The Crossover That Never Was…

A Star Trek-themed spoiler warning.

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery, Star Trek: Picard, Star Trek: Strange New Worlds, and Doctor Who.

As we await the final season of Star Trek: Strange New Worlds, an interesting bit of news has done the rounds. I touched on this very briefly in one of my Season 4 episode reviews, but apparently the creative team behind Strange New Worlds was quite keen on doing a crossover episode with another long-running sci-fi series: the British institution known as Doctor Who. The crossover didn’t happen – and, thanks to both Star Trek and Doctor Who shutting down production, at least for a while, it won’t be happening any time soon, either! However, it still piqued my curiosity… so I wanted to talk a little about this abortive crossover today.

As always, a couple of caveats before we go any further.

First of all, I have no “insider information” about what this crossover could’ve looked like. My commentary is based on publicly available information, almost all of which has come directly from the producers and showrunners of Strange New Worlds and Doctor Who. Secondly, all of this is just one person’s *subjective, not objective* opinion on the matter. If you disagree with my take on either of these shows or their crossover potential, or you just hate what I have to say… that’s okay! There ought to be room in the Trekkie community (and the Doctor Who fandom) for differences of opinion and respectful disagreement.

Promo/web art for Dr Who (2005) showing the Tardis
The Tardis very nearly appeared in Star Trek…

It wouldn’t be unfair to suggest that Doctor Who and the Star Trek franchise are compatible at a core, fundamental level. Both exist in the sci-fi space, both feature humanoid aliens and interplanetary adventures, and both often tell stories that use a sci-fi lens to examine real-world issues. At least here in the UK – Doctor Who’s native land – there are plenty of folks who are big fans of both franchises, too, and there’s long been a connection between the fandoms that never devolved into the rivalry that Star Trek had, for a time, with Star Wars.

Furthermore, a crossover between Star Trek and Doctor Who has literally already happened… albeit only in comic book form! In 2012, the comic Assimilation² was published by IDW, and it’s a direct crossover story between Doctor Who and Star Trek: The Next Generation, depicting an alliance between the crew of the Enterprise-D and the Doctor and his companions as they try to stop the Borg and the Cybermen from teaming up. I haven’t read it (I’m not a comic book fan), but I think the existence of Assimilation² adds a little bit of context and depth to this story.

(Cropped) comic book cover for Assimilation2 Dr Who/Star Trek TNG crossover
See? It already happened!

The read-out from both Strange New Worlds’ creative team and the folks behind Doctor Who is pretty much the same: both sides were interested, and at least some work went into creating a pitch or story outline, but corporate issues killed the idea before it could go any further. Doctor Who’s former showrunner, Russell T. Davies, recently said as much in an interview. Because Doctor Who’s most recent seasons were part-funded by Disney (who gained exclusive rights to put the show on Disney+ outside of the UK), and because Star Trek was owned by Paramount at the time… getting the two media giants to collaborate – particularly when it came to the timing of episodes being broadcast – seems to have been at the heart of the problem.

Henry Alonso Myers and Akiva Goldsman, who served as the co-showrunners for Strange New Worlds, have also talked about the project – and it really does seem like both sides wanted it to happen. There were even plans afoot for Doctor Who’s executive producers to fly out to the United States for talks – though this was cancelled seemingly at the last minute.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Romijn, Mount, and Goldsman
Showrunner Akiva Goldsman (right) on the set of Strange New Worlds Season 4.

This is the closest that Star Trek has ever come to this kind of crossover in live-action. And rather than get phenomenally excited, or dismiss the idea out of hand, let’s take a moment to think about what a crossover between these two sci-fi institutions might’ve actually looked like.

The first thing to say is, I’m afraid, somewhat negative. Neither Doctor Who nor Strange New Worlds have been at their best, of late. In terms of review scores and viewing figures, both shows have seen a pretty significant, measurable decline – and in that context, a crossover could feel less like a celebratory coming together and more like… well, a desperate grasping of straws. In its fourth season, Strange New Worlds didn’t once make it into the top-ten most-streamed TV shows of the day, week, or month – something it managed in previous years. And Doctor Who’s viewing figures have similarly fallen off a cliff. It would be difficult to see a crossover episode, at *this* moment, as anything other than a cloying attempt to attract lapsed viewers.

Still frame from Dr Who showing the 15th Doctor regenerating
The Fifteenth Doctor regenerates…

I haven’t seen any recent episodes or seasons of Doctor Who. I noped out of the show after I felt the writing quality had catastrophically collapsed during Peter Capaldi’s tenure, and I haven’t been back since. I didn’t watch much of Jodie Whittaker’s tenure as the Doctor, I *definitely* wasn’t interested in David Tennant’s unnecessary return to the role – which just felt indicative of a production that had wholly run out of ideas – and I didn’t show up for Ncuti Gatwa’s tenure in the Tardis, either. Which stands me in good stead, apparently, since no one else did, either.

So while I can’t say for certain that Doctor Who has been a badly-written, declining, mediocre-at-best show for years, trying to coast on the genuine successes of the revival’s early years, while becoming increasingly reliant on cheap overplayings of the nostalgia card and desperate attempts to bring back former writers and even actors… I mean, that’s *exactly* where the show finds itself, isn’t it? And, as sorry as I am to say this as a huge Trekkie and someone who was a massive Strange New Worlds fan… that show ain’t exactly in a much better place.

Still frame from the Dr Who 2013 Christmas special
The Eleventh Doctor.

Six episodes out of ten in Strange New Worlds’ recent fourth season were either bad, worse, or a level-five writing accident which was so atrocious that it should have genuinely resulted in producers and creatives losing their jobs. And that isn’t just my opinion, either – look at the individual episode review scores on review aggregators like Rotten Tomatoes or IMDB. All of Strange New Worlds worst-rated episodes came from the most recent season, and Doctor Who is barely any better, with several of its worst-rated episodes coming in the most recent two seasons, too.

