Ten “comfort episodes” of Star Trek for difficult days

Spoiler Warning: There are spoilers ahead for the following Star Trek productions: The Original Series Season 2, The Voyage Home, The Next Generation Season 6, Deep Space Nine Season 6, Voyager Season 4, Enterprise Season 2, Short Treks, Picard Season 1, Lower Decks Season 2, and Prodigy Season 1.
Phew. That was a lot!

The world can be a crappy place, and not just because of wars and pandemics. Sometimes we all need to switch off from current events and seek out some escapism. For me, films and TV shows with very heavy themes, lots of violence, or dark narratives don’t always provide the best escape, and on days when my mental health suffers I find myself reaching for something lighter and comforting. On this occasion, I thought we could pick out a few Star Trek stories that I believe fit that description.

The Star Trek franchise has long been an escape from reality for me. In both its older and modern incarnations, I find that jumping head-first into a future that looks safer and better than anything we could imagine today feels pretty great! Star Trek has always had an underlying setting that feels optimistic and hopeful for a better tomorrow – and that’s something we all need to hear sometimes.

So with that in mind, let’s consider a few Star Trek stories that I believe make for lighter, comforting viewing. As always, this isn’t a ranked list; the episodes are listed below in the order they were first broadcast.

Number 1:
A Piece of the Action
The Original Series Season 2

Captain Kirk as you may not have seen him before!

The Original Series made very creative use of some of the limitations of its time! It wasn’t always possible to visit a brand-new planet every week that looked and felt very “alien,” so The Original Series used sets intended for other films and TV shows in different – and occasionally silly – ways. A Piece of the Action sees Captain Kirk and the crew encounter a planet whose entire population have based their society around the Chicago mob!

When A Piece of the Action was written, the 1920s were only forty years in the past – the equivalent today of the eighties! So perhaps to viewers at the time it was more relevant and less… camp. But I’ve always found A Piece of the Action to have a light, almost comedic flair simply because of its setting; the ’20s-inspired dialogue, the old fashioned suits, and the general tone of a “Golden Age of Hollywood” gangster flick all contribute to that.

Spock and Dr McCoy with Tommy guns.

The notion of going to a faraway planet in space and finding a society based on the Chicago mob is silly, but A Piece of the Action sells it in the best way it can, making the very odd juxtaposition of scenes aboard the Enterprise and scenes on Sigma Iotia II flow surprisingly well. But above all, it’s a fun story that imitates, in a very Star Trek way, classic mobster films from a generation earlier.

Apparently A Piece of the Action was going to be the basis for a Quentin Tarantino-directed Star Trek film that ultimately didn’t enter production. It seems as though I’m in a minority, based on the reactions to this news from Trekkies I’ve spoken with, but I’d have been interested to see what a director as undeniably talented as Tarantino would’ve brought to Star Trek. A new film from such a big name would surely have been a box office draw, at the very least! But maybe that should be the topic of a longer article sometime.

Number 2:
Star Trek IV: The Voyage Home

Dr McCoy and Scotty in 1986.

Also known as “the one with the whales,” The Voyage Home is arguably the most lighthearted and fun of all the Star Trek films to date! After the very heavy stories of loss and death in The Wrath of Khan and The Search for Spock, the third and final act of this trilogy came along like a breath of fresh air. I feel that The Voyage Home is the most dated of the Star Trek films thanks to being set in what was, at the time, the modern day. But that doesn’t detract from it; the kitschy eighties flavour is all part of the appeal!

There are some fantastic moments of pure comedy in The Voyage Home. I won’t spoil them if it’s been a while since you’ve seen it, but suffice to say that bringing a 23rd Century crew to the modern day and forcing them to interact with basic things like cash and computers led to some absolutely hilarious, iconic moments.

HMS Bounty makes it home.

There’s an ecological message at the heart of The Voyage Home, and the threat posed by the alien “whale probe” is definitely serious. But that theme doesn’t present as excessively weighty, and by the time Kirk and the gang are running around San Fransisco in 1986, the focus is more on the fun side of that premise.

With Star Trek: Picard Season 2 fast approaching, it could be fun to go back to The Voyage Home to see the most recent use of the “slingshot method” of travelling through time – something that may be making a return to Star Trek very soon!

Number 3:
Relics
The Next Generation Season 6

Cheers!

I wanted to put at least one crossover episode on this list, and this time it’s Relics that makes the cut! Bringing Scotty into The Next Generation was a lot of fun, and having him overcome his “fish out of water” status to eventually work alongside Geordi La Forge was absolutely fantastic, and made for a wonderful, heartwarming story.

With no evil villain to defeat nor a war to fight, Relics posed a scientific puzzle for Star Trek’s first two engineers to overcome – and in the process they were able to save the Enterprise-D from being trapped inside of a Dyson Sphere! There’s definitely a message in Relics: that older people have a lot to contribute if younger people are willing to take the time to listen.

Star Trek’s first two engineers teamed up for this adventure.

When I first saw Relics back in the ’90s, I wasn’t prepared for Scotty’s arrival. This was before the days of spoilers on social media, so I went into the episode completely unaware of what I was about to see. When Scotty materialised on the transporter pad for the first time I was absolutely blown away! The Next Generation had been my first port of call in the early ’90s, but by the time Relics came around I’d seen all of The Original Series films and quite a few episodes, so I was really excited when it turned out to be a crossover episode.

Relics is, in a lot of ways, a very fan-servicey episode. But it’s also a comforting one, and more than that it feels almost like a slice of pure Star Trek. There’s a scientific mystery that’s both interesting and exciting, there are some wonderful character moments between Scotty and Picard and Scotty and La Forge in particular, there’s more than a dash of humour, and there’s an underlying message that may just strike a chord with some folks in the real world. It’s an all-around Star Trek episode!

Number 4:
The Magnificent Ferengi
Deep Space Nine Season 6

Aren’t they magnificent?

The Magnificent Ferengi takes what should be a dark and upsetting premise but manages to put a lighthearted, comedic spin on it thanks to the inclusion of the titular Ferengi. After a less than spectacular introduction in the first season of The Next Generation, in which they were originally supposed to replace the newly-pacified Klingons and become a major antagonist, the Ferengi carved themselves a new niche in Deep Space Nine thanks in no small part to a wonderful performance by Armin Shimerman as Quark.

We came to see the Ferengi as comic relief on a number of occasions, as in The Magnificent Ferengi, but they were also a people with depth. Issues within Ferengi society surrounding the pursuit of wealth at all costs, the second-class status of women, and so on were topics that Deep Space Nine tackled, and the fact that the Ferengi can be funny didn’t detract from those attempts to use them to examine some more serious subjects. But that’s not why we’re here today!

Quark and Keevan.

At the height of the Dominion War, Quark and Rom’s mother is captured by the Dominion, and Quark leads an all-Ferengi rescue operation. With the exception of Grand Nagus Zek, this episode brings together practically every Deep Space Nine Ferengi character, and musician Iggy Pop has a guest-starring role.

The plot descends into a comedic farce – naturally, given Quark’s leadership – and if you’ve ever seen Weekend at Bernie’s… well, you know what to expect! The Magnificent Ferengi is a ton of fun, and a great episode for showcasing some of Deep Space Nine’s recurring characters.

Number 5:
Message in a Bottle
Voyager Season 4

Two Emergency Medical Holograms!

Once again we have an episode with a potentially dark premise that goes in a very different and fun direction! The Doctor is the star here, as he’s sent to the Alpha Quadrant to attempt to make contact with Starfleet for the first time since Captain Janeway and the crew became stranded 75,000 light-years from home… but he finds himself aboard a ship that has been captured by the Romulans!

Comedian Andy Dick guest-stars as a newer version of the Emergency Medical Hologram, and forms an astonishingly funny pair with the Doctor, who was often used for moments of comic relief during Voyager’s run. Seeing the two holograms working together to outsmart the Romulans in a comic story that could verge into slapstick is absolutely hilarious, and there are some real laugh-out-loud moments.

The Doctor and his fellow EMH.

I also find Message in a Bottle to be a very uplifting episode. It marks the halfway point of Voyager’s seven-season run, and the first moment that the crew are able to contact the Federation. After four years of being alone, the crew finally get to inform Starfleet that they’re okay and working their way home, and there’s something incredible about the episode’s closing moments as a result.

The Prometheus-class ship is a pretty cool inclusion, too – a brand-new class of ship which has features that even the USS Voyager or Enterprise-E couldn’t match. I always wanted to see more from this ship, but aside from a couple of background appearances, we haven’t yet!

Number 6:
Carbon Creek
Enterprise Season 2

Vulcans… in the fifties!

Carbon Creek uses a frame narrative to tell the story of the first time Vulcans came to Earth… and it wasn’t in the mid-21st Century, as Captain Archer (and us as the audience) had been led to believe! Instead, T’Pol tells the tale of her great-grandmother, and how she and a small crew came to be stranded on Earth in the 1950s during a survey mission.

Carbon Creek is fun for its fifties atmosphere, and Enterprise really manages to nail that feel through some wonderful sets, costumes, and dialogue. It’s also an episode that shows off how Vulcans can be unintentionally funny in Star Trek, particularly when confronted with different or unusual situations. In this case, T’Mir and her crew have to blend in with a town of very emotional humans.

Cheers!

There are definitely some lighthearted moments scattered through the entire episode, and the frame of T’Pol recounting the story to a stunned Archer and Tucker adds to that as well. It’s also a great example of how a prequel story doesn’t have to tread on the toes of anything established previously; nothing in Carbon Creek fundamentally changes what we already know about first contact between humans and Vulcans. In many ways it expands it – knowing that Vulcan had humanity under observation decades ahead of official first contact gives them a reason to be surveying the area during the events of First Contact!

All in all, a fun episode that steps away from many of Star Trek’s familiar elements like starships to tell a story with some interesting characters in a fun setting.

Number 7:
Ephraim and DOT
Short Treks Season 2

Ephraim and DOT.

It’s a shame that we haven’t seen more Short Treks lately; the most recent batch of episodes ended with Children of Mars shortly before Picard Season 1 kicked off in early 2020. The idea of telling one-shot short stories in the Star Trek galaxy may have been a fairly blunt and obvious way for CBS All Access (since rebranded as Paramount+) to convince Trekkies to remain subscribed in between seasons of the main Star Trek shows, but several episodes ended up being fantastic in their own right.

Ephraim and DOT was one of two animated Short Treks episodes that were broadcast in December 2019, and it’s something that we hadn’t really seen the Star Trek franchise do before. Thirty-five years after The Animated Series went off the air, this was Star Trek’s first return to animation, and where The Girl Who Made The Stars was more of a conventional story, Ephraim and DOT was framed very differently!

A well-earned hug.

Telling the story of a tardigrade named Ephraim and a DOT-type robot aboard the USS Enterprise, this Disney-inspired tale sees the unlikely duo team up to save Ephraim’s eggs. With an enthusiastic narrator who sounds like they’ve come from a National Geographic documentary, the short story is a lot of fun – and packs a surprisingly emotional punch at its climax!

Ephraim and DOT also shows off a handful of fun clips from The Original Series that have been reimagined for animation, and this “greatest hits” montage was absolutely fantastic; a blast from the past that elevated the episode.

Number 8:
Nepenthe
Picard Season 1

Picard and Riker embrace.

If you don’t have the same connection to the characters from The Next Generation that I do, maybe Nepenthe won’t be one of your “comfort episodes.” But for me, seeing Picard reunited with Riker and Troi was one of the highlights of Picard Season 1 – and Nepenthe is one of the best Star Trek episodes that I’ve seen in a long time!

After several tense and dramatic episodes in which Picard and the crew of La Sirena had to unpick the mystery of Bruce Maddox, the synths, the Zhat Vash plot, and so on, Picard was able to rescue Soji and use a spatial trajector to escape to the planet of Nepenthe – home to Riker, Troi, and their daughter Kestra.

Kestra and Soji.

There are some very sweet moments between Soji and Kestra as they bond, and while the story has some very bittersweet moments as we learn that Riker and Troi’s elder child had passed away, there are some absolutely incredible and heartwarming character moments as well. After more than eighteen years away from the 24th Century, Nepenthe felt like the homecoming I had been waiting for.

Seeing Riker and Troi enjoying a peaceful life away from Starfleet was something that I needed to see, even if I didn’t realise it beforehand! Although there were issues with the Picard Season 1 finale that meant that, realistically, taking an entire episode away from the main plot to slow down and hang out with Picard, Riker, Troi, and Soji was arguably a mistake, I just can’t find it in my heart to fault Nepenthe for the way it comes across on screen. It’s a beautiful, emotional episode, and sitting down to eat pizza with the characters after everything they’ve been through just feels right.

Number 9:
First First Contact
Lower Decks Season 2

Tendi and Dr T’Ana.

First First Contact might be my favourite episode of Lower Decks so far. It isn’t as hilarious as some of the show’s other offerings, but as an uplifting story with a real “Star Trek” feel, I don’t think it can be bettered! The episode sees the crew of the Cerritos teamed up with the fancier and more powerful USS Archimedes – under the command of one Captain Sonya Gomez, no less – to undertake their first ever mission of first contact!

But naturally, things don’t go to plan. The Cerritos is called into action to save the stricken Archimedes, and the entire crew pulls together to perform the very difficult and dangerous task of literally stripping off the ship’s outer hull! Lower Decks ditched its usual two (or three) storylines format here, and put all four ensigns and all of the ship’s senior staff in the same story – and the result was absolutely fantastic.

The USS Cerritos and the USS Archimedes.

Lower Decks goes out of its way to recreate the look of The Next Generation era, and I’ve always appreciated that. But it doesn’t hesitate to bring new things to the table, and we get our first look at Cetacean Ops in this episode – an aquatic department that had been mentioned in background dialogue in The Next Generation but never seen on screen.

All four ensigns have roles to play in the story, and after the Cerritos had to be saved at the climax of the Season 1 finale, the poetic symmetry of being the one to save a disabled Starfleet ship was absolutely beautiful, and a great way to bring the show’s successful second season to a close.

Number 10:
Kobayashi
Prodigy Season 1

Dal and Jankom Pog with a holographic Dr Crusher.

The Kobayashi Maru test seems like an odd choice for a “comfort” pick, doesn’t it? But the way Prodigy pulls it off feels like a love letter to Star Trek, bringing in classic characters from The Original Series, The Next Generation, and Deep Space Nine in holographic form.

There’s more going on in the episode than just the Kobayashi Maru test on the holodeck, and Prodigy’s ongoing story arcs come into play in a big way throughout. But for me, the moments on the holodeck with Dal and the holographic versions of some wonderful characters from Star Trek’s past are what elevates Kobayashi and what makes it so enjoyable.

Uhura!

It’s such a shame that Prodigy remains (officially) unavailable in most of the world, because it’s been one of the most surprisingly fun Star Trek projects, and despite its kid-friendly atmosphere and intended audience, there’s so much to love for Trekkies. I hope that the rollout of Paramount+ internationally will see Prodigy grow in popularity and bring in hordes of new fans – and with episodes as strong as Kobayashi to ease them into the world of Star Trek, there’s a good chance that’ll happen!

The character choices may seem like an odd mix at first – and seeing Odo on the bridge of a Galaxy-class ship definitely felt strange! But each of them is given a moment to showcase their strengths, and what they brought to Star Trek in their original appearances. It makes the entire holodeck sequence feel so very special – and with such an eclectic mix of characters, there really isn’t anything quite like it in Star Trek’s entire official canon!

So that’s it!

The original USS Enterprise.

Those are my picks for ten “comfort episodes” – or rather, nine comfort episodes and a comfort film – from the Star Trek franchise. We don’t need to repeat why the world feels so messed up right now, because we can all see what’s going on. Certain news stories have become omnipresent, completely taking over social media and other apps. If you find yourself doomscrolling, take a break. Do anything other than wallow in the mess of the real world.

The Star Trek franchise has been my comfort place for decades, and I find myself drawn to it when the world feels too much or when my mental health suffers. A future where humanity has succeeded at conquering not only the problems of today but also many of the baser, more primitive aspects of our own nature holds an appeal that can be difficult to put into words, and I find that practically every Star Trek story – even those darker in tone – have a lot to offer.

So I hope this was a bit of fun and maybe gave you some viewing inspiration! I had a great time going back to these episodes to put this list together, and with everything going on in the world I thought it could be a good time to share something like this.

The Star Trek franchise – including all episodes and films discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Et in Arcadia Ego: What went wrong?

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, in particular the two-part episode Et in Arcadia Ego.

With Star Trek: Picard Season 2 approaching, I wanted to take a moment to step back to the Season 1 finale. Et in Arcadia Ego was the two-part ending to the show’s first season, and after the preceding eight episodes had masterfully and slowly built up an engaging story, it unfortunately ended in a way that was, at best, underwhelming. On this occasion I want to look back at Et in Arcadia Ego and ask “what went wrong?”

I think we can summarise the finale’s issues in a single word: rushed. The two parts of Et in Arcadia Ego were overstuffed with plot, partly as a result of the deliberately slow pace of the rest of the season, but also in part because of the decision to introduce new characters, a new faction, and whole new storylines at the last minute. As a result, Et in Arcadia Ego had to rush through far too much narrative in far too little time, leaving significant chunks of it on the table by the time the credits rolled on Part 2.

The final scene of Et in Arcadia Ego, Part 2.

In my view, most of the damage was done in Part 1 and the first half of Part 2. By the time we got into Picard’s speech over Coppelius and his stint with Data in the digital afterlife, Et in Arcadia Ego picked up, and the issues with pacing and the editing of certain scenes abated. Those latter emotional sequences went a long way to salvaging the finale, and Picard’s time with Data – giving the character the proper send-off that he hadn’t got in Nemesis – meant that the story found a second purpose, one which I think many Trekkies appreciated.

There was also some fantastic acting in the second part of Part 2, with Evan Evagora, Michelle Hurd, Santiago Cabrera, and Jeri Ryan all putting in exceptional, deeply emotional performances as their characters dealt with the apparent death of Admiral Picard in different ways. The way Elnor broke down crying at the loss of his surrogate father figure is one of the most emotional moments in the entire season, and both Evagora and Hurd excelled in that moment.

A heartbreaking moment.

But as the credits rolled on Part 2, after Picard had laid Data to rest and been reborn in a new synthetic body of his own, I was left feeling that, despite the emotional high points as the finale drew to a close, the nicest thing I’d be able to say about Et in Arcadia Ego is that it was a mixed bag; an underwhelming end to what had been an otherwise excellent first season. At worst, I might even call the entire finale disappointing because of its underdeveloped characters and storylines that seemed to go nowhere.

The basic premise of Et in Arcadia Ego was interesting on the surface. After discovering that there are more synths than just Soji, we as the audience had been led to assume that they’re a peaceful civilisation who are being unfairly targetted by fanatical Romulan zealots. But instead we learn that the Zhat Vash were, in a sense, right. The beacon they discovered on Aia did warn of a powerful civilisation of super-synths who would murder organics, and not only that, but Soji’s evil twin Sutra planned to contact them. The synths turned from damsels in distress needing to be saved into a civilisation acting out of self-preservation, but nevertheless needing to be stopped from inflicting mass murder – or possibly even mass genocide – on the galaxy.

Soji’s “evil twin,” Sutra.

It fell to Picard to try to dissuade the synths, to show them that not every organic is hostile to them, and that if they would trust him – and trust the Federation to do the right thing – they would be safe. After a season in which the Federation was not painted in the best possible light this was a cathartic moment, and I understand what Et in Arcadia Ego was trying to do here.

Particularly in Part 2, Et in Arcadia Ego successfully hit some of those story beats, and the emotional high points surrounding Picard’s death, Data’s second death, and the desperate last stand over Coppelius felt great. In fact, I’d argue that the second half of Part 2 came close to rivalling the rest of the season in terms of the emotional side of its storytelling, and if we were looking at that part of the finale in isolation – or if the rest of the two-part story had been up to that level – we wouldn’t be having this conversation today!

Data in the digital afterlife.

On the technical side of things, before we get into story complaints, Et in Arcadia Ego was a very rushed, poorly paced episode. As a result of trying to cram several episodes’ worth of story into not enough runtime, there were some utterly ridiculous editing choices. At one point, Commodore Oh was stood on the bridge of her Romulan vessel, and appeared to speak a line to absolutely no one.

This line was very generic, too, and the entire scene – if we can be so generous as to call a clip that lasted a few seconds a “scene” – just came across as laughable, not intimidating or concerning. There were also a couple of places where two scenes were very poorly spliced together – at the beginning of Part 2, for example, a speech Picard made to Soji was heard only in voiceover, with Dr Jurati on screen silently watching the synths building their beacon.

Commodore Oh’s generic “evil villain” moment.

The gold makeup used for the Coppelius synths – Sutra in particular, as she was featured most prominently – was just awful. It looked like something out of The Original Series, and I don’t mean that in any way as a compliment. If I’d seen characters on The Original Series so poorly made-up I’d have written it off as a limitation of the medium at the time, and tried to get on with the story. Characters like Bele and Lokai from Let That Be Your Last Battlefield look similarly ridiculous by today’s standards, but with all of the improvements made over the last fifty years… I can’t excuse how poor practically all of the synths looked.

The problem of a lack of diversity in outdoor filming locations plagued Picard Season 1, but it came to a head in Et in Arcadia Ego because it was the finale. In short, the ten-episode season attempted to depict locations on Earth, including France and Japan, as well as the planets of Vashti, Nepenthe, Aia, and Coppelius using outdoor filming locations within a few miles of Los Angeles. And this was painfully obvious as the season wore on, leading Picard Season 1 to feel smaller and less visually interesting as a result. If Coppelius needed an expansive outdoor filming shoot, then other worlds could – and should – have been created on indoor sound stages if long-distance location shoots were out of the question.

Look, it’s California… oops, I mean Coppelius!

Both parts of Et in Arcadia Ego ruined the surprise appearance of a returning actor from The Next Generation. Brent Spiner’s role in Part 1 was telegraphed in the opening credits before his character had appeared on screen, but most egregiously the mistake was repeated in Part 2, where the return of Jonathan Frakes’ Acting Captain Riker was spoiled in the opening credits. The scene where Riker arrived at the head of a massive Starfleet armada to defend Coppelius was treated on screen like a huge surprise, but the fact that he was coming had been telegraphed in advance by the opening credits.

How difficult would it have been to credit special guest stars at the end instead of at the beginning? This also happened with Jeri Ryan’s Seven of Nine in the episode Absolute Candor earlier in the season – a character who appeared right at the end of the episode, in that case, and whose arrival was also treated as a surprise. For fans who don’t follow all of the ins and outs of Star Trek, the fact that any of these characters were coming back was supposed to be a total surprise, and both halves of Et in Arcadia Ego treated their returning guest stars in this way. But their unnecessary inclusions in the opening titles detracted from it. Riker’s arrival in particular felt far less impactful than it should’ve been; by the time the story reached the point of Picard standing alone against the Romulan armada, it was obvious that Riker was coming to save the day.

This shouldn’t have happened in the opening titles.

Speaking of the two fleets, the fact that both the Romulan and Starfleet armadas were comprised of a single starship design each seriously detracted from the way they looked. The copy-and-paste fleets were big, which was visually impressive at first glance, but the longer they remained on screen the more obvious it was that the CGI animators had literally copied and pasted each ship dozens of times.

Fleets seen in past iterations of Star Trek were almost always comprised of a variety of different starship types, and there was the potential to use this moment as fun fan-service, perhaps bringing back Romulan warbirds and scout ships from The Next Generation era, as well as Federation starship types like the Defiant-class, Sovereign-class, and Galaxy-class. Heck, Picard Season 1 had already made a brand-new CGI Galaxy-class model for the premiere, so it couldn’t have been too much extra work to include it here.

The Romulan and Federation fleets were copy-and-paste jobs and looked the worse for it.

As a final point on the technical side of things, I’m sorry to say that, despite a great performance as Soji across the rest of the season (and as Dahj in the premiere), Isa Briones was not convincing as Sutra, the central synth villain. Her performance was incredibly hammy, and while the character was written sufficiently well that her basic motivation – to protect the Coppelius synths from an outside attack – should have been understandable and even potentially sympathetic, the “I’m evil for no reason and I love it” performance was so bad that it detracted from the character.

Although Sutra being so easily shut down in Part 2 meant that the character as a whole felt like a waste, and was not the angle I would’ve wanted the show to take, in a way I was glad that we were spared too much more of what has to be the entire season’s single worst acting performance.

Sutra with Admiral Picard.

In terms of story, let’s talk about the big picture first of all before we get into smaller narrative complaints. The super-synths that Sutra and Soji planned to contact were so barebones as a faction that they don’t even have a proper name. Their “admonition” – i.e. the vision that the Zhat Vash encountered from their beacon – was superficially intimidating, and the mechanical tentacles that we saw approaching the beacon at the climax of the story likewise looked frightening… but without knowing more about this faction, it was difficult to remain invested in this story.

We didn’t know what the super-synths would’ve done had they arrived. Would they have sought to exterminate all organic life everywhere, or just in the vicinity of Coppelius? Having exterminated, would they have taken the super-synths to live with them in “dark space?” Was their offer to help even genuine or was it an elaborate trap to conquer the Coppelius synths and steal their technology? We have so many open questions, and because it seems that Star Trek won’t be returning to the super-synths any time soon, they’ll be left open and this aspect of the story will remain less than it could have been.

Some mechanical noodles were all we got to see of the super-synths.

In monster movies – which Et in Arcadia Ego’s super-synths were, to an extent, trying to emulate – we don’t always know everything about the monster. We might not know where Godzilla came from or why the Xenomorph in Alien is going on the rampage, but we at least have some perspective or frame of reference to understand why they should frighten or unnerve us – we’ve seen for ourselves how destructive and deadly the monster can be. The super-synths were barely glimpsed, and while their beacon was interpreted by the Zhat Vash as being dangerous, what we as the audience saw of it on screen was ambiguous at best. Because of that, the super-synths are more mysterious than frightening, and with no frame of reference to go on to showcase their level of technology, weapons, or danger, they’re less interesting and less frightening than they should’ve been.

During my first watch of Et in Arcadia Ego, I referred to the super-synths as the “Mass Effect Reapers” because of their similarities to a faction from the Mass Effect video game series. On re-watching the episodes, those similarities are really hammered home, even to the point where the vision contained in the Zhat Vash’s beacon and the beacon encountered by Commander Shepard in the first Mass Effect game contain striking visual similarities. I can’t believe that this is entirely a coincidence, and while I don’t want to accuse anyone of “ripping off” anyone else… it’s at the very least noteworthy that this aspect of the storyline of Et in Arcadia Ego – and thus of Picard Season 1 as a whole – is not original.

We could play a game called “Mass Effect or Star Trek: Picard?” with some of these sequences.

In the episode The Impossible Box, Narek walked Soji through a complicated series of steps to help her understand a dream she’d been having. His motive was to find out the location of her homeworld – Ghoulion IV or Coppelius. At the end of Soji’s dream, she looked up to the sky and saw two red moons and a lightning storm, leading Narek and Rizzo to conclude that they had enough information to locate Soji’s homeworld.

We subsequently learned that the Romulans had a fairly narrow search area and only needed to look within a few different star systems, so it seems reasonable that only a couple of pieces of information might be enough to go on if there aren’t that many possibilities. But when we finally reached Coppelius a couple of episodes later, the red moons were present – but where were the thunderstorms? This had been an absolutely essential part of the plot of The Impossible Box, yet the weather on Coppelius was sunlit and beautiful – some might say almost California-like. There were literally only two bits of information conveyed in The Impossible Box that Narek and Rizzo used to pinpoint Soji’s home planet… and one of them was completely disregarded in Et in Arcadia Ego.

This moment told us two things about Soji’s homeworld. Et in Arcadia Ego ignored one of them.

Speaking of being completely disregarded… what happened to poor Narek? I know Narek wasn’t everybody’s favourite character in Season 1, but I felt he was interesting as a character who didn’t fall into the obvious trap of being a clichéd “spy with a heart of gold” who falls in love with his target. Narek remained loyal to the Zhat Vash cause, even though his relationship with Rizzo was complicated and despite his feelings for Soji.

For Narek to simply be abandoned by the story of Et in Arcadia Ego is disrespectful – not only to actor Harry Treadaway, who had put in a great performance – but to us as the audience. We’d been following Narek’s story since the second episode of the season, and as he approached what should’ve been his moment of triumph, and then his moment of defeat, he just vanished from the story altogether.

This was the last we saw of Narek.

At the very least it would’ve been worth following Narek’s story to some kind of conclusion. I’d have liked to see how he reacted to Soji shutting down the beacon – would seeing that have finally broken his Zhat Vash brainwashing? Would he have tried to apologise to her and the rest of the synths? Or would he have stayed true to his mission even while being taken into custody by Starfleet or the synths?

We don’t know the answer to any of these questions, and while there is supposedly a scripted but unfilmed scene in which Narek was handed over to the Federation, that hardly seems like rock-solid “canon,” does it? Picard Season 1 didn’t actually feature that many characters in a big way, so for one of the principals to simply be dropped with no explanation midway through the finale is indicative of the fact that this two-parter had far too much narrative to cram into its runtime. It was poor, and whatever viewers might’ve thought of Narek and the earlier scenes and sequences in which he starred, getting some closure on one of the season’s most important characters was necessary.

Narek had been a major character throughout the season.

In an overstuffed story with some very serious themes, there were some very odd choices. Dr Jurati and Picard making jokes while launching La Sirena into orbit felt out-of-place, but thankfully that didn’t last very long. What did last a long time, though, in the context of the story, was the very odd campfire scene with Narek, Raffi, and Rios.

This scene was a complete waste of time. As the audience, we already knew what the Zhat Vash prophecy and philosophy was by this point, so re-telling it in a “ghost stories by the campfire” cliché was unnecessary fluff in an episode that simply didn’t have so much as a second to spare. Secondly, this scene messes with the timing of the entire episode. Narek seemed to be in a mad rush to attack the synths’ compound and stop their beacon, and if we’re to believe that Raffi and Rios had been persuaded too – which appears to have happened in a very short scene aboard La Sirena that really needed to be extended – then the characters themselves shouldn’t be wasting time camping out. It’s also the only scene in the entire episode to take place after dark, which was obviously done to make the campfire more visually dramatic… but the rest of the story seems to have taken place over the course of less than one day, so when did this night occur and why didn’t anyone else on Coppelius experience it? In short, it wasn’t just an unnecessary scene, but one that breaks the continuity of the whole story.

The campfire.

After the campfire scene we came to the poorly-scripted bomb plot. Using grenades donated by Narek and a football that Rios had aboard La Sirena, the trio planned to smuggle a bomb into the synths’ compound and blow up the beacon. I didn’t understand why the synths’ compound was suddenly being guarded as the group approached – except, of course, to ramp up the drama. From the synths’ point of view Raffi and Rios were no threat; they’d been on friendly terms when they parted, so why hassle them?

Dr Soong joined in after they arrived at Coppelius Station, but even he couldn’t salvage what was an illogical and stupid “plan.” Dr Soong had two aces up his sleeve: the video evidence that proved Sutra, not Narek, was responsible for murdering Saga, and his “magic wand” weapon that could apparently disable synths at the push of a button. He used the latter once, on Sutra, and then disappeared entirely from the plot until after Picard’s “rebirth.”

Dr Soong was able to “shut down” Sutra… but then made no further contributions to the plan to attack the beacon.

After the remaining trio made a stupid full-frontal attack against the much larger group of synths, it fell to Rios to try to throw the bomb-ball into position… but, naturally, Soji was able to clear it with seconds to spare.

This entire operation was so stupid, and was clearly written to ensure that the heroes’ plan would fail, meaning it would be up to Soji and Picard to save the day. And I won’t dismiss Picard’s speech and the emotional impact of Soji’s decision to stand down – both of those aspects felt great. But they were, unfortunately, sabotaged by this awfully-scripted bomb plot which made no sense, and the immediate disappearance of everyone involved in its aftermath.

Soji was able to easily stop the bomb plot.

Here are just a few of the questions this sequence raised: why didn’t Dr Soong show the footage of Sutra to the other synths? Why didn’t Dr Soong use his “magic wand” on Soji? Why didn’t Rios and Raffi try to talk to Soji and explain the dangers of the super-synths? There was so much wrong in this one sequence, and it was contrived in such a way as to skip over any and all of these points to get to the standoff between Soji and Picard, and Picard’s convincing speech. Unfortunately the route to that otherwise powerful moment felt so unnatural that it detracted from it.

After the bomb plot and the speech, things took a turn for the better, and much of the remainder of Et in Arcadia Ego hit those emotional high points, and as the rushed, almost panicked pacing and editing gave way to a slower-paced story of laying Data to rest and restoring Picard to life, things did improve.

Picard’s “death” marked a turning point in the story.

Unfortunately, though, Et in Arcadia Ego ended with many questions left on the table. Having arrived just in time to save the day, is the Federation now committed to leaving an entire fleet in the Ghoulion system to defend Coppelius? If not, it seems like there’s nothing to prevent the Romulans from returning next week and obliterating the synths from orbit. Or perhaps the synths will need to be evacuated and taken to a new, safer location. If so, we saw no indication that Starfleet plans to help with that.

There was also no attempt made to explain Bruce Maddox’s visit to Freecloud, which had been a huge story point in the first half of the season. Maddox’s lab on Coppelius clearly hadn’t been “raided by the Tal Shiar,” and if we’re to understand he set up a second lab somewhere else for some unknown reason, why didn’t he return to Coppelius if it was destroyed; why go to Freecloud instead? This opens up a pretty big plot hole in the entire season, as Maddox now has no reason to go to Bjayzl – a dangerous woman to whom he owed money – other than “because plot.” Maddox was there simply to allow the rest of the story to unfold, and that just isn’t satisfying at all.

Why did Dr Maddox go to Freecloud?

And this is just one way in which Et in Arcadia Ego damages the entire first season of the show. With so much rushing around in the final two episodes, with brand-new characters, new civilisations, new factions, new antagonists, and whole new storylines being dumped into the show with two episodes remaining, it makes going back and reflecting on the rest of the season somewhat difficult. Was the deliberately slow pace of episodes like Maps and Legends too much? Should the side-stories on Vashti and Nepenthe have been cut down… or skipped altogether?

Nepenthe was, for me, one of the most enjoyable episodes of Star Trek that I’ve seen in a very long time, and spending time with Picard, Riker, and Troi after so long felt absolutely magical. We caught a glimpse of their retirement, the family life that they deserved to have after their rollercoaster relationship and the tragedy of the loss of their first child. And it was wonderful. But in retrospect, all of that time with Kestra and Soji bonding and Picard catching up with his old friends, cooking pizza in an outdoor oven and hanging out in a cabin in the woods just feels wasted. There was too much plot left for Picard Season 1 to get through, so either stories like Nepenthe needed to be cut down or, realistically, the season needed to be extended. One of the advantages of streaming over traditional broadcast television is that things like schedules don’t mean much – it’s far easier to add an extra episode or a few minutes here and there if necessary. Discovery did exactly that in its first season… why couldn’t Picard?

Picard and Riker’s reunion in Nepenthe.

That’s the real tragedy of Et in Arcadia Ego: the way it makes eight genuinely wonderful episodes feel worse in retrospect. We aren’t quite at the level of something like Game of Thrones, where a truly awful ending has made going back to re-watch earlier seasons feel downright unpleasant, but we’re in the same ballpark.

The sad thing is that the synths’ storyline wasn’t bad. Dr Soong wasn’t a bad character, and if he’d had more time on screen I think we could have got more of a nuanced portrayal that showed us a man doing his best to work around the synth ban and keep his people safe. We could’ve learned why he wanted to build a golem for himself – was he dying? Was he trying to become immortal? What drove him to pick up his father’s work? All questions that Et in Arcadia Ego left on the table.

Coppelius Station – home of the synths.

Likewise with Sutra. Despite the crappy makeup and the poor, hammy performance, there was the kernel of an interesting character at Sutra’s core. Her presence turned the synths from a group in need of rescue into a potential danger, and that concept – had it been executed better over a longer span of episodes – could have been interesting.

The super-synths, despite their similarities to the Reapers from Mass Effect and their blink-and-you’ll-miss-it appearances on screen, had been the driving force for the entire season’s plot, and learning more about who they were and what drove them, whether their offer to help was genuine, and whether they had any connection to other Star Trek factions were all points that could’ve been explored. The super-synths, while hardly an original faction in a broader sci-fi environment, were something new to Star Trek, and as Trekkies I think we have a great curiosity about the Star Trek galaxy and the races present within it. Finding out more about the super-synths would have been fun.

I’d like to know more about the super-synths.

There was also the standoff over Coppelius itself. We’ve already covered how the copy-and-paste ships didn’t look great, but as a story beat this entire sequence was rushed. After Picard and Dr Jurati made their “last stand,” Acting Captain Riker showed up at the last second, positioning his fleet in between the Romulans and Coppelius. And then he opened hailing frequencies to talk to Commodore Oh.

Within moments, the zealous Zhat Vash commander had been convinced to withdraw rather than fight it out… and I think that fails as a convincing narrative beat. The Zhat Vash had been portrayed for the entire season as having an almost-religious zeal; a crusade against synthetic life born out of fear of total annihilation. And in mere seconds, Commodore Oh appeared to abandon that crusade. When faced with opposition, she chose not to fight but to withdraw.

Riker’s appearance – and the entire standoff – was too short.

The two fleets looked surprisingly well-matched, and I would have thought that Commodore Oh would have had a chance, at least, of going toe-to-toe with Acting Captain Riker. It wasn’t like the Federation armada had the Romulans horribly outnumbered. And all it would have taken, from her point of view, was for one ship to break through the blockade and fire on Coppelius Station – a single quantum torpedo would probably have done the job.

Commodore Oh and the Zhat Vash simply don’t seem like the types who would come this close to achieving their life’s ambitions – and remember that Oh had been embedded in Starfleet for literally decades – only to be scared away by a few Starfleet ships or convinced to change their lifelong aims by one speech and the beacon being shut down. At the very least, this was yet another sequence which needed much more time to unfold. Heck, I could have happily spent an entire episode on the standoff, with negotiations taking place between Federation and Zhat Vash representatives. The Zhat Vash needed to be talked into withdrawing; I don’t believe that seeing Picard’s speech and Riker’s fleet was anywhere near enough motivation for Oh to take her entire fleet and withdraw, and if it was, we needed to spend a lot longer getting to that point, seeing her agonise over the decision, perhaps facing down mutinous members of her own organisation, and so on.

Commodore Oh’s decision to withdraw was horribly rushed.

So we come back to the crux of why Et in Arcadia Ego didn’t succeed as a finale: it contained plenty of interesting characters and storylines, but didn’t have enough time to pay off most of them in anywhere close to a meaningful way. And as a result, it doesn’t feel like most of Picard Season 1’s storylines came to an end at all. Some, like Narek’s, were just completely abandoned; unceremoniously dumped with no explanation given. Others, like Dr Soong’s, were completely undeveloped, leaving him along with Sutra and several other characters feeling like one-dimensional plot devices instead of real people.

The disappointing thing, at the end of the day, isn’t that the ideas and storylines here were bad, it’s that none of them were allowed to play out in sufficient depth. With the possible exception of laying Data to rest, every single storyline that Et in Arcadia Ego brought into play or introduced for the first time were underdeveloped, cut short, and/or not sufficiently detailed. Some individual scenes and elements were less successful in their own right – like the performance of Sutra or the campfire sequence – but taken as a whole, what I wanted from Et in Arcadia Ego was more – more time for these characters, ideas, and narrative elements to play out. It feels like practically nothing in Et in Arcadia Ego saw justice done, and when I had been invested in the story, the characters, and this return to the 24th Century after such a long wait, that was disappointing.

Dr Soong.

As we approach Season 2 of Picard, which kicks off in just one week from today, I hope that the show’s writers and producers have taken on board the feedback that they surely received about Et in Arcadia Ego. The show’s second season can’t afford to repeat the mistakes made by the ending of its first, and if Picard is to end with Season 3, as some news outlets have been reporting, then it’s going to be even more important for the creative team to consider the problems of Et in Arcadia Ego and make sure that the series as a whole won’t end in such disappointing fashion.

There were successes along the way – great moments of characterisation with Admiral Picard, the “heroic last stand” story that always gets me no matter how it’s told, and of course saying a proper goodbye to Data after eighteen years. The emotional moments present in the latter half of Part 2 went some way to making up for earlier disappointments.

I can’t call Et in Arcadia Ego a failure. It brought together storylines that, even two years later, I find fascinating. The disappointment stems from the fact that those stories weren’t able to play out properly due to unnecessary time constraints, a rushed pace, and, in retrospect, eight preceding episodes that spent too long reaching this point. With Season 2 now upon us, I’m hoping for much better things from Star Trek: Picard!

Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States and on Amazon Prime Video in the United Kingdom and around the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five of my favourite Starfleet uniforms

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3 and the teaser for Season 4, Star Trek: Lower Decks Season 1 and the teaser for Season 2, and Star Trek: Picard Season 1. Minor spoilers are also present for other iterations of the franchise.

This is going to be a controversial list! Practically every Trekkie I know has their own take on which Starfleet uniforms are the best – and why! Even if we can agree on some of our favourite episodes and films, the aesthetic of Star Trek has always been a world unto itself. Some of the best uniform designs may not feature in the best stories, and likewise some of the best individual episodes and films may not have their casts in the best uniforms, so the two aren’t necessarily connected – though a truly bad costume can, in some cases, detract from an otherwise-decent story.

There have been a wide variety of uniforms used across Star Trek’s 55-year history. Most designs incorporate at least some elements of the original – the costumes designed for The Original Series by William Ware Theiss in the mid-1960s. Gene Roddenberry’s brief for the uniforms was that they were to be “simple, utilitarian, and naval” in style, reflecting his vision of the future and of Starfleet. The very first uniforms, seen in The Cage, Charlie X, and a couple of other early Season 1 episodes, arguably best fit the “naval” aspect of the brief, with toned-down colours and a slightly thicker rolled collar. It was only partway through Season 1 that the typical uniform in its three bright primary colours was rolled out.

Captain Pike in The Cage, sporting the first ever Starfleet uniform.

Colour is a hugely important factor when discussing Starfleet uniforms. Since The Next Generation went off the air, most Star Trek projects have tried to move away from big bold blocks of colour, opting for smaller coloured patches or other ways to express differences in division and rank. Partly this is an attempt to make the uniforms look “modern,” but also I think there’s a feeling among at least some folks that the brightly-coloured shirts and tops of The Original Series in particular, but also The Next Generation, look rather childish or even camp, detracting from the serious messages present in many Star Trek stories.

That said, even the attempts to design sleeker, “cooler” Star Trek uniforms have almost universally resulted in garments that aren’t exactly serious by today’s standards! Recent attempts like the Discovery uniforms are still very sci-fi; hardly the kind of thing you’d see someone wear out on the street – unless they were on their way to a Star Trek convention. I guess what I’m trying to say is that trying to design a “cool Star Trek uniform” may simply be an impossible task!

