I Went To A Star Trek Convention…

It’s been a long road… gettin’ from there to here. By which I mean: it took me almost four hours on three separate trains and one tram to travel from my home to Destination Star Trek in Blackpool on Saturday. That’s right: Trekking with Dennis made it to a Star Trek convention – my first since 2011. This is, somewhat embarrassingly, a pretty big deal for me – my health has been poor for a long time, and I haven’t felt up to an outing like this in years. Aside from medical appointments and a couple of visits earlier this year to meet my newborn niece, this became my first excursion in over a decade.

I’d looked into last year’s Destination, but I didn’t feel well enough in 2024 so I opted not to go. But this year, bouyed a little by those visits to my sister, brother-in-law, and newborn niece, I was feeling a little stronger, and perhaps a little braver… so I bit the bullet and bought a one-day ticket for Saturday. It was a long day – hours of travel each way, leaving the house at 5:30am and not making it back until after 10pm. But despite being exhausted and in a lot more pain than usual by the time I got home… I had a good time.

Photograph from Destination Star Trek 2025 showing attendees on the convention floor with their faces censored.
The main convention floor around 10am.
(Faces in all photos have been censored for privacy.)

The Star Trek fan community is just… wonderful. There are so many kind people in the community; Trekkies are patient, respectful, encouraging, enthusiastic, and just a joy to be around. I might be sitting on a seat, catching my breath in between events, walking to the bathroom, or waiting in a queue, and someone would strike up a conversation about something they enjoyed about the event last year, share their experiences of having met the guest speaker, or just compliment me on my Star Trek t-shirt. The atmosphere was incredibly friendly and welcoming… I felt, for the first time in years, like I was among my people!

And I must give special thanks to the staff and organisers. Due to my poor health, I’d filled out a form on Destination’s website to request some extra help. I didn’t really know what this would include, I just hoped there might be somewhere to sit down in between events or while queuing. Upon arriving at the event, I spoke with one of the members of staff who issued me a wristband – and I got to join a special queue for several of the photographs (more on those in a moment) which meant less time spent standing. Members of staff helped me find a seat at several of the talks, and they were all very friendly, chatty, and passionate about Star Trek. I simply wouldn’t have been able to attend Destination without this extra support, and I am beyond grateful to the organisers, the staff, and everyone at the convention who accommodated me, in spite of my limitations.

Photograph from Destination Star Trek 2025 showing a selection of screen-worn uniforms.
A selection of uniforms used in various Star Trek productions which were on display.

Let’s talk about why I decided to go to Destination this year. Because… well, let’s just say it didn’t quite go the way I first intended!

I’d been keeping an eye on Destination 2025 for a few months, weighing up whether to buy a ticket or not. But it was only when Anson Mount – Captain Pike himself from Strange New Worlds – was confirmed as a guest that I decided it was something I had to do. As you might’ve heard, though, Mount unfortunately had to pull out of the event at the last minute after contracting covid. I wish him well as he recovers. Again, credit to the organisers and staff, here: refunds were issued automatically for the panel I’d paid for when Anson Mount had to pull out.

Such things are unavoidable. Anson Mount’s last-minute withdrawal from Destination led to a few changes to the schedule… which, in the end, ultimately worked out in my favour. Connor Trinneer – Trip Tucker from Enterprise – was taking part in a talk on Saturday afternoon, and when I was no longer scheduled to meet Anson Mount for a photograph, I that time was freed up to attend the talk. As we’ll discuss, Trinneer’s panel was a lot of fun, and I’m glad I didn’t miss out on it. Oh, and Anson Mount did ultimately call into Destination by video-link, though I didn’t attend that event.

Photograph from Destination Star Trek 2025 showing Anson Mount's video-call.
Anson Mount’s panel had to be done remotely.
Photo: Destination Fan Events via Facebook

I’ve mentioned photos a couple of times now, so let’s talk about that.

Some people love to collect autographs. My mother had Elvis Presley’s autograph, for instance, which was something she loved to tell people about! But I’ve never really been big on autographs, even personalised ones. If I have the opportunity to meet someone famous, or someone important to me… I’d rather take that time to shake their hand. That memory, that moment… it’s always seemed more worthwhile than an autograph, at least to me. No shade to the autograph collectors – this is purely a subjective thing.

So I booked several photographs with Destination’s attendees. I met two guest stars from the first and second seasons of The Original Series, including an actor who appeared in The Man Trap, which was the very first episode of Star Trek to be broadcast. I met Chase Masterson – Leeta from DS9. I met the aforementioned Connor Trinneer, and Martin Quinn – who has taken over the role of Scotty on Strange New Worlds. I made a bit of a tit of myself, blurting out “I love Strange New Worlds it’s great!” as I waddled over to him. Poor man must’ve been traumatised. But I shook their hands, smiled awkwardly for the camera, and I have those photographs as mementoes of the day.

Promo photo for Star Trek: Strange New Worlds showing Scotty.
Martin Quinn as Scotty in a promo image for Strange New Worlds Season 3.

It’s been a while since I went to Blackpool. The seaside resort is a peculiarly British place, though it’s definitely in need of some TLC these days. But I have fond memories of being taken there as a kid, going to the Pleasure Beach funfair, seeing the Illuminations, and eating chips on the pier. This time, I got to take one of Blackpool’s new, modern, ultra-sleek trams – and use an app to buy my ticket! I’m still adjusting to life in the smartphone age, but on the short walk from the railway station to the tram stop, I managed to download the app, buy my ticket, and activate it.

As soon as I disembarked, I started seeing signs of the convention! The tram stop is right outside the Norbreck Castle Hotel, and there were already dozens of people milling about in costume, in Star Trek tops and t-shirts, and wielding phasers and other props. I made it inside, freshened up, and I was on the convention floor in time for the first event I’d been planning to see: a talk all about artificial intelligence.

Photograph from Destination Star Trek 2025 showing the Blackpool seafront.
I snapped this photo while en route!

This presentation, by a member of the UK military and Space Command, was genuinely fascinating. I’m not a “doomer” when it comes to A.I., though I certainly believe its practical applications are more limited than some optimistic utopian predictions would suggest! But discourse surrounding A.I. online can often feel overly negative. While the speaker was clear that there can be drawbacks and disadvantages to A.I., and some areas where it may not be useful, he was broadly positive and passionate about its current and future applications.

It was also very interesting to catch the tiniest glimpse of military applications of A.I. from someone directly involved with that side of things. Again, there’s a lot of “doomerism” surrounding killer drones and A.I.-engineered bio-weapons… so to get some perspective and learn a tiny bit about how A.I. systems are currently being used by real-world militaries was absolutely fascinating. Obviously this wasn’t directly related to Star Trek, though the speaker was a Trekkie, but Star Trek has long been a pioneer in predicting A.I. – from The Ultimate Computer to Data, Voyager’s Doctor, Control, and beyond.

Photograph from Destination Star Trek 2025 showing the A.I. talk.
Major Sam McEvoy during the A.I. talk.

I was able to attend two talks (or panels, if you prefer), one in the morning and one later in the day. Chase Masterson’s talk was first, and she was a really engaging speaker. I enjoyed a story she told about being invited to rehearse with her DS9 co-stars at the home of Armin Shimerman (Quark), which sounded like it must’ve been a lot of fun. And she spoke a little about the late Aron Eisenberg, as well as working with Max Grodénchik (Nog and Rom respectively).

Masterson also spoke about some of her other roles, her charity work, and what the audition process was like as she made the move to Hollywood in the 1990s. It must’ve been a big deal for her as Leeta went from having a few lines in a single episode to slowly building up to become a recurring character with some big moments in the show’s later seasons. It also sounds like there was a complicated working environment for anyone not a series regular; Masterson explained how, on DS9, the recurring cast never had a contract, and could theoretically have been let go at any time.

Photograph from Destination Star Trek 2025 showing Chase Masterson and the host during her talk.
Chase Masterson during her panel.

Connor Trinneer also had some fun stories to share at his panel. He talked about the audition process, how he thought he’d completely blown his first audition for Enterprise, and how, after not being called back when he hoped he would be, he thought the role had gone to someone else. I also learned – and maybe you already knew this, but I certainly didn’t – that Trip Tucker almost got a different name. That’s right: he was originally to be called “Spike.” It was only because of Buffy the Vampire Slayer (which was on the air at the same time, and also had a character named Spike) that the name was changed – and that was after production had begun on the pilot.

Trinneer is another wonderfully engaging speaker, recounting his time on the show effortlessly. I think there’s still a twinge of sadness or regret that Enterprise was cancelled when it was; he mentioned the show’s premature ending several times, as well as talked about the possibility of exploring more of Trip and T’Pol’s relationship had a fifth season been greenlit. In a joking reply to a fan asking if he’d be willing to reprise his role, he said “he’s dead!” to much laughter. But he then elaborated: no one is ever really dead in sci-fi, and he’d be fascinated to learn how Trip might’ve survived the events of Enterprise’s finale.

Two really entertaining and interesting talks.

Photograph from Destination Star Trek 2025 showing Connor Trinneer with two convention hosts.
Connor Trinneer (left) at his talk.

Before we come to the photo sessions, I also got to take part in something really special. Chase Masterson did a script reading from the episode Bar Association – which is a huge episode for her character, Leeta. This was a separate event, in a smaller room away from the main stage. There were only about… I wanna say maybe ten of us, or so, as well as Masterson and a couple of the event’s organisers. It was small-scale, intimate, and just a ton of fun to have been present for. We all remember Bar Association, right – it’s the episode from Season 4 where Rom leads the staff at Quark’s to form a union.

This smaller script-reading session was so much fun, and definitely one of the highlights of the day for me. Chase Masterson is really funny, she hasn’t lost a step when it comes to embodying Leeta, and even though it’s been almost thirty years since Bar Association aired… I felt I was right back there, watching it all over again, just in a completely different way. These are the kinds of experiences you really can’t get anywhere else… and I’m so glad I chose to pay for a ticket to something like this instead of buying another action figure or model ship!

Photograph from Destination Star Trek 2025 showing Chase Masterson reading her script.
Chase Masterson at the Bar Association script reading.

The first photo I took – and therefore the first actor I got to meet – was with Martin Quinn. Quinn has taken over the role of Scotty in Strange New Worlds, showing us a younger and less-experienced take on the character that has just been really well-created and interesting. I noted in my recent reviews of The Sehlat Who Ate Its Tail and Four-and-a-Half Vulcans that Quinn has great on-screen chemistry with Paul Wesley (SNW’s Kirk), and it’s just been a lot of fun to see this younger version of the character and Quinn’s take on Scotty’s younger days. And yes, from now on, you can expect me to say “Martin Quinn (whom I have met)” in every future episode review where Scotty’s featured!

How often, nowadays, can one claim to have met a guest star from The Original Series? Garth Pillsbury appeared in the iconic episode Mirror, Mirror as Wilson – a crewman aboard the ISS Enterprise in the Mirror Universe. He reappeared in Season 3 as a prisoner in the episode The Cloud Minders. Budd Albright appeared in The Man Trap – the very first episode of TOS to be broadcast. His character (Barnhart) was killed by the M-113 Creature, making him one of the first “redshirts” to die in the show! He reappeared in What Are Little Girls Made Of as a different character, Rayburn, who met a similar fate!

Four still frames from Star Trek: The Original Series showing Budd Albright and Garth Pillsbury's characters.
Budd Albright (left) and Garth Pillsbury (right) in their TOS roles.

I then got to meet Chase Masterson (again, after the script-reading session) and pose for a photo with her. And I capped off my photo sessions later in the day with Connor Trinneer. There were pretty long lines for some of these, and I didn’t schedule photos with all of the guests who were there that day. But with the exception of Anson Mount, I got to meet everyone I set out to meet.

Meeting these folks, shaking their hands, and just… being with them for those few seconds… it’s an almost surreal feeling, in a way. Maybe if you’re a regular convention-goer this is all old hat to you, but for me, as someone who hasn’t done anything like it in so long… it was a wonderful experience. Being able to say I’ve met these folks, shaken their hands, told them (awkwardly) how much I enjoyed their shows and their characters… it’s just a really great feeling. It’s a connection between myself and the people who are actually *in* Star Trek that I didn’t have before.

And no, by the way, I’m not gonna publish those photos!

Photograph from Destination Star Trek 2025 showing a queue on the convention floor.
One of the autograph queues.

This might sound silly, but I was surprised to see so many people had gone all-out with their costumes. I felt underdressed in just a Star Trek-themed t-shirt, surrounded by people dressed up in full costumes from every series and every era of the show. It was great to see so many people wearing Picard, Discovery, Lower Decks, and Strange New Worlds uniforms, too – despite what some small groups of fans might want to think, the Trekkie community as a whole embraces, rather than rejects, those newer shows. There will always be some who complain, of course; I overheard one such conversation about “Alex Kurztman should be fired” at the convention. But it was great to see so many people who celebrated modern Star Trek just as much as the older shows.

The counterpoint to that is… well, a bit of an awkward one, to be honest. I’m no spring chicken – I’m in my forties – so this is not an attack on anyone, nor at attempt to be “ageist.” But… to be blunt, there’s not a lot of young blood in the Trekkie community at the moment. It’s rare for me to go somewhere and feel like one of the younger folks! But at Destination? I guess I’d say most people were in their mid-thirties or above. That gels, of course, with Star Trek’s 1990s heyday, and there are other factors such as younger people having less disposable income and perhaps more constraints on their time at this time of year. But it was noticeable, at least, that most of the folks there were in a similar age bracket to myself, despite Paramount’s attempts in recent years to broaden the Star Trek franchise’s appeal.

Photograph from Destination Star Trek 2025 showing a Lego Borg cube.
A Lego Borg Cube!

Destination was a lot of fun. It was a long, painful, and tiring day, but it was worth it in the end. The experiences I got to have – reading a script with Chase Masterson, meeting Budd Albright, who appeared in the very first Star Trek episode, and listening to Connor Trinneer talk about his time on Enterprise – just wouldn’t have been possible anywhere else, and I really value the time I spent and the memories I made far more than any of the merchandise I’ve bought over the years!

It also took a lot of effort, and I cannot stress enough how much I appreciate the assistance and help given to me by the folks at Destination. I paid for my tickets, so this is not some kind of sponsorship or ad, but the reality is that, given my health, I would not have been able to attend and do these wonderful things were it not for the extra help the staff and organisers were able to provide to folks with disabilities such as myself. I was exhausted after I got home – and yes, that’s why this week’s Strange New Worlds episode review was late – but I had a fantastic time.

Painting of the USS Enterprise produced while Star Trek: The Original Series was in early production.
2026 will mark Star Trek’s 6oth anniversary.

So… what’s next? I was talking to my sister (who, coincidentally, doesn’t live too far from Blackpool) about the event, and she said words to the effect of “now that you’ve done it, you wouldn’t do something like that again… would you?” And… I had to hesitate. Because yeah, it was a hard day. And yeah, next year’s event will probably be kinda samey, with talks, panels, merchandise booths, autographs, and photo-ops. There may well be some of the same actors and guest stars present.

I also don’t know, given my state of health, whether I’ll be able to do something like this again. It was a major undertaking for me, and it took a lot of planning, a lot of effort, and quite a few painkillers just to get through the day as well as I did! But I’m not going to lie to you: part of me is eyeing that weekend in August 2026, back at the Norbreck Castle Hotel, and thinking… “why not?”

So hey, if you’re going to Destination next year… who knows. Keep an eye out for a fat fella with a walking stick perched awkwardly on a chair or excitedly standing in line to shake the hand of… whoever they manage to book! In the 60th anniversary year, it could be a lot of fun.


Destination is an unofficial Star Trek fan convention held at the Norbreck Castle Hotel in Blackpool, UK. The Star Trek franchise – including all series, films, characters, and other properties discussed above – is the copyright of Skydance/Paramount. All photos taken by Trekking with Dennis unless otherwise stated. You may use them under the “share-alike” principle, providing you include a link back to this article. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Khan – Thoughts on the Trailer

A Star Trek-themed spoiler warning.

Spoiler Warning: Beware potential spoilers for the upcoming Star Trek: Khan audio drama. Spoilers are also present for Space Seed, The Wrath of Khan, Into Darkness, Lower Decks, and Picard.

For a franchise which could be just a couple of years away from total cancellation, Star Trek had a lot to say at this year’s Comic-Con event! We’ve already covered the big Starfleet Academy news, which included a trailer and introductions to the main cast, as well as Year One – a pitch for a Strange New Worlds successor series. This time, we’re finally getting around to talking about Star Trek: Khan – an audio drama which will be released next month.

This is Star Trek’s first ever official audio drama – billed, for some reason, as a “scripted podcast.” I’m calling it an audio drama (because that’s what seems to be the best fit) but you might also consider it akin to a radio play or even an audiobook. In any case, it’s audio only – which is something new for Star Trek. Obviously there have been Star Trek audiobooks before, and there are fan-made audio dramas, too. But this is the first time Paramount has really pushed a brand-new Star Trek story in this format, and it’s an interesting choice.

