th Century and The Next Generation era in a big way, which is something I adored.

The Next Generation had been my first contact with the Star Trek franchise in the early 1990s, and I have a fondness for the shows of that era as a result. Lower Decks leaned into that in a big way in its first season, and I hope to see more of the same when Season 2 arrives in just a few days’ time!

So let’s take a look at ten of my favourite things from Season 1. The list below is in no particular order.

Number 1: Ensign Mariner’s character arc.

Ensign Beckett Mariner.

In the first episode of Lower Decks, and again at the beginning of the second, I didn’t like the way Mariner was presented. Coming across as arrogant and selfish, I felt that the writers were trying to set her up as Star Trek’s answer to Rick and Morty’s Rick Sanchez. Such a character could work in the Star Trek galaxy, don’t get me wrong, but not as an ensign – and probably not even as a senior officer. Mariner’s “I don’t care about anything” attitude was epitomised in a scene at the beginning of the episode Envoys, where she kidnapped a sentient alien lifeform and forced it to grant her “wishes” – seemingly just for the hell of it. To me, that seemed about as un-Starfleet as it was possible to get.

Beginning in the second half of Envoys, though, we started to see a turnaround in Mariner. Perhaps her friendship with the hapless Boimler was part of it, but over the course of the season we began to see less of the “teen angst” side of Mariner’s rebelliousness. She still had a streak of rebellion in her character, but some of the edginess was blunted – something which was a colossal improvement.

In the first few episodes, Mariner could feel more like a wayward teenager than a Starfleet officer.

In the episode Much Ado About Boimler, the USS Cerritos is visited by an Academy colleague of Mariner’s – who has already reached the rank of captain. Captain Ramsey’s intervention went a long way toward causing Mariner to have a re-think, as she saw how her friend had matured and moved on from their past childish behaviour.

The episode Crisis Point was where Mariner made her real breakthrough, though. After setting herself up as an extreme anti-Starfleet villain on the holodeck, Mariner saw her friends abandon her, and in a fight against a holographic version of herself, all of that teenage rebellion stuff came to a head. Mariner came to realise that she does care about Starfleet and her mother – Captain Freeman – even if she doesn’t always express that care in ways that line up with Starfleet regulations.

Captain Freeman is Mariner’s mother.

In a way, there are echoes of Michael Burnham (Discovery’s protagonist) in Mariner. Both characters started off with portrayals that I found to be negative and even difficult to watch, yet both characters have grown over the course of subsequent episodes. By the time we got to No Small Parts, the Season 1 finale, Mariner was able to take charge of a difficult situation, using her talents to help her friends and shipmates.

That season-long arc made Mariner’s actions in the finale feel genuine and earned, just like Michael Burnham’s recent promotion felt earned after all of her hard work. By the time we reached the point where the ship was in peril, turning to Mariner to play a big role in saving the day felt great. As a result, a character who I felt could’ve been one of the weaker elements of Lower Decks turned out to be one of its strongest. All I can say now is that I hope the version of Mariner we meet in Season 2 is closer to the one from Crisis Point and No Small Parts than Second Contact!

Number 2: The return to an episodic format.

Tendi in the episode Moist Vessel.

Lower Decks was the first Star Trek show really since the first couple of seasons of Enterprise to use a wholly episodic format. Serialised storytelling has become the norm in television in recent years, thanks to shows like Lost, Breaking Bad, and Game of Thrones, but the Star Trek franchise had primarily been episodic – at least prior to Deep Space Nine’s Dominion War arc.

This didn’t mean that the show reset itself after every episode, nor that past events were ignored. As mentioned above, Ensign Mariner had a satisfying season-long character arc that saw her grow, something which wouldn’t have been possible if the series kept rebooting after every outing. But Lower Decks saw the ensigns take on different challenges and stories each week, and while there were callbacks and references to things that happened in earlier episodes, the show revelled in its ability to do different things.

Commander Ransom leading an away mission in Temporal Edict.

I like episodic television. In a show like Lower Decks it makes a lot of sense to go down this route, as it allowed for many different scenarios and settings – and maximum fun! That isn’t to say serialised storytelling is bad, and I like the way Picard Season 1 and Discovery handled their season-long stories. But after seeing so many different serialised shows over the last few years – both within the Star Trek franchise and outside of it – it was a nice change of pace!

Season 2 will almost certainly retain this style of storytelling. There’s nothing to be gained by giving Lower Decks a season-long story of the kind seen in Discovery and Picard, and doing so would be an unnecessary constraint.