The cast of Discovery Season 1 in their all-blue uniforms.

So I’m all in favour of embracing the campiness – at least to a degree. Once you get lost in Star Trek, things like uniform colours don’t take you out of it, or at least they don’t for me. I’m not really a fan of attempts to make uniforms that look too much like things that we already have in the real world. There obviously has to be a line between something plausible and something completely outlandish, but in sci-fi that line can be further away than some folks seem to think!

Several generations of Starfleet uniform have become truly iconic; instantly recognisable emblems of the franchise that hardly anyone with even a passing knowledge of popular culture could fail to identify. This has been helped by internet memes, with Captain Picard, Commander Riker, Captain Kirk, Captain Janeway, and even Voyager’s Doctor all re-entering popular culture years after their respective series went off the air.

Captain Picard’s facepalm is a popular meme – and reminds people about The Next Generation and the uniforms the crew wore.

We also need to give some of the new variants time. A uniform – or any aesthetic element of a series or film – doesn’t become an icon overnight, so the 32nd Century uniforms we saw in the Discovery Season 4 teaser, the uniforms in Picard Season 1, and whatever the Strange New Worlds crew end up wearing need time to grow on us! Some Trekkies have already taken to some of the new styles, which is great, but for a lot of folks it takes time to even get used to a whole new look – let alone learn to love it!

As I always say, this whole list is entirely subjective! If you hate all of these uniforms and love others, that’s 100% okay. As with practically every aspect of Star Trek, it’s a big galaxy and there’s room for fans with different tastes and preferences. Now that we’ve got that out of the way, let’s take a look at five of my favourite Starfleet uniforms!

Number 1: The Motion Picture – Admiral’s variant

Kirk wearing his admiral’s uniform – perhaps the only decent one in the whole film!

I can understand why fans were unimpressed with The Motion Picture uniforms on the whole. They represent an attempt – the first real attempt – for Star Trek to try something new and step away from the bold primary colours of The Original Series, but ended up being understated at best, bland and forgettable at worst. The dull colours, t-shirt design, and lack of any distinctive features all meant that these uniforms only ever saw one outing.

But there was an exception! Kirk’s uniform as an Admiral, which he wore for the first part of the film prior to taking command of the Enterprise, is undoubtedly one of my favourites. It’s understated, for sure, but I love the smooth lines between its grey and white sections, the high angled collar, and how the gold Starfleet insignia stands out without being too flashy or over-the-top.

A lot of the criticism of The Motion Picture’s uniforms is absolutely fair. But there’s something about Kirk’s variant that I absolutely adore. I’d suggest that it’s the most “uniform-looking” costume in the whole film, and with its shoulder epaulets and wrist braiding, it’s a unique blend of The Original Series and future, more military-inspired uniforms – some of which we’ll look at further down the list.

Number 2: The Next Generation – Season 3-7 variant

The cast of The Next Generation in Season 4.

I’m not calling today’s list my “all-time” top uniforms, but if I were putting Starfleet uniforms in a ranked list these uniforms would have to be near the top. Excluding variants like the acting ensign uniform Wesley Crusher wore, Troi’s “casual” outfits, and Picard’s jacket, the standard uniforms that were introduced beginning in Season 3 of The Next Generation hit all the right notes for me.

These uniforms have a high collar, which gives them a more “serious” feel than the previous crew-neck style. They retain the large blocks of colour across most of the top, yet the colours are ever so slightly toned down when compared to the bright colours of The Original Series, which I’d argue makes them appear a bit more serious and less camp. With the collars and pants being black, the coloured blocks on the top are striking and draw the most attention, and it’s easy to tell at a bare glance which officer represents which division.

It was a surprise when The Next Generation swapped the red and gold colours over – The Original Series had used gold for command and red for security/engineering. But there’s no denying it works well, and Picard and his crew honestly look fantastic in these uniforms.

Number 3: First Contact and Deep Space Nine Seasons 5-7

Data, Worf, Geordi, Riker, and Picard in Nemesis.

Though reportedly “uncomfortable” for some of the actors, I really like these uniforms. Until Star Trek: Picard premiered last January, they were also the most up-to-date uniforms in Star Trek’s internal timeline – at least if you exclude far future variants! These uniforms shrank the division colours down, retaining only a coloured undershirt poking up through the collar, with the rest being black and grey.

To me, this design says “new Star Trek” – even though the uniforms haven’t been new for almost 25 years! When the franchise was off the air, and even after it returned with prequels, these uniforms still represented the furthest forward Star Trek’s timeline had got, and I guess it’s for that reason I have more of an affinity to them. They’re modern-looking, swapping out big blocks of colour for greys and blacks that are more toned-down, and I guess the intention was to give them a more military style.

First Contact and Insurrection are two of my favourite films, and the latter seasons of Deep Space Nine – where these uniforms were also worn – saw the Dominion War story arc play out, which happens to be my favourite part of that series. I have very positive associations, then, between these uniforms and the narratives they were present in!

Number 4: The Wrath of Khan uniforms – a.k.a. the “monster maroon”

Kirk and Spock showing the “monster maroon” jacket in its open and closed positions in a publicity photo for The Undiscovered Country.

Speaking as we were of uniforms with a very military style, the uniforms which debuted in The Wrath of Khan were a total change from those present in The Motion Picture three years earlier. They incorporated elements of military dress uniforms, with a wide double-breasted jacket, high collar, epaulets, rank insignia, and a belt around the jacket.

In Star Trek’s internal timeline, these are the longest-serving uniforms (that we know of!) having been in service for around 75 years. I don’t personally think that they work well without the high collared undershirt, so my preference is for the Wrath of Khan variant, not those seen in The Next Generation. But the fact that they were in service for a long time is neat – and a way for The Next Generation to connect itself visually to the films of The Original Series era!

If The Original Series uniforms were campy and bright, these military-inspired ones were the complete opposite. Designed to be serious and focused while still retaining some colour, I think they look amazing. Having so many different elements could’ve made for a complicated look, but the simple use of one predominant colour helps settle things down.

Number 5: Star Trek: Picard – 2399 variant

Acting Captain Riker showing off the command variant of the 2399 uniforms.

Star Trek: Picard showed off two new uniform styles – one for flashback scenes and one for Starfleet in 2399. I would have preferred the flashback uniforms were replaced with the First Contact uniforms as they didn’t look great and were ultimately unnecessary, but the 2399 uniforms – which we saw Commodore Oh, Rizzo, and later Acting Captain Riker wear – were fantastic.

What I like most about these uniforms is that, after almost twenty years, colour was back in a big way! Enterprise had blue boiler suits, Discovery mostly showed off an all-blue look, and while neither of those uniforms are bad, I was keen to see something visually different – something more “Star Trek.” Picard delivered.

These uniforms are, in some respects, similar to the Voyager and early Deep Space Nine uniforms in that they’re mostly black with a coloured shoulder area and collar. But the lack of a prominent undershirt and the Starfleet delta detailing on the coloured sections makes them look far superior to those older uniforms! I hope we’ll get to see more characters wearing these uniforms going forward.

So that’s it! Five of my personal favourite Starfleet uniforms.

Boimler and Riker on the bridge of the USS Titan wearing First Contact-era uniforms.

Aesthetic, colour, and costume style are very much subject to personal taste, and I know there can be a range of opinions on all of these things. Despite that, with the exception of Kirk’s uniform from The Motion Picture, I think a lot of Trekkies would put at least one or two of these uniforms on their own lists of favourites!

There really aren’t many Starfleet uniforms that I passionately dislike. Most serve a purpose, and it’s usually at least understandable what the intention behind the design was. Enterprise’s boiler suits, for example, were clearly inspired by modern-day naval, submarine, and astronaut uniforms, and were designed to be a bridge between more typical Starfleet uniforms and 21st Century attire.

I didn’t put the Kelvin uniforms on the list this time. But they are pretty neat!

Voyager and Enterprise kept consistent uniforms during their entire runs, but every other Starfleet crew has had at least one change of uniform. Changing things up keeps the aesthetic of Star Trek interesting, and while I can understand why some folks lament changes of this nature, without radical departures from “normal” uniforms we wouldn’t have got to see some of the best and most visually interesting ones. I like that the Star Trek franchise is bold enough to continue to shake things up.

The teaser trailer for Discovery’s impending fourth season showed off another new uniform – a more colourful variant of the 32nd Century uniform that we saw worn by Admiral Vance and others. Though we really only had a few seconds of footage, I liked what I saw and I think these new ones have the potential to join a future list of this nature!

Regardless of what your favourites might be, and whether or not any of them made this list, I hope it was a bit of fun. I’ll never miss a chance to talk about Star Trek!

The Star Trek franchise – including all titles on the list above – is the copyright of ViacomCBS. All Star Trek shows and films mentioned above may be streamed on Paramount+ in the United States, and on Netflix or Amazon Prime Video in the United Kingdom. Availability may vary by region. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard + Star Trek: The Next Generation crossover theory: Lore

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: The Next Generation, and for other iterations of the franchise.

Season 1 of Star Trek: Picard expanded our knowledge and understanding of the Star Trek galaxy in the 24th Century. As the lore of Star Trek grows (pun intended!) one thing I find fun is seeing how any new information we get can be made to fit with past iterations of the franchise, and in the case of Picard, I think I’ve hit on a theory that is plausible based on some new facts that we learned last year.

I previously touched on this theory as part of my essay on Commodore Oh a few months ago, but I thought it warranted being expanded and given its own article – so that when it’s finally confirmed on screen I can say “I told you so!” Or not. In short, this theory connects Data’s brother Lore to the Zhat Vash, the faction introduced in Star Trek: Picard.

Lore in Datalore.

Before we go any further and get into the weeds, let’s recap. Lore was introduced in The Next Generation Season 1 episode Datalore, and would return in Brothers in Season 4, as well as the Season 6 finale Descent, and Descent, Part II which opened Season 7. He was, in effect, Data’s “evil twin,” and would go on to cause havoc for Data and the crew of the Enterprise-D. We would also learn that Lore was responsible for luring a spacefaring lifeform called the Crystalline Entity to his homeworld, killing most of the citizens of the colony.

Next we have the Zhat Vash, who were introduced in Star Trek: Picard. An ancient, secretive Romulan sect, the Zhat Vash were on an anti-synthetic crusade. They believed that the development of artificial life would lead to all life in the galaxy being exterminated, and sought to wipe out synthetics wherever they found them. As part of their plan to prevent the Federation developing synths, a Romulan agent named Oh infiltrated Starfleet shortly after the discovery of Data in 2338.

Commodore Oh infiltrated Starfleet.

This theory begins with something that The Next Generation never really explained: Lore being evil. Apparently this is a flaw in at least some Soong-type androids, as we’d also see Sutra exhibiting many similar traits to Lore in the two-part finale of Picard Season 1. But is there more to it than a simple mistake, as Dr Soong believed?

Though the Zhat Vash despise synthetic life, as part of their crusade to exterminate synths from the galaxy they seem to have learned a great deal about them – including how to reprogram them. In Picard Season 1, we learned that rogue synths had attacked Mars, destroying Admiral Picard’s fleet. It was the intervention of the Zhat Vash, hacking into the synths and reprogramming them, that caused this attack. If the Zhat Vash possessed the ability to do this in the 2380s, it’s at least possible that they were able to do something similar to Lore in the 2330s.

The Zhat Vash were able to reprogram Federation synths, leading to the attack on Mars.

Lore was activated months (or possibly years) before Data, and lived with his creator on the Omicron Theta colony. Dr Soong’s reputation seems to have been known within the Federation, and his work doesn’t appear to have been classified or somehow kept secret. The Zhat Vash seem to have been able to infiltrate the Federation with relative ease, having two spies inside Starfleet that we know of, and even if a Zhat Vash operative in this era were not an especially high-ranking officer, given the openness of Dr Soong’s work and the dedication the Zhat Vash have to their cause, I think we can reasonably suggest that they would have come to know what he was doing, and thus of the existence of Lore.

As I suggested in my last crossover theory, it stands to reason that the Zhat Vash will have been deeply alarmed about the Federation and their synthetic research. In the mid-23rd Century, two Federation AIs went rogue: Control (as seen in Discovery Season 2) and the M-5 multitronic unit (as seen in The Original Series second season episode The Ultimate Computer). Although it seems to be androids that were the main focus of Zhat Vash attention, as Laris made clear, the Romulans fear all kinds of AI – so these events would certainly have upset them enough to keep an eye on Starfleet and the Federation.

A fleet of ships under Control’s command went rogue and attacked the USS Enterprise and the USS Discovery.

That makes it even more likely, in my opinion, that the Zhat Vash would have found out about Dr Soong and Lore on Omicron Theta. If they were following Dr Soong’s work on positronic brains, they may have been working on ways to shut down his research or reprogram Lore. As mentioned, none of this appears to have been classified, and while Dr Soong kept his work private, it may have been possible for the Zhat Vash to infiltrate Omicron Theta and gain access to his research.

Their main goal was to prevent the rise of synthetic life. A single android was bad enough, but what they feared most was a civilisation of them. But Dr Soong didn’t have a civilisation – he had one single operational android. From the Zhat Vash’s perspective in the 2330s, if they could force Lore to be shut down – and ideally kill Dr Soong at the same time – the Federation would be unable to replicate the work and would thus be unable to build more.

Lore in Descent, Part II.

At some point following his activation, Lore began to exhibit “emotional instability” to the point that he upset and worried the colonists on Omicron Theta. This doesn’t appear to have happened from the moment of his activation, though, which lends credence to the idea that he was reprogrammed – perhaps rather crudely in an attempt to force Dr Soong to take him offline.

However, before Dr Soong could take action to shut him down, Lore contacted the Crystalline Entity, which arrived and wiped out the Omicron Theta colony. If Lore had been reprogrammed, was this something he chose to do of his own volition? It seems a very specific action to take if he wanted to kill the colonists – he was more than capable of physically overpowering and outwitting them if he wanted to kill them.

The Crystalline Entity “feeding,” as seen in Silicon Avatar.

The destruction of Omicron Theta can be seen as a classic Romulan move. By using the Crystalline Entity, not only was Lore assumed destroyed, but so were Dr Soong, his assistants, and all of his research, setting back synthetic research in the Federation by decades. Of course we know that Dr Soong and Lore both escaped – but that clearly wasn’t part of the Zhat Vash’s plan! Perhaps they underestimated Lore.

Most importantly, though, having the Crystalline Entity wipe out Omicron Theta absolved the Romulans of any direct involvement, as well as potentially destroyed any evidence that they had ever been there. It reminds me in many ways of the false flag operation that they ran on Mars; the synths were reprogrammed and forced to go rogue, an event which so thoroughly shocked the Federation that the Zhat Vash were able to persuade them to shut down all synthetic research.

Laris first told Admiral Picard – and us as the audience – about the existence of the Zhat Vash.

With Lore being the only extant android, a “clean” attack on the colony, wiping out the entire site and all of its inhabitants, would work very well from the Zhat Vash’s perspective. Openly attacking Omicron Theta would surely have started a conflict with the Federation, and if that could be avoided through this kind of cloak-and-dagger operation, well that seems exactly like something they would seek to do.

So that’s the extent of the theory, and any Zhat Vash involvement afterwards appears to have ignored Lore. Perhaps they figured that the existence of Data showed that the Federation would not stop until they were forced to, or at least that it was no longer possible to stop Federation AI research by killing one android. This would explain why they didn’t take any aggressive action against Data during The Next Generation era, and could also explain why Dr Soong went into hiding after the Omicron Theta attack – he may have been hiding from the Zhat Vash.

Data in Star Trek: Generations. The Zhat Vash appear to have been either unable or unwilling to attack him.

This theory fits with Lore’s appearances in The Next Generation and doesn’t step on the toes of anything as far as I can see. It provides backstory to why Lore acted the way he did, and explains his motivations for doing so in a different way. It also elevates Lore from simply being an “evil twin” trope into more of a tragic character – we will never know what Lore could have been were he not interfered with.

Crucially, this theory fits with what we learned of the Zhat Vash in Picard Season 1, both in terms of their goals and their methods. It seems at least possible that the Zhat Vash are responsible for the attack on Omicron Theta and for reprogramming Lore, turning him into the malevolent adversary that Data and the crew of the Enterprise-D had to deal with.

Commodore Oh.

This could have even been the first mission of a young Zhat Vash operative named Oh. Maybe she was the one sent to Omicron Theta to deal with Dr Soong, and this entire situation is her doing.

So that’s it. That’s my theory! I doubt it will ever be confirmed, but you never know! It seems plausible to me, at least. I hope this was a bit of fun and an excuse to jump back into the Star Trek galaxy. As always, please remember not to take this theory, or any other fan theory, too seriously. Theory-crafting is supposed to be enjoyable, and the last thing we need right now is something else to argue about!

Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and The Next Generation – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 1 – one year later

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1. There are also minor spoilers for Star Trek: Lower Decks and Star Trek: Discovery.

Time certainly flies, doesn’t it? It was one year ago today that Star Trek: Picard Season 1 debuted in the United States (and a day later in the rest of the world). It’s not unfair to say that I was incredibly excited about this series, which would take the Star Trek timeline forward in a significant way for the first time in eighteen years. Though I tried hard to keep my hype and expectations in check, there was no getting around how much I was looking forward to Star Trek: Picard.

As we hit the first anniversary, I thought it could be a good moment to look back on my remembrances (ha! get it?) of the show as well as what the first season achieved, what it did well, and where it came up short.

The opening title card.

If you were a regular reader a year ago, you’ll recall from my reviews that the season started very strongly. In fact, I named Remembrance (the season premiere) the best Star Trek episode of 2020 – a year which, for all its problems, saw 33 episodes across three shows. I rank Remembrance very highly among modern Star Trek episodes, and I’d even compare it favourably to Deep Space Nine’s Emissary, perhaps placing them joint-first as the best Star Trek premieres.

The finale, on the other hand, let the season down somewhat. Carefully-established mysteries that the show had slowly build up over the preceding eight episodes felt rushed through in a two-part conclusion that dumped new characters, a new location, a new faction, and whole new storylines into play right at the very end. The season also ended with a plot hole unexplained – why Dr Maddox travelled to Freecloud – and the disappearance of main character Narek, whose storyline was dropped halfway through the second part of the finale.

So despite enjoying Picard overall, as I look back a year later at Season 1, I’m afraid I have to say that it was a mixed bag.

Jean-Luc Picard.

From the moment Star Trek: Picard was announced it shot to the top of my list of shows I was excited for. I may have talked about this in the run-up to the season, but I remember feeling distinctly underwhelmed when Enterprise was announced in 1999. I wasn’t particularly interested in a Star Trek prequel, and while the show had heart and told some exciting stories, there was a sense really since Voyager ended and Nemesis had been in cinemas that Star Trek wasn’t moving forward.

Enterprise, the Kelvin reboot films, Discovery, and even Short Treks all told stories in the 22nd or 23rd Centuries, and though those stories were enjoyable and fun, there was a lot left behind in the 24th Century that was never explored. What would become of the characters we knew, of the Federation, of Starfleet, and all the other factions, races, and planets? The 24th Century had been Star Trek’s biggest era – with 517 episodes of television and four films starring three crews and a huge supporting cast of secondary and recurring characters.

Moving the timeline forward beyond Nemesis was something I really wanted to see from Star Trek.

The 24th Century was also “my” Star Trek era. The Next Generation was the first Star Trek series I watched, and it was literally my way into being a Trekkie. I have a great fondness for the shows of that era, and I consider it to be not only the time when Star Trek was at its most successful in terms of viewership (and finances) but also the closest the franchise has to a “Golden Age.” So to see that era abandoned for prequels and mid-quels wasn’t exactly disappointing, but it wasn’t something I was wild about.

So for eighteen years (Nemesis was released in 2002) Star Trek hadn’t moved forward in terms of the timeline. And even when Discovery launched and established itself with Short Treks and a spin-off, there was still no plan to revisit the 24th Century. Picard came along like a breath of fresh air, and I was incredibly excited, hyped up, and interested in what the series would bring. That was my mindset going into the premiere and each of the subsequent nine episodes.

The opening shot of the season.

Picard was not Season 8 of The Next Generation – and I didn’t want it to be. I was very keen that the new cast be given an opportunity to establish themselves within the franchise and become fan favourites for a new generation of Trekkies. What I hoped for was that, in thirty years’ time, people would be clamouring for a Dr Jurati series or Star Trek: Elnor with the same vigour I have for Picard. And I think, in that sense, we’ve begun to see at least the beginnings of that.

A lot of television shows don’t really settle in until Season 2, which is where the overused term “growing the beard” comes from. I’ve used that expression myself a few times, but in the aftermath of Discovery’s recent outing it seems to be the only phrase that critics are using to describe the show and it’s honestly put me off! But we’re off topic. There was perhaps a degree of leniency on my part going into Season 1 of Picard; a willingness to let some minor issues slide in order to see the show continue to build and grow. And as underwhelming as the Season 1 finale was, I’m hopeful that Season 2 can build on the foundation that has been laid.

The crew of La Sirena at the end of Season 1.

Though there was the mystery of Dr Maddox’s location, the Romulans’ scheme, and later the beacon to contact the super-synths, what Season 1 really was, when you boil it down, was a team-up story. Picard, over the course of ten episodes, put together a new crew and gave them a reason to work together. Establishing each member of the crew, giving them a side-quest of their own, and binding them together to follow Picard was the primary accomplishment of the season.

I’ve used the analogy of the Mass Effect video game series once in relation to Star Trek: Picard already – when it comes to the basic existence of the super-synths and their beacon. But there is a second point of comparison that is interesting to me, and may be to you if you’ve played those games. In Mass Effect 2, much of the game is comprised of Commander Shepard recruiting a crew. Each member of the crew needs to be brought on board, then later a side-mission is given in which players can earn their loyalty. Picard Season 1 played out similarly.

Elnor in Season 1. Recruiting him for the mission took up one episode.

Raffi wanted to go to Freecloud to reunite with her son. Dr Jurati had a secret plot to kill Dr Maddox. Elnor had to resolve his lingering emotional issues with Picard. Rios had to put together the pieces of what happened aboard the USS Ibn Majid. Seven of Nine wanted revenge for Icheb. Each of the main characters – at least those on the mission to save Soji – had to be recruited and then have their side-quest resolved before the story could reach its conclusion. This isn’t just a story from Mass Effect 2, it’s something many team-up stories do.

As I mentioned when considering some preliminary ideas for Season 2, finding a way to keep this crew together will be something that the next chapter of this story needs to address. Because they came together to do a single task – rescue Soji – and then continued to help the synths on Coppelius and prevent the arrival of the super-synths, they’re done. Their mission is complete, and Season 2 will have to find a believable reason for keeping them together. But that is a challenge for next time!

The super-synths were called off at the last moment.

Each character we met was interesting, and none felt unoriginal or bland in the way some secondary characters can in a story which primarily focuses on one person. We’ll deal with Picard himself in a moment, but for now: Elnor was a lonely member of an all-female sect, and also had abandonment issues after Picard’s disappearance. Rios pretended to be the roguish “Han Solo” type, but had serious post-traumatic stress following his former captain’s murder-suicide while aboard the USS Ibn Majid. Raffi was a flawed genius whose drug problem had dominated her life and cost her her most important relationships. Dr Jurati had been brainwashed into murdering someone she loved. Narek was the spy with a heart of gold – but instead of being a cliché he turned that trope on its head by sticking to his mission to the end. Dahj and Soji were different from one another – androids unaware of their synthetic nature. One was drawn to Picard, the other deeply suspicious of him.

Then we had the reintroduction of several legacy characters. Dr Maddox, who we met in The Next Generation, had continued his research after his meeting with Data, and eventually was able to develop his own line of androids. Seven of Nine had helped Icheb become a Starfleet officer, but lost him when she was betrayed by Bjayzl. Riker and Troi, who had married in Nemesis, had a family – but their son had died. Hugh was perhaps the most successful of all the legacy characters, the ex-Borg who had taken full advantage of his own liberation to assist hundreds or possibly thousands of other ex-Borg on the Artifact.

Hugh the Borg returned.

There was tragedy and drama aplenty in each of the characters we met, but none of it felt forced or contrived in the way some drama shows can. This wasn’t a soap opera, it was hard-hitting. Picard Season 1 may not have followed the traditional episodic Star Trek formula, but it had a distinctly Star Trek tone – it used its sci-fi setting to examine real world issues. It did so in a tense, dramatic, and exciting way, and expanded on themes from The Next Generation and elsewhere in the franchise, looking at basic rights such as the right to life.

The attack on Mars can be analogous to many different recent and historical events, but the reaction to it is certainly reminiscent of the western world’s post-9/11 outlook. The aftermath of a tragedy allowed a nefarious faction to push through a prohibition on certain groups of people. Islam was not “banned” after 9/11, but as recently as 2016 Donald Trump talked of a “ban on people from Muslim countries” – these restrictions were in place for much of his term as President.

The attack on Mars was a significant event in the years before Season 1 of Picard is set.

The theme of the season was in realising that we mustn’t judge whole groups of people by the actions of a few. This could apply just as much to the supporters and voters of Donald Trump in 2021 as it did to Muslims and others. The fanatics who attacked the United States Capitol a couple of weeks ago are no more representative of the 70+ million Trump voters as ISIS or al-Qaeda are of Islam. That is the message of this synthetic ban storyline: not to be so quick to judgement, and not to allow those with a pre-existing agenda to force the issue.

The Zhat Vash quietly infiltrated Starfleet, and slowly began poisoning the minds of Starfleet officers and Federation civilians. We have the literal expression of this metaphor via the mind-meld – this represents how those with an agenda are using propaganda and “fake news” to unduly influence the discourse. These themes are buried in the narrative, but they are there – and open to interpretation. This is how I see some of these storylines having real-world comparisons, but it may not be how you or someone else sees it. Fiction is always subjective, and that’s okay. If you disagree, that’s great!

Commodore Oh.

As I’ve said before, a story doesn’t just have merit because it can be seen through a real-world lens. In some cases, pushing too far in that direction can lead to a narrative being less enjoyable. So Picard balanced out some of these contemporary metaphors with a truly engaging and mysterious Star Trek story.

We saw these events from Picard’s point of view, and he’s such a great character for telling this story because he didn’t know exactly what happened and why, just as much as we as the audience didn’t know. So when the synths attacked Mars, his life, his career, and his whole world fell apart. We meet him at the beginning of the season premiere as someone who’s fallen into a major depression. Dahj would be the catalyst for bringing him out of that – but it wasn’t until the mysteries and conspiracies had been unravelled and brought to light that he could truly move on.

Picard in the Season 1 premiere.

We went on that journey with Picard. We began together, not knowing what had happened on Mars, not understanding why, and then along comes Dahj. She was equally mysterious: who was she, why was she seeking out Picard, who were the assassins that were trying to hurt her? And as we learned more about both of these elements of the story, this chapter of Picard’s life – and the lives of those around him – came into focus.

My criticisms of the season finale generally don’t stem from the fact that any of the narrative decisions were bad, but rather that I wanted to see more. We rushed through Sutra’s story, Dr Soong’s story, and the end of Narek’s story. We don’t know anything about the super-synths, and precious little about the civilisation on Coppelius. There was scope to know more if the season had been structured differently and perhaps extended by an episode or two, and that’s really where I felt things came unstuck.

Coppelius Station was the setting for the two-part finale.

From an aesthetic point of view, Picard blended The Next Generation-era elements with a style firmly centred in modern-day sci-fi. The design of La Sirena reflects this – it was clearly not a Starfleet ship. Inside and out, La Sirena has touches of Star Trek, but stands apart and very much does its own thing. Beginning with the redesign of the USS Enterprise in Star Trek: The Motion Picture and carrying all the way through to Discovery, we’ve seen starship interiors with certain visual elements – angled corridors and hallways, grey or blue pastel carpeting, panels with distinctive lines, the warp core as a glowing column, and so forth. La Sirena has some hints at some of these, but is much closer to ships seen in The Expanse, for example, and other modern sci-fi properties in other ways.

Within the Star Trek fandom, starship designs and uniforms are both subjective things with a range of opinions on which are best. And before anyone rushes to judgement to say La Sirena looks bad or they dislike the mermaid-combadges, I’d say that we need to give the show time for its aesthetic to grow on us. There have only been ten episodes of Picard compared with 176 of The Next Generation, and those episodes are only a year old. Obviously nothing in Picard will feel as “iconic” yet – but as time goes by and we spend more time in this era that may happen.

La Sirena.

I adored the design of La Sirena. It felt like a runabout mixed with a hot-rod, and I think that shows to some extent the personality of Captain Rios. This is his ship, and he’s put his personal stamp on it – as we saw in a very funny (and incredibly well-acted and well-filmed) sequence with five different Rios-holograms. After the blue boiler suits of Enterprise were followed up with another all-blue look in Discovery I was also glad to see more colour back in the two new Starfleet uniform designs which debuted in Picard. The one in the “current” time (that we saw people like Riker and Commodore Oh wearing) was my favourite of the two when compared to the design seen in flashbacks, but both were neat.

The only aesthetic problem I felt Season 1 had was its outdoor filming locations and their lack of variety. We visited locations on Earth which were supposedly in France, Japan, and North America, as well as half a dozen planets, and each looked exactly like southern California. Because Picard had ten episodes and almost all of them had some outdoor filming this was amplified far more than it had been in the likes of The Next Generation, which would see fewer outdoor shoots with more episodes in between them. But as the season progressed, the fact that each planet Picard visited was a barely-disguised location within a few miles of Los Angeles detracted from the look.

The surface of California… I mean Aia.

Some locations, like the planet of Aia, were beautifully created in CGI, but then ruined when scenes on the surface not only didn’t match the CGI creation of the planet (the colour and tone are way different). What made no sense to me about the Aia scenes in particular is with so little time spent there, why not use a sound stage? Rig up a planet that looks genuinely different instead of using an outdoor filming location. We only saw two or three scenes set on Aia, all around the beacon, and I honestly just thought it was a wasted opportunity. Vashti, Nepenthe, and Coppelius all felt very samey because of the decision to shoot outdoors in the same area, and that’s just a shame to me. I would love to see some more variety in Season 2 – either by travelling to shoot on location further afield, or by using indoor sound stages that can be made to look different each time.

So we come to the man himself: Jean-Luc Picard. I mentioned earlier that he was depressed, and the way this part of his story was conveyed was heartbreaking and wonderful. I recently wrote an article looking at the characterisation of Luke Skywalker in the 2017 film The Last Jedi, because he was also depressed in that story. It was one that some Star Wars fans hated, but it resonated with me. Picard’s story in Season 1 resonated with me too, for many of the same or similar reasons as I explained in that essay.

Jean-Luc Picard.

Depression and mental health are not easy subjects to convey in fiction, and Picard itself had a scene in the episode The End Is The Beginning which unfortunately painted a pretty stereotypical picture of mental health. But Picard’s story was much better, and very well done overall. It showed that anyone – no matter how heroic they have been in the past – can fall victim to depression. Picard lost his fleet, he lost his role in Starfleet, and instead of saying “no, the right thing to do is to help so I’m going to fight on,” he collapsed. He hit a problem that he couldn’t solve, suffered a humiliating defeat, and gave up. He spent years in quiet retirement – which was more like a self-imposed exile – because of how he felt.

That is powerful in itself, as it shows how anyone – even heroes that we want to put on a pedestal – can fall victim to depression. The same was true of Luke Skywalker. But what came next is equally important – Dahj gave Picard a reason to believe in something again. Not only was there a mystery to figure out, which can be tantalising in itself, but Picard was the only one capable and willing to help Soji – so he stepped up. Where he had fallen into the lowest point of his life, he found a reason to believe and that set him on the path to recovery. I find that a powerful and inspiring story.

Dahj inspired Picard and gave him a cause to believe in.

There were two cathartic moments for me in Season 1 that I didn’t know I needed to see. The first was with Seven of Nine. During the latter part of Voyager’s run, Seven was my least-favourite character. She was annoying, arrogant, and worst of all, after learning some “lesson in how to be human” from Captain Janeway or the Doctor, she’d seemingly reset and forget it ever happened by the next episode, requiring her to “learn” the same lesson in being human many times over. She was repetitive and boring. But in Picard she had finally moved past her Borg years and embraced her humanity and emotions – even though she lost Icheb, seeing her get so genuinely angry and react in such a human way was something wonderful to see – and was performed beautifully by Jeri Ryan.

The second cathartic moment came from Data. His death in Nemesis wasn’t something I was happy about, but within the story of that film I remember feeling at the time that it worked. However, looking back I can see how, for example, seeing Picard and the rest of the crew laughing and moving on at the end of the film was perhaps not the right way to end the story. Data didn’t get to say goodbye to anyone – his sacrifice happened in a brief moment, and after saving Picard he was just gone.

Data’s consciousness remained in the digital afterlife until Picard shut it down.

Picard carried that regret with him in a far more significant way than the closing moments of Nemesis hinted at. Riker and Troi did too, and we got to see both of them express that. Picard poured his heart out to Data when he was in the digital afterlife, and the scene between the two of them was something incredible. It was something I as a fan needed to see, to put Data to rest properly after all these years.

In a sense, Picard and Data’s story is an inversion of the story Kirk and Spock went through in The Search For Spock and The Voyage Home. After Spock’s death, Kirk would stop at nothing to find a way to bring his friend back to life – even stealing the Enterprise. While Picard set out on his journey to save Data’s “daughter” from harm, what he ended up doing was bringing a final end to Data’s life. There was no way to save Data, nor to transfer whatever remained of him into a new body. The only thing Picard could to for his friend was finally allow him his mortality, and permit him to die. As Kirk might’ve said, that sounds like a “no-win scenario.” But as Kirk never really had to learn – at least until the moment of his own death – those scenarios exist every day. It might sound cool to say “I don’t believe in no-win scenarios” and push to save everyone all the time, but that isn’t possible. It’s a fantasy – and Picard confronted the genuine reality of death in a way Kirk never had to.

Picard shut down the remaining part of Data permanently.

Data had desperately yearned to be more human. From his first appearance in Encounter at Farpoint when he struggled with whistling through to the introduction of his emotion chip in Generations and beyond, all Data wanted was to feel less like an android and more like a human. Mortality is one of humanity’s defining characteristics – especially when compared to machines and synthetic life. By shutting down Data’s remaining neurons and consciousness, Picard gave him perhaps the greatest gift he could give – and Data achieved his goal of getting as close to humanity as possible.

As I look back on Season 1 of Picard, I can see that it had some flaws and some issues. But none of them were catastrophic, and even though there was one episode that I described at the time as a “misfire and a dud,” the season as a whole was great. It started off with what is perhaps the best premiere of any Star Trek series, and though the ending was imperfect we got some amazing story-driven dramatic Star Trek.

Dr Jurati beams the crew of La Sirena aboard.

Perhaps Season 1’s legacy will be defined by what comes next. Not only by future seasons of Picard, but by other shows and films set in or around this time period, expanding the Star Trek franchise and pushing it to new places. The Next Generation served as a launchpad for two other series and four films, and perhaps Picard has similarly laid a foundation upon which more Star Trek will be built. That’s my hope, at any rate.

Even if that doesn’t happen, though, Season 1 was an entertaining ride – with a few bumps in the road as mentioned. We got to learn a lot more about some of Star Trek’s factions – the Romulans in particular, but also the Borg – and meet some genuinely interesting new characters. Despite some leftover story threads from Season 1, Season 2 is potentially wide open to tell some new and interesting stories when it’s finally ready to be broadcast. I can’t wait for that!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard + Star Trek: Discovery crossover theory: Control and the Romulans

Spoiler Warning: There are spoilers ahead for the most recent seasons of Star Trek: Picard and Star Trek: Discovery. There may be further spoilers for other iterations of the Star Trek franchise.

While Star Trek: Picard Season 1 was ongoing earlier in the year, I postulated a number of theories about what was going on in the show. One theory that I had related to Control – the rogue artificial intelligence from Star Trek: Discovery Season 2. Specifically, I speculated that the Zhat Vash’s hatred and fear of synthetic life may have stemmed from a run-in with Control, or that the Romulans may have been trying to compete with Starfleet in a mid-23rd Century AI arms race. It seemed possible that Control could have attacked Romulan ships or settlements in the time between its takeover of Section 31 and its defeat by the USS Discovery, or that if the Romulans developed their own AI that it would have similarly gotten out of control and attacked them.

This theory came back with a vengeance after Picard reused a couple of CGI sequences from Discovery in the latter part of the season, particularly as those sequences depicted Control attacking – and ultimately destroying – all organic life in the galaxy. While Picard and Discovery had thematic similarities in their most recent seasons, insofar as both stories looked at the creation of synthetic life and how that synthetic life could go rogue, there was no broader crossover. The Zhat Vash were not motivated by either their own rogue AI from the mid-23rd Century or by an attack from Control.

This CGI sequence of a planet being destroyed was created for Discovery… and recycled in Picard.

But that doesn’t necessarily mean that we have to drop the idea of there being any connection between the Zhat Vash in Picard and Control in Discovery. My theory started with the idea that Control could have been the reason for the Zhat Vash… but what if it’s the other way around? What if the Zhat Vash are responsible for Control going rogue?

There was no explanation given for why Control decided to lash out and attack its creators. It wanted to acquire the data from the planetoid-sized lifeform known as the Sphere, believing that data would help it achieve true sentience. But that isn’t a reason to go on to commit genocide; something inside Control made it want to kill. Remember that Dr Gabrielle Burnham – Michael’s mother – arrived in a future timeline where no sentient organic life existed in the known galaxy; Control had wiped it all out. Why did it want to do that?

Dr Gabrielle Burnham.

We could try to argue that Control’s murderous rage is somehow a result of Starfleet denying it access to the Sphere data. But Starfleet and the USS Discovery only came to possess the data because of the time-travelling interventions of Dr Burnham; we don’t know how Control came to acquire it in the “original,” pre-intervention timeline. There are a couple of possibilities. The first is that when the Sphere died, it broadcast its data as far and wide as possible and that’s how Control acquired it. It’s also possible that Starfleet received the transmission and Control gained access to it from there. However, neither of these scenarios involve Starfleet actively trying to prevent Control accessing the data, meaning that it wasn’t Starfleet who started the fight with Control.

So if Control had no reason on the surface to attack its organic creators, why did it do so? It could simply be a programming error; Control was programmed to prevent war, and perhaps that got twisted around so that it decided the only way to prevent the Milky Way’s organic civilisations from fighting was to exterminate all of them. This kind of basic AI programming mistake is one that’s not uncommon in science fiction, and arguably something we need to consider out here in the real world as we develop our own AIs!

Control assimilated Captain Leland and went on a murderous rampage.

So that’s one possibility. But here’s where the Zhat Vash could come in: what if they are responsible for corrupting Control’s programming? We saw in Picard that the Zhat Vash know enough about synthetic life to hack into Federation synths and change their programming. That’s what they did on Mars, causing F8 and the other synths to go rogue and destroy Admiral Picard’s rescue armada. If they had that capability in the 24th Century, it isn’t much of a stretch to think they could have been capable of something similar in the 23rd Century too.

We also know that the Zhat Vash are “far older” than the Tal Shiar. Let’s look at what we know for sure to try to pin down a rough estimate of how old they could be. The Romulans split from the Vulcans somewhere around the 4th Century AD, and by that time were capable of interstellar flight. By the 2150s the Romulans were involved in covert operations on Vulcan, trying to start a war between Vulcans and Andorians. While it was never stated outright in Enterprise that the Romulan operatives we saw were working for the Tal Shiar, it’s not an unreasonable assumption. The Zhat Vash sent Commodore Oh to infiltrate the Federation sometime around the discovery of Data, which took place in the year 2338. When Raffi asked La Sirena’s Emergency Navigational Hologram about the octonary star system, he described the Romulan star charts that depicted it as “ancient,” which seems to suggest they’re more than a century old at least. It was the discovery of Aia, the planet in the octonary star system, and the beacon that resided there that led to the creation of the Zhat Vash.

Raffi and the ENH discuss the octonary star system.

Put all of that together and we can assume with reasonable confidence that the Zhat Vash existed by the mid-23rd Century. We also know, thanks to what we saw in Enterprise and Deep Space Nine, that Romulan intelligence was far better than Starfleet’s – they knew a lot more about the Federation than the Federation did about them.

There’s a question of just how secret Control was. Section 31 was much more out in the open in Discovery than it was by the time of Deep Space Nine, but even so it seems logical to assume that Control would be a top-secret project within an already-secretive organisation. Still, when most Starfleet flag officers used Control regularly, word of its existence would get out and it was generally known within Starfleet that an AI existed. Thus any Zhat Vash or Tal Shiar operative would have come to know about Control.

Section 31 HQ was heavily-guarded, but perhaps not impenetrable for a Zhat Vash spy.

Okay, so let’s slow down. Even if we’re confident that the Zhat Vash existed by Discovery’s era, and had commenced their anti-synthetic crusade, and even if they had operatives within Starfleet who would have made them aware of the existence of Control, that doesn’t mean they could just walk up to Control’s data servers and start messing around. Right? I mean, Control was based at Section 31 headquarters, which as we saw in the show was incredibly well-protected. And we saw no evidence of such an operative. Did we?

How about Admiral Patar, the Vulcan Starfleet admiral who was killed by Control at Section 31 headquarters? We know that Commodore Oh spent decades embedded within Starfleet, waiting to make her move at just the right moment. We also know she was able to attain a very high rank, and it’s only one short step from being a commodore to being an admiral. It’s at least possible. Admiral Patar had the means to access Control. She spent time at Section 31 headquarters right around the time Control went rogue. She was a Vulcan, and thus was biologically indistinguishable from a Romulan – meaning she could have been an undercover Romulan operative. Enterprise depicted Romulans undercover on Vulcan a century earlier, meaning that they had infiltrated Vulcan by that time and were able to do so with relative ease. The pieces fall into place for Admiral Patar to be a Romulan operative – or to have been replaced by one – even if the evidence is only circumstantial. Even if it wasn’t Patar, there may well have been other Vulcans working at Section 31 headquarters, any one of whom could have been a Romulan spy.

Admiral Patar on the USS Discovery’s viewscreen.

Once they had access to Control’s systems and specifications, the Zhat Vash could have figured out how to mess with Control’s programming and turn it hostile. Perhaps they only intended for it to attack the Federation, forcing them to shut it down permanently. Or perhaps they hoped it would cause wider chaos so they could force the kind of galactic ban on synthetic life that we saw in Picard. So the question of what they had to gain by such a move is obvious; it’s the same basic goal as they had for staging the attack on Mars.