Still frame from the Star Trek: Khan trailer showing the audio drama's title.
Khan is coming soon!

Obviously the main factor here is money. Nicholas Meyer – who originally pitched this idea a few years ago – envisioned it as a miniseries, which is also a format Star Trek doesn’t have much experience with. Even if you aren’t sold on Star Trek: Khan as a concept, I still think there’s merit in the miniseries approach, and I’d hope it’s something Skydance/Paramount might consider in the future if and when a suitable story comes along. If Khan is a success, perhaps more audio dramas will be in the offing, too.

It’s been a while since we talked about this project, so let me bring you up to speed. Khan is set on the planet Ceti Alpha V in between the events of Space Seed – in which Khan awoke in the 23rd Century after years in suspended animation – and The Wrath of Khan. When the project was still little more than a rumour, I discussed it here on the website. This was in early 2021, and I said then that I felt this project – which was going by the working title Ceti Alpha V – looked set to tell the least-interesting chapter of Khan’s life. What could we learn from this story that we didn’t already know or couldn’t reasonably infer from Space Seed, The Wrath of Khan, and even Khan’s appearance in Into Darkness?

Still frame from Star Trek II: The Wrath of Khan showing Khan and his crew on the bridge of the USS Reliant.
Khan with his crew in The Wrath of Khan.

When Khan switched from being a televised miniseries to an audio drama… I felt that was probably for the best. At Paramount’s “Star Trek Day” event in 2022, Nicholas Meyer took to the stage to announce that his project had been reworked into an audio drama. And I noted at the time that he didn’t exactly seem thrilled about that! Maybe I’m reading too much into this, but I noted in the Khan trailer that Meyer is no longer credited as one of the podcast’s writers, instead simply getting a “based on a story by” credit. Maybe Meyer was disappointed that his Ceti Alpha V idea didn’t proceed on television as he’d hoped. Or maybe changes were made to his original idea – which I doubt would’ve included Sulu and Tuvok!

In any case, Nicholas Meyer’s core idea is going ahead, but not in the format he intended and not with a script he penned. Personally, I think that’s worth being aware of; Meyer is a Star Trek legend. He wrote The Wrath of Khan, The Undiscovered Country, and also worked on The Voyage Home – three of the films fans rate most highly. It’s quite possible that, without Meyer’s work on The Wrath of Khan in particular, Star Trek would have struggled in the 1980s – and the franchise as we know it could very well not exist today. So to know that he had a script written, but his work has been changed substantially enough that he’s no longer credited as a writer… it gives me pause, at least.

Still frame from Paramount's Star Trek Day 2022 broadcast showing Nicholas Meyer announcing Star Trek: Khan.
Nicholas Meyer in 2022.

Let’s be positive, though, and talk about some of the things from the Khan trailer that I actually found interesting!

Firstly, the idea of a frame narrative is a fun one – and it’s also something that, because of the characters involved, could really only work in this audio format. Well alright, I guess it would’ve worked in animation, too! But bringing back George Takei to voice Sulu and Tim Russ to play Spock, with the frame narrative presumably set aboard the Excelsior… that’s a really fun idea. Both Takei and Russ have been back in modern Star Trek; Takei reprised his role of Sulu in Lower Decks, and Russ played a significant role in Season 3 of Picard.

I often see fans lamenting that we don’t know much about Star Trek’s “lost era;” i.e. the years in between The Undiscovered Country and The Next Generation. While probably right at the beginning of that time period, it seems as if Khan’s frame narrative will be set in the “lost era,” which is something kind of neat. I doubt we’ll get much of an exploration of the wider state of the galaxy! But it’s still nice to see a project being potentially set after The Undiscovered Country.

A graphic of the USS Excelsior's MSD.
Parts of Khan will be set aboard the Excelsior during Sulu’s time in the captain’s chair.

Tuvok’s inclusion is also a pretty deep cut to a single Star Trek episode! In 1996, Flashback was one of two stories created to celebrate Star Trek’s thirtieth anniversary. It delved into Tuvok’s backstory, depicting his time serving under Captain Sulu’s command aboard the USS Excelsior, and it was a pretty fun crossover. We got to see an expanded role for Janice Rand, picking up her story aboard the Excelsior, too, and another character from The Undiscovered Country – Dimitri Valtane. Though its “memory virus” storyline wasn’t the strongest, it’s still a fun episode, and we got to see some interaction between Tuvok and Sulu, as well as a brief moment with Janeway and Sulu, too.

It makes me feel so incredibly old to think that the 30th anniversary celebrations were almost 30 years ago! But I’m glad that Star Trek’s writers and creatives haven’t forgotten about Flashback; it’s a fun way to return to this era, an unexpected pair of legacy characters to include in a story like this one, and it might just give us a bit more information about Sulu’s time in the captain’s chair. I really like this part of Khan, even though it likely won’t be in focus all that much.

Promotional photo for Star Trek: Voyager Season 3, showing Rand, Sulu, Janeway, and Tuvok.
Promo photo released for Flashback in 1996.

Sulu was present, of course, during the events of Space Seed and The Wrath of Khan, which makes his inclusion here a neat little thread of continuity. Takei first played Sulu all the way back in 1966; to think he’s still involved with the character – and the Star Trek franchise – all these years later… it’s fun and also exceptionally sweet. Fans have been asking to see more of Captain Sulu for a long time; I remember on message boards and forums in the 1990s, a “Captain Sulu show” was often brought up as fans discussed fantasy Star Trek projects. Obviously Khan isn’t the same, but it’s not a million miles away, either, thanks to Takei’s involvement.

This is also potentially one of the last Star Trek projects to include a significant role for a performer from The Original Series, and I think we should acknowledge that. We’ve had Walter Koenig’s voice in Picard, archival recordings of a few characters in Short Treks and Prodigy, and Takei in Lower Decks as previously noted. But time moves ever onwards, and these opportunities are becoming scarce. Whether we ultimately like or dislike Khan, I think we can at least appreciate George Takei’s involvement and that we got one more adventure with Hikaru Sulu.

Still frame from the Star Trek: Khan trailer showing Sulu.
We’re getting one more adventure with Captain Sulu.

Naveen Andrews, best-known for his role on the TV series Lost, will take on the role of Khan. And this could be one of the best casting decisions in a long time! Andrews is a fantastic actor, and while we didn’t hear that much from him in the trailer, what little there was sounded fantastic. This feels like a truly inspired casting decision, and whatever the story may ultimately be, I’m certain that Naveen Andrews’ portrayal is going to be one of the highlights.

So there are positives as we look ahead to Khan’s release next month. Revisiting Sulu, entering the “lost era,” Tuvok’s return, and getting a new take on an iconic character by a fantastic actor… those are all points in the production’s favour. I also like the idea of Star Trek leaning into audio dramas and different kinds of projects as a way to potentially keep the franchise alive in the years ahead. If there isn’t the budget to commit to a full TV show or film, a radio play like this could be a great option to preserve Star Trek and ensure new stories are still able to be produced.

Still frame from the Star Trek: Khan trailer showing Khan holding a Ceti eel.
Khan with a Ceti Eel.

The main image shown off in the trailer – which looks like it could also be the “cover art” for the podcast – shows Khan holding a small vial. Inside that container is what looks like a small Ceti eel – the mind-controlling earwig-like creatures that Khan used on Chekov and Captain Terrell in The Wrath of Khan. The film made it clear that Khan already knew all about these creatures, so perhaps part of the audio drama will depict Khan and his crew studying them.

Not every alien in Star Trek requires a deep dive, and as with Khan himself, I think we know enough about the Ceti eels from the film to understand what they are, how they operate, and why Khan would be so fascinated by them! But I’m always up for an exploration of Star Trek’s alien life, and perhaps there could be a way to connect Khan’s time on Ceti Alpha V and/or the Ceti eels to other parts of Star Trek. Making those kinds of connections could be fun, and just exploring the anatomy of the Ceti eels could also be interesting if it’s handled well.

Still frame from Star Trek II: The Wrath of Khan showing a Ceti eel.
A Ceti eel as seen in The Wrath of Khan.

With all of that being said, nothing in the Khan trailer really convinced me that I was wrong in my earlier assessment: that this audio drama won’t be telling the least-interesting chapter of a story where we’ve already seen the beginning, the end, a prequel, a reimagining, and basically all of the good parts. There’s a real danger that what we’ll get will be akin to the Obi-Wan Kenobi miniseries over in the Star Wars franchise: the absolute worst kind of tacked-on story that feels like cheap fan-fiction. Khan could, perhaps, even prove harmful to Space Seed and The Wrath of Khan if – just as an example – we get some kind of storyline that sees Khan leave the planet, track down Kirk, and battle him in a one-on-one duel.

Furthermore, the trailer added another element which I hadn’t previously considered could be part of a Khan story, and it’s really making me concerned. In the trailer, the new character of Dr Lear says that “the logs I retrieved on Ceti Alpha V only confirm my belief that Khan was much more than a mad tyrant.” But… Khan *is* a mad tyrant; that’s who he is. He’s a narrative warning against eugenics and genetic engineering by showing how badly wrong it could go. And in 2025, when we’re seriously considering the possibilities of artificial intelligence and inventing a sentient life-form that could be intellectually superior to humanity… there’s a message in Khan’s story that’s still incredibly relevant.

Still frame from the Star Trek: Khan trailer showing a quote from Dr Lear.
This statement from Dr Lear has me concerned…

I’m worried that Khan will go out of its way to humanise this villainous character – and in doing so, rob him of what made him so powerful, so intimidating, and such a good character in the first place. We don’t need a story about how Khan was actually a misunderstood “nice guy” who just wanted what’s best for his friends. Maybe that’s how Khan saw himself, in part, but it isn’t how we as the audience need to see him. And we don’t need a story told partly from his perspective to understand who he is, how he thinks, or why he behaved the way he did. All of the necessary pieces to understand Khan were present in Space Seed and The Wrath of Khan, and were added to on somewhat in Into Darkness.

It can be fun, sometimes, to flip the script and look at things from the villain’s point-of-view. And some Star Trek stories are all about that – presenting the Federation as being in the wrong, showing why hostile aliens act the way they do, and so on. That’s been present going all the way back to The Original Series. But some villains are just villains – and trying to soften them, present their side of the story, or show them as being “in the right” ruins not only the character, but the story, too. And I am genuinely worried that this attempt to present Khan as a more complex, nuanced, and dare I suggest human individual won’t actually add much to Star Trek – and risks seriously undermining one of its best stories.

Still frame from Star Trek II: The Wrath of Khan showing the Enterprise during the battle in the nebula.
The Enterprise in The Wrath of Khan.

This was always going to be a potential pitfall – and it’s one of the reasons why I was never keen on the Khan idea when it was first pitched. But hearing this new character in the trailer talking about there being “more to the story,” and how Khan was “so much more” than what we’ve seen… it’s really making me nervous about the direction the audio drama is going to take. If Dr Lear ends up as a kind of villain – perhaps someone who’s fallen for Khan’s posthumous propaganda – then maybe we can look on this narrative thread more kindly. But if the story’s going to try to present Khan sympathetically, and Dr Lear as being right about him all along… where does that leave Tuvok and Sulu?

I doubt a lot of Trekkies would be thrilled if Sulu’s return is turned into some kind of story about how *he’s* the one in the wrong, how he and Tuvok unfairly judged Khan, and how Khan was really just a big misunderstood cuddle-buddy. That… that wouldn’t be great. And while I could be completely wrong, the tone of the trailer – and Dr Lear’s comments in particular – seem to be hinting at a story which could go in that kind of direction.

Still frame from the Star Trek: Khan trailer showing Dr Lear.
Dr Lear is a new character created for Khan.

What I will say on that side of things, though, is that Starfleet does bear some responsibility for what happened to Khan and the Botany Bay survivors. After marooning them on Ceti Alpha V, it seems as if Starfleet just abandoned them to their fate. Worse, Starfleet doesn’t even seem to have kept proper records of the Ceti Alpha system, despite the dangers Khan and his augments were known to pose. How else do we explain the crew of the USS Reliant being totally unaware of the Botany Bay until after beaming down to Ceti Alpha V? In the eighteen years Khan and his people were stranded, not one Starfleet vessel visited to check up on them.

If there’s any room for nuance in Khan’s story, it’s here. Starfleet was either incompetent or downright malicious in its treatment of Khan and his people, stranding them on a hostile planet – uninhabited by sentient life, yes, but with a complete ecological system of its own – and then abandoning them. No one cared enough to check in on them, even though surely the Ceti Alpha system was close enough to Federation space that something as major as the destruction of an entire planet would have been noticed.

(Speaking of which, why could no one aboard the USS Reliant count to six?)

Still frame from Star Trek II: The Wrath of Khan showing two Starfleet officers on the bridge of their ship.
Captain Terrell with the USS Reliant’s science officer.

Then there’s Kirk’s role. The trailer mentioned Kirk by name – though he better not actually appear in the production; god help us if he does – and I guess we’re going to see more of Khan’s revenge obsession in the years before The Wrath of Khan. If we take our criticism of Starfleet and pin it on one person, could this audio drama focus in on Kirk’s role? Maybe Kirk neglected to tell Starfleet about Khan and what happened during Space Seed. Maybe no one except for the Enterprise crew ever knew that the augments were marooned there. If that’s the case, maybe Khan’s desire for revenge takes on a slightly different feel. If Kirk had logged what happened correctly, maybe someone would have swung by the Ceti Alpha system to check on Khan.

That’s just a theory, though I think it shows how difficult it may prove to thread the needle on this kind of “mid-quel” story. Anything we learn about Khan, Kirk, or anyone else has to fit with Space Seed and The Wrath of Khan, and mustn’t tread on their toes. That’s not an easy thing to do… and there are examples from other franchises – and from within Star Trek – showing just how badly things can go wrong when attempting this kind of story.

Still frame from the Star Trek: Khan trailer showing a quote from Khan and a raised fist.
Khan wants revenge on Captain Kirk. Who would’ve guessed?

Returning to Dr Lear, her statement that “monsters are made, not born” is another line I’m concerned about. This ties into what we were talking about; how the story could be an attempt to show Khan’s perspective and how Starfleet and Kirk were the ones in the wrong. Obviously Khan believes that – we knew that during The Wrath of Khan. But do we actually need a full audio drama dedicated to explaining that idea in more detail? And can it be done without detracting from Khan’s characterisation in those earlier stories? I’m afraid I’m still not convinced.

So let’s wrap things up.

Star Trek: Khan will premiere on the 8th of September – Star Trek Day. It’ll run for nine episodes, with the finale airing in early November. I plan to tune in, even though I’m not really sold on the premise, nor on some of what we saw in the trailer. At this stage, I don’t intend to review individual episodes, but I’ll hopefully be able to write up a review of the full audio drama once it’s aired. Check back in November for that!

Still frame from Star Trek: TOS 1x22: Space Seed showing Khan in engineering.
Khan in Space Seed.

I wouldn’t have given the green light to this project, either in this audio form or as its original miniseries pitch. But I’m not writing it off just yet, and there are reasons to be hopeful… or at least a bit less pessimistic! I often say that “no one asked for this” is a terrible argument, and often the best productions are those that “no one” seemed to be interested in at first. It’s with that attitude that I plan to approach Star Trek: Khan, and I’ll do my best to give it a fair shake despite my misgivings.

I hope this has been interesting! I think we’ve finally covered all of the big Comic-Con news, now. If you haven’t checked in for a while, I’m back to writing weekly Strange New Worlds episode reviews – we’re almost halfway through Season 3 already, if you can believe that! And there’s more Star Trek content to come here on the website in the weeks ahead.

See you on Ceti Alpha V!


Star Trek: Khan will premiere as a scripted podcast/audio drama on multiple podcast platforms on the 8th of September 2025, with further episodes to follow weekly. Star Trek: Khan, and all other properties discussed above, are the copyright of CBS Studios, Paramount Global, and/or Skydance. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek “Top Fives” – Arguing With IMDB!

A Star Trek-themed spoiler warning.

Spoiler Warning: There are spoilers ahead for the following Star Trek shows: The Original Series, The Next Generation, Deep Space Nine, Voyager, and Enterprise. Minor spoilers are also present for Discovery, Picard, Section 31, and Starfleet Academy.

Today I thought we could have a bit of fun with the Star Trek franchise! If you didn’t know, IMDB – that’s the Internet Movie Database; a website all about films and TV shows – allows its users to rate episodes on a scale from one to ten. The site then brings all of these ratings together, allowing you to view a ranked list of the most-popular episodes in a television series. This time, I’m gonna pick the top five highest-rated episodes for the first five Star Trek series and talk a little about them. I’ll discuss what I liked – or disliked – about each episode, and then I’ll answer a simple question: would I include this episode among my personal favourites? Would it make the cut?