Number 3: The theme music.

The USS Cerritos in the title sequence.

Both Discovery and Picard have softer, slower theme music. I like both, and the understated musical pieces are a huge improvement over Enterprise’s early-2000s pop song! But Lower Decks’ theme is in a whole different league!

I wrote in one of my reviews last year that the Lower Decks theme could have been The Next Generation’s theme. The up-tempo, adventurous piece of music would have fit right in with that show and its theme of exploration, and I just adore it. The opening title sequence is also neat, showing the Cerritos getting into all sorts of trouble, and really went a long way to setting the stage for the show itself.

Number 4: “He’s got wood!”

A contender for best line of the season?

This line was one of the funniest of the whole season. Low-brow comedy for sure, but the execution of this moment in Temporal Edict was absolutely perfect. There were some great jokes, puns, and one-liners across the season, and I’m not saying this one was somehow the best, but the scene on the Galrakian home planet was built up wonderfully.

As Mariner, Ransom, and the rest of the away team leave behind the chaotic ship, there was a sense that the new time management rules that Captain Freeman was trying to implement were not going to plan. The Galrakians (a new alien race) were a crystal-obsessed people, and as part of the Cerritos’ mission of second contact, the away team had to present an honour crystal to the Galrakian delegation. But because of the problems on the ship, the away team accidentally brought a wooden totem instead of the crystal, leading one of the Galrakians to exclaim “he’s got wood!” I had to pause the episode because I was laughing so much.

Number 5: The return of the Edosians.

The Division 14 commander with Tendi and Boimler.

Lower Decks represented the best opportunity so far to bring back elements from The Animated Series, not only because of its animation style but because its wackier sense of humour would be a good fit for some of the weirder elements from Star Trek’s first cartoon show. In the episode Much Ado About Boimler we got the return of the Edosians – the three-legged, three-armed aliens first encountered in The Animated Series.

Lieutenant Arex (voiced by Scotty actor James Doohan) had been a mainstay on the bridge of the Enterprise in The Animated Series, but Star Trek’s return to live-action in 1979 meant that the character was dropped. Bringing to life a very different-looking alien was just prohibitively expensive at the time, and I don’t know if Gene Roddenberry and the others even considered including Arex in Phase II or The Motion Picture.

Arex (left) with Kirk and Sulu in The Animated Series.

Picard Season 1 had referenced the Kzinti, another alien race only ever seen in The Animated Series, and following some debate in the 1990s about whether the show should be considered part of Star Trek’s “official” canon or not, it was great to see the creators of Lower Decks and modern Star Trek embrace this more obscure part of the franchise.

The Edosian character we met was fun, too. Division 14 was presented as a mysterious off-the-books type of operation, and the episode – which saw the first team-up between Boimler and Tendi as well – leaned into a darker, almost horror vibe at points. It was great to welcome back the Edosians to Star Trek after such a long absence.

Number 6: Basically everything about Dr T’Ana!

Dr T’Ana was a lot of fun across Season 1.

Dr T’Ana has a terrible bedside manner. She’s gruff and sarcastic, but she’s incredibly funny and a great character! Practically every moment she was on screen in Season 1 was fun, and she elevated what would otherwise have been less-interesting moments many times. Speaking as we were of returning races, Dr T’Ana is a Caitian, an alien race only seen a few times in The Animated Series and some of The Original Series films.

Dr T’Ana reminds me of both Dr McCoy and Dr Pulaski. The latter is a character who I feel went under-appreciated in The Next Generation’s second season, and although Dr T’Ana turns up to eleven some of the rudeness present in both her and Dr McCoy, something about the way she came across on screen felt familiar – and I appreciated that.

Dr T’Ana and the ensigns have a standoff!

The ship’s doctor has been part of Star Trek since the beginning, but is a role that can be fairly static in sickbay. Dr T’Ana managed to find different things to do at points across the season, and appeared to be on the verge of developing a relationship with Shaxs – before his untimely demise.

I’m looking forward to seeing more from the Cerritos’ doctor in Season 2. I wonder what she’ll get up to as the ship continues its adventures?

Number 7: The cinematic shots of the USS Cerritos in Crisis Point.

The USS Cerritos in all her glory.

This sequence channelled one of my favourite moments in all of Star Trek – the reveal of the refitted Enterprise in drydock in The Motion Picture. That sequence still brings a tear to my eye even though I’ve seen it countless times, and this moment in Crisis Point was a wonderful homage to it.

