End-of-Year Awards 2024

A spoiler warning graphic.

Spoiler Warning: Beware of minor spoilers for some of the titles below.

Another year has gone by in the blink of an eye, it seems! It feels like just a couple of days ago that I was writing about my favourite entertainment experiences of 2023… and then 2024 just sprinted past. With only a few hours left to go until 2025, it seems like the perfect moment to take stock of what was a fun year, entertainment-wise.

As always, a couple of important caveats. Firstly, I’m just one person, and I don’t have every hour of the day to dedicate to entertainment. There are several big titles from 2024 that seem to have entirely passed me by for one reason or another, even though I may have originally intended to watch or play them! As a result, they can’t be entered into consideration for an award.

19th Century photo showing six men standing and sitting next to several trophies.
Who will win this year’s top awards?

Secondly, all of this is the entirely subjective opinion of one individual critic. If I give a made-up award to a title you despise or disregard one of your favourites… that’s okay. There should be enough room for respectful disagreement – and while I’ll try to make the case for why I think a title is worthy of a coveted Trekking with Dennis award, I know not everyone will agree. That’s totally okay, and there’s no need to get upset about pretend trophies and imaginary statuettes!

These awards are divided into categories and sub-categories. Where possible, I’ve selected a runner-up and a winner (second and first place, if you prefer), but for some there’s just a winner and no second place. I’ll try to explain what I liked (or didn’t like) about all of them.

With all of that out of the way, let’s hand out the End-of-Year Awards for 2024!

🏆Winner🏆
Michael Palin in Nigeria

Promo banner for Michael Palin in Nigeria with artwork/AI of Palin.

I was a huge fan of Michael Palin’s travel documentaries when he worked for the BBC. Around the World in Eighty Days, Pole to Pole, Sahara, and my top pick – Himalaya – are among my favourite TV programmes… ever. Full-stop. So it’s a little embarrassing to admit that I thought the ex-Monty Python star had hung up his boots years ago. I was wrong, and Palin has continued to produce travelogues for Channel 5, visiting North Korea, Iraq, and in 2024, Nigeria.

Nigeria is one of the world’s fastest-growing countries, and as its influence in Africa and beyond continues to grow, it’s natural to take an interest! I knew very little about Nigeria beyond the basics before Michael Palin took me on a whirlwind tour of the country, and as usual, his documentary was informative, creative, humorous, and exceptionally well-presented. Despite being 81 years old, Palin hasn’t lost a step and remains a wonderful and often funny guide to different parts of the world.

🥈Runner-Up🥈
Oceanliner Designs

Promo photo for Oceanliner Designs showing a man in a suit next to a painting of the RMS Titanic.

Oceanliner Designs is a brilliant and informative YouTube series all about ships and shipping. The RMS Titanic often features on the channel, but so do other, lesser-known ships and shipwrecks. As a fan of history, machinery, and ships, Oceanliner Designs is right up my alley! But even if you only have a passing interest in all things nautical, I still think the channel is worth checking out.

Mike, the presenter, has a gentle way of speaking, and scripts his videos incredibly well. Following the narrative of a doomed ship from the moment it left port – or even earlier, sometimes – is riveting and often harrowing stuff, but the tone of the videos keeps things grounded. I’ve learned a lot about ships and shipwrecks thanks to this channel – and I even discovered the wonderful Project 401 interactive Titanic experience via Oceanliner Designs.

🏆Winner🏆
Adventures in Aardia
(Roll for Sandwich)

Title card for the YouTube version of Roll for Sandwich ep. 337.

This is the first time I’ve picked a TikTok series for my Best Web Series award, which I think also reflects the growth of that platform over the past few years… as well as how much more time I’ve been spending with it! Roll for Sandwich is a whimsical yet simple concept: each component of a sandwich is determined by a roll of the dice in a Dungeons and Dragons-inspired way. It’s a really creative idea, and one that’s been so much fun that it’s spawned its own little sub-genre of foodie shows on TikTok: I’ve seen people making their own versions for barbeque food, hot chocolate, and even breakfast cereal.

Across 2024, I don’t think I’ve missed an episode of Roll for Sandwich. The short episodes are a ton of fun, even when the dice lead to some truly unfortunate or unpleasant combinations of ingredients! The addition of cantrips and spells for things like toasting the bread or swapping out an ingredient has been fun, too, and continues the Dungeons and Dragons theme. An all-around brilliant idea – and one that I’m so pleased has taken off!

🏆Winner🏆
Liz Truss loses her seat

Still frame from Sky News showing Liz Truss losing her seat on election night.

Depending on your political persuasion, you might not think it’s been a great year for election results. And I get that – believe me! But one result in particular was thoroughly deserved as well as being incredibly funny and cathartic. Disastrous former Prime Minister Liz Truss lost her seat in Parliament in the early hours of the 5th of July… and it was a truly delicious thing to watch.

Usually I don’t take much delight in the misery of a real human being… but after the damage Truss’ brief premiership inflicted on the UK and our economy, seeing her kicked out by her own party and her own constituents was schadenfreude of the best possible kind. I don’t agree with the talking heads and political journalists who say that this was a “Portillo moment,” either. Michael Portillo lost his seat in 1997 because he was a Conservative; Liz Truss lost her seat because she was Liz Truss. And I am so very glad that I stayed up all night watching the results – it was worth it for this moment alone.

🏆Winner🏆
That Christmas

Still frame from That Christmas showing two characters building an igloo.

It’s been a few years since a brand-new Christmas film won me over – but That Christmas really was fantastic. Writer Richard Curtis weaved together a set of connected stories in a way that reminded me of his earlier film, Love Actually, and there was Christmas magic galore in the small English town of Wellington-on-Sea.

The holidays are coming to an end now, but if you missed That Christmas in 2024, make sure it’s on your watch list for next year! I really don’t think you’ll regret it. Oh, and is that the first time you’ve seen someone mention Christmas 2025?

🏆Winner🏆
Spellbound

Still frame from Spellbound showing Princess Ellian.

At the start of 2024, I really thought that Disney’s Wish would swoop in and take this award. And while I didn’t hate or even particularly dislike Wish, I didn’t feel it was anywhere near as good as Spellbound – from Netflix and Skydance Animation. The film was creative, funny, and clever, and had an interesting premise that I’m sure will have kept younger viewers hooked. Add in a couple of solid songs and you’ve got a film that can absolutely go toe-to-toe with Disney.

Rachel Zegler excels in Spellbound’s lead role, and the film is really sweet and touching in places, as well as having a creative main story. Some great animation work brings all of the characters to life, making Spellbound a must-watch for kids and adults alike.

🏆“Winner”🏆
Rebel Moon
(Parts One and Two)

Still frame from Rebel Moon Part One showing a shirtless man riding a large bird.

Zack Snyder, you’ve done it again! For the second time, a film directed by Zack Snyder takes this award. After the boring slog that was his cut of Justice League a few years ago, Snyder’s Rebel Moon takes the “award” for worst film of 2024. Rebel Moon – which was released in two parts and was supposed to be the beginning of a Star Wars-inspired sci-fi universe – was derivative, poorly-written, bland, and ultimately forgettable.

I actually had to go back to Rebel Moon just to remind myself of some of the names of characters and factions – even though I’d only seen it a few months ago. Nothing about Rebel Moon feels memorable, interesting, or worth revisiting, and while I commend Zack Snyder, Netflix, and the other studios and investors that bankrolled the project for stepping out of the shadow of existing sci-fi franchises to try and create something new… this wasn’t the way to do it.

🥈Runner-Up🥈
Twisters

Still frame from Twisters showing a character in a car wearing sunglasses.

I wasn’t at all convinced that the 1996 classic disaster film Twister needed a semi-sequel. And to be fair, Twisters is less a sequel and more a cynical attempt to cash in on a familiar name! But you know what? I enjoy a good disaster film, and taken on its own merit, there’s nothing wrong with Twisters at all. It kept me entertained for a couple of hours while I munched on some popcorn – and that’s basically all I needed it to do.

Twisters is never gonna be anyone’s idea of high art, but that’s okay. Sometimes we all need to switch off for a couple of hours and watch some action, some adventure, and some unfolding disasters!

🏆Winner🏆
Civil War

Still frame from Civil War showing abandoned vehicles.

I thought Civil War was a very creative film. Going into it, based on the trailers, I was expecting a deeply political film… but it really wasn’t. Instead, it was more of a thoughtful examination of how people might react under challenging circumstances; a road trip movie with individual characters at its heart. The titular civil war was really the background for this story to play out in front of.

There were some well-composed scenes and sequences, creative use of sound and silence, and some pretty brutal depictions of conflict and death. With the story being told from the perspective of unarmed journalists, there was tension and a sense of danger all the way through – and some of the deaths were truly harrowing to watch. All in all, a very clever and thought-provoking picture that I’m happy to say was my favourite of 2024.

🏆Winner🏆
Star Trek: Lower Decks
Season 5

Promo image for Star Trek: Lower Decks Season 5.

In 2025, I simply must get caught up with Lower Decks. But I couldn’t let the show’s final season pass unnoticed in my year-end awards; it’s been a great run, and I’m sad to see Lower Decks being wound down. The show’s light-heartedness, episodic nature, and fun characters have been fine additions to the Star Trek franchise, and I hope its cancellation won’t be Star Trek’s last adventure in the animated realm.

After I kind of burned out on Star Trek back in 2023, I’m still slowly working my way back. I watched Discovery’s fifth and final season this year, and I’ve been working through the episodes of Strange New Worlds that I missed, too. I’ll get around to Lower Decks sooner or later – but until then, I wanted to acknowledge the show and what it’s done for Star Trek.

🏆“Winner”🏆
Star Trek: Discovery
Season 5

Cropped promo poster for Star Trek: Discovery Season 5.

From one Star Trek project to another… and while I don’t like to pick on the Star Trek franchise too much, I’m afraid I have to say that Discovery’s fifth season was the most disappointing thing I watched in 2024. If you read my review earlier in the year you’ll know why, but the long and short of it is that the season was incredibly repetitive. Its main plot was another re-use of “the whole galaxy is in danger and only Michael Burnham, the Chosen One, can save it!!!” And major side-stories involved Burnham’s rocky relationship with Book, a pair of villains with a connection to a main character, and so on.

After four seasons that had used and re-used those same story outlines, I felt hopeful that Season 5 might try something different. Trailers and marketing material hinted at a kind of adventure quest, which could’ve seen Burnham and the crew setting off on a very different kind of mission. But unfortunately Discovery’s writers and producers lacked the boldness and/or the skill to do something genuinely different with the show and its characters. With that being the case, I stand by what I said in my review: it was the right time for Discovery to end.

🥈Runner-Up🥈
The Lord of the Rings: The Rings of Power
Season 2

Still frame from The Rings of Power showing Estrid and Isildur on horseback.

The Rings of Power is – a little too slowly for some folks, perhaps – setting the stage for an engaging fantasy series. I thought that Season 2 was basically more of the same, so fans of Season 1 will have been pleased… but there was perhaps less on offer for people who didn’t feel Season 1 lived up to their expectations. I particularly enjoyed the arcs of Adar and Celebrimbor this time around, but the show’s connected storylines all had fun and interesting moments.

Durin and the dwarves continue to be a ton of fun – though I admit, I missed the bromance between Durin and Elrond this season. It can be hard to properly judge the middle seasons of a fully-serialised TV show; how we feel about what happened this time may ultimately change depending on how storylines and characters land in the future. But for now, suffice to say that The Rings of Power – with its big budget, intertwined storylines, and high fantasy setting – was one of the highlights of the year.

🏆Winner🏆
3 Body Problem
Season 1

Still frame from 3 Body Problem Season 1 showing Ye Wenjie.

Netflix’s adaptation of a Chinese novel series, helmed by David Benioff and DB Weiss, is my pick for the best TV show of the year. 3 Body Problem was fantastic; grown-up science-fiction of the very best kind. There’s so much going on here, with a story about unseen aliens, humanity’s first contact with extraterrestrials, a cultish plot to cover it all up, and finally a warlike response from humanity to the threat posed by the San-Ti.

I was on the edge of my seat – not just because of the show itself, but because it seemed for a while as if Netflix wasn’t going to greenlight a continuation. We have belatedly learned that two more seasons are coming – and I genuinely cannot wait! There were moments of mystery, history, action, and adventure – so if you somehow missed 3 Body Problem, go back and check it out. I really don’t think you’ll be disappointed.

🏆Winner🏆
EA Sports PGA Tour

Screenshot of EA Sports PGA Tour showing a custom character swinging their club.

PGA Tour wasn’t released this year (it came out in 2023) but it’s my most-played game of the year by quite a long way. I would be remiss to let the year end without acknowledging that, because I’ve really had a lot of relaxing fun playing this unexpectedly enjoyable title. PGA Tour took me back to playing the likes of Actua Golf 2 in the late 1990s, bringing back nostalgic memories while also serving up a detailed and graphically impressive golf experience.

I don’t give a shit about golf in real life – and if you asked me who the current world champion is or even what the difference is between a wood and an iron, I wouldn’t know. There’s a lot of your typical EA monetisation nonsense in PGA Tour – and that’s offputting, especially as I only want to play in single-player mode. But despite all of that, I had a lot of fun on the golf course in 2024.

🏆“Winner”🏆
South Park: Snow Day

Promo screenshot of South Park: Snow Day including the game's logo.

The creators of South Park had already perfected the video game formula: The Stick of Truth and its sequel, The Fractured But Whole, were fantastic. Those two games genuinely felt like playing through an extended episode of the TV show – and the visual style was just perfect. Both games nailed the look, sound, and feel of South Park.

So why – why?! – was this absolute abomination created? There was a way to make a multiplayer South Park game using the same engine or at least the same visual style as the previous titles, but this boring battle royale/multiplayer game looks at least two generations out of date and just… shit. If The Stick of Truth had never existed, I still don’t think Snow Day would’ve been anyone’s pick for game of the year. But having seen what a proper South Park game could look like… the disappointment was off the charts.

🏆Winner🏆
Palworld

Promo screenshot of Palworld.

After years of ripping off its players, stagnating, and failing to improve in any meaningful way, the Pokémon series encountered something brand-new in 2024: a genuine, bona-fide competitor. And Palworld has clearly shaken the cowardly executives at Nintendo to their core, as the little bed-wetters have resorted to trying to sue the game and its developer out of existence. That is shameful.

Palworld took the Pokémon formula and, by all accounts, improved on it in many different ways, creating a game that even die-hard Poké-fans admit is just plain fun. After years of having the monster-battling sub-genre to itself, Nintendo has stagnated and now doesn’t know how to respond. Palworld was the kick up the backside that Pokémon needed – and a solid game in its own right.

🏆“Winner”🏆
Red Dead Redemption
PC Version

Promo screenshot of Red Dead Redemption with added dollar bills.

Rockstar… does your shameless greed know no bounds? A basic port of a fourteen-year-old game with no graphical upgrades or gameplay improvements should not be on sale for £40. Don’t get me wrong, I’m glad that Red Dead Redemption is finally and belatedly available for PC players, and I’d love to give it a try one day. But £40 is way too high a price for a bog-standard port. There are brand-new games on the market for less than that; this version of Red Dead Redemption isn’t worth it.

For a company that started out by making PC games, Rockstar has a weirdly antagonistic relationship with PC gaming nowadays. We already know that Grand Theft Auto VI isn’t going to get a simultaneous PC release – because Rockstar, despite the billions of dollars coming in from Grand Theft Auto V’s online mode, has cheaped out on development. Red Dead Redemption II was also late with its PC release. But I really can’t understand this move – pricing Red Dead Redemption at, say, £15-20 would’ve been fair and would’ve generated some positive buzz around the port. Every review I’ve seen of the port has talked about its price in a negative light, and there was just no need for it. It’s greed, plain and simple.

🥈Runner-Up🥈
War Hospital

Promo screenshot of War Hospital.

A big caveat here: War Hospital launched back in January with some noticeable bugs and issues. However, there have been updates since then that have improved the experience, and it’s now in a state where I feel it’s earned its award. War Hospital has a unique premise – running a hospital during the First World War, managing resources, and caring for patients. Think Theme Hospital, but grittier and more depressing!

I felt that War Hospital had a genuinely creative idea at its heart, and that’s what drew me to the title. The gameplay was solid, making good on the original premise. I’d love to see the game expanded upon somehow – or perhaps a sequel created that allows for a bit more freedom, as I found War Hospital to be a little more linear than I’d expected. Regardless, it was an interesting experience – and something a little different in the strategy/tycoon genre.

🏆Winner🏆
Manor Lords

Promo screenshot of Manor Lords showing a village.

Manor Lords reminds me of one of my favourite city-builders: Banished. But the game goes far beyond what Banished had to offer, with more buildings, unit types, professions, and a much more in-depth and complex management system. It’s a game that I want to spend more time with in 2025, as I feel I’ve only just scratched the surface.

Being able to walk around the town I’d built in third-person was really a lot of fun. It added so much to the experience to be able to jump in and roam the streets (alright, mud tracks), meeting the villagers who call the place home. There’s more to come from Manor Lords, as the game is still technically in “early access,” so watch this space. I expect to see improvements and new features in 2025 and beyond.

🏆Winner🏆
Tiny Glade

Screenshot of Tiny Glade showing a house in a forest.

I thought I was mastering Tiny Glade – a cute little “diorama-builder.” But that was before I hopped online and saw the incredible creations that other players have made! They put my poxy little huts and towers to shame! But that’s okay… I had a blast playing Tiny Glade this year and putting my artistic hat on.

Tiny Glade is all about crafting a scene. Using some pretty simple tools, it’s easy to add everything from trees to ponds, but buildings are the real stars of the show. I love the idea of creating a cozy cottage in the middle of a forest – or an intimidating tower overlooking a bridge. There’s a lot of fun to be had here, but it’s the kind of gentle fun that doesn’t require a lot of fast button-mashing!

🥈Runner-Up🥈
The Plucky Squire

Promo screenshot of The Plucky Squire.

The Plucky Squire wasn’t on my radar at all in 2024, but it came out of nowhere to genuinely impress me. Developers All Possible Futures crammed so many different and creative gameplay ideas into this one single title that it’s hard to know where to begin! There’s also a cute story at the game’s core, pushing you forward.

The transition from 2D to 3D gameplay works so well in The Plucky Squire, and feels a cut above the way it worked in Super Mario Odyssey. The game is fundamentally a platformer, but it has so much else going on across a relatively short eight- or nine-hour runtime. If you missed The Plucky Squire – as I very nearly did – please give it a look. I really don’t think you’ll be disappointed.

🏆Winner🏆
Little Kitty, Big City

Screenshot of Little Kitty, Big City showing the feline protagonist on a rooftop.

Little Kitty, Big City is absolutely adorable. An adventure game in which you get to play as a cute black cat feels like something tailor-made for me, and I was really excited to jump in. What I found was nothing short of beautiful – a game with a fantastically old-school art style, but one that genuinely made me feel like I was a cat. The scale of the world, the verticality of some of the buildings, and the jumping and pouncing animations… it was all pitch-perfect.

There are even hats to collect to dress up your adorable kitty cat – and plenty of other animals and critters to meet on your journey back home. This really was an incredibly sweet and cute game, the most enjoyable I’ve played all year. So, little kitty, come and collect your well-deserved award! Or, y’know… push it off the counter onto the floor.

Photo from the 2024 Golden Globes showing two award-winners.
We’ve handed out this year’s imaginary statuettes!
Photo Credit: Getty/BBC News

Did any of your favourites win a Trekking with Dennis award? Or did I surprise you with my choices this year? In any case, I hope it’s been a bit of fun to stroll through 2024 with me, picking out some of my favourites – and a couple of less-favourite entertainment experiences, too!

There’s more to come in 2025, and the website isn’t going anywhere. In the next few days, I’ll take a look ahead to some of the films, TV shows, and video games that I’m most looking forward to in the new year – and I hope you’ll join me for that. But before that, we’ve got New Year’s Eve to prepare for!

Still frame from 2000 Today showing Millennium Eve in London, Fireworks, and Big Ben.
The fireworks display in London on Millennium Eve.

Whatever your plans are for tonight, I hope you have a wonderful time ringing in the new year. 2025 will be the beginning of the second half of the 2020s, if you can believe that! The halfway point of the decade seems to have come around very quickly – and 2024 also seems to have raced past.

Here’s hoping that 2025 will be a safe, healthy, and enjoyable year for us all! I hope you have fun tonight – and I hope my silly little End-of-Year Awards were interesting and/or entertaining, too.

See you next year!


All titles listed above are the copyright of their respective studio, publisher, broadcaster, distributor, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Discovery – Season 5 Review

A spoiler warning graphic.

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-5 and Star Trek: The Next Generation Season 6.

So this is it, then! Star Trek: Discovery’s fifth and final season has come and gone, and its finale really does feel like the end of a chapter for the Star Trek franchise.

Two points before we get into the meat of this review. Firstly, this full season review is taking the place of the individual episode reviews that I did for Seasons 3 and 4. I didn’t pick up Paramount+ to watch Discovery week-to-week, and I didn’t really have the energy to spend on writing ten full episode reviews like I did for the past couple of seasons. If that’s something you really wanted to see, well… sorry. I may revisit individual episodes from Season 5 in the future.

Secondly, now that Season 5 has wrapped up, I would like to do a deep dive into Discovery as a whole; a kind of “post-mortem” for the series. But that isn’t the objective of this review, and this time around I’ll try to stick to Season 5, its story, and its characters. That doesn’t mean I won’t talk about plot points from earlier seasons or other parts of Star Trek where necessary (and spoiler alert: it will be necessary to do that) but rather that this review is meant to be about Season 5 first and foremost. I will be taking a look at Discovery as a whole in a future article – so stay tuned for that!

Cropped promotional poster for Discovery Season 5.
Michael Burnham on a promotional poster for Season 5.

I’d like to start with an observation that might set the tone for the rest of this review. Often when I’m binge-watching a series I can hardly wait to start the next episode. There’ll be a sense of excitement as I get ready to watch the next chapter of the story… and sometimes I even let the chores pile up because I just don’t want to wait or put the next episode on hold! When I get into a story and I’m in “the zone” I don’t want to break out. That didn’t happen for me with Discovery this time around.

Even though I could’ve binged Season 5 over the course of a couple of evenings… I didn’t want to. I took breaks of several days in between episodes, sometimes – and I was running down the clock on my single-month subscription to Paramount+ with a couple of episodes still to go. This time around, I don’t feel that Discovery grabbed me in the way it has in the past, even though there were some genuinely interesting storylines. Probably this is more an issue on my end than with the show itself – I’ve talked in recent months about how I’ve come to feel rather burned out on Star Trek as a whole, so perhaps I jumped back in before I was ready. But I think it’s worth noting that Discovery didn’t really succeed at pulling me back in.

Behind-the-scenes photo showing Jonathan Frakes and Mary Wiseman.
Director Jonathan Frakes and Tilly actress Mary Wiseman in a behind-the-scenes photograph.

Although I had a specific concern about the series finale, I went into Discovery’s fifth season feeling somewhat optimistic about the direction of the story as a whole. It seemed – based on the season’s marketing material – as if Discovery was finally ready to give up on the whole “the entire galaxy is in danger and only Michael Burnham, the Chosen One, can save it!!!” story outline that the show had recycled, in some form, across its first four seasons. And I was excited about that; seeing what Discovery and its characters might be able to do with a completely different style of narrative held a lot of appeal. Even if that change had come too late to save the series from cancellation, I still would’ve liked to see the writers giving Burnham and the crew a new challenge and a fundamentally different kind of adventure – one that might’ve been smaller in scale but still interesting and entertaining.

But as you probably know by now, Season 5 recycled that same story outline yet again. There was a mystery at the centre of the narrative, and an adventure to follow as Burnham and the crew followed the trail. But there was also a “catastrophic galactic threat” underpinning it all, and villains intent on wreaking havoc who had to be stopped. Discovery had one final chance to try something genuinely different – a style of storytelling that might’ve better suited the show and its cast of characters. But instead, we got a story that felt derivative. Like in every season before, Michael Burnham and the crew faced a threat that could wipe out the Federation and all life in the galaxy. Like in every season before, they had to follow a trail of clues to uncover the threat. And like in every season before, there were villainous rascals trying to stop them. If this is the only kind of story that the show’s writers wanted to tell or were capable of telling… then I think I’m glad to see the back of Discovery. One or two of these kinds of stories might’ve been okay… but five in a row? Too many.

Still frame from Star Trek: Discovery Season 5 (2024) showing the Progenitors' device.
The Progenitors’ device.

It wasn’t only the main storyline that felt recycled. Book’s story of feeling alone and looking to reach out to someone he considered “family” felt pretty repetitive, as did his interactions with Dr Culber. Tilly went back and forth with her characterisation, bouncing between caring about her cadets as she did last season and seemingly forgetting they existed a moment later. Despite being brand-new, Commander Rayner was given a typical Discovery “traumatic background” that, naturally, became critical to advancing the main story. And then we come to the dreaded Burnham Relationship Drama™.

Book and Burnham broke up in the season premiere – setting the tone for a season where one of the themes involved other characters also going their separate ways. Later, Burnham’s conflict with Book over how to approach Moll and what to do with her – giving her to the Breen to prevent a war and save lives – felt incredibly similar to the arguments the pair had about the DMA just last season. So not only did Season 5 curse us with more Burnham Relationship Drama™, but the story wasn’t even an original one.

Still frame from Star Trek: Discovery Season 5 (2024) showing Booker and Burnham.
Booker and Burnham’s bike-based break-up.