If that sounds like fun, then buckle up! Some of these are going to be controversial, that’s for sure.

Before we get into the list, I have a few caveats and points of note.

Promo photo for Star Trek: The Original Series showing the main cast circa Seasons 2-3.
Star Trek’s first crew.

Firstly, all of this is subjective, not objective! If I heap praise on a story you despise or criticise one of your favourites… that’s okay. There ought to be enough room – and enough maturity – in the Trekkie community for civil conversations and polite disagreement. This is all just one person’s opinion, at the end of the day. Secondly, I’m a huge Star Trek fan, and I have been since the early ’90s. I don’t adore every single episode, but I still consider myself a Trekkie and a supporter of the franchise, so nothing said below should be taken as “hate.”

Finally, I’m covering the first five Star Trek series – from The Original Series to Enterprise – in this piece, and I’m not counting The Animated Series nor am I including the cinematic franchise. Perhaps a future article can look at the newer Star Trek shows, though they have fewer episodes each and thus picking a top five might be a bit less interesting. For now, though, I’m sticking with the first five shows – so don’t expect any Picard or Lower Decks here. I’ll start with The Original Series and move forward through the shows in chronological order, finishing with Enterprise. Episode rankings are taken from IMDB as of mid-June 2025, and are listed in reverse order – starting with the fifth-highest and finishing with the highest-rated.

Phew! With all the details out of the way, let’s get started.

The Original Series Episode #5:
The Trouble With Tribbles, Season 2
IMDB Rating: 8.7/10

Still frame from Star Trek: The Original Series showing Kirk surrounded by tribbles.

The Trouble With Tribbles is absolutely iconic, and it’s one of the few episodes from The Original Series to have genuinely cut through to the mainstream in a big way. If you asked random non-Trekkies about not only The Original Series, but the Star Trek franchise as a whole, it wouldn’t be long before someone mentioned this episode, the tribbles themselves, or the iconic Kirk meme that was born here.

The Original Series could be funny, and The Trouble With Tribbles uses humour to great effect. The character of Cyrano Jones is a ton of fun, and while the conflict with the Klingons and the infestation of tribbles can be tense at points, the episode is best-remembered for its sense of humour. Kirk dressing-down the officers involved in the fight is also an iconic scene – though one that takes a completely different tone. This episode also spawned Trials and Tribble-Ations… which I suspect we’ll discuss in more detail in a moment.

Would It Make The Cut?
✅ Yes. ✅

The Original Series Episode #4:
Space Seed, Season 1
IMDB Rating: 8.7/10

Still frame from Star Trek: The Original Series showing Kirk and the crew discovering Khan in stasis.

Here’s a “hot take:” I think Space Seed’s status is overinflated because of The Wrath of Khan and how popular that film became. Don’t get me wrong, it’s still a good episode – but because its story is basically the prelude to such an important film for the Star Trek franchise, I think some folks might be over-appreciating it just a little. There are some great moments between Khan and Kirk, including an epic fight sequence, and we get to see Khan’s “superior intellect” firsthand for the first time.

Space Seed deals with genetic engineering, looking at how wrong that could go, while also using it as a critique of racism and the idea of a “master race.” It was also one of the first Star Trek episodes to delve into the history of the future; its vision of mid-1990s Earth and the Eugenics Wars have become integral parts of Star Trek’s canon. It’s an interesting episode in its own right, and not just because it set up The Wrath of Khan. However… there are stronger episodes from the first season of The Original Series, and while Space Seed is good, there are other episodes that I prefer.

Would It Make The Cut?
⛔ No. ⛔

The Original Series Episode #3:
Balance of Terror, Season 1
IMDB Rating: 8.8/10

Behind-the-scenes photo from the set of Star Trek: The Original Series showing a crew member with a clapper board and the Romulan Bird-of-Prey filming model.

Balance of Terror is another absolutely iconic episode. It introduced the Romulans, explored their historical conflict with Earth, and their surprising connection to Spock and the Vulcans. It introduced cloaking technology, the neutral zone, and the Romulan Bird-of-Prey, all of which have become integral parts of the Star Trek franchise, even appearing in recent seasons on Paramount+. This was also Mark Lenard’s first Star Trek role, playing the unnamed Romulan commander. Lenard would go on to play Spock’s father, Sarek.

The episode draws on World War II films – particularly submarine films where tense ship-to-ship combat took place without the enemy being in sight. It was one of the Star Trek franchise’s first battle or war stories, laying the groundwork for future space battles. The interplay between Kirk and the Romulan commander – recognising one another as kindred spirits – was incredibly poignant, and the xenophobic character of Lieutenant Stiles grounded the story and gave it another real-world parallel. Stiles was one of the first human Star Trek characters to express such feelings of hatred. Balance of Terror is, in a word, fantastic.

Would It Make The Cut?
✅ Yes. ✅

The Original Series Episode #2:
Mirror, Mirror, Season 2
IMDB Rating: 9.0/10

Still frame from Star Trek: The Original Series showing Mirror Spock.

If you’re a regular reader, you may have heard me say this before, but here goes: I really don’t like the Mirror Universe. It lends itself to pantomime-style, hammy, over-acted performances, practically no Mirror characters have any nuance, as they seem to care about nothing beyond murder, torture, and torturous murder, and the whole setting just feels incredibly flat, boring, and one-dimensional. Mirror, Mirror, as the first episode to explore this setting, was interesting at first, and I’m happy to cut it a bit of slack as the progenitor of this idea, though.

Furthermore, Mirror Spock might be one of the best Mirror Universe characters, as he’s shown to be willing to listen to our universe’s version of Kirk. Compared to some of the other caricatures we meet in the episode, Mirror Spock is definitely the most interesting and complex. I suspect that, were it not for the Mirror Universe’s over-use in modern Star Trek, or if Mirror, Mirror had been a one-off, I might rate it a bit more highly. I still think its an interesting episode, and certainly one of the better Mirror Universe stories even all these years later, but it’s also not one of my favourites… and I guess it’s kind of tainted by association with some other, far less-enjoyable visits through the looking-glass.

Would It Make The Cut?
⛔ No. ⛔

The Original Series Episode #1:
The City on the Edge of Forever, Season 1
IMDB Rating: 9.2/10

Still frame from Star Trek: The Original Series showing Kirk and Spock in the 20th Century.


I knew The City on the Edge of Forever was a popular episode, but I’ll be honest: I didn’t expect to see it at the top of the list, way ahead of the competition! This is a great story, though, one which really leans into the idea Gene Roddenberry had of making Star Trek episodes akin to fables, with complex themes of morality seen through a futuristic, sci-fi lens. The choice Kirk has to make in The City on the Edge of Forever is truly heartbreaking, and the buildup to it is played exceptionally well.

The first season of The Original Series was basically flying blind, seeing what worked. And clearly, time-travel to Earth in the recent past was something that resonated with audiences in a big way. For me personally, time-travel to 20th (or 21st) Century Earth has never been my favourite story concept in Star Trek, as what interests me the most is the franchise’s look at the future. And I would humbly suggest that the existence of the Guardian of Forever could challenge and completely change Starfleet’s mission of exploration – yet the Guardian was only revisited once, in The Animated Series, before disappearing for nigh-on fifty years! Given its popularity, though, and its apparent cut-through to a wider audience, perhaps The City on the Edge of Forever could be a great starting point for new fans?

Would It Make The Cut?
⛔ No. ⛔

The Next Generation Episode #5:
The Measure of a Man, Season 2
IMDB Rating: 9.1/10

Still frame from Star Trek: The Next Generation showing Picard and Dr Maddox.

Star Trek can do courtroom drama exceptionally well, and The Measure of a Man is a fantastic example of this kind of storytelling. It’s also an episode with a complex message about the nature of life and sentience – ideas which are arguably more important today, thirty-five years later, than they were at the time of its production. Because we’re attached to Data as a character after spending two seasons with him, and we’ve come to see him as a member of the crew, Bruce Maddox comes across as a real antagonist – someone who’s trying to use his position and a legal loophole to, in effect, “kill” Data.

The episode presents a challenge for both Picard and Riker, too. Riker arguably gets the tougher brief, having to argue against his friend’s right to exist and his sentience. But, as Data would tell him at the end of the story, he did what he had to do and played his part; refusal would’ve led to Data being turned over to Dr Maddox. Picard’s speech about the nature of life, and Starfleet’s mission to seek out new forms of life, is incredibly powerful, too. But… is The Measure of a Man one of the absolute best of the bunch from The Next Generation, when there are so many other outstanding episodes and stories? I’m not even sure it’s the show’s best courtroom episode, with The Drumhead being a genuine rival for that title!

Would It Make The Cut?
⛔ No. ⛔

The Next Generation Episode #4:
All Good Things…, Season 7
IMDB Rating: 9.1/10

Still frame from Star Trek: The Next Generation showing Beverly Picard in an alternate future timeline.

I’m pleasantly surprised to see the series finale here. All Good Things is a fantastic episode, and a great way to bring The Next Generation full-circle. Q makes a return, setting one of his best and most complex puzzles yet, challenging Picard to think about time itself in a non-linear way. Having three distinct time periods on the go in a single story was challenging, but it was so creative and clever how Picard instantly moved between them. There was some fantastic cinematography on this side of the story, too, with close-up shots lingering on Picard as he slid between the three different eras.

It was great to welcome back Denise Crosby as Tasha Yar, and to catch a glimpse of our characters’ lives in the future, too. Some of the ideas originally presented here would later become plot points in Star Trek: Picard more than twenty-five years later, keeping a thread of consistency across different iterations of the franchise. All Good Things was a spectacular finale, one that brought together the entire crew in different and creative ways, and its anti-time eruption was a genuine challenge and puzzle for Picard.

Would It Make The Cut?
✅ Yes. ✅

The Next Generation Episode #3:
The Best of Both Worlds, Seasons 3-4
IMDB Rating, Part I: 9.3/10
IMDB Rating, Part II: 9.2/10

Still frame from Star Trek: The Next Generation showing the Borg cube on the Enterprise's viewscreen.

For some bizarre reason, IMDB ranks the two halves of The Best of Both Worlds separately, but I’m amalgamating them for my list. This story brought back the Borg for their first major clash with Starfleet – and what a clash it was! The Battle of Wolf-359, Borg assimilation, Picard’s transformation into Locutus, Riker’s challenging relationship with Commander Shelby, and the Borg’s first major attempt to attack Earth. The tension builds slowly across the first part, culminating in Picard’s abduction and assimilation – a cliffhanger to end Season 3 in just the most shocking and incredible way!

Part II picks up the action, and sets a huge challenge for Riker – and the entire Federation. The crew of the Enterprise-D want to rescue Picard and undo the damage done to him by the Borg, but they’re also Earth’s last line of defence after the Borg Cube made light work of the assembled Federation ships at Wolf-359. The plan to kidnap Locutus, then Picard managing to break through his Borg assimilation just enough to strike the crushing blow… it was all pitch-perfect, fantastic, outstanding television. There’s a reason why The Best of Both Worlds is held in such high esteem.

Would It Make The Cut?
✅ Yes. ✅

The Next Generation Episode #2:
Yesterday’s Enterprise, Season 3
IMDB Rating: 9.2/10

Still frame from Star Trek: The Next Generation showing Picard, Riker, and Yar in an alternate timeline.

Now that I see how highly-ranked Yesterday’s Enterprise is, suddenly the decision to bring back the character of Rachel Garrett in the recent Section 31 movie makes a lot more sense! Joking aside, this really is a fun episode. One question I remember having, as a Trekkie in the early 1990s, was this: what happened to the Enterprise-B and Enterprise-C? Yesterday’s Enterprise introduces the Ambassador-class Enterprise-C and explains its pivotal role in history, maintaining the alliance with the Klingons and preventing a catastrophic war that threatened to wipe out the Federation.

We get an examination of a disturbing alternate reality, one in which the Federation and Klingons have been at war for years. Guinan plays a hugely important role, too, being the only character aware of how different the timeline could be. Tasha Yar makes a return, and this episode also tees up Sela as a future villain. Yesterday’s Enterprise also presents an impossibly tough decision for Picard, Garrett, Yar, and Lieutenant Castillio – returning the Enterprise-C to its own time means certain death for all on board, but staying in this war-ravaged future would likely mean the demise of the entire Federation.

Would It Make The Cut?
✅ Yes. ✅

The Next Generation Episode #1:
The Inner Light, Season 5
IMDB Rating: 9.4/10

Still frame from Star Trek: The Next Generation showing the Ressikan flute.

This wasn’t a huge surprise. The Inner Light is widely praised by fans of The Next Generation as one of the show’s best episodes. But I’ll level with you: I’m just not into it. There’s some emotional storytelling, sure, and the impact of these events would have repercussions for Picard. But I struggled to really connect with most of the long-dead people of Kataan, and this episode’s deliberately slow pace and departure from the Enterprise-D and most of our familiar characters just… well, to be blunt, I find it pretty boring.

I don’t hate The Inner Light, but it’s actually been a while since I even watched it; I tend to skip over it when re-watching The Next Generation as it just doesn’t do much for me. There are some positives, and I appreciate that this episode’s events were referenced more than once going forward; the impact it had on Picard’s character was significant. It also spawned one of the Star Trek franchise’s best and most-recognisable melodies: the Ressikan flute theme. However… it’s not among my favourite episodes, not from The Next Generation as a whole nor even from Season 5, which I generally consider to be the show’s strongest individual season.

Would It Make The Cut?
⛔ No. ⛔

Deep Space Nine Episode #5:
The Way of the Warrior, Season 4
IMDB Rating: 9.0/10

Still frame from Star Trek: Deep Space Nine showing Sisko firing a phaser.

The Way of the Warrior brought the character of Worf to DS9, establishing him as a regular for the second half of the show’s run. At first, I gotta admit that it felt a little odd to see Worf interacting with Sisko, Dax, and the others… but it didn’t take long for him to settle into his new role! The Way of the Warrior also re-established the Klingons as antagonists – at least for the remainder of the season. After the transformation in Federation-Klingon relations that we saw in The Next Generation, this was a change of pace, and it set up several fun episodes across the season.

Gowron and Martok were fun additions to the story, which also progressed the changeling infiltration storyline that was a precursor to the Dominion War. Worf’s inner conflict between his Klingon heritage, his friendship with Gowron, and his ties to Starfleet was on full display, and the way he had to navigate that difficult environment was riveting stuff. Michael Dorn put in one of his best and most complex performances as Worf, and Sisko got a bit of an arc that harkened back to his own considerations about his future in Starfleet from the beginning of Season 1. All in all, a fun, action-packed episode.

Would It Make The Cut?
✅ Yes. ✅

Deep Space Nine Episode #4:
Duet, Season 1
IMDB Rating: 9.0/10

Still frame from Star Trek: Deep Space Nine showing Darheel/Marritza's arrest.

Duet is an episode of twists and turns, double-bluffs and triple-bluffs – and it presents a fascinating story of a man trying to atone for the crimes of his government. Through the character of Marritza, Duet also examines the idea of the complicity of low-ranking personnel in heinous crimes, something we deal with all too often in the real world. Marritza forced Kira – and us as the audience – to see the Cardassians as more than just faceless thugs and murderers, exploring the complex nature of Cardassian morality and using that sci-fi lens to examine real-world conflicts.

Duet is a powerful story for Kira, and Nana Visitor puts in one of her best performances. It’s also a good story for Odo, as we see his steadfast dedication to finding out the truth – no matter what others might’ve wanted to believe or think. Duet builds its twists and turns masterfully, eventually leading to a genuinely heartbreaking conclusion. It’s a powerful episode, one that showed the benefits of Deep Space Nine’s slower pace and focus on a single setting.

Would It Make The Cut?
✅ Yes. ✅

Deep Space Nine Episode #3:
The Visitor, Season 4
IMDB Rating: 9.1/10

Still frame from Star Trek: Deep Space Nine showing Sisko zapped by some kind of electrical energy.

The Visitor has some interesting elements. It’s always fun for me, as a Trekkie, to catch a glimpse of a possible future for some of our beloved characters, and The Visitor shows us that. It’s also a relative rarity insofar as it’s a Jake Sisko episode – Jake only appeared in 71 episodes across Deep Space Nine’s run. Tony Todd, playing the older version of Jake, gives a genuinely emotional performance, which has to be one of the best individual performances by a guest star pretty much anywhere in Star Trek.