Accompanied by a stirring musical number that was a mix of the Lower Decks theme with music from The Wrath of Khan and other films, the whole sequence was absolutely pitch-perfect, and without a doubt one of the highlights of the episode and the whole season.

The holo-crew and Boimler looking at the ship in awe.

Sometimes we can overlook the starships that our heroes serve aboard, but as has been pointed out on many occasions, the ship itself can be almost an extra character on the show. Moments like this go a long way to highlighting just how beautiful some Star Trek vessels can be. Is the Cerritos the best-looking ship in the fleet? Maybe not, but for a couple of minutes during this sequence you might just think she is!

Seeing the reactions of Boimler and the holographic bridge crew also added to the moment. These are people who really love their ship – and who can blame them?

Number 8: Badgey

Tendi with Badgey in Terminal Provocations.

Badgey would go on to be a villain not once but twice, and is a classic example of Starfleet’s own technology going wrong on the holodeck! Inspired by Clippy, the Microsoft Office “assistant” from the early 2000s, there’s something distinctly creepy about Badgey. The way he seems to be peppy and enthusiastic hides a murderous rage, and the concept of our own machines betraying us is a trope as old as science-fiction.

Originally created by Ensign Rutherford, like several of his inventions Badgey quickly went awry! Rutherford is a fun character on the show, but his love of tinkering and inventing caused trouble for the ensigns on more than one occasion!

Badgey almost got Ensign Rutherford killed in the season finale!

Badgey returned in the season finale and again tried to kill Rutherford. Shaxs’ intervention saved his life, but at the cost of his memories – and Shaxs himself. We’re yet to see how Rutherford will react to his lost memories in Season 2, but we already know, thanks to the teasers, than his implant is back.

Everything about Badgey from concept to execution worked perfectly, and he was one of the most interesting adversaries the crew had to face in Season 1. Have we truly seen the last of him, though? The return of the Pakleds (as glimpsed in one of the trailers) may suggest otherwise!

Number 9: A return to the aesthetic of The Next Generation era.

A hallway aboard the Cerritos – note the inspiration from older Star Trek productions.

I don’t dislike the way modern Star Trek looks. The Kelvin films used a lot of glossy white plastic and glass, and Discovery has somewhat of an industrial look to some areas of the ship, but on the whole recent productions have looked great. But for the first time since Voyager went off the air and Nemesis was in cinemas, Lower Decks brought back the aesthetic of ’80s and ’90s Star Trek in a big way.

As I mentioned at the beginning, this was “my” era of Star Trek; the point at which I became a fan. Just as I’m attached to The Next Generation in terms of its characters and stories, I adore the way the show looks, and how that look continued into Deep Space Nine, Voyager, and the films of that era. Lower Decks unapologetically brought that look back – and I love it.

Boimler wielding a Next Generation-era phaser.

At the same time, Lower Decks has adapted this look to fit the kinds of stories it wants to tell. The USS Cerritos has visual elements inspired by The Next Generation, but the ship also manages to look smaller and less significant, especially when set alongside other Starfleet vessels. The uniforms are likewise a riff on The Next Generation and other uniforms of past Star Trek shows, with a jacket seemingly inspired by the “monster maroon” uniforms that debuted in The Wrath of Khan.

Everything about the way Lower Decks looks just oozes “Star Trek,” and for fans like myself who adore those shows, that can only be a positive thing.

Number 10: The arrival of the USS Titan in No Small Parts.

“It’s the Titan!”

Toward the end of the season finale, it seemed as though the Pakleds had the Cerritos on the ropes. The last-minute arrival of the USS Titan was absolutely pitch-perfect, and drew inspiration from the likes of the Enterprise-E’s arrival at the Battle of Sector 001 in First Contact, with the theme music from The Next Generation accompanying it.

This is one of my favourite moments not just in Lower Decks but in all of Star Trek. The arrival of Riker and Troi aboard a ship we’d heard of but never seen was absolutely amazing, and the fact that they swooped in to save the day was heroic and exciting. The whole sequence is surprisingly emotional – at least it was for me!

Riker and Troi on the Titan’s bridge.

We’d seen Riker and Troi return in Picard Season 1 earlier in the year, but seeing them in their prime aboard their own ship was a moment that I didn’t expect from Lower Decks. It was something I didn’t know I wanted to see, but having seen it I can’t imagine the episode – or the first season – being the same without this wonderful inclusion.

After the Titan saved the day we got a sequence with Riker and Troi hanging out with the Cerritos’ crew. Boimler then received his promotion and transferred to the ship to serve under Riker’s command – and that’s where we left him when the season ended. Riker and the Titan will be back in Season 2, and I’m curious to see how the show will fit them in for a second time. Not to mention how the Boimler situation will be resolved!

