Paramount’s cack-handed marketing strikes again…

Spoiler Warning: There are spoilers ahead for unreleased Star Trek episodes, including casting information for Strange New Worlds Season 2 and Picard Season 3. Spoilers are also present for Picard Seasons 1-2.

Today has been First Contact Day – the 5th of April is the date in 2063 when the Vulcans will arrive on Earth, as depicted in the film First Contact. First Contact Day has become somewhat of an “event” in the Star Trek fan community, with an entire digital broadcast being dedicated to it last year. This year there was nothing quite so big on the schedule, but there were still teases and hints from Paramount Global that the corporation would do something to mark the occasion.

I’ve given up on hearing anything about an international broadcast for Strange New Worlds, so that never seemed like a realistic prospect – though it’s probably the biggest request from non-American Trekkies at the moment. But I admit that I was curious about the prospect of some kind of announcement. There are other Star Trek projects being worked on behind-the-scenes, after all… could we be set for an announcement of something like the Starfleet Academy series, perhaps?

No, as it turned out.

No news about a Starfleet Academy series today.

Instead, what we got was the second announcement in a row from Paramount Global’s marketing department that just feels exceptionally poorly-timed. A couple of weeks ago, Paramount Global had clumsily dropped the news that Strange New Worlds Season 2 would feature the character of James T. Kirk in an unspecified capacity; an unnecessary overreaction to a single leaked photograph from the show’s ongoing production.

That announcement sent fans into overdrive, and Star Trek’s social media channels were overwhelmed with toxicity for a few days, as the threadbare announcement left many things unclear about Strange New Worlds – a series which hasn’t even aired a single episode yet. Announcing Kirk’s return to Star Trek was premature to say the least, and the way in which Paramount Global handled it left much to be desired.

A promotional photo of James T. Kirk in Strange New Worlds Season 2.

The corporation had a solid couple of weeks to learn lessons from the fiasco surrounding Kirk’s role in Strange New Worlds… but, as evidenced by another announcement put out today, their inept marketing team has learned absolutely nothing. To commemorate First Contact Day, Paramount Global released a teaser for Star Trek: Picard Season 3, announcing the reunion of most of the main cast members of The Next Generation.

The teaser trailer was smooth and well-composed. Unlike the first tease for Season 2 (which was shown off at last year’s First Contact Day digital event) it showed off a couple of clips of what at least appears to be actual footage from the new season. And the announcement that closed it out was clearly designed to get a lot of fans excited. But here’s the thing: we’re only halfway through Picard Season 2 right now, so the new teaser for Season 3 not only feels wholly unnecessary at this moment, but it opens up a lot of questions about the series that Paramount Global isn’t interested in addressing.

Picard holding a familiar combadge in the teaser.

I confess that I’m intrigued by the prospect of a reunion. The Next Generation was my own “first contact” with the Star Trek franchise and my way into becoming a Trekkie in the early 1990s. I’ve been a fan for more than three decades off the back of that series, and I always felt that there was scope for Picard to show us at least a glimpse of what other members of the crew of the Enterprise-D were up to. We’ve had some of that already across Seasons 1 and 2.

But I was also keen that Picard shouldn’t try to be “The Next Generation Season 8.” There are new characters, new storylines, and other new elements in play, and for the series to do justice to all of that – and to do right by the new characters – it had to keep its focus there and avoid the gratuitous overuse of classic characters. Season 1 generally struck the right balance in that regard; Season 2 has already sidelined two major new characters and, thus far at least, has underdeveloped and regressed a third.

The main cast of Star Trek: Picard.

The Season 3 announcement made no mention of the current Star Trek: Picard cast. While we now know that Michael Dorn, Gates McFadden, Brent Spiner, Jonathan Frakes, LeVar Burton, and Marina Sirtis are joining the crew, we don’t know what that means for Evan Evagora, Alison Pill, Michelle Hurd, Santiago Cabrera, Isa Briones, or even Jeri Ryan. Part of the fun of Picard has been seeing the Admiral working with a new crew, and I feel like we don’t know some of the new characters as well as we ought to at what is now the halfway point of the series’ three-season run.

Those new characters should be given the chance to become the next generation of fan-favourites. In thirty-five years’ time, it’s my firm hope that a new group of Trekkies will be talking as excitedly about the return of Elnor and Dr Jurati as we are about Worf and Dr Crusher. In a series that already has a limited number of episodes remaining, it’s hard to see how there will be enough time to deal with some pretty heavy stories and make sure each of the new characters gets enough screen time, especially if the entire crew of the Enterprise-D is reuniting.

What will become of characters like Elnor in Season 3?

There’s also the issue of spoilers. Now I know that it always seemed like a reasonable assumption that Picard would survive and that, somehow, he and the crew would make it back to the prime timeline! But we’re literally halfway through Season 2’s story right now, and there are a lot of different directions it could go and different ways that it could pan out. To drop a massive Season 3 announcement at this time was categorically the wrong thing to do, and it risks blunting the dramatic edge of the rest of Season 2.

We now know that Picard will make it back to the 25th Century, for example, which wasn’t necessarily a given in a franchise that loves season-ending cliffhangers. We also know that Picard will successfully restore the prime timeline as of the beginning of Season 3, which again was not guaranteed as of where we are in terms of the story of Season 2. And finally, it now seems that we can safely assume that Season 3 will be the beginning of a new story, not the continuation of an ongoing one.

Jonathan Frakes as Captain Riker in the Season 3 teaser.

All of these things colour how we’ll watch the second half of Season 2 over the next five weeks. And I can’t help but feel that a significant chunk of the show’s tension and drama has been stolen by this ill-timed announcement. There will undoubtedly be twists and turns along the way as Picard and the crew of La Sirena rumble with Q and Dr Adam Soong, but one way or another everything will work out – Picard will make it home, the crew of the Enterprise-D will reunite for one last mission, and then… who knows.

If this announcement had come at the end of Season 2, I’d still have some of the same concerns about the current Picard cast (well, unless they’re all killed off, stranded in the past, or otherwise clearly written out of the series) but at least it would feel like the right time to make it. The halfway point of Season 2 was not the right time for this announcement, just like the timing of the James T. Kirk announcement wasn’t right prior to Season 1 of Strange New Worlds.

The Next Generation main cast will be returning.

It seems to me that Paramount Global knew that they didn’t have anything major to announce at First Contact Day this time around. Discovery Season 5 hasn’t entered production yet, Strange New Worlds has already released teasers and trailers over the past few weeks, and while there was perhaps scope to do something with Lower Decks Season 3 or the second half of Prodigy, it was evidently decided by someone higher up that a major announcement was necessary. I don’t see any reason why that should be the case; First Contact Day this year could’ve been dedicated to the upcoming Strange New Worlds and the second half of Picard Season 2, but there we are.

Maybe I’m still sour off the back of the Strange New Worlds situation, but I’m not as excited by this announcement as I feel I should be. The timing of it just seems incredibly wrong, hot on the heels of another self-inflicted wound with the Kirk debacle. And it opens some uncomfortable questions about the fates of the current main cast members of Picard.

All things considered, I wish that Paramount Global could’ve at least waited until the end of Picard Season 2 before making this announcement. Doing so now doesn’t seem right, for the reasons outlined above. While I’m intrigued by what has been teased, right now I can muster curious interest, tinged with more than a little concern, rather than the outright excitement that this announcement was trying to generate.

Star Trek: Picard Seasons 1-2 are available to stream now on Paramount+ in the United States and on Amazon Prime Video in the United Kingdom and around the world. The Star Trek franchise – including Picard, Strange New Worlds, and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 2, Episode 5: Fly Me To The Moon

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next GenerationVoyagerFirst Contact, and Discovery.

Fly Me To The Moon was an interesting episode, one which introduced several new characters and story elements. I didn’t see most of its various twists coming until they landed – and being genuinely surprised by a story is always something I appreciate. Jonathan Frakes returned to Picard to direct for the first time since Season 1, and I noted more than a few similarities to Stardust City Rag – one of two episodes that he directed last time around.

However, Fly Me To The Moon wasn’t an outstanding episode for me personally. It piled a couple of frustrating story tropes on top of one another, compounding a modern-day setting that’s already beginning to stretch my patience with a stealthy infiltration mission that felt rather like something lifted from a video game. These stories weren’t badly-executed by any means, but the foundations upon which they were built just aren’t my favourites, and from a personal point of view I felt that the episode suffered as a result of that.

Dr Jurati undercover.

There had been quite a lot of buildup to the story of Rios being arrested and deported from the United States; a timely examination of a real-world phenomenon that’s happening right now. But three episodes of buildup fizzled out rather quickly in Fly Me To The Moon, with Rios’ rescue and the liberation of a handful of migrants being treated as a relatively minor part of the story. We got a satisfactory conclusion to Rios’ capture after his run-in with Teresa, but it wasn’t a particularly long or engaging one.

It’s always worth saying that we’re nowhere near the end of the season yet, and there’s still time to return to Teresa’s clinic and take another look at this aspect of the story. With Rios’ combadge still missing, I think they’ll have to take action to retrieve it somehow. So I’m trying to avoid passing judgement too quickly. What I’ll say for now is that if we don’t pick up this story thread later, it gets a grade C: a basic pass. If we take another look at the way migrants are being handled – and specifically, what’s so dangerous about a Sanctuary District on the border – then maybe that grade can be bumped up a notch or two.

Rios with Pedro, a fellow deportee.

Sticking with Rios, I’ve had an unsettling feeling about him that’s been building for several episodes. I touched on this last time, but I wanted to dedicate a little more time to it here. In short, Rios has regressed as a character in a pretty significant way. He hasn’t regressed since last season, but since his role in the Season 2 premiere: The Star Gazer.

That episode saw Rios after he returned to Starfleet and accepted a brand-new command. He had a crew to be responsible for, a galaxy to explore, and he seemed to have taken to heart the lessons he learned on his adventure with Admiral Picard in Season 1 – particularly Picard’s act of sacrifice and the words he spoke during the climactic standoff over Coppelius. It was genuinely wonderful to see Rios in that role – and I wouldn’t be surprised at all to see Trekkies asking for a Captain Rios spin-off show in future!

It feels like Captain Rios has regressed somewhat since The Star Gazer.

But after Rios found himself in the Confederation timeline, he seemed to forget all about that. He mentioned his command last week, but only in this weirdly aggressive rant to a prison guard. He doesn’t seem to care – or even remember – his crew, the officers under his command and for whom he is responsible. Instead he seems back in his “Star Trek does Han Solo” mode; the renegade with a heart of gold. That characterisation suited Rios in Season 1 – knowing that there was a good soul inside someone who had a hard time showing it and a hard time processing grief and loss was key to his character back then. But we’ve seen so much change for Rios in just that one episode at the start of the season that the way he’s been acting for the last few episodes feels like a major regression.

And it’s a complicated situation to resolve right now. Clearly the writers are pushing Raffi down the “grief and loss” road this time around, with Seven of Nine in a supporting role. In addition, if Rios were to suddenly start showing an emotional response to the loss of the crew of the Stargazer, not only would it seem a bit late in the game, but it would also feel like a retread of what he went through in Season 1. I feel like Rios has been written into a somewhat of a corner, and I’m not sure I see an easy way out for him as things currently sit. I’m sure he’d be glad to get his ship and crew back, if such a thing is even possible, but he hasn’t done anything to show that to us as the audience. I’m just not feeling much coming from Rios right now.

I’d like to see more from Rios to convince me he’s a Starfleet captain.

If I may make a bold suggestion, it seems to me that Rios has been included in the story in large part because, as a Hispanic man, it really hammers home the point the writers have been trying to make about immigration in the United States. But because Rios had already seen such an amazing turnaround by the time of The Star Gazer, at this point in the season I’m left wondering if maybe we might’ve had a more enjoyable time overall if Elnor had been the one to survive and it was Rios sitting in La Sirena’s morgue.

That’s not because I dislike Rios. I think he can be a fun character, and there’s something about his roguish charm that makes him feel different in Star Trek; a character archetype we don’t often see. But having undergone that development and become a captain, dragging him backwards feels wrong. If there needed to be cuts to the cast of Season 2 for whatever reason, bringing Elnor along could’ve been more interesting. We’d have got a lot more of the “fish-out-of-water” comedy with Elnor, for example, and there’d have been scope to develop his character a lot more. With a little creative writing, the story of loss for Raffi could still have been included.

Raffi briefly thought that she saw Elnor among the migrants.

But enough about the story we aren’t watching!

One thing that felt quite odd in Fly Me To The Moon was the inclusion of three actors playing brand-new characters and not the characters we’re familiar with. Brent Spiner’s role as a new member of the Soong family had been teased in pre-season marketing material and was expected, and of course we’d seen the Watcher (in Laris’ form) last week. Isa Briones also returned this week – but not as Soji.

When a new character played by a familiar actor is introduced, I think most fans just shrug it off and continue with the story. Star Trek has done this so many times going all the way back to weird “body swap” stories in The Original Series, so it’s not like it’s a problem or anything like that. But it was very strange to have three brand-new characters in a single episode all played by familiar faces. One or possibly even two might’ve gotten a pass, but to have three felt gratuitous and ultimately detracted from the way Fly Me To The Moon landed.

Isa Briones was one of three regulars to be playing a different character in Fly Me To The Moon.

I’m glad that Picard’s writers haven’t just forgotten about Soji, considering how she was such a major part of the story of Season 1. And it was nice to welcome back Isa Briones for a much larger role than she had in the premiere. But all things considered, this new character of Kore felt odd in an episode that was already dealing with the return of Brent Spiner as another Dr Soong and Orla Brady as the Watcher/Laris.

That being said, there was something interesting about Kore’s character, and the life-limiting genetic condition that she was suffering from managed to walk a fine line between feeling realistic enough to elicit sympathy but at the same time feeling very “Star Trek.” Particularly after Q’s medicine wore off and she suffered a flare-up, I felt that this unnamed condition had a very sci-fi feel, and I appreciated that.

Kore’s illness had a definite sci-fi feel.

I can relate to Kore. As someone whose poor health means I spend more and more time at home, I can empathise with the way she feels about being trapped and isolated, and like she’s missing out on everything from everyday things like swimming to special events like parties and gatherings. It’s an interesting angle for the series, and I hope we get to spend a little more time with Kore. Seeing what her life is like in isolation is interesting to me – and more than a little timely after the couple of years we’ve all just been through!

People with severe allergies might also find the presentation of Kore and her health condition to be relatable. I’m not in that category, but I’ve known people with allergies so severe that what others might consider to be everyday events – such as eating out at a restaurant – become impossible, and I felt at least some influence there in the way Kore came across on screen.

I found the presentation of Kore to be very relatable.

Although I generally enjoyed this story point, it does feel as though the writers of Picard took Kore’s health condition to somewhat of an extreme, and the real reason for that is to give motivation to the new character of Dr Soong. Brent Spiner did well to put across such a conflicted character in just a single episode – I really felt that Dr Soong was buckling under the weight of an impossibly difficult situation. The only caveat there is that maybe the situation with Kore was overreaching – trying to be an eleven out of ten when a nine would’ve been perfectly sufficient for the sake of the story!

How many Dr Soongs has Brent Spiner played now? I’ve honestly lost count! I think at this point we’ve seen practically all of Data’s ancestors on screen in one way or another! But that’s okay, and tying the events of Season 2 to a familiar face is something that I think many fans will appreciate. While I don’t think there can really be very many blanks left to be filled in for the Soong family at this point, possibilities exist to connect Adam Soong’s story to that of Dr Arik Soong – a character who appeared in Enterprise.

Dr Adam Soong.

Brent Spiner was unexpectedly one of the standouts in Fly Me To The Moon. Coming hot on the heels of his portrayal of Altan Inigo Soong in Season 1, I felt that the hairstyling (including a beard) and makeup used in Season 2 went a long way to making him look at least superficially different, and the performance really succeeded at capturing the notion that Dr Adam Soong is a good person who’s being forced to do increasingly questionable things out of desperation.

If Adam Soong is hailed in the Confederation timeline as some kind of hero, we’re still yet to find out why that is. And it’s possible that whatever he’s trying to do will ultimately lead to something serious, possibly even evil. I noted in Kore’s reaction as her medication wore off a kind of dark greyish tinge to her veins; could we be looking at nanotechnology, perhaps? If so, could Dr Soong have some kind of involvement with the Borg? With Q around, anything is possible – so stay tuned for my updated theories!

A monument to Adam Soong in the Confederation timeline.

Speaking of the Borg, the situation with the Borg Queen aboard La Sirena took a turn that I genuinely wasn’t expecting. The interplay between Dr Jurati and the Borg Queen had been one of the most fascinating parts of the season’s story, and it came to a head in Fly Me To The Moon. If I were to make one criticism I’d say that maybe this was a little premature; I could’ve happily watched Dr Jurati and the Borg Queen continue to talk around each other and build up this antipathy and fascination for a lot longer!

It was an incredibly well-done story, though. After being pushed, prodded, and manipulated by the Borg Queen for the past three episodes, Dr Jurati finally took a stand. When faced with a choice between preserving the timeline and saving her way home, Dr Jurati chose to kill the Borg Queen. Doing so saved the life of a hapless 21st Century police officer (who felt, sorry to say, like a bit of a stereotype), but came at the expense of the Borg Queen’s physical form, at least.

The death of the Borg Queen.

The final moments of the episode showed us one final twist in this tale – the Borg Queen inserted some kind of assimilation tubules into Dr Jurati in her dying moments. Having seemingly recovered her ability to assimilate – at least partially – Dr Jurati is now haunted by an apparition of the Borg Queen that only she can see. We’ll have to save this for my next theory post, but I wonder if there’s a possibility that this is some kind of psychological symptom rather than the actual Borg Queen!

There was some stellar cinematography during the scenes set aboard La Sirena. Though not quite on par with the dramatic arrival of the Borg and the masked Queen in the season premiere, I still got a real creepy, horror movie vibe from Jonathan Frakes’ directing and camera work. The dimly-lit sets, parts of which were tinged with the green light we so often associate with the Borg, amplified this sensation. The entire story, from the Borg Queen’s fake phonecall all the way through to Dr Jurati hunting her with a shotgun was pitch-perfect in that regard.

Dr Jurati versus the Borg Queen!

There was a definite influence from sci-fi-horror films like Alien, The Thing, and others on this side of the story. A darkened La Sirena felt incredibly claustrophobic, particularly in the scenes featuring the hapless police officer. Captain Rios’ ship made a wonderful stand-in for Alien’s Nostromo, something I particularly felt as Dr Jurati came aboard wielding a shotgun!

Unfortunately it felt as if this sequence existed in a separate story. With the exception of a few seconds after Rios, Raffi, and Seven materialised aboard La Sirena, which led to the revelation that the Borg Queen was dead, the characters essentially ignored this huge moment for Dr Jurati as they raced ahead to planning their heist on the astronauts’ gala. Maybe we can argue that this is another way in which Picard and co. are overlooking Dr Jurati or failing to care for her as much as they ought to, but in the context of the episode itself it ended up feeling as if something was missing from the story.

Dr Jurati being assimilated.

Fly Me To The Moon was the shortest episode of the season by far, clocking in at barely forty minutes when you exclude the credits and title sequences, so there was definitely scope to expand on what happened to Dr Jurati in some way. Picard literally did not even acknowledge what had happened to her, and again this can be argued to be part of what the Borg Queen was saying to her about her loneliness, but honestly I don’t feel it landed that way.

Just a couple of episodes ago, in Assimilation, we saw how Picard does genuinely care for Dr Jurati. He was the one who okayed her mission to link up with the Borg Queen, but he also showed real concern at the dangers, and there were incredibly sweet and tender moments between the two of them as Dr Jurati subconsciously shared her feelings for Picard, and later as Picard covered her with a blanket and then positioned himself defensively in between Dr Jurati and the Borg Queen. So in short, I don’t buy that Picard arrived back at La Sirena, saw what had happened, but chose to disregard it entirely. Maybe a scene was scripted and not filmed for some reason, or maybe something was left on the cutting room floor – but one way or another, this felt like a significant omission.

Picard and Tallinn after ariving aboard La Sirena.

Before we get to the gala we have to consider Q’s condition. We’ll get deeper into speculative territory in my theory update, but it definitely seems as though Q may be approaching the end of his life – somehow. It had long been the assumption that members of the Q Continuum are immortal (or so long-lived as to be effectively immortal) and I’d point to the Voyager episode Death Wish in particular as an example of this, as well as The Next Generation first season episode Hide and Q.

So that has changed – or a change has somehow been inflicted upon Q. How or why that is we don’t know – but I suspect it has to be connected in some way to Picard, otherwise why would Q choose to spend what could be akin to his final moments by inflicting one last puzzle upon him? Perhaps something has happened to destabilise the Q Continuum, such as an attack or invasion, and that could be to blame. One way or another, though, it seems like Picard is setting up a story in which Q may not survive.

What could be happening to Q?

John de Lancie and Brent Spiner played off one another expertly, and I got a hint – just a glimpse, at this stage – that Q may be more desperate than he’s letting on. This would connect to the slap a couple of episodes back (no, not the one at the Oscars!) as evidence that Q is losing control, no longer able to fully contain his emotions. He put on a brave face for the sake of manipulating Dr Soong, but I got the sense that if Dr Soong had resisted in any way, Q wouldn’t have known what to do. Without his powers – or with his powers being less reliable – he’s more vulnerable and exposed than we’ve seen him since he was temporarily stripped of them in The Next Generation Season 3 episode Deja Q.

Before we move on from Q, one final “easter egg!” In movies and on TV, most phone numbers use the prefix 555, which is set aside for use in the industry. Q’s “business card” didn’t… so out of curiosity (and not really expecting anything) I called the number. Try it if you can!

We learned a little more about the Watcher this week, including their name. It was interesting to tie the Watcher to the events of The Original Series episode Assignment: Earth, and that’s something I really wasn’t expecting. As an interesting aside, Assignment: Earth was created as a backdoor pilot for a prospective spin-off series that would’ve focused on Gary Seven!

The Watcher – a.k.a. Tallinn.

Though we learned part of the Watcher’s story, there’s still a lot that Fly Me To The Moon didn’t explain that will surely come out later in the season. The most obvious question is how the Watcher relates to Laris, and why the two characters look identical. Is it possible that this Tallinn is actually Laris? If so, what would that mean for Laris and Picard, and why would Tallinn be assigned to watch over Picard in the future? I sense a time-loop paradox coming!

There’s also the question of the organisation that Tallinn and Gary Seven worked for, and what their goals and ambitions are. Assignment: Earth seemed to suggest that these technologically powerful aliens were benevolent – but they seem to be aware of time travel, divergences in time, and other such things. How they could connect to the events of the season is unclear right now, but quite interesting!

Gary Seven in Assignment: Earth.

It’s been a while since I last watched Assignment: Earth, and I confess it’s not a particular favourite of mine. It’s not like I hate it or anything, but I wouldn’t usually pick it out to watch – as evidenced by the fact that it’s been several years since I last saw it! But I think it’ll be worth going back and taking another look, not so much to give context to Fly Me To The Moon, but in case it’s referenced again in a future episode this season.

Orla Brady got to show off a different set of skills as Tallinn compared to her role as Laris, and she did a fine job of convincing me that Tallinn was powerful and had a lot of knowledge of things that both Picard and the audience do not. It’s difficult to fully judge this character without seeing where things go from here; now that the initial shock of her appearance has worn off, we need to be patient while the next phase of the Picard-Tallinn-Laris story unravels.

Picard and Tallinn watch Renée’s therapy session.

Up next, we come to the gala itself. This is also incomplete, as we’re waiting to see what will happen next week, but for now here are my initial thoughts. I don’t like this setup, this kind of “sneaking into a high society party in disguise” trope. It’s been done before in different ways, some more successful than others, but generally speaking it’s a story setup that can fall victim to feeling contrived and forced, and there were definitely unpleasant notes of that for me.

The buildup to the party aboard La Sirena and at the Château was another sequence that could’ve been expanded upon; it felt as though Picard and the crew put together a plan very quickly before rushing into executing it. I could’ve spent another couple of minutes watching them talk about the plan for the gala and how it was supposed to work.

The episode seemed to rush headfirst into this moment.

Finally, the idea that the crew can’t all just beam in made sense and was well thought-out, but this was then immediately undermined by the idea that one of them could sneak in and “hack the mainframe” so that the others could join later. If Tallinn had the ability to add one person to the guest list and create an entire fake ID for them, why couldn’t that be repeated? It’s a nitpick for sure, but these things sometimes bug me in stories like this!

That said, once the action shifted over to the gala itself it wasn’t as bad as I’d feared. Alison Pill did well to convey Dr Jurati’s lack of confidence and how she feels conflicted and perhaps even traumatised by recent events, and this led to a truly unexpected twist to round off the story.

Dr Jurati at the end of the episode.

It seems certain that Picard and the crew will make it to the gala within the first few minutes of the next episode, continuing a strange trend this season of these mini-cliffhangers that don’t get substantial payoffs. The end of Penance, for example, led into a short, underwhelming sequence of the crew of La Sirena easily overpowering the Magistrate and Confederation forces, and just this week we got a fairly short and nondescript ending to the aforementioned Rios storyline. The cliffhanger at the end of The Star Gazer worked well to tease the Confederation timeline – but some of these other ones haven’t blown me away. Maybe next week’s episode will, though!

So that was Fly Me To The Moon. Renée Picard and her mission are intriguing, but we didn’t find out a great deal about her on this occasion. Renée herself was a relatively minor part of an episode that had a lot of pots on the stove, so it won’t be until subsequent episodes that we learn what role she may (or may not) ultimately play in this divergence in time.

Renée at the gala.

For me, no episode so far has come close to recreating the incredible highs offered by The Star Gazer as the season kicked off. Fly Me To The Moon had some interesting elements in the mix, and I’m certainly curious to learn more about the conflicted and anxious Renée Picard, but they came in a framework that didn’t always excite or enthrall me. As I said last week, the limitations of a modern-day setting are definitely beginning to bite, and as interested as I am to see more from Q, to learn more about Dr Soong, and to see the Europa Mission, I’m also quite keen for Picard and the crew to find out exactly what’s happened so they can start thinking about getting back to their own time period!