In short, a crossover between two shows that are not at their best (by a country mile) probably wouldn’t have been the net positive that the production teams were hoping for. To be blunt about it, the best-case scenario for a crossover at the time it was planned would’ve been something that was merely okay; a safe play that ultimately led to something unremarkable and bland. In the worst case, though… well, Strange New Worlds’ writers have been piss-poor more often than not of late, and I wouldn’t have any confidence in their ability to handle a complex crossover between two long-running franchises.

Promo poster for Star Trek SNW S4 (cropped) showing the USS Enterprise
The USS Enterprise.

Maybe they’d have gone all-in on their latest “big swing,” leaning heavily on tropes and clichés from both shows in a way that comes off less as respectful homage and more like laughing *at* these illustrious sci-fi properties – and by extension, at the fans who love them. Look no further than the genuinely nasty, mean-spirited soap opera spoof Like Chronitons Through The Hourglass in Season 4, or the piss-take of Star Trek: The Original Series in the third-season episode A Space Adventure Hour as cases in point.

And that’s “cases” plural; Strange New Worlds has had repeated problems with its genre parodies, spoofs, and “big swings,” and I see no reason to assume that a Doctor Who crossover would be handled any differently. Maybe you could argue that Doctor Who’s creative team would be an “emergency brake,” shutting down some of the worst and most moronic ideas that the Strange New Worlds folks might’ve come out with. But given the fan reaction to recent seasons and episodes of their show… I doubt it.

Still frame from Star Trek SNW 3x04 showing a "blooper"
Strange New Worlds hasn’t been great with some of its spoofs and parodies..

I think both shows, given their relative positions, would’ve wanted to “go big or go home” with a crossover like this. By which I mean they’d want to go all-in on getting as many tropes, clichés, and parodies crammed into the story as possible in order to draw attention to it (and because, frankly, that’s just the calibre of writers we’re dealing with for the most part). There’d be a huge temptation to not only turn a crossover into just one more “big swing” in a season that was full of them, but also to go to even greater extremes as a way to try to claw back some of the attention and interest that viewers at large seem to have been unwilling to give either series.

And that… well, it wouldn’t have led to a great episode, I can say that for certain!

Doctor Who and Star Trek have both passed their sixtieth anniversaries. There are almost 900 Doctor Who episodes and (depending on who’s counting) close to 1,000 Star Trek episodes, too. Both franchises have spin-off productions, huge casts of characters, deep world-building and lore… and detail-oriented fan communities who keep track of all of it! Bringing them together is not an inherently bad idea, and I could see a pathway to making it work. But it would have to be handled with care and finesse – neither of which are words I’d use to describe most of the writing in Strange New Worlds’ fourth season (or much of modern Star Trek, come to that).

Still frame from the first episode of Dr Who showing the Tardis
The very first episode of Doctor Who aired in 1963.

I can’t speak for recent Doctor Who episodes and stories, but modern Star Trek has repeatedly struggled to stay consistent with *itself*, let alone balancing six decades’ worth of lore and history from an entirely new fictional universe. Even as far back as Enterprise, shortly after the turn of the millennium, Star Trek was running into issues with internal consistency – and that’s only worsened in the modern streaming era. Contradictions and apparent retcons are frequent occurences – and even just within the confines of a single show, we’ve seen storylines abandoned without being completed, characters being dumped with no explanation, and writing that seems to misunderstand some of the franchise’s core technologies and narrative building-blocks.

Add an entire new show with decades of its own lore and history into the mix and you’ve got a recipe for disaster.

In brief, I just don’t see a way for the current crop of creatives and producers – either from the Doctor Who or Strange New Worlds sides – being able to pull off a crossover like this in a way that would’ve felt plausible and in keeping with the histories and complicated worlds that both shows have built up over decades.

Still frame from Star Trek TOS showing Kirk and Spock
Captain Kirk and Spock in Where No Man Has Gone Before, Star Trek’s second pilot episode.

Then we come to in-universe implications.

Part of the appeal of both Doctor Who and Star Trek is that they present themselves as being set in the real world – *our* world – but with new technologies and alien races present. Star Trek is mostly set in the future – the 22nd Century and beyond – whereas Doctor Who routinely visits the past and the present day. But both shows claim to exist in the same world, the same timeline, and the same universe as their audiences. And that’s a big part of why they’ve been so successful at capturing the imagination of generations of fans.

But it isn’t possible for both properties to coexist in the *same* universe, right? Doctor Who and Star Trek have both explored the past, the present, and the future of Earth and humankind. There is no place for Silurians in Star Trek – because Star Trek’s Voth exist in the same space. Both the Time Lords and Sontarans, from Doctor Who, are supposedly natives of the Milky Way – but the size of their empires would mean Starfleet would’ve encountered them at some point, right?

Still frame from Dr Who (classic) showing Daleks
The Daleks.

The Federation and the Doctor have both visited Earth in the 20th and 21st Centuries – repeatedly – but never ran into each other. And even if races like the Daleks aren’t from our galaxy, they certainly tried very hard to invade it on multiple occasions, including attacking Earth in the past, present, and future. None of those events happened in the Star Trek timeline – nor did things like the Borg incursion, Vulcan first contact, or the founding of the Federation in Doctor Who’s.

So the only way a crossover like this could work would be to explicitly state that the two shows take place in – say it with me, folks – parallel universes! Only… that would take something away from one or both of them, wouldn’t it? Not to mention that both the Doctor/Time Lords and the Federation would be very interested in exploration and learning more about this brand-new parallel universe.

Artwork for Star Trek Deep Space Nine showing a Nebula-class starship
How would crossing between these universes work?

Parallel universes exist in Star Trek (look at the Mirror Universe as just one example), and I’m pretty sure I remember similar concepts in Doctor Who, too, so on a technical level, nothing about that would be canon-breaking. But it would lead to an obvious question: which show is in “our” real-world timeline and which gets relegated to the status of a parallel universe? I guess that would depend on whether we’re talking about an episode of Strange New Worlds or an episode of Doctor Who. The framing and point-of-view would effectively decide how the audience interprets the crossover; who stepped through the looking-glass into whose universe?