So that’s it. Ten of my favourite things from Season 1 of Lower Decks.

Mariner, Boimler, and the rest of the crew will be back in just a few days!

Season 2 is almost upon us, and I honestly can’t wait! I had such a great time with the show last year, and despite the fact that the clusterfuck surrounding its lack of an international broadcast definitely did some damage, it’s my hope that Star Trek fans the world over will be able to enjoy Season 2 this time around. Hopefully Lower Decks will also succeed at bringing in many new fans to the Star Trek franchise as well.

Stay tuned because I plan to write reviews of every episode of Lower Decks this season, hopefully within a day or so of their broadcast. I’m sure I’ll have a lot to say! I hope this list has been a bit of fun, and that you’re as hyped up and excited for the return of Lower Decks as I am.

Star Trek: Lower Decks Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video internationally beginning on the 12th of August. Season 1 is available to stream now. The Star Trek franchise – including Lower Decks and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten great Star Trek episodes – Part 6: everything else

Spoiler Warning: In addition to spoilers for the episodes listed below, there may be spoilers for other iterations of the Star Trek franchise, including the most recent seasons of Discovery and Picard.

It’s been a while since I last picked out ten great Star Trek episodes. Having run through all five of the shows prior to the Kelvin timeline and Discovery, I seem to have got sidetracked! It’s been over a month since I last visited this topic, so if you’d like to revisit the episodes I pulled from the other Star Trek shows, you can find them all archived on a single page by clicking or tapping here.

My first five articles looked at one Star Trek show apiece. Those shows each had at least three seasons’ worth of episodes to choose from, so it was relatively easy to pick ten great ones! The shows we’ll be looking at today have fewer episodes, and I felt it was too difficult to pick ten from each one. The Star Trek shows we’ll be looking at are: The Animated Series, the Kelvin-timeline films, Discovery, Short Treks, and Picard.

Here’s a recap on how this format works: this isn’t a “top ten” ranked list. Instead, this is merely ten episodes (okay, nine episodes and one film) that I consider to be well worth your time, and they’re listed in order of release.

Number 1: The Magicks of Megas-Tu (The Animated Series Season 1)

Kirk, Spock, and McCoy in a parallel universe.

After Star Trek’s cancellation in 1969, it was rebroadcast and gained many new fans. As early as 1971 or 1972, parent network NBC was considering options for bringing the show back. The re-runs were more popular than the original broadcasts had been, and there was an ongoing letter-writing campaign by fans to bring Star Trek back. Ultimately, in order to keep production costs low, it was decided Star Trek should continue in an animated format. With the exception of Walter Koenig, the entire main cast returned. James Doohan would provide many additional voices for the new show, and its animated format allowed for characters like Arex – the three-legged, three-armed character – and other far more “alien” feeling characters and creatures than The Original Series’ budget and production-side technology allowed for.

The Animated Series was officially removed from the overall Star Trek canon by Gene Roddenberry and new parent company Paramount Pictures in the late 1980s, when The Next Generation was in production. However, when the series was re-released on DVD in the mid-2000s this was rescinded, and the series is – as of 2020 – a full and official part of the Star Trek canon once again.

I wanted to choose at least one episode that I feel really epitomises the different direction that The Animated Series took. Not all of these stories worked, but The Magicks of Megas-Tu has a certain charm as a very weird piece of science-fiction that I think makes it worth watching. To summarise its plot in one sentence: the Enterprise crosses over into a parallel universe where magic is real and science is not.

That premise sounds absolutely bonkers, and none of today’s science-fiction shows – including the renewed Star Trek projects – would touch a story like that with a barge pole! But this was The Animated Series trying new things, pushing the boat out, and exploring different aspects of sci-fi and fantasy in a way that The Original Series’ technical limitations would have never allowed for.

Despite its wackiness, I like The Magicks of Megas-Tu, and perhaps it’ll be a candidate for a full write-up one day. At the very least it’s an interesting glimpse at mid-century sci-fi, and an imaginative story.

Number 2: Albatross (The Animated Series Season 2)

Dr McCoy is placed under arrest.

Leaving behind the completely weird, Albatross is a story that we could see told in a Star Trek or sci-fi show in 2020. The Animated Series has this kind of strange dichotomy: some episodes, like The Magicks of Megas-Tu listed above, have totally wacky premises that could only ever work in animation. And others, like Albatross, are – for want of a better word – “normal” sci-fi.