You’ve probably noticed that I’m a few days late with this week’s review. The truth is that I didn’t even get around to watching Fly Me To The Moon for several days; I’ve been on a bit of a downer in general, made a lot worse (at least insofar as my enjoyment of Star Trek is concerned) by the international broadcast mess engulfing Strange New Worlds. So it took a lot of effort – more than usual – to push through that to get this review done. Sorry for the delay, and I hope things will begin to get back to normal in the days ahead!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 4

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: DiscoveryVoyagerFirst Contact, and The Next Generation.

I had another enjoyable outing with Admiral Picard and the crew of La Sirena this week. Though I feel that the limitations of a 21st Century setting are beginning to bite on one side of the story, there was plenty to enjoy in Watcher – and the episode has gifted us a few new theory ideas to boot!

This week we have two theories that I’m calling “semi-confirmed.” In those cases I got the broad outlines right, but I was quite a long way off in terms of the way they panned out. And we also have one theory that I’m choosing to retire.

Semi-confirmed theory #1:
Guinan will be aware of changes to the timeline.

Shifts in time can make some people rather unwell!

I had no idea that we’d be meeting a younger version of Guinan during Picard Season 2. After Picard sat down with Guinan in the season premiere and then she didn’t return, I began to wonder if we’d seen all we were going to see from her – but it seems that her younger self has a role to play!

I had initially speculated that Guinan would be aware of the timeline shifting, as she had demonstrated this ability during the events of The Next Generation Season 3 episode Yesterday’s Enterprise. I wondered if we might meet Guinan in the Confederation timeline, and even whether she might be the instigator of Picard’s journey back to the 21st Century.

As it turned out, Guinan was aware of a change to the timeline, but only after meeting with Picard in the 21st Century. I can’t take full credit for predicting this, but there was enough of a conversation about El-Aurians and the way they understand time for me to feel that it wasn’t a million miles away from my original theory! Hence I’m calling this one “semi-confirmed!”

Semi-confirmed theory #2:
Laris will join Picard’s mission back in time.

Laris?

I had predicted – or should that be “hoped” – that we’d see Laris again before the end of the season, and speculated that she could be revived somehow in the Confederation timeline, perhaps thanks to Q’s abilities. I was not expecting Laris – or at least someone using her appearance – to turn out to be the titular Watcher, though!

Perhaps it might be more accurate at this point to suggest that Picard has joined whatever mission Laris is on, rather than the other way around! Guinan seemed to suggest that the name Jean-Luc Picard was familiar to her, and that could mean that Laris knows who Picard is. She may even have been placed in the 21st Century in anticipation of this very meeting.

I guess we’ll have to see what’s going on when we get to the next episode, but for now I’m happy to call this one “semi-confirmed” as well.

Retired theory:
There will be a crossover with Star Trek: Discovery.

The USS Discovery at warp in Season 4.

This theory came about thanks to the just plain stupid decision from Paramount Global to have Discovery Season 4 and Picard Season 2 overlap one another by three weeks. I wondered if that might mean some kind of crossover event could be on the agenda – and with time travel being a big part of Picard, it seemed at least plausible.

However, it now seems that the reason for the nonsensical scheduling is nothing more than the random illogical spasms from Paramount Global, a corporation that seems to have no clue how to run a major franchise or a streaming platform. Given that Strange New Worlds now seems certain to be denied to international fans because Paramount+ still isn’t available, the scheduling decision seems infinitely worse in retrospect.

Delaying Picard Season 2 by three or four weeks and Strange New Worlds by an extra couple of weeks on top of that would’ve provided the corporation with more time to get Paramount+ ready for the next phase of its international rollout – and might’ve meant that more Star Trek fans could enjoy Strange New Worlds. But alas, Paramount Global seems to be run by utterly incompetent morons.

So those theories were semi-confirmed and retired.

Next let’s jump into the main theory list, beginning with those theories that are brand-new or saw movement in this week’s episode.

Theory #1:
The Borg Queen will assimilate people from the 21st Century.

Who could this be?

As I wrote in my review of Watcher, I’m loving the dynamic between Dr Jurati and the Borg Queen at the moment! We saw in one of the pre-season trailers a couple of people who seemed to be in the early stages of Borg assimilation, and I wonder if those people could be 21st Century humans who stumble upon La Sirena’s crash site. Dr Jurati may even unleash the Borg Queen on them in order to protect the ship and avoid too much damage to the timeline.

This could be tied in with another theory we’ll look at in a moment – that Dr Jurati herself may be on the verge of assimilation following her encounter with the Borg Queen. If Dr Jurati is compromised, the Borg Queen may be able to command her – or even use her to perform the assimilations herself!

Theory #2:
Who is the Watcher?

The Watcher and Picard teleporting.

This is an easy one: the Watcher is Laris, right? Well, not necessarily! The Watcher has certainly assumed Laris’ form, but that may be an illusion or something done for Picard’s benefit. We don’t know for certain right now that Laris and the Watcher are 100% the same character – but we will almost certainly learn more in the next episode!

Watcher Candidate #1:
A younger version of Laris.

The Watcher at the end of this week’s episode.

Perhaps the obvious answer really is the right one: the Watcher is simply Laris as she appeared in the 21st Century. That doesn’t solve every question, nor does it rule out all of the other entries on this list. In fact, it arguably raises just as many questions as it answers! How could Laris live so long, was she able to travel through time, and what is her connection to Picard – and those are just three off the top of my head.

Regardless, one possibility is that the Watcher is simply Laris.

Watcher Candidate #2:
A member of the Q Continuum.

There’s more than one Q!

Given Q’s role in the story, one possibility has to be that the Watcher is a member of the Q Continuum. Perhaps they’re aware of the important role that Picard will play in the future and are watching over his family, or perhaps their objective is to meet Picard himself, knowing that he would journey to this moment in the past. If there’s some kind of internal conflict between different Q factions – as we saw in the Voyager episode The Q and the Grey – perhaps the Watcher is another Q who is trying to stop the Q we know from doing too much harm.

There are many different ways for this theory to pan out!

Watcher Candidate #3:
A Prophet.

The Bajoran Wormhole – home of the Prophets.

The Prophets – noncorporeal aliens who live inside the Bajoran Wormhole – exist outside of linear time. They’ve demonstrated an ability to travel through time, emerging centuries in the past. Given that Sisko also visited the year 2024, could a Prophet have followed him to keep an eye on him? Maybe the Watcher isn’t watching Earth or the timeline, but is instead keeping tabs on Sisko – the Emissary.

Watcher Candidate #4:
A Temporal Agent from the Temporal Wars.

Crewman Daniels was a Temporal Agent.

Is it possible that the Watcher is a Temporal Agent, someone whose intention is to prevent anyone meddling with the timeline? If so, this story could connect with the ban on time travel that was established in Discovery Season 3 but not elaborated on. It still wouldn’t explain why the Watcher looks like Laris – but again, perhaps she has taken a particular interest in Picard or the Picard family for some reason?

Watcher Candidate #5:
A Borg.

The Borg Queen.

Considering who it was that told Picard about the Watcher’s existence, some kind of Borg connection cannot be ruled out! Despite having spent a lot of time with the Borg over the past thirty years, there’s still a lot we don’t know about them – for example, do they send scouts to planets they hope to assimilate to watch over them? That could be the Watcher’s purpose, and considering we already know that the Borg are capable of time travel, it seems possible that the Watcher is one of theirs!

Watcher Candidate #6:
A Romulan or Vulcan.

A Romulan or Vulcan seen in a pre-season trailer.

I can’t figure out whether the character shown above is a Romulan – perhaps a Zhat Vash – or a Vulcan. However, if either faction is present on Earth in the 21st Century, perhaps one of their number could be the Watcher. Given that Laris knew about the Zhat Vash from her time as a Tal Shiar operative, could we perhaps learn that a mission to Earth’s past was one of her assignments?

Theory #3:
Rios’ lost combadge is the divergence in time.

Rios’ 25th Century Confederation combadge.

Despite visiting the clinic in Watcher, Seven of Nine and Raffi didn’t seem to locate Rios’ combadge, and after speaking briefly with one of the nurses they left empty-handed – and without taking further tricorder scans to locate it. As things stand right now, Rios’ combadge is lost in the 21st Century – and could pollute the timeline if it were to fall into the wrong hands.

This theory, were it to bear out, would set up a kind of temporal paradox. Rios would only have travelled to the past from the Confederation timeline because he’d already been present in the past and lost his combadge – there’s no clear beginning or end point to such a story, and personally I find time-loop paradoxes to be somewhat irksome in science fiction.

Theory #4:
Dr Jurati will be assimilated.

Dr Jurati in Watcher.

I really enjoy the dynamic between Dr Jurati and the Borg Queen that has developed so far this season; it’s been one of the most unexpectedly interesting and riveting parts of the story for me. The Borg Queen is both impressed with Dr Jurati and annoyed with her for the way she’s been ignored, and as the two continue to talk over and around each other that unusual relationship has grown.

Dr Jurati plugged herself into the Borg Queen in Assimilation, and any kind of connection like that seems to carry a lot of risk. Furthermore, Dr Jurati is now alone with the Borg Queen following Picard’s departure, leaving her in a vulnerable position. If she were to unshackle the Borg Queen, even with the best of intentions, she could wind up assimilated.

The Borg Queen is plotting – this is an alliance of convenience for her at the very most, and she will seize any opportunity to come out ahead.

Theory #5:
Dr Jurati will unleash the Borg Queen.

The Borg Queen.

If Dr Jurati doesn’t wind up assimilated, she could still take action to unshackle the Borg Queen – intentionally or unintentionally. If, for example, someone were to discover the crash site of La Sirena, Dr Jurati may need to enlist the Borg Queen’s help to stop them – potentially leading to people being killed or assimilated.

Once the Borg Queen is on the loose, there’s no guarantee that she’ll willingly go back to her captive status, and she might try to escape. She’s impressed with Dr Jurati – but after the events of Watcher, I’m positive that she doesn’t trust her at all. If the chips are down and Dr Jurati is in trouble, only the Borg Queen is there to help – and unleashing her could lead to even worse problems!

Theory #6:
The Borg Queen (possibly assisted by Dr Jurati) will steal La Sirena, stranding Picard in the past.

La Sirena.

From the Borg Queen’s point of view, she isn’t in a good position. Allying herself with Picard and the crew of La Sirena was the only way to save the Collective – undoing the events of the Confederation timeline. But if Picard is successful, she’s still a prisoner, and presumably would be turned over to the Federation upon Picard’s return to be studied. That’s only a small improvement over Confederation captivity!

It stands to reason that the Borg Queen would take any opportunity to escape, and right now, La Sirena is her best bet. She’s already partly integrated with the ship’s systems, and if she’s able to make repairs she might be able to use the ship to escape, heading back to the 25th Century. Doing so would almost certainly mean stranding Picard and everyone else in the past – though if Dr Jurati is on board, willingly or unwillingly, she might be swept along for the ride!

Theory #7:
The masked, hooded figure from The Star Gazer is not the real Borg Queen.

The Borg Queen?

The Borg Queen – the hooded figure who materialised on the bridge of the Stargazer – was absolutely terrifying, evoking feelings for me that the Star Trek franchise hasn’t hit in decades. The way this character was presented, with her shrouded face, flowing robes, monochromatic aesthetic, and blend of humanoid and decidedly non-humanoid mechanical features was simultaneously riveting and frightening!

This character was presented as the Borg Queen in the episode, and the Borg have no reason that we know of to lie about that. But at the same time, she was very different not only from how we’ve seen the Borg Queen in past iterations of Star Trek, but also from the Borg Queen that Picard and the crew met in the Confederation timeline. Could this character actually be someone else – perhaps someone that the Borg have assimilated?

“Borg Queen” Candidate #1:
Dr Jurati.

Dr Jurati.

As suggested above, Dr Jurati could be about to be assimilated by the Borg Queen. It’s also possible that the Borg Queen will be able to escape her confinement – possibly using Dr Jurati’s body. If any of these theories pan out, they could set the stage for Dr Jurati being the “Borg Queen” figure seen in The Star Gazer.

“Borg Queen” Candidate #2:
The time-travelling Admiral Janeway from Endgame.

Admiral Janeway.

Admiral Janeway was assimilated by the Borg Queen as part of her plan to introduce a neurolytic pathogen into the Collective, and appeared to have been killed when the Borg Queen’s complex exploded. But is there a way she could have survived?

Her assimilation could have been a turning point for the Borg. She did untold damage to the Collective, but also potentially gifted them knowledge and information about future events and technologies that were decades ahead of their time. Just like the Borg once chose Captain Picard to become Locutus – their “spokesperson” or representative – perhaps they might have chosen Admiral Janeway to fill a similar role during this latest incursion. Admiral Janeway could even have been incorporated as part of the Borg Queen.

“Borg Queen” Candidate #3:
Soji.

Soji in The Star Gazer.

The Borg seek “perfection” through the synthesis of organic and synthetic parts; if Coppelius synths like Soji have something that the Borg want, perhaps we’ll learn that they assimilated her to get it. The anomaly from which the Borg vessel emerged was not a standard transwarp corridor, and was specifically noted to emit some kind of temporal radiation. Thus the Borg vessel could be from a future date after Soji has already been assimilated. We could even learn that the super-synths from the Season 1 finale are actually the Borg; that could be how they first became aware of Soji and the Coppelius synths.

“Borg Queen” Candidate #4:
It’s just the Borg Queen!

Is the Borg Queen the Borg Queen?

Instead of some complicated time-loop involving different versions of Dr Jurati, or an unexpected callback to Voyager, maybe the solution to this “puzzle” is staring us right in the face: we’ve already met the Borg Queen. The version of the character introduced in Penance may be behind the mask, and all of this speculation may seem silly when we reach the end of the story!

Theory #8:
Teresa will find out the truth about Rios.

Rios and Teresa in Watcher.

We didn’t spend a lot of time with Teresa in Watcher, but it’s possible she’ll come back later in the story. With Rios’ combadge still missing, at the very least I’d expect him to tie up that loose end – even if the lost combadge has no real bearing on the rest of the story. Teresa’s clinic is where it was last seen, and she may know where it is or may be willing to help.

During the course of such a storyline, it seems at least possible that Teresa will learn that Rios is from the future. This would see her stand alongside characters like Voyager’s Rain Robinson and Dr Gillian Taylor from Star Trek IV, and it could be a fun twist for the character. As a native of 21st Century Los Angeles, Teresa could be a valuable asset to the team as they try to stop the timeline from being shattered.

Theory #9:
Q is approaching the end of his life.

Q trying to “snap.”

Did Q’s powers fail him at the end of Watcher? If so, could that be another indication that Q is perhaps coming to the end of his life? There’s clearly something different about Q; Picard told us as much in Penance. But why Q has become so seemingly angry, and why he’s choosing to direct that anger toward Picard, remains a mystery.

The assumption has always been that Q is timeless and immortal – but that may not be the case. Whether through natural or unnatural means, perhaps the reason for Q’s belligerence – and his inability to use his powers at key moments – is that he’s dying.

So those theories are new or saw movement this week.

Now, as always, I’ll recap all of the other theories that I currently have in play. None of these saw any significant development this week, but they remain possibilities, at least in my opinion!

Theory #10:
The Watcher will be aware of Sisko and the USS Defiant in this time period.

Captain Sisko in Past Tense.

I’m not expecting to see Sisko or anyone else from Past Tense appear in person! But maybe when Picard and the crew inevitably meet the Watcher, they will make reference to or acknowledge that the USS Defiant has also passed this way. It would be a fun little connection to Past Tense, and just because we’ve seen references to things like UHC cards and Sanctuary Districts, that doesn’t mean there isn’t room for another line or two of dialogue to tie Picard to Deep Space Nine!

Theory #11:
Seven of Nine will choose to remain in 2024.

Seven of Nine in Los Angeles.

For the first time in her life, Seven of Nine is feeling a sense of freedom. Not only is she free from her Borg implants, changing the way she looks, but she’s also unencumbered by her Borg past. No one she meets in 2024 will be aware of the Borg, and she’s clearly enjoying the way that makes her feel.

In The Star Gazer, Seven spoke to Picard about feeling judged by the ship’s crew – and in a broader sense, by practically everyone in the 25th Century. Her Borg past is a hurdle for her; she feels the weight of unspoken criticisms and judgements made against her. Her Borg implants are the biggest physical manifestation of this, but the fact that most people she meets in the 25th Century know who she is and where she came from is a burden – one she no longer feels in 2024.

With that in mind, could Seven choose to remain behind when Picard and the crew of La Sirena are ready to leave? Even if she’s ultimately talked out of it (or even forced out of it), I wonder if she’ll try to stay in the past.

Theory #12:
Elnor will be restored to life when the crew returns to the 25th Century.

Raffi believes that restoring the timeline could save Elnor.

The decision to kill off Elnor so early in the season certainly succeeded as a shocking story point… but I’m not so sure he’ll stay dead. Is Raffi’s belief that restoring the timeline will save his life something that the series has carefully set up so it can be paid off later? Or was it simply part of her reaction to his death; the bargaining stage of the grieving process? I’m not sure!

Elnor is a character who had potential – the first Romulan to be a main character on a Star Trek series (or the second, after Narek) and the first Romulan to enlist in Starfleet. If the Star Trek franchise were to stick around, I could happily follow his adventures as a Starfleet officer over the course of several years, giving him an arc somewhat comparable to someone like Tilly in Discovery, growing into his new role.

But Elnor is also a character who was underused in Season 1, and the decision to make him a Starfleet cadet at the beginning of Season 2 was only the beginning of a new arc for him. His death didn’t hit as hard as it could’ve because we don’t know Elnor very well – and I wonder if that could be a reason to bring him back later in the season.

Theory #13:
Soji exists in the Confederation timeline – but she’ll look very different.

Could Confederation timeline Soji resemble Sutra?

This is the other theory that’s officially on its last legs! If we don’t get back to the Confederation timeline, we’ll have to remove this from the list. However, I think it’s possible that, if Soji existed in the Confederation timeline, she wouldn’t look the same as she does in the prime timeline. That’s based on how synths like Harvey appeared, as well as the generally different aesthetic present in that setting.

Unless someone stashed a deactivated or disassembled Soji aboard La Sirena, though, it seems like we’re not going to find out any time soon. Soji has been absent for two episodes now, and I’m really not sure what’s going on there. The season premiere set her up in a role that took her far away from Picard and the rest of the crew; it’s possible that she may not reappear until they return to the 25th Century, and even then, she may not have a huge role to play.

Theory #14:
The loose ends from Season 1 will be tied up.

Will we learn more about the super-synths?

The Star Gazer already crossed off two things from the list of Season 1 leftovers! Dr Jurati’s legal status was clarified, as was her relationship with Captain Rios. There are still a number of points that I’d like to see addressed before the season ends, though, as Season 1 unfortunately left quite a lot of story on the table thanks to a rushed and underwhelming finale.

Here are the main ones:

  • What will become of the synths on Coppelius, and will they have to be relocated for safety?
  • Did Starfleet attempt to visit Aia and shut down the beacon at the centre of the Zhat Vash’s prophecy? Leaving it out in the open seems dangerous.
  • Will Starfleet contact the super-synths and attempt to make peace or convince them that they pose no threat?
A crowd of synths on Coppelius.
  • Why did Bruce Maddox go to Freecloud?
  • With the Zhat Vash plot exposed, what will become of their crusade against synthetic life?
  • Did Federation-Romulan relations suffer as a result of the Zhat Vash’s attack on Mars and attempted attack on Coppelius?
  • What happened to Narek after he was captured by the Coppelius synths?
  • Who controls the Artifact and what will happen to the surviving ex-Borg?

Theory #15:
The Borg Collective was badly damaged in the Voyager episode Endgame and has been unable to recover.

Dr Jurati decoded the Borg message in The Star Gazer.

In The Star Gazer, it seemed as if the Borg Collective was reaching out, asking the Federation – and Picard specifically – for help. If so, the question is why? Was it just a shallow ploy to launch another attack on Starfleet? Or is there at least a degree of truth to the Borg’s request?

Endgame, the final episode of Voyager, depicted a time-travelling Admiral Janeway introducing a neurolytic pathogen – a type of virus – into the Borg Queen, seriously damaging her, her base of operations, and several Borg vessels in the vicinity. Because the Borg hadn’t been seen since – until The Star Gazer, that is – we never got to learn just how deadly Admiral Janeway’s actions were.

Admiral Janeway in Endgame.

I’ve always assumed that the Borg Collective is vast enough, powerful enough, clever enough, and most importantly adaptable enough that Admiral Janeway’s actions weren’t going to strike a fatal blow. Whatever damage she had done seemed like something the Borg could eventually fix – and their existence 25 years later during the events of The Star Gazer seems to prove that. The Borg’s technology and weapons are still streets ahead of anything Starfleet has at its disposal… but even so, it’s still possible that the Borg are on their last legs facing defeat.

If that’s the case, maybe we’ll discover that it was Admiral Janeway who’s responsible – that her actions in Endgame are either wholly or partly to blame for the Borg’s weakened state. Dr Jurati seemed to know that the Borg Collective isn’t as strong as it once was, so that could be another clue pointing to this theory.

Theory #16:
The season will end on a cliffhanger.

Because Seasons 2 and 3 went into production back-to-back, that made me wonder if they might form one continuous story – or if the final act of Season 2 might set up the story for Season 3. Star Trek has a long history of season-ending cliffhangers, such as The Best of Both Worlds in The Next GenerationEquinox in Voyager, and Such Sweet Sorrow in Discovery, to give just three examples.

Something in The Star Gazer could be relevant, though. If the story we’re going to see is all about restoring the correct timeline and undoing whatever damage has been done, then assuming Picard and co. succeed in their objective… won’t that place them back on the bridge of the Stargazer just as it’s about to self-destruct? If that’s the case, maybe it won’t happen this season and will instead be the finale of Season 3, with Season 2 ending on a cliffhanger at the story’s halfway mark.

Theory #17:
By restoring the timeline, Picard – and everyone aboard the Stargazer – will die.

The USS Stargazer self-destructs.

As far as we know based on what’s been teased and shown off in various clips and trailers, a big part of the storyline this season will be undoing whatever damage was done in the 21st Century and restoring the true timeline. But if that happens, and the timeline is fully restored, that means that Picard, Captain Rios, Dr Jurati, and Seven of Nine will be on board the USS Stargazer when it self-destructs. Raffi and Elnor will be aboard the USS Excelsior in the same moment – and their ship could be destroyed as well.

If this story turns into a two-season arc, perhaps the final episode of Season 3 – which is going to be the end of the series entirely – will see Picard and the crew restore the timeline, only to spend their final seconds aboard the Stargazer before it’s destroyed. This would be a bittersweet ending – to say the least!

Theory #18:
The USS Stargazer will make an appearance.

The original USS Stargazer.

Okay, technically the USS Stargazer has already appeared, but not in the way I expected! Captain Rios is (or was) in command of a new USS Stargazer, and not only that but he had a model of the original vessel in his conference room! So that’s it. Theory confirmed, everybody can move on to the next one!

Just kidding. The inclusion of a brand-new USS Stargazer brings the ship and its legacy back to the fore. Picard himself commented in The Star Gazer that the original vessel was his first command, and as far back as Season 1 we had a reference to his time in command through the character of Dr Benayoun. All of these things could be leading to some bigger role for the original USS Stargazer – and with a story that seems to include time travel and a strong focus on Picard’s own personal history, a flashback or even a visit to the ship could be on the agenda!

Theory #19:
The Federation is responsible for creating the Borg.

A rather incredulous-looking Borg seen in The Next Generation.

This is a total wildcard, but I’m just throwing it out there!

The Borg Queen – and the Borg in general – appear to have a fascination with humanity and with Picard. Could it be that the explanation for that is that the Federation and/or humanity are somehow responsible for their creation? With time travel on the agenda, it’s not impossible to imagine a scenario in which the progenitor of the Borg – perhaps even the Queen herself – is able to travel back in time, founding the Collective.

Nanites used by the Control AI.

The idea that the Federation is responsible for creating its own worst nightmare could be an interesting one if executed well, as could the cyclical nature of such a story. It would have to be handled in just the right way to avoid treading on the toes of previous Borg stories, but it feels like a lot of the pieces exist for this theory to seem plausible. The return of the Borg, the inclusion of Q, and even the talk of Picard and humanity needing to pay a “penance” could all be connected.

Discovery Season 2 ran a story with the Control AI that could have also been a Borg origin story. Was it known as early as 2018-19 that Picard wanted to tell a story like this, and if so, could that explain why the Control storyline ended the way it did? I have a write-up of Discovery’s abandoned Borg origin story that you can find by clicking or tapping here.

Theory #20:
At least one character from The Next Generation will make an appearance.

The cast of The Next Generation in Season 1.

With the return of Guinan and Q, as well as Voyager’s Seven of Nine, there are already a lot of returning characters in Picard Season 2! But that doesn’t mean that there isn’t room for a well-placed cameo or two, or even an episode like Season 1’s Nepenthe that steps away from the main story to revisit classic characters. We could even have a bit of fun with some alternate timeline versions of them!

There are so many characters from Star Trek’s past that I would love to spend more time with; listing them all here would be impossible! But if Picard is to end with Season 3, as some outlets have been reporting, it would be fantastic if the crew of The Next Generation could reunite one last time.

I have a list of possible character crossovers that I wrote back in 2020, before we got to see any teasers or trailers, and you can find it by clicking or tapping here.

Theory #21:
Romulans are spying on Earth in the 21st Century… and could be time-travelling Zhat Vash.

A young boy encounters a Romulan or Vulcan.

In the third trailer, a young boy wearing what seemed to be 21st Century clothing was seen encountering a Romulan or Vulcan. If the Zhat Vash are involved in the new season’s story somehow, perhaps this individual is a Zhat Vash operative. This could confirm that the Zhat Vash were able to travel through time, or send a message back in time to their 21st Century counterparts. The Romulans had achieved interstellar flight centuries earlier, so travelling to Earth to spy or place operatives seems plausible for them.

Of all the scenes we’ve glimpsed so far from Season 2, the one with the young boy and the Romulan or Vulcan is the one that I’m least sure about! It doesn’t seem to fit naturally into a story about the Borg, Q, and time travel… but this is one theory that could make sense, and would connect to the theory above about Q not being to blame.

Theory #22:
The Vulcans are on Earth in the early 21st Century… as stated in Discovery Season 4.

A meeting of senior Federation and allied officials in Discovery Season 4.

Another theory about the unnamed Romulan or Vulcan is tied into the Discovery Season 4 episode The Galactic Barrier. This could easily be a complete overreaction to a throwaway line, but at the beginning of the episode, the enigmatic Federation leader Dr Kovich stated that Vulcans were on Earth for decades prior to official first contact taking place.