Discovery is arguably Star Trek’s first series to have a singular protagonist instead of either a trio or an ensemble. And I would have loved it if that protagonist could have had just one season – just one out of five – in which she wasn’t at the centre of a soap opera story involving her love interest(s). We got it in Seasons 1 and 2 with her on/off relationship with Tyler. And we had it again in Seasons 3, 4, and 5 with Book. Discovery’s writers have been completely unwilling to let Burnham settle, and even as she’s developed, grown, and matured in other ways – like her relationship with Starfleet, her friendships with members of the crew, and so on – her romantic life has been a constant mess. If it served some greater narrative purpose, maybe it wouldn’t feel so repetitive and annoying. But after watching her and Book at loggerheads for much of Season 4 before belatedly reconciling, I’d hoped that we’d finally seen the last of the Burnham Relationship Drama™.

This repetitiveness was present throughout the season, both in the main story, side-stories, and moments of characterisation. The Archive that Book and Burnham visited felt no different from Season 3’s seed vault, for example, and it’s hard to view the Progenitor’s technology and the race to protect it as being much different from the Control AI battling to seize the Sphere data in Season 2. The Breen, while a returning faction from Star Trek’s past, filled a role that the Klingons had in Season 1 and the Emerald Chain did in Season 3. Moll and L’ak were the villainous duo who needed to be stopped, but who had a connection to one of the main characters – just like Book and Tarka in Season 4 or Voq in Season 1. The trail of clues that the crew followed also felt just like the ones that led them to the cause of the Burn in Season 3 and the DMA/Species 10-C in Season 4.

Still frame from Star Trek: Discovery Season 5 (2024) showing L'ak and Moll.
The story turned out to be repetitive.

With Discovery’s writers unwilling or unable to write a genuinely different kind of story – one without a “massive galaxy-ending threat,” Burnham Relationship Drama™, and all of the other repetitions we’ve noted – then I come back to something I said at the beginning: it was probably the right time for the series to end. I don’t think I’d have wanted to see a sixth or seventh season if both the main story and many side-stories were just going to be recycled once again. Season 5 may not have been the strong send-off that I’d hoped for, but at least we can say that Discovery went out on its own terms. Which is something… right?

This isn’t to say the season was universally terrible. There were some highlights, both for the main story and in individual episodes, as well as some of that often-elusive sense of “Star Trek-ness” that’s made the franchise so enjoyable to me for more than thirty years. Practically all of the episodes had something that made me smile, laugh, or feel some of the emotions that the story was reaching for. I just wish that those moments hadn’t come in a repetitive story that, once again, saw all of the drama turned up to eleven. And perhaps if I were being brutally honest, I’d say that I wish those enjoyable moments hadn’t been so few and far between.

Promo photo for Season 5 showing the main cast.
The main cast of Season 5.

I was a little surprised that the duo of bridge characters who’ve been part of the series since Season 1 – Owosekun and Detmer – weren’t included in a big way this time around. They had a couple of lines each, mostly in a flashback sequence, but otherwise seemed to have been replaced by a couple of other characters whose names I didn’t even catch. I don’t know why this was – was there some reason why the actors couldn’t take part in the full season? It seems odd to me that these familiar faces were effectively written out of the show; there wasn’t really a reason given.

Other members of the bridge crew – Rhys, Linus, and co. – got about as much attention as they ever had. These secondary characters have never been Discovery’s focus, and while I felt that the series had the potential to expand its roster in a kind of Deep Space Nine-inspired way, utilising a broader cast of secondary characters, that never happened. At this point I wasn’t expecting it to, but at least we didn’t get any completely shallow, contrived story moments involving these characters like we had in past seasons. Giving a secondary character one scene’s worth of “development” in a single episode either to force an emotional reaction at their death or to nakedly add to the main story is something Discovery has done more than once and it seldom works well.

Still frame from Star Trek: Discovery Season 5 (2024) showing Detmer.
Detmer and Owosekun – mainstays on the bridge since Season 1 – abruptly disappeared this time.

On the main character front, aside from Burnham the only two to get much screen time and proper storylines were Dr Culber and Book. Tilly seemed to abandon her post at the Academy for no reason, and her role there was only sporadically brought up. Stamets was, for me, the least-well-developed main character this season. His story of wanting to find a new scientific legacy had a poor setup, was only referenced once or twice, and then was blitzed through right at the end. It ended up being a bit of a nothing-burger, and I feel Stamets would’ve been better used in a supporting role for Culber and Adira; those moments were far and away his best of the season.

Not for the first time with Discovery, I find myself saying this: this narrative concept wasn’t bad in principle, but the writers and producers clearly had their attention elsewhere, so it didn’t get enough time on screen to fully play out. There’s potential in the story of someone coming to terms with their life’s work being shut down (and that could’ve been more than a little therapeutic for Discovery’s writers, given what happened to the series), as well as in someone desperately reaching for some kind of “legacy” as a way to find meaning in their life or metaphorical immortality. Stamets’ storyline flirted with these ideas, but the series didn’t commit to them – because its energies were, as always, being spent elsewhere. The result was that the curtain fell on yet another underwhelming season for Stamets.

Still frame from Star Trek: Discovery Season 5 (2024) showing Stamets with Adira in the background.
Not a great season for Stamets… again.

Saru got what was by far the most optimistic individual character storyline – as Discovery set up his marriage to T’Rina. There were a few sitcom-style bumps in the road, because of course Discovery is that kind of show, but by and large I liked what we got. Saru and T’Rina had an understated chemistry together, and at a time when tensions and dangers were rising, having two characters “back home” planning their wedding was a bit of a change of pace. I wish it didn’t have to happen at the expense of Saru having a major role in the show, though – his presence on the bridge was missed.

Speaking as we were of underdeveloped storylines: T’Rina’s complex political situation was mentioned once, in a single episode, then seemed to instantly disappear without her suffering any repercussions. This idea of “Vulcan purists” being upset at her engagement to a non-Vulcan was, again, interesting in theory… but went nowhere. Being generous we might say that this was something the writers hoped to explore more of in a potential sixth season, but I’m not convinced of that. It feels like a throwaway idea designed to create a bit of forced tension in Saru’s relationship, and nothing more.

Promo photo for Season 5 showing T'Rina and Saru at their wedding.
T’Rina and Saru at their wedding.

“Subtlety” has never really been a word that Discovery’s writers seem familiar with, and in Season 5 we saw that trend continue. After explaining his tragic backstory, we saw Rayner go from crotchety a-hole to inspiring leader who cares about his crew almost in a heartbeat. It reminded me of the change that Saru underwent with his vahar’ai – a change that took him from cowardly to aggressive predator also in a split-second. For me, this abrupt character switch didn’t really stick the landing, and while Rayner is still an interesting character whose forceful personality left a stamp on the series, there’s something to be said for making these kinds of changes a more gradual affair.

I was disappointed that we didn’t get to see more of Admiral Vance and President Rillak – two characters who had been pretty enjoyable in Seasons 3 and 4. Both had moments on screen, but their roles felt diminished compared with the last couple of seasons. In a story with profound in-universe consequences (something we’ll talk about more in a moment), there was scope to see the Federation’s president and Starfleet’s top admiral wrangling with the fallout of Burnham’s mission and the “Red Directive.”

Still frame from Star Trek: Discovery Season 5 (2024) showing Admiral Vance.
Admiral Vance had less of a role this time around.

Dr Kovich is a character who has been an enigma since Discovery shot forward to this time period. I’d speculated that perhaps he was the head of this era’s Section 31, but this season we got the explanation we’d been waiting for… and it wasn’t what anyone had been expecting. The reason for that is simple: this explanation is dumb. Kovich is, somehow, an older Crewman/Agent Daniels: you know, the secondary character from Enterprise? The time-traveler who messed up Archer’s mission. Crewman Daniels.

Sorry, but this really was a stupid idea – one that was in no way set up by anything else in the series. It feels like Discovery’s writers came in late one day, weren’t really feeling like doing much work, and just threw out this idea as a cheap way to connect the series to something else in Star Trek. Why Daniels? Why not Captain Braxton – the time-traveling character from Voyager? Why not Wesley Crusher? Why not any one of a hundred other totally random characters? They’d make no less sense than Daniels. In a way, I admire the writers’ attempt to link events in Discovery’s otherwise disconnected 32nd Century to other parts of Star Trek. But this one was just so random with absolutely no setup that it fell flat on its face. I didn’t think this was possible – and it shouldn’t have been – but this revelation makes Kovich as a character feel less interesting and less important in retrospect.

Still frame from Star Trek: Discovery Season 5 (2024) showing Kovich/Daniels at the end of the story.
Dr Kovich… a.k.a. Agent Daniels.

The season’s villains – Moll and L’ak – had potential as a kind of “Bonnie and Clyde” outlaw couple, and there were moments where they came close to achieving that status. But the connection between Moll and Book put a downer on things, and I felt like screaming at Discovery’s producers that not everyone in the galaxy needs to know or be related to everyone else! Characters can meet for the first time and form connections; villains don’t have to be someone’s daughter, uncle-in-law, or ex-boyfriend in order to be interesting, entertaining, and impactful.

As mentioned, I liked that we got a closer look at the Breen. The Breen had been part of what is probably still my favourite Star Trek story arc: the Dominion War. And in Deep Space Nine we never got to see them or even hear their language translated. Learning more about the Breen and particularly their biology was genuinely interesting, and it didn’t tread on the toes of anything that had been set up in Deep Space Nine or elsewhere – which is a low bar, perhaps, but one that modern Star Trek has occasionally tripped over!

Behind-the-scenes on Discovery Season 5 showing a camera operator and several characters in costume.
Behind-the-scenes photo showing one of the Breen scenes being shot.

The Breen seemed more or less in line with their earlier appearances – but I would say that, in a story that aimed to be a bit more nuanced and modern, the two Breen leaders that we met both felt pretty one-dimensional. L’ak was an interesting character, and I liked the idea of the rebellious human-lover running away from his strict military upbringing and family. But the pair of Breen primarchs that we met – Ruhn and Tahal – felt like your bog-standard “evil for the sake of it” power-hungry villains. I wasn’t expecting a lot from either character, and I think they kind of work in the context of a brutal militaristic power, but neither felt especially interesting.

Discovery also came close to being written into a corner with this season’s Breen conflict. L’ak was supposedly incredibly important to Ruhn in particular, as he needed him to press his claim to the throne. But when L’ak died – in Starfleet custody, no less – Ruhn simply walked away without exacting his revenge. When it had been established that the Breen – with their Warhammer 40K-inspired massive warships – were more than capable of wiping out Starfleet… I don’t know. It didn’t feel right for this hardliner to just place his trust in Moll and walk away without retaliating.

Still frame from Star Trek: Discovery Season 5 (2024) showing a Breen warship.
The Breen warship dwarfed both the USS Discovery and Federation HQ – and would have made short work of both, if the shooting started!

Speaking of starship designs, I liked the massive Breen warships – though, as mentioned, I noted a definite influence from Warhammer 40K and other sci-fi properties! We didn’t really see many other new ships or vehicles this time around; Rayner’s Starfleet ship was okay but nothing special. I didn’t really like the first episode’s hover-bikes, though – they seem completely superfluous in a setting where everyone has a personal transporter built into their combadges and where spore drives can hop across the entire galaxy in an instant! The sequence was pretty tense and exciting, though.

Let’s talk about the main thrust of the story. Discovery surprised me by returning to a race called the Progenitors – ancient humanoid aliens who only appeared once in The Next Generation. And… to be blunt, I think there’s a reason why this storyline hadn’t been picked up or even so much as mentioned since then.

Behind-the-scenes on Discovery Season 5 showing makeup being applied to an actor playing a Progenitor.
Behind-the-scenes with one of the Progenitors.

Some stories in Star Trek – even ones that seem to be transformational for our understanding of certain factions or characters – don’t work as intended or just reach a natural end point, and for me, the ancient humanoids from The Chase are in that category. Star Trek didn’t need this fundamental explanation for why many alien races are humanoid, and while The Chase wasn’t a bad episode per se, its ending and the way it wrapped up wasn’t great. For me, this kind of in-universe explanation was never needed, and as a result I was content to leave The Chase and its ancient humanoids on the back burner. They were never written into the franchise in a big way, and every subsequent story – even those focused on history – never returned to this pretty convoluted story.

So why did Discovery dig up these aliens – now named the Progenitors?

I would be genuinely curious to learn why the show’s writers and producers decided to go down this narrative path, to be honest! While the story we got expanded our knowledge of the Progenitors a little, it didn’t tell us a lot about the galaxy, the other races that the Progenitors may have seeded, and it ended with more questions unanswered than answered. We didn’t even get a technobabble explanation for how they did what they did or how their tech worked. The result was an unsatisfying feeling that was compounded by Burnham’s decision to conceal the Progenitors’ device and not even allow Stamets or someone else at Starfleet HQ to examine it.

Still frame from Star Trek: Discovery Season 5 (2024) showing Burnham and Kovich looking at a holographic image of Captain Picard.
Season 5 revisited The Chase – an episode from The Next Generation.

The ending of the story – with Burnham declaring that the Progenitors’ desire to create a diverse galaxy teeming with life had been accomplished – was great, and I liked the feeling that came from that. But as with many things in Discovery, it was an end point that was pretty rushed, that needed a bit more time on screen, and that came at the end of a season that spun its wheels in places and spent too long dealing with relatively minor or unimportant things.

I could have happily spent an entire episode just on the debate Burnham was having with other characters about what to do with the Progenitors’ technology. For instance, no one even suggested that it could have incredibly useful applications in a galaxy still recovering from the effects of the Burn. Discovery’s 32nd Century is still, in many ways, post-apocalyptic, and if the Federation had access to what is basically an infinitely more powerful Genesis Device, with the ability to create life from nothing… isn’t that a power worth having and using for the common good? Even if the end of the story was still the same, with the technology being deemed too powerful and ultimately unnecessary, couldn’t we have still had that conversation?

Still frame from Star Trek: Discovery Season 5 (2024) showing the Progenitors' tech on a screen.
I could have spent an entire episode just debating the pros and cons of using and studying the Progenitors’ technology.

For me, this deep cut to a single episode of The Next Generation was a bold move that didn’t really pay off. I love that Discovery’s writers have tried to tie into the lore and history of Star Trek in different ways, but for me, the decision to revisit this faction of ancient aliens was a mistake. I’d rather have seen a brand-new race – like last season’s Species 10-C – that could’ve filled the role of the creators of this technology, simply because I don’t think Star Trek as a whole benefits from this kind of story.

Part of the appeal of going out into space – and thus the appeal of Star Trek and other space-based fiction – is that we don’t know all of the answers and we don’t know what’s out there. Part of the human condition is that sense of not knowing – we don’t know for a fact how or why we came to be, where consciousness came from, whether there’s a greater meaning or purpose. When a story comes along and says “well here’s exactly what happened, here’s who created you, and here’s why and how they did it…” I think we lose something from this fictional setting. The thrill of Star Trek is in the unknown, and answering too many of these questions just doesn’t sit right. That’s why I was never a fan of the end of The Chase and why I’ve been pleased that, for more than thirty years, generations of Star Trek writers have basically ignored it. Discovery revisited it in a big way… and I don’t think the payoff was worth it.

Still frame from Star Trek: Discovery Season 5 (2024) showing Captain Burnham with a Progenitor.
Captain Burnham with one of the Progenitors.

When I look at Star Trek’s history and I think of storylines and factions that I would’ve wanted to see brought back… again, I can’t find a justification for this return to The Chase – not for what was a glorified macguffin that Discovery didn’t actually do anything with. We might as well have said that the Tzenkethi or the magic-wielding aliens from that one episode of The Animated Series had created something powerful, or that Khan secretly replicated a second Genesis Device. The story could’ve unfolded in pretty much the same way without bringing up a piece of Star Trek’s past that has just… never worked.

I don’t want to go to extremes and say that the Progenitors “ruin” Star Trek. But the very concept of these ancient aliens essentially creating humans and a bunch of other races is a story point so profound that it absolutely changes everything for the characters in that world. If the entire Star Trek franchise had been built around a reveal like that, with the Progenitors being conceived from the start and every season and story slowly building up to this massive revelation, then maybe it could’ve worked. But in what was a one-off, throwaway episode we got this big reveal that Star Trek has never really known what to do with. Like other story beats that didn’t hit the mark, it should have been left alone. For Discovery’s writers to build an entire story around this faction… I’m afraid it doesn’t work for me.

Still frame from Star Trek: Discovery Season 5 (2024) showing Burnham, Saru, Stamets, Rayner, and Adira in the ready-room.
Burnham and the crew at the end of the story.

More than a year ago we learned that the decision to cancel Discovery came after Season 5 had already been written and filmed, and that work had to be done after the main production had already wrapped up in order to “make the finale into the finale,” as director Jonathan Frakes put it. Alarm bells started ringing when I heard that, as I was worried that the pick-up shots would be incredibly obvious and that the story wouldn’t be able to come to a proper end. More so than any other Star Trek series to date, Discovery – with its serialised storylines and characters who changed and developed over the course of sixty-five episodes – needed some kind of definitive end.

Although it was incredibly obvious where the season would have originally ended and where the last-second additions were made, I don’t think that turned out to be a problem in the end. The decision to have the epilogue set decades after the events of Season 5 was a good one – perhaps the least-bad option available, but still – and it worked well. After all the issues noted above with Burnham Relationship Drama™, it was pretty cathartic to see her settled with Book, in a home they shared, enjoying her semi-retirement.

Still frame from Star Trek: Discovery Season 5 (2024) showing Burnham and Booker in the epilogue.
It took a long, meandering route to get Burnham and Book to this point… but they made it in the end.

It might’ve been nice to see one or two of the show’s other principal characters in the epilogue rather than just having them be mentioned, but all things considered I think Discovery got a pretty solid send-off. It wasn’t as spectacular as it could’ve been if the entire story had been written with a definite end point in mind, perhaps… but there’s something to be said for an understated, un-dramatic epilogue to a series that has constantly tried to inject as much drama as possible into its stories. Had cancellation been known ahead of Season 5 entering production, I would’ve half-expected the season finale to end with three-quarters of the crew dead and the ship blowing up!

In terms of production values, I’m still disappointed that Paramount+ doesn’t offer Discovery in 4K. 1080p HD is fine, but it’s not spectacular, and I would’ve liked to watch the series in that higher resolution. Most other streaming platforms offer this for their flagship shows, and it’s disappointing that Paramount+ still doesn’t – at least on the standard price plan here in the UK.

Promo photo for Discovery Season 4 showing Grudge the cat.
Grudge the kitty cat!

Discovery’s music has always been pretty good, and that was the same in Season 5, really. My rule of thumb for any movie/TV soundtrack is “do no harm;” i.e. a good soundtrack should be unobtrusive most of the time, and Discovery happily clears that admittedly low bar. The show’s title sequence has always been fun to watch, though its title theme has always felt a little understated for my taste.

Was anyone else playing a game of “spot the AR wall?” Because I definitely was – and at too many points I felt the AR wall was noticeable. Star Trek worked hard to escape its reputation for low-budget special effects and sub-par set design, but the AR wall – and some of the camera angles used during AR-heavy scenes – are in danger of bringing it back! On both the Breen warship and the Progenitors’ pocket dimension, I felt the AR wall was not at all well-integrated with the physical sets and props around it, and the end result was that this incredibly expensive piece of kit that Paramount paid a lot of money for created a visual effect that looked… cheap.

Still frame from Star Trek: Discovery Season 5 (2024) showing Burnham and Moll at the Progenitor base.
Spot the AR wall…

There are good ways to use an AR wall and bad ways… and Paramount/the Star Trek franchise needs to do better. Simply having this massive screen and projecting a background onto it isn’t good enough; designers and producers need to get much more creative with how the AR wall is used and how it blends in with what’s in front of it. Discovery is over now, but with other Star Trek projects still in production… I hope more can be done in future. Some of the AR wall scenes in Season 5 felt like those in Season 3, when the AR wall was brand-new. By now, designers, producers, and cinematographers should have a better idea of what to do with it!

So that was Discovery’s swansong. The show’s final season doubled-down on many of the mistakes that have been present since the beginning, and told a cookie-cutter story that was basically the same as all the others. There was a lot of potential in the historical mystery-adventure idea, but Discovery’s writers and producers couldn’t take advantage. They retreated to the same overtrodden ground as before, and the result was a disappointment.

Still frame from Star Trek: Discovery Season 5 (2024) showing the USS Discovery.
The final shot of the USS Discovery as she embarks on one last mission.

There was too much repetitiveness in Season 5, and that leads me to one inescapable conclusion: Discovery had run out of steam. With a production team incapable of trying something smaller-scale and genuinely different, with Burnham’s soap-opera rocky relationship, and with another “galaxy-ending threat” to defeat, Season 5 felt no different from Seasons 1 through 4, albeit with a new coat of paint and a deep cut to a random episode of The Next Generation that was better left forgotten. There were some interesting ideas in the mix, some fun new locales to visit, and some creative moments… but they came in a bland, overused, repetitive story that demonstrated to me why it was the right time for Discovery to be cancelled.

I’m pleased that Paramount allowed the show’s production team to go back and craft an epilogue – even if it wasn’t perfect. Getting some kind of closure on Burnham’s story and the series as a whole was important, and with Discovery having been part of our lives for seven years at this point, I’m glad that it got an epilogue to bring closure to her character and the story – as well as a cheeky tie-in with the Short Treks episode Calypso!

Promo photo for Star Trek: Discovery showing the main cast at the opening of "The Star Trek Stage" at Paramount.
The Discovery cast – plus Alex Kurtzman, Rod Roddenberry, and others – at the dedication of Paramount’s “Star Trek Stage.”

In the weeks or months ahead I will take a broader, big-picture look at Discovery as a whole. That piece will consider what the show got right, where it went wrong, and what we should consider its legacy to be as a piece of the Star Trek franchise. So I hope you’ll stay tuned for that! It’s possible that I’ll revisit Season 5, its storylines, or some of its individual episodes in the future, too.

For now, I hope this has been interesting! While I wasn’t impressed with Season 5 on the whole, there were definitely highlights in practically every episode; moments that made me crack a smile, roll my eyes, feel anxious, or just that kept me entertained and enjoying the ride. The season was nowhere near as bad as, say, Picard Season 2 – and while that may be a low bar, it’s one that Discovery cleared on this occasion! I’ll be curious to see what comes next for Admiral Vance, Tilly, and Reno – who will be jumping ship and joining the cast of Starfleet Academy. And I’ll keep my ear to the ground for any more news about upcoming Star Trek productions that could tie in with Discovery. But until then, this is the end.

Farewell, Discovery. I think we can be grateful to the series and its creative team for keeping Star Trek alive and bringing it back to its small screen home.


Star Trek: Discovery Seasons 1-5 are available to stream now on Paramount+ in countries and territories where the platform is available. The Star Trek franchise – including Discovery, The Next Generation, and all other properties discussed above – is the copyright of Paramount Global. This review contains the thoughts and opinions of one person only and is not intended to cause any offence.

Starfleet Academy: One Year Later, Where Do Things Stand?

A spoiler warning.

Spoiler Warning: Beware of potential spoilers for Star Trek: Starfleet Academy as well as spoilers for Star Trek: Discovery.

As hard as it may be to believe, it’s been a whole year since Paramount announced Star Trek: Starfleet Academy. Though it had long been rumoured to be in production, and seemed to get a “backdoor pilot” during Discovery’s fourth season, it was only at the end of March last year that the show was officially added to the Star Trek lineup.

Today, I want to talk about Starfleet Academy and look at how pre-production may have been progressing.

This might not need to be a particularly long article, because there’s been a surprising dearth of news about Starfleet Academy over the past twelve months. Given Paramount’s financial dire straits, the shaky position Paramount+ is clinging to as the “streaming wars” rage, and talk of a corporate merger or takeover, you’d be forgiven for wondering whether the series was still going ahead. I know there have been moments over the past year where I’ve had my doubts about it!

Still frame from Star Trek: The Next Generation showing Starfleet Academy.
The titular Starfleet Academy – as it appeared in Star Trek: The Next Generation.

I’m still surprised by how poorly-timed and threadbare the official announcement of Starfleet Academy was. In early 2023, we learned that Discovery had been cancelled, and it seemed to me that rolling that bit of bad news in with the Starfleet Academy announcement would have made a lot of sense. As it happened, Paramount seemed to be blowing hot and cold on its commitment to Star Trek, when that really could’ve been avoided.

By the time Discovery’s cancellation was being made official, Paramount was already committed to Starfleet Academy – and it would’ve looked a heck of a lot better if the news read something like: “The Discovery era will continue in the brand-new spin-off Starfleet Academy.” Instead, fans were left hanging on for weeks with the distinct possibility of Star Trek as a whole coming to an end. As has become typical for Paramount, they can’t even get the basics right. No wonder the corporation is losing money hand over fist, eh?

Paramount Global's logo in dark blue.
Will Paramount ever get its act together?

Starfleet Academy’s official announcement in 2023 was pretty barebones. The only thing we can reasonably infer from the way the statement was worded is that it’s a Discovery spin-off and will presumably be set in the same 32nd Century time period as that series. That could lead to crossovers, connections, and more… which could be fun and interesting elements to include. But we don’t know at this stage whether characters like Tilly and Kovich – who have connections with the Academy and Federation HQ as of Discovery Season 4 – will be part of the series or not. That may have been the original intention during production on Discovery’s fourth season, but we don’t know whether either of those characters – or the cadets we met in Discovery – are still part of the equation.