When the Enterprise visits a planet Dr McCoy had been stationed on years previously, he’s arrested and charged with mass murder – they believe he caused a plague which ravaged their society. Star Trek has, on several other occasions, put main crew members in situations like this; accused by an alien society of something we as the audience know they could never have done. As a story, it’s exciting and tense.

McCoy is at the heart of the story, and it ultimately becomes his quest to cure the disease. Things take a turn for the worse when the crew of the Enterprise become infected as well, and McCoy must race to cure the pathogen before it’s too late. Albatross is a fairly straightforward space adventure – at least by the standards of The Animated Series!

Number 3: Star Trek Into Darkness (Kelvin-timeline film)

Kirk speaks to Scotty in Star Trek Into Darkness.

I consider Into Darkness to be the high-water mark of the Kelvin-timeline films. The Kelvin-timeline films have been criticised by some fans for taking a much more action-heavy approach when compared to the often peaceful exploration seen in past iterations of Star Trek. But Into Darkness based itself on The Wrath of Khan, and in that context the crossover into the action genre works much better than it had in 2009’s Star Trek.

Into Darkness stays on the right side of that invisible line which divides respectful homage from blatant rip-off, referencing The Wrath of Khan at a number of points but telling its own story in its own world at the same time. New fans of the franchise didn’t miss anything crucial in the plot for never seen The Wrath of Khan – one of the key tests of being on the right side of that line!

There are some genuinely emotional moments which absolutely work in the film, and while it’s debatable whether Kirk and Spock’s scene in the engine room carries the same emotional weight as the comparable sequence in The Wrath of Khan, it was beautifully staged and the acting performances from Into Darkness’ two leads were pitch-perfect.

It’s sad to think that this would be Leonard Nimoy’s final role. His character of Spock makes a small cameo appearance (a far smaller role than he had in 2009’s Star Trek). It was great to see him back one final time.

Number 4: Context is for Kings (Star Trek: Discovery Season 1)

We finally get to see the USS Discovery in the third episode of Season 1.

If you read my write-up of my recent re-watch of Discovery’s two-part premiere, you’ll know I didn’t like it. I wasn’t impressed with how the show started, either at the time or on a second viewing. Context is for Kings had the difficult task of beginning to salvage the season, and if it had failed we could be talking about Discovery as a whole as being one big catastrophe instead of a series I called the best of the last decade!

Fortunately, Context is for Kings is where Discovery began to turn around. In a serialised show, it can be difficult to pull out individual episodes to recommend – an issue which applies to all of Discovery’s entries on this list. However, Context is for Kings is, in some respects, almost like a second premiere. It introduces the USS Discovery for the first time, as well as most of the regular cast.

I’ve written on a number of occasions that Jason Isaacs’ performance as Captain Lorca was one of the high points of Discovery’s first season, and this fascinating, nuanced character is introduced here – in suitably mysterious fashion.

Number 5: Si Vis Pacem, Para Bellum (Star Trek: Discovery Season 1)

Saru in Si Vis Pacem, Para Bellum.

As mentioned, Discovery can be hard to pull individual episodes out of due to its serialised nature. There are ongoing storylines in Si Vis Pacem, Para Bellum that greatly impact the episode, but the main plot – that of an away mission to the planet Pahvo – does serve as somewhat of a standalone narrative.

This was the first episode where Saru was given a lot to do. Past Star Trek shows had always shared out the storylines between various characters; Discovery was primarily about Burnham and, to a lesser degree, Captain Lorca. However, during the course of the away mission Saru becomes incredibly important to the story.

I loved the visuals of Pahvo – both the planet itself and its non-corporeal inhabitants were beautifully designed and brought to life. Discovery’s visual effects overall have been outstanding, and Si Vis Pacem, Para Bellum is another great example.

The storyline also puts Burnham and Ash Tyler together. Their romantic relationship would be a sub-plot going forward across the remainder of Season 1 and much of Season 2.

Number 6: New Eden (Star Trek: Discovery Season 2)

Captain Pike in New Eden.

New Eden gave me a distinct feeling of watching an updated episode of The Original Series, in parts. Perhaps it’s the elements of religion that are incorporated into the storyline, or perhaps it’s because the crew of the USS Discovery – led by Captain Pike – encounter an unknown settlement of humans. Either way, parts of this story feel perfectly “Star Trek-y”, and would certainly be at home elsewhere in the franchise.

