After a difficult week for the entire Star Trek fan community, we finally got some good news. Star Trek: Discovery Season 4 is going to be available outside of North America after all.
This isn’t “total victory,” as there are still too many countries and territories where the season won’t be available – particularly in Asia and Africa. The series is not returning to Netflix. But in regions where Paramount+ exists – Australia, Scandinavia, and Latin America – the decision to withhold the new season from fans has been reversed. This was the easy bit – that particular decision was so stupidly arbitrary that it didn’t make sense to begin with.
Here in the UK, as well as elsewhere in Western Europe, the new season will go to Pluto TV – described as a “free streaming television service.” I’ll have to look up Pluto TV and how it works as I’m not familiar with it at all. In the UK, Germany, France, Russia, South Korea and “additional select countries” (whatever that might mean) Season 4 episodes will be available to purchase digitally on “participating platforms.” Could that mean Amazon Video, among others? Watch this space, I guess.
Reversing the Netflix decision was never going to happen, not after contracts had been torn up and significant sums of money had changed hands. But this is a victory for Star Trek fans – and for fans of any franchise, series, film, or video game across the entertainment industry. It demonstrates the power of fans coming together, and how these kinds of pressure campaigns and reactions can and do have an impact even on the biggest corporations.
At the end of the day, ViacomCBS saw the backlash as a problem and a threat to their current and future profits. That’s the power that we – all of us – have as consumers and as fans. Because we all pulled together and expressed our collective anger, outrage, and frustration, the corporation had no choice but to sit up and take notice. Especially when the value of their shares began to fall.
A couple of days ago on Twitter, some anonymous nobody told me to stop “crying” about the Discovery decision because it “wouldn’t change anything.” That person was wrong. On an individual level, none of us have the power to stand up to big corporations; that’s true. But en masse, when fans pull together we can do anything. Star Trek’s history is testament to that.
In 1967-68, a letter-writing campaign orchestrated by Star Trek superfan Bjo Trimble literally saved The Original Series from cancellation at the end of Season 2. The fact that the show got a third season at all was all down to Trekkies. And later, in the 1970s, pressure from fans to bring Star Trek back led to The Animated Series and later The Motion Picture – the film which kicked off Star Trek’s renaissance going into the 1980s.
Following the cancellation of Enterprise in 2005, the fact that the franchise remained popular was a key factor in 2009’s reboot film getting the green light – something which ultimately led to Discovery, Picard, and the rest of modern Star Trek. At every stage of the franchise’s history, fan-led campaigns and the response from fans has been absolutely critical to keeping Star Trek going and reinvigorating the franchise. So it has proved again with Discovery Season 4.
This victory is imperfect. There are still too many Trekkies across the world who can’t access the series – and the rollout of Paramount+ is still plagued with the same problems it was yesterday. For fans in regions where Season 4 still won’t be arriving, this victory may not mean much at all. But it does give us hope for the future.
ViacomCBS appeared to have forgotten about Star Trek’s international fans. But we reminded them that we’re still here, and that we still want to support the franchise and, albeit reluctantly in some cases, the corporation that owns and manages it. North American Trekkies were allies in that fight – as were many of the cast and crew of Discovery itself, applying pressure in public through their statements.
We can’t look at this as the end of the affair. Trekkies in Africa, Asia, Eastern Europe, and other parts of the world still won’t be able to watch Discovery Season 4, and there are too many regions without a planned rollout of Paramount+. We mustn’t forget that, and we have to keep pressure on ViacomCBS to ensure that they deliver for every Trekkie, not just those in the wealthy west.
I feel optimistic today. Not only because Discovery Season 4 is coming here in 48 hours’ time, but because ViacomCBS recognised how badly they screwed up. Rather than doubling-down and continuing to ignore the response from fans, the corporation did something to mitigate the problem, no doubt at a significant financial cost. It won’t have been free to disrupt Pluto TV’s schedule with mere hours to spare, after all! I’d been worried about Picard Season 2 and Strange New Worlds in light of the Discovery Season 4 debacle, but perhaps ViacomCBS has now learned how bad of a decision it was to try to cleave the fanbase in two. Maybe that means those shows are safe – that we will be able to watch Picard Season 2 together in February, no matter where we live.
So it’s time to investigate the mysterious Pluto TV and see how that works! Apparently Discovery Season 4 is being broadcast there at a scheduled time – 9pm local time – so I guess it works like a television channel rather than a streaming service. I don’t mind that, and if it’s possible to purchase the season or individual episodes for on-demand streaming I don’t mind doing that too. Whatever hoops we have to jump through it’ll be worth it to watch Discovery together.
Star Trek: Discovery Season 4, Episodes 1-2 will be available to watch on Pluto TV in the UK, Austria, France, Germany, Italy, Spain, and Switzerland on Friday the 26th of November 2021. The episodes will also stream on Paramount+ in countries and territories where the service is available, and will be available to purchase digitally in the UK and “additional select countries.” The Star Trek franchise is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
The fallout from the atrocious and unfair Star Trek: Discovery decision rumbles on. The ViacomCBS share price continues to tumble in the wake of their truly awful decision to piss off most of the fans of their biggest franchise, the rollout of Paramount+ continues at a snail’s pace with no specific launch dates even entering the conversation, and unfortunately we’re now seeing some divisions in the fandom itself, with North American Trekkies pitted against those of us in the rest of the world as arguments break out over the series. What a stinking mess.
At time of writing, both Star Trek: Prodigy and Star Trek: Discovery are “Paramount+ exclusives” all across the world – meaning the shows are locked behind a paywall that fans can’t actually pay for because the incompetently-managed streaming service hasn’t launched in the vast majority of countries and territories. I feel even worse for Trekkies in Australia, Latin America, and Scandinavia in some ways, though, because although Paramount+ has already arrived there, Discovery Season 4 still hasn’t been made available. If you needed any more evidence that ViacomCBS is one of the worst-run corporations in the entire entertainment industry, look no further than that arbitrary nonsense.
But Prodigy and Discovery aren’t the only Star Trek shows in production at the moment. In 2022 Trekkies have been promised Star Trek: Picard Season 2, Strange New Worlds Season 1, and Lower Decks Season 3 at a minimum. In the wake of the truly selfish and awful Discovery decision, however, I can’t help but feel very nervous about each of those shows. Will Trekkies around the world be able to enjoy any new Star Trek in the months ahead? Or will we see repeat after repeat of the Discovery mess?
Strange New Worlds seems all but certain to be denied any kind of international streaming deal. If you’re hoping to see the series hit Netflix or Amazon Prime Video, you might as well forget it – it’ll be a Paramount+ exclusive for sure. What that means in effect is that anywhere in the world without Paramount+ will miss out on Strange New Worlds. That feels like such a sure thing right now that I’d put money on it.
Currently, Picard Season 2 is scheduled for a February premiere. If the season runs for ten episodes, as Season 1 did in 2020, it’ll conclude sometime in late April or early May, meaning that Strange New Worlds could debut anytime around then – and certainly well before the middle of the year. At present, the UK and parts of Europe are promised Paramount+ in “early 2022” – which could be before the Strange New Worlds premiere, but it could also be long after the show has kicked off in the United States. And unfortunately, many countries and territories in Asia, Africa, and the rest of the world have no planned launch for Paramount+ at all, which means it could be 2023 or later before the service launches there. If it survives that long.
I simply don’t believe the promises ViacomCBS has made of an “early 2022” launch. Paramount+ has been so poorly managed and so incompetently handled by the corporation that a delay to these plans feels inevitable, so I’m not betting on the service launching here before the end of 2022. But even if, by some miracle, ViacomCBS actually manages to launch Paramount+ on time in Europe, that could still mean Strange New Worlds and Picard Season 2 won’t be broadcast simultaneously with North America.
As mentioned, Paramount+ has already arrived in Australia, Latin America, and Scandinavia – and it isn’t exactly brand-new, they’ve had it since March. But despite that, Discovery Season 4 isn’t being shown there at the same time as it’s being shown in North America… so even being very generous to ViacomCBS and assuming that the incompetent morons manage to get Paramount+ to the UK and Europe in “early 2022,” that still doesn’t necessarily mean we’ll be able to watch any of the new shows on the damn thing.
As I discussed the other day, ViacomCBS paid Netflix a large sum of money to ensure that Discovery Season 4 wouldn’t be available around the world. If they had done nothing, the show would’ve come to Netflix under existing contracts and licenses – but the corporation chose to intervene, hoping to boost sign-ups to Paramount+ (though the backlash may have actually cost the platform subscribers thanks to a fan-led boycott campaign). What’s to stop ViacomCBS from doing the same thing with Amazon Prime Video, the current home of Lower Decks and Picard?
One of the stupidest and most offensive things about the Discovery decision is that Paramount+ is unavailable across most of the world. If ViacomCBS had pulled Discovery from Netflix because Paramount+ had already launched and they wanted to keep their own shows on their own platform, it would still be frustrating, and the timing would still be awful, but at least there’d be a vague logic to it. But because Paramount+ isn’t even available, the decision has locked the show behind a paywall that no one is able to pay for. Which, as I’ve argued on more than one occasion, means you have the absolute moral justification to pirate the series.
But this kind of decision could well be repeated. I doubt very much that Paramount+ will be available here in the UK by February, in time for Season 2 of Picard. And on current form, there’s nothing to stop ViacomCBS from doing to Amazon Prime Video what they’ve just done to Netflix – pulling the series from broadcast with days to spare. I don’t think it’s safe to assume we’ll be watching Picard Season 2 on Amazon Prime Video… let alone Lower Decks Season 3, which likely won’t be broadcast until later in the year.
Rather than the Discovery mess being a one-time thing, I think as international fans we need to get used to the idea that, at least for the next year or so, watching Star Trek along with our North American friends may not be possible – or at least may not be possible via conventional methods. Picard Season 2 and Strange New Worlds Season 1 feel the most vulnerable, but realistically we’ll soon see the entire franchise disappear behind Paramount+’s paywall – regardless of whether Paramount+ is actually available.
I’d like to be proven wrong, of course, but I fear that this is the direction of travel for Star Trek as we move into 2022. This will not be a move free of long-term consequences for ViacomCBS. The corporation’s share price continues its fall, many Trekkies have pledged never to subscribe to Paramount+, and one of the biggest single pushes toward piracy since the advent of streaming will lead many fans and viewers to realise just how easy it is to pirate the latest episodes – making it even harder for Paramount+ to tempt them back in future.
As self-defeating as these plans may be, don’t expect to see ViacomCBS move away from them. And if you’re especially unlucky, living in a region of the world that ViacomCBS has apparently forgotten even exists, it may be the case that Paramount+ never arrives – or if it does it won’t be till 2023, 2024, or beyond. Star Trek has always told stories of people coming together – of a United Earth free from borders and division. But the ViacomCBS board haven’t even watched their own shows, or if they did the message went far over their shrivelled little profiteering heads.
I don’t want to be the bearer of bad news, but as I see it, the Discovery decision is just the first of many. Strange New Worlds, which has never had an international broadcaster announced, will certainly be a Paramount+ exclusive. Picard Season 2 and Lower Decks Season 3 could very easily follow the Discovery model and be pulled from Amazon Prime Video. And the rest of the Star Trek franchise? Currently the older shows are on Netflix, but the films aren’t. However, I wouldn’t bet on being able to watch any Star Trek series next year unless you have the DVD or are prepared to sign up for Paramount+.
The Star Trek franchise is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
The Star Trek: Discovery Season 4 catastrophe isn’t going away anytime soon for ViacomCBS. In the days since they dropped a clumsily-worded statement that simultaneously broke the bad news to Trekkies around the world and tried to push sign-ups to Paramount+, the anger in the fandom has not abated. At time of writing, ViacomCBS shares are worth more than $2 less than they were before the announcement – a drop of more than 6%.
That brings us to the #BoycottParamountPlus discussion that has been doing the rounds in some quarters of the Star Trek fan community. In light of the decision by ViacomCBS to pull the show from Netflix internationally, some Trekkies have responded by saying they’re either boycotting Paramount+, cancelling their subscription to the service, or that they will refuse to sign up for it whenever ViacomCBS can be bothered to make it available in their part of the world. Today I wanted to consider the discussion around boycotting Paramount+, boycotts in general, and how fans can and should register their anger, upset, and frustration with a corporation like ViacomCBS.
There are many reasons why folks – even big Trekkies like yours truly – might be wary of signing up for a service like Paramount+. The platform has not been particularly well-received in markets where it has been available, with complaints ranging from technical issues and video quality to a lack of content. At one point, all of the Star Trek films disappeared from Paramount+ with only a few days’ notice due to licensing conflicts with a different streaming platform – despite the fact that ViacomCBS owns the rights to the Star Trek films.
There’s also the cost involved. The “basic” plan, which currently costs $4.99 per month in the USA, comes with advertising. The “premium” plan ditches the commercials, but clocks in at double the price – $9.99 per month in the USA. That makes Paramount+ actually more expensive than Netflix for a comparable service, as Netflix’s cheapest plan in the USA doesn’t run any adverts and costs $8.99 per month.
Paramount+ is not competitively priced, then. It’s more expensive than the big three streaming services (Netflix, Amazon, and Disney+) and though it does offer some content that the others don’t – such as live sports – its content as a whole is lagging behind. So even being as generous as we can, Paramount+ feels like poor value for what is clearly a second-tier platform.
But all of this talk of costs is rather beside the point. People who can’t afford Paramount+ won’t pick it up, and folks who can perhaps afford one or two streaming subscriptions may have to choose whether to pick up Paramount+ or an alternative. It’s all moot right now here in the UK anyway, because Paramount+ is unavailable, but I wanted to at least acknowledge that the streaming service isn’t particularly competitive with its pricing.
On an individual level, I can fully understand the response fans have had to ViacomCBS and to Paramount+. The anger and frustration I’ve seen expressed on social media resonates because it’s exactly how I feel, too. The decision the corporation made was horrible, and to cap it off it was announced in the most offensive and callous way possible. No apology has been forthcoming, and ViacomCBS’ marketing and social media teams are apparently burying their heads in the sand, trying to ignore the pushback.
The lack of communication from the corporation is something that I find deeply offensive. Their original message was not contrite or apologetic, and seemed designed to present what they knew would be an upsetting, anger-inducing move as some kind of net positive for international Trekkies. Combined with the marketing doublespeak and the pushing of Captain Burnham’s “Let’s Fly” catchphrase to sign off, the way they chose to communicate this decision was awful.
And as we covered the other day, the timing of this move almost seems to have been designed to inflict maximum hurt on Trekkies, coming 48 hours before Discovery Season 4 was due to premiere. They did this, it seems, for two reasons: so that a major Star Trek convention in London earlier in November wouldn’t be overshadowed by this news (particularly with several Discovery cast members in attendance), and also, if I put on my cynical hat for a moment, ViacomCBS knew that dropping this news with mere hours to go before the season premiered would prevent fans from having time to organise any kind of pushback.
The #BoycottParamountPlus hashtag and movement emerged from the Discovery debacle, but it’s in no way an organised thing right now. And with Season 4 already underway in the United States, practically all of the big Star Trek fansites and social media channels have begun their coverage of the show. Even if fans were able to organise a protest of some kind in the next few days, from the corporation’s perspective things have gone about as well as possible. They succeeded at pulling the show from Netflix, they’re forcing people to pay for Paramount+ with no alternative options, and the fan reaction has been significant, but disorganised.
I used to work in marketing, and unfortunately, the way corporations see these kinds of social media campaigns is very dismissive and negative. ViacomCBS will have expected a degree of pushback, but they also knew that by making the announcement at the last possible moment, any pushback would be disorganised during the crucial first few days after the season debuted. They’re also counting on fans having short memories, so that by the time Paramount+ rolls out in 2022 (or later, because let’s be honest they aren’t exactly competent so we can’t rely on their planned schedule) the controversy will have died down and even the most ardent critics will still sign up.
And if history is much of a guide, they’re probably right about the latter point. Look at past examples of fans pushing back against corporate decisions. Over in the Star Wars franchise, for example, The Last Jedi was so utterly detested by some fans that they swore they’d never watch anything from the franchise ever again. A heck of a lot of those folks are currently loving The Mandalorian and are excited for other upcoming projects. Even when dealing with topics more important than entertainment, like political issues, it’s increasingly true that all someone has to do is survive and keep their head down for a few days and wait for the source of controversy and its resultant outrage to blow over. Here in the UK we can point to politicians who were caught breaking coronavirus lockdowns who are still gainfully employed, and that’s just one example.
One of the main counter-arguments people have been putting forward in response to suggestions of an organised boycott of Paramount+ is that they want to support the series and the hard work the creative team put into making it. I can understand that point of view too, especially coming from those fans who have a creative background themselves. Many of these folks are also ardently opposed to any form of piracy.
But I do want to ask a question: how else are fans supposed to express themselves? If a corporation misbehaves, as ViacomCBS has to put it mildly, how are fans supposed to respond to show their disgust? We can write all the tweets and articles we like, of course, but that has a very minor impact on the corporation overall. Hitting them in their finances is where we can actually hurt them, and if fans make it clear that the reason Paramount+ is losing subscribers or not signing up new ones is because of the Discovery fiasco, then perhaps they’ll sit up and take notice.
However, there is, as the saying goes, more than one way to skin a cat. I mentioned ViacomCBS’ share price at the beginning of the piece because it’s relevant to this conversation. The short-term impact of the Discovery controversy has knocked the value of shares down by a significant amount, and that could continue in the days and weeks ahead. Whether we boycott Paramount+ or not, the corporation is already being kicked in the wallet for this decision. I hope that brings a smile to your face – it certainly did for me.
What I would have liked to see, had there been more time in the wake of the announcement to organise such a thing, would have been a blackout from all of the big fansites and social media channels: a promise not to cover Discovery Season 4 at all until it became available worldwide. Even shutting down discussion of the show for a single week would have a huge impact and would be symbolic of the fandom coming together.
In my own small way here on my minor slice of the internet, that’s exactly what I’m doing. I could write reviews of the Season 4 episodes – I’ve already seen the premiere. And I could continue to write up my theories because I’ve got dozens swimming around in my head. If I threaten to boycott Paramount+, ViacomCBS knows I’m just one person and they’ve only lost one potential customer. But by refusing to talk about the show at all, the hype bubble around Discovery is ever so slightly deflated. Fewer people talking about the show has an impact – and if we could expand that and get a proper blackout going, then I think ViacomCBS would realise how badly they’ve screwed this up.
It will never happen though, unfortunately. Many of the big Trekkie websites and social media channels work hand-in-glove with ViacomCBS, getting advance screenings, press kits, and even freebies from the corporation. Very few outlets would be willing to lose their access and their privileges, which is why we’ve seen some messages from these folks sound rather tokenistic, I’m sorry to say. I don’t want to cast doubt on anyone’s sincerity, but it kind of smarts when they’ll express their upset in one tweet and then promote their latest review or show off their exclusive pass to the virtual premiere in the next.
To get back on topic, I can’t tell you what to do. If you want to boycott Paramount+, cancel your subscription, or tell ViacomCBS you’re never paying for Star Trek again, go for it my friend. It’s as good a way as any of getting “revenge” for the offensive way we as international Trekkies have been treated. But if the thought of boycotting upsets you or you want to support the cast and crew, know that the outrage that has been expressed over the past few days has already had a noticeable financial impact on ViacomCBS.
Speaking for myself, if Paramount+ were available to pre-order here in the UK, I wouldn’t. Not right now. And in my own way I’m registering my protest. Refusing to discuss the series, even if only on my own small slice of the internet, is my way of telling ViacomCBS how I feel about the decision they made and the callous way they went about announcing it. But I don’t think we need to get at each other’s throats about this boycott idea. Some fans are up for boycotting, others aren’t. Both points of view have merits and demerits, but the one thing we need to try to do as a fandom right now is come together. Fighting amongst ourselves over what to do about the situation won’t resolve anything – it’s already happened and it won’t be undone. We have to try to move forward together.
For my part, I won’t be posting any spoilers about Discovery Season 4 here on the website – beyond what I’ve already discussed prior to the season premiere, which was only based on teasers and trailers. So you can consider this website a safe space between now and February. I wish I had better news or a better idea of how to fix things, but the reality is that Discovery is ViacomCBS’ product and as consumers, we’re stuck. All we can do is register our protests in whatever way we can. It’s up to you how you protest this decision.
This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There may be minor spoilers for some of the shows on this list.
The person who coined the phrase “there’s no such thing as bad publicity” evidently never met the marketing team at ViacomCBS. The Star Trek: Discovery clusterfuck continues to damage the company, the Star Trek brand, Paramount+, and everything else it touches, with Discovery’s fourth season now being soiled, stinking of shit even for those fans in North America who’ve been able to sit down and watch it.
Whether you’re pirating Discovery Season 4 or not – and honestly, you’re 100% morally justified in doing so if you choose to – I thought that today we should consider some alternatives. Maybe you’ve decided not to pirate the series, or to wait and see how things go. Or maybe you’re still so darn mad at Discovery that watching it wouldn’t feel appropriate right now. So let’s take a brief look at ten television shows that you could watch instead. I’ll try to keep spoilers to a minimum!
Oh, and if you’ve tuned in looking for my weekly Discovery Season 4 reviews or theories, I’ve made the reluctant decision to put those on hold for the time being due to what’s happened.
Number 1: The Wheel of Time
The Wheel of Time premieres today, so I can’t claim to have watched it for myself at time of writing! But Amazon has invested heavily in this fantasy epic, one which is based on a long-running series of novels by Robert Jordan and Brandon Sanderson. It’s been a long time since I read any of the books (and I didn’t come close to finishing the set) but from what I remember, The Wheel of Time has a complex story full of magic, wonder, and nuanced characters.
Several big-budget fantasy shows were commissioned in the aftermath of the success of Game of Thrones, and initial reviews of The Wheel of Time sound promising. I’ve been looking forward to watching the show all year, and it’s finally here! The first three episodes are being made available at the same time as a kind of extended premiere, with the remainder of Season 1 following on a weekly basis. This could be a great replacement for Discovery between now and Christmas.
Number 2: Foundation
One of Apple TV+’s first big-budget shows, Foundation has been interesting to follow across its first season. Is it perfect? No, but for an adaptation of a very dense series of books that I would’ve considered borderline unfilmable, I think the series makes a creditable effort to bring the story to screen.
Foundation stars Jared Harris in a key role, and he’s an absolutely fantastic actor who brings a lot to the series. At time of writing there’s one episode left in Season 1, and a second season has already been confirmed for next year.
Number 3: The Expanse
The Expanse is one of the finest science fiction TV shows I’ve ever seen outside of the Star Trek franchise. Its world-building is absolutely fantastic, showing us a look at a near-future where Mars and parts of the asteroid belt have been colonised, but where faster-than-light travel and many other common sci-fi technologies don’t yet exist.
Originally debuting on the SyFy network, The Expanse was later picked up by Amazon following a fan campaign. There are five seasons already, with a sixth and final season scheduled to premiere next month – so you’ve got time to binge the show and get caught up!
Number 4: Firefly (and Serenity)
The big caveat with Firefly has to be that the show was never given a chance to live up to its full potential, being cancelled after just one season. But the feature film Serenity brought the cast back and provided the story with closure (of a sort) so it’s absolutely worth watching if you haven’t seen it already.
Firefly brought to screen a uniquely western-themed sci-fi universe that felt truly real and lived-in in a way few franchises manage to do. It’s positively criminal that one season and one film are all we ever got – but what a fantastic season it was!
Number 5: Fortitude
We’re returning to Earth for this entry on the list! I thought I knew what to expect from Fortitude when I sat down to watch the show. It’s set in a small town in the Norwegian arctic, and I was expecting it to be a fairly standard crime drama. But the show took a series of turns, going from crime to mystery to thriller and even touching on horror and science fiction.
It’s hard to explain Fortitude without spoiling it – and I would say that some of its storylines go a bit wild toward the end. But if you get stuck into it, as I did, you’ll have an amazing time.
Number 6: Star Trek: Picard
Chances are if you’re reading this you’re a Trekkie and you’ve already seen Picard Season 1. And I would absolutely understand if the Discovery debacle has soured you on Star Trek at the moment. But whether you missed Season 1 or just haven’t seen it since it was broadcast in early 2020, it’s a fine drama series worth going back to.
Remembrance, the season premiere, is one of the finest episodes of Star Trek – and one of the finest episodes of television in general – that I’ve ever seen. The season’s story builds slowly to a conclusion that was, unfortunately, more than a little rushed, but if you can look past the imperfections present at the story’s end, Picard Season 1 is a fun Star Trek adventure.
Number 7: The Mandalorian
I have to confess that I’m not wild about The Mandalorian. It’s okay – and it contains some great action set-pieces and moments of drama. But my disappointment stems from the fact that the show’s promised “different look” at the Star Wars galaxy kind of fell by the wayside due to the inclusion of too many elements from the films.
Despite that, The Mandalorian has some great moments, and is well worth watching for any Star Wars fan. Two seasons have been put to screen thus far, though I’d argue that their short runtime and serialised story means you only really get one full season’s worth of content. Two spin-offs and a third season are coming next year, so if you’re not caught up on Star Wars yet, now could be a good moment!
Number 8: The Falcon and the Winter Soldier
I’m not the world’s biggest Marvel fan, but this miniseries on Disney+ was less about superheroes and was more of an action-adventure romp with the titular characters. There were callbacks to a lot of previous entries in the Marvel Cinematic Universe, but even as someone who doesn’t follow the MCU religiously I found the series approachable.
The Falcon and the Winter Soldier tells a largely self-contained story, and it was one that aimed to be uplifting as well as entertaining. I published a review of the miniseries a few months ago, and you can find it by clicking or tapping here – but beware of spoilers!
Number 9: Chernobyl
Chernobyl was a sensation when it was first broadcast in 2019, and for good reason. The miniseries, which documents the 1986 Chernobyl nuclear disaster, is one of the finest ever put to screen. This is a story you’re probably at least vaguely familiar with, but Chernobyl goes into detail, looking at the disaster from all angles.
I find it hard to say anything negative about Chernobyl at all; as both a work of drama and a serious historical piece it’s perfect. It even contains a great scene explaining the basics of how a nuclear reactor works!
Number 10: The Center Seat
The History Channel is currently a couple of episodes into its documentary all about the Star Trek franchise. There will be eight more episodes over the coming weeks, documenting the history of Star Trek from the production side going all the way back to Gene Roddenberry’s initial pitch for the series in the early 1960s.
I love a good documentary, and as the Star Trek franchise celebrates its fifty-fifth year, why not take a look back? As Trekkies we should aim to be knowledgeable about the production of the franchise we love, and The Center Seat aims to present its history in an easily understood form.
So that’s it. Ten shows to watch instead of Star Trek: Discovery Season 4.
Those are words that I never thought I’d have to write. Discovery’s fourth season had been my most-anticipated television show of 2021, and even now that we’re a couple of days out from the news that we wouldn’t be getting the series, the sense of disappointment and anger with the corporate morons in charge of ViacomCBS remains. But I hope, after a couple of days of outright negativity, this list has been a bit of a break.
Each of the shows above are absolutely fantastic in their own ways, and while it’s true that nothing can fully replace Star Trek: Discovery for a big fan of the series, hopefully you’ve found a few ideas to at least take your mind off things. Social media has been reflecting the outrage directed at ViacomCBS over the past couple of days, and while there’s nothing wrong at all with registering your disgust with the way that the corporation has behaved, please keep in mind that the actors, directors, and other behind-the-camera crew had nothing to do with this decision. In many ways, it harms them too because it’s tainted their hard work and left even North American Trekkies feeling upset and angry. Negativity and division within the Star Trek fandom is never a good thing. It’s such a shame ViacomCBS chose to inflict it upon us on this occasion.
All television series mentioned above are the copyright of their respective owner, network, broadcaster, streaming platform, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
It’s been 24 hours since ViacomCBS clumsily dropped the news that Star Trek: Discovery Season 4 will be kept away from international audiences. The resultant PR disaster has caused significant harm to the corporation’s reputation, as well as that of its streaming service, Paramount+. Once my anger at the situation had simmered down, I became mired in thought. I had a whole series of articles planned here on the website about Discovery: episode reviews and theory posts twice a week, as well as keeping space open for other occasional discussion pieces about the series over the next three months. Should I put all of that on hold for now, even though Star Trek and writing are two of my biggest loves? Or should I power through despite knowing that, even in my small way on my minor slice of the internet, I’m promoting and drawing attention to a series and a company that I just don’t want to support right now?
I’m not one of the big Star Trek fan sites… obviously. I don’t have a huge audience who’d feel let down if my reviews weren’t around, or conversely who would feel the need to mute me or unsubscribe if I carried on posting about a series they aren’t able to watch. So the decision is mine alone, and I confess I’m struggling with it.
I feel absolutely morally justified in pirating Discovery. ViacomCBS has willingly chosen to remove the series from distribution here in the UK and around the world. They actively spent money to buy out Netflix’s share in the series so that Netflix wouldn’t be able to broadcast Discovery internationally. Just to reiterate that last point, because I think it’s an important one that’s gotten lost in the heated discussion: if ViacomCBS had done nothing, Discovery would have been broadcast internationally. This isn’t a case of failing to agree licenses in time or broadcast rights expiring, they actively and willingly chose to remove the series from broadcast, and they paid money out of their own pocket in order to ensure it wouldn’t be available to international fans.
Not only that, but in some countries where Paramount+ is available – such as Australia, for example – Discovery Season 4 is still not going to be available to stream. You read that right: Australian Trekkies who’ve already subscribed to Paramount+ and paid for it still won’t be able to watch Discovery Season 4, as will any other Trekkies outside of North America whether they have Paramount+ in their country or not. Why? Because ViacomCBS loves arbitrary bullshit, it seems.
So I feel all of us outside of North America have the moral high ground and the absolute right to pirate Discovery – and the rest of Star Trek too. When a corporation voluntarily chooses not to share their creation, piracy becomes the only way to access that content. When a film, game, or television series is available to purchase, stream, or rent, I think the vast majority of folks would agree that the moral thing to do is pay to enjoy it. But when that option is taken away, there is only one remaining option – and from a moral, ethical, and philosophical point of view I see no reason at all why international Trekkies shouldn’t pirate Discovery Season 4.
This is not the choice that I would have made. I’m a Netflix subscriber and an Amazon Prime subscriber. I first signed up for Netflix in 2017 specifically because Discovery was about to be available there; Netflix earned my subscription because of Star Trek. Over the past four-plus years I’ve paid my dues on both platforms where Star Trek is available, and if CBS All Access and/or Paramount+ had been made available here in the UK I’d have signed up for them in a heartbeat.
I’m a Star Trek fan. I want Paramount+ to succeed because I want Star Trek to succeed. I want as many people as possible, from casual viewers and total newbies to hardcore fans like myself to be able to watch Star Trek – and to pay to watch it. That’s the only way Star Trek will succeed in the medium-to-long term, and that’s the only way that the franchise’s future will be secure.
But this transactional approach is not a one-way street. It isn’t good enough for ViacomCBS to insist that fans pay to sign up to their mediocre second-tier streaming platform – and then make sure the vast majority of fans can’t because it isn’t available. It isn’t good enough to roll out Paramount+ to countries like Australia and then tell fans they still can’t watch a show that others can.
In 2021, this kind of gatekeeping is simply not acceptable. Segregating the Star Trek fanbase by geography, deeming some “worthy” of being able to watch the latest shows and others not, is not only unacceptable, it’s the complete antithesis of everything Star Trek as a franchise has always stood for. What happened to infinite diversity in infinite combinations? What happened to the dream of a better, more egalitarian world? What happened to United Earth – a place where national borders have no meaning? The answer is that it was all nonsense in the eyes of Star Trek’s corporate overlords, mere words that they don’t believe in yet were happy to sell to anyone stupid enough to pay. Star Trek is a corporate product – that’s the only way ViacomCBS sees it, bankrupt of any real-world meaning or creativity.
All that the corporation cares about is profit – yet they’re so blind, thinking purely about the short-term, that they can’t see how this pathetic, awful approach is going to cost them a hell of a lot more money than it will ever bring in.
Let’s be blunt. Paramount+ will never be Netflix. It will never be Disney+ or Amazon Prime Video either. The platform arrived on the scene ten years too late, plagued by technical issues, running some of its biggest shows in DVD quality, lacking new original content, seriously mismanaged, and with an international rollout that would make a snail riding a sloth look like Usain Bolt. Paramount+ might survive the streaming wars, but even if it does it will forever be a second-tier platform, the kind that people subscribe to for a few months out of the year to watch a show or two and then cancel.
From the moment CBS All Access was conceived in the mind of some ageing corporate moron it was fighting an uphill battle. Netflix was already dominant in the streaming realm, and it seems to me that some halfwit with little to no understanding of streaming or the internet looked at the money that Netflix was making, then looked at CBS’ modest library of television shows and said “make me my own Netflix.” The fact that CBS All Access had to be rebranded less than three years after it launched was already a bad sign.
Now called Paramount+ and supposedly bolstered a little by the re-merging of Viacom and CBS, the service continues to flop around like a dying fish. Paramount+ must be run by the most incompetent team of morons any corporation has ever assembled when you consider its track record. Lower Decks Season 1 didn’t get an international broadcast. Prodigy Season 1 didn’t either. All of the Star Trek films disappeared for several months because of licensing conflicts with another streaming platform. Prodigy’s broadcast schedule makes no sense. And now Discovery Season 4 is being pulled from Netflix – and ViacomCBS is willingly spending money in order to pull it from Netflix – months or perhaps even years before Paramount+ will be available internationally.
It’s so disappointing to see ViacomCBS mishandle and mangle their biggest franchise. How can Star Trek have a shot at success with this team of corporate fuckwits running it into the ground at every opportunity? If Paramount+ fails in the years ahead, and drags Star Trek down with it, it won’t be the fault of the writers, producers, and actors across the various shows. It’ll be entirely the fault of a corporate board who haven’t got a clue what they’re doing and who don’t understand the most basic realities of running an entertainment company in 2021.
We live in a connected, globalised world. ViacomCBS (and their corporate predecessors) pushed hard to create this world because it means more profit. More Star Trek fans equals more revenue equals more profit. But the global, interconnected fandom that ViacomCBS has created means that the internet – our primary communication tool – is going to be awash with spoilers. Even the most ardent Trek-avoider would be hard-pushed to steer clear of everything Star Trek-related online, especially if they have friends within the fandom.
YouTube channels, websites, and social media will be drowning in spoilers, making the dilemma that much more tricky for the Trekkie with a moral compass. If they decide to be patient and wait it out, despite ViacomCBS not actually providing anything close to a specific timeframe – “2022” could mean January or it could mean December, and I don’t believe for a moment that the hapless fuckwits will be able to deliver the rollout on time anyway – chances are sooner or later they’ll stumble upon a spoiler, or be served up spoilers on a plate by an algorithm. Some websites and social media outlets have pledged to tag any spoiler material, but even then it’s still highly likely that things will slip through the cracks.
Over the past 24 hours I’ve been continuously trying to think of ways to try to mitigate the situation, given that the Netflix decision is clearly final. One compromise could have been to simply delay Discovery Season 4 for everyone – including North American viewers. Waiting until next year would mean we could all watch the series together. But that won’t work.
The painfully slow rollout of Paramount+ is going country by country and region by region, with many parts of the world having received no information about if or when the platform will be available. In the UK at least we know that there’s a target: 2022. Many countries, such as Japan, don’t even have that. So this idea – while well-intentioned – would either delay the series indefinitely, and certainly well beyond the end of next year, or still end up shutting out a huge number of fans and viewers.
So that brings us to the Trekkie’s dilemma. The way I see it, if you’re outside of North America (which 95% of the planet’s population are, lest we forget), you have three options: wait patiently for ViacomCBS to decide that you’re allowed to watch Discovery, use a VPN to trick Paramount+ into thinking you’re in North America, or pirate the series.
The first option is what the corporate morons assume everyone will do. That isn’t true, of course, and the PR clusterfuck of the last 24 hours will seem like nothing when Discovery rockets to the top of the most-pirated shows list next week. I think we can expect to see some significant share price falls for ViacomCBS over the coming days and weeks – I certainly wouldn’t be investing in ViacomCBS stock if I were you.
The second option is the worst of the bunch. Not only are you having to jump through hoops to watch Discovery, but you’re paying ViacomCBS for the privilege. They’ve slapped you in the face, and in response you’ve pulled your wallet out and slipped them some cash while saying “do it harder next time, daddy.”
The third option is the one I daresay many Trekkies will avail themselves of. With a tiny amount of effort it’s possible to find any film or television show online, either to stream or to download, and in 2021 if ViacomCBS doesn’t know that then they’re even more out of their depth than I thought.
ViacomCBS is pushing people to take the third option: piracy.
I’m going to watch Discovery Season 4. Interpret that however you’d like. But I’m not going to cover the series extensively here on the website. Rather than individual episode reviews, what I’ll probably do is write up a full season review at the end as a single article. And Fridays, when my Discovery Season 4 reviews would’ve been published, can instead be dedicated to write-ups of older episodes of Star Trek – something I’ve been meaning to do more of here on the website for a while. I’ll pick thirteen Star Trek episodes from the franchise’s extensive back catalogue and write about those instead.
I don’t want to give ViacomCBS or Star Trek: Discovery any more attention at the moment. The corporation has chosen, for utterly inexplicable reasons, not to share the series with its most ardent supporters, so I refuse to do anything to support the show right now. I feel sorry for the actors, directors, and the rest of the creative team, because their incredible hard work under difficult circumstances during the pandemic is now soiled by this truly disgusting corporate mess. But I can’t in good conscience publish weekly reviews, theories, and other discussion pieces drawing attention to the series when I so fundamentally disagree with the way ViacomCBS has conducted itself.
I opened my wallet and offered ViacomCBS my hard-earned cash. I’ve paid for two streaming platforms in order to watch Star Trek. I’ve bought the merchandise. I provide the Star Trek franchise and Paramount+ free publicity here on the website simply by discussing the various shows. My website has an American audience, so I know for a fact many of the folks who read my reviews and theories are engaged with Paramount+. But this relationship has turned toxic, and even though I was offering ViacomCBS my cash, my time, my effort, my passion, and my attention, they chose to throw it back in my face. They told me to go fuck myself, so I’m returning the favour.
What should you do? I can’t answer that. Your conscience has to be your guide. Are you confident in your ability to avoid spoilers for the next few months? If you live in a region without a Paramount+ release window, are you okay with the idea of waiting perhaps two years or more to watch the show? I can’t officially condone or encourage piracy – it’s almost certainly breaking the rules wherever in the world you happen to be. But from a philosophical point of view, if you’re a Trekkie outside of North America I think you’re absolutely morally justified in pirating the heck out of Discovery – as well as every other Star Trek show and ViacomCBS production.
I would usually put a disclaimer here saying that the Star Trek franchise is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
The message above was posted on social media earlier this evening. What follows is my immediate response – a somewhat unstructured, angry response. For a more structured argument about ViacomCBS’ mishandling of the Star Trek brand internationally, check out this article.
I cannot believe what I just read. Star Trek: Discovery’s fourth season is not going to be made available on Netflix outside of the United States, and will only be available for international viewers sometime next year when Paramount+ arrives. I’m still digesting this truly awful news.
Over the last couple of weeks I’ve had a go at ViacomCBS – the corporation which owns and mismanages the Star Trek brand – for refusing to make Star Trek: Prodigy available internationally, despite that show being a co-production between CBS Studios and Nickelodeon… a ViacomCBS-owned channel that’s available in more than 70 countries around the world.
This Discovery news comes after Prodigy has been denied to international fans. Lower Decks Season 1 was also denied a simultaneous broadcast internationally, arriving almost six months later. So I can’t be alone in asking what the fuck ViacomCBS thinks it’s playing at. Are they trying to encourage piracy? Do they just not care about Star Trek? Perhaps they want to do as much harm as possible to their own brand, and that of their mediocre second-tier streaming platform at the heart of these problems: Paramount+.
To make this announcement less than 48 hours before Discovery’s fourth season was due to premiere is beyond insulting. It’s the latest and most egregious “fuck you” in a long line going back a couple of years at least from a corporation that doesn’t give a damn about Star Trek’s sizeable international fanbase.
Not only is Season 4 not going to be available on Netflix, but Seasons 1-3 have been pulled – or will shortly be pulled – from the streaming service as well, gated off behind a paywall that doesn’t exist because Paramount+ isn’t available here in the UK (and elsewhere) yet. It is at least possible to get the first three seasons of the show on blu-ray, so fans who want to watch or re-watch earlier seasons will be able to do so that way. But Season 4 isn’t available… or at least it isn’t available via conventional methods.
When corporations choose to become gatekeepers and refuse to share the content that they’ve produced with fans who are literally holding their wallets open screaming “take my money!” then piracy, by default, becomes the only option to access that content. Discovery actually will be available internationally, because this is the 21st Century and most folks have internet access. With a tiny amount of effort it’s going to be possible to pirate every episode of the show, allowing fans to enjoy Discovery while ensuring that ViacomCBS doesn’t see a single measly cent by way of profit. That isn’t the decision fans made, it’s the choice ViacomCBS made.
Star Trek became an international franchise at the behest of ViacomCBS and its corporate predecessors. They advocated this kind of corporate globalism because – like the greedy little Ferengi they are – they saw profit beyond America’s borders. There are Trekkies from Tierra del Fuego to St. Petersburg because globalism proved so attractive for ViacomCBS, but the corporation has once again proved beyond any doubt that it doesn’t give even the tiniest of fucks about anyone outside of North America.
So as I said a couple of weeks ago about Prodigy: it’s totally morally justifiable to pirate it. Go right ahead and pirate Prodigy, and pirate Discovery too. ViacomCBS has told us to keep our money and fuck off, so let’s make sure they don’t ever see another penny of it. What’s the point in continuing to support a corporation that leaves its international fans out in the cold because it can’t manage the incredibly basic task of broadcasting a television show?
Broadcasting and streaming is ViacomCBS’ entire business model – yet time and time again they fuck it up. Paramount+ is a mediocre platform at best that will never be the Netflix and Disney+ competitor that its corporate masters wish it to be. It arrived on the scene a decade too late, with too little original content, and its rollout even within the United States has been horribly mismanaged by a corporation that appears to be run by absolute morons. Paramount+ recently lost the rights to all of the Star Trek films for several months – despite ViacomCBS owning the rights to those films. And as we’re learning the hard way once again today, its international rollout has been pathetically slow.
It’s such a shame for all of the actors, directors, and behind-the-camera crew who clearly have put a lot of work into Discovery Season 4 that their work is going to be tainted by a truly selfish and shitty business decision. It isn’t their fault, yet their hard work is now soured in the minds of many of the show’s biggest fans because of incomprehensible corporate bullshit.
I’ve been disappointed with ViacomCBS for a while for their pathetic mishandling of the Star Trek brand, but this latest attack has come as a body blow. I’m angry – actually legitimately angry – with a cowardly corporation that doesn’t have the faintest idea how to operate in a 21st Century television and streaming market. Their mismanagement will continue to harm Star Trek – perhaps fatally so.
I can’t speak for every Trekkie, but a lot of Star Trek’s international fans are losing patience with this corporation. It’s long past time for ViacomCBS to get a grip and start managing the franchise properly – before too much harm is done. Star Trek is an amazing franchise that everyone should be able to watch together and share with one another no matter where they’re from – but disgusting and insulting corporate decisions continue to get in the way and actively harm Star Trek.
Lower Decks is so much less than it could and should be entirely because ViacomCBS fucked up its international broadcast. The same will be true of Prodigy – a decision compounded in that case by the utterly ridiculous broadcast schedule. Four episodes, then a two-month break? What fuckwit came up with that idea? And now Discovery.
Here’s a newsflash for the ViacomCBS board: fans aren’t going to wait for the mediocre Paramount+ to arrive. A lot of Trekkies will pirate the show, and a lot of viewers who had been looking forward to seeing it on Netflix just won’t bother; they’ll have forgotten all about it by next year. So let’s all sarcastically applaud ViacomCBS for hammering a nail into the coffin of Star Trek. I hope someone out there with a modicum of business acumen will be able to step in and save the day – but I’m not holding my breath.
The Star Trek franchise – including Discovery and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Sometimes it feels as though ViacomCBS doesn’t know how to manage a major international franchise like Star Trek. The amateurish rollout of Paramount+ internationally is a great example, as is the streaming service losing all of the Star Trek films for several months. I’ve covered these topics before, and without retreading too much old ground let’s just say that ViacomCBS and Paramount+ need to get a grip, otherwise fans – especially fans from outside of the United States – are going to run out of patience with the corporation, and the casual viewers who make up the majority of any television audience won’t even find out about the latest shows and films.
Today, though, I wanted to tackle a different way in which ViacomCBS is mismanaging the Star Trek brand: toys and merchandise.
Maybe it’s true that action figures for a show like Star Trek: Picard wouldn’t sell particularly well. That series primarily targetted an adult audience – fans of The Next Generation (or at least folks who remember that series) and who are primarily 35+. There was at least some attempt to sell Picard merchandise both before and during the show’s first season, though, with things like T-shirts and even “Château Picard” wine available via the official Star Trek shop.
In the 1980s and ’90s, Star Trek gave even the venerable Star Wars a run for its money in the merchandising and toy departments. Not only were there action figures of practically every minor character to ever make an appearance on The Next Generation, Deep Space Nine, and Voyager, but there were video games, pinball machines, pretend-play toys, playsets, model kits, dress-up outfits, and much more besides. In the ’90s I managed to assemble a modest Star Trek collection of my own, primarily the Playmates line of action figures as well as a few model kits – I was a big model builder back then!
But since the franchise returned to the small screen in 2017, there hasn’t been any noticeable effort on the part of ViacomCBS to merchandise the Star Trek brand – meaning that the corporation is missing out on a significant additional revenue stream from its biggest brand, one that would supplement the income it makes from streaming the various shows and films. Just look at Star Wars: sales of merchandise long ago eclipsed the box office receipts for all of the films combined.
As I said, it’s possible that not every Star Trek project would warrant the same level of merchandise and toys. But even then, ViacomCBS has been lacking. Look at the Eaglemoss collection of Star Trek starships as a prime example: Star Trek: Picard Season 1 debuted in January 2020, but it took until June 2021 – almost eighteen months later – to release a single model starship from the series.
A corporation the size of ViacomCBS shouldn’t need to be told that the prime time to cash in on a show is while it’s being broadcast. That’s merchandising 101. Waiting eighteen months is pathetic and ridiculous – and it isn’t the fault of collectibles company Eaglemoss. The fault lies with ViacomCBS for not securing these merchandising agreements sooner.
The same is true of Discovery, which only started getting significant merchandise well after Season 1 had come and gone. And even now we’ve passed the second season of Lower Decks, Star Trek’s official shop still carries precious little by way of products from the series.
That brings us to Star Trek: Prodigy, which premiered a couple of weeks ago – for those viewers whom ViacomCBS deemed worthy of being permitted to watch the series. The rest of us outside of North America are still waiting to know if and when we’ll be allowed to watch it (lawfully). But that’s beside the point right now.
Prodigy is a show made for kids. It has more going on, things that adults will enjoy, but its main focus is on the younger audience – making it a prime candidate for selling toys, games, and other merchandise. So… where are all the Prodigy toys?
It’s no good launching a line of Prodigy toys next year. Kids who are streaming the show now want those toys now – and with the holidays approaching it’s literally the best time of the year to be in the toy business. I can understand why ViacomCBS might’ve felt a Soji action figure or an Admiral Picard doll wouldn’t sell like hot-cakes, but Prodigy should be absolutely perfect for all sorts of tie-in products.
Many cartoons and television shows made for kids are little more than twenty-minute toy advertisements. Whole franchises like Transformers and My Little Pony have been created as toys first, cartoons second, and they make a lot of money for their respective companies that way. I’m not suggesting Prodigy should go to that extreme, but even nowadays with kids spending more time with smartphones, tablets, and other electronic gadgets there’s still room for toys and games.
For a television show aimed at kids to be broadcast with no kid-friendly tie-in products strikes me as profoundly strange in the current commercial climate. And some folks might be thinking “hey, that’s actually a good thing!” because it means ViacomCBS isn’t doggedly chasing every last dollar. But to me it’s yet another indication of the truly amateurish way that the corporation is handling its biggest franchise.
One of the earliest memories that I have of Star Trek isn’t a television episode or film, it’s a product. My uncle – who boasts a fabulous collection of Star Trek merchandise – showed me a toy phaser from The Original Series that must’ve been made in the ’70s or possibly the early ’80s, which lit up and made a sound when the trigger was pushed. I don’t think seeing that toy was what pushed young me to become a Trekkie, but good quality toys that look like fun absolutely can be the way kids first get interested in a franchise like Star Trek.
Prodigy is full of fun, unique, and colourful designs that would make for amazing toys, dolls, playsets, and pretend-play scenarios. The series is aimed at children, and from the point of view of a longstanding Trekkie, I want it to be successful at converting at least some of those kids into fans of Star Trek as a whole. The entire reason for creating a show like this is to bring new, younger fans into the fandom – and to lay the groundwork for Star Trek’s continued success. As I’ve said before: if Star Trek remains the sole preserve of fans who loved the franchise in the ’60s and/or the ’80s and ’90s then it won’t survive – and it won’t deserve to survive. New fans are the lifeblood of any fandom.
So when I see ViacomCBS mishandling the brand and not taking full advantage of it I feel truly disappointed with a corporation that doesn’t seem to know what it’s doing. Before Prodigy had aired a single episode there should’ve been the following basic tie-in products at a bare minimum: action figures and/or dolls of each of the main characters, at least one playset of the USS Protostar, dress-up costumes of the main characters – including a Starfleet uniform – and pretend-play toys of things like phasers and tricorders. These items should’ve been available worldwide at a reasonable price so that kids who like the show could remain engaged with Star Trek outside of the half-hour per week where they’re watching the episodes.
Some of ViacomCBS’ other failures when it comes to Star Trek actually feel less significant than this massive missed opportunity. It isn’t just about making money on each product sold – and in the short term, while the show and Paramount+ build up their reputations, it’s even possible that the corporation would make a moderate loss. But the longer-term prospects of merchandising a show like Prodigy are significant. As kids who don’t watch the show see the toys at their friends’ houses they’ll ask what Star Trek is and maybe get into the series for themselves. With Star Trek toys on the shelves of every major supermarket and toy shop, people who weren’t aware of the franchise’s return will realise that Star Trek is back. This kind of word-of-mouth advertising pays for itself, and that’s something very difficult to pull off on social media (especially given the truly crap way ViacomCBS manages Star Trek on social media – but one battle at a time, eh?)
I’ve made no secret over the past couple of years that I have issues with the way ViacomCBS has handled the Star Trek brand. And I don’t raise these points out of spite – I want them to manage Star Trek better because I care about Star Trek’s future success. Right now, decisions like these make it seem as though Star Trek is very much a lesser brand even in the minds of the people who are supposed to be running it. When you can turn up at any supermarket or toy shop and see dozens of Star Wars toys, yet nothing at all from Star Trek, it’s disappointing.
The premiere of Prodigy, a series aimed at kids, should have come with at least some toys and games to go along with the show. Making money from that kind of merchandising arrangement is one reason why, but another far more important reason is engagement – making sure that kids remain engaged with Prodigy, its world, and its characters when they aren’t watching the show is key to keeping them coming back. In 2021, practically every kids show has some kind of tie-in product – and it’s a damning indictment of the sloppy, amateurish way that ViacomCBS has handled the Star Trek brand that Prodigy doesn’t.
Star Trek: Prodigy is available to stream now on Paramount+ in the United States. No international broadcast has been announced. The Star Trek franchise – including Prodigy and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
I like Star Trek. I’ve been a Trekkie since I first watched The Next Generation in the early 1990s, and watching that series kicked off a lifelong love of the franchise that continues to this day. Over a span of three decades I’ve watched every single film and episode – practically all of them several times over – and in addition I’ve spent a lot of money on plenty of merchandise, ranging from action figures and coffee table books to artwork and stationery. My house is decorated with Star Trek posters and action figures in display cases, and if you ever stop by for a coffee you’ll almost certainly drink it out of a Star Trek mug. But Star Trek, it seems, doesn’t reciprocate.
At the very least, the suits in charge of the franchise at ViacomCBS do not care one iota about any Star Trek fan outside of North America – as evidenced by the fact that, for the second year in a row, a brand-new Star Trek series is not going to be made available to fans across the world.
Star Trek: Prodigy premieres in a couple of days’ time, and just as happened with Lower Decks in August 2020, the series is going to be kept away from fans outside of North America. This decision re-emphasises ViacomCBS’ disgusting attitude to the franchise’s non-American fans, but in one significant way it’s an even worse and more egregious insult than the Lower Decks debacle was.
Why do I say that? Because Prodigy is a co-production between CBS Studios and Nickelodeon – both of which are ViacomCBS subsidiaries. Nickelodeon, as I’m sure you know, is a children’s television channel that is broadcast across the world – in more than 70 countries from New Zealand to Ukraine and South Africa to Pakistan. In order to make Prodigy available to a worldwide audience, all ViacomCBS would have needed to do was put the series on Nickelodeon – something incredibly easy to do as Nickelodeon is a channel it already owns and operates. It wouldn’t have even cost the corporation any money, as there would have been no expensive rights agreements or broadcast licenses to negotiate.
The decision not to broadcast the show on Nickelodeon can only be taken one way: it’s an insult. ViacomCBS is once again throwing up a middle finger to Star Trek’s international fanbase – a sizeable fanbase that must at the very least equal the number of Trekkies in the United States.
At first I thought I was okay with it. Prodigy is a show for kids, after all, and most kids won’t care. But the more I thought about it the more I kept returning to the argument I made in the run-up to Lower Decks’ premiere last year: that this is not an acceptable way for ViacomCBS to behave.
Star Trek became a global brand at the behest of ViacomCBS and its predecessors. The corporation adores globalism because it wants to make more and more profit – like a greedy Ferengi – from people who don’t live in the United States. But creating a global brand comes with a responsibility that doesn’t stop at international borders, and for seemingly no reason at all ViacomCBS is abdicating its responsibility to Trekkies.
I get it – ViacomCBS wants people to sign up for its mediocre second-tier streaming platform: Paramount+. The future is digital, and the corporation wants Paramount+ to be a success as more people around the world stop tuning in to broadcast television. But if that’s the case, ViacomCBS needs to make Paramount+ available internationally – the platform’s international rollout has been painfully slow and incredibly patchy, with films and shows the corporation owns not being available on the platform even after Paramount+ arrives in some regions.
ViacomCBS is trying to tie Star Trek to Paramount+, using the franchise to hook Trekkies in and convince us to subscribe. There’s a profit motive here – but that doesn’t absolve them of the responsibility they have to fans of their programmes and franchises. Star Trek only exists and was only able to be revived in 2017 because of its international fanbase – a deal with Netflix reportedly paid for almost the entire cost of Discovery’s first season. Yet time and again, ViacomCBS is content to ignore its international fans and leave us in the cold.
This isn’t just about one series – or two series now, counting Lower Decks last year. The Star Trek franchise is constantly prioritising fans in North America over us out here in the rest of the world. Trailers and clips for upcoming shows or even marketing material will be quite literally gated off on social media, with fans outside North America being told that “this content is not available in your location.” Star Trek’s official shop offers a paltry range of products internationally when compared to its North American offerings, and ViacomCBS is quite happy to ignore any and all questions on the subject of international availability.
Look at any recent social media post promoting Prodigy and you’ll see a slew of messages and comments from fans overseas. Most are polite, simply enquiring about if and when the series will be made available in their neck of the woods. And Star Trek’s social media team ignores every last one of them – just as they did last year when fans were clamouring for information about Lower Decks.
There has been no official word from ViacomCBS or the Star Trek social media teams about Prodigy’s international debut – and there won’t be. They simply do not care enough to even give a non-answer like “coming soon.” Instead, fans are left to shout into the void, bang our heads against a wall of silence, and whatever other metaphor you can think of for trying to get information from an uncaring corporation.
Last year there was an excuse – a piss-poor one, but an excuse nevertheless: the pandemic. Disruption to production and broadcast schedules – especially post-production work on Discovery Season 3 – meant that last-minute changes were necessary. Lower Decks was bumped up to be broadcast ahead of Discovery, and there wasn’t time to sort out the international rights. That excuse is bullshit, of course, because as I said last year it’s still up to ViacomCBS to broadcast or delay the series, meaning they could have waited to ensure fans everywhere could watch it together. But this year even that paltry excuse no longer applies.
There are two reasons why: Prodigy’s production hasn’t been impacted by the pandemic to anywhere near the same extent, and as already discussed, ViacomCBS owns Nickelodeon and has the option to broadcast the series on a channel that they own in 70+ countries around the world.
I want ViacomCBS and Paramount+ to succeed because I want Star Trek to succeed and continue to be produced. But if the corporation is so callous and uncaring when it comes to fans like me, what am I supposed to do? It’s a toxic relationship right now; a one-way relationship with no reciprocity. Prodigy is supposed to be a series that will bring in new fans to Star Trek – but it’s also supposed to be a show with a lot to offer to Star Trek’s existing fans. For “business reasons,” though, only certain fans that ViacomCBS deems important enough or worthy will be permitted the privilege of watching the series.
In 2021, with the global interconnected fandom that ViacomCBS pushed to create, segregating a series or film geographically is indefensible. A delay of a day or two between regional broadcasts might be acceptable – though there’s no technical reason why, given the technologies involved. But to broadcast a new show in one location and not even give lip service to when it might be available anywhere else? It’s wrong – and more than that, it’s stupid and self-defeating from a business perspective.
ViacomCBS wants as many people as possible to tune in to Star Trek. They want as many kids as possible to watch Prodigy, and I would assume they’re planning to sell merchandise based on the show as well – though the lack of any obvious Prodigy merchandise so far is yet another indication of the moronic and amateurish way the corporation is handling its biggest brand. But if the goal is to get fans excited and talking about the show, hyping it up in the run-up to its premiere and generating the kind of online buzz that makes television shows a success, cutting off at least half the fanbase is the dumbest and most idiotic thing the corporation could possibly do.
From Game of Thrones to Squid Game, online chatter is what drives people to check out a new television series. People who love something and who are passionate about it tell their friends and their social media followers, and that engagement drives people to the show – and the platform that hosts it. By deliberately and intentionally preventing many Trekkies from accessing Prodigy, ViacomCBS has killed a lot of the hype and excitement that the show could have generated.
The corporation has evidently learned nothing from the muted and lacklustre response to Lower Decks last year – a response that, sadly, has seen the show fail to hit the heights it could have in terms of viewership. Even when Lower Decks did arrive internationally and even when its second season did get the simultaneous broadcast it needed, a lot of damage had already been done, and the opportunity to make the series bigger than it ultimately became was missed.
Lower Decks and Prodigy are the two most unique and different offerings that the Star Trek franchise has arguably ever produced. Out of everything the franchise has on the horizon, it’s these two shows more than any others that had the potential to bring in hordes of new fans and to take the Star Trek franchise as a whole to the next level in terms of audience numbers and the scale of the fanbase. These opportunities have been pissed away by a corporation that clearly has no idea how to run an international franchise.
When a corporation deliberately and wilfully treats a large section of its fanbase with such blatant disrespect, what can we do?
Since ViacomCBS clearly doesn’t care about anyone outside of North America, it seems to me that there’s no point in continuing to engage with the corporation or support it. They don’t care about us, so why should we care about them? And why should any non-American Trekkie consider spending a single penny on any ViacomCBS product in future? It seems like it’s only a matter of time until the next Star Trek show or film isn’t made available to us either.
If ViacomCBS chooses not to make Star Trek available to fans, we might as well pirate it. They clearly place no value on the money we could pay them or the passion we could have when talking about upcoming shows and films, so why bother? We might as well pirate all of Star Trek – and everything else ViacomCBS does, too. If they’ve chosen not to make Prodigy available internationally, and won’t even have the basic decency to answer repeated questions from fans, piracy is the default option – quite literally the only way to watch the series. It didn’t have to be, but this is a choice ViacomCBS willingly made.
When a corporation chooses to place no value on its biggest and most passionate fans, and takes increasingly stupid business decisions that almost seem intended to harm their franchise, they’ve made their decision. The lack of a response to these basic questions from fans about Prodigy’s availability or about the Paramount+ rollout is in itself an answer. And that answer is: “go fuck yourself, we don’t give a shit about you.”
In most jurisdictions around the world, piracy – defined above as the sharing of copyrighted material over the internet – is not legal. This essay was an examination of the moral and ethical implications of piracy only, and was categorically not an endorsement or encouragement to download any individual film or television series, nor should anything written above be interpreted in that manner. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
I don’t really see Crazy Uncle Dennis as a news source for everything going on in the Star Trek galaxy! From time to time I have jumped in to comment on a big news story – the announcements of Strange New Worlds and Star Trek 2023, for example. But when small pieces of news crop up I’m usually content to let other sites and social media outlets pick them up; there’s not a lot to be gained by me repeating a one-line news item that’s already floating around the Star Trek fan community!
In the last few weeks, however, there have been several of these smaller news stories, so I decided to compile the ones I think are most interesting into a short list – just in case any of these managed to pass you by. We’ll be talking about upcoming Star Trek productions, so if you want to avoid any chance of spoilers, now’s your chance to jump ship!
This might be an occasional series that I run here on the website, but there are definitely better places to go if you want to get the latest Star Trek news right when it’s breaking!
So without further ado, let’s take a look at a selection of news items that have come up over the last few weeks.
Number 1:Strange New Worlds is practically finished with filming on Season 1.
We have Anson Mount to thank for this one! Mount – who plays Captain Pike in Discovery Season 2 and the upcoming Strange New Worlds – posted on social media that filming is underway on the Season 1 finale. Assuming that the season was filmed in order, and that there aren’t many re-shoots or secondary shoots still to come – this means that the filming stage of production is almost over.
There will be a lot of post-production work to do between now and the series premiere next year, and the fact we haven’t seen anything official yet – no still images, no teaser, no trailer – suggests to me that very little post-production work has been done yet. With Discovery Season 4 coming up before the end of this year, I think the post-production team must be prioritising that series. However, with filming almost over that means Strange New Worlds has completed a big part of its production! The show looks set to be on track for a broadcast in the first half of next year.
Number 2:Star Trek 2023 gains a director and writer – and it’s not who you might’ve been expecting!
Shortly before the announcement of Star Trek 2023 back in April, we got the news that Kalinda Vazquez – who had written the Short Treks episode Ask Not and the Discovery Season 3 episode Terra Firma, Part II, as well as having been a producer during Discovery’s third season – had been tapped by Paramount Pictures to write a brand-new Star Trek film. Barely a month later came the announcement of Star Trek 2023, and I’m sure I wasn’t the only person who put two and two together!
However, along with the announcement that Star Trek 2023 will be directed by WandaVision’s Matt Shakman, we also learned that the script has been written by Geneva Robertson-Dworet, who previously wrote Tomb Raider and Captain Marvel, along with Lindsey Beer, who doesn’t have many credits to her name thus far.
Does this mean that the Kalinda Vazquez project isn’t happening? Or is it now significantly less likely? Some outlets are staying positive, assuming that “no news is good news,” and that with no announcement that the Vazquez film isn’t happening that it must still be going ahead. Does that mean two Star Trek films are potentially in the works?
I guess we’ll have to wait and see.
Number 3: There was a very small teaser for Lower Decks Season 2.
To mark one month to go until Lower Decks Season 2 premieres, we got a new very short teaser that Star Trek put out on social media. Unlike the trailer which we got for First Contact Day in April, this second teaser was far shorter and only showed off one part of one scene. I mentioned it briefly in the July episode of the DenPod – my unscripted podcast – but there really wasn’t an awful lot to say!
However, there are two points of note. The first is that this is the first time we’ve seen Boimler and Mariner together since Boimler’s reassignment in the Season 1 finale. It was cute to see them back together, as they came to work quite well as a duo across the show’s first season. But perhaps the most significant point is that Boimler appears to be wearing an ensign’s rank on his uniform.
I have several theories regarding Boimler’s possible route back to the USS Cerritos, and you can check them out by clicking or tapping here. Though it does seem inevitable that Boimler will be back with the other ensigns, this is the first confirmation we’ve had that it will be through some kind of demotion – assuming that this isn’t a dream or a flashback or something!
Number 4: Whoopi Goldberg made an appearance on the official Roddenberry Facebook page.
Sir Patrick Stewart made headlines in 2020 when he invited Whoopi Goldberg to reprise her role of Guinan in Season 2 of Star Trek: Picard. But since that moment on The View – the daytime television show Goldberg co-hosts – there hasn’t been any mention of Guinan in Picard. Two teaser trailers have come and gone without her, too.
So it was interesting to see Whoopi Goldberg appear reading one of the “Roddenberry daily quotes” – a series that I believe is being run by the official Roddenberry Facebook page. At least this confirms she has some involvement with Star Trek!
Goldberg recently appeared in The Stand – a miniseries which premiered last December on CBS All Access. I have no reason to doubt that she would do Picard Season 2 if she could – but the lack of information about her return to the role of Guinan could mean the story of the season has moved in a different direction since Sir Patrick Stewart’s invitation.
Number 5:Star Trek 2023 is rumoured to bring back the Kelvin timeline.
The official announcement from Star Trek and Paramount did not confirm this, but some outlets have been picking up on a rumour that Star Trek 2023 is going to bring back Chris Pine and the rest of the Kelvin timeline cast. I’ve debated the pros and cons of a Kelvin sequel in the past, and with Star Trek’s return to the Prime Timeline I’m not convinced that another Kelvin project is the right way to go.
This is just a rumour, though, and there are myriad possibilities for Star Trek 2023 and what it could be. Star Trek Beyond did clearly tease a sequel back in 2016, and there have been several proposals in the last few years that never got off the ground. Is now the right moment to bring back the Kelvin timeline?
Number 6: 4K versions of The Motion Picture, The Wrath of Khan, The Search for Spock and The Voyage Home are in the works!
A new 4K Blu-ray box set has been announced, and the first four films starring The Original Series’ cast are being remastered. Why not all six, including The Final Frontier and The Undiscovered Country? Because that’s ViacomCBS logic, I guess. Perhaps they plan to sell the final two later as a two-part set, and then make another six-film set, pushing collectors to buy more and more versions of these films!
Considering the significant investment ViacomCBS has made in its streaming platform, I’m surprised to see them putting together a 4K Blu-ray box set. I can count on one hand the number of folks I know with a 4K Blu-ray player, and with streaming continuing to grow as a significant force in home entertainment, there’s something decidedly antiquated about any optical media in 2021.
Hopefully the remastered versions of the films will make it to Paramount+ after their launch on 4K Blu-ray! And maybe this means ViacomCBS will be willing to take another look at some other Star Trek projects in dire need of a trip to the remastering suite?
Number 7: ViacomCBS corporate news.
As Trekkies we need to pay attention to the business side of Star Trek on occasion. There are two stories out of the corporate side of ViacomCBS that I think could be potentially important to Star Trek’s future, and both have come up in the last few weeks.
Julie McNamara had been the head of programming for CBS All Access during the development of Star Trek: Discovery, as well as briefly the head of programming for Paramount+ when the service was re-launched. She’d been involved with CBS for a number of years, and was a strong behind-the-scenes force in bringing Star Trek back to the small screen.
The departure of an executive who was seemingly pro-Star Trek should not be taken lightly, and the franchise has suffered in the past due to corporate leaders who weren’t on board with the kind of stories Star Trek aims to tell. Hopefully her replacement will be as keen on continuing Star Trek as she was, but I’m at least a little concerned about this change in leadership.
Secondly, there’s a rumour flitting around the business world that ViacomCBS and Comcast are seeking a merger. Comcast owns – among many others – American network NBC, the SyFy channel, the Peacock streaming service, DreamWorks Animation, and Universal Pictures. Comcast is reportedly the third-largest media company on the planet.
Whether such a merger would survive government oversight is a legitimate question, but one better-suited to corporate lawyers! From my point of view as a Trekkie, the concern I have with this kind of merger is that Star Trek’s importance would be reduced. Paramount+ expanded the streaming lineup already, yet the Star Trek franchise remains a significant part of Paramount+’s new content. However, if Comcast and ViacomCBS were to merge, the new company would have access to hundreds of new brands, shows, and films. The Star Trek franchise would suddenly find itself in a position of being far less important, and that could have consequences for future productions.
I don’t believe either of these news stories are reason to hit the panic button. But as a Trekkie, I’m invested in Star Trek’s ongoing success. Star Trek continuing to be a successful franchise means its parent company – whoever that ultimately ends up being – will continue to invest in the brand and produce more films and shows.
Number 8:To The Journey – the Star Trek: Voyager documentary – has officially entered production.
Following a successful crowdfunding campaign, To The Journey has entered production with filming kicking off in Los Angeles. What We Left Behind, the Deep Space Nine documentary produced by the same team in 2018, was truly interesting, and I have no doubt that To The Journey will be a riveting watch as well.
Production is going to be slow, according to director David Zappone, with filming expected to continue well into the new year. When To The Journey is ready, I plan to write a full review, so be sure to check back!
Number 9: Playmates is going to produce a new line of Star Trek toys!
I have a rather modest Star Trek collection, but some of my favourite pieces are toys from the ’90s by Playmates. The brand became synonymous with Star Trek for much of the decade, producing action figures, dolls, vehicles, playsets, and prop replicas, and the company recently announced that they’ll be stepping back into the Star Trek franchise.
The teaser image shown off along with the announcement looks like it includes action figures or dolls of the following characters: Data, Michael Burnham, Admiral Picard, Captain Pike, Saru, and Discovery-era Spock. That’s unlikely to be the extent of it, though!
The Star Trek franchise has been very poor in recent years when it comes to merchandise. Not only has there been a lack of things like action figures and prop replicas, but some of the products that have been created under the Star Trek license are just plain weird. I mean, does anyone want a Star Trek faction flag made by a company that usually makes flags for sailing ships? Which moron came up with that idea?
Regardless, it’s great to see ViacomCBS signing a contract with a proper toy manufacturer. I have some amazing Playmates figures in my collection – including Dr Pulaski and Morn! Hopefully this is the first step to many more Star Trek collectibles hitting the market.
So that’s it!
This has been your Crazy Uncle Dennis Star Trek news roundup! As mentioned above, I wouldn’t have necessarily written a full article about any of these, but the fact that several potentially interesting pieces of news came along in a relatively short span of time meant that I was quite happy to cobble them together into a nice list.
If this kind of situation occurs in future I may do the same thing. Otherwise, I hope you’ll stay tuned for much more Star Trek content to come! We’re less than a month away from the premiere of Lower Decks Season 2, and I’ll be aiming to review each new episode as they’re broadcast.
Until next time!
The Star Trek franchise – including all titles and properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
The most popular article I’ve written here on the website is about Star Trek: Deep Space Nine and Star Trek: Voyager, and how neither series has been remastered. In the late 2000s and early 2010s, The Original Series and The Next Generation were given a complete overhaul and rebroadcast, then re-released on Blu-ray (and HD DVD, if anyone remembers that failed format!)
For a number of reasons, though, The Next Generation in particular didn’t see great sales numbers on Blu-ray. Because of the significant cost involved in upscaling and remastering it, and the lack of a significant return on that investment, ViacomCBS hasn’t been willing to spend money on Deep Space Nine or Voyager. As a result, both series remain in “standard definition,” a.k.a. DVD quality. On today’s ever-larger television screens, the difference between a remastered episode of The Next Generation and a non-remastered episode of Deep Space Nine is incredibly noticeable.
Star Trek has been one of the big franchises that ViacomCBS has used to push its rebranded Paramount+ streaming service. Paramount+ is now the digital home of all things Star Trek – yet two of its flagship series that many folks remember with fondness from the 1990s don’t look great. As I noted last time, that’s a problem. It makes Paramount+ look cheap, as though ViacomCBS simply can’t be bothered to put in the effort.
Netflix runs some shows in DVD quality, but by far the majority of its content is in high definition. As Paramount+ attempts to position itself as a competitor to Netflix, Disney+, and other platforms in a very crowded market, having two big flagship shows in low quality standard definition is not a good look, and it’s something that needs to be addressed.
But last time the company made a significant investment in remastering Star Trek it didn’t pay off, so how should they proceed?
There are a few factors at play here. The first is that ViacomCBS (and its predecessor, CBS) measured the success of the remastered Star Trek series purely by Blu-ray sales. The problem with this approach is that, even by the early 2010s, optical media in general was in decline. Fewer people had made the switch to Blu-ray than DVD, and with the rise of on-demand streaming platforms it seemed only a matter of time before Star Trek would be available to watch. I owned a number of The Next Generation stories on VHS, I’d also bought the entire series on DVD, and in the early 2010s I just wasn’t prepared to spend that money all over again on the same show – especially when it seemed inevitable that eventually the series would be available online. I was right.
Physical media sales are a poor measure of success in the days of on-demand streaming, and the value in investing in any project – be it a remaster or the commissioning of a new series – is less about pure sales numbers and more about the number of subscribers it will drive to your streaming platform. ViacomCBS has invested in Paramount+, so why not go the extra mile and remaster these classic shows for the service too?
That’s the first aspect of this issue – the business side and how to calculate a return on investment. Raw sales numbers are less and less valid as a metric of success in a world that’s moved on to streaming, so making that calculation isn’t easy. But I bet that remastering Deep Space Nine and Voyager would drive new subscribers to Paramount+, as well as convince wavering subscribers that it’s worth sticking around. Both of those things are what any streaming service needs to survive.
The second point to consider is that the cost of remastering any television series is dropping all the time. There is software that uses AI that can produce creditable results from DVD-quality sources, such as the existing versions of Deep Space Nine and Voyager. Consumer-grade versions of this software exist, and can be bought for less than $100. You can even find homemade upscaled clips of Deep Space Nine and Voyager on YouTube and elsewhere online – and they look pretty darn good.
As software continues to improve and come down in price, the cost of a project like this drops dramatically, and we may only be a few years away from fans being able to fully upscale their DVD collections at home. In some ways, we’re arguably there already. Rather than ViacomCBS having to spend huge sums of money recruiting new artists and animators to recreate whole sequences from scratch, it’s going to be possible to run entire episodes of the show through software and just have a small team of people make tweaks on the resultant upscaled version to knock it into shape. It’s far less of a project than it was ten years ago – so there are fewer and fewer reasons not to do it.
With ViacomCBS having the original tapes of these shows, it should be even easier to get a good result than it is for someone using the DVD version. I’m not saying it can all be done from home for a few dollars – the project will still cost money – but it’s a far less significant expense than it was last time the company chose to send Star Trek to the remastering suite, and waiting even just a couple of years could see those costs fall yet further.
I really hope that ViacomCBS will consider giving both shows a proper remaster at some point in the future. It’s something that would undoubtedly provide Paramount+ a boost, especially if the service were the only place to access the newly-upgraded shows. And it surely would be, because why bother with a Blu-ray release? Physical media continues its decline, with fewer people than ever upgrading to the latest 4K Blu-ray standard, so there’s almost no point. Remaster the shows, stick them on Paramount+, and enjoy a nice subscriber boost.
I truly believe AI and software offer a path to remastering these shows – and a lot of others, too. There are a few other series from the ’80s and ’90s that are yet to be properly remastered, and the same solution potentially exists for those as well. I’m not a tech expert, but I think the results speak for themselves. When I’ve seen upscaled clips online, created incredibly inexpensively by amateurs using commercially-available software, it really feels like ViacomCBS is missing a trick. Maybe upscaling the series this way wouldn’t be as good as spending huge amounts of money to do it from scratch, but it would be something – and the result would almost certainly be a better-looking show than the currently-available SD version.
As I mentioned at the beginning, the most popular article I’ve written is about Deep Space Nine and Voyager needing a remaster – so there is clearly huge interest there from both Trekkies and casual fans. People who watched the shows years ago may want to rewatch them. New Star Trek fans who’ve joined the fandom since the release of the Kelvin films or Discovery may want to go back and watch older Star Trek shows. And of course us Trekkies would love nothing more than to see the two series get an overhaul. There’s a sizeable audience out here asking for a remaster, an upscaling, or whatever you want to call it. AI could be a good solution – saving money while giving fans what we’ve been asking for for years!
At the very least, I think it’s worth considering. And if ViacomCBS never does it… maybe someone else will. These pieces of software get better and cheaper all the time, and we could be in a position in a very short span of time where fan-made remasters of whole episodes, not just clips, will be widely available.
Deep Space Nine and Voyager were a big part of Star Trek’s most successful era to date, and a lot of casual viewers and Trekkies remember them with fondness. While there’s nothing wrong with the DVD versions, as screen technology improves and televisions get larger, what viewers expect from their programming has changed. For a lot of people in 2021, standard definition isn’t good enough – especially on a streaming service that costs $9.99 per month. If ViacomCBS is serious about continuing to invest in the Star Trek franchise, a portion of that investment needs to be directed backward, to remastering these two shows that have been sidelined. Part of the marketing for Paramount+ highlighted that it was the place to watch every episode of Star Trek – some fans will have been disappointed to learn that over 300 of those episodes don’t look great.
AI and software offer a solution to this problem, one ViacomCBS should take advantage of as soon as possible.
Star Trek: Deep Space Nine and Star Trek: Voyager are available to stream now (in SD quality only) on Paramount+ in the United States, and on Netflix in the UK and other countries and territories. Both series are also available on DVD. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
We’ve known for a few months that CBS All Access is planning a major rebranding as Paramount+ this year, and more details have just emerged. The new service will launch – or should that be re-launch – in March, and will be the new digital home of Star Trek in the United States. Paramount+ is also going international, with launches planned for Latin America, Canada, Australia, and Scandinavian countries all before the summer of 2021.
Paramount+ was made possible by the coming together of the two halves of ViacomCBS in 2019, and in addition to content from American network CBS, the streaming platform will offer shows and films from Nickelodeon (where Star Trek: Prodigy will make its debut soon), MTV, Comedy Central, Paramount Network, and most significantly, films released under the Paramount Pictures brand.
Licensing rights are complicated, though, and with many shows and films contracted to Netflix, Amazon Prime Video, etc. it seems likely that Paramount+ won’t have everything in its library immediately available in every country and territory. Star Trek: Discovery, for example, looks set to remain on Netflix outside of the United States – even in countries where Paramount+ will operate – at least in the short-to-medium term.
There was no mention of a UK launch for this new service, which from a personal point of view is a bit of a double-edged sword! On the one hand I’m disappointed that we aren’t being prioritised by ViacomCBS for this new service, but on the other hand I’m already subscribed to Netflix and Amazon Prime Video for my Star Trek shows (as well as Disney+) and I don’t exactly relish adding a new streaming platform to my monthly bills!
And that encapsulates the challenge facing Paramount+. Since CBS All Access launched in the United States in 2017, most people I’ve spoken to or heard from either aren’t subscribed at all or only subscribe for a few weeks to see whichever show they’re interested in, then cancel their subscription when the season ends. Netflix offers a huge library of content such that many people are content to have a year-round subscription – will that be true of Paramount+?
The name Paramount carries a certain gravitas, far more so internationally than CBS, which as an American network is not particularly well-known overseas. The addition of shows from the likes of Nickelodeon, Comedy Central, MTV, etc. as well as Paramount’s extensive back catalogue of films does make it seem like an appealing package – but is that good enough?
There are a lot of streaming platforms competing for attention in the current market, so much so that we’re in an era dubbed the “streaming wars.” People who cut the cord and stopped paying for cable or satellite television did so to save money first and foremost, as well as to watch what they wanted on their own schedule. Expecting viewers to pick up half a dozen or more subscriptions pushes them back into cable television-scale costs, and for many it just won’t be worth it to pick up a second-tier service like Paramount+, especially if they already have Netflix or one of the bigger services.
However, ViacomCBS is clearly going all-in with Paramount+, and a wider international rollout looks likely, as well as taking back shows and films that are currently available elsewhere. As Paramount+ grows its library of content, both with new shows and films and by returning its older content to the platform when contracts and licenses lapse, it has the potential to be a pretty big and interesting service – certainly bigger than the likes of Apple TV+, which has to rely entirely on brand-new programming due to having no back catalogue.
Decades worth of films and television shows broadcast across multiple channels could be Paramount+’s ace in the hole. There’s a trend for nostalgia and returning to classics of the past – which is a big part of why Star Trek is back in the 2020s – so with that in mind, many people will be at least a little interested to see what else Paramount+ has to offer.
Paramount+ will need a well-designed user interface and a decent marketing push, but I feel the name, branding, and greater library of content are all appealing and will bring in an audience. It can take time for a streaming service to both establish itself and become profitable, so as long as ViacomCBS is willing to make the investment and give it time to pay off, hopefully the platform will at the very least become stable as time goes by.
The rebranding is a risk in a way, and its international rollout may mean in the longer term that some Trekkies who had access to Star Trek elsewhere may lose that access as rights and licenses change. But anyone who wants to watch the various upcoming Star Trek productions will know that Paramount+ is the place to do so, and I guess that’s a good thing.
If Paramount+ were coming to the UK I would sign up, and although it will be an expense it’s one I’m happy to absorb if it means more Star Trek! The business people who own and operate the Star Trek brand decided years ago that pushing their own streaming service was the way to go, and while we can debate the merits of that versus the option of just producing shows and selling them to the likes of Netflix, it has resulted in the broadest and most varied lineup of Star Trek productions ever – something I do appreciate.
So I wish Paramount+ well. Hopefully it will be the home to Star Trek productions new and old for a long time to come, and the catalyst for continuing to expand the final frontier into new live-action shows, animated series, miniseries, and feature films. Please bring Paramount+ to the UK soon… and while you’re at it, this is a great excuse to finally remaster Deep Space Nine and Voyager – doing so would surely bring in viewers who loved those shows during their original runs.
Paramount+ will launch in the United States on the 4th of March 2021. Launches in other countries and territories are already planned for early- and mid-2021. The service will be the new digital home of Star Trek. Paramount+, the Paramount logo, and all titles mentioned above are the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3, Star Trek: Lower Decks Season 1, Star Trek: Picard Season 1, and other iterations of the franchise.
Almost half a year ago (26 weeks would be a half-year) we sat down to watch Second Contact, the premiere episode of Star Trek: Lower Decks. This episode kicked off something ViacomCBS billed as “23 weeks of Star Trek” – ten weeks of Lower Decks followed immediately by thirteen weeks of Discovery. Now that we’ve had Discovery’s season finale, I thought it would be fun to look back on the past five-ish months and see how it went.
2020 was the first year since 2004 that saw more than twenty Star Trek episodes premiere, and with three different productions on the go for the first time since the 1990s it’s really beginning to feel that Star Trek is back! Assuming all of the currently-announced series and projects make it to screen, we’ll be seeing the franchise continue through at least the first half of the 2020s, hopefully even until the 60th anniversary in 2026. There have been bumps in the road – and more seem likely – but overall the franchise seems to be in a good place as these 23 weeks come to an end.
Lower Decks did suffer because of the stupid decision to broadcast it in the United States months ahead of anywhere else. Of all the Star Trek projects we’ve seen announced in recent years, Lower Decks had the greatest potential to expand the fanbase. The entire purpose behind creating a show of this kind is to take Star Trek to new audiences, and that required a unified broadcast so fans everywhere could enjoy it and get hyped for it.
The sad consequence of Lower Decks being split up and shown to some fans but not others is that the buzz around the show died down in the weeks leading up to its broadcast. Many potential viewers tuned out or never even became aware of its existence, and we’ll simply never know how big it could’ve become were it not for that godawful decision. Could we be talking about Lower Decks hitting the mainstream like Rick and Morty? It’s good enough on its own merit, but we’ll never know now.
When it was decided to press ahead with this 23 weeks of Star Trek, the team at ViacomCBS clearly knew that the pandemic had massively set back other projects in the franchise. Whereas we might’ve hoped to see Picard Season 2, Lower Decks Season 2, Prodigy Season 1, and maybe the Section 31 show or even Strange New Worlds in 2021, as things sit right now, no announcements have been made regarding any releases this year. Understandably so, of course, but to me it just compounds the stupidness of the Lower Decks decision.
Since we now know that Lower Deckswill be broadcast internationally later this month, I’m left wondering why it was pushed out in North America first. We could have all enjoyed it together, and it would have filled a hole in the schedule in the first part of 2021. But that’s not the way it happened, and re-litigating the issue over and over accomplishes nothing! Instead, let’s look at some of the high points from these past 23 weeks. There have been quite a lot!
First up, Lower Decks itself. Despite a rocky start, by midway through the second episode the series was beginning to find its feet, and as the season went on it became a thoroughly enjoyable watch with plenty of laugh-out-loud moments. There were a ton of references and callbacks to past iterations of Star Trek, including The Next Generation era. Until Picard premiered earlier in 2020 the franchise had been looking backwards at reboots and prequels for almost twenty years, leaving little room to even name-drop something from The Next Generation onwards.
Discovery included fewer elements from The Next Generation’s era than I’d have liked to see. Partly that’s a consequence of shooting forward in time centuries beyond that time period, and partly it’s a creative choice. There were a couple of references though, like bringing back the Trill and introducing a new USS Voyager. I was especially pleased that the Qowat Milat – a Romulan faction introduced in Star Trek: Picard – also cropped up in Discovery.
Bringing together the shows currently in production is something I hope to see more of going forward! I had theorised before we knew too much about Discovery’s third season that – due to time travel shenanigans – it could have been set at the dawn of the 25th Century along with Picard, but ultimately that didn’t happen. It would’ve been cool, though!
Lower Decks and Discovery didn’t really connect in any significant way during these 23 weeks. The most significant thing I noticed which came close to tying the two series together was that in both of their season premieres, a main character gets chewed on by an alien monster! In Second Contact it happened to Ensign Boimler, and in That Hope Is You, Part 1 it happened to Burnham. Maybe that was a conscious choice – but I suspect it may be little more than coincidence.
Both Star Trek: Lower Decks and Star Trek: Discovery represent a franchise stepping out of its comfort zone and trying to do something different. In Lower Decks’ case we see Star Trek trying a different genre – comedy. The particular style of comedy chosen may not be to everyone’s taste, but I would argue that fans of shows like Rick and Morty or The Orville would have found something to enjoy. Discovery took Star Trek away from the familiar ground of the 23rd and 24th Centuries in a major way for really the first time. We’d seen individual episodes or parts of episodes set in the far future before, but never a whole season.
Both shows felt like they were made with Star Trek fans firmly in mind. That may seem obvious, but we have to remember that hardcore fans are a small percentage of any franchise’s audience. Lower Decks in particular was a series that was largely episodic and that relied at key moments on references to somewhat obscure events in Star Trek’s wider canon, both for its comedy and for narrative beats. That was a bold move, and one which could have backfired.
Discovery didn’t take an episodic approach, but there are more episodes in its third season which act as standalone stories than there were in Seasons 1 and 2 combined. The writers and producers have clearly tried to blend season-long storylines with shorter episodic stories, and while we can debate which episodes were the best and the worst, taken as a whole the season was definitely better for the inclusion of some of these smaller stories.
Though we won’t know for sure until the new show hits our screens, Star Trek: Strange New Worlds is supposedly going to take a similar approach: keeping the season-long arcs while at the same time flying the ship and crew to different adventures every week. Discovery Season 3 provides a good foundation to build on in that regard – provided the writers and producers pay attention to what worked and what didn’t!
Though I plan to do a proper look back at both Season 1 of Lower Decks and Season 3 of Discovery in the weeks ahead, looking back at this 23 weeks of Star Trek I can already say that I had a great time. There were some stumbles and some storylines and episodes that didn’t work for a few different reasons, but the quality of both shows was generally high. I can’t fault the visual effects, the acting, the direction, the editing, the post-production work, or anything behind-the-scenes when considering the bigger picture. Narrative will always be something subjective, but I would encourage anyone to give both shows a try and to stick with them beyond the first couple of episodes.
The only thing I’d say is that, having set up this promotion between the two shows, it’s a little odd that there were essentially no references or crossovers between them. Because of the decision to send Discovery into the future, there was the possibility for Lower Decks to reference something from Discovery’s first two seasons, and for Discovery to reference something from Lower Decks’ first season. Maybe that’s something that can happen at some point in the future.
Though we don’t have access to viewing figures – something which, unfortunately, leads to a lot of speculation and misinformation floating around online – I hope that both shows did well. On merit I’d happily recommend both to any Star Trek fan, and to any fan of either animated comedies or action-sci fi. The upcoming rebranding of CBS All Access as Paramount+ may bring in more new viewers to both shows, and Lower Decks’ international broadcast later this month will hopefully attract some attention too.
As I said at the beginning, Star Trek feels like it’s in a good place. There are projects in the pipeline that should see the franchise grow and build on what both Discovery and Lower Decks have done over the last 23 weeks, and it’s my hope that it will remain viable and stay on our screens for many years to come. I have the same sort of feeling that I had in the mid-1990s when Deep Space Nine and Voyager had picked up the baton from The Next Generation; there’s a lot going on, and all of it is different or at least not afraid to try new things.
I will miss my Friday appointment with Discovery now that the third season has concluded. However, as I look ahead to the rest of 2021, I’m hopeful that we may see Prodigy and Lower Decks Season 2 even if we have to wait until 2022 for more live-action Star Trek! I hope you’ll stay tuned here on the website, as I’ll break down any news that comes our way regarding upcoming Star Trek projects as well as look back at some of the stories and themes that we saw over these 23 weeks. It really is a great time to be a Star Trek fan right now – or a fan of sci-fi and fantasy in general. I truly hope that you enjoyed the last 23 weeks as much as I did.
Star Trek: Lower Decks Season 1 is available to stream now on CBS All Access in the United States and will be available to stream on Amazon Prime Video on the 22nd of January in the rest of the world. Star Trek: Discovery Seasons 1-3 are available to stream now on CBS All Access in the United States and on Netflix in the rest of the world. The Star Trek franchise – including Lower Decks, Discovery, and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.
Star Trek is divided right now. No, I don’t mean the divisions in the fanbase – though you can read my thoughts on that by clicking or tapping here – instead I’m referring to the fact that The Original Series, The Next Generation, Enterprise, all of the films, and all of the new series are in HD, while Deep Space Nine and Voyager aren’t.
Streaming has quickly become the biggest thing in home entertainment, replacing our DVD collections. Even ViacomCBS realised this, and set up their own streaming service. It’s thanks to the existence of CBS All Access, and the need to provide that new platform with original content, that Star Trek has been renewed at all. But before Star Trek found a new digital home, The Original Series and The Next Generation were remastered in high definition and got Blu-ray releases. Blu-ray, in case you didn’t know, is the optical disc format which was supposed to replace DVD a few years ago. Blu-ray discs can store much more digital data – 25GB as opposed to a mere 4.7GB for DVDs – meaning that full HD video content was possible.
The resulting change from DVD-quality video, which had a resolution for digital video of 720×480 pixels, to Blu-ray, which offers a resolution of 1920×1080 pixels, meant that older episodes of Star Trek, filmed for television in the 1960s and 1980s-90s, had to be remastered. The remastering process exposed lower-quality special effects, which had to be entirely redone in order to look presentable at the higher resolution offered by Blu-ray. This was especially notable with some of The Next Generation’s early-90s CGI, which had been designed to be broadcast on the smaller screens of that era. Therefore the remastering process was far less straightforward than simply copying all of the broadcast episodes, upscaled, onto Blu-ray discs. Each episode had to be worked on, and new special effects and digital effects created from scratch, adding to the cost of the work.
By the time The Next Generation’s final season released on Blu-ray in 2014, a combination of factors came together to leave sales underwhelming from CBS’ perspective. Firstly there was the move by many consumers to online video streaming. Blu-ray had seemed exciting in the mid-late 2000s when it was new, but as platforms like Netflix gained traction in the 2010s, Blu-ray just never took off in the same way as DVD had a decade prior. Secondly, many people already owned The Next Generation in full either on VHS, DVD, or both. And despite the promise of remastered episodes with all-new digital effects, we were being asked to essentially buy the same product again for a second or third time. This combination of many fans already owning the full series plus Blu-ray and optical media as a whole feeling decidedly “last-gen” in a world of digital streaming meant many folks, myself included, didn’t pick up The Next Generation on Blu-ray.
I certainly felt, in the mid-2010s, that sooner or later Star Trek would join one of these new streaming platforms and that I could simply watch the HD versions at that time. As someone who had been collecting Star Trek on DVD since the early 2000s (when The Original Series came in chunky plastic boxes), I already had the full collection by the time Blu-ray was out – I even had Enterprise, despite that being my least-favourite Star Trek show! The idea of having to re-start my Star Trek collection on a new format just wasn’t something I was keen on, so I waited it out. And, to be fair, the remastered episodes of both The Original Series and The Next Generation are now available for streaming – on CBS All Access in the US, or on Netflix in the rest of the world (though I wouldn’t be surprised if Amazon Prime Video snaps up the international rights now that they also have Star Trek: Picard).
Unfortunately, though, the lack of interest in The Next Generation on Blu-ray has meant that Deep Space Nine and Voyager never made it to the remastering suite. They remain in their original format, in what we’d call “standard definition” or DVD quality. And there’s nothing wrong with that – they are, still, perfectly watchable on DVD or on streaming. But as television screens get larger and better, the difference in quality between a remastered episode of The Next Generation and an episode of Deep Space Nine, unchanged since its early-90s television debut, is incredibly obvious and offputting.
An increasing number of viewers expect HD content nowadays. With some shows – like Netflix’s The Witcher or Amazon Prime Video’s The Grand Tour – being broadcast in 4K resolution, which is one step higher even than Blu-ray, standard/DVD-quality content just doesn’t look good enough for a lot of people, and they don’t enjoy watching it. On a modern 4K television that could easily have a screen size of fifty inches or more, such content looks mediocre at best, and pretty crappy when compared to anything in HD.
ViacomCBS have their own streaming service now – CBS All Access – which is billed as the new home of Star Trek. However, two of those flagship shows, which people remember with fondness from the 1990s, are not up to current standards when it comes to visual quality, and that’s something ViacomCBS should address.
The remastering of Deep Space Nine and Voyager, combined with their permanent home online, would pull in subscribers to CBS All Access. Even fans who haven’t been moved by Discovery or Picard could be convinced to sign up to the platform if it would be the only place to watch their favourite series in HD. And I’m sure many of them would also give Discovery or Picard a try while they were there – it wouldn’t cost anything extra, after all. There would be no need for an expensive Blu-ray release, with the cost of printing thousands of discs and shipping them all over the world no longer necessary. And I’m sure Netflix and/or Amazon Prime would happily snap up the rights to a newly-remastered “classic” of the 1990s. Nostalgia is a big deal in today’s media landscape, after all.
A lot of folks seem to have given up on the idea of ever seeing those series in HD given the move toward online streaming and The Next Generation’s lacklustre performance on Blu-ray, but CBS All Access should be Deep Space Nine and Voyager’s ticket to a full-HD remaster. The Star Trek brand would then be all together, all remastered, all fully in HD ready for new and old fans to join the party. I’m absolutely certain that, in the long run, ViacomCBS would find it worthwhile. What We Left Behind, the recent documentary about Deep Space Nine, included some remastered scenes, and its successful crowdfunding campaign should demonstrate that there is a viable market for such content.
From a branding point of view, it isn’t a great look for CBS All Access to be offering some of its content for its flagship franchise in DVD quality. Netflix doesn’t do that, Amazon Prime Video doesn’t do that, and Disney+ certainly doesn’t do that. CBS All Access is the only paid-for streaming platform in the world right now offering two full seven-season series in low quality, and that’s bad for the brand. It makes it seem like ViacomCBS can’t be bothered to put in the effort; it makes CBS All Access look cheap. And for fans who don’t follow all the ins and outs of Star Trek, it could be an unexpected disappointment: they sign up, log in for the first time, and choose their favourite episode – only to find that it looks poor on their big-screen TV.
So come on ViacomCBS! Remaster Deep Space Nine and Voyager. Bring the final two Star Trek shows into the 2020s and give your own platform a nice little boost in the process.
The Star Trek franchise – including all titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.