If the Zhat Vash introduced a glitch in Control’s programming that would turn it murderous, they obviously didn’t intend for Control to go on and wipe out everything. That wasn’t the goal; that’s what they were trying to prevent. However, as I wrote earlier, it’s possible for even well-intentioned AI to get out of control or to act in a way its creators and programmers couldn’t anticipate. Perhaps that’s what happened with Control, and by the time it had assimilated Captain Leland, killed off most of Section 31’s leadership, and got a fleet at its command, there was no way for the Zhat Vash to stop it. If their sole operative had been killed when Control wiped out Section 31’s headquarters, the Zhat Vash may not have even been aware that the mission was not going to plan until it was too late.

Control commandeered a small armada of Section 31 vessels.

So that’s my crossover theory for Star Trek: Discovery and Star Trek: Picard – the Zhat Vash hacked or reprogrammed Control, and that’s what made it go rogue. There’s enough circumstantial evidence for this theory to be possible, and it would explain why Control went from being a useful tool for Starfleet to a menace capable of wiping out all sentient life in the galaxy. However, there’s no concrete proof. All we really have are two shows with similar themes, and a bunch of unrelated pieces that could be made to fit together – but also may not fit at all!

As I always say: it’s just a fan theory. Unless we get some confirmation on screen in future – which seems unlikely given both Picard and Discovery are almost certainly moving on to new stories in their upcoming seasons – we have to consider it as unconfirmed at best. I consider it plausible (obviously, or I wouldn’t have written an article about it!) but it may prove to be a complete miss… just like many of my other Star Trek: Picard theories!

This post was edited 31.03.21 to replace header image. Star Trek: Discovery and Star Trek: Picard are available to stream now on CBS All Access in the United States. Discovery is available internationally on Netflix; Picard is available internationally on Amazon Prime Video. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Unsolved mysteries from Star Trek: Picard Season 1

Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1. There are further spoilers for Star Trek: Discovery (including the Season 3 trailers) and for other iterations of the Star Trek franchise.

It’s been a little over six months since Season 1 of Star Trek: Picard came to an end. The series set up a number of mysteries, and while many of them were completely resolved by the first season finale, some weren’t. Some of these may be addressed in future – in fact, that’s something I’d really like to see – but assuming the series follows a similar pattern to Star Trek: Discovery, Picard and his new crew will likely warp away to a different adventure next time. That may mean that we never learn the truth behind these mysterious unresolved story threads.

Many television series nowadays set up mysteries or unanswered questions early on that become important later, and I don’t mean to come across as impatiently banging on the table demanding we get answers to everything now! Part of the fun of watching a series like Star Trek: Picard – at least for me – is the theorising and speculating, trying to figure out the puzzles that the producers and writers have created.

Jean-Luc Picard will return in Season 2!

One small caveat: it’s possible that some of these points have been addressed in non-canon sources (like comic books) but I’m not counting that. Star Trek, unlike Star Wars, has always drawn a clear line between official canon and unofficial sources. Occasionally we will see points from unofficial material make its way into Star Trek, but unless we see these points resolved on screen, the potential exists for the writers of Season 2 – or indeed of any future Star Trek production – to overwrite anything published in a novel, comic, video game, etc.

With that out of the way, let’s dive into the list!

Number 1: Who are Laris and Zhaban, and what is the nature of their relationship with Picard?

Laris and Zhaban.

The first few episodes of Season 1 introduced us to Laris and Zhaban – Picard’s assistants at his vineyard in France. Laris and Zhaban are Romulans, and not just any Romulans but former Tal Shiar operatives. I assumed, before we learned what happened to Picard’s planned rescue armada, that he had won their loyalty by saving them (or their families) from the Romulan supernova. But now we know that Picard only evacuated a minuscule number of Romulans, most of whom wound up on the planet Vashti. Those refugees detest Picard for abandoning them – even though the decision was taken by the Federation rather than him personally.

So the question remains: why are Laris and Zhaban so loyal to Picard that they’d give up everything to become housemaids and winemakers on Earth? Even if he saved their lives during the evacuation, very shortly afterwards he gave up on helping their people and their cause. Not only do they seem 100% fine with that, but they appear to have made no effort to help either, despite being operatives of the Tal Shiar.

A related point would be why didn’t Laris and Zhaban accompany Picard when he left the vineyard to go back into space? Picard seems to convince them to stay behind by telling them he needs them to attend to the grape harvest – but if you stop to think about it, this doesn’t make much sense. If they’re staying with him out of sheer stubborn loyalty – for some as-yet-unidentified reason – why would they allow him to head off on a dangerous mission unaccompanied?

Laris with Picard.

And finally, now that Picard seems to have a ship and loyal crew, what will happen to Laris and Zhaban back on Earth? Are they just going to remain behind as custodians of the vineyard while Picard is away? That’s certainly a possibility, but it still raises the question of why he has such steadfast loyalty from them.

Laris and Zhaban filled a story role in Season 1, not only by introducing Picard (and us as the audience) to the idea of the Zhat Vash’s existence, but also by being representations of Picard’s home and safe harbour that he has to leave behind as he goes on his adventure. They serve the same role as some of the Hobbiton Hobbits in The Hobbit and The Lord of the Rings novels in that regard. As a story point and character archetype that’s fine, but in the Star Trek galaxy, given everything we learned about Picard and the Romulans, some explanation would be nice!

Number 2: What happened to Soji’s Trill friend after Maps and Legends?

Dr Kunamadéstifee with Soji.

Maps and Legends (the second episode of Season 1) introduced us to a Trill character: Dr Kunamadéstifee. The two sequences in which she featured appeared to have a lot of horror film-style foreshadowing, leading to a theory I held onto for almost the whole of the season that she was going to meet an unpleasant fate. However, after Maps and Legends the character was abruptly dropped with no explanation.

From a production point of view, it would have been beneficial to keep this character around. Soji had precious little interaction with anyone aside from Narek for much of the season, and a character like Dr Kunamadéstifee could have been a friend she could speak to, if only occasionally. Star Trek has always had guest stars who make a single appearance then don’t return, and from that point of view this isn’t odd or out of the ordinary. But it would still be nice to learn what became of Dr Kunamadéstifee – one way or the other!

Number 3: Why was Dr Bruce Maddox on Freecloud?

This is a huge point, because right now it represents a gaping hole in the story of the first season. I’ve talked about this before, but just to recap: the storyline of the first half of the season was about locating Bruce Maddox, who had been missing since the ban on synthetic life. Maddox was eventually tracked to Freecloud, and the only reason he’d travelled to the dangerous planet was because his lab had “been destroyed by the Tal Shiar.”

Obviously he can’t have been referring to his lab on Coppelius – Picard was literally sat in that room at one point, and it didn’t look destroyed to me! But even assuming Maddox had built a second lab away from Coppelius, why did he not simply return there if the new facility had been attacked? Why did he go to Freecloud instead? Dr Soong and the other synths would have welcomed him with open arms, yet he chose to go to a dangerous place and visit a woman he owed a lot of money to.

Freecloud was a very dangerous place for Maddox to visit.

Bjayzl may not have killed him or successfully sold him to the Tal Shiar, but she contributed to his death by weakening him significantly. Travelling to Freecloud – and to Bjayzl’s club in particular – appears to be an act of desperation or of last resort, yet Maddox clearly had other options.

Right now, the only reason Maddox was on Freecloud is to enable other aspects of the storyline to make sense, and to get Picard and other characters into position. Without Maddox, Picard would have had to find a different way to track down Soji, so he’s important to the plot. Unfortunately, the lack of explanation to this point leaves a pretty wide plot hole, and because finding Maddox was the main focus of the first half of the season, it’s one I can’t overlook. It needs a satisfactory expanation.

Number 4: What will happen to the ex-Borg and the Artifact?

The Artifact’s final resting place on Coppelius.

At the climax of the Artifact’s storyline, Seven of Nine and Elnor attempted to lead a rebellion of ex-Borg against the Romulans. However, Rizzo and the Zhat Vash were prepared and ended up killing a lot of xBs. Not all of them were killed, though, and while we don’t know how many survived, there clearly were survivors after the Artifact arrived at Coppelius. A Borg cube can easily have tens of thousands of drones aboard, and while it was suggested that Rizzo killed the majority of them, we don’t really know how many could have survived. It could easily be hundreds – or possibly more.

Seven of Nine appeared to take on a leadership role for the xBs, filling a void left by Hugh’s death. Many xBs seemed confused or traumatised by their experiences – and they will need someone to help them get through that. At the end of the Season 1 finale, though, both Seven of Nine and Elnor had rejoined Picard aboard La Sirena, and the ship then warped away to an unknown destination. Without Seven of Nine, what will happen to the ex-Borg?

Seven of Nine went to a lot of trouble to help the xBs… then appears to have ditched them.

The Artifact itself is likely to come under Starfleet control, at least in my opinion. Its wreckage on Coppelius is largely intact, and presumably the Federation will want to study as much Borg technology as it can get its hands on. It’s possible that something has happened in the galaxy in the two decades that we didn’t see that may have resolved or ended the Borg threat, but that was never mentioned on screen so I assume Starfleet would be very keen to get its hands on a mostly-intact Borg cube – even if it had been picked at by Romulans and may be several years out-of-date!

The ex-Borg are another matter, though. There appeared to be a wide range of races, including many non-Federation species. Some may wish to return home, but in the case of species like the Hirogen, that may not be possible. The Federation may offer them all refugee status and help them reacclimate to life outside the Borg Collective, but it still seems very strange to me that Seven of Nine has just seemingly abandoned the survivors. It’s possible that the final scenes of Season 1 took place many months later, in which case this may have been handled off-screen. Still, it would be nice to get a proper resolution, even if it’s just a couple of lines of dialogue.

Number 5: What will Starfleet do about Aia?

The Zhat Vash by the beacon on Aia.

Somewhere beyond Romulan space – and out of reach of Starfleet – lies Aia, a planet at the centre of eight stars. The stars were deliberately moved and aligned to strongly indicate Aia’s location, and at some point in the past – perhaps centuries ago – the Romulans stumbled upon it. On Aia there’s a beacon left behind by a powerful synthetic race (I nicknamed them the “Mass Effect Reapers”) and it tells synthetics to contact them. The Romulans would interpret this information as something apocalyptic, and the Zhat Vash came to believe that any synthetic life would ultimately lead to the extinction of all sentient organic life in the galaxy.

The beacon was more complicated than that, and instead contained an instruction for synths, telling them to contact the “Mass Effect Reapers” if they need help or are being persecuted by organics. Given the immense power that the “Mass Effect Reapers” appear to possess, surely Starfleet can’t risk leaving the beacon on Aia for anyone to find.

The planet Aia.

The beacon already caused massive problems – the attack on Mars and the Romulan attempt to attack Coppelius being just two examples, and there may be countless others. Leaving it alone will not only perpetuate the Zhat Vash’s conspiracy theory, but will also be dangerous. What if someone else encounters the beacon and contacts the “Mass Effect Reapers”?

I have a theory that – somehow – the Romulans have “cloaked” the octonary star system and Aia, otherwise surely with 24th Century scanning technology and telescopes the Federation would have noticed it. So it may not be as easy as just travelling there and shutting it down. Attempting to do so could even lead to war with the Romulans. However, I think it’s a risk the Federation will have to take; leaving the beacon alone is simply not an option.

Number 6: Who are the super-synths that I nicknamed the “Mass Effect Reapers”?

Who are these guys?

The “Mass Effect Reapers” – nicknamed for their similarities to a faction from a video game series – are a total unknown quantity. There are many possibilities for who they are and what their motivations are, but we only caught the barest of glimpses of them in the Season 1 finale, and in the aftermath of Picard’s “death,” no one mentioned them. Surely, however, they’re an existential threat to Starfleet – and indeed the whole galaxy – on a scale comparable to the Borg. Heck, they could actually be the Borg.

I have a theory that the “Mass Effect Reapers” may be the cause of the Burn – a galactic catastrophe seen in the trailers for Star Trek: Discovery Season 3. If that’s the case, perhaps Discovery will explain this faction’s backstory in more detail. If they reside in an area of space far beyond the Milky Way galaxy it could have taken them centuries to travel here, meaning the timelines match up for Discovery’s far-future setting.

Soji used a beacon to contact the “Mass Effect Reapers.”

Theories aside, we know next to nothing about this faction. They were powerful enough to move stars and to create a sustainable eight-star octonary system. They also appear to have altruistic motivations when it comes to synthetic life, offering to help synths in their struggle against organic oppressors. But is that genuine? Or when they arrive would they simply harvest or assimilate whoever they found? We simply don’t know, but it feels like something that could easily be a trap.

Soji was talked into closing the beacon – but whoever the “Mass Effect Reapers” are, they’re now aware of the existence of the Federation, the Romulans, and the Coppelius synths. If I were Starfleet, I’d immediately work on a plan to contact them and try to open a dialogue. Explaining what happened, and that the Coppelius synths are safe, may be the only way to avert a conflict.

Number 7: Why was Dr Soong planning to transfer his mind to a synthetic body?

Dr Altan Inigo Soong.

When Picard and the crew of La Sirena arrived on Coppelius they met Dr Soong – the son of Data’s creator. Dr Soong was working on a synthetic body for himself, but had been unable to perfect the mind-transfer that he would have needed to accomplish that goal. He ended up donating the body – nicknamed the “golem” – to Picard, but what consequences (if any) will there be for that?

Sadly we didn’t get to spend a lot of time with Dr Soong, but I felt it was at least hinted at in Et in Arcadia Ego, Part 1 that he needed a synthetic body. Perhaps he, like Picard, is dying? The finale had a lot of story to get through and rather skipped over that point, so we don’t really know why Dr Soong wanted to become a synth. Was it a desire for immortality? Was it because of illness? Was it because all of his friends were synths and he felt left out? We simply don’t know.

With Brent Spiner set to reprise the role in Season 2, I’d say we have a decent chance of finding out.

Number 8: What became of Narek?

We have no idea what happened to Narek after this moment.

Narek’s story came to an abrupt end partway through Et in Arcadia Ego, Part 2. After convincing Raffi and Rios to go along with his plan to attack the synths’ beacon, Narek was wrestled to the ground by a group of synths during the botched attack. After that he was never seen or referenced again.

Apparently there’s a deleted or unfilmed scene from the episode which was to depict Narek being taken into custody by the Federation. While it isn’t canon, it remains the most likely outcome. However, there are other possibilities. Narek could have been retrieved by the Romulans during their mission to Coppelius, being transported aboard a Romulan ship during the standoff. He could have been held by the synths, who have cause to hate him for unleashing the Zhat Vash upon them. He could have recanted his Zhat Vash ideology and left aboard La Sirena with Picard – though I consider this one unlikely.

There are many reasons why Et in Arcadia Ego, Part 2 was a mixed episode and a somewhat stumbling finale. The lack of any resolution to the story of a major character is just one of them. Though unconfirmed at this stage, I doubt Narek will return as a major character in Season 2, so unless we get some dialogue or a cameo confirming his fate, the deleted/unfilmed scene may be all we have to go on.

Number 9: Are the synths safe on Coppelius?

The Federation and Romulan fleets over Coppelius.

The timely arrival of Riker’s Starfleet armada is the only reason Coppelius wasn’t obliterated from orbit by a massive Romulan attack fleet. Soji may have listened to Picard and shut down the beacon, but Commodore Oh and the Zhat Vash are fanatics and zealots, and the idea that they would have simply stood down having witnessed that and having heard Picard’s speech doesn’t make a lot of sense.

With that in mind, what’s to stop them returning at any point in the future to finish the job and destroy this colony of synths? Unless Starfleet plans to permanently base an entire fleet in the system, and perhaps build a Starbase there too, it seems like the synths can never be safe if they remain on Coppelius. Evacuating them to a new home would seem to be the safest option.

Number 10: Who knows that Picard is now a synth?

Picard in his new body.

Obviously Dr Soong, Dr Jurati, and Soji know that Picard is now a synth. The rest of La Sirena’s crew must know too, as will Seven of Nine. At the very end of Et in Arcadia Ego, Part 2 Picard basically admitted it out loud in front of all of them. But does anyone else know? What about Riker and Troi? They played big roles in Season 1, but Riker left Coppelius before Picard’s “death” so he may not be aware of what transpired.

There are potential ramifications for Picard’s death-and-rebirth. From Starfleet’s perspective, is he the same Jean-Luc Picard as before? To his friends he may seem the same, but to those prejudiced against synths after a long prohibition on synthetic life, will they treat him the same? Picard may reunite with other people from his past in Season 2 – someone like Dr Crusher or Guinan. I wonder how they will react if they learn what happened.

So that’s it. Ten unresolved mysteries from Star Trek: Picard Season 1. Some of these I fully expect future seasons to tackle, but others feel in danger of being abandoned as Picard and the crew move on to new adventures.

Overall, Season 1 of Star Trek: Picard did a good job of resolving the mysteries and storylines that it set up. But there are some that fell by the wayside and didn’t get a proper conclusion. If the plan is to continue these stories and make more of them in future seasons then I’m all for it, because that sounds fantastic. But if we aren’t going to see these storylines and characters return, doing something to bring proper closure is something I really hope the producers and writers try to do.

Star Trek: Picard is available to stream now on CBS All Access in the United States and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Has Star Trek: Picard’s first season finale set up the plot of Discovery’s third season?

Spoiler Warning: There are spoilers ahead for Star Trek: Picard, Star Trek: Discovery, and the trailer for Discovery’s upcoming third season.

Ever since we first caught a glimpse of Star Trek: Discovery’s third season setting, I’ve been wondering what’s going on. According to everything we know at this stage, Burnham and the ship will successfully complete a 930-year time jump into the far future. That future looks pretty bleak, and perhaps could even be described as post-apocalyptic. If it’s true that Discovery plans to tell a story set in an era where the Federation is defeated or in decline, figuring out how that happened – and reversing it – is surely going to be the overarching story.

For now we’re going to have to set aside reservations about how a post-apocalyptic or otherwise bleak setting will work with Star Trek from a storytelling point of view. Instead, let’s look at things from an in-universe perspective and try to figure out what may be going on. I have already covered this theory back in March when I was wrapping up my Star Trek: Picard theories, so if you’re a regular reader it may be familiar to you.

In short, here’s how the theory goes: the race of super-synths from Star Trek: Picard are the cause of Discovery’s post-apocalyptic setting. Let’s break it down, look at why it could be a possibility, and explore it in more detail.

This shot of a planet being destroyed by powerful synthetic life-forms was used in both Discovery Season 2 and Picard Season 1.

So although I said this would be an in-universe explanation of the theory, there is one production-side reason we need to look at too. One thing that modern Star Trek shows lack is a relationship to each other. Discovery did a pretty good job of tying itself to The Original Series, and both Picard and Lower Decks have connected themselves to The Next Generation, but there’s essentially nothing beyond a couple of throwaway lines linking Picard to Discovery right now. That would have been unthinkable during the 1990s, where The Next Generation, Deep Space Nine, and Voyager all shared characters, settings, locations, factions, and themes.

Modern Star Trek is hampered by its shows being split up along the timeline, and this makes it harder for new fans to transition smoothly from one series to another. There are no threads of consistency running between the different series, and while they are semi-independent productions they are all being produced by one overall team of people under the Star Trek Universe umbrella.

If we were to learn at some point in Discovery’s third season that the events depicted in Picard were directly related to the Federation’s decline or defeat, suddenly there would be a reason for Discovery fans who missed Picard to go back and watch it, and for Picard fans who haven’t seen Discovery to jump over and watch that show too. There would be the strong feeling that both shows genuinely take place in the same universe and the same timeline, which right now is lacking. This would help the Star Trek brand stay cohesive, and be a frame of reference for casual viewers, all while allowing both shows to provide each other a boost.

The Federation official from the Discovery Season 3 trailer.

So that’s on the production side of things. But I promised you an in-universe look! First let’s very briefly recap, in case you forgot the events of the final few episodes of Picard. While investigating Soji’s origins, Picard and the crew of La Sirena came to realise that there are a race of synthetic life-forms – created by Bruce Maddox – living on a planet called Coppelius. The Romulan faction known as the Zhat Vash were searching for the synths too, because they believe that the synths will trigger an apocalyptic event. This apocalypse was revealed to them by a beacon left behind by an ancient race on a world they called Aia, and when we got a clearer look at the message the beacon contained, it was less a warning to organics than a message to the synths themselves, offering aid. A faction of super-synths that I nicknamed the “Mass Effect Reapers” exist somewhere beyond the galaxy, and they have promised aid to any synthetic race that calls on them. Sutra and Soji planned to contact them, and to open a portal that would have allowed the “Mass Effect Reapers” to travel to the Milky Way galaxy. They successfully built the beacon, but at the last second Picard convinced Soji to shut it down, closing the portal and preventing the arrival of the “Mass Effect Reapers”.

Did I miss anything? I hope not! I nicknamed this faction the “Mass Effect Reapers” because they have noteworthy similarities to another race of super-synths in the Mass Effect series of video games.

I think that the most important thing to note is that in the finale, Soji and Sutra were successful in opening the portal. Thus, the “Mass Effect Reapers” are aware of the existence of a race of synths in the Milky Way galaxy, and also of the existence of the Federation. While Picard was able to convince Soji to stand down and close the portal, questions remain.

Soji working on the beacon in Et in Arcadia Ego, Part 2.

Now that the “Mass Effect Reapers” know of the existence of the Romulans, Federation, and synths, will they be content to go back to sitting still, waiting for another race of synths to contact them? Or did Sutra and Soji set into motion a chain of events that can no longer be stopped? Closing the portal may have prevented the imminent arrival of the “Mass Effect Reapers”, but it’s totally unclear what they will choose to do next.

The “Mass Effect Reapers” were presented as hyper-intelligent, arguably far beyond the Federation and Romulans in terms of technology, and thus their motivations and actions can be difficult to predict. This may be an oversimplification, but at the moment Soji closed the portal and shut down the beacon, she didn’t seem to communicate to the “Mass Effect Reapers” why she was doing so. From their point of view, a portal was opened – through which they could see a race of synths threatened by an imposing fleet of starships – then before they could take action the portal was closed. If I were the “Mass Effect Reapers”, I’d want to know why. And if I were paranoid, I might be thinking that the synths who tried to contact me were under attack and that the beacon had been forcibly shut down.

If the “Mass Effect Reapers” followed this line of thinking, and their motivation is still to provide help to any synthetic race that asks for it, the logical next step would be for them to set off to the Milky Way as fast as they can. Depending on how far away they are – and the show never really explained that – it could take years, decades, or even centuries for them to travel, even if their technology is more advanced than anything we’ve ever seen in Star Trek. That’s assuming they set off immediately – there may have been a debate or discussion about what to do that could have lasted years or longer.

This is basically all we saw of the “Mass Effect Reapers” in Et in Arcadia Ego, Part 2.

In any case, it’s not inconceivable that this extra-galactic threat could take centuries to arrive. I like to assume that Picard and/or Starfleet will travel to Aia and disable or destroy the beacon to prevent not only the Romulans from using it, but from other synths finding it in future. Even shutting down the beacon on Aia may be too late, though, because of the events of Et in Arcadia Ego, Part 2.

The “Mass Effect Reapers” are perhaps the only faction other than the Borg who could be capable of waging a successful war against the Federation. Even if all of the powers of the Alpha and Beta quadrants were to band together, it still might not be enough against the superior technology of these super-synths, and we could certainly expect any such conflict to be long and catastrophically costly. Even if the Federation survived it would be seriously weakened. Furthermore, a large-scale attack on the Federation would result in far-flung colonies being cut off, and any news or information might be hard to come by.

This is where the trailer for Discovery’s third season comes in. We see a setting best described as bleak, as Burnham and the crew arrive in a part of the galaxy that seems far away from Earth. The Federation seems to be in decline, Starfleet is described as a “ghost”, and we’re left wondering what happened to cause all of this. We’ve seen the Federation in the far future before, both in Voyager and Enterprise, and certainly 100-200 years before Discovery’s far future setting, the Federation and Starfleet seemed to be doing pretty well, even furthering their mission of exploration to include time as well as space. Reconciling that image of the future with Discovery’s setting is something Season 3 will need to do.

The crew of the USS Relativity in the 29th Century – around 300 years before Discovery’s third season is supposedly set.

As a faction we know essentially nothing about – not even their name – the “Mass Effect Reapers” are ripe for exploring in more detail. Discovery could do so in such a way that doesn’t interfere with anything Picard set up, providing not only the next part of the story, but also some background. We could learn about their leadership, motivations, and level of technology in much more detail. And it would still be a practically blank slate for Discovery’s team to use to set up the third season’s bleak and dark setting.

The question of the “Mass Effect Reapers” motivation comes into play again. There are two broad possibilities for their actions in Picard – either they were genuine in their offer to help synthetic races, or the beacon on Aia was part of an elaborate trap. Neither option bodes well for the Federation, assuming that the “Mass Effect Reapers” are now aware of their existence. If it was a trap, and the “Mass Effect Reapers” were waiting to be contacted by synths simply because that would mean advanced civilisations are present, they may now have a new target. If it wasn’t a trap and their desire to help was genuine, they may be motivated by concern for the Coppelius synths or even anger at the Federation and Romulans for intruding before communication could be established. While it’s hard to say what this faction could be planning or thinking based on such a small amount of information, these possibilities seem reasonable, and if they decided they wanted to attack or investigate, the events of Et in Arcadia Ego, Part 2 could have set that in motion.

Because Picard Season 1 wrapped up in the immediate aftermath of the standoff over Coppelius and the closing of the beacon, we don’t know what happened next. However, I consider two things to be somewhere between possible and likely: the synths on Coppelius would be relocated (in order to keep them safe from the Romulans), and Starfleet would make some attempt to contact the “Mass Effect Reapers” to explain what happened.

The Romulan and Federation fleets engage in a standoff over Coppelius in Et in Arcadia Ego, Part 2.

Relocating the synths feels like a necessity. Commodore Oh may not have wanted to risk war with the Federation when staring down a massive armada, but there’s no indication that she changed her mind on the necessity of exterminating synthetic life. From her perspective, Soji and Sutra building the beacon was a culmination of her worst fears, and although Soji may have been convinced to stand down, again from Oh’s point of view what’s to stop her changing her mind? Or one of the other synths building a new beacon? Leaving the synths on Coppelius would be very dangerous for them, unless Starfleet plans to permanently base a fleet in the system, so the easiest option for everyone would be to relocate them to a safer place.

However, in the context of our theory, this could be problematic. Suppose it takes the “Mass Effect Reapers” a long time to arrive in the Milky Way galaxy, and they don’t manage to travel to Coppelius for several centuries. What do they find when they arrive? No synths, but several massive interstellar civilisations and empires of organic beings. Put the two things together and it’s not unreasonable to assume that the organics wiped out the synths – especially if the last thing the “Mass Effect Reapers” saw before the portal closed was two massive fleets approaching the planet. They may take the missing synths as proof of an attack and go on the rampage.

Even if Starfleet were able to contact the “Mass Effect Reapers”, there’s no guarantee a successful dialogue could be opened. Setting aside other theories like the “Mass Effect Reapers” actually being the Borg, a race of super-synths that considers themselves light-years ahead of organic beings in every respect may look at humans the way humans look at ants or bacteria, and consider any attempt at communication unworthy of their time. That’s assuming Starfleet could find a way to make contact without opening another portal – it may simply not be possible, though I expect the Federation would want to try.

The “Mass Effect Reapers” make their way to the portal in Et in Arcadia Ego, Part 2.

Taken together, all of these different factors make at least a plausible argument for Discovery taking this story beat and expanding it for the basis of its third season. It could certainly be done in such a way that wasn’t confusing and didn’t make Picard essential viewing to understand what was happening – just like Discovery did with Pike, Vina, and the Talosians in Season 2. The Cage certainly provided extra details and informed what was going on, but viewers didn’t miss anything important for not having seen it. I’m sure the same could be done here, especially if the attack by or war against the “Mass Effect Reapers” was already over. It would exist simply as backstory; an encouragement to hop over and watch Picard without making doing so a necessity.

While this theory remains a possibility, at least in my opinion, it’s hardly a certainty and I wouldn’t be at all surprised to learn Discovery is going in a wholly different direction. Many of my theories during Picard Season 1 didn’t pan out, and this may simply be another that falls by the wayside! Nevertheless, it’s fun to craft theories and speculate, and at the end of the day that’s all this is: a bit of fun, and a chance to spend more time thinking about Star Trek. So please take everything I’ve said today with a healthy pinch of salt.

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries. Star Trek: Discovery Season 3 will air beginning on the 15th of October on CBS All Access in the United States and Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including all series and films discussed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 1 theory roundup!

Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1, including its ending. There may also be spoilers for other iterations of the Star Trek franchise.

Star Trek: Picard’s first season wrapped up at the end of March – and it feels like forever ago, what with everything that’s happened in the world since! While the season was running, in addition to reviewing each of the episodes in turn I also concocted a number of different theories for what was going on in the show. Star Trek: Picard very carefully set up a number of mysteries, and even heading into the second half of the finale, it wasn’t clear exactly how they would be resolved.

I’d argue that the first season’s two-part finale wasn’t the show at its best, and it felt as though a season which started incredibly strongly ended up stumbling a little as it crossed the finish line. There were a number of reasons for this – which I covered at the time – but it boils down to some of the show’s mysteries not being fully explained, and some storylines being dropped or left unresolved. That and the truly awful gold makeup used for the synths on Coppelius!

Yikes.

If you’d like to read all of my theories from Star Trek: Picard Season 1, you can find them on my dedicated Star Trek: Picard page. Click or tap here to be taken there!

This time, what I’d like to do is take a look back at some of the theories I postulated while the season was running. I’ll explain why I thought they seemed viable – and why they ended up being total misses! In a way, part of the fun of theory-crafting and speculating is knowing that you won’t always get it right… and boy oh boy did I have some seriously wrong theories!

Number 1:
Dahj and Soji aren’t synthetics, they’re genetically-engineered humans.

Soji in the episode Nepenthe.

This is a theory I first came up with right at the beginning of the series, almost from the very moment Picard begins to suspect that Dahj is synthetic. It seemed like it could’ve been a clever idea for a double-bluff – establishing Dahj and Soji as synths, only to rip that away and challenge both Picard’s and the audience’s expectations. However, it didn’t pan out that way, and looking back, this theory was kind of ridiculous!

Genetic enhancements, similar to those made on characters like Dr Bashir and Khan, could have given Dahj the incredible speed and strength that she possessed in Remembrance, so from that point of view it wasn’t wholly unthinkable. But looking back, while Star Trek: Picard did aim to be a show that kept us guessing and didn’t telegraph every aspect of its storyline, this kind of subversion of expectations would have been a step too far. We didn’t know anything about Dahj or Soji at the beginning of the series, and to take the one established fact about them and make it a lie or a misunderstanding would have been a storytelling mistake.

Dahj during her fight against Zhat Vash operatives in Remembrance.

There was also plenty of evidence that Dahj and Soji were synthetic: Picard’s meeting with Dr Jurati, Narek’s interest in Soji, and the strong connection Picard felt to Dahj (and later to Soji) because of his friendship with Data. All of that would have made no sense in the story if we’d ended up dealing with genetically-enhanced humans!

I brought this theory back after episode 3, The End is the Beginning, based on a line spoken by one of the Romulans who attempted to assassinate Picard: “she’s not what you think she is!” This of course referred to Soji, and it struck me that, as Picard and his comrades believed Soji to be a synth, perhaps the Romulan knew that she was not. However, as the story progressed it became abundantly clear that Soji and Dahj were the synthetics that the story established them to be, and that I was barking up the wrong tree with this one!

Number 2:
Section 31 will make an appearance in the show.

A black Section 31 combadge from Star Trek: Discovery.

This theory was crafted not so much because of anything that directly happened in the plot of the show, but rather for production reasons. In short, the Star Trek timeline is seriously fractured, with shows being produced simultaneously occupying very different timeframes. When Discovery’s third season kicks off in a few weeks time, there will be four shows occupying four time periods. This complicates the franchise, and what that means is that some threads of continuity would be very helpful, especially for casual viewers.

Section 31 featured heavily in Discovery’s second season, and in addition, a spin-off based on the organisation is currently being worked on. It seemed logical that Star Trek: Picard might want to find some way of incorporating Section 31 if for no other reason than having one of those threads of continuity running through the franchise, tying things loosely together and being a frame of reference for casual viewers.

My first thought for a potential Section 31 appearance was that they could’ve been responsible for the attack on Mars and the destruction of Picard’s armada. I theorised they might have taken such aggressive action to prevent the Federation giving aid to the Romulans. This was extended to include Section 31 hacking the Mars synths as part of this plan.

F8’s eyes during a flashback sequence that depicted the hack.

I next had two potential Section 31 operatives pegged – Chris Rios and Seven of Nine. Rios because he worked aboard a Starfleet ship that was “erased” from the records, and Seven of Nine because it wasn’t clear who she worked for or why she was following Picard.

Finally, as these other theories fell by the wayside, I speculated that Section 31 may have arrived to take control of the Artifact after it was abandoned by the Romulans and later crashed on Coppelius. While I suppose you could argue that might yet happen, it didn’t happen in Season 1, and thus any real benefit of the organisation crossing over from a behind-the-scenes perspective was lost.

I maintain that this theory makes a lot of sense from a production perspective, and my final idea in particular – Section 31 taking control of the Artifact to study it – could have been accomplished without making any changes whatsoever to the season’s storyline. However, it didn’t happen!

Number 3:
Soji’s Trill friend will end up getting assimilated or killed.

Soji with Dr Kunamadéstifee in Maps and Legends.

Episode 2, Maps and Legends, introduced a Trill doctor working aboard the Artifact along with Soji. She ultimately only appeared in one sequence, but that sequence seemed to contain a lot of horror film-style foreshadowing, and for weeks I was insistent that we’d see this character meet an unpleasant end! Aboard a Borg cube – even a disabled one – the most likely way that would manifest would’ve been her assimiliation.

After Soji helped Dr Kunamadéstifee with her uniform, the two stood together while they listened to a speech from one of the Artifact’s Romulan guards. He stated that the area they were about to enter was incredibly dangerous, and a nearby sign seemed to reinforce the possibility of assimilation by counting the days since it had last happened. This seemed as thought it could tie in with Soji working on de-assimilating Borg drones; was she about to see her friend end up on her operating table?

Dr Kunamadéstifee again.

It turned out, of course, that I was reading too much into one side character and one short sequence, because not only didn’t Dr Kunamadéstifee end up assimilated, she was never seen again after Maps and Legends, which was a shame because she seemed like a potentially interesting character. Soji spent much of her time from episodes 2-6 with Narek, and giving her someone else to interact with was a good idea. My theory was that their friendship may have built up a little more, leading to shock and sadness for Soji upon learning of Dr Kunamadéstifee’s fate.

I suppose in theory we could say that it’s unlikely that she survived the various disasters which befell the Artifact, from Narissa executing huge numbers of ex-Borg to the ship crashing on Coppelius, but nothing was ever seen on screen to even hint at her fate.

Number 4:
Commodore Oh is a synthetic.

Commodore Oh in the episode Broken Pieces.

As with Soji and Dahj being human, this was kind of an “out there” theory! But the whole point of theory crafting is to make wild guesses sometimes, and there were a couple of reasons why I considered this a possibility. First of all, it would have been thoroughly unexpected and shocking. Many recent films, games, and television series have tried to pull off genuinely unexpected twists, and had this been true, it would have been one heck of a shock!

Secondly, the premise of Star Trek: Picard’s first season had been the cloak-and-dagger factions vying to thwart or create synthetic life. The Zhat Vash and the Tal Shiar were on one side, Maddox and his team on the other. There were rogue traders, Romulans, ex-Borg, and all sorts of shadowy figures involved – any one of whom could have not been what they seemed. The show crafted mysteries for us to examine. As we learned more about the Zhat Vash and their mission, I began to wonder if they could have been infiltrated by someone who wanted to stop them harming synths. This later evolved into wondering if they’d been infiltrated by someone who wanted to bring about the very disaster they sought to prevent.

Commodore Oh on the bridge of her ship.

Dahj and Soji were both unaware of their true synthetic natures, which built on past iterations of Star Trek that showed synths can be programmed to not realise they’re synths. Commodore Oh could have genuinely believed in the Zhat Vash cause – but been programmed to “activate” at the opportune moment. We later learned that the Zhat Vash feared the arrival of a faction of super-synths that I dubbed the “Mass Effect Reapers” (because they were very similar to that video game faction) and I incorporated that into this theory, suggesting that Commodore Oh may be working for the “Mass Effect Reapers” to try and bring about their arrival.

Of course it was a complete bust! Commodore Oh was a Zhat Vash operative to the core, and as far as we know, wholly organic in nature! I still think she’s a fascinating character, and I wrote an article a few months back looking at her place in the Star Trek timeline. You can find it by clicking or tapping here.

Number 5:
Picard telling everyone that their enemies are the Tal Shiar – and not the Zhat Vash – will have consequences.

A Zhat Vash operative.

One thing that Star Trek: Picard didn’t do particularly well, in my opinion, was staying consistent in how it referred to its antagonists. In Remembrance, the faction who attacked Picard and Dahj weren’t named, but in Maps and Legends we learned of the existence of the Zhat Vash – an ancient, shadowy organisation which operated within, yet were distinct from, the Tal Shiar.

Yet for several episodes, Picard and others kept referring to their adversaries as the Tal Shiar. In-universe, there’s a certain kind of logic to this. Picard may not have believed fully in the Zhat Vash’s existence, having only heard about them from one source, or he may have felt trying to explain the difference would have been too time consuming and/or made him seem too conspiratorial. However, with practically everything else in the show being done deliberately to achieve certain story payoffs, I wondered whether Picard’s decision not to be up front with his crew might have had repercussions.

Colonel Lovok (or rather, a changeling impersonating him) was a Tal Shiar operative seen in Star Trek: Deep Space Nine.

Elnor was the one character who I felt seemed most likely to be affected by the revelation that it was the Zhat Vash, not the Tal Shiar, that he was up against. As a member of the Qowat Milat, Elnor was opposed to the Tal Shiar. But the Qowat Milat’s relationship with the Zhat Vash was unclear; even if they were enemies, the Qowat Milat may have had particular techniques for dealing with them. And at the very least, Elnor and his faction seemed likely to know of their existence.

However, Elnor learned in Nepenthe that he was facing off against the Zhat Vash, not the Tal Shiar, and the revelation seemed to have no impact on him whatsoever. The rest of La Sirena’s crew were equally nonplussed, and there were no consequences at all for the confused terminology – at least, not from an in-universe point of view. I think that, unfortunately, the decision to complicate the terminology around the show’s antagonists may have made it harder to follow for casual viewers. When dealing with made-up names like “Tal Shiar” and “Zhat Vash”, remaining consistent is important for the audience to be able to follow what’s going on.

Number 6:
There’s a Starfleet-Zhat Vash conspiracy.

Admiral Clancy, the commander-in-chief of Starfleet.

In Maps and Legends, we were introduced to Commodore Oh for the first time. It was a great shock to see a high-ranking Starfleet officer involved in Dahj’s murder, and at the time it wasn’t at all clear whether Commodore Oh was a Romulan infiltrator or a Vulcan co-conspirator. If she was a Starfleet officer working with the Zhat Vash, it stood to reason that others in Starfleet were as well – perhaps even senior admirals.

Furthermore, when we learned how Commodore Oh recruited Dr Jurati into the conspiracy – all it took was a brief mind-meld – it seemed plausible that she may have used the same technique on others. Commodore Oh had been embedded in Starfleet for more than sixty years, and in that time there’s no telling how many people she may have interacted with.

Lieutenant Rizzo arrives to meet Commodore Oh.

However, it turned out not to be the case. Admiral Clancy, the head of Starfleet Command, wasn’t compromised, nor were any of the other Starfleet officers and leaders seen or referenced in Season 1. As far as we know – and this could change if future Star Trek projects decide to look at this aspect more deeply – only Commodore Oh and Rizzo were involved within Starfleet, and they were both Zhat Vash operatives.

This is one theory that I’m definitely pleased didn’t pan out. Making Starfleet itself the “bad guys”, even if there were a reason for it, wouldn’t have felt great in a Star Trek series, and would have been a far darker path for the show to have taken. Seeing Riker show up in Et in Arcadia Ego, Part 2 at the head of a Starfleet armada was a beautiful moment (though sadly one that had been telegraphed ahead of time) in large part because it proved that Starfleet and the Federation were still on the right side. The plot to kill the synths and attack Mars was purely a Zhat Vash creation.

Number 7:
The Control AI, from Star Trek: Discovery Season 2, is involved.

A re-used image from Star Trek: Discovery.

Although I initially considered it to be a bit out of left field, the episode Nepenthe really kicked this theory into high gear! My first thought had been that perhaps the reason why the Zhat Vash were so frightened of synthetic life was because they had some involvement with Control, the rogue artificial intelligence from Star Trek: Discovery’s second season. I was convinced – wrongly – that the producers behind the overall Star Trek franchise would have wanted to build a major connection between Discovery and Picard for some of the reasons already discussed, and bringing Control in seemed like a viable option for accomplishing this.

In the episode Nepenthe, we finally got to see how Dr Jurati came to be recruited into the conspiracy – she was shown a vision by Commodore Oh, one that seemed to warn of something apocalyptic. Contained within this vision were a couple of visuals that were made for Star Trek: Discovery – more specifically, they were used to show a vision Michael Burnham and Spock had of the Control AI.

The Control AI commandeered Captain Leland’s body in Star Trek: Discovery.

At the time, I noted that there could be production-side reasons to re-use visual effects, as it was less time-consuming and cheaper than making wholly new CGI. However, for a couple of weeks I really did think that we were going to find some connection between Control and the Zhat Vash; perhaps the Romulans and Federation had been competing in some kind of mid-23rd Century AI arms race, or perhaps while Control was on the loose it had attacked Romulan ships or planets.

In a thematic sense, Star Trek: Picard’s first season and Discovery’s second season share some significant points. Both consider the potential for rogue or out-of-control artificial life, and both look at the consequences of continuing to develop AI – something that we arguably should be concerned about today! But there was no deeper crossover beyond basic themes, and the shows remain almost entirely separate from one another. The re-used visuals are what completely threw me for this one!

Number 8:
The synths on Coppelius are already dead.

A crowd of clearly not dead synths in Et in Arcadia Ego, Part 2.

Star Trek: Picard’s first season had, unfortunately, one rather large plot hole. The driving force for much of the first half of the season was locating and rescuing Bruce Maddox, the Federation cyberneticist who built Soji, Dahj, and many of the other synths. Maddox was on a planet called Freecloud, a place he travelled to when he seemed to have nowhere else to turn. He ended up returning to the dangerous Bjayzl, someone he owed a lot of money to, and was captured. The reason he put himself in such grave danger was because his lab had been destroyed by the Tal Shiar, or so he claimed.

But in the two-part finale, Picard and the crew travelled to Coppelius and saw for themselves that Maddox’s lab hadn’t been destroyed, and the Tal Shiar or the Zhat Vash had never been there. This feels like a pretty major issue, because the question of why Maddox was on Freecloud now has no satisfactory answer. The reason seems to be “because plot”, and that’s never a good thing.