Anson Mount was brought in to replace the departing Jason Isaacs, and we should really talk about how much of a masterstroke that ended up being. I was initially concerned about the decision to recast Captain Pike – for the second time, as the character was also in the Kelvin-timeline films – as well as to bring in Spock and Number One. But I shouldn’t have been; Mount’s version of the character was everything fans could have wanted from a Starfleet captain, and spawned a fan campaign to bring back Pike for his own series – something which was finally confirmed to be happening a few weeks ago.

After his introduction at the beginning of the season, when the USS Enterprise malfunctions, New Eden took the new captain and gave him a starring role with plenty to do. We see the USS Discovery use its spore drive, which was great. The spore drive has felt like an underused piece of tech since its introduction; it was treated as little more than a macguffin to allow for transport to and from the Mirror Universe. I would have liked to have seen more creative uses for it, and jumping across the galaxy to New Eden was certainly nice to see.

There are storylines in New Eden which tie into later episodes in the season, but as with Si Vis Pacem, Para Bellum above, the main plot of the episode is an away mission, and that side of the story is self-contained.

Number 7: If Memory Serves (Star Trek: Discovery Season 2)

The Talosians are back!

Finding and helping Spock – who had been accused of murder – was a big part of the first half of Discovery’s second season. Section 31 are also intent on tracking him down, but luckily for Spock, Burnham got to him first.

If Memory Serves reintroduces the Talosians – the big-brained telepathic race from The Cage and The Menagerie. The approach to Talos IV, which the Talosians now shield using an illusion of a black hole, was fantastic, and the visual effect of the illusory black hole itself was stunning – and a shock when Burnham and Spock first saw it!

The Talosians help Spock, who had been psychologically damaged by the Red Angel vision, recover his composure and logic. We see Burnham and Spock behave in a way closer to siblings than they do at almost any other point in the season, which I think is nice to see given their background. And there are ongoing storylines involving Stamets and Dr Culber – the latter having recently been rescued from the Mycelial Network – and Ash Tyler. Tyler and Culber have a tense confrontation in Discovery’s mess hall – Tyler had, after all, “killed” Culber during Season 1. I liked the way this scene unfolded, it was gripping, edge-of-your-seat stuff.

I also loved that this episode began with a recap of The Cage. They didn’t need to put that in there, but it was a nostalgic treat to see it.

Number 8: The Trouble With Edward (Short Treks Season 2)

The titular Edward.

It’s still disappointing to me that, for reasons best known to the higher-ups at ViacomCBS, Short Treks hasn’t been made available to international viewers. There is a plan to rectify that with a blu-ray release, but it’s too little too late as far as I’m concerned. As I said when I reviewed the Short Treks episode Children of Mars in January, the whole point of this series was to keep Star Trek alive in the minds of viewers in between main seasons of the shows. Especially with Children of Mars, which was supposed to be a prequel or prologue to Star Trek: Picard and thus a key part of its pre-release buildup, it should have been made available internationally. But we’re off-topic.

The Trouble With Edward is really funny. Partly that’s thanks to two great performances from Rosa Salazar and H Jon Benjamin, who have great comedic chemistry together, and partly it’s due to a great premise and funny script.

Nothing in The Trouble With Edward changes or “ruins” canon, which is something it was inexplicably criticised for upon release by some of the anti-Star Trek social media groups. Instead it’s a well-told story that takes one small aspect of the tribbles – the small, furry creatures who are almost synonymous with Star Trek – and expands on it.

It’s a fun ride, and stick around after the credits for what is probably the weirdest sequence released under the Star Trek banner since The Animated Series. I missed that on first viewing, and I’m not saying anything else in case you did too!

Number 9: Ephraim and Dot (Short Treks Season 2)

The adorable animated episode Ephraim and Dot is unlike practically anything else in the franchise.

I’ve already talked about Ephraim and Dot twice! First when I reviewed it along with its sister episode in December, and more recently when I looked at introducing a newbie to Star Trek.

Star Trek’s first animated episodes in 45 years were amazing – and very different to The Animated Series. Ephraim and Dot tells a cute story that would be at home on the Disney Channel – and I mean that as a compliment. Both Ephraim the space-dwelling tardigrade and Dot the robot are adorable, and for an episode largely free of dialogue it does an amazing job raising the emotional stakes.

I’m a sucker for cute animals in fiction, and any time they seem to be hurt or upset it gets to me in a way few other stories really manage to! Ephraim and Dot does this so well, despite its short runtime.