In a recent interview with Collider, Alex Kurtzman – who’s in charge of the Star Trek franchise at Paramount – gave us a few little tidbits of information. Firstly, the series is being pitched at a younger audience. That’s something that, again, I think most of us were able to infer from the announcement and setting. Putting younger characters front-and-centre – similar to what Prodigy tried to do – could lead to a series that appeals to a tween/teen audience, and bringing fans in those age groups on board is going to be key to the future of Star Trek. So as a general point, that’s positive.

Alex Kurtzman at the premiere of Star Trek: Picard Season 3.
Alex Kurtzman recently spoke about Starfleet Academy in an interview.

We also know that Tawny Newsome, who plays Beckett Mariner in Lower Decks and is a well-respected writer and comedian in her own right, has contributed in some way to Starfleet Academy on the writing side of things. Whether she’s single-handedly crafted whole episodes and storylines or whether she’s been involved as part of a broader writing team wasn’t entirely clear… but her inclusion could speak to Starfleet Academy having somewhat of a light-hearted edge, at least at points. Comedy and humour have been a part of Star Trek going all the way back to The Original Series, so again I think that should be a net positive if it’s done right.

The final confirmed piece of news is this: Starfleet Academy is targeting a 2026 release date. This was also something that, as time has worn on, seemed to be looking more and more likely. Strange New Worlds Season 3 is currently filming, and the Section 31 TV movie has recently wrapped up, and both of those projects are on the schedule for 2025. With a potential further season of Lower Decks also being broadcast next year, 2025 was beginning to fill up – so a 2026 release date for Starfleet Academy seems reasonable. As I’ve said in the past, spreading out the various Star Trek projects instead of bunching them all up is a good thing!

Promo photo from Star Trek: Discovery showing President Rillak and a class of Starfleet cadets.
President Rillak with a class of new Academy cadets in Discovery’s fourth season.

Knowing that the show’s broadcast isn’t imminent means that the production team can take their time with things like casting and writing, as there’s less urgency and less of a need to rush. Hopefully that will mean a higher-quality product at the end of the day! I’m all for the producers and showrunners taking their time, and even considering re-writes or changes if necessary – and while I would still expect the series to enter full production this year, the months of pre-production since the official announcement have hopefully been put to good use.

There is one thing we’ve learned from Starfleet Academy’s pre-release material that gives me pause, and makes me feel a twinge of anxiety about the show’s narrative. When the series was announced, one line in the blurb stated that the class of cadets will have to tackle “a new enemy that threatens both the Academy and the Federation itself.” To me, that sounds like the set-up for yet another serialised story that puts the whole galaxy in danger.

Still frame of Star Trek: Discovery showing an anomaly on the ship's viewscreen.
Putting the whole Federation in danger – again – would not be my first choice for the new show’s storyline.

After four seasons of Discovery and three of Picard that used this exact setup… I’m pretty fucking sick of it, to be honest. Lowering the stakes is something that I’ve argued Star Trek needs to do, and a return to stories that are smaller in scale – but still impactful for the characters involved – would be my preference. A series with a teen or young adult focus doesn’t need to have a “massive galactic threat” as a foundational part of its narrative in order to be exciting, entertaining, or emotional. And in too many ways, modern Star Trek’s over-reliance on this kind of storyline has been to its detriment.

One of the things that worked so well in both Strange New Worlds and Lower Decks has been storytelling that didn’t feature these kinds of existential threats and catastrophes. Both shows stand as testament to how Star Trek can still tell fun, adventurous, and engaging stories without relying on an enemy or entity that threatens the entire Federation or the whole galaxy. I just hope that Starfleet Academy isn’t overwhelmed by this one narrative concept, and that there’s room for episodic storytelling, exploration of new characters, and other narrative beats.

Still frame of Star Trek: Lower Decks showing Commander Ransom and Ensign Mariner.
Hopefully there will be room for standalone episodes – as in Lower Decks and Strange New Worlds.

I liked what Alex Kurtzman had to say about not wanting to alienate different groups of Star Trek fans, and I think there has been an effort on Paramount’s part over the last few years to at least try to keep the fan community together. Not every show is going to be to everyone’s taste – and that’s been true since The Next Generation, or even since The Wrath of Khan took Starfleet in a more militarised direction forty-two years ago! But modern Star Trek has really leaned into the idea of diversifying its output, with a kids’ show, an animated comedy, and serialised dramas in the mould of other modern made-for-streaming productions. Not every Trekkie will be interested in a show with a younger cast that’s pitched at a tween or teen audience – but I feel a sense of hope, from what Alex Kurtzman has had to say, that Starfleet Academy won’t just ignore the rest of us in the fan community!

One point I made last year, when the show was first announced, is that a series set at the Academy is actually a Gene Roddenberry idea. As far back as the late ’60s, when The Original Series was still on the air, Roddenberry was working on pitches and concepts for Star Trek spin-offs or successor shows, and a series set at the Academy – which would have featured a young Kirk and Spock meeting for the first time – was one such idea that was under consideration. So don’t let anyone tell you that “Gene Roddenberry would never have approved,” because in this case that accusation is demonstrably false!

Still frame of Star Trek: Picard showing an auditorium at Starfleet Academy.
Starfleet Academy as it appeared in Picard Season 2.

So that’s where we’re at – at least as of early April 2024. Starfleet Academy looks set to begin filming later this year, and while there hasn’t been a glut of news about the series yet, there are reasons to feel positive. I’ll be keeping an eye out for any cast announcements, especially if there are any familiar actors joining the Star Trek family or characters crossing over from Discovery. If we get any big news about Starfleet Academy or a teaser trailer, I’ll do my best to take a look at it here on the website.

So stay tuned! I hope this has been an interesting look ahead. Discovery’s fifth and final season has just begun, and while I’m not sure exactly what I’ll be doing by way of reviews yet, I’m sure I’ll have something to say about the season when I get around to watching it. Likewise for Starfleet Academy: I’m not sure yet whether I’ll do individual episode reviews or a full season review. But with the series perhaps more than two years away, I have plenty of time to decide! Thanks for joining me on this brief look ahead – and Live Long and Prosper!

Star Trek: Starfleet Academy is in pre-production and will be broadcast on Paramount+ in countries and territories where the platform is available in 2026 (or later). The Star Trek franchise – including Starfleet Academy, Discovery, and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Discovery – Season 5 Wishlist

A spoiler warning graphic.

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4 and the trailers, teasers, and announcements for Season 5.

With Star Trek: Discovery’s fifth and final season due to premiere in just a few weeks’ time, I thought it could be a good moment to look ahead! Season 5 is going to be the show’s last chance to tell a different kind of story, explore under-utilised characters, and potentially lay the groundwork for Starfleet Academy and other possible spin-off projects. It’s also Discovery’s final opportunity to win over sceptical Trekkies – hopefully bringing to a close one of the most contentious chapters in the history of the Star Trek fan community. Suffice to say there’s a lot that needs to go right!

I admit that I have concerns already, even at this early stage. The revelation that Season 5 wasn’t originally written with the show’s cancellation in mind could prove fatal, and last-second re-writes and pick-up shots could end up feeling obvious and tacked-on. Then there’s the premise itself: is the mystery at the story’s heart going to be yet another re-hash of the tired “all life in the galaxy is in danger and only Burnham can save it!!!!” trope?

Still frame from Star Trek: Discovery 4x01 Kobayashi Maru, showing characters amidst rubble and debris.
Discovery has consistently raised the stakes in its stories… and it’s past time for something different.

On a personal note, I’ve been feeling burned out on Star Trek since midway through last year – and even though I still consider myself a fan of the franchise and want to see it succeed, I’ve stepped away from Star Trek over the past few months. I haven’t finished watching Strange New Worlds’ second season, nor even started Lower Decks’ fourth, and I haven’t played either of the Star Trek video games that were released last year despite having planned to do so.

Discovery’s fifth season thus exists in a strange place for me at this time. I don’t feel a great deal of hype or excitement for its premiere, not in the same way as I did for all four of the show’s previous seasons. If I’m being brutally honest with my introspection… I can’t even say with 100% certainty that I’ll watch it as it’s being broadcast, or whether I’ll pick up Paramount+ later in the year for a month or two and watch it then. I’d love to be able to say “stay tuned for weekly reviews,” as I’ve generally enjoyed the process of writing reviews for Seasons 3 and 4. But at this point… I’m not 100% committed to doing that.

A behind-the-scenes photo showing the USS Discovery bridge set.
A behind-the-scenes glimpse of the USS Discovery’s bridge set.

But enough about that for now! I have a longer piece on the burnout I’ve been feeling – which you can find by clicking or tapping here – if you’re interested to read more.

As I look ahead to Discovery’s fifth season, there are several loose ends that I’d like to see the series tie up, some narrative traps that I hope can be avoided, and a couple of fantasies – that will almost certainly go unfulfilled – about the series tying its 32nd Century setting closer to the rest of Star Trek. It’s these points that we’re going to look at today. I’m calling this piece my “wishlist” for Season 5!

But first, I have to give my usual caveats! Firstly, I have no “insider information,” and I’m not claiming that anything discussed below will be included in Discovery’s upcoming season. This is a wishlist from a fan, and nothing more. Secondly, we all have different opinions about what makes for a good Discovery story. I’m offering my subjective take on what I’d like to see included, and you are free to vehemently disagree with all of the points I raise. Nothing about this is “objective” in any way! Now that that’s out of the way, let’s get started!

Wish #1:
A proper ending.

The famous "That's All Folks" graphic shown at the end of Looney Tunes cartoons.
Season 5 will be Discovery’s final outing.

Season 5 is to be Discovery’s swansong, and I’m already deeply worried about that. Comments from people who worked on the season – most notably director and Star Trek legend Jonathan Frakes – have confirmed that last-minute re-writes and extra filming sessions were required to “make the finale into the finale” after news of the show’s cancellation broke. To me, that suggests that Season 5 was not written with the show’s cancellation in mind, and that raises some pretty big concerns about how conclusive and definitive its ending will be.

There are many different ways to bring a story to its end. I’m not, for example, suggesting that the entire main cast should be killed off, nor that the show’s end needs to be explosive and dramatic. But other Star Trek shows have done their best to give their crews a proper send-off – whether it was Deep Space Nine showing its characters going their separate ways, Voyager finally making it home, or even Enterprise’s ultimately disappointing attempt to show the founding of the Federation. Discovery’s characters deserve an ending, in whatever form that may take.

Still frame from the Deep Space Nine Season 7 episode What You Leave Behind showing Chief O'Brien in his cabin.
Chief O’Brien left DS9 and headed for Earth in the series finale.

Let’s be blunt: there won’t be a Picard-style resurrection for these characters in twenty years’ time. While it’s still possible that we might see the likes of Tilly or Kovich in Starfleet Academy (assuming that series is still going ahead amidst the neverending chaos of the Paramount corporation), for most of the crew, this is the end. And that end, however it may come, needs to be worthy of the show and its great cast of characters.

At the very least, I’d like to see all of the main characters get an ending to their respective arcs and stories – and if we can stretch things out, there are several prominent secondary characters who deserve that, too. Again, we don’t need to see anything explosive or dramatic for everyone; something as simple as Admiral Vance choosing to retire with Burnham taking over as head of Starfleet could be one way to handle those characters, for instance. One way or another, though, we need to get an ending that feels conclusive… and doesn’t feel like it was written on the back of a napkin in twenty minutes because Paramount’s executives have no idea what they’re doing.

Wish #2:
Lower the stakes.

Still frame from the Discovery Season 2 episode Such Sweet Sorrow showing a spaceship launching a fleet of unmanned drones.
Control threatened to wipe out all life in the galaxy in Season 2.

Discovery has, over its four seasons so far, put the entire Federation in danger no fewer than four times. Putting Earth itself in the firing line at the end of Season 4 was just the icing on the cake… but it’s past time to try something different. Other Star Trek shows have used the “massive galaxy-ending threat” storyline quite sparingly – and that’s been to their benefit. It’s only Picard that’s come close to over-using this trope as much as Discovery.

There are so many stories that can be told in this wonderful sci-fi setting that don’t require such high stakes. Stories can focus on individual characters, factions, planets, and so on without forcibly cranking the drama up to eleven. This is now Discovery’s last chance to tell a story that doesn’t involve some sort of existential threat to the Federation and/or the entire galaxy, and I’d really like to see how Captain Burnham and the other characters thrive in that kind of narrative environment.

Still frame from Discovery Season 3 showing the destructive event known as "the Burn."
The apocalyptic disaster known as “the Burn” was the driving force behind the story of Season 3.

The season’s original premise seemed to tease a mystery – one that could tie into the events of The Next Generation or even the Picard eras, which could be a ton of fun. Unravelling an archaeological mystery, searching for some kind of hidden treasure, and striking out on a bona fide adventure are all ideas that could make for an entertaining and compelling story.

Some of my all-time favourite Star Trek episodes (and favourite Discovery episodes too, come to that) are smaller character-focused pieces, or stories that put exploration and adventure at their core. We’ve seen glimpses of this in Discovery, with episodes like An Obol for Charon in Season 2 and Choose to Live in Season 4, but those stories still came along as part of season-long arcs about imminent threats to all life in the galaxy. It would be great if Discovery could take this last opportunity to tell a story with lower stakes and let us see how the characters we’ve come to know would cope with an altogether different kind of mystery.

Wish #3:
Finally explain the events of the Short Treks episode Calypso.

Still frame from the Short Treks episode Calypso showing Craft in the USS Discovery's shuttle bay.
Craft aboard the long-abandoned USS Discovery.

If you’ve been a regular reader for a while, you might remember this particular point from my commentary leading up to Seasons 3 and 4 as well! Thus far, Discovery has taken steps toward embracing some of the plot points from Calypso – including the creation of Zora from a merging of the ship’s computer and the sphere data, as well as the use of the term “V’Draysh” to refer to the post-Burn Federation. But on the other hand, the ship’s retrofit, the galaxy-wide ban on time travel, and the show’s current place in the timeline have all taken steps away from what we saw in this mini-episode.

Maybe I’m one of the last people to still give a shit about Calypso. It was a fifteen-minute mini-episode produced in 2018 for the sole purpose of trying to retain subscribers to what was then still called CBS All Access in between seasons of Discovery. Maybe I should just… write it off. But because Calypso still feels like such an outlier – and a mysterious one at that – I can’t. I want to see some kind of conclusion to its story, and with this being Discovery’s final season, it’s all but certain to be our last chance to get one.

Still frame from the Short Treks episode Calypso showing the USS Discovery engaging its tractor beam.
The USS Discovery in Calypso.

A big part of me suspects that Calypso will be brushed aside by Paramount. It seems clear at this point that it was written at a time when Discovery was flirting with cancellation after an unimpressive first season, and could have served as a kind of epilogue to Season 2 with only a couple of narrative tweaks. It also set up Season 2 in suitably mysterious fashion, leaving us wondering about the thousand-year time-jump and the state of the galaxy in the far future.

If left unresolved, Calypso wouldn’t be the only outlier in the history of the franchise – not by any means. Star Trek’s world has grown and evolved over decades, with storylines and ideas falling by the wayside. Maybe it would be too complicated to write an explanation for Calypso in the confines of a ten-episode season that also has a lot of work to do for other characters and storylines that are arguably much more important. But with talk of a mystery that could be centred on the 24th Century… I can’t help but wonder. Could some kind of time-travel be on the agenda? And if so… could the USS Discovery and its computer end up hidden in a nebula for hundreds of years, waiting for the crew to return when the time is right?

Wish #4:
A major connection to the Picard era.

Still frame from Star Trek: Picard Season 3 showing the USS Titan approaching a space station.
The USS Titan.

For two shows in the same franchise that were in production simultaneously for three full seasons, there’s been remarkably little crossover between Picard and Discovery. The inclusion of the Qowat Milat from Picard’s first season has been the biggest, but it feels like both shows missed open goals when it comes to making bigger connections. I don’t want to see Star Trek go down the Marvel route of making every show and film one piece of a bigger puzzle – because that kind of storytelling has its own limitations. But there’s more Paramount could do to connect disparate parts of the Star Trek franchise, even with Picard and Discovery being set centuries apart.

A teaser trailer for Season 5 (which was only shown at a fan convention, as far as I can tell) featured a Romulan scout ship of the same design seen in The Next Generation – according to reports from those who saw it. Combined with what we know about the story’s “ancient mystery,” some kind of connection to the 24th Century seems to be a possibility – and that’s great! Anything that ties into The Next Generation and the shows of that era would be wonderful to see.

Still frame from The Next Generation Season 3 episode The Defector (remastered version) showing a Romulan Scout Ship.
A Romulan scout ship in The Next Generation.

But there’s got to be more to it than just a hit of cheap nostalgia for nostalgia’s sake. A successful story that ties into the events of The Next Generation and Picard could do a lot for the languishing Picard spin-off pitch – Star Trek: Legacy. Many Trekkies, myself included, would love to see another series or film set in the Picard era, and Discovery’s final season could help set it up and rally more support.

In any event, this is Discovery’s last chance to connect to Picard. With Picard having concluded its run, perhaps the necessity of such a connection is lesser now than it was a couple of years ago… but I’d still like to see something more. It doesn’t have to be a major appearance by a main character or anything like that – though that could be absolutely phenomenal if handled well – but if Discovery could do something more to connect with its sister show, I’d appreciate it!

Wish #5:
Undo some or all of it?

Still frame from the Discovery Season 2 episode Such Sweet Sorrow, Part 2 showing Michael Burnham time-travelling.
Could time travel lead to a reboot of Star Trek’s far future?

This isn’t something I’m sure I want to see – hence the question-mark! But Discovery’s 32nd Century has certainly been a departure from what we’ve come to expect from Star Trek’s incredibly positive and optimistic take on the future. Furthermore, its place in the timeline casts a shadow over practically every other Star Trek story; the knowledge that the Burn will come along and cripple the Federation is now forever present, and that can have an impact on how future stories are perceived.

For much of Season 3, I wondered whether Discovery’s writers were planning to “undo,” through time travel, parallel universes, or other technobabble shenanigans, the Burn and the post-apocalyptic 32nd Century. Going that route could’ve even tied in with Calypso, the Short Treks episode we discussed a moment ago. It didn’t happen in the end – and Season 3 came to an end with the Burn’s cause being explained and the Federation beginning the slow task of rebuilding.

Still frame from the Discovery Season 2 episode The Red Angel showing Michael Burnham.
Time travel and undoing broken timelines has been a theme in Discovery already.

At this point, with two full seasons set in this time period and having been introduced to several genuinely interesting characters, wiping out this version of the 32nd Century would be difficult to pull off from a narrative standpoint. In-universe, however, there are still some good arguments for doing so. Saving the lives lost during the Burn is one, as is saving the future from more than a century’s worth of strife and difficulty. Going back in time could also save Kwejian and other worlds from last season’s dark matter anomaly.

I doubt that this is the way Discovery will choose to go in its final season… but there are arguments in favour of resetting the 32nd Century to bring it more in line with the rest of the franchise – especially if Paramount hopes to make the 32nd Century the setting for other projects. Starfleet Academy seems all but certain to be set in this era, and while there’s something to be said for stories about rebuilding after a disaster… Discovery hasn’t really done much with that idea so far. Maybe it would be better to admit now – before it’s too late – that “post-apocalyptic Star Trek” was a mistake, and find a way to undo it.

Wish #6:
A big-picture look at the state of the galaxy and its factions.

Still frame from the Discovery Season 3 episode There Is A Tide showing Admiral Vance and Osyraa at the negotiating table.
The Emerald Chain is one of the only new factions we’ve met in the 32nd Century so far.

Star Trek has built up its factions and their relationships over the course of decades, and only rarely has the franchise “zoomed out” to take a broader look at the shape of the galaxy. But with the 32nd Century still being a relatively new setting, there’s so much that we still don’t know about how the galaxy looks in this era. It would be great if Discovery could shine a light on at least some of the factions that we remember from past iterations of Star Trek, showing us what became of them over the centuries.

Several factions have been name-dropped over the past couple of seasons: the Borg, for example, and the Q Continuum. And we’ve seen background characters from races like the Ferengi and Lurians that indicate they’re still around. But other major races and factions from Star Trek’s past are noticeably absent: where are the Klingons, the Betazoids, or anyone from the Delta Quadrant? It would be great to catch up with even one returning faction and see what position it’s in – and if I had to choose, I guess the Klingons would be the most interesting. Not only has the Klingon Empire been a major faction across Star Trek’s history, but Captain Burnham and the crew had multiple run-ins with them in the 23rd Century.

Still frame from the Discovery Season 1 premiere showing the Klingon character T'Kuvma.
The Klingons played a big role in Discovery’s first two seasons.

If Discovery could zoom out, though, even just for a few moments, and show us other major players in the 32nd Century beyond the Federation and the Emerald Chain… I’d really appreciate it. It would be wonderful to see how the Star Trek galaxy has evolved over that time, as well as seeing how powers like the Klingons or the Borg coped with the effects of the Burn and its aftermath. With the Burn now 100% confirmed to have originated with the Federation… could that cause tension or even conflict? There’s a lot that could be explored here.

Setting up what the galaxy looks like beyond the Federation’s borders could also be to the benefit of Starfleet Academy and any other potential spin-off projects, giving them something to build from. Discovery’s 32nd Century feels very open-ended at the moment – and that can be a good thing, don’t get me wrong. But beyond just the curiosity of seeing more of the galaxy in this era, there are solid narrative reasons for establishing the status of major factions and races.

Wish #7:
Properly explain Dr Kovich and his role in the Federation.

Still frame from the Discovery Season 5 trailer showing Dr Kovich and Captain Burnham.
Dr Kovich and Captain Burnham in the first Season 5 trailer.

Dr Kovich is a fun and enigmatic character, portrayed brilliantly by David Cronenberg. But he’s also mysterious to the point of being frustrating, and I’d like to see Discovery finally explain who exactly he is and what his role is within the Federation’s hierarchy. We’ve seen Dr Kovich as a psychiatrist, a military analyst, a commander with the authority to give orders, a teacher or professor, someone with classified medical knowledge, and more. Last season, he told Captain Burnham that he couldn’t accompany her on Discovery’s mission to the galactic barrier because he had “more important things to do,” only for that line to be ignored as the season came to a close.

So once more I’m asking this question: who is Dr Kovich? What’s his role in Starfleet/the Federation? Is he, as I’ve long suspected, the head of – or perhaps even the sole survivor of – Section 31? The latter could be an interesting tie-in with the upcoming Section 31 TV movie.

Still frame from the Discovery Season 5 trailer showing Dr Kovich.
Could Dr Kovich work for Section 31?

Enigmatic and mysterious characters are a ton of fun. But Dr Kovich has, for me at least, crossed a line. He seems to be too perfect; a master of too many trades and a jack of none. Narratively, he seems to be moved around at the drop of a hat to fill any senior role that the writers need – but with no explanation of how he has all of this classified information and knowledge of such a broad range of subjects. If he was part of Section 31 in this era, a lot of that would make sense.

Perhaps that will have to be my own personal “head canon,” though! Still, with Dr Kovich returning this time, it would be nice to learn more about who he is and what exactly his rank or position is within Starfleet or the Federation. He’s also a character who has the potential to reappear in Starfleet Academy… so if he can’t be given a full explanation or spotlight episode this time, maybe there’s still hope!

Wish #8:
Tee up the “next phase” of Star Trek.

Still frame from the Discovery Season 4 premiere showing Burnham addressing a class of Starfleet Academy cadets.
A series set at Starfleet Academy has already been announced.

Discovery’s cancellation, if you really think about it, could be a turning-point for the Star Trek franchise. It was the first made-for-streaming Star Trek series, the first fully-serialised show, the first Star Trek series on the small screen in more than a decade, and the first to explore this new 32nd Century setting. Its finale will mark the end of an era – so the question “what comes next?” should be firmly on the minds of executives and producers.

Discovery is bound to do something to lean into or set up Starfleet Academy – I think that’s a given. We already saw a “backdoor pilot” in Season 4, and I think Season 5 could expand upon that, perhaps giving some of the cadets from that episode more of a starring role. But beyond Starfleet Academy and Section 31 – another Discovery spin-off – what else can this final season do to give potential future projects a foundation to build upon?

Still frame from the Discovery Season 3 episode Terra Firma, Part II showing Burnham and Georgiou.
Season 3 has already set up the Section 31 TV movie.

There are many ways this could go – from doubling-down on characters and themes to killing off half of the cast or even overwriting some or all of this iteration of the 32nd Century. But if Discovery could use this final season to blaze a trail that other shows could follow – without leaving things unresolved or ending on a deliberate cliffhanger – I think that would be fantastic.

Star Trek’s future is up in the air right now, with three of the franchise’s shows all coming to an end and questions over Paramount’s future. Personally, I don’t think it’s impossible to imagine a time in the very near future when Star Trek is once again on hiatus. But a solid final season from Discovery could include something for fans to keep in mind – and for the franchise to return to in the future.

Wish #9:
Spend a bit more time with one or two of the secondary characters.

Still frame from the Discovery Season 4 episode Coming Home showing T'Rina and Saru.
T’Rina and Saru.

The question of Discovery’s secondary characters – and the bridge crew in particular – always feels like a contentious one in some quarters of the fan community. We all agree that Discovery was pitched as “the Michael Burnham show,” but that doesn’t mean there isn’t room to spend a bit more time with some of the other members of the crew… especially as Burnham has arguably seen her main character arc come to somewhat of a conclusion.