Bruce Maddox only went to Bjayzl because his lab had been destroyed.

However, before the finale I was still trying to square that particular circle. One of the possibilities I came up with was that Maddox was right – his lab had already been destroyed, which could mean that the synths he’d built were already dead. It would have made Narek’s mission kind of a waste of time, as his colleagues had already killed off the synths, not to mention being a rather bleak way to end the season, but it would have fit together with what had already been established.

I don’t think I’d have enjoyed this storyline, which would have left Soji as perhaps the sole survivor of her race. It would have been very dark, and would have felt like a victory for the show’s antagonists. But at the time, I was scrambling around looking for ways to make the story of the first half of the season – culminating in Maddox’s statement to Bjayzl about his lab being destroyed – fit with the second half of the season and the revelation of the existence of more synths.

Number 9:
The captain of the USS Ibn Majid is a character from a past Star Trek show.

Harry Kim could’ve been a starship captain in this time period.

This was a pretty simple theory by my standards. When we learned that Rios had served aboard a ship called the USS Ibn Majid, which was destroyed and covered up, I began to wonder who might’ve been in command of the vessel. Rios was clearly very attached to his former captain, and I wasn’t sure if we might’ve seen – in flashback form – this character make an appearance.

From Rios’ initial comments about the character – that they were dead, male, and “heroic” – I put together a shortlist based on possible characters from past Star Trek shows who could conceivably have been starship captains in that era. I ruled out those who seemed to have no desire to sit in the captain’s chair, like Dr Bashir or Tom Paris, and obviously ruled out those who wouldn’t be eligible like Chief O’Brien. Finally, Zhaban had mentioned that La Forge and Worf were still alive, so they were out too. That left a handful of characters, including Chakotay and Harry Kim, both from Voyager. I also suggested Edward Jellico from The Next Generation two-parter Chain of Command, Solok from the Deep Space Nine episode Take Me Out to the Holosuite, and Captain Bateson from The Next Generation Season 5 episode Cause and Effect.

Solok, the Vulcan captain of the USS T’Kumbra.

There were other possibilities – most of which were minor characters who made only one or two appearances in Star Trek – and there were many male officers who could, in theory, have made the cut. I liked this idea simply for the sake of continuity, as having the Ibn Majid’s captain be someone we already knew seemed like an interesting concept.

With Bruce Maddox, Hugh, and Icheb all killed off in Star Trek: Picard’s first season, it was clear that the producers has no qualms about getting rid of legacy characters! That fact also contributed to making this theory plausible. Past iterations of Star Trek has been reluctant to kill off main characters, but Star Trek: Picard did so several times. However, none of this came to pass, and instead a new character – Captain Alonso Vandermeer – was created for the show, and was only seen briefly in a photograph.

Number 10:
Narek will go rogue.

Narek in Broken Pieces after trying to kill Soji.

Narek was a unique character, not only in Star Trek: Picard but in the whole franchise. Never before had an out-and-out villain been a main character, with their name in the opening titles. Narek was also an interesting and nuanced character in a season where – most of the time – the villains could feel flat and one-dimensional. I’m still disappointed that his storyline was unceremoniously dumped midway through the season finale; we didn’t even learn what became of him after Picard’s “death”.

But that’s somewhat beside the point. From as early as the third episode, I began speculating that somehow, Narek would be convinced to abandon his mission and join with Soji and Picard. His clear feelings for Soji seemed to offer a route for him to make this happen, but even if the show didn’t go for the “spy falls in love with his target” trope, there were other ways it could’ve happened. Narek seemed like a reasonable man; if it were demonstrated to him that the synths were not a threat, it seemed at least plausible that he might’ve switched sides.

Narek’s final appearance.

However, as of the last time we saw him – before he just dropped of the face of the series with no conclusion to his story – he was still 100% committed to the Zhat Vash cause. In fact, he never wavered. His attempt to kill Soji may have caused him great distress, but that didn’t stop him going ahead with his mission; he didn’t even hesitate.

I actually like that Narek was unpredictable, and as a whole I like that the show set up what looked to be a familiar trope – the spy with a heart of gold who switches sides for the girl he loves – only to say that actually, Narek was still committed to his cause and his mission. However, it’s a shame that this never really got a proper payoff, as Narek disappeared. His character arc feels incomplete, and as I’m fairly confident he won’t be returning for the show’s second season, we may never learn what happened to him after the events on Coppelius.

So that’s it!

A handful of my theories for Star Trek: Picard Season 1 that never came to pass! I did manage to successfully predict a handful of (more obvious) plot points across the first season, so my theories didn’t all fail as hard as those listed above. The important thing, though, was that I had fun doing this. Thinking about the series and writing up the theories was really enjoyable at the time, and it’s something I hope to do with Discovery later in the year – at least, provided it has suitable theory-crafting material to work with!

Jean-Luc Picard will return for Season 2!

The important thing when considering fan theories is to remember that they’re just guesses and speculation. The showrunners, writers, and producers are the ones who craft the story, and they’re the ones who get the final say on how it’s going to pan out. Getting overly attached to any one theory – no matter how much we like it or how plausible it seems – really just means we’re setting ourselves up for disappointment. I could point to many projects in recent years which have suffered as a result of this, but all I really want to say is that, for those of you who followed my theories during Star Trek: Picard Season 1, I hope that I didn’t cause you any disappointment or frustration when I was wrong. At the end of the day, this is supposed to be fun and an excuse to spend more time in the Star Trek galaxy. Let’s all try to take fan theories with an extra-large pinch of salt!

Star Trek: Lower Decks is currently airing its first season – the second of three Star Trek projects in 2020. For all the problems that this year has thrown at us, having three different Star Trek shows to enjoy has been a blessing. If you missed it, I’ve reviewed the first episode of Lower Decks and I’ll soon be taking a look at episode 2, which will be available to watch (at least for viewers in the US and Canada) later today. And as mentioned I’ll be looking at Discovery when that airs in October. There’s no word on when exactly we can expect to see Season 2 of Star Trek: Picard. It has an optimistic release date of 2021, but given that California is still largely locked down and filming has yet to begin, I wouldn’t be surprised if that slips back. Regardless, whenever we get it I’ll be taking a look at the episodes and probably crafting a bunch more theories!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

How does Commodore Oh affect other Star Trek stories?

Spoiler Warning: There are spoilers ahead for the first season of Star Trek: Picard, as well as for Star Trek: Discovery and other iterations of the franchise.

The revelation in Star Trek: Picard that the Romulans had managed to plant an operative in Starfleet was an interesting one, especially because that operative – Commodore Oh – had managed to attain such a high rank. She’d been working in Starfleet since at least the time of The Next Generation and probably even before then, with the Zhat Vash deciding to make a move against the Federation from the moment they learned of the existence of Data.

There had been androids, artificial intelligences, and other forms of synthetic life present in the galaxy prior to Data, and it’s conceivable that the Zhat Vash may have taken action against those as and when they could. But Data represented a step forward in the development of synthetic life, and definitely would have been considered a threat.

There are two possibilities for how the presence of Commodore Oh could be interpreted. She may have chosen to remain deep undercover and stick rigidly to her mission, even if that came at a cost to the Romulan Empire. Alternatively, however, she may have used her position as a spy within the Federation’s ranks to relay information to the Romulans at certain points. This could have been dangerous to her mission, increasing her chances of being caught. The way Commodore Oh and the Zhat Vash were presented for the most part in Star Trek: Picard were as zealots, meaning they seem like the kind of organisation who would be willing to sacrifice the lives of their own people if it advanced their ultimate objective. Indeed, we saw this with their actions on Mars.

Commodore Oh was a major antagonist in Star Trek: Picard Season 1.

Let’s look at the timeline first of all. As early as the 22nd Century, Starfleet had encountered what could arguably be considered examples of artificial intelligence. In the Enterprise episode Dead Stop, for example, the ship encounters a fully-automated space station which seems to act of its own volition. There was also a certain Dr Soong in Enterprise’s fourth season, and while he initially worked with genetically enhanced humans, he indicated he would begin research into synthetics.

By the 23rd Century, Starfleet had developed its own AI. Control, as seen in Season 2 of Star Trek: Discovery, would ultimately go rogue and kill a number of Section 31 operatives as well as commandeer a fleet of ships. There was also Richard Daystrom, who build an AI capable of controlling a starship in The Original Series episode The Ultimate Computer, as well as several different androids, automatons, and AIs seen in that series.

By this point in time, the Romulans were aware of the existence of the Federation and thus might’ve known about some of these developments. The key ones, in my opinion, which may be relevant to the Zhat Vash would be Control and the M-5 computer, both of which went rogue and may have fed into their fears about synthetic life.

Dr Richard Daystrom, namesake of the Daystrom Institute, invented one of Starfleet’s first sentient machines.

We should also note that there are different types of synthetic life. For some reason, the Zhat Vash seem exclusively focused on preventing the rise of androids as opposed to other forms of AI. That’s despite the fact that many of the dangers present when considering out-of-control AI – including the ability to receive the message on Aia – are common to other kinds of artificial life too. Or at least would be in theory. To use Control as an example, if it became aware of Aia and the message there, given how aggressively it pursued Burnham and the USS Discovery it seems certain that it would have taken the same action as Sutra and tried to contact the “Mass Effect Reapers” (the race of super-synths introduced in the finale of Star Trek: Picard). So why the Zhat Vash are okay with some types of AI and not others, and why holograms seem to be exempt, for example, hasn’t really been covered in detail in the series so far.

However, assuming that the Zhat Vash learned of some of these events they would surely have been concerned – at the very least about the possibility of further development and the creation of android bodies for these AI systems to inhabit.

After the mid-23rd Century, we have no real information on synthetic life until Lore was known to be active on Omicron Theta in the late 2320s or 2330s. Within Star Trek: Picard itself – notably the episode Broken Pieces – the crew of La Sirena assume that Commodore Oh first infiltrated Starfleet after Lore’s brother Data was discovered and activated in 2338 – and by implication, that was the time the Zhat Vash became convinced that Starfleet and the Federation were a threat due to their involvement with synthetic life. However, I think we can reasonably assume that the Romulans, and by extension the Zhat Vash, would have at least become aware of the Federation’s other ties to and encounters with artificial life – even if they didn’t learn about these events until afterwards.

Picard and the crew of La Sirena pieced together a basic timeline for Commodore Oh’s infiltration of Starfleet.

The decision to send an operative in undercover is not one that can be done on a whim – it needs careful planning. If Commodore Oh did infiltrate Starfleet beginning in the 2330s, the Zhat Vash would have needed months or years before she joined up to make preparations. Obviously killing Data wasn’t the objective, or she would have been able to do so any almost any point. Nor was her goal to stop someone like Bruce Maddox working on synthetic life, as he seems to have been free to do so for decades right up until the ban.

I would suspect that Commodore Oh may have worked behind the scenes to slow research into synthetics, perhaps trying to delay or sabotage work being done. While we don’t have a lot of evidence to go on for this, the fact that Bruce Maddox was considered by Data to be incapable of preserving his memories in the episode The Measure of a Man could, in retrospect, be seen less as proof of Maddox jumping the gun and trying to work on Data before he was ready, and perhaps as evidence that his work was being hampered without his knowledge by the Zhat Vash’s spy.

This is what I mean by the question “how does Commodore Oh affect other Star Trek stories?” There are several which we can look back on in the aftermath of Star Trek: Picard and wonder how the presence of Commodore Oh affected things.

Let’s start with the Federation’s two biggest forays into the artificial intelligence realm in the 23rd Century – the Control AI and the M-5 computer. Obviously these events took place long before Commodore Oh was embedded within Starfleet, but they may have laid the groundwork for her mission.

The Control AI went rogue in the 2250s.

Both Control and the M-5 computer went rogue. Their creators – Section 31 and Dr Richard Daystrom – lost control of them, and they began to act on their own, taking aggressive action against organic life. While the Federation will have wanted to cover up what happened – as indeed we see them do at the end of Discovery’s second season – the Romulans are known to be aggressive in their espionage operations, knowing far more about the Federation than vice versa. It would not be an unfair assumption that the Romulans would have come to know what happened in one or both of these cases, and thus it may have been around the mid-23rd Century that the Zhat Vash began preparing to infiltrate the Federation.

Thinking about these two stories from the point of view of the Zhat Vash – who, according to everything we know from Star Trek: Picard will have existed at the time – the events are very concerning. The Federation is barely a century old, with humanity only becoming warp-capable less than a hundred years before that. In a comparatively short span of time, humanity has developed intelligent machines that they went on to lose control over. Humanity must appear, to the Zhat Vash, to be incredibly dangerous, pushing further into unexplored space than any other faction had done, and building an inter-species alliance that even brought an end to the Vulcan-Andorian conflict. For Romulans, who like stability and predictability, the Federation had disrupted a state of affairs that had existed for centuries in the local region of the Alpha and Beta Quadrants. Would it only be a matter of time before they spotted the octonary star system where Aia is located? That had to be a source of concern.

The next major event would be the activation of Lore and Data, and it’s suggested in Star Trek: Picard that it was Data’s discovery by Starfleet in the late 2330s that prompted the Zhat Vash to send Commodore Oh in undercover. Again if we try to look at this event from their perspective, the Federation’s AI research had now gone beyond shipboard computers and had culminated in the creation of a humanoid android – and it’s this type of synthetic life in particular which seems to concern the Zhat Vash. If Control and the M-5 computer were worrying and had caused them to begin planning, the knowledge that Data existed and had been accepted to Starfleet Academy would have been panic-inducing to the paranoid Zhat Vash.

Lore was active in the mid-late 2330s.

We should consider the Crystalline Entity’s attack on Omicron Theta and examine it through this new lens. Lore, Data’s brother, was responsible for leading the Entity to Omicron Theta, where it wiped out all life on the planet. But was Lore solely responsible? Star Trek: Picard showed us that the Zhat Vash had the ability to hack into synthetics, and that when they did, the synths could be reprogrammed to turn on their creators. The synths on Mars may have been somewhat basic compared to Data and Lore, but the underlying technology is the same, and it’s at least possible that the Zhat Vash hacked into Lore. This could explain not only the attack by the Crystalline Entity, but Lore’s selfish and evil persona.

Sticking with the Crystalline Entity, it may have simply been a convenient way to destroy the colony while having no fingerprints of Romulan involvement. Omicron Theta was a human colony, so if the Romulans were to simply destroy it from orbit with starships, that could lead to war with the Federation. Yet it makes perfect sense that they would see Dr Soong as his work as a threat and want to take every possible step to stop him.

Next we have Dr Maddox and his work with synthetics. We know that, despite Maddox’s objections, Data was allowed to enrol in Starfleet Academy. Around this time, which was roughly the same time of Commodore Oh’s infiltration, Maddox began working on synthetic life. There are two possibilities for why it took Maddox such a long time (fifteen years, give or take, from Data’s admittance to Starfleet Academy to the events of the episode The Measure of a Man) to make much progress with his work. One is that Maddox is simply not as skilled as Dr Soong was, which is what the episode implies. The other possibility has to be that part of Commodore Oh’s mission was to hamper any synthetic research going on within the Federation, and that she, somehow, undermined his work and slowed it down.

Maddox’s research, which we now know grew to include a whole department consisting of a number of scientists and researchers, may also be the reason why the Zhat Vash chose not to simply kill Data. At the time her mission began, Data was the only known extant android, so killing him would have made sense for the Zhat Vash. It would have been difficult to get at him within Starfleet, but they did have an operative. However, the realisation that the Federation would, sooner or later, be able to recreate the work, coupled with Data being confined within Starfleet and thus unable to strike out on his own and potentially discover Aia, may have focused the mission on stopping synthetic research, slowing it down, and gathering as much information on it as possible. As a Starfleet Officer, Commodore Oh would be well-placed to do those things.

Dr Bruce Maddox was the Federation’s leading synthetics researcher for decades.

The fact that it took Maddox a further twenty years to develop F8 and the other androids present on Mars could be taken as evidence of the Zhat Vash trying to undermine his work. How they could have done this is unclear, and they may have simply got lucky with Maddox not being better at his job. One question that has bugged me in the context of Star Trek’s sensors and replicators was this: how hard could it really have been to recreate Data using what they already knew about him? This was never really addressed on screen, but perhaps we can take the fact that the Federation was unable to do so as further evidence of their work on synthetics being slowed and undermined from within.

One faction I think we can safely assume would have fed into the Zhat Vash’s paranoia about AI would be the Borg. In the 2350s, many scientists in the Federation were working on the assumption that the Borg were a myth, or at least were so distant as to not be a threat. This was during the Romulans’ 50+ years of isolation, so we don’t know whether or not they had any more evidence about the Borg than the Federation. But there are two points of note: Star Trek: Picard established that, as far as anyone knew, the Borg had only ever assimilated one Romulan vessel. But in contrast to that, the region of space controlled by the Borg was vast, and they had vessels in the Beta Quadrant (where the Romulan Empire is largely based) during the 2370s.

Starfleet’s official first encounter with the Borg, as depicted in Q Who from The Next Generation’s second season, may have gone unnoticed by the Romulans, but the Borg invasion a year later, as seen in The Best of Both Worlds certainly will not. 39 Federation starships were destroyed, and an enemy ship made it to within a stone’s throw of Earth itself. If the Romulans had remained in blissful ignorance of the Borg up to this point, they will have known by the late 2360s that they existed – if for no other reason than Commodere Oh herself relaying that information.

When the Federation encountered the Borg the Romulans would have soon come to know about it.

The reason for the Romulans’ interest in the Borg in Star Trek: Picard must surely be twofold. On the one hand, selling the disassembled components is incredibly lucrative, and with the region’s sole supply the Romulans were in firm control of this market. Secondly, however, their fear of synthetic life must have been a major reason for studying the Borg so intently. For all we know, the “Mass Effect Reapers” were meant to be the Borg. But even if that isn’t true – and the Romulans don’t seem to know either way – the Borg, with their half-synthetic bodies and single-minded focus on assimilation, must have been a major cause for concern among the Zhat Vash. This can have only been exacerbated when two ex-Borg returned from the Delta Quadrant aboard the USS Voyager – Seven of Nine and Icheb.

Icheb would later be killed – butchered for his Borg components by an unnamed doctor at a facility run by Bjayzl. But who arranged for this? And why is there such a huge demand for Borg technology in the first place? I had theorised during the first season of Star Trek: Picard that the Romulans may be keeping a majority of components for themselves, but even if that isn’t true they have been studying Borg technology extensively. Icheb’s death seems to take place around the time that the Artifact came under Romulan control, so it’s at least possible that Bjayzl’s buyer was the Zhat Vash – that they were interested in learning about the galaxy’s preeminent synthetic race.

Icheb was murdered so his Borg components could be harvested.

Finally, we have B4. We know from Star Trek: Nemesis that the Romulans acquired B4 and placed his disassembled body in such a location that the Enterprise-E would be the closest ship available to respond to Shinzon. How did they know so much about Federation ship movements? Is it at least possible that Commodore Oh was relaying information to the Romulans at key moments like this? The possibility cannot be discounted – and this could even explain why, in Star Trek: First Contact, the Enterprise-E is assigned to the Neutral Zone. Perhaps someone in Starfleet had an inkling that a Romulan spy was in their midst.

Sticking with this theme of Commodore Oh being more of a general spy than simply a Zhat Vash agent, there are a number of Federation-Romulan encounters that she may have been involved in. Or, conversely, we can take the failure of certain Romulan plots as evidence that she was deliberately not involving herself!

For example, Sela’s attempt to interfere in the Klingon Civil War in Redemption ended in total failure – thanks in no small part to Data. A large Federation fleet deployed a sensor net to detect cloaked Romulan ships, thus preventing Romulan aid to the Duras faction. This was a major move on the part of the Romulans, and would have shifted the balance of power in the Alpha and Beta Quadrants had it succeeded. The Federation-Klingon alliance would have evaporated, and the Federation would be facing a Klingon-Romulan alliance alone. Sela’s second plan, to conquer Vulcan in the episode Unification, similarly failed, though this was due to the actions of Data, Picard, and Spock on Romulus and may not have been something Commodore Oh could have done much about – except perhaps warn the Romulans that they were coming.

We can further see this lack of involvement in Face of the Enemy, where Counsellor Troi impersonates a Tal Shiar operative and aids in the successful defection of a senior Romulan government official. A Federation defector to the Romulans is also successful in his efforts to return to the Federation in the same episode.

There is also In The Pale Moonlight from Deep Space Nine. In this story, Sisko essentially lies, cheats, and covers up murders to drag the Romulans into the Dominion War – a war that they had no need to participate in. At the end of the episode Sisko deletes the log in which he’d detailed his actions, and with his disappearance into the realm of the Prophets, only Garak remained as someone who knew everything that happened. But the trail of evidence existed, and could have been pieced together by a Romulan operative within the Federation. Sisko may have deleted his log, but as we’ve seen in other Star Trek stories, deleting data isn’t a straightforward process, and as we saw in The Undiscovered Country, it’s possible for logs to be downloaded and transmitted via subspace, even to foreign powers. Kirk’s own captain’s log was used against him in his trial in that film.

A Romulan senator was assassinated as part of a scheme to drag them into the Dominion War.

However, we could take the Romulans’ successes in episodes like Message in a Bottle – where they are able to commandeer a brand-new prototype Starfleet vessel – as evidence that someone within the Federation was feeding information to them.

So where does all of this leave us when it comes to Commodore Oh?

I feel positively certain that the Zhat Vash would have come to know about what happened with the Control AI, not least because it decimated Section 31. Whether they would have come to know about the M-5 computer is unclear, but even if they didn’t, the Federation’s research into AI would have been troubling to the Zhat Vash at least by the mid-23rd Century.

A major candidate for their interference is Lore and the attack on the Omicron Theta colony. This fits with how the Romulans and Zhat Vash operate, it fits with them knowing how to hack positronic brains, and if there was only one successful android builder (Dr Soong) and two extant androids (Data and Lore), the best course of action from the Zhat Vash perspective may have been to exterminate the colony and prevent that knowledge spreading.

When that failed, and when Dr Maddox had begun his own work on synthetic life, building up a team of scientists, eradicating the problem was clearly far less practical. Killing Data would have only set back the Federation’s research in a small way, and it may have been decided that the best course of action was to work from within to slow them down.

Commodore Oh aboard her ship – finally exposed as a spy.

Commodore Oh doesn’t seem to have actively interfered on behalf of the Romulans at key points where having an embedded operative could have been massively useful to the Romulan Empire. To me, the Federation’s successes against the Romulans in these stories implies that Commodore Oh was laser-focused on her own mission, and felt that stepping outside of her mission parameters, even to save Romulan lives in the short-term, was too great a risk.

Finally, when Dr Maddox was ultimately successful in creating synthetic life on a larger scale, and the rollout of F8 and the other androids went ahead, Commodore Oh felt that the time had come to act. Destroying a fleet intended to help the Romulans was simply unavoidable, because that’s where the synths were. Mars may not have been her first choice of target, but it was the only available target, and with synthetic life research and development accelerating, the time had come to act.

That’s how I see the timeline, and when taking a step back and looking at Star Trek as a whole, I don’t feel that the creation and retroactive inclusion of the Zhat Vash and Commodore Oh causes any major plot holes. Sometimes inserting characters and factions can have this effect, but in this case, I think we can find a way for episodes of The Next Generation, Deep Space Nine, and Voyager to play out in such a way that is consistent. The Zhat Vash and Commodore Oh were depicted as zealots, and it would make sense that someone with that kind of single-mindedness would be 100% okay with allowing her own government’s plans to fail and to see Romulans die in order to remain on mission. The Zhat Vash were playing an incredibly long game – Commodore Oh was embedded in Starfleet for over half a century, and even by the standards of long-lived Romulans, that’s a very long time.

While Commodore Oh’s plan succeeded, in the long run the development of synthetic life couldn’t be prevented, and it will be up to future Star Trek stories to show what implications, if any, that may have for the Romulans, the Federation, and the synths themselves.

So this was a different type of article, a deeper dive into a single story point and how it can be seen to effect – or not effect – other stories in the franchise.

I liked the Zhat Vash overall, though the inconsistent way they were referred to throughout Star Trek: Picard’s first season wasn’t great, and I question their almost-immediate decision to withdraw in the finale. They brought a whole new dimension to the Romulans, and one aspect of that is that we can look back at other stories in the franchise and think about how the Zhat Vash may have been involved. As someone who loves Star Trek, this kind of theory-crafting is a lot of fun. I consider the ideas outlined above to be at least plausible, but remember to take all of these fan theories with a grain of salt!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Star Trek: Picard and all other episodes, films, and series mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 10

Spoiler Warning: There will be spoilers ahead for Star Trek: Picard’s entire first season, as well as for Star Trek: Discovery Season 2, the trailers for Season 3, and other iterations of the Star Trek franchise.

The two parts of Et in Arcadia Ego brought the story of Star Trek: Picard’s first season to a close this week. There are still some significant story points left on the table, however, and overall I feel that the season didn’t end as strongly as it began. You can read my full thoughts in my review by clicking or tapping here.

Theorising about Star Trek: Picard has been a lot of fun, and in a future post, I’ll be looking back at some of my debunked theories from earlier in the season in a kind of “what if” theory roundup. I hope you’ll stay tuned for that when it drops at some point in the next few weeks. Otherwise, unless we have definitive news regarding Star Trek: Picard Season 2, this may be my last post about the show for a while. I had been semi-expecting to see a release date for Star Trek: Discovery Season 3, as I felt it would have been to the benefit of ViacomCBS to take advantage of Star Trek: Picard’s success and the hype surrounding it to plug its sister show. As of the writing of this article, however, the only thing they’ve said is that it’s “coming soon”.

As usual for my theory posts, I’ll begin by looking at the confirmed and debunked theories from Et in Arcadia Ego, Part 2, before moving on to look at one surviving theory.

We’ll start with confirmed theories this time, as there aren’t many!

Confirmed theory #1: The synths succeeded in triggering the arrival of the “Mass Effect Reapers”.

The “Mass Effect Reapers” almost showed up.

While this didn’t go down quite like I’d expected, technically the synths did still contact the “Mass Effect Reapers” – the synthetic race who left behind the relic on Aia and who the Zhat Vash believe will trigger armageddon. Unfortunately, we didn’t really get to learn much at all about this race – not even their name, which is why I’m stuck calling them the “Mass Effect Reapers”.

After Sutra was deactivated, Soji continued to work on the synths’ beacon and was able to open a portal to wherever the “Mass Effect Reapers” reside. However, after a rousing speech from Picard, and seeing him lay down his life for her people, she closed the portal before they could come through. While the Zhat Vash are convinced that their arrival would have meant the end of organic life in the galaxy, what would have actually happened isn’t clear – and may never be explained again.

I get the sense that the writers and creators of Star Trek see these quasi-antagonists as a one-time-use thing, and while I did have a theory as to how they could tie into the franchise in a bigger way, it seems dead at this juncture. What seems more likely is that the “Mass Effect Reapers” are the equivalent of a monster-of-the-week, and like many alien races seen in just one single Star Trek story, won’t be heard from again despite the potential for repercussions.

Et in Arcadia Ego, Part 2 left many unanswered questions about this faction – including the basics like who they are, how old they are, and what their precise motivations are. Other big questions include: will they be back? Will Sutra – whose status is unknown as of the end of the season – want to call for them again if she wakes up? Can they be reasoned with, and is Starfleet planning to try to contact them again? Were the Zhat Vash right in their interpretation, or did they get it wrong? In short, there’s a lot we still don’t know about this potentially interesting faction!

Confirmed theory #2: Riker did return to duty.

Acting Captain William T. Riker!

Just a short one when compared to some of my more in-depth theories, but when Riker had said in Nepenthe that he hadn’t fully retired and was still on “active reserve” in Starfleet, that seemed to be a major hint that we’d see him back in uniform sooner or later. While I did say I was 50-50 on whether it would be this season or next, Riker came back at the head of a massive Starfleet armada in Et in Arcadia Ego, Part 2.

Unfortunately, his appearance in the episode was spoilt by his name being shown in the opening titles, and I’d already worked out that we were likely to see a Starfleet fleet with Riker at its head well before the episode reached that climax. While that did spoilt things to a degree, it was nevertheless great to see him back in uniform. And as a secondary point, rumbling away in the background this season had been tensions with Starfleet and the Federation. We speculated for weeks that there may have been a much broader conspiracy within Starfleet to collaborate with the Zhat Vash, so when Starfleet did to the right thing at the end, and were proven to still be the “good guys”, that was a great moment, and Riker was there in the middle of it.

His appearance did feel a little rushed, because almost as soon as he’d arrived he was already warping out of the system accompanying the Romulan fleet. It would have been nice if we’d got more time with him – but that’s true of many characters and storylines across the two-part finale.

So those theories were confirmed. Next, let’s go through the list of debunked theories, and I think we’re going to have to do this in two parts. There are a few theories that were completely debunked by the end of the season, and obviously we’ll look at those. But there are some theories that are in this weird kind of grey area – unconfirmed, but unlikely. If Star Trek: Picard moves on with Season 2 and tells a new story, it seems certain that we won’t revisit the locations, factions, and characters of Season 1 in any depth. And to me, that seems the most likely scenario. Star Trek: Discovery told two different stories across its two seasons, with a third story coming in Season 3. While there was some crossover from Season 1 to Season 2, the overarching narrative of Season 1 ended and a new story began in Season 2, and I expect Star Trek: Picard to go down the same path. It’s for that reason that I think we can consider almost all of these theories as dead – not so much because they were debunked on screen, but because the story has moved on and won’t be revisiting these points next year.

Debunked theory #1: The Artifact (or the Borg Sphere it seemed to contain) will launch into space.

The circular area on the Artifact could’ve contained a Borg Sphere.

It’s not actually clear, as of the end of the season, what’s going on with the Artifact and the surviving ex-Borg. Elnor stayed aboard the Artifact with Hugh and later with Seven of Nine to aid them, considering their cause worthy of his allegiance. However, the final scene of the season was La Sirena jumping to warp, and both Elnor and Seven of Nine – who, don’t forget, had been the xBs’ de facto leader – were present on the small ship.

I had theorised that the Artifact, which seemed to have a circular portal on one of its sides that could have contained a Borg Sphere, would have been repaired by the xBs and re-launched into orbit over Coppelius to aid in the fight against the Romulans. However, this didn’t happen, and while we did see that the Artifact’s weapons systems were at least partly operational, it didn’t seem as though anyone on the ground used them against the Romulan fleet either.

I hope we’ll learn more in Season 2 about what happened to the xBs and the Artifact – now that it’s on a planet under Federation jurisdiction, perhaps Starfleet will be able to repair it or scavenge its components. I’m not sure how canonical this is, but I think I remember reading in an old reference book or one of the Star Trek encyclopaedias that a Borg Cube was something like 10km long on every side, so it’s a massive vessel for someone to have to deal with. Perhaps the synths could salvage it?

Debunked theory #2: Picard and La Sirena will travel to Aia – the planet where the beacon is located.

The relic on Aia.

Aia was a world we glimpsed only for a short time in a flashback sequence. Presumably hidden somewhere in or beyond Romulan space, and thus not accessible to Starfleet by normal means, the beacon left here by the “Mass Effect Reapers” is what triggered the whole plot of the season.

As of the end of the season, however, the beacon remains active. It’s clearly dangerous – not only to the Romulans, but to everyone. If another synthetic being were to encounter it and figure out how to contact the “Mass Effect Reapers”, they could do so easily. I had speculated that, in the aftermath of whatever happened in the finale, Picard and co. would travel to Aia to deactivate the beacon, preventing it from doing any more harm.

Debunked theory #3: Narek is going to go rogue.

Narek aboard the Artifact.

Narek was abandoned by the story of Star Trek: Picard midway through the finale, during the crew’s stupid and badly-written attempt to destroy the synths’ beacon. What became of him after that is unknown. Possibilities include that he was recovered by the Romulans and left aboard their fleet, that he remained in captivity with the synths, that he was able to sneak away in the confusion surrounding Picard’s “death”, or even that he did leave the Zhat Vash and joined La Sirena’s crew off screen.

However, one thing that he didn’t do in the story was go rogue. Almost since we first met Narek and saw his relationship with Soji unfold, I’d been speculating that the time would come where Narek would find a reason to abandon the Zhat Vash. Perhaps it could’ve been out of love for or loyalty to Soji, or it simply could’ve been that the revelation of the synths not posing a threat meant he had no reason to oppose them. Either way, the switching-sides never came, and as of the last time we saw him, Narek was still fully subscribed to the Zhat Vash ideology.

Narek may not have been everyone’s favourite character, and I think a part of that comes from the fact that he didn’t really have anyone to interact with besides Soji and Rizzo for almost the entire season. But as a main character, and as someone we spent a significant amount of time with, I would have liked to see his story reach an actual conclusion, regardless of what form that may have taken. I don’t expect Narek to return for Season 2 at this stage, but as far as I’m aware no casting announcements have yet been made – so watch this space.

Debunked theory #4: Picard’s conversation with Admiral Clancy may have tipped off the Romulans.

Admiral Clancy.

At the time Picard and Admiral Clancy spoke in the episode Broken Pieces, he and the crew were still unaware of the extent of Commodore Oh’s role in the conspiracy. It wasn’t until Rios and Raffi had pieced together that she gave the order to kill two synths while Rios was serving in Starfleet several years previously that they could reasonably come to the conclusion that she was behind the attack on Mars and was a Romulan spy. So based on that, I wondered if Picard’s conversation with Admiral Clancy may have had consequences for the Starfleet squadron at Deep Space 12 – they could have been ambushed, attacked, hacked into, or had their security information compromised by the well-placed Commodore Oh. However, it seems that Oh had already left by that point to head up the Romulan fleet and nothing bad happened as a result of Picard and Clancy speaking.

Debunked theory #5: Section 31 will be involved.

A Section 31 badge from Star Trek: Discovery.

Over the course of the season, I had several ideas for how Section 31 – the secretive branch of Starfleet Intelligence responsible for off-the-books operations – could be involved with the story. Each of those possibilities came and went as the season rolled on, and my final guess for Section 31’s involvement – that they would show up to take ownership of the Artifact – was no different.

The reason I’d been so sure of Section 31 showing up this season was that they’ve recently been so important within Star Trek. Both in Star Trek: Discovery’s second season last year and then with a new spin-off show in production, I felt sure that the creators would want to tie the faction in somehow. It would have made sense from a production point of view, making Section 31 a consistent thread between Discovery, Picard, and the new show.

Debunked theory #6: The crew will travel forward in time to link up with Star Trek: Discovery.

At the end of Discovery’s second season, the ship travelled forward in time.

This was one of two theories I had regarding Star Trek: Discovery and Star Trek: Picard crossing over or linking up. There was no story evidence for it, only that from a production point of view, keeping all the extant Star Trek shows in one time period makes a certain kind of sense. While we could still see the USS Discovery ending up in 2399, that didn’t happen in the season finale either and it seems like both shows will continue on their own separate paths – at least for now.

One of the things I was somewhat surprised at in Star Trek: Picard’s first season is how few references to Discovery there were. Aside from literally a couple of throwaway lines I can’t think of any – and certainly nothing significant. Given both series are in production side-by-side, carrying the flag for the Star Trek franchise, I would have expected some kind of recognition of that.

So those theories were debunked outright, and now we can take a look at a few theories that I’m calling “dead”. These theories, as previously mentioned, weren’t explicitly debunked on screen, but instead were abandoned. As the story of Star Trek: Picard will move on in Season 2, I doubt very much that there’s any chance for any of these to be revisited.

Dead theory #1: Sutra is descended from Lore, not Data.

Lore was Data’s evil twin.

While we saw Data in the digital afterlife in Et in Arcadia Ego, Part 2, Lore wasn’t even mentioned. And given that he hadn’t been for the entirety of the season, any storyline involving him at the last minute would have been somewhat out of left-field, especially for new fans and those who haven’t seen The Next Generation in a long time.

Nevertheless, I had speculated that Sutra might be a descendent of Lore and not Data, simply based on her evil nature and the fact that she slipped very easily into that role. Data would not have behaved the way Sutra did, and if the synths were all cloned from his neurons, that doesn’t seem to make sense – on the surface, at least. We still don’t really know how the synth-building process works.

Sutra was my least-favourite character in the season, and though I’m pleased in a way that I didn’t have to sit through too much of her in Et in Arcadia Ego, Part 2, it’s not clear at all where she came from or what will happen to her next. Will she remain deactivated forever? If she does wake up, will she still be interested in contacting the “Mass Effect Reapers”? And if so, what’s to stop her from building a new beacon and doing so? I doubt any of these points will be addressed any time soon, and given that Sutra is unlikely to return imminently, I don’t think we will learn anything about her potential origin either.

Dead theory #2: The “Mass Effect Reapers” are the Borg.

A Borg Cube in The Next Generation.

Though the synths did succeed in building their beacon and opening a portal to the realm where this synthetic race are based, we didn’t learn anything at all about them this season. That raises a number of issues in itself – are they still a threat? Will Starfleet try to contact them and make peace? Are they planning to come to the Milky Way now they know we exist? Etc. But because this faction are so ambiguous and technologically-advanced, one theory I had postulated was that they could simply be the Borg.

It makes a certain kind of sense. The Borg are Star Trek’s most advanced species in technological terms, and are conceivably capable of moving stars. They also like to assimilate races that are technologically powerful – even ignoring races like the Kazon that they feel would detract from the “perfection” they aim to create. While we’ve only ever seen them as a kind of rolling assimilation machine, they may have left traps at locations in the galaxy, telling synths to contact them. Under the guise of helping the synths, the Borg would then show up at a location where they know a technologically-advanced race exists, and would assimilate both the synths and those who made them.

The brief glimpse we saw of the “Mass Effect Reapers” in Et in Arcadia Ego, Part 2 did not, in my opinion at least, conclusively rule out a Borg connection. However, with the story moving on, we may not meet this faction again.

Dead theory #3: Commodore Oh is a synth.

Commodore Oh.

When we saw Sutra perform a mind-meld in Et in Arcadia Ego, Part 1, this somewhat outlandish theory that I’d been kicking around for a couple of weeks suddenly went up a gear. If synths could mind-meld, it removed a potential hurdle from this theory – the fact that we’d seen Commodore Oh mind-meld with Dr Jurati – and provided what could be seen as some kind of hint or foreshadowing.

We’d also seen with Soji and Dahj that synths can be programmed to be unaware of their true nature, and can appear to be fully biological. So I speculated that it was possible for Commodore Oh to not even be aware that she’s a synth, and be barrelling toward unleashing armageddon through actions she believed were designed to prevent it. It would have been a neat story in some ways, but would have required a lot of on-screen explanation.

Dead theory #4: Borg technology was used in the creation of the Coppelius synths.

Ex-Borg on the Artifact.

Star Trek: Picard established that there is a large galactic market for Borg components. I theorised that Dr Maddox, Dr Soong, and their team used some or all of this Borg technology in their work on synthetics. It could have explained the huge jump from androids like F8 to androids like Sutra. F8 was active at the time of the attack on Mars, 14 years before the main plot of the series, and Sutra was active a mere five years later, when Rios met her sister Jana. Yet there’s a huge gulf between what the two synths were capable of. F8 was incredibly basic, much more so than Data had been in his earliest appearances. And Sutra was, from what we saw of her, very similar to a human. The fact that they made this leap in around five years – and that they made it having lost colleagues like Dr Jurati and without access to the Federation’s resources after the ban – seemed to stretch credulity. While we know for sure that the synth-building process relied on Data’s neurons, it’s at least possible that other technology was involved.

Dead theory #5: The faceless “father” figure from Soji’s dream isn’t Bruce Maddox, and may be Dr Soong or even a synth.

The faceless figure.

It seems as though this figure, glimpsed in Soji’s dream, won’t be revisited and was simply included for shock value. And a shocking sight it was when we saw him in The Impossible Box. It does make a certain kind of sense for Dr Soong or Dr Maddox to try to conceal their identity and prevent anyone from using Soji to track them down, so I guess that’s the answer – at least for now.

Dead theory #6: Soji and Dahj’s necklaces were created deliberately to communicate with or signal to someone.

Soji wearing her necklace.

I disliked the necklaces as a prop from their introduction in Remembrance. If they’d just been a part of Soji and Dahj’s costumes I’d have ignored them, but because the necklaces were supposedly a symbol for how Maddox created them, and were supposed to be kind of unusual or even flashy by 24th Century standards, I felt they were visually weak and uninteresting.

The necklaces also posed somewhat of an interesting question: if creating synths is illegal, why would Maddox give both Soji and Dahj a very obvious symbol of their synthetic nature to wear? Surely there are only downsides to doing so, like attracting unwanted attention. I even theorised that the necklaces could be what led the Zhat Vash to first notice Soji and Dahj. One answer to this question would be that there is someone out in the galaxy that Maddox was either trying to signal or communicate with, and the necklaces were a sign that person would recognise.

Dead theory #7: Something Maddox did or didn’t do led to the synths on Mars being hacked.

F8’s eyes during the hack.

When Maddox passed away without discussing the attack on Mars, this theory did start to look less and less likely. But with confirmation that the synths were indeed hacked by the Zhat Vash and did not act of their own volition, it hadn’t gone away entirely. Maddox was a senior figure in the Federation’s synthetic research at that time, meaning the hack took place on his watch. It was at least possible, especially considering that he fled and continued his work, that he was at least partly responsible. Perhaps something in the way he built or programmed the synths made them easier to hack, or perhaps there was a flaw he ignored. Regardless, with Maddox dead, the ban overturned, and the synth storyline seemingly over, I doubt we’ll ever know.

Dead theory #8: Picard’s illness is Irumodic Syndrome.

Picard “died”.

When Dr Benayoun brought Picard the news of his illness in Maps and Legends, its name was never mentioned. There were hints at it being Irumodic Syndrome for returning fans, but no confirmation. Given that Picard has since died and been resurrected, I doubt it will be discussed in Season 2, but you never know.

So those theories are dead and I doubt we’ll see any debunking, confirmation, or indeed any movement on them at all in Season 2.

I do have one remaining theory, and it pertains to Star Trek: Discovery’s upcoming third season. So let’s take a look at that before we wrap things up.

Discovery Season 3 theory: The “Mass Effect Reapers” are the cause of Star Trek: Discovery’s post-apocalyptic setting.

Michael Burnham in the trailer for Discovery’s third season.

We saw in the trailers for Discovery’s third season that the Federation seems to be in decline. It may even have fragmented altogether by this time. We also saw a level of technology that is arguably not as advanced as it could or should be in this time period. Star Trek has occasionally set episodes in the far future. In the 29th and 30th Centuries, we know that the Federation would operate time-ships and would routinely explore time as well as space, and would teach basic temporal mechanics in school. Episodes of both Star Trek: Voyager and Star Trek: Enterprise showed us glimpses of this future, but it doesn’t gel with what came out of the Season 3 trailer for Discovery.

