Thoughts on a Starfleet Academy series

Spoiler Warning: There are minor spoilers ahead for the following Star Trek productions: Discovery Season 3, Picard Season 1, 2009’s Star Trek, Deep Space Nine, and Voyager.

We’ve known for a while that there are more Star Trek projects in development in addition to the shows and films currently in production. As early as the announcement of Star Trek: Picard in 2018 rumours were flying around, and not long after the official announcement of the Section 31 series – a show whose fate I fear hangs in the balance right now – came confirmation that further Star Trek television shows were actively being worked on. One of those shows we now know to be Strange New Worlds – but there are other projects both for film and television that remain officially unannounced.

September’s Star Trek Day broadcast featured an interview with Alex Kurtzman, the man in charge of the Star Trek franchise for ViacomCBS. In the interview, Kurtzman hinted – though stopped short of confirming outright – that one of the shows in early development will be focused on Starfleet Academy. Today I thought it could be fun to consider what a Starfleet Academy series could look like, and answer the crucial question: “is it a good idea?!”

Alex Kurtzman teased a Starfleet Academy series at Star Trek Day.

As the Section 31 series has unfortunately demonstrated now that it appears to be on the verge of outright cancellation, developing an entirely new television series is not a straightforward process. However, the fact that Alex Kurtzman was willing to discuss the prospect of a Starfleet Academy series at all – and in a pre-recorded interview that ViacomCBS allowed to be broadcast, no less – means that we have to take the idea seriously. It’s still possible that the proposed series won’t make it to our screens in its presently-envisioned form, but ViacomCBS is clearly laying the groundwork for a future announcement.

Sometimes companies like to tease or even leak information like this to gauge the reaction and see what fans think. Any new Star Trek television series has to have appeal beyond the existing fanbase, of course, but if Trekkies aren’t at least interested if not enthused at the prospect of a new show, that could mean the corporation chooses not to press ahead. If I were to speculate – and as always, I’ll tell you up front that I have no “insider information” – I would say that might well be the fate that befell the Section 31 series.

We’re still waiting to hear news about the poor Section 31 show…

We’ve recently talked about some of the poor business decisions that ViacomCBS has made in regards to the Star Trek franchise, so it wouldn’t shock me to learn that none of it is planned and the corporation is just winging it! But I like to think that there is some direction and control to the way the Starfleet Academy series has been teased, and that there are folks over at the company analysing the response from the fanbase to see how Trekkies feel about the idea.

So… how do Trekkies feel about the idea? I’m not the most active person on social media, but even so I would’ve expected to see some chatter. Prior to the announcement of Strange New Worlds, for example, I quickly lost count of the number of posts and messages I saw from fans who were clamouring for a “Captain Pike show.” So far, from my limited perspective at least, I’m not seeing any of that for a Starfleet Academy series. Maybe people who study social media in more depth than I do, or who are members of fan clubs and the like, have heard more from the fan community about this – but I think it’s worth noting that the prospect of the show has, thus far at least, failed to get large numbers of folks excited.

I haven’t seen much talk in the fan community on social media about a potential Starfleet Academy series just yet.

To be fair, though, the only mention of a Starfleet Academy series from anyone close to the production of Star Trek came in that one Star Trek Day interview. The Alex Kurtzman interview lasted only a few minutes and was by no means the main event in a broadcast that lasted for three hours and also debuted trailers and teases for shows that have already been announced. So perhaps the reason for the muted response is that a lot of folks are still unaware of the concept – or if they are aware they’re still waiting for something more official.

For my part, I think the series has a lot of potential. I’d place it far higher on my list than any of the other rumoured or quasi-official pitches and concepts that have been floating around out there! Whether it’s Captain Worf, Captain Proton, or the Ceti Alpha V miniseries that we talked about a while ago, a Starfleet Academy show has – in my subjective opinion at least – far more potential to be interesting and exciting.

I’d definitely prefer a Starfleet Academy show to a Captain Proton show!

Starfleet Academy is not a new concept for a series. As early as the 1960s, while The Original Series was still on the air, Gene Roddenberry was actively considering a prequel which would have focused on Kirk, Spock, and Dr McCoy meeting for the first time at Starfleet Academy. The concept was revisited by Gene Roddenberry at least twice: in the early 1970s, prior to work commencing on the project that ultimately became The Motion Picture, and again in the mid-1980s before work began on The Next Generation. Seeing Kirk, Spock, and Dr McCoy at Starfleet Academy would eventually be realised in 2009’s Star Trek film.

Gene Roddenberry would have approved, then! Which is great news for all longstanding Trekkies! I don’t think we need to worry too much that previous attempts to get a Starfleet Academy project off the ground didn’t succeed. The truth is that there were other competing ideas at the time, and even though Gene Roddenberry and others did seriously consider the idea, there were always other competing projects. I think we can all agree that the feature films of the 1980s and The Next Generation were great ideas too!

Gene Roddenberry worked on several Starfleet Academy series and film concepts during his life.

Had Enterprise not been cancelled, I think it’s possible that the Starfleet Academy concept could’ve been revived 15 years ago as well, as part of a renewed expansion of Star Trek that never happened. There were plans afoot in the Enterprise era to expand the franchise yet further, but the show’s declining ratings and the poor critical reception to Nemesis in 2002 ultimately led to the Star Trek franchise taking a short break.

A Starfleet Academy series has three big things going for it, in my view. Firstly, the series could be created to tie in with any current or past Star Trek series. Connecting it to an ongoing show such as Discovery or Picard would make the most sense, and the show could be set in the same time period as either, and connect with characters, factions, and themes. There could even be crossover episodes.

A Starfleet Academy series could potentially run alongside – and cross over with – any of the current crop of Star Trek shows.

This kind of closer connection between ongoing series is something that the Star Trek franchise needs. The closest we’ve got so far has been the appearance of the Qowat Milat in Season 3 of Discovery, connecting the show in a loose way with Picard. But the franchise as a whole needs to do a lot more to tie together the shows currently in production, so having a Starfleet Academy series share a time period and setting with another show would be a boost to the Star Trek franchise overall.

Secondly, if the show were set at Starfleet Academy itself, that would make it the first Star Trek series to take place on Earth. That concept is itself interesting, and there’s potential to learn more about Earth and what life is like for its inhabitants in the future. That’s in addition to taking a deep dive into life at the Academy itself. Such a series could – perhaps – be a little cheaper to produce; filming could take place in and around San Fransisco, and there would be arguably less of a need for expensive new sets to be built from scratch to represent spacecraft and alien worlds.

A tree in the grounds of Starfleet Academy as seen in Discovery Season 3.

Every Star Trek series so far has visited Earth in some capacity, but there’s still an awful lot we don’t know about the Federation’s capital planet. I like the idea of some of the cadets or teachers taking time away from the Academy to get out and explore – showing us as the audience more than a glimpse of life on Earth in Star Trek’s future.

Finally, a Starfleet Academy series has the potential to appeal to a younger audience – just like Prodigy is intended to. In fact, a Starfleet Academy show could easily become the next port of call for Prodigy fans as they immerse themselves further in Star Trek; there’s huge potential to appeal to a tween or teen audience, particularly if younger cadets were the show’s primary focus.

Fans of Prodigy could easily make the jump to a Starfleet Academy show if it had a similar youthful focus.

At the very least, setting a series at the Academy would naturally include a number of younger characters – and its characters like these that have the potential to appeal to a younger audience. Star Trek can’t just be the preserve of an ageing fanbase who remember shows from the ’60s and ’90s with rose-tinted nostalgia! It has to expand and appeal to new fans too – and bringing younger people into the Star Trek fan community is the best way of ensuring the franchise will survive and remain in production in the longer term.

In my view, that’s one of the most important things that a Starfleet Academy series could do – and should be its primary objective as a series. As Lower Decks and Prodigy are demonstrating, branching out and trying to appeal to different audiences doesn’t mean that Star Trek has to ignore its existing fanbase. There’s plenty in Prodigy and Lower Decks to appeal to existing fans, and I would expect no less from a Starfleet Academy show as well.

Lower Decks was intended to bring in new fans as well as appeal to Trekkies – and a Starfleet Academy show could walk that same line.

When a Starfleet Academy concept has been debated in the past, some fans have raised the objection that it would be “too static” – that being stuck on Earth would make the show feel stale in comparison to other Star Trek shows set aboard starships. I understand where such a concern is coming from, but as Deep Space Nine definitively proved, a stationary setting doesn’t have to be boring. And as Deep Space Nine also showed right from its very first episode, it’s possible to have shuttles, runabouts, or even a whole starship seconded to a base.

Starfleet Academy has its own ships – this is something we’ve seen in several past episodes. Deep Space Nine’s sixth season episode Valiant even showed a crew of cadets aboard a very advanced ship, and Prodigy is also showing a younger crew aboard their own vessel. In short, a Starfleet Academy series could easily have episodes set aboard a ship or visiting other worlds – as well as stories that make use of technologies like the holodeck to give the cadets experience.

Kirk as a cadet in 2009’s Star Trek.

I’d say that a Starfleet Academy series is absolutely worth pursuing. It might not be my first choice – I have a few ideas of my own, which you can find by clicking or tapping here! – but it absolutely has merit, and sounds far better than any of the other pitches or proposals I’ve heard in recent years. Its biggest selling point to me is its potential to bring in new audiences, as well as to give young fans of Prodigy a series to graduate to that would keep them in the fandom.

So watch this space! I don’t believe an announcement is imminent, despite the recent talk of the show at Star Trek Day. Picard still has at least two seasons left to run, Lower Decks and Prodigy have at least one more apiece, and while there have been no official announcements I’m expecting to hear that Discovery will get a fifth season and Strange New Worlds will get a second at some point in the near future. Between those shows and the various feature film projects, Star Trek is quite busy going into 2022, 2023, and even 2024! So we might not hear anything official just yet… but keep your eyes and ears open!

The Star Trek franchise – including all series and films mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek Day 2021 predictions

Spoiler Warning: There are spoilers ahead for upcoming Star Trek productions, including: Star Trek: Picard, Star Trek: Discovery, Star Trek: Prodigy, and Star Trek: Strange New Worlds.

Just a short one today! Star Trek Day is coming up in a couple of days’ time, and we’re promised news and discussion of all things Trek straight from the horse’s mouth! Why is September the 8th designated as “Star Trek Day?” Good question, and here’s the answer: it was on that day in 1966 that The Man Trap premiered, kicking off Star Trek: The Original Series Season 1 and laying the groundwork for a franchise that’s still going strong today.

As an aside, last year I wrote a piece looking at the villainous creature at the heart of The Man Trap’s story, and you can find that article by clicking or tapping here. Worth a read at this time of year – if I do say so myself!

The Man Trap is where the franchise began – almost fifty-five years ago.

As much as Star Trek Day is an opportunity to look back at the franchise’s fifty-five years of history, this digital event hosted by Wil Wheaton and Mica Burton is also an excuse to look ahead to some of the Star Trek projects that are coming up over the next few months and years. There will undoubtedly be some news – and keep your fingers crossed because it’s even possible that we could get a big, unexpected announcement!