The story also looks at some of The Original Series’ greatest hits in a sequence where Ephraim races to follow the ship. Captain Kirk and other members of the original crew return – in animated form – in this part of the story, which was a nostalgic treat.

Number 10: Remembrance (Star Trek: Picard Season 1)

Jean-Luc Picard may not be exactly the same way we remember him.

Remembrance is a stunning piece of television, and it’s up there with Emissary as one of the best Star Trek premiere episodes. I reviewed this episode when it was first broadcast, and I recommend having a read of that article for a more detailed breakdown. I also think, looking at the series three months after its first-season finale, that it’s probably either the best or second-best episode. It’s definitely the only place I could recommend you start if you want to watch Picard – it’s a wholly serialised show, as is Discovery.

Remembrance picks up Picard’s story twenty years after Star Trek: Nemesis. It connects to the Kelvin-timeline’s destruction of Romulus storyline, as Picard tried – and failed – to help the Romulans evacuate their homeworld. But this isn’t The Next Generation Season 8 – far from it. Picard’s retirement at his family vineyard is disrupted by the arrival of Dahj, the survivor of an attack by mysterious assailants.

For anyone who had qualms or reservations about Discovery, I’d really encourage them to give Picard a chance. There are so many callbacks and nods to past iterations of Star Trek, and while it’s true that the show’s serialised nature is different to The Next Generation’s largely episodic approach to television storytelling, that opens up new possibilities and opportunities – like season-long arcs and detailed character development.

Remembrance has some beautiful sequences featuring Sir Patrick Stewart as Picard and Brent Spiner as a dream version of Data. It has a faithful HD depiction of the Enterprise-D, which is just stunning. And in one sequence where Picard visits his Starfleet archive, there are many props on display from his captaincy. The episode was peppered with these nostalgic elements, but none of them overwhelmed the story.

What I’m really trying to say by putting Remembrance on this list is that you should watch Star Trek: Picard Season 1 in its entirety if you haven’t already. I really think it’s worth giving the show a chance to impress you. If you do, take a look at my reviews and theories as you go along!

So that’s it. Ten great Star Trek episodes from elsewhere in the franchise. I will definitely be revisiting this subject in future, so stay tuned for “ten more great episodes” at some point!

This series of articles has been a lot of fun to put together. I’m keeping my fingers crossed that Discovery’s third season will be released imminently, but until then I hope these articles have given you some inspiration for what to watch inside the Star Trek universe!

All episodes and films listed above are available to stream on CBS All Access in the United States, and on Netflix and/or Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including all titles mentioned above – is the copyright of ViacomCBS and/or Paramount Pictures. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Animated Star Trek is back!

Spoiler Warning: There are spoilers ahead for the plots of both Ephraim and Dot and The Girl Who Made The Stars, as well as for Star Trek: Discovery. If you want to avoid spoilers, turn back now!

Star Trek: The Animated Series ran for two seasons in 1973-74. It featured the voice talent of most of the original cast (sans Walter Koenig), but since then Star Trek has stuck to live-action series and films. Until, that is, the latest two episodes of Short Treks, which were released a couple of days ago.

At least they were for Trekkies in the United States – ViacomCBS apparently places no value on its overseas fans. But let’s not get into that right now, because these two episodes were absolutely fantastic.

After I was finally able to track down copies, I watched The Girl Who Made The Stars first, as I thought I probably wouldn’t find it as interesting as the other episode, Ephraim and Dot. But The Girl Who Made The Stars was a cute, Disney-esque bedtime story, told by Michael Burnham’s father to her when she was a child. I got a distinct Moana vibe from this short episode, which tells of a young girl who teaches her tribe of ancient humans to overcome their fear of the night – aided, in true Star Trek fashion, by an ethereal alien.

The unnamed little girl in The Girl Who Made The Stars.

As in Moana, the key to defeating what the tribe’s elders called the Night Beast wasn’t violence, and hiding away from it didn’t help either. It took someone to be bold and head out beyond the safety of the tribe’s valley to overcome the imagined monster. How much of the episode was actually based on African legends is something I don’t know, but this was a uniquely Star Trek look at history and at Africa. Framed as a bedtime story, I’m certain we aren’t supposed to take the episode’s main plot as canonical, but it was an interesting look at Michael Burnham’s childhood. Burnham has been in some respects a hard protagonist to get behind in Star Trek: Discovery. Partly that’s a consequence of her internal struggle between a logical Vulcan upbringing and human emotion, which she has at times seemed to be confused with. And partly, it has to be said, it’s a consequence of a character whose motivations – especially in Discovery‘s premiere – were impossible to follow and understand. This short episode doesn’t change anything fundamental about her character, but it does show the audience that she’s human at her core. Something which may be important as Discovery travels to unknown destinations next season. I wouldn’t be surprised to see this bedtime story referred to, perhaps inspiring her to lead Discovery’s crew and/or the Federation in season 3.