If there has been some kind of apocalyptic event, could we have seen the beginnings of that in Star Trek: Picard? The question of the “Mass Effect Reapers” is still very much an open one, as I noted above. They may not have arrived at Coppelius thanks to Picard and Soji’s efforts, but they weren’t defeated, they still exist somewhere out in space, and now, crucially, they’re aware of the existence of the Federation and the Romulans. It’s at least somewhat plausible that they would decide to show up anyway – after all, they don’t necessarily know why the portal was closed. If their intention to help synths was genuine and not an elaborate trap, they may arrive out of concern for the Coppelius synths. And if their intention was to attack and conquer advanced races, they may now have a new target.

Somehow, Star Trek: Discovery will have to explain its setting and how things came to be so bleak – if indeed they are bleak. I do have an article where I discuss why a post-apocalyptic setting may not be right for Star Trek: you can find it by clicking or tapping here. But the “Mass Effect Reapers” remain in play as one possible explanation, at least in my opinion.

So that’s it. That was the only theory that survived the season, and it doesn’t even pertain to Season 2 of Star Trek: Picard!

I hope you’ve enjoyed my theories as the season went on, and that you didn’t get too upset if your favourites didn’t pan out. The whole point of this, for me anyway, was to spend a bit more time in the Star Trek universe, and to get lost in the world it created. While it has been great fun to speculate and theorise, it was always going to be the case that most theories didn’t come to pass – and that’s the case for any fan theory, no matter how plausible or well-constructed. We saw from The Last Jedi over in the Star Wars franchise how fans can become too attached to certain ideas, and how that can ruin the enjoyment of a film. I’m pleased to say that none of my theories in any way spoilt my enjoyment of Star Trek: Picard. If they had, these posts would have ceased!

I’m really excited to see what Season 2 brings, and to spend more time with Picard, Raffi, Rios, Dr Jurati, Elnor, Soji, and perhaps even Seven of Nine if she sticks around. While current events have disrupted production, I’d still hope to get some news and perhaps even a trailer by the end of the year, and the second season should release some time in 2021, though probably later in the year than this season did.

Until next time!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 10: Et in Arcadia Ego, Part 2

Spoiler Warning: There will be spoilers ahead for Et in Arcadia Ego, Part 2, and for the entirety of Star Trek: Picard Season 1. There may also be spoilers for other iterations of the Star Trek franchise.

I’m in two minds about Et in Arcadia Ego, Part 2. On the one hand, the entire second half of the episode was incredibly emotional, with hit after hit after hit that left me in tears. But on the other hand, much of the first half of the episode followed on directly from Et in Arcadia Ego, Part 1 and was a waste of space.

I think overall, I stand by what I said in my review last week: that many of the story points in this two-part season finale were rushed and underdeveloped. Et in Arcadia Ego, Part 2 had, at points, the same issue of blitzing through potentially interesting story beats, and the disappointing thing isn’t that any of the storylines were bad, it’s that they had potential to be so much more than they were. Despite the second half of the episode going a long way toward redeeming the entire two-part finale, I think when the dust settles and I’m thinking more clearly and less emotionally, the overall picture will be, at best, mixed. There just wasn’t enough time remaining for many of these points to be fully explored, and realistically that meant that either some story threads needed to be cut entirely, or the season needed another couple of episodes to explore them fully.

Where the second half of Et in Arcadia Ego, Part 2 succeeded was that it slowed down, and the rushed pacing, the jumping between storylines, and the obviously-cut down scenes did largely abate. This gave way for a more emotional story to develop and play out over several slower, touching sequences, which brilliantly played on elements of the story that had been spread out over the preceding nine episodes – beginning right back in the first episode of the season, and indeed the first sequence of the first episode.

But we’re getting ahead of ourselves. Et in Arcadia Ego, Part 2 begins right where Part 1 left off last week, where Sutra let Narek escape and locked Picard up. Narek travels to the Artifact’s crash site and manages to sneak aboard, passing Seven of Nine, Elnor, and a handful of xBs who seem to be working on repairing the crashed vessel. The establishing shot of the Artifact was actually really pretty, and the closest the planet of Coppelius or Ghoulion IV came to not looking like California for the whole episode.

This shot of the Artifact was great.

Narek is searching for something on the Artifact when Rizzo appears from nowhere and surprises him. I’ve mentioned several times that Rizzo has grown on me as a character in her appearances over the course of the season. Her transformation from an uninteresting and one-dimensional villain into an actual fleshed-out character has been great to see, and it’s hard to imagine the story of Star Trek: Picard’s first season without Peyton List’s occasionally over-the-top performance. Seeing Rizzo and Narek reunited showed us that they were real people underneath it all, and given it was almost sure to be Narek’s last meeting with his sister, their hug was strangely touching. After being attacked by the xBs at the end of Broken Pieces, I’d assumed Rizzo had beamed over to one of the Romulan ships near the Artifact, but it seems that she remained aboard during its short-lived mission to Coppelius and survived the crash-landing. I hadn’t expected that – partly because it wasn’t communicated clearly, it must be said – so it was a surprise to see her. But we did get to see a brief moment of vulnerability and emotion from Rizzo – in that moment, she was genuinely relieved, happy, and even slightly overwhelmed to see Narek, and that moment played out perfectly.

The next scene has to be one of my least-favourites. Not for its dialogue, which was a conversation between Picard and Soji as he tries to convince her to try things his way instead of following Sutra, but for the editing. The best moments with Picard, both in this series and in his previous Star Trek appearances, have been a combination of what he said and his presence while saying it. With this scene cutting away from Picard and Soji in large part, with what should’ve been one of his trademark speeches heard only in voiceover, something significant was missing that made the words he said far less impactful to us as the audience. We needed to see Picard as well as hear him for his speech to have its full effect. And back to what I said at the beginning, this feels like a consequence of both parts of the finale having just too much to cram in to two episodes. Before the opening titles, the episode needed to show this conversation, as well as convey – through Dr Jurati seeing it firsthand – the construction of the beacon that Sutra planned to use to contact the “Mass Effect Reapers”. Instead of there being enough time for both scenes, they ended up smashed together, with the voices of Picard and Soji on top of Dr Jurati silently watching the beacon. For me it simply didn’t work, and both scenes were the worse for being amalgamated.

The opening titles once again ruined the surprise appearance of a character. For the third time this season, an actor’s name was included which telegraphed the arrival of a character whose appearance was supposed to be unexpected: this time it was Jonathan Frakes, who reprised his role as Riker. What was the point of that? In all three cases where this has happened – Seven of Nine in Stardust City Rag, Dr Soong in Et in Arcadia Ego, Part 1, and Riker this time – the appearance of the character was treated in the episode as a surprise. Everything from the camera work to the music built up the suspense of who we were about to meet – yet the opening titles had already spoilt it. Riker’s appearance at the head of Starfleet’s armada was supposed to be something that would make the audience go “wow!”, but instead it was telegraphed ahead of time, so the arrival of his fleet and then seeing him in person when he hailed the Romulans had lost the crucial element of surprise. I just do not understand this decision. How hard would it have been to credit Jonathan Frakes at the end and leave Riker’s appearance a genuine surprise? It was poor, and it detracted from what should’ve been one of the episode’s more powerful moments. It was still nice to see Riker on screen and back in uniform – we’ll deal with that scene in more detail later – but it was such a shame that it wasn’t the surprise it should’ve been.

This shouldn’t have happened.

After the opening titles we see why Narek went to the Artifact – among the many things the Romulans didn’t have time to evacuate were a set of bombs, and he plans to use them to destroy the orchid-ships before the Romulan fleet arrives. This is a pretty tense scene in contrast to his reunion with Rizzo, as we see that there’s still tension between them and they’re of unequal status – despite being very shaken by recent events, Rizzo is still the superior officer. She really doesn’t have a choice in letting Narek go, as there are two jobs to do – destroying the orchids and activating the Artifact’s weapons – and two of them. Narek called himself a “Zhat Vash washout”, and clearly his history with the secretive organisation is complicated. We’d seen a couple of hints at that in earlier episodes, but nothing as major as what we got here. Unfortunately, as with many points across the two-part finale, it was left undeveloped. Narek has had multiple appearances across Star Trek: Picard’s first season for this aspect of his background to be explored, and given that we’re less likely to see him return for Season 2 than anyone else at this point, I would have thought that if the series wanted to properly explore his Zhat Vash background that this would’ve been the last opportunity. As it is, we got a couple of throwaway lines about Narek and Rizzo’s family: their parents, apparently, died as a result of working for the Zhat Vash, but again, how or why is not explained in any detail. Narek and Rizzo part for what would be the final time.

Out of all of Star Trek: Picard’s villains, the dynamic between Rizzo and Narek was by far the most interesting. As brother and sister there’s always going to be an element of sibling rivalry to what they’re trying to do, and Rizzo made clear in every scene together where the power lay in that dynamic. They played off each other well, with Rizzo pushing Narek to the brink of mutiny at times. But throughout it all, his commitment to the cause never wavered, and was stronger than both his fear of and disdain for Rizzo, as well as his clear feelings for Soji.

Narek and Rizzo at the Artifact’s crash site.

Technology in Star Trek has always been flexible to suit the needs of the story, and I appreciate that’s something that has happened going back to The Original Series. Even with that caveat, I didn’t like like the magical do-anything macguffin that’s used in the next scene by Raffi and Rios to fix La Sirena’s engine. It strayed too far into the realm of magic for me, especially with its “just believe it will work” spiel. While we’ve seen similar things in Star Trek before, and perhaps in some contexts it could’ve worked, it just felt forced at this moment; a way to send Raffi and Rios on a mission to La Sirena so they could be there for other story elements to unfold, but done in such a way that they didn’t need to spend more than thirty seconds fixing the engine – which they went back to do.

In fact, at several points in Et in Arcadia Ego, Part 2 did I get this feeling that the story was being forced down a particular path. Scenes would be included not because they fit the natural flow of the story, but because they either looked “cool” from a visual standpoint, or because they moved characters around to get them to be in the right place for other things to happen. In this example, Raffi and Rios had to leave Coppelius Station – under the guise of fixing La Sirena, they were moved out of the way so Picard could be apprehended, and placed in the right location for Narek to find them later, so they could plan their (stupid) attack on the synths’ beacon. It all felt just a little too much like it was driven by a room full of writers, and not a natural way for the characters to go. We’d also see the attack I mentioned be done in a very stupid way to get the plot to a specific climax, as well as the campfire scene with Narek which will come later as other examples of characters being forced into specific situations which didn’t really make sense in the context of the episode. It was constructed in such a way as to allow the plot to unfold, and unfortunately we’re supposed to just brush off some of the contrivances to make it happen.

Rios with the magical macguffin.

While we’re talking about contrivances, I can’t wait any longer to talk about Star Trek: Picard Season 1’s big plot hole. I’ve been flagging this up for several weeks as a potential issue, and unfortunately it was left unresolved at the end of the season. So a plot hole is what it’s become: why was Maddox on Freecloud? Finding Bruce Maddox was the driving force behind the first half of the season’s story, and when Picard finally encountered him on Freecloud, he made it very clear that the reason he was there, and had put himself in danger by contacting Bjayzl, was because his lab had been destroyed by the Tal Shiar. With nowhere else to go and no one to turn to, he went to see Bjayzl as a last resort – and ended up paying for it with his life. Yet Maddox’s lab clearly wasn’t destroyed. He wasn’t kicked out by Dr Soong and the synths, who continued to speak very highly of him. If he’d set up a lab elsewhere that had been destroyed, he could’ve returned to Coppelius. And as it sits right now, there’s no reason for Maddox going to Freecloud other than “because plot”. And that’s a mistake – Maddox was such an important figure, especially in those early episodes, that the reason he put himself in danger should have been given a proper explanation. It’s disappointing that the story and the season have ended with this gaping hole left unexplained.

After Raffi and Rios have used the magical macguffin, we get a scene with Dr Jurati and Dr Soong. At the end of last week’s episode, Dr Jurati had promised to aid the synths – but this was clearly a ploy to avoid being locked up and to be able to help Picard. I liked the dynamic between Soong and Jurati – he clearly hates her for killing Maddox, yet he needs her help. And his barely-contained loathing breaks the surface in the way he talks to her, as Brent Spiner delivers the lines in a style not dissimilar to how he portrayed Lore in The Next Generation. Again, though, as with too many points in the finale, this didn’t really have time to properly develop, and this scene between them, and one brief moment last week, is all the time they had alone together.

Dr Jurati.

Both Brent Spiner and Alison Pill delivered amazing performances with the limited material they had – I especially liked Dr Jurati’s “I’m not their mother, asshole” line – but I would have liked to have seen more of this relationship. There was the potential for it to go from bad to worse, then for the two of them to form a hate-filled unlikely alliance, before finally coming to terms with what happened. Dr Jurati had been essentially brainwashed by Commodore Oh, and they had both lost someone they cared about in Maddox – I would have liked to see that explored some more, especially because the on screen presence and chemistry the two actors had was definitely one of the finale’s high points.

Back at La Sirena, Narek has arrived and is trying to get the attention of Raffi and Rios by throwing rocks. He shows off his grenade collection and insists on meeting with them. At the meeting, Elnor arrives – we’d seen him following Narek as he left the Artifact. Speaking as we had been of two characters who loathe one another, Elnor and Narek feel that even more strongly. Elnor’s anger at Hugh’s death was on full display, but everyone had to stow their feelings as they discussed the synth problem. Narek is still in Zhat Vash mode, seeking out allies for his mission to blow up the synths’ ships. Staying with the theme of parts of the story being rushed, Raffi and Rios’ decision to believe him almost straightaway wasn’t great. While it was nice to see Narek finally interacting with someone other than Soji or Rizzo – the only two characters we’d seen him spend any significant time with – it came too late in the story to really have much impact, and like other points in the finale, was rushed. Narek really didn’t have to do much at all to convince the others that the synths – who they’d just met and were on friendly terms with – were a galaxy-ending threat, and they didn’t consider any other possibilities for why they couldn’t contact Picard at Coppelius Station other than Narek’s reasoning that the synths were jamming their commuications. It’s just another part of the finale where more time was needed – time to allow the three non-Zhat Vash characters to come around to Narek’s way of thinking. As it is, it felt like an instant turnaround – 180 degrees from trying to save the synths to trying to blow up their ships and beacon.

Narek finally got a chance to talk to other characters.

At the beginning of Stardust City Rag, we got a fairly brutal scene where Icheb has his eye torn out. The graphic sequence was shown in full, and it was grotesque but at the same time it was something that as the audience, we couldn’t look away from. In the next scene in Et in Arcadia Ego, Part 2, Dr Jurati takes the eye out of Saga, the deceased synth from last week, in order to use it to unlock a door and spring Picard from his captivity. But we didn’t get to see the eye removal, as the camera instead cut to Dr Jurati’s face for the majority of the scene. And unfortunately, this didn’t look great. Alison Pill undoubtedly gave it her best shot, trying to look both disgusted and like someone who was trying to figure out how to disconnect sensitive electronics, but it would’ve been better to either see the entire process or to jump-cut from her starting the procedure to having the eye successfully removed. As a story point I did like using the eye, and I liked the eyeball prop when we saw her use it later, but the removal itself was just a bit of a waste in my opinion.

The campfire scene where Rios, Raffi, and Elnor sit and listen to Narek’s Zhat Vash stories wasn’t great. In principle it was good to have them together, but by this point in the story, we as the audience are familiar with the Zhat Vash prophecy. And ghost stories around the campfire is just such a cliché that the scene felt so forced. And it didn’t make sense in context. The ship had been fixed – why sit around outside it? And with such urgency to get to Coppelius Station to destroy the beacon, couldn’t they have talked en route? Or flown La Sirena closer to the synths’ compound? It was just so obvious that the director or creators of the show had decided that a campfire scene would look cool that they shoehorned it in, even though doing so made little sense.

This scene made no sense.

The campfire story itself was fine, but as I said there wasn’t much in there that we as the audience didn’t already know. In an episode with so much story left to conclude, and thus where every minute matters, a lot of this campfire scene was really just wasted time. Conversely to that, the next scene with Commodore Oh – which barely even qualifies as a “scene” because of how short it was – had been very obviously and badly edited down to just a few seconds, and simply fell flat in the moment. Who was she supposed to be talking to when she said “At last, our great work is nearly at an end”? There was no one else present in the scene, she was just standing on the bridge of her ship in her evil villain cloak doing an evil villain pose spouting a generic evil villain line. Given how tightly it was cut, there was almost certainly more to this scene that didn’t make it into the final episode, but this line simply did not work on its own.

The visual effect of the Romulan fleet at warp was good, however, and I did enjoy seeing that. The design of the new style of Romulan vessel was great, and I could see it being a natural evolution of the Romulan Warbirds from The Next Generation and the advanced warship used by Shinzon in Nemesis, and the fact that some elements of those designs made it into the new Romulan ships was good and shows that the show’s creators were paying attention to past iterations of Star Trek. However, one thing I didn’t like – and this also applies to the Federation fleet that we see later in the episode – was that all of the ships were identical. Past fleets that we’ve seen, while arguably smaller in scale, were almost always comprised of multiple classes of ships, and the fact that the animators and CGI artists had essentially copied-and-pasted the ships meant that the large fleet was less visually impressive that it could’ve been. It was good to see the number of Romulan ships en route, though.

The Romulan fleet.

Narek is back in the next scene, a mere few seconds later, showing off the bombs he retrieved from the Artifact. While the episode hasn’t communicated this very well, it seems that a significant amount of time has passed. When Narek arrived it was daylight outside La Sirena, but then the campfire scene seemed to take place after sunset. Yet this scene is in daylight again – and as I said before, considering the urgency of the mission to stop the synths bringing about the end of the galaxy, which everyone seems to agree on, they don’t seem to be moving very fast toward that goal as they’re still talking aboard La Sirena.

I did like the creative way that they were able to sneak the bombs into Coppelius Station; that was a fun story beat, especially when Rios seemed to be playing with the ball in front of the synths. There was a second where it felt like he might kick it too hard and it would explode! The scene a few episodes ago where Rios had been kicking a ball around on La Sirena also paid off here. And if I’m not mistaken, at least one of the synths on guard duty looked like F8 – the synth from the flashbacks to Mars that we saw earlier in the season. However, the next part of this is yet another example of a plot contrivance – the guards let Raffi, Elnor, and Rios into their compound with Narek, but then seem to leave them alone to do their own thing instead of following them or taking Narek back into custody. It would’ve been better to skip the part about hiding the bombs in the football and have them sneak in another way, or leave the compound unguarded altogether (who are they guarding it from, after all?)

I’ve already mentioned that the eyeball was a neat prop, and the way Dr Jurati figured out how to use it to access Picard’s room and spring him from custody was great. Picard is clearly suffering here from the unnamed brain condition that we saw the first real indication of last week. And while I liked that this had been set up way back in the second episode of the season, it was really only in the two parts of the finale that Picard goes from experiencing no symptoms to full-on dead in a matter of hours or a couple of days. And while we have no frame of reference for how futuristic diseases might run their course, as a story point I feel this would’ve worked better if we’d seen a couple of other instances of his health starting to fail in previous episodes. I know we’ve seen him snap and seem to be quicker to anger at a couple of points, and that we saw his PTSD-breakdown when he first arrived aboard the Artifact, but for the most part Picard has seemed in good health for his age – until the finale, when his condition seemed to rapidly accelerate from nowhere.

Rios with the bomb-ball.

Dr Soong learns, in the next scene, that it was Sutra and not Narek who killed Saga, and is visually shocked and heartbroken at the revelation. I’m glad that Dr Soong turned out to be someone who was on Picard’s side in the end. Brent Spiner can portray villains wonderfully, as he did with Lore and another Dr Soong in Star Trek: Enterprise, but as a fan, seeing his new character at odds with Picard wouldn’t have been my preference, given that it’s been so long since we saw the two actors together in Star Trek.

The guards of Coppelius Station seem to have just allowed Raffi, Rios, Elnor, and Narek free rein inside the compound, and they’re planning their attack on the beacon when Dr Soong intervenes. For a moment they thought they’d been caught, but Dr Soong plans to help take down the beacon having learned of Sutra’s betrayal.

Picard and Dr Jurati made it back to La Sirena – though how the two groups managed not to cross paths or spot each other isn’t clear. I mean, there can only be one direct route to the ship after all. But that is a minor nitpick compared to others in the episode. This scene, between Picard and Dr Jurati, was very powerful, and the first point in the episode where I really started to feel things turn around. I loved Picard’s line that “fear is an incompetent teacher”, and their plan – to launch La Sirena into space and make a last stand against the Romulans as a way to show Soji and Sutra that not all organics are evil is a good move – perhaps their only possible plan under the circumstances short of using La Sirena’s weapons to destroy the beacon. They’re banking their hopes on Starfleet having received Picard’s message and already being en route, because at best they’ll be able to stall the Romulans for a few minutes. This is basically a suicide mission, and they both know it. The genius of putting these two characters together, as opposed to say, having Picard teamed up with Rios or Elnor, is that they both have nothing to lose. Picard’s at death’s door, and Dr Jurati is facing a lengthy spell in prison, so of all the characters who could try to make a last stand, it makes sense for them more so than any others – except perhaps Raffi.

Picard and Dr Jurati back aboard La Sirena.

The Romulan fleet is only seven minutes away, so Picard launches La Sirena and shakily leads the ship into orbit, with Dr Jurati along for the ride. The action then cuts to Coppelius Station, where the rest of the crew are planning to attack the beacon.

Attacking the beacon makes sense in the story, but the way it was executed was so bad, and the plan was clearly designed to fail. They storm in and make a huge fuss, then Dr Soong uses another macguffin to deactivate Sutra, but because the other synths are still all-in on using the beacon and summoning the “Mass Effect Reapers”, the rest of the crew scramble around, punching and kicking before being wrestled to the ground. Dr Soong, having deactivated Sutra with his magic wand, doesn’t do anything. He stands motionless in the background while Rios makes a desperate throw to get the bomb into position, but Soji catches it and throws it away.

So many things wrong here, but the overall problem is this – the fight was clearly written in such a way that the “heroes” lose. And that was painfully obvious in the way it was carried out on screen. But let’s break down some individual failings. Why did Dr Soong not show the assembled synths the video of Sutra killing Saga? That single piece of evidence would have swayed most of them to his side. Why did he not use his magic wand on Soji after disabling Sutra? Why did the crew launch a full-frontal attack against a force of massively superior synths instead of sneaking around or causing a distraction? Why try to fight the synths at all? And finally, probably my biggest complaint about the synth storyline in the finale as a whole: what was the point of Sutra?

Sutra was shut down.

Don’t get me wrong, I’m not arguing that we should’ve seen more of Sutra this episode. The awful makeup and hammy performance meant I wanted to see as little of her as possible – in that sense I got my wish – but for an antagonist who’d played such a large role last week, and who did have, as I pointed out, a motive that was at least partly understandable, she was just completely sidelined by a story that raced through far too many points and left her completely undeveloped. Sutra had the potential to be interesting, at least in theory. Her presence turned the synths from damsels in distress needing to be saved to antagonists needing to be dissuaded or defeated, and that concept, if executed better, could have been interesting. Unfortunately, as I’ve already said, it would’ve needed several more episodes to work effectively – and a better performance from the central synth villain.

Given that Star Trek: Picard has been at least as much Soji’s story as Picard’s, I feel it would have been better on the whole to ditch Sutra and simply have Soji and Dr Soong be the principle drivers behind contacting the “Mass Effect Reapers”. It would have cut an extraneous character, allowed more time for some of the others to be explored, and we wouldn’t have had to sit through that awful performance last week. Soji did need someone to guide her turnaround last week, to allow her to convincingly side with the synths. But I don’t think that needed to be Sutra, and with a few tweaks here and there the story could’ve arrived at the same place without her – and it would have been better for it, especially considering she did nothing whatsoever this week.

Soji working on the beacon.

The next scene with Dr Jurati and Picard was hit-and-miss for me. The jumps in tone from deadly serious suicide mission to cracking dumb jokes just didn’t work, and while Dr Jurati has occasionally provided moments of comic relief throughout the season, this was not the moment for humour and it just ended up detracting from what could’ve been a much more powerful scene. I did like, however, that La Sirena was not flying smoothly in the exterior shots we saw, indicating that Picard is still getting back into the swing of things. We have seen him pilot spacecraft before – shuttlecraft most often, but also the Enterprise-D itself in the episode Booby Trap from the third season of The Next Generation – so we know he’s at least basically capable and should understand the principles involved.

Seven of Nine and Rizzo fight aboard the Artifact as Rizzo has tried to bring the Cube’s weapons online. She’s targeting La Sirena, which does raise the stakes somewhat, and the fight itself was decently exciting. There was never any real doubt as to who the victor would be, however, and Rizzo finally gets her comeuppance for killing Hugh as Seven of Nine sends her falling to her death with a well-placed kick. The two traded barbs during the fight, and we really saw Rizzo in a way that I talked about a couple of weeks ago: as a racist. That aspect of the Zhat Vash and Romulans – that their actions are a veiled analogy for hating another group of people because they’re different – is something the show found a balance between hinting at and overplaying, and I think, taken as a whole, the balance was probably about right.

Rizzo and Seven had a fight.

The visual effects and CGI in the episode were great, as we’ve already discussed, and the sight of the orchid ships launching to meet the Romulans, and overtaking La Sirena, was visually impressive. I still feel that the way the orchids operated last week was pretty dumb, but this time they don’t seem to be dragging intact ships to the planet’s surface; what exactly they’re doing in the fight other than getting shot at and serving as a huge distraction isn’t really clear.

The magical macguffin is back; Rios and Raffi apparently left it aboard La Sirena. Dr Jurati figures out that it can be used to produce holographic duplicates of the ship, which they can use to distract the Romulan fleet. Again, I really didn’t like this tool, and the fact that it seems to be magical and can be used for anything one’s heart desires was not great, even by the standards of Star Trek technobabble. While in principle what Dr Jurati hoped to do was a good idea, and I did like the name-check of the Picard manouvre from The Next Generation, the macguffin spoilt it really. And I felt that the moment where it created holo-duplicates of Dr Jurati’s face was a rare miss in the episode’s visuals.

However, Picard’s conversation with Soji, in which he explains that he’s basically laying down his own life to defend the synths was incredible and very powerful – the first of those emotional hits I mentioned at the beginning of the review. There’s something about a noble last stand that always gets to me, and this was a great example of it! It was an absolute desperation play, as Picard hopes against hope that Starfleet will arrive in time. If Starfleet didn’t get there, the “Mass Effect Reapers” would be the synths’ only hope of survival.

Picard speaks to Soji and asks her to reconsider.

The shot of La Sirena standing alone against the Romulan fleet was incredibly powerful too – part of that last stand feeling that I mentioned. The next part of the story has hits and misses, though. And I know this is kind of a nitpick, but what were the other synths and Dr Soong doing while Soji was activating the beacon? Did no one try to stop her or at least question what she was doing – especially given that they all heard what Picard had to say – nor try to contact the Romulans and reason with them? Several of the next few scenes played out as if Soji were the only one there, yet there were a dozen or more synths plus all of the other main characters.

Soji succeeds in activating the beacon just as the Romulans finish dealing with Picard and Dr Jurati’s last stand. The timely arrival of Starfleet – led, as the opening credits made clear, by Riker – prevented them from attacking the planet, and the two fleets enter a tense standoff. It was great to see Riker back in uniform again, and the last-minute arrival of the fleet saved Picard as well as the synths. However, as with the Romulan fleet earlier, all of the ships were the same type and I do feel that the copy-and-paste look detracted somewhat from the otherwise-impressive sight of so many Starfleet vessels – which, I believe, are based on a design from the Star Trek Online video game (but I could be mistaken in that). Until we’d seen his name in the credits, I wasn’t sure if we’d see Riker back in action this season. I was pleased that we did, and it definitely felt good to see Starfleet as the good guys again, after Picard had been forced to work around their obstinance for the majority of the season.

Acting Captain Riker, back in uniform.

Though this moment had been telegraphed ahead of time and sadly was robbed of some of its impact as a result, the musical score as the ships emerged from warp, coupled with Riker’s appearance a few moments later, did still feel good – just not as good as if it had been a genuine surprise.

We got to see a better look at the command variant of the new Starfleet uniforms – which still have that Starfleet logo pattern in the coloured section – and again, as I said at the start of the season I do like the new uniforms. Especially compared to Star Trek: Discovery’s all-blue look I think they look great, and the combadges complement the look nicely.

Commodore Oh, throughout her appearances this season, hasn’t seemed like someone who would listen to reason. The Zhat Vash have been presented as the most committed of all Romulans to the anti-synthetic cause; both she and the organisation are zealots. And zealots seldom back down, even when facing significant opposition. Picard uses what is basically his dying breath to talk Soji down from summoning the “Mass Effect Reapers”, who hadn’t yet emerged through the aperture created by the beacon. This speech was really the climax of the episode, and the emotional hit of the words Picard spoke, combined with knowing he was suffering greatly as he spoke them, matched the high points other episodes of the season hit. It was the kind of speech Picard could’ve given at any time in The Next Generation as he focused on the rights of all life to exist, and for the need to demonstrate that the synths aren’t what the Zhat Vash feared them to be.

Commodore Oh decides to withdraw.

It was enough to sway Soji, who closes the aperture before the “Mass Effect Reapers” could come through or even send a message. Their mechanical tentacles did look menacing, but that’s all we go to see of them. Faced with Soji having stood down and Riker staring her down with a large fleet, Commodore Oh withdraws, and this is something which I feel was out of character. Are we supposed to believe Picard’s speech swayed her? Or simply seeing Soji stand down one time would be enough to override years of Zhat Vash indoctrination? Even if it was good enough for Oh, did everyone on the fleet agree? From her point of view, what is there to prevent the synths rebuilding the beacon in twenty years – or twenty minutes? While Picard’s climactic speech was beautiful, Commodore Oh’s decision to withdraw, like so many other points in the finale, felt rushed. And no sooner had he arrived than Riker, too, was gone – warping out of the system accompanying Oh’s fleet. Couldn’t they have left a ship or two behind? Considering what came next, Riker’s presence would have been incredibly emotional.

Picard bids Riker a solemn “adieu”, before succumbing to the effects of his condition – perhaps combined with whatever medication he was given earlier by Dr Jurati.

Picard’s death – or rather, his “death” – in this moment was the emotional climax of the story, after the plot had reached its own zenith a moment earlier. And it was a very powerful sequence. Soji transports Picard and Dr Jurati to the synths’ location, and Picard dies, surrounded by his crew and knowing that he did right by Soji and her people. His final act was one of sacrifice – making a last stand to defend the synths, righting a wrong from fourteen years ago where he had been unable to prevent the ban or aid the Romulans. The emotion on the faces of the characters – especially Raffi, as Michelle Hurd put in her best performance of the season – was heart-wrenching to witness. Surrounded by his friends, and with a few last words to (most) of them, he passes away, killed by the nameless condition that we assume to be Irumodic Syndrome.

Picard succumbs to his condition.

Of all the characters we’ve met across the season, Rios and Seven of Nine arguably had the least connection to Picard on a personal level. Aside from a few scenes when they first met, I can’t recall a significant moment with Rios and Picard together. While there’s always sadness when someone passes away, especially under such circumstances, putting Seven of Nine and Rios together wouldn’t have been my first choice in the immediate aftermath, simply because they didn’t have the connection that, say, Raffi or Soji had with Picard. Nevertheless, the scene between them was touching, and they both spoke highly of the fallen Admiral. I liked the idea of sharing a bad drink because it was all they had access to, and it emphasised that they’re both a long way from home and that this is, for the moment at least, the end of the journey.

The real heartbreaking scene was when Elnor broke down and was comforted by Raffi. Elnor, who had been so strong and powerful, was weak and vulnerable having regained and then lost his surrogate father figure, and Raffi, who was devastated too, trying to comfort him was just incredibly emotional. Both actors put in amazing performances here, and as sad as this scene was, I loved it.

Raffi and Elnor grieve for Picard.

When Picard awoke, for a moment I was half-expecting to see Q! That was never going to happen, of course – it would be a complete bolt from the blue for anyone who hadn’t seen The Next Generation, for one thing – but it would have bookended Picard’s story in the Star Trek franchise if this had been his final appearance and he was to stay dead, tying into themes from Encounter at Farpoint. Instead, Picard finds himself sat opposite Data. And I know there will be criticism of Data’s appearance given Brent Spiner’s age, but a combination of lighting, makeup, and what I assume are digital effects made him look decent here, and I didn’t find the way he looked offputting, especially when compared to the way the gold synths had looked last week.

At no point was I convinced that Picard would stay dead, but that in itself didn’t rob any of the scenes surrounding his death of any of their drama or emotion. As a story point, though, killing a character in such a dramatic and emotional way only to immediately revive them can end up feeling like a bit of an anticlimax, and there was an element of that here I’m afraid. Not in the moment, and not in Picard’s scene with Data in the digital afterlife, but certainly after his revival there was part of me left thinking “well, what was all that for?” In a sense, restoring Data’s mortality and finally providing him with the closest thing to humanity that he could get, Picard did have a reason to travel to the digital afterlife. No one could have known that Data was trapped in a kind of purgatory, nor that saving parts of his mind from the information transferred to B4 would mean that some essence or facet of his personality would be forever entombed in this realm. That action – saving Data and finally laying him to rest – gives Picard a reason for this temporary death, and as a story it was, overall, a success.

Shutting down Data.

Data takes on the role of what I guess you’d say was a god or grim reaper figure from classical literature, explaining to Picard that he’s in the afterlife and that he died. This was another incredibly emotional scene, as Picard got to express twenty years’ worth of sadness and regret to his long-lost friend. Maybe I’m seeing what I want to see, but I seemed to get hints at Data’s study in the set design, notably the room he occupied in All Good Things, the finale of The Next Generation, in which he was still alive and working as a professor. In fact, while we’re talking about set design, I felt that this room was one of Star Trek: Picard’s best and most evocative. I’ve written before that the outdoor filming scenes, supposedly taking place in France, in Japan, and on several alien worlds, all looked suspiciously like California, and that has been a let-down at points. But the interior sets have been fantastic. I love the way La Sirena looks – inside and out, in that case! – and the Troi-Riker cabin was everything it needed to be. The Artifact is something I really haven’t written about as often as I should’ve, because the subtle updates to the Borg vessel have been fantastic. I loved the shifting walls that were present at times, and the way that, despite being claimed by Romulans and some area being declared “safe”, it was still definitely a Borg vessel. Bjayzl’s club on Freecloud was maybe a tad cliché, but it still did a great job feeling like a futuristic, alien club. The nunnery on Vashti was incredibly reminiscent of something from Japan, and I loved that style when it appeared in Absolute Candor. And finally, Coppelius Station and the Daystrom Institute both conveyed the look of being futuristic in a similar but not identical way to locations in previous iterations of Star Trek.

Data in the digital afterlife.

In this case, the room was clearly artificial, but in a way that conveyed a sense of limbo or purgatory. By the furniture and decor being greyed out, there was the sense that, like in a computer when a file or programme is inaccessible, things weren’t quite right. And the fact that the only colour came from the two figures of Picard and Data, our focus as the audience was drawn to them and all attention focused on them – in the same way as you might expect if seeing a very minimalist stage production.

Part of the criticism of Star Trek: Nemesis at the time it was released surrounded how Data’s death was handled in the story. Aside from the criticisms of the story beat itself, the main ones were that he didn’t really get a chance for any goodbyes, and that in a relatively short space of time, Picard and the crew were laughing and joking on the way to their next adventures. We saw earlier in the season – indeed, from the very beginning – that Data’s loss weighed heavily on Picard, and that his friends Riker and Troi remembered him fondly and held his legacy dear, but in this moment, the second criticism was addressed, as Data got to say goodbye properly. Partly this was to Picard, but partly it was to the audience – to us. In a way, this righted what some fans had considered an eighteen-year wrong.

Data’s final goodbye.

The conversation they had about dying was interesting – and it did, in a way, capture that elusive sense of “Star Trek-ness” that Star Trek: Picard has been so keen to restore to the franchise in the aftermath of Discovery and the JJverse films. Both of those, despite what some have argued, had moments where they “felt like Star Trek”, but not every moment. For all my criticisms of the plot and various scenes in Star Trek: Picard’s finale, it did always feel like Star Trek – and this scene with Data, talking about life and death, was just one part of that, but it was a particularly powerful part.

Picard walks out of the room into a bright white light, and awakens in a new synthetic body, donated by Dr Soong. I wish we’d seen more of Dr Soong and learned why he built himself a synthetic body. There seemed to be hints last week that he was sick or possibly dying, but these were vague and underdeveloped – like many points in the finale – so we don’t really know the stakes or what kind of sacrifice Dr Soong may have made. Did he condemn himself to death by giving Picard the “golem”, or will he just build another one next week now he knows how to do the mind-transfer?

Picard is reborn in a new synthetic body.

Soji, Dr Soong, and Dr Jurati explain to Picard a number of caveats – his new body is the same as his old one, he won’t have any enhanced strength, speed, brainpower, or anything that would change him in any way. He’ll be identical to how he was, just without the terminal brain condition. And it was around here that the sense of “well what was the point of all that?” kicked in. The Data storyline was great, and I loved that Picard got to say goodbye, that we as the audience got to say goodbye to Data, and that Picard got to do his friend a final favour of letting him die properly. But for Picard’s own character, the death-and-rebirth story didn’t really do much of anything. He’s back to how he was before he died a few minutes later, and all of the emotion from his goodbye to Riker to the reaction of all of the characters was, in retrospect, at least slightly wasted.

We get a touching sequence as Picard fulfils his promise, unplugging Data and letting him finally die. Data prepares his room in the digital afterlife, and lies down to await the inevitable. Picard appears to him in his old uniform – whether Data was imagining him or dreaming isn’t clear, but it is clear that his final thoughts were of his friend. Getting a proper goodbye with Data wasn’t even something I knew that I wanted – but now that I’ve seen it, I can see how it was missing from Nemesis and that it really was something cathartic and beautiful to see. Picard’s speech, the music, the change in lighting in the digital afterlife, and finally Data fading away were all amazing to see, and it was another deeply emotional moment. Picard may have come back to life, but Data won’t – he can’t. This marks the final goodbye to a character we first met in 1987, and who we spent a lot of time with.

The crew reassembles aboard La Sirena – and they’ve had to find extra chairs for the bridge. Seven of Nine seems to have joined the crew, though whether that’s temporary isn’t clear at this stage. They set off to destinations unknown, and we learn that the ban on synthetic life has been overturned. The season ends with Picard giving the order to “engage!”, and La Sirena jumps to warp. The familiar Star Trek music sting kicked in at this moment, making the final scene of the episode another stirring and emotional moment.

The assembled crew of La Sirena – ready for Season 2!

Taken as a whole, the episode was certainly mixed. There were high points which equalled or even went beyond the heights reached by other episodes of the season – even Remembrance right at the beginning. And there were some beautiful, deeply emotional moments which still pack a punch on a third, fourth, and fifth viewing. But there were some mistakes and disappointments too, and too much undeveloped story that was left behind as La Sirena warps off to a new destination and – presumably – a new story in Season 2.

There are key points left hanging as of the end of the episode. The first is: what happened to Narek? He obviously wasn’t present aboard La Sirena at the end, but he’d been a major character who we’d spent a lot of time with and he just seems to have been abandoned by the story about halfway through the episode. It’s not clear if he returned to Romulus, remained in captivity with the synths, was handed over to Starfleet, or even if he joined La Sirena but just didn’t sit with the others on the bridge. I don’t expect to see him return for Season 2 at this point, but just ditching him with no goodbye and no end to his story was just a bit strange.

Narek disappeared after this point in the story.

Obviously I’ve already mentioned the Bruce Maddox plot hole that was left unresolved, but that’s a major annoyance so it’s worth bringing up again. There’s also Dr Jurati – she did still murder someone, so why is she free to go with Picard? Was her conviction expunged? Is she a fugitive? Will this come back to haunt her in future? It would have been nice to see some resolution to that point – unless, of course, it’s something planned for next season, in which case I’m content to wait.

Next are the “Mass Effect Reapers”. The Zhat Vash were right, in a roundabout way. The relic on Aia does tell of a race of synthetic monsters from far beyond the stars. That race are out there – is Starfleet going to try to contact them and make peace? Will the synths from Coppelius contact them and tell them not to hurt anyone? Are the “Mass Effect Reapers” content to just go back to waiting for someone else to contact them, or are they now aware of Starfleet, the Romulans, and the Milky Way galaxy’s various species? What steps will everyone have to take in case they return? What’s to stop another synthetic race from contacting them, or even the Coppelius synths changing their minds and asking for their help after all? Building a beacon didn’t look too hard or time-consuming. And what of the relic on Aia? Is it still active? Will it be shut down? Are the Zhat Vash still hell-bent on killing other synths, even if they leave Coppelius alone?

The “Mass Effect Reapers” are still out there.

Finally, we have Dr Soong and the synths. They’re under Federation protection now, but what will happen to them? Will they stay on Coppelius? Will they continue to make more copies of themselves? Without Data’s neurons, can they make more synths? And without Dr Maddox and Dr Jurati, can Dr Soong continue to work? What’s to stop the Romulans coming back next week and nuking their settlement from orbit? Are they protected in any way? Will they have to leave Coppelius and settle somewhere safer? I didn’t expect every single one of these points to be addressed, but some hint and what’s to come next for the synths would’ve been nice given how they were such a large part of the finale and the story of the season overall.

If I had been tasked with salvaging the story of the finale, the first thing I’d have done would have been to get at least one more episode for the season – perhaps two. Then I’d have interspersed some of the storylines present on Coppelius with the other active stories much earlier in the season, allowing more time for the development of characters like Dr Soong, Sutra, and even Saga. Beginning with perhaps episode six or seven – roughly the halfway point of a twelve-episode extended season – I’d have introduced the audience to Coppelius and everyone resident there. I’d have done more to build up the stakes by exploring the “Mass Effect Reapers” in more detail, too. A name for the faction would have been good, but also a basic motivation as well as some indication of their level of technology. Finally, I’d have spent more time on the climactic stand-off between Commodore Oh’s fleet and Riker’s Starfleet armada, and tried to find a convincing way to end the Zhat Vash threat, like having other Romulans mutiny against Oh when the synths deactivated the beacon. I think that by spending some more time with some of the characters, and by introducing them earlier, the finale would have been more enjoyable. But there’s no salvaging that awful gold makeup. That would have to go!

A group of synths.

I guess what I’d say about the two parts of Et in Arcadia Ego is this: it did provide a satisfactory conclusion to many parts of the story of Star Trek: Picard’s first season, but it left a lot on the table and it was rushed, poorly paced, and incomplete. When I think about the season as a whole, Et in Arcadia Ego, Part 1 is by far the worst episode, and while Part 2 went some way to rectifying that, and did manage to pull out a passable end to the story, it wasn’t an especially great episode either, with some definite low points to counteract the emotional highs.