So I appreciate what The Visitor does. Its story highlights the importance of Benjamin Sisko and his role in the history of the Federation, it’s a great Jake-Ben story, focusing on their relationship, and its glimpses of the future were fun. However… it’s not one of my absolute favourites in Deep Space Nine, despite all of the positives. There are simply other episodes that I find to be more enjoyable, powerful, emotional, or entertaining, and while I’m not surprised to see The Visitor at or near the top of other fans’ lists… it wouldn’t be there on my own list. There isn’t one overwhelming “issue” or “problem” I can point to, which I guess is a tad frustrating. It’s simply that I could think of at least a dozen episodes I’d rank higher.

Would It Make The Cut?
⛔ No. ⛔

Deep Space Nine Episode #2:
Trials and Tribble-Ations, Season 5
IMDB Rating: 9.3/10

Still frame from Star Trek: Deep Space Nine showing O'Brien and Bashir with Kirk's crew.

Made to celebrate Star Trek’s thirtieth anniversary, Trials and Tribble-Ations was an incredibly creative episode. The filmmaking technology required to blend new actors in with old footage was still relatively new, having been pioneered by the film Forrest Gump, and I’m fairly sure I’m right in saying that this episode was the first time it was used for television. As a celebration of the Star Trek franchise, you could hardly think of anything better than a story connecting the old with the new – in this case, having Sisko and his crew travelling through time, meeting Captain Kirk and visiting the original USS Enterprise.

Such a premise could’ve felt gimmicky and fan-servicey. Worse, it could’ve been poorly-written! But Trials and Tribble-Ations was fantastic, and I can vividly remember watching it when it premiered, absolutely stunned at seeing the DS9 crew in TOS uniforms – and Captains Sisko and Kirk meeting face-to-face. The frame narrative involving the Department of Temporal Investigations was fun, too, and kept the story grounded in the 24th Century. The premise was exceptionally fun, the technology worked perfectly, and the end result was exactly what the writers and producers intended: a genuine “love letter” to Star Trek and the Trekkie community.

Would It Make The Cut?
✅ Yes. ✅

Deep Space Nine Episode #1:
In The Pale Moonlight, Season 6
IMDB Rating: 9.4/10

Still frame from Star Trek: Deep Space Nine showing the iconic "it's a fake" scene with Senator Vreenak.

Yes, yes, yes! In The Pale Moonlight is an absolutely outstanding episode, full of moral grey areas, sneaky schemes, and one of Star Trek’s most recognisable memes to boot! There was a time, shortly after its broadcast, when In The Pale Moonlight seemed incredibly controversial in the Star Trek fan community; I vividly remember conversations online about “betraying Gene’s vision of an enlightened future” and Sisko’s actions being so far beyond the pale that they’re indefensible! I’m both astonished and thrilled to see that the passage of time has been kinder, and that fans now appreciate just how brilliant this episode is.

Sisko and Garak made for a wonderful pair in this episode, scheming together to drag the Romulans into the Dominion War under false pretences. What holds the episode together, though, is the absolutely incredible log entry that Captain Sisko records. This is one of Avery Brooks’ best performances in the entire series, showing off his wonderful range as Sisko runs the gamut of emotions, re-telling the story of how he lied, broke various laws, and was complicit in the murder of a Romulan senator. An absolutely riveting, must-watch episode for any Trekkie.

Would It Make The Cut?
✅ Yes. ✅

Voyager Episode #5:
Message in a Bottle, Season 4
IMDB Rating: 8.7/10

Still frame from Star Trek: Voyager showing three Romulans on the bridge of the Prometheus.

I adore Message in a Bottle. The episode marks the halfway point of Voyager’s run, making it the perfect moment to establish a tentative link between the stranded ship and the Federation back in the Alpha Quadrant. It was also a ton of fun to get a story where the Romulans are the antagonists! Guest star Andy Dick made a perfect foil for Robert Picardo’s Doctor as a newer version of the Emergency Medical Hologram, and the two performers had great on-screen chemistry, leading to some absolutely hilarious interactions.

The USS Prometheus was an incredibly fun concept, too, and we got a really detailed look at the ship both inside and out, which was great. It was such a clever idea to send the Doctor’s programme to the Alpha Quadrant, and what resulted is not only one of Voyager’s funniest episodes, but one that packs a powerful emotional punch right at the end. After more than four years alone, Captain Janeway and the crew finally have one small link to Starfleet, and Starfleet promises to work on ways to get them home.

Would It Make The Cut?
✅ Yes. ✅

Voyager Episode #4:
Living Witness, Season 4
IMDB Rating: 8.7/10

Still frame from Star Trek: Voyager showing the Voyager simulation.

Living Witness has been a topic of discussion for a while here on the website thanks to Discovery’s far future setting! It was an interesting idea for an episode, one that took on the complex idea of the unreliability of history and memory, initially painting the crew of the USS Voyager as villains centuries after the ship passed by a planet. It’s definitely a story with a message, one that’s in keeping with Star Trek’s established formula of looking at real-world issues through a sci-fi lens.

Parts of Living Witness can feel challenging and even uncomfortable, as we’re forced to watch some very inaccurate depictions of the crew of Voyager. The Doctor has a hard time convincing people of his version of events, too, which adds another layer to this. But that’s part of the point and message of the story! All that being said, I think there are better Voyager episodes. Living Witness is creative and clever, and really, nothing about it is bad per se. I can just think of other episodes that I’d rank more highly.

Would It Make The Cut?
⛔ No. ⛔

Voyager Episode #3:
Timeless, Season 5
IMDB Rating: 8.7/10

Still frame from Star Trek: Voyager showing Chakotay, Kim, and the icy wreck of the USS Voyager.

Timeless shows us just how badly wrong Voyager’s journey could’ve ended up! Trying a new method of propulsion to reach the Alpha Quadrant, the ship ends up crash-landing, killing everyone apart from Chakotay and Harry Kim. The older versions of these characters – who’ve had years to sit with the consequences of what happened – travel to the wreck site to right that wrong. The crash sequence and the visual of the wrecked Voyager beneath the ice are both absolutely stunning and incredibly impactful.

I’m not usually wild about episodes where the magical, perfect Seven of Nine is the only one who can save the day! But in Timeless, her involvement works really well, and scenes with the Doctor and the older Chakotay and Kim are intense and emotional, too. It was also great fun to see Geordi La Forge in an episode of Voyager! A very creative premise and great execution.

Would It Make The Cut?
✅ Yes. ✅

Voyager Episode #2:
Scorpion, Seasons 3-4
IMDB Rating, Part I: 8.9/10
IMDB Rating, Part II: 8.8/10

Still frame from Star Trek: Voyager showing three Borg cubes and a large explosion.

IMDB counts the two halves of Scorpion separately, but I’m combining them. To be honest, Scorpion is a story I have mixed feelings about. Voyager over-used both the Borg and Seven of Nine in the second half of its run, and both of those issues kind of began here. On its own merit, Scorpion is great. The Borg and Species 8472 are both powerful and dangerous enemies, and the idea of Janeway teaming up with the Borg when there were no other options was a great twist on the anticipated Borg conflict. Seven of Nine, despite my later feelings about the character, also gets a great introduction.

And I guess the point of this exercise is to try to judge these episodes on their own. Scorpion may have led to too many Borg and Seven stories later on, but it should get a pass as the first of them – and arguably the best, too. It was definitely an explosive cliffhanger to end the show’s third season, and I like how truly different and “alien” Species 8472 feel compared to a lot of other Star Trek races we’ve seen. It’s also an important episode for Voyager, introducing Seven of Nine and setting the stage for Kes’ departure.

Would It Make The Cut?
✅ Yes. ✅

Voyager Episode #1:
Blink of an Eye, Season 6
IMDB Rating: 9.0/10

Still frame from Star Trek: Voyager showing the USS Voyager in orbit.

I’ll level with you: I did not see this coming! The only Voyager episode rated 9/10 by IMDB’s users is… Blink of an Eye? Really? I guess I’m more out-of-touch with the Trekkie community than I thought! Don’t misunderstand me: I don’t particularly dislike this episode. It’s an interesting premise and a fun look at a very “alien” kind of world. But as the best episode in Voyager’s entire run? Did the writer or director start a campaign to get people to upvote it, or something? I just… I genuinely would not have expected to see Blink of an Eye hailed as everyone’s favourite.

There was something in Blink of an Eye that I felt didn’t work particularly well. The Doctor supposedly spent years alone on the planet after a transporter glitch, but after a couple of lines of dialogue the profound impact that had wasn’t really explored or acknowledged. With that exception, though, I think Blink of an Eye makes good on a quite creative core idea. I certainly enjoy the episode and what it has to offer. But as the absolute best of Voyager? I’m afraid I’m still not convinced.

Would It Make The Cut?
⛔ No. ⛔

Enterprise Episode #5:
Zero Hour, Season 3
IMDB Rating: 8.5/10

Still frame from Star Trek: Enterprise showing three Xindi characters.

As the culmination of a season-long arc to stop the Xindi and their super-weapon, Zero Hour is intense. Hoshi is traumatised, Archer seems to make the ultimate sacrifice, and T’Pol commands Enterprise on a mission to destroy the Sphere-Builders’ base. There’s a lot going on, but it builds to an explosive finale… with just enough left at the very end for one final twist, a twist which sets up the beginning of Season 4 and the end of Enterprise’s Temporal Cold War storyline.

I found the conflict with the Xindi to be interesting overall, but there’s no denying that the season dragged its feet reaching this point. The time travel stuff was never my favourite part of Enterprise, so in that sense I’m glad to see Zero Hour as the beginning of the end of that particular ongoing storyline. Where this episode succeeds is with its core characters. Two pairings/interactions stand out: T’Pol with Trip and Archer with Hoshi. However, the story finds time to give everyone a moment in the spotlight, and its bittersweet moment as Archer is apparently killed while succeeding in his mission was, on first viewing, at least, genuinely impactful.

Would It Make The Cut?
⛔ No. ⛔

Enterprise Episode #4:
Azati Prime, Season 3
IMDB Rating: 8.5/10

Still frame from Star Trek: Enterprise showing Archer piloting a submarine.

Another episode from near the end of Season 3’s ongoing conflict with the Xindi and Sphere-Builders, Azati Prime sees Archer and the crew getting closer to their objective. We get to see Archer confront the creator of the Xindi weapon, Degra, and a bit more of an exploration of who the Xindi are and how the Sphere-Builders have been able to manipulate them. Archer’s “suicide mission” attack plan always felt a bit over-the-top, but in the context of the story it works well enough.

This is also the episode where we see the Enterprise-J – a future version of the famous starship. I enjoy the Enterprise-J sequence; I just wish the episode’s budget had allowed us to spend a bit more time in this setting! Though the Temporal Cold War was never my favourite part of the show, this moment with Daniels and Archer was surprisingly fun. As an episode taking place partway through a season-long story arc, it can be hard to know where to place Azati Prime, but I think it does its thing well enough.

Would It Make The Cut?
⛔ No. ⛔

Enterprise Episode #3:
Carbon Creek, Season 2
IMDB Rating: 8.5/10

Still frame from Star Trek: Enterprise showing the Vulcan Mestral.

I usually don’t enjoy Star Trek stories, in any series, which involve time travel to 20th or 21st Century Earth. So Carbon Creek, which is primarily a flashback, not even featuring most of the regular cast, taking place in the 1950s… it shouldn’t be an episode I care for very much. But you know what? It’s a surprising amount of fun, and watching a crew of pre-First Contact Vulcans struggling to exist in human society made for some funny and even emotional moments.

I’m glad there aren’t too many Carbon Creeks in the Star Trek franchise. Any franchise which overcomplicates its own fictional history risks turning viewers away or making future stories less impactful. But as a genuine one-off episode, this ’50s setting, dripping with cute Americana, really does work. The Vulcan characters are all distinct and engaging, T’Pol’s frame narrative as she recounts the tale to Archer and Tucker is fun, too, and yeah. Just an all-around enjoyable affair, and a bit of a change of pace.

Would It Make The Cut?
✅ Yes. ✅

Enterprise Episode #2:
Regeneration, Season 2
IMDB Rating: 8.5/10

Still frame from Star Trek: Enterprise showing Borg drones.

If you read my provocatively-titled piece Ten Star Trek Storylines That Should Be Non-Canon a few weeks ago… you might think you know where I stand on this one! Long story short, the history of Borg-Federation contact is already stupidly overcomplicated thanks to Voyager and First Contact. Throwing in this episode with Archer coming face-to-face with 24th Century Borg drones, and ending with them transmitting a message to the Delta Quadrant? I mean… it’s just another narrative hurdle, in a sense.

However! Regeneration is a ton of fun if you take it on its own merits. No one expected Captain Archer and his 22nd Century crew to encounter the Borg, and given that these Borg are from the future to boot? It made the Collective feel genuinely frightening and dangerous again, something I’ve argued that Voyager had begun to lose toward the end of its run. So yes, this episode complicates things for Star Trek as a whole, and it kind of makes Starfleet look incompetent! But… I really like it. And I’m pleased to see the controversy that swirled around the episode at the time of its broadcast has died down.

Would It Make The Cut?
✅ Yes. ✅

Enterprise Episode #1:
Twilight, Season 3
IMDB Rating: 8.6/10

Still frame from Star Trek: Enterprise showing Captain Archer laying in a medical machine.

I knew Enterprise fans thought quite highly of Twilight, but I don’t think I expected to see it top the list! This episode takes place in an alternate timeline, one in which the Xindi weapon was successful. I liked the subtle callback to The Wrath of Khan’s Ceti Alpha V, and the implication that, even if humanity had been able to remain hidden, another disaster was only a century away. That just added to the tragedy of the situation.

Where Twilight excels, though, is in its character relationships. This version of T’Pol, having lived with Archer for years as his caretaker, is much softer and completely different, and the relationship between them has clearly evolved. Jolene Blalock plays this incredibly well, so it’s no wonder, really, than this episode is held in such high esteem. Phlox, Tucker, and others also get moments in the spotlight as the Xindi finally track down humanity’s last outpost, and while the episode’s conclusion has always felt a little rushed to me, I think overall it’s a pretty solid story. After Season 3’s serialised arcs, this alternate timeline made for a fun change of pace.

Would It Make The Cut?
✅ Yes. ✅

So that’s it.

Photo taken during construction of the USS Enterprise set, circa 1977-78, during production on Star Trek: Phase II/The Motion Picture.
The USS Enterprise engineering set (later used for The Motion Picture and The Next Generation) under construction.
Photo Credit: Forgotten Trek

We’ve looked at the top five highest-rated Star Trek episodes for the first five shows… according to the randos over at IMDB, anyway! There were a few surprises in the mix – both in terms of inclusions and exclusions. Looking down the full episode ranking lists, I was genuinely shocked to see some of my favourites languishing in the lower reaches, and some episodes I generally don’t care for soaring high! But I hope this has been a bit of fun, at any rate.

I’m already formulating another idea – maybe taking a look at a few of the lowest-rated Star Trek episodes and sharing my thoughts on those, or doing the same thing again with the modern shows. If I’m gonna do that, though, I’ll actually have to finish watching Lower Decks and Prodigy! Those are still on my to-do list.

Thanks for joining me this time. And thanks to IMDB for publishing these ratings and lists. It was a lot of fun to revisit these episodes and spend a little more time in the Star Trek galaxy.


All five Star Trek series discussed above can be streamed on Paramount+ in countries and territories where the platform is available. The Star Trek shows are available to purchase on DVD; The Original Series, The Next Generation, and Enterprise are also on Blu-ray. The Star Trek franchise – including all shows, films, and other properties mentioned above – is the copyright of Paramount Global. Credit to IMDB for the episode ratings, which were accurate at time of publication in June 2025. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five planets that Star Trek probably won’t revisit any time soon!

Spoiler Warning: There are spoilers ahead for the following Star Trek productions: The Original Series Season 2, The Animated Series, The Next Generation Season 1, Voyager Season 2, Star Trek 2009, Picard Season 1, Discovery Season 3, and Lower Decks Season 2.

I wouldn’t even like to guess how many different planets (and other planetary bodies) have been visited across all 800+ episodes and films in the Star Trek franchise! It must be a lot… maybe someone has been keeping a tally, but I certainly haven’t! There are some worlds that we’ve visited more than others – Bajor, Qo’noS, and of course Earth all spring to mind. But there are some planets that, for one reason or another, are best left behind in the franchise’s past.

As Star Trek moves on to bigger and better things, some planets – and their inhabitants – seem outdated, or perhaps the concept behind the planet was never a good one to begin with. Today I thought it could be interesting to consider five examples of planets that Star Trek will almost certainly never revisit!

Planet #1:
Ekos

The USS Enterprise in orbit of Ekos (as it originally appeared).

Ekos was created for The Orignal Series Season 2 episode Patterns of Force, but you might know it better as “that Nazi planet.” There’s definitely scope for the Star Trek franchise to tackle authoritarianism, fascism, and even Nazism – and as recently as 2004, Enterprise put its own spin on the “Star Trek-versus-Nazis” concept. But there are a few deeply unsettling things about Ekos, and how its Nazi-inspired government came to power.