It was interesting in Season 4 to spend a bit of time with some of the folks at Federation HQ – T’Rina, President Rillak, and Admiral Vance all made fine additions to the show’s cast of characters, and several members of the crew also got moments in the spotlight. Not all of these character moments have worked as well as they should, perhaps, but I appreciate the effort!

Still frame from Discovery Season 4 episode Coming Home showing Admiral Vance with his wife and daughter.
Admiral Vance with his family.

It would be great if Season 5 could find the time to explore someone like Owosekun or Rhys a bit more. Or even to bring back someone like Gray, who was rather unceremoniously shuffled off the series at the earliest opportunity. Now that Burnham is firmly embedded in the captain’s chair, has resolved her issues with Starfleet, and settled her relationship with Book, there’s perhaps more of an opportunity than in past seasons to spend more time with other members of the crew.

Obviously in a ten-episode season with a mysterious main story, we aren’t going to have time for a detailed look at everyone. That’s a shame – but it is what it is! I’d settle for even a single episode with a focus on one of the secondary characters, or storylines featuring a couple of them spread throughout the season.

Wish #10:
Standalone episodes and storylines to offset the season’s main narrative arc.

Still frame from the Discovery Season 4 episode Choose to Live showing the interior of the Abronian spaceship.
Saving the Abronians in Choose to Live was one of the highlights of Season 4.

When I think about Seasons 3 and 4, my favourite episodes and storylines were actually off to one side, not really part of the main season-long narratives in either case. Episodes like Terra Firma and Choose to Live were among the highlights of their respective seasons, and that’s because they did something that Discovery hadn’t really done before: self-contained episodic storytelling.

Since the likes of Lost and Game of Thrones set the entertainment world ablaze with incredibly popular serialised stories, that’s the only model that most executives have wanted to pursue. But a franchise like Star Trek was built on an older style of episodic storytelling, and that’s something many fans have long appreciated and want to see more of. It’s also, I would argue, why a franchise like Star Trek proved to be so popular in re-runs and on DVD: you don’t need to have followed a whole season-long story, it’s easy in most cases to just pick up an episode or two and have a great time. But that’s a longer conversation that we’ll have to save for another time!

Still frame from the Discovery Season 3 episode Terra Firma featuring the character of Carl.
“Carl” in Terra Firma Part I.

Strange New Worlds managed to strike a wonderful balance in its first season. Characters could have season-long arcs, learning, growing, and changing as their adventures unfolded, but each week the crew would be in a different situation, orbiting a different planet, facing a different foe, or tackling a different challenge. This blend of serialised arcs with episodic storytelling was fantastic – and I would dearly love to see more of it in Star Trek (and on TV in general!)

I don’t expect Discovery to fully go down the Strange New Worlds route – as much as I’d love to see it. But there really ought to be time for a couple of standalone episodes, perhaps focusing on other characters off to one side as the ship and crew travel to their next destination. Opening up the season to new and different adventures would be well worth it!

So that’s it!

Promo photo for Discovery Season 5 featuring Captain Rayner.
Captain Rayner… a new character for Season 5.

Those are ten of my wishes for Discovery’s upcoming fifth season. Although I’ve been feeling that sense of burnout that I described earlier, I do fully intend to watch Discovery this spring. Whether I’ll sign up for Paramount+ in April to watch it week by week or whether I’ll wait till June and binge it… I can’t be sure right now! But as I said shortly after New Year when I put together my annual “looking ahead” list, Discovery is a series that I’m looking forward to.

My biggest concern at this early stage has to be whether the series can manage to put together a solid, conclusive ending given that no such ending was originally written. Can re-writes and a couple of days of additional shooting make up for that deficit? Or will the series come to a close in unspectacular or even disappointing fashion?

I hope you’ll stay tuned here on Trekking with Dennis, because there will eventually be episode reviews and perhaps some additional commentary once Season 5 gets going. And when the series has broadcast its final episode, I’m sure I’ll have something to say about the way it ended – as well as perhaps taking a retrospective look at Discovery as a whole. Until then… Live Long and Prosper!

Star Trek: Discovery Season 5 will be broadcast on Paramount+ in countries and territories where the platform is available beginning in April 2024. Seasons 1-4 are available to stream now, and are also available on DVD/Blu-ray. The Star Trek franchise – including Discovery and all other properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

I have serious concerns about Discovery’s finale

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4.

As you may know by now, the upcoming fifth season of Star Trek: Discovery, which is due to be broadcast early next year, is going to be the show’s final outing. Paramount broke this news back in March – and true to form, did so in a poor way and with shockingly bad timing, though I suppose that’s somewhat beside the point. Discovery hasn’t always been everyone’s favourite Star Trek show, and I get that. But I think the one thing that Trekkies and viewers should be able to agree on is this: Discovery’s fans deserve to see a decent and conclusive ending.

Whatever you may have thought of the show, its characters, and its storylines, a creditable final season capped off with a solid ending could reframe how we view the show, and could even bring in some new fans. And every show, especially serialised ones like Discovery, should see their main character arcs and narrative threads tied up by the time the curtain falls for the last time.

Season 5 will be Discovery’s last.

When news of Discovery’s cancellation broke, I wrote the following here on the website:

“It’s my hope that Discovery’s writers will have known the end was coming well enough in advance to have planned out a conclusive ending for the series and its characters […] If this recently-announced news had been known to the producers and creative team, hopefully they will have been able to put together an ending worthy of the show and its great cast of characters.”

When a creative team knows that their production is coming to an end, they can find ways to wrap up storylines and pay off character development, bringing things to a conclusive end for at least some of the characters in the show. That’s what I hoped would happen for Discovery.

Captain Burnham exploring a ruin in the Season 5 trailer.

But unfortunately, we’ve recently learned that a conclusive end to Discovery was never written. In fact, it sounds like the show’s finale was a rushed affair comprised of last-second rewrites and pick-up shots – because in true Paramount style, the corporation has no idea what it’s doing with the flagship series for one of its biggest brands.

Star Trek legend Jonathan Frakes directed the first half of Discovery’s fifth season finale – the episode that will now serve as the series finale. And he recently had this to say about it:

“When we did it [filmed the Season 5 finale] we didn’t know it was the end. And then Olatunde Osunsanmi had to go back up and do two or three days of new stuff to actually make the finale the finale.”

Jonathan Frakes with Saru actor Doug Jones during production on Season 3.

I don’t want to cast aspersions on the work of Olatunde Osunsanmi, who has directed some fantastic Discovery episodes – including Season 4’s Coming Home, which I regard as the high-water mark of the entire series. But Frakes’ comments sound incredibly ominous, and I have a bad feeling about Discovery’s finale right now.

In what Frakes recalls as being “two or three days,” additional work was done on the finale to wrap things up. Considering that a normal episode takes far longer than that to produce… I just don’t see how enough can have been done, even with a good director and a team who were ready to go. That’s on top of the emotional toll that would have been taken on the cast and crew as they learned – apparently at the last moment – that the series was to be cancelled.

Mary Wiseman as Tilly in the Season 5 trailer.

Although Starfleet Academy may serve as a spin-off of sorts, continuing Discovery’s 32nd Century setting for another season or two, I doubt we’ll get much more of a follow-up. Discovery isn’t The Next Generation – there won’t be a fan campaign to bring it back, nor is there likely to be a Picard-style resurrection in a few years’ time. This is it for Discovery, and as a series with such a strong serialised focus, that means a definitive and conclusive ending is necessary. It just isn’t possible to write something like that on short notice, let alone film it in a couple of days.

After working on a series for five seasons across more than seven years, the cast and crew had to have known that there were almost certainly fewer days ahead than there were behind. But even so, the manner of Discovery’s cancellation feels all the more brutal in light of Frakes’ comments, and I really feel for everyone involved in the production. Apparently Season 5’s original ending would have at least left the door open for a potential sixth season, and with filming having been completed, that was then ripped away from the cast and crew at the last possible moment. Not for the first time, we’re talking about a lack of professionalism, management, and just basic decency at the upper echelons of Paramount.

Tom Ryan, CEO of streaming at Paramount Global.

Paramount Plus is failing. Discovery’s cancellation is one consequence of that, Prodigy’s equally abrupt end is another, and there are other examples we can point to beyond the Star Trek franchise. As Paramount’s executives continue to flop around, unable to get to grips with a streaming market that they have no clue about – and continue not to understand – desperate decisions like these will keep being taken. With writers’ and actors’ strikes on top of that, the future of Star Trek beyond 2024 feels very uncertain indeed.

If there was any evidence of a coherent plan behind the cancellations of Discovery and Prodigy, maybe it wouldn’t feel that way. Slowing down the Star Trek franchise, refocusing on fewer productions that might all share a single timeline, and prioritising quality over quantity are all good things – and if that’s what Paramount was doing, I’d actually be supportive of it.

But that’s just not what’s happening.

The USS Discovery in Season 4.

The seemingly chaotic way in which Discovery was cancelled, after its entire fifth season had been written and filmed, speaks to that. There’s no plan here, no direction. Paramount saw the losses mounting for its streaming platform and has hit the panic button. There may well be serious narrative consequences for Discovery as a result.

No one expected Discovery to last forever, and after several cancellation scares and rumours in years past, as well as being an expensive series to produce that arguably never quite managed to make good on that initial investment… the writing has arguably been on the wall. But as a fan of Star Trek, and as someone who has supported Discovery as best I can across its run, I want to see the show get a decent ending. Whether or not you think Discovery as a series deserves that… surely you can agree that its fans and supporters do.

Sonequa Martin-Green during production on Season 5.

Perhaps it shouldn’t come as a surprise, given the chaotic and haphazard way in which the overall Star Trek franchise is being handled, that its flagship series was cancelled without a plan and without an ending written. Paramount is incompetent at every level, so nothing about this situation shocks or surprises me any more. But that doesn’t make it any less disappointing – or any less worrying.

Seasons 3 and 4 both had their issues. Pacing, structure, overused tropes, forced drama, and boring relationship nonsense all dragged down what could have been stronger and more interesting stories. But there was also a sense that Discovery was rediscovering some of that Star Trek magic, and especially in the fourth season finale, things seemed to be improving. I wouldn’t have chosen to cancel Discovery if I were in charge.

Coming Home set the stage for what should be a great fifth season.

But if there was a threat of cancellation in the air – and after more than seven years in production, with five seasons having been created in that time, it’s inevitable that those conversations would have been happening behind the scenes – then a timeframe for that decision needed to be in place. If cancellation were a realistic outcome, a story with a definitive ending needed to be written – not one that had to be rewritten at the last moment.

There’s a very real danger, I fear, that Discovery’s finale will be a disappointment. Moreover, depending on when these additional scenes and sequences may have been filmed, there’s also the prospect that they’ll be incredibly obvious and that it’ll be painfully clear which scenes were part of the original version of the episode and which were the last-second pick-up shots.

Kovich and Burnham in the Season 5 trailer.

With Star Trek’s future so uncertain, and the survival of Paramount Plus hanging in the balance, the last thing we need is a disappointing, underwhelming, or incomplete Discovery finale. A poorly-received final episode could end up seriously detracting from the show’s very real successes, as well as harming the prospects of both of its upcoming spin-off projects: Section 31 and Starfleet Academy. Paramount needs to get this right – and realistically, that meant planning for the end from the ground up. Season 5 as a whole needed to be written with the show’s end in mind, and it wasn’t. It couldn’t be – because once again, Paramount dropped the ball.

After Coming Home had been such a fantastic end point for Season 4, and with the promise of Discovery finally dropping its “the whole galaxy is in danger and only Burnham can save it!” premise, I felt that Season 5 had a solid foundation to build upon. When the show’s cancellation was announced it was a disappointing blow – but one that, under the right circumstances, could have worked. Now that we know Season 5 wasn’t intended to be the show’s final season, and that last-second rewrites and pick-up shots were needed, I really am concerned that the show’s ending won’t be as conclusive, as definitive, or as enjoyable as it ought to be.

Star Trek: Discovery Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available, and are also available on Blu-ray. Season 5 will stream on Paramount+ in early 2024. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The end of the beginning… or the beginning of the end?

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4 and the trailers and teasers for Season 5.

We’re going to have to delay my review of the latest Star Trek: Picard episode by a day or two in order to do something that I rarely do here on the website: cover some breaking news. If you haven’t heard, let me be the bearer of what may or may not – depending on your perspective – be a bit of bad news: Star Trek: Discovery is going to end after its fifth season.

Forgive me for thinking negatively, but as soon as I heard that announcement, I felt a sinking feeling in my gut. Since filming wrapped on Discovery’s fifth season late last year, no live-action Star Trek has been in production for the first time in a couple of years. Not only that, but Picard’s ongoing third season is going to be that show’s swansong… and despite a spectacular first season, there’s been no news on a third season renewal for Strange New Worlds, at least at time of writing, even though production on Season 2 wrapped months ago. So could this be, as I fear, the beginning of the end for Star Trek in its modern incarnation?

How much life is left in the Star Trek universe?

Discovery brought Star Trek back to its small screen home in 2017 after twelve years in the wilderness. The show served as a launchpad for the Star Trek franchise as it exists today – and it’s highly likely that we would never have seen Picard, Lower Decks, Prodigy, or of course Strange New Worlds were it not for the trail that Discovery blazed. But with its cancellation after Season 5 – which is due to be broadcast sometime in early 2024 – is Star Trek in a better or more secure place than it was in 2017… or in 2005?

I’d argue that it isn’t.

Shortly after new year, I published a piece here on the website titled 2022: A Great and Terrible Year for Star Trek, in which I took a look at what I considered to be the highs and (considerable) lows that the franchise endured over the course of a rollercoaster year. Although there was a lot to say, perhaps my biggest conclusion was simply this: franchise fatigue is beginning to set in. It’s through that lens that I must view the news of Discovery’s imminent ending.

The final shot of Discovery’s fourth season finale.

Unlike with Enterprise in 2005, it’s my hope that Discovery’s writers will have known the end was coming well enough in advance to have planned out a conclusive ending for the series and its characters. Enterprise’s finale was divisive among fans, and the show’s final season seemed to leave more than a few characters and storylines up in the air by the time the curtain fell. If this recently-announced news had been known to the producers and creative team, hopefully they will have been able to put together an ending worthy of the show and its great cast of characters.

And as I’ve said more than once: it’s infinitely better for a show to end leaving its audience wanting more, lamenting that we didn’t get “just one more season,” rather than dragging on too long and having us regret that the end didn’t come earlier! Discovery has been an imperfect production, don’t get me wrong, but with the current state of Star Trek being what it is… maybe this is simply the right time for the show to come to an end. If there weren’t great ideas on the table for future story arcs, then I’d rather it came to a close with one last hurrah instead of dragging on ad infinitum.

Michael Burnham in the trailer for Discovery Season 5.

Star Trek can’t keep up the pace that we saw in 2022, where more than fifty episodes across five shows all debuted in a single calendar year. It’s just too much – and it risks putting off new viewers, who are precisely the people that Paramount needs to convince to tune in if Paramount+ is to have a snowball’s chance in hell of surviving the streaming wars. Making Star Trek too dense, too convoluted, and just too large is what’s been happening over the last few years, so stepping back from that shouldn’t be seen as a bad thing. If anything, it should be a net positive for the franchise.

With Picard also coming to an end, there’s the potential to perhaps scale back Star Trek and refocus. Take what worked about the shows over the last few years and hone it, disregard failed experiments, and have Star Trek operate in a similar fashion to other streaming franchises – with a focus on quality over quantity.

Star Trek: Picard is also coming to the end of its run.

But is that Paramount’s goal? With two live-action shows coming to an end, there’s the potential to put more money and energy into Strange New Worlds, for example, as that show was very well-received. But with no third season having been announced so far… I can’t shake the feeling that this really could be the beginning of the end for the franchise as a whole.

Depending on how things are scheduled, there’s enough Star Trek in production or post-production to coast through into the first half of 2024. But what then? A third season of Strange New Worlds – if one is to be produced – might also debut that same year… but 2025 could end up being like 2005: the end of the road.

Is this moment akin to 2005?

If that were to happen, Paramount only has itself to blame. The corporation has mismanaged both the Star Trek franchise and its streaming platform in catastrophic fashion, seemingly led by the most inept team of morons to ever assemble in a boardroom. Before Discovery had even been conceived, an ageing corporate board with no knowledge or understanding of streaming or the internet saw the success of Netflix and said “make me one of those.” CBS All Access was born – and Star Trek was tapped to be its flagship franchise.

But was Star Trek ever big enough to place such a burden upon it? Even if Discovery had been flawless and had landed with minimal controversy, pinning the profitability of a streaming platform on its success was always a bad idea. It isn’t Discovery’s fault that CBS All Access – as Paramount+ used to be known – didn’t become the “next big thing” in streaming… and it isn’t Discovery’s fault that Paramount+ remains massively unprofitable today.

Discovery was created to be the flagship series for CBS All Access.

Paramount is in the wrong business. The board is right about one thing: streaming is the future. But they jumped into that market a decade too late, unprepared, and without the technical know-how or infrastructure to really make it work. The only thing CBS All Access/Paramount+ had going for it were shows like Star Trek – but I think Paramount is belatedly learning that the Star Trek franchise simply doesn’t have the mainstream appeal to carry an entire streaming platform.

So what does all of this mean for Star Trek’s future? Maybe it’s too early to hit the panic button… but I confess that I feel echoes of 2005. It’s been surprising to me that no spin-offs or new projects have been announced, and in a way, the announcement of Discovery’s cancellation was another opportunity to do so. The tone would be very different if the press release had stated that “Discovery is coming to an end… but Starfleet Academy or Captain Seven are entering production.”

Does Alex Kurtzman have a surprise up his sleeve?

So here we are. After a creditable six-year run, and numerous cancellation scares, Discovery will be coming to an end. Its imminent fifth season actually looks fantastic – and if it makes good on its promise of telling a different kind of story, perhaps in another world that could have set the stage for the show’s continuation. Perhaps the tragedy here will be that Discovery changed tack too late – that four whole seasons of “the galaxy is in danger and only Burnham and the crew can save it!” was just too much. That would certainly be my assessment, and as enjoyable as parts of Season 4 were, maybe if a different kind of adventure had been written last time around, we could’ve gotten an extra season or two.

There are a lot of unanswered questions. What of the backdoor pilot for a Starfleet Academy series that we seemed to get partway through Season 4? If Star Trek as a whole continues, will another series pick up Discovery’s 32nd Century setting – or does Paramount consider the far future to have been a bit of a misfire? Will Star Trek continue at all after Strange New Worlds Season 2 and Discovery Season 5? Is anyone at Paramount ready for a difficult conversation about what’s going wrong?

Paramount ought to reconsider many of its recent decisions…

I’m not thrilled to learn that Discovery won’t continue. Although not every season and every character fully stuck the landing, there’s been some fantastic entertainment along the way – episodes and moments within episodes that hit all of the high notes that we know Star Trek can. Moreover, by the time the curtain fell on Season 4, I felt that Discovery had finally turned a corner. Having settled Burnham into the captain’s chair, and told a story about seeking out new life – the very core of Starfleet’s mission – it felt that the show had finally achieved its potential. Season 5 will hopefully capitalise on this – but it will be short-lived, with only ten episodes left for the series to shine.

The history of Star Trek is one of stepping-stones: series and films that lead to new, different, and often better things. Just as Enterprise and the Kelvin films led to Discovery, so too has Discovery led to Picard, Lower Decks, Prodigy, and Strange New Worlds. Whether these shows will lead, in turn, to new things, or whether the trail will go cold for a while, Discovery played its part. It may not have always done so perfectly, but I’m confident that its place in the franchise’s history is assured – and I suspect that at least some of its critics will be won over if they give it a second chance!

I’m still looking forward to Season 5 – but it’s now a rather bittersweet feeling, knowing it will be our final outing with Captain Burnham and the crew. Not to mention that this news has massively increased concerns for the overall direction – and indeed the future – of the Star Trek franchise as a whole.

Star Trek: Discovery Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available, and are also available on Blu-ray. Season 5 will stream on Paramount+ in 2023 or 2024. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Looking ahead to 2023

Spoiler Warning: Minor spoilers may be present for some of the titles on this list.

As a new year gets underway, it’s a good opportunity to look ahead. There are some exciting-sounding films, television series, and video games that are currently on the schedule for 2023, and on this occasion I thought it could be fun to pick out a few that I find particularly interesting and preview them! I’ll share some of my preliminary, pre-release thoughts on ten of each.

On balance, I don’t think 2022 will be held in particularly high esteem in future in terms of its entertainment experiences. There were some good ones, but there were also plenty of delays and projects that just underwhelmed for one reason or another. Will 2023 fare any better? That’s still an open question… but there are certainly some big releases on the horizon that could potentially excel.

What does 2023 have in store?

It’s time for a couple of caveats! First of all, delays can happen at any time in the creative process, especially in a war-torn, pandemic-disrupted world. As a result, any or even all of the films, shows, and games that we’re going to talk about today could miss their intended release dates or release windows – and there really isn’t anything we can do about that! I’m firmly in the camp that says delays are almost always a net positive; while never fun, I’d rather creatives spent longer working on a project to finish getting it ready rather than launching it too soon. We don’t need to look far for examples of how wrong that goes!

Finally, these projects seem interesting or exciting to me personally for one reason or another… in my subjective opinion! I’m not trying to say that these are or will be “objectively the best” releases of 2023, nor should the exclusion from the lists below be interpreted as any kind of snub. I’ve just picked out a few projects that I find to be of interest, and if you hate all of my picks or I’ve excluded some of your favourites, please just keep in mind that this is only the opinion of one person!

With all of that out of the way, let’s get started!

Films:

I confess that I didn’t see a lot of films in 2022. I can’t go to the cinema any more due to my declining health, and while practically every major title made its way to a streaming platform last year, there were some I just wasn’t interested in or found that I didn’t have the right mindset or headspace for. That’s just the way it goes sometimes! That being said, there are some interesting films on the schedule for this year, and I shall be keeping an eye out for these ten in particular!

Film #1:
The Super Mario Bros. Movie

I’ve been pleasantly surprised by the two trailers we’ve seen so far for The Super Mario Bros. Movie. The film looks like it’s going out of its way to stay as true as possible to its source material, while at the same time putting a twist on Mario’s adventures in the Mushroom Kingdom. The “hero who has to save a princess” trope has been rather overdone – and feels pretty outdated in 2023 in more ways than one – so seeing Luigi being held captive by the villainous Bowser and Mario working with Peach feels like it should be a great change of pace.

The inclusion of an all-star Hollywood cast has proven controversial in some quarters, but from what I’ve seen of the film so far, I will be surprised if most folks aren’t won over by the time the credits roll. There will be some die-hard haters – as there always are in any franchise any time something is changed – but overall, I have high hopes for this one. This film could easily be the best animated film of the year – and one of the best non-Disney animated films of the decade!

Film #2:
Dune: Part Two

The first part of Dune was a surprisingly strong adaptation of a book that has proven to be notoriously difficult to adapt. I had a fantastic time with it when it was released at the end of 2021, and I’ve been meaning to go back and re-watch it for some time now. I was concerned that this sequel might not see the light of day if Warner Bros. didn’t feel the first part did as well as they’d hoped – but fortunately there was no denying the critical and commercial success of Dune in 2021!

The cast from the first film are all reprising their roles, and director Denis Villeneuve is returning to the big chair. Filming officially wrapped a couple of months ago, and Dune: Part Two is well into post-production at this stage. A November release is on the cards, and I’m really excited to see the story continue.

Film #3:
Knock at the Cabin

Director M. Night Shyamalan has an inconsistent track record, and I suspect his career has been more harmed than helped by acquiring an early reputation as the “master of twists.” But regardless, he’s back with Knock at the Cabin in 2023, a psychological horror film about a family who are confronted by four people who claim to be trying to prevent the apocalypse.

The film’s premise sounds interesting to me, and a cast that features Jonathan Groff and Rupert Grint feels like it has potential. I wouldn’t say my expectations for Knock at the Cabin are sky-high, but we could certainly be in for one of the more interesting titles in the horror genre this year.

Film #4:
The Little Mermaid

To be blunt, I wasn’t blown away by the visuals in the teaser trailer for The Little Mermaid. The CGI looks fantastic, but the fully live-action moments didn’t feel convincingly “underwater,” and actually looked pretty amateurish. Assuming that Disney can figure out a way to pull off those underwater sequences convincingly, though, The Little Mermaid should be a creditable adaptation of the 1989 animated film.

Visual criticisms aside, I feel hopeful that this new version of The Little Mermaid will introduce the story to a new generation. While the animated film is still perfectly watchable in its own right, there’s nothing wrong with updating things and recreating the film for a younger audience, and Disney has a pretty good track record at doing so by now.

Film #5:
Indiana Jones and the Dial of Destiny

Is it a great idea to bring back Indiana Jones for another adventure? As a child of the ’80s, I’d be lying if I said I don’t enjoy the Indiana Jones films… but Kingdom of the Crystal Skull was already a let-down. Dial of Destiny could redeem the series, ending Harrison Ford’s turn with the famous hat and whip on a high note – or it could double down on the disappointment!

This film is definitely one I’m placing in the “interested in” rather than “excited about” category. I don’t really have high hopes, but I’d love to be proven wrong. At the very least, I hope Dial of Destiny will be a passable popcorn adventure flick. Whether it will truly live up to its illustrious forebears… well, I’m less hopeful of that. If it succeeds at bringing in a wad of cash, though, I think we can expect to see reboots, prequels, and spin-offs in the years ahead!