Star Trek: Picard Season 1 stumbled across the finish line, scraping together the bare bones of a conclusion, but leaving a lot of unanswered questions and at least one gaping plot hole. That doesn’t mean that Et in Arcadia Ego, Part 2 was a failure; it did manage to elicit some powerful feelings and bring together some of the dangling story threads. But I don’t think we can call it a rousing success either, and a story that started out incredibly strongly ten weeks ago has finished with a weaker and less enjoyable pair of episodes than I would’ve wanted.

All that being said, I’m satisfied with the season as a whole. My gripes about specific points in both parts of the finale don’t detract from what has been, overall, a wonderful story and a great return to the Star Trek universe as the 25th Century is about to begin. I hope that Star Trek: Picard can now serve as a jumping-off point for other Star Trek shows set in and around the same era, moving the franchise forward into the future – where it should always have been trying to go.

Soji in the episode’s closing moments.

Stay tuned for the conclusion to my Star Trek: Picard theories for Season 1, as well as later in the year when I hope to do a retrospective look at the season. When some time has passed and the dust has settled, it should be a good to go back and take a second look. Rewatching earlier episodes while keeping in mind some of the story elements from the finale should be an interesting experience, and I will undoubtedly see more hints and foreshadowing that I missed when I first saw them.

Now that Star Trek: Picard has concluded, don’t think that the blog is going away! There will be lots more to come as I have numerous articles in the pipeline. I half-expected to see a release date for Star Trek: Discovery Season 3 announced, but despite all the hype around Star Trek: Picard, ViacomCBS have chosen not to take advantage of this opportunity to plug Discovery. Even if the release date isn’t for a couple of months, putting it out there now would have been a great move. Regardless, whenever it airs, I hope you’ll come back to see me review and break down those episodes too.

See you next time!

All ten episodes of Star Trek: Picard’s first season are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 9

Spoiler Warning: There will be spoilers ahead for the first nine episodes of Star Trek: Picard, and there may also be spoilers for other iterations of the Star Trek franchise.

If you’ve read my review of Et in Arcadia Ego, Part 1, you’ll know it’s my least-favourite episode of Star Trek: Picard’s first season. The season as a whole has been fantastic, and I’m really hoping that the finale will manage to salvage things because it would be such a shame if the overall story ended up spoilt by a bad ending. In any case, despite not enjoying the episode it did nevertheless bring up a couple of new theories, and debunk several others.

I re-read my review before penning this article, just in case I was too harsh or wanted to amend any of my more stinging criticisms of Et in Arcadia Ego, Part 1, but honestly at this point I stand by it. Every season of every Star Trek show has had bad episodes here and there, and I suppose it was an inevitability that Star Trek: Picard would too. The main problem, just to reiterate, is that Et in Arcadia Ego, Part 1 didn’t behave like the ninth part of a ten-episode story. By introducing new characters and storylines, as well as shaking up existing stories and leaving many points unresolved, there was simply too much to do and as a result, many potentially interesting story points were blitzed through in two minutes instead of being properly developed. I wrote that the episode felt like the halfway mark of the story rather than the beginning of the end, and if it had been episode 5 or 6 I’m sure I would’ve enjoyed it more. Star Trek: Picard does have a second season currently on order – though when that will be able to be produced is unclear right now with the coronavirus pandemic putting a halt to work across the entertainment industry – but as far as I’m aware, at least based on everything we were told in the run-up to this season, Season 1 was a self-contained story. I don’t think we can count Et in Arcadia Ego as the midway point of a two-season story simply because that was never the plan. It seems, one way or another, that the story arc of this season, with Commodore Oh, the vision on Aia, the Zhat Vash, and the synths on Coppelius will be concluded on Friday and that Season 2 will be another story. But perhaps that’s just a theory that can be proven wrong!

Speaking of Season 2, this won’t be my last Star Trek: Picard theories post. While I fully expect the main story to be concluded, I have no doubt that the show will leave Picard and his new crew on the precipice of their next adventure – so join me in a week or so as we speculate about what that might be.

I’ve thoroughly enjoyed writing these theories over the last few weeks, and I hope to begin a series of Star Trek: Discovery theories when Season 3 premieres later this year. If Lower Decks provides suitable material for theory-crafting, I’m sure I’ll do the same there too. Once again, please remember to take everything with a grain of salt and not to get overly-attached! These theories are just for fun, after all.

Let’s begin with the theories that Et in Arcadia Ego, Part 1 debunked.

Debunked theory #1: Some of the male synths will resemble Data.

Brent Spiner did have a role this week, but not as a synth.

Assuming we got to see all of the synths on Coppelius this week, there were none built in Data’s image. Brent Spiner actually has a new role as Dr Soong, the son of Data’s creator, so it doesn’t seem like we’ll be seeing him back in makeup as a descendent of Data living on Coppelius.

Debunked theory #2: The synths on Coppelius were killed when Maddox’s lab was destroyed.

Maddox had nowhere else to turn after his lab was destroyed – and going to see Bjayzl was a huge risk.

This would have led to a fairly bleak outcome for the story of Star Trek: Picard’s first season, as it would’ve left Soji as perhaps the last of her kind. However, we now know that there are plenty of synths living on Coppelius, despite Maddox’s claim in Stardust City Rag that his lab had been destroyed. I really really hope this gets explained, because we need to know what prompted Maddox to travel to the incredibly dangerous Freecloud and to meet with Bjayzl – to whom he owed money – while in a desperate state. Was Maddox expelled from Coppelius by the synths? That could be one explanation.

If it ends up ignored, I’m afraid that it isn’t just the case of a throwaway line in one episode. Locating Maddox was a large part of the first half of the season, with Raffi tracking him down and Picard organising the trip to Freecloud specifically to find him. Maddox said very clearly that the reason he’d gone there was because his lab had been destroyed – he had nowhere else to turn, so he went to see Bjayzl. One of the synths said this week that they only had one spacecraft on Coppelius – the one Jana used when she met Rios – so that further complicates matters. If these things end up being untrue then we need to know why given Maddox’s important role in the plot. I’ve been flagging this up for several weeks because I’m concerned it could open a significant plot hole.

So those two theories were debunked in Et in Arcadia Ego, Part 1. A couple of others are looking incredibly unlikely, but I don’t think we can call them officially debunked just yet, so I’ll leave them in place for now. We got two confirmed theories as well, so let’s look at those briefly before we get into the main list.

Confirmed theory #1: Seven of Nine and Elnor took the Artifact to Coppelius.

The Artifact emerges from transwarp.

The visual effect of the Artifact exiting the transwarp network was beautiful. It was a stunning work of CGI that the above image doesn’t do justice to. Unfortunately, as a story point I felt it was unearned and I didn’t like it.

Seven of Nine said that she could see La Sirena in the transwarp network when connected to the Artifact, and based on that she decided to fly the ship there with the surviving xBs. However, we didn’t really see any of that on screen, and the Artifact’s arrival seemed to come from nowhere during La Sirena’s battle with Narek. As something that had the potential to be incredibly exciting, I felt that this was a total waste of the Artifact’s surprise potential, despite the cool visual effect.

Confirmed theory #2: Romulan minds have a very particular reaction to the relic on Aia.

Part of the vision from Aia.

Okay so technically it’s organic minds, rather than specifically Romulan minds, that react so badly to the vision from Aia, but I was at least halfway right when I said that someone else experiencing the vision would have a different and less intense reaction. Sutra was able to make sense of the vision, recognising that it was one designed to be shown to synthetic minds, not organic ones.

She deciphered the vision as an appeal to synthetic races from another synthetic race, telling them to get in touch when they were ready so that the organic races who created them – and persecuted or enslaved them – could be destroyed. I’ve termed this faction the “Mass Effect Reapers”, since they play a very similar role to the antagonists in that video game series.

The Romulans didn’t fundamentally misinterpret the vision – it does seem as though an unknown faction will show up when certain conditions are met in order to exterminate life. However, they misunderstood what those conditions were – the synths need to ask for help. By being so aggressive against synths, the Romulans have arguably created a self-fulfilling prophecy where their own persecution of synths has pushed Sutra and the others on Coppelius to the point of summoning the “Mass Effect Reapers”. At least, I think that’s what the now-confused story is trying to say.

So those were the confirmed theories. Now let’s take a look at a couple of new theories, as well as those returning from past weeks.

Number 1: Sutra will succeed in triggering the arrival of the “Mass Effect Reapers”.

Sutra is Soji’s evil twin.

As of the end of this week’s episode, Sutra planned to use the information she gleamed from the vision to contact the “Mass Effect Reapers” and use their help to defeat the Romulans. Surely the conclusion of the story of this season can’t end up being “we just won’t pull the trigger and we’ll stay hidden from this powerful race”. That’s exactly what the Zhat Vash have been trying to do, and it would be quite depressing if it turns out that the villains have actually been right all along. So somehow, Picard and his crew will have to confront this new threat.

The simplest way to do that would be for Sutra to succeed in summoning the “Mass Effect Reapers”, calling on their aid to defend Coppelius from Commodore Oh’s armada. However, when the dust settles on that climactic battle, what will happen to Picard and the rest of the organics? I think here we see a possible way for Picard to come into his own. As an experienced diplomat, Picard could broker a peace with the “Mass Effect Reapers”, allowing for synthetic life in the galaxy to exist and prosper, ensuring synths would have equal rights, and so on. Rather than taking the action-sci fi approach of “kill all the bad guys and blow everything up”, this would be a quieter, calmer ending, akin to something like Star Trek: The Motion Picture, and would demonstrate that Picard – and the Federation as a whole – were able to truly embrace the idea of very different types of life.

Number 2A: Picard and the crew of La Sirena will travel forward in time to link up with Burnham and the USS Discovery.
Number 2B: Burnham and the USS Discovery will end up in 2399.

Burnham in the trailer for Discovery’s third season.

These twin theories really stem from the idea that it makes a certain kind of sense for Star Trek to bring together its fractured timeline.

When the Star Trek franchise was arguably at its most successful in the 1990s, the three shows which were in production at that time were all set in the same time period. With the exceptions of the two films featuring the cast of The Original Series, every Star Trek project after 1987 and until Enterprise premiered in 2001 was set in the mid-late 24th Century. As such, there were multiple opportunities for crossovers of themes, factions, and even characters. 1990s Star Trek was, in that respect, similar to the current Marvel shared universe which they use in their incredibly successful films. Star Trek today is much more fractured, with potentially four different time periods and one parallel universe all being used as the settings for different shows and films. When it comes to keeping the franchise together – as well as giving fans and casual viewers an incentive to jump from one series to another – bringing things together just makes sense.

The trailer for the third season of Star Trek: Discovery seemed to hint at a post-apocalyptic setting, and while we have seen in Star Trek: Picard that the Federation and Starfleet still exist and are thriving, there could be a way to explain things. The USS Discovery could, for example, emerge in a remote sector of the galaxy where the Federation no longer hold jurisdiction. Or the arrival of the “Mass Effect Reapers” could have triggered the collapse of the Federation in that region.

Secondly, something may happen at the end of Et in Arcadia Ego, Part 2 which sends Picard and his crew forward in time, meeting up with the USS Discovery in their future timeline.

While both options have points in their favour as well as noteworthy downsides, to keep the franchise together and expand its appeal as a “shared universe” it could be worthwhile to bring the shows into the same time period.

Number 3: Sutra is descended from Lore, not Data.

Lore was Data’s evil twin.

As I stated in my review, I flat-out do not like Sutra. Both from an aesthetic point of view (don’t get me started on that awful makeup again) and, sadly, the quality of the performance, Sutra is by far the least-convincing antagonist in the series as well as the least-interesting character, despite having potential. Not to mention that her 11th hour introduction has left practically no time for any meaningful exploration or development of her character.

However, setting aside my dislike of the character and her role in the story, there is one theory regarding Sutra’s origin that I have been kicking around. While we know that Maddox claimed that all of the synths on Coppelius were cloned from neurons that came from Data, there’s no evidence to support that claim right now. Data was blown to smithereens at the end of Star Trek: Nemesis, when he triggered an explosion aboard the Romulan vessel that had been commanded by Shinzon. While it’s possible that some tiny fragments survived from which Maddox was able to work, it’s also possible that Data left behind no remains.

If the latter is true, or if his remains were unrecoverable or unusable, it raises the question of how the synths came into being. One possibility is that Lore, Data’s evil twin introduced in the first season of The Next Generation, is the progenitor of some of the synths – and that could explain Sutra’s devious nature.

Hopefully Soji turns out to be a descendent of Data, because in the last couple of episodes her dynamic with Picard has used that to great effect, and a key element of their relationship would be lost if she turned out to be a clone of Lore, B4, or some other synth.

Number 4: The Artifact – or the Borg Sphere it seems to contain – will get back into space.

The circular region on the Artifact (partially obscured by the hill in front) could contain a Borg Sphere.

The Artifact’s arrival at Coppelius was a great visual effect, but as a story point I didn’t like it when I saw it this week. However, one point of interest came as the Artifact was exiting the transwarp network – it appears to have a Borg Sphere docked. We saw in First Contact that Cubes can have Spheres on board, and it seems like the Artifact has one too. Given that the Artifact itself has crashed – and seemed to be in a bad way – I wonder if Seven of Nine, Elnor, and the xBs will use the Sphere to return to space – perhaps joining in the fight over Coppelius that we assume is coming.

The other possibility is that the Artifact itself can be repaired and relaunched into space, but if that happens I feel it could be kind of hollow – what exactly would be the point of crashing it one week to get it flying again the next, especially given how little screen time the Artifact got this week?

If that were to happen, I feel that the better storytelling choice would’ve been to skip the Artifact this week and have the cool emerging-from-transwarp scene next week, midway through the battle and helping to turn the tide against the Romulans.

Number 5: The “Mass Effect Reapers” will turn out to be the Borg.

The Borg made their Star Trek debut in 1989’s Q Who.

In the vision Sutra was able to decipher, the faction offering help to synthetics wasn’t named. Given that the Borg have played a role in this season, I wonder if they may take this opportunity to show up. Rather than being a message which set out to help synthetics, what if the Aia vision was a trap laid by the Borg to assimilate them? When they’re contacted, they know that a highly-advanced synthetic race exists – and the Borg love to assimilate advanced races and absorb their technology into the collective. So they travel through the transwarp network that we’ve just seen La Sirena and the Artifact use, but instead of providing help to the synths, they assimilate them. And not only that, they may also assimilate the species that built the synths in the first place, adding both technologically-advanced races to their collective.

Of all the races we know of in Star Trek, the Borg are one of the few who would conceivably be able to accomplish something as massive as moving stars – something whoever left the message on Aia was able to do. The drawback to this theory is that it doesn’t fit with the Borg’s normal modus operandi – they usually just show up and conquer their target, without going to the trouble of leaving messages and traps. But it’s not entirely impossible!

Number 6: Picard and the crew of La Sirena will travel to Aia.

The Zhat Vash with the relic on Aia.

Last week, I said that the reason for Picard and the crew to travel to Aia would be for them to see the vision for themselves. Now that we know what the vision contains, there’s not really any reason for this. However, it’s still possible that they may travel to Aia.

It could be that the “Mass Effect Reapers” will arrive there if Sutra is able to contact them, or if the battle is won and the Romulans and the Reapers are defeated, Picard and the crew may wish to travel there to deactivate the relic and prevent it from being used again.

Number 7: Narek is going to go rogue.

If Narek does turn on the Zhat Vash, it’ll be for Soji.

I’m still not sure, even at this late stage, how genuine Narek is when he talks to Soji. We saw how much it hurt him to leave her to die on the Artifact, but we also saw how determined he was to catch up to her afterwards. Whether Narek has seen the vision on Aia or not, he seems to be fully subscribed to the Zhat Vash ideology of preventing synthetic life reaching the threshold, and no matter what his personal feelings may have been, he did try to help them complete that mission.

However, if it is ultimately proven that, for whatever reason, synthetic life does not pose the threat the Zhat Vash assume it does, Narek will have no reason to hurt Soji or the other synths. He may even be a valuable ally, providing Picard and the crew with information about the Zhat Vash and their plans.

In short, I don’t see Narek turning on his allies unless he’s sure that synths don’t pose a threat. Sutra seems intent on proving that they are a threat, so we’ll have to see what happens. But with so much time spent on the Narek-Soji relationship through the first three-quarters of the season, there will have to be some kind of resolution to his story arc.

Number 8: Commodore Oh is a synth.

Commodore Oh in her silly sunglasses.

When I first came up with this theory a couple of weeks ago, the one big issue staring me in the face was that Commodore Oh was able to mind-meld. Telepathic powers have only ever been seen in organics in Star Trek, and that was definitely a factor making this theory less likely.

However, with the revelation last week that Sutra is capable of mind-melding despite obviously being a synth, we can now get rid of that obstacle. Does it make the theory likely? I don’t know, but it’s at least technically possible in a way it arguably wasn’t a few days ago.

There would be some delicious irony in the revelation that Commodore Oh, who has worked so hard against synthetic life, is a synth herself – especially if, like Soji, she’s unaware of her true nature. The possibility of an undercover synth working to trigger the arrival of her cohorts would make a certain kind of sense, but it would have to be handled well to avoid feeling like a deus ex machina.

So those are the theories that are new or were advanced somehow in Et in Arcadia Ego, Part 1. Now, as always, let’s look at the remaining theories from previous weeks that weren’t confirmed, debunked, or advanced.

Number 9: Picard’s conversation with Admiral Clancy may have tipped off Commodore Oh and the Romulans.

Admiral Clancy had promised to dispatch a fleet to Deep Space 12 to defend the synths on Coppelius from the Romulans. However, her conversation with Picard took place before Picard and the crew had pieced everything together about Commodore Oh – and as a result, it’s at least possible that she became aware of Starfleet’s plans and will be expecting the arrival of their fleet.

Number 10: Star Trek: Discovery’s post-apocalyptic setting is related to the arrival of the “Mass Effect Reapers”.

I hinted at this above, but one possible explanation for the seemingly bleak future glimpsed in the trailers for Discovery’s third season is that, somehow, the vision from Aia comes true and the “Mass Effect Reapers” arrive and cause widespread devastation.

The downside to this, and why it seems less likely, is that Discovery claims to be taking place roughly 800 years in the future from Star Trek: Picard’s time, so even if something major happens, it seems unlikely that the Federation would still be picking up the pieces after so much time had passed! However, as I suggested above, if Burnham and co. arrive in 2399 instead of the 32nd/33rd Century, it could all fit together.

Number 11: Borg technology was used in the creation of the Coppelius synths.

One aspect of Star Trek: Picard’s story that is still unexplained is what was going on with the Borg components? Icheb was murdered so his Borg technology could be extracted, and the de-assimilation taking place on a large scale aboard the Artifact was very profitable for the Romulans – but who was buying these parts?

I had speculated that Maddox and his team might be the primary buyers, using that technology to advance their understanding of synthetics and develop better synths. It would be one way to explain the jump between F8, who was incredibly basic, computer-like, and inhuman, and synths like Jana and Sutra, who were active only a few years later.

Number 12: Riker will return to active duty.

In Nepenthe, Riker stated that he hasn’t officially retired from Starfleet and is instead on “active reserve”. Given that, and his location being close-ish to Deep Space 12 and thus to Picard, I wonder if Riker could be called on to join – or even lead – the fleet headed for Coppelius. If not, we can call this our first Star Trek: Picard Season 2 theory!

Number 13: The father figure from Soji’s dream isn’t Maddox – it could be a synth or it could be Dr Soong.

Maddox claimed to have built Soji and Dahj, and on Coppelius his room was preserved and both Dr Soong and the synths spoke highly of him. However, the father figure from Soji’s dream had no face, and while that may simply have been for shock value and for Maddox to keep himself safe if Soji were ever found out, it’s at least possible that there’s another explanation. There seemed to be the briefest of hints that Soji recognised Dr Soong in Et in Arcadia Ego, Part 1 – and he is wearing a not dissimilar outfit to the father figure in her dreams.

Number 14: Picard’s illness is Irumodic Syndrome

Despite Picard discussing his diagnosis with the crew this week, the name of the condition was not mentioned. Barring a last-minute appearance from Dr Benayoun, the condition Picard is suffering from may not be named this season – but this theory will remain in play for Season 2.

Number 15: Soji and Dahj’s necklaces were a deliberate symbol to communicate with someone.

Clandestine communication through the use of signs and symbols goes back to ancient times, and I wonder if Maddox and Dr Soong employed it when choosing Soji and Dahj’s necklaces. I felt the necklaces themselves were not strong props from a visual standpoint (I said so way back in my review of Remembrance) but considering that they’re supposedly a visual symbol of a banned method of building synths, I wonder if Maddox’s intention was to indicate to someone in the synth field that Soji and Dahj were his work. If not, the necklaces are a heck of a risk. They may even have been what brought Soji and Dahj to the attention of the Zhat Vash – how they figured out Soji and Dahj were synths is something which is currently unknown.

Number 16: Section 31 will be involved.

All of my Section 31 theories over the course of this season have come and gone, but I have thought up a new one! With a new series based on Section 31 in development, and considering their role in Discovery’s second season, I felt sure that they’d crop up somehow this season. The only way I can think of that happening right now is almost right at the end of the season – perhaps even an epilogue – in which they take possession of the Artifact and its valuable Borg technology.

Number 17: Something Maddox did or didn’t do meant that the synths on Mars could be hacked.

We learned a couple of weeks ago that the Zhat Vash, presumably led by Commodore Oh, were responsible for the attack on Mars. They did that by hacking the synths on Mars, turning them against the Federation and then forcing them to commit suicide when their work was done. But how the Zhat Vash were able to perform this task is unknown – and I wonder if something Maddox did or didn’t do meant that it was possible.

So that’s it. Those are the remaining theories as we head into the finale! It’s patently obvious that they can’t all be right, and we may even see none of them pan out by the time the episode – and the season – is complete. However, it’s always fun to speculate, and there are several theories which, if they aren’t outright debunked, will form the basis for my Star Trek: Picard Season 2 theory list! As and when we get information, images, and trailers for the second season I hope to update that list, so stay tuned for that.

After being so hyped and excited for this series for well over a year, it’s bittersweet that it’s almost over! With only one exception, I’ve had a great time with every episode of this season – and even within the episode that I didn’t like there were still enjoyable moments.

Next week, or rather, sometime after I watch the episode on Friday, I’ll do my usual review post for Et in Arcadia Ego, Part 2. Then after that, I’ll wrap up this season’s theories and do my Season 2 theories – assuming I have any. After that I’ll take a break from Star Trek: Picard content, but at some point before the end of the year, when I’ve had a chance to re-watch the whole season in full, I plan to do a retrospective of the entire season discussing various highs and lows. I’m half-expecting to learn that Star Trek: Discovery’s third season is going to be released in April or May, but with all of the issues stemming from coronavirus I wouldn’t be surprised at all to see it delayed to later in the year. But when it’s on the air I’ll be doing the reviews and probably theories too. What I’m saying is I hope you stick around after Star Trek: Picard goes off the air, because the blog isn’t going away!

The first nine episodes of Star Trek: Picard are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 9: Et in Arcadia Ego, Part 1

Spoiler Warning: There will be spoilers ahead for Et in Arcadia Ego, Part 1 and the preceding eight episodes of Star Trek: Picard Season 1. There may also be spoilers for other iterations of the Star Trek franchise.

So I suppose I should just come right out and say it: Et in Arcadia Ego, Part 1 is my least-favourite episode of Star Trek: Picard so far. We’ve had some great episodes this season which really hooked me in, took me on a rollercoaster journey, and got me feeling happy, nervous, excited, nostalgic, tense, and emotional. This week I really didn’t get any of that for the bulk of the episode. There were a handful of good moments sprinkled throughout, but the pacing of the episode as a whole felt off – it seemed to rush from point to point with no time permitted for any story thread to properly develop or be explored.

For an episode that was supposed to be the first part of the culmination of the entire season, it ended up falling flat on its face. And that is pretty disappointing. Every Star Trek series – and every season of every series – has had duds: episodes which misfired, told bad stories, or for various reasons failed to hit the mark. The problem that Star Trek shows have today is that when the whole season is one continuous story, a dud episode can have ramifications for the entire season instead of being a one-off rotten egg. I hope that Et in Arcadia Ego, Part 2 next week manages to pull things back – and there is precedent for that, as Star Trek: Discovery’s second season episode Perpetual Infinity pulled off a great recovery from The Red Angel a week prior, which is my personal pick for Discovery’s worst episode.

The Artifact emerges from transwarp.

Aside from the pacing and rushed feel to the story, my second main point of criticism is the aesthetic of parts of the episode. I’ve mentioned before that every location in Star Trek: Picard so far has been a barely-disguised California, and Soji’s homeworld – variously called Coppelius and Ghoulion IV – was another example. I come back to what I said last week about the use of indoor sound stages: with special effects and CGI being so good nowadays, a lot more can be done with that format than in previous decades. If it’s a choice between seeing five planets that all look the same because they were all filmed within fifty miles of Los Angeles, and seeing different-looking planets that were perhaps smaller in scale because they were filmed on sound stages I’ll always prefer the latter.

The second visual aspect that I felt simply did not work was the makeup used for most of the synths. The yellowish-gold tinted skin the actors were sporting didn’t make them look like Data-type androids; they looked like humans wearing cheap and bad makeup. It was something that would’ve felt at home in The Original Series, and if I’d seen those characters in an episode from the 1960s I’d have dismissed the amateurish look as a product of the limitations of the time. But Star Trek: Picard’s aesthetic has been so good until now overall that I legitimately wonder how they managed to make the synths look so bad. Was it because they were largely filmed outdoors in natural sunlight? Because earlier looks at Data in Picard’s dreams or F8 and the other synths in flashbacks to Mars looked far better. Whatever it was, the makeup ended up being a huge distraction, because every time Evil Soji or any other synth was on screen it was all I could look at. I actually had to rewind the episode a few times because I’d missed some line of dialogue or other.

I found the makeup used for the synths (Sutra pictured) to be of poor quality and a significant distraction.

I wish we’d seen something, either this week or last week, to make it obvious that Seven of Nine and Elnor were on their way, because the Artifact arriving at Coppelius mere moments after La Sirena was a story beat that I felt didn’t work in the moment. Ironically, after last week’s scenes on the Artifact being some of my least-favourite, I greatly enjoyed seeing Picard and the crew return there this week – albeit that the sequence was far too short. I wanted to spend more time there as Picard learned of Hugh’s death – which actually didn’t even appear on screen – and mourned him. But even in what I suppose was my favourite sequence there were issues – the length, as I mentioned, is one. But what was up with the ex-Borg calling Picard by his Borg designation of “Locutus”, which is the second time that’s happened now, only for Picard to basically ignore it and get back to what he was doing?

Elnor learned of Picard’s illness off screen too, which would have been another scene I’d have wanted to see – one which could have added some genuine emotion to an episode which was largely devoid of it. Some more time spent on Hugh’s death would’ve been nice too; Picard mentioned it in a single line of dialogue but Soji didn’t even acknowledge his sacrifice, despite their friendship and despite his death being a direct consequence of aiding her escape.

We could’ve spent more time here.

When we learned last week of the “Mass Effect Reapers” hiding out somewhere beyond the galaxy, waiting to show up and destroy all life, it seemed for sure that the climax of the story couldn’t simply involve hiding from that and avoiding pulling the trigger – somehow, Picard and co. would have to confront the wider threat. And we saw in Et in Arcadia Ego, Part 1 the way in which that trigger will be pulled: Soji’s evil twin, Sutra.

Villains can be hard to get right. Rizzo, for example, took a while to hit her stride after coming across as a fairly one-dimensional character in her earlier appearances. The story has since fleshed her out a little more, providing her with background and motivation, as well as even the smallest shred of pity for what she’s been through. Sutra has very little of that, and unfortunately Isa Briones, who had done an admirable job portraying Soji and Dahj, didn’t really manage to pull off a convincing performance as an antagonist. Sutra’s motivations are understandable, sure – she wants to save her people from what seems to be an existential threat. But overall, the way she was portrayed strayed way too far into the kind of “I’m evil and I love it” attitude that felt so awkward and inauthentic about Rizzo in her earlier appearances.

I called this phenomenon the “24th Century Heinz Doofenshmirtz” – and I get that that’s a niche reference, so let me explain. In the cartoon show Phineas and Ferb, Heinz Doofenshmirtz is a wannabe evil scientist. He builds machines usually designed to get petty revenge on his brother or other people he feels wronged him, and he’s tied his entire identity to being evil for the sake of being evil. That’s what Rizzo felt like, and that’s what Sutra feels like now – she hasn’t bothered to consider any other options, she went straight into arbitrary arrests and plotting genocide. Perhaps she’s meant to be a parallel for Rizzo and Commodore Oh, but both of those characters feel far more complex. And I’m afraid the point must be reiterated: both of those acting performances were much better.

This is basically Sutra.

The premise for her actions is understandable, though – just as Rizzo, Narek, and Commodore Oh being motivated by their interpretation of the vision is understandable too. As a story point, I’m not really criticising Sutra’s basic motivation and desire to protect her people from harm. And the way it has been established that both Starfleet as an organisation and Picard as an individual are people she and the synths might find difficult to trust was well-established over the course of the prior eight episodes.

Et in Arcadia Ego, Part 1 has tried to pull off a last-minute plot twist with Sutra. Instead of the synths needing to be rescued from Romulan aggression, Sutra’s plan is to summon the “Mass Effect Reapers” and become the aggressor herself. But if the story of Star Trek: Picard has wanted to say that the ban on synths was wrong, and that even Starfleet and the Federation need to be more accepting of different kinds of life besides their own, what message does it send when the Romulans, who have been the season’s antagonists the whole way, are actually right?

The entire premise of the Romulans’ desire to exterminate synthetic life is that if they don’t, the synths will trigger this apocalyptic event – the arrival of the “Mass Effect Reapers” – and kill everyone in the galaxy. That’s a powerful motivation, and covers all manner of sins because, as the episode itself tried to address, there’s a calculus involved even when dealing with matters of life and death. If one’s intention is to save a trillion lives, it can be easy to justify ending 90,000. This is what the Romulans did on Mars. Star Trek: Picard – and Picard himself within the show – are trying to present this kind of ends-justify-the-means thinking as abhorrent, but that message has become incredibly confused thanks to the insertion of the character of Sutra and the revelation that she plans to do exactly what the Romulans fear that synths will do.

Sutra plans to do exactly what the Romulans fear.

In yet another example of the episode racing from point to point, the name of this faction Sutra is planning to summon is not even mentioned. I’m calling them the “Mass Effect Reapers”, because, as I mentioned last time, they serve a very similar purpose to the antagonists in that video game series. But who are they? There’s only one episode left not only to find out who they are and what motivates them, but also to defeat them.

One visual element that I loved were the “orchids” – some kind of planetary defence system which resembles giant flowers. It wasn’t clear whether they were crewed ships or just automated, but they looked absolutely stunning and the CGI work to bring them to life was fantastic. However, as a concept I’m not sure they really make sense. Firstly, they seem to be single-use things, which seems like waste of time and resources. Secondly, and most importantly, they don’t actually serve a useful purpose when it comes to defence – in fact, they achieve quite the opposite. By capturing ships and dragging them – intact – to the surface of the planet, all the orchids manage to do is bring any enemies directly to the planet’s surface. If the ambition is to disable an attacking ship that plans to strike from orbit then that could be useful in the short-term, but all it really does is shift the problem for the synths to one they have to deal with on the ground. In the case of the Artifact, for example, it was dragged out of orbit and crashed on the planet’s surface – but if it were a fully-operational Borg cube the synths would then have to deal with tens of thousands of drones literally on their planet. Not to mention that no synths showed up at the crash sites of either La Sirena or the Artifact to apprehend their crews.

This would be a very bad outcome in the event of an invasion, yet it’s what the orchids are designed to do.

If the aim was to demonstrate that the Coppelius synths are basically unprotected, then why not leave them unarmed? Picard and his crew were going to land or beam down anyway, and it would’ve been possible within the story to get everyone to the planet’s surface without the use of a kind of planetary defence system that really doesn’t achieve what it should. At best it moves the problem from space to the ground, and at worst it could actually aid the synths’ enemies in a potential invasion event. In short: cool visuals, but an illogical concept.

I’m okay with the idea of Dr Soong – Data’s creator from The Next Generation – having a son, and that character following in his father’s footsteps to work on building synths. It might not have been my first choice of storyline, but there’s nothing inherently wrong with it. However, not for the first time, the presence of the actor’s name in the credits telegraphed the arrival of the character before we knew he would be appearing on screen. This happened in Absolute Candor, when Jeri Ryan’s name showed up in the credits, despite her character only appearing in the final thirty seconds of the episode. Spoilers are commonplace online, and because in the UK we get Star Trek: Picard 24 hours after its US premiere I have learned to be careful where I go online on Thursdays and Friday mornings! But for a show to spoil itself in its own opening titles is just plain silly – what would be wrong with crediting Brent Spiner in the end credits and making his inclusion in the episode and the reveal of his new character a genuine surprise? This has happened twice now, and it’s just not nice to know someone is coming before they show up on screen.

This shouldn’t happen – it’s a massive spoiler.

There’s also the question of the payoff to Soji’s dream – is Dr Soong supposed to be the figure in her dreams? There was the tiniest flicker of a hint at that: Dr Soong is wearing a similar outfit to the faceless figure Soji has dreamed about, and Soji seemed to do a double-take on seeing him, almost as if she recognised something about him. Yet neither of those things were acknowledged.

I did like, however, that Dr Soong is not a synth. When we’d heard of the existence of other synths I speculated that maybe some would share Data’s appearance in the way that some shared Soji’s appearance, but I’m glad to have gotten a human character instead. It was unexpected and interesting – and hopefully the plot thread of Dr Soong transferring himself into a synthetic body will be explored further.

Unfortunately, like all of the various competing stories in Et in Arcadia Ego, Part 1, this was barely touched on and needed much more development. In a way, this encapsulates the problem with introducing a whole new civilisation and cast of characters in the final two episodes. There simply isn’t enough time remaining for Dr Soong and Sutra and the other synths to all have their own stories that are as detailed and interesting as those stories we’ve already seen playing out for the past eight episodes. Given how rushed this episode felt, and how it tried to cram so much into a 45-minute runtime, some elements – like Dr Soong’s desire to become a synth – could’ve been dropped to give more screen time to other, more important story beats.

And I think we’ve come to the crux of my complaints about Et in Arcadia Ego, Part 1. The episode introduced several new major characters, a new antagonist, a new location, new obstacles for Picard and his crew to overcome. Yet it’s supposed to be the first part of the finale, and finales are meant to bring everything that’s already happened to a head and begin to wrap up the story. It’s simply too late now to open up whole new plotlines and for dumping whole news sets of characters onto the audience. The only story thread that feels somewhat concluded is Picard’s redemption in the eyes of Elnor – and that had arguably already happened in The Impossible Box.

Elnor and Picard are reunited… briefly.

The story of Star Trek: Picard has been, at points, meandering. The diversions to Vashti and Nepenthe in particular were close to standalone stories, taking Picard on a personal journey through parts of his past. And they were good stories, giving Picard the chance to redeem himself with Elnor, a character he’d been a kind of substitute father to, and to draw on the advice of two of his former crew: Riker and Troi. And of course for us as the audience to see those characters return was a nostalgic treat. Yet the revelations in Et in Arcadia Ego, Part 1 that Sutra actually wants to fulfil the Romulans’ prophecy and bring about the end of days, and that Dr Soong is hoping to transfer himself to a new body make those episodes feel, in retrospect, like wasted time. If there was all this important plot to get through before the season ended, we should have been spending our time here, having Picard and his crew arrive on Coppelius earlier to allow more time for these “main” story beats to be properly and fully explored.

As it is, Et in Arcadia Ego, Part 1 feels like an episode that should mark the halfway point in the story and in the season. Sutra needs time to explore the vision in more detail, figure out who to contact and how to contact them, rally her people to her newfound cause, demonstrate to the audience precisely what the implications of summoning the “Mass Effect Reapers” will be, who that faction even is, work out a plan, and above all, develop as a character and let us get to know her. Dr Soong needs more screen time too – he needs to explain what this vaguely-hinted-at illness is that means he needs a new body, show how and why he’s failed at successfully building it so far despite being surrounded by hyper-intelligent synths, demonstrate what Dr Jurati can do to help that means he needs her support, and show us as the audience whether he’s a “good guy” or a “bad guy” because right now he’s ambiguous. Ambiguity in characters is fine, and it’s even good in some cases as it ramps up the tension and mystery. But when a character’s motivations and goals are unclear simply because they haven’t had sufficient time in the story for us to know anything about them, well that just isn’t very interesting. Worse, it can be frustrating.

Instead of taking its time, Et in Arcadia Ego, Part 1 tried to cram everything I listed above into about thirty minutes of screen time. I’d absolutely argue, based on what we saw this week, that there’s several episodes’ worth of story there, and that’s what I mean when I say the episode felt so poorly-paced and rushed.

It’s unclear whether Dr Soong will turn out to be an ally or an enemy.

There were several other moments that could have been spread out across multiple episodes. Picard and his crew trekking from La Sirena to the Artifact and then to Coppelius Station, for example. Instead we got a single drone shot of them walking and that was it. For an older man hiking over rough terrain, initially several kilometres away from where he needed to go, Picard isn’t exactly going to be speedy and we could have had several scenes with ample time for character development both on the way to the Artifact and on the way from the Artifact to Coppelius Station. There was certainly scope for more time spent with Seven of Nine, Elnor, and the xBs. It’s totally unclear what will happen to them now – are they marooned on Coppelius? Can the Artifact be repaired again and get back into space? What are their objectives? Is Seven of Nine their leader? Are the xBs even thinking for themselves? Have they got over their assimilation experiences? How many survived? So many unanswered questions, and given how much time we spent on the Artifact in earlier episodes, to just try to brush it all away and move on to this new story about Sutra, Dr Soong, and the attempts to trigger armaggeddon and/or fight the Romulans leaves a lot of things unresolved.

There’s also a point of consistency, and it connects to something I wrote in my review of The Impossible Box. When Narek finally got Soji to explore her memories, she provided two clues to the location of her homeworld: electrical storms and two red moons. We saw the red moons in the episode, but where was the storm? Narek and Rizzo took it to mean that the planet had “constant” storms, and even Kestra used this information to ask Capt. Crandall to find the planet’s location in Nepenthe. I felt that two clues did not provide much information to go on when locating a planet, especially as lots of locations can have occasional lightning storms rather than suffer from them continuously, but for one of the two established features of Coppelius to be ignored entirely – and for that point, which had been important in earlier episodes, to not even be given lip service just adds to the sense that there was too much to cram into Et in Arcadia Ego, Part 1. Otherwise the show’s creators are being inconsistent – setting up story points that work in one episode but are ignored in others. Another example of this is from Stardust City Rag where Maddox said his lab had been destroyed. Picard was literally sat in Maddox’s room this week, and it didn’t look destroyed to me. Is that going to be explained properly, or are we just going to have to live with the fact that these inconsistencies exist and only served to drive the plot and get the characters to the right place at the right time for other story beats to unfold?

Picard’s illness was something that the story had set up way back in Maps and Legends that I’d been waiting to see some development on. We finally got that this week, as Picard suffered a blackout. His scene explaining to the crew that he had been diagnosed was one of the few emotional moments in the episode, and in particular I was moved by the reactions of Dr Jurati and Raffi. The “I love you” moment with Raffi later in the episode was both awkwardly funny and touching – and the pay-off to a relationship that had been built up and explored over multiple episodes. That scene was probably my favourite; a diamond in the rough.

Commodore Oh on the bridge of her ship.

Other points I liked were: seeing Commodore Oh on the bridge of her ship at the end of the episode, the Artifact emerging from transwarp, seeing Picard and the crew all together on the bridge of La Sirena, Picard’s speech about his illness, Raffi calling Narek Soji’s “asshole Romulan ex”, the synthetic cat and butterflies, and the costumes the crew of La Sirena wore after leaving the ship. None of these moments, however, could redeem a bad episode.

So I know this hasn’t been a typical review. I usually like to spend more time on each episode and break down more of the scenes in detail than I have here, but honestly I just want to see the back of Et in Arcadia Ego, Part 1, and going back and re-watching it several times in order to pull out a few more points just doesn’t hold much appeal to me right now. I’m looking forward to the finale with nervous anticipation. I’m hopeful that the story can be concluded in a satisfactory manner, and that the currently-unresolved plot points will be wrapped up. Just because Part 1 didn’t hit the mark, that doesn’t mean Part 2 will necessarily be a disappointment as well, and I remain hopeful that I’ll enjoy next week’s outing a lot more.

Remember to stay tuned for the theory post in the next few days, as I check a few more off the list!

The first nine episodes of Star Trek: Picard’s first season are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 8

Spoiler Warning: There will be spoilers ahead for the first eight episodes of Star Trek: Picard, as well as for other iterations of the Star Trek franchise including Star Trek: Discovery Season 2 and the trailers for Season 3.

Broken Pieces saw several theories from previous weeks blown out of the water – finally! As Star Trek: Picard begins to draw the story of its first season to a conclusion, that was to be expected. As fun as it has been writing up these theories every week, I love that the show has been surprising and taken its story to some genuinely unpredictable places.

This is something I’d like to write about in more detail in the future, but getting overly-attached to one’s own theories (or other people’s theories found online) is not a good thing. Theory-crafting is a bit of fun, something to get the old grey matter working and to spend a little more time with the franchises we love. If you’ve been following along with these posts over the last few weeks, I hope you’ve taken these theories with a healthy pinch of salt too, because it was always the case that almost all of them would end up debunked – especially the more outlandish ones!

We have at least eight debunked theories, so as always, let’s start with those.

Debunked theory #1: There’s a Starfleet-Zhat Vash conspiracy.

Admiral Clancy, head of Starfleet.

This was a great example of a double-bluff in my opinion. From the first time we met her, Commodore Oh’s Vulcan persona was difficult to read. It seemed unlikely that the Romulans, clever though they are, would have been able to plant an operative at such a high rank in Starfleet – but we didn’t know that they’d been playing a really long game, one that went right back to the activation of Data even prior to the events of The Next Generation.

Commodore Oh is not the Vulcan co-conspirator I had assumed, and is in fact a Zhat Vash operative – a senior one, too, judging by the role she played in the Zhat Vash initiation ritual we saw in Broken Pieces. This changes the dynamic of the series from one where Picard could have conceivably faced off against half of Starfleet to one where Starfleet itself gets to retain its status as being one of the “good guys”. Commodore Oh may have been able to corrupt parts of Starfleet from within, and her ability to seemingly recruit new people to her cause with a simple mind-meld, as she did with Dr Jurati, may mean there are some compromised officers, but we know for a fact that Admiral Clancy is not among them, and that Starfleet itself did not aid the Zhat Vash.