The other episode was absolutely adorable. Ephraim and Dot told the story of a tardigrade, the species seen in season 1 of Discovery, laying its eggs. After trying to find a warm place, the tardigrade chooses the warp core of the Enterprise – by this time under Kirk’s command. We see an animated recreation of the TOS engine room, and this is where Ephraim (as I assume she’s called, she’s never named on-screen) lays her eggs, only to be kicked off the ship by Dot – an R2D2 or BB8-type droid, seemingly employed on the Enterprise to perform menial tasks and jobs humans wouldn’t be able to do.

Ephraim and DOT.

The episode then launches into a brief “greatest hits” of the Enterprise under Kirk’s command. We see Khan waking up in sickbay from Space Seed, the hand of Apollo, Sulu brandishing his sword, the Planet Killer from The Doomsday Machine, and a recreation of Lincoln featured in the episode The Savage Curtain. As the sequence continues, we see the refit Enterprise fighting Khan’s Reliant in The Wrath of Khan before Ephraim finally manages to scramble back aboard, just as the Enterprise is set to be destroyed over the Genesis Planet in The Search for Spock.

I’m going to let you guys in on a secret – I got legitimately emotional at this point. As Ephraim races to save her eggs from the crippled, soon-to-be-destroyed ship I was literally on the edge of my seat. And when Dot got to her first and threw her overboard yet again, I felt a real emotional stab. I’ve always been a sucker for animals in films and television, and the cute way Ephraim is styled here no doubt contributed to that.

Luckily, at the last minute Dot realises that the eggs are on board and manages to save them, delivering the newly-hatched babies to Ephraim after the ship has exploded. The two then disappear into the Mycelial Network – perhaps laying the groundwork for a future episode or an appearance in one of the two new animated shows? Gosh I hope so.

Ephraim embraces DOT.

These two episodes were absolutely unlike anything Star Trek has done before – at least not since some of the weirder episodes of The Animated Series in the 1970s saw a 50-foot-tall clone of Spock, or the Enterprise visiting a parallel universe where magic is real. Yes, those really happened. And yes, they’re canon. Deal with it.

These episodes were undoubtedly inspired by Disney – the storytelling, the use of animals, cute robots, and a child as the main characters all come together to make these the most child-friendly Star Trek episodes so far, as well as a fantastic way to introduce little ones to Star Trek. Ephraim and Dot in particular contained some very funny moments, complete with traditional cartoon sound effects. At one point, Ephraim is sucked into a tube and bounces through it, with the tube bulging out in a throwback to old-school cartoons.

The little girl and the alien in The Girl Who Made The Stars.

But at their core, these were just cute, heartfelt episodes. I’m sure that people who haven’t enjoyed modern Star Trek will hate them, and that’s fine because at this point those folks hate just about everything. Both of these episodes have something to say about Star Trek. Yes, characters are important. Yes, alien races and cool ship battles and the politics of the Alpha and Beta Quadrants are important. But at its core, Star Trek is about inspiring stories, and seeking out new life. The Girl Who Made The Stars tells such a story, and Ephraim and Dot takes a look at one example of the kind of new life that Starfleet has been seeking. And these episodes are presented in a cute, fun, approachable way. Show them to anyone sceptical of Star Trek and I bet they’d come away thinking about the franchise in a whole new light.

Overall, Ephraim and Dot and The Girl Who Made The Stars leave me hopeful that the new animated series – Lower Decks – is in good hands and will turn out to be a lot of fun. And moreover, that the currently-untitled animated series that’s supposed to be more kid-friendly will also have something to offer to adult fans like myself. The best kids’ shows manage to find a way to appeal to us too, and from these shorts, I feel like there’s a real chance that the new series will absolutely have something to offer older Trekkies.

Star Trek animation is back – with a bang!

There’s only one episode left in this season of Short Treks – and it’s set to be a prequel of sorts, leading into Star Trek: Picard. So I can’t wait to see that. And Picard is coming next month! It really is a great time to be a Star Trek fan right now.

The Star Trek franchise – including Short Treks and all other properties mentioned above – is the copyright of ViacomCBS. Short Treks is available to stream on CBS All Access in the United States, and is now available on Blu-ray elsewhere. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.