This one line could be a reference to Carbon Creek, an episode of Enterprise that saw Vulcans crash-land on Earth in the 1950s. But the timing seems odd given the scene glimpsed in the Picard Season 2 trailers! If the character seen above is a Vulcan, perhaps there will be a connection of some kind between Discovery and Picard.

Theory #23:
Picard and the crew will have to actively trigger World War III to save the future.

World War III soldiers as glimpsed in Discovery Season 2.

Although the Bell Riots are the main event of 2024 that we know about in Star Trek’s internal timeline, the 21st Century was arguably dominated by another event: World War III. The war may have kicked off as early as 2026 (as suggested in The Original Series) and concluded by the mid-2050s as seen in First Contact. The “post-atomic horror” that followed was the backdrop for Q’s trial in Encounter at Farpoint.

World War III is integral to Star Trek because without it, it’s hard to see how warp drive would’ve developed and how humanity would’ve made peaceful first contact with the Vulcans. Just like the end of the Second World War brought about major technological and societal changes that ultimately made the world a better place, Star Trek’s World War III is integral to the events that led to the founding of the Federation. If it were prevented, the timeline would change dramatically.

So my theory is that the point of divergence is the outbreak of World War III – meaning that it will fall to Picard to trigger one of the worst wars in human history in order to save the future. Talk about a moral dilemma! You can find a full write-up of this theory by clicking or tapping here.

Theory #24:
The Confederation is run by augmented humans.

Who is Adam Soong, and could he be responsible for creating genetically engineered humans?

Another theory that may not go anywhere now we’ve left the Confederation timeline, but I wonder if we’ll learn more as Brent Spiner’s new character is introduced. In short, the Soong family had a long association with genetic engineering – so I wonder if one of the points of divergence leading to the creation of the Confederation timeline could be the introduction of genetically augmented humans. “Super-men” like Khan were given enhanced strength and intelligence – but also enhanced ambitions. Khan set out to conquer the planet… could the Confederation timeline be one in which someone like him succeeded?

I’d have expected to see some evidence for this theory in Penance if it were true, but because we’re yet to meet the Watcher, Brent Spiner’s new character, or really learn anything about the divergence in time, I think it remains a possibility.

Theory #25:
There will be a connection between the augments and Strange New Worlds.

One of the few things we know about Strange New Worlds at this early stage is that there will be a character named La’an Noonien-Singh. This new character seems to be related in some way to the iconic villain Khan, and if Khan or Khan-inspired augments play some kind of a role in the Confederation’s power structure, perhaps that will set up a connection – or even a crossover – between Picard Season 2 and Strange New Worlds.

Theory #26:
Q is not responsible for changing the timeline.

Q hit Picard!

This theory is definitely feeling less and less likely… but as of Assimilation, the role Q has actually played in what happened is still not certain. The events of the past couple of episodes can certainly be interpreted as Q being the one who deliberately and willingly changed the timeline, and that’s certainly the assumption that Picard has made. However, Q himself didn’t admit responsibility, and while he certainly knows a lot about the Confederation timeline, there may be more going on than we’re currently assuming.

Given the more angry, aggressive presentation of Q that we saw in Penance, what would his goal or objective be if he changed the timeline? It doesn’t seem as though he’s setting up a puzzle for Picard to solve, and if he wanted to punish him for some perceived slight or wrongdoing, would this be how he’d do it? I can think of a million-and-one creative ways that a being with Q’s powers could punish or torture someone, and changing the timeline in a way that could be fixed, while also ensuring Picard could find his friends, doesn’t seem like the best option from Q’s point of view.

Q at the vineyard in Penance.

Someone like Q doesn’t make for a good villain from a storytelling perspective, either. Q’s powers would essentially mean that he could undo any victory that Picard could hope to win – he could fling them forwards in time if they approached the 2020s, for example, ensuring they would never be able to undo whatever changes had been made. Or Q could snap his fingers and leave the crew isolated on a desert island with no way to escape. In short, Picard was able to solve Q’s previous puzzles because Q allowed him to – or wanted him to. If Q really wants to change the timeline to punish Picard, there’s less than nothing Picard could do to stop him.

I have a longer article that goes into more detail about this theory that I wrote before the season premiere, and you can find it by clicking or tapping here.

Theory #27:
Q shielded Picard and the crew from changes to the timeline.

Q in General Picard’s study.

One way in which Q could be involved would be to have protected Picard – and his new crew – from changes to the timeline. There are many reasons why he might do this, and it could apply regardless of whether Q changed the timeline himself or not. If the entire timeline has been changed going back centuries, there has to be a reason why Picard and the crew of La Sirena are seemingly the only ones unaffected – and one explanation for that could be “Q’s magic.”

This would be in line with how we’ve known Q to operate. Episodes like Tapestry and All Good Things saw him use his powers to place Picard in an alternate life while retaining his original memories, and to move between three different time periods. Such a power is something we know Q can use, and it would explain two key things: how Picard and the crew of La Sirena remained unaffected, and how Q is involved in the story.

Theory #28:
Who is responsible for damaging the timeline, then?

Did the Borg do it?

If Q isn’t the one who changed the timeline, the obvious question that raises is “who did it?”

In theory, it could be any one of a number of different Star Trek factions. We’ve seen the Klingons having access to time travel in the early 25th Century, for example, in the Voyager episode Endgame, and various time travel stories and stories depicting powerful alien races could all theoretically yield suspects. But considering what we know about Star Trek: Picard specifically, in my view the main suspects are as follows:

  • The Borg. The Borg could be one of the season’s main antagonists after their emergence in The Star Gazer, and we’ve seen in past iterations of Star Trek that they can travel through time.
  • The Zhat Vash. While the Zhat Vash may not have been shown to possess time travel tech, they were the primary antagonist last season, and arguably were not defeated in the Season 1 finale.
How about the Zhat Vash?
  • The super-synths. The super-synths from the Season 1 finale are a wildcard; we don’t know much about them except that they seem to be technologically powerful. Travelling back in time might be on their agenda – but erasing the prime timeline could result in the erasure of the Coppelius synths.
  • The Romulan government or the Tal Shiar. With or without the support of the Zhat Vash, the Romulan government could have taken action against the Federation in response to the events of Season 1.

There are undoubtedly other Star Trek factions who could be implicated, and if we had a free choice we could suggest the likes of the Dominion or the Sphere-Builders. But I think those are far less likely when considering the elements Picard has brought on board.

Theory #29:
The Q Continuum has been attacked.

The Q Continuum, as seen in Voyager.

What’s wrong with Q? That was a question Picard asked that went unanswered in Penance, but there’s clearly something different about Q this time. Though at times he has the same impish charm that we remember from his earlier appearances in the franchise, at other moments he seemed incredibly angry – even hitting Picard at one point.

Perhaps there’s something going on in the Q Continuum – the Continuum could have come under attack, for example, and Q could be one of the few survivors. If something that Picard did or didn’t do is partly to blame, that could explain Q’s antagonistic behaviour.

Though the Q Continuum and the Q species seem god-like from our perspective, it’s not impossible to think that someone found a weakness to exploit. Could it be the Borg, perhaps? Q’s anger could stem from the fact that Picard didn’t do enough to stop them.

Theory #30:
Q is angry with Picard for “giving up.”

Grumpy Q.

Over the course of The Next Generation, Q took a particular interest in Picard. More so than anyone else, Q seemed to see potential in Picard as a representative of the human race, someone who potentially showed him what humanity could be… with a little prompting and guidance. Q seemed fascinated by that idea, so seeing Picard’s fall from grace may have shocked him and left him feeling disappointed and bitter.

Picard spent more than a decade away from galactic affairs, retiring to his vineyard and seemingly just waiting around to die. Someone like Q might take that personally; he might feel that Picard was not living up to the potential he had. Perhaps Picard’s absence had some kind of unknown consequence, something that harmed Q or the Q Continuum. In any case, Q’s animosity to Picard seems to be personal – could disappointment at Picard’s attitude in the years prior to Season 1 be the cause?

Theory #31:
The Borg are aware that Picard is now a synth – and his synthetic status is part of the reason why they waited until now to make contact.

Picard awakened in a new synthetic body in Et in Arcadia Ego, Part 2.

As mentioned above with Soji, the timing of the new Borg incursion is interesting, especially considering that they asked for Picard by name. Are they aware of his newfound synthetic status? And if so, could Picard’s transition to a new synthetic body be the reason why the Borg chose to launch their attack?

The Borg seek “perfection” through a synthesis of organic and synthetic components, and while Picard’s new synthetic body is a far cry from the Borg drones we’ve seen, the idea of an organic mind in a synthetic body isn’t a million miles away from that same basic idea. Although Picard’s body was said to be comparable in practically every way to his original one, synthetics can have enhanced abilities that allow them to easily overpower humans – and, as we’ve seen with Data on more than one occasion, they can outmatch individual Borg drones as well.

A Borg drone losing a fight against Data.

Perhaps the Borg want to re-assimilate Picard now that he’s synthetic. If the Collective is still reeling from the damage inflicted upon it by Admiral Janeway or if they’re on the losing side of a war, perhaps they hope to use fully-synthetic bodies like Picard’s to replace damaged or destroyed drones, or as cannon fodder on the front lines. There are many reasons why the Borg might be interested in synthetic technology, and that could explain their re-emergence.

Even if the Borg don’t plan to assimilate Picard or the Coppelius synths, the timing of their appearance is certainly interesting and there could be a connection.

Theory #32:
The Borg ship from The Star Gazer crossed over from the Confederation timeline.

The Borg vessel identified as “Legion.”

As far as we know at this stage, the Confederation timeline replaced the prime timeline thanks to someone or something changing the past. But timelines and parallel universes often go hand-in-hand in Star Trek, and after we learned about the Borg’s defeat in the Confederation timeline, I wonder if their ship from the season premiere might have found a way to punch through or cross over into the prime timeline.

If the Borg were facing defeat, as their message seemed to suggest, perhaps that could explain why. Also, the anomaly that the ship emerged from was not a typical transwarp conduit; we’d seen transwarp corridors as recently as Season 1. Finally, the Borg Queen of the Confederation timeline was aware of Picard and the history of the prime timeline – perhaps the Confederation timeline Borg knew of the prime timeline and this was a last-ditch effort to survive.

Theory #33:
The Borg are fighting a war – and they’re losing.

The Borg vessel using its transporter-weapon on the USS Stargazer.

Possibly connected to the theory above, one explanation for the Borg’s message and appearance in The Star Gazer is that in the prime timeline the Collective has found itself on the losing side of a war. Penance told us that the Confederation had been able to defeat the Borg using technology that Dr Jurati believed was roughly equivalent to the Federation’s in the prime timeline – so clearly it’s possible to fight and beat the Borg.

Could mentions of Gul Dukat or Martok in Penance be hints at something to come later in the story? Both characters were major players during Deep Space Nine’s Dominion War arc; maybe the Cardassians and/or the Dominion have been aggressively attacking the Borg in the late 24th Century. The other big culprit is the Confederation – assuming that it’s possible for the two timelines to mix!

Theory #34:
The mission back in time won’t last all season.

Los Angeles, 2024.

There’s still a lot of the season remaining for Picard and the crew to figure out what happened and repair the damage to the timeline. Perhaps this is as much a wish as a theory – time travel stories that visit the modern day have never been my favourites in Star Trek – but I wonder if there could be something truly unexpected coming afterwards.

With Q involved in the story, he could send Picard and the crew to another alternate timeline or parallel universe, for example. Or after the timeline is repaired, we could see Picard and the crew engage in a battle against the Borg – we still don’t know what was going on with the new Borg Queen and the Legion ship from The Star Gazer. In short, there are many different ways that the season could go after a jaunt to the past.

I’d also point out that, aside from a few clips from the 21st Century, the first two episodes of the season seem to have included most of the clips from pre-season trailers and teasers, which could mean that the latter part of the season is hiding something big!

Theory #35:
Picard and the crew will have to prevent Donald Trump’s re-election.

The White House.

So if you’re new here, you’re probably thinking that I’ve officially lost my marbles. I totally have, by the way, but that’s incidental. When I write up my theories, I like to include some real left-field ones if I think of them. It’s fun, and while this theory would certainly be something completely different, Picard as a whole has been a different kind of Star Trek show. So why not court controversy and bring a real-life political figure into the story?

Q explained to Picard that one of the differences in the Confederation timeline is that Earth failed at preventing climate change, instead finding ways to paper over the cracks. Donald Trump’s energy policies were very pro-fossil fuels during his tenure, and he’s a known climate change “sceptic.” Secondly we have the date that Picard and the crew have travelled to: 2024. That’s the date of the next United States presidential election – an election in which Donald Trump is rumoured to be a candidate.

So could it be that the point of divergence that started the Confederation timeline and ruined the entire Star Trek galaxy is… Donald Trump’s election as president?

So that’s it!

The punk on the bus.

Those are the theories that I currently have in play as the season edges closer to the halfway point. I’m enjoying what Picard Season 2 has to offer, but in truth I’m also quite ready for the story to move on from the 21st Century. There seems to be a lot going on in the 25th Century with the Borg, and I’m also quite interested to catch up with Soji, to learn more about the Confederation timeline, and see if there’ll be time to find out what became of Narek and the Coppelius synths! There’s a lot I’d like to see from Picard… but I’m content to go along for the ride.

I always like to end these theory lists by saying that I do this just for fun. I enjoy writing, I enjoy Star Trek, and spending more time in this world is an escape and an enjoyable distraction. But for some folks, fan theories can be frustrating or unenjoyable, especially if they get very attached to a plausible-sounding theory that ultimately doesn’t pan out. I have no “insider information” and I’m not trying to claim that anything suggested above can, will, or must be part of Picard Season 2. I fully expect many of these theories to be debunked and for the season to go in wildly unpredictable directions!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 2, Episode 4: Watcher

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next GenerationVoyagerFirst Contact, and Discovery.

For me, Picard Season 2 had been coasting on the incredible high that the season premiere delivered. Now that we’ve hit the fourth episode of the season – almost halfway through – I felt the quality dip ever so slightly, dropping down from an incredibly strong start. That’s not to say I didn’t have an enjoyable time with Watcher it’s week, but rather that Picard Season 2 has begun to settle into its time travel story.

As I said a few months ago when looking at one of the pre-season trailers, stories involving time travel to the modern day have never been my favourites in Star Trek. In addition to the omnipresent problem of crafting a time travel narrative that makes sense and doesn’t rely on paradoxes or other contrivances, I really just feel that a big part of what makes Star Trek so appealing – its optimistic, high-tech future – is missing. Watcher gave us glimpses of that thanks to the scenes set aboard La Sirena, but the bulk of the story took Picard, Raffi, Seven, and Rios to contemporary Los Angeles. It told an interesting story – one that, as a mid-season episode, we’ll have to reserve judgement on aspects of until we know how storylines unfold – but one that was constrained by that setting, at least for me.

An establishing shot of modern-day Los Angeles.

For the first time this season I felt that Picard was in a rush. There were a couple of significant moments early in Watcher that seemed to be raced past in a flash, despite the fact that we’d realistically expect them to take longer. The first was Seven, Raffi, and a nurse from Teresa’s clinic being able to identify Rios from an incredibly vague description, and the second came a few moments later when Picard and Dr Jurati figured out that they only had three days to avert a change to the timeline.

In both cases, a longer episode (or a longer season) could’ve spent just a little more time to help these points unfold naturally. The idea that the nurse would’ve been able to figure out that Seven and Raffi were talking about Rios from the description of a “scruffy” man is ridiculous considering the clinic’s clientele. And when it came to Dr Jurati and Picard, the concept of subconsciously drawing on a particular number was interesting – but the rushed pacing meant it felt poorly-executed and underdeveloped. I certainly had a hard time buying that they’d been able to hit on the solution to that particular puzzle within literally a minute of exploring it. In the days of The Next Generation, when seasons were longer, that could’ve been almost an entire episode!

Seven of Nine and Raffi visited Terea’s clinic… briefly.

There’s another thing I’m struggling to follow on this side of the story, too: why is the Borg Queen suddenly being so evasive and unhelpful? She agreed to help Picard travel back to the 21st Century in order to repair the timeline – a timeline which saw the Borg wiped out in a way that I sincerely hope we find out more details about. She needs the timeline to be repaired as much as they do; their motivations are the same even if this is merely an alliance of convenience. Yet after crash-landing in the 21st Century – and, if Picard and Dr Jurati are correct, with merely three days to spare in order to prevent the divergence in time – the Borg Queen suddenly stopped being helpful and even tried to hide the Watcher’s location and the date of the divergence. Why?

At the moment it seems to be that the answer is “because plot,” and that’s just not very satisfying. If she had told Picard and Dr Jurati where, when, and how to meet the mysterious Watcher, half the plot of Watcher could’ve been skipped. It isn’t that the narrative in question was bad or unenjoyable, it’s just that it feels so very flimsy. A single question about one character’s behaviour or motivation is enough to send the whole house of cards tumbling down – and as someone who’s invested in the story of Picard and the world of Star Trek, I prefer to see stories with rock-solid foundations!

The Borg Queen in Watcher.

Leaving one person alone with the Borg Queen – especially Dr Jurati after her experience last week – seems like a very bad idea! I’m certain that this is setting up something that will be paid off later; their evolving relationship seems to stand as testament to that. In fact, the dynamic between Dr Jurati and the Borg Queen is rapidly becoming one of my favourite parts of the entire season – the way they tease one another, talk around and over each other, and betray each other’s trust is absolutely riveting to watch.

Alison Pill has brought a lot to the character of Dr Jurati, managing to successfully balance a character who has a definite comedic edge and light-heartedness with some incredibly deep and complex storylines. We saw in Season 1 how Dr Jurati was the brainwashed sleeper agent; an embedded spy who used her closeness to Picard to kill her friend and sometime lover Dr Maddox. That almost led her to suicide in one of Season 1’s most painfully raw sequences.

Dr Jurati in Watcher.

This time around, Dr Jurati is staring down one of the biggest villains in all of Star Trek: the Borg Queen. She’s allowing the Borg Queen to get inside her head – literally and figuratively – and while this week we saw that she still has the capacity to lie, hide things from the Borg Queen, and use her skills to her advantage, there’s a very real sense that the mask is slipping. With the two of them alone – potentially for days or longer – the Borg Queen could continue to push Dr Jurati and find an angle to successfully manipulate her.

Perhaps we’ll have to save this for my next theory post, but I wonder if there could be a catalyst for setting off this conflict. So far, in the time that’s passed since La Sirena arrived in the 21st Century, no one from that era has noticed the crash site… but could it be possible that someone is already on the way? We saw in one of the pre-season trailers a pair of characters who seemed to be in the early stages of assimilation; if someone noticed La Sirena’s crash landing, could police or military forces be en route? If so, perhaps Dr Jurati will have to team up with the Borg Queen to keep La Sirena out of their hands.

Who’s this chap that we glimpsed in a pre-season trailer?

Perhaps part of the reason why the scenes set aboard La Sirena felt so fun was because they were the only scenes in which Star Trek’s futuristic technology was centre-stage. As mentioned, time travel to the modern day may be a typical Star Trek story setup going all the way back to the first season of The Original Series… but these kinds of stories seldom end up as my favourites, personally speaking. Taken as a one-off episode or a two-part story, back in the days of longer seasons, I generally found the setup to be inoffensive enough, but as we’re settling into the 21st Century now, with everyone except Dr Jurati now firmly embedded on that side of the story, I’m getting the sense that the limitations of that setting are beginning to bite.

The “fish-out-of-water” side of sending 25th Century characters back in time was on full display as Seven of Nine and Raffi attempted to track down Rios, and that was certainly fun for a while. Their sequences in the stolen police car started off feeling exciting, particularly as Seven had to figure out how to drive a vehicle that she’s inherently unfamiliar with, but overall I felt that it probably ran a little too long. Once the basic concept had been shown off – that Seven of Nine is driving a stolen police car – there wasn’t really much more for that sequence to say; both metaphorically and literally, it didn’t go anywhere.

Grand Theft Auto: Star Trek edition.

For a crew who were warned about “butterflies” and the need to be incredibly careful about preserving the past, they certainly seem to be making a scene in 2024! Beaming Seven and Raffi out of the police car in broad daylight when they could be seen by at least one police officer feels like an incredibly risky move. I guess this side of the story is also considering the impact of Raffi’s grief about Elnor and how that could be impairing her judgement; it felt like we came close to a more detailed look at that concept but didn’t quite get there this week. Maybe it’ll be something that builds up over a few episodes before being talked about more openly and coming to a resolution.

For the first time since Elnor’s death, I got a sense that it could be more permanent than I’d initially thought. Raffi’s single-minded insistence that restoring the timeline will save him, and her unwillingness to even contemplate the possibility that it won’t, feels like a storyline that could end with her having to confront the reality that Elnor is really gone. Star Trek loves using technobabble to save the day – and that could still happen, don’t get me wrong – but if we consider Elnor less as a character in his own right and as more of a motivating factor in Raffi’s arc this season, he could well be permanently dead.

Raffi is convinced that Elnor can be saved.

Speaking of characters who seem to have been written out of the show – at least in the immediate term – where is Soji? I’m genuinely surprised that we’ve now had three episodes (out of a ten-episode season, remember) where she hasn’t appeared, and that comes after a blink-and-you’ll-miss-it role in the season premiere that didn’t actually have a significant impact on the story. Are we going to see Soji at all this season, or will she perhaps cameo in the season finale to bookend things?

Considering Soji’s incredibly central role to the events of Season 1, it seems more than a little odd that Season 2 has gone in this direction. I felt that there was scope to see Soji in the Confederation timeline, and perhaps we will if we ever revisit that setting, but so far her absence has been noticeable. The fact that none of the other characters have so much as mentioned her by name hammers this home, too. Depending on how long the mission to 2024 lasts, there’s still time for Soji to have an impact on the story later on… but that prospect feels like it’s shrinking the longer the season remains in this time period.

We haven’t seen Soji since the season premiere.

But enough about who wasn’t included this week! There was a returning character that I would never have expected to see in a million years: the punk on the bus! This character made an incredibly unexpected yet welcome return from Star Trek IV: The Voyage Home, and actor Kirk Thatcher reprised his role from that film. I honestly couldn’t stop smiling at seeing him again; this nod and wink to longstanding Trekkies was absolutely appreciated!

This is something that Picard has done really well even going back to Season 1. Bringing back characters and including little references and nods to the history of the franchise goes a long way to making the series feel connected to the rest of Star Trek. I would have never expected to see the punk on the bus from Star Trek IV make a return in Picard – and that’s what made it so special. I was grinning from ear to ear after this wonderful and unexpected scene, even more so because he seems to have learned a valuable lesson after his run-in with Kirk and Spock in 1986!

The best character surprise in all of modern Star Trek!

There are some things in Star Trek (and film and TV in a general sense) that I’ve never felt needed explaining. Why do characters look different in different iterations of the franchise, for example? The fact that certain characters have been recast – as Guinan was in Watcher or as the entire cast of The Original Series were for the Kelvin films – has honestly never been something that bothered me, and as a viewer I think a degree of leeway has to be offered when suspending our disbelief in these circumstances. It was possible to digitally de-age John de Lancie for his initial appearance as Q – and that moment was absolutely fantastic. But to digitally re-create a younger Whoopi Goldberg for Watcher would’ve either meant Guinan’s role in the story needed to be cut down, or it would’ve been phenomenally expensive to have a CGI character in all of these scenes.

In light of the way the Star Wars franchise has handled the return of some of its classic characters (too many, if you ask me) I can already anticipate that there will be some Trekkies who want to see Star Trek do the same; to use CGI and digital techniques more gratuitously in some of these circumstances. Personally, I don’t think it’s something that’s necessary – and as long as the newly-cast actor bears a passing resemblance to the original character, I’m more than happy to continue to suspend my disbelief! It’s worth remembering that Star Trek isn’t backed up by Disney-level money; some of the technologies that Star Wars can afford to use are very expensive, and I’d rather see the Star Trek franchise use its money more wisely rather than rely on digital gimmicks.

Guinan’s new look.

Speaking of things that are unnecessary: did we really need Watcher to explain why Picard has a British accent despite being from France? After 35 years and close to 200 appearances, are we not just happy to accept that that’s the way Picard talks? Again, it’s something that honestly never bothered me and I hadn’t even thought about – except in a very tongue-in-cheek way, perhaps.

In this case, it was partially an explanation for why Château Picard is abandoned in the 21st Century, and I appreciate that the writers didn’t just leave that unexplained. I just feel like there was an unnecessary attempt to tie in an aspect of Picard’s past with the way Sir Patrick Stewart speaks, and I’ve just never felt that it was a contradiction in the character of Admiral Picard in the first place, let alone one that needed to be given an in-universe explanation. Characters like Geordi La Forge or Hoshi Sato also don’t speak with the accents we might typically expect to hear in contemporary times from people born where they supposedly were, and again it’s never felt like a contradiction or something that begged an explanation.

Picard and Dr Jurati at the abandoned Château.

On Rios’ side of the story we got perhaps the smallest tease that we haven’t seen the last of Teresa. I inferred from her parting words to Rios that we might see her again. I didn’t really like the way that Rios told his life story to the prison guard; I didn’t see what the point was, other than presumably setting up some kind of contradiction or problem that might be referenced later on. It just felt unnecessary for him to tell the story of the Stargazer, Picard, and the 24th Century in this kind of strangely angry way. I get that Rios was feeling angry after seeing the injustices of 2024, but this doesn’t seem like a natural way for him to react.

I’d like to see something from Rios going forward to at least acknowledge the Stargazer; ever since being transplanted into the Confederation timeline he seems to have basically ignored or forgotten what happened. He’s the captain, and the crew under his command should be one of his top priorities, so to have not even so much as mentioned any of them for several episodes feels a little odd – and it’s beginning to erode Rios’ standing as a Starfleet captain. Even just a line or two of dialogue to say that he hopes restoring the timeline will mean they’ll be okay would do so much to alleviate this.

Rios on a bus.

The way Rios must be feeling about the crew of the Stargazer could also set up a connection between him and Raffi. The two characters have hardly said two words to each other for several episodes, yet the weight of responsibility and the sense of grief and loss that both must be feeling could be a way for them to connect. It seems, though, that Seven of Nine and Raffi are dealing with that particular storyline.