And that might seem nitpicky or minor, but you gotta remember that Trekkies and Doctor Who fans can be ravenous when it comes to questions of lore and canon! Creating a story which could satisfy both groups of fans has so many hurdles – just one of which being the question of setting and parallel universes – and there would undoubtedly be many, many more that would arise.

Promo art for Dr Who showing (most) Doctors
Most of the Doctors.

Presumably, a crossover wouldn’t just be about meeting each other, shaking hands, and hanging out. There’d have to be stakes to the story, some way of creating drama and tension. And if we’re doing the first-ever crossover between two legendary, long-running franchises, fans would want to see iconic and well-known characters and aliens, right? So we’d realistically be looking at something not dissimilar to the comic book story I mentioned – the Doctor taking on the Borg and Starfleet taking on the Cybermen, or something like that.

And while it could be fun to see Captain Pike fight a Dalek or the Doctor trying to punch a Klingon… any story with villains to defeat means there’s less time for the characters who’ve crossed over to spend time together. Star Trek can do great scientific puzzles, but I think a story like Mirror, Mirror or Discovery’s first season – the “oh no, how do we get home from this weird parallel universe?” kind of thing – would feel underwhelming and just wouldn’t fly. So we’d be looking at an episode involving at least one villainous alien faction – almost certainly a very iconic, well-known one – and that would mean a more action-oriented story with less time for moments of characterisation.

Cropped comic book scan showing Borg-assimilated Cybermen
Borg-ified Cybermen…

Even a feature-length episode, two-parter, or standalone TV movie would struggle, I fear, to cram in everything fans would hope to see. Strange New Worlds has ten main characters (if we count Kirk and Pelia), and Doctor Who’s recent seasons have had the Doctor frequently being accompanied by two companions. Some Strange New Worlds characters either wouldn’t make the cut or wouldn’t be able to have much time on screen, even in a longer TV movie-length story. And that’s before we look at guest stars, aliens, villains, or other such things.

While a crossover like this isn’t an inherently bad idea, the plain and simple fact is that the current creative teams, at both shows, don’t seem up to the task. Therefore, I’m left with the feeling that a crossover made by these folks – arguably not with the purest of intentions, as they hoped to shore up flagging productions – would have been middling at best, and absolutely catastrophic at worst. I don’t like to give much credit to corporations or businesspeople in the entertainment industry these days, but if it was indeed corporate issues that got the crossover shut down… well, that probably isn’t the worst decision they’ve ever made.

Still frame from Strange New Worlds 4x01 showing Pike
Captain Pike.

However… I’m not sure that should be the final word on Star Trek crossovers!

As we’ve recently discussed, Star Trek now shares a corporate overlord with quite a few well-known franchises – one of which the franchise has already collaborated with before in comic book form. DC Comics has had several Star Trek crossovers in the past, involving the superhero Green Lantern and a futuristic Legion of Super-Heroes. And would you look at that: DC Comics and Star Trek are now under the same corporate umbrella!

DC Comics has the likes of Superman, Batman, Wonder Woman, Aquaman, The Flash, and dozens of other heroes. While a crossover would be tricky, I think something like that could be made to work. Comic books routinely deal with parallel universes and alternate timelines; it’s certainly no less of a silly idea than, say, a muppets episode or a musical.

Still frame from Star Trek SNW 2x09 showing a singing Klingon
A singing Klingon…

There are other brands owned by Skydance where a crossover makes less sense (or no sense at all), like Harry Potter or Game of Thrones, but some of the new corporation’s intellectual properties could be ripe for a fun crossover. Even if we don’t get a full-blown coming together of fictional worlds, I could absolutely envision a future Star Trek story where, for example, a character plays through the events of Top Gun on the holodeck, or where a young cadet is eagerly reading an issue of Batman rather than a made-up fictional comic.

That’s one of the very, very few possible upsides to the Skydance merger, I guess: the potential for crossover stories or references to some of these big properties in future Star Trek productions. Or, likewise, for Star Trek to be referenced or even be a part of an episode or movie in another well-established franchise.

Skydance owns a lot of brands and intellectual properties…

I like the idea of a future Star Trek project crossing over, one day, with the likes of Doctor Who – but I think it would have to be handled with a level of grace, delicacy, and finesse that modern Star Trek hasn’t ever really demonstrated. So while I don’t consider it an inherently flawed concept, I struggle to see how *this* group of writers and creatives could’ve made good on the idea. This kind of crossover has been a fantasy that many fans of both franchises will have had for a long time; doing it for the right reasons at the right moment with the right story would be absolutely essential.

And I’m not convinced that this proposed crossover would’ve been any of those things, let alone all three.

However, I also like the idea of a future Star Trek series (or movie, if that’s where the franchise is going) being able to cross over with one of the many brands and IPs now under the same corporate ownership. There could be a lot of fun to be had with a DC Comics/Star Trek collaboration, for example, and Skydance now owns many, many other properties, from King Kong and Crocodile Dundee to Tom and Jerry and The Exorcist. Now, I’m not saying any of *those* would make for a good crossover! But they illustrate the broader point that there’s potential, under this new megacorporation, for future collaborations both large and small in scale.

A.I.-generated poster for a five-way crossover between Skydance-owned IPs
It could happen, right?!

So that’s how I see this “crossover that never was.” Maybe it would’ve been fantastic, and I always like to be supportive, where possible, of Star Trek projects. But given the shows involved and where they’ve been trending in recent years… I can’t help but feel like we’ve dodged a bullet; a crossover that wouldn’t have properly celebrated either Star Trek or Doctor Who and would’ve ended up being a net negative and a drag on both of these illustrious franchises. It’s no coincidence that Strange New Worlds has been outright cancelled and Doctor Who has been put on hiatus just a couple of years after this crossover failed to get off the ground.