Film #6:
Asteroid City

There isn’t a lot to go on with this film, billed as a “romantic comedy-drama.” But the director, Wes Anderson, has pedigree, and has put together a diverse ensemble cast that rivals his previous pictures, such as The Grand Budapest Hotel. The full cast list is far too long to include, but some of the standout performers for me that I’m interested to see include Bryan Cranston, Tom Hanks, Willem Dafoe, Tilda Swinton, and Scarlett Johansson.

Though I’m not entirely sure what to expect from this one, it could be a lot of fun! The setting is the mid-1950s somewhere in the American Southwest, and some kind of “stargazer convention” will be part of the plot, too.

Film #7:
Wish

To mark the company’s centenary, Disney is going to release Wish – a film all about the “wishing star;” the star upon which characters in other Disney films have made their wishes. The star itself is going to be a character of sorts, but the film will also introduce a new cast of characters, including Asha, voiced by Ariana DeBose of West Side Story fame.

Wish will also bring back a hand-drawn animation style, something Disney hasn’t used since The Princess and the Frog more than a decade ago. While we haven’t seen just how the film will look, some concept art has been released that looks absolutely beautiful. Disney’s big animated releases are almost always fantastic, and I have high hopes for Wish.

Film #8:
The Haunted Mansion

The third Disney entry on this list, The Haunted Mansion is the company’s latest attempt to turn a theme park ride into a film! No one would deny that Pirates of the Caribbean set a high bar for that concept a few years ago, but other attempts haven’t always worked! An adaptation of The Haunted Mansion twenty years ago (that I’m fairly sure I’ve seen but can’t really remember much about) starred Eddie Murphy, but even he couldn’t salvage what critics regarded as a picture that was average at best.

Jungle Cruise may not have been 2021’s film of the year, but I enjoyed it for what it was, so there’s definitely room for another theme park adaptation. The Haunted Mansion could be great to watch around Halloween; a kind of lighter, child-friendly horror title that will be spooky… but not too spooky!

Film #9:
65

65 has an unusual premise – an astronaut accidentally travels back in time to the era of the dinosaurs, and must figure out a way to survive. Adam Driver will take the lead in this sci-fi action-adventure, and his presence alone should make it worth checking out. Driver’s performances as Kylo Ren in the Star Wars sequel trilogy were outstanding, and his turn as a divorcee in Marriage Story was Oscar-worthy in my opinion.

That being said, I can’t help but feel that 65 could go either way! Its premise could make for a different kind of sci-fi title in a genre overrun by sequels and comic book adaptations… or it could turn out to be an overblown B-movie that didn’t deserve a leading man of such quality! Time will tell… but I’m definitely interested to see how it shakes out.

Film #10:
Napoleon

Ridley Scott will direct this historical epic that focuses on the rise to power of Napoleon Bonaparte. Scott has a great track record, with films like Alien and Thelma & Louise under his belt, but an earlier attempt at an historical epic – 1492: Conquest of Paradise – was not particularly well-received! Could this be a chance for redemption for the director in the genre?

The title role has gone to Joaquin Phoenix, and that feels like it could be an inspired choice. Backed up by a cast that features Ben Miles and Vanessa Kirby, I’ll be curious to see what Napoleon has to offer when it releases. The film will be an Apple TV+ exclusive, which is also a point of note.

Television Series:

2023 looks set to be another year where franchises, spin-offs, and continuations of ongoing stories dominate the television landscape. There are several big shows whose new seasons I’m eagerly anticipating, but it feels like there are fewer wholly original projects to look forward to. That being said, there were some great new stories in 2022 – so hopefully this year will bring along some surprises, too!

Television Series #1:
Star Trek: Strange New Worlds
Season 2

Strange New Worlds was truly outstanding in its first season, blending old-school episodic storytelling with modern serialised elements. As much as I like what Discovery and Picard have done with season-long story arcs, the approach used by Strange New Worlds should, in my view at least, serve as a model for the entire Star Trek franchise going forward.

The show’s second season wrapped months ago – and I will be positively stunned if we don’t get an announcement that a third season is being worked on sometime before Season 2 premieres this spring. I absolutely cannot wait to spend more time with Captain Pike, Spock, and the rest of the crew of the Enterprise!

Television Series #2:
Hailey’s On It!

Hailey’s On It! is a Disney Channel animated series that will feature Moana’s Auli’i Cravalho in its leading role. The premise sounds interesting – a young woman must step outside of her comfort zone and confront her fears in order to “save the world.” And with Cravalho leading the charge, I think there’s the potential for the show to be something a little more than just a distraction that parents can use to get a few minutes’ peace!

The animation style shown off in concept art looks fantastic, and while I wouldn’t normally say that I’m excited for a new Disney Channel cartoon, I feel hopeful, at least, that Hailey’s On It! could be the kind of kids’ show that has something to offer to a grown-up audience as well.

Television Series #3:
Star Trek: Picard
Season 3

After a decidedly lacklustre second season, my disappointment was compounded by the announcement that all but one of the new characters introduced in Picard will not be returning for the show’s final outing. Season 3 has a lot of work to do, then, to pull out a satisfying ending to what has been a troubled production. If the trailers and teasers are anything to go by, it just might be up to the task after all!

The return of main characters from The Next Generation feels bittersweet because of who had to be unceremoniously kicked off stage to make room for them. This season could be a roaring return to form, or it could drown in failed attempts to play the nostalgia card. I’m absolutely hoping for the former… but trying to prepare myself for the latter.

Television Series #4:
The Lord of the Rings: The Rings of Power
Season 2

It isn’t entirely clear when The Rings of Power’s second season might be ready. Filming only started in October, and a series with such extensive post-production work may take a while. That’s not to mention that Season 2 is being filmed in new locations, and may even serve as somewhat of a soft reboot of a series that proved controversial in some quarters.

Despite that, however, I called The Rings of Power my favourite television series of 2022, so I’m incredibly excited to see what happens next. The first season ended with several massive cliffhangers for both individual characters and for the story as a whole, so it’ll be great to see the next chapter of this fantasy epic unfold.

Television Series #5:
Star Trek: Discovery
Season 5

Discovery’s fourth season ended on a high, with what is almost certainly one of the best episodes that the show has ever produced. I was concerned that the show would attempt yet another recycling of the old “the entire galaxy is in danger and only Burnham and the crew can save it!!!” narrative framework that has been used four times now… but thankfully, based on the first trailer and comments from the show’s producers, it seems as though Discovery will finally be bold enough to try something different!

As a result, my excitement for Season 5 grew immensely! Although Season 4 dragged in parts, on the whole I think it marks a turning point in the show’s run, and the addition of some wonderful secondary characters to the cast has given new life to a series that is rapidly approaching its sixth anniversary and sixty-fifth episode. Season 5 could build on what Season 4 did, taking these well-rounded characters to new thematic and storytelling places.

Television Series #6:
Masters of the Air

Produced by the same team that created Band of Brothers and The Pacific, this new World War II drama will follow the stories of members of the United States Army Air Forces – the precursor to the Air Force. The miniseries seems to be following a similar format to its popular predecessors, with an expansive cast of characters, almost all of whom are based on real people. Masters of the Air is based on a biography of the unit that was published in 2007.

I’m expecting a tightly-focused story with plenty of character. CGI and visual effects have improved since Band of Brothers premiered, so I’d hope that the show will look fantastic and really succeed at bringing World War II to life on the small screen.

Television Series #7:
Shōgun

The second adaptation of James Clavell’s 1975 novel has a lot to live up to! An earlier adaptation, made in 1980, was one of the most popular shows of the year, and with a troubled production that saw scripts scrapped and rewritten, new showrunners brought on board, and a shoot that overran by two months… let’s just say that Shōgun has work to do.

But the story, set in 17th Century Japan, is an interesting one, and there’s potential in this new adaptation to see it introduced to legions of new fans. A shipwreck sets up the story of a “fish-out-of-water” hero in an unfamiliar land, and the palace intrigue at the castle of the titular Shōgun could rival the very best drama series of the year.

Television Series #8:
The Last Of Us

Video game adaptations are notoriously difficult, but The Last Of Us has an all-star cast, a sky-high budget, and crucially, it seems to have won over many fans of the video game. The Last Of Us is one of the best video game narratives that I’ve ever experienced, and it feels like a natural fit for a serialised drama series; the story would certainly be far too long to condense into a film. So I’m hopeful that – finally – a video game adaptation will get the accolades it deserves!

Moreover, I’m really excited to be able to show this fascinating and unique horror-drama story to friends and family members who have no interest in gaming. The story of The Last Of Us is fabulous and absolutely deserves to find a bigger audience. There’s reason to hope that this adaptation will be up to the task.

Television Series #9:
Halo
Season 2

I enjoyed what the Halo series did in its first season, all things considered. It succeeded at bringing the long-running video game franchise to the small screen, adapting its story to fit the new format and making a few changes along the way. Some of those changes proved controversial – as such things always do – and I can certainly entertain the argument that there was less action than fans were hoping for.

But Halo will press on, potentially taking on board some of those criticisms, and it’s my hope that Season 2 will build on the accomplishments of Season 1 to progress the story in an enjoyable way. The first season had some great performances, clever cinematography that incorporated a first-person perspective during key sequences, and a mysterious story that will have kept even fans of the games guessing. I’m interested, and dare I say even excited, to see more.

Television Series #10:
Faraway Downs

I am joking. This is a joke. Nobody should ever be tortured into watching Faraway Downs. I can honestly think of nothing less appealing than watching an extended, reworked version of Baz Luhrmann’s Australia – quite possibly the worst film that I have ever had the misfortune to see. When I heard that Luhrmann was planning to use cut footage to expand Australia into a six-part miniseries I was flabbergasted. Who on earth would possibly want to see this? Was anyone asking for it to be made?

I’d rather trek to the bottom of the garden, heave the lid off the septic tank, and spend six hours staring unblinkingly at the festering sewage within.

Television Series #10:
The Three-Body Problem

China can often feel like a world unto itself; western productions struggle to cross over, and Chinese productions seldom attract mainstream attention over here. The Three-Body Problem is an adaptation of a Chinese sci-fi novel (or rather, the first part of a trio of novels) and is helmed by Game of Thrones’ showrunners David Benioff and DB Weiss.

I haven’t read The Three-Body Problem, but the premise sounds absolutely fascinating to me. Benioff and Weiss have proven themselves capable when it comes to adapting novels for the small screen – at least, completed novels – so there’s reason to hope that The Three-Body Problem will be interesting and entertaining in equal measure. This one could easily go toe-to-toe with the likes of Foundation in the sci-fi genre.

Video Games:

There are some massive releases on the schedule for 2023 – several of which were originally promised for last year! If even one of these big titles succeeds, 2023 will already be a great year for gaming. Single-player games are definitely holding the line in an industry where online multiplayer continues to bring in the big bucks, so there are plenty of reasons to think that 2023 could actually turn out to be a fantastic year for the medium.

Video Game #1:
Tchia

I’ve been tracking the progress of this amazing-looking indie game for more than a year, and it looks like 2023 could be Tchia’s moment. Based on legends from the developers’ New Caledonia home, Tchia will see players take on the role of a young girl on a quest to rescue her father. In addition to platforming and action-adventure gameplay in an open-world archipelago based on the island of New Caledonia, the ambitious game promises to unleash players’ creativity – and even includes a playable ukulele!

There have been some fantastic debut games by indie studios in recent years. My game of the year in 2021 was Kena: Bridge of Spirits – and without wanting to raise expectations too high, at least part of me is hoping that Tchia might just reach that same high bar.

Video Game #2:
Mario Kart 8 Deluxe
DLC: Booster Course Pass Waves 4, 5, and 6

You might think it a cheat to include a piece of downloadable content on this list, but it’s my list so that’s just tough! Although I was disappointed not to see a wholly new Mario Kart title in 2022, the Booster Course Pass for Mario Kart 8 Deluxe has been a surprising amount of fun. Not only have racetracks from past games in the series been updated and made welcome returns, but wholly new tracks have been created, too.

The Booster Course Pass is only half-finished, and three more waves are planned for 2023. Specific dates aren’t known, nor is it certain which racetracks will be appearing, but I’m nevertheless excited to have more Mario Kart to get stuck into!

Video Game #3:
Star Trek: Resurgence

A narrative adventure game with a branching storyline sounds like a perfect fit for the Star Trek franchise. After years in which no new Star Trek games had been licensed for PC or home consoles, two have come along within a few months of each other; Resurgence is hot on the heels of last year’s Star Trek: Prodigy – Supernova, which I really must get around to playing!

The game is being developed by folks who used to work for studio Telltale Games, a developer whose games were often praised for their narratives. I’m hopeful that, after a drought of games for Trekkies who aren’t interested in the online multiplayer scene, Resurgence will be a welcome return to the video game realm for the Star Trek franchise.

Video Game #4:
Disney Speedstorm

Developers Gameloft worked with Disney and created my favourite gaming experience of 2022: Disney Dreamlight Valley. Having taken Nintendo’s Animal Crossing formula and massively improved upon it… could they be about to do the same thing by creating a Disney-based rival to the Mario Kart series? Maybe that’s expecting too much… but Disney Speedstorm looks like a ton of fun!

I like casual, arcade-style racing games, and I’m a pretty big Disney fan, too. Bring those two things together and I hope it’ll be a fun time.

Video Game #5:
Starfield

One of the year’s biggest releases has to be Bethesda’s Starfield – the company’s first foray into a wholly new world in a quarter of a century. An epic sci-fi adventure has been promised, with all of the hallmarks of past Bethesda titles: joinable factions, a huge mix of varied side-quests, diverse non-player characters to interact with, customisation of every facet of your character, and much more besides.

Starfield will also give players the opportunity to design and upgrade their very own spaceship, before setting off to journey to one of a thousand different planets across dozens of star systems. Starfield is ambitious, and while there are certainly things that give me pause – such as Bethesda’s insistence on reusing its outdated game engine – I can already feel myself getting swept along by a growing hype train!

Video Game #6:
The Lord of the Rings: Return to Moria

I confess that I’m not entirely sure what to expect from this one. The game promises base-building and adventures in the Dwarven realm of Moria, set years after The Lord of the Rings as the Dwarves seek to reclaim their abandoned halls. It sounds as if the game will be set up for multiplayer – though the official blurb promises that it can be played solo, too.

There’s something about an underground setting that harkens back to the days of dungeon-crawler games, and the subterranean setting combined with the lore of Tolkien’s Middle-earth could make for a genuinely exciting title. I’m curious and perhaps a little hopeful of having some fun adventures deep underground!

Video Game #7:
Star Wars Jedi: Survivor

The much-anticipated sequel to Jedi: Fallen Order is almost ready! The game – which I played through back in 2020 – is one of the best Star Wars experiences I’ve had in recent years, and it was left open-ended by the time the credits rolled. Finding out what happens next for Cal Kestis, the former Jedi padawan, is something I’m really interested in!

Jedi: Survivor seems to have taken the gameplay of Fallen Order and expanded upon it, giving Cal new weapons and abilities – and at least one new companion, too. I recently played through it for a second time, which seems to be perfect timing with the sequel coming up! I really can’t wait to join Cal and the crew of the Stinger Mantis for another adventure in a galaxy far, far away.

Video Game #8:
Forspoken

Unlike many action-adventure titles, it seems as though Forspoken will focus much more on magic and spell-casting – something that could be absolutely fascinating. Set in an open-world, the game will follow the story of Frey, a young woman from our world who finds herself transported into a mysterious realm where magic exists and must find her way home.

Forspoken hadn’t really been on my radar until recently, but I’m now genuinely looking forward to it.

Video Game #9:
Perfect Dark

Though unconfirmed at this stage, Xbox’s Perfect Dark remake/reimagining would be well-timed if it should be ready this year – because the original game on the Nintendo 64 was set in 2023! Perfect Dark was originally created by Rare, hot on the heels of their success with Goldeneye 007 on the same platform, and it was a ton of fun when it released in the year 2000.

I’m genuinely curious to see what a recreated Perfect Dark might look like. Could it kick off another first-person shooter series for Xbox… and, perhaps more importantly, for Microsoft’s Game Pass service? I think that’s a possibility – but my main hope is that the single-player campaign will be fun to play through!

Video Game #10:
EA Sports FC

Bear with me on this one, okay? I know football (soccer) isn’t everyone’s favourite thing, and I know that sports games – and especially Electronic Arts’ sports games – have been particularly scummy with their in-game gambling and monetisation. But for the first time since EA published FIFA International Soccer in 1993, the corporation won’t have the official license or naming rights from world football’s governing body. That could mean we’re about to witness a sea change in the series… or it could lead to nothing of consequence at all!

Nevertheless, I’m curious to see what changes – if any – will come about as a result of EA and FIFA going their separate ways. Will EA Sports FC be noticeably different from recent entries in the FIFA series? We’ll find out later this year!

So that’s it!

We’ve picked out ten films, ten television shows, and ten video games to watch out for as 2023 gets underway. There will be many surprises along the way, I have no doubt, and it’s possible that some of the entertainment experiences that I’m excited in right now will either end up being disappointments or won’t even make it out of the door this year. But I’m hopeful that we’ll get some exciting, dramatic, and just plain fun stories to enjoy between now and Christmas!

There are definitely things to look forward to. I’ll try to cover at least some of these titles with reviews, first impressions, and general commentary here on the website over the next twelve months. I hope that you found this interesting, and that it was a fun, positive look ahead to some of what I hope will be the entertainment highlights of 2023.

Until next time!

All titles discussed above are the copyrights of their respective studio, developer, publisher, distributor, broadcaster, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Discovery Season 5 – my thoughts on the latest trailer

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4 and the trailers, teasers, and announcements for Season 5. Minor spoilers are also present for The Next Generation and Deep Space Nine.

At New York Comic-Con in October, we caught another glimpse of Star Trek: Discovery’s fifth season. The news earlier this week that filming has officially wrapped makes it seem like a great time to take a look at the teaser trailer and see what – if anything – we might be able to glean about the new story!

So to begin with, filming has just wrapped on Discovery Season 5 at time of writing. With Picard Season 3 and Strange New Worlds Season 2 both also well into post-production, there’s now no live-action Star Trek being worked on… at least, nothing has been officially announced. So that’s definitely something interesting – and while I’m expecting a Season 3 announcement for Strange New Worlds at literally any moment considering how well Season 1 was received, it’s definitely noteworthy that, at least in terms of live-action production, Star Trek seems to be entering a quiet period.

Sonequa Martin-Green on the set of Discovery Season 5.

At Star Trek Day back in September, we were treated to a set tour with Wilson Cruz, but I was a little surprised that the set tour and a single still photo were all that there was to show for Discovery at that point. I guess Paramount was saving this teaser trailer for Comic-Con, though, which came barely a month later. I’m glad we finally have something to get stuck into, even though I would guess that Discovery Season 5 may not hit our screens until after Picard and Strange New Worlds, potentially meaning it could be up to a year away.

Earlier in the year I wrote a piece about my “biggest wish” for Discovery’s fifth season. If you missed it, I can summarise it thusly: I don’t want Discovery to try to tell another “the galaxy is in danger and only Burnham and the crew can save it!!!” type of story. We’ve had four of those across the show’s first four seasons, and I know I wasn’t the only one in the weeks leading up to Season 4 to say that it was already beginning to verge on the repetitive. Trying to cram another story into that same creaking framework would be too much… and I’m pleased to say that, based on both this teaser trailer and the official synopsis of Season 5, Discovery seems to be trying something different this time around.

Here’s to a different kind of story in Season 5!

The teaser trailer certainly contained a lot of action – explosions, fire, injuries, weapons, masked alien adversaries, and a fair amount of running away. But these disconnected moments seem – if the voiceover and selected clips can be believed, at any rate – to be in service to a new and different kind of story, possibly one about… treasure hunting!

I know that we don’t have a lot to go on in a teaser trailer that was less than a minute long, so I hope I’m not being misled or getting too excited based on a single line that could, I admit, be open to other interpretations. But I really think that the idea of a treasure hunt could be a good one for Discovery if that’s the route that the new season will go down. At the very least it represents a change from what the show has done before, and as I’ve said previously, Discovery doesn’t need to keep re-using the same “horrible galactic disaster” narrative in order to tell stories that are exciting.

I hope that this rather desolate location isn’t indicative of another galactic-scale threat or disaster.

As viewers, our investment in a story is not inexorably tied to a sense of scale. On the contrary, some of the best films and television shows of all time have told character-centric stories that were a million miles away from civilisation-ending disasters – and some of the worst and most boring works of entertainment have tried and failed to compensate for lacklustre storytelling by going too big on the scale of the threat.

Past iterations of the Star Trek franchise also used the “galaxy is in danger” story archetype very sparingly, when you think about it, and some of the most well-remembered films and episodes don’t focus on villains or disasters on anywhere near that scale. If Discovery really is willing to set aside this framework for Season 5 – a framework that I would argue it has pushed to the limit – I think that can only be to the show’s overall benefit. Based on this teaser I’m cautiously optimistic that we’re going to get a main story that goes in a different direction. Fingers crossed, anyway!

President Rillak in the new trailer.

Some of the clips in the teaser tie into this theme of an “epic adventure across the galaxy,” to quote the official synopsis released by Paramount. We saw a slightly different look at Burnham on her speeder bike from the previously-released photo, and it seems as though Stamets will be joining her for that part of the quest! Stamets was relegated to a minor role in Season 4, missing out on key storylines, even those which involved Gray, Adira, and Dr Culber – so seeing him back in action will definitely feel good!

We also briefly saw two characters who may be competitors or adversaries as Captain Burnham and the crew race to solve this mystery. The characters’ names have been given as Moll and L’ak, and their official descriptions read somewhat like a 32nd Century Bonnie and Clyde! Their backgrounds as couriers could give them a connection to both Book and Burnham – the latter having spent roughly a year as a courier after arriving in the 32nd Century before the ship and the rest of the crew joined her. There’s scope for some drama there, and I wouldn’t be surprised if one or both characters were known to Book, at least.

Promo photo of L’ak and Moll.

I can’t tell what planet L’ak hails from, though his design feels at least somewhat familiar. There’s something Kelpien about his look, but at the same time I don’t think he is a Kelpien. I can’t put my finger on why he looks so familiar, though! Perhaps some kind of connection to an established Star Trek race or character will become apparent once we meet him. Moll, on the other hand, is giving me flashbacks to Farscape’s Chiana – I think that’s just the hairstyle, though!

There were a few clips of ancient-looking statues and ruins that seem to connect with this theme of ancient mysteries and treasure-hunting. I’m reminded of episodes like Captain’s Holiday, The Chase, and Gambit from The Next Generation, and the archaeological sequences set in the ruins of the Bajoran city of B’hala in Deep Space Nine. Jean-Luc Picard studied archaeology, and set off to uncover more than one ancient mystery in his time! Perhaps the story of the season will play out in a similar fashion – and there could even be references to some of the individuals or events in some of those earlier archaeological stories. Discovery hasn’t been big on drawing these kinds of connections, but some smaller references have made it to screen, so it’s possible at least!

Captain Burnham exploring a ruin.

It seems that the enigmatic Dr Kovich will be back for Season 5 – and after an occasionally frustrating time with this character, I have to say I hope that we’ll learn a little more about him. I haven’t forgiven Discovery’s writers for Kovich’s line in Season 4 that he had “more important things” to do than join the mission to contact Unknown Species 10-C; the fact that that line wasn’t paid off in any way at all wasn’t great. Despite appearing in seven episodes across two seasons, Dr Kovich’s role within the hierarchy of Starfleet and the Federation is still unknown.

I like the idea of Dr Kovich being the one to set Captain Burnham on the right path to begin this quest, as I think he’s the kind of character who could conceivably know something about whatever this mystery is that needs to be unravelled. But I hope that we learn more about Kovich himself, including how he seems to know so much about some of the subjects that he’s an expert in. What rank does he have, for example? Is he, as I’ve suspected since Season 3, an operative of Section 31? Dr Kovich is in danger of become a bit of a joke; a character used only for exposition and whose ambiguous background grows to accommodate anything a story needs – teacher, administrator, psychiatrist… I think we need to pin down who he is and what his official role is!

Dr Kovich in the trailer.

One character who we barely glimpsed in the trailer is new series regular Captain Rayner. This Romulan or Vulcan (at least by appearance) is described as a “gruff, smart Starfleet Captain” who had a “track record of wartime success,” but struggles in peacetime. Rayner sounds like he’s being set up to be a kind of antagonist for Captain Burnham to butt heads with; perhaps a Starfleet officer who doesn’t appreciate her lax attitude to rules nor her style of command.

We had a similar setup, in some respects anyway, with President Rillak last season, and I was on tenterhooks waiting to see if she’d betray Burnham and the crew – or if she was involved in some way with the DMA. Since arriving in the 32nd Century, senior Starfleet and Federation personnel haven’t fallen into the Star Trek trope of being the “bad admiral,” so I wonder if there could be more to this Captain Rayner that his official description might suggest. It does raise an interesting question, though: what ship will Captain Rayner command? The USS Discovery already has two officers on board who hold the rank of captain: Burnham and Saru. Surely Rayner can’t also be assigned to the USS Discovery – but if he isn’t, how could we expect to see him as a series regular?

Captain Rayner.

Sticking with characters, let’s talk about Tilly. I talked about this after Star Trek Day, when Mary Wiseman appeared during the behind-the-scenes look at Season 5, but I hope that Tilly’s apparent return to the USS Discovery doesn’t undermine the emotional story she went through in Season 4 – a storyline that led to her leaving the ship for a role at Starfleet Academy.