The story about illegal immigration and police brutality that Rios is involved in is a timely one, though, and one absolutely worth telling. There was some incredibly evocative cinematography from director Lea Thompson on this side of the story, with shots of Rios framed through the wires of the cage detaining him that really hit hard. As a non-American I fear some of the nuances of this story are lost on me, but many of the themes it touches on can apply here in the UK as well, unfortunately.

A caged Captain Rios.

It took me a moment to figure out why Guinan wasn’t familiar with Picard when he arrived at her bar. In-universe, Picard remembers the events of the episode Time’s Arrow, in which he met Guinan for the first time in the 19th Century. But because the timeline has been damaged, the 24th Century as we know it didn’t happen, which presumably means that the Confederation timeline version of Picard didn’t travel back to the 19th Century and never met Guinan. Time travel stories can be complicated, huh?

I enjoyed what Ito Aghayere brought to the role of Guinan. She played the character with a kind of world-weariness that I think a lot of us can relate to after a difficult few years. I didn’t expect that Picard Season 2 would spend much more time with Guinan after her short role in the season premiere – but I should’ve known from the fact that they made an entire new set for the bar that we weren’t only going to see it make a single appearance!

Ito Aghayere as Guinan in Watcher.

Having introduced Picard to the Watcher, setting up the next episode and presumably the next phase of the story, I’m not sure how much more time we’ll spend with Guinan. I hope this hasn’t been her sole appearance in this time period, though, as I feel there’s scope to spend more time with her and explore a little more of her past and her relationship with Picard. In Time’s Arrow we saw their first meeting from her point of view (although the shifting timeline has erased that, at least for now), but we’ve still never learned how they came to meet in the 24th Century, nor exactly why they struck up such a close bond. There’s scope to delve into that in more detail – if there’s time!

Because of the rushed ending to Season 1 and how that left a sour note, I’m conscious that the season is limited to just ten episodes – and while there have been interesting elements that I feel could be explored in more detail, overall I’d rather we got to the end of the story in a way that felt conclusive. If that means that some of these points of lesser importance don’t make it to screen, I’m okay with that.

Picard and Guinan.

One question I have about the Guinan story is this: if Time’s Arrow didn’t happen in this timeline, and Picard’s plan is to erase the Confederation timeline by preventing it from ever happening… will Guinan remember any of this? Or when the timeline is reset will she forget this meeting, and perhaps even this version of Earth? El-Aurians have a particular sensitivity to time, something Picard referred to in this episode as Af-Kelt, or time sickness, so maybe she’ll somehow be aware of two distinct encounters? I’m not sure… and it’s the kind of incredibly minor point that only Trekkies like us would get bogged down in!

As happened with Picard himself in Season 1, particularly at the beginning of the story, I can anticipate that some viewers will be put off by the disconnect between the previous presentation of Guinan as someone calm and ethereal with this new presentation of someone ready to give up on humanity. But just like with Picard, the point of this new presentation isn’t about where Guinan starts, but where she ends up. Even within the story of Watcher, Guinan already proved willing to listen to Picard, to help him when she learned who he was, and perhaps as a result we’ve begun to see that spark that we saw in Picard when Dahj helped set him on a new path last time. Even if Guinan makes no further appearances in the story, we’ve still seen in microcosm that narrative of someone who’d lost hope finding a glimmer of it.

Has Picard helped Guinan find a glimmer of hope?

I didn’t anticipate that the Watcher would be someone we knew. In fact I was a little taken aback by some of the online speculation in the days leading up to the episode’s broadcast about possibly Guinan being the Watcher, or maybe Soji, or perhaps someone from The Next Generation. People came up with some clever suggestions, but I felt sure that the Watcher would turn out to be a brand-new character. The fact that it was Laris caught me off-guard… and still leaves a lot of unanswered questions!

Some of these we’ll go into a little more detail on in my upcoming theory post, but in brief here’s what I’m wondering about: is this really Laris? By which I mean, is this character simply a younger version of the character that Picard will come to know as Laris in the late 24th Century? If not, is the Watcher simply assuming a form that Picard is familiar with – perhaps someone he loves? If it is Laris, that still doesn’t answer who she is and what she’s been doing with Picard all this time! Many of the suggestions I made last week – such as the Watcher being a member of the Q Continuum, a Prophet, or some kind of temporal agent – are all still in play based on where the episode ended.

The titular Watcher!

It was lovely to get a genuine surprise to close out a mysterious episode. Even though I’d seen speculation in the days before Watcher premiered, no one (at least that I’d seen, at any rate) had even suggested Laris might be the titular Watcher. Her inclusion at the end of the episode – seemingly in human form, no less – came as quite a surprise! The entire episode built up to this moment in a very clever way, and it was more than enough to feel like it ended on a high note.

So that was Watcher. It was a fine episode, a solid mid-season offering that moved several key storylines along but didn’t resolve any of them. There’s really only one drawback to Picard Season 2 right now, and for me that’s its modern-day setting. I’m sure there were reasons for this choice of setting – one of which, dare I suggest, may have been to keep costs down – but as I’ve tried to explain, such stories aren’t as enjoyable for me when I’m sitting down to watch Star Trek. I find myself wondering how long Picard and the crew are going to spend in 2024, perhaps even hoping that they’ll move on by the end of the next episode so we can get back to the 25th Century.

All that being said, I had a good time this week and I’m curious to see how the story will unfold. I’m about ready to see Rios reunited with Raffi and Seven of Nine, and I’m definitely curious to see more from Guinan and learn who the Watcher is and what they know! That’s not to mention Q… what’s going on with his powers? Stay tuned, because in the days ahead I’ll update my theory list, and I have a few ideas!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 3

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: DiscoveryVoyagerFirst Contact, and The Next Generation.

I had a good time with Assimilation this week, an episode that took Picard and the crew of La Sirena to their third new setting of the season so far. There were some interesting new elements added to the story, and at this relatively early stage it feels very open; I’m not sure where we’re going to end up!

In terms of the theory list we have one confirmation and no debunkings – but there are several theories that feel increasingly unlikely as time goes by! We’ll look at the confirmed theory first before we jump into the main list.

Confirmed theory:
There will be a reference to Gabriel Bell or Sanctuary Districts.

A sign showing the regulations for a Sanctuary District in Los Angeles, 2024.

When it was revealed that Picard and the crew of La Sirena were going to end up in the year 2024, I speculated that there might be some kind of connection to the Deep Space Nine episode Past Tense, which was also set in the same year. In Assimilation we got references to Sanctuary Districts and UHC cards, both of which were introduced in Past Tense.

In some ways, the dystopian presentation of Earth in Past Tense feels uncomfortably close to reality. The growth of homelessness – particularly in California, where Season 2 of Picard is set – has created encampments of homeless people that don’t look too far removed from Past Tense’s Sanctuary Districts, and it doesn’t seem implausible to think that a political leader might emerge who has policies of “rounding up” homeless people and pushing them away, out of sight. Picard had to acknowledge this somehow, given the setting, and we may get more references – or even a larger connection – in the episodes ahead.

So that theory was confirmed.

Now let’s jump into the main list, beginning with theories that are brand-new or that saw movement in Assimilation.

Theory #1:
Who is the Watcher?

Is this character the Watcher?

I have a few different ideas about who the mysterious “Watcher” could be. Given their connection to the Borg Queen, I think Picard and the crew need to tread very carefully indeed when it comes to this character; they could prove to be dangerous or even a villain.

Watcher Candidate #1:
A member of the Q Continuum.

Two Qs.

There are multiple members of the Q Continuum, and not all of them are as belligerent as the Q we’ve come to know and love! Given that this Watcher appears to be someone aware of changes to the timeline, perhaps we’ll learn that they’re a member of the Q Continuum, possibly even someone who is trying to prevent Q from doing… whatever it is that Q may or may not be doing.

Watcher Candidate #2:
A Prophet.

The Bajoran Wormhole – home of the Prophets.

The Prophets – noncorporeal aliens who live inside the Bajoran Wormhole – exist outside of linear time. They’ve demonstrated an ability to travel through time, emerging centuries in the past. Given that Sisko also visited the year 2024, could a Prophet have followed him to keep an eye on him? Maybe the Watcher isn’t watching Earth or the timeline, but is instead keeping tabs on Sisko – the Emissary.

Watcher Candidate #3:
A Temporal Agent from the Temporal Wars.

Crewman Daniels was a Temporal Agent.

This could potentially set up a tie-in with Discovery or even Enterprise. One of the most likely candidates, perhaps, would be a Temporal Agent from the time of the Temporal Wars. These individuals worked to protect the timeline and prevent anyone from using time travel to make unauthorised or damaging changes.

Watcher Candidate #4:
A Borg.

The Borg Queen.

Considering who it was that told Picard about the Watcher’s existence, some kind of Borg connection cannot be ruled out! Despite having spent a lot of time with the Borg over the past thirty years, there’s still a lot we don’t know about them – for example, do they send scouts to planets they hope to assimilate to watch over them? That could be the Watcher’s purpose, and considering we already know that the Borg are capable of time travel, it seems possible that the Watcher is one of theirs!

Watcher Candidate #5:
A Romulan or Vulcan.

A Romulan or Vulcan seen in a pre-season trailer.

I can’t figure out whether the character shown above is a Romulan – perhaps a Zhat Vash – or a Vulcan. However, if either faction is present on Earth in the 21st Century, perhaps one of their number could be the Watcher.

Theory #2:
The Watcher will be aware of Sisko and the USS Defiant in this time period.

Dr Bashir and Captain Sisko in Past Tense.

I’m not expecting to see Sisko or anyone else from Past Tense appear in person! But maybe when Picard and the crew inevitably meet the Watcher, they will make reference to or acknowledge that the USS Defiant has also passed this way. It would be a fun little connection to Past Tense, and just because we’ve seen references to things like UHC cards and Sanctuary Districts, that doesn’t mean there isn’t room for another line or two of dialogue to tie Picard to Deep Space Nine!

Theory #3:
Seven of Nine will choose to remain in 2024.

Seven of Nine in Los Angeles.

For the first time in her life, Seven of Nine is feeling a sense of freedom. Not only is she free from her Borg implants, changing the way she looks, but she’s also unencumbered by her Borg past. No one she meets in 2024 will be aware of the Borg, and she’s clearly enjoying the way that makes her feel.

In The Star Gazer, Seven spoke to Picard about feeling judged by the ship’s crew – and in a broader sense, by practically everyone in the 25th Century. Her Borg past is a hurdle for her; she feels the weight of unspoken criticisms and judgements made against her. Her Borg implants are the biggest physical manifestation of this, but the fact that most people she meets in the 25th Century know who she is and where she came from is a burden – one she no longer feels in 2024.

With that in mind, could Seven choose to remain behind when Picard and the crew of La Sirena are ready to leave? Even if she’s ultimately talked out of it (or even forced out of it), I wonder if she’ll try to stay in the past.

Theory #4:
Rios’ lost combadge is the divergence in time.

Rios’ 25th Century Confederation combadge.

This theory, were it to bear out, would set up a kind of temporal paradox. Rios would only have travelled to the past from the Confederation timeline because he’d already been present in the past and lost his combadge – there’s no clear beginning or end point to such a story, and personally I find time-loop paradoxes to be somewhat irksome in science fiction.

But regardless, the possibility exists right now! Rios’ combadge is abandoned at Teresa’s clinic, and what will happen to it next is unclear. If it were to be seized by the authorities, Rios might get lucky and the combadge could be ignored. But if he’s unlucky and people start poking around and figuring out how it works… that could set the stage for a divergence in the timeline.

Theory #5:
Elnor will be saved when the crew returns to the 25th Century.

Elnor is dead… for now.

The decision to kill off Elnor so early in the season certainly succeeded as a shocking story point… but I’m not so sure he’ll stay dead. Is Raffi’s belief that restoring the timeline will save his life something that the series has carefully set up so it can be paid off later? Or was it simply part of her reaction to his death; the bargaining stage of the grieving process? I’m not sure!

Elnor is a character who had potential – the first Romulan to be a main character on a Star Trek series (or the second, after Narek) and the first Romulan to enlist in Starfleet. If the Star Trek franchise were to stick around, I could happily follow his adventures as a Starfleet officer over the course of several years, giving him an arc somewhat comparable to someone like Tilly in Discovery, growing into his new role.

But Elnor is also a character who was underused in Season 1, and the decision to make him a Starfleet cadet at the beginning of Season 2 was only the beginning of a new arc for him. His death didn’t hit as hard as it could’ve because we don’t know Elnor very well – and I wonder if that could be a reason to bring him back later in the season.

Theory #6:
Dr Jurati will unleash the Borg Queen.

The Borg Queen.

I had theorised before the season began that Dr Jurati would somehow unleash the Borg Queen, based on clips we saw of her in a couple of the pre-season trailers. This week we saw one of the clips of the Borg Queen on the loose, and rather than attack anyone she simply strapped herself in to La Sirena, so a connection in that scene can be ruled out! But there’s more to the relationship between Dr Jurati and the Borg Queen, and we saw a lot of movement in that direction this week.

As we learned in Season 1, Dr Jurati isn’t just a cyberneticist by profession – synthetic life is her passion. For her, the Borg are less frightening than fascinating, and she’d love to learn more about them. That gives her a natural sympathy to synthetic life, and that sympathy could extend to the Borg Queen. If a situation developed where the two of them were alone aboard La Sirena, I could see the Borg Queen talking Dr Jurati into aiding her.

In addition, this week we saw Dr Jurati plug herself into the Borg Queen. This meeting of the minds was not a one-way street, and the Borg Queen has learned a lot from Dr Jurati – including, perhaps, something that she could use to manipulate or even blackmail her into aiding her escape.

Theory #7:
Dr Jurati will be assimilated.

Dr Jurati confronted the Borg Queen.

Plugging oneself into not only a Borg but the literal Borg Queen, embodiment and/or leader of the Collective… that seems like an all-around bad idea. Yes, there were mitigating circumstances – the need to acquire the location of the Watcher – but even so, this dangerous assignment feels like it has huge potential to backfire.

As established, the connection allowed the Borg Queen access to Dr Jurati’s body while they were connected, and if even one single Borg nanoprobe survived inside the Queen and was able to enter her body, it seems plausible to think that Dr Jurati could soon find herself in the early stages of assimilation.

Theory #8:
Teresa will find out the truth about Rios.

Teresa in Assimilation.

Teresa – the doctor at the clinic who treated Rios – is a fun new character for the series. In the vein of characters from past time travel stories, like Dr Gillian Taylor from Star Trek IV or Rain Robinson from Future’s End, I wonder if she’ll learn the true nature of Rios’ time-travelling origins.

This could be an interesting angle, and it would potentially set up Teresa for being a bigger force in the story, at least in the parts in the 21st Century. As a native of Los Angeles in this era, she could provide a lot of help and support to Picard and the crew as they seek out the Watcher and try to prevent the timeline from being damaged – but she seems like the sort of person who’d want to know the truth before getting involved.

Theory #9:
The masked, hooded figure from The Star Gazer is not the real Borg Queen.

The Borg Queen?

The Borg Queen – the hooded figure who materialised on the bridge of the Stargazer – was absolutely terrifying, evoking feelings for me that the Star Trek franchise hasn’t hit in decades. The way this character was presented, with her shrouded face, flowing robes, monochromatic aesthetic, and blend of humanoid and decidedly non-humanoid mechanical features was simultaneously riveting and frightening!

This character was presented as the Borg Queen in the episode, and the Borg have no reason that we know of to lie about that. But at the same time, she was very different not only from how we’ve seen the Borg Queen in past iterations of Star Trek, but also from the Borg Queen that Picard and the crew met in the Confederation timeline. Could this character actually be someone else – perhaps someone that the Borg have assimilated?

“Borg Queen” Candidate #1:
Dr Jurati.

Dr Jurati.

As suggested above, it’s possible that Dr Jurati’s connection to the Borg Queen in Assimilation has set the stage for her possible assimilation into the Borg Collective. If so, perhaps the Borg Queen will take over her body as her own is incomplete. This could set the stage for Dr Jurati becoming the Borg Queen who beams aboard the Stargazer.

“Borg Queen” Candidate #2:
The time-travelling Admiral Janeway from Endgame.

Admiral Janeway.

Admiral Janeway was assimilated by the Borg Queen as part of her plan to introduce a neurolytic pathogen into the Collective, and appeared to have been killed when the Borg Queen’s complex exploded. But is there a way she could have survived?

Her assimilation could have been a turning point for the Borg. She did untold damage to the Collective, but also potentially gifted them knowledge and information about future events and technologies that were decades ahead of their time. Just like the Borg once chose Captain Picard to become Locutus – their “spokesperson” or representative – perhaps they might have chosen Admiral Janeway to fill a similar role during this latest incursion. Admiral Janeway could even have been incorporated as part of the Borg Queen.

“Borg Queen” Candidate #3:
Soji.

Soji in The Star Gazer.

The Borg seek “perfection” through the synthesis of organic and synthetic parts; if Coppelius synths like Soji have something that the Borg want, perhaps we’ll learn that they assimilated her to get it. The anomaly from which the Borg vessel emerged was not a standard transwarp corridor, and was specifically noted to emit some kind of temporal radiation. Thus the Borg vessel could be from a future date after Soji has already been assimilated. We could even learn that the super-synths from the Season 1 finale are actually the Borg; that could be how they first became aware of Soji and the Coppelius synths.

Theory #10:
Guinan will be aware of changes to the timeline.

Guinan and Picard.

This theory is on its last legs, and if we don’t get back to the Confederation timeline next week I think I’ll set it aside. But for now, with some kind of return to the Confederation timeline still an outside possibility, I had theorised that Guinan has a unique ability to sense when the timeline has been changed or damaged. We saw this in The Next Generation Season 3 episode Yesterday’s Enterprise, and I had wondered if we might see it again here.

It’s possible that Guinan’s role in the season was always going to be fairly small; she may just have appeared in the premiere, or maybe she’ll return to bookend the season if Picard and the crew make it home. But in a story that has this kind of focus, I really did wonder if what we saw in Yesterday’s Enterprise might’ve come back into play.

Theory #11:
Soji will appear in the Confederation timeline – but she’ll look very different.

Could Confederation timeline Soji resemble Sutra?

This is the other theory that’s officially on its last legs! If we don’t get back to the Confederation timeline, we’ll have to remove this from the list. However, I think it’s possible that, if Soji existed in the Confederation timeline, she wouldn’t look the same as she does in the prime timeline. That’s based on how synths like Harvey appeared, as well as the generally different aesthetic present in that setting.

Unless someone stashed a deactivated or disassembled Soji aboard La Sirena, though, it seems like we’re not going to find out any time soon. Soji has been absent for two episodes now, and I’m really not sure what’s going on there. The season premiere set her up in a role that took her far away from Picard and the rest of the crew; it’s possible that she may not reappear until they return to the 25th Century, and even then, she may not have a huge role to play.

Theory #12:
Laris will join the mission back in time.

Laris.

Picard and the crew arrived in 2024 without Laris, who was dead in the Confederation timeline. I think it’s possible that Picard could ask Q to bring her back, though, so I’m not totally convinced that we’ve seen the last of Laris just yet.

As above, though, this theory is on thin ice.

So those theories are new or saw movement this week.

Next, I’ll recap all of the other theories that I currently have in play. I find it helps to keep the theory list intact and all in one place, even if this week we didn’t see a lot of movement for many of the extant theories!

Theory #13:
The loose ends from Season 1 will be tied up.

Will we learn Narek’s fate?

The Star Gazer already crossed off two things from the list of Season 1 leftovers! Dr Jurati’s legal status was clarified, as was her relationship with Captain Rios. There are still a number of points that I’d like to see addressed before the season ends, though, as Season 1 unfortunately left quite a lot of story on the table thanks to a rushed and underwhelming finale.

Here are the main ones:

  • What will become of the synths on Coppelius, and will they have to be relocated for safety?
  • Did Starfleet attempt to visit Aia and shut down the beacon at the centre of the Zhat Vash’s prophecy? Leaving it out in the open seems dangerous.
  • Will Starfleet contact the super-synths and attempt to make peace or convince them that they pose no threat?
The Artifact’s resting place on Coppelius.
  • Why did Bruce Maddox go to Freecloud?
  • With the Zhat Vash plot exposed, what will become of their crusade against synthetic life?
  • Did Federation-Romulan relations suffer as a result of the Zhat Vash’s attack on Mars and attempted attack on Coppelius?
  • What happened to Narek after he was captured by the Coppelius synths?
  • Who controls the Artifact and what will happen to the surviving ex-Borg?

Theory #14:
The Borg Collective was badly damaged in the Voyager episode Endgame and has been unable to recover.

Dr Jurati decoded the Borg message.

In The Star Gazer, it seemed as if the Borg Collective was reaching out, asking the Federation – and Picard specifically – for help. If so, the question is why? Was it just a shallow ploy to launch another attack on Starfleet? Or is there at least a degree of truth to the Borg’s request?

Endgame, the final episode of Voyager, depicted a time-travelling Admiral Janeway introducing a neurolytic pathogen – a type of virus – into the Borg Queen, seriously damaging her, her base of operations, and several Borg vessels in the vicinity. Because the Borg hadn’t been seen since – until The Star Gazer, that is – we never got to learn just how deadly Admiral Janeway’s actions were.

Admiral Janeway in Endgame.

I’ve always assumed that the Borg Collective is vast enough, powerful enough, clever enough, and most importantly adaptable enough that Admiral Janeway’s actions weren’t going to strike a fatal blow. Whatever damage she had done seemed like something the Borg could eventually fix – and their existence 25 years later during the events of The Star Gazer seems to prove that. The Borg’s technology and weapons are still streets ahead of anything Starfleet has at its disposal… but even so, it’s still possible that the Borg are on their last legs facing defeat.

If that’s the case, maybe we’ll discover that it was Admiral Janeway who’s responsible – that her actions in Endgame are either wholly or partly to blame for the Borg’s weakened state. Dr Jurati seemed to know that the Borg Collective isn’t as strong as it once was, so that could be another clue pointing to this theory.

Theory #15:
The season will end on a cliffhanger.

Because Seasons 2 and 3 went into production back-to-back, that made me wonder if they might form one continuous story – or if the final act of Season 2 might set up the story for Season 3. Star Trek has a long history of season-ending cliffhangers, such as The Best of Both Worlds in The Next GenerationEquinox in Voyager, and Such Sweet Sorrow in Discovery, to give just three examples.

Something in The Star Gazer could be relevant, though. If the story we’re going to see is all about restoring the correct timeline and undoing whatever damage has been done, then assuming Picard and co. succeed in their objective… won’t that place them back on the bridge of the Stargazer just as it’s about to self-destruct? If that’s the case, maybe it won’t happen this season and will instead be the finale of Season 3, with Season 2 ending on a cliffhanger at the story’s halfway mark.

Theory #16:
By restoring the timeline, Picard – and everyone aboard the Stargazer – will die.

The USS Stargazer self-destructs.

As far as we know based on what’s been teased and shown off in various clips and trailers, a big part of the storyline this season will be undoing whatever damage was done in the 21st Century and restoring the true timeline. But if that happens, and the timeline is fully restored, that means that Picard, Captain Rios, Dr Jurati, and Seven of Nine will be on board the USS Stargazer when it self-destructs. Raffi and Elnor will be aboard the USS Excelsior in the same moment – and their ship could be destroyed as well.

If this story turns into a two-season arc, perhaps the final episode of Season 3 – which is going to be the end of the series entirely – will see Picard and the crew restore the timeline, only to spend their final seconds aboard the Stargazer before it’s destroyed. This would be a bittersweet ending – to say the least!

Theory #17:
The USS Stargazer will make an appearance.

The original USS Stargazer.

Okay, technically the USS Stargazer has already appeared, but not in the way I expected! Captain Rios is (or was) in command of a new USS Stargazer, and not only that but he had a model of the original vessel in his conference room! So that’s it. Theory confirmed, everybody can move on to the next one!

Just kidding. The inclusion of a brand-new USS Stargazer brings the ship and its legacy back to the fore. Picard himself commented in The Star Gazer that the original vessel was his first command, and as far back as Season 1 we had a reference to his time in command through the character of Dr Benayoun. All of these things could be leading to some bigger role for the original USS Stargazer – and with a story that seems to include time travel and a strong focus on Picard’s own personal history, a flashback or even a visit to the ship could be on the agenda!

Theory #18:
The Federation is responsible for creating the Borg.

A rather incredulous-looking Borg seen in The Next Generation.

This is a total wildcard, but I’m just throwing it out there!

The Borg Queen – and the Borg in general – appear to have a fascination with humanity and with Picard. Could it be that the explanation for that is that the Federation and/or humanity are somehow responsible for their creation? With time travel on the agenda, it’s not impossible to imagine a scenario in which the progenitor of the Borg – perhaps even the Queen herself – is able to travel back in time, founding the Collective.

Nanites used by the Control AI.

The idea that the Federation is responsible for creating its own worst nightmare could be an interesting one if executed well, as could the cyclical nature of such a story. It would have to be handled in just the right way to avoid treading on the toes of previous Borg stories, but it feels like a lot of the pieces exist for this theory to seem plausible. The return of the Borg, the inclusion of Q, and even the talk of Picard and humanity needing to pay a “penance” could all be connected.

Discovery Season 2 ran a story with the Control AI that could have also been a Borg origin story. Was it known as early as 2018-19 that Picard wanted to tell a story like this, and if so, could that explain why the Control storyline ended the way it did? I have a write-up of Discovery’s abandoned Borg origin story that you can find by clicking or tapping here.

Theory #19:
At least one character from The Next Generation will make an appearance.

The cast of The Next Generation in Season 1.

With the return of Guinan and Q, as well as Voyager’s Seven of Nine, there are already a lot of returning characters in Picard Season 2! But that doesn’t mean that there isn’t room for a well-placed cameo or two, or even an episode like Season 1’s Nepenthe that steps away from the main story to revisit classic characters. We could even have a bit of fun with some alternate timeline versions of them!

There are so many characters from Star Trek’s past that I would love to spend more time with; listing them all here would be impossible! But if Picard is to end with Season 3, as some outlets have been reporting, it would be fantastic if the crew of The Next Generation could reunite one last time.

I have a list of possible character crossovers that I wrote back in 2020, before we got to see any teasers or trailers, and you can find it by clicking or tapping here.