But I don’t think we should write off the idea indefinitely.

Star Trek will be back one day, I’m confident of that. And it seems like the BBC is still interested in Doctor Who right now, too. Perhaps in ten or fifteen years’ time, when someone has a really creative and fun idea for a story, these two sci-fi institutions will be able to successfully weave their universes and characters together. And if not… Star Trek has a *ton* of potential for collaborations in this new Skydance era. Assuming, of course, a new film or series gets going in the years ahead.

Thanks for reading, and as always… Live Long and Prosper, friends!


Star Trek: Strange New Worlds Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available. The first three seasons are also available on DVD and/or Blu-ray. The Star Trek franchise – including Strange New Worlds and all other properties discussed above – is the copyright of the Skydance Corporation. Doctor Who is available to stream on BritBox/AMC+/Disney+/BBC iPlayer, and is also available on DVD/Blu-ray. Doctor Who – and all associated properties discussed above – is the copyright of BBC Televion/BBC Studios/Bad Wolf/Disney. One image used above (the fake movie poster) was generated using artificial intelligence. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Strange New Worlds: Looking Ahead to Season 5

A Star Trek-themed spoiler warning.

Spoiler Warning: There are spoilers ahead for Star Trek: Strange New Worlds Seasons 1-4, and minor spoilers for Season 5. Spoilers are also present for the following Star Trek productions: The Original Series, The Animated Series, and Discovery Season 2.

So Season 4 has come to an end – the final ten-episode season of Star Trek: Strange New Worlds. There’ll be a measly six episodes next year (well, I assume it’ll be next year), because apparently those extra four episodes were really just fucking up Paramount’s budget. I sound disappointed by that… but after Season 4 brought more misses than hits to the table, and went *all-in* on some pretty poor genre spoofs and parodies – at least one of which feels genuinely bad-natured the longer I’ve sat with it – maybe the truncated, shortened season will be a blessing.

Ahead of Season 5 – and before we’ve seen anything by way of trailers, teasers, or marketing material – I wanted to get my thoughts in order. Where does Strange New Worlds find itself ahead of its final few episodes? What might Season 5 potentially look like? What do I want it to look like – and, just as importantly, what do I want it *not* to look like? Is the series badly-damaged after episodes like Level-Five Writing Accident with its “but it was all just a dream” ending? And more fundamentally… is Strange New Worlds still the series that I’d call “the high-water mark of modern Star Trek” after all’s said and done?

Those questions and more are what we’re going to get into today.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing the shuttle set
Behind-the-scenes with the shuttlecraft set.

I say this a lot, especially in pieces like this, but it bears repeating: everything we’re going to discuss is the *subjective, not objective* opinion of just one old Trekkie. If you hate my take on Strange New Worlds, think I’ve completely got things wrong or misunderstood something, if I praise episodes and storylines you despise or shit all over ones you enjoyed, or if our views on Star Trek’s latest outing just don’t align… that should be okay! It’s also worth keeping in mind that I have no “insider information.” I’m not claiming that I know for a fact what Season 5 will look like or what kinds of stories it will tell – these are my preliminary thoughts and some speculation, and that’s all.

There ought to be room enough in the Star Trek fan community for differences of opinion and respectful disagreement that don’t descend into name-calling and general toxicity, and I share my thoughts on Strange New Worlds with the internet in that spirit. However, if you aren’t in the right headspace for opinions on this wonderful sci-fi franchise that you might not agree with… no hard feelings. Consider this a final “content warning” before we get into the potentially controversial stuff!

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Mount and Romijn being filmed
Rebecca Romijn and Anson Mount during the filming of Once La’an A Time.

Okay, with all of that out of the way… let’s take stock of where Strange New Worlds finds itself.

There were probably four episodes out of ten in Season 4 that I could put my hand on my heart and say I thought were either “good” or “great.” The rest… well, as disappointing as this is to say… they kinda sucked. And the part of that that has me genuinely anxious for Season 5 is that several of them doubled-down on the exact same mistakes – mistakes, in some cases, that the series has made before.

Because Seasons 4 and 5 went into production back-to-back – and before Season 3 had even finished airing – there wasn’t time to take on board feedback; to gauge what worked well and what didn’t after Season 2. With Season 4 having so many issues in multiple episodes… I’m deeply concerned that Season 5 is gonna repeat those problems. And with fewer episodes next time, there isn’t room for even a *single* bad one.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Wesley and Peck on set
Paul Wesley and Ethan Peck during production on the Season 4 finale.

Maybe Strange New Worlds’ writers got all of the dog shit ideas out of their system in Season 4, and Season 5 is gonna be stronger and more tightly-curated. I felt, at times, as if Season 4 was kind of a “let’s throw everything at the wall” batch of episodes; the writers and producers may genuinely have wanted to get all of these “creative” ideas made before the show came to an end. And it’s possible, I believe, that Season 5 might be more of a Discovery/Picard-inspired serialised story rather than a collection of episodic adventures. And if that’s the case… well, it’d better be a good story, right? But that could explain why so many of the episodes this season were these headfirst dives into parodies and spoofs, and why so many episodes seemed to pair up stories that didn’t really work well together; the writers and producers were getting all of their ideas out of the way before locking in for one final push to the finish line.

I don’t really want Season 5 to be serialised – though I’m about 99% certain that the finale, at least, will be a two-parter! But given how many weak episode ideas the team seem to have had this year… maybe a serialised story, if it’s a strong one, would be better. It might be an “emergency brake,” shutting down some of the writers’ stupidest ideas before they even get to the concept stage.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Anson Mount and director Sharon Lewis
Anson Mount being directed by Sharon Lewis for Orders of Magnitude.