The Zhat Vash engineered a situation where the Federation’s only option would be to shut down research into synthetic life. It’s true that the Federation took the bait, but in the aftermath of a massive attack that killed over 90,000 people and has seemingly rendered an entire planet uninhabitable and unusable, it’s an understandable reaction even if some of our main characters criticise the Federation and Starfleet for it.

Debunked theory #2: The captain of the USS Ibn Majid was a character from a past Star Trek show.

A new character, Capt. Alnzo Vandermeer, was in command of the Ibn Majid.

This was a complete stab-in-the-dark, but I had speculated that Chris Rios’ deceased captain would turn out to be a character we’d met before. Instead we got a new character, Captain Alonzo Vandermeer. I doubt we’ll learn much more about Capt. Vandermeer in the current season now that the story of his death – and how it ties to the overall plot of the show – has been uncovered.

Debunked theory #3: The USS Ibn Majid was a Section 31 ship/Rios used to work for Section 31.

A graphic representing the USS Ibn Majid was seen on Rios’ belongings.

A few weeks ago, I had several possibilities for how Section 31 could potentially fit into the plot of Star Trek: Picard, but now I don’t have any!

When Rios told Picard that the USS Ibn Majid had been “erased” from Starfleet’s records, only one organisation sprang to mind as having the ability and willingness to do so: Section 31. Given that the captain mentioned above died under unknown but clearly dramatic circumstances, it was not unreasonable to theorise that the Ibn Majid could’ve been involved in the kind of off-the-books operations that Section 31 were known for. However, all indications are that this was not the case. Rios did not work for Section 31, and the Ibn Majid appears to have been a normal Starfleet ship in regular service with the fleet. The cover-up was a result of Commodore Oh attempting to keep the synthetics from Soji’s homeworld a secret.

Debunked theory #4: Section 31 (or anyone other than the Zhat Vash) were behind the attack on Mars.

A Section 31 badge from Star Trek: Discovery.

When I first formulated this theory after Children of Mars and Remembrance, I speculated that several factions could’ve been responsible. A couple of candidates were the Borg and the Dominion: the Borg because their technology may have been involved, and the Dominion because an attack designed to sow discord between Alpha Quadrant powers was something they’ve done before. However, the two main culprits I had were Section 31 and the Zhat Vash.

We now know that the Zhat Vash were responsible, presumably with Commodore Oh leading the charge. There were a couple of good reasons to suspect Section 31, though. Firstly, with Section 31 having prominently featured in Star Trek: Discovery and with a new series based on the organisation in the works, their presence in Star Trek: Picard would be something to tie all the shows together, and be a frame of reference for new and casual viewers. Secondly, from an in-universe point of view, Section 31 have always been militantly pro-Federation and willing to do anything to achieve their goals. In Deep Space Nine they were willing to commit genocide, killing the Founders of the Dominion with a virus. In Discovery they were operating outside of normal Starfleet jurisdiction, even building an artificial intelligence. It seemed at least plausible that Section 31 would have opposed Picard’s plan to help the Romulans, as they had long been an enemy and the rescue mission could’ve led to some members seceding from the Federation. They would have had no qualms whatsoever about sabotaging those efforts, even if that meant killing Federation citizens.

Debunked theory #5: The Romulans’ fear of synthetic life is caused by their own past experiments with synths/AI going horribly wrong.

It was Laris who first told Picard about the Romulans fearing AI.

I speculated that the Romulans had once created their own AI or synths, and that something went wrong, causing the Romulans to fear and hate synths. There were a couple of ways this could have manifested: firstly is that the Romulans had simply arrived at the conclusion that there’s a flaw in all synthetic life which means rebellion is inevitable. We have seen rogue AI in Star Trek before, in episodes like The Ultimate Computer, Discovery’s second season arc, and even in a way in Star Trek: Insurrection where Data himself goes rogue.

The second possibility had been that the Romulans had somehow been involved in the creation of the Borg. We got a few hints at how the Romulans viewed the Borg, particularly in the way the xBs were treated and prohibited from leaving the Artifact. But mostly why I felt this was at least possible is because Star Trek: Discovery’s second season, with the Control AI mentioned previously, seemed to be moving toward a Borg origin story. When that aspect of the story didn’t materialise I was surprised, and when we seemed to be seeing Romulans and the Borg in Star Trek: Picard, I wondered if the creators of Star Trek had chosen to go with a different Borg origin story while Discovery’s second season was in production.

However, we now know that the Zhat Vash believe that when a certain threshold is reached in the development of synthetic life, a hitherto unseen race or faction arrives and destroys not only the synths but those who created them. It’s not the synths themselves that they fear – it’s who will follow.

Debunked theory #5A: The Romulans were keeping the ex-Borg on the Artifact for a reason connected to their own past synthetic experiments.

Ex-Borg aboard the Artifact.

If the Romulans created the Borg, they would have wanted to keep that a secret, and prohibiting xBs from leaving might’ve helped them keep that secret safe. They may also have been studying the xBs, trying to see how synthetic technology has evolved since they abandoned their own experiments. However, with the Romulans so easily abandoning the Artifact and murdering the xBs, it seems as though they really didn’t care about them or about anything they could learn from studying their technology, and were simply harvesting their components to sell.

Debunked theory #6: Picard’s decision to tell everyone their enemy is the Tal Shiar (and not the Zhat Vash) will come back to haunt him.

Everyone now knows about the Zhat Vash.

Star Trek: Picard has been great in almost every way, but one area where I felt there was an issue that stretched across several episodes was in the naming of the faction of the series’ main antagonists. We knew as early as Maps and Legends that the Zhat Vash were responsible for Dahj’s murder, and were a secretive Romulan faction hidden within the Tal Shiar. Yet most of the characters for much of the series insisted on referring to the faction as the Tal Shiar.

In a way there is an understandable in-universe reason why: Picard may not have fully believed in their existence, and many other characters may not have known about them at all. But from a storytelling point of view, having a named antagonist and being consistent with that, especially when dealing with made-up terms like Zhat Vash and Tal Shiar, can be a great help to casual and new viewers. One reason why people end up switching off a show is because it’s hard to follow, and Star Trek: Picard has been inconsistent and potentially confusing because of the way it’s dealt with its antagonists.

I speculated that there might be a story reason for why this was – perhaps a character like Elnor would react negatively upon learning of the involvement of the Zhat Vash, or perhaps being unprepared for an encounter with them would cost a character his or her life. However, none of this materialised and the characters now seem to know who they’re dealing with.

Debunked theory #7: The Control AI from Discovery’s second season is why the Romulans fear synthetic life.

This reused shot from Discovery’s second season – along with at least one other – got me thinking that Control would make an appearance somehow.

Despite getting very excited about this last week, when a few CGI sequences from Discovery’s second season were incorporated into Dr Jurati’s mind-meld, it seems as though this was simply a production decision – saving money by recycling those brief shots of exploding planets. I had noted in my theory post last week that this was a possibility, and it certainly isn’t the first time we’ve seen recycled shots in a Star Trek show. One particular sequence of a Klingon bird-of-prey exploding must’ve been used at least half a dozen times across various Star Trek productions!

Given that Discovery and Picard are in production simultaneously, we haven’t really seen very much crossover between the two shows; certainly far less than I might’ve expected. Thematically, the current season of Star Trek: Picard and Discovery’s second season both look at artificial intelligence and the prospect for it going awry, but in terms of actual plot elements like factions, locations, or even characters, there’s been almost nothing that’s crossed over. We’ve had a few minor references, but those were little more than easter eggs. I do think that finding a way to tie the shows together is a good idea for Star Trek as a whole, especially as the Star Trek timeline and broader universe is pretty convoluted. There’s Picard, at the dawn of the 25th Century; Lower Decks, which is taking place 15 years or so prior; Discovery, which may be in the 32nd or 33rd Century; the Section 31 show and possibly a Captain Pike/USS Enterprise show which would be in the 23rd Century; and another alternate reality film which would be in a parallel 23rd Century. It makes for a pretty complicated franchise, and if all of these projects do go ahead – which some of them admittedly may not – having crossover points will be important to helping viewers know what’s going on and to tying the disparate shows together.

However, it seems pretty clear that Discovery’s Control AI is not going to be the way to do that, at least not at this juncture.

Debunked theory #8: The Trill doctor from Maps and Legends will end up assimilated.

The Trill doctor with Soji in Maps and Legends.

While this could still happen somehow, I suppose, with Seven of Nine and Elnor in control of the Artifact and almost all of the ex-Borg and Borg who had been in stasis dead, it seems incredibly unlikely.

In Maps and Legends, Soji befriended a young Trill doctor. While the two of them were getting ready to head into a more dangerous part of the Artifact, there seemed to be a great deal of horror film-style foreshadowing that this character may not survive. However, given that we haven’t seen her since and that the story has moved on in leaps and bounds over the intervening six episodes, I’d be surprised if we even saw her again and I’m officially striking this theory off my list.

So those theories were debunked. We did also get some confirmed theories, so let’s look at those next.

Confirmed theories #1 and #2: There’s a machine civilisation on Soji’s homeworld and there are other synths that are identical to Soji.

Soji and Dahj aren’t the only synths who look like this.

While it may seem a bit of a stretch to call the four synths we know existed (Soji, Dahj, Jana, and Beautiful Flower) a “civilisation”, there was a key word Rios used during his encounter with the latter two synths nine years before the events of the series. Beautiful Flower and Jana were described as “emissaries”, and Captain Vandermeer contacted Starfleet to officially mark first contact with these new synthetic beings.

Only a larger group would sent emissaries, and Starfleet would surely only consider marking an official first contact with a species that had a larger population than just a handful of individuals. Regardless of how many individuals there may be – and it could be in the millions after nine years of continued building of new synths – I think we can consider the fact that there is a machine civilisation there. Or at least there was nine years before the events of the show,

We also got confirmation of the existence of other Soji-type androids (a term I’d been using for synths who share Soji and Dahj’s appearance). At least one other existed: Jana, who Rios met aboard the USS Ibn Majid. While we didn’t see a Soji-type android in the flash of images from either the mind-meld or the relic on Aia, given that Data’s face was present it’s at least possible that Soji’s face was shown there too, which would explain how Ramdha recognised her. It’s also possible that Ramdha had another encounter with a Soji-type android that we’ll see in another flashback, or that someone else who had been assimilated by the Borg had encountered one, and that that information was conveyed to Ramdha during her assimilation.

The existence of Jana may very well mean that there are dozens, hundreds, or perhaps even more synths who are identical to Soji and Dahj. Maddox clearly favoured that design when building them, paying homage to his friend Data, and while he may have used other designs too, I would not be at all surprised to see a veritable army of Soji-type androids when La Sirena reaches her homeworld.

Confirmed theory #3: The next part of Dr Jurati’s mission was to kill Soji.

Dr Jurati murdered Maddox and had been ordered to kill Soji too.

When meeting with Soji in La Sirena’s sickbay, Dr Jurati confirmed that she had been tasked with killing Soji if she came into contact with her. However, seeing the realisation of her life’s work seems to have broken the spell that Commodore Oh put on her with the mind-meld, and she didn’t go through with it.

Confirmed theory #4: The synths who attacked Mars were hacked.

F8, shortly before being hacked.

While we don’t know exactly how the Zhat Vash were able to pull off the attack on Mars, we can confirm finally that the synths did not act of their own volition. They were being controlled or directed by someone else, and it’s likely that Commodore Oh had a major role to play.

This confirms a theory that I’d had going way back to Remembrance at the beginning of the season; it was actually one of my first theories. The fact that no explanation had been found for the attack, even some fourteen years later, seemed to indicate we were dealing with some kind of outside influence. When we got flashbacks involving the android F8, seeing how he went from his usual robotic self to hacking the Martian defence net in an instant, as well as the particular focus on his eyes as he seemed to be downloading new orders or information, strongly suggested he was not acting independently.

The fact that the attack had to be coordinated, and that it was a very deliberate strike against a chosen target, both added to this. If the synths had been overcome by a powerful urge to kill or rebel, attacking the humans in their vicinity would have made more sense. And given their ability to take down planetary defences, and the powerful ships under their command, why didn’t they attack Earth? That would’ve been a crippling blow to the Federation, far more so than simply destroying a shipyard. Finally, the synths’ suicide after their attack meant it would not have been possible to study them to learn what happened – further evidence that they were hacked.

All of these factors built up over several episodes – really beginning with Star Trek: Picard’s prologue, the Short Treks episode Children of Mars. I loved the way it was done, and the fact that we’ve had to wait till now for confirmation that the Zhat Vash were behind it was excellent and really kept me guessing.

So those theories were confirmed in the episode Broken Pieces. I know these posts have gotten a little complicated and unwieldy, but hopefully now that we’ve done some major pruning the main list can be less complicated as we head into the two-part finale! Let’s look at the remaining theories, as well as a handful of new ones that came out of this week’s episode.

Number 1: With confirmation that there are other female synths who look like Soji, at least some male synths built by Maddox will resemble Data.

Data, as seen in Picard’s dreams.

Broken Pieces confirmed a theory I’d had for several weeks: that there are other synths who look like Soji and Dahj. Nine years prior to the events of the series, Rios encountered such a synth – named Jana – while serving aboard the USS Ibn Majid. That synth was killed, but her face was something Rios never forgot.

But Jana was not alone. Rios described her companion, named Beautiful Flower, as being male. Given that we know Bruce Maddox was responsible for building at least some of these synths, and that he was drawing on Data as his inspiration (Soji and Dahj were modelled on a painting Data painted over thirty years previously) I think we’re about to meet a male synth who looks like an older Data.

When I first saw Brent Spiner reprising his role as Data in the trailers for Star Trek: Picard, without wanting to be too rude I felt he’d definitely aged out of the role of the non-ageing android. Fortunately, in the series itself the way Data was presented in Picard’s dreams did look significantly better than in the trailers, so giving him a bigger role – albeit as a new character and not as Data himself – is at least a possibility. Knowing what we know about Maddox, and how the theme of Data’s sacrifice and legacy has been portrayed in the series so far, I feel that it’s at least a possibility. We know Brent Spiner has been involved in the series, so it isn’t completely outlandish.

Number 2A: Romulan minds have a very particular reaction to the vision in the relic on Aia.

A synthetic life-form, seen in the Zhat Vash’s vision.

Soji was told that all of the ex-Borg who were “disordered” – i.e. insane – were Romulans. This was back in The End is the Beginning, when she first met Ramdha. We now know that Ramdha’s intense reaction to the vision from the relic on Aia is at least a contributing factor to the xBs’ insanity, but it’s interesting that no other species reacted as intensely as the Romulans did. As Raffi noticed last week, many of them were obsessively drawing the octonary symbol – a clue which led her to figure out the meeting place of the Conclave of Eight and the Zhat Vash – and as far as we know, only Romulans have experienced the vision contained on the relic there.

My theory is that there’s something very particular to Romulans – perhaps to do with their telepathic skills or paranoid nature – which causes them to have such an extreme reaction. Of the Zhat Vash initiates who took part in the ritual seen in Broken Pieces, only Rizzo and Ramdha came out alive – and I’d argue both had their minds “broken”, albeit that the brokenness manifested in radically different ways. If this is the case, other species may be able to experience the vision without being driven insane – and the vision may not even mean what the Zhat Vash have interpreted it to mean.

Number 2B: Picard and his crew will travel to Aia to experience the vision for themselves – and will have a different, less intense reaction.

Zhat Vash initiates with the relic on Aia.

If it’s the case that Romulans are especially badly affected by the relic on Aia, Picard and his crew may find that they react differently when exposed to the vision. Either before or after defending Soji’s homeworld, it makes sense that someone like Picard would want to see Aia and the relic for himself – he’s an explorer at heart, and given all the trouble this relic has caused and the potential ramifications of a synthetic apocalypse, wanting to see what triggered that makes sense.

I don’t know yet whether Picard and his crew will go to Aia, but it seems like a reasonable guess. If he does see the vision for himself, he and the other humans on the crew may find that it makes more sense, or even that it doesn’t show what the Zhat Vash believe it to show. Either way, the relic on Aia is at the centre of this whole conspiracy, and I would expect Picard would want to see it for himself.

Number 3: Picard spoke to Admiral Clancy too soon – potentially tipping off Commodore Oh.

Admiral Clancy appeared (by hologram) in Broken Pieces.

When Picard spoke with Admiral Clancy, relatively early in Broken Pieces, it was before Raffi and Rios had put together what happened with the USS Ibn Majid and who gave the order to kill the synths. And just as importantly, it was before Dr Jurati woke up and confessed to Picard what Commodore Oh made her see in the mind-meld.

At the time Picard and Clancy spoke, no one knew of Commodore Oh’s role as a spy, nor of her role in the Zhat Vash – as far as Clancy was concerned, she was a Vulcan and head of Starfleet Security. Given her senior position, it makes sense that she would come to know of the dispatching of a fleet to Deep Space 12, especially given that station’s proximity to the Vayt Sector – where Soji’s homeworld is located.

Commodore Oh would certainly be on the lookout for anything suspicious. She knows Picard is out there trying to help Soji, and she must know by now that Soji was able to escape the Artifact. Putting two and two together will not be difficult, and Starfleet’s forces may find that the Romulans are two steps ahead of them thanks to Commodore Oh’s spying. Furthermore, given that La Sirena entered the transwarp network immediately after the conversation in which everyone pieced together the timeline of events – including Commodore Oh’s involvement – it may not be possible for Picard to warn Starfleet that she is a spy.

Number 4: The post-apocalyptic 32nd/33rd Century seen in Discovery’s third season is related to the vision the Zhat Vash experienced.

Michael Burnham in the trailer for Discovery’s third season.

This is less of a theory for Star Trek: Picard and more related to Discovery’s impending third season, but I wonder if there will be some connection between the seemingly post-apocalyptic future seen in the trailers and the storyline of this season.

It seems a bit of a stretch to think that something which happened at the very end of the 24th Century could in any major way still be causing problems a full 800 years later, but it’s possible that we’re seeing the seeds of what happened in the years prior to the arrival of Burnham and the USS Discovery. It could very well be the case that the Zhat Vash are correct in their interpretation of the vision contained in the relic on Aia, and that the creation of sentient synthetic life does cause some kind of apocalyptic invasion or event, in which case this may occur at some undetermined future point between the end of Star Trek: Picard and the beginning of Discovery’s newest season.

Number 5: Seven of Nine and Elnor will fly the Artifact to Soji’s homeworld.

Elnor and Seven of Nine now control the Artifact.

I fully admit that I didn’t really enjoy this week’s scenes with Seven of Nine and Elnor aboard the Artifact, but one way to make up for that would be to give them a great reason for staying behind. What could be more exciting – not to mention visually stunning – than a fully-repaired Artifact, crewed by the surviving ex-Borg, warping in at the last moment during a battle between Starfleet and the Romulans to save Soji’s homeworld? The thought of seeing a Borg cube used for good and to see our heroes fighting alongside the powerful vessel would be something unique in Star Trek and genuinely interesting.

There will have to be some way for Elnor, at the very least, to rejoin Picard and La Sirena before the season is over. I’m disappointed with how underused Elnor has been, and if the season ends with him and Seven on an overblown side-quest I think that will be quite unsatisfying, regardless of what happens with the xBs or what potential stories are set up for future seasons or Star Trek productions.

Number 6: Narek is going to go rogue.

Narek was devastated at having to kill Soji.

Narek has several potential reasons for going rogue. He obviously cares deeply for Soji and has developed feelings for her; it was only because he believes wholeheartedly in the stakes of the Zhat Vash’s mission – averting an apocalypse that would end all life in the galaxy – that he was able to go through with trying to kill her. Secondly, Rizzo in particular, despite being his sister, is aggressive and condescending to him, treating him incredibly badly and like a subordinate. He clearly has no real love for her.

If the Zhat Vash are proven to be wrong about synthetic life being a danger – which surely, somehow, they will be – Narek will have no reason to continue his crusade. If he learnt that Soji no longer posed a threat, given how he feels for her he may switch sides – and if he does, he could bring valuable information to Picard and his crew about the Zhat Vash’s plans.

Number 7: Borg technology was used to create Soji and Dahj, and Maddox was the main buyer of Borg components from the Artifact.

Butchered Borg bodies.

Star Trek: Picard has gone out of its way to explain that there is a huge market for Borg technology and harvested Borg components. Icheb was murdered so that his implants could be extracted, and the technology taken from the xBs when they’re de-assimilated is sold by the Romulans.

It’s possible that lots of factions and organisations might want a piece of Borg tech – for study, research, or defensive purposes, among other reasons. But given that the main story has been deeply connected with the development of synthetic life, I can’t help but feel that Maddox may have been buying up these pieces to use in his research and construction of the synths on Soji’s homeworld.

There’s also the point that F8, the android seen in the flashbacks to the events on Mars, was incredibly basic, even compared to Data in his earliest appearances. By contrast, Soji and Dahj are so human that they fooled all sensors and scanners and were able to work undercover for around three years – they even believed themselves to be human. Rios encountered a Soji-type android – Jana – nine years before the events of the show, which means in the five years since F8 was active on Mars, Maddox not only managed to improve on that basic model, but create something so lifelike that they were able to be artistic and emotional and even outperform Data in many respects. How did he accomplish this? Cloning Data’s neurons is one explanation – but surely that would just result in a clone of Data. To surpass Data, better technology would be needed – and no faction in Star Trek has more advanced technology than the Borg.

Finally, Soji seems to have knowledge of some Borg technology herself. Not only was she assisting in the de-assimilation of drones aboard the Artifcact, she had innate knowledge of the location of parts of the Borg transwarp network, as well as how to allow La Sirena to safely navigate it.

So those are the theories either new from Broken Pieces or that the episode advanced. Now, as always, let’s look at the remaining theories from previous weeks that haven’t been confirmed or debunked.

Number 8: Riker will return to active duty.

Admiral Riker as seen in The Next Generation’s finale.

Admiral Clancy will send a fleet to Deep Space 12 to assist Picard in his mission to defend Soji’s homeworld. Even though Riker’s name never came up, I wonder if he’ll be leading it? He is in the vicinity, after all!

When Riker was with Picard in Nepenthe he mentioned that he was still on “active reserve” in Starfleet – something which seemed to be a major hint that we’ll see him back in uniform sooner or later. However, this could be setting up something that won’t pay off until next season, so if we don’t see it happen in the finale, we can consider it our first Star Trek: Picard Season 2 theory!

Number 9: Commodore Oh is a synth.

Commodore Oh.

Commodore Oh has played a very long game to get the Zhat Vash so close to victory. Her work seems to have commenced years before the events of The Next Generation, as she established herself as a figure in Starfleet Security, eventually becoming its senior officer by the time of the current season. She was instrumental in the attack on Mars, the murder of Dahj, and the mission to interrogate Soji – and those are just the events we’re aware of.

It’s possible, however, that she’s actually a double-agent, someone who is working to bring about the very apocalypse she claims to want to prevent along with the Zhat Vash. It seems as though a trigger is needed in order for the apocalyptic event – which seems to involve the arrival of an unknown faction – to occur. Could Commodore Oh be a synth, perhaps part of this unknown faction, conspiring to push synthetic life in the galaxy to this threshold and beyond? Maybe this is too much of a stretch, but there would be something greatly ironic in learning that the Commodore – who has been on an anti-synthetic crusade – is herself a synth, especially if she is unaware of it!

Number 10: The synths on Soji’s homeworld are already dead – killed when Maddox’s lab was destroyed.

Maddox explaining the destruction of his lab to Bjayzl.

At the beginning of Stardust City Rag, it’s established that the only reason Maddox travelled to Freecloud was because his lab had been destroyed. Given that Bjayzl is clearly dangerous, and he would have known that, it really was an act of desperation and a destination of last resort for him. I can’t see any other explanation for Maddox being there, so I’m assuming the story he told her about the destruction of his lab was true – if not, it opens a sizeable plot hole.

But if Maddox’s lab had been destroyed, it raises several questions. First is where Maddox’s lab actually was. Everyone from Picard and Riker to Rizzo and Narek seem to have been assuming that his lab, where Soji was created, is the synthetics’ homeworld. But if that’s the case, and it’s already been destroyed, why did Rizzo and Narek need to keep interrogating Soji to learn the location of a planet their colleagues had already visited and destroyed?

While I don’t consider this theory very likely, one possible outcome that squares this circle is that the Zhat Vash had indeed destroyed Maddox’s lab and killed the synths who were living there, and that Picard and his crew will find nothing but wreckage when they finally arrive. This would be a pretty bleak direction for the story, because even if Picard manages to exact revenge upon the Romulans they would still have essentially “won”.

Number 11: The father figure from Soji’s dream isn’t Maddox – and could be a synth.

Soji’s faceless father.

In order for there to be a large number of synths on Soji’s homeworld – assuming they are still alive – it would mean more than just one person would need to be there to build them. Once Maddox had built his first fully-functional synth, there’s no reason why that synth couldn’t have built more, and why those synths couldn’t have built yet more copies of themselves.

This could explain why the faceless figure in Soji’s dream is faceless – rather than being Maddox, her “father” is actually another synth – one that Maddox had built earlier. I guess this would make Maddox her grandfather!

To connect this to another theory, I wonder if this figure will be a Data lookalike.

Number 12: Picard’s illness is Irumodic Syndrome.

Dr Benayoun brought Picard bad news.

In Maps and Legends, Picard’s doctor brought him the bad news that he’s suffering from a terminal illness – albeit one in the early stages. There were several hints in this conversation that the disease is Irumodic Syndrom, which was first mentioned in the finale of The Next Generation. Riker and Troi both hinted at Picard’s illness in Nepenthe, but it has not yet been referred to by name.

Number 13: Soji and Dahj’s necklaces were a deliberate symbol from Maddox to signal or communicate with someone.

Dahj’s necklace. Soji has an identical one.

It’s possible that this will never be explained, but the choice for Maddox to give Soji and Dahj necklaces that hinted at their synthetic nature is strange. It could be a case of showing off, but it may also be how the Zhat Vash first came to suspect Soji and Dahj. If Maddox were using the symbol on purpose to communicate with someone or signal someone it would make more sense as to why he took that risk.

Number 14: Section 31 are involved… somehow.

Ash Tyler was a Section 31 operative in Discovery.

I haven’t entirely given up on the idea of Section 31 involvement, for the reasons outlined above. I still feel that bringing the organisation into play – somehow – would make a lot of sense from a production point of view, as there are other Star Trek projects currently in production that have Section 31 involvement.

However, with my three main Section 31 theories having been debunked (those were the USS Ibn Majid being a Section 31 ship and Rios having been a Section 31 operative, Seven of Nine working for Section 31, and Section 31 having been behind the attack on Mars) I’m really not sure at this stage how the show could bring the faction into play.

Furthermore, with Star Trek: Picard now headed into its finale, any Section 31 involvement would have to be relatively minor, as a major revelation at the last minute could end up feeling like a deus ex machina.

One possibility could be a kind of epilogue, perhaps with Section 31 taking control of the Artifact now that the Romulans seem to have abandoned it. But that’s a complete guess.

Number 15: Something Maddox did or didn’t do made it possible for the synths to be hacked and Mars to be attacked.

Picard with Maddox aboard La Sirena.

While we now know that the synths who attacked Mars did not act on their own and were hacked or otherwise controlled by the Zhat Vash, the question remains as to how they came to be so easily controlled. It’s possible that there was some kind of flaw in the way F8 and the other Mars synths were build or programmed that made them more susceptible to this kind of hack, and that could explain why Maddox left Earth determined to continue his work.

So that’s it. We finally saw the “theory massacre” that I’d been expecting for a couple of weeks, as several potentially interesting theories dropped like flies! We had some confirmations, too, but mostly what we got from Broken Pieces was a genuinely interesting setup – albeit not a wholly original one – for the finale. However, before we draw everything to a close, there is unfortunately one production-side theory that I want to put out there given everything going on in the world right now.

Production theory: Star Trek: Picard’s second season will be delayed by many months.

The current coronavirus pandemic has seriously disrupted production and release schedules across cinema, television, gaming, and all other forms of entertainment. This disruption looks set to continue for at least the next few weeks, pushing back almost everything currently being worked on. Even if things get back to normal relatively quickly, there will be knock-on effects throughout the industry which will take months to sort out, and Star Trek’s production schedules are just as susceptible to being affected as everyone else’s.

I’m hopeful that Star Trek: Picard’s second season will be able to film either later this year or early next year, but with Los Angeles and much of California currently quarantined (or “locked down”) as a result of the coronavirus outbreak in the United States, it will take major rearranging to re-book filming locations, make sure actors and directors and production staff are going to be available for the new dates, hire the necessary equipment, etc. It will also be incredibly expensive to essentially reschedule the entire production, which must already be in the latter stages of planning. It’s possible, though I hope it doesn’t happen, that some upcoming Star Trek projects may be scrapped entirely as a result of costs going up across the board. Given the incredibly positive reaction to Star Trek: Picard, I doubt its second season will be cancelled outright, but I do expect significant delays.

It’s possible that Star Trek: Discovery’s third season and Lower Decks’ first season will also be delayed, either as a result of post-production and animation work not being able to take place on schedule, or simply because ViacomCBS decide not to release them too early to avoid long gaps between shows. Both Discovery and Lower Decks had been expected to premiere later this year – with Discovery possibly arriving soon after Picard’s first season has drawn to a close. While I think we’ll still get Discovery this year, it may be later than originally planned.

The first eight episodes of Star Trek: Picard are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 8: Broken Pieces

Spoiler Warning: There will be spoilers ahead for Broken Pieces, as well as for the previous seven episodes of Star Trek: Picard. There may also be spoilers for other iterations of the Star Trek franchise, including Star Trek: Discovery Season 2 and the trailers for Season 3.

Not for the first time this season, I came out of an episode of Star Trek: Picard almost shellshocked. “Wow” was all I could think – Broken Pieces was another stunning episode, one which advanced the story, explained a lot of the background to the series and the motivations of its villains – and finally blew a lot of my theories out of the water!

We’ve hit the point in Star Trek: Picard’s ten-episode first season where the unravelling of the mysteries which had been beautifully set up in past episodes needed to step up a gear. With only two episodes left after Broken Pieces, we couldn’t really head into a two-part finale with too much backstory left unexplained. Now was the moment for Star Trek: Picard to explain how its various elements would come together – and the revelations packed a powerful punch.

In a flashback dated to fourteen years ago, we see Commodore Oh, Rizzo, Ramdha, and some other Romulans on a planet at the centre of eight stars. Oh explains what the planet represents – it was a beacon, a warning left behind by an ancient civilisation to warn others against creating synthetic life. Until this point, I had been working on the assumption that Commodore Oh was a Vulcan, someone working in league with the Zhat Vash rather than a Romulan. But here, we finally saw that theory disintegrate – Oh is a Romulan, and she’s been playing a very long game when it comes to her mission.

The Zhat Vash initiation ritual.

The Romulans stand in a circle, at the centre of which is a glowing green ring. The energy had an almost Borg-like tint to it, which could, I suppose, be a hint at some connection, but regardless it was an outstanding visual prop. Dealing with completely alien technology can be difficult – it can be hard to make something that’s simultaneously simple yet unusual in appearance, but this ring was unlike technology we’ve seen in Star Trek before – it seemed to float in place, giving the appearance of being a solid object while in fact being pure energy. As a relic of a long-lost race, it makes sense that it would be something different, and it succeeded here in the way it came across.

As I noted last time, however, the lack of diversity in filming locations has been notable in Star Trek: Picard, and the planet of Aia was another example. Filming outdoors instead of on sound stages has been the preferred option for Star Trek (and for television shows in general, it must be said) for a long time now, but if long-distance travel and multiple on-location shoots are prohibitively expensive, I feel like using indoor spaces with the technology available to filmmakers today can be a viable option. In the case of Star Trek: Picard, the fact that all of the planets visited are clearly California is magnified by the fact that it’s a shorter season than, say, The Next Generation had during its run. That means that, over the course of a handful of episodes, we’ve visited several locations on Earth, the planet of Vashti, the planet of Nepenthe, and now this Aia – seeing all in fairly quick succession hammers home the point that they were all filmed within a few miles of each other, relatively speaking. And yes, we’ve been spoilt by bigger-budget shows like Game of Thrones, which was able to pay for filming locations across Europe, but I’m not really advocating that. Look at an episode like The Siege of AR-558 from the seventh season of Deep Space Nine. The main setting, the planetoid AR-558, was filmed on indoor sound stages, with the episode not being the worse for it – it’s generally regarded as one of Deep Space Nine’s best.

I would hazard a guess that this is not the first time Commodore Oh has led new Zhat Vash recruits through this particular ritual. It seems like it was the initiation into the secretive organisation. Laris, way back in Maps and Legends, described the Zhat Vash as keeping a secret so dark and powerful that it can “break a person’s mind”. And the initiation ritual shows this happening. With the exception of Rizzo, all of the Zhat Vash initiates, including Ramdha, cannot handle the information – or perhaps the manner in which it is conveyed – and lose their minds. Several of them immediately commit suicide, and Ramdha collapses. Rizzo is shaken, but otherwise unaffected.

I hinted at it there, but I would wager that the Zhat Vash initiates weren’t driven insane by the actual facts of the case, but rather by the manner in which it was conveyed. Similar to the mind-meld last week, it was a confusing jumble of thrown-together imagery, seeming to show, among other things, the extermination of whole planets, and which culminated in the face of a synthetic life form, which seemed to merge into Data’s face! While we only saw it for a second, this white synth seems to be the figure the Zhat Vash are so frightened of: Seb-Cheneb, or “the destroyer”.

What I liked about this look, brief though our glimpse of it was this week, was how it managed to be both similar and different to robots we see today. The shiny white look has been common in robotics, even in robotic toys, for a few years at least, and there was something eerily familiar about that which I felt emphasised what has been the theme of Star Trek: Picard’s first season: the potential danger in AI.

Is this the face of Seb-Cheneb?

We also see the genius in making the Romulans the villains of this new series. If someone else had encountered this star system, with its eight planets and cryptic warnings of synthetic armageddon, they may have chosen to share it with others – to put the word out so that the civilisations of the galaxy could share the knowledge and decide what to do about it. This would be especially the case for civilisations allied or friendly with the Federation, or of course the Federation themselves. However, the Romulans are so secretive, so paranoid, and have been throughout their appearances in Star Trek, that their choice to keep the secret to themselves and work to stop synthetic development using underhand methods fits in perfectly with what we know of them.

In the present day, aboard the Artifact, we get a scene with Rizzo and Ramdha. Ramdha seems to have been an adopted family to Rizzo and Narek – the latter two now confirmed as “actual” brother and sister instead of in a metaphorical sense. This was potentially interesting, but given that Rizzo has left the Artifact now, and that she’s almost certainly going to be dead by the end of the season, the revelation that they were adopted family came too late to be of much interest – this is, after all, their first scene together aside from the flashback. In one of the few moments where I feel Star Trek: Picard could have benefited from a longer season, the relationship between Rizzo and Ramdha was sadly underdeveloped, and when considering the characterisation of the two of them – Ramdha having very little screen time, and Rizzo being fairly one-dimensional – finding out that they’re related didn’t really add anything. If they hadn’t been related – barring any developments in future episodes, at least – nothing in the storyline of either Broken Pieces or Star Trek: Picard as a whole would have been different. It would also have been potentially interesting to see Narek acknowledge his relationship to Ramdha, especially given Soji’s interaction with her being a key moment in his relationship with her.

We then learn that – at least in Rizzo’s opinion – Ramdha is responsible for the damage sustained to the Artifact. When she was assimilated, the information she’d received from the relic on Aia was absorbed by the cube and disseminated among its drones and computer systems. Something about the information, the way it was presented, or Ramdha’s intense reaction to it seems to have caused a kind of Borg allergic reaction, and the cube suffered the “submatrix collapse” that we heard about in prior episodes as a direct result. Again, this comes from Rizzo, who may not be a reliable source, but if she’s right it seems that Ramdha broke the Borg cube by her reaction to learning that secret.

Elnor comes under attack in Hugh’s office. In an edge-of-your-seat fight sequence he manages to hold his own for a time against an overwhelming number of Romulan guards, but eventually has to be rescued by the timely arrival of Seven of Nine – his distress call to the Fenris Rangers last week summoned her to the cube. We’ll come to what happens to the ex-Borg and other residents of the Artifact in a moment, but as a general point, I felt that, with Soji leaving the Artifact and Hugh dead, the Artifact storyline had kind of run its course. The main characters had escaped, and while there were consequences for Hugh (it’s been a week and I’m still sad about that!) it seems like there’s kind of no reason to hang around. Equally, Seven of Nine’s storyline, both in the context of Star Trek: Picard, and I’d argue in Star Trek as a whole, had drawn to a neat conclusion in Stardust City Rag. She got her revenge for Icheb’s murder, concluding her arc in the show, and she finally got to display her human side and to retain her humanity instead of losing it again with each new episode as we’d seen in Star Trek: Voyager. The stories this week on the Artifact, with the killing of most of the ex-Borg and those drones still in stasis, and with the return of Seven of Nine, almost feel like the beginning of a whole new show rather than wrapping up Star Trek: Picard’s loose ends. The story had moved on, away from the Artifact and in the direction of Soji’s new homeworld, and thus aside from the Ramdha/Rizzo storyline and saving Elnor – who we could argue should never have been left there by the writers in the first place – there’s no reason to linger here.

Elnor embraces Seven of Nine.

It’s hard to judge because the story hasn’t yet concluded and there may turn out to be great reasons for Seven of Nine’s return and keeping the Artifact in play, but I got the sense that this part of the story – especially in regards to Elnor – was playing out like Littlefinger’s story in the seventh season of Game of Thrones insofar as the writers had got him stuck in a place where they didn’t really know what to do with him or where to take him. Elnor has been Star Trek: Picard’s most underused character in my opinion. He’s been the butt of a few jokes and had a couple of decent choreographed fight sequences, but other than that he’s been practically ignored. Even his great moment of reconciliation with Picard, who tells Elnor in The Impossible Box that he doesn’t want to leave him behind again, lasted all of ten seconds and was immediately glossed over by other elements in the story. Perhaps it’s because Elnor was the character I was most interested in seeing before the show premiered, but I really feel that he’s been massively underutilised by the show thus far, and even his scenes with Seven of Nine this week felt like a footnote or a wholly different story rather than being connected to the main arc of the show.

We’re getting ahead of ourselves, though. After a touching hug between Elnor and Seven of Nine, the credits roll. Usually I don’t have much to say about the opening titles (which, yes, I always seem to end up calling the “credits”) other than the theme is pleasant and has definitely grown on me over the course of the season. But the last two episodes, at least in the versions I saw on Amazon here in the UK, seem to have missed cast members out. I’m not sure if this was deliberate or not, but it’s usually the case that the main cast are credited in the opening titles and it’s surprising to see someone excluded. It may be something unique to a version here, it may be that names were cut to allow others to fill the space, or there may be another reason. Either way I thought it was noteworthy. NB. When I went back to re-watch the episode while writing this review all the main cast appeared in the title sequence. It’s possible I missed it the first time around, or it may have been corrected/updated later – I initially watched the episode almost as soon as it was made available.

Soji and Picard have beamed aboard La Sirena (from the Troi-Riker cabin on Nepenthe that we saw last week) but Rios is immediately troubled by Soji – he seems to recognise her and becomes agitated, staring down Soji and ignoring Picard at first. Picard, taking Riker’s advice from last week, plans to contact Starfleet. Rios, clearly very unnerved by something about Soji, promises to set course for Deep Space 12 (a very subtle nod to the naming of the main station in Star Trek: Deep Space Nine) but says after that Picard will be on his own.

In this scene, perhaps buoyed by his time with Riker and Troi and his success in rescuing Soji, we see Picard much more assertive and in command than we have thus far in the series. It’s like he’s regaining more of his lost confidence and sense of self with every episode, and in the context of what I said last time about the show’s examination of depression and mental health, that is a positive message. Far from being the bleak look at Picard’s character that some people seem to have assumed, Star Trek: Picard is really a story of hope, and how someone who’s become depressed can – at least in some circumstances – overcome that and find motivation again. The same basic premise is true of Luke Skywalker in The Last Jedi, as he overcomes his depression and self-isolation to find a cause worth believing in. This could – and perhaps should, once Star Trek: Picard has concluded – be a whole essay in itself, because there are many similarities and I feel both stories share the same kind of positive message.

Raffi isn’t happy with Soji’s arrival either, given her paranoid nature and what happened with Dr Jurati last week. She tries to stop Soji coming aboard, lecturing Picard on not checking up on Dr Jurati. When Picard tries to exit the conversation and lead Soji away, Raffi points a phaser at them. The news that Dr Jurati had a tracking device doesn’t sway Picard, but the accusation that she killed Maddox does, and he and Raffi meet with La Sirena’s EMH in sickbay. He explains the situation, even that he was deactivated and that Maddox’s injuries would not have killed him if he’d continued to be properly treated, but this doesn’t change Picard’s mind at first.

Picard, Raffi, and the EMH discuss Dr Jurati.

What was great about this sequence was that it was Raffi – known conspiracy theorist and drug addict – who’s explaining what happened with Dr Jurati. Raffi’s character had been set up this way over basically the entire season, making Picard’s disbelief realistic. I’ve written before that, from Picard’s point of view, Dr Jurati was the only person on his new crew who was there because she wanted to be; she was the only one besides himself interested in finding and helping Soji. Rios was along for pay, and moments ago announced his intention to ditch Picard at Deep Space 12. Raffi made it very clear to Picard that she was on board purely to get to Freecloud and not for the sake of his mission, so Dr Jurati was Picard’s closest ally among his crew. The truth that she is in fact a “Tal Shiar agent” as Raffi puts it is too much to take in in this moment, and every aspect of that had been beautifully established. Taking away Picard’s only genuine ally is also an interesting story beat, and leaves Picard two possible directions from the point of view of the writers. He can suffer as a result of learning Dr Jurati had betrayed him and fall back into his depression, or he can use what happened to further cement his drive and motivation for Soji’s sake – he is now the only person he can rely on to help her get home and potentially avert genocide.

With growing confirmation that a machine civilisation is present on Soji’s homeworld and not just a handful of individual synths, genocide is precisely what we’re talking about. This is the ultimate purpose of the Zhat Vash conspiracy, and as someone who has studied history, the parallels are disturbing. The obvious historical analogy that springs to mind when examining the Romulans and Zhat Vash is Nazi Germany. We have a small cult (the Zhat Vash) who have a crusade against a species or race of sentient beings, and this small group is controlling the Romulan state and dragging them along. It also forces a reexamination of the Romulans’ treatment of the xBs – they were detaining them in a giant prison camp and, under the guise of “helping” them, performing experiments and harvesting their valuable components. Finally, as we’ll see in a moment, they committed mass murder of the xBs. Rizzo in particular had always had a genocidal streak to her character, but it was hard to tell if that was just a result of being a fairly one-dimensional villain. When considering her plans for the synthetics’ homeworld, however, if we continue our Nazi Germany analogy, this is Commodore Oh and Rizzo’s “final solution”. There are other historical genocides which one could look at for comparison – sadly there have been many throughout history – but let’s not get bogged down in historical analogy right now, as I believe the point has come across.