Theory #20:
Romulans are spying on Earth in the 21st Century… and could be time-travelling Zhat Vash.

A young boy encounters a Romulan or Vulcan.

In the third trailer, a young boy wearing what seemed to be 21st Century clothing was seen encountering a Romulan or Vulcan. If the Zhat Vash are involved in the new season’s story somehow, perhaps this individual is a Zhat Vash operative. This could confirm that the Zhat Vash were able to travel through time, or send a message back in time to their 21st Century counterparts. The Romulans had achieved interstellar flight centuries earlier, so travelling to Earth to spy or place operatives seems plausible for them.

Of all the scenes we’ve glimpsed so far from Season 2, the one with the young boy and the Romulan or Vulcan is the one that I’m least sure about! It doesn’t seem to fit naturally into a story about the Borg, Q, and time travel… but this is one theory that could make sense, and would connect to the theory above about Q not being to blame.

Theory #21:
The Vulcans are on Earth in the early 21st Century… as stated in Discovery Season 4.

A meeting of senior Federation and allied officials in Discovery Season 4.

Another theory about the unnamed Romulan or Vulcan is tied into the Discovery Season 4 episode The Galactic Barrier. This could easily be a complete overreaction to a throwaway line, but at the beginning of the episode, the enigmatic Federation leader Dr Kovich stated that Vulcans were on Earth for decades prior to official first contact taking place.

This one line could be a reference to Carbon Creek, an episode of Enterprise that saw Vulcans crash-land on Earth in the 1950s. But the timing seems odd given the scene glimpsed in the Picard Season 2 trailers! If the character seen above is a Vulcan, perhaps there will be a connection of some kind between Discovery and Picard.

Theory #22:
Picard and the crew will have to actively trigger World War III to save the future.

World War III soldiers as glimpsed in Discovery Season 2.

Although the Bell Riots are the main event of 2024 that we know about in Star Trek’s internal timeline, the 21st Century was arguably dominated by another event: World War III. The war may have kicked off as early as 2026 (as suggested in The Original Series) and concluded by the mid-2050s as seen in First Contact. The “post-atomic horror” that followed was the backdrop for Q’s trial in Encounter at Farpoint.

World War III is integral to Star Trek because without it, it’s hard to see how warp drive would’ve developed and how humanity would’ve made peaceful first contact with the Vulcans. Just like the end of the Second World War brought about major technological and societal changes that ultimately made the world a better place, Star Trek’s World War III is integral to the events that led to the founding of the Federation. If it were prevented, the timeline would change dramatically.

So my theory is that the point of divergence is the outbreak of World War III – meaning that it will fall to Picard to trigger one of the worst wars in human history in order to save the future. Talk about a moral dilemma! You can find a full write-up of this theory by clicking or tapping here.

Theory #23:
There will be some kind of crossover with Star Trek: Discovery.

The USS Discovery in the Season 4 episode All Is Possible.

My original formulation of this theory looked at the very strange scheduling of Discovery Season 4 and Picard Season 2 – the shows overlapped by three weeks. This didn’t make any sense – and still doesn’t – but it now seems that the reason for it was the usual inexplicable nonsense from Paramount Global.

Regardless, it would still be neat to get some kind of crossover or tie-in with Discovery this season. There are already smaller thematic connections, such as the theme of grief, which was a big part of Discovery Season 4 and has now become part of Picard Season 2. But I’m thinking bigger – some kind of character crossover, an explicit use of a piece of technology first introduced in Discovery, or some kind of explanation or development of a plot point from that show.

Modern Star Trek hasn’t been great at tying together the shows that are currently in production, and Picard Season 1 essentially ignored Discovery altogether. Season 2 could make that right.

Theory #24:
The Confederation is run by augmented humans.

Who is Adam Soong, and could he be responsible for creating genetically engineered humans?

Another theory that may not go anywhere now we’ve left the Confederation timeline, but I wonder if we’ll learn more as Brent Spiner’s new character is introduced. In short, the Soong family had a long association with genetic engineering – so I wonder if one of the points of divergence leading to the creation of the Confederation timeline could be the introduction of genetically augmented humans. “Super-men” like Khan were given enhanced strength and intelligence – but also enhanced ambitions. Khan set out to conquer the planet… could the Confederation timeline be one in which someone like him succeeded?

I’d have expected to see some evidence for this theory in Penance if it were true, but because we’re yet to meet the Watcher, Brent Spiner’s new character, or really learn anything about the divergence in time, I think it remains a possibility.

Theory #25:
There will be a connection between the augments and Strange New Worlds.

One of the few things we know about Strange New Worlds at this early stage is that there will be a character named La’an Noonien-Singh. This new character seems to be related in some way to the iconic villain Khan, and if Khan or Khan-inspired augments play some kind of a role in the Confederation’s power structure, perhaps that will set up a connection – or even a crossover – between Picard Season 2 and Strange New Worlds.

Theory #26:
Q is not responsible for changing the timeline.

Q hit Picard!

This theory is definitely feeling less and less likely… but as of Assimilation, the role Q has actually played in what happened is still not certain. The events of the past couple of episodes can certainly be interpreted as Q being the one who deliberately and willingly changed the timeline, and that’s certainly the assumption that Picard has made. However, Q himself didn’t admit responsibility, and while he certainly knows a lot about the Confederation timeline, there may be more going on than we’re currently assuming.

Given the more angry, aggressive presentation of Q that we saw in Penance, what would his goal or objective be if he changed the timeline? It doesn’t seem as though he’s setting up a puzzle for Picard to solve, and if he wanted to punish him for some perceived slight or wrongdoing, would this be how he’d do it? I can think of a million-and-one creative ways that a being with Q’s powers could punish or torture someone, and changing the timeline in a way that could be fixed, while also ensuring Picard could find his friends, doesn’t seem like the best option from Q’s point of view.

Q at the vineyard in Penance.

Someone like Q doesn’t make for a good villain from a storytelling perspective, either. Q’s powers would essentially mean that he could undo any victory that Picard could hope to win – he could fling them forwards in time if they approached the 2020s, for example, ensuring they would never be able to undo whatever changes had been made. Or Q could snap his fingers and leave the crew isolated on a desert island with no way to escape. In short, Picard was able to solve Q’s previous puzzles because Q allowed him to – or wanted him to. If Q really wants to change the timeline to punish Picard, there’s less than nothing Picard could do to stop him.

I have a longer article that goes into more detail about this theory that I wrote before the season premiere, and you can find it by clicking or tapping here.

Theory #27:
Q shielded Picard and the crew from changes to the timeline.

Q in General Picard’s study.

One way in which Q could be involved would be to have protected Picard – and his new crew – from changes to the timeline. There are many reasons why he might do this, and it could apply regardless of whether Q changed the timeline himself or not. If the entire timeline has been changed going back centuries, there has to be a reason why Picard and the crew of La Sirena are seemingly the only ones unaffected – and one explanation for that could be “Q’s magic.”

This would be in line with how we’ve known Q to operate. Episodes like Tapestry and All Good Things saw him use his powers to place Picard in an alternate life while retaining his original memories, and to move between three different time periods. Such a power is something we know Q can use, and it would explain two key things: how Picard and the crew of La Sirena remained unaffected, and how Q is involved in the story.

Theory #28:
Who is responsible for damaging the timeline, then?

Did the Borg do it?

If Q isn’t the one who changed the timeline, the obvious question that raises is “who did it?”

In theory, it could be any one of a number of different Star Trek factions. We’ve seen the Klingons having access to time travel in the early 25th Century, for example, in the Voyager episode Endgame, and various time travel stories and stories depicting powerful alien races could all theoretically yield suspects. But considering what we know about Star Trek: Picard specifically, in my view the main suspects are as follows:

  • The Borg. The Borg could be one of the season’s main antagonists after their emergence in The Star Gazer, and we’ve seen in past iterations of Star Trek that they can travel through time.
  • The Zhat Vash. While the Zhat Vash may not have been shown to possess time travel tech, they were the primary antagonist last season, and arguably were not defeated in the Season 1 finale.
How about the Zhat Vash?
  • The super-synths. The super-synths from the Season 1 finale are a wildcard; we don’t know much about them except that they seem to be technologically powerful. Travelling back in time might be on their agenda – but erasing the prime timeline could result in the erasure of the Coppelius synths.
  • The Romulan government or the Tal Shiar. With or without the support of the Zhat Vash, the Romulan government could have taken action against the Federation in response to the events of Season 1.

There are undoubtedly other Star Trek factions who could be implicated, and if we had a free choice we could suggest the likes of the Dominion or the Sphere-Builders. But I think those are far less likely when considering the elements Picard has brought on board.

Theory #29:
The Q Continuum has been attacked.

The Q Continuum, as seen in Voyager.

What’s wrong with Q? That was a question Picard asked that went unanswered in Penance, but there’s clearly something different about Q this time. Though at times he has the same impish charm that we remember from his earlier appearances in the franchise, at other moments he seemed incredibly angry – even hitting Picard at one point.

Perhaps there’s something going on in the Q Continuum – the Continuum could have come under attack, for example, and Q could be one of the few survivors. If something that Picard did or didn’t do is partly to blame, that could explain Q’s antagonistic behaviour.

Though the Q Continuum and the Q species seem god-like from our perspective, it’s not impossible to think that someone found a weakness to exploit. Could it be the Borg, perhaps? Q’s anger could stem from the fact that Picard didn’t do enough to stop them.

Theory #30:
Q is approaching the end of his life.

Q and Picard.

A simpler explanation could be that Q, like Picard, is coming to the end of his life. From Picard’s perspective it’s been 20+ years since he last saw Q, but Q could have lived thousands or even millions of years before choosing to re-visit his “old friend.” Maybe the Q are not entirely timeless and immortal, and perhaps Q is aware that he’s coming to the end of his life. Or if there’s something wrong with the Q Continuum, Q could be dying as a result.

This would potentially open up the Q-Picard relationship, giving the two a chance to discuss what it means to come to the end of one’s life. Picard could even help Q as he faces this new and unsettling turn of events.

Theory #31:
Q is angry with Picard for “giving up.”

Grumpy Q.

Over the course of The Next Generation, Q took a particular interest in Picard. More so than anyone else, Q seemed to see potential in Picard as a representative of the human race, someone who potentially showed him what humanity could be… with a little prompting and guidance. Q seemed fascinated by that idea, so seeing Picard’s fall from grace may have shocked him and left him feeling disappointed and bitter.

Picard spent more than a decade away from galactic affairs, retiring to his vineyard and seemingly just waiting around to die. Someone like Q might take that personally; he might feel that Picard was not living up to the potential he had. Perhaps Picard’s absence had some kind of unknown consequence, something that harmed Q or the Q Continuum. In any case, Q’s animosity to Picard seems to be personal – could disappointment at Picard’s attitude in the years prior to Season 1 be the cause?

Theory #32:
The Borg are aware that Picard is now a synth – and his synthetic status is part of the reason why they waited until now to make contact.

Picard awakened in a new synthetic body in Et in Arcadia Ego, Part 2.

As mentioned above with Soji, the timing of the new Borg incursion is interesting, especially considering that they asked for Picard by name. Are they aware of his newfound synthetic status? And if so, could Picard’s transition to a new synthetic body be the reason why the Borg chose to launch their attack?

The Borg seek “perfection” through a synthesis of organic and synthetic components, and while Picard’s new synthetic body is a far cry from the Borg drones we’ve seen, the idea of an organic mind in a synthetic body isn’t a million miles away from that same basic idea. Although Picard’s body was said to be comparable in practically every way to his original one, synthetics can have enhanced abilities that allow them to easily overpower humans – and, as we’ve seen with Data on more than one occasion, they can outmatch individual Borg drones as well.

A Borg drone losing a fight against Data.

Perhaps the Borg want to re-assimilate Picard now that he’s synthetic. If the Collective is still reeling from the damage inflicted upon it by Admiral Janeway or if they’re on the losing side of a war, perhaps they hope to use fully-synthetic bodies like Picard’s to replace damaged or destroyed drones, or as cannon fodder on the front lines. There are many reasons why the Borg might be interested in synthetic technology, and that could explain their re-emergence.

Even if the Borg don’t plan to assimilate Picard or the Coppelius synths, the timing of their appearance is certainly interesting and there could be a connection.

Theory #33:
The Borg ship from The Star Gazer crossed over from the Confederation timeline.

The Borg vessel identified as “Legion.”

As far as we know at this stage, the Confederation timeline replaced the prime timeline thanks to someone or something changing the past. But timelines and parallel universes often go hand-in-hand in Star Trek, and after we learned about the Borg’s defeat in the Confederation timeline, I wonder if their ship from the season premiere might have found a way to punch through or cross over into the prime timeline.

If the Borg were facing defeat, as their message seemed to suggest, perhaps that could explain why. Also, the anomaly that the ship emerged from was not a typical transwarp conduit; we’d seen transwarp corridors as recently as Season 1. Finally, the Borg Queen of the Confederation timeline was aware of Picard and the history of the prime timeline – perhaps the Confederation timeline Borg knew of the prime timeline and this was a last-ditch effort to survive.

Theory #34:
The Borg are fighting a war – and they’re losing.

The Borg vessel using its transporter-weapon on the USS Stargazer.

Possibly connected to the theory above, one explanation for the Borg’s message and appearance in The Star Gazer is that in the prime timeline the Collective has found itself on the losing side of a war. Penance told us that the Confederation had been able to defeat the Borg using technology that Dr Jurati believed was roughly equivalent to the Federation’s in the prime timeline – so clearly it’s possible to fight and beat the Borg.

Could mentions of Gul Dukat or Martok in Penance be hints at something to come later in the story? Both characters were major players during Deep Space Nine’s Dominion War arc; maybe the Cardassians and/or the Dominion have been aggressively attacking the Borg in the late 24th Century. The other big culprit is the Confederation – assuming that it’s possible for the two timelines to mix!

Theory #35:
The mission back in time won’t last all season.

Los Angeles, 2024.

There’s still a lot of the season remaining for Picard and the crew to figure out what happened and repair the damage to the timeline. Perhaps this is as much a wish as a theory – time travel stories that visit the modern day have never been my favourites in Star Trek – but I wonder if there could be something truly unexpected coming afterwards.

With Q involved in the story, he could send Picard and the crew to another alternate timeline or parallel universe, for example. Or after the timeline is repaired, we could see Picard and the crew engage in a battle against the Borg – we still don’t know what was going on with the new Borg Queen and the Legion ship from The Star Gazer. In short, there are many different ways that the season could go after a jaunt to the past.

I’d also point out that, aside from a few clips from the 21st Century, the first two episodes of the season seem to have included most of the clips from pre-season trailers and teasers, which could mean that the latter part of the season is hiding something big!

Theory #36:
Picard and the crew will have to prevent Donald Trump’s re-election.

The White House.

So if you’re new here, you’re probably thinking that I’ve officially lost my marbles. I totally have, by the way, but that’s incidental. When I write up my theories, I like to include some real left-field ones if I think of them. It’s fun, and while this theory would certainly be something completely different, Picard as a whole has been a different kind of Star Trek show. So why not court controversy and bring a real-life political figure into the story?

Q explained to Picard that one of the differences in the Confederation timeline is that Earth failed at preventing climate change, instead finding ways to paper over the cracks. Donald Trump’s energy policies were very pro-fossil fuels during his tenure, and he’s a known climate change “sceptic.” Secondly we have the date that Picard and the crew have travelled to: 2024. That’s the date of the next United States presidential election – an election in which Donald Trump is rumoured to be a candidate.

So could it be that the point of divergence that started the Confederation timeline and ruined the entire Star Trek galaxy is… Donald Trump’s election as president?

So that’s it!

Dr Jurati’s tricorder.

That’s the theory list as we head into episode 4. There are a lot of interesting things going on, and a lot of different ways they could play out! I’m hoping that the exciting start to the season will continue, and that the episodes that lie ahead will debunk a lot of my theories – making room on the list for plenty of new ones!

I always like to end these theory lists by saying that I do this just for fun. I enjoy writing, I enjoy Star Trek, and spending more time in this world is an escape and an enjoyable distraction. But for some folks, fan theories can be frustrating or unenjoyable, especially if they get very attached to a plausible-sounding theory that ultimately doesn’t pan out. I have no “insider information” and I’m not trying to claim that anything suggested above can, will, or must be part of Picard Season 2. I fully expect many of these theories to be debunked and for the season to go in wildly unpredictable directions!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 2, Episode 3: Assimilation

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next Generation, Voyager, First Contact, and Discovery.

Assimilation was an episode with a very eerie title! It seemed certain that something big was going to happen – and Assimilation delivered. It was an explosive episode, but one that’s difficult to judge conclusively until we’ve seen more. Will all of the story threads that it teased lead somewhere significant? If so, we have a solid episode in Assimilation that’s set up this next phase of the season.

For the third episode in a row, Picard has introduced us to a different and interesting setting. In The Star Gazer we got reacquainted with Starfleet after spending the entire first season operating outside of it. That was ripped away at the end, and last week Penance introduced us to the Confederation timeline – a fascist dystopia that somehow managed to replace the Federation. Now, in Assimilation, we meet the strange new world of 2024. Three of the main characters had to adapt, while Picard and Dr Jurati remained behind.

Los Angeles, 2024.

In context, it gives the opening trio of episodes kind of an odd feel; a churn of different settings and scenarios, each familiar enough to feel very much like Star Trek, yet different enough to make me curious to see more. In contrast to Season 1, which built up its story slowly over the course of several episodes, Season 2 has jumped to three different and distinct places in the span of just three episodes – and we’ll have to see if this faster pace keeps up for the duration of the season, or whether things will settle now that the crew have arrived in 2024.

The cliffhanger ending to last week’s episode felt like a lot of fun at the time; a tease to keep us on the edge of our seats for a week! But the relatively fast resolution to the Magistrate and his goons having beamed aboard La Sirena left me wanting more from that premise – Picard and the crew had defeated (and vaporised) them within basically three minutes of the episode starting. It just feels like more could’ve been made of this – or, alternatively, it could have been skipped as it didn’t really add much to this week’s story.

The Magistrate meets his end thanks to Raffi.

One big thing that we got from the moment at the end of last week, though, was the injury to Elnor. I have to confess that I didn’t see his death coming, despite the bad way he was in this time last week. Unlike Discovery, Picard hasn’t been afraid of killing off its characters! Season 1 left quite a body count behind, including Dahj, Icheb, Hugh, Dr Maddox, and Rizzo – but for some reason I really didn’t anticipate Elnor’s death. For that reason, perhaps, it hit me quite hard and definitely left me shocked.

Raffi is convinced that restoring the timeline will restore Elnor to life – although it should be noted that she has no proof of that. Cutting down a character in their prime, while they have unfinished business and a lot to live for, is a relatively new phenomenon on prime-time television, lifted from the likes of The Walking Dead and Game of Thrones which had pioneered the concept that I call the “disposable cast.” Some characters in those shows – and others – gave me similar feelings to Elnor: that they were gone too soon, that I would have liked to see them continue to grow and develop. I won’t drop spoilers for the aforementioned shows if you haven’t seen them, but if you have you’ll know the kinds of characters I’m thinking about.

R.I.P. Elnor.

Elnor is slightly different, though, to the likes of some of the main characters from other contemporary shows whose deaths his is trying to emulate. Elnor is young and he clearly had a lot of life in front of him, so some of that sadness lingers now that the initial shock has worn off. But Elnor is, to be blunt, less well-developed as a character at this point in Picard’s run. He joined the crew at basically the halfway point of Season 1, and really only had one episode in which he played a major role last season. He was there for the mission, and he had a wonderfully emotional scene in the season finale that set up the nature of his relationship with Raffi, but his death hits more like Tasha Yar’s in The Next Generation than one of the main characters from a show like Game of Thrones or The Walking Dead. It was a shock, certainly, but despite the devastated reaction from Raffi, I wouldn’t say that Elnor leaves a gaping void in Picard that the show will struggle to fill.

Michelle Hurd put in an outstanding and complex performance this week, showing us a real and raw presentation of abject grief. For all I said about Elnor’s relative irrelevance to the show as a whole, he mattered a great deal to Raffi. His loss hits her like Icheb’s hit Seven in Season 1 – and I wonder if that will be a source of bonding between the two of them later in the season. Both lost surrogate son figures; of all the people that Raffi could turn to for understanding, support, and help, Seven is by far best-placed to offer that.

Michelle Hurd put in a riveting, emotional performance as Raffi this week.

It’s interesting to see Picard showing us this kind of presentation of grief, because that’s something that has been present in Discovery throughout its fourth season, which came to a close in very emotional style this week. Stay tuned for that review, by the way! Discovery took a look at themes of trauma and grief, and while it didn’t always pull it off perfectly or dedicate enough time to some of its characters, it was a significant part of the story of that series. Bringing grief into Picard gives the show a kind of thematic tie to Discovery that I wasn’t expecting, and it will be interesting to see if we get a different take on a similar concept here. Comparing how the two shows approach the subject will be interesting to see in the episodes that lie ahead.

I can’t tell at this stage if Raffi’s belief that Elnor can be resurrected is something that the series will pay off later in the season. Is she right about that? If so, the time-loop storyline will have a very Star Trek and sci-fi vibe to it. If not, will Raffi have to confront her grief and loss again when she returns to the 25th Century? I really can’t tell if this is an elaborate fake-out or if Picard has permanently killed off poor Elnor.

Elnor was introduced in Season 1.

We got a fairly common Star Trek trope to set up the next part of the story: the transporter malfunction! Seven and Raffi were able to successfully transport from wherever La Sirena crashed to Los Angeles, but Rios materialised two storeys up and had a hard (and very gory) landing on the pavement! This led, in turn, to another fairly common Star Trek time travel story: interacting with someone native to this era.

I wonder if Rios being separated from his combadge will be significant to the story. Could we learn, perhaps, that Rios’ badge is the point of divergence; if it fell into the wrong hands, could someone in 2024 use it to manipulate events to their advantage? That would result in the story being a kind of temporal paradox: Rios travelled back in time because Rios lost his combadge in the past – there’s no clear beginning or end point to such a loop. Paradoxes can be hard to get right – and they irk me, usually – so I kind of hope this isn’t the way that the story is going to go.

Rios’ lost combadge.

Still, Rios has a lot of work to do if he’s going to recover his badge! This side of the story felt quite politically charged, focusing on the issues of accessible, affordable healthcare and immigration, both of which are political hot potatoes in the United States. As a non-American, perhaps some of the nuances of that debate are lost on me, but I think the presentation of the clinic and later the police officers worked well; it succeeded at communicating the idea that this version of 2024 is rather dystopian, while simultaneously feeling uncomfortably close to reality. I’ve never seen a real-world immigration raid on a clinic, but I’ve seen enough news reports about police brutality in the United States to find this presentation believable.

The choice of 2024 may have some greater story significance that will be revealed as the season progresses, but in one significant way I think it’s already paying off. 2024 isn’t right now – it’s still two years away. Thus Picard is close enough to the present day that everyday objects look familiar, but it’s also just far enough into the future to say something like: there’s still time to avoid taking things to this extreme. In the case of the immigration raid and the overly-aggressive police, Picard is saying that yes, these things happen today, but we still have time to prevent this kind of thing from happening to a clinic in 2024. It’s simultaneously gritty realism but with that slight Star Trek edge of “things don’t have to turn out this way” that the franchise has always espoused.

The police raid on Teresa’s clinic.

As this side of the story continues, I think we’re going to see the immigration angle looked at in a bit more detail. Technically, Rios is “undocumented,” to use the contemporary term; he doesn’t have a 2024 US passport or work visa, so it seems like he’ll be in a bit of trouble with the authorities. What consequences that might have for the timeline are not clear, but it’s an interesting side-story that I hope Picard will have enough time to do justice to. A big topic like illegal immigration isn’t something that can be looked at for a few minutes in an episode or two; it needs proper development to avoid feeling tokenistic.

I enjoyed the new character of Teresa – the doctor at the clinic Rios visited. It can be difficult to set up a brand-new character if there’s limited screen time, but I felt that Teresa was believable; not overly virtuous as to feel like a one-dimensional paragon trope, and with enough complexity to feel like an authentic inhabitant of this version of Los Angeles. Sol Rodriguez did a great job bringing the character to life, and I hope we see more from Teresa next week.

Teresa with Rios’ combadge.

We also got our first connection to the Deep Space Nine episode Past Tense on this side of the story! The two-parter, which I put on my list of episodes that I thought could make good background viewing for Picard Season 2, also visited the year 2024. In that story, which is more than 25 years old now, Captain Sisko and the crew of the USS Defiant found themselves in California in the same year as Picard and the crew of La Sirena! There were two mentions of Sanctuary Districts that I caught in Assimilation – one on a sign behind Raffi shortly after she arrived in Los Angeles, and another at the clinic with Rios. There was also a mention of “UHC cards” as Rios and Teresa were being arrested.

These oblique references to Past Tense could be all there is; little easter eggs to get Trekkies like us excited! There could be more to come, though, with the inclusion of a character called “the Watcher” who’s seemingly aware of time travel. We don’t know who this character is yet, though I think we’ve glimpsed them in one of the trailers, but it stands to reason that if they’re aware of time travel they might also know about Sisko’s temporal whoopsie! But that’s a theory for next time.

A sign that mentions Sanctuary Districts.

I loved the design of the tricorder that was used in this episode. Dr Jurati, while she was scanning the Borg Queen, used a tricorder that looked like a darker, updated version of the ones seen in The Next Generation, Deep Space Nine, and Voyager, and while it was subtle and not shown off on screen for a huge amount of time, it looked great! The design work this season has really leaned into The Next Generation era aesthetic in a much stronger way than Season 1 did, probably in part in response to some of the criticisms that the first season received.

This is a bit of a tangent, but I think that – based on the first three episodes, at least – if Picard had started with a story like this one, using more of those familiar design elements, the show would have been better-received. There’d still be critics – some anti-Trek social media groups literally make money by hating on Star Trek these days – but for viewers who tuned into the first few episodes and decided that Picard Season 1 “didn’t feel like Star Trek,” I really believe that a lot of that could have been avoided. Season 2 is doing a much better job of balancing the classic look and feel of The Next Generation era with a more modern style of television storytelling, at least in some ways, than Season 1 did.

The Confederation timeline tricorder.