I’ve got a few ideas for what might be coming our way when Star Trek Day kicks off. Please keep in mind, as always, that I don’t have any “sources” nor any “insider information.” This is just a little educated guesswork – and a reminder, in case you’d forgotten, that Star Trek Day is imminent! All of the panels will be available to watch online on the official Star Trek website, so be sure to check in on the 8th to see what they have to say. Or just come back here a day or so later because I daresay I’ll summarise what I consider to be the most important points!

Let’s jump into the list!

Number 1: Official confirmation of Star Trek: Picard Season 3.

A third season is already being worked on!

This one is a bit of a cheat, as we’ve already heard from a number of reliable sources that Season 3 was in development alongside Season 2, and the two seasons are being filmed back-to-back. In fact, it seems as though some Season 3 scenes may have already been filmed – but that’s not confirmed at this stage.

What’s also unconfirmed, at least from ViacomCBS and Star Trek officially, is the existence of Season 3 at all. Though in the past we’ve seen the company wait until a season is almost being broadcast to confirm that the next one is in development, on this occasion it would make sense to announce Picard Season 3 way ahead of time. It’s already an open secret, so why not? It seems like a great way to drum up even more excitement!

Number 2: A trailer for Star Trek: Strange New Worlds.

Anson Mount recently appeared as Captain Pike in a series of trailers for Paramount+.

Since Strange New Worlds introduced us to five members of its main cast in mid-March, there really hasn’t been a lot of news about the series. We heard last month that production was drawing down on Season 1, only to later learn that some scenes outside of Toronto (where the show is based) were still being worked on. If it’s true that the season is finished, though, the time could be right for a trailer!

Along with Picard Season 2, Strange New Worlds has to be the series that I’m most curious about. Not only will it be fantastic to welcome back Anson Mount as Captain Pike, but the semi-episodic format that has been suggested feels like it could really be the best of both worlds – a return to Star Trek’s past without entirely stepping away from the modern feel of recent productions.

There is a Strange New Worlds panel that will be taking place during Star Trek Day, and a trailer would be a great way to wrap it up!

Number 3: A premiere date for Star Trek: Discovery Season 4.

The USS Discovery is ready to warp away to her next adventure!

At time of writing, all we know about Discovery’s impending fourth season is that it’s due before the end of the year. Maybe that’ll change and we’ll see the show fall back to early 2022, or maybe Discovery is still on track for a broadcast kicking off in mid-October after Lower Decks Season 2 has concluded. (That was what happened last year.)

Either way, I think Star Trek Day would be a great opportunity for ViacomCBS to drop the date of the new season’s premiere with a lot of attention on the franchise.

Number 4: A teaser trailer for Star Trek: Picard Season 2 featuring the Borg.

The Borg Queen is returning to Star Trek!

Soon we’re going to talk and theorise about the Borg in Picard Season 2. If you missed this, there’s been a casting announcement for the upcoming second season that caught me off-guard: the Borg Queen is returning! Not only that, but she may appear in as many as six of the season’s ten episodes, indicating that the Borg may play a significant role in the story.

It’s been more than eighteen years since the last Star Trek story featuring the Borg: Enterprise’s second-season episode Regeneration. After such a long time it’ll be fantastic to bring the faction back into play in a big way – assuming that’s even the plan! For all we know the Borg Queen may play an altogether different role in flashbacks or in an alternate timeline!

Regardless, following this casting announcement I’d think ViacomCBS would want to tease something about the Borg – without giving away too many potential spoilers.

Number 5: A second trailer for Star Trek: Discovery Season 4.

Captain Burnham in the first Discovery Season 4 teaser.

We got our first look at Season 4 of Discovery back in April, where a trailer showed Captain Burnham and the crew facing down a “gravitational anomaly” – whatever that could be! With the season coming up before the end of the year – all being well, that is – it would be a good time for a second trailer to get fans excited.

It can be hard to get the balance right when it comes to producing a trailer for a brand-new season, especially when a series has a mystery at its core like Discovery does. Show too little and it’ll be hard for fans and prospective viewers to get excited, but show too much and you risk spoiling major plotlines. Cutting the perfect trailer under such circumstances is a real skill!

Number 6: A release date for Star Trek: Prodigy.

Prodigy is coming soon… but how soon?

As I mentioned in a recent episode of the DenPod (my unscripted podcast), I’ve all but given up on Prodigy getting an international broadcast when it premieres this autumn – at least outside of countries and territories where Paramount+ already exists. Though the series has been co-developed alongside Nickelodeon, it seems as though ViacomCBS is intent on keeping the show exclusively on its streaming service, so it seems unlikely to arrive here in the UK until Paramount+ does some time next year.

For everyone who’s lucky enough to live somewhere with Paramount+ already, though, keep an eye out for a release date for Prodigy. Earlier in the year the series was officially announced for “Fall 2021” – and the beginning of September basically marks the start of autumn, as I recently noted! So we could see Prodigy literally any time from now until the end of November, and I think the Prodigy panel at Star Trek Day would be a great place to announce the specific date.

Number 7: A big, surprising announcement!

I’m always up for a surprise!

What could it be? Is the untitled Section 31 series finally on the verge of entering production? Has ViacomCBS backed down after years of being pestered by Michael Dorn and decided to greenlight a Captain Worf series after all? What about the live-action series that Alex Kurtzman had previously said was in development – could we finally learn more about that?

Though I don’t think we should get too excited about this one, there’s always the possibility for a surprise announcement of some kind. One thing we know for certain is that more Star Trek is in development – so it’s not impossible to think we could see something announced this week.

So that’s it!

All of the panels for 2021’s Star Trek Day!

Star Trek Day will be upon us before you know it, so stay tuned here on the website for coverage and analysis of any major announcements, as well as for a review/roundup of the event itself. I’m looking forward to Star Trek Day very much; it’ll be a great excuse to geek out for hours on end!

I hope this list of predictions has got you suitably excited for the main event!

Star Trek Day panels will be available to watch on Paramount+ and on the official Star Trek website on the 8th of September 2021. The Star Trek franchise – including all properties and titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek 2023: could it be the ULTIMATE crossover?

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3, Star Trek: Picard Season 1, the Kelvin timeline films, teasers for Star Trek: Discovery Season 4 and Star Trek: Picard Season 2, and for other iterations of the Star Trek franchise.

A few days ago, Paramount Pictures announced that a new Star Trek film is in the early stages of production, with a planned release date of June 2023. Though no further information about the project was given, that didn’t stop me speculating! I’ve already put together a list of a few possible Star Trek 2023 concepts, but I wanted to give this one the full article treatment.

At a few points in Star Trek’s history we’ve seen crossovers between the different shows. Usually this takes the form of a character or two from one series appearing in another. For example, we’ve seen Commander Riker appear in Voyager, Dr Bashir in The Next Generation, and Worf in Deep Space Nine. In Star Trek’s cinematic canon, Janeway made a cameo in Nemesis, Prime Spock appeared in Star Trek and Star Trek Into Darkness, and most significantly, we got to see Captains Kirk and Picard work together in Generations.

Captain Kirk and Captain Picard in 1994’s Star Trek: Generations.

So the Star Trek franchise has a history of main character crossovers going all the way back to Encounter at Farpoint, the moment at which Star Trek debuted its second entry and replaced its original set of characters. In all of these crossovers, though, even the substantial ones that were more than mere cameos, we’ve only ever seen characters from two shows interact. What if Star Trek 2023 plans to offer more than that?

In short, here’s my theory – and if it doesn’t come to pass in 2023 we can consider it a proposal or pitch for the future! As a celebration of all things Star Trek, perhaps the new film will be the ultimate crossover, featuring a cast of characters from across the entire Star Trek franchise. How would this be achieved? Some kind of time travel story, naturally, perhaps involving the extradimensional activities of a faction like the Q.

John de Lancie has recently announced that he’ll be returning as Q in Picard Season 2!

How amazing would it be to see Captain Archer from Enterprise working alongside Riker and Janeway? Saru and Michael Burnham could team up with Geordi La Forge and Miles O’Brien. Soji and Picard meeting Kelvin Kirk. Pike and Spock fighting alongside Worf and Malcolm Reed. The potential for such a story is almost limitless.

Comic books – and the films they’ve inspired over the last decade or so – have routinely done crossovers and team-ups, and fans tend to agree that they’re amazing when done well. Star Trek, as I’ve already mentioned, has had limited crossovers before, but nothing quite on the scale I’m thinking Star Trek 2023 could bring.

This could be Star Trek’s answer to The Avengers.

There have been over 60 main characters in live-action Star Trek to date, including films and television shows, and obviously it wouldn’t be possible for Star Trek 2023 to have an ensemble cast that large! But a handful of characters from different shows representing different time periods and different parts of the franchise could absolutely come together; a perfect mixture of all things Star Trek and a true celebration of the franchise as it approaches its sixtieth anniversary.

With this many different Star Trek projects all in production simultaneously, it makes so much sense to have some kind of “Avengers assemble!” moment to bring them all together. Even if such a story were limited to bringing in characters from current shows instead of Star Trek’s back catalogue, I still think it would be well worth doing. A suitable story would need to be devised, and a villain or problem for the protagonists to overcome would need to be created, but those are the basic tenets of storytelling anyway and aren’t obstacles.

Captain Pike – soon to appear in Strange New Worlds.

I tend to say that time travel stories are not my favourites within Star Trek – or in sci-fi in general. But time travel can work, as we saw in films like Generations and episodes like All Good Things. All it would require is a simplified explanation, perhaps involving some outside power, and if the stakes were high – a threat to the entire galaxy, for example – it would make sense to bring in as many legendary characters as possible to help defeat it.

If you’re a regular reader you’ve probably heard me say on more than one occasion that the Star Trek franchise could – and should – be doing more to tie its different shows and projects together. At present, every extant Star Trek project exists in a different time period wholly separate from everything else. There have been limited prospects for significant crossovers as a result, and while Discovery Season 3 saw perhaps the biggest connection to the rest of the franchise so far, it can still feel that all of the different parts of the franchise are doing their own things independently of one another.

The Discovery Season 3 episode Unification III referenced events from The Next Generation and Picard.

While too many ties and connections can be offputting, especially for casual viewers, not enough references or crossovers means there’s no incentive for the audience to stick with Star Trek and jump into other parts of the franchise. It’s possible to watch Discovery as a standalone show and not even be aware of the existence of Picard, for example – and vice versa. More of these connections between different parts of the franchise could, if done right, encourage viewers of one series to hop over and try out others – and Star Trek 2023 could potentially be the biggest opportunity so far to do that.

Perhaps some looming threat in the 32nd Century forces Michael Burnham to call upon Starfleet’s finest from centuries past, and she travels back in time to pick up a number of officers, scientists, and soldiers to help her defeat whatever it is that’s coming. Or perhaps an outside power like Q forces his friend Picard to work with different people from different eras to tackle some existential crisis. There are a million-and-one ways for Star Trek to introduce the kind of time travel scenario needed to link up some of the franchise’s superstars for one amazing crossover event.

“Let’s fly… to the past!”

So who would I pick to join the crew? I think we have to start with the main shows in production (and one that could be in production by 2023). Admiral Picard, Michael Burnham, Captain Pike, and Section 31 leader Georgiou would head up the cast, and from there we could bring in perhaps one additional member of their respective crews for a more significant role – maybe with smaller roles or cameos on the cards for others. Then I’d dearly like to bring back at least a couple of other characters from Star Trek’s past – someone like Dr Bashir, perhaps, or Tom Paris.