Even though Season 4 only wrapped up a short while ago, the longer I’ve sat with it and had time to process these ten episodes, the more convinced I am that it’s done a lot of harm to Strange New Worlds’ overall reputation. Is the series still the “high-water mark of modern Star Trek,” as I’ve repeatedly claimed? Probably… but now that claim comes with an asterisk, and it almost feels like Strange New Worlds is only at the peak by default. Discovery was worse overall, basically a full one-third of Picard is unwatchable garbage, Starfleet Academy was a teen drama with some Star Trek haphazardly stuck to it, and Section 31 was a B-movie. So if you want live-action Star Trek in the 2020s, Strange New Worlds basically wins by default.

But that caveat is a big and growing one, and I would genuinely rank both Like Chronitons Through the Hourglass and Level-Five Writing Accident (as I’ve taken to calling it) as among the absolute worst stories that the franchise has told in this modern era. They’re right down in the sewer with Picard’s second season and some of Discovery’s godawful melodrama and failed “mental health” storylines. They truly were *that* bad.

Behind-the-scenes photo from the set of Star Trek SNW S5 showing equipment backstage
A glimpse backstage during production on the upcoming fifth and final season.

Something you may have noticed, if you followed my reviews this year, is that I did something I very, very rarely do and genuinely do not enjoy doing: I called out an individual writer by name. Strange New Worlds’ Dana Horgan is responsible for writing (or co-writing) not only Like Chronitons Through the Hourglass and Level-Five Writing Accident, but also A Case of Chiaroscuro, Four-and-a-Half Vulcans, A Space Adventure Hour, and Subspace Rhapsody… basically every episode of the series that I detest or dislike. Horgan does have a couple of semi-redeeming episodes in her repertoire: Ad Astra Per Aspera and New Life and New Civilizations. But neither of those are what I’d call “all-time classics;” they’re not bad, but they’re not spectacular, either.

And I don’t like to call out individuals on the creative side, I think that’s a pretty weak thing to do most of the time. And I especially don’t like to come across as being one of *those* Trekkies, either – the folks who hyperfixate on “the minutiae of canon” or who seem to have absolutely no sense of humour. But honestly… if there’s one positive to Strange New Worlds wrapping up, and to a new batch of creative folks potentially joining Skydance-Paramount to work on Star Trek, it’s that people like Dana Horgan will be on the way out. “But it was all just a dream” is, in my view, the single worst ending to any Star Trek episode ever, and Horgan and co-writer Henry Alonso Myers deserve *all* of the criticism they’re getting for that – and then some.

Pair of photos (cropped) showing Dana Horgan and Henry Alonso Myers (Star Trek SNW writer/producers)
Dana Horgan (left) and Henry Alonso Myers were responsible for a Level-Five Writing Accident.

Like Chronitons Through the Hourglass was the “soap opera episode,” but more so than with any other parody or spoof (or “big swing,” if you want to use their terminology) this time around… it felt pretty mean-spirited and bad-natured. Say what you will about A Case of Chiaroscuro or Human Best Friend; stories like those fully embraced the genres they were part of and went for it in an earnest and honest way. Results will vary when you so openly attempt to take a series to such extremes, I guess… but at least stories like that felt good-natured.

But the longer I’ve had to sit with Like Chronitons Through the Hourglass, the more genuinely mean-spirited, aggressive, and nasty it seems. Rather than respectful homage, the episode crossed a line, seeming to point and laugh at soap opera tropes and clichés – and, by extension, the folks who make those kinds of shows and the audiences that love them. Given that Deidre Hall, a famous American soap actress, was invited to have a guest-starring role, I think that feels even worse. I can only imagine what she (and her co-stars on Days of Our Lives) made of the finished product.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Deidre Hall at her trailer
Deidre Hall.

Captain Pike spent much of the season relegated to a supporting role, which is not something I wanted to see from “the Captain Pike show” that many of us were pestering CBS to make a few years ago. And unfortunately, his two major moments in the spotlight – in the season premiere and the aforementioned soap spoof – came in weak, muddled stories that didn’t have enough time to do anything serious with his character.

If there’s one thing I want to see fixed in Season 5, it’s Pike’s disappearing act.

Strange New Worlds has now had two episodes which I think we can argue were “backdoor pilots” for the failed Year One spin-off idea: Season 3’s The Sehlat Who Ate Its Tail and Season 4’s Tomorrow’s Enterprise. So can we *please* check that item off the bucket list? We don’t need to spend even more time with Kirk as he prepares to take command; as fun and enjoyable as Paul Wesley has been in the role… this isn’t his show. It was Anson Mount’s Captain Pike that people were most eager to see more of – he’s why this series even exists. But Pike has been repeatedly sidelined and ignored, even in stories where he could’ve had more to do or a bigger role to play, in order to turn Strange New Worlds into the prequel show that it was never meant to be.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Wesley and director Christ Fisher
Director Chris Fisher with Paul Wesley on the set of Tomorrow’s Enterprise.

The original appeal of Strange New Worlds wasn’t that it would be a TOS prequel. In one of my first-ever posts discussing the series – before we’d even gotten so much as a teaser, a logo, or casting announcements – I said that I’d encourage the team to tread carefully when it came to introducing too many TOS characters in main roles. And it’s really unfortunate that most of the show’s unique and original creations – Hemmer, Pelia, Ortegas, and La’an – have been sidelined or seen their screen time reduced. Even the likes of Dr M’Benga, Una/Number One, and Sam Kirk have played second fiddle to characters who have major roles in The Original Series, a trend that has only accelerated in Season 4.

I would have been happy if Strange New Worlds didn’t do much of the prequel stuff outside of one or two characters – Spock, obviously, and I’ve enjoyed Uhura’s prequel arc, too. The final episode of a series like that could’ve been the handover from Pike to Kirk – something I think we’re still likely to see in Season 5 – but the rest of the show could’ve been much more of a standalone thing. However, looking back on it, the decision to bring in characters like Uhura and Chapel, and later Kirk and Scotty… well, it speaks to a production team that never really understood what it was fans wanted to see, or what the appeal of a series like this was in the first place.