On the Borg Queen side of the story, I’m not sure we saw quite enough in the first part of the episode to really set up the idea that Picard had to make a choice between saving the Queen and saving Elnor. It seemed to be something that the story raced past, and as a whole I’d say that Picard’s response to what happened with Elnor was perhaps a little cold. We’ve seen in dozens of stories in The Next Generation that Picard is pragmatic; he can look beyond the emotions present in a difficult moment and focus on what needs to be done. But here, especially given the way his non-response to the loss of someone close to him contrasts so strongly with how Raffi was feeling, perhaps we should’ve seen something from Picard to indicate how he was feeling.

One thing that might be controversial in Assimilation is the way that Dr Jurati was able to connect herself to the Borg Queen. This isn’t something we’ve seen before, and while the Queen was unconscious during the connection, it feels like an incredibly dangerous thing to do. Plugging oneself into the Borg Queen in any way seems like it opens up the door for her to connect to you – potentially assimilating Dr Jurati.

Dr Jurati plugged herself into the Borg Queen.

If even one single Borg nanoprobe were to make its way down that cable, it could potentially replicate itself inside her body and assimilate her later on – and for all we know, that could be where the story is going to go in the weeks ahead! I didn’t dislike this idea, though. I felt it worked well as a story beat and gave Dr Jurati a dangerous mission of her own while the others went off to Los Angeles.

The interplay between Dr Jurati and the Borg Queen in this episode carried on a theme from last time and is one of the most interesting dynamics in the series at the moment. I hope we get to see more of their sparring, and as a cyberneticist Dr Jurati has a very strong interest in all things Borg. That’s also something that the series could draw on to make this connection between them – now a physical connection – even more deep and interesting.

What will happen next in this evolving relationship?

I had gone into Assimilation expecting the dynamic between Picard and the Borg Queen to be one of the most interesting, but aside from a few lines that they had, the focus on this side of the story was more on Dr Jurati. If we think back to Season 1, Picard had to confront his past with the Borg in a very traumatic way. We saw that in the episode The Impossible Box first and foremost, where he suffered flashbacks and a kind of breakdown after beaming aboard the Artifact, but also in Et in Arcadia Ego, where he confronted xBs after the Artifact had crash-landed. Being called “Locutus” was incredibly disturbing for him then, but he seems to have largely gotten over that as of Assimilation.

Perhaps we’re in a “new season, new story” situation; the series already showed us Picard dealing with his Borg past, so this time around we’re going to look at different characters and get a different angle on things. That’s fine, and I find the relationship between Dr Jurati and the Borg Queen truly an engaging and fascinating one. But it does feel a little odd, especially having recently re-watched Season 1, to see Picard rather unbothered by being face-to-face with the Borg Queen.

The episode didn’t spend a huge amount of time with Picard himself.

The Borg Queen is the embodiment of Picard’s worst nightmares; a reminder of the worst days of his life. She is, depending on how we consider her existence in different physical bodies, literally the person who inflicted the worst torture that he’d ever known. Being face-to-face with her feels like it should have more of an impact on Picard, and while I like the Dr Jurati angle and basically everything else in the story at this point, I can’t shake the feeling that there’s a hole here.

We’ll have to look at this in more detail in my next theory post, but I wonder if the Borg Queen might be up to something in the 21st Century. Dr Jurati told us that she was trying to communicate while unconscious; could she be trying to contact other Borg, either across the galaxy in this time period or in the 25th Century somehow? Could the Borg have been responsible for the change to the timeline in the first place?

The Borg Queen in Assimilation.

I’m not sure yet where Picard is going with the “Seven of Nine likes the way she looks” angle. That might be an oversimplification, but I like that the series isn’t just using her changed no-implant look as a visual hook for the trailers and pre-season marketing material. After a lifetime of being treated differently for her residual implants, as she commented to Picard when they reunited in The Star Gazer, Seven seems to be enjoying a sense of newfound freedom.

The little girl who saw her materialise treated her like a superhero, whereas Seven has perhaps feared being seen as a supervillain, and that moment kind of encapsulated the way she’s enjoying the “normal” reactions from people. Perhaps this could be argued to be a comment from the series about the way Voyager treated Jeri Ryan – putting her in tight “catsuits” to try to capitalise on her physical appearance. It’s subtle, but perhaps this is Star Trek’s way of recognising a mistake from the past.

This little girl made a big impression on Seven of Nine.

Assimilation was a fast-paced episode with some emotional punches and plenty of strong, enjoyable moments. Picard Season 2 is off to a great start! But after three big changes of scene across the first three episodes, we need to start settling in and allowing the story to unfold. In a way I hope we haven’t seen the last of the Confederation timeline, as the setting is ripe for exploration, but we probably saw enough last week that, combined with Elnor’s death, has given Picard and the crew motivation to fix the damage to the timeline.

I’m wondering where Soji is – she’s been absent now for two whole episodes. I’m also wondering just how long Picard and the crew will actually spend in 2024: it doesn’t seem like they could be there for the rest of the season, especially with the unresolved Borg threat in the prime timeline. There are some fun relationship dynamics developing between Dr Jurati and the Borg Queen, between Raffi and Seven, between Rios and Teresa, and the anger Raffi feels toward Picard.

At this relatively early stage we’ve already been treated to three strong episodes that have kick-started the season. I hope Picard Season 2 can keep up this high quality!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 2

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: Discovery, Voyager, First Contact, and The Next Generation.

I had fun with Penance. It didn’t have the same charm that The Star Gazer had a week earlier – which had brought back so many different design elements from The Next Generation era that I was in heaven! – but it was a very interesting episode nevertheless. I admired the ties to Deep Space Nine in particular, as that’s a part of the franchise that we don’t see referenced very often, and I also enjoyed exploring the Confederation timeline – a riff on the Mirror Universe that managed to avoid many of the storytelling traps that such a setting has presented in the past.

In terms of the theory list, this week we have three solid debunkings, one more that feels almost certainly debunked, and one confirmation. There are several other theories that are barely hanging on, but with the story at such an early stage – and many things unexplained or only having the barest bones of an explanation – I’m choosing to keep those on the list at least for now.

As always, we’ll start with the debunkings before we jump into the main theory list.

Debunked theory #1:
The captive Borg Queen is the same one from First Contact.

The remains of the Borg Queen.

Jumping over to the Confederation timeline meant that this theory was looking less likely, and so it proved. There are still open questions about the nature of the Borg Queen – such as whether every Borg Queen is essentially the same individual – but in terms of this theory, I consider it to be debunked.

I had originally posited that the Federation may have saved and even reactivated the remains of the Borg Queen that Picard and Data defeated at the climax of First Contact, and that individual could be the same one that Picard and the crew of La Sirena met. But we can now strike it off the list!

Debunked theory #2:
In the Confederation timeline, Picard is not a synth.

A recording of the Confederation timeline version of Picard.

It wasn’t clear, as of the end of The Star Gazer, whether Picard would keep his synth body when he hopped over to the Confederation timeline. It seemed reasonable to assume that he might not – the circumstances in which he became a synth were unique, and if Dr Culber was correct in Discovery Season 4, the mind-transfer process was difficult to recreate. Thus I speculated that Picard might be human – and could even be suffering from Irumodic Syndrome.

If Picard lost his synth body, not much would change necessarily – but it could have added an extra dimension to the mission. If Picard knew that he didn’t have long left to live, fixing the timeline could have taken on a very personal angle; a timer that was running out for Picard. As it turned out, Q explained that Picard did in fact acquire a synthetic body in the Confederation timeline thanks to a battle against Gul Dukat.

Debunked theory #3:
The Confederation is an isolationist power.

Earth in the Confederation timeline.

When we saw what looked like a shield grid protecting Earth in the pre-season trailers, I wondered if we’d see an isolationist Earth rather than an all-conquering empire. This would be very similar to how Earth has appeared in Discovery’s 32nd Century, and there could have been interesting allegories about certain nativist and isolationist political movements in the real world.

As it turned out, the Confederation has set out to conquer the galaxy – and seems to be doing a pretty good job of it! They’ve managed to beat the Borg – somehow – and subjugate races like the Cardassians and Klingons despite possessing technology comparable to the Federation of the prime timeline. The Confederation is still xenophobic and human-centric, but it isn’t the isolationist Earth that I had speculated about.

Almost certainly debunked theory:
Elnor will be assimilated.

Raffi and Elnor in a pre-season trailer.

When we saw in the pre-season trailers an injured Elnor and a very upset Raffi bathed in the eerie green light that we so often associate with the Borg, I put two and two together and speculated that we could see Elnor attacked by the Borg Queen. It seemed plausible to suggest that he was in the early stages of assimilation – but the closing seconds of Penance have changed my mind!

Elnor was shot by one of the Magistrate’s goons when they beamed aboard La Sirena, and I think what we’re about to see is that the clip from the trailers was taken from the next episode with Elnor being treated for that phaser or disruptor injury. I certainly hope he’ll be okay!

So those theories have been debunked (probably)!

We also have one confirmed theory, so let’s briefly look at that before we get into the main list.

Confirmed theory:
The Borg Queen will be necessary for time travel.

The Borg Queen in Penance.

Before the season got going I speculated that the Borg Queen could be used as a kind of time machine, and we got confirmation of that in Penance. Dr Jurati believes that the Borg Queen will be able to make the necessary calculations to send La Sirena back to the 21st Century, something that the ship and crew would be unable to do without her, apparently.

I had initially speculated that the Borg Queen may possess some unique technology that allowed her to travel through time, something that could have accounted for her appearance in First Contact, but it seems that the real reason is somewhat simpler! Still, we can count this theory as officially confirmed – our first confirmation of the season!

So that theory was confirmed.

Now let’s get into the main theory list, beginning with theories that are new or saw significant movement in Penance.

Theory #1:
Laris will join the mission back in time.

Picard and Laris at the start of the season.

This theory is officially on very thin ice! Laris is dead in the Confederation timeline, killed by General Picard’s forces some years previously. Every other main character (except Soji, who we’ll come to in a moment) awoke in the Confederation timeline in the bodies of their counterparts; if Laris has no Confederation timeline counterpart, presumably she is dead or else can’t exist in this timeline.

It’s certainly possible that Laris will become a driving force for Picard, spurring him on to find a way to restore the timeline. If he reconsiders his position on love, he could want to return to her, or his adventure could give him a new appreciation for her. But Orla Brady, who plays Laris, had been promoted to a main cast member at the beginning of the season, and I’m pretty sure we saw at least one clip of her in one of the pre-season trailers that we didn’t see in The Star Gazer. How could she come back? Well, isn’t it obvious? Q’s magic! Q could bring her back, allowing her to join the mission.

Theory #2:
Picard and the crew will have to prevent Donald Trump’s re-election.

The White House.

So if you’re new here, you’re probably thinking that I’ve officially lost my marbles. I totally have, by the way, but that’s incidental. When I write up my theories, I like to include some real left-field ones if I think of them. It’s fun, and while this theory would certainly be something completely different, Picard as a whole has been a different kind of Star Trek show. So why not court controversy and bring a real-life political figure into the story?

Q explained to Picard that one of the differences in the Confederation timeline is that Earth failed at preventing climate change, instead finding ways to paper over the cracks. Donald Trump’s energy policies were very pro-fossil fuels during his tenure, and he’s a known climate change “sceptic.” Secondly we have the date that Picard and the crew will travel to: 2024. That’s the date of the next United States presidential election – an election in which Donald Trump is rumoured to be a candidate.

So could it be that the point of divergence that started the Confederation timeline and ruined the entire Star Trek galaxy is… Donald Trump’s election as president?

Theory #3:
Soji will appear in the Confederation timeline – but she’ll look very different.

Could this be how Soji appears in the Confederation timeline?

Where’s Soji? She wasn’t aboard the Stargazer or Excelsior when they confronted the Borg, and she wasn’t seen at all in Penance. But if synth-building techniques are good enough to create a golem for Picard, then the same process could have been used to create the Confederation timeline version of Soji, right?

Synths look a lot more basic in the Confederation timeline, with Harvey appearing to be much closer to the prime timeline’s F8 than even someone like Data, so it’s possible that if Soji does exist, she looks quite different. She could even look similar to Sutra – her “evil twin” from the Season 1 finale. If that’s the case, though, I hope the makeup is done better this time! I don’t think I could take a whole season of the awful gold makeup from Season 1…

Theory #4:
The mission back in time won’t last all season.

Los Angeles, 2024.

If Picard and the crew make it back to 2024 in the next episode, that still leaves a lot of the season remaining for them to repair the damage to the timeline. Perhaps this is as much a wish as a theory – time travel stories that visit the modern day have never been my favourites in Star Trek – but I wonder if there could be something truly unexpected coming afterwards.

With Q involved in the story, he could send Picard and the crew to another alternate timeline or parallel universe, for example. Or after the timeline is repaired, we could see Picard and the crew engage in a battle against the Borg – we still don’t know what was going on with the new Borg Queen and the Legion ship from The Star Gazer. In short, there are many different ways that the season could go after a jaunt to the past.

I’d also point out that, aside from a few clips from the 21st Century, the first two episodes of the season seem to have included most of the clips from pre-season trailers and teasers, which could mean that the latter part of the season is hiding something big!

Theory #5:
The Q Continuum has been attacked.

The Q Continuum, as seen in Voyager.

What’s wrong with Q? That was a question Picard asked that went unanswered in Penance, but there’s clearly something different about Q this time. Though at times he has the same impish charm that we remember from his earlier appearances in the franchise, at other moments he seemed incredibly angry – even hitting Picard at one point.

Perhaps there’s something going on in the Q Continuum – the Continuum could have come under attack, for example, and Q could be one of the few survivors. If something that Picard did or didn’t do is partly to blame, that could explain Q’s antagonistic behaviour.

Though the Q Continuum and the Q species seem god-like from our perspective, it’s not impossible to think that someone found a weakness to exploit. Could it be the Borg, perhaps? Q’s anger could stem from the fact that Picard didn’t do enough to stop them.

Theory #6:
Q is approaching the end of his life.

Q and Picard.

A simpler explanation could be that Q, like Picard, is coming to the end of his life. From Picard’s perspective it’s been 20+ years since he last saw Q, but Q could have lived thousands or even millions of years before choosing to re-visit his “old friend.” Maybe the Q are not entirely timeless and immortal, and perhaps Q is aware that he’s coming to the end of his life. Or if there’s something wrong with the Q Continuum, Q could be dying as a result.

This would potentially open up the Q-Picard relationship, giving the two a chance to discuss what it means to come to the end of one’s life. Picard could even help Q as he faces this new and unsettling turn of events.

Theory #7:
Q is angry with Picard for “giving up.”

Grumpy Q.

Over the course of The Next Generation, Q took a particular interest in Picard. More so than anyone else, Q seemed to see potential in Picard as a representative of the human race, someone who potentially showed him what humanity could be… with a little prompting and guidance. Q seemed fascinated by that idea, so seeing Picard’s fall from grace may have shocked him and left him feeling disappointed and bitter.

Picard spent more than a decade away from galactic affairs, retiring to his vineyard and seemingly just waiting around to die. Someone like Q might take that personally; he might feel that Picard was not living up to the potential he had. Perhaps Picard’s absence had some kind of unknown consequence, something that harmed Q or the Q Continuum. In any case, Q’s animosity to Picard seems to be personal – could disappointment at Picard’s attitude in the years prior to Season 1 be the cause?

Theory #8:
The Borg ship from The Star Gazer crossed over from the Confederation timeline.

The Borg vessel identified as “Legion.”

As far as we know at this stage, the Confederation timeline replaced the prime timeline thanks to someone or something changing the past. But timelines and parallel universes often go hand-in-hand in Star Trek, and after we learned about the Borg’s defeat in the Confederation timeline, I wonder if their ship from the season premiere might have found a way to punch through or cross over into the prime timeline.

If the Borg were facing defeat, as their message seemed to suggest, perhaps that could explain why. Also, the anomaly that the ship emerged from was not a typical transwarp conduit; we’d seen transwarp corridors as recently as Season 1. Finally, the Borg Queen of the Confederation timeline was aware of Picard and the history of the prime timeline – perhaps the Confederation timeline Borg knew of the prime timeline and this was a last-ditch effort to survive.

Theory #9:
The Borg are fighting a war – and they’re losing.

The Borg vessel using its transporter-weapon on the USS Stargazer.

Possibly connected to the theory above, one explanation for the Borg’s message and appearance in The Star Gazer is that in the prime timeline the Collective has found itself on the losing side of a war. Penance told us that the Confederation had been able to defeat the Borg using technology that Dr Jurati believed was roughly equivalent to the Federation’s in the prime timeline – so clearly it’s possible to fight and beat the Borg.

Could mentions of Gul Dukat or Martok in Penance be hints at something to come later in the story? Both characters were major players during Deep Space Nine’s Dominion War arc; maybe the Cardassians and/or the Dominion have been aggressively attacking the Borg in the late 24th Century. The other big culprit is the Confederation – assuming that it’s possible for the two timelines to mix!

Theory #10:
The masked, hooded figure from The Star Gazer is not the real Borg Queen.

The Borg Queen?

The Borg Queen – the hooded figure who materialised on the bridge of the Stargazer – was absolutely terrifying, evoking feelings for me that the Star Trek franchise hasn’t hit in decades. The way this character was presented, with her shrouded face, flowing robes, monochromatic aesthetic, and blend of humanoid and decidedly non-humanoid mechanical features was simultaneously riveting and frightening!

This character was presented as the Borg Queen in the episode, and the Borg have no reason that we know of to lie about that. But at the same time, she was very different not only from how we’ve seen the Borg Queen in past iterations of Star Trek, but she also looked very different to clips we’ve seen in trailers and teasers for Season 2. Could it be that this character will be revealed to be somebody else?

Theory #11:
The masked, hooded Borg is Admiral Janeway.

A Borgified Janeway as seen in Voyager.

This theory could apply whether the Borg on the Stargazer is the Queen or not! Admiral Janeway was assimilated by the Borg Queen as part of her plan to introduce a neurolytic pathogen into the Collective, and appeared to have been killed when the Borg Queen’s complex exploded. But is there a way she could have survived?

Her assimilation could have been a turning point for the Borg. She did untold damage to the Collective, but also potentially gifted them knowledge and information about future events and technologies that were decades ahead of their time. Just like the Borg once chose Captain Picard to become Locutus – their “spokesperson” or representative – perhaps they might have chosen Admiral Janeway to fill a similar role during this latest incursion. Admiral Janeway could even have been incorporated as part of the Borg Queen.

Theory #12:
The masked, hooded Borg is Soji.

Soji in The Star Gazer.

Soji represents a different kind of synthetic life, and may be of interest to the Borg as a result. If the Borg are aware of what transpired in Season 1 on Coppelius, one possible reason for their re-emergence could be to target the synths. The Borg seek “perfection” through the synthesis of organic and synthetic parts; if Coppelius synths like Soji have something that the Borg want, perhaps we’ll learn that they assimilated her to get it.

The anomaly from which the Borg vessel emerged was not a standard transwarp corridor, and was specifically noted to emit some kind of temporal radiation. Thus the Borg vessel could be from a future date after Soji has already been assimilated. We could even learn that the super-synths from the Season 1 finale are actually the Borg; that could be how they first became aware of Soji and the Coppelius synths.

Theory #13:
The Borg are aware that Picard is now a synth – and his synthetic status is part of the reason why they waited until now to make contact.

Picard awakened in a new synthetic body in Et in Arcadia Ego, Part 2.

Continuing in the same vein, the timing of the new Borg incursion is interesting, especially considering that they asked for Picard by name. Are they aware of his newfound synthetic status? And if so, could Picard’s transition to a new synthetic body be the reason why the Borg chose to launch their attack?

The Borg seek “perfection” through a synthesis of organic and synthetic components, and while Picard’s new synthetic body is a far cry from the Borg drones we’ve seen, the idea of an organic mind in a synthetic body isn’t a million miles away from that same basic idea. Although Picard’s body was said to be comparable in practically every way to his original one, synthetics can have enhanced abilities that allow them to easily overpower humans – and, as we’ve seen with Data on more than one occasion, they can outmatch individual Borg drones as well.

A Borg drone losing a fight against Data.

Perhaps the Borg want to re-assimilate Picard now that he’s synthetic. If the Collective is still reeling from the damage inflicted upon it by Admiral Janeway or if they’re on the losing side of a war, perhaps they hope to use fully-synthetic bodies like Picard’s to replace damaged or destroyed drones, or as cannon fodder on the front lines. There are many reasons why the Borg might be interested in synthetic technology, and that could explain their re-emergence.

Even if the Borg don’t plan to assimilate Picard or the Coppelius synths, the timing of their appearance is certainly interesting and there could be a connection.

Theory #14:
Q is not responsible for changing the timeline.

Q hit Picard!

This theory is definitely feeling less and less likely… but as of Penance, the role Q has actually played in what happened is still not certain. The events of the past couple of episodes can certainly be interpreted as Q being the one who deliberately and willingly changed the timeline, and that’s certainly the assumption that Picard has made. However, Q himself didn’t admit responsibility, and while he certainly knows a lot about the Confederation timeline, there may be more going on than we’re currently assuming.

Given the more angry, aggressive presentation of Q that we saw in Penance, what would his goal or objective be if he changed the timeline? It doesn’t seem as though he’s setting up a puzzle for Picard to solve, and if he wanted to punish him for some perceived slight or wrongdoing, would this be how he’d do it? I can think of a million-and-one creative ways that a being with Q’s powers could punish or torture someone, and changing the timeline in a way that could be fixed, while also ensuring Picard could find his friends, doesn’t seem like the best option from Q’s point of view.

Q at the vineyard in Penance.

Someone like Q doesn’t make for a good villain from a storytelling perspective, either. Q’s powers would essentially mean that he could undo any victory that Picard could hope to win – he could fling them forwards in time if they approached the 2020s, for example, ensuring they would never be able to undo whatever changes had been made. Or Q could snap his fingers and leave the crew isolated on a desert island with no way to escape. In short, Picard was able to solve Q’s previous puzzles because Q allowed him to – or wanted him to. If Q really wants to change the timeline to punish Picard, there’s less than nothing Picard could do to stop him.

I have a longer article that goes into more detail about this theory that I wrote before the season premiere, and you can find it by clicking or tapping here.

Theory #15:
Q shielded Picard and the crew from changes to the timeline.

Q in General Picard’s study.

One way in which Q could be involved would be to have protected Picard – and his new crew – from changes to the timeline. There are many reasons why he might do this, and it could apply regardless of whether Q changed the timeline himself or not. If the entire timeline has been changed going back centuries, there has to be a reason why Picard and the crew of La Sirena are seemingly the only ones unaffected – and one explanation for that could be “Q’s magic.”

This would be in line with how we’ve known Q to operate. Episodes like Tapestry and All Good Things saw him use his powers to place Picard in an alternate life while retaining his original memories, and to move between three different time periods. Such a power is something we know Q can use, and it would explain two key things: how Picard and the crew of La Sirena remained unaffected, and how Q is involved in the story.

Theory #16:
Who is responsible for damaging the timeline, then?

Did the super-synths do it?

If Q isn’t the one who changed the timeline, the obvious question that raises is “who did it?”

In theory, it could be any one of a number of different Star Trek factions. We’ve seen the Klingons having access to time travel in the early 25th Century, for example, in the Voyager episode Endgame, and various time travel stories and stories depicting powerful alien races could all theoretically yield suspects. But considering what we know about Star Trek: Picard specifically, in my view the main suspects are as follows:

  • The Borg. The Borg could be one of the season’s main antagonists after their emergence in The Star Gazer, and we’ve seen in past iterations of Star Trek that they can travel through time.
  • The Zhat Vash. While the Zhat Vash may not have been shown to possess time travel tech, they were the primary antagonist last season, and arguably were not defeated in the Season 1 finale.
How about the Zhat Vash?
  • The super-synths. The super-synths from the Season 1 finale are a wildcard; we don’t know much about them except that they seem to be technologically powerful. Travelling back in time might be on their agenda – but erasing the prime timeline could result in the erasure of the Coppelius synths.
  • The Romulan government or the Tal Shiar. With or without the support of the Zhat Vash, the Romulan government could have taken action against the Federation in response to the events of Season 1.

There are undoubtedly other Star Trek factions who could be implicated, and if we had a free choice we could suggest the likes of the Dominion or the Sphere-Builders. But I think those are far less likely when considering the elements Picard has brought on board.

Theory #17:
Guinan will be aware of the shifting timelines.

Picard and Guinan in The Star Gazer.

In The Next Generation Season 3 episode Yesterday’s Enterprise, Guinan demonstrated a unique awareness of changes to the timeline. The Borg Queen seemed to have a similar ability in Penance, and I wonder if the Confederation timeline version of Guinan is aware that something is wrong. If so, perhaps she will seek out Picard before he travels back in time.

This was one of my pre-season theories, as it seemed to fit with what we know of Guinan. However, it’s possible that Guinan’s role in the season won’t be particularly big, and what we saw of her conversation with Picard in The Star Gazer could be all there is! If we don’t see her before Picard travels back in time, we can probably strike this theory from the list – but as of the end of Penance, it remains in play.

Theory #18:
The Confederation is run by augmented humans.

Who is Adam Soong, and could he be responsible for creating genetically engineered humans?

We didn’t get confirmation of this in Penance, so perhaps this theory should be struck from the list. But it’s possible, at least in my view, that the Confederation timeline represents one in which human genetic engineering was never outlawed. Khan-like “supermen” may have come to dominate the human race, and we could learn that humans of this timeline – like General Picard – were genetically engineered.

The inclusion of a new character played by Brent Spiner – who may or may not be named Adam Soong – could be connected to this, as we know that the Soong family was involved in human augmentation in the prime timeline. Khan is perhaps Star Trek’s best-known augment, and he intended to govern in the kind of militaristic, dictatorial style that the Confederation has adopted.

If this theory were true I think I’d have expected to see more direct evidence of it in Penance… but with Picard and the crew still in the Confederation timeline, perhaps there’s still time to learn that augments are involved in its governance. That could even be the point of divergence that created this alternate timeline.

So those theories are new or saw movement this week.

Next, as always, I like to recap all of the other theories that are still in play. These theories didn’t move at all in Penance, but remain possibilities for later in the season.

Theory #19:
There will be a connection between the augments and Strange New Worlds.

One of the few things we know about Strange New Worlds at this early stage is that there will be a character named La’an Noonien-Singh. This new character seems to be related in some way to the iconic villain Khan, and if Khan or Khan-inspired augments play some kind of a role in the Confederation’s power structure, perhaps that will set up a connection – or even a crossover – between Picard Season 2 and Strange New Worlds.