First of all we need a brief history lesson! In the 1960s, when Patterns of Force was created, some historians, economists, and other political scientists regarded Nazi Germany as an “efficient” state. Resting all power in a single individual, they argued, made for a powerful government that could be run very efficiently. In Patterns of Force, Federation anthropologist/historian John Gill cites this theory as the reason for introducing Nazism to the Ekosians.

Ekos is also known as “Planet of the Nazis.”

That theory was flat-out wrong, and even by the 1970s and 1980s, the flawed thinking that led to the myth of “Nazi efficiency” had been exposed and thoroughly debunked. In short, Nazi Germany was a very poorly-run government, with a handful of cronies of the führer wielding disproportionate levels of power, and micromanagement in certain departments and industries majorly hampering the state’s industrial output. How this myth ever came to be as widely believed as it was is, in some respects, a bit of a mystery. But suffice to say that the central conceit behind Patterns of Force has been exposed as a falsehood.

John Gill, the academic at the heart of the story, also represents a very distinct kind of betrayal of Federation values, taking things to perhaps the most unpleasant extreme possible. Star Trek has never shied away from showing us flawed human beings and Federation officials, but Gill is a step too far, and Patterns of Force can be an uncomfortable watch for many Trekkies.

John Gill, the Federation historian who became the Führer of Ekos.

Though it might be interesting, in some respects, to revisit Ekos in the 24th, 25th, or 32nd Centuries to see how things had progressed, in many ways it’s a planet – and a story concept – that should probably remain on the sidelines. Modern Star Trek can tell far more subtle stories about authoritarianism, racism, and the like without needing to resort to overt depictions of Federation-sponsored Nazism.

Patterns of Force is based on an outdated concept, and while it was brought to screen quite well by the standards of The Original Series, with some clever visual effects for the time and some surprisingly accurate costumes, it feels like an anachronism overall. This is one best left behind in the 1960s!

Planet #2:
Megas-Tu

The USS Enterprise near Megas-Tu.

The Animated Series had some very wacky sci-fi concepts. Taking Star Trek away from live-action meant that the franchise was no longer confined by the limitations of practical special effects, and thus it was possible to depict things like a 40-foot tall clone of Spock, an entirely underwater civilisation, or, in The Magicks of Megas-Tu, an alternate universe where magic is real and science is not.

I’ve always had a soft spot for The Magicks of Megas-Tu, and I think it’s an episode that every Trekkie should watch at least once. It’s an example of mid-century sci-fi at its wackiest, but it manages to retain a Star Trek tone throughout the very unusual adventure that Captain Kirk and the crew of the Enterprise find themselves on.

A group of Megans departing their homeworld.

With the possible exception of Lower Decks, which has been more willing to explore some of the stranger elements of classic Star Trek, I can’t imagine Megas-Tu ever making another Star Trek appearance. How would it fit in Discovery, for example, or Picard? The tone of modern Star Trek is just too different – and even by the time of The Next Generation, Star Trek had moved away from concepts like this. Megas-Tu feels homeless, in a sense, in a franchise that has moved on.

That isn’t to say that it was a bad concept when it was first developed, but like several ideas from The Original Series and The Animated Series, magic and fantasy just seem to be a step too far for a franchise that has retained its esoteric side and sense of fun, but refocused them into more science-based stories rather than stories that use literal magic and fantasy as core elements.

Cheers!

It’s hard to see how a story about Megas-Tu could fit in with modern Star Trek. Audience expectations have shifted when it comes to science-fiction, and with the Star Trek franchise moving away from stories like The Magicks of Megas-Tu, it seems very unlikely that we’ll see anything like it in the franchise anytime soon.

There’s also the in-universe problem of travelling to the Megans’ universe, and while technobabble can always be created to explain away these things, it seems like a bit of a stretch. It’s possible we’ll get more references to The Animated SeriesPicard Season 1 made reference to the Kzinti, for example. But a full revisit to Megas-Tu is probably off the table!

Planet #3:
Ligon II

Ligon II.

The planet that inspired me to put together this list, Ligon II was visited in Code of Honor, the notorious Season 1 episode of The Next Generation that has been widely criticised for its use of racial stereotypes. The Ligonians encapsulated stereotypes of Africans and African-Americans, and Code of Honor has to be one of the worst episodes of The Next Generation as a result.

Some stories from past iterations of the franchise are open to redemption; to being revisited to right the wrongs of the past. We’ve seen this, to an extent, with certain characters in modern Star Trek who saw much-needed development or expansions of incomplete arcs. We’ve also seen Lower Decks revisit planets like Beta III to comment on Starfleet’s somewhat chaotic approach to first contact.

Code of Honor has been widely criticised for stereotyping.

But Code of Honor and the episode’s depiction of the Ligonians feels so utterly wrong that it’s irredeemable. There are some parts of Star Trek’s past that the franchise brushes under the carpet, choosing to ignore and even overwrite things rather than try to fix the unfixable. Captain Pike’s “woman on the bridge” line in The Cage is such an example – overt sexism from a character that we’re now very excited to see return. Ligon II and Code of Honor are definitely in the “let’s all just pretend that never happened” category… for the good of the franchise!

It’s amazing, when you think about it, that Code of Honor was produced as late as 1987. It would still feel outdated had it been part of The Original Series in the 1960s, but to know that it was produced for The Next Generation – within my own lifetime – is one of those things that boggles the mind.

A ritual combat arena on the surface of Ligon II.

Code of Honor is an episode that I think Trekkies need to watch. It’s worth remembering that, despite its lofty ambitions and attempts to depict a better future, the people who create Star Trek can still make mistakes. This was an episode that Gene Roddenberry had some creative input in and signed off on – he was The Next Generation’s executive producer at the time.

The episode is noteworthy for its complete lack of awareness. The people who created this story, cast it, and put it to screen were so blind to the offensive stereotypes that it depicted that they allowed it to progress and even get broadcast. Star Trek may have made strides, even in its early years, in its attempts to confront and tackle things like segregation and race hate – but it was blind, at times, to subtler, more covert forms of racism and racial stereotyping.

Planet #4:
Uninhabited Delta Quadrant world

A hyper-evolved human on the surface of this unnamed planet.

This planet doesn’t have a name… but I vote we call it “Tom Paris and Captain Janeway’s sex planet.” That’s right, it’s the planet from Threshold! After crossing the Warp 10 barrier and experiencing hyper-evolution, Tom Paris kidnapped Captain Janeway and took her to this remote, uninhabited world somewhere in the Delta Quadrant. By the time Chakotay and the crew of the USS Voyager tracked them down, both Paris and Janeway had mutated into amphibious salamander-like creatures… and mated.

Although the crew of Voyager successfully recovered Paris and Janeway and the Doctor was able to revert them back to their human forms, for some reason they left their offspring behind. That means somewhere in the Delta Quadrant, little human-salamander offspring are polluting a perfectly innocent planet that was just minding its own business. I’m pretty sure that violates the Prime Directive… in the most disgusting way possible.

This planet now belongs to the human-salamander babies.

As much as some fans (myself included) like to joke about Threshold – which is absolutely one of Voyager’s worst stories – I can’t see Star Trek ever doing anything more with this episode, this concept, or the planet visited in the final few minutes. For completely different reasons to those laid out above, this is another part of Star Trek’s past to simply ignore!

Again, the one exception could be Lower Decks, which has an irreverent take on these things. We saw mating mugatoes in the Season 2 episode Mugato, Gumato, so I wouldn’t put it past the Lower Decks team to dream up a reason to bring back the human-salamanders one day! After all, Tom Paris made an appearance in the show!

Tom Paris in Threshold.

To Threshold’s credit, it won an award for its prosthetic makeup, and while the story was undeniably ridiculous to the point of abject failure, it was at least an attempt to go into a little more detail about Warp Drive and the limits to warp speed. It never sat right with me that Warp 9.9999 was as fast as anyone could ever go… but Warp 10 was supposedly fast enough to travel anywhere in an instant.

However, as with many technobabble things in Star Trek, maybe the complexities of Warp Drive work better when they’re left ambiguous! Ambiguity and vaguery allow for the creative teams to take stories in wildly different directions, allowing for maximum storytelling potential without different writers and different shows being constrained or tripping over one another.

Planet #5:
Romulus

Romulus as it appeared in Nemesis.

What? Too soon?

Romulus was destroyed during the events of 2009’s Star Trek, and we got to learn a little more about this event and its aftermath in Star Trek: Picard Season 1. Though the Romulans survived – well, some of them did, anyway – their homeworld, as well as its sister planet of Remus, is gone. The surviving Romulans are living on a number of other worlds in and around the territory of their former Empire.

The destruction of Romulus was shown in 2009’s Star Trek.

Both Star Trek and Picard Season 1 were somewhat ambiguous on this latter point, though. We don’t know how many Romulans survived, where they went next, or even what became of their Empire. We do know that a faction called the Romulan Free State existed as of 2399, but that the Tal Shiar and Zhat Vash still existed in some form too, and were able to launch military operations on Earth, at the heart of the Federation.

Presumably Romulus’ destruction didn’t kill off either organisation, and the fact that they retained the capability to launch such powerful operations suggests that the Romulan government and its espionage operation still exist in some capacity, presumably having relocated to a different world. To what extent the Romulan Empire remains united is unclear, as is the fate of races like the Remans, who had second-class citizen status.

The Romulan capital city as it appeared in Inter Arma Enim Silent Leges.

With Star Trek: Picard Season 2 going in a different direction, I presume we won’t be in a position to learn much more about the Romulans for a while. But if there are future 24th and 25th Century stories in the years ahead, it would be nice to get some kind of closure; to fully learn what happened to the Romulans in the years and decades after the loss of their homeworld.

By the time of Discovery’s 32nd Century, at least some Romulans had relocated to Vulcan as part of a reunification project. The planet was renamed Ni’Var, and while tensions still existed between the Romulans, Vulcans, and Romulo-Vulcans, it seems that the Romulans got a happy ending of sorts – even if it took centuries to get there!

So that’s it.

The USS Enterprise in orbit of Earth.

There have been plenty of fun and interesting worlds that the Star Trek franchise has visited, with many making just one single appearance. Modern Star Trek has contained a number of references in dialogue or on-screen displays to some of these worlds, giving us tantalising teases about what became of them after we last saw them. Those references are always appreciated!

With over fifty-five years of history and more than 800 episodes at time of writing, it’s inevitable that not all of these planets (and the peoples who populated them) worked well or would be worth going back to. Fortunately it’s relatively uncommon for Star Trek to have made truly egregious missteps, but there are certainly some episodes – and the planets and factions they included – that are best left behind. I hope it was a bit of fun (or at least mildly interesting) to consider a few examples today!

The Star Trek franchise – including all films, series, episodes, and other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The classic Star Trek dilemma: Kirk or Picard?

Spoiler Warning: There are spoilers ahead for the following Star Trek productions: The Original Series and its films, The Next Generation and its films, and Picard Season 1.

“The only question I ever thought was hard / Was do I like Kirk, or do I like Picard?” So sang “Weird Al” Yankovic on his 2006 parody hit White & Nerdy. In those two lines, the comedy singer encapsulated a debate that has rumbled on in the Trekkie community since The Next Generation premiered in 1987! This is a question I’ve thought about many times, and today I’m finally going to put (metaphorical) pen to paper and lay out my thoughts on this classic Trekkie debate.

Though there have been at least a further six captains or protagonists who’ve joined the Star Trek franchise over the years – or more, depending on how you count things – the classic debate has always surrounded Picard versus Kirk, and I think that’s probably because the contrasts between the two characters and their approaches to leadership are so extreme. Most Star Trek captains who have followed embody elements of both Kirk and Picard’s styles of management and leadership while remaining distinct characters, but when it comes to the franchise’s first two captains, there seems to be a major clash of personalities.

Just like “Weird Al” did, we’re going to consider this difficult question!

My first contact with the Star Trek franchise was The Next Generation in the early 1990s. It was only later that I went back to watch The Original Series and its films, encountering Captain Kirk and his crew for the first time. The Next Generation made me a Star Trek fan, and while I can appreciate what The Original Series did and how entertaining it was, I just don’t have the same connection to it – or to any other Star Trek show, frankly – as I do to The Next Generation. So that’s my own bias stated up front as we go into this discussion!

I’ve always found this debate to be fascinating, but I try not to take it too seriously. Some fans can turn genuine and heartfelt passion into toxic or even aggressive negativity sometimes, attacking others who don’t share their precise views on the nature of Star Trek (or other franchises). Fandoms shouldn’t be a place for division, negativity, or toxicity; they should be a place where we can all come together to share something we love. It’s in that spirit that I enter this discussion – and I encourage everyone to keep in mind that all of this is subjective, and it’s supposed to be light-hearted fun!

So let’s get started, shall we? For reasons both alphabetical and chronological, Captain Kirk gets to go first!

The Case For Kirk

Captain Kirk in his first appearance.

Captain Kirk will forever be Star Trek’s first captain, and thus he should be the yardstick that Trekkies use to judge the successes of any subsequent captain – Picard included. Without Kirk, there would never have even been Picard – because there would quite literally have been no Star Trek. Just look at the failure of The Cage, the first pilot shot for The Original Series, as a case in point: Star Trek only became successful when Captain Kirk was in command.

But Kirk isn’t the best just because he was first. James T. Kirk is a man of action: a tough-talking, villain-punching, decisive commander who stops at nothing to get the job done and protect his ship and crew. He’s not above a bit of rule-breaking, either; when you’re alone on a mission of exploration far beyond Federation space, what’s the point in Starfleet orders or the Prime Directive?

Captain Kirk wasn’t above getting into a proper fight.

On board his ship, Captain Kirk made friends. He didn’t see his crew as mere underlings, but as people he actually liked spending time with. He even developed Star Trek’s first ever cross-species friendship, bridging the gap between emotional humans and stoic, logical Vulcans in the best way possible. His friendship and partnership with Spock became legendary – and frankly, Picard has no friends… or at least, he has no friendships that come anywhere close to matching the closeness between Kirk and Spock. This pair literally created the genre of slash fiction!

It wasn’t until the finale of The Next Generation that Picard was prepared to sit down with Riker and play a round of poker, but Kirk had those friendships from the start. His closeness with Spock has rightly become legendary, but he was also firm friends with Dr McCoy, Sulu, Uhura, Scotty, and even the young Chekov. Kirk’s crew would even risk their Starfleet careers to steal the USS Enterprise and follow him on a dangerous mission to the Genesis Planet in The Search For Spock.

Captain Kirk was loved by his crew… not grudgingly respected.

As Star Trek’s first captain, Kirk made first contact with many different races and factions – including practically all of the franchise’s best-known and most famous aliens. He also introduced us as the audience to races like the Vulcans and the Klingons – two of Star Trek’s most iconic alien races. It’s through Kirk’s eyes that we first came to perceive many of the franchise’s classic factions; he gave us his perspective and allowed us as the audience to meet these aliens through his interactions with them.

Captain Kirk developed rivalries with some of Star Trek’s biggest and most notorious villains. The Romulan commander from Balance of Terror, Garth of Izar, who went on to inspire an entire fan-series, Dr Tolian Soran in Generations, and even “God” himself in The Final Frontier. Most significantly, of course, Kirk found his arch-enemy in one of the greatest villains ever put to screen in the whole of cinema: Khan. Picard’s enemies simply aren’t in the same league.

“Khaaaaaan!”

Captain Kirk recognised the dangers of space travel, and he blazed a trail that Picard and others merely followed. He knew that it wasn’t going to be possible to find a negotiated settlement to every problem, and wasn’t shy about pulling out his phaser – and his fists – to settle disputes. Do you think Captain Kirk would have been bossed around by the Sheliak, or by the Edo and their Mediators? Or would he have punched those alien menaces in the face and told them where to shove it?

In conclusion, Captain Kirk is a bona fide action hero, a man’s man, and the embodiment of the very best of Starfleet in the 23rd Century. He would consider peaceful options where they were available, but wasn’t above punching aliens in the face when he needed to. He would go above and beyond for the sake of his crew, even being reduced in rank by Starfleet for having the audacity to save Spock. He saved Earth on many occasions – and even saved the life of his rival, Captain Picard, and the entire crew of the Enterprise-D in his final act before dying a hero.

The Case For Picard

Captain Picard in Encounter at Farpoint.

Let’s calm down, leave the toxic masculinity in the ’60s where it belongs, and let a grown-up take charge. Captain Picard is the Joe Biden to Captain Kirk’s Donald Trump – he’s level-headed, diplomatic, and professional. Captain Kirk may have been the archetypal action hero of the ’60s, but by the late ’80s, things had moved on. What fans wanted to see from someone in a position of authority was not someone who was quick to pull out their phaser or punch an alien in the face, but someone who could be diplomatic, courteous, and who could resolve situations without needing to resort to such barbarity. Embodying all of those traits was Captain Picard.

A new era of Star Trek not only needed a new face, but a whole new style of leadership, and Captain Picard delivered. If the 23rd Century had been the “wild west,” where anything was allowed and rules were made to be broken, the 24th Century saw Starfleet evolve and move beyond that. Civility could finally replace cowboys like Captain Kirk.

Captain Picard is a more civilised leader perfect for a new era.

Did Captain Kirk ever pilot his own ship? In the episode Booby Trap, we saw for ourselves just how skilled Captain Picard was, and how intimately he knew his ship. Where someone like Kirk would have ordered maximum warp until the power was drained, Picard and his crew came up with a complex solution, then executed it perfectly. Picard made the Enterprise-D dance like a ballerina; Kirk could never have done anything like that.

Where is Star Trek: Kirk? Oh, that’s right: they never made that series. But they did make Star Trek: Picard, such was the overwhelming response from fans to this wonderful character. 176 episodes of The Next Generation and four films weren’t enough – fans were eager for more Captain Picard, and thus he became the first character in Star Trek’s history to get a new show named after him. More than thirty years after we first met Captain Picard, new adventures with the character are still being created, with at least two more seasons of the show in production.

Captain Picard got his own spin-off show because fans love the character so much.

While Kirk may have had fun with some villains like Khan, he never had to stare down the biggest, most devastating threat that the Federation ever faced. Captain Picard beat the Borg… and he did it twice. He even survived being assimilated and was able to push through his Borg programming to give his crew a piece of vital information that ultimately saved Earth. In First Contact, Picard brought the Enterprise-E to the Borg’s second invasion attempt, saving the day in the 24th Century and then again in the past. Forget the Klingons, the Gorn, the Romulans, and the people on that weird planet who all pretended it was Chicago in the ’20s: Captain Picard fought and defeated the most dangerous threat that the Federation has ever encountered.

Captain Picard realised that he can be on good terms with those under his command, but that as the captain he has to put the needs of the ship first. In the episode Lessons, he learned first-hand that having close relationships with subordinates is difficult for any commanding officer, and maintaining a friendly but respectful distance from his crew – even those whose advice he relied upon – was necessary to keep everyone safe and to allow him to be able to make the tough calls.

Captain Picard and the crew of the Enterprise-D.

Captain Kirk got to make many first contacts – but he did so by default because he was first. Captain Picard actually made more first contacts than Kirk did – including with some very different forms of life. Whether it’s the Microbrains, the Exocomps, or the Q Continuum, Captain Picard was prepared to treat everyone he met with courtesy and respect, staying true to Starfleet’s mission of seeking out new life. But it doesn’t end there. Captain Picard introduced us as the audience to alien races like the Bajorans, Cardassians, and of course the Borg – and these would go on to be just as important to the Star Trek franchise overall as any of the aliens we met in The Original Series.

In conclusion, Captain Picard is a calm diplomat, the level-headed manager of a large crew, and the personification of the very best of 24th Century Starfleet. He guided his crew through some incredibly difficult and dangerous missions while maintaining his composure. He learned lessons about loss and grief that Kirk never had to learn. And he saved the lives of at least two of Kirk’s crew: Spock and Scotty. He also saved Earth from the Federation’s greatest threat, and even learned to perceive time in a non-linear fashion thanks to Q.

So Who Wins?

Kirk or Picard?

You’re going to hate me for this – but they both win. Everything I said above is true (in a roundabout, tongue-in-cheek way), but that doesn’t mean that one captain is better than the other! Like all of us, Kirk and Picard have strengths and weaknesses; things they do well and areas where they need to rely on others. There isn’t a definitive answer to a question like this, because the answer will always be “it depends on the circumstances.”

There are times when Captain Kirk’s approach to leadership is needed, and times when the way Picard approached a situation would lead to the best chance of success. As we saw in Generations, there was even a time when the only way to save the day was for both men to team up. The fact that each captain has his own set of skills and his own style of leadership isn’t a weakness – it’s a strength, one which benefits Star Trek as a whole.

Kirk and Picard meeting for the first time.

I mentioned in my introduction that subsequent captains have incorporated elements from both Kirk and Picard, and that’s because both men have so many positive, upstanding qualities that Star Trek’s writers were keen to give to new characters as the franchise has continued to grow. Kirk was always ready for action, but that never came at the expense of being thoughtful and considering non-violent solutions. And Picard’s diplomatic, polite style could give way to ordering his crew to “fire at will” when the situation called for it. Both captains are adaptable, able to rise to meet the needs of all manner of incredibly difficult situations – even if that meant setting aside their usual ways of doing things.

No one can doubt Kirk or Picard were absolutely dedicated to their ships and crews, either. They may have shown that dedication in slightly different ways, and they may have expressed their appreciation and love for their friends and crewmates in different forms as well, but both of them were quite literally willing to lay down their lives and go down with the ship if necessary. Both men ultimately lost their ships – the original USS Enterprise and the Enterprise-D were both destroyed. But they both bounced back to take over new commands and go on to even greater things.

There are times when I’m in the mood for watching Captain Kirk get into a fist-fight with a Gorn or for seeing his epic stand-off against Khan. And there are moments where I want to see Picard use diplomacy to win an argument with the Sheliak or watch him wrangle with one of Q’s puzzles. But there are also times where I want to see Picard grab his phaser rifle and kick some Borg butt, and times where I can think of nothing better than seeing Kirk solve a scientific mystery like that of V’Ger. Both captains have given all of us so much enjoyment and entertainment over the years that I simply can’t crown one of them a winner and leave the other a loser. To me, they’ll always both be winners.

The Star Trek franchise – including The Original Series, The Next Generation, and every episode and film mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A handful of older films, games, and TV shows that I enjoyed in 2021

Spoiler Warning: Minor spoilers may be present for some of the entries on this list.

At this time of year, practically every outlet – from dying newspapers to new social media channels – churns out list upon list of the best entertainment products of the year. The top threes, top fives, top tens and more of 2021 abound! I have something similar in the pipeline, but today I wanted to take a look back at a handful of films, games, and TV shows from previous years that I found myself enjoying in 2021.

I have long and seemingly ever-growing lists of films, games, and TV shows that I keep meaning to get around to! I still haven’t seen Breaking Bad, for example, nor played The Witcher 3, despite the critical and commercial acclaim they’ve enjoyed! I also have a huge number of entertainment properties that I keep meaning to re-visit, some of which I haven’t seen since we wrote years beginning with “1.” In 2021 I got around to checking out a few titles from both of these categories, and since there are some that I haven’t discussed I thought the festive season would be a great opportunity for a bit of positivity and to share some of my personal favourite entertainment experiences of 2021… even though they weren’t brand-new!

Film #1:
The Lord of the Rings trilogy (2001-03)

We’ve recently marked the 20th anniversary of The Fellowship of the Ring, the first part of Peter Jackson’s epic adaptation of J. R. R. Tolkien’s magnum opus. The passage of time has done nothing to detract from these amazing films, and this year a 4K Blu-Ray release has them looking better than ever before.

The early 2000s had some serious pitfalls for film and television. CGI was becoming more mainstream and many filmmakers sought to take advantage of it, but just look to the Star Wars prequels and how outdated the CGI in those titles is; it hasn’t held up well at all. The majority of the special effects in The Lord of the Rings were practical, and combined with clever cinematography even incredibly dense and complex battle sequences still look fantastic two decades on.

Though I don’t re-watch The Lord of the Rings every single year without fail, I’m happy to return to the trilogy time and again – and I almost certainly will be for the rest of my days! The Hobbit and Tolkien’s Middle-earth was one of the first fantasy worlds I encountered as a young child; I can vaguely remember the book being read to me when I was very small. The conventional wisdom for years was that The Lord of the Rings was unfilmable – but Peter Jackson proved that wrong in some style!

Film #2:
Despicable Me (2010)

I spotted this while browsing Netflix one evening, and despite having seen at least one film with the Minions, I hadn’t actually seen the title that started it all. I have to confess that I didn’t have particularly high expectations, thinking I was in for a bog-standard animated comedy. But Despicable Me has heart, and there were some genuinely emotional moments hidden inside.

The Minions got most of the attention in the aftermath of Despicable Me, and can now be found on everything from memes to greetings cards! The critters are cute, but they’re also somewhat limited – and I think it’s for that reason that I didn’t really expect too much from Despicable Me except for maybe a few laughs and a way to kill an empty evening. I was pleasantly surprised to find a much more substantial film than I’d been expecting.

There were still plenty of laughs and a ton of cartoon silliness to enjoy and to keep the tone light-hearted. But there was a surprisingly emotional story between the villainous Gru and the three children he adopts – especially Margo, the eldest. I can finally understand why the film has spawned four sequels, fifteen shorts, and a whole range of merchandise!

Film #3:
Star Trek V: The Final Frontier (1989)

The Final Frontier has a number of issues that I’m sure most of you will be aware of. It arguably suffered from a little too much involvement from William Shatner, who sought to put Captain Kirk at the centre of the story at the expense of others. But The Final Frontier has some truly great character moments, including one of the final times that Kirk, Spock, and Dr McCoy would be together before The Undiscovered Country brought an end to Star Trek’s original era.

The film has some truly funny moments, too: the scene where Uhura catches Chekov and Sulu pretending to be caught in a storm being one, and Scotty’s moment of slapstick being another that never fails to win a chuckle. The Undiscovered Country was a great send-off for Star Trek’s original crew, but it was quite a heavy film with a lot of tense moments and high-octane action. The Final Frontier brings more light-hearted moments to the table, and that’s something I can appreciate when I’m in the right mood.

There are some exciting sequences too, though. The shuttle crash is a very tense and dramatic moment, and the final confrontation with the entity at the centre of the galaxy, while silly in some respects, does succeed at hitting at least some of those same dramatic highs. Though I wouldn’t suggest that The Final Frontier is anywhere near the best that Star Trek has to offer, it’s well worth a watch from time to time.

Game #1:
Control (2019)

Though hardly an “old” game, I missed Control when it was released in 2019. It had been on my list for a couple of years, and I was pleased to finally get around to playing it this year. The game had a far creepier atmosphere than I’d been expecting, with protagonist Jesse having to battle an unseen enemy called the Hiss.

One thing I really admire about Control is the way it made incredibly creative use of some fairly plain environments. The entire game takes place in what’s essentially a glorified office building, and rows of cubicles or the janitor’s workspace could, in other games, come across as feeling bland and uninspired. But Control leans into this, using the environments as a strength, juxtaposing them with incredibly weird goings-on at the Bureau of Control.

I also liked that, for the first time in years, we got full-motion video sequences in a game! FMV was a fad in gaming in the early/mid-1990s I guess, primarily on PC, and titles like Command and Conquer and Star Trek: Starfleet Academy made use of it. It had been years since I played a game with FMV elements, and it worked exceptionally well in Control – as well as being a completely unexpected blast of nostalgia!

Game #2:
Super Mario 64 (1996)

Despite the serious limitations of Super Mario 3D All-Stars on the Nintendo Switch, which I picked up last year, I can’t deny that it’s been fun to return to Super Mario 64. One of the first fully 3D games I ever played, Super Mario 64 felt like the future in the late ’90s, and even some titles released this year, such as Kena: Bridge of Spirits, owe parts of their 3D platforming to the pioneering work that Nintendo did with this game.

Super Mario 64 is and always has been good, solid fun. There doesn’t need to be an in-depth, complex story driving Mario forward to collect stars, because the game’s levels and bosses are all so incredibly cleverly-designed. Jumping in and out of different painting worlds is relatively quick and feels great, and the sheer diversity of environments is still noteworthy in 2021. Mario goes on a journey that takes him through snowy mountains, a sunken shipwreck, sunlit plains, cities, clouds, and more.

I can’t in good conscience recommend Super Mario 3D All-Stars. The way these games have been adapted for Nintendo Switch isn’t worth the asking price. But even so, going back to Super Mario 64 has been one of my favourite parts of 2021, a chance to reconnect with a game I played and loved on the Nintendo 64. If you’ve never played it, track down a copy and give it a go. You won’t regret it.

Game #3:
Red Dead Redemption II (2018)

I’d been meaning to get around to Red Dead Redemption II for three years – but I’d always found a reason not to pick it up (usually it was too expensive!) It took forever to download on my painfully slow internet connection, but it was well worth the wait. I’ve had a fascination with America in the 19th Century for as long as I can remember – I guess partly inspired by playground games of “the wild west” that were fairly common when I was young. I even had a cowboy hat, toy gun, and “Davy Crockett” hat when I was a kid!

Red Dead Redemption II transported me to that world in a way that I genuinely did not think was possible. Films and TV shows can do a great job at pulling you in and getting you lost in a fictional world, but the interactive element of video games can add to that immersion – something that was absolutely the case with Red Dead Redemption II. The amount of detail in the game’s characters and open-world environments is staggering, and having finally experienced it for myself I can absolutely understand why people hail this game as a “masterpiece.”

I wasn’t prepared for the many emotional gut-punches that Red Dead Redemption II had in store. In many ways the game tells a bleak and even depressing story, one with betrayal, death, and many examples of the absolute worst of humanity. But every once in a while there are some incredibly beautiful moments too, where characters sit together, sing, play, and revel in their bonds of friendship. Red Dead Redemption II gave me the wild west outlaw fantasy that my younger self could have only dreamed of!

TV series #1:
Star Trek: The Original Series (1966-69)

I’ve re-watched quite a lot of The Original Series this year, probably more episodes than I’d seen in the past few years. Because of its episodic nature, it’s easy to dip in and out of The Original Series, firing up an episode or two to spend an hour with Captain Kirk and the crew without feeling the need to commit to an entire season of television.

The Original Series started it all for Trekkies, and I’m always so pleased to see that modern Star Trek hasn’t lost sight of that. In this year’s episodes of Lower Decks and Discovery we’ve gotten many references and callbacks to Star Trek’s first series, keeping the show alive and relevant as we celebrated its fifty-fifth anniversary – and the centenary of its creator, Gene Roddenberry.

Though dated in some ways, many of the themes and metaphors present in The Original Series are still relevant today. Society has changed since the 1960s, but in some areas we’re still fighting the same or similar fights for acceptance, for equality, and so on. The Star Trek franchise has always had a lot to say about that, being in some ways a mirror of society and in others depicting a vision of a more enlightened, optimistic future.

TV series #2:
Fortitude (2015-18)

I went back to re-watch Fortitude this year, for the first time since its original run. The series starts very slowly, seeming at first to be little more than a murder-mystery in a different setting. But it builds up over the course of its first season into something truly unexpected, crossing over into moments of political thriller, action, and even horror.

There are some truly shocking and gruesome moments in Fortitude, and it can be a harrowing watch in places. But it’s riveting at the same time, and I managed to get hooked all over again by the complex characters, the mysteries and conspiracies, and the bleak but beautiful arctic environment.

Fortitude featured some star names among its cast, including Michael Gambon, Stanley Tucci, and Dennis Quaid – the second-most-famous Dennis to be featured on this website! Although it was fun to watch it weekly during its original run, Fortitude is definitely a show that can be enjoyed on a binge!

TV series #3:
Family Guy (1999-Present)

Family Guy’s sense of humour sometimes runs aground for me, dragging out jokes too long or failing to pay off neat setups with decent punchlines. But with the full series (up to midway through Season 20 at time of writing) available on Disney+, I’ve found myself putting it on in the background a lot this year. The short runtime of episodes, the lightheartedness, and the way many of the jokes are often disconnected from whatever nonsense plot the episodes have going on all come together to make it something I can dip in and out of while doing other things.

There are some insensitive jokes, and some entire storylines in earlier episodes have aged rather poorly. But Family Guy seldom strikes me as a show punching down; it satirises and pokes fun at many different groups. In that sense it’s kind of halfway between The Simpsons and South Park; the former being more sanitised and family-friendly, the latter being edgier and meaner.

I rarely sit down and think “gosh, I must watch the latest Family Guy episode.” But if I’m in need of background noise or something to fill up twenty minutes, I find I’ll happily log into Disney+ and put on an episode or two.

So that’s it.

There have been some great films, games, and television shows that were released in 2021. But there were also plenty of entertainment experiences from years past that, in different ways, brightened my year. As we gear up for New Year and for everyone’s end-of-year top-ten lists, I wanted to take a moment to acknowledge that.

I hope you had a Merry Christmas, a Happy Holiday, or just a relaxing day yesterday! I did consider writing something to mark the day, but I found that I had remarkably little to say that was different from the piece I wrote last year. 2021 has been “2020 II” in so many respects, unfortunately. However, unlike last Christmas I will be able to visit with some family members – I’ll be seeing my sister and brother-in-law later this week, which will be a nice treat! So here’s to 2021’s entertainment experiences – and as we enter the new year, it’s worth keeping in mind that we don’t only have to watch and play the latest and newest ones!

All titles on the list above are the copyright of their respective broadcaster, distributor, developer, network, publisher, studio, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: The Original Series + Star Trek: Lower Decks crossover theory: Lost human colonies

Spoiler Warning: There are spoilers ahead for Star Trek: Lower Decks Seasons 1-2 and for the following Star Trek productions: Discovery Season 2, The Original Series, The Next Generation, and Enterprise.

Star Trek: Lower Decks hasn’t lent itself to a lot of theorising thus far! The episodic nature of the show and humorous tone have seen a lot of one-and-done stories, as well as stories that draw on Star Trek’s existing lore and history rather than adding to our understanding of how life in the Star Trek galaxy works. And that’s fine – it’s a great show, one which generally succeeds at capturing the essence of Star Trek while showing a more amusing side to life in Starfleet.

Last week’s episode, Where Pleasant Fountains Lie, has led me to craft a theory, though, and it’s one that connects to events right at the beginning of the Star Trek franchise, back in the days of The Original Series. In short: have you ever wondered why Captain Kirk and his crew seemed to encounter a lot of “aliens” who were indistinguishable from modern humans? It’s possible – at least according to this theory – that Lower Decks might have just provided us with a plausible in-universe explanation!

Has the existence of the Hysperians in Lower Decks solved a fifty-five-year-old mystery?

Before we look at either Lower Decks or The Original Series, we need to take a detour to Season 6 of The Next Generation. The episode The Chase attempted to provide an in-universe explanation for the apparent abundance of similar humanoid races in the Star Trek galaxy: the interference of an extinct race of ancient humanoids, who “seeded” worlds across the Alpha and Beta Quadrants with their genetic material, essentially acting as forerunners or ancestors to Cardassians, Vulcans, Romulans, Klingons, humans, and perhaps many other races.

Just like the Klingon augment virus in Enterprise, or the warp speed limit from Season 7 of The Next Generation, this seemingly huge revelation about the ancient history of the Star Trek galaxy has been entirely ignored since the episode in which it first appeared, not even getting so much as a mention in the hundreds of other stories that have been produced since. That isn’t to say this explanation is wrong or landed poorly in the fandom, but as often happens when an episodic series introduces a major story point, writers who came along later either didn’t know what to do with it or didn’t want to explore it further. Thus the ancient humanoid story is a self-contained one that doesn’t have a great deal of bearing on the wider Star Trek galaxy – though fans can, of course, choose to interpret the presence of humanoids through the lens of The Chase.

Did ancient humanoids “seed” the galaxy with their genetic data? And if so, does that account for the abundance of humanoid races?

But The Chase only provided an explanation for the existence of humanoids – Klingons, Romulans, humans, etc. What it doesn’t really explain in any detail is the existence of species that are anatomically and visually indistinguishable from humans, and The Original Series featured plenty of those! For example, we have the people of the planet Gideon (from The Mark of Gideon), the Betans (from The Return of the Archons and later seen in Lower Decks Season 1), the Iotians (from A Piece of the Action), the people of the planet 892-IV (from Bread and Circuses), and the Earth Two natives (a.k.a. Miri’s species, from the episode Miri). All of these races – and many more – are completely identical to humans.

Most of the aforementioned peoples were treated in their original appearances as being non-humans, natives of whichever planet the Enterprise was visiting that week. But it certainly raises some questions, especially considering that other alien races could be at least superficially different: the Bajorans have distinctive noses, the Vulcans and Romulans have their ears, and so on. How or why did the inhabitants of these worlds come to be indistinguishable from humans – is life in the galaxy somehow predisposed to evolve into this precise form? The Chase offers half of an explanation, but even then it isn’t perfect. Enter last week’s episode of Lower Decks: Where Pleasant Fountains Lie.

A Roman centurion from the planet 892-IV.

Andy Billups, chief engineer of the USS Cerritos, is human. But he isn’t a native of Earth, nor of any Federation member world – his people are the Hysperians, a group of humans from the planet Hysperia who had constructed a society modelled around a medieval-fantasy/renaissance fair lifestyle and aesthetic. The important thing to note is that the Hysperians appear to be independent of the Federation, with their own monarchy, laws, culture, and fleet of starships. Though on friendly terms with Starfleet, the Hysperians appear to exist independently of the Federation.

So Where Pleasant Fountains Lie has confirmed that human colonies existed outside of the jurisdiction of the Federation. We knew that already, having seen worlds like Turkana IV (homeworld of Tasha Yar) in The Next Generation, but Where Pleasant Fountains Lie expanded our understanding of non-Federation humans. It seems as though the Hysperians – or their ancestors, at least – shared a common love for fantasy, magic, and a medieval/renaissance fair lifestyle, and set out to establish their own colony on that basis.

The Hysperians have their own system of government, led by a monarch.

Another episode from The Next Generation is important here: Season 2’s Up The Long Ladder. This episode introduced two colonies of humans – the Bringloidi and the Mariposans. The former were a group of luddites; Irish colonists who disliked the use of technology. The latter were a group of scientists, clones of the original colonists. The important thing to note for the purposes of this theory is that the Federation was unaware of the existence of either colony until the Enterprise-D made contact with them in the mid-24th Century. For more than two centuries, both colonies were completely unknown.

So now we come to the heart of the theory that was inspired by Where Pleasant Fountains Lie. Suppose a colony like Hysperia had been established centuries ago, but contact had been lost. If the Federation were to encounter the Hysperians for the first time, they would seem like an entirely different people at first, as they have their own distinctive culture, system of government, and starship designs. They don’t appear to be at all similar to modern Federation humans as of the late 24th Century, and it’s only because their colony’s origins are known to us as the audience and to Starfleet that we treat them as an offshoot of humanity and not as an entirely distinct people.

Bringloidi leader Danilo Odell with Captain Picard.

Here’s the theory, then, in its condensed form: the peoples Captain Kirk met during The Original Series that are identical to humans are, in fact, lost human colonies. Just like the Bringloidi and Mariposans, their records have been lost or their destinations not recorded, but at some point in the past they left Earth, established new homes for themselves, and developed their own cultures and ways of doing things.

Some of these peoples could even be the descendants of abductees, such as those encountered in the Voyager episode The 37’s or Enterprise’s North Star. The humans saved by the Red Angel and transported across the galaxy that Captain Pike and Michael Burnham encountered in the Discovery Season 2 episode New Eden were developing independently of the Federation in the mid-23rd Century, and Pike even instructed his crew that the Prime Directive applied when dealing with the inhabitants of Terralysium.

Burnham, Owosekun, and Captain Pike on the planet Terralysium. The inhabitants were descended from humans saved by the Red Angel.

Just like the Hysperians chose to build their society around a fantasy/renaissance fair-inspired aesthetic and setting, maybe some of these lost colonies likewise had the intention of building a world based around shared likes and interests. Perhaps the original colonists of 892-IV were big fans of Ancient Rome and deliberately created a Roman-inspired society. Perhaps Miri’s ancestors terraformed their world to make it resemble Earth. Gideon may be an Earth colony that got out of control, similar to Turkana IV. Or, as we see in episodes like North Star and New Eden, perhaps peoples abducted at a point in the past tried to recreate the societies from which they came.

I’ve never been a big fan of the ancient humanoids from The Chase as an explanation for the prevalence of humanoids in the Star Trek galaxy. I don’t think the fact that Klingons, Cardassians, and humans are all two-legged, two-armed, air-breathing beings of similar heights and builds was something that needed this kind of in-universe explanation; it was enough to leave it unsaid that the galaxy is populated by humanoid aliens. Trying to provide an explanation actually led to over-explaining and drawing unnecessary attention to it.

Personally speaking, I never felt that the galaxy being full of humanoid races (like the Klingons) needed a complex in-universe explanation.

But when it comes to aliens that are identical to humans, the explanation from The Chase only goes so far. If we try to argue that the abundance of human-looking aliens is caused by the meddling of ancient humanoids who also caused the evolution of the Klingons, Vulcans, Cardassians, etc. then the obvious question is why are there not dozens of Cardassian-looking aliens, or Klingon-oids?

Instead, what we could say is that these peoples are more likely to be lost Earth colonies. Just like the Bringloidi and the Mariposans, knowledge of their existence was lost in between their departures from Earth and their encounters with Captain Kirk. If we take The Original Series episode Space Seed at face value, humans had been able to launch large spacecraft since at least the late 20th Century, and with World War III taking place in the mid-21st Century, it’s possible that the records of thousands of space launches were lost. Just like Khan and his followers set out from Earth, perhaps the ancestors of some of these peoples did as well. Some may also be the descendants of humans abducted by aliens in the distant past, and this could explain how some humans have existed independently of Earth for centuries or millennia.

Natria, leader of the Fabrini.

So that’s the extent of this theory, really! I think it provides an interesting alternative explanation as to why Captain Kirk encountered so many human-looking “aliens” during The Original Series. We could even potentially extend this theory to include races like the Betazoids.

Obviously the reason why so many aliens in Star Trek, particularly in the franchise’s early days, were identical to humans was because of limitations in budget and special effects. But that doesn’t have to be the end of it! We can craft intricate theories, partly based on things we’ve learned in other iterations of the franchise, to go back and explain these things. To me at least, the idea that races like the Iotians, Fabrini, and Betans are in fact lost offshoots of humanity makes more sense than the idea that they naturally evolved to be indistinguishable from humans.

Star Trek: Lower Decks Season 2 is available to stream now on Paramount+ in the United States, and on Amazon Prime Video in the UK and around the world. The Star Trek franchise – including Lower Decks and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five main characters from Star Trek’s past that I’d bring back

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Discovery Season 3, and for other iterations of the franchise.

This is going to be the first part of a short two-part series in which I look at a few significant characters from past iterations of Star Trek that I would love to see return. Rather than tying these characters to a specific series, film, or ongoing project, this list is more general. I’m not advocating, for example, for any of these characters to necessarily appear in Picard or Strange New Worlds, but rather to return to the franchise at some point, when a suitable story could be written.

The Original Series Season 2 cast (without George Takei).

It goes without saying that practically every major character (at least those who weren’t killed off) could be brought back in some capacity, and with the franchise continuing to expand I think it’s increasingly likely that we’ll get some significant moments where characters reappear. For the sake of this list I’m not counting characters who are starring in shows that are currently in production, so I’ll be limited to characters from The Original Series, The Next Generation, Deep Space Nine, Voyager, Enterprise, and the films.

The Next Generation cast in Season 4 – plus Whoopi Goldberg as Guinan.

By my count there are 42 characters across those five series that we could call “major” – i.e. they regularly had their names listed in the main credits, and weren’t considered guest stars or just recurring secondary characters. This time I’m picking on just five, and my usual caveat applies: I don’t have any “insider information!” This is just a short list of characters that I think could be fun to bring back in some capacity, nothing more.

The Deep Space Nine cast in Season 4.

Of the 42 characters that occupied major starring roles in at least one season of the five aforementioned shows, I’m excluding five: James T Kirk from The Original Series, Data and Tasha Yar from The Next Generation, Jadzia Dax from Deep Space Nine, and Trip Tucker from Enterprise. All the exclusions are for the same reason: those characters have died in-universe. While there could be convoluted ways to bring back alternate versions (such as we saw with Sela, for instance) the original character can’t return after death.

The Season 2 cast of Voyager.

Though it may be controversial, I don’t believe that the death of an actor necessarily excludes a character from returning. The Kelvin films recast the entire main cast of The Original Series, and Star Trek: Picard recently recast a couple of legacy characters as well. So characters whose primary actors have passed away are still in contention.

Now that we’ve laid down the ground rules, let’s take a look at my choices.

Number 1: Chakotay

This one is inspired by the return of Seven of Nine in Season 1 of Picard. I’ve written about this before, but Seven’s return to Star Trek was cathartic for me, because the passage of time allowed her to be a very different, more emotional, and much more human character than she ever was in Voyager. Seven was sometimes annoying and difficult to root for, especially toward the end of Voyager’s run, and basically the reason was that she’d always seem to “reset” after learning what should have been a big and important lesson in how to be human. It made her character bland and repetitive. But we’re not here to talk about Seven of Nine!

Chakotay didn’t have a lot to do in Voyager, despite being the first officer. There were a handful of episodes in which he was given a storyline, but a lot of the time he was just a presence, someone there for other characters to bounce ideas off or to tell Captain Janeway he didn’t recommend she do something we all knew she’d end up doing anyway. In short, bringing back Chakotay is something I would see as a chance for his character to get a Seven of Nine-like “redemption,” with some genuine development and a significant storyline.

One thing Voyager touched on briefly but never really explored was the way Chakotay felt about the deaths of the Maquis. The episode Extreme Risk focused on B’Elanna as she struggled to come to terms with what happened to their former colleagues, but Chakotay never really got a similar moment. As part of a larger story looking at the aftermath of the Dominion War, learning what happened to the Maquis’ colonies in the aftermath of that conflict could include Chakotay, as one of those worlds was his home.

We could also learn that Chakotay was allowed to remain in Starfleet following Voyager’s return to the Alpha Quadrant, and may even have been given his own command. Given that Voyager quite quickly dropped the Maquis angle, I’m not sure this is the route I’d go down because it doesn’t seem like it offers a lot of development or growth potential for his character, but it’s a possibility.

The final few episodes of Voyager’s seventh season saw a burgeoning relationship building between Chakotay and Seven of Nine. With Seven now a recurring character in Picard, and with the possibility of her entering into a relationship with main character Raffi, we could potentially explore what happened between Seven and Chakotay. Voyager’s finale certainly suggested that he had strong feelings for her, even after her death in that timeline.

Unfortunately, for reasons that aren’t especially clear, the producers of Voyager lost interest in – or didn’t know what to do with – the “one ship, two crews” concept that had been part of the show’s inception. Chakotay and the rest of the Maquis were absorbed into the crew by midway through Season 1, and while lip service was paid to Chakotay’s Maquis past at numerous points, I think that’s one aspect of his background that would be ripe for exploration. In any 24th or early 25th Century story that looked at Bajor, Cardassia, and the aftermath of the Dominion War, I’d spend at least an episode or two considering the legacy of the Maquis, and Chakotay could play a major role in such a story.

Number 2: T’Pol

I’ve mentioned T’Pol before in relation to Strange New Worlds, and that series is certainly one where we could see her crop up. Because of Enterprise’s place in the timeline, unless Star Trek plans on returning to the 22nd Century for some other story, there aren’t many characters who could realistically still be active and able to play a major role. The 23rd and 24th Centuries (as well as Discovery’s 32nd Century) are where current Star Trek projects are focused – and I have to say I think that’s the right call. Enterprise was an interesting experiment, but I see no pressing need to return to the 22nd Century at this stage.

The story I’d include T’Pol in would go something like this: she’s a senior Federation ambassador by the mid-23rd Century, and accompanies Captain Pike on a diplomatic mission. The mission would make first contact with a race we met in The Next Generation era, such as the Cardassians. We’d thus tie together all three of Star Trek’s eras in one story! I think an episode like that would be incredibly rewarding for longstanding fans of the franchise; a “love letter” to the fans.

But there are many other roles T’Pol could occupy. Having spent so long with humans during those early days of humanity striking out into space, she could prove an invaluable guide or advisor to a young Spock. Whether Spock is “the first Vulcan in Starfleet” is a point of contention without an obvious answer, but even if he wasn’t it’s clear that the Vulcans continued to operate an independent fleet into the 23rd Century, and thus Vulcans serving in Starfleet seem to have been rare. T’Pol is well-placed to be a kind of mentor to Spock for this reason.

However, both of those story concepts take T’Pol out of her usual scientific role, and perhaps a story could be devised which would be better-suited to her career as a scientist. I’m still thinking of a 23rd Century story, but one which perhaps requires high-ranking Federation scientists to work on a mystery or puzzle.

Number 3: Dr Pulaski

I’ve never met a fan of The Next Generation who likes Dr Pulaski as much as I do. I understand why she wasn’t popular with fans, replacing Dr Crusher after one season and especially because of her early run-ins with Data that amounted to anti-android bigotry. But where Dr Crusher could be fairly bland, Dr Pulaski had a really strong personality that shone through.

On another occasion we’ll talk about Dr Pulaski and how her introduction in Season 2 of The Next Generation was an attempt to shake up the new series and bring in a Dr McCoy-type character. But for now I want to consider how she could return, and what sort of role she could have.

Picard Season 1 missed an opportunity to bring back Dr Pulaski – or another medical officer from The Next Generation like Alyssa Ogawa – in the second episode. Picard receives bad news from a doctor he knew while serving aboard the USS Stargazer, Dr Benayoun. This was a new character created for Picard, and if I’d been writing it I might have chosen to bring back Dr Pulaski at this moment instead. I don’t know if that was ever suggested, because it’s well-known that actress Diana Muldaur didn’t have a great time working on The Next Generation. But it would have been neat to see!

One series that has been doing great with references to less well-known parts of canon is Lower Decks, and perhaps that means Dr Pulaski would be a good fit to return there. I don’t know if Diana Muldaur is still working, nor whether she’d be well enough or willing to reprise the role. But it was at least a little sad that Dr Pulaski was dropped in The Next Generation Season 3 with no explanation. There’s scope, I feel, to learn what came next for her – even if the character has to be recast.

Almost any medical story or story involving characters from The Next Generation Season 2 could see Dr Pulaski return, and of course Star Trek: Picard has to be the prime candidate of the shows currently in production. She could, for example, be one of the chief medical officers assigned to help the surviving ex-Borg now that they’re (presumably) under Federation protection. Or how about this: in a storyline that clearly shows how much she’s changed her attitude to synthetic life, she could be the head of a Federation medical team sent to Coppelius to help the synths. This would cement her “redemption” from her earlier interactions with Data, and would perhaps provide a suitable epilogue to her role in The Next Generation Season 2.

Number 4: Benjamin Sisko

Captain Sisko is probably the character whose return I’ve touted the most! Because of the unique nature of his disappearance in the Deep Space Nine finale – vanishing into the realm of the Bajoran Prophets – he could return literally anywhere, in any time period. The Prophets don’t experience time in the same linear manner as humans, so they could send him to a point in his future, his past, or anywhere along the Star Trek timeline.

This is why I’ve proposed Sisko as a character who could appear in Picard, Strange New Worlds, and Discovery – because he could be sent back by the Prophets at any moment in time. I would argue he would have more to do in a story set in the late 24th or early 25th Centuries than he might in the 23rd or 32nd, but in any story that brought back Bajor, Sisko could play a major role.

He could also be part of a story looking at the aftermath of the Dominion War, at Cardassian relations with the Federation, and of course at Deep Space Nine itself. I think Sisko has the potential to be a useful character too. If he joined the story right at the moment of his return to normal spacetime, he could potentially be a point-of-view character, and an excuse for a film or episode to dump a lot of exposition that could otherwise feel clunky and out-of-place. This would be done under the guise of other characters bringing Sisko up to speed on what he’s missed – and we could catch up on galactic affairs right along with him!

Of all the characters on this list, Sisko is the one whose story feels the most unfinished. There was almost a cliffhanger ending to his role in Deep Space Nine, with a tease that one day he’ll be coming back. Whether we’ll ever see that on screen is another matter, of course, and Avery Brooks has seemed less willing to reprise the role than some other Star Trek actors. But you never know!

Number 5: Montgomery Scott

It would be relatively easy for Scotty to crop up in Strange New Worlds as a junior engineer – or in any other 23rd Century series, for that matter. But that’s not really what I’m proposing this time. That idea has merit, and I think I included Scotty in one of my character ideas lists for Strange New Worlds. However, this time what I’m suggesting is Scotty in the 24th Century.

Relics, the Season 6 episode of The Next Generation, established that Scotty had been kept alive in a form of transporter stasis of his own devising for over eighty years, finally rematerializing when the crew of the Enterprise-D encountered his crashed ship. After working briefly with Geordi La Forge, Captain Picard, and others, Scotty was given a shuttle and set out to explore the new century on his own. We would later learn in 2009’s Star Trek that Scotty had gone back to work, developing a method of “transwarp beaming” that became important to the plot of that film.

After that, however, what became of Scotty is a mystery. He had initially intended to retire, so did his stint with Starfleet continue? Or did he resume his planned retirement in the 24th Century, catching up on the eight decades of galactic history that he’d missed? He reunited with Spock, apparently, and it’s at least possible he would have been able to visit the elderly Dr McCoy as well.

Scotty offers a “coming out of retirement” story, perhaps prompted by some horrible event or disaster that requires an engineering solution. We could learn, for example, that he’d worked alongside Geordi La Forge in preparing the Romulan rescue fleet, or even that he was helping to rebuild the Mars shipyards after the attack by the Zhat Vash. Those are two ideas based on events from Picard Season 1, but of course there are many, many other ways Scotty could have contributed to Starfleet and the Federation in the late 24th Century.

So that’s it… at least for now. The second part of this short series will look at five secondary or recurring characters who I also think could be fun to bring back!

With so many ongoing and upcoming Star Trek projects occupying different places in the timeline, there really is scope to bring back almost any major character, and I hope the creative team don’t feel constrained! As a Trekkie I think I’d be happy with literally any of them making an appearance, though of course it would have to make sense in-universe as well as not be offputting for casual viewers.

The cast of Enterprise during Season 1.

We mentioned the episode Relics, and I think that story manages to walk that line exceptionally well. For fans of The Original Series, Scotty’s return was an amazing treat. But for folks who weren’t familiar with the older series, his inclusion in the episode still managed to make sense. The story was well-written, and while knowing more about who Scotty was and where he’d come from certainly added to it for Trekkies, it didn’t put off casual viewers by demanding a lot of knowledge of Star Trek canon. That’s the kind of model any future episode, film, or story that brings back a character should try to emulate.

We can also point to If Memory Serves, from the second season of Discovery. That episode began with a short recap of the events of The Cage, establishing what happened to Captain Pike on Talos IV, who the Talosians were, who Vina was, and so on. By beginning an episode which features a returning character with a clip or compilation of their past Star Trek exploits, almost any character could be integrated into an ongoing production.

The Discovery Season 1 cast (without Wilson Cruz).

The Star Trek franchise has been running for over five decades, and has a huge roster of wonderful characters. The fact that there are too many to put on the list – or the fact that the list could literally include every single one – is testament to the quality of the franchise and the creative teams who’ve contributed to it over the years.

Stay tuned for the next part in this series, where I’ll look at five secondary or recurring characters who I’d also love to see come back!

The Star Trek franchise – including all series mentioned above – is available to stream now on Paramount+ in the United States and other territories where the service exists, and on Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five Star Trek episodes for Valentine’s Day!

Spoiler Warning: There are minor spoilers ahead for the episodes on this list.

Love is in the air! Happy Valentine’s Day – even though 2021 promises to be the strangest in a long time. If you have a special someone to spend today with, I bet you’re wondering what to watch to put you both in the mood. And if you don’t… perhaps you’re just wondering what to watch. So without further ado, here are a few Star Trek episodes worth watching on the most lovey-dovey day of the year – or at least tangentially related to it! As always, the list is in no particular order.

Number 1:
The Dauphin (Star Trek: The Next Generation)

Wesley’s first love is the story of The Dauphin.

It’s been a while since we talked about The Next Generation’s most controversial major character: Wesley Crusher! He’s the main focus of this episode, falling in love with the ruler of a war-torn planet. In a classic case of “bad timing,” Salia and Wesley’s relationship wasn’t to be. He learned a valuable lesson about love along the way, though, and while the episode has some cute moments and some awkward ones, it manages to be distinctly “Star Trek” all the while.

Number 2:
Choose Your Pain (Star Trek: Discovery)

Dr Culber and Stamets in Choose Your Pain.

I often call the relationship between Stamets and Dr Culber the “emotional core” of Discovery, yet looking back on the show’s 42 episodes, there are relatively few in which they are the main focus. Choose Your Pain has a lot going on, but one of the most significant points is how Hugh and Paul clash over the tardigrade – the space-dwelling lifeform that appears to be the key to making the Spore Drive work as intended. They’re able to resolve things, of course, but only when Stamets does something life-changing to himself in order to save the tardigrade’s life.

Number 3:
Threshold (Star Trek: Voyager)

Ah, Threshold.

When we think about Tom Paris, who’s his romantic partner? B’Elanna Torres, of course. But in Threshold – widely regarded as one of Voyager’s worst episodes – Paris and Janeway get together and even have kids! Had you forgotten about that? After passing the Warp 10 barrier and experiencing “hyper-evolution,” Paris kidnaps Janeway and flees to an uninhabited planet. The two hyper-evolve into lizards and apparently “do the nasty,” resulting in at least three offspring. The crew of Voyager opted to leave the hyper-evolved children behind when they rescued Paris and Janeway, though, and for some reason the events of Threshold were never mentioned again. I wonder why?

Number 4:
Amok Time (Star Trek: The Original Series)

One of the most memorable fights in all of Star Trek.

Amok Time is certainly one of the most iconic Star Trek episodes, having been imitated and parodied many times. It focuses on Spock and introduces us to the concept of pon farr – the Vulcan biological mating need. The Vulcans evidently practice arranged marriage, and when Spock’s betrothed chooses another man, Kirk and Spock must engage in a ritual fight to the “death.” As one of the first episodes to explore the Vulcans in depth, as well as our first visit to the planet Vulcan, Amok Time is incredibly important within the history of Star Trek. And as a love story, well there’s something kind of romantic about T’Pring choosing to escape her arranged marriage to be with someone she cares about… right?

Number 5:
Change of Heart (Star Trek: Deep Space Nine)

Jadzia and Worf in Change of Heart.

Workplace romances are bound to cause problems! After Worf arrived on the station at the beginning of Deep Space Nine’s fourth season, he and Jadzia Dax struck up a relationship. They eventually got married in the episode You Are Cordially Invited, and continued to work closely together. In Change of Heart they’re assigned a dangerous mission to evacuate a Federation spy at the height of the Dominion War. But when Jadzia is injured, Worf is forced to choose whether to save her life or complete the mission.

So that’s it. Five somewhat Valentine’s Day-related Star Trek episodes! Try not to take it too seriously; this was just a bit of fun to mark the occasion!

On a more serious note, Valentine’s Day can be difficult. It can be a day that brings home feelings of loneliness, that we aren’t loved or even that we’re unworthy or undeserving of finding someone special. If you feel that way, listen to me: it’s bullshit. You’re a King, a Queen, or non-binary Royalty and you are amazing. If you haven’t found somebody yet, that’s okay. There’s no pressure or time limit. I know people who found love well into their seventies and eighties, and a few years ago attended the wedding of a neighbour of mine who finally was able to marry his boyfriend – at the age of 85! Just because some people manage to find their special somebody early in life doesn’t mean you have to conform to that too. One thing I wish I’d learned a lot sooner is that it’s better to be single than to be in a bad relationship! So please try not to worry or let Valentine’s Day become an excuse to feel rotten. Your time will come. Until then, I wish you a very happy Valentine’s Day – platonically, of course!

The Star Trek franchise is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Netflix and/or Amazon Prime Video in the United Kingdom and elsewhere. Star Trek and all episodes and series listed above are the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Aliens of Star Trek: The M-113 Creature

Happy Star Trek Day! Today marks fifty-four years since the first episode of The Original Series aired on American television, kicking off a franchise which is still going strong today. The Man Trap featured an alien called the M-113 Creature, but you may know it by its unofficial name: the Salt Vampire!

The early production history of Star Trek is complicated! After The Cage – the show’s original pilot – wasn’t picked up by network NBC, a second pilot was commissioned. This was very unusual, and rumours abound as to what happened. Gene Roddenberry and co. went away to work on a new pilot, and what resulted was Where No Man Has Gone Before. The new pilot dropped most of The Cage’s characters – only Spock would be retained – and reworked the series. It ultimately led to Star Trek being greenlit, and the show was picked up for a full season. Several episodes were filmed, including The Man Trap, and when NBC came to deciding the order in which the stories would air, it was selected as the premiere as its story was considered easier to follow by the executives at the network.

Happy 54th anniversary to The Man Trap… and to Star Trek!

So that’s a potted history of how The Man Trap came to be Star Trek’s first episode, despite the fact it wasn’t filmed first! The episode would see the crew take on a nefarious alien which was the last of its kind: the M-113 Creature.

I’m going to go out on a limb and say that I really like the design of the creature and the special effects used to pull it off. The heavy rubber suits used for some of The Original Series’ aliens and creatures have a distinct aesthetic, but it’s one I think really works. The suits were very cleverly and lovingly designed, and compared to a lot of contemporary special effects have held up remarkably well over the decades. I’d even compare these kind of practical effects very favourably to lots of digital effects and CGI; no one will ever convince me that Enterprise’s CGI Gorn looks better than The Original Series’ rubber suit!

I think this Gorn still looks pretty good in 2020!

Though the M-113 creature was only seen in its true form very briefly, the same kind of special effects brought it to life in a horrifying way, yet with a unique look that is now emblematic of the Star Trek franchise. Many people who are only dimly aware of Star Trek would recognise the M-113 Creature and be able to identify it as a Star Trek alien; in that sense the creature is up there with races like the Borg and Klingons as being iconic.

It’s been great to see a couple of recent references within Star Trek to the M-113 creature. It appeared in Ephraim and Dot – an animated episode of Short Treks that aired back in December. And just last week we caught a glimpse of the M-113 Creature in Cupid’s Errant Arrow, the fifth episode of Star Trek: Lower Decks. These fun little “Easter eggs” to Trekkies were greatly appreciated, and serve as a reminder of Star Trek’s origins all these years later.

The M-113 Creature seen in Ephraim and Dot…
…and again in Cupid’s Errant Arrow.

Though the creature the crew of the Enterprise encountered in The Man Trap was said to be the last of its kind, it’s arguable that may no longer be the case. Being mentioned in Lower Decks could be seen to imply that further M-113 Creatures have been discovered later in the 23rd and 24th Centuries, so we may not have seen the last of this iconic villain.

Nicknamed the “Salt Vampire” because of its ability to extract all of the salt from its victims, the M-113 Creature was a shapeshifter, able to take the form of other species, including humans. It also seems to have been sentient – able to mimic human behaviour and even hold in-depth conversations and form relationships.

The M-113 Creature was able to assume many forms.

Though distinct from later shapeshifting races – most notably the Founders of the Dominion – the M-113 Creature was the first such alien encountered in Star Trek. We’ve since seen a number of others, all of which owe at least a little something to their predecessor from The Man Trap. The concept of a shapeshifter is frightening, and that aspect has been used to great effect in several Star Trek stories.

The M-113 Creature also possessed several other abilities that made it a formidable adversary: it could telepathically sense the minds of sentient life forms – including humans – and use what it found to choose its appearance. This kind of tactic allowed it to get close to its prey and get them to let their guard down. It was also capable of paralysing people in order to get close to them when in its true form, and was incredibly physically strong – far more so than humans and Vulcans.

The M-113 Creature in its true form.

In The Man Trap, the sole surviving M-113 Creature (that we know of) took the form of Nancy Crater, a woman Dr McCoy had known; “that one woman”, as Captain Kirk put it. It lived with Crater’s husband, Robert, on the planet M-113 for a number of years. It was speculated that there had once been a civilisation of M-113 Creatures, but that the majority had gone extinct when the planet’s supply of salt was used up. Robert and Nancy Crater led an archaeological expedition to the world, encountering what could be the last survivor of the race.

Despite possessing some degree of sentience, it wasn’t possible for the crew of the Enterprise to reason with the M-113 Creature that they encountered, and it was killed by Dr McCoy while attempting to feed on Captain Kirk. If it were possible to negotiate with it – or others of its race – Starfleet could have provided the aliens with a supply of salt in exchange for peace. Perhaps such a story could be included in a future episode of Star Trek!

The M-113 Creature after being killed by Dr McCoy.

Despite its monstrous appearance and villainous role in the story, the death of the M-113 Creature in The Man Trap is a sad occasion. Potentially the last of its kind, the entire race and everything they had created now seems lost to history. Starfleet aims not only to seek out new life, but also to find ways – where possible – to peacefully coexist. It’s ironic, considering subsequent Star Trek stories, that the first encounter with an alien ended with its death!

But in a way, the aftermath of the M-113 Creature’s death is what established Star Trek as being more than just typical mid-century B-movie sci-fi fare. It took an emotional toll on Dr McCoy to kill what he thought was his long-lost love, and it took a toll on Kirk and the crew to have killed off the last member of a species. But as the Enterprise prepares to leave orbit, Kirk, Spock, and McCoy gather on the bridge and remember the creature in what was a very poignant moment.

The crew of the Enterprise at the end of The Man Trap.

It’s moments like this, across The Original Series’ early episodes, that set up Star Trek as being something special. There was more to the story of the M-113 Creature than just a horrible monster for our heroes to outsmart. That story was emotional and complex, bringing up issues of morality that other television series and films struggle to get across even today.

Star Trek offered – and continues to offer, fifty-four years later – much more to its audience than just exciting space adventures. This is why the franchise has endured so long, and it all began on the 8th of September 1966 with The Man Trap and the M-113 Creature.

Star Trek: The Original Series is available to stream now on CBS All Access in the United States and on Netflix in the United Kingdom and other countries and territories. The series is also available on DVD and Blu-ray. The Star Trek franchise – including The Original Series and all other properties listed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.