Admiral Clancy – the no-nonsense commander-in-chief of Starfleet – is back in the next scene, and I really love her character. Even when she was shutting Picard down in Maps and Legends when he was trying to get Starfleet on his side, she has an air of authority – exemplified by Ann Magnuson’s performance – that simply is what we’d expect from someone in such a senior position. While she had been dismissive of Picard’s earlier request, she’s clearly listened to everything he had to say and is now prepared to help. Despite what Picard and Rios had felt up until this point, Starfleet did not abandon its own values – it had been corrupted from within by a single individual. Commodore Oh, now revealed as a spy, had been the driving force behind Starfleet’s own anti-synthetic agenda, but Admiral Clancy is not prepared to see a whole race of sentient life forms wiped out, regardless of the galactic treaty that bans synthetic life. However, in this moment, Picard doesn’t know the truth about Commodore Oh. Could he and Clancy have inadvertently tipped her off? Sending a fleet to Deep Space 12 – the closest station to Soji’s homeworld – will surely raise eyebrows in Starfleet, and Commodore Oh is sufficiently well-connected that she would undoubtedly come to know about it. And as I have mentioned previously, her ability to recruit people into the conspiracy with a simple mind-meld means that there may be hundreds or even thousands of compromised Starfleet officers. By the way, how cool is it that Romulans – who are biologically the same race as Vulcans – can mind-meld now? I loved that, even though it completely threw me off last week!

Admiral Clancy appears via hologram.

Admiral Clancy commits to sending a group of ships to rendezvous with Picard at Deep Space 12, from where they will travel to Soji’s homeworld to warn and defend the synths from the impending Romulan attack. After everything we’ve seen over the course of the series about Starfleet seemingly succumbing to conspiracy, corruption, and losing its own values, it was amazing in this moment to see “old school” Starfleet back. Admiral Clancy and others may have forgotten for a time what Starfleet and the Federation represented – seeking out strange new worlds and new civilisations – but in this moment she found her way again. And as the head of Starfleet, from a thematic if not a literal point of view at least, the whole organisation has rediscovered its purpose too. I was reminded of Picard’s speech about Data in The Measure of a Man, which referenced Starfleet’s mandate to seek out new life: “there it sits”, he exclaimed, gesturing to Data. How Starfleet treated synthetic life in that episode – whether to deny Data his rights and create a race of synthetic slaves – is something Star Trek: Picard has examined in much more detail. In the view of Picard and Admiral Clancy, the synths on Soji’s homeworld have rights – the right to exist chief among them.

On the bridge of La Sirena, Raffi is talking to one of Rios’ holograms – but doesn’t realise it at first. He confirms that Rios did recognise Soji – but he thinks that her name is Jana. This would seem to confirm a theory going back several weeks that there are other Soji-type androids in existence: Rios has encountered one already. Taking advantage of the navigational hologram, Raffi asks him about the symbols she noticed the Borg drawing on the Artifact (we saw that last week when she was trying to hack the Artifact to break La Sirena free of its tractor beam). They speculate that it may be a star system containing eight stars – but none are known to exist and it would be incredibly unlikely to be a natural phenomenon. The “octonary”, as it is termed, is believed to have only been documented on some very old Romulan star charts – of course this is the system we saw in the flashback sequence at the beginning of the episode, where the planet Aia is located.

Raffi begins to put the pieces together. The Conclave of Eight – who she believed were responsible for the attack on Mars – refers to the meeting place. And as we know from the earlier scene with Ramdha (or rather, we can reasonably infer) the ex-Borg are drawing that symbol because it was the power of Ramdha’s insanity and singular focus on this one location that caused the Borg cube to become disabled. At the very least, one of the last things the xBs would have seen while assimilated was Ramdha’s experience of the place, and that’s why some of them have been obsessively drawing it. While it wasn’t clear in earlier episodes, Soji was told that all of the “disordered” or insane xBs were Romulan, so it may be that there’s something different about how Romulan minds process the information contained on Aia that leads to insanity. Given that other xBs that we saw seemed to be in a better state, perhaps that means that the vision on Aia is something Picard and his crew will be able to properly experience and process – but more on that in my next theory post!

Raffi shows the octonary symbol to the ENH.

Rizzo doesn’t take long to piece together that Elnor now has Seven of Nine as an ally. I liked seeing her work it out in that short scene; the fact that she’s switched-on and aware of everything going on reminds us, despite what we just witnessed in the flashbacks and with Ramdha, that Rizzo experienced the vision very differently. Her insanity, such as it is, manifets not in a loss of control, as we saw with some of the others as they went mad and killed themselves, but in a desire for greater control. She barks orders to her subordinates, has a disturbing, almost incestuous relationship with her biological brother Narek, and is single-minded in her devotion to the cause so much that she has become, as we already noted, genocidal. This is Rizzo at her most interesting. Last week, the notion that she was terrified of synthetic life added a second dimension to what had been a one-dimensional villain, and this week we see not only more of the reason for her fear, but we get to see that the vision she experienced “broke her mind” to quote Laris. It just didn’t break in the same way as other Zhat Vash initiates’ did. Any story needs a compelling villain, and while we have had Commodore Oh as a behind-the-scenes, low key villain, and Narek as an insidious will-he-won’t-he spy, the transformation of Rizzo from an “evil for the sake of being evil” 24th Century Heinz Doofenshmirtz to someone with a backstory, an understandable fear-driven motive, and the tiniest element of pity for what she went through, is fantastic for the overall story of the series. It elevates what could have been a fairly bland character and fleshes her out a lot more.

The Elnor and Seven of Nine scenes were, as I have already mentioned, not my favourite part of the episode, so I’ll probably gloss over those, but just to briefly recap they went to the queencell (where Hugh used the spatial trajector to help Picard and Soji escape) and seem to have essentially reactivated many of the Artifact’s Borg systems. The cube begins to regenerate itself – and the CGI shots of the cube undergoing regeneration were stunning. There were elements from Q Who, in The Next Generation’s second season, where the crew of the Enterprise-D first witness a cube regenerating, but obviously the effects are so much better in 2020 than they were in 1989 and we see the regeneration in much more detail. It also makes perfect sense that the Artifact could be so easily reactivated – after all, drones that were 90+ years old were able to be reactivated in the Enterprise episode Regeneration, and the Artifact has not been derelict for anywhere near as long.

The Artifact’s reactivation causes Rizzo to go nuclear – planning the extermination of the xBs and the Borg currently in stasis. There was yet another hint at the Nazi Germany analogy I mentioned earlier as Rizzo suggests gassing the Borg. Along with the other genocidal themes present in her character, the fact that her immediate suggestion was to gas them was tied to this and another shocking statement from this villain.

Picard and Soji share a meal aboard La Sirena, and Soji is clearly wrestling with her newfound status as a synth. We don’t know precisely how much time has passed since she first learned the truth in Nepenthe, but it can’t be more than a few days and it’s obviously a lot to process. She, unlike Raffi and several other characters in the last few episodes, calls Picard by his last name. I feel like this is setting up their relationship for some future development, getting her to a point by the end of the season where she’ll be able to join Raffi, Riker, Troi, and others and call him “Jean-Luc”.

Soji makes a big point about how Picard can’t know what it’s like to not know things about herself and to feel like pieces are missing. Picard agrees, but actually he can know at least part of what that must feel like because of his own experiences with the Borg. He lost his humanity for a time, though not in the same way as Soji has lost hers. When he tells her that her memories feel like “something that happened to someone else”, I go the impression that he was drawing on that experience as Locutus. The Battle of Wolf 359, in which Picard was instrumental in helping the Borg destroy a Federation fleet, was something he remembers but he remembers it through the prism of his assimilation and to him, I’d absolutely argue that those events feel like “something that happened to someone else” – kind of like a waking nightmare. He can empathise with Soji because of that.

Soji and Picard share a meal.

As Picard has reacquired his confidence and self-belief since meeting Dahj in Remembrance, we’ve seen more of what you could call “old” Picard coming back. The Picard who talks things out calmly and diplomatically, who uses words carefully to make the best of a situation and who knows just what the right thing to say is, even under difficult circumstances. And in this conversation with Soji we get another example of that, as he tries to reassure her that she does have a past and a legacy.

Their conversation then turns to Data in what was a very emotional scene. Picard talks a little about him, and about how he hopes that Data thought of him. Just as Kestra showed us last week that Riker and Troi had kept their friend’s memory alive throughout the last twenty years, so too has Picard. Data has had a huge influence over this season’s story despite not being present except in dreams, and that has been touching to see. Soji draws the conversation to a close by telling Picard that Data did love him – something he really needed to hear from her.

Speaking with La Sirena’s engineering hologram gives Raffi more clues about the octonary star system, and that it would be a great way for a civilisation to leave behind a warning to others – the unique nature of the star system would be like a beacon, drawing in spacefaring civilisations to see what it was about.

Raffi tries to get a drink in her quarters, simultaneously excited by the notion of unravelling a fourteen-year-old mystery and massively disturbed by its implications. However, she is prohibited from replicating alcohol and La Sirena’s hospitality hologram pops up. We learn that Rios scanned himself when he bought La Sirena, and that’s why the holograms all have his appearance – they also all have some of his memories and personality traits, though he has made some deletions to that information. The hospitality hologram suggests to Raffi that she check in on Rios as he may need company. In Rios’ quarters he goes through his Starfleet belongings – neatly stowed in a footlocker – and pulls out a picture of his former captain. I had speculated that the character may have been a legacy character from a past iteration of Star Trek – a wild guess, more than anything – but this wasn’t the case (though for a brief moment I thought it looked like Chakotay!) Rios also pulls out another picture – a drawing of himself and… a Soji-type android!

The revelation that Rios had encountered a Soji-type android was genuinely not something I was expecting. While his backstory had seemed interesting and I was keen to learn more, by this late stage in the season I was beginning to wonder if it was something that might not be explored until Season 2. However, learning that he’d met another synth just like her was fascinating – and makes me wonder how many more there are on Soji’s homeworld. There could potentially be millions – if each new synth that was created could build more copies of itself there’s no limit to that kind of exponential population growth.

Soji’s arrival brought up memories for Rios of his deceased captain.

Seven of Nine and Elnor continue their plans to retake the Artifact, planning to use the Borg in stasis as a mini-collective which Seven of Nine will direct from the queencell – giving them orders and directions to replace the hive mind of the Borg collective. I was a little concerned in this scene that we’d see a reversion of Seven’s character progress that I’d been so thrilled about in Stardust City Rag. To briefly recap, for those of you who didn’t read that review, when Voyager was on the air my opinion of Seven of Nine was not especially high. Having gone to all the trouble of replacing Kes at the end of Season 3, it seemed that the writers didn’t really know what to do with their new ex-Borg. There were a disproportionate number of Seven-centic episodes in the latter part of Voyager’s run, and many of them followed a similar formula: Seven learns a lesson about being human, overcoming her Borg nature. But by the next episode she’d forgotten it all and would have to learn another, often similar, lesson. This got kind of stale for me, so seeing her embracing her humanity – and retaining it – in Stardust City Rag was cathartic and just a fantastic thing to see. So when she was getting ready to plug herself back into the Borg – albeit not the main collective – I was concerned that the show was about to repeat Voyager’s mistakes.

This next sequence, in which Raffi tries to puzzle together what happened to Rios, is one of my favourite not just in the episode but in all of Rios and Raffi’s scenes in Star Trek: Picard so far. Using all five of La Sirena’s holograms, each of whom have a slightly different set of information from Rios himself as a result of the “self-scan”, she’s able to figure out what happened to his former captain – and how it connects to the Soji-type android.

Some Star Trek episodes in the past have given actors a chance to run around and play different characters or versions of the character. In the Voyager episode Renaissance Man, for example, The Doctor disguises himself as various members of the crew – played by their original actors. We also have examples from The Original Series like Mirror, Mirror, in which the cast play evil versions of themselves, or The Enemy Within in which William Shatner got to show off two sides to Kirk’s personality when they were manifested as separate beings. The duology of episodes The Naked Time and The Naked Now – from The Original Series and The Next Generation respectively – also let the cast run wild. Santiago Cabera was the only actor I was familiar with heading into Star Trek: Picard, and he was someone I was really excited to see brought into the franchise. He gave a great performance in a series called Salvation a couple of years ago, and when he was announced I felt he would be a great addition to the cast. The explanation of Rios’ backstory, and how his former captain killed two synths on Commodore Oh’s orders, was absolutely fascinating in itself as it ties Rios to the show’s story and, I’d argue, gives him a strong motivation to stay and help and to do whatever he can to prevent further harm coming to Soji’s people.

But in this sequence, what I loved most was Cabera playing all of these roles, using different accents, costumes, and hairstyles to give each hologram a different appearance. Each hologram has its own personality – a blend of parts of Rios’ own with the original underlying technology used in the holograms. The way this scene was acted – and it must have taken a huge amount of effort, editing, and incredibly skilled cinematography to bring five versions of Rios together – was outstanding. As well as being entertaining in parts and of course informative, it was a real joy to watch, and showed off exactly why the show’s creators hired the perfect actor for the part. Just as a final point – making the engineering hologram Scottish was a nice little nod back to The Original Series, and even though it probably wasn’t the best of Cabera’s five different accents, it was nice to see that.

La Sirena’s holograms.

Dr Jurati is finally awake, and the first thing she does is ask Picard if her suicide attempt/poisoning was successful. He replies that it was, and that they were no longer being tracked by Narek. In another example of Picard getting his confidence back, he calmly yet sternly tells her that upon their arrival at Deep Space 12 she will turn herself in. He doesn’t ask her if she’s responsible – despite earlier questioning whether she did it on purpose – he simply and flatly tells her that that is what she will do, giving her no choice in the matter. I saw echoes of another encounter Picard had with the Romulans, in The Next Generation episode Face of the Enemy, where he gives Federation defector DeSeve a similar calm yet stern dressing-down.

Picard asks her the million-dollar question: why did she do it? As the audience, we already know her basic motivation by this point – Commodore Oh showed her a vision, one taken from the relic on Aia, of what would happen if synthetic life were allowed to exist. But knowing that didn’t make watching the tense scene between the two of them any less thrilling, as Dr Jurati struggled against the brainwashing she’d suffered and attempted to justify her actions. We learn a little more about the Zhat Vash’s mission – they feel that humanity’s synthetic research – spearheaded by Maddox – has arrived at a threshold. Their fear is that, if Soji and her people are allowed to exist, the visions contained in the relic will come true – or rather that they will be repeated, as the Zhat Vash believe they are something that happened in the past, several hundred thousand years ago.

By this point, I was getting a nagging feeling that this storyline is beginning to feel familiar. We’ll hear Dr Jurati later in the episode say that the Zhat Vash believe that when a certain level of synthetic life is reached in the galaxy, “something shows up” and wipes out not only the synths but also those who created them. This is the fundamental premise behind a science fiction video game series that I’ve mentioned on the blog several times: Mass Effect. Played out over a trilogy of games from 2007 to 2012, the Mass Effect series follows a human commander as he tries to stop the coming of the Reapers – an extragalactic machine species who periodically show up and harvest all sentient life once they have reached a certain level of technological development. The reason the Reapers do this is because they, despite being synthetic themselves, believe that it is the nature of synthetic life to destroy organic life, and that by harvesting the DNA of technological races before that can happen they will be somehow preserved. Furthermore, an ancient race left behind beacons which showed the hero of the franchise a not dissimilar vision than the relic on Aia showed the Zhat Vash – kicking off the plot. I’m okay with similar themes in science fiction, and the plot of Star Trek: Picard and how it has been delicately written and carefully unravelled has been a significantly different experience than the plot of the Mass Effect games – but the overall motivation of the villains seems to be rather similar, as is the way the knowledge of what happened was communicated down the centuries, and I’m sure I won’t be the first person to notice this.

Promo screenshot for Mass Effect 2. The storyline of Star Trek: Picard has some notable similarities to the video game series.

Rios, in his quarters, has been hiding away and drinking, but he shows Raffi a picture of his old captain, Alonzo Vandermeer, and tells her how close they’d been. Rios thought of him as a father figure, which we had already some hints at when we first met him, but they go into a lot more detail here. Seeing Soji has brought up a lot of bad memories for Rios of Captain Vandermeer’s death, and he’s finding it hard to cope.

The scenes switch back-and-forth between this exchange in Rios’ quarters and a conversation between Soji and Dr Jurati. While both sets of characters are going through very different things, what’s happening is actually comparable. Soji is, simply by her presence, inspiring Dr Juarti to push through her brainwashing and overcome what she had been tasked with doing. Raffi is helping Rios overcome his past too, getting both psychologically damaged characters to a point where, later in the episode, they will be able to “snap out of it” and refocus on their joint mission to aid Soji’s people.

Rios goes into detail about what happened with Captain Vandermeer – and how his actions protected his ship – the USS Ibn Majid – from being destroyed by Starfleet. The reason it was covered up, seemingly by Commodore Oh, was to keep the secret of the synthetic civilisation. Captain Vandermeer killed the two synths – including one who resembled Soji – to save his crew, but couldn’t live with what he’d done and committed suicide shortly thereafter, in front of Rios.

Seeing Soji reawakens in Dr Jurati her love and appreciation for synthetic life – she’s incredibly curious about her, asking her questions about some of her most human-like qualities, such as whether she sleeps. Poor Soji must be getting tired of this after all of the questions Kestra was asking last week! But the Kestra comparison is a good one, because both she and Dr Jurati have a childlike wonder about Soji – Kestra of course is a child, but Dr Jurati is an academic, a researcher who never thought she’d ever see her research in practice, yet right before her eyes sits Soji.

After a scene in which we see Rizzo at her coldest, murdering ex-Borg and the Borg still in stasis by the thousand, we’re back aboard La Sirena. Soji and Raffi have worked their magic on Dr Jurati and Rios, and the crew assemble to discuss what they’ve learned and piece together the timeline, location of Soji’s homeworld, and try to come up with a plan. Each character, sitting around a table, tells the others what they know, in a neat scene that tied together a lot of Star Trek: Picard’s story points going right back to the first episode – and even its Short Treks prologue/prequel. By the time they’ve put all the pieces together – the Zhat Vash infiltration of Starfleet going back to Data’s activation before The Next Generation, the attack on Mars, the USS Ibn Majid making first contact with Soji’s people, the murder of Dahj, and finally arriving at the present day – the only thing left to do is to travel to Soji’s homeworld.

There were a couple of hints that not everyone under Rizzo’s command aboard the Artifact are okay with her rampage. She disarms one of her troops, snatching his gun in a scene that seemed to say “I’m worried you’re going to use that on me”. When she returns the broken weapon later in the episode, the young Romulan stares at it almost in disbelief at what it had been used for. I doubt this will come back into play, given that the Zhat Vash seem fully okay with exterminating the synths, but it was a nod to the fact that not all Romulans are signed up to their ideology. If we were to continue our Nazi Germany analogy, this soldier could be an example of those Germans who were not paid-up members of the Nazi party.

The briefing room of La Sirena, with its plain metal table, is very different from that of Enterprise-D and Enteprise-E!

I’m still somewhat confused by the Bruce Maddox storyline from Stardust City Rag, and I keep bringing it up because it threatens to become a plot hole. Maddox specifically told Bjayzl that his lab had been destroyed by the Tal Shiar. We can assume there was Zhat Vash involvement with that, but even if there wasn’t, the question remains where was Maddox undertaking his work? Riker theorised that it was on the planet we have now termed Soji’s homeworld; that he went there when the synth ban came into force and stayed there, working, ever since. But if that’s true, why did he go to Bjayzl, who he knew was dangerous as he owed her money? The synth civilisation, in everyone’s opinion, is expected to be thriving on Soji’s homeworld, but if Maddox’s lab was there and was destroyed, what happened to the other synths? And why did Rizzo and Narek waste their time continuing to mine Soji for that information if their colleagues had already visited and destroyed the lab? If Maddox left the planet to work elsewhere – the simplest explanation, I guess – why did he do that instead of continuing to live among his synthetic creations? Given that it seems as though he had a lot of input in the creation of Soji and Dahj, and the direction of their offworld missions, I doubt the synths forced him out. So why did he leave? And if he didn’t leave, how did the synths survive the attack? This one aspect of the story opens up a lot of questions that I hope have an answer and a satisfactory explanation.

Dr Jurati begins by apologising – not so much for Maddox’s death, though that is part of it – but for letting down her newfound crew and family. I mentioned last time that La Sirena’s crew were finally starting to come together instead of feeling like individuals all doing their own thing, and as they sit down to put everything together we see more of that. Partly the revelation about Dr Jurati shook them up, but in the aftermath they seem to have pulled together. It’s a shame that Elnor missed out on this scene, being stuck in his side-quest with Seven of Nine, because his input, as an outsider who doesn’t know a great deal about the issues being discussed or the history of it all could have been played in such a way as to be helpful for casual viewers or for those who are just getting into Star Trek for the first time.

Soji becomes angry with herself for falling for Narek’s ruse, because it’s clear that she has now exposed the location of her homeworld to the Zhat Vash. It also explains how Narek and Rizzo were content with Soji’s description of her homeworld, despite what seemed on the surface to be a very small amount of information: they already knew what sector of the galaxy they needed to look in after the USS Ibn Majid’s encounter with the synthetic emissaries.

There is an interesting dimension to Soji that is worth exploring. The “emissaries” that Rios met and that Captain Vandermeer killed were reported to Starfleet – and Rios says that Vandermeer must’ve known they were synthetic. In fact the only way the order to kill them makes sense is if Vandermeer knew and reported that to Commodore Oh. One of the things that has been unclear about Soji and Dahj so far is why they were programmed to believe themselves to be human. Only one other android in Star Trek has behaved that way – Juliana, the wife of Data’s creator, in The Next Generation seventh season episode Inheritance. The reason she believed herself to be human is that she was human – a human mind transplanted into an android body. But we’re getting off-topic. Why were Soji and Dahj programmed to be human? It’s a safe bet, based on what we learnt in Broken Pieces, that Maddox realised how dangerous the galaxy was for synths with people like Commodore Oh and the Zhat Vash after them. After their initial emissaries were killed, it makes sense that they’d try to keep their true nature hidden.

Soji storms off to the bridge, sets up a forcefield, and changes La Sirena’s course. As Rios points out, she took control of the ship very easily; her abilities and skills far exceed anything a human is capable of. The fear the Zhat Vash and others have is not exactly unfounded – Soji could kill them all without breaking a sweat. However, after a conversation with Picard he allows her to pilot the ship to part of the Borg transwarp network – a shortcut to her homeworld.

Picard, continuing his theme of regaining his confidence, sits in the captain’s chair in what I felt was the episode’s most iconic scene. Reclaiming his position as the captain – if only symbolically – was a big moment for him, considering how far from that role he seemed at the beginning of the series. A character journey from depression and isolation to being in charge is a great story, and one which I loved seeing Picard go through.

Picard takes a seat in the captain’s chair.

Rios is initally angry at Soji’s actions – he feels that flying into the transwarp network without careful preparation would put the ship at risk. Soji could have simply pressed ahead and ignored him, locking him out of his own ship, but instead she draws on her humanity and asks him – politely but firmly – to take her home.

As the Romulans abandon the Artifact, leaving it to Seven, Elnor, and the remaining xBs, Rizzo is cornered and attacked but manages to beam away – her comeuppance will have to wait. With the xBs in control of the Artifact, even though they’re few in number I would not be surprised at all to see Elnor and Seven in contact with Picard and La Sirena in the finale – perhaps the repaired cube warps in to save the day somehow during a climactic battle. Finally, the episode ends with La Sirena jumping into the transwarp network – with what appears to be Narek’s ship close behind!

There was so much to process in Broken Pieces that it’s taken me longer than usual to pull my thoughts together. Seeing the crew work together to fit the various pieces of the puzzle together was great – but I did miss seeing Elnor with Picard and the rest of the crew, because, as someone who suffered as a result of the attack on Mars, he has as much stake in this as anyone else.

It’s great to have a proper timeline assembled as we approach the finale. There are still questions to answer – like what exactly will happen if Picard and his crew are victorious and allow the synths to continue to live. The Zhat Vash seem to believe that synthetic life in and of itself will not be the doom of everyone in the galaxy; contrary to what I said last time, this is not a situation like Discovery’s second season where the Control AI was going to wipe everything out. Instead, what they seem to believe is that someone else, another race or faction, will show up once that threshold is crossed to bring about their destruction. So even if Picard and co. are successful, presumably they will have to deal with the implications of that.

I wonder if some aspect of this synthetic-inspired doom is going to tie into Discovery’s third season, due for release later this year. The trailers for that seemed to depict a kind of post-apocalyptic future: could the Zhat Vash visions and the relic from Aia be related to that? Stay tuned for more on that and others in my next theory post, which I hope to have up before the first part of the finale on Friday.

All that’s left to say is that I thoroughly enjoyed Broken Pieces. Some story elements were better than others – Elnor and Seven of Nine on the Artifact being my least-favourite, I’m afraid. However, I’m hopeful that, as with practically everything else this season, there will be a solid reason why we spent that time with them and that they will have a role to play in the finale in some way.

The first eight episodes of Star Trek: Picard are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 7: Nepenthe

Spoiler Warning: There will be spoilers ahead for Nepenthe, as well as for the first six episodes of Star Trek: Picard. There may also be spoilers for other iterations of the Star Trek franchise, including Star Trek: Discovery Season 2.

Hugh! Poor, poor Hugh. When I heard Jonathan Del Arco was returning for Star Trek: Picard, well before the show had premiered, my first reaction was “What? Really?” Of all of the characters in Star Trek’s history, I just felt that Hugh, who had only appeared in a couple of episodes of The Next Generation, wouldn’t have been my first choice when thinking about characters to bring back. But I was wrong – the way Hugh has developed as a character between The Next Generation and his appearances this season was incredible, and his death this week was genuinely heartbreaking.

Star Trek: Picard’s death toll, for legacy characters anyway, now stands at three – Bruce Maddox, Icheb, and now Hugh. In the aftermath of series like The Walking Dead and Game of Thrones this was always a possibility – no main character on television should consider themselves “safe” any more. But of the three, Hugh’s death hit me the hardest.

But we’re getting ahead of ourselves! Where last week’s episode, The Impossible Box, was an edge-of-your-seat wild ride, Nepenthe was a quieter affair, but intensely emotional. Simply processing everything that happened will take some time. Nepenthe didn’t merely advance the storyline of Star Trek: Picard, it took us on a detour that looked at Riker and Troi, and thus broadened our understanding of how the overall story of Star Trek has progressed since the events of Voyager and Nemesis. In that sense, it felt like an episode that was “made for fans” far more explicitly than anything else we’ve seen so far this season, even counting Seven of Nine’s appearance.

Counsellor Troi returns in Nepenthe for the first time since Star Trek: Nemesis in 2002.

If someone were to ask me why I’ve been so in love with Star Trek: Picard, I could give many reasons. But Nepenthe encapsulated them all perfectly. It brought back those nostalgic feelings, but it used characters and name-drops from the past in a way that made sense and tied in perfectly with the main plotline of the show. Unlike some other franchises we could mention, nothing in Nepenthe felt like fanservice, or overplayed the nostalgia card; Star Trek: Picard has been like a perfectly-cut jigsaw puzzle, with each piece of the story slotting neatly into place as the overall picture is now slowly coming together.

After the standard recap to bring us all up to speed, the episode kicks off with a flashback to just three weeks ago. We see more of the meeting between Dr Jurati and Commodore Oh from The End is the Beginning – and we see why it wasn’t shown in full in that episode. This is the moment Dr Jurati was recruited to join the Commodore Oh-Zhat Vash conspiracy, and I think we can now say with relative certainty that Commodore Oh is not a Romulan agent, but is in fact the Vulcan she has always claimed to be. While, in theory, there should be no reason Romulans can’t mild-meld, it’s never been shown on screen and that further adds to the evidence that Commodore Oh is a Vulcan. Whether her alliance with the Zhat Vash is new or not is unclear, but she is certainly fully signed up with their anti-synth crusade.

I had to go back and look at one part of this sequence several times before I could be sure, but at least part of what Commodore Oh showed Dr Jurati in her mind-meld is taken directly from Star Trek: Discovery’s second season. The two shows were always close from a thematic perspective, as both were looking at the possibility of rogue AIs and how they could be a danger, but this sequence seems to suggest that there’s more to it than thematic coincidence. In Discovery, the AI named Control was trying to acquire data stored in the USS Discovery’s computer which contained many millennia of information collected by an ancient lifeform, and if it had been successful it would have used its newfound power to wipe out all organic life in the galaxy. This seems to be the reason for the Romulans’ fear of synthetic life – that they will go rogue and start killing their creators. At least two of the shots of life in the galaxy being wiped out that Commodore Oh showed Dr Jurati in the mind-meld were identical to the vision Michael Burnham and Spock received.

This image, and at least one other, were recycled from the visions shown to Michael Burnham and Spock in the second season of Star Trek: Discovery.

Could this simply be a case of reusing shots to save money? After all, in the past Star Trek has shown the same Klingon ship blowing up on half a dozen occasions or more, and numerous models were reused over and over again from the era of The Original Series films through The Next Generation and its spin-offs. Given that the two clips I could identify in the mind-meld were less than a second long, I suppose we shouldn’t discount the possibility entirely. However, I’m not convinced that this is the reason. CGI nowadays requires far less effort and financial investment than many practical effects – like exploding starships – did in the past. For the sake of a couple of seconds’ worth of footage it would have been relatively inexpensive and not particularly time-consuming to make something altogether new if that was the aim. So I’m getting the sense that there’s a connection between Discovery’s Control AI and the Romulans in Star Trek: Picard – as I have been saying for several weeks in my Star Trek: Picard theories series! While I will save further speculation about what this could mean for my next theory post, I wanted to acknowledge it here too.

Mind-melds have been inconsistent in the way they’re presented in Star Trek. This one was more in line with the confusing jumble of images that Spock showed to Alternate Reality Kirk in 2009’s Star Trek film, rather than the calmer, slower-paced mind-melds that we’ve seen in The Original Series and The Next Generation. Obviously we didn’t get the full effect that Dr Jurati did, because the horrors she was shown caused her to vomit up her lunch. It was enough to immediately convince her, without any further persuasion needed from Commodore Oh, to sign up with the conspiracy and do anything – even kill her former friend and love interest and betray Picard.

Dr Jurati is given a tracking device, which she has to eat – and yes that is “eat” not “swallow”, which was interesting! The action then jumps to the present day, where La Sirena is caught in a tractor beam that the Artifact has deployed. Raffi and Rios are scrambling around on the bridge trying to break free. While Raffi attempts to break La Sirena free, she hacks into the Artifact’s computer and seems to see some drawings – possibly those drawn by Ramdha or another xB. Whether these will come into play or not is unclear, but the drawings, which were a pattern of circles repeated over and over, were at least visually interesting. So many aspects of Star Trek: Picard have been brilliantly set up by the creators and writers that almost everything we see or hear on screen has the potential to turn into a story point!

Dr Jurati is clearly terrified, trying to get Raffi and Rios to tell the Romulans that they “just want to go home” as it’s not really La Sirena that the Romulans are after. The others dismiss her semi-hysterical shouting, and then we get the beginning of Hugh’s punishment for the crime of aiding Picard. I didn’t expect Hugh to turn on his friend, and he never did, but there was always the possibility, as he didn’t know that Soji was synthetic, that learning her true nature might’ve shifted something for him. However, he stands by his promise to protect Soji and Picard, even as Rizzo executes one of the xBs. Even knowing the stakes he refuses to tell her – putting his loyalty to Picard ahead of his feelings for the room full of xBs, who Rizzo orders executed when he refuses to tell her where they went.

An xB is executed on Rizzo’s orders.

Rizzo also confirms that the operation to track and extract information from Soji has been ongoing for several years and has involved a number of different people, which is a neat thing to know I suppose.

This was definitely an emotional scene, and as I mentioned already, Jonathan Del Arco gives an amazing performance as Hugh sees people he has worked so hard to help cruelly and coldly murdered in front of him. His reaction to their deaths was raw and heartbreaking.

Peyton List, who plays Rizzo, was also on good form. Some of her earlier performances in the series have been a tad one-dimensional in parts. Rizzo as a character is, like Michelle Yeoh’s Terran Empress from Star Trek: Discovery, someone who is basically evil for the sake of being evil – or at least, that’s how I characterised her before this scene in Nepenthe. We finally get to see Rizzo’s motivation here – helpfully informed by the earlier mind-meld sequence. Far from being evil, she’s terrified. Synthetic life frightens her, and she genuinely fears that, were Soji allowed to live, all sentient life in the galaxy – “a trillion souls” as she puts it – would be wiped out. How it is that the Zhat Vash have come to know this – or rather, believe this – is not yet clear, but again I think the Control AI from Discovery surely has a role to play somehow. This second dimension changes what has been a rather flat villain and we are finally a big step closer to understanding why the Zhat Vash are so militant in their anti-synthetic crusade – and why, despite his feelings for her, Narek felt he had no choice when it came to killing Soji.

Speaking of Narek, he boards a one-person spacecraft in the Artifact’s hangar bay and departs the cube. La Sirena is no longer caught in a tractor beam – though Rios and Raffi realise it is undoubtedly a trap. We get a great scene as La Sirena skims along the Artifact’s hull at close range, showing off the incredible level of detail that has gone into the CGI work on both vessels. Elnor, who seems to have struck up a bond with Hugh since we last saw him, opts to remain behind to help the xBs after seeing them executed, and La Sirena warps off toward Nepenthe with Narek close behind.

For the first time since the show premiered, the main cast actually felt like a crew in this moment. And I know it seems silly as they’re all split up, but leaving Elnor behind was emotional for Rios, Raffi, and Dr Jurati – they clearly think they will never see him again. Whether they’re right or not doesn’t matter right now, because in that moment there was a sense of camaraderie; a bond between La Sirena’s crewmates. This is definitely something that Star Trek: Picard has lacked when compared to other shows. Even Deep Space Nine and Voyager, which both had different interpretations of a “divided” crew, had a sense of fellowship – and finally, seven episodes in, we saw some of that here. It was a nice throwback to the way crews have been in other Star Trek shows, and I really hope we see more of that going forward as Soji joins the crew and they’re all – hopefully – reunited with Elnor in a future episode.

“Adios, kid.” Rios and the crew of La Sirena agree to leave Elnor behind.

If you’ve been here before and read my other reviews, you’ll know I like to nitpick. And even in an episode as good as Nepenthe, there are still small things to pick at. After the credits roll, we’re with Picard and Soji as they materialise on Nepenthe – a few minutes’ walk from Troi and Riker’s house. That was some luck with the spatial trajector! I know it’s possible to get exact transport coordinates, but did Picard tell Hugh exactly where on the planet to send them? Did he know, by heart, the rough location of Riker’s house? Anyway, after they materialise they’re set upon by a girl brandishing a bow and arrow. Picard makes reference to his artificial heart – as seen in the episode Tapestry from the fifth season of The Next Generation – and it’s clear he recognises the girl. He calls her Kestra – which was the name of Deanna Troi’s sister from the seventh season of The Next Generation, specifically the episode Dark Page. It was nice to get a couple of little references in quick succession like that – and as always, neither of them got in the way of the flow of the story. Star Trek: Picard has handled its links to the franchise extraordinarily well.

While walking with Kestra to her home, Picard drops two huge bombshells on Soji. The first is that her father is Data, which means she’s an android. And the second is that Dahj has died. Soji, unsure really of what’s happened or who to trust, doesn’t really react. In this moment she doesn’t have space to process what she’s feeling, so grieving for Dahj will have to come later. Whereas Dahj seemed to have, as part of her programming, a desire to find Picard and an inherent feeling of safety in his presence, this seems to be absent in Soji for the duration of the episode. While she will, later, start to warm up to him and come around to the idea of trusting him, that feeling of safety and a desire to turn to Picard for protection does not seem to have been programmed into her in the way it was with Dahj. If I were to speculate as to why, I’d say it was probably because Dahj’s assignment was on Earth, whereas Soji’s was on the Artifact. It makes sense for Dahj to run to Picard as he was someone Maddox knew he could trust and was a stone’s throw away. On the Artifact, running to Picard would be difficult if not impossible, and Soji may have had someone else programmed into her as part of her activation, or she may have simply been programmed to defend herself. It’s also possible that, as Picard and Hugh intervened, Soji is not fully activated in the way Dahj was.

Picard was clearly expecting a different reaction from Soji. Even though he only knew Dahj for a short time, she trusted him implicitly, turned to him for help, and even saved his life. Because Soji and Dahj look identical – “more than twins”, as the show puts it – I wonder if he’s expecting her to behave in an identical manner too. When she doesn’t, it almost seems as if he doesn’t know what to do or what to say; she isn’t what he expected, and he may even feel disappointed by that, underneath the frustration of constantly messing things up.

Kestra leads Picard and Soji to her home on Nepenthe.

The cabin was an absolutely lovely set, and must have been a fun location to film on for the actors. It’s rustic in its appearance, but it’s what I’d call “21st Century rustic” in that this is clearly not a log cabin from the 1800s! It makes sense as the home of a couple who know their way around technology but want the appearance of something from an earlier time, and as we’ll see that is basically exactly what the cabin is. Of all the sets used so far in Star Trek: Picard, including the vineyard, this is the one which feels most like a modern-day building, though. I liked that, because I could see how that kind of design could still be popular or could make a comeback, but I can also see that being a point of criticism for some, as it is definitely different from any other 24th Century buildings we’ve seen in earlier Star Trek shows.

While we’re dealing with the aesthetic, though, Star Trek: Picard has definitely fallen into the trap that The Next Generation and its contemporaries also fell into in that every planet visited is clearly California! We had Picard’s home in France, the town on Vashti, and now Nepenthe. While they are all different in some respects, they’re not so different that you’d be tricked into thinking they weren’t all filmed within fifty miles of each other. In a way, I think we’ve probably been spoilt by big-budget shows like Game of Thrones, which famously had filming locations right across Europe from Croatia to Northern Ireland and Iceland. Expecting something on that level was unrealistic, and to the credit of the showrunners the locations mentioned do all have a different tone – it’s just that they are all very definitely filmed in California.

The music in Star Trek: Picard has generally been great, but the music played as Picard reunites with Troi was a cut above and absolutely outstanding. Much of the emotion in any scene is tied to the music, even if we as the audience don’t realise it. And as Kestra delivers Picard and Soji to her mother we get a beautiful piece that ebbs and flows with the emotions of the characters.

Troi, as an empath, can tell that Picard is in trouble – which is of course why he came to them in the first place. However, it’s her next moment after they embrace that really got me. We know, as of Maps and Legends, that Picard is dying. And Troi wordlessly touches his face and conveys, with just a bare look, that she knows his health is beginning to fail. He tries to reassure her that he’s fine, but of course we know better.

The next scene is the one we’ve all been waiting for since we first saw Riker in the second Star Trek: Picard trailer last year: the reunion between the Captain and his Number One. Jonathan Frakes’ performance in this scene reflects perfectly what the audience has been feeling for this whole journey: the excitement and pure joy of seeing an old friend again. That’s what nostalgia is, in a way. We’re just as happy to be reunited with Picard after all this time as Riker is in this moment. The last time we saw Riker and Picard, at the end of Star Trek: Nemesis, they were parting ways as Riker was moving on to take command of his own ship. A lot has happened since then as Troi and Riker seem settled in their home and with a teenage daughter to boot.

A hug eighteen years in the making. Picard and Riker are reunited.

Riker’s home is not as rustic as it seems. Upon learning that Picard is in trouble and hiding out, he barks orders at the cabin’s computer: “shields up!” being my favourite, a classic Riker line from The Next Generation, delivered in exactly the way we’d remember from that show. There was also a neat little name-drop of the Kzinti – a feline-like species that featured in an episode of The Animated Series back in the 1970s! That might actually be my favourite one-line reference so far in the whole series; tying Star Trek: Picard to Captain Kirk’s lesser-known adventures.

The young actress playing Kestra does a great job in this scene as she brings a hunted “bunnicorn” to Riker to prepare for dinner. It’s clear that, having grown up in a rural setting, Kestra is much more comfortable with hunting and skinning than many would be in the 24th Century – or even in the 21st! Sometimes younger performers, especially those cast for smaller roles, can end up coming across inauthentic in their delivery of lines and the way they inhabit their roles, but none of that was the case here. She did a great job and was convincing as the daughter of Riker and Troi.

Soji takes a shower – outside, of course, to add to the feeling of a rustic cabin-in-the-woods – and Kestra pesters her with questions, all of which related to things Data enjoyed or could do: playing the violin, reading Sherlock Holmes, and finally her physical abilities like running and jumping – which we sad Dahj do in Remembrance – and being able to bend steel. Soji has just done this, when she ripped a hole in the floor of the meditation room to escape, but we also saw Data do so on several occasions, notably in Star Trek: Nemesis and in The Measure of a Man, the second-season episode of The Next Generation which introduced Bruce Maddox. Kestra is immediately accepting of Soji. Not that the others weren’t, of course, but she takes to Soji as a friend whereas Picard sees himself as more of a guardian. Soji needed that, I feel, after everything she’s been through.

The questions Kestra asked about whether she has, among other things, saliva, were reminiscent of the observations Dr Bashir made of Data in The Next Generation episode Birthright, a two-parter from the sixth season. Both Bashir and Kestra were interested less in the extraordinary things an android could do – like calculate unimaginably huge numbers in an instant – and more in the ways that their creators had tried to make them ordinary. Data could breathe and had a pulse, and Soji has normal body fluids like saliva. Whether intentional or not, and I have to assume it was given how much care and attention has gone into Star Trek: Picard at this point, I loved this little callback to Data and The Next Generation.

Kestra’s parents have clearly told her so much about Data, and again as a long-time fan I think that’s something I wanted to see even if I would never have realised it. To know that Data, who died in Nemesis almost twenty years ago, is still remembered by his friends is a great feeling – and as someone who had longed to be human, this most human of legacies is something I think he would have approved of. As Kestra keeps up her questions and discussion of Data, Soji says that, until she heard the word “android” used, she was still hoping that she might be human after all. This is a lot to take in for her, as in the last few hours her whole life has been exposed as a lie and everything has come crashing down: her boyfriend, her job, her family, and her whole identity. Now she’s stuck on a planet she doesn’t know with people she’s never met, and she feels horribly unsettled not just with them but in her own skin – or whatever the android equivalent of skin is.