Theory #20:
Dr Jurati will unleash the Borg Queen.

The Borg Queen and Dr Jurati.

Sticking with the Borg Queen, we’ve seen several teases and clips that seem to show her on the loose. If this version of the Borg Queen was originally a captive – as the trailers have seemed to suggest – the question of how she was able to break free raises its head. It’s of course possible that she’s smart enough and powerful enough to break out of her confinement on her own, but she might also be able to convince someone to help her.

Dr Jurati is the cyberneticist that we met in Season 1, and she has a real love for all things synthetic. She seems to know a lot about the Borg, including the status of the Collective, and as we saw in Season 1 her fascination and sympathy for synthetic life is a very powerful motivating factor for her – so much so that she was able to break out of her Zhat Vash brainwashing and didn’t harm Soji. Given all of that, perhaps the Borg Queen is going to be able to convince Dr Jurati to let her guard down or even loosen her restraints.

Theory #21:
There will be a reference to Gabriel Bell or Sanctuary Districts.

Gabriel Bell.

According to the trailers, Picard Season 2 will be paying a visit to the year 2024… but it isn’t the first Star Trek production to visit that specific year! If Picard Season 2 wanted to visit “the modern day,” why not pick 2022 – or 2021 or 2023? 2024 feels like it could hold some kind of significance, and though there have been a couple of other references to events in the 2020s, the Deep Space Nine third season two-part episode Past Tense has already taken us to 2024.

The biggest event that we know of took place in California – the Bell Riots. I don’t necessarily expect to see the Bell Riots depicted all over again, but we could get some kind of reference to Gabriel Bell – the man who led the riots. There could also be mentions of “Sanctuary Districts,” which were areas built to house homeless people that became overcrowded prisons. Given that Picard Season 2 is going to visit the California area, some kind of reference seems plausible.

Considering the current problem with homelessness in some American cities – including in California – it could be an interesting point of social commentary to revisit some of the themes tackled by Past Tense. That episode’s depiction of the 2020s feels a little too close for comfort to the state of the real world, in some respects!

Theory #22:
There will be some kind of crossover with Star Trek: Discovery.

The USS Discovery in the Season 4 episode All Is Possible.

One thing that I find a little odd right now is the scheduling of Picard and Discovery. For three weeks, the two shows will be broadcast on the same day, which doesn’t make a lot of sense when you consider that 1) they’re shows with relatively short seasons, and 2) Paramount+ is a streaming platform. Does that mean there’s a glimmer of hope for some kind of larger-scale crossover than either show has attempted so far?

I suspect I’ll be proven wrong on this one, and that it’s simply due to the inexplicable nonsense that we’ve come to expect from Paramount+ and parent company Paramount Global. Someone has evidently decided that “Thursday is Star Trek day,” and that’s inflexible no matter what. That still doesn’t explain why Picard Season 2 couldn’t be delayed by a measly three weeks, though – especially with the constipated international rollout of Paramount+ potentially meaning that Strange New Worlds will premiere in the USA weeks or months before Paramount+ arrives in Europe. But we’re off topic!

In short, one possible explanation for the odd scheduling could be because the two shows are planning some kind of crossover event; if so, I’d love to see it! And with time travel on the agenda, anything is possible, right? At the very least, I hope that Picard Season 2 will put in more of an effort to connect with Discovery than happened in Season 1.

Theory #23:
Picard and the crew will have to actively trigger World War III to save the future.

World War III soldiers as glimpsed in Discovery Season 2.

Although the Bell Riots are the main event of 2024 that we know about in Star Trek’s internal timeline, the 21st Century was arguably dominated by another event: World War III. The war may have kicked off as early as 2026 (as suggested in The Original Series) and concluded by the mid-2050s as seen in First Contact. The “post-atomic horror” that followed was the backdrop for Q’s trial in Encounter at Farpoint.

World War III is integral to Star Trek because without it, it’s hard to see how warp drive would’ve developed and how humanity would’ve made peaceful first contact with the Vulcans. Just like the end of the Second World War brought about major technological and societal changes that ultimately made the world a better place, Star Trek’s World War III is integral to the events that led to the founding of the Federation. If it were prevented, the timeline would change dramatically.

So my theory is that the point of divergence is the outbreak of World War III – meaning that it will fall to Picard to trigger one of the worst wars in human history in order to save the future. Talk about a moral dilemma! You can find a full write-up of this theory by clicking or tapping here.

Theory #24:
Romulans are spying on Earth in the 21st Century… and could be time-travelling Zhat Vash.

A young boy encounters a Romulan or Vulcan.

In the third trailer, a young boy wearing what seemed to be 21st Century clothing was seen encountering a Romulan or Vulcan. If the Zhat Vash are involved in the new season’s story somehow, perhaps this individual is a Zhat Vash operative. This could confirm that the Zhat Vash were able to travel through time, or send a message back in time to their 21st Century counterparts. The Romulans had achieved interstellar flight centuries earlier, so travelling to Earth to spy or place operatives seems plausible for them.

Of all the scenes we’ve glimpsed so far from Season 2, the one with the young boy and the Romulan or Vulcan is the one that I’m least sure about! It doesn’t seem to fit naturally into a story about the Borg, Q, and time travel… but this is one theory that could make sense, and would connect to the theory above about Q not being to blame.

Theory #25:
The Vulcans are on Earth in the early 21st Century… as stated in Discovery Season 4.

A meeting of senior Federation and allied officials in Discovery Season 4.

Another theory about the unnamed Romulan or Vulcan is tied into the Discovery Season 4 episode The Galactic Barrier. This could easily be a complete overreaction to a throwaway line, but at the beginning of the episode, the enigmatic Federation leader Dr Kovich stated that Vulcans were on Earth for decades prior to official first contact taking place.

This one line could be a reference to Carbon Creek, an episode of Enterprise that saw Vulcans crash-land on Earth in the 1950s. But the timing seems odd given the scene glimpsed in the Picard Season 2 trailers! If the character seen above is a Vulcan, perhaps there will be a connection of some kind between Discovery and Picard.

Theory #26:
At least one character from The Next Generation will make an appearance.

The cast of The Next Generation in Season 1.

With the return of Guinan and Q, as well as Voyager’s Seven of Nine, there are already a lot of returning characters in Picard Season 2! But that doesn’t mean that there isn’t room for a well-placed cameo or two, or even an episode like Season 1’s Nepenthe that steps away from the main story to revisit classic characters. We could even have a bit of fun with some alternate timeline versions of them!

There are so many characters from Star Trek’s past that I would love to spend more time with; listing them all here would be impossible! But if Picard is to end with Season 3, as some outlets have been reporting, it would be fantastic if the crew of The Next Generation could reunite one last time.

I have a list of possible character crossovers that I wrote back in 2020, before we got to see any teasers or trailers, and you can find it by clicking or tapping here.

Theory #27:
The Federation is responsible for creating the Borg.

A rather incredulous-looking Borg seen in The Next Generation.

This is a total wildcard, but I’m just throwing it out there!

The Borg Queen – and the Borg in general – appear to have a fascination with humanity and with Picard. Could it be that the explanation for that is that the Federation and/or humanity are somehow responsible for their creation? With time travel on the agenda, it’s not impossible to imagine a scenario in which the progenitor of the Borg – perhaps even the Queen herself – is able to travel back in time, founding the Collective.

Nanites used by the Control AI.

The idea that the Federation is responsible for creating its own worst nightmare could be an interesting one if executed well, as could the cyclical nature of such a story. It would have to be handled in just the right way to avoid treading on the toes of previous Borg stories, but it feels like a lot of the pieces exist for this theory to seem plausible. The return of the Borg, the inclusion of Q, and even the talk of Picard and humanity needing to pay a “penance” could all be connected.

Discovery Season 2 ran a story with the Control AI that could have also been a Borg origin story. Was it known as early as 2018-19 that Picard wanted to tell a story like this, and if so, could that explain why the Control storyline ended the way it did? I have a write-up of Discovery’s abandoned Borg origin story that you can find by clicking or tapping here.

Theory #28:
The USS Stargazer will make an appearance.

The original USS Stargazer.

Okay, technically the USS Stargazer has already appeared, but not in the way I expected! Captain Rios is (or was) in command of a new USS Stargazer, and not only that but he had a model of the original vessel in his conference room! So that’s it. Theory confirmed, everybody can move on to the next one!

Just kidding. The inclusion of a brand-new USS Stargazer brings the ship and its legacy back to the fore. Picard himself commented in The Star Gazer that the original vessel was his first command, and as far back as Season 1 we had a reference to his time in command through the character of Dr Benayoun. All of these things could be leading to some bigger role for the original USS Stargazer – and with a story that seems to include time travel and a strong focus on Picard’s own personal history, a flashback or even a visit to the ship could be on the agenda!

Theory #29:
By restoring the timeline, Picard – and everyone aboard the Stargazer – will die.

The USS Stargazer self-destructs.

As far as we know based on what’s been teased and shown off in various clips and trailers, a big part of the storyline this season will be undoing whatever damage was done in the 21st Century and restoring the true timeline. But if that happens, and the timeline is fully restored, that means that Picard, Captain Rios, Dr Jurati, and Seven of Nine will be on board the USS Stargazer when it self-destructs. Raffi and Elnor will be aboard the USS Excelsior in the same moment – and their ship could be destroyed as well.

If this story turns into a two-season arc, perhaps the final episode of Season 3 – which is rumoured to be the end of the show entirely – will see Picard and the crew restore the timeline, only to spend their final seconds aboard the Stargazer before it’s destroyed. This would be a bittersweet ending – to say the least!

Theory #30:
The season will end on a cliffhanger.

Because Seasons 2 and 3 went into production back-to-back, that made me wonder if they might form one continuous story – or if the final act of Season 2 might set up the story for Season 3. Star Trek has a long history of season-ending cliffhangers, such as The Best of Both Worlds in The Next GenerationEquinox in Voyager, and Such Sweet Sorrow in Discovery, to give just three examples.

Something in The Star Gazer could be relevant, though. If the story we’re going to see is all about restoring the correct timeline and undoing whatever damage has been done, then assuming Picard and co. succeed in their objective… won’t that place them back on the bridge of the Stargazer just as it’s about to self-destruct? If that’s the case, maybe it won’t happen this season and will instead be the finale of Season 3, with Season 2 ending on a cliffhanger at the story’s halfway mark.

Theory #31:
The Borg Collective was badly damaged in the Voyager episode Endgame and has been unable to recover.

Dr Jurati decoded the Borg message.

In The Star Gazer, it seemed as if the Borg Collective was reaching out, asking the Federation – and Picard specifically – for help. If so, the question is why? Was it just a shallow ploy to launch another attack on Starfleet? Or is there at least a degree of truth to the Borg’s request?

Endgame, the final episode of Voyager, depicted a time-travelling Admiral Janeway introducing a neurolytic pathogen – a type of virus – into the Borg Queen, seriously damaging her, her base of operations, and several Borg vessels in the vicinity. Because the Borg hadn’t been seen since – until The Star Gazer, that is – we never got to learn just how deadly Admiral Janeway’s actions were.

Admiral Janeway in Endgame.

I’ve always assumed that the Borg Collective is vast enough, powerful enough, clever enough, and most importantly adaptable enough that Admiral Janeway’s actions weren’t going to strike a fatal blow. Whatever damage she had done seemed like something the Borg could eventually fix – and their existence 25 years later during the events of The Star Gazer seems to prove that. The Borg’s technology and weapons are still streets ahead of anything Starfleet has at its disposal… but even so, it’s still possible that the Borg are on their last legs facing defeat.

If that’s the case, maybe we’ll discover that it was Admiral Janeway who’s responsible – that her actions in Endgame are either wholly or partly to blame for the Borg’s weakened state. Dr Jurati seemed to know that the Borg Collective isn’t as strong as it once was, so that could be another clue pointing to this theory.

Theory #32:
The loose ends from Season 1 will be tied up.

Will we learn Narek’s fate?

The Star Gazer already crossed off two things from the list of Season 1 leftovers! Dr Jurati’s legal status was clarified, as was her relationship with Captain Rios. There are still a number of points that I’d like to see addressed before the season ends, though, as Season 1 unfortunately left quite a lot of story on the table thanks to a rushed and underwhelming finale.

Here are the main ones:

  • What will become of the synths on Coppelius, and will they have to be relocated for safety?
  • Did Starfleet attempt to visit Aia and shut down the beacon at the centre of the Zhat Vash’s prophecy? Leaving it out in the open seems dangerous.
  • Will Starfleet contact the super-synths and attempt to make peace or convince them that they pose no threat?
The Artifact’s resting place on Coppelius.
  • Why did Bruce Maddox go to Freecloud?
  • With the Zhat Vash plot exposed, what will become of their crusade against synthetic life?
  • Did Federation-Romulan relations suffer as a result of the Zhat Vash’s attack on Mars and attempted attack on Coppelius?
  • What happened to Narek after he was captured by the Coppelius synths?
  • Who controls the Artifact and what will happen to the surviving ex-Borg?

So that’s it!

Harvey the synth.

We have a lot of theories in play at this early stage, but there’s plenty of time for more to develop over the next few episodes. It seems as though Picard and the crew of La Sirena will soon begin their mission to the year 2024, and we could soon learn more about what exactly happened in that year that set humanity and Earth on a very different, very dark path.

I always like to end these theory lists by saying that I do this just for fun. I enjoy writing, I enjoy Star Trek, and spending more time in this world is an escape and an enjoyable distraction. But for some folks, fan theories can be frustrating or unenjoyable, especially if they get very attached to a plausible-sounding theory that ultimately doesn’t pan out. I have no “insider information” and I’m not trying to claim that anything suggested above can, will, or must be part of Picard Season 2. I fully expect many of these theories to be debunked and for the season to go in wildly unpredictable directions!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 2, Episode 2: Penance

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next Generation, First Contact, Nemesis, and Voyager.

After such an incredibly strong start to Season 2 last week, there was almost nowhere left for Penance to go in terms of action and excitement! But the season continues in strong form with another excellent episode, one with a very different tone to its immediate predecessor.

After the explosive end to last week’s episode, Picard and the crew of the Stargazer found themselves transported – as if by magic – to a strange, twisted reality, one in which the human-centric Confederation reigns. But the surprising thing they learned (which had essentially been explained already in the trailers and teasers) is that this isn’t some alternate reality or parallel universe, but rather the prime universe after something or someone had changed the past.

Seven, Elnor, Raffi, and Picard reunited in the Confederation timeline.

The Confederation definitely strayed into Mirror Universe territory with its militaristic aesthetic, demagoguery, and clear love of violence, but I actually found it more interesting to watch as a viewer than practically any story set in the Mirror Universe. There’s one key reason for that, I think: practically all of the characters we spent time with in Penance were from the original timeline, meaning that the actors were playing their familiar, more complex and nuanced roles.

One of my primary complaints about the Mirror Universe in practically all of its appearances, from The Original Series right through to Discovery, is that it feels like hammy, over-the-top pantomime. It’s a setting that’s written in such a way that it tricks even great actors like Sonequa Martin-Green into putting in incredibly poor, one-dimensional performances as their Mirror Universe counterparts, and I think if we’d had to spend a lot of time with Confederation Picard or Confederation Rios, we could’ve been in a similar position in Penance.

Sticking with our established characters – and not their alternate counterparts – was good for Penance.

Luckily that didn’t happen, so what we got is a genuinely interesting setting – it’s the Mirror Universe but also not the Mirror Universe at the same time. Q even used the familiar expression “through a mirror, darkly” (a riff on a similarly-titled Enterprise episode!) to describe the Confederation timeline, and similar themes of presenting our characters with a dark, twisted version of reality are present here, just as they are in the Mirror Universe.

In this case, though, it’s arguable that Picard and the crew might feel worse about how things have turned out. In the Mirror Universe, we’re dealing with similar-looking but very different people; dark counterparts to our familiar characters. But the Confederation timeline aims to say that Picard – our familiar Picard – would have behaved this way if he’d been born and raised here. Picard is confronted not with a doppelgänger, but with an alternate version of himself.

A recording of the Confederation timeline version of Picard.

This isn’t the first time we’ve been here with Picard, if you think about it! In Nemesis, Picard had to deal with a clone of himself, and at one point in the film he came to the realisation that, if he had led the life that Shinzon had, he’d have turned out exactly the same way. Here, in the Confederation timeline, Picard must deal with the fact that this version of himself has been such an all-conquering general, subjugating alien races and bringing a xenophobic, human-centric ideology to the galaxy.

Speaking of “all-conquering,” something I’d be very interested to learn more about is the Confederation’s conquest of the Borg. Dr Jurati specifically stated in Penance that the Confederation’s technology is comparable to the Federation’s in the prime timeline, and we saw just last week how completely overpowering the Borg were when facing the Federation. So how did General Picard beat the Borg? And having destroyed literally the entire Borg Collective, why does the Confederation seem to be having such a problem keeping the planet Vulcan under control?

Rios watches the Battle of Vulcan from La Sirena.

It’s possible that this will be explored in more detail in the episodes ahead, and there could be a connection here between the Borg of the Confederation timeline and the Borg in the prime timeline that we saw in The Star Gazer, perhaps. I’d certainly be interested to see a conversation between the captive Borg Queen and Picard on this subject; if she is the sole survivor of her entire people, she would certainly have a thing or two to say to him!

It’s also possible, of course, that the Confederation’s conquest of the Borg won’t be referenced again – and personally, I think that would be a bit of a disappointment. Maybe Picard’s trip back in time – which seems to be coming in the next episode, despite the cliffhanger ending this week – will wipe out the Confederation timeline, and what we saw of it in Penance will be all we ever see. But as I’ve said before, as Trekkies who feel a connection to the Star Trek galaxy, we always want to dig deeper and learn more about this wonderful setting. To brush aside something as potentially huge as the Borg being defeated would be a shame.

Picard comes face to face with the Borg Queen.

Like The Star Gazer before it, Penance revelled in the lore and history of Star Trek. We got our first major references to Deep Space Nine since live-action Star Trek returned to the small screen thanks to mentions of Gul Dukat (also known in this timeline as “Skull Dukat!”) and General Martok; two of General Picard’s defeated adversaries. There was also a reference to one General Sisko, which was awesome! As a big fan of Deep Space Nine, it’s wonderful to see modern Star Trek make reference to it.

I doubt that we’ll see anyone from Deep Space Nine on screen this season, but the callbacks were definitely appreciated. Aside from Sarek, though, the conquests Q showed to Picard weren’t really characters or villains that I’d have associated very strongly with Picard himself. There was scope to reference someone like Dathon, the Tamarian captain from the episode Darmok, who has a stronger association with Picard than the likes of Gul Dukat or General Martok – characters we never saw him meet on screen. That’s not to be critical, though – I adored the Deep Space Nine references and for something relatively minor that most viewers won’t have thought twice about, it was a great way to include a couple of references to this part of Star Trek!

Confederation Picard was quite the collector of skulls, apparently!

Was it a little bit of a contrivance that the characters were all able to find each other so soon after their arrival in this new timeline? And if we get really nitpicky about it, shouldn’t they have considered the possibility that someone else might’ve found themselves transported there too? Captain Rios didn’t seem to even consider looking for any of his officers or crew from the Stargazer, for example. It didn’t cross my mind during my first time watching Penance, but as I was going through it for a second time it gave me a moment’s pause.

That being said, I liked very much that the characters were all split up after their arrival in the Confederation timeline. Although we can call it somewhat of a contrivance that they were able to contact one another and get back together within a single episode, the fact that they all found themselves in different places, occupying very different roles, was something that Penance pulled off very well considering that it all had to be done in the runtime of a single episode.

Elnor, shortly after his arrival in the Confederation timeline.

Around the 23-minute mark, when Elnor has been cornered by Confederation security forces, there was a very odd visual moment where one brief shot looked very different – and of significantly lower quality – to the others. It hardly ruined the episode, but it was noticeable even on a first viewing that this one shot of Elnor didn’t look right. It seemed as if it was using a green screen and the shot had been spliced into the episode at the last minute.

Other than that, though, the visuals, CGI, and other special effects in Penance were outstanding. The battle Rios found himself engaged in over Vulcan was one of the most fast-paced that the Star Trek franchise has ever shown, and it had almost a Star Wars starfighter feel, as other ships of La Sirena’s class fought against Vulcan ships that drew on designs from Enterprise for their visual inspiration.

La Sirena and other Confederation ships battling Vulcans.

So let’s talk about Q: what could be going on with him? Picard seemed to think that there was something wrong; the implication being that Q, like Picard, is coming to the end of his life, perhaps? I’m not sure if this is the route the story will go, though, and I have a couple of theories that I’ll expand on in my next theory post. It was definitely a change to see a more aggressive, less jovial characterisation of Q, though. For all the puzzles and tricks Q has laid for Picard in the past, he never treated any of them in the same way as he did here. If I didn’t know better, I’d say that Q was angry.

Could the root of this anger be a sense of disappointment that Q feels in Picard? When Season 1 kicked off, Picard had been in self-imposed isolation on his vineyard for more than a decade, having chosen to resign from Starfleet and cease participating in Federation and galactic affairs. As someone Q had taken a very strong personal interest in, could Q have taken that decision personally? Could he have felt that Picard was failing to live up to the potential that Q initially believed him to have? If so, perhaps that might explain Q’s attitude in Penance.

Why is Q so grumpy?

When I put together a list of episodes that I felt could be good background viewing for Picard Season 2, I deliberately included stories like Q Who, Tapestry, and All Good Things. These episodes I feel encapsulate the Q-Picard relationship; the adversarial but not villainous nature of Q, the way Q sees himself as a guide, the way Q has even tried, in his own twisted way, to help Picard. All of these things feel quite far removed from the way Q appeared in Penance, but as we almost certainly haven’t seen the last of him this season, I’m sure we’ll learn more about Q’s role and motivations.

We don’t even know for certain at this stage that it was Q who damaged the timeline. At most, I think we can say with reasonable certainty that Q used his powers to ensure that Picard and the rest of the crew were aware of the change that transpired, but the question of his guilt – or the extent of his complicity in these strange events – is still open.

Q and Picard at Château Picard.

Just like Sir Patrick Stewart makes it feel as if The Next Generation never ended, John de Lancie stepped back into the role of Q seamlessly. Yes, there’s a noticeable change in the way Q was characterised in Penance, but the performance was outstanding and hit all of the right notes for bringing back the Q that we remember. I’m thrilled to have Q back, and right now I’m genuinely curious to see where this new timeline and history-changing event go!

Dr Jurati provided some darkly comedic moments in Penance, and was strangely relatable. We’ve seen her anxious babbling before in Season 1; in a similar vein to characters like Discovery’s Tilly she has a tendency to overshare or not know when to stop talking! Those moments with Seven and the Magistrate were funny, but where I found Dr Jurati at her most relatable were her moments of vulnerability. The Borg Queen rounded on her, sensing how she feels like an outsider no matter what timeline she’s in – and I think that’s something a lot of people can relate to.

Dr Jurati provided both comic and relatable moments this week.

Feeling like an outsider, feeling like your “friends” aren’t really your friends, and so-called imposter syndrome are all things that any of us can feel at different points in our lives, but speaking as someone who is neurodivergent, I think it hits home in a different way. It seems like Penance is setting up a story about manipulation using Dr Jurati’s natural insecurities as a base, and we could see a very interesting allegory play out in future episodes, taking this complex dynamic between Dr Jurati and the Borg Queen to different thematic places.

Notable by her absence was Soji. If this Confederation timeline only has basic F8-type synths (as we saw with Harvey at Picard’s vineyard, for example) then it’s not inconceivable to think that Soji may not exist at all. However, if Q’s statement to Picard about him being given a synthetic body in this timeline is correct – and we have no reason to think he’s lying about that, necessarily – then obviously the synth-creating process had reached the same level, and thus Soji may exist!

Harvey the synth.

With Picard and the crew being prevented from going back in time in the closing seconds of Penance, I wonder if next week we’ll see Soji make an appearance. Otherwise she seems set to miss the entire adventure – and that would be a shame. Soji was a huge part of Season 1, but noticeably didn’t appear in a big way in any of the pre-season trailers and teasers. I wonder if that’s because she’s going to take on a different appearance, or whether there’s something even bigger going on with her that we don’t know at this stage. Time will tell!

Where The Star Gazer had deliberately embraced many different 24th Century Star Trek design elements, Penance was striking out in its own direction, trying something new. There was a definite “Mirror Universe” feel to some of it, but even then the Confederation felt distinct. The scenes with Raffi and Elnor definitely honed in on a very specific kind of dystopia – the police state – that we haven’t really explored in the Mirror Universe before, and it felt shocking and frightening as a result. The way that the sequence with Elnor immediately preceding his arrest was filmed was incredibly claustrophobic, and did an excellent job at communicating just how different this new timeline is.

Elnor and Raffi.

Penance leaned into the “fish out of water” angle with most of its characters, too. Seven’s husband – the Magistrate – seemed to catch on very quickly that something wasn’t right, and kept her and everyone else under suspicion the entire time. Having him watching over her shoulder, and getting too close for comfort to Dr Jurati, Picard, and everyone else was successful at keeping the tension high, and Jon Jon Briones – father of Isa Briones, who plays Soji – put in a riveting performance as a villain. He was perfect for the role, and when he materialised on La Sirena at the end of the episode, it felt like the culmination of a wonderful performance that managed to be menacing and disconcerting but without ever falling into the Mirror Universe trap of hammy over-acting.

As a cat lover, Spot-73 was incredibly cute! Actor and comedian Patton Oswalt brought a lot of life to the cute animated critter, and although we didn’t get a lot of time with Spot-73, those moments were cute, funny, and also set up the apparent loneliness and isolation felt by this timeline’s version of Dr Jurati – something that, as noted, the Borg Queen was able to hone in on.

Tell me I’m not the only one who wants a Spot-73!

Does Laris’ apparent death in this timeline mean she won’t accompany Picard back in time? I had thought we might see more from her this season! It was clearly a moment that affected Picard greatly, and really hammered home just how different – and evil – this timeline’s version of the character is. Laris’ death also gives Picard an added motivation; he now has someone to save, and someone to get back to if he can save the future. Establishing their closeness last week was paid off in a very different and unexpected way here.

Overall, I had a great time with Penance. I don’t think it’s necessarily fair to compare it directly with The Star Gazer; the two episodes are doing entirely different things, and both achieve the feelings and objectives that they were clearly aiming for. Purely subjectively, because of things like the design of the USS Stargazer and the excitement of the Borg’s return, I would probably say I had more fun last week – but Penance was an interesting exploration of a very different timeline, and also managed to include a lot of Star Trek references!

The Magistrate at the end of Penance.

I have so many questions – and the story feels very unpredictable right now. Two episodes in and we’ve seen most of the scenes from the trailers already, with the exception of some of the 21st Century clips. The pre-season marketing did a great job of teasing just enough about the story to get fans interested and excited, but without spoiling big reveals like the Federation fleet, the USS Stargazer, and other key story elements.

There’s a lot to look forward to as Picard Season 2 finds its feet! Will Elnor survive his injury? What will the Magistrate do next? I can hardly wait to find out!

Sorry for the delay in getting to this review! With two episodes of Star Trek premiering within hours of each other (on Fridays in the UK, remember) writing two big reviews is a lot. This weekend I was also building my new computer, something that cut into my writing time quite a bit too. But it’s here now – and stay tuned for my weekly theory updates, too!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 1

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next Generation, Deep Space Nine, First Contact, Voyager, and Discovery.

Wow. What an amazing season-opener The Star Gazer was! Usually I watch each new Star Trek episode once, then once more while working on my review, and then I set it aside for the time being – there are other things to watch, after all! But I’ve seen The Star Gazer five times already; I can’t stop myself going back and watching it over and over again!

Last week I kicked off the Picard Season 2 theory list, bringing together all of my main pre-season theories. I had expected The Star Gazer to debunk some of them right off the bat, but to my surprise I don’t think any of them were. There are certainly some theories that now seem very unlikely, and one that may be debunked in the next episode when we spend more time with Q, but for now, all of them remain in play.

There were a few new theories that The Star Gazer kicked off, too, so they will be added to the list this time.

Theory #1:
The Borg Collective was badly damaged in the Voyager episode Endgame and has been unable to recover.

Dr Jurati decoded the Borg message.

In The Star Gazer, it seemed as if the Borg Collective was reaching out, asking the Federation – and Picard specifically – for help. If so, the question is why? Was it just a shallow ploy to launch another attack on Starfleet? Or is there at least a degree of truth to the Borg’s request?

Endgame, the final episode of Voyager, depicted a time-travelling Admiral Janeway introducing a neurolytic pathogen – a type of virus – into the Borg Queen, seriously damaging her, her base of operations, and several Borg vessels in the vicinity. Because the Borg hadn’t been seen since – until The Star Gazer, that is – we never got to learn just how deadly Admiral Janeway’s actions were.

Admiral Janeway in Endgame.

I’ve always assumed that the Borg Collective is vast enough, powerful enough, clever enough, and most importantly adaptable enough that Admiral Janeway’s actions weren’t going to strike a fatal blow. Whatever damage she had done seemed like something the Borg could eventually fix – and their existence 25 years later during the events of The Star Gazer seems to prove that. The Borg’s technology and weapons are still streets ahead of anything Starfleet has at its disposal… but even so, it’s still possible that the Borg are on their last legs facing defeat.

If that’s the case, maybe we’ll discover that it was Admiral Janeway who’s responsible – that her actions in Endgame are either wholly or partly to blame for the Borg’s weakened state. Dr Jurati seemed to know that the Borg Collective isn’t as strong as it once was, so that could be another clue pointing to this theory.

Theory #2:
The Borg are fighting a war – and losing.

The Borg vessel identified as “Legion.”

This theory could go hand-in-hand with the one above, but it could also stand on its own. In short, an alternative explanation for why the Borg are in a weakened state at this moment in time is that they’re fighting a war – perhaps against a race like the super-synths from Season 1 – and are being badly beaten. Their request for help could be genuine if they’re facing an existential threat, and the super-synths from Season 1 are one of the very few factions in all of Star Trek that could be more powerful than the Borg.

We’ve seen a similar narrative play out in Voyager with the Borg-Species 8472 war. That conflict served as Seven of Nine’s introduction, and it could be interesting if a similar story were in play here, given Seven’s involvement in the story. If the Borg are being attacked, that would also raise a number of questions for Starfleet: who is attacking the Borg? Why are they doing it? And could they be coming for the Federation next?

Theory #3:
The Borg are aware that Picard is now a synth – and his synthetic status is part of the reason why they waited until now to make contact.

Picard awakened in a new synthetic body in Et in Arcadia Ego, Part 2.

The timing of the new Borg incursion is interesting, especially considering that they asked for Picard by name. Are they aware of his newfound synthetic status? And if so, could Picard’s transition to a new synthetic body be the reason why the Borg chose to launch their attack?

The Borg seek “perfection” through a synthesis of organic and synthetic components, and while Picard’s new synthetic body is a far cry from the Borg drones we’ve seen, the idea of an organic mind in a synthetic body isn’t a million miles away from that same basic idea. Although Picard’s body was said to be comparable in practically every way to his original one, synthetics can have enhanced abilities that allow them to easily overpower humans – and, as we’ve seen with Data on more than one occasion, they can outmatch individual Borg drones as well.

A Borg drone losing a fight against Data.

Perhaps the Borg want to re-assimilate Picard now that he’s synthetic. If the Collective is still reeling from the damage inflicted upon it by Admiral Janeway or if they’re on the losing side of a war, perhaps they hope to use fully-synthetic bodies like Picard’s to replace damaged or destroyed drones, or as cannon fodder on the front lines. There are many reasons why the Borg might be interested in synthetic technology, and that could explain their re-emergence.

Even if the Borg don’t plan to assimilate Picard or the Coppelius synths, the timing of their appearance is certainly interesting and there could be a connection.

Theory #4:
The masked, hooded figure from The Star Gazer is not the real Borg Queen.

The Borg Queen?

The Borg Queen – the hooded figure who materialised on the bridge of the Stargazer – was absolutely terrifying, evoking feelings for me that the Star Trek franchise hasn’t hit in decades. The way this character was presented, with her shrouded face, flowing robes, monochromatic aesthetic, and blend of humanoid and decidedly non-humanoid mechanical features was simultaneously riveting and frightening!

This character was presented as the Borg Queen in the episode, and the Borg have no reason that we know of to lie about that. But at the same time, she was very different not only from how we’ve seen the Borg Queen in past iterations of Star Trek, but she also looked very different to clips we’ve seen in trailers and teasers for Season 2. Could it be that this character will be revealed to be somebody else?

Theory #5:
The masked, hooded Borg is Admiral Janeway.

A Borgified Janeway as seen in Voyager.

This theory could apply whether the Borg on the Stargazer is the Queen or not! Admiral Janeway was assimilated by the Borg Queen as part of her plan to introduce a neurolytic pathogen into the Collective, and appeared to have been killed when the Borg Queen’s complex exploded. But is there a way she could have survived?

Her assimilation could have been a turning point for the Borg. She did untold damage to the Collective, but also potentially gifted them knowledge and information about future events and technologies that were decades ahead of their time. Just like the Borg once chose Captain Picard to become Locutus – their “spokesperson” or representative – perhaps they might have chosen Admiral Janeway to fill a similar role during this latest incursion. Admiral Janeway could even have been incorporated as part of the Borg Queen.

Theory #6:
The season will end on a cliffhanger.

Because Seasons 2 and 3 went into production back-to-back, that made me wonder if they might form one continuous story – or if the final act of Season 2 might set up the story for Season 3. Star Trek has a long history of season-ending cliffhangers, such as The Best of Both Worlds in The Next Generation, Equinox in Voyager, and Such Sweet Sorrow in Discovery, to give just three examples.

Something in The Star Gazer could be relevant, though. If the story we’re going to see is all about restoring the correct timeline and undoing whatever damage has been done, then assuming Picard and co. succeed in their objective… won’t that place them back on the bridge of the Stargazer just as it’s about to self-destruct? If that’s the case, maybe it won’t happen this season and will instead be the finale of Season 3, with Season 2 ending on a cliffhanger at the story’s halfway mark.

Theory #7:
By restoring the timeline, Picard – and everyone aboard the Stargazer – will die.

The USS Stargazer self-destructs.

As far as we know based on what’s been teased and shown off in various clips and trailers, a big part of the storyline this season will be undoing whatever damage was done in the 21st Century and restoring the true timeline. But if that happens, and the timeline is fully restored, that means that Picard, Captain Rios, Dr Jurati, and Seven of Nine will be on board the USS Stargazer when it self-destructs. Raffi and Elnor will be aboard the USS Excelsior in the same moment – and their ship could be destroyed as well.

If this story turns into a two-season arc, perhaps the final episode of Season 3 – which is rumoured to be the end of the show entirely – will see Picard and the crew restore the timeline, only to spend their final seconds aboard the Stargazer before it’s destroyed. This would be a bittersweet ending – to say the least!

Theory #8:
In the changed timeline, Picard is no longer a synth.

Picard in the new timeline.

The circumstances leading to Picard becoming a synth seem like they’re unique to the prime timeline. The mission to Coppelius, the development of synths in secret by a small group of cyberneticists, and the way in which Picard befriended synths from Data to Soji all contributed to his “rebirth” in a new synthetic body at the end of Season 1. It’s not impossible for something similar to have happened in the alternate timeline in which he now finds himself… but I’m not sure how likely it is, either.

This could be an interesting inclusion – Picard was dying due to an unnamed brain condition, and if he isn’t a synth in the new timeline, he may not have very long left before he succumbs. This could add a timer to his new mission – if he can’t figure out a way to restore the proper timeline, it could cost him his life, and if he dies, it may never be possible to “save the future.”

Theory #9:
The USS Stargazer will make an appearance.

The original USS Stargazer.

Okay, technically the USS Stargazer has already appeared, but not in the way I expected! Captain Rios is (or was) in command of a new USS Stargazer, and not only that but he had a model of the original vessel in his conference room! So that’s it. Theory confirmed, everybody can move on to the next one!

Just kidding. The inclusion of a brand-new USS Stargazer brings the ship and its legacy back to the fore. Picard himself commented in The Star Gazer that the original vessel was his first command, and as far back as Season 1 we had a reference to his time in command through the character of Dr Benayoun. All of these things could be leading to some bigger role for the original USS Stargazer – and with a story that seems to include time travel and a strong focus on Picard’s own personal history, a flashback or even a visit to the ship could be on the agenda!

Theory #10:
Q is not responsible for changing or damaging the timeline.

Q.

Right now, this theory feels like it’s on thin ice! But I don’t believe it’s been debunked just yet, so we’ll keep it on the list for now. As the USS Stargazer self-destructed, Picard awoke back at his vineyard – but in a different timeline, one that seemingly has seen a “totalitarian state” rise on Earth. Q appeared almost immediately, and given his abilities, changing the timeline is something he’s more than capable of doing.

But I’m not convinced – at least, not yet. What would Q’s endgame be if he did change the timeline? Q has often been challenging and even adversarial, but as I’ve argued in the past, the role of an out-and-out villain doesn’t suit him nor describe his past appearances in Star Trek. I feel that there must be more to the story – after all, we can’t have had the entire premise explained before the first episode even aired, can we?

Picard and Q have a complex relationship.

Q has previously seen himself as a friend, guide, and ally to Picard – even though the feeling is clearly not mutual! But even if Q wanted to hurt Picard or get back at him, would he do it in this manner? Would he completely change and even erase centuries’ worth of history for the sake of one person? There are a million ways that Q could mess with Picard without changing literally the entire timeline.

There are also other factions who might want to change the timeline for their own purposes. Last season’s antagonists, the Zhat Vash, are just one possible candidate. In short, I think there could be more to Q’s role than we’ve been led to believe, and that he may not be responsible for whatever change or damage has been done.

I have a longer article that goes into more detail about this theory that I wrote before the season premiere, and you can find it by clicking or tapping here.

Theory #11:
Q shielded Picard and the crew from changes to the timeline.

Q with Picard in one of the pre-season trailers.

One way in which Q could be involved would be to have protected Picard – and his new crew – from changes to the timeline. There are many reasons why he might do this, and it could apply regardless of whether Q changed the timeline himself or not. If the entire timeline has been changed going back centuries, there has to be a reason why Picard and the crew of La Sirena are seemingly the only ones unaffected – and one explanation for that could be “Q’s magic.”

This would be in line with how we’ve known Q to operate. Episodes like Tapestry and All Good Things saw him use his powers to place Picard in an alternate life while retaining his original memories, and to move between three different time periods. Such a power is something we know Q can use, and it would explain two key things: how Picard and the crew of La Sirena remained unaffected, and how Q is involved in the story.

Theory #12:
Who is responsible for damaging the timeline, then?

Did the Borg do it?

If Q isn’t the one who changed the timeline, the obvious question that raises is “who did it?”

In theory, it could be any one of a number of different Star Trek factions. We’ve seen the Klingons having access to time travel in the early 25th Century, for example, in the Voyager episode Endgame, and various time travel stories and stories depicting powerful alien races could all theoretically yield suspects. But considering what we know about Star Trek: Picard specifically, in my view the main suspects are as follows:

  • The Borg. The Borg could be one of the season’s main antagonists after their emergence in The Star Gazer, and we’ve seen in past iterations of Star Trek that they can travel through time.
  • The Zhat Vash. While the Zhat Vash may not have been shown to possess time travel tech, they were the primary antagonist last season, and arguably were not defeated in the Season 1 finale.
How about the Zhat Vash?
  • The super-synths. The super-synths from the Season 1 finale are a wildcard; we don’t know much about them except that they seem to be technologically powerful. Travelling back in time might be on their agenda – but erasing the prime timeline could result in the erasure of the Coppelius synths.
  • The Romulan government or the Tal Shiar. With or without the support of the Zhat Vash, the Romulan government could have taken action against the Federation in response to the events of Season 1.

There are undoubtedly other Star Trek factions who could be implicated, and if we had a free choice we could suggest the likes of the Dominion or the Sphere-Builders. But I think those are far less likely when considering the elements Picard has brought on board.

Theory #13:
The loose ends from Season 1 will be tied up.

Will we learn Narek’s fate?

The Star Gazer already crossed off two things from the list of Season 1 leftovers! Dr Jurati’s legal status was clarified, as was her relationship with Captain Rios. There are still a number of points that I’d like to see addressed before the season ends, though, as Season 1 unfortunately left quite a lot of story on the table thanks to a rushed and underwhelming finale.

Here are the main ones:

  • What will become of the synths on Coppelius, and will they have to be relocated for safety?
  • Did Starfleet attempt to visit Aia and shut down the beacon at the centre of the Zhat Vash’s prophecy? Leaving it out in the open seems dangerous.
  • Will Starfleet contact the super-synths and attempt to make peace or convince them that they pose no threat?
The Artifact’s resting place on Coppelius.
  • Why did Bruce Maddox go to Freecloud?
  • With the Zhat Vash plot exposed, what will become of their crusade against synthetic life?
  • Did Federation-Romulan relations suffer as a result of the Zhat Vash’s attack on Mars and attempted attack on Coppelius?
  • What happened to Narek after he was captured by the Coppelius synths?
  • Who controls the Artifact and what will happen to the surviving ex-Borg?

Theory #14:
Laris will join Picard’s mission back in time.

Laris in The Star Gazer.

I feel a bit sorry for Zhaban, who died off-screen in between Seasons 1 and 2. But with Picard and Laris growing closer and having a complicated relationship, I don’t think she’ll just be left behind as she was last time. Orla Brady, who plays the character, is now credited as one of the main cast, so I think we’ll see a lot more from her this season.

Trailers and teasers seem to show that Picard and the crew of La Sirena from Season 1 are unaffected by the changes to the timeline. Perhaps Laris will be similarly unaffected and will be able to reunite with Picard – or maybe Picard will have to ask Q to snap his fingers and bring her back to him. With a mission back in time on the agenda – and possible Zhat Vash or Romulan involvement – Laris could be an important ally to bring along.

Theory #15:
The Federation is responsible for creating the Borg.

The Borg vessel using a transporter-weapon on the USS Stargazer.

This is a total wildcard, but I’m just throwing it out there!

The Borg Queen – and the Borg in general – appear to have a fascination with humanity and with Picard. Could it be that the explanation for that is that the Federation and/or humanity are somehow responsible for their creation? With time travel on the agenda, it’s not impossible to imagine a scenario in which the progenitor of the Borg – perhaps even the Queen herself – is able to travel back in time, founding the Collective.

Nanites used by the Control AI.

The idea that the Federation is responsible for creating its own worst nightmare could be an interesting one if executed well, as could the cyclical nature of such a story. It would have to be handled in just the right way to avoid treading on the toes of previous Borg stories, but it feels like a lot of the pieces exist for this theory to seem plausible. The return of the Borg, the inclusion of Q, and even the talk of Picard and humanity needing to pay a “penance” could all be connected.

Discovery Season 2 ran a story with the Control AI that could have also been a Borg origin story. Was it known as early as 2018-19 that Picard wanted to tell a story like this, and if so, could that explain why the Control storyline ended the way it did? I have a write-up of Discovery’s abandoned Borg origin story that you can find by clicking or tapping here.

So those theories are new or saw movement this week.

To keep the theory list easier to manage and update, I’ll recap all of the other theories that are still in play. These theories saw little or no movement in The Star Gazer, but remain possible.

Theory #16:
At least one character from The Next Generation will make an appearance.

The cast of The Next Generation in Season 1.

With the return of Guinan and Q, as well as Voyager’s Seven of Nine, there are already a lot of returning characters in Picard Season 2! But that doesn’t mean that there isn’t room for a well-placed cameo or two, or even an episode like Season 1’s Nepenthe that steps away from the main story to revisit classic characters. We could even have a bit of fun with some alternate timeline versions of them!

There are so many characters from Star Trek’s past that I would love to spend more time with; listing them all here would be impossible! But if Picard is to end with Season 3, as some outlets have been reporting, it would be fantastic if the crew of The Next Generation could reunite one last time.

I have a list of possible character crossovers that I wrote back in 2020, before we got to see any teasers or trailers, and you can find it by clicking or tapping here.

Theory #17:
Guinan will be aware of the shifting timelines.

Picard and Guinan in The Star Gazer.

The pre-season trailer and clips of Guinan all seemed to be taken from the sequence in The Star Gazer in which she and Picard shared a drink and discussed his love life. That could be Guinan’s sole appearance, but it’s also possible that she could have a role to play later on in the story.

The Next Generation Season 3 episode Yesterday’s Enterprise showed us that Guinan has an ability to perceive changes to the timeline. She can’t always put her finger on exactly what’s changed, but she is more likely than anyone else to be aware that something has changed. Given the similarities between the Yesterday’s Enterprise situation and what seems to be going on this season, perhaps Guinan will be aware of what’s happened and will be able to advise Picard.

Theory #18:
Romulans are spying on Earth in the 21st Century… and could be time-travelling Zhat Vash.

A young boy encounters a Romulan or Vulcan.

In the third trailer, a young boy wearing what seemed to be 21st Century clothing was seen encountering a Romulan or Vulcan. If the Zhat Vash are involved in the new season’s story somehow, perhaps this individual is a Zhat Vash operative. This could confirm that the Zhat Vash were able to travel through time, or send a message back in time to their 21st Century counterparts. The Romulans had achieved interstellar flight centuries earlier, so travelling to Earth to spy or place operatives seems plausible for them.

Of all the scenes we’ve glimpsed so far from Season 2, the one with the young boy and the Romulan or Vulcan is the one that I’m least sure about! It doesn’t seem to fit naturally into a story about the Borg, Q, and time travel… but this is one theory that could make sense, and would connect to the theory above about Q not being to blame.

Theory #19:
The Vulcans are on Earth in the early 21st Century… as stated in Discovery Season 4.

A meeting of senior Federation and allied officials in Discovery Season 4.

Another theory about the unnamed Romulan or Vulcan is tied into the Discovery Season 4 episode The Galactic Barrier. This could easily be a complete overreaction to a throwaway line, but at the beginning of the episode, the enigmatic Federation leader Dr Kovich stated that Vulcans were on Earth for decades prior to official first contact taking place.

This one line could be a reference to Carbon Creek, an episode of Enterprise that saw Vulcans crash-land on Earth in the 1950s. But the timing seems odd given the scene glimpsed in the Picard Season 2 trailers! If the character seen above is a Vulcan, perhaps there will be a connection of some kind between Discovery and Picard.

Theory #20:
Picard and the crew will have to actively trigger World War III to save the future.

World War III soldiers as glimpsed in Discovery Season 2.

Although the Bell Riots are the main event of 2024 that we know about in Star Trek’s internal timeline, the 21st Century was arguably dominated by another event: World War III. The war may have kicked off as early as 2026 (as suggested in The Original Series) and concluded by the mid-2050s as seen in First Contact. The “post-atomic horror” that followed was the backdrop for Q’s trial in Encounter at Farpoint.

World War III is integral to Star Trek because without it, it’s hard to see how warp drive would’ve developed and how humanity would’ve made peaceful first contact with the Vulcans. Just like the end of the Second World War brought about major technological and societal changes that ultimately made the world a better place, Star Trek’s World War III is integral to the events that led to the founding of the Federation. If it were prevented, the timeline would change dramatically.

So my theory is that the point of divergence is the outbreak of World War III – meaning that it will fall to Picard to trigger one of the worst wars in human history in order to save the future. Talk about a moral dilemma! You can find a full write-up of this theory by clicking or tapping here.

Theory #21:
The “totalitarian state” will be run by Khan and the augments.

Picard in the alternate timeline.

The alternate timeline that is established in Picard Season 2 will see the Federation replaced by a “totalitarian state.” This faction appears to be superficially similar to the Terran Empire from the Mirror Universe (though I hope not too similar, as I’m not the biggest Mirror Universe fan!) At the very least, this faction is not as genteel as the Federation and may be governed in an autocratic, dictatorial style.

Based on his appearances in The Original Series and The Wrath of Khan, we know that this is how Khan governed – or intended to govern – when he held power. It’s possible, then, that the totalitarian state that we’ve glimpsed in the trailers and teasers is led or inspired by Khan, and may be a society in which augmented humans hold power.

This could be supported by the introduction of a new member of the Soong family – played by Brent Spiner. The Soongs were known to have researched and studied human augmentation prior to the 22nd Century. Augmentation could also explain how Picard’s unnamed brain condition hasn’t killed him yet if he isn’t a synth in this timeline.

Theory #22:
There will be a connection between the augments and Strange New Worlds.

One of the few things we know about Strange New Worlds at this early stage is that there will be a character named La’an Noonien-Singh. This new character seems to be related in some way to the iconic villain Khan, and if Khan or Khan-inspired augments play some kind of a role in the “totalitarian state,” perhaps that will set up a connection – or even a crossover – between Picard Season 2 and Strange New Worlds.

Theory #23:
The “totalitarian state” is an isolationist power.

A portrait of the alternate timeline version of Picard.

Rather than being one part of a Federation, or the conquering force behind an Empire, it seems possible based on what we’ve seen so far that the “totalitarian state” is only comprised of humans on Earth. This could mirror Discovery’s isolationist Earth in the 32nd Century, and it would be interesting to look at the state of the galaxy if humanity remained isolationist and refused contact with other races. There could also be an allegory about some of our current political movements.

It will be very interesting to learn more about this faction. Who exactly it is, how it rose to power, and what role the alternate timeline version of Picard played in its power structure are all open questions at this stage, and I’m very curious to see how it will all unfold!

Theory #24:
There will be some kind of crossover with Star Trek: Discovery.

The USS Discovery in the Season 4 episode Anomaly.

One thing that I find a little odd right now is the scheduling of Picard and Discovery. For three weeks, the two shows will be broadcast on the same day, which doesn’t make a lot of sense when you consider that 1) they’re shows with relatively short seasons, and 2) Paramount+ is a streaming platform. Does that mean there’s a glimmer of hope for some kind of larger-scale crossover than either show has attempted so far?

I suspect I’ll be proven wrong on this one, and that it’s simply due to the inexplicable nonsense that we’ve come to expect from Paramount+ and parent company Paramount Global. Someone has evidently decided that “Thursday is Star Trek day,” and that’s inflexible no matter what. That still doesn’t explain why Picard Season 2 couldn’t be delayed by a measly three weeks, though – especially with the constipated international rollout of Paramount+ potentially meaning that Strange New Worlds will premiere in the USA weeks or months before Paramount+ arrives in Europe. But we’re off topic!

In short, one possible explanation for the odd scheduling could be because the two shows are planning some kind of crossover event; if so, I’d love to see it! And with time travel on the agenda, anything is possible, right? At the very least, I hope that Picard Season 2 will put in more of an effort to connect with Discovery than happened in Season 1.

Theory #25:
There will be a reference to Gabriel Bell or Sanctuary Districts.

Gabriel Bell.

According to the trailers, Picard Season 2 will be paying a visit to the year 2024… but it isn’t the first Star Trek production to visit that specific year! If Picard Season 2 wanted to visit “the modern day,” why not pick 2022 – or 2021 or 2023? 2024 feels like it could hold some kind of significance, and though there have been a couple of other references to events in the 2020s, the Deep Space Nine third season two-part episode Past Tense has already taken us to 2024.

The biggest event that we know of took place in California – the Bell Riots. I don’t necessarily expect to see the Bell Riots depicted all over again, but we could get some kind of reference to Gabriel Bell – the man who led the riots. There could also be mentions of “Sanctuary Districts,” which were areas built to house homeless people that became overcrowded prisons. Given that Picard Season 2 is going to visit the California area, some kind of reference seems plausible.

Considering the current problem with homelessness in some American cities – including in California – it could be an interesting point of social commentary to revisit some of the themes tackled by Past Tense. That episode’s depiction of the 2020s feels a little too close for comfort to the state of the real world, in some respects!

Theory #26:
The Borg Queen will be necessary for time travel.

The Borg Queen in one of the Season 2 trailers.

The Borg Queen who appeared on the Stargazer’s bridge may not be the same version of the character that Picard and the crew were seen tangling with in pre-season trailers. One theory I have about the Borg Queen is that she’s a time machine: she was physically present during the events of First Contact, and Borg cubes seem to have a special room with advanced technology specifically for the Queen.

My theory is that the Borg Queen has a unique ability to travel through time, and that this is why Picard and the crew of La Sirena will capture and/or use her. In some clips from pre-season trailers, we seem to see the Borg Queen aboard La Sirena, as well as La Sirena potentially using the “slingshot method” of time travel.

Theory #27:
Dr Jurati will unleