Paramount’s idiotic leadership is to blame for Prodigy’s failure

If you haven’t already heard the news, then I’m sorry to report that Star Trek: Prodigy has been cancelled. The second season of the animated series is almost complete, but won’t be shown on Paramount Plus. If Paramount can’t line up another network to broadcast it – and on past form, they may not try very hard – then it’s not outside the realm of possibility that we won’t see it at all. Let’s talk about Prodigy and the absolutely pathetic decision-making at Paramount that led us here.

I’ve been ringing alarm bells about Prodigy’s prospects since before the show even aired a single episode. There were several big hurdles that got in the way of Prodigy, and all of them are entirely Paramount’s fault. The first was the choice of platform: Paramount Plus simply isn’t a streaming service with a lot of content made for kids. As such, it isn’t a platform that many kids or young people would have had access to, limiting Prodigy’s potential audience long before the show was even broadcast.

Promo poster featuring the main characters.

Considering that Prodigy is a co-production between CBS and kids’ broadcaster Nickelodeon – both of which are wholly owned by Paramount – this never made any sense to me. Nickelodeon was the perfect home for Prodigy, and the series could have joined a decent lineup of shows aimed at a younger audience. It wasn’t until almost a year after Prodigy premiered that the series debuted on Nickelodeon. Paramount Plus simply isn’t a big enough streaming service, nor one with much appeal to a younger audience, meaning the choice of platform was a weight around Prodigy’s neck from day one.

Then we have some absolutely appalling scheduling. Prodigy debuted in October 2021 with a feature-length premiere. But after that, only three more episodes would be broadcast before the show took a seven-week break. There wasn’t enough time for Prodigy to gain traction with its audience – and especially with a younger audience – before it simply disappeared. Paramount has fucked up the scheduling of Star Trek in general, but Prodigy’s messy launch is perhaps the corporation’s single most egregious scheduling mistake.

Paramount Global CEO Bob Bakish, one of the morons most responsible for the state of the corporation.

After its hiatus, Prodigy again only premiered five new episodes before taking an extended break – this time from February 2022 all the way to October. If any kids were still watching at that point… well, they were unlikely to stick around for eight months while the show disappeared. The second half of Season 1 ran from October through to December 2022, and was the only time where Prodigy actually got a decent run of episodes.

By the time the show returned from its extended break, though, it seemed pretty obvious that the only people watching were hard-core Trekkies and a few of their kids.

The crew of the Protostar in Season 1.

Prodigy was cut off from an international audience from the start, with no effort made to broadcast the show outside of the United States. Even in the few places where Paramount Plus existed, episodes of Prodigy weren’t always shown. In Australia, for instance, paying subscribers to Paramount Plus didn’t get to watch Prodigy in full at the same time as American subscribers.

In the rest of the world, including here in the UK, things were even bleaker. Despite the Nickelodeon channel existing in some form in more than 100 countries and territories around the world, Paramount stupidly stuck to its “America First” fetish, only showing Prodigy on Paramount Plus in the United States and ignoring all messages and requests from fans.

Trump would be proud.

This approach will never work. In the 2020s, the internet and social media are one massive worldwide audience. Cutting off more than 90% of the world from a new television show is a catastrophic decision. It means that the hype bubble collapses, there are far fewer conversations on social media, hashtags don’t trend, posts don’t get likes, advertisements don’t get noticed – and then no one turns up to watch. This impacts the show in the United States – and it’s what happened with Prodigy.

Because Prodigy was on an obscure second-rate streaming platform, one that had no reputation with audiences as being a platform for kids’ shows and children’s content, because it was cut off from a worldwide audience and got precious little attention and chatter online, and because it was scheduled in such an appalling, idiotic manner, there was never any hope for the series. The only surprise here is that Paramount dragged it out this long.

Prodigy was a Paramount Plus exclusive.

The lack of toys and tie-in merchandise was just another nail in Prodigy’s coffin. The way kids – especially younger kids – engage with any property is through imaginative play. Star Trek toys would have kept Prodigy alive in the minds of its young fans in between episodes – and during the aforementioned breaks in the schedule. Furthermore, seeing toys being played with by friends or even just on shelves at the local toy shop would have inspired at least some kids to seek out Prodigy and give it a try for themselves.

I’ve shared this story before, but one of my earliest Star Trek memories isn’t an episode or a film, it’s a toy phaser. When I was perhaps as young as seven or eight, I remember seeing my uncle – who boasted an impressive collection of nerdy merch – showing me a phaser pistol from Star Trek. Before I’d even watched a single episode, I remember being intrigued by the phaser pistol and having fun pushing its button, watching it light up and make a noise.

A handful of Prodigy toys were belatedly launched in 2023.

Prodigy must be the only kids’ show in the world in 2023 to have had no tie-in products associated with it for the entirety of its first season. The lack of merchandise didn’t just prevent kids who were already fans of the show from having something to play with, it actively harmed Prodigy’s prospects and is another factor in its failure.

The truth is that Paramount didn’t give Prodigy a fair chance. Despite having so many opportunities to make this show a success, Paramount’s leadership has once again demonstrated that it isn’t fit for purpose. 20th Century thinking is trying – and desperately failing – to lead the corporation into the 21st Century, but the media landscape has shifted so much that these people don’t know what they’re doing. Prodigy’s cancellation follows Discovery’s a few months ago – and despite promises of new content, things don’t look good for either the Star Trek franchise or Paramount Plus.

Tom Ryan, President and CEO of streaming for Paramount Global.

Prodigy had the potential to open up Star Trek to a new, younger audience. The only way the franchise can survive long-term is to bring new, younger fans on board. If Star Trek remains the nostalgic preserve of people like me, it won’t survive – and it won’t deserve to. It’s bitterly disappointing that the series didn’t achieve that objective… but it’s even more disappointing that its failure is entirely the fault of pathetic decision-making by Paramount leadership.

It’s imperative that Paramount learns the right lessons from this clusterfuck. It would be easy to say “let’s never make another kids’ show,” but that would be absolutely the wrong way to react. Prodigy didn’t fail because it was aimed at kids – it failed because Paramount had no idea what to do with it. Scheduling, the choice of platform, the lack of toys, failure to make use of existing child-friendly channels, the lack of an international broadcast… all of these factors contributed. And the blame for all of them lies at the door of Paramount’s board and executives.

It’s Paramount’s fault that Prodigy ended up here.

There were story issues in Prodigy, too, which may have been a factor. The show leaned heavily on the legacy of Voyager – and not just because of the inclusion of Captain Janeway. Prodigy’s story was, in many ways, a Voyager sequel, and it introduced characters and story threads that may have been too complicated or convoluted for a young audience who were unfamiliar with older iterations of Star Trek. That’s a creative decision, and one that I enjoyed – but I’ve been a Trekkie for more than thirty years. I watched Voyager when it aired, I bought the whole series on DVD, and I’ve watched most episodes more times than I can count.

Maybe, in retrospect, we’ll have to call into question the decision to have Prodigy rely on Voyager to such an extent. Maybe it would have been better to allow the show more freedom and to have it stand on its own two feet. Might that have harmed Prodigy with some Trekkies? I suppose so… but it could have opened it up to a new audience, and wasn’t that supposed to be the point?

Was it a mistake to rely on Voyager to such an extent?

At the end of the day, though, this is Paramount’s fault – there’s no two ways about it. Decisions taken by executives at the top cut off Prodigy from the very audience it was supposed to attract, and the show simply never found a foothold outside of existing Trekkies and a few of their kids. With no international audience, with episodes shown in short, random batches on an obscure streaming platform, and with no toys or merchandise… there was no hope for Prodigy.

A Star Trek kids’ show was a brilliant idea. And Prodigy had some wonderful voice acting, stellar animation work, and some engaging, emotional storytelling. But it was sabotaged so thoroughly by the idiots at Paramount that one would be forgiven for thinking their actions were deliberate. Surely no group of executives with dreams of running a media corporation could be so utterly, irredeemably stupid… right? But that’s the reality of working with Paramount, I guess.

The abandoned wreck of the Protostar feels like a fitting image for this occasion.

Paramount needs a good clear-out. Failed leaders need to be ousted and the corporation’s attitude adjusted. Priorities need to be re-examined, and the long-term future of streaming needs to be urgently addressed. Paramount Plus is losing money by the boatload – and that seems unlikely to change in the short-term. Will it survive the decade? Will it last until Star Trek’s 60th anniversary in 2026? Will it still be here at Christmas?

Make no mistake, Prodigy won’t be the only casualty here. Unless and until Paramount can get its act together, these failures will continue to happen. With two of Star Trek’s five shows being cancelled within months of each other, and with Paramount Plus continuing to flop around like a dying fish, fears for the franchise’s longer-term prospects – and the prospects of shows like Strange New Worlds, which is currently paused due to an ongoing writers’ strike – only grow. I wish I had confidence in Paramount’s leadership to steady the ship and sort things out.

The Star Trek franchise – including all properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What can we expect from Star Trek Day 2022?

Spoiler Warning: There are spoilers ahead for the Star Trek franchise, including recent seasons of Picard, Discovery, Lower Decks, and Strange New Worlds.

The 8th of September is Star Trek Day! On that date in 1966, The Original Series premiered in the United States with the episode The Man Trap, kick-starting a franchise that’s still going strong fifty-six years later. Last year, Paramount organised a major broadcast to mark the occasion, hosted by Wil Wheaton (The Next Generation’s Wesley Crusher and host of The Ready Room) and Mica Burton (daughter of Geordi La Forge actor LeVar Burton). It was a fun event – albeit one that probably went on a little too long – that celebrated all things Star Trek. With Star Trek Day coming back this year, I wanted to look ahead to the event and consider what we might see when it arrives in just under three weeks’ time.

My usual caveat for these sort of things applies: I have no “insider information,” and I’m not trying to claim that anything discussed below will definitely be included in this year’s Star Trek Day broadcast. This is speculation from a fan – and an opportunity to talk Trek – and nothing more! With that out of the way, let’s get started!

George Takei at last year’s Star Trek Day.

First of all, I think it’s worth talking about some of the big announcements we’ve seen over the past few months, because Paramount hasn’t been shy when it comes to making headlines for the Star Trek franchise. We’ve had major announcements about Picard Season 3, including who will be part of – and excluded from – the main cast, we’ve seen trailers, clips, and teasers for Lower Decks, which will be a couple of episodes into its third season by Star Trek day, we’ve had plenty of news about Strange New Worlds Season 2 – including the surprising return of a fan-favourite character… and much more besides. Events like last month’s Comic-Con saw big panels featuring main cast members and major announcements, like the Strange New Worlds crossover with Lower Decks.

In short, I’m not so sure that we should expect a glut of trailers and teaser clips and a plethora of massive announcements! Paramount could’ve saved things like the Picard Season 3 teaser and posters that were shown off at Comic-Con for Star Trek Day, but in a way it makes sense to use an event like that – where all eyes are on the world of entertainment – to make waves and show off Star Trek’s renaissance. Star Trek Day itself, at least based on what we saw last year, is more of a celebration for Trekkies and the Star Trek community.

Star Trek already dropped some big announcements at Comic-Con just last month.

But that doesn’t mean there won’t be anything of substance, and the official press release for Star Trek Day promised announcements, reveals, and surprises! With Season 3 being Picard’s last, and principal photography already having been completed, I can’t help but wonder whether we might get an announcement of what could replace it in the lineup. When Picard disappears from the schedule next year, there will be a gap – and as Alex Kurtzman (head honcho of Star Trek for Paramount) has previously told us, there won’t be any new Star Trek until one of the current shows has ended its run. Well, something’s going to have to fill the Picard hole in late 2023 or 2024… so could the announcement of a new project be imminent?

I note that the official press release for Star Trek Day specifically mentioned that Michelle Hurd (Raffi) and Jeri Ryan (Seven of Nine) will be present to talk about Picard. I know I’m not the only one who’s talked up the possibility of a “Seven and Raffi Show” as a spin-off from Picard, so it’s interesting that these two actors will be present together at Star Trek Day. Sure, they could just be there to talk about Picard Season 3… but maybe, just maybe, there’s more to it than that!

Seven of Nine and Raffi in Picard Season 2.

There are at least two unannounced Star Trek projects in the works at Paramount, again according to Alex Kurtzman. I don’t think we’d get two massive announcements like that at Star Trek Day, and if I had to put my money anywhere I’d say that a Picard spin-off or at least another show set in that same 25th Century era is the most likely. But you never know! There are rumours of a Khan-focused project and a Starfleet Academy series, the latter of which may (or may not) be a Discovery spin-off set in the 32nd Century with Mary Wiseman reprising her role as Lieutenant Tilly.

Does the untitled Section 31 series still count as having been “announced,” given that there’s been no official news for almost four years at this point? We could finally hear something about that project, too, I suppose. But I’m not holding my breath on that one.

So there are a few different possibilities for a major announcement. A brand-new series would be a heck of a way to celebrate Star Trek Day, especially if the announcement came along with things like concept art or maybe even casting information.

Are we going to get an announcement about… Khaaaaaaaan?!

The other big project that’s currently up in the air is the untitled feature film Star Trek 2023. As we recently discussed, I seriously doubt whether the film will make its intended December 2023 release date given that most of the main Kelvin timeline cast don’t appear to be on board yet, but Star Trek Day could surprise us with some more information about the project.

So those are the potential projects that I think we could hear something about. As I said, my money would be on some kind of 25th Century Picard replacement if you forced me to make a bet… but there are definitely cases to be made to hear something about a Starfleet Academy series or perhaps a some kind of Khan project, too.

The new USS Stargazer.

This year’s Star Trek Day will be hosted by Tawny Newsome (Ensign Mariner on Lower Decks) and Paul F. Tompkins (Dr Migleemo on Lower Decks) who co-host The Pod Directive, Star Trek’s official podcast. I’m sure they’ll make a great presenting duo – though part of me feels a little sad that Wil Wheaton won’t be on hosting duties. His energy and passion for Star Trek really elevated last year’s event.

I’m curious to see what may be teased about Discovery Season 5. Filming is currently underway in Toronto, and a behind-the-scenes tour hosted by Wilson Cruz (Dr Culber) promises appearances by some of the cast members and a look at new sets. I’m not sure when Discovery’s fifth season will make its debut; it seems right now as if Picard and Strange New Worlds will be ready first, even though Discovery Season 4 wrapped up back in March, so we could see one or both of those arrive before Season 5 is ready. Still, it’ll be neat to catch a glimpse behind the curtain – and maybe there’ll even be a teaser of some kind!

Dr Culber in Discovery Season 4.

We’re edging closer to the first anniversary of Prodigy’s premiere, and we’ve been promised a second batch of ten episodes to round out that show’s first season before the end of this year. With a Prodigy panel on the agenda for Star Trek Day, I have to assume we’ll get some more details about those episodes – hopefully including a premiere date. If I had to guess, I’d say that the second half of Season 1 could directly follow on from Lower Decks, which could mean a premiere date in late October or early November.

Prodigy has not been particularly well-supported by Paramount, in my view, at least not so far. Splitting up its first batch of episodes into chunks of four and five respectively with a long gap in between is not a great way for a new series to gain traction – especially with its young target audience. There’s also a lack of toys and tie-in products, and while there are plans in place to address that, at time of writing none of those items are available for purchase. Paramount has a lot of work to do to really sell Prodigy – and I really hope they get on with it, because it’s a unique project within the Star Trek franchise and one that could turn a whole generation of kids into Trekkies if handled better.

We’ll hear something about Prodigy at Star Trek Day.

Either Lower Decks or Strange New Worlds stars could go into more detail about the upcoming crossover, and although it’s still early days we could get some kind of teaser for Strange New Worlds’ upcoming second season. I don’t expect to see any clips from the crossover at Star Trek Day – that’s just a hunch, of course, but something tells me it’ll be kept under wraps until much closer to the episode’s premiere. But we could learn more about Season 2, including whether any new cast members will be coming on board. There’s at least one and perhaps two spots open if the producers wanted to make additions, although I hope they don’t go overboard and try to cram in too many new characters – especially not characters from The Original Series.

Season 1 managed to strike a good balance between legacy and new characters, and I’d hope that would continue in Season 2. There must be a temptation to add characters like Scotty, for example, in engineering, but I hope that the show’s writers can resist – at least for now. There may be scope to bring in more legacy characters in later seasons, but for now I’d like to spend more time with some of the newbies who we’re just getting to know.

Behind-the-scenes with Captain Pike and the Enterprise bridge crew.

There’s also a decent chance, in my view, that we’ll hear about a Season 3 renewal for Strange New Worlds. Season 2 has already finished its main production phase, and with Discovery Season 5 well underway, it’s definitely time for those conversations to be happening behind-the-scenes. It seems utterly unfathomable to me that there won’t be a third season (and a fourth…) given how well Season 1 was received. Pre-production may be already happening, so it wouldn’t shock me at all to get a formal announcement at Star Trek Day.

In a similar vein there could be announcements for a fifth season of Lower Decks, a third for Prodigy, and perhaps even a sixth for Discovery – though the latter may be premature at this stage. As Discovery has been running since 2017 (and in production since 2016), it’s not an absolute certainty that we’ll get more after Season 5, but at the same time the 32nd Century feels like a really interesting setting to spend more time in, so I’m hopeful that there’ll be more to come from Captain Burnham and the crew.

Captain Burnham in Discovery Season 4.

So those are my main thoughts/predictions. I’m also looking forward to some of the other events that will be part of the live broadcast, including a tribute to Nichelle Nichols, as well as a couple of fan-focused events, some music, and even some stand-up comedy. Star Trek Day’s stated runtime is two hours, and that feels about right for something like this. As mentioned, last year’s event may have dragged just a little – at least for me – so it seems as though some lessons may have been learned from that. But as they say, live events have the potential to take unexpected turns, so I won’t be shocked if Star Trek Day ends up running a little over that time limit!

I guess that’s about all there is to say. I’m glad Paramount is doing this, and I’m glad the event will be free to stream on the official Star Trek website instead of being locked behind a Paramount+ paywall. It’s a nice way to celebrate all things Star Trek, and even if there are no massive announcements about brand-new shows or films, I still think it’ll be a fun time. There’ll be glimpses behind-the-scenes, chats with cast members, and hopefully a lot of positivity and excitement about the Star Trek franchise.

I’m looking forward to Star Trek Day, and when the event is over I’ll be sure to share my thoughts on the broadcast, as well as perhaps take a longer look at any major trailers, teasers, or announcements. Stay tuned here on the website in the next few days because I have a list of a few potential upcoming Star Trek projects currently in the works – and who knows, we may hear about some of those at Star Trek Day!

Star Trek Day will be live-streamed on the official Star Trek website and social media channels on the 8th of September 2022 beginning at 3:00pm Eastern Standard Time/8:00pm British Summer Time. The Star Trek franchise – including all shows and properties discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Prodigy review – Season 1, Part 1

Spoiler Warning: Although this article doesn’t get into major plot spoilers, minor spoilers are still present for Star Trek: Prodigy Season 1, Episodes 1-10.

I wanted to cover Star Trek: Prodigy as extensively as I cover every other current Star Trek series. I had plans to write individual episode reviews, theories, and additional commentary and discussion pieces about some of the season’s themes and stories. But because ViacomCBS made the utterly inexplicable decision to withhold the series and prevent it from being broadcast outside of the United States, I felt that I couldn’t offer the show my support. As a result, this is the first time I’ve talked about Prodigy here on the website since the first season premiered.

Star Trek: Prodigy is a co-production between CBS Studios and Nickelodeon – both of which are subsidiaries of ViacomCBS. Nickelodeon is a kids’ television channel that is available in more than 70 countries and territories around the world, from here in the UK to South Africa, Pakistan, and beyond. It would have been incredibly easy and inexpensive for ViacomCBS to organise an international broadcast for Prodigy using their existing Nickelodeon channels – but they chose not to do so.

ViacomCBS owns and operates both CBS Studios and Nickelodeon.

Prodigy’s primary audience – children – are unlikely to be too upset by this, as they aren’t involved with online fan communities and the like. But for Trekkies and adult fans, there really is only one way to interpret this move from ViacomCBS, especially considering that the corporation has pulled other similar moves with Lower Decks Season 1 and Discovery Season 4 in just the last couple of years. This is ViacomCBS prioritising the United States over the rest of the world; taking an incredibly blinkered, shortsighted approach that has already done serious harm to the Star Trek franchise and several of its new and upcoming shows. Unfortunately, that means it isn’t possible to review or discuss Prodigy without taking a moment to acknowledge the truly awful way in which the show has been handled by Star Trek’s corporate overlords.

Another indication of how poorly ViacomCBS is managing the Star Trek franchise is evident in the lack of any toys or tie-in products for Star Trek: Prodigy. Toys and games aren’t just a way for a corporation to make extra money – they’re a way to keep younger fans engaged with the show and the wider Star Trek universe during the rest of the week when they aren’t watching the latest episode. It’s also a great way to introduce brand-new potential fans to Prodigy and to Star Trek; kids playing with their friends might be interested in the toys and check out the series from there. It might sound silly, but one of my earliest memories of Star Trek is actually a toy phaser that my uncle showed me when I was very young.

I’m pretty sure that this is the toy phaser I’m remembering.

I’ve seen on social media some very creative Trekkies who’ve hand-made plush toys of Murf or 3D printed combadges so that their kids would be able to have something Prodigy-related to play with. But these products should have been available officially in time for the show’s premiere. At the very least there should’ve been dolls or figures of the main characters, pretend-play toys of things like phasers and tricorders, and perhaps a playset of the USS Protostar. The fact that ViacomCBS has failed to create any merchandise whatsoever for Prodigy is yet another way in which the corporation is failing the Star Trek franchise.

Finally, we have the broadcast schedule for Star Trek: Prodigy. The series initially ran for a mere four episodes (including the feature-length premiere) between late October and mid-November, before taking a break. The second batch of episodes ran from January to the beginning of February, and the first season will now take an extended break. Broadcasting the series in this way is stupid. Just as fans were beginning to get into the show, it disappeared for more than a month, and its so-called “mid-season break” seems to be scheduled to last from now until at least this summer.

Star Trek: Prodigy streams on Paramount+… but only if you’re lucky enough to live in the United States. Even in Australia, subscribers to Paramount+ have only been able to see the first four episodes at time of writing.

Paramount+ is a streaming service. It’s a crappy, second-tier streaming service plagued by technical problems and a ridiculously slow international rollout, but it’s a streaming service nevertheless. There is no need for Prodigy to have to go off the air to free up space for Discovery or Picard – especially given that the shows are targeting completely different audiences. Screwing up the broadcast schedule so badly is enough to put off casual viewers, and these are exactly the kind of people that ViacomCBS needs to hook in and retain in order to make Star Trek and Paramount+ sustainable in the long-term. Decisions like these aren’t just an idiotic annoyance, they actively work against Prodigy’s success, making it much more difficult for the show to gain traction and appeal to the wider audience that both it and Paramount+ need.

So that’s the corporate state of play surrounding Prodigy’s first season, and as you can see there are major issues that ViacomCBS needs to begin addressing immediately to give the series a much-needed boost. An international broadcast would be a good start, but unfortunately that isn’t the only thing that the corporation has got wrong when it comes to Prodigy. The reason I bring up these points is not to crap all over Prodigy, but because I genuinely enjoy the series and want to see it succeed. Right now, ViacomCBS is shooting the series in the foot and harming its potential success through corporate mismanagement on a truly epic scale.

I genuinely want to see Prodigy succeed and bring a new generation of Trekkies into the fandom.

As Trekkies, I firmly believe that we need to be aware of these things. We also have to be willing to be vocal and call out ViacomCBS when the corporation makes mistakes. ViacomCBS has a marketing team of its own – it doesn’t need fans to blindly sing its praises and pretend that it can do no wrong. If anything, what ViacomCBS needs is more criticism and more Trekkies willing to hold its feet to the fire in order to ensure these kinds of mistakes are corrected and never repeated. Star Trek as a whole needs better leadership and better management on the corporate side, and the issues surrounding Prodigy Season 1 are just one example among many.

But Dennis, I hear you ask, aren’t you from the United Kingdom? How on earth were you able to watch Star Trek: Prodigy if it’s only available in the United States? Well, I’m glad you asked! Of course it’s incredibly easy for anyone with a computer to pirate Prodigy – and given that the series is unavailable by any other means, piracy is the only option for Trekkies outside of the United States. I reckon that gives all of us the absolute moral justification to pirate the series. But of course, piracy is against the law, so there’s no way you’d catch me doing something like that. Instead, I – a disabled person on a low income – moved to my second home in the United States (in the middle of a global pandemic) just so I could watch Prodigy. Don’t believe me? Look, here’s a photograph of my house:

This is absolutely my house. And it’s clearly in the United States. Which is definitely where I am.

So let’s shelve the corporate bullshit for now, because I promised you a review of Star Trek: Prodigy Season 1, Part 1 and so far all we’ve done is talk about ViacomCBS!

The great thing about Prodigy is that it manages to absolutely nail the feel of a Star Trek show. The best kids’ shows have always managed to find a way to offer interesting content for adults as well as children, and Prodigy is right up there with the absolute best of modern children’s television in that regard. I was curious, as an adult, whether Prodigy would really be all that interesting, or whether I’d find it too basic due to its target audience – but I’m happy to report that the show really does bring a lot to the table.

Prodigy is also a fantastic “first contact” – i.e. a great way for anyone brand-new to the Star Trek franchise to get acquainted with the universe and the way things work. This is something that could easily have been overlooked as the series brought in Captain Janeway and tried to fit a new story into a long-established setting, but I would absolutely recommend Prodigy for both children and adults who are looking to get started with the Star Trek franchise.

Prodigy will be a great “first contact” for new young Trekkies.

From the point of view of someone who’s been a Trekkie for over thirty years and who watched and enjoyed Voyager during its original run, I was surprised by just how much Prodigy felt like a homecoming. There was enough explanation of what was going on to gently guide newbies into Star Trek for the first time, as already mentioned, but beyond that I found a series steeped in the rich lore of the franchise.

The presence of Captain Janeway obviously connects the show to Voyager in a pretty big way, and there are other references to Voyager that longstanding fans will certainly be interested in. But Prodigy managed to walk a delicate line between being Star Trek: Voyager II and being its own thing, never straying too far into sequel territory that would be offputting for new fans, but never making Janeway and other references and callbacks to past iterations of Star Trek feel tokenistic; in practically every episode I felt Prodigy got this balance just right.

Look who’s back!

Modern iterations of Star Trek are lauded for their diverse casts, but in terms of alien races, Prodigy has them all beat! There are literally no humans to be seen – this version of Janeway is a hologram, something that pre-release marketing made clear! All of the other main characters are from a variety of alien races, some familiar and some brand-new.

There’s often talk within the Star Trek fan community about certain characters feeling under-utilised by their respective shows; such a disagreement even led to at least one departure from Star Trek, when Denise Crosby quit her role on The Next Generation. This was noticeable all the way back in The Original Series, too, where some characters could feel secondary in all but a handful of stories. Modern Star Trek has tended to focus on specific protagonists: Michael Burnham in Discovery and Picard in, well, Picard. Prodigy is different, and each of the main characters feel like they have an important role both on the ship and within the stories that the show has told so far.

Most of the main characters together on the Protostar’s bridge.

Murf attracted a lot of attention for their incredibly cute design, and I’ve definitely seen a strong positive reaction to Murf through my limited interactions with the Star Trek fan community. But for me, the breakout star of the first half of Season 1 has been Rok-Tahk – the youngest member of the crew, voiced by young actress Rylee Alazraqui. Another of the show’s more unusual character designs, Rok-Tahk has a striking, rock-like appearance and large stature that seems completely at odds with her quiet, sweet personality. Perhaps it’s this initial disconnect that first made the character so interesting, but Rok-Tahk had moments of bravery and significant character growth over those first ten episodes that really stood out to me.

Later seasons of Deep Space Nine and Season 3 of Enterprise in particular had introduced Star Trek to serialised storytelling years ago, but one of the defining things about the franchise since its return to the small screen in 2017 had been an embrace of fully serialised storytelling – for better or for worse, depending on your point of view. Lower Decks definitely pulled Star Trek back in the direction of episodic television, though, and there have since been thoroughly enjoyable standalone (or at least semi-standalone) episodes of Discovery. Prodigy is a surprising blend of the two; a number of standalone stories contained within a serialised framework.

The villainous Diviner is part of Prodigy’s ongoing serialised story.

This allows for genuine character development, and it’s been amazing to see the young crew of the USS Protostar grow into their roles, becoming a true Starfleet crew in every sense of the term. Individual episodes may take the crew on different adventures, but unlike most of the stories in shows like The Next Generation and Voyager, the lessons the crew of the Protostar learned stay with them. This allows for the overarching story of their conflict with the mysterious Diviner to unfold slowly while taking the crew on varied and fun adventures. This is the kind of storytelling model that Strange New Worlds has teased us with – and if the creative team in charge of that show manage to do half as well as the writers and producers of Prodigy, we’re in for a good time!

Prodigy has an amazing title sequence, with a theme that truly feels like it could’ve come from any of the pre-Enterprise shows. The adventurous, up-tempo music is pitch-perfect for the Star Trek franchise, and for the kind of series that Prodigy is, and it’s played over a fun title sequence that harkens back to the style used from The Original Series through to Enterprise. Every Star Trek show needs a fun, memorable theme and opening titles, and Prodigy absolutely nails that. It might sound like a silly thing to compliment, but this style of title sequence and this type of theme music are, in many ways, hallmarks of the Star Trek franchise.

The USS Protostar in flight as seen in the show’s title sequence.

Many Trekkies have noted over the years that a starship is an extra member of the crew; an extension of the series’ main cast. Prodigy brings a fun design to the table with the USS Protostar, one that appears externally to be very much in line with other 24th Century Starfleet vessels – albeit on a slightly smaller scale. The addition of its unique engine adds not only to the design of the ship, making it stand out, but also adds to the overall lore of Star Trek; it’s quite possible, in my opinion, that we’ll see this method of propulsion cropping up in future Star Trek productions.

Internally, the ship brings several different Star Trek designs together. I note influences from the Kelvin-timeline USS Enterprise on the Protostar’s bridge in particular, with the use of bright lights and sleek lines. The use of holographic displays in addition to flat panels is a continuation of a trend that we’ve seen in much of modern Star Trek, and the show takes full advantage of its animated nature to do things with holograms that would be expensive in live-action.

Zero at one of the Kelvin-esque bridge consoles.

Within the USS Protostar are most of the familiar rooms that we’d expect any 24th Century starship to have. The design of the transporter room was one I found to be especially clever; it feels like there are influences from the USS Discovery and the USS Voyager in particular. It’s important for any franchise to have common design elements – these are the visual cues for viewers that they’re watching Star Trek, not another random sci-fi franchise. Generally the designs across Prodigy have done well in that regard – and that’s before we get into the various designs that make a return from past iterations of the franchise.

Prodigy brought back Janeway’s familiar Voyager-era uniform (at least some of the time!) but pairs it with a scaled-back combadge design based on that used in The Original Series (and Lower Decks). The simplified combadge design works pretty well, and when taken in the broader context of those being used in Discovery, Lower Decks, Strange New Worlds (soon) and even to an extent Picard, it gives modern Star Trek a sense of consistency that is otherwise difficult to come by with so many different time periods in play! So I like the return to a more basic design – even if it was admittedly odd, at first, to see Janeway sporting this style of combadge.

Dal in the captain’s chair.

There’s a lot more I want to say about Prodigy, but we’d start getting into serious spoiler territory! So perhaps it’s best to end things here. Despite the damaging corporate nonsense that is, sadly, doing harm to Prodigy, the show itself has been a lot of fun. I wasn’t sure what to expect from a series that was deliberately pitched at such a young audience, but what I found was a genuinely great Star Trek show, one with all of the heart and spirit of adventure that has defined the franchise since its inception more than fifty years ago. It’s not the same as what came before, and there are kid-friendly elements and choices that you wouldn’t expect to see in any other Star Trek series. But those things aren’t front-and-centre the whole time, and overall the series has a lot to offer even if, like me, you’re not that young anymore!

I hope that Prodigy can succeed at bringing in hordes of new, younger fans. With a potential Starfleet Academy series also in the offing, and Lower Decks trying to bring in fans of animated comedy, there’s the potential for the Star Trek fandom to grow a lot over the next few years – something that will hopefully shore up the franchise and see it continuing to be supported for years to come. Of all the shows currently in production, Prodigy has the most potential, at least in my view, to bring in totally new fans.

Here’s hoping Prodigy will create lots of new Trekkies!

It’s up to all of us to try to make the fandom a welcoming place. I remember attending my first fan meet-ups in the early/mid-1990s, meeting older Trekkies who’d been fans since the days of The Original Series. No one made me feel unwelcome, even if I hadn’t seen every episode or film, and I hope that we can all extend that same courtesy to newbies who are jumping into Star Trek for the first time after getting excited by Prodigy. I’ve already heard anecdotally of new Prodigy fans who are jumping into Voyager to spend more time with Captain Janeway! Perhaps that could be a great excuse for ViacomCBS to finally get Voyager remastered… well, a fan can dream!

If you’ve been sleeping on Prodigy, or waiting to see how its first season was received, I hope you’ll give it a try. Stick with it for the first three or four episodes at least before judging it, and keep in mind that as a kids’ show it isn’t going to be exactly the same as past iterations of the franchise. There’s no shame in disliking Prodigy or finding that its tone isn’t right for you – but in my view, if you stick with it you’ll find a genuine Star Trek series that embodies all of the elements that fans have long enjoyed about the franchise.

I was surprised at just how invested I became in Prodigy and its characters. The world-building is fantastic, the stories dramatic and even emotional. It’s a Star Trek series through and through, and I can’t recommend it highly enough. Now if only ViacomCBS would allow it to be broadcast…

Star Trek: Prodigy Season 1, Part 1 consists of ten episodes and is available to stream now on Paramount+ in the United States. Some episodes are available to stream on Paramount+ in Australia, Latin America, and Scandinavia too. No further international distribution has been announced. The Star Trek franchise – including Prodigy, Voyager, and all other properties discussed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A whole host of Star Trek updates and renewals… but trust in ViacomCBS is still hard to come by

Spoiler Warning: There may be minor spoilers ahead for the Star Trek franchise.

Yesterday we got some fantastic news about the direction of the Star Trek franchise over the next couple of years. I’m sure you’re already aware of all of it, but just in case, here are the key announcements in brief:

  • Star Trek: Discovery has finally been renewed for a fifth season.
  • Star Trek: Picard Season 2 will premiere on the 3rd of March.
  • Star Trek: Strange New Worlds will premiere on the 5th of May.
  • Star Trek: Strange New Worlds has been officially renewed for Season 2.
  • Star Trek: Lower Decks Season 3 will premiere this summer.
  • Star Trek: Lower Decks has been renewed for Season 4.
  • Star Trek: Prodigy Season 1 will take a break when Discovery returns, before broadcasting the second half of the season later in the year.
  • Star Trek: Prodigy has been officially renewed for Season 2.

All of these announcements take the Star Trek franchise well into 2023, and when you add into the mix the as-yet-untitled 2023 film as well, there’s a massive amount of content to come over the next couple of years. It seems as though scarcely a week will go by without at least one new Star Trek episode premiering throughout all of 2022!

This is all unequivocally good news. Star Trek has made an absolutely triumphant return to the small screen since Discovery premiered in 2017, and the franchise has grown beyond my wildest hopes and most optimistic expectations in a scant five years. I hope that this is just the first phase of a new Golden Age, with more Star Trek on our screens taking us to the franchise’s sixtieth anniversary in 2026 – and beyond.

But it hasn’t been a smooth ride for Trekkies in recent weeks, especially for those of us who live outside of the United States. Star Trek: Prodigy is well into its first season for American viewers, but the rest of the fanbase hasn’t been able to see so much as a single episode – at least not via “conventional” means. This is despite Prodigy being a co-production between CBS Studios and Nickelodeon; the latter being a kids’ television channel that is available in more than 70 countries and territories around the world and is wholly owned by ViacomCBS. Surely a Prodigy international broadcast should have been possible – yet the corporation running Star Trek has consistently chosen to prioritise its American audience ahead of fans in the rest of the world, even when doing so makes no sense.

The same situation initially befell Discovery’s fourth season, when an insultingly-worded, awfully-timed announcement saw the series pulled from Netflix with 48 hours to spare. It was only thanks to the huge backlash that ViacomCBS received, leading to a significant fall in the corporation’s share price, that Discovery was shopped out to Pluto TV, Amazon, YouTube, and other platforms. Fans won in the end – but it was a battle that we should’ve never needed to fight.

At the time of the Discovery disaster, I wrote a piece here on the website in which I asked a difficult question: what might the situation and the precedent it had set mean for future Star Trek productions, including those shows that have just been renewed or had premiere dates announced? You can check out the full article by clicking or tapping here, but to briefly summarise: I am not optimistic that the painfully slow rollout of Paramount+ can be sped up, nor that shows like Strange New Worlds will be granted an international broadcast at all.

ViacomCBS is a poorly-managed corporation with leaders and executives who seem utterly incompetent – or who are dusty old relics, ill-suited to a 21st Century media landscape. The lack of care and preparation with which the Star Trek franchise is being handled is indicative of this, and the franchise lags far behind old rival Star Wars in many areas. Where are, for example, 4K HDR episodes? This is something Star Wars has been doing since 2019 with The Mandalorian, and many other television shows on Amazon, Netflix, and Disney+ are now streaming in 4K HDR. Where are the toys that should have been available in time for Prodigy’s debut? And, come to that, where’s the rest of the Star Trek merchandise for other shows?

These are just a couple of examples of how the Star Trek brand is being mismanaged by ViacomCBS, and unfortunately the breach of trust between the corporation and a sizeable chunk of its fanbase means that the plethora of announcements made yesterday are, at the very least, seen through a new lens. At worst they’re completely tainted, with excitement and hype replaced with either apathy or anxiety as fans ask whether we’ll be able to watch any of these new shows and new seasons – and if we can’t, why should we care?

Since I created this website in 2019, I’ve reviewed every Star Trek episode that has been broadcast – except for Prodigy. Why? Because ViacomCBS deliberately chose not to make Prodigy available here in the UK (by lawful means, at least) despite owning and operating the UK version of the Nickelodeon channel and thus having the ability to do so with ease. When a corporation behaves in such an insulting manner, I feel it’s difficult to support practically any announcement or project that they have going on.

It will take time – and most importantly, a significant amount of effort from ViacomCBS – to repair the breach of trust between the corporation and Trekkies. And while these announcements are exciting, I can’t bring myself to fully board the hype train, not until we have more information about how and when these shows are going to be made available.

Here are several key questions that ViacomCBS needs to address in pretty short order:

  • When will Paramount+ be available here in the UK?
  • Are there any plans to make Paramount+ available in Asia, Africa, and other regions?
  • If there are no plans to roll out Paramount+ in a particular country or territory, will these new Star Trek shows be available via some other broadcaster?
  • Will new episodes of Star Trek be available on Paramount+ outside of the United States, or will the international version of Paramount+ delay the broadcast of some or all of these episodes (as initially happened with Discovery Season 4 in Australia, Latin America, and Scandinavia)?
  • Can you offer fans a guarantee that Picard Season 2 and Lower Decks Season 3 will be broadcast on Amazon Prime Video this year?
  • Will Paramount+ be available internationally in time for Strange New Worlds Season 1?
  • If not, will Strange New Worlds be available on another broadcaster or platform outside of the United States?

I love Star Trek. Heck, I run a Star Trek fan website – and in my small way I offer ViacomCBS free publicity and advertising by talking and writing about the franchise in my free time. But I can’t blindly support a corporation that has continually taken decisions that harm Star Trek’s international fans, and until ViacomCBS is willing to answer some of the questions fans are rightly asking about the availability of upcoming productions, it’s going to remain difficult for any of us to fully get on board and be as excited as we want to be.

ViacomCBS needs to get a grip and put real effort into accelerating the international rollout of Paramount+. If Paramount+ isn’t going to be available in time, then the corporation needs to make plans to ensure international Trekkies can watch the likes of Strange New Worlds at the same time as fans in the United States. Star Trek is not an American entity, solely the preserve of American fans. ViacomCBS and its predecessors encouraged the creation of a global fanbase because they saw profit overseas – but that fanbase has been bruised by a slew of poor corporate decisions that have damaged the reputation of Star Trek and Paramount+, and which have unfortunately seen shows like Lower Decks underperform.

As Star Trek gears up for an exciting couple of years, the team in charge has a lot of work to do to rebuild trust between ViacomCBS and Trekkies. Star Trek’s long-term success depends on fixing the problems of the past couple of years and getting things right going forward. I’m interested to see how ViacomCBS will respond – and willing and able to hold their feet to the fire if they continue to get it wrong.

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Where are the Prodigy toys?

Sometimes it feels as though ViacomCBS doesn’t know how to manage a major international franchise like Star Trek. The amateurish rollout of Paramount+ internationally is a great example, as is the streaming service losing all of the Star Trek films for several months. I’ve covered these topics before, and without retreading too much old ground let’s just say that ViacomCBS and Paramount+ need to get a grip, otherwise fans – especially fans from outside of the United States – are going to run out of patience with the corporation, and the casual viewers who make up the majority of any television audience won’t even find out about the latest shows and films.

Today, though, I wanted to tackle a different way in which ViacomCBS is mismanaging the Star Trek brand: toys and merchandise.

Maybe it’s true that action figures for a show like Star Trek: Picard wouldn’t sell particularly well. That series primarily targetted an adult audience – fans of The Next Generation (or at least folks who remember that series) and who are primarily 35+. There was at least some attempt to sell Picard merchandise both before and during the show’s first season, though, with things like T-shirts and even “Château Picard” wine available via the official Star Trek shop.

Château Picard hoodie, anyone?

In the 1980s and ’90s, Star Trek gave even the venerable Star Wars a run for its money in the merchandising and toy departments. Not only were there action figures of practically every minor character to ever make an appearance on The Next Generation, Deep Space Nine, and Voyager, but there were video games, pinball machines, pretend-play toys, playsets, model kits, dress-up outfits, and much more besides. In the ’90s I managed to assemble a modest Star Trek collection of my own, primarily the Playmates line of action figures as well as a few model kits – I was a big model builder back then!

But since the franchise returned to the small screen in 2017, there hasn’t been any noticeable effort on the part of ViacomCBS to merchandise the Star Trek brand – meaning that the corporation is missing out on a significant additional revenue stream from its biggest brand, one that would supplement the income it makes from streaming the various shows and films. Just look at Star Wars: sales of merchandise long ago eclipsed the box office receipts for all of the films combined.

Star Wars has so much merchandise that Disney can literally make merchandise-themed Star Wars films and games.

As I said, it’s possible that not every Star Trek project would warrant the same level of merchandise and toys. But even then, ViacomCBS has been lacking. Look at the Eaglemoss collection of Star Trek starships as a prime example: Star Trek: Picard Season 1 debuted in January 2020, but it took until June 2021 – almost eighteen months later – to release a single model starship from the series.

A corporation the size of ViacomCBS shouldn’t need to be told that the prime time to cash in on a show is while it’s being broadcast. That’s merchandising 101. Waiting eighteen months is pathetic and ridiculous – and it isn’t the fault of collectibles company Eaglemoss. The fault lies with ViacomCBS for not securing these merchandising agreements sooner.

The same is true of Discovery, which only started getting significant merchandise well after Season 1 had come and gone. And even now we’ve passed the second season of Lower Decks, Star Trek’s official shop still carries precious little by way of products from the series.

It took ViacomCBS more than eighteen months to release this model of Picard’s La Sirena.

That brings us to Star Trek: Prodigy, which premiered a couple of weeks ago – for those viewers whom ViacomCBS deemed worthy of being permitted to watch the series. The rest of us outside of North America are still waiting to know if and when we’ll be allowed to watch it (lawfully). But that’s beside the point right now.

Prodigy is a show made for kids. It has more going on, things that adults will enjoy, but its main focus is on the younger audience – making it a prime candidate for selling toys, games, and other merchandise. So… where are all the Prodigy toys?

There are a mere ten Prodigy items for sale from the official Star Trek shop, most of which are the show’s basic logo slapped on mugs and T-shirts.

It’s no good launching a line of Prodigy toys next year. Kids who are streaming the show now want those toys now – and with the holidays approaching it’s literally the best time of the year to be in the toy business. I can understand why ViacomCBS might’ve felt a Soji action figure or an Admiral Picard doll wouldn’t sell like hot-cakes, but Prodigy should be absolutely perfect for all sorts of tie-in products.

Many cartoons and television shows made for kids are little more than twenty-minute toy advertisements. Whole franchises like Transformers and My Little Pony have been created as toys first, cartoons second, and they make a lot of money for their respective companies that way. I’m not suggesting Prodigy should go to that extreme, but even nowadays with kids spending more time with smartphones, tablets, and other electronic gadgets there’s still room for toys and games.

Kids do still play with toys…

For a television show aimed at kids to be broadcast with no kid-friendly tie-in products strikes me as profoundly strange in the current commercial climate. And some folks might be thinking “hey, that’s actually a good thing!” because it means ViacomCBS isn’t doggedly chasing every last dollar. But to me it’s yet another indication of the truly amateurish way that the corporation is handling its biggest franchise.

One of the earliest memories that I have of Star Trek isn’t a television episode or film, it’s a product. My uncle – who boasts a fabulous collection of Star Trek merchandise – showed me a toy phaser from The Original Series that must’ve been made in the ’70s or possibly the early ’80s, which lit up and made a sound when the trigger was pushed. I don’t think seeing that toy was what pushed young me to become a Trekkie, but good quality toys that look like fun absolutely can be the way kids first get interested in a franchise like Star Trek.

I think this was the toy phaser I’m remembering…

Prodigy is full of fun, unique, and colourful designs that would make for amazing toys, dolls, playsets, and pretend-play scenarios. The series is aimed at children, and from the point of view of a longstanding Trekkie, I want it to be successful at converting at least some of those kids into fans of Star Trek as a whole. The entire reason for creating a show like this is to bring new, younger fans into the fandom – and to lay the groundwork for Star Trek’s continued success. As I’ve said before: if Star Trek remains the sole preserve of fans who loved the franchise in the ’60s and/or the ’80s and ’90s then it won’t survive – and it won’t deserve to survive. New fans are the lifeblood of any fandom.

So when I see ViacomCBS mishandling the brand and not taking full advantage of it I feel truly disappointed with a corporation that doesn’t seem to know what it’s doing. Before Prodigy had aired a single episode there should’ve been the following basic tie-in products at a bare minimum: action figures and/or dolls of each of the main characters, at least one playset of the USS Protostar, dress-up costumes of the main characters – including a Starfleet uniform – and pretend-play toys of things like phasers and tricorders. These items should’ve been available worldwide at a reasonable price so that kids who like the show could remain engaged with Star Trek outside of the half-hour per week where they’re watching the episodes.

The USS Protostar from Prodigy.

Some of ViacomCBS’ other failures when it comes to Star Trek actually feel less significant than this massive missed opportunity. It isn’t just about making money on each product sold – and in the short term, while the show and Paramount+ build up their reputations, it’s even possible that the corporation would make a moderate loss. But the longer-term prospects of merchandising a show like Prodigy are significant. As kids who don’t watch the show see the toys at their friends’ houses they’ll ask what Star Trek is and maybe get into the series for themselves. With Star Trek toys on the shelves of every major supermarket and toy shop, people who weren’t aware of the franchise’s return will realise that Star Trek is back. This kind of word-of-mouth advertising pays for itself, and that’s something very difficult to pull off on social media (especially given the truly crap way ViacomCBS manages Star Trek on social media – but one battle at a time, eh?)

I’ve made no secret over the past couple of years that I have issues with the way ViacomCBS has handled the Star Trek brand. And I don’t raise these points out of spite – I want them to manage Star Trek better because I care about Star Trek’s future success. Right now, decisions like these make it seem as though Star Trek is very much a lesser brand even in the minds of the people who are supposed to be running it. When you can turn up at any supermarket or toy shop and see dozens of Star Wars toys, yet nothing at all from Star Trek, it’s disappointing.

The premiere of Prodigy, a series aimed at kids, should have come with at least some toys and games to go along with the show. Making money from that kind of merchandising arrangement is one reason why, but another far more important reason is engagement – making sure that kids remain engaged with Prodigy, its world, and its characters when they aren’t watching the show is key to keeping them coming back. In 2021, practically every kids show has some kind of tie-in product – and it’s a damning indictment of the sloppy, amateurish way that ViacomCBS has handled the Star Trek brand that Prodigy doesn’t.

Star Trek: Prodigy is available to stream now on Paramount+ in the United States. No international broadcast has been announced. The Star Trek franchise – including Prodigy and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Lower Decks and Prodigy at Comic-Con

Spoiler Warning: There are spoilers ahead for Star Trek: Lower Decks and Star Trek: Prodigy, including for upcoming episodes.

For this year’s Comic-Con @Home digital event the Star Trek franchise was more streamlined than last year, with panels for only two upcoming productions: Star Trek: Lower Decks Season 2 and Star Trek: Prodigy Season 1. Though it would’ve been nice to see something from some of the live-action productions as well – not least Strange New Worlds, about which we’ve seen very little – the two panels were interesting! There’s more than enough to get stuck into as we look ahead to August and the autumn.

With Discovery Season 4 also scheduled to begin airing before the end of 2021, it seems like Star Trek will hardly be away from our screens starting in less than three weeks’ time, which is fantastic news. Prodigy doesn’t yet have a definite broadcast date, but the Comic-Con panel confirmed that the series will debut this autumn. If ViacomCBS wants to stick to one Star Trek show at a time, perhaps that’ll put it in late October, but watch this space!

Star Trek: Prodigy is coming soon!

In addition to the panels we also got a new trailer for both shows, which was great to see. This is the first time we’ve seen Prodigy in action, and I have to say that the show looks amazing. The animation is visually impressive, easily on par with the best offerings from the likes of Disney and others, and the spirit of exploration and adventure that’s been at the core of past Star Trek shows for so long seems to be present in the series in a huge way.

As I’ve said before, the best children’s shows manage to have things to offer to adults as well, and it seems like Prodigy will absolutely be that kind of series. The main characters appear to come together on some kind of junkyard or shipbreaking planet, which is where they encounter the USS Protostar – a pretty neat name for a ship! This setup could mean that the kids are orphans or even slaves, and the idea of escaping to a better life via Starfleet is a surprisingly grown-up theme for a series targeting a younger audience.

The USS Protostar will be the kids’ home in Prodigy.

The inclusion of a couple of familiar Alpha Quadrant races (a Medusan character and a Tellarite character) is also interesting. How did these individuals come to be so far from home? Perhaps they were kidnapped or taken by slavers, though this would be a very dark starting place for a kid-friendly show! I’m curious to learn more about the characters and in particular their backgrounds – were they simply born on this world with no idea how they came to be there? The original premise of Prodigy stated that none of the kids had ever heard of the Federation or Starfleet – but considering the Tellarites are Federation members and the Medusans had contact with the Federation at least a century earlier, the reason why could be interesting. Or I could be getting over-excited about minor points of canon again!

Zero, a Medusan character.

On the design of the USS Protostar, I wasn’t sure what to expect. Obviously there’s a degree of canon-bending taking place; this starship design is new and the ship itself looks too large to have been docked aboard Voyager during the latter’s journey through the Delta Quadrant. I had wondered if we might’ve got something like a runabout or even a Delta Flyer, but now that I think about it, a “classic” Star Trek design with a clear bridge, saucer section, and dual warp nacelles makes a lot of sense from an aesthetic point of view. It’s obviously ViacomCBS’ aim that fans of Prodigy will go on to check out other parts of the Star Trek franchise and become long-term fans, so keeping things relatively simple and consistent in terms of the basic designs and visual styles makes a lot of sense.

Though we only saw the Protostar’s bridge very briefly, I got the impression that it was a mix of Kelvin-timeline and Discovery-era styles, giving the ship’s command centre perhaps more of a modern look than one directly inspired by Voyager and other Star Trek shows of that era. Again this is something that probably makes sense; some younger viewers may feel that, compared to more modern offerings, ’90s Star Trek (and other sci-fi) doesn’t look quite as flashy and futuristic as it could!

The bridge of the USS Protostar.

Both internally and externally I like the ship’s design, and I’m looking forward to seeing more and really getting to grips with the show and its characters. The Prodigy panel told us a little more about some of the characters, and we got to meet several of the voice actors as well. I liked what Kate Mulgrew had to say about the show, and I’m really feeling positive about Prodigy now. It’s something that feels like it has the potential to really inspire a new generation of Trekkies, and that inspirational aspect of Star Trek is something that has been present since the beginning.

We learned a little more about some of the main characters from the panel, too. Rok-Tahk, the large rock-like alien, is in fact the youngest member of the crew (something we knew already when the cast was announced). But this seems like it will play exceptionally well into a fairly typical children’s show theme: don’t judge a book by its cover! The co-creators of Prodigy talked about how she’s a character who looks tough, as though she could be a security officer, but is in fact much more of a scientist and doesn’t like fighting. These kinds of story beats can work beautifully, and can often be teaching moments for adults just as much as for children!

A closer look at Rok-Tahk.

Let’s move on to Lower Decks now. There was a panel and trailer for the show’s upcoming second season, and we got a lot of new information! Firstly, perhaps the biggest reveal from the Lower Decks trailer is the return of another Voyager star – Tom Paris. It seems as though Paris isn’t exactly going to make an appearance in the show, but rather will be a figment of Boimler’s imagination. It looks like a fun scene, though, and there’s already a prop replica that’s been announced of the “Tom Paris plate” that Boimler talks to!

Boimler and his Paris plate.

There’s a lot to unpack from the trailer, but here’s a rundown of the things I noticed having seen it a few times now:

  • The Pakleds are back! The Pakleds were responsible for the attack on the Cerritos and her sister ship in the Season 1 finale.
  • Riker and Troi are also back, as is the USS Titan.
  • Boimler is an ensign again. How that will happen is still unclear, but there were more than enough scenes with him in his ensign’s uniform to confirm he’s been demoted and reassigned to the Cerritos. That seemed inevitable!
  • The Cardassians and Ferengi will make an appearance, with the latter looking set to be antagonists.
  • Mariner and Tendi seem to get into a bar fight with a group of Nausicaans – in what looks like a callback to Picard getting into a similar situation in The Next Generation Season 6 episode Tapestry.
  • Shaxs’ replacement is a Tamarian! Also known as the Children of Tama, this race appeared in The Next Generation Season 5 episode Darmok. Their distinguishing characteristic is the way in which they talk exclusively through the use of metaphors. I think this could go on to be a significant point of humour across the season!
  • The ensigns appear to visit Freecloud – a planet first seen in the Picard Season 1 episode Stardust City Rag.
  • A possible visit to Deep Space Nine is on the cards – though this could be a different Cardassian ship or facility. I love that Lower Decks is unapologetic in its re-use of the aesthetic of ’90s Star Trek, though! The Cardassian hallway with its panels and buttons was instantly recognisable.
  • Promotion was mentioned – perhaps for Tendi and/or Rutherford? Having seen Boimler promoted at the end of last season, it would be funny to see the other three all get promoted (and him to not be) this time!
  • Is Mariner in the brig?
  • Boimler was briefly depicted as a Locutus-style Borg – but does he really get assimilated or might that be a nightmare?
  • The Cerritos appeared to encounter the Crystalline Entity!

Phew! That was a lot, and I have no doubt I missed just as many things!

The ensigns watch as the USS Cerritos warps away!

In the panel that accompanied the trailer, creator Mike McMahan explained that the second season will be “funnier and bigger” than Season 1, which lines up with what I said last time! Having found its feet last year and definitively proved its concept, Lower Decks is now free to really go all-in, let its hair down, and crank everything up to eleven!

A Tamarian character could make for some great moments of humour.

Lower Decks managed to retain much of what makes Star Trek “Star Trek” while at the same time having a lot of fun. It used so many different elements from Star Trek’s past as a source of humour without ever coming across as mean-spirited or laughing at the franchise and its fans. Not every aspect worked and not every single joke landed in Season 1, but everything I heard from the panel and saw in the trailer has got me genuinely hyped up to see more of the same in Season 2.

The four ensigns, reunited!

One character arc that worked extremely well in the latter part of Season 1 was Mariner coming to terms with her role in Starfleet and her relationship with her mother – Captain Freeman. Tawny Newsome, who voices Mariner, had something to say about their relationship during the panel, and I like the fact that Season 2 hasn’t simply abandoned or reset this dynamic. Watching some of these characters continuing to grow and embrace their roles is something I’m genuinely looking forward to.

Ensign Mariner in the new trailer.

Lower Decks Season 2 is now less than three weeks away, and I cannot wait!

The panels and trailers are available to watch on YouTube and the official Star Trek website at time of writing, but just before we go I need to have a little rant. ViacomCBS and the Star Trek social media teams make it far more difficult than they should to access some of these things. For example, the official Star Trek Twitter account put out the trailer for Lower Decks Season 2… but if you’re in the UK at least it was unavailable to watch! And the official Paramount+ YouTube channel doesn’t have either trailer at time of writing, nor does the official Star Trek YouTube channel, despite the panels and trailers debuting more than 48 hours ago.

What the heck is this? ViacomCBS, this is no way to run a social media marketing campaign.

Big brands in 2021 need social media followers, and making it difficult for your fans to find something as basic as a trailer (which I can only access via third-parties that re-uploaded it) is beyond poor. It’s shocking, and ViacomCBS needs to work on this and get serious about the way it publishes marketing material. If you’re trying to bring in fans and viewers, this is not the way to go about it.

Rant over! And now the article is over too. I hope this was a bit of fun and brought you up to speed if you missed the panels and trailers.

Star Trek: Lower Decks Season 2 will debut on the 12th of August on Paramount+ in the United States, and within 24 hours on Amazon Prime Video in other countries and territories. Season 1 is available to stream now. Star Trek: Prodigy is due to be broadcast on Paramount+ in autumn 2021 and may be broadcast internationally on Nickelodeon. The Star Trek franchise – including Lower Decks, Prodigy, and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

More details about Star Trek: Prodigy revealed

Spoiler Warning: There are spoilers ahead for Star Trek: Prodigy.

A few weeks ago we got to see a first glimpse of upcoming kids show Star Trek: Prodigy, showing off the main cast of characters. Today, ViacomCBS revealed a little more information about who these folks are – as well as the voice actors who will bring them to life! In addition, we got four brand-new teaser images. I thought it would be fun to take a look at what’s been revealed as we start to get excited for Prodigy.

It’s worth saying at this stage that no broadcast date was revealed. In fact, we weren’t given so much as a hint as to when Prodigy might hit our screens. I’d definitely seen 2021 talked about as being likely, but given we’re going to get Lower Decks in less than two months, with Discovery following hot on its heels before the end of the year, I’m beginning to think that Prodigy will arrive next year instead. Stay tuned, because if and when we get a proper release date – or a trailer – I’ll try to cover it here on the website!

Meet the cast!

We’d learned during Star Trek’s First Contact Day digital event a couple of months ago that Prodigy is set in the Delta Quadrant, and that the characters mostly belong to races we haven’t met before. Despite that, however, there are two characters who actually are from familiar races – presumably we’ll learn more about how they came to be in the Delta Quadrant when the show airs!

First up we have a Tellarite named Jankom Pog. The Tellarites were founding members of the Federation – so perhaps we’ll get a different perspective from this character, who may know a little more about Starfleet and the Federation than the others. And secondly we have a Medusan character named Zero. The Medusans were seen in The Original Series Season 3 episode Is There In Truth No Beauty? These aliens are noncorporeal and unable to be looked upon by humans (and presumably others) as the sight of their appearance can drive people insane!

The first of two images featuring Dal.

Modern Star Trek has enjoyed bringing back characters and races from The Original Series era, and this feels like a continuation of that trend in some ways. Both Tellarites and Medusans are known but have never been explored in depth, and making main characters out of each feels like it has the potential to expand our understanding of both races.

I don’t want to pre-empt some of the storylines that Prodigy could explore, but in the Medusan character in particular I wonder if we’re going to see stories about things like overcoming insecurities about one’s physical appearance. There’s also the potential for an analogy about having to hide one’s true self and never feeling able to be truly “seen.” The Medusan character was very pointedly described as “genderless” in the press release, and I wonder if that means we’ll get storylines considering gender identity in a comparable way to how Discovery’s third season introduced the non-binary character Adira.

Dal again – perhaps on the Starfleet vessel the kids encounter?

Let’s look at the remaining characters and see if there’s anything else we can gleam!

The character I felt bore superficial similarities to Jaylah from Star Trek Beyond is called Gwyn, described as a Vau N’Akat – a new race that we haven’t met before – who grew up on a bleak mining world. Sounds interesting, and there’s potential for Gwyn to perhaps be a point-of-view character, allowing for things to be explained to us as the audience because she’s less familiar with the wider galaxy and its inhabitants.

Dal is next, the same age as Gwyn but from an unknown race. A couple of the characters have this description; I don’t know if it means their races will be revealed during the series or if the characters themselves don’t know their own origin and identity. If it’s the latter, perhaps there’s scope for Dal to learn more about his people and his home as the series progresses. Otherwise, this character was described as a “maverick,” but also full of hope.

A new teaser image of Gwyn.

The very large alien that I thought might’ve been a Horta is actually the youngest member of the group. Rok-Tahk is described as shy and an animal-lover. Aside from the unconventional size, this kind of feels like Rok-Tahk has been given generic “little girl” attributes by the creators… but maybe she’ll surprise me and bring something more to the table.

Finally we have Murf, the adorable blob-alien who immediately became a fan-favourite. Murf is the second character whose species is described as being “unknown,” so we’ll have to see what happens there. Otherwise Murf was described as “indestructible,” which certainly seems like an attribute that could come in handy.

Rok-Tahk seems to be hard at work!

There were a couple of known names among the voice cast. Jason Mantzoukas will voice Jankom Pog (the Tellarite character) and is an actor and comedian who’s been in films like The Dictator and The Lego Batman Movie, as well as television shows like Brooklyn Nine-Nine and Big Mouth. Dee Bradley Baker will voice Murf, and you might know his name from his prolific voice acting in television shows like Star Wars Rebels, SpongeBob SquarePants, and as the “voice” of Perry the Platypus in Phineas and Ferb.

So now we have names to go with the faces we first saw a few months ago! Prodigy is definitely taking shape, and the more we learn about the series, the more interesting it seems to get. I know it’s a show primarily aimed at kids, but the best children’s shows have something to offer adults as well. Not to mention that Star Trek has long been a child-friendly franchise.

It was great to get another glimpse at the new series. Prodigy will be the fourth brand-new Star Trek project to premiere since ViacomCBS brought the franchise back to the small screen less than four years ago. It’s an absolutely amazing time to be a fan of Star Trek – as I keep saying! – and I can only hope that the new show is as entertaining and enjoyable as the others. It’s a departure for the franchise to make a deliberately child-oriented show, and to have a cast of characters which primarily consists of teens and kids, but as Lower Decks proved last year – albeit in a very different way – Star Trek is adaptable. The franchise is capable of branching out and going in different directions. For a lot of kids, Prodigy is about to become their first contact with Star Trek, and I hope many of them will explore the franchise, watch its other iterations, and become lifelong fans.

You can find more information about the cast and characters of Star Trek: Prodigy by following this link to the official Star Trek website. Star Trek: Prodigy will premiere on Paramount+ in the United States soon. International distribution has not yet been announced. The Star Trek franchise – including Prodigy and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek’s “First Contact Day” event – roundup and impressions

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Lower Decks Season 1, Star Trek: Discovery Seasons 1-3, and most importantly, there are spoilers (including images) from the teaser trailers for Picard Season 2, Lower Decks Season 2, and Discovery Season 4. There are also spoilers for Prodigy.

Yesterday was “First Contact Day” – the 5th of April is the day in 2063 when humans made first contact with the Vulcans, as depicted in Star Trek: First Contact. We’ve seen the event celebrated within Star Trek on a few occasions, and apparently one dish often served is salmon! But we’re off-topic already.

The creative team in charge of Star Trek set up First Contact Day as a digital event, somewhat akin to last year’s Comic-Con @Home presentations, and other similar events that they’ve done periodically. It was marketed on social media, particularly on Facebook and Twitter. But it wasn’t 100% clear how fans were supposed to access the virtual panels – whether they were just going to be available on the website, on social media directly, or even via Paramount+. Even navigating to the right part of the Star Trek website took clicking through several links.

It wasn’t exactly clear how to get to this web page.

That confusion was entirely self-inflicted and clarifying it would have been easy to do. It was almost as if the social media/website teams were making watching the panels “live” – they were actually pre-recorded – as difficult as possible. Thankfully all five of the panels were later made available on YouTube (vital for me, so I could go back and take screenshots!) But while we’re complaining about Star Trek/Paramount+/ViacomCBS’ social media, if you want to watch the full panels on YouTube I advise you to do so fast – in the past, some Star Trek videos, including one of the trailers for the first season of Picard and last year’s Comic-Con panel I mentioned earlier, were taken down by YouTube’s copyright protection algorithm. Hopefully that won’t happen this time, but it’s worth keeping in mind the possibility.

One of the pre-event social media posts was really tantalising and very well put-together. A “teaser” clip of a viewscreen which briefly flashed up two numbers – that looked like map coordinates – got a number of Trekkies talking and speculating, successfully building up a degree of hype for the First Contact Day event. In 2021, this kind of audience engagement via social media is vital for any franchise, and I’m glad to see Star Trek at least making an attempt!

What looked like the bridge of the USS Discovery…
…and the mysterious numbers!

So let’s start with the big news!

We got teaser trailers for Lower Decks Season 2, Picard Season 2, and Discovery Season 4! In addition, we got to see the design for Captain Janeway in Prodigy. Each of the panels gave us a few clues and tidbits of information about these upcoming Star Trek projects, which was fantastic.

The mysterious numbers mentioned above did in fact turn out to be coordinates – for a convention centre in Chicago! Star Trek: Mission Chicago is going to take place in April 2022, and will be the first in-person convention since the coronavirus pandemic hit. Perhaps it’s because I was never going to be in attendance, but I’m not sure the convention was the strongest way to end the First Contact Day event. It was saved for the last moment by co-hosts Wil Wheaton and Mica Burton, and it just felt a tad anticlimactic after an event that had seen so much other exciting news.

For me at least, this wasn’t the strongest way to end the entire broadcast.

With so much going on, and so many amazing reveals, it’s hard to know what to talk about first! Let’s start with Prodigy, since the newly-revealed image of Captain Janeway is probably going to be seen as First Contact Day’s most iconic takeaway. While there was no trailer or teaser for the series, which I admit I had been half-hoping for, we did get a bit more information.

The series is set several years after Voyager, at roughly the same time as Lower Decks, in the 2380s. And the reason why none of the aliens we saw in the first teaser image a few weeks ago look familiar is because the show is set in the Delta Quadrant. The aliens are (presumably) all Delta Quadrant natives who are, according to the show’s creators, totally unaware of Starfleet or the Federation.

The new Captain Janeway design for Prodigy.

The version of Captain Janeway that they encounter is a “training hologram” that has been left behind on some kind of training vessel, presumably by the USS Voyager as it passed through the Delta Quadrant. This is the abandoned Starfleet vessel that had been mentioned in the show’s original description.

The design of Janeway is just fantastic. Modern Star Trek has not been shy about changing up classic designs, but Janeway retains her Voyager-era uniform and combadge, and the design manages to blend the way she looked in the show with a CGI-cartoon aesthetic just perfectly. Looking at her, you know immediately who she is! I honestly cannot fault the design, and I can’t wait to see her in action along with the new crew.

The rest of the Prodigy crew.

The premise of Prodigy has now fully taken shape. The setting has been laid out and the crew assembled. Now all we’re missing is the ship itself! Could that be the Delta Flyer?

The creators of Prodigy talked about how the new series will be great fun for kids, stimulating their imaginations and creativity. Both words, “imagination” and “creativity,” came up several times during the panel, and it sounds as though they’re really pushing hard for Prodigy to be something more than just background noise or brainless entertainment. The best kids’ shows do this, and as a result have a lot to offer kids and adults. There was a mention that Prodigy is for “all ages,” which is great!

Finally, Prodigy promised a number of surprises and connections to Star Trek’s broader canon, both of which I like the sound of! There was a hint that one of the characters we saw in the teaser image has a connection to The Original Series; my first guess was the rock-like alien perhaps being a Horta, as that was something I guessed at when I first saw the image. But we’ll have to wait and see on that!

Could this character be related to the iconic Horta?

So that was Prodigy. Since we’re looking at animation, let’s move on to Lower Decks next.

Creator Mike McMahan was involved in a panel that looked at Star Trek’s sense of humour. Considering how many “critics” attacked Lower Decks before it was broadcast for being an un-serious take on Star Trek, I think it was worthwhile to remind people that humour has been a huge part of the franchise going all the way back to The Original Series. McMahan in particular noted the interactions between Kirk, Spock, and Dr McCoy as being a great example of this.

The panel concluded with the aforementioned Lower Decks Season 2 teaser, and in a scant few seconds there was a lot going on! Here are just a few of the things I noticed: Rutherford’s implant is back, meaning his design remains unchanged despite the events of the Season 1 finale. Boimler, as promised, remains aboard the USS Titan, though his posting doesn’t seem to be going well!

Lieutenant Boimler doesn’t seem to be having “the time of his life” on board the USS Titan!

Jonathan Frakes will return as Riker, which we had assumed but hadn’t been confirmed. At one point, Mariner wore what looked like the anbo-jyutsu armour from Season 2 of The Next Generation – something Riker wore once in that show. A Miranda-class ship was briefly shown. And finally, there was a sequence in which Mariner appeared to be fighting several Cardassians!

There’s a lot to digest in just those few seconds, and taken out-of-context it’s hard to be sure of what’s going on! What we didn’t see was Boimler interacting with the other three main characters, and perhaps that’s to keep his fate a secret. Or perhaps it’s indicative of the fact that he will remain aboard the USS Titan for several episodes!

Ensigns Tendi, Rutherford, and Mariner in the Lower Decks Season 2 teaser.

Lower Decks Season 2 looks to be coming together nicely, and there was a lot shown off in the teaser that seems to be from quite a few different episodes. We now know that Lower Decks Season 2 will premiere on the 12th of August, which is pretty much one year after Season 1’s debut! So that’s fantastic news, and it means we’ll get at least some Star Trek this year!

Discovery’s fourth season is also scheduled for 2021, though no date was confirmed. After an interesting panel which focused on Nichelle Nichols and a documentary that has been made about her and her work and influence over women at NASA called Women In Motion, Sonequa Martin-Green introduced the first Season 4 teaser trailer.

The Women In Motion panel.

Before we look at the teaser in depth, I enjoyed the Women In Motion panel. One point that came up is the value of representation, which was something Michelle Hurd (Star Trek: Picard’s Raffi) discussed at length. Representation matters in entertainment, and I’ve had an essay in the pipeline on that very subject for a while. One of these days I’ll get it finished!

On to the teaser trailer. The first thing to note is that Discovery’s uniforms have been changed. The grey design appears to have been retired in favour of a more colourful look – the basic layout of the uniforms appears to be very similar, but the colours have changed. This is something I predicted a few weeks ago, and I look forward to seeing more of the new uniforms at some point soon; it’s difficult to assess them fairly from a few short scenes in a teaser!

Owosekun and Burnham sporting the redesigned, more colourful uniforms in the Season 4 teaser.

After the Burn in Season 3, it seems as though Discovery is returning to another “natural disaster” concept in Season 4. An “anomaly” described as being five light-years in diameter seems to be threatening both the Federation and other worlds, perhaps meaning there will need to be some working together to figure out a solution.

After Seasons 1 and 2 both ended up being about fighting and had major villains to defeat, it was a nice break for Discovery to largely have to deal with a scientific problem in Season 3, so I think the same concept could work well again. I just hope that it doesn’t end up feeling either repetitive, as though copying the Burn, or anticlimactic, coming after the galaxy-wide catastrophe and simply not being as impactful.

Damage to the USS Discovery in the Season 4 teaser.

When I heard talk of a gravitational anomaly that was several light-years wide, my first thought was the Nexus, as seen in the film Generations. That “energy ribbon” was known to be able to damage starships and even planets, and though we didn’t see any evidence of the Nexus, perhaps it could be the cause of this strange anomaly?

It looks as though the USS Discovery takes a beating in Season 4, and may even end up destroyed or irretrievably damaged! At one point, Burnham was the sole figure on the bridge and had to wear a helmet, presumably because of the extent of the damage suffered by the ship. Though the uniforms have been redesigned, I didn’t see any significant changes to the internal design of the USS Discovery itself, which is something I think would be nice to see now they’re established in the 32nd Century.

Burnham in some kind of armour or space suit in the Season 4 teaser.

It was great to see Cleveland Booker back, and it seems as though David Ajala will be back as a regular cast member for the show. Book was such a fun character in Season 3 that I’m thrilled he’s back. He wasn’t in a Starfleet uniform, so it seems as though he’s keeping his status as an outsider. That worked well in Season 3, so why change what works?

Lieutenant Detmer appears to have upgraded her cybernetic implant! We saw at least one glimpse of a scene in which the USS Discovery appeared to lose artificial gravity, which is something rarely seen in Star Trek. We saw the return of the President of Ni’Var, who appeared in Season 3, as well as the debut of a new character who seems to be a Federation official.

At one point, the ship appears to lose its artificial gravity!

Saru was shown briefly, and looks to be in some kind of diplomatic or ambassadorial role based on the few seconds he was on screen. We also saw one other Kelpien, a couple of unknown aliens, and Burnham once again talking about togetherness and unity as ways to tackle the threat they all face – presumably this anomaly. And most importantly: Grudge is back!

So all I can think to say is “wow!” Discovery Season 4 looks action-packed to say the least! We didn’t see either Admiral Vance or Kovich; the latter we know is returning but I certainly hope Admiral Vance will be back as well. Oded Fehr’s performance in Season 3 was fantastic, and it’s wonderful to have a Star Trek admiral who does what’s right and isn’t an adversary; it makes a nice change!

The USS Discovery was also briefly glimpsed in the Season 4 teaser.

Based on what we saw, Discovery Season 4 looks fantastic, and getting confirmation that it’s aiming for a 2021 release is great news as well. Though no date was given, at this stage I would assume (alright, guess) that we’ll see something of a repeat of last year, with Lower Decks running from August to October, and Discovery Season 4 picking up sometime in mid-October; certainly before Halloween. It would then run through the autumn and winter before concluding sometime in the New Year. That was 2020’s pattern, and with Lower Decks scheduled for August, I think we can reasonably guesstimate that the same thing will happen this year as well.

That brings us to Picard, which was one of the first things we saw! The Picard Season 2 teaser was totally unlike the Lower Decks and Discovery teasers, being comprised of no filmed scenes and featuring no characters – which makes sense, given how early in production the season is! Despite that, however, in the short teaser we actually got a lot of information – or possible information – about what might be going on!

A model of the USS Stargazer in the Season 2 teaser.

Firstly, time travel appears to be involved. Specifically, travelling backwards in time. This was represented by an hourglass running in reverse. We also saw the teaser linger very prominently over a model of the USS Stargazer – Picard’s first command. There was also a glimpse of Paradise Lost, an epic poem about falling from grace and the rejection of God. I’m sure that’s a tease at something… but what? Then we got the biggest bombshell of the entire teaser: Q is returning!

John De Lancie, who plays Q (and who recently appeared in Lower Decks) joined Wil Wheaton and Sir Patrick Stewart to confirm Q’s return, and it was great to see him back! The combination of time travel plus Q seems to make for an interesting setup to the new season!

John De Lancie will reprise his role as Q in Picard Season 2!

The USS Stargazer was under Picard’s command for more than twenty years, seemingly from the 2330s to the 2350s. Having spent so much of his life aboard the ship, revisiting it makes a lot of sense for the show! It’s also an almost-blank slate, as aside from a few references and lines here and there across The Next Generation, the Stargazer’s exploits are largely unknown. We do know that the ship was involved in the Cardassian Border Wars, and that Jack Crusher served aboard the ship before being killed. In voiceover, Picard talked about time being the real “final frontier,” and about the desire to do things differently.

A couple more hints about the storyline and Q’s involvement came in the panel which followed. Sir Patrick Stewart made a couple of references to Q appearing in an “episode” using the singular, so perhaps Q will be back for just one appearance! It doesn’t sound as though Q caused whatever time-related event is happening, which is also a point of note.

The very creative way Q’s involvement was announced!

Q’s arrival was said to come at a “shattering moment” – perhaps the moment that time shattered? Or perhaps a moment in which Picard feels traumatised, as Sir Patrick Stewart and others made reference to Picard being “traumatised” both by his past and whatever is going on in the new season.

There seemed to be a hint that Picard may visit more than one time period, as well as Jonathan Frakes’ inclusion suggesting that Riker may make a reappearance in Season 2 as well. My first thought, putting all of these elements together, is some kind of follow-up to the events of All Good Things, the finale of The Next Generation. In that story, Q allowed Picard to move between three time periods in order to solve a puzzle – events in the future were having a causal effect on events in the past! Perhaps some kind of similar “anti-time” story is on the cards?

An hourglass running backwards was one of the key visuals in the teaser.

Q appeared in the first episode in which we met Picard – Encounter at Farpoint right at the beginning of The Next Generation’s run. As I said once, it would be poetic if he were also to appear in the episode – or at least the season – which marks Picard’s end as a Star Trek character as well. Though a third or even fourth season of Picard was said to be there for the taking if Sir Patrick Stewart wanted to do it, I wonder if Q’s inclusion in Season 2 may mean that it will be the last season of the show – and may even see Picard killed off.

That’s pure speculation on my part, though!

With production having only been going on since late February, I’m not surprised that Picard didn’t have more to show at this stage. It seems certain we won’t see Season 2 before next year, and that’s actually okay! As excited as I am to continue the journey, we’ll have plenty of Star Trek to get stuck into later this year.

What relationship will Paradise Lost have to the plot?

So that wraps up my thoughts on the three teasers (plus one image) that we got during yesterday’s First Contact Day event. Before we go, though, I want to talk briefly about the other panels.

This year is the 25th anniversary of Star Trek: First Contact (gosh I feel old now, as I remember seeing it at the cinema!) There was a panel hosted by Wil Wheaton that featured Sir Patrick Stewart, Jonathan Frakes, Brent Spiner, and Alice Krige – the actress who played the Borg Queen in that film. It was a very sweet panel, as all the participants had fond memories of working on the film.

Krige in particular spoke very highly of working with the cast of The Next Generation, and being welcomed aboard by a team that had been working together for almost a decade at that point. There were some lighthearted moments too, as Frakes was quizzed over his “Two Takes Frakes” nickname! It was a lot of fun, and it’s nice to see that, even after so many years, the cast still enjoy one another’s company.

The Star Trek: First Contact 25th Anniversary panel.

The only panel I haven’t touched on yet was that hosted by Mica Burton in which several designers and artists participated. It reminded me of a book I own called Aliens and Artifacts which similarly looks at makeup, uniform design, prosthetics, and so on, and how all of those things are created by artists behind the scenes.

It’s always interesting to learn a little more about how these things work, and it was neat to hear from some of the folks who have been involved with designing new aliens, new uniforms, and other aesthetic elements that go on to be iconic and emblematic of Star Trek.

The artists’ panel was interesting.

So that’s it! First Contact Day was interesting, and we got to learn a lot about upcoming Star Trek projects! The return of Q in Picard Season 2, as well as a time travel story, sounds interesting. Discovery Season 4 looks to be playing up the strengths of Season 3. And Lower Decks looks like another wacky good time! It was great to see Captain Janeway’s design in Prodigy, as well as learn a little more about that series. Though I hoped to find out when it will debut or even see a trailer, I’m content to wait and let the creators get it ready first!

I had fun with First Contact Day, and I encourage you to check out all of the panels in full if you haven’t already. At the very least, watch the teasers for yourself! You can find all of the First Contact Day panels by clicking or tapping here to go to the Paramount+ YouTube channel.

The Star Trek franchise, including all properties mentioned above, is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five secondary characters from Star Trek’s past that I’d bring back

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Lower Decks Season 1, Star Trek: Discovery Seasons 1-3, and the casting of Star Trek: Prodigy. There are further spoilers for older iterations of the Star Trek franchise.

A few days ago I took you through a short list of five main characters from past iterations of Star Trek that I’d love to see come back. This time, in a similar vein we’re going to look at five secondary or recurring characters that likewise could make for interesting returns to the franchise. Though most Star Trek shows have primarily focused on a main cast of characters, every series to date has featured at least one or two recurring characters as well.

For this list, I’m counting characters who appeared on more than one occasion – not one-off guest stars. And as with my previous list on this topic, these are characters I’d like to see return to the franchise in a general sense, not characters I’m predicting will appear in any specific upcoming show or film.

As always, I have no “insider information!” This is purely for fun and a chance to highlight some of these characters, as well as speculate about what their futures (or pasts) might be like beyond what we saw of them in their original appearances.

Number 1: Shran

We don’t know for sure how long Andorians live, but it’s at least a possibility that Shran – who appeared in Enterprise as an antagonist and later ally to Captain Archer – could still be alive in the 23rd Century. If he is he’d be well over 100 years old, but that doesn’t necessarily count against characters in Star Trek!

Jeffrey Combs played Shran, and also played recurring characters Brunt and Weyoun on Deep Space Nine. As someone who has close ties to the franchise, it would be wonderful to bring him back. It was amazing to hear JG Hertzler’s voice in Lower Decks last year, and it would be amazing to welcome back Jeffrey Combs as well.

Shran offers the Star Trek franchise an opportunity to tie in Enterprise in a significant way. At the moment, Enterprise is very much an outlier in the Star Trek canon; cut off all on its own in the 22nd Century. Despite there being opportunities in the three films and two seasons of television set in the 23rd Century, only the briefest references to Enterprise have been made since it went off the air in 2005.

Strange New Worlds is the prime candidate for Shran to reappear, but if the untitled Section 31 series uses a 23rd Century setting, he could potentially appear there as well. Shran was depicted primarily as a soldier, but the passage of time could have softened that side of him, and I would love to see him occupy a less-aggressive role, perhaps as a Federation ambassador. However, if there were a story featuring the Andorians in a major way, we could certainly see him included there as well.

Number 2: Garak

We got to know Garak very well across the latter part of Deep Space Nine, and his backstory as a spy was given plenty of attention. What we don’t know, of course, is what came next – what happened to Garak after the Dominion War was over?

Sooner or later, I hope Star Trek takes us back to Bajor and Cardassia in a major way, looking at the aftermath of that conflict. I know that the Dominion War wasn’t wildly popular with everyone – some of my Trekkie friends regard it as the worst part of ’90s Star Trek! But it was a major event in the fictional history of the franchise, one which seriously impacted the Federation. Exploring its aftermath, and looking at how the Federation managed to rebuild, would be worth doing.

Garak was last seen on Cardassia Prime at the end of the Dominion War. With Damar dead and the Dominion withdrawing, it’s possible he would have been in some kind of leadership role, at least temporarily. His years living with the Federation on DS9 would have put him in a unique position to liaise between Cardassia and the Federation alliance.

However, I don’t think Garak would have necessarily stayed in a leadership position. As a former agent of the Obsidian Order he represents Cardassia’s past – an empire governed from the shadows. Having fought hard to overthrow their Dominion oppressors, the Cardassians may have wanted to look to civilian leadership. I doubt Garak would have been re-exiled or returned to DS9, but may have gone into quiet retirement instead.

Number 3: Morn

Morn was really just a background character in Deep Space Nine, but the fun alien design was unique and made him instantly recognisable. As a result he became a somewhat ironic fan favourite, and ultimately got his own episode in Season 6: Who Mourns for Morn? Though he never spoke a line in the series, Morn was a significant character at points, and during the Dominion War smuggled information to the Federation from the occupied station, allowing for the success of Operation Return.

In at least one future timeline, Morn took over Quark’s bar, so perhaps a story that revisited DS9 could see him in that role. If Quark’s is still around, perhaps Morn is simply seen there as a regular patron – he appeared to be semi-retired, after all. Even if a return to DS9 simply saw him in his familiar background role, that would be good enough!

Who Mourns for Morn already explained a lot of his backstory, so there really isn’t a lot of room to go into more detail in that regard. A story that brought back almost any of the Deep Space Nine cast could include Morn, though, perhaps as a trusted confidante. With Picard and the crew of La Sirena operating outside of Starfleet, if they found themselves in Bajoran space perhaps they’d need someone like Morn – he seems like the type who could be very helpful at flying under the radar!

Maybe this would completely ruin things, but I would dearly love to see Morn speak if he did return. Even a single line of dialogue would be more than enough! I’m sure some fans will scream and say “no! Leave Morn alone!” but I think it could be a really sweet moment if done well. If we did return to DS9, seeing Morn sitting on his usual barstool would feel like a homecoming of sorts – almost as though no time had passed.

Number 4: Naomi Wildman

Naomi Wildman made 19 appearances across Voyager, the majority of which came in Seasons 5 and 6. The show tried to explore the idea of her being the only child on a ship full of adults, but only really managed to land that kind of story once – in the episode Once Upon A Time. The introduction of Icheb and the other ex-Borg children potentially gave Naomi playmates, but we never truly saw much of this. And on at least one occasion, Naomi was not included in a story that focused on the Borg children – the episode The Haunting of Deck Twelve.

As a character who quite literally grew up in space, and aboard the lost USS Voyager no less, Naomi may have a rather unique perspective after growing up. How did she react to Voyager’s return to Earth – which would have happened when she was around six years old? In at least one future timeline she’d joined Starfleet, but whether she’d do so in the prime timeline is unknown.

Naomi had a close relationship with Seven of Nine, who is currently a recurring character in Picard. She was also close with Icheb, who we know was killed a few years prior to the events of Picard. Exploring her post-Voyager relationships with those two characters could prove very interesting. If Picard Season 2 – or any future seasons of the show – spend more time with Seven, we could be reintroduced to Naomi and learn what she’s been up to.

The death of Icheb, if explored in more detail, could also be an opportunity to bring her back. Did they remain in touch after returning to the Alpha Quadrant? Icheb joined Starfleet – did Naomi join too? If so, maybe they served together before Icheb’s untimely demise. Otherwise we could see Naomi return in any story featuring main cast members from Voyager. So perhaps an appearance in Prodigy – where Captain Janeway is set to return – is on the cards?

Number 5: Jack Crusher

Jack Crusher was the deceased husband of Dr Beverly Crusher and father to Wesley Crusher. He served on the USS Stargazer under Captain Picard’s command, and that’s about all we know. He was killed during an away mission, and it was at least implied that Picard bears a degree of responsibility for that, either through something he did or didn’t do.

As a deceased character, Jack Crusher could only come back via a flashback, time-travel story, or story set in the past. But where I think there’s scope to see more of him is in Star Trek: Picard, particularly if Beverly and/or Wesley Crusher return. We could learn the circumstances of his death, and it could be a very interesting story if Jack Crusher’s death were somehow connected to some event taking place in the current Picard era.

For example, Picard, Dr Crusher, and the crew of La Sirena may have to travel to the world where Jack was killed, only to learn that the beings responsible for his death were the super-synths, the Zhat Vash, or someone else that we met in the new series. There would be something cyclical about bringing back, even if just in flashback form, Jack Crusher.

In the future timeline shown in The Next Generation’s finale, Picard had married Dr Crusher. While there was no evidence for or against that outcome in Picard Season 1, any story that explores Picard and Dr Crusher’s post-Nemesis relationship could be made to include flashbacks to Jack. He was a significant character in both of their lives, and in addition, his legacy may have been a factor in Picard and Dr Crusher never taking their relationship beyond friendship in the prime timeline. A story that took them back to his death could be interesting for both of them.

So that’s it! Five recurring or secondary characters who I believe could be welcomed back to the Star Trek franchise in some form.

This was the second part of a two-part miniseries looking at the possibility for certain characters to reappear in the franchise. It’s unlikely to be the last time we talk about such things – with so many different Star Trek projects on the go, practically anyone from the past could come back in some capacity!

Aside from those who have been definitively killed off within the prime timeline, I would argue that basically any character could return. Not all of them would be suitable for the current crop of shows, but if the franchise continues its renaissance… who knows? Maybe we’ll finally get Star Trek: Morn after all!

The Star Trek franchise – including all series mentioned above – is available to stream now on Paramount+ in the United States and other territories where the service exists, and on Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Prodigy – First Look!

Yesterday ViacomCBS showed off the first piece of promotional artwork for the upcoming child-friendly series Star Trek: Prodigy. And it looks good… or at least, I think it does. I’m not completely sure!

Let’s take a closer look at the teaser image and try to break it down:

The first and most obvious thing to me is that none of the characters look like anything we’ve seen before in Star Trek. My first thought was that it looked rather Disney-esque due to the art style, so that was a positive. But then the more I looked at it I couldn’t get away from one word in particular: “generic.”

These characters don’t exhibit any Star Trek visual traits, and thus they feel like they could be part of any sci-fi universe. You could tell me these are characters from a Star Wars show, a show set in the world of Mass Effect, Avatar, Marvel or DC Comics… you get the picture. Nothing about it screams “Star Trek” to me, and as a result the characters feel very generic; fun and well-designed sci-fi characters for sure, and with a cute art style, but not necessarily from Star Trek. The only character who could possibly be from an established Star Trek race is the tall figure in the middle (third from the left). They could be from the same race as Jaylah – the character from Star Trek Beyond.

This character is giving me Jaylah vibes.

I suppose it’s possible that the large scaly or mineral-encrusted alien on the right is supposed to be something like a Horta (from The Original Series Season 1 episode Devil in the Dark). That feels like a stretch, though, as it would be a significant departure from the only previous depiction of a Horta.

We also have three other aliens of unknown races, including one second-right who appears to be comprised of some kind of liquid or gel. This blue alien is perhaps my favourite design, and one of the great things about animation is that it allows for more “alien-looking” aliens than live-action. That’s something we saw in Lower Decks as well. This character is cute, and perhaps because of the colour scheme I’m getting kind of a Moana vibe.

My favourite!

The far left seems to show a sentient robot, and this is the character who feels most like they’ve been imported from Star Wars! I’m also curious what kind of character a synth or robot could be in a show that’s supposedly primarily about kids – we’ve never really seen a child robot before. They look friendly, though, so that’s a plus!

Notable by her absence is Captain Janeway – the only named character we know of in Prodigy at this stage. I was surprised not to see her depicted in this first piece of promotional artwork given the big announcement made a few months ago that she was joining the series. Janeway is potentially one of Prodigy’s biggest draws – especially for long-time Trekkies – so giving her some kind of role in pre-release marketing would make a lot of sense.

Captain Janeway wasn’t part of this teaser image.

We didn’t get any character names to go with this image, so we don’t know who’s who or what roles they might end up playing on the series. I would guess that the tall figure in the centre is the leader of this gang of kids, and the apparel of the figure second-left suggests he could be an engineer of some kind. Those are just guesses, though, and I have no idea about the others!

What the release of this little teaser may mean is that Prodigy is well underway. The image was revealed at a promotional event for investors in the run-up to the launch of Paramount+ next week, and while it doesn’t seem like Prodigy will arrive on the day the service officially launches, all being well we’ll see it later this year.

Star Trek: Prodigy is coming to Paramount+.

I like the art style chosen for this project. 3D computer animation can look great, and these characters have a style that’s in line with other modern projects aimed at kids. Perhaps we can say it isn’t unique – as mentioned I think it feels rather generic for a Star Trek production – but there’s plenty of positives to take away from the visual style. I’ve already picked a favourite character – the blue liquid one! I’m a little disappointed that there wasn’t an obvious Star Trek race included, nor any other significant Star Trek elements in the image. There are no combadges, for example, nor phasers, tricorders, etc. So while the characters look great and the art style is cute and fun… I’m left feeling that something important is missing.

I know it’s a show for kids, but the best kids shows have something to offer adults too, and this is something ViacomCBS has been promising since this project was announced. I’m sure as we get to see more of these characters, learn who they are, and see the ship that they’re going to “commandeer” for their adventures that the elusive sense of “Star Trek-ness” will come into focus. Maybe it was too much to ask from a single teaser image!

A robot and an alien.

So this was an interesting first look – a glimpse, really – at Prodigy. The art style looks to be cute and fun, and while I wasn’t hit with a strong sense that the characters are part of the Star Trek franchise, and I’m curious as to why Janeway was left out, it was certainly interesting to see. From the point of view of producing a show for kids, I think there’s a lot for kids to get excited about with these characters. Though not necessarily “Star Trek,” the characters are visually interesting and would convert well to toys, dolls, and playsets. The diversity present in these designs should help each character establish a personality and on-screen presence, and that’s a positive thing.

Hopefully we’ll get to know more about these folks soon!

Star Trek: Prodigy is currently in production and will debut on Paramount+ in the United States and other territories where the service is available. Further international distribution has not yet been announced. Star Trek: Prodigy is the copyright of ViacomCBS and Nickelodeon. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 finally enters production!

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and Star Trek: Discovery Season 3.

Just a short one today. It seems as though the long-delayed second season of Star Trek: Picard has officially entered production, with filming commencing in California. Raffi actress Michelle Hurd posted on social media that she was “back to work.”

Details of the season are otherwise hard to come by; ViacomCBS is keeping a tight lid on production. Partly that will be due to coronavirus-related concerns, but also to avoid leaks or spoilers. Sir Patrick Stewart has been back in California for a while, and from what he’s said has been raring to go! Stewart recently appeared during the ad campaign for Paramount+ – the new name for the rebranded CBS All Access, and the future home of Star Trek: Picard.

Aside from Stewart and Hurd, the Season 2 cast will comprise Isa Briones as Dahj, Santiago Cabrera as Chris Rios, Evan Evagora as Elnor, Alison Pill as Dr Jurati, and Jeri Ryan as Seven of Nine in a “special guest star” capacity. The only main character from Season 1 who isn’t returning (as far as we know, anyway) is Harry Treadaway’s Narek. I’m still hopeful, however, that Season 2 will somehow make note of Narek’s fate, as the Season 1 finale left things unclear.

Will we at least learn what happened to Narek?

The timeframe for Season 2’s production and release is still up in the air. If we use Season 1 as a baseline for comparison, we can expect filming to last approximately four months (Season 1 filmed from late April to the end of August 2019). However, it goes without saying that coronavirus-related safety protocols could delay things. Four months of filming would put the end of production somewhere in late June or early July, and again if we use Season 1 as a baseline, where post-production work took approximately four-and-a-half months, we could potentially see Season 2 being wrapped up and ready to go before Christmas.

However, Discovery’s third season took closer to nine months in post-production due to coronavirus and the teams all having to work from home, so I’d be surprised to see Picard Season 2 before next year. There’s also Discovery Season 4 to consider – it began filming back in November, so will likely conclude first. I’m not sure how much crossover there is of post-production staff between the two shows, but it stands to reason that if work on Discovery Season 4 is already underway, Picard Season 2 may have to wait longer.

Production on Discovery Season 4 has been underway for weeks.

So let’s assume, for now, that sometime in the first half of 2022 seems like a reasonable guesstimate for when we could see the season air! If we get any significant news regarding character crossovers, plot details, or a trailer, be sure to check back as I’ll almost certainly have something to say.

Speaking of character crossovers, have you heard the news that Thadiun Okona (from The Next Generation Season 2 episode The Outrageous Okona) may be appearing in Star Trek: Prodigy?! What an odd choice. But actor William O. Campbell confirmed on a recent podcast that he’s already been in the recording studio, so I guess we’ll see what he brings to the series when it arrives later this year! I had suggested Okona as a possible character for Picard Season 2 months ago, but I would never have guessed he’d crop up in Prodigy!

So that’s all I have to say, really. Picard Season 2 felt in danger for a while there, so I’m very glad indeed to hear that filming is underway. A few weeks ago I wrote up some preliminary predictions for what Season 2 may contain, so be sure not to miss that article if you’re interested in my pre-season musings!

Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – remains the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What might we watch and play in 2021?

Happy New Year! As we put the calamitous 2020 behind us, let’s look ahead to some of the entertainment experiences we might enjoy between now and Christmas. There’s only 51 weeks till the big day, you know. Better start your Christmas shopping!

The effects of 2020’s disruption are still being felt, and while we should hopefully see a return to normalcy slowly building over the next few months, there will undoubtedly be changes to come. From my point of view as a Trekkie, the big question is this: how much Star Trek will we get this year? After 2020 saw the release of three different Star Trek projects, it’s not inconceivable that the only episode we’ll see in 2021 will be next week’s finale of Star Trek: Discovery Season 3!

We do know, at least, that some big projects still intend to release this year. Let’s look at a few – in no particular order.

Cinema

The pandemic has not magically gone away with the arrival of the new year, and many cinemas look set to remain closed in the weeks ahead. The distribution of vaccines will be key to their re-opening, and thus to the release of at least some big films. However, there have been plans announced to bring some of 2021’s big releases to streaming platforms – either instead of or in addition to a theatrical release. How well this will work, and whether many of these plans go ahead if the pandemic is brought under control is up in the air right now – but it remains a possibility.

Number 1:
Dune

The latest adaptation of Dune is the first part of a duology, and was originally supposed to be released in 2020. Of course that couldn’t happen, and Dune is now set for a December release, and will supposedly come to HBO Max at the same time. Though the story has been notoriously difficult to adapt, this version has a huge budget, a stellar cast, and what look like wonderful visual effects based on the trailer. It feels like a film with great potential, and I’m eagerly awaiting its release.

Number 2:
No Time To Die

The latest Bond film – which is set to be Daniel Craig’s final outing as 007 – has been delayed by over a year. It was originally scheduled for an April 2020 release, but that has been pushed back to April 2021. There are no current plans to bring the film to streaming, and as it’s supposedly the most expensive Bond film of all time, perhaps that makes sense. April feels optimistic, but we’ll see how things go! Regardless, I’ve always enjoyed the Bond franchise, and it’ll be interesting to see what happens as this chapter of the 007 cinematic saga draws to a close.

Number 3:
Jungle Cruise

I love Disney World and the other Disney theme parks! When I heard that the House of Mouse was planning to make a film based on their Pirates of the Caribbean ride in the early 2000s I thought it sounded like a terrible idea – yet Pirates of the Caribbean: The Curse of the Black Pearl was an incredibly fun film with heart. Jungle Cruise is likewise based on a Disney World/Disneyland ride, one which, if memory serves, is cute and action-packed! The film adaptation will have to try hard to retain at least some elements of what makes the ride enjoyable, but if it can succeed it could grow to become an ongoing series like Pirates of the Caribbean.

Number 4:
The Matrix 4

As I said last time, I really don’t know where The Matrix 4 could possibly take the story of the series. However, I’m still fascinated to find out! This will be our first time back in this setting since 2003’s The Matrix Revolutions, and I’m sure a lot of fans are excited and nervous in equal measure. The idea of the world being artificial was somewhat of a novelty for the big screen when The Matrix did it in 1999, but we’ve since seen other takes on the concept. Will it stick to the late-90s/early-00s aesthetic for scenes set in the simulated world? Will there even be a simulated world if humanity broke free? We’ll soon find out.

Number 5:
Raya and the Last Dragon

After Disney saw success with the Polynesian-themed Moana, they have turned to Southeast Asia for inspiration for Raya and the Last Dragon. Kelly Marie Tran will voice the titular Raya, and Disney animated films have always been worth watching so I’m expecting an enjoyable film. Disney appears to be going through somewhat of a second renaissance in the aftermath of Frozen’s huge success in 2013, and hopefully this will be a continuation of that. I’m also rooting for Kelly Marie Tran after the awful treatment she had to endure at the hands of some so-called “fans” of Star Wars. Raya and the Last Dragon will take the approach pioneered by Mulan and be released on Disney+ for a fee.

Number 6:
The Suicide Squad

2016’s Suicide Squad won an Academy Award. Just in case you forgot! Was it an outstanding cinematic triumph that I’m happy to rewatch time and again? Not exactly, but it was a decent action-packed blockbuster that was an okay way to kill a couple of hours. And that’s what I expect from this direct sequel – nothing groundbreaking, but a solid film with some cute comic book elements.

Number 7:
The King’s Man

Kingsman was a surprisingly fun film when it was released in 2014, and the third entry in the series is a prequel. The King’s Man looks set to examine the outlandish spy organisation’s past and possibly its origins, as well as throw together another action-comedy that takes inspiration from the likes of James Bond. I think that sounds like fun! The King’s Man will feature some pretty big names, including Ralph Finnes, Charles Dance, and Rhys Ifans.

Number 8:
Uncharted

Films based on video games have not often performed well. Though some have become cult classics in their own right, most films adapted from video games have not been successful. Will Uncharted be any different? The project has been in development for a long time and seen many behind-the-scenes changes, but having settled on a script and director, Tom Holland was cast in the role of Nathan Drake. At the very least there’s potential for a summer popcorn flick; a blockbuster adventure film. Whether it will succeed at becoming “the new Indiana Jones” is up for debate – but maybe!

Number 9:
Death on the Nile

2017’s Murder on the Orient Express was great fun, and Death on the Nile is a sequel of sorts. Adapted from a 1937 novel by famed murder-mystery author Agatha Christie, Kenneth Branagh both directs and stars in the picture as detective Hercule Poirot. The cast list reads like a who’s who of British and international stars, including Jennifer Saunders, Rose Leslie, Russell Brand, and Gal Gadot. If you’re familiar with the book or one of the two earlier adaptations the ending will no doubt be known – but that doesn’t mean the journey there won’t be mysterious and thrilling!

Number 10:
Free Guy

Free Guy is about a non-player character in an open world video game who becomes sentient and tries to escape the game. And he’s played by Ryan Reynolds. Are you sold yet? Because that premise (and casting choice) was all it took to hook me in and decide that Free Guy would be worth a look! It sounds like fun, and Reynolds has great comedic timing as we’ve seen with titles like Deadpool. At the very least it’s a unique premise for a film, and one that seems like it could be really funny.

Gaming

With two new consoles barely a month old, both Sony and Microsoft will surely make moves to shore up their player bases this year. There are some titles on the schedule that look absolutely fantastic, and while the release of many of these on what is now last generation’s hardware will mean we won’t see the full power of the next-gen machines just yet, we should begin to see some improvements in what games are capable of. I better get on with upgrading my PC!

Number 1:
Mass Effect: Legendary Edition

Rumours swirled for much of last year of an impending Mass Effect trilogy remaster, and the project was finally announced a few weeks ago. Despite its controversial ending, the three games tell a deep and engaging story in a unique sci-fi setting, and were great fun during the Xbox 360 era. Has enough time passed to make updating the trilogy worthwhile? Mass Effect 3 was only released eight years ago, after all. And will the remaster do everything needed to bring these games up-to-date? With Mass Effect 4 on the distant horizon, it will have to! I’m cautiously interested in this one – it could be wonderful to replay these games, but as we’ve seen with some recent remasters, not every company manages to hit a home run when it comes to updating a beloved title.

Number 2:
Lego Star Wars: The Skywalker Saga

Though I didn’t have time to review it before Christmas, The Lego Star Wars Holiday Special was great fun over on Disney+. I had hoped to see Lego Star Wars: The Skywalker Saga last year, but it got pushed back and is currently due for release in “early 2021” – whatever that may mean! The first couple of Lego Star Wars games, which were released in the mid-2000s, were really great fun, and I’ve been looking forward to the latest bricky reimagining of the Star Wars saga since it was announced. Lego games have never tried to take themselves seriously, and the end result has always been titles which are just a lot of fun.

Number 3:
The Lord of the Rings: Gollum

What could a game starring Gollum possibly bring to the table? I have absolutely no idea! But games – and stories in general – focusing on an antihero can be wonderful, so I’m very curious to find out. It’s also great to see another big single-player title given the glut of live services and always-online multiplayer games. I’m a fan of Middle-earth and the world Tolkien built, so hopefully this game will be a fun return to that setting. Taking on the role of Gollum will offer a different look at Middle-earth, and whether it focuses on the main story from the books or not, has the potential to be fascinating.

Number 4:
Skull & Bones

Assassin’s Creed IV: Black Flag demonstrated that there’s still a lot of appeal in pirate-themed titles. Skull & Bones wasn’t something I was especially interested in at first, but upon learning it will feature a single-player campaign I was happy to add it to the list. It seems to be a game that will deal with the naval combat side of things, and as long as it can really nail ship-to-ship combat within its game engine it should at least be a solid title. Naval games are relatively rare in the combat/strategy/action genres, so perhaps Skull & Bones will offer something a little different.

Number 5:
Outriders

Outriders was one of the first next-gen games that reviewers really had a chance to get to grips with before the launch of the PlayStation 5 and Xbox Series X. The consensus was that it seems like a fun third-person shooter, even if it wasn’t quite as “next-gen feeling” as some had hoped. Regardless, Outriders has continued its development and will be released this year. The basic premise feels like a mix of sci-fi and superhero comics, and at the very least it’s a brand-new setting at a time when a lot of studios are focused on sequels and franchises.

Number 6:
GhostWire: Tokyo

I honestly don’t know what to expect from GhostWire: Tokyo. It’s a game shrouded in mystery! One thing we know for sure is that it will feature a supernatural storyline, and that alone sounds like it has potential. A teaser trailer released last year didn’t show much, but we know that the game will draw on Japanese mythology and will be a first-person action-adventure game with some supernatural horror elements. It might be wonderful… or it might not be my thing! We’ll have to wait and see.

Number 7:
Diablo IV

After disappointing fans with Diablo Immortal, and then messing up with the controversy around their decision to censor a professional player who supported the protests in Hong Kong, it’s not unfair to say that there’s a lot riding on Diablo IV for Blizzard’s reputation. Early indications are that the dungeon-crawler looks good, and could be a return to form. Diablo III had issues at launch, so this is very much one to take a “wait-and-see” approach with, but if the studio can recreate the magic of older titles then Diablo IV should offer a fun experience.

Number 8:
Super Mario 3D World + Bowser’s Fury

My most recent foray into Mario’s 3D adventures was underwhelming, as Super Mario 3D All-Stars was not actually all that great. However, Super Mario 3D World + Bowser’s Fury might be! The base game was released on the Wii U, but Bowser’s Fury is something altogether new. How substantial it will be remains to be seen, but taken as a whole the package seems to offer good value. I love the cat suits introduced in Super Mario 3D World, they’re cute and add a different element to Mario and the gang’s 3D adventures.

Number 9:
Humankind

Humankind initially attracted me because of how similar it looks to Civilization VI – one of my most-played games of the 2010s. But there’s more to it than that, and the concept of creating a unique civilisation by combining different historical empires and cultures is, at the very least, innovative. I love a good strategy game, and Humankind could be a big time-sink for me this year – if it can deliver on some pretty big ambitions!

Television

After 2020 saw major disruption to cinema, 2021 could be television’s turn. Though shielded from the brunt of the pandemic, a number of television shows planned for 2021 have seen major delays to production. Despite that, there are still plenty of options on the horizon, including some that look absolutely phenomenal.

Number 1:
Zack Snyder’s Justice League

I can’t actually remember if Justice League is one of the DC films I’ve seen or not. If you’re a regular around here, you’ll know I’m not a big comic book fan generally speaking. And it’s not unfair to say that DC is the lesser of the two comic book powerhouses right now! I honestly did not expect the so-called “Snyder cut” of Justice League to ever see the light of day, but after a campaign by fans the film will be released – as a four-part miniseries on HBO Max. I’m at least somewhat interested to see what all the fuss is about!

Number 2:
Star Trek: Prodigy

After Lower Decks took the Star Trek franchise in a different – and very funny – direction in 2020, I’m curious to see what Prodigy will bring to the table. Some shows made for kids can actually tell very meaningful and interesting stories, and it’s my hope that Prodigy will manage to offer at least something to Trekkies beyond its target audience. The addition of Kate Mulgrew to the cast – reprising her role as Captain/Admiral Janeway – is tantalising too, and although that’s about all we know at this stage, the series aims to have a 2021 release. That could be pushed back, but fingers crossed we’ll see Prodigy some time soon.

Number 3:
Amazon’s Lord of the Rings series

Despite not having so much as a title, Amazon’s Lord of the Rings series has been targeting a 2021 release. It seems certain that, if this is to happen, it will have to be later in the year; filming is still ongoing at time of writing. However, a return to the land of Middle-earth is truly an exciting prospect, as is a look at the setting away from most of the characters we remember. The series will take place thousands of years before The Hobbit and The Lord of the Rings, so there’s the potential to tell some very different fantasy stories in Tolkien’s world.

Number 4:
Station Eleven

Based on a 2014 novel of the same name, Station Eleven is a post-apocalyptic drama set after the world has been devastated by a pandemic. Timely, right? Though filming began in early 2020 the series is still being worked on, but could finally see the light of day on HBO Max at some point this year. It feels like a project that, simply due to bad timing, may be controversial – but that could simply increase its appeal! Regardless, I’ll be keeping an eye out for it.

Number 5:
Foundation

Isaac Asimov is one of the grandfathers of science fiction. Whether his work will translate well from page to screen is an open question… but one I’m very curious to see answered. This adaptation of Asimov’s Foundation series will star Jared Harris, an absolutely incredible actor you might recall from 2019’s Chernobyl. It’s being produced for Apple TV+ as one of their first big-budget productions – or at least, the first one I’ve come to care about. 2021 looks set to be a big year for some of these second-tier streaming services!

Number 6:
Star Trek: Lower Decks

Lower Decks has finally secured an international broadcast agreement, more than five months after its first season premiered for viewers in North America. That’s good news, because a second season is already in development and will be able to be shared by fans around the world when it’s ready. Season 1 ended with some surprising twists for an animated comedy, and it remains to be seen what the end result of those storylines will be for our young ensigns aboard the USS Cerritos. Lower Decks took a few episodes to really hit its stride – and there were some missteps along the way – but for my money it’s up there with the best animated comedies of recent years, and I hope that the combination of its international debut and second season will see the show get the admiration it warrants.

Number 7:
The Expanse

I haven’t yet sat down to watch Season 5 of The Expanse, which premiered last month on Amazon Prime Video. However, the first four seasons were outstanding, and Season 6 is set to be the show’s last. Hopefully it will go out on a high! The Expanse is a wonderful science fiction series, one which has tried to take a more realistic look at the dangers of space travel and alien life. Many sci-fi stories treat these elements almost as mundane, yet The Expanse approached them with wide-eyed wonder, making things like accelerating a spacecraft integral parts of its story. It’s a wonderful series, and its final season should be explosive, entertaining, and ever so slightly sad as we bid it a fond farewell.

Number 8:
The Witcher

I half-expected to see the second season of Netflix’s The Witcher last year, but for whatever reason the streaming powerhouse is taking its time. Henry Cavill was great in the title role in Season 1, and hopefully the second season will keep up the high quality. I always appreciate a new fantasy series, and while the show owes its existence to the popular video games, it’s distinct from them at the same time, drawing more on the original book series for inspiration. Its return to our screens – which may not be until later in the year – is highly anticipated!

Number 9:
Star Wars: Andor

I wasn’t exactly wild about the recent announcements of upcoming Star Wars projects. As I wrote at the time: “spin-offs to spin-offs and the increasingly minor characters given starring roles is indicative of a franchise out of ideas.” Part of that criticism was aimed at Andor, the series which will focus on Rogue One’s Cassian Andor. However, on its own merit the show – which bills itself as a “spy thriller” – may very well be decent, and I’m cautiously interested to see what Disney and Lucasfilm bring to the table. Rogue One was certainly one of the better offerings since Disney began producing Star Wars projects, so maybe Andor will surprise me and tell some genuinely different stories in the Star Wars galaxy.

Number 10:
Clarice

Alex Kurtzman’s latest project for ViacomCBS will focus on Clarice Starling – the FBI agent introduced in Silence of the Lambs. How well will a show about Clarice work without Hannibal Lecter? Well that’s an open question, quite frankly, because as far as we know, complicated licensing and rights agreements mean Dr Lecter can’t appear. The show is being pitched as horror, though, following Agent Starling as she investigates sexual crimes in the aftermath of the events of Silence of the Lambs. It certainly has potential!

So that’s it.

You may have noticed some exclusions – notably Star Trek: Picard, Star Trek: Discovery, and Star Trek: Strange New Worlds. While all three are in pre-production for their upcoming seasons, none have been confirmed for 2021 at this juncture. Given the state of the world and how badly production has been impacted, while I remain hopeful that at least one live-action Star Trek show will make it to air, it’s entirely plausible that none will. That’s why they didn’t feature on the list.

If all goes well, 2021 should be a good year for entertainment. I see a lot of projects in film, gaming, and television that have the potential to tell wonderful, engaging stories. If lockdowns and quarantines remain in place – where I live in the UK restrictions just got a lot tougher – then we’ll need all the distractions we can get!

Mark your diary for some upcoming releases!

The year ahead is unpredictable, and it’s possible that some of the projects I’m excited for won’t make it to release – or will end up being less enjoyable than expected. But on the flip side, there are undoubtedly films, games, and television shows waiting in the wings to surprise me; titles that didn’t make this list that I will come to greatly enjoy as the year rolls on. There were several wonderful surprises in 2020 that, had you asked me in January of last year, were not even on my radar. The same will perhaps happen this year too!

With everything going on in the world, having something to look forward to is important. Even if all you can think of that excites or interests you is a television show or video game, that’s okay. It gives you something to hang on to; light at the end of the tunnel. I wish you a very Happy New Year, and all the best for 2021.

All titles listed above are the copyright of their respective company, studio, developer, publisher, broadcaster, distributor, etc. Some promotional artwork and images courtesy of IGDB. Stock photos courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Captain Janeway is back!

Just a short one this evening. I was surprised – no, positively shocked – to learn that Kate Mulgrew is going to reprise her role as Captain Kathryn Janeway! That actually isn’t the shocking part, as Captain Janeway was one of many characters who could’ve potentially appeared in Star Trek: Picard or future productions set in or around the dawn of the 25th Century. The real surprise was that she’s going to be reprising the role for the upcoming animated series Star Trek: Prodigy!

Prodigy, if you didn’t know, is a joint venture between ViacomCBS (owners of Star Trek) and children’s broadcaster Nickelodeon. The show was announced a while ago, and will be the first Star Trek production to be aimed primarily at kids. The pitch for the series says its target audience is the 5-15 demographic, but Alex Kurtzman and other producers promise that there will be plenty for older fans to enjoy as well.

Star Trek: Prodigy had been announced earlier, but with no details of its cast.

Kate Mulgrew spoke during a digital panel for Comic-Con, and expressed her happiness to return to the franchise. Playing Captain Janeway in voiceover, she said, has allowed her to give the character more nuance within the privacy of a recording studio. She had apparently been reluctant at first, but after hearing the pitch of the series and speaking to Alex Kurtzman she was convinced.

Captain Janeway was groundbreaking, not just for Star Trek but for science fiction and the wider world of entertainment. She was Star Trek’s first woman captain, and now, as she says, she will be Star Trek’s first children’s captain too. Even twenty-five years after Voyager premiered, the character – and actress – are still breaking new ground.

Captain Janeway is returning to Star Trek!

So far we haven’t seen what Captain Janeway’s animated form will look like. Prodigy hasn’t released any teaser images as of yet; all we have is the show’s logo. But as we edge closer to the release of the series I’m sure we’ll get to see more!

Prodigy is going to be something different in the Star Trek universe. As we’ve seen with Lower Decks, different doesn’t mean “bad.” While Prodigy and Lower Decks are completely different productions, both have tried to push the boat out and expand Star Trek, bringing in new fans. If Prodigy succeeds, we’re likely to see a whole new generation of Trekkies, many of whom will jump over to watch the likes of Discovery and Strange New Worlds, and will hopefully go back to watch Voyager and other Star Trek shows too.

With Kathryn Janeway back in the captain’s chair, Star Trek: Prodigy is lining up to be a winner. I was looking forward the show before. But now I cannot wait!

Star Trek: Prodigy is due for release in 2021. The Star Trek franchise – including Star Trek: Prodigy – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.