Still frame from a 2021 commercial for Paramount+ showing Captain Pike (Anson Mount)
Anson Mount (as Captain Pike) in a 2021 Super Bowl commercial.

But okay, rather than lamenting decisions taken years ago, let’s consider where Strange New Worlds actually is today – and what its final episodes can and should look like.

I want to set out a major red line right now: Pike’s accident, disability, and the subsequent mission to Talos IV (as depicted in The Menagerie) should be completely off the table. Between TOS and Discovery Season 2 we’ve seen all we needed to see of that, and although we know Pike’s ultimate destination, we don’t need a re-hashing of it with only six episodes left.

There are bound to be complications and explosions along the way, but for me, I still want the final scenes of Strange New Worlds to show Pike in command, on the bridge, ordering his crew – Ortegas, La’an, Una, and so on – to set course for parts unknown one final time.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Melissa Navia and a cactus
Melissa Navia with her cactus counterpart…

Do I think that’s remotely likely, though? Well… that’s a different question!

The Season 3 epilogue – which was created before a fourth season renewal had been greenlit – gives me a flicker of hope. The very end of Season 3 saw basically what I’ve just described: Pike in command, the crew ready for orders, and the Enterprise warping away to a new, unseen adventure. That, I think, is how a series like Strange New Worlds needs to end… and I’m at least a little encouraged by the fact that the creative team seem to have agreed with me, at least as of Season 3.

But given that the end of the show was known in advance, I expect Season 5 to be structured quite differently. My gut instinct is still to say that it’ll basically be a “six-hour movie;” six fully-serialised episodes building to an explosive conclusion. But even if it’s more episodic than that, I still think we’re gonna get a lot more Kirk, a lot more TOS characters, a lot more “foreshadowing” and prequel storylines… and a lot less of Pike and the show’s original creations.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing a costume rack
A rack of costumes backstage.

Moreover, I really fear that Season 5 is going to try to re-tell some (or perhaps even *all*) of The Menagerie, beginning with Pike’s accident.

I don’t want “The Menagerie, Part III” or any other kind of Menagerie redux. After we saw in Discovery’s second season – and re-emphasised in the brilliant Season 1 finale, too – Pike’s accident and the disability that followed, we simply don’t need to do that again. It would be repetitive, it wouldn’t add anything to the character or his arc on the series, and while it remains Pike’s ultimate destination, we’ve already seen what that looks like in different ways – going back some sixty years.

Given the weaknesses on the writing side, though… I’m genuinely worried that Season 5 will end by re-telling the accident aboard the J-class ship that ultimately crippled Captain Pike. For writers of this quality level, there’s surely gonna be a temptation to say “oh, that’s where the character’s storyline ends up, so let’s just… do it again.” And given everything we’ve just been saying about TOS characters taking over major roles and pushing out the show’s original creations… that storyline could be the *only* one that Captain Pike gets in the entire season.

Behind-the-scenes photo from Star Trek Discovery S2 showing Pike's wheelchair
Discovery’s second season already showed us Pike’s fate. We don’t need to see it again.

After Tomorrow’s Enterprise purportedly showed us a time-jump of just one year into the future, I also can’t help but wonder whether Season 5 is basically gonna pick up *there* instead. The very first scene could be Pike relinquishing command, with Kirk taking over – and Pike’s main (or only) story in the entire season could be that re-telling of parts of Discovery and The Menagerie. That would be… well, I think that would just be awful.

I also expect to see several characters shuffled off-stage pretty early on in Season 5. We’ve already seen that Ortegas departs the Enterprise to take up a teaching role – along with a promotion to the rank of Captain – and that Dr M’Benga is diverting more of his time away from the Enterprise, with Drs Boyce and McCoy stepping up to replace him. We already know of two TOS re-casts for Season 5: Thomas Jane as Dr McCoy and Kai Murakami as Sulu. I adored Thomas Jane in the sci-fi series The Expanse, but Dr McCoy and Sulu being present could indicate that both Dr M’Benga and Ortegas won’t be a big part of the show next time around.

Thomas Jane (left) will play Dr McCoy in Season 5, and Kai Murakami will play Sulu.

Then we have Pelia. In the episode Once La’an A Time, Pelia apparently chose to remain behind aboard the Elysian Kingdom’s flying planet-ship… but we didn’t see that for ourselves, we got no goodbye from Pelia, and I really hope that very poor exposition dump won’t be the last we see or hear of her. But, again, given Scotty’s rise to prominence… well, I can’t help but feel he’s going to be taking over for any and all engineering storylines. Re-introducing Pelia for an episode or two, only to have her leave again arguably doesn’t make a lot of sense… but her departure was so pathetically lacklustre that almost *anything* would be better than another character just telling us, in a throwaway line, that she’s gone away to live on a farm upstate.

I’ve said several times across Season 4 that La’an is the top of my “death watch” list going into Season 5, and that hasn’t changed. If anything, the finale – particularly Kirk’s reaction to her name being mentioned and his subsequent refusal to discuss her – ramped up the idea that, if anyone isn’t gonna make it all the way to the end, it’s gonna be La’an. There are multiple ways this could go, though I think the “latent augment DNA” angle that Season 4 introduced may have been as resolved as it’s gonna get. A heroic death of some kind, perhaps in a fight against the Gorn, could be on the agenda for her.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Peck, Chong, and Wesley with co-stars
Christina Chong (second right) with her co-stars during production on The Griffin Incident.

Una is another character who I think could realistically be killed off. She was absent from the future timeline in Tomorrow’s Enterprise, but more significantly, perhaps, she played no role in helping Pike in The Menagerie. You could make the exact same case for several of Pike’s friends and shipmates, of course… but Una seems like someone willing to bend the rules enough to help. I guess I’d rank her just below La’an on my “death watch” list.