We didn’t see a lot from Tilly in the trailer, but she was present for several clips, including aboard the USS Discovery. She could be “just visiting,” of course, or accompanying one or more of her cadets, but I’m not sure. I get the impression that something has changed for Tilly behind the scenes (yet again) and a reversal of a previously-established arc could be coming. As much as I love Tilly and want to see her continue on the show, her departure in Season 4 felt final… but moreover, it felt right for her character. Undoing that would not be my choice. I wonder if plans may have changed regarding the rumoured but still unannounced Starfleet Academy series – a series which could potentially have included Tilly. If last season’s All Is Possible (an episode that felt like a possible backdoor pilot) wasn’t as well-received as hoped, perhaps a rethink of that series and which characters it might include is underway. That’s something we’ll have to consider in more depth on another occasion!

Is Tilly back?

We saw members of the bridge crew at their posts and on an away mission in the teaser, and I’ll repeat what I said in the run-up to both Seasons 3 and 4: there’s still scope to do more with some of these characters. With the return of characters like T’Rina, Admiral Vance, and President Rillak, Discovery is definitely building up a good roster of secondary characters, so it would be neat to see at least one of the bridge crew given a storyline or sub-plot this season.

And that raises another question: will Season 5 retain Discovery’s heavy plot armour for all of the named characters? After so many disasters, conflicts, and dangerous assignments since the crew arrived in the 32nd Century, it’s a miracle that everyone has survived! As I wrote in the run-up to last season, audience expectations are changing in the aftermath of shows like The Walking Dead and Game of Thrones, so giving every character heavy plot armour to survive deadly situations doesn’t really work any more. As sad as it would be to lose anyone – even one of the secondary characters that we don’t know so well – I think it’s something Discovery’s writers ought to at least consider doing.

Burnham with Rhys and Owosekun.

One thing that I found interesting in the trailer is the puzzle box. The markings on the apparently wooden box were unfamiliar to me, but they look suitably “alien.” They could be Vulcan, perhaps, or Ferengi, or even from a planet like Risa. Whether the puzzle box will be an important macguffin in the story – or whether it was little more than a fun visual metaphor for the trailer – isn’t clear at this stage. Will it be an important artefact that the crew spend much of the season chasing down or trying to figure out?

The mysterious puzzle box…

But there is something more to say about the sequences in which the puzzle box is prominently featured. Look at the fingers that are moving the pieces into position. Do they look familiar at all? They absolutely could belong to an alien – like the new character of L’ak, for instance. But something about those fingers says “android” to me; they remind me a lot of how Data’s hands looked in The Next Generation. Could this mystery connect in some way to Data, Lore, or the Coppelius synths from Star Trek: Picard? Maybe that’s a complete overreach… but you never know!

…and a closer look at the fingers of whoever is using it.

It’s hard to know what else to say at this stage, really. Some of the clips in the trailer were very short, and without more context it’s hard to say more other than all of the characters from Season 4 seem to be returning. I’ll be curious to see more from President Rillak, who was a fun addition last time, and it’s my firm hope that Discovery will find a way to settle the relationship between Book and Burnham – their relationship drama was not one of the better aspects of Season 4. Book seems to be aboard the USS Discovery in the trailer, so there’s hope in that regard!

For a first look, the teaser trailer did a good job at getting me interested for Season 5. I like the idea of the show striking out and trying something genuinely new and different as it enters its fifth season – giving a bit of a refresh to a show that’s been running since 2017 and is quickly approaching its sixty-fifth episode is no small feat, and I’m rooting for Discovery to succeed.

Although there’s a lot of post-production work to be done, I’m hopeful that we’ll see Discovery Season 5 on our screens in 2023. If I had to guess, I’d say that the show could be targeting a broadcast next autumn, with Picard Season 3 and Strange New Worlds Season 2 going first. If we get any more big news or another trailer (which we surely will before the season arrives) I hope you’ll check back as I daresay I’ll have more to say. For now, I hope this was a fun look ahead to Season 5!

Star Trek: Discovery Seasons 1-4 are available to stream now on Paramount+ in countries and territories where the platform is available, and are also available on Blu-ray. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What happened at Star Trek Day 2022?

Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including recent and upcoming seasons of Picard, Discovery, Strange New Worlds, Prodigy, and Lower Decks.

The 8th of September is Star Trek Day! That’s the date in 1966 when The Original Series premiered in the United States with the episode The Man Trap, and Paramount chose to mark the occasion with a live broadcast for the second year in a row. I tuned in with some degree of excitement; the press release promised “announcements and reveals throughout,” and with Picard finishing up its run next year there was hope, I felt, for some kind of big announcement of a new series.

Star Trek Day was overshadowed this year by the death of Queen Elizabeth II. I wasn’t entirely sure whether the event would go ahead as it became clear throughout the afternoon here in the UK how serious things were, but with the official announcement of her death coming mere minutes before Star Trek Day was due to start (and after most of the guests had already arrived), there wasn’t time to do anything about it. As someone who is categorically not a monarchist, this didn’t bother me in the slightest! But I hope that Star Trek Day proceeding as it did, with light-heartedness and humour, didn’t upset anyone in light of such an historic event.

Hosts Paul F. Tompkins and Tawny Newsome on the main stage at Star Trek Day 2022.

There were some fun chats with stars of all of the present Star Trek shows, but Star Trek Day lacked any major announcements or reveals, in my view, to fully justify a two-hour live broadcast of this kind. It was fun – up to a point – but there were expectations that Paramount had placed on the event through its promise of “announcements and reveals” that weren’t met, at least not for me.

I’m not just talking about brand-new projects, either. We could have seen announcements for things like Lower Decks Season 5 or Strange New Worlds Season 3, the latter of which is surely being worked on at this stage with filming having already been completed on Season 2. But no such announcement was forthcoming at Star Trek Day, and really the only big news (if we can call it that) was the announcement from Nicholas Meyer that his Ceti Alpha V pitch is going to be turned into a podcast.

All of the guests took to the stage stage at the end of Star Trek Day.

As the event’s hosts and guests gathered together on the stage to bid farewell to Star Trek Day, I was thinking to myself “surely that can’t be it!” Some kind of final announcement to wrap things up, like last year’s Picard Season 3 revelation, felt like a possibility. But then the live stream ended and, as it turned out, that really was it.

So I confess to feeling a little disappointed that we didn’t get any of the major announcements that I had been half-hoping to see. As I said a few weeks ago when previewing Star Trek Day, though: Paramount hasn’t been shy about making announcements and revealing details about upcoming projects this year, with news being made at events like Comic-Con. In a way, it’s a testament to how broad Star Trek’s base is as the franchise continues to enjoy its renaissance that so much news has been made so far in 2022. Still, a part of me feels at least a little sad that this made-for-fans event couldn’t have included some kind of big announcement.

Alex Kurtzman on stage at Star Trek day.

But that’s enough about what didn’t happen at Star Trek Day! Let’s talk about what we did see, because there were some trailers and teasers, some fun conversations, some fan-focused moments, and some trademark Star Trek weirdness thrown in for good measure.

First up, to get this out of the way, there were some technical hitches that definitely didn’t go unnoticed. Hosts Tawny Newsome and Paul F. Tompkins both struggled with their teleprompters at different points in the event, leading to some awkward moments as they didn’t know what to say or how to fill the space.

Also on the technical side, at least on YouTube the live stream cut out at least half a dozen times. This only happened for a few seconds at a time (and thankfully not during any of the teasers or trailers), but it’s something that really shouldn’t be happening at this level. Paramount is a massive corporation with a big budget and with lots of experience in running live broadcasts. This wasn’t an issue at my end, either, as I saw a lot of people making similar comments on social media about the quality of the stream itself. This didn’t happen last year – and if Star Trek Day is to return in 2023, I hope it won’t happen again.

The YouTube live stream cut out multiple times.

Last year, Star Trek Day felt rehearsed and choreographed. The hosts (Wil Wheaton and Mica Burton) felt confident, and everyone involved seemed to know where to go, what to say, and what was coming up next. This year… let’s just say that the whole thing felt a lot more “casual.”

Hosts Tawny Newsome and Paul F. Tompkins had great chemistry together and both brought a lot of energy to the stage, but neither of them seemed to have the faintest idea what they were doing, who they were about to talk to, or what was coming up next during the entire broadcast. There was chaos on stage at several points as one or both of the hosts got distracted, forgot what to say, or because of the aforementioned teleprompter issue. One or two instances of this could feel charming, but for two hours of occasionally cringeworthy viewing… I felt it rather outstayed its welcome. While I like both Newsome and Tompkins, and they definitely had great chemistry, I think a dress rehearsal of some kind would have been to their benefit. They didn’t have that many lines to learn, and several of the panels only consisted of a couple of questions, so it just feels as though on that side of things, Star Trek Day wasn’t as polished or rehearsed as it might’ve been or as it was last year.

Paul F. Tompkins and Tawny Newsome (both of whom star in Lower Decks) were on hosting duties.

This also applies to the DJ who was present throughout the event and the stand-up routine that took place partway through. Musical taste and comedy are both very subjective things, of course, but I felt that neither DJ Reggie Watts nor comic Brian Posehn excelled. Neither appeared well-rehearsed or coordinated, and I think that’s such a shame. Had a bit more effort or at least practice gone into their acts, Star Trek Day might’ve been a bit more enjoyable. As it was, both were pretty forgettable, with the only points of note being jokes that appeared to fall flat in the auditorium and a DJ who didn’t know what buttons to press and whose music didn’t seem to start on time.

Aside from big announcements of new projects, I was hoping to get news of Prodigy’s first season, Picard’s third, and Strange New Worlds’ second. We got a few tidbits of information about these projects, which was great, and in a moment I’ll break down the trailers and teasers that we saw. But first, a word about the live panels themselves.

Brian Posehn performed a short stand-up act.

Only Strange New Worlds felt fully-represented, with the majority of the main cast making an appearance. The Strange New Worlds panel was also probably the least cringe-inducing to watch, as host Tawny Newsome managed to get in a few interesting questions that prompted the cast to talk about both their experiences of Season 1 as well as drop a few teases about Season 2.

The other panels, however, were pretty lacklustre. Sir Patrick Stewart was present along with Michelle Hurd and Jeri Ryan to talk Picard Season 3, but the truncated panel only had time for a couple of questions before rolling the new teaser trailer. The Lower Decks panel completely fell apart, and while I don’t like to be too critical of performers who come down with a case of what seemed to be stage fright, Noël Wells and Tawny Newsome were not at their best as they seemed to have no idea what questions to ask or how to answer them.

The Lower Decks panel went completely off the rails.

The Prodigy panel was so short as to basically amount to nothing; Brett Gray, who plays Dal, barely got to say two words before a teaser clip for the second half of Season 1 was shown. I’m glad that Prodigy finally has a release date for those episodes, and I’m happy to see that Picard Season 3 will be on our screens in Feburary next year, but the panels were one of the parts of Star Trek Day that I was most looking forward to, and it’s just a shame that they were cut short. Better preparation from the hosts and some of the guests would have improved things, too.

The announcement of Ceti Alpha V as a podcast, that I mentioned earlier, is an interesting one in some ways. I’m glad that the Star Trek franchise hasn’t committed television or film money to this project, as it wasn’t one that I was desperately interested to see. But an audio drama of some kind is something different, and if Paramount markets it well it could become something of a sleeper hit. I won’t go into my full critique of the Ceti Alpha V concept again; suffice to say that I feel the chapter of Khan’s life in between Space Seed and The Wrath of Khan may not be the most interesting one to revisit. But if Nicholas Meyer was dedicated to it, perhaps an audio drama is a good compromise. I would say that Meyer didn’t seem thrilled to be making the announcement and specifically mentioned that he wrote it for television; perhaps there’s some degree of sour grapes there! You can read my full thoughts on Ceti Alpha V by clicking or tapping here.

Nicholas Meyer announced the upcoming Ceti Alpha V podcast.

The teaser we saw from Prodigy seems to pick up fairly shortly after the events of the most recent episode, with the crew of the Protostar on the run. It looked tense and exciting, and really like more of the same; a continuation of the story and events of the first half of Season 1. I’m hopeful that Paramount will start to support Prodigy more strongly as I really feel that the show has so much untapped potential to convert a whole generation of kids into Trekkies for the first time. But if that’s going to happen, Paramount is going to have to do more to promote and assist the show. Toys would be a good start; we’re still months away from the first batch of Prodigy toys, and despite showing off some new merch at Star Trek Day, Prodigy was once again conspicuously absent from the lineup.

It’s good that Prodigy will be returning in late October, though – as soon as Lower Decks Season 3 wraps up, Prodigy can fill that slot. It means there’ll be new Star Trek on our screens all the way to the end of the year, which is fantastic. Although the clip that was shown seems to be from the first new episode, there’s scope for the crew of the Protostar to have lots of new adventures – and perhaps connect their story to Voyager in a significant way. I can’t wait to see what’s in store!

Prodigy is coming back in seven weeks’ time!

Strange New Worlds also showed a single clip from Season 2 in lieu of an edited and composed trailer, with the action focused on Lieutenant Ortegas as she prepared for an away mission. The planet Rigel VII was mentioned, which was a location first glimpsed in flashback sequences in The Cage and The Menagerie; Rigel VII is a planet Captain Pike has visited before and it’s home to fierce Kalar warriors.

The clip itself was interesting. We learned a little about the relationship between Ortegas and Spock as the latter’s analysis of information caused Ortegas to be dropped from an away mission she was excited for. We also learned that Captain Pike had once been a “test pilot” which made him confident enough to pilot a shuttle under what sounds like difficult circumstances. I’m getting a Gallileo Seven vibe from this story setup; perhaps the shuttle will crash in Kalar territory and the crew – led by Ortegas aboard the Enterprise, maybe – will have to mount a rescue! Am I over-interpreting a short scene? Well that’s a possibility!

Spock and Ortegas in our first look at Strange New Worlds Season 2.

A second announcement for Strange New Worlds’ second season introduced a brand-new character: Commander Pelia will become the Enterprise’s new chief engineer, taking over from poor Hemmer. I’m still sad about Hemmer’s departure from the series, but I can’t tell you how relieved I am that the writers managed to resist the temptation to replace him with Scotty! There’s scope to do more with legacy characters in Strange New Worlds, don’t get me wrong, but I want to maximise the time we have with some fantastic new characters, too.

Commander Pelia will be played by veteran actress Carol Kane, who you might know from Taxi, Unbreakable Kimmy Schmidt, or the original stage production of Wicked. Landing someone of her calibre feels like a real coup for Strange New Worlds, and I’m hopeful that Commander Pelia will be a wonderful addition to the crew. I’m excited to see more scenes set in engineering in Season 2, as well!

Promo photo of Commander Pelia.

We caught a glimpse of a new Lower Decks episode during Star Trek Day, too. The clip seemed to feature an aggressive Romulan adversary attacking the USS Cerritos, so I guess we should stay tuned for the Romulans to make an appearance later in the season! Maybe this is a controversial point, but I think Lower Decks may be in danger of over-using the “starship swoops in at the last second and saves the day” trope. It worked so well with the Titan in Season 1, and the Cerritos getting to be the saviour in Season 2 was poetic symmetry. But I think big, emotional moments like this should be used sparingly, so to see another starship doing the same here was… I don’t know. Maybe a little less impactful than it could have been.

However, all of this could be a moot point! It seems possible that the events we saw in the clip are taking place in an alternate timeline, a holodeck simulation, or something like that – because how else do we explain a Boimler clone with a different name in command of the other vessel? It was an exciting clip, though, and I’ll be fascinated to see that episode when it’s broadcast! Stay tuned for a full review!

What could be going on here?

The promised Discovery set tour was a bit of fun. Season 5 seems well underway, and it’s always nice to catch a glimpse behind the scenes. Wilson Cruz was a great guide, and although we didn’t get to see any brand-new sets, we got to see some of the details in Burnham’s quarters that are often overlooked. Cruz also drew attention to the dedication plaque at Federation HQ; again this is something I hadn’t seen up-close.

Of particular note during this segment was Mary Wiseman’s appearance. Lieutenant Tilly’s departure from the USS Discovery early in Season 4 was an unexpected move, but one that actually felt right for her character. Tilly got an emotional send-off before making an appearance in the season finale alongside Admiral Vance, and it felt possible that her departure could have set her up for a role in the long-rumoured Starfleet Academy series. That may still happen, but for now it seems that Tilly will be back aboard the USS Discovery in some form in Season 5. I’ll be glad to welcome her back – but I hope her return doesn’t detract from her wonderfully emotional departure in Season 4.

Wilson Cruz with Mary Wiseman and Blu del Barrio.

As the tour continued we saw a scene being prepared on the bridge set, with several characters in uniform. The bold primary colours that were reintroduced in Season 4 remain in place – something I’m pleased to see! A conversation with Stamets actor Anthony Rapp and one of the show’s costume/wardrobe artists was also interesting, and we saw Stamets’ familiar blue tunic in that segment.

Finally, a single promotional photo was shown off for Discovery’s upcoming fifth season – featuring Michael Burnham riding some kind of Star Wars-inspired speeder bike across a dusty or desert landscape. The image looks like it’s taken from an exciting sequence, and Burnham seemed to be out of uniform which could suggest she’s on an away mission or undercover assignment. But there’s only so much speculating we can do based on a single image! There was no release window for Discovery Season 5, but filming is well underway and I’m a little surprised that we didn’t get some kind of teaser trailer.

Captain Burnham looks like she’s having fun!

Star Trek Day paid tribute to Nichelle Nichols in very touching fashion. In fact, the pre-recorded segment was my favourite at the event, all things considered. Nichelle Nichols, who passed away earlier this year, made a huge impact on the Star Trek franchise – but more importantly in many ways, on the world beyond Star Trek and entertainment, too.

Performers Dawnn Lewis, Sonequa Martin-Green, Celia Rose Gooding, Wilson Cruz, Michelle Hurd, and more all contributed to the beautiful piece, and it really was the perfect way to salute a unique individual, someone who made a real difference not only on screen and within the Star Trek franchise, but far beyond the world of entertainment. As we discussed when I paid my own tribute to Nichelle Nichols, she played a huge role at NASA in getting more people from diverse backgrounds involved with the space programme. For Star Trek Day to take the time to salute her and recognise her legacy was important, and it was handled beautifully.

Nichelle Nichols at NASA as seen in the Star Trek Day tribute.

Picard’s third and final season now has a release date, and it’s nice to know that we’ll be having one last adventure with Admiral Picard in the early part of next year. The teaser trailer was interesting, and we got to see another new starship: the USS Titan! Spacedock also made a return to the franchise, which was beautiful to see. Sir Patrick Stewart told us that he and the crew are going back to space for Season 3 – after Season 2 spent most of its time on Earth in the 21st Century – and if the teaser is anything to go by, the crew’s return to the stars will be epic!

It was great to see Seven of Nine in uniform, and she seems to be playing an important role in whatever mission Admiral Picard will have to pick up. During the brief panel, Michelle Hurd mentioned that Season 3 will feature some kind of storyline involving the “criminal underworld” of the Star Trek galaxy, a premise that sounds interesting – and perhaps a little Star Wars-y!

The USS Titan leaving spacedock.

The teaser trailer showed clips of all of the returning cast members from The Next Generation, with the notable exception of Brent Spiner. Spiner will be playing a role in Season 3, but who his character will be is still unknown. It could be a member of the Soong family, such as Altan Inigo Soong who was part of the story of Season 1. Equally it could be an android like Lore or B-4. We don’t know at this stage, but clearly Paramount is keeping that under wraps for now!

Aside from seeing the USS Titan up close, the teaser trailer played its cards close to its chest! The brief glimpses that we caught of the main characters were fun and exciting, but didn’t really communicate anything significant about the plot. At this stage, we really don’t know where the story will go or whether it will connect with anything from Seasons 1 or 2. I hope that it does, and that maybe some of the dangling story threads from those earlier seasons could be tied up… but my gut says we’re probably going to get something brand-new.

Geordi La Forge as seen in the Season 3 teaser trailer.

So that’s about all there is to say this time. Star Trek Day was… okay. There were no big announcements, no replacement for Picard, no season renewals for the current shows, and only two release dates for seasons that we already knew were coming. I think it would be unfair to call an event like this that was made for Trekkies “underwhelming,” but I really wasn’t blown away by this year’s Star Trek Day. A combination of technical issues, hosts and guests who felt unprepared, most of the panels being shorter and less-detailed than expected, and the lack of any major announcements or news all came together to put a bit of a downer on what should have been a fun extravaganza of all things Trek.

I felt that last year’s Star Trek Day event – which had a few issues of its own, don’t get me wrong – was better. Last year the hosts and guests felt better-prepared and rehearsed, there were none of the technical hiccups that impacted this year’s event, there were longer and more detailed panels featuring more guests, and there were bigger and more interesting announcements for all of the current shows. This year’s event just feels smaller and less exciting in comparison.

Hosts Paul F. Tompkins and Tawny Newsome with Wil Wheaton (who hosted last year’s event).

Despite that, I had a good time for the most part with Star Trek Day. I’m glad that Paramount put this together and I’m especially glad that it wasn’t locked behind a Paramount+ paywall and was thus accessible to all Trekkies. It’s no one’s fault that there weren’t any major announcements; that’s just the way it goes and if things aren’t ready, it’s infinitely better to wait than to jump the gun and announce something prematurely! Star Trek 2023 and the untitled Section 31 series stand as cases in point to that!

That’s just my take, though, and I sincerely hope that everyone in attendance and the legions of fans who watched from all across the globe had fun. We’re very lucky that the Star Trek franchise is going through a renaissance right now and that events like this still draw huge audiences! Long may that continue!

The Star Trek franchise – including all properties discussed above – is the copyright of Paramount Global. Star Trek series and films are available to stream now on Paramount+ in the United States, United Kingdom, and other countries and territories where the platform is available. Star Trek: Picard and Star Trek: Lower Decks are available on Amazon Prime Video outside of the United States. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What can we expect from Star Trek Day 2022?

Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including recent seasons of Picard, Discovery, Lower Decks, and Strange New Worlds.

The 8th of September is Star Trek Day! On that date in 1966, The Original Series premiered in the United States with the episode The Man Trap, kick-starting a franchise that’s still going strong fifty-six years later. Last year, Paramount organised a major broadcast to mark the occasion, hosted by Wil Wheaton (The Next Generation’s Wesley Crusher and host of The Ready Room) and Mica Burton (daughter of Geordi La Forge actor LeVar Burton). It was a fun event – albeit one that probably went on a little too long – that celebrated all things Star Trek. With Star Trek Day coming back this year, I wanted to look ahead to the event and consider what we might see when it arrives in just under three weeks’ time.

My usual caveat for these sort of things applies: I have no “insider information,” and I’m not trying to claim that anything discussed below will definitely be included in this year’s Star Trek Day broadcast. This is speculation from a fan – and an opportunity to talk Trek – and nothing more! With that out of the way, let’s get started!

George Takei at last year’s Star Trek Day.

First of all, I think it’s worth talking about some of the big announcements we’ve seen over the past few months, because Paramount hasn’t been shy when it comes to making headlines for the Star Trek franchise. We’ve had major announcements about Picard Season 3, including who will be part of – and excluded from – the main cast, we’ve seen trailers, clips, and teasers for Lower Decks, which will be a couple of episodes into its third season by Star Trek day, we’ve had plenty of news about Strange New Worlds Season 2 – including the surprising return of a fan-favourite character… and much more besides. Events like last month’s Comic-Con saw big panels featuring main cast members and major announcements, like the Strange New Worlds crossover with Lower Decks.

In short, I’m not so sure that we should expect a glut of trailers and teaser clips and a plethora of massive announcements! Paramount could’ve saved things like the Picard Season 3 teaser and posters that were shown off at Comic-Con for Star Trek Day, but in a way it makes sense to use an event like that – where all eyes are on the world of entertainment – to make waves and show off Star Trek’s renaissance. Star Trek Day itself, at least based on what we saw last year, is more of a celebration for Trekkies and the Star Trek community.

Star Trek already dropped some big announcements at Comic-Con just last month.

But that doesn’t mean there won’t be anything of substance, and the official press release for Star Trek Day promised announcements, reveals, and surprises! With Season 3 being Picard’s last, and principal photography already having been completed, I can’t help but wonder whether we might get an announcement of what could replace it in the lineup. When Picard disappears from the schedule next year, there will be a gap – and as Alex Kurtzman (head honcho of Star Trek for Paramount) has previously told us, there won’t be any new Star Trek until one of the current shows has ended its run. Well, something’s going to have to fill the Picard hole in late 2023 or 2024… so could the announcement of a new project be imminent?

I note that the official press release for Star Trek Day specifically mentioned that Michelle Hurd (Raffi) and Jeri Ryan (Seven of Nine) will be present to talk about Picard. I know I’m not the only one who’s talked up the possibility of a “Seven and Raffi Show” as a spin-off from Picard, so it’s interesting that these two actors will be present together at Star Trek Day. Sure, they could just be there to talk about Picard Season 3… but maybe, just maybe, there’s more to it than that!

Seven of Nine and Raffi in Picard Season 2.

There are at least two unannounced Star Trek projects in the works at Paramount, again according to Alex Kurtzman. I don’t think we’d get two massive announcements like that at Star Trek Day, and if I had to put my money anywhere I’d say that a Picard spin-off or at least another show set in that same 25th Century era is the most likely. But you never know! There are rumours of a Khan-focused project and a Starfleet Academy series, the latter of which may (or may not) be a Discovery spin-off set in the 32nd Century with Mary Wiseman reprising her role as Lieutenant Tilly.

Does the untitled Section 31 series still count as having been “announced,” given that there’s been no official news for almost four years at this point? We could finally hear something about that project, too, I suppose. But I’m not holding my breath on that one.

So there are a few different possibilities for a major announcement. A brand-new series would be a heck of a way to celebrate Star Trek Day, especially if the announcement came along with things like concept art or maybe even casting information.

Are we going to get an announcement about… Khaaaaaaaan?!

The other big project that’s currently up in the air is the untitled feature film Star Trek 2023. As we recently discussed, I seriously doubt whether the film will make its intended December 2023 release date given that most of the main Kelvin timeline cast don’t appear to be on board yet, but Star Trek Day could surprise us with some more information about the project.

So those are the potential projects that I think we could hear something about. As I said, my money would be on some kind of 25th Century Picard replacement if you forced me to make a bet… but there are definitely cases to be made to hear something about a Starfleet Academy series or perhaps a some kind of Khan project, too.

The new USS Stargazer.

This year’s Star Trek Day will be hosted by Tawny Newsome (Ensign Mariner on Lower Decks) and Paul F. Tompkins (Dr Migleemo on Lower Decks) who co-host The Pod Directive, Star Trek’s official podcast. I’m sure they’ll make a great presenting duo – though part of me feels a little sad that Wil Wheaton won’t be on hosting duties. His energy and passion for Star Trek really elevated last year’s event.

I’m curious to see what may be teased about Discovery Season 5. Filming is currently underway in Toronto, and a behind-the-scenes tour hosted by Wilson Cruz (Dr Culber) promises appearances by some of the cast members and a look at new sets. I’m not sure when Discovery’s fifth season will make its debut; it seems right now as if Picard and Strange New Worlds will be ready first, even though Discovery Season 4 wrapped up back in March, so we could see one or both of those arrive before Season 5 is ready. Still, it’ll be neat to catch a glimpse behind the curtain – and maybe there’ll even be a teaser of some kind!

Dr Culber in Discovery Season 4.

We’re edging closer to the first anniversary of Prodigy’s premiere, and we’ve been promised a second batch of ten episodes to round out that show’s first season before the end of this year. With a Prodigy panel on the agenda for Star Trek Day, I have to assume we’ll get some more details about those episodes – hopefully including a premiere date. If I had to guess, I’d say that the second half of Season 1 could directly follow on from Lower Decks, which could mean a premiere date in late October or early November.

Prodigy has not been particularly well-supported by Paramount, in my view, at least not so far. Splitting up its first batch of episodes into chunks of four and five respectively with a long gap in between is not a great way for a new series to gain traction – especially with its young target audience. There’s also a lack of toys and tie-in products, and while there are plans in place to address that, at time of writing none of those items are available for purchase. Paramount has a lot of work to do to really sell Prodigy – and I really hope they get on with it, because it’s a unique project within the Star Trek franchise and one that could turn a whole generation of kids into Trekkies if handled better.

We’ll hear something about Prodigy at Star Trek Day.

Either Lower Decks or Strange New Worlds stars could go into more detail about the upcoming crossover, and although it’s still early days we could get some kind of teaser for Strange New Worlds’ upcoming second season. I don’t expect to see any clips from the crossover at Star Trek Day – that’s just a hunch, of course, but something tells me it’ll be kept under wraps until much closer to the episode’s premiere. But we could learn more about Season 2, including whether any new cast members will be coming on board. There’s at least one and perhaps two spots open if the producers wanted to make additions, although I hope they don’t go overboard and try to cram in too many new characters – especially not characters from The Original Series.

Season 1 managed to strike a good balance between legacy and new characters, and I’d hope that would continue in Season 2. There must be a temptation to add characters like Scotty, for example, in engineering, but I hope that the show’s writers can resist – at least for now. There may be scope to bring in more legacy characters in later seasons, but for now I’d like to spend more time with some of the newbies who we’re just getting to know.

Behind-the-scenes with Captain Pike and the Enterprise bridge crew.

There’s also a decent chance, in my view, that we’ll hear about a Season 3 renewal for Strange New Worlds. Season 2 has already finished its main production phase, and with Discovery Season 5 well underway, it’s definitely time for those conversations to be happening behind-the-scenes. It seems utterly unfathomable to me that there won’t be a third season (and a fourth…) given how well Season 1 was received. Pre-production may be already happening, so it wouldn’t shock me at all to get a formal announcement at Star Trek Day.

In a similar vein there could be announcements for a fifth season of Lower Decks, a third for Prodigy, and perhaps even a sixth for Discovery – though the latter may be premature at this stage. As Discovery has been running since 2017 (and in production since 2016), it’s not an absolute certainty that we’ll get more after Season 5, but at the same time the 32nd Century feels like a really interesting setting to spend more time in, so I’m hopeful that there’ll be more to come from Captain Burnham and the crew.

Captain Burnham in Discovery Season 4.

So those are my main thoughts/predictions. I’m also looking forward to some of the other events that will be part of the live broadcast, including a tribute to Nichelle Nichols, as well as a couple of fan-focused events, some music, and even some stand-up comedy. Star Trek Day’s stated runtime is two hours, and that feels about right for something like this. As mentioned, last year’s event may have dragged just a little – at least for me – so it seems as though some lessons may have been learned from that. But as they say, live events have the potential to take unexpected turns, so I won’t be shocked if Star Trek Day ends up running a little over that time limit!

I guess that’s about all there is to say. I’m glad Paramount is doing this, and I’m glad the event will be free to stream on the official Star Trek website instead of being locked behind a Paramount+ paywall. It’s a nice way to celebrate all things Star Trek, and even if there are no massive announcements about brand-new shows or films, I still think it’ll be a fun time. There’ll be glimpses behind-the-scenes, chats with cast members, and hopefully a lot of positivity and excitement about the Star Trek franchise.

I’m looking forward to Star Trek Day, and when the event is over I’ll be sure to share my thoughts on the broadcast, as well as perhaps take a longer look at any major trailers, teasers, or announcements. Stay tuned here on the website in the next few days because I have a list of a few potential upcoming Star Trek projects currently in the works – and who knows, we may hear about some of those at Star Trek Day!

Star Trek Day will be live-streamed on the official Star Trek website and social media channels on the 8th of September 2022 beginning at 3:00pm Eastern Standard Time/8:00pm British Summer Time. The Star Trek franchise – including all shows and properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

My biggest wish for Star Trek: Discovery Season 5

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4.

With Picard Season 2 ongoing, Strange New Worlds Season 1 hot on its heels, and Prodigy and Lower Decks still to come this year, it might seem premature to be thinking about Discovery Season 5 already! But as I was writing up the final part of my Season 4 theory list, it got me thinking. Season 4 wasn’t bad, all things considered. It had some storylines that disappointed or underwhelmed, but there are some genuinely outstanding episodes in the mix as well – and it ended on a very emotional and exciting high note.

It’s never too early to look ahead, and before production gets fully underway on Discovery’s next outing, I wanted to share my thoughts and opinions about where the show could go from here, and what I’d like to see next. That’s what this article will be about – but stay tuned for a more in-depth look at Season 4 and some of its story elements in the weeks and months ahead.

The USS Mitchell in the Season 4 finale.

For me, the single biggest wish I have for Discovery Season 5 is that it steps away from the “apocalyptic, galaxy-ending threat” story archetype that has been used in different ways across all four seasons of the show so far. We’ve gone through the Klingon war in Season 1, Control and the Red Angel in Season 2, the Burn and the Emerald Chain in Season 3, and finally the DMA and Unknown Species 10-C in Season 4. It’s time to give Captain Burnham and the crew a break, and for the series to try using a genuinely different formula instead of slapping a new coat of paint on the old one.

Just because a story is smaller in scale doesn’t make it any less emotional, exciting, tense, or dramatic, and I think that’s a lesson some of Discovery’s writers and producers could do with taking to heart. How we as the audience respond to a work of fiction is guided not by how massive the monster is or how big the explosions are going to be, but by how the characters we’re rooting for react. Their emotions become our emotions, their investment in the world around them becomes our investment, and so on. A story about a group of people working in an office, friends going on a road trip, or star-crossed lovers from rival families aren’t smaller, less exciting, and worse because they don’t have the backdrop of a world-ending disaster spurring them on. And conversely, some of the worst and least-exciting films and TV shows I’ve ever seen went over-the-top with the size and scale of the disaster the characters were facing.

The Burn was the driving force for much of Season 3.

Past iterations of Star Trek used these kinds of apocalyptic stories pretty sparingly, when you look back on it. It’s only Deep Space Nine’s Dominion War arc, which lasted for three seasons, that comes close to being as long and drawn-out an affair, and even within the framework of the Dominion War, DS9 found ways to tell very different and fun one-off stories. Things like the Borg incursions that Captain Picard and his crew had to deal with were either two-parters or one-off films, and they work well in that format.

Picard and the crew of the Enterprise-D still found other ways to be entertaining, and many of The Next Generation’s standalone episodes have gone on to be considered iconic, even those that had a far smaller focus than blockbuster outings like The Best of Both Worlds. This doesn’t mean ditching the season-long story arcs or returning to an episodic format, because I think Discovery has done some interesting and neat things with its serialised stories. But it does mean choosing season-long storylines and narrative arcs that are different in a fundamental way to what the show has tried already.

The DMA was the big threat in Season 4.

Practically any format can become bland and unexciting when overused, no matter how much fun it might’ve been in its original incarnation or at its best moments. It’s a challenge to keep any television series feeling fresh as it enters its fifth season and races toward its sixty-fifth episode, and there are many examples of shows that ran out of steam somewhere along the way. Heck, I have an entire list of television shows that either ran too long or wore out their concepts, and I can think of many more that I could’ve included.

Even Star Trek has hit the wall in the past, running out of energy and failing to keep audiences engaged. By the time Enterprise was willing to try new things in its third and fourth seasons, for example, the franchise was already in such a steep decline that cancellation was inevitable. To Paramount’s credit, lessons have been learned from what happened in 2005 in terms of the way the franchise as a whole operates. Different series are telling stories in their own ways, appealing to broader audiences, and Star Trek as a whole feels varied and diverse. But Discovery on its own doesn’t… and it’s right on the verge of becoming repetitive.

The USS Discovery in Season 4.

I was far from the only commentator to make the point prior to Season 4 that another “galactic threat” storyline felt samey, coming off the back of three similar narrative frameworks, and I’m sure I won’t be the only one to say that re-using that format a fifth time will be a bridge too far. Making use of the newly-established 32nd Century in different ways, and telling a story that may be smaller in scale but that’s just as impactful, emotional, and entertaining, will be the key challenges that I’d like the writers to tackle in Season 5.

The theme of rebuilding in the aftermath of a disaster was something we only saw Season 4 tackle in the briefest and barest of ways right at the beginning of the season, but this could be a concept that the show puts to much better use next time around. Discovery could follow Captain Burnham as she and the crew jump to different worlds, delivering dilithium, solving problems, flying the flag for the Federation… and most importantly, bringing hope to a galaxy that’s been through a lot.

The flag of the Federation…

This is what I’d hoped Season 4 would do, to be honest. The idea of restoring the Federation from the incredibly weakened state it was in when we encountered it is far too important and interesting to be relegated to something that happens off-screen, and I felt even before Season 4 had aired a single episode that this concept offered so much scope for emotional, exciting, and varied storytelling. Discovery could hop to different planets, combining the inclusion of new and visually different alien races (like Season 4’s “butterfly” aliens) with the reintroduction of classic races.

Catching up with some of the factions we remember from past iterations of Star Trek is also something I’ve been wanting Discovery to do for two seasons now. We’ve caught glimpses of races like the Ferengi and Andorians, and heard others mentioned in dialogue and log recordings, but we haven’t actually spent a lot of time with practically any of them. Finding out what became of fan-favourites not only in the years after the Burn, but in the centuries before that event took place, is something that I think a lot of Trekkies would be interested in.

We caught glimpses of familiar races… but Discovery didn’t find time to explore most of them in any detail.

If the 32nd Century is going to be a major setting for the franchise going forward, this kind of world-building is important. Just like how The Next Generation laid the groundwork for Deep Space Nine through its introduction of the Cardassians and Bajorans, so too could Discovery introduce us to planets, races, and technologies that future spin-offs and Star Trek projects could expand upon.

Part of that world-building can be done in a serialised story that looks at how the Federation can be rebuilt in the aftermath of the disasters it has already faced; introducing another new disaster to avert or recover from is simply not needed at this point. From the point of view of the characters, throwing them into another extreme situation would also be problematic, and would take the storytelling close to soap-opera levels.

Owosekun, Saru, and Detmer.

Discovery has, to its credit, attempted to show how some of the events that its characters have gone through have impacted their mental health. Some of these stories have been underdeveloped – Detmer’s in Season 3 and Dr Culber’s in Season 4 being the most egregious examples. But even with this kind of attempted mental health focus, there’s a limit on what we could expect characters to go through and still be alright when they come out the other end.

To be fair, that’s a line that the Star Trek franchise has crossed in the past with characters like Miles O’Brien, for example, who seemed to survive a lot of traumatic events only to be back to normal the next week! But as shows like Picard have demonstrated with characters like Seven of Nine and Jean-Luc Picard himself, it can be incredibly cathartic to revisit some of these characters and give them meaningful, lasting development. But we’re drifting off-topic!

Captain Burnham in Season 4.

Star Trek’s galaxy is vast, and as we saw in Season 4 with the inclusion of races like the Abronians and Unknown Species 10-C, even in the 32nd Century there’s still a heck of a lot that Starfleet doesn’t know about it. There’s scope for Captain Burnham and the crew to get back to exploring for its own sake, as well as using their Spore Drive to reach parts of the galaxy that it would be difficult for the Federation to do otherwise. There’s the potential for the crew to bring hope to far-flung Federation outposts after the Burn, the Emerald Chain, and the DMA have had such a devastating impact… and it’s worthwhile telling stories like that.

Even if Season 5 doesn’t do much of that rebuilding or exploring, I’m still hopeful that whatever stories it chooses to tell won’t feel repetitive and won’t recycle the same basic story framework that we’ve seen throughout the show’s entire run to date. Discovery could do so much to expand our understanding of the Star Trek galaxy; even more so in a 32nd Century setting that is wholly unconstrained by prior canon. Shooting this far forwards in time was a great way for the show’s writers and producers to give themselves new opportunities to play in the vast sandbox that we call the Star Trek galaxy – so now would be a great time to take advantage of that.

As I look ahead to Season 5, I feel hopeful and optimistic. Season 4 had some problems, but generally it was an improvement over Season 3 and it ended in truly spectacular fashion. There’s potential for what comes next to build on that, and if the series can avoid retreading too much old ground, Season 5 could be Discovery’s best outing yet.

Star Trek: Discovery Seasons 1-4 are available to stream now on Paramount+ where the platform is available and via a patchwork of video-on-demand and pay-to-view streaming platforms in the rest of the world. The series is also available on DVD and Blu-ray. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A whole host of Star Trek updates and renewals… but trust in ViacomCBS is still hard to come by

Spoiler Warning: There may be minor spoilers ahead for the Star Trek franchise.

Yesterday we got some fantastic news about the direction of the Star Trek franchise over the next couple of years. I’m sure you’re already aware of all of it, but just in case, here are the key announcements in brief:

  • Star Trek: Discovery has finally been renewed for a fifth season.
  • Star Trek: Picard Season 2 will premiere on the 3rd of March.
  • Star Trek: Strange New Worlds will premiere on the 5th of May.
  • Star Trek: Strange New Worlds has been officially renewed for Season 2.
  • Star Trek: Lower Decks Season 3 will premiere this summer.
  • Star Trek: Lower Decks has been renewed for Season 4.
  • Star Trek: Prodigy Season 1 will take a break when Discovery returns, before broadcasting the second half of the season later in the year.
  • Star Trek: Prodigy has been officially renewed for Season 2.

All of these announcements take the Star Trek franchise well into 2023, and when you add into the mix the as-yet-untitled 2023 film as well, there’s a massive amount of content to come over the next couple of years. It seems as though scarcely a week will go by without at least one new Star Trek episode premiering throughout all of 2022!

This is all unequivocally good news. Star Trek has made an absolutely triumphant return to the small screen since Discovery premiered in 2017, and the franchise has grown beyond my wildest hopes and most optimistic expectations in a scant five years. I hope that this is just the first phase of a new Golden Age, with more Star Trek on our screens taking us to the franchise’s sixtieth anniversary in 2026 – and beyond.

But it hasn’t been a smooth ride for Trekkies in recent weeks, especially for those of us who live outside of the United States. Star Trek: Prodigy is well into its first season for American viewers, but the rest of the fanbase hasn’t been able to see so much as a single episode – at least not via “conventional” means. This is despite Prodigy being a co-production between CBS Studios and Nickelodeon; the latter being a kids’ television channel that is available in more than 70 countries and territories around the world and is wholly owned by ViacomCBS. Surely a Prodigy international broadcast should have been possible – yet the corporation running Star Trek has consistently chosen to prioritise its American audience ahead of fans in the rest of the world, even when doing so makes no sense.

The same situation initially befell Discovery’s fourth season, when an insultingly-worded, awfully-timed announcement saw the series pulled from Netflix with 48 hours to spare. It was only thanks to the huge backlash that ViacomCBS received, leading to a significant fall in the corporation’s share price, that Discovery was shopped out to Pluto TV, Amazon, YouTube, and other platforms. Fans won in the end – but it was a battle that we should’ve never needed to fight.

At the time of the Discovery disaster, I wrote a piece here on the website in which I asked a difficult question: what might the situation and the precedent it had set mean for future Star Trek productions, including those shows that have just been renewed or had premiere dates announced? You can check out the full article by clicking or tapping here, but to briefly summarise: I am not optimistic that the painfully slow rollout of Paramount+ can be sped up, nor that shows like Strange New Worlds will be granted an international broadcast at all.

ViacomCBS is a poorly-managed corporation with leaders and executives who seem utterly incompetent – or who are dusty old relics, ill-suited to a 21st Century media landscape. The lack of care and preparation with which the Star Trek franchise is being handled is indicative of this, and the franchise lags far behind old rival Star Wars in many areas. Where are, for example, 4K HDR episodes? This is something Star Wars has been doing since 2019 with The Mandalorian, and many other television shows on Amazon, Netflix, and Disney+ are now streaming in 4K HDR. Where are the toys that should have been available in time for Prodigy’s debut? And, come to that, where’s the rest of the Star Trek merchandise for other shows?

These are just a couple of examples of how the Star Trek brand is being mismanaged by ViacomCBS, and unfortunately the breach of trust between the corporation and a sizeable chunk of its fanbase means that the plethora of announcements made yesterday are, at the very least, seen through a new lens. At worst they’re completely tainted, with excitement and hype replaced with either apathy or anxiety as fans ask whether we’ll be able to watch any of these new shows and new seasons – and if we can’t, why should we care?

Since I created this website in 2019, I’ve reviewed every Star Trek episode that has been broadcast – except for Prodigy. Why? Because ViacomCBS deliberately chose not to make Prodigy available here in the UK (by lawful means, at least) despite owning and operating the UK version of the Nickelodeon channel and thus having the ability to do so with ease. When a corporation behaves in such an insulting manner, I feel it’s difficult to support practically any announcement or project that they have going on.

It will take time – and most importantly, a significant amount of effort from ViacomCBS – to repair the breach of trust between the corporation and Trekkies. And while these announcements are exciting, I can’t bring myself to fully board the hype train, not until we have more information about how and when these shows are going to be made available.

Here are several key questions that ViacomCBS needs to address in pretty short order:

  • When will Paramount+ be available here in the UK?
  • Are there any plans to make Paramount+ available in Asia, Africa, and other regions?
  • If there are no plans to roll out Paramount+ in a particular country or territory, will these new Star Trek shows be available via some other broadcaster?
  • Will new episodes of Star Trek be available on Paramount+ outside of the United States, or will the international version of Paramount+ delay the broadcast of some or all of these episodes (as initially happened with Discovery Season 4 in Australia, Latin America, and Scandinavia)?
  • Can you offer fans a guarantee that Picard Season 2 and Lower Decks Season 3 will be broadcast on Amazon Prime Video this year?
  • Will Paramount+ be available internationally in time for Strange New Worlds Season 1?
  • If not, will Strange New Worlds be available on another broadcaster or platform outside of the United States?

I love Star Trek. Heck, I run a Star Trek fan website – and in my small way I offer ViacomCBS free publicity and advertising by talking and writing about the franchise in my free time. But I can’t blindly support a corporation that has continually taken decisions that harm Star Trek’s international fans, and until ViacomCBS is willing to answer some of the questions fans are rightly asking about the availability of upcoming productions, it’s going to remain difficult for any of us to fully get on board and be as excited as we want to be.

ViacomCBS needs to get a grip and put real effort into accelerating the international rollout of Paramount+. If Paramount+ isn’t going to be available in time, then the corporation needs to make plans to ensure international Trekkies can watch the likes of Strange New Worlds at the same time as fans in the United States. Star Trek is not an American entity, solely the preserve of American fans. ViacomCBS and its predecessors encouraged the creation of a global fanbase because they saw profit overseas – but that fanbase has been bruised by a slew of poor corporate decisions that have damaged the reputation of Star Trek and Paramount+, and which have unfortunately seen shows like Lower Decks underperform.

As Star Trek gears up for an exciting couple of years, the team in charge has a lot of work to do to rebuild trust between ViacomCBS and Trekkies. Star Trek’s long-term success depends on fixing the problems of the past couple of years and getting things right going forward. I’m interested to see how ViacomCBS will respond – and willing and able to hold their feet to the fire if they continue to get it wrong.

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Discovery theories – week 4

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-4. Spoilers are also present for the following: Star Trek: Picard Season 1, Short Treks, and for other iterations of the Star Trek franchise.

All Is Possible definitely shook up Star Trek: Discovery! It’s an episode which, as things stand anyway, will have major ramifications for the rest of the show’s run thanks to the departure of Lieutenant Tilly. However, with the episode’s trio of stories largely staying away from the DMA (as the gravitational anomaly is now being called) there really aren’t a lot of new theories joining the list on this occasion. The teaser for The Examples has told us that we’re about to see a big return to that storyline, though, and I certainly don’t mind Discovery doing more of these episodic detours!

This week we had one theory that I’m calling semi-confirmed and one theory from way back in Season 3 that’s seen some significant advancement – but that I’m not yet willing to completely strike off the list! We’re also adding two production-side theories to the list for the first time.

Semi-confirmed theory:
Tilly left the USS Discovery.

Tilly is on her way to new adventures.

I’m calling this one semi-confirmed because I speculated about Tilly potentially leaving the ship – but I didn’t guess how soon it would happen or the exact manner of her departure! In the run-up to All Is Possible, my best guess was that whatever was happening with Tilly would rumble on for most of the rest of Season 4, with any potential departure not coming until closer to the end of the season. I certainly didn’t expect to see two “Tilly tries something new” storylines one after the other, and while her departure was very emotional and bittersweet, there was a slight sense that maybe it could’ve been scheduled a little better so we didn’t have both of Tilly’s big Season 4 episodes back-to-back.

I’d previously suggested that Tilly could change departments, resign from Starfleet, or that the character would be killed off by the writers. As it is we kind of got a combination of the first two: Tilly has left the USS Discovery’s science division to move to Federation HQ and teach at Starfleet Academy. She’ll presumably retain her commission as a Starfleet officer even though she isn’t working aboard a starship for the time being.

As I said in my review of All Is Possible, parts of Tilly’s story with the troublesome cadets almost felt like a backdoor pilot for a new series. With a Starfleet Academy show supposedly being worked on, we may not have seen the last of Tilly in Star Trek!

So that theory was semi-confirmed.

Up next we’ve got two production-side (as opposed to in-universe) theories.

Production-side theory #1:
Tilly’s departure will be permanent.

Tilly’s departure feels permanent.

Mary Wiseman confirmed in an interview with Wil Wheaton on The Ready Room (Discovery’s social media aftershow) that Tilly will be seen again before the end of Season 4. But that doesn’t mean she will be a main character on the show going forward, and her departure feels permanent. Despite that, I’ve seen quite a lot of folks online who don’t believe that Tilly is actually leaving the series – so I wanted to put it out there officially and say that, in my opinion anyway, she is.

Maybe those people know something that I don’t! As I always say, I don’t have any “insider information;” all of this is just speculation on my part. However, I feel that the manner of Tilly’s departure, the fact that she got that emotional sequence with Captain Burnham, a montage showing her leaving the ship, Adira seeming to take over several of her roles, and her departure feeling like the culmination of her arc going back to the latter part of Season 3 all come together to strongly indicate that she won’t be back as a major character. She may yet have a significant role to play in a future Season 4 episode, as has been suggested, but unless Discovery’s writers are really playing with our emotions I believe we’ve seen Tilly’s end as a main character on the show. She may, as suggested, be back in a future Starfleet Academy series, though… so watch this space!

Production-side theory #2:
Star Trek: Discovery isn’t going to be renewed for Season 5.

Is a fifth season going to happen?

Since Discovery’s first season in 2017, we’ve known by this point in the season that the show has been renewed. This isn’t one of those “I hate new Star Trek” things that we’ve seen doing the rounds online for years; I adore Discovery and genuinely want to see it continue. But it’s profoundly odd to be basically one-third of the way into Season 4 and to have had no announcement about Season 5. For comparison, Star Trek: Picard has been renewed for Season 3 even though Season 2 won’t air until next year!

I’m hopeful that this is just a blip; a temporary delay for reasons unknown, and that the show has been renewed for Season 5 already behind-the-scenes. However, when we look back at Star Trek productions in recent years, it was often apparent that production work was quietly ongoing even if there hadn’t been any official word from ViacomCBS. As far as we know at this stage, there’s been no pre-production work on Season 5, let alone any filming taking place in the Toronto area.

Once again this is a “watch this space” kind of theory. I hope I’m wrong… but the lack of any news or even any significant rumours about the show’s future is beginning to have me worried.

So those are two theories on the production side of things.

Now we’ll get into the main theory list, beginning with any theories that are new or saw any significant movement in All Is Possible. Then, for the sake of keeping everything in one place, we’ll also recap those theories that didn’t change this week.

Theory #1:
Dr Culber is going to tell Stamets to slow down.

Dr Culber and Stamets in a promo image for The Examples.

Stamets has been almost entirely absent from the past couple of episodes – and in All Is Possible we heard Captain Burnham suggesting that Stamets “won’t slow down,” and is overworking himself as he tries to figure out what’s going on with the DMA. As a result of Stamets dedication to his work, he missed all of Gray’s incorporation in Choose To Live, and we haven’t seen him with Dr Culber, Adira, or Gray since the beginning of the season. He hasn’t even met Gray yet, not properly.

Stamets also didn’t have a chance to speak to Tilly before she left the ship, though he was briefly seen as she departed for Starfleet Academy. In the past, we’ve seen Dr Culber gently remind Stamets that he has other priorities aside from his work, and I’m beginning to wonder if the show is setting up the pair for something similar. I hope we don’t go back to the Season 2 conflict, because that genuinely did not work, but Stamets may need some kind of intervention from the man he loves, pointing out what he’s been missing while he’s been wrapped up in his work.

Theory #2:
President Rillak knows what the DMA is and may be responsible for its creation.

President Rillak in Kobayashi Maru.

All Is Possible continued a trend that we’ve seen across the opening episodes of Season 4, showing us that President Rillak is a cunning, almost Machiavellian politician, willing to do anything to advance what she considers to be the best interests of the Federation. By bringing Burnham and Saru along to the Ni’Var negotiations she hoped to find a solution to a diplomatic impasse she knew was coming – and she succeeded.

As I said in my review, I believe Captain Burnham needs to be very careful with President Rillak. During the events of All Is Possible, working with Captain Burnham was advantageous to the Federation’s president – but I have no doubt that she’d throw Burnham and the USS Discovery under the bus without so much as blinking if she believed it would be to her advantage. Which brings us to the DMA.

President Rillak with Captain Burnham.

President Rillak might know more about the DMA than she’s currently letting on. If the Federation had created a weapon like this, or it was an experiment gone wrong, covering it up might be her objective even if she wasn’t necessarily the one who ordered the DMA’s creation. President Rillak herself is a character with depth, not simply an “evil admiral” character trope. But it wouldn’t be the first time that Discovery has presented us with a fairly hard-line character in a position of authority who turns out to be concealing a dark secret.

We’ll consider in a moment a few other possible candidates for creating the DMA – if it turns out to be an artificial creation. But the Federation – and by extension, President Rillak – have to be possible contenders too. Season 3 of Discovery showed us the Federation at its weakest, but also arguably as an organisation that was still virtuous at its core. In contrast, we have Season 2’s depiction of Starfleet: reliant on the shady Section 31 and their AI. In short, it wouldn’t be unthinkable for Discovery to go back to that kind of presentation.

Theory #3:
Kovich is an agent (or the head) of Section 31.

Kovich in All Is Possible.

This is the theory that’s hanging on by a thread right now! Ever since we met the mysterious Kovich in Season 3, I’ve felt sure that there was something going on with him. His mannerisms, the way he seemed to know more than he was willing to share, and particularly the way he dealt with Empress Georgiou all contributed to that. I began to suspect that he could be an agent – or even the head – of Section 31, the shadowy off-the-books intelligence division that has done some very dubious things!

All Is Possible showed us a different presentation of Kovich. Referred to as Doctor Kovich for the first time, he seems to be playing a senior role in the running of Starfleet Academy. That doesn’t necessarily preclude him working for Section 31, but it is the most significant move away from this theory that we’ve seen so far.

Kovich in Season 3.

It may yet be revealed that Dr Kovich played a role in Tilly’s away mission going so badly wrong, but I suspect if that had been going to happen we’d have seen it in All Is Possible. David Cronenberg plays the character very stoically, which I think adds to that mysterious sense that has been present since Season 3. In All Is Possible, that contributed somewhat to the sense that he may have known what was going to happen.

If it turns out that the Federation and/or President Rillak are involved somehow with the DMA, maybe Dr Kovich is aware of what’s going on. If he’s involved with Section 31, it may turn out that the organisation has important information about the DMA or even knows how to prevent it from doing any more harm.

So those theories were new or saw movement this week.

Now, as always, we’ll recap all of my other Discovery Season 4 theories. I find it helps to keep the full list in one place; it makes it easier to strike off theories when they’ve been debunked or confirmed, and it means nothing gets forgotten about or left behind! At least, that’s the plan!

Theory #4:
The Guardian of Forever will be back.

The Guardian of Forever first appeared in The Original Series.

Having reintroduced the Guardian of Forever in Season 3, I wouldn’t be at all surprised to see Discovery return to the Guardian’s planet in Season 4. The DMA is something new and threatening, so it’s possible Captain Burnham might want to ask the Guardian for help or information.

The Guardian of Forever is also the only way we know of at present to travel through time – something that might be necessary if Season 4 makes an attempt to link up with Calypso in a big way. There are many reasons why Captain Burnham might want to revisit the Guardian, and it would be great to bring back actor Paul Guilfoyle, who played the Guardian’s humanoid avatar in Season 3.

Theory #5:
Some areas of the galaxy – such as the Delta Quadrant – avoided the worst effects of the Burn.

The USS Voyager traversed the Delta Quadrant.

Season 4 touched briefly on the Burn with Su’Kal and Saru in Kobayashi Maru, and may now seek to put last season’s story to bed so it can wrangle with the DMA instead. But one thing I’d be curious to see is the true extent of the disaster – did it reach all four quadrants of the galaxy equally, or did its effects fade out after a certain point? Michael Burnham discovered that the Burn had a point of origin, and that it radiated out from that point like ripples on the surface of water. Ripples eventually diminish, fading away the further they travel, and perhaps that’s true of the Burn as well. There could be whole areas of the galaxy that didn’t even notice the Burn – and maybe the ship and crew will visit one such region.

If the Delta Quadrant was left largely unscathed, for example, what might that mean for the likes of the Borg? It’s possible they aren’t even still around in the 32nd Century, but it’s also possible that they’ve had more than a century to expand and build up their forces while the Federation suffered. To see a full write-up of this theory, click or tap here.

Theory #6:
Captain Burnham and the crew will encounter the Klingons.

General Martok, a 24th Century Klingon leader.

By the late 24th Century the Federation and Klingons were firm friends, having been allied for a century and after fighting side-by-side against the Dominion. We don’t know if that alliance endured to the 32nd Century, but it’s certainly plausible to think that it did. The Klingons might even have joined the Federation at some point, and their violent warrior culture may have been significantly pacified.

One thing that could be very interesting to see is how the crew of the USS Discovery – almost all of whom are veterans of the Federation-Klingon war – would respond to that. They’ve worked alongside Klingons like L’Rell before, but many of them still see the Klingons as an old enemy. The story of overcoming that prejudice could mirror episodes like The Wounded from The Next Generation, and would be very interesting to see.

Theory #7:
The crew will have to defend the Verubin Nebula.

The dilithium planet is vital to the Federation.

The Federation is still in a weakened state, nowhere near as powerful as it once was. The Verubin Nebula is thus a very tempting target for anyone looking to gain an edge in a galaxy where dilithium is still in short supply. As the only known significant dilithium supply, whoever controls the Verubin Nebula will have a massive tactical advantage.

We can compare the Verubin Nebula to Deep Space Nine’s Bajoran wormhole in that respect – it’s a resource of huge strategic importance. Season 3 didn’t show us much about the makeup of the galaxy’s factions outside of the rump Federation and the Emerald Chain, but it’s got to be possible that factions like the Dominion, Klingon Empire, or even the Borg still exist and would want to seize the Verubin Nebula for themselves.

Another view of the planet in the Verubin Nebula.

Season 4 has presented Captain Burnham and the crew with a scientific puzzle: the DMA. But that doesn’t mean there won’t be villains in play, and Discovery has introduced us to several compelling and interesting villains over its first three seasons.

To make a long theory short, it would begin to stretch credulity to think that everyone in the known galaxy would see the Federation rebuilding and having access to dilithium and not want to find out for themselves what’s going on. Once the Verubin Nebula’s existence becomes known, even if the Federation promises to share its bounty with all comers, it seems very likely that someone would want to take control of the dilithium supply for themselves.

Theory #8:
The story will connect with the Short Treks episode Calypso.

Craft, the protagonist of Calypso.

Despite a handful of moments in Season 3 which seemed to connect to Calypso, the story of the season overall ended up going in a very different direction. While we saw a couple of things that arguably did tie in to the Short Treks episode, major things like the USS Discovery undergoing a refit have actually moved the plot even further away.

It’s possible that Calypso will forever remain an outlier in Star Trek’s canon – an episode tied to a vision of Season 2 or Season 3 that was changed before it made it to screen. But earlier in Season 3 it felt like we were getting close to seeing how it could all be tied together – and I’m hopeful that Season 4 will find a way to do so.

Theory #9:
The ban on time travel will be explained in more detail.

The USS Enterprise was able to travel back in time to the 20th Century from the 23rd without too much difficulty.

This one is a hope as much as a theory right now! In short, the ban on time travel was introduced early in Season 3 primarily as a way for the writers and producers to avoid questions about why the 32nd Century was so different from how the far future had been depicted in earlier Star Trek productions, as well as to explain things like how the Burn was able to catch the Federation off-guard and why Georgiou couldn’t simply be sent back in time when she needed to.

But the ban itself raises some issues – the biggest one being the lack of detail on how it works and how something like this could possibly be enforced. As I said several times last season, it isn’t possible to just un-invent a technology so useful and powerful as time travel. Even just a few lines of dialogue going into a little more detail on the mechanisms involved in the ban would be really useful.

Theory #10:
The Federation has flouted the ban on time travel.

President Rillak may have tried to circumvent the ban if she felt doing so would be in the Federation’s interest.

Sticking with the time travel ban, another theory I had last season was that the Federation – and Section 31 in particular – might have deliberately flouted the ban and failed to abide by the rules. Someone as straight-laced and committed to Starfleet ideals as Admiral Vance is highly unlikely to have sanctioned such a move, but someone like the shadowy Kovich might have. President Rillak could also be involved.

Obviously the bulk of the season’s story will deal with the DMA. But there’s scope to either talk about the time travel ban in a standalone episode or even tie the two stories together – perhaps the anomaly has been unleashed as a result of unsanctioned time travel.

Theory #11:
Burnham won’t stay in the captain’s chair.

Captain Burnham in All Is Possible.

This is a controversial one, so let me just say up front that I’m neither in favour of this theory nor opposed to it – I just think it’s a possibility. As things stand, Discovery has had four different captains across its four seasons. One of the show’s unique points of interest within Star Trek’s broader canon are the very different ways in which these individual captains commanded the ship and crew.

It’s got to be considered at least a possibility, then, that the show will continue this trend. This doesn’t mean Captain Burnham will be killed off; I’d actually argue she’s pretty safe. But there are many different routes to her potentially leaving the ship, such as a desire for freedom that we saw in Season 3, or even perhaps taking up a new, more senior role within Starfleet.

Captain Burnham in Anomaly.

If this theory were to come to pass, it would be something I’d expect to see at the very end of the season. Even if Burnham seems 100% committed to her new role as captain, I don’t think it’s a theory we can definitively rule out.

It’s worth mentioning that at time of writing Discovery hasn’t been officially renewed for a fifth season – so all this talk of who’ll be in the captain’s chair by then could be moot! And of course this theory has a very strong counter-argument: that Discovery’s main story arc across its first three seasons can be read as Burnham’s ascent to the captain’s chair.

Theory #12:
There will be a character crossover from a past iteration of Star Trek.

Spock has appeared in several different Star Trek productions.

This theory returns from Season 3, where I doggedly clung to it for the entire season!

Discovery’s 32nd Century setting has shot Captain Burnham and the crew far beyond anything in Star Trek’s established canon, and that should mean that practically everyone we remember from other Star Trek shows won’t be around any longer. But this is Star Trek – with some creatively-written technobabble, practically any major character could have survived all the way through to the 32nd Century!

Riker has appeared in more Star Trek spin-offs than any other character.

It’s also possible for Captain Burnham to discover the logs of a long-dead officer; someone we as the audience would be familiar with. While this would be less of a “crossover” than if a character from the past could be physically present, it would still be a lot of fun to see!

There are a handful of characters who could have survived to the 32nd Century based on what we know about them from past iterations of the franchise. Included in this category would be people like Soji, Voyager’s Doctor, and a few others. But as we’ve seen in episodes like Relics and even the film Generations, all it would take to make a big crossover happen is some kind of temporal anomaly, stasis field, or other technobabble!

Theory #13:
A major character will be killed.

A Starfleet coffin seen in Deep Space Nine.

Season 3 saw a couple of major departures: Mirror Georgiou entered the Guardian of Forever’s portal, and Nhan remained behind aboard the USS Tikhov. Yet despite the dangers the crew faced as they navigated the 32nd Century, battled the Emerald Chain, and figured out the mysteries of the Burn and the Verubin Nebula, only one ally – Ryn – lost their life.

Killing off a character can be an excellent way to communicate the stakes involved if it happens at a relatively early stage. It can also be a storyline that brings a lot of emotion, as we have to say goodbye to a beloved member of the crew.

Spock’s funeral in The Wrath of Khan.

In short, I think there are plenty of reasons on the production side why killing off a major character could make sense in Season 4. Though we’ve already had one departure this season – that of Lieutenant Tilly – I still believe that Discovery could very easily go down this road, especially considering how dangerous the DMA currently is.

For a breakdown of which characters I thought might be in danger before the season premiered, check out my list of “death predictions” by clicking or tapping here.

Theory #14:
The DMA is a superweapon.

One view of the DMA.

We touched on this theory above when we considered the Federation’s possible complicity in the creation of the DMA, but there are many other ways such a story could pan out. The DMA’s unpredictable nature, as noted by Tilly and Saru at the end of Anomaly, could imply that there’s an intelligence at work dictating its moves. This could be the DMA itself if it’s sentient (or contains a sentient life-form) but it could also be the case that it’s being controlled or manipulated by something or someone externally.

If the anomaly turns out not to be a natural phenomenon, and is indeed deliberately targetting the Federation, who might the possible culprits be? And what would be the purpose behind attacking the Federation in this manner? If it’s the precursor to an invasion, perhaps later in the season we’ll see whoever is responsible making their next move.

Theory #14a:
The Borg are responsible.

The Borg Queen.

We don’t know whether the Borg Collective still exists in the 32nd Century; it hasn’t even been mentioned since the USS Discovery’s arrival. However, few other established factions seem capable of creating a weapon on the scale of the DMA. This wouldn’t be in line with the Borg’s usual modus operandi, as they prefer to assimilate rather than attack from afar. But a lot may have changed in the centuries since we last encountered them, meaning this could be the opening salvo of a Borg attack… or the last gasp of a dying Collective.

Theory #14b:
The super-synths from Picard Season 1 are responsible.

Some very menacing-looking synthetic tentacles.

We still don’t know very much about the super-synths that Soji and Sutra attempted to contact in the Season 1 finale of Star Trek: Picard. Other than claiming to offer support and help to synthetic life, what are their goals and motivations? Was their offer even genuine, or was it a trap? The mechanical tentacles glimpsed in Picard Season 1 looked terrifying! Moreover, we know that the super-synths have the technology to move stars – something only possible with an advanced understanding of gravity. Creating a stable 8-star octonary system is an incredible technological and gravitational feat, so they have precedent of a sort when it comes to working with gravity. Finally, Discovery Season 4 has already made connections with Picard Season 1: the Qowat Milat and the synth transfer process used for Gray.

Theory #14c:
The Kelvan Empire is responsible.

Rojan, a representative of the Kelvan Empire.

This one might seem to come completely out of the blue! In The Original Series, Captain Kirk met representatives of the Kelvan Empire, a faction originally from the Andromeda galaxy. Seeking a new home, a Kelvan scouting party had reached the Milky Way and were looking for worlds to conquer. Kirk would ultimately dispatch an unmanned starship offering to help the Kelvan Empire find new worlds to settle – but what if his offer was rejected? Given the vast distances and travel time involved, the timelines kind of line up for the Kelvan Empire to return to the Milky Way.

Theory #14d:
The Sphere-Builders from Enterprise are responsible.

A Sphere-Builder seen in Enterprise.

A defeated faction in one of the Temporal Wars, the Sphere-Builders initially hoped to convert a large swathe of the Alpha Quadrant to match their native extradimensional realm, and constructed a number of large space stations known as Spheres to facilitate this transformation. Crewman Daniels would tell Captain Archer that the Sphere-Builders were defeated in the 26th Century, but could they have since rebuilt? The DMA isn’t necessarily the same as what they were trying to do with the Spheres, but they’re one of the few factions in Star Trek that might be capable of creating a weapon on this scale.

Theory #15:
Saru will be given the captaincy of the USS Voyager-J.

The USS Voyager-J.

Saru’s future was briefly discussed before he offered to serve as Captain Burnham’s first officer in the episode Anomaly. He has already been offered a command of his own, so Starfleet clearly values his command abilities and experience. President Rillak was seen to be assessing Captain Burnham’s suitability for the captaincy of the USS Voyager-J in Kobayashi Maru… and she mentioned having a shortlist of candidates. Could Saru be on her list?

Several of the qualities that President Rillak said she was looking for in a potential captain seem to apply to Saru. He’s more level-headed, less likely to put himself in a dangerous situation, and more inclined to think of the big picture. He has a weakness when it comes to Kaminar, as we saw toward the end of Season 3, but generally speaking he isn’t someone who lets his emotions get the better of him. His wisdom and calm demeanour could be valuable in the captain’s chair of the Federation flagship. This could also set the stage for his departure from the show, or possibly even for a new show following his adventures aboard his new ship.

Theory #16:
The DMA is (or contains) a sentient life-form.

Another view of the DMA.

“It was only trying to communicate!” has become a Star Trek cliché, often used to describe how the seemingly-aggressive actions of an alien life-form are actually something innocuous. Maybe the same is true of the DMA: at its core is a life form, perhaps one not dissimilar to the Sphere seen in Season 2, and it’s on its own mission of exploration.

V’Ger from The Motion Picture is an interesting comparison. Like the DMA, V’Ger was massive in size, capable of destroying space stations, fleets of ships, and even threatening to destroy entire planets. When Admiral Kirk and the crew of the Enterprise were able to figure out V’Ger, however, they found a life-form at its core, one which was just as curious to learn and grow as they were.

Theory #17:
Book will find Kyheem and Leto inside the DMA.

Leto as seen in Book’s memory.

In Star Trek: Generations, Captain Picard encountered Captain Kirk inside the Nexus – despite Kirk being declared “dead” after the Enterprise-B encountered the energy ribbon almost eighty years earlier. We don’t know what the DMA is yet; one of my very early pre-season theories involved the Nexus, but that seems to be debunked already! However, the anomaly’s mysterious nature raises the faint possibility that at least some of those it appears to have “killed” may not be as dead as they first appear.

This theory is, I freely admit, a bit of a long-shot. And it hinges on a fundamental question underlying the story of the season: is there more to the DMA than meets the eye? If the anomaly is just an extreme example of space weather, flitting through Federation space destroying anything unfortunate enough to be in its way, then probably everyone on Kwejian is dead. But if the anomaly harbours some kind of gateway, wormhole, portal, time vortex, or any of the other Star Trek-y technobabble phenomena that we’ve seen across the franchise’s history, then it’s possible that at least some of the folks on Kwejian found themselves transported to whatever realm lies inside of the anomaly.

Theory #18:
Captain Burnham and/or the Red Angel time travel suits from Season 2 are connected to the DMA.

We don’t really know what happened to the Red Angel suit after this moment.

I’m not sure that this one is particularly likely, but as I said last year about a possible Burnham connection to the Burn, not only does Discovery kind of have a precedent for telling this kind of story, but there would also be something very dramatic about this revelation. In this case, Burnham would be indirectly and unknowingly responsible for creating something devastatingly damaging. How would she react to that, and how would Book react given what happened to Kwejian?

Perhaps the Red Angel suit, which Burnham sent back in time in the Season 3 premiere, malfunctioned somehow, and its powerful wormhole-creating technology gave rise to the DMA. If the Red Angel suit completed its journey back to the 23rd Century, the anomaly may have had centuries to grow and expand unchecked. If time travel is involved, perhaps a future Captain Burnham or a parallel universe Captain Burnham could be responsible for the anomaly’s creation – either intentionally or not.

Theory #19:
We haven’t seen the last of the Abronians.

I currently have four ideas for different ways that the Abronians – the non-humanoid race that Captain Burnham, Tilly, and the Qowat Milat helped save from cryo-sleep in the episode Choose To Live – could play a further role in Season 4.

Theory #19a:
The Abronians’ homeworld was destroyed by the DMA.

Captain Burnham believes this image depicts a “supernova.”

After arriving at the Abronians’ cryo-ship, Captain Burnham found a stone carving that seemed to depict the destruction of the Abronians’ homeworld. This carving was only shown on screen briefly, but it seemed to show the planet being damaged or destroyed in a large explosion. Burnham credited the planet’s destruction to a “supernova,” and the story then raced ahead.

Considering that the main thrust of the season so far has been about the DMA, perhaps Burnham was incorrect: the Abronian homeworld was destroyed by the anomaly, not a supernova.

Theory #19b:
The Abronians’ homeworld was on the “other side” of the DMA.

The USS Discovery approaches the DMA.

One clip in the second Season 4 trailer appeared to show Captain Burnham leading the USS Discovery inside the DMA. We don’t yet know what that means, nor to what extent words like “inside” the anomaly or “the other side” of the anomaly are even coherent concepts. But many times in past iterations of Star Trek we’ve seen things like wormholes and gateways to parallel universes. Perhaps the anomaly is something similar – and passing through it leads to a different dimension, parallel reality, or just a faraway region of space.

One thing struck me as odd about the Abronians: the Federation was entirely unaware of them, despite the Abronian cryo-ship being relatively close to Federation space – such that Captain Burnham could reach it using Book’s ship in a short span of time. It’s possible that the Abronians had been asleep for millennia, unnoticed by the Federation and the wider galaxy for all that time. But it’s also at least possible that their cryo-ship is a newcomer to the area. If so, perhaps it arrived here via the DMA.

Theory #19c:
The Abronians will return to help the Federation later in the season.

A deceased Abronian.

One of the themes of Discovery since Season 3 has been connection, including building connections between the Federation and other races and organisations. The Abronians were awoken from cryo-sleep thanks to the interventions of Captain Burnham and Tilly – at least in part – and they may seek to repay the Federation, or Captain Burnham personally, for that help.

We saw this play out last season with Ni’Var; in the season finale Ni’Var ships raced to the Federation’s aid as the Emerald Chain attacked. Perhaps the Abronians will likewise step up to help when the Federation needs allies.

Theory #19d:
The Abronians’ moon-ship may be useful in a later story.

“That’s no moon…”

At this stage I can’t envision precisely what use Captain Burnham and the crew might have for a moon-sized starship… but that doesn’t mean such a need won’t arise! The Abronians’ cryo-ship is huge, and at least superficially seems to have the mass of a moon or small planetoid. If Captain Burnham and the crew needed something that large for some purpose, perhaps they’ll return and either take it or negotiate for it.

As we saw in Choose To Live, the moon-ship was in full working order. All it needed was some extra dilithium to power up and it was perfectly capable of moving under its own power, and its computer systems were still functional. The only system that seemed to have failed was the wake-up timer! So if – for reasons yet unknown – the crew need a huge starship, perhaps we won’t have seen the last of the moon-ship.

So that’s it!

The USS Discovery.

At present, those are all of the theories I currently have in play. Some are more likely than others, some are perhaps plausible but may not come into play in Season 4, and maybe some are just plain silly! But I have a lot of fun thinking them up and writing these lists, and that’s really what this is all about!

After two episodes in a row in which we got minimal advancement of the season’s main storyline, The Examples seems to be teasing us with a return to the DMA in a significant way. I can hardly wait to see what lies in store for Captain Burnham and the crew!

Before we go, one final point. I write up these theories because I like Star Trek and I like writing. But for some folks, fan theories can hamper their enjoyment of a film or television show. It’s worth keeping in mind that most of these theories probably won’t pan out, and we have to be prepared for the fact that even the most well-constructed fan theory, no matter how fun and plausible it seems, simply won’t turn out to be true. If you find that speculating and reading theories is beginning to detract from your enjoyment of Star Trek: Discovery – or any other television show or film – it might be a good idea to take a break for a while.

Star Trek: Discovery Season 4 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia. The show is on Pluto TV in the UK, France, Germany, Italy, and other parts of Western Europe at 9pm on Fridays and Saturdays. Individual episodes or the full season can be purchased on iTunes, Amazon Video, and possibly other platforms in the UK, parts of Europe, and select other countries. The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.