The film would follow these characters as they worked to solve whatever problem they’re facing, with each of the principal characters making use of their unique perspective and skillset to help contribute to the project. There could be teething problems with the team as they get to know one another, but generally I’d stick to having them work well as a team, with emphasis on how people from different backgrounds and with different outlooks can all find ways to contribute. Then there’d have to be some kind of tense final battle or confrontation before everyone – or at least, the survivors – part ways and return to their respective eras.

The Section 31 series could be underway by 2023…

I guess now we’ve crossed over from the realm of reasonable speculation into fan fantasy! And I’m not the first person on the internet to propose an “ultimate crossover” of Star Trek crews; such talk has been around since before Generations in the mid-1990s! While I don’t know whether Star Trek 2023 will go down this road, I do think that a major crossover could and should happen at some point in the future. Not only would it serve a purpose and tie together previously-separate parts of the franchise, but I bet it would be an incredibly fun film for Trekkies – and non-Trekkies too!

So that’s it, really. This half-theory, half-fantasy is that Star Trek 2023 will be the “ultimate crossover” and bring together characters from across the franchise to tell a single, epic story. Even if this film doesn’t do it, I still hope this kind of crossover event will happen one day!

The currently-untitled film Star Trek 2023 is being produced by Paramount Pictures and ViacomCBS. Star Trek 2023 has a tentative release date of the 9th of June 2023. The Star Trek franchise – including all shows, films, characters, etc. mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek 2023: what could it be?

Spoiler Warning: There are spoilers ahead for the entire Star Trek franchise, including the most recent seasons of Discovery and Picard, as well as recently-revealed teasers for upcoming seasons and projects.

The announcement a couple of days ago that a brand-new Star Trek film is in the works was incredibly exciting! There hasn’t been a feature film in the franchise since 2016’s Star Trek Beyond, the third film in the Kelvin (or JJverse) series. Since The Motion Picture made its debut in 1979, the Star Trek franchise has been reasonably consistent in its cinematic output, with the longest gap between films to date coming between Nemesis’ release in 2002 and JJ Abrams’ 2009 Star Trek reboot. Aside from that seven-year gap, we’ve seen Star Trek films every three or four years on average, and there have been thirteen films released since 1979.

I’ve always considered Star Trek to primarily be a television franchise, and its return to the small screen in 2017 felt like a proper homecoming. As interesting as the Kelvin timeline films were, I was far happier to see Star Trek back on television. That’s not because the Kelvin films – or any other Star Trek films – were bad, it’s just that the television format seems to work particularly well and lend itself to the kinds of stories Star Trek does best.

Star Trek will soon be back in cinemas!

As I said when I wrote up a short piece about the film’s announcement, no information was provided by Paramount Pictures or ViacomCBS about the film other than its June 2023 release date. So it would be foolish to speculate, wouldn’t it?

Foolish, perhaps, but also a lot of fun! So this time we’re going to take a look at a handful of possible settings, scenarios, and ideas for Star Trek 2023 and what it might be all about. My usual caveat applies: I don’t have any “insider information,” nor am I suggesting any of these film ideas will turn out to be correct. This is pure guesswork and speculation on my part. That’s all.

With that out of the way, let’s jump into the list!

Number 1: A direct sequel to Star Trek Beyond.

The redesigned USS Enterprise in 2009’s Star Trek.

Attempts have been underway since before the release of Star Trek Beyond to get a fourth Kelvin timeline film off the ground. At one point, rumours swirled of a script that would have brought back Kirk’s father George – who had been played by Thor actor Chris Hemsworth in the opening scenes of 2009’s Star Trek. Pre-production on that project appeared to make headway, but – again, according to widely-reported rumours – the salaries of some of the principal cast members, including Kirk actor Chris Pine, were said to have derailed the project.

Beyond ended with a strong tease at a potential sequel. Kirk and his crew gazed out over the new USS Enterprise-A as construction on the vessel was completed, and there was a sense that the film was setting up a new story. After more than five years it hasn’t happened, and as I said when I considered the pros and cons of a return to the Kelvin timeline, Star Trek’s return to the Prime Universe and the expansion of the franchise to new shows and projects means that, at least in my opinion, the Kelvin timeline doesn’t really feel like a good fit right now.

The Kelvin crew in Star Trek Beyond.

In many ways, it would make more sense for any new feature film to at least have some connection or tie to the shows currently being produced, even if it isn’t a direct spin-off from any of them. The Kelvin timeline was a way to reboot Star Trek in 2009 after three decades of near-continuous production had burnt it out in the minds of many viewers. That doesn’t feel necessary right now. And going back to the Kelvin timeline after years in the Prime Universe risks overcomplicating things for a more casual audience.

So there are mixed feelings on this one! On the one hand, the story of the Kelvin timeline abruptly ends after Beyond, despite teases of a sequel. And the Kelvin timeline films were incredibly successful, bringing in huge audiences and plenty of money! But on the other hand, the reinvigorated Star Trek franchise has gone in a different direction since 2017, and I don’t see where a Beyond sequel fits any more.

Number 2: Captain Worf.

Worf in First Contact.

Michael Dorn, who played Worf in The Next Generation, Deep Space Nine, and four Star Trek films, has often talked about his desire to reprise the role. Since at least the early 2010s, Dorn has talked at every opportunity about his pitch to Paramount and ViacomCBS for a “Captain Worf” series, miniseries, or film. Perhaps, after years of pestering them, he finally got his wish?

At this stage we can’t rule it out! Knowing so little about the upcoming project means, in theory, that practically any Star Trek pitch that we know about could be in contention. Maybe the “Captain Worf” concept was one that the company liked, and a feature film was considered the best possible option for it. One advantage to it, at least in theory, would be that Michael Dorn is well-versed in both Star Trek and the project’s central character, meaning it would be less challenging to get started with when compared to a wholly new concept. Given that the film has just over two years to go from announcement to release, that could be a significant help!

Worf in Season 1 of The Next Generation.

However, I’ve never been sold on the “Captain Worf” idea, personally speaking. Worf is a fun character, but I see two distinct disadvantages if he were to be the central focus of a new story. Firstly, Worf is the character we’ve spent the most time with in all of Star Trek to date – he appeared in 270 episodes and four films across fifteen years. We’ve seen most aspects of his life unfold on screen already, including his role as a father, husband, friend, and Starfleet officer. Do we really need more Worf?

And secondly, Worf is a great secondary character, but the “Captain Worf” concept would put him centre-stage. That’s great for Michael Dorn, of course, but I’m not sure Worf is the most nuanced or interesting character to spend so much time with. Both Worf and Voyager’s B’Elanna Torres have explored the “Starfleet-versus-Klingon” concept on many occasions, which is perhaps Worf’s biggest point of internal conflict and the best reason to do a project like this. It could be interesting, and a chance to return to the 24th or early 25th Century would be great. But I’m not sold on this being the right way to do it.

Number 3: Ceti Alpha V.

My Ceti Alpha V mock-up.

A few weeks ago I looked at a pitch by The Wrath of Khan and The Undiscovered Country director Nicholas Meyer for a miniseries tentatively titled Star Trek: Ceti Alpha V. That project was planned as a three-part miniseries, but it could have been adapted into a feature film, I suppose!

This concept would focus on iconic villain Khan in the years between his exile by Kirk in Space Seed and his return in The Wrath of Khan. He and his followers were marooned on the titular planet Ceti Alpha V, and had to endure disaster following the explosion of nearby Ceti Alpha VI.

Khan in The Wrath of Khan.

As I wrote then, I’m not convinced that we need to see that part of the story! It wouldn’t really explain anything from The Wrath of Khan, as seeing Khan’s descent into madness for ourselves across several hours of television – or an entire film – isn’t necessary in any way to explain his actions or characterisation. Everything we needed to know about Khan is present in Space Seed and The Wrath of Khan.

As a feature film, though, a project like this has merit. It would pull on those nostalgic strings, connect to the franchise’s most well-regarded piece of cinema, and feature an iconic Star Trek character. From Paramount’s point of view, those advantages may make it worthwhile!

Number 4: Borg Invasion.

A Borg Cube over Earth in The Best of Both Worlds, Part 2.

If you’re a regular around here you might remember a Borg Invasion concept being one of my “unsolicited Star Trek pitches” last month! This is a concept that I’ve long felt would be fascinating, and while I envisioned it as a television series, it could perhaps be made to work as a film trilogy instead – potentially making Star Trek 2023 the first part of a short series of films.

But we’re getting ahead of ourselves! The Borg are one of the franchise’s most iconic villains, participating in one of Star Trek’s most highly-regarded episodes – The Best of Both Worlds – and best films – First Contact. The faction itself also hasn’t been seen on screen in any major way since 2003’s Enterprise Season 2 episode Regeneration, perhaps making them due for a comeback!

Borg drones in the Enterprise episode Regeneration – the last time we saw any “active” Borg on screen!

Discovery’s second season told a story which had the potential to be a Borg origin story, and Picard Season 1 also touched on the Borg, in particular Picard’s lingering trauma following his assimilation. But neither series brought back the Borg in a big way, despite the potential existing for either to do so. Could that be because ViacomCBS knew that Paramount Pictures (its subsidiary) was in the early stages of working on a new Borg film? Maybe!

The Borg are terrifying, and such a film would be action-packed and tense in equal measure. It’s been 25 years since Star Trek: First Contact took the Borg to the big screen for their only visit to the cinema so far, so I can’t help but wonder if they’re about to make a reappearance! Whether a Borg story would look to bring back any familiar characters or not is not clear – it wouldn’t have to, but as always in Star Trek, I’d be thrilled to see practically anyone connected to the franchise make a return.

Number 5: The Kelvin timeline version of The Next Generation.

The Season 1 cast of The Next Generation. Is a reboot on the cards?

2009’s Star Trek reboot presented an opportunity to go back to the drawing board and take another look at Kirk, Spock, Dr McCoy, and the rest of the crew of The Original Series. Ever since, (some) fans have been wondering what would happen to The Next Generation in the alternate reality – would the same crew have been assembled, or would its members even exist given the dramatic changes to the timeline?

Perhaps this is something we should explore in more detail another day, but I think that the existence of Chekov in the alternate reality, and the fact that he joined Starfleet, could be taken as evidence of the alternate reality not straying too far from the Prime Universe. Chekov was born after the incursion of Nero’s ship and the destruction of the USS Kelvin, so in theory we could argue that most people we met in past iterations of the franchise should have an alternate reality counterpart – just as they have a Mirror Universe counterpart too.

Did this moment in Discovery Season 3 hint at something to come?

Discovery Season 3 made a small reference to the Kelvin timeline – or at least, an ambiguous reference that felt like a Kelvin connection! In the episode Terra Firma, Part 1, the mysterious Kovich told Dr Culber of a “time soldier” who crossed over from the alternate reality to the Prime Universe. This soldier was wearing a uniform style seen in the first couple of seasons of The Next Generation, so it seems as though there was a comparable era of Starfleet in the alternate reality.

Could Discovery have been dropping a hint at this film? Possibly! Even if that’s just coincidence, it reinforced the existence of the Kelvin timeline – a fact that was known to Starfleet by the 32nd Century. Perhaps it was a subtle reminder to Trekkies that the alternate reality still exists, getting us ready for a new project? The Next Generation is very popular with fans, and rebooting it may seem like a solid idea for Paramount Pictures. Though I know some fans who detest the Kelvin films – or who refused to watch on principle – there’s no denying the reboot was a success, and rebooting The Next Generation could be as well.

Number 6: A Discovery film – if the show ends with Season 4 or Season 5.

Captain Burnham at the end of Season 3.

Speaking as we were of Discovery, its fourth season is due for release later this year. While there is no word yet on Season 5 – at least officially – it seems likely that the show will be renewed for a fifth season, which would presumably be broadcast in 2022. But what will happen next?

Both The Original Series and The Next Generation were followed up by films starring the casts of the shows, and perhaps something similar could be on the cards for Discovery, with Captain Burnham leading her crew onto the big screen. By 2023 we’ll have had at least one – probably two – more seasons of Discovery, so the crew will be almost as familiar to audiences as Kirk and his officers were when The Motion Picture was in production!

The USS Discovery.

If there is to be a fifth season of the show, that would mean production on Season 5 would likely be ongoing at the same time as this film, so maybe this is an indication that there won’t be a Season 5. With a number of other Star Trek television projects in various stages of development – including the untitled Section 31 series which is itself a spin-off from Discovery – perhaps the plan is to end the series after Season 4 and turn it into a feature film franchise instead, with television attention refocused onto other projects.

It would be a big change, but I can see at least one big advantage to a Discovery film: it would firmly establish the 32nd Century in the minds of audiences. I’ve felt for a while that Star Trek needs to try to condense its disparate timelines and time periods as much as possible, and the 32nd Century is by its very nature totally open-ended when it comes to storytelling potential. A Discovery film could be a “soft reboot,” relaunching Star Trek in the 32nd Century and setting the stage for new projects.

Number 7: A Deep Space Nine film – the return of Sisko.

Captain Sisko in Take Me Out To The Holosuite.

I was perhaps overly-critical of a “Captain Worf” idea in the entry above, but one character who I’ve been hoping to see return for over twenty years now is Captain Sisko. The ending of What You Leave Behind – the last episode of Deep Space Nine – more so than any other Star Trek finale left things open. Sisko entered the realm of the Bajoran Prophets, but promised to return in due course.

That return could happen at literally any point in the timeline; the Prophets don’t see time as linear. Sisko could thus appear in the Strange New Worlds, Picard, or Discovery eras – despite the fact that those shows take place centuries apart! But given the importance of his return to Star Trek, perhaps a Sisko feature film is on the cards.

Sisko in Move Along Home.

Sisko would be such a great point-of-view character. His absence from galactic affairs for decades or even centuries would allow the writers of the film to dump a lot of exposition onto the audience without it feeling like it came from nowhere. His return could both set up the plot of a new Star Trek story and provide the audience with a way in; introducing us to new characters, factions, technologies, and the state of the galaxy itself in whatever time period he finds himself.

Such a story could also return to Bajor, looking at whether the Bajorans ever joined the Federation, as well as the aftermath of the Dominion War. The Dominion War arc is one of my favourites in all of Star Trek, and a follow-up of some kind would be absolutely amazing to see. If Sisko returned during the Picard era, he could reunite with people like Major Kira or Dr Bashir, and a mini-reunion of some of the Deep Space Nine crew would be wonderful.

Number 8: A Nemesis sequel.

The Enterprise-E undergoing repairs at the end of Nemesis.

A direct sequel to Nemesis seems unlikely, especially with Picard Season 2 underway and planned for next year. But the official announcement of Star Trek 2023 mentioned a film set after Nemesis as one possibility. That seems incredibly interesting! Would it be set in the Picard era, perhaps with the crew of La Sirena in major roles?

The surviving crew of the Enterprise-D and Enterprise-E have largely gone their separate ways, at least as of Picard Season 1. Riker and Troi live in semi-retirement on the planet Nepenthe. Picard is off with the crew of La Sirena. Worf and Geordi were mentioned by name, but there’s no indication that either are still even in Starfleet at this point! Season 2 of Picard may answer these questions, as well as establish what became of Dr Crusher, and if so that could set the stage for a reunion on the big screen.

Acting Captain Riker in the Picard Season 1 finale.

As above with Discovery, Picard Season 2 is currently filming, meaning that production on Star Trek 2023 would have to wait if it wanted to include Picard himself. But there is another possibility: that a Nemesis sequel would focus on other characters. Perhaps it would look at Riker and Troi in more detail, especially if they returned to Starfleet following the events of Picard Season 1.

Star Trek 2023 may follow Riker’s time in command of the USS Zheng He, and perhaps he reunites with Worf, Dr Crusher, Geordi, or even Wesley! Or we could see the return of characters from Deep Space Nine and/or Voyager, such as Ezri Dax or Tuvok. With Captain Janeway coming back in Prodigy, anything’s possible right now!

Number 9: A Kelvin timeline crossover with either Strange New Worlds or Discovery.

Captain Kirk in Into Darkness.

One of the really enticing possibilities that came up when Strange New Worlds was announced was the possibility of some kind of Pike and Spock crossover story. I would be surprised in some ways to see Strange New Worlds – a highly-requested but completely untested – series hit the big screen, but a Kelvin timeline crossover could be a great way to do it.

Pike and Spock could team up with their alternate reality counterparts, perhaps looking to return to their own universe following some kind of crossover event. The two “young Spocks” would have to logically stand off – Kelvin Spock has already met Prime Spock but he can’t let young Prime Spock know that! It might be confusing, with two different versions of the characters, but it could be a lot of fun too.

Captain Saru in Discovery Season 3.

Alternatively the Kelvin cast could cross over with Discovery’s 32nd Century. Not only have we had the aforementioned reference to the Kelvin timeline during Discovery’s third season, but we know that crossing between the two universes also seems to mean crossing into a different time period. Perhaps someone in the Kelvin timeline accidentally opens a black hole, sending them to Discovery’s 32nd Century.

The reverse would be interesting too, and could draw on themes present in episodes of Voyager like The ’37s. If Captain Burnham and the crew of Discovery found themselves in an alternate 23rd Century, how many of them would struggle with the idea of remaining there, trying to rebuild their lives in a different universe, but perhaps a setting more familiar to them than the 32nd Century? That could be fascinating to explore – as would any crossover between two sets of crews!

Number 10: The Earth-Romulan War.

The NX-01 Enterprise encounters two Romulan ships in the Season 2 episode Minefield.

Picard Season 1 brought back the Romulans in a big way, and they also appeared in Discovery Season 3. The faction is clearly a big part of Star Trek right now, but one aspect of their history has never been explored – despite plans to do so in 2004-05. The unproduced fifth season of Enterprise would – allegedly – have included the Earth-Romulan war, one of humanity’s first major interstellar conflicts.

Fans have long wondered what this would have looked like – even as far back as the Earth-Romulan War’s first mention in The Original Series Season 1 episode Balance of Terror. We saw the first hints of Romulan aggression in Enterprise, as they attempted to disrupt the Earth-Vulcan alliance and start a Vulcan-Andorian War. Captain Archer managed to prevent that from happening, but as we know from Star Trek’s history, conflict with the Romulans broke out regardless.

A Romulan Bird-of-Prey as seen in Lower Decks.

This would be a great opportunity to bring back Captain Archer, T’Pol, or other major characters from Enterprise. It wouldn’t necessarily be an “Enterprise film,” but it could be a film that included at least some of the same characters. A single film might not be able to tell the story of the entire conflict, but it could certainly look at its most decisive battle – and with so little information having been shared on screen, it’s an almost-blank slate for any new writer or producer to play with.

The drawback, really, is that it would be hard to connect such a film to the ongoing Star Trek franchise, which has series set in the 23rd, 25th, and 32nd Centuries. Going back to a time shortly after Enterprise would isolate Star Trek 2023, and while it could be the springboard for more 22nd Century adventures to come, it could also end up feeling disconnected.

So that’s it. Ten possibilities for Star Trek 2023.

It’s quite likely that all of these suggestions are completely wrong; Paramount Pictures and ViacomCBS are just as likely, in my opinion, to want to take the cinematic franchise in a new direction with a new crew than they are to revisit something from Star Trek’s past. But that doesn’t mean it wasn’t a lot of fun putting this list together and considering the possibilities!

Star Trek 2023 probably won’t bring back these uniforms!

Star Trek 2023 is a truly exciting prospect. I desperately hope that it will come to streaming instead of the cinema – as you may know if you’re a regular reader, my poor health means I can’t get to the cinema in person any more. Probably it will be given a theatrical release, though, which will mean months of trying to avoid as many spoilers as possible for me! Time will tell.

For now, though, suffice to say I’m intrigued by the prospect of the first new Star Trek film since Beyond, and potentially the first film to feature a different cast of characters since 2009. Whether or not this is the previously-announced project written by Discovery and Short Treks producer Kalinda Vazquez is also not clear. We know basically nothing about this film right now except its planned release date! Hopefully we’ll learn more soon, so stay tuned. I’ll be sure to take a look at any casting information, behind-the-scenes details, or any other news that comes our way.

The currently-untitled Star Trek film is scheduled for release on the 9th of June 2023. This film is the copyright of Paramount Pictures and ViacomCBS, as is the entire Star Trek franchise. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A Star Trek film is coming in 2023!

Spoiler Warning: There are minor spoilers ahead for the Star Trek franchise.

In case you missed the official announcement, a new Star Trek film has been officially greenlit by Paramount Pictures and given a release date: the 9th of June 2023! Better make a note in your calendar!

Unfortunately that’s literally all we know. Even the official Star Trek website didn’t have any more information, with whoever was tasked with writing up the announcement trying to pad out the piece… kind of like I’m doing now.

I would assume at this stage that this film is the project we recently learned was being written by Star Trek: Discovery and Short Treks producer Kalinda Vazquez, because that’s the only one we know of that’s actively in development. Other potential feature film projects – including a fourth Kelvin-timeline film, a Quentin Tarantino film, and a film by Noah Hawley that was described as “ready-to-go,” have all either been shelved or those involved have moved on to other things. But that doesn’t mean it’s necessarily the film written by Vazquez; it could be a previously-unknown film!

This could be another Kelvin film… but even StarTrek.com doesn’t know!

The post on the official Star Trek website mentioned the Kelvin timeline, but it also dropped a tantalising hint that it could be a new film in the Prime Universe set sometime after Nemesis. I’ve already looked at the pros and cons of a potential return to the Kelvin timeline, but there’s definitely scope to revisit the late 24th Century. Perhaps the new film will be set alongside – or even connected to – Star Trek: Picard.

There have been rumours about possible upcoming Star Trek projects for as long as there’s been a Star Trek fan community, and I’m at a stage now where I don’t believe any unless they’re officially announced or confirmed! There are just too many competing rumours out there to know for sure – and too many rumourmongers on the internet who like to spread nonsense. So while it may be fun to speculate – and I’m sure I will at some point soon – let’s not get ahead of ourselves when it comes to this new project. It’s very early days!

June 2023 is just over two years away, which is ample time to kick-start production of a feature film… at least, under normal circumstances! Hopefully the pandemic will not prove too disruptive, or too expensive, to this new project.

Maybe a post-Nemesis film is on the cards?

Personally I’d love to see this film come to Paramount+ (or whatever streaming platform they choose for UK distribution). As you know if you’re a regular here, my health precludes going to the cinema these days, sadly. But I expect, given that it appears to be a “proper” feature film and not a made-for-streaming affair, it will be given a theatrical release.

As and when more information is revealed, be sure to check back here on the website, as I’ll do my best to break down and take a closer look at whatever news we get!

So that’s it. That’s all we know at this stage.

New film. 9th of June 2023. Set a course and engage!

The currently-untitled Star Trek film is scheduled for release on the 9th of June 2023. This film is the copyright of Paramount Pictures and ViacomCBS, as is the entire Star Trek franchise. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A new Star Trek film is in the works

I’m a bit late to the party on this one, so you’ve probably already heard the news that a new Star Trek film is being worked on over at ViacomCBS/Paramount Pictures. It’s still interesting, though, so let’s take a moment to consider what it could be and what its inception may mean for the rest of the franchise.

Firstly, it now seems certain that the other Star Trek film projects that had been announced or discussed publicly are not happening. We should never say “never,” of course, and it’s not impossible that they may be revived in future, but for now it seems that the unified Star Trek team (working together since the 2019 merger that created ViacomCBS and reunited Star Trek’s film and television licenses) has decided to drop those projects and go in a different direction.

The new film is being created under the supervision of ViacomCBS.

The three films we knew about were: a fourth Kelvin-timeline film, a project that had been pitched by Quentin Tarantino, and a project by Fargo television series co-creator Noah Hawley that was supposedly ready-to-go. From what I can tell at this stage, none of these are happening now. To me, the continuation of the Kelvin timeline was perhaps the lesser of the three, but I was certainly interested to see what renowned director Quentin Tarantino would have brought to Star Trek, so the cancellation or shelving of his project is a little disappointing. Having been rejected once, I doubt Tarantino would be tempted to come back, especially if he’s moved on to other projects, and that’s a shame. Though we don’t have any confirmed details of his script or what the story would have entailed, I wonder if, as time goes by and we learn more about that project, it will come to be seen as a missed opportunity.

But enough about the Star Trek films we aren’t going to see! What about this new one?

All we know at this stage is that it’s being penned by Star Trek: Discovery writer Kalinda Vazquez. Vazquez wrote the Short Treks episode Ask Not, which brought back Anson Mount as Captain Pike, as well as introduced Cadet Sidhu – a character who may end up appearing in the upcoming series Strange New Worlds. She also wrote Terra Firma, Part II from Discovery’s third season, and served as a producer during that season as well.

Cadet Sidhu in Ask Not.

All in all, I think that’s a pretty good track record! Terra Firma as a whole was one of Star Trek’s best Mirror Universe stories – and that’s saying a lot, because the Mirror Universe is a setting I don’t generally enjoy. Ask Not was good fun too; a tense and dramatic short story that ended in a very uplifting way. Just based on those two stories – the sum total of Vazquez’s Star Trek output – the project would seem to be in good hands. Add into the mix that she’s worked on Fear the Walking Dead and it seems like the team over at ViacomCBS have made a solid pick. I’m already excited about the proposed film!

But not too excited yet. This is the fourth Star Trek film that has been publicly discussed in recent years, and as mentioned above, none of the other three were greenlit or entered production. So as interesting as this sounds, I think it’s best to try to keep the hype to a minimum and not get over-excited – at least not until filming has definitely begun.

Quentin Tarantino couldn’t get his Star Trek project off the ground. Will this new film succeed where his didn’t?
Photo Credit: Georges Biard, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

The film is said to be a new take on Star Trek, and I infer from that that we won’t be following an established crew. Despite Vazquez’s earlier work, this isn’t Star Trek: Discovery – The Movie! This concept – to bring in an entirely new crew for a feature film – is actually new to Star Trek. While the Kelvin films brought in a new cast that hadn’t previously been part of any Star Trek production, the characters they played were based on those from The Original Series. The other Star Trek feature films starred the casts of The Original Series and The Next Generation respectively, so starting entirely from scratch is a new model for a Star Trek film. It means attention must be paid to establishing who the characters are early in the story, as well as setting up where and when the action is taking place. It perhaps limits the main cast to a smaller number – three or four principal characters instead of a larger bridge crew – simply to allow us as the audience to get to know them better and follow their stories.

Starting afresh opens up the film to take almost any era, setting, and narrative that the creative team chooses. The Star Trek galaxy has at least 1,000 years of history to explore now that Discovery has firmly established itself in the 32nd Century, and there are whole areas of the galaxy that are unexplored. This means that there’s great potential for the new film to take a half-step away from familiar alien races and look at something new. That’s exciting, and I’m left at this stage with a sense that the project is very open in terms of what kind of story it could tell.

The galaxy is a big place!

It’s been suggested by some commentators that ViacomCBS would like to see a full theatrical release for this new film, but I couldn’t confirm that anywhere online; it seems to be opinion interjected by commentators. So I’d like to suggest for the record that this film could just as easily go straight to Paramount+. With ViacomCBS investing heavily in their new streaming service, as well as being keen to emphasise that it will be the new home for Star Trek going forward, it would make sense to bring new projects directly to their streaming service.

Disney+ has trialled the “premiere access” approach – asking subscribers to pay an additional fee to watch Mulan late last year and Raya and the Last Dragon this month. Time will tell how successful such an approach has been for Disney, but it’s something that Paramount+ could consider as well in lieu of a full release in cinemas. Obviously I have a bit of an agenda in this case – as you may recall if you’re a regular reader, my health makes it impossible for me to go to the cinema these days. But even though I’m biased, I still think we could see this project come to Paramount+ as an exclusive title!

So that’s really about all I have to say. The new film has potential, and I shall watch its progress with cautious interest. For me, while Star Trek has primarily been a television franchise, I’ve greatly enjoyed its feature films as well, so there’s definitely reason to be intrigued by the open-ended possibilities of a new project of this nature. Good luck to Kalinda Vazquez and the rest of the creative team!

The Star Trek franchise – including all projects mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Thoughts on the potential Ceti Alpha V/Khan miniseries

Spoiler Warning: There are spoilers ahead for Star Trek II: The Wrath of Khan, Star Trek Into Darkness, Star Trek: Discovery, and for other iterations of the franchise.

If you don’t follow the ins and outs of the Star Trek rumour mill, maybe you missed talk of a potential Khan-focused project. I know I had until relatively recently! But apparently the proposed miniseries – codenamed Star Trek: Ceti Alpha V – has been written, and is floating somewhere in that nebulous “maybe” zone – better known as “development hell.”

This story, penned by The Wrath of Khan and The Undiscovered Country director Nicholas Meyer, would fill in a gap in the story of iconic villain Khan, focusing on his life in between his exile by Kirk in Space Seed and his re-discovery by the crew of the Reliant in The Wrath of Khan. Along with being the director of both of those films, which are generally considered among the best of cinematic Star Trek, Meyer also co-wrote their stories, so I don’t want to dismiss out of hand his work or ideas on this project.

That said… I’m not entirely sure this is something worth doing.

Khaaaaaan!

The fact that Ceti Alpha V is said to be a miniseries, perhaps consisting of a mere three episodes, would condense its story and avoid dragging it out too much – and that’s certainly a good thing. However, the reason why that might be necessary and the one saving grace this project has is because Ceti Alpha V would be looking at what is arguably the least-interesting part of Khan’s life and story.

Space Seed saw Khan awaken in a new century, still feeling superior to unaltered humans and intent on recapturing his long-lost empire. The Wrath of Khan saw him seek revenge on Kirk, the man who he feels wronged him by marooning him and his crew on the doomed world. Aside from the destruction of Ceti Alpha VI, which could be an interesting thing to see, I suppose, seeing Khan’s descent into madness and a revenge obsession just doesn’t feel necessary or interesting.

Khan in command of the USS Reliant in The Wrath of Khan.

The concept reminds me in some ways of the Star Wars prequels. Though that trilogy of films was beset by all kinds of issues, the fundamental problem was that it was telling the less-interesting part of an already-complete story – and that’s the trap Ceti Alpha V feels like it’s on the precipice of falling into. We didn’t need a three-film saga showing the awkward childhood and the rise and fall of Anakin Skywalker to understand that he was an evil villain who could be redeemed by the residual love he had for his son. All the elements of Darth Vader’s redemption story were already present in the first three Star Wars films, and the prequels ended up not just being unnecessary fluff, but they actively detracted from Vader as an imposing, intimidating villain.

What would Khan do in a potential Ceti Alpha V miniseries that we don’t already understand from both Space Seed and The Wrath of Khan? At best what we’ll see is a padded out version of what we already know happened: the explosion of Ceti Alpha VI, the ecological ruin of Ceti Alpha V, the deaths of his wife and members of his crew. And at worst we’ll see Khan engage in some awfully tacked-on story akin to the worst parts of the Star Wars Clone Wars cartoon.

Khan in Space Seed.

Sorry to keep hitting you with Star Wars comparisons, but the way I feel about this Ceti Alpha V project is similar in many ways to how I feel about the upcoming show Star Wars: Obi-Wan Kenobi. That series will follow Kenobi in between the prequels and the first Star Wars film… but the problem is that we already know what he did in those years: sat in exile in his desert hut.

Ceti Alpha V would also almost certainly recast the character of Khan for what will be the second time. Benedict Cumberbatch did a decent job in Star Trek Into Darkness a few years ago, but I seriously doubt he’d reprise the role here. While Star Trek has seen success with the recasting of classic characters – Captain Pike and Spock, most notably – doing so again here would just seem to add a further complication to the franchise.

Benedict Cumberbatch took over the role of Khan for Star Trek Into Darkness.

Unlike Star Wars, Star Trek has managed to successfully move beyond its original incarnation. The Original Series remains an important part of the franchise and its legacy, but as we look ahead to the 2020s – and hopefully beyond – we see projects like Prodigy, Lower Decks, the Section 31 series, and shows set in both the 25th Century with Picard and the 32nd Century with Discovery. I’m not sure that we need to revisit Khan right now – he’s a character whose story is arguably complete, and Star Trek as a whole is not in a place where this kind of backwards look is needed to bring in audiences.

As a Trekkie I would of course be interested to see a Khan miniseries. And also I’d be very interested to see any project with strong involvement from Nicholas Meyer. I just don’t see it being a necessary addition to the franchise based on where we are right now, and that’s before we get into the fact that, as mentioned, this would seem to be offering to tell the least-interesting part of a story that has already concluded.

The script for this project was written by Nicholas Meyer.
Photo Credit: Mike Muegel, CC BY 2.0 https://creativecommons.org/licenses/by/2.0, via Wikimedia Commons

There is plenty of scope for Star Trek to see the return of classic characters from The Original Series era – and we have seen a number of such characters in Discovery already. With Picard Season 2 in the offing and the return of Captain Janeway in Prodigy, we’re also welcoming back some characters from the 24th Century too. Maybe we just don’t need Khan right now?

Despite my feelings overall, I don’t think we should entirely dismiss the idea of Ceti Alpha V. I truly dislike the expression “nobody asked for this,” and I would point to Enterprise as a series that I likewise felt would have little to offer that ended up being a great Star Trek show that really embodied the spirit of exploration. So I don’t want to just say that Ceti Alpha V wouldn’t have merit; it may even succeed at bringing in fans of The Wrath of Khan – which is arguably the biggest point in its favour.

We already know how Khan’s story ends.

Will it get made? I don’t know. Meyer has suggested that the script itself is either almost complete or fully ready, so perhaps it’s only one step away from being greenlit. If I were in charge I think I’d look at other projects first before deciding whether or not to go ahead with something like this, though.

That’s just my opinion – and as I always say, the Star Trek franchise is a big tent, able to welcome all kinds of different stories. Just because this wouldn’t be top of my list doesn’t mean it lacks merit or would be unenjoyable – and I daresay if it does enter production I will tune in! One thing I definitely like the sound of are short-format stories like made-for-streaming films or miniseries. Just like Short Treks, miniseries like this proposal could be used to tell all kinds of stories in the Star Trek galaxy – and more Star Trek on our screens is always a good thing.

Star Trek II: The Wrath of Khan and all other Star Trek titles mentioned above are the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The pros and cons of a fourth Kelvin timeline film

Spoiler Warning: There will be spoilers ahead for the three Kelvin timeline films and for other iterations of the Star Trek franchise.

A couple of weeks ago it was reported that a fourth Kelvin timeline film, which has supposedly been worked on since at least 2019, was “paused”. That’s usually Hollywood-speak for “cancelled” and “never going to happen”, but there are other potential Star Trek film projects in the works, so the Kelvin timeline may yet be granted a reprieve. While rumours can be all over the place when looking at the production side of Star Trek, two things came up often in discussions around the potential film: the return of Chris Hemsworth’s character of George Kirk being a story point, and the salaries of some of the main cast – including Kirk actor Chris Pine – being a stumbling block. I have no idea whether there’s even a grain of truth to any of these rumours, but the potential for a fourth Kelvin timeline film got me thinking.

What would be the pros and cons of a new film in the alternate reality – especially now that we have prime timeline Star Trek back on the small screen? It’s a big question, and I’ve broken it down into a short list of points for and against making a new film in this series. Let’s look at them in turn.

Pro: Star Trek Beyond clearly teased a sequel.

The Enterprise-A was seen at the end of Star Trek Beyond.

The Kelvin timeline story hasn’t ended. The crew are back together, and despite the loss of the original USS Enterprise, at the end of Beyond we saw the christening of a new Enterprise-A – the clear implication being that Kirk would assume command and bring his crew with him.

Something similar happened in the prime timeline at the end of Star Trek IV: The Voyage Home. In 1986, when that film premiered, Star Trek: The Next Generation was in early production, and some may have argued that Star Trek was moving on and didn’t need another Kirk-led film. While the next film in the series, The Final Frontier, was hardly a great success, The Undiscovered Country was – and it was a far better send-off for the original crew. If the Star Trek films had ended with The Voyage Home we’d have missed out on a great story and a more fitting end to Kirk and the crew’s adventures.

If the film series were to end now, it would arguably feel incomplete. The tease at the end of Beyond would still be there, taunting fans with a never-realised continuation to the story.

Con: And which fans are those?

Look, it’s all of the Kelvin timeline’s hardcore fans.

Despite their popularity with a wider audience – something which we’ll look at in a moment – I’ve never really found that the Kelvin timeline films had much of a following of their own. They’re summer blockbusters in the vein of something like the Transformers series; popcorn flicks that people will happily watch – and then immediately forget about.

Within the Star Trek fan community, the Kelvin timeline films haven’t picked up a following of their own. I’m not even counting the many Trekkies who didn’t see the films because they didn’t like the premise; the Kelvin timeline just doesn’t have its own fandom. People have other iterations of the franchise that they prefer – the Kelvin timeline films are, at best, someone’s second choice.

There are sub-groups of Trekkies – some may like The Original Series, others favour The Next Generation or Deep Space Nine, etc. And the new Star Trek shows since 2017 have fans of their own too. But the Kelvin timeline films don’t seem to have that kind of following; there’s no group of dedicated Trekkies who favour them above everything else in the franchise. People I’ve spoken with are in two camps: they either detest the Kelvin timeline films or they think they’re just okay.

With all that in mind – who would a fourth film even be made for?

Pro: The films brought in huge numbers of non-Trekkies.

The Kelvin timeline films appealed to a wider audience than any prior Star Trek production.

Though they may lack a hardcore following, the Kelvin timeline films succeeded beyond any other Star Trek project at bringing in huge audiences. 2009’s Star Trek was an overwhelming box office success, bringing in more than double the money of any other film in the series – and Into Darkness did even better, becoming the high-water mark of the entire Star Trek film franchise’s financial success. Beyond was considered a “disappointment” – but it still raked in over $340 million on a $180 million budget, making it hugely profitable for Paramount Pictures. 2009’s Star Trek also won an Academy Award – the only Star Trek film to ever achieve that feat.

So there’s clearly an audience for another film set in the Kelvin timeline, and any such project should be a guaranteed money-maker for Paramount and ViacomCBS. Bringing the crew back together and putting a seasoned director in charge – as they did in 2009 – would generate plenty of buzz, and the aforementioned wider audience that saw and enjoyed the first three films will surely show up for the next entry.

Star Trek isn’t made for Trekkies. That may sound odd, but it’s true. Hardcore fans will only ever be a small portion of any franchise’s audience, and I’ve said countless times that the Star Trek franchise needs to reach out far beyond this small pond if it’s to survive long-term. The new animated series Star Trek: Lower Decks has potential to help in that regard, but so does a new Kelvin timeline film.

Con: The unique premise of the films no longer exists.

Cadet Kirk.

In 2008-09, during the buildup to the release of Star Trek, one angle that was really interesting was the idea that the films would show “young” Kirk and Spock in their Starfleet Academy years. We’d get to see how all of the characters came to meet one another, and although the films would be recasting the classic characters, we’d see them in their younger days, before Kirk assumed command of the Enterprise and set out on his five-year mission.

That premise no longer exists. The end of Star Trek saw the characters graduate from the Academy, and Beyond explained that Kirk and his crew were engaged in their five-year mission of exploration. That premise is exactly the same as The Original Series, and the unique aspect of the films is gone, replaced by a copy of what came before.

With Strange New Worlds looking to pick up the exploration angle of Star Trek, do we really need a Kelvin timeline film to do the same thing? It’s certainly arguable that we don’t.

Pro: There’s the possibility for crossovers.

A Pike-Pike story? Heck yes, sign me up!

I mentioned this as one concept that could be fun to see in Strange New Worlds – but how about a crossover? Pike and Spock from the Kelvin timeline and Pike and Spock from the prime timeline working together to achieve some goal or defeat a nefarious villain could be a fascinating story and a great piece of cinema or television.

This concept doesn’t just have to be limited to Pike and Spock either; we could see crossovers with literally any group of characters. The idea of a ship and crew from one side of the divide between parallel realities having to work with others to make it home again is something that could be really fun to watch.

Con: The Kelvin timeline will be retreading too much ground.

Spock, Kirk, and McCoy during their five-year mission.

Pike and Spock are the leads in their own upcoming series – Strange New Worlds. Do we really need two “young Spocks” in Star Trek? There’s a risk that the two productions will trip over one another, and that the Kelvin timeline film will do nothing for Spock’s character in particular that hasn’t been done in Discovery or Strange New Worlds.

That’s in addition to the point mentioned above – that we’ll be seeing Kirk, Spock, McCoy, and the rest of the crew undertaking the same five-year mission that was depicted in The Original Series. Some fans have argued for a return to Star Trek’s spirit of exploration, but with at least one television show focusing on precisely that, where would a Kelvin timeline film fit in?

Fundamentally this comes down to a couple of characters – most notably Spock. Ethan Peck’s version of the character has gone down very well with fans of Discovery, and I’m just not convinced the franchise has room for two identical characters. If I had to choose only one… I’m sorry to Zachary Quinto but I’d rather keep Ethan Peck’s take on the character.

Pro: Quentin Tarantino may be working on a script.

Renowned director Quentin Tarantino has supposedly pitched a Star Trek film.
Photo credit: Georges Biard via Wikimedia Commons

Quentin Tarantino has written and directed some of cinema’s recent classics. Titles like Reservoir Dogs, Pulp Fiction, the Kill Bill duology, Inglorious Basterds, and Once Upon A Time In Hollywood are all hailed as phenomenal works of cinema. His violent style can be controversial – and some may argue a bad fit for Star Trek – but he’s an incredibly talented filmmaker, one that any franchise would love to bring on board.

It’s worth pointing out that there’s no guarantee his pitch – if it even exists and is still being considered – would involve the Kelvin timeline crew. But the timing of the rumour coincided with the Kelvin timeline’s production, so it’s at least a possibility.

I know some people dislike Tarantino’s style. But even they would have to admit that he does what he does very well, and any film that has his name attached draws a lot of attention – which translates into big numbers at the box office.

An R-rated Star Trek film just for the sake of it wouldn’t be my first choice. But if the story works well, I’m not opposed to it either. Recent Star Trek projects have not been shy about trying new things, so Tarantino could be a good fit for an expanded franchise.

Con: Anton Yelchin’s tragic death means that a major character will be absent.

Anton Yelchin in 2015.
Photo credit: GabboT on Flickr via Wikimedia Commons
Image used under the Creative Commons Attribution-ShareAlike 2.0 license.

Anton Yelchin died tragically in 2016, shortly before the premiere of Star Trek Beyond. This is a sensitive topic, and I thought long and hard about including it here, but I think it’s important because it’s hard to imagine another film without him.

Yelchin had taken over the role of Pavel Chekov in 2009’s Star Trek, and while Chekov is arguably less of a “main” character than Kirk, Spock, or McCoy, he was still a big part of all three of the Kelvin timeline films. In 2016, the producers of Star Trek Beyond stated that the role would not be recast for any future films, and it would be very difficult for a new creative team to go back on that promise without the support of Yelchin’s family, the other cast members, and the wider fan community.

Chekov’s absence would be hugely significant and very noticeable; a hole at the heart of the crew. While it’s possible to work around that, as other films have done under similar circumstances, I’m not sure how well it would succeed. Chekov filled a unique role in the crew as its youngest member, and without his occasionally comedic presence, there will be a key element missing from any future story.

Pro: The alternate reality setting allows for a huge amount of creative license.

Could we see Kirk face off against the Borg? Maybe… but only in the Kelvin timeline.

Now we come to perhaps the biggest point in favour of the alternate reality: nothing after Enterprise happened. Canon is nonexistent – aside from that established by the first three films – so writers and producers have a blank slate to tell any kind of story they want without worrying about treading on the toes of established canon.

Have you always wanted to know how Kirk would fare against the Borg? The Kelvin timeline could do that, as bringing the Borg into a story doesn’t affect prime canon. How about the Dominion War breaking out more than a century earlier? The Kelvin timeline could do that too. Or what if William Shater finally got his wish to reprise the role of Kirk? He mentioned it as recently as a few weeks ago, and the best way to bring back Shatner’s Kirk – who of course died in the prime timeline – could be in the alternate reality.

When considering 2009’s Star Trek as a reboot, one of the best things it did was use an alternate reality setting, because that has opened up endless possibilities for the film franchise going forward. The examples above are just a few options off the top of my head, but there are so many more, including stories that could never work in the prime timeline.

Con: The Star Trek franchise will be more convoluted than it already is.

The official Star Trek website posted this guide to the franchise’s timeline(s) a few months ago.

It’s only fair to follow the biggest pro with the biggest con, and in my opinion the biggest drawback to continuing the Kelvin timeline films now is that the Star Trek universe is already incredibly complicated. It’s difficult for casual viewers to get the hang of which show is taking place in which time period, but if you throw an alternate reality into the mix as well, the whole thing just becomes convoluted.

Bringing in and retaining new fans is the key challenge for the Star Trek franchise going forward, and one thing that has to be avoided is putting people off. Star Trek has been running for so long and has so many different iterations that it can already feel overwhelming for newcomers; the Kelvin timeline films may draw large crowds, but if those crowds don’t stick around and jump over to other parts of the franchise because it’s too complicated, it’s almost not worth the trouble.

So that’s it. Some of the pros and cons of making a fourth Kelvin timeline film. As always, the caveat applies that this is just my opinion; I don’t know whether a film will be made or is even under consideration.

Kirk and Spock (with John Harrison in the background) in Star Trek Into Darkness.

If it were left up to me, I think what I’d say is that the Kelvin timeline films have run their course. They achieved what they set out to: rebooting a Star Trek franchise which had become stale after decades in production, and set the stage for a resurgence in the franchise’s wider popularity, which culminated in Discovery, Picard, and Star Trek’s return to the small screen.

While there is certainly scope to use the alternate reality setting to tell more stories, I don’t feel that it’s necessary right now. There are so many other Star Trek projects in various stages of production that the franchise is hardly going to be lacking in content at least through the first half of the 2020s. A Kelvin timeline film would be a complete outlier when compared to the rest of the franchise, simply because of its setting. That’s not to say that there’s no place for a new film and never will be, just that it would be superfluous at the moment.

The Enterprise goes to warp.

Hopefully the Star Trek franchise, having found a new home on CBS All Access, will remain in production for a long time to come. Branching out into different genres, and telling stories in a more modern way has certainly helped build a foundation for future success. I’ll always be grateful for what the Kelvin timeline films did. They took Star Trek from a run-down franchise that was losing fans and viewership and turned it around. Not only that, they modernised the franchise and proved that it still had a huge potential audience. Star Trek’s current success is built on the shoulders of what these three films did. But despite that, I don’t think there’s a need to return to the same setting and the same cast to make another film.

One thing we’ve seen Star Trek attempt to do with Short Treks is tell one-off stories. Take a one-off story and make it last two-and-a-half hours and you’ve got a feature film – and there are so many possibilities within the franchise to tell such stories. With CBS All Access being Star Trek’s new home, the franchise could even experiment with direct-to-streaming films (something that may have to happen if this pandemic drags on), and there are countless possibilities for what kind of films could be made and what kind of stories could be told. There’s no reason why a Kelvin timeline film can’t be part of that… but there’s also no compelling reason that I can see why it needs to be either.

The Star Trek film franchise – including all titles mentioned above – is the copyright of Paramount Pictures and ViacomCBS. Photos and stock images courtesy of Unsplash and Wikimedia Commons. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

“Old” versus “New” Star Trek

Spoiler Warning: While this essay doesn’t go into many plot details, there may be minor spoilers ahead for the Star Trek franchise, including for Star Trek: Picard and Star Trek: Discovery.

I’ve seen a number articles and videos over the last couple of years, really since Star Trek: Discovery premiered, looking at how the Star Trek fanbase has become divided into fans of “old” Star Trek and “new” Star Trek. However one may feel about the various films and series, it’s undeniable that there are many Trekkies who have jumped ship over the years and do not consider themselves fans of the franchise’s newer iterations – as well as plenty of casual viewers who have seen one series but not others. Given that the franchise is well past its fiftieth anniversary, perhaps that’s fair enough. But I did want to take a look at the phenomenon for myself and give my thoughts on how the franchise is split, some of the possible causes, and what that split could mean for the franchise going forward into the 2020s and beyond.

True hipster Star Trek fans only watched Star Trek when Jeffrey Hunter was in it. William Shatner? Pfft. Newbie.

Firstly, the question often asked in these articles is “how can everyone come back together?” Writers will often set up that question, pretending that they’re going to answer it fairly, only to basically end up saying “everyone will come back together if Star Trek does everything my way and gives me everything I want.” That just isn’t realistic, I’m afraid. And as with many cases of division, the reality is that there may not be a way to bridge the gulf and reunite everyone around one new Star Trek series or film. That may sound depressing, and it is in a way. But we have to be realistic – there are some people now who are literally making money from running anti-Star Trek groups online, and if anyone expects someone in that position to suddenly turn around and say “hey guys, I just saw the latest episode and it was amazing!” well, I’ve got a bridge to sell you. The truth is that some people aren’t interested in fair criticism. They have decided they want to hate, and just like fans of a football team could never support a rival club, no matter what, their hatred for the current and upcoming lineup of Star Trek shows and films will continue. It’s part of the tribal mindset that we as human beings all end up subscribing to in one way or another: “I support X, which is opposed to Y. Therefore, I can never ever like Y, because it would go against how I define myself as a person”. That’s true in sport, it’s true in politics, and it’s true in entertainment as well.

But before we can look at divisions in the fanbase, we need to examine the basic concept: what is “old” Star Trek, and what is “new” Star Trek? It’s a far more complicated question than it seems, and the answer will vary depending on how old a person is, and when they first encountered the franchise.

The bridge of the original USS Enterprise in the episode The Corbomite Maneuver. For many fans, The Original Series and its crew were irreplaceable.

There are several “turning points” in the history of Star Trek where fans jumped ship, and the easiest way to look at them is in chronological order. The first one was in 1987, when The Next Generation premiered. Until this point, Star Trek had been The Original Series with Kirk, Spock, McCoy, and the rest of the 1960s crew, and while there was excitement for Star Trek’s return to television – just as there was in 2017 – that was countered by a vocal number of fans who believed ardently that the original characters were the beating heart of Star Trek – and were irreplaceable. These people may have watched The Original Series and the first four Star Trek films (The Final Frontier and The Undiscovered County were released after The Next Generation premiered) but simply had no interest in a new crew, a new ship, and a new century. Indeed, Sir Patrick Stewart himself has said many times that he believed The Next Generation would not be a success – and would run for perhaps two seasons at most.

The NX-01 Enterprise leaves its dock in Broken Bow – the series premiere of Enterprise.

The second turning point is the one I’m most familiar with – because it’s the point I came very close to jumping ship myself: 2000-2001, when Enterprise was announced and entered production. In the aftermath of the disaster that was Star Wars Episode I: The Phantom Menace in 1999, a prequel was just something that many fans, myself included, had little interest in. Star Trek – as I have often written here on the blog – had always been about pushing forward into the future, and yet here was a show that wanted to look back at its own past. This kind of navel-gazing just didn’t feel like a good idea, and the aesthetic of the show, with its boiler-suit uniforms, clunky starship design, modern (for the time) computer screens, and overreliance on not-quite-good-enough early-2000s CGI was not inspiring. There had been some real stinkers in the Star Trek canon when it came to individual episodes and stories – Spock’s Brain, Angel One, Shades of Grey, Threshold, and Move Along Home to name but a few – but this was the first time that the premise of a series itself seemed unexciting, at least for me. The introduction of Scott Bakula as the captain did go some way toward lifting the show for some fans who had been on the fence, but I confess that during Enterprise’s original run here in the UK I only tuned in sporadically, and it was only when I got the series on DVD a few years after it went off the air that I watched it in its entirety. Nowadays I often cite Enterprise as an example whenever I hear the argument: “nobody asked for this”. Nobody in 2000 was asking for Enterprise, yet it actually told some interesting stories and had a great cast of characters. I’m glad to have seen it, I’m glad it existed, and ultimately I feel its strengths far outweighed its weaknesses. Giving it a second chance was a good decision – even if the only reason I bought the DVDs was to complete my Star Trek collection!

The 2009 redesign of the USS Enterprise – and re-casting of the original crew – was too much for some fans.

Next comes our third turning point: when Enterprise went off the air, a spell was broken. Star Trek had, in some form, been in continuous production for almost two decades, beginning with pre-release work on The Next Generation in 1986 running all the way through to 2005 when the final episodes of Enterprise were produced and released. The cancellation of Enterprise was symbolic – the end of an era. And in that moment it seemed as though Star Trek was dead and not coming back. But it didn’t stay that way for very long at all, and within a year or so of Enterprise’s cancellation, word started going around about a new film – one which would be a reboot, recasting iconic characters like Kirk, Spock, and McCoy. For many long-term fans – including some friends of mine – that was a bridge too far, and they were never interested in what would become 2009’s Star Trek and the “JJverse” or Kelvin timeline that it spawned. For others, Star Trek was too much of a departure from the rest of the franchise, with its visual overhaul and action-heavy story, and some fans who did give it a go were underwhelmed and didn’t come back for more.

The USS Discovery, as seen in the first official teaser trailer in 2016.

So we’ve reached the final turning point. 2017, and the premiere of Star Trek: Discovery is the moment that many of these articles and videos use when dividing “old” Star Trek from “new” Star Trek. Discovery had a somewhat troubled production, with Bryan Fuller departing before the show aired, and controversy surrounding CBS All Access as a platform for the show in the United States. There was also the “prequel problem” that plagued Enterprise, and as more details came out about the series, the visual style being more in line with the JJverse than The Original Series also became a bone of contention. As with each of the three previous turning points, a number of fans decided that Discovery just wasn’t for them and simply opted out.

The point of recounting this history of the Star Trek fanbase and the points at which some fans chose not to continue with new iterations is simple – this is not a new phenomenon. It has happened before in Star Trek, and, if we’re lucky enough for the franchise to continue into the future, it will undoubtedly happen again sooner or later. None of these moments destroyed the franchise or ruined the fanbase, nor drove Star Trek’s creators and promoters out of business for the simple reason that the fans who jumped ship were in the minority. A vocal minority, perhaps, but a minority nevertheless. And it’s the same with those who haven’t watched Discovery and Picard – and of course, those who make a big fuss about not supporting “new” Star Trek in online groups and on YouTube channels: they’re a minority.

“Real” Star Trek fans love The Final Frontier.

Trekkies have always been a minority of Star Trek’s audience. It’s a commercial product; a series designed to have appeal beyond a small niche of convention attendees. If it didn’t appeal to casual viewers it would never have survived or been reborn in the first place, at any of the points mentioned above. So to say that because a small number of Trekkies who liked the TNG-era shows don’t like Discovery there’s somehow a massive problem and that Star Trek today is fundamentally broken is nonsense. A minority of a minority, no matter how vocal they may be with their criticism and hate, don’t matter to ViacomCBS’ bottom line in any material way.

But do they have a point?

It’s a tough one for me to answer, and if you’ve been here before you’ll know why: I’m a big fan of “new” Star Trek, just as I’m a fan of “old” Star Trek too. I can see the point of view that says the newer shows and films are bad, but generally I don’t agree, so from my perspective they don’t have a point. Especially to those people who pre-judged Discovery and Picard based on what they read in anti-Star Trek groups online and never even watched the shows in the first place I’d really say they don’t have a leg to stand on in this argument. How can they possibly sit there and say something is bad when they haven’t given it a try for themselves? The biased “reporting” of some anti-Star Trek YouTuber is not the same as experiencing the film or series for themselves, and I’d really encourage everyone who falls into that category to at least stick with Discovery beyond its opening two episodes, which I fully concede were especially weak.

This actually ties into another point – most Star Trek series, with the exceptions of Deep Space Nine and Picard – opened quite underwhelmingly. And it took more than a few episodes for all of the Star Trek shows to really find their feet. The Next Generation’s first season isn’t anywhere near as good as its third, fourth, or fifth, for example, and Voyager similarly took at least a full season to get up and running. Even the beloved Original Series got off to a rocky start – so giving up on Discovery or Picard after one or two episodes isn’t really giving those shows a fair shake.

Lorca and Saru in Star Trek: Discovery.

Part of this is to do with binge-watching culture. For many Star Trek fans – and I include myself in this category to an extent, especially when it comes to Enterprise – they missed out on seeing most or all of “old” Star Trek when it originally aired. They could pick and choose which episodes to watch from DVDs or on streaming platforms, and watch them anytime they wanted to. Star Trek, to many Trekkies, was a complete product. Seven seasons of The Next Generation, Deep Space Nine, and Voyager, as well as three of The Original Series and four of Enterprise is a lot to wade through, and an individual bad episode is just a blip when you don’t have to wait a week for the next one and can skip ahead to another episode on the disc.

But there are changes in the way Star Trek has told stories over time, and we do have to acknowledge that. There has been a move away from episodic storytelling (aka the “monster-of-the-week” format) in favour of season-long story arcs and a serialised format. I confess I have a preference, in some cases at least, for episodic television. It’s nice to be able to jump into a random episode of a series without needing to know or remember everything that happened leading up to that point. It makes Discovery and Picard season-long commitments, instead of something fans can jump in and out of. And because, as mentioned, a lot of folks are used to Star Trek shows being complete products and in addition are used to binge-watching, having to wait a week between episodes of a partially-complete story can be annoying I suppose.

There has also been a shift away from the more ethereal, philosophical, and thought-provoking storylines that Star Trek used to do. Ironically, many of those stories and episodes are less popular among fans – The Motion Picture is always considered a poor relation to films like First Contact and The Wrath of Khan, which are both much more in the action-sci fi genre, just to give an example. I discussed this in a little more detail in my 40th anniversary look at The Motion Picture if you’re interested to read more. But there’s no doubt that Discovery and especially the JJverse films have gone in a much more action-centric direction, and for people who wanted to see more of the slower paced, thought-provoking stories, action-sci fi maybe doesn’t “feel like Star Trek” in quite the same way.

Kirk and Scotty in The Motion Picture – a less popular film than its sequel with many Trekkies.

Now we come to what is the single biggest point: nostalgia. People like what they grew up with. Heck, the whole reason Star Trek is being made again now, more than fifty years since it was first created, is because nostalgia is incredibly powerful and there’s money to be made from it. But nostalgia is a double-edged sword. Some people don’t want to see an “updated” version of the franchise they loved from childhood or young adulthood. If they want more of it in the first place, they want to see it exactly the same as before. No changes, no iterations, no modernising – a carbon copy of what came before. And that isn’t realistic.

Television storytelling has moved on since the 1960s and the 1990s – which are the two “golden ages” of Star Trek, depending on which fans you ask. Expecting to see The Next Generation Season 8 in 2020 was an unrealistic expectation. The way stories are told, and what television audiences expect from their shows, are just different nowadays. For fans of episodic television that might seem disappointing, but as with Trekkies in general we’re in a minority there. Shows like Lost, Breaking Bad, and of course Game of Thrones had such a huge impact on television that they fundamentally changed the way audiences approach their favourite franchises – and in order to stay competitive, Star Trek has to recognise that and keep up.

There are undeniably a lot of positive feelings attached to a franchise from childhood. The return of Star Trek (and other franchises too, like Star Wars) was designed to play on those positive feelings to sell a product – that’s basically the point of resurrecting franchises in the first place. For a minority of fans who only liked things when done the old way, that hasn’t worked and the updates and changes mean they don’t get the same feelings that they do when re-watching an old episode or film. But for a lot of people, these shows have been a hit. They hit the mark where it mattered and got many fans clamouring for more. And in a few years or a few decades from now, Discovery-era fans will be just as excited for the return of Burnham and Saru as I have been to see Picard and Seven of Nine.

Seven of Nine returned in Star Trek: Picard.

In fact, one of the things I was genuinely concerned about with Star Trek: Picard is that they were going to fall into the Star Wars trap of overplaying the nostalgia card. I didn’t want The Next Generation Season 8, because that show has ended. It’s over. What Picard represented is something practically no other series or franchise will ever get – a new iteration. Picard is the same man, and he’s the core of the show as he was in The Next Generation. But surrounding him are new characters, and I wanted to make sure that they would have the chance to become fan favourites for the next generation (pun absolutely intended) of Star Trek fans.

My introduction to the franchise was The Next Generation. And it wasn’t until a few years later – probably in the mid-late 1990s – that I got around to watching any of The Original Series. For some people, Picard and Discovery will be their first port of call as Star Trek fans, just as The Next Generation was for me. Those of us who’ve been around Star Trek for twenty-five years or more still have a place in the fandom, but things are changing. With new shows in production, new fans are coming on board who may not be aware of Picard’s top-secret mission to Celtris III, or that Kirk and his crew once visited a parallel universe where magic is real. If we try to be gatekeepers and say “you aren’t a real Star Trek fan because Discovery isn’t as good as the show that I like” then the fandom isn’t just going to be divided, it’s going to become toxic. Instead of being a “big tent”, recognising that the franchise means different things to different people, some folks seem to want to claim the fandom for themselves and exclude anyone who doesn’t share their belief about what Star Trek means.

And frankly, that’s just sad.

Star Trek has always tried to use its science fiction setting to tell stories that reflect contemporary issues. There are countless examples, and this could be an essay in itself, but suffice to say many of those stories resonated with fans in the past. The Original Series challenged the Cold War concepts of superweapons and mutually assured destruction in the episode The Doomsday Machine to great effect, and fans will laud that. But when Discovery uses Ash Tyler’s trauma as an analogy for underreported male sexual abuse, those same folks scream about “too much politics”. As I’ve said before, to anyone who says there’s “too much politics” in modern Star Trek I’d ask one simple question – “have you seen Star Trek before?”

Spock and Kirk at the end of The Doomsday Machine from Season 2 of The Original Series. They talked about nuclear weapons – a massive issue in the 1960s.

The problem here is that, when it comes to The Original Series and the shows of The Next Generation’s era, we’re watching them decades on from their original release. Many of the people complaining about politics in modern Star Trek weren’t even born when The Next Generation and its sister shows were first on the air. And very few people now can remember watching The Original Series when it was new. The political themes in many of those episodes are less prickly and less relevant today, and though they would be instantly recognisable to contemporary audiences, watching them today fifty years later or thirty years later, they’re harder to spot. And if someone is watching an episode for the tenth or twentieth time, an episode they first watched at age five or six, it’s even harder to be objective and pull the themes and messaging out of the drama and presentation. Taking a step back and looking at a favourite show or episode objectively is very difficult. I made an attempt to do so when I re-watched The Measure of a Man from The Next Generation’s second season, but it wasn’t easy.

Star Trek has always been a political show, even if as kids we didn’t realise it. And it has always taken a “progressive” political position on contemporary issues. If an individual can’t stand that, and is only content to watch entertainment that is either wholly politically neutral or agrees entirely with their own political biases, then that’s okay. No one is forcing anyone to watch a television show that they don’t like. And if they don’t like something, it’s easier than ever to change the channel. They can pick a new show on Netflix or Amazon Prime or CBS All Access and watch that instead, or go back to a previous Star Trek series that they do enjoy. Modern Star Trek is not mandatory viewing, and from my own point of view I can tell you I’m pretty brutal when it comes to switching off a show that I find boring or that I’m not enjoying for whatever reason.

In 2020 we live in a world where there is an insane amount of entertainment available to watch – and much of it can be found online for free with a basic knowledge of computing. So I don’t really understand why people would want to spend a lot of time watching a show that they don’t enjoy, then jump online to share their dislike with others – not when there are so many other things to watch. A few people who run websites, groups, or YouTube channels, make money by doing this. And I guess that’s fair enough – if people will pay for it, and you can make money at it, that’s okay. But for everyone else, I don’t really see what they gain from it – aside from the feeling of inclusion being part of a “tribe”, or perhaps a feeling of superiority to think they know better than the show’s creators?

Some people have been unhappy with Star Trek: Picard.

To get back on topic, and draw this essay to a conclusion, there are differences between Star Trek today and Star Trek in the era of The Original Series and The Next Generation. For some fans, the difference is too stark and they don’t want to watch whatever they consider to be “bad”. I’m okay with that – we can all have our own opinions about the franchise. I just don’t like the toxicity and gatekeeping that has plagued some – thankfully small – groups within the fandom.

Speaking for myself, I’ve enjoyed Star Trek’s return to television. Star Trek: Picard has been the better of the two offerings so far, but I’m genuinely excited at the prospect of a Capt. Pike series and at Lower Decks’ different take on the franchise. It’s a great time to be a fan right now, simply because there’s so much Star Trek – and sci fi/fantasy content in general – in production. We won’t always be so lucky to have this, and even though I wasn’t a big Enterprise fan during its original run, I was still sad when it went off the air and there was just a big void of nothing. That isn’t a scenario I’m keen to see repeated, and while I admit there have been hits and misses in modern Star Trek, I’d rather see it continue to be made than simply scrapped. By diversifying the kind of stories it tells – Picard and Discovery are very different in tone, for example, and Lower Decks will be something different again – hopefully Star Trek can build on what has been accomplished already and bring in more people. If some people decide not to stick with it because of the changes, that’s okay. But I firmly believe that the core or the heart of Star Trek is the same as it was in the 1960s – and that it has remained that way for its entire run.

Star Trek is a complicated franchise that means different things to different people. But there is room in the fandom for everyone – at least, everyone who wants to participate. If someone dislikes Picard or Discovery but loves The Next Generation, as fans and as people who know how to behave civilly, we can still have a great conversation about Star Trek without treading on each others’ toes. And it’s my hope that there’s more that unites us as fans of this great franchise than divides us – after all, Discovery and The Next Generation have much more in common than The Next Generation does with, say, the latest iteration of some celebrity reality show. At the end of the day, I’m happy to share a franchise and a fandom with some very passionate people – even if we can’t agree on a lot of things.

The Star Trek franchise – including all series and films mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.