Una is also the main character who I feel Strange New Worlds has done the least with. After we learned in Season 1 that she’s an Illyrian, Season 2 put her on trial… and then she’s mostly been confined to smaller roles ever since. Her big outing in Season 4 came in A Case of Chiaroscuro, the noir-inspired episode, and although it wasn’t really “my thing,” I can appreciate that it was a solid spotlight for her. But look back at past iterations of Star Trek: the ship’s XO would usually have a bigger role in more stories. Una is basically Strange New Worlds’ Chakotay!

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Romijn, Mount, and Goldsman
Rebecca Romijn (Una) and Anson Mount with executive producer Akiva Goldsman.

Chapel’s storylines have been increasingly tied to Dr M’Benga, and I think we’re gonna get something from the two of them as the doctor prepares to scale back his role. We could see, perhaps, Chapel’s first run-in with Dr McCoy – or there could be history between them that they’ll have to work through. That kinda thing is what I’d expect to see from Chapel in Season 5.

Uhura, as I’ve noted more than once, got the best and most complete prequel arc. We saw her go from an uncertain cadet to a confident officer – the embodiment of Nichelle Nichols’ character. And honestly, after *two* major spotlights in the second half of Season 4… I kinda feel like we don’t need any more from Uhura, to be blunt about it – especially if Season 5 has fewer episodes to play with. Her arc was basically complete as of Orders of Magnitude; Tomorrow’s Enterprise was the cherry on top.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Gooding on set
Celia Rose Gooding during a break in filming on Season 4.

Spock… is a tough one, to be honest.

Strange New Worlds’ writers seem to have settled on one idea for Spock, and one only: “hey, aren’t these autistic-coded Vulcans all stuck-up, repressed, and weird? That’s just hilarious!” The result of that has been four seasons of “Spock comedy,” with very little by way of serious storylines for one of Star Trek’s most beloved and iconic characters. *Some* of that has been okay – I liked, for example, seeing Spock hallucinating plants in Human Best Friend. But it’s undeniably been too much of the same thing, as well as too much out-of-character stuff for Spock in these forty episodes.

So, as I’ve said more than once, if the writers really can’t think of anything else for Spock to do… it’s okay to use him in smaller roles. Don’t put him front-and-centre if another slapstick farce is the only thing they’re willing to write (or are capable of writing). I’d rather not see Spock at all than see more “Vulcan comedy” in Season 5.

Behind-the-scenes photo from the set of Star Trek SNW S2 showing Peck and Kane
Ethan Peck with Carol Kane in a behind-the-scenes snap.

There are a couple of secondary characters I’d like to see get some kind of story beat or sendoff. Sam Kirk, sadly, was relegated to playing second fiddle to his brother in stories where a Kirk was present – even though his scientific role could (and should) have been used more often. I’d like to see him get some kind of goodbye, even if it’s just a short scene as he departs the Enterprise to be with his family.

Then we have Mitchell, who was absent in Season 4 for some reason. It would be nice to see her back on the bridge – perhaps alongside Sulu, just to get another of those threads of continuity. Now that we know her step-brother is Where No Man Has Gone Before’s Gary Mitchell… maybe there’s something the series could do with that. I doubt we’ll see transporter chief Kyle or other secondary bridge characters; most of those haven’t been seen since Seasons 2 or 3, and didn’t play major roles anyway.

Behind-the-scenes photo from the set of Star Trek SNW S1 showing empty bridge/helm consoles
Part of the bridge set – the helm/navigation consoles.

Finally, we have T’Pring and Admiral April. T’Pring is a Spock-centric character, and I’d argue that they’ve basically gone through every possible relationship drama storyline that Strange New Worlds might invent. A short, minor role for T’Pring could be okay, but I don’t think it’s really necessary at this point. And, again, the writers’ love for “Spock comedy” is not something we need more of!

We know that Admiral April will be present in Season 5 in some form – I’d expect it would be him to offer Pike a promotion, perhaps paving the way for the changeover at the top of the Enterprise’s crew. Whether that’ll come at the end, the beginning, or in the middle… who can say? But we seem to have at least one more adventure with Admiral April on the agenda before the series wraps up.

Behind-the-scenes photo from the set of Star Trek SNW S5 showing Peck, Holmes, Mount, and Romijn posing for a photo
Adrian Holmes (second left) with Ethan Peck, Anson Mount, and Rebecca Romijn during production on Season 5.

If I were to lump all of Season 4’s episodes into categories… here’s how I’d do it.

In the category I’m calling “irredeemably awful,” we have Level-Five Writing Accident – largely due to its atrocious ending, an ending that would’ve made a primary school teacher roll their eyes and that should’ve been nowhere near a big-budget TV production. And the second episode in this category is Like Chronitons Through the Hourglass, not only for squandering a genuinely relatable and emotional story for Captain Pike (and wasting Anson Mount’s best performance of the season), but also for how mean-spirited and *nasty* it was in the way it targeted the genre it was spoofing.

In the “boring, mid, and just generally not great” category, we have three episodes: Valles Marineris, A Case of Chiaroscuro, and Once La’an A Time. I will re-watch none of these episodes, probably – certainly not for a very long time – and they’re all some combination of forgettable, overstuffed, uninspired, or simply disappointing in various ways. I was particularly upset that the “dinosaur episode” that had been teased in a lot of pre-season marketing material turned out to be such a dud.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Christina Chong on a horse
Christina Chong on horseback while filming Valles Marineris.

That leads us to the category titled “fun but flawed,” which contains a single episode: The Griffin Incident. Another episode let down by its ending – or, in this case, the absolute lack of an ending. The Griffin Incident is genuinely one of Star Trek’s best-ever horror stories… for the first fifty minutes or so. Then Captain Pike comes in, sits down with La’an and basically says “who cares what happened, maybe someone else can figure it out, but I honestly don’t give a shit.” And you know what? If that’s how the writers wanted the episode to “end,” I guess I don’t give a shit either.

The next category is “solid B-plus.” And this category also contains just one episode: Tomorrow’s Enterprise, the season finale. It was a bit unnecessary to do a second Uhura spotlight, given that her arc already felt complete, and I don’t think Strange New Worlds needed a *second* backdoor pilot for its failed spin-off. But it was a rare unicorn of an episode insofar as it’s a time travel/time loop paradox… that I didn’t hate. I enjoyed it pretty much the whole way through, and while it’s not the best of the series or the season… it was pretty good for what it was.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing a Caitian mask
Did you spot M’Ress in Tomorrow’s Enterprise?

Finally, we come to the “cream of the crop.” These three episodes – Human Best Friend, Off-Hour, and Orders of Magnitude – hit all of the right notes for me personally, and I think all three did what they set out to do exceptionally well. Human Best Friend was a send-up of “stoner comedies” like Dude, Where’s My Car and The Hangover, and even though I know I’m in the minority here… I thought it was great fun for what it was. Star Trek doesn’t always need to be 100% serious, and when it fully leans into comedy – and the comedy doesn’t get in the way of anything else – it can be fantastic.

Off-Hour felt like “Strange New Worlds does TNG’s Disaster,” and while I argued there might’ve been more creative ways to use some of the characters (and that the drama was dialled a notch or two too high in places), it was a tense, exciting, and just plain fun ride all the way through. Orders of Magnitude had that great Uhura spotlight, as mentioned, and I also enjoyed the “badmiral” on Kirk’s side of the story, too.

Behind-the-scenes photo from the set of Star Trek SNW S4 showing Joe Morton as Badmiral Reeger
Joe Morton (Admiral Reeger) being filmed for Orders of Magnitude.

As we look ahead to Season 5… well, I see some glimmers of hope, but quite a few reasons to be pessimistic, I’m sorry to say. A generally disappointing fourth season had basically four watchable episodes, four pieces of fluff, and two level-five writing accidents that should never have made it even halfway through the production process. If Season 5 is to be an improvement… we need some pretty major changes. And unfortunately, production has already wrapped. There’s no time for the team to take on board *any* feedback.

And that leaves me worried.

I am, however, crossing my fingers and hoping for the best. At its peak, Strange New Worlds can still be a fantastic series, full of that spirit of adventure and that elusive “Star Trek-ness” that Trekkies like you and I love to see. A few episodes this season managed to absolutely nail that feeling… and I still want more.

Behind-the-scenes photo from the set of Star Trek SNW S5 showing the main cast
The main cast during production on Season 5.

I’m concerned that Season 5 is going to double- and triple-down on turing Strange New Worlds into “The Original Series Season 0,” with Kirk in command, the show’s original characters taking a back seat, and perhaps even trying to replay Pike’s accident as a way to end his arc. But that isn’t what I want to see – or what I *ever* wanted to see from this series.

I’m glad, despite some misfires in Season 4, that Strange New Worlds has tried to take Star Trek back to its episodic roots. This franchise – more than any other, really – needs the freedom that only episodic television can bring. The Enterprise needs to be able to warp away to a new planet, a new alien, and a new adventure pretty much every week. And after seasons of Picard, Discovery, Starfleet Academy, and even Prodigy were forced into a modern, serialised streaming TV mould… it’s been a breath of fresh air to get a Star Trek show that embraces that more episodic style.

Behind-the-scenes photo from the set of Star Trek SNW S5 showing the empty bridge set
The empty bridge set.

Unfortunately, that freedom has led to some silly – and some downright moronic – story ideas. Season 4 seems to have brought the worst of these to the fore… which I *hope* is indicative of the writers and production team getting their more “creative” ideas out of their systems ahead of Season 5! But that might be a plain and simple “cope,” and the truth is… I’m not especially optimistic, at this stage, that Season 5 won’t go even harder on the “big swings,” spoofs, and parodies.

I’m also concerned that Season 5 might end up being wholly serialised – perhaps akin to a “six-hour movie” to round off the series. If that happens, the single story being told will have to be exceptional, and if there’s one word I would *not* use to describe most of the writing in Season 4… it would be “exceptional.” So, again, that’s a big concern.

Serialised stories can work in Star Trek, don’t get me wrong… but my confidence in the writers is shaken right now, and if Strange New Worlds just kind of fizzles out with an unspectacular (or outright *bad*) six-episode finale, that’ll be a major disappointment.

Behind-the-scenes photo from the set of Star Trek SNW S5 showing a clapper board
That’s a wrap.

So that’s how I see things as Season 5 looms on the horizon!

If and when we get more information about Season 5, or if we see a trailer or a teaser clip at next month’s Comic-Con, for example, I’ll do my best to break it down here on the website. I may revisit some of these points, revising or even rescinding them if pre-season trailers and marketing material look better than ever. And I never *want* Star Trek to be bad – especially not a series like Strange New Worlds, which has been my favourite show of the current streaming era. I just can’t shake some of these concerns and worries right now, given how badly large parts of Season 4 landed.

Thanks for joining me for this look ahead, and I hope this has been interesting. I know it hasn’t been “fun,” but sometimes that’s the way it goes in the Trekkie community, eh? Stay tuned, because I’m hoping to write up re-watches of Strange New Worlds Season 1 between now and when Season 5 airs, and I’m sure I’ll have more to say about the show soon, too. If you missed my Season 4 episode reviews, you can find all of them on my dedicated Strange New Worlds page right here on the website. Click or tap here to check it out. There are reviews for all of Seasons 2 and 3, as well, along with other commentary, theories, and discussion pieces. Thanks again for reading, and as always… Live Long and Prosper, friends!


Star Trek: Strange New Worlds Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available. The first three seasons are also available on DVD and/or Blu-ray. The Star Trek franchise – including Strange New Worlds and all other properties discussed above – is the copyright of the Skydance-Paramount corporation. Behind-the-scenes set photos courtesy of Skydance-Paramount/Paramount+/Star Trek on social media. This review contains the thoughts and opinions of one person only and is not intended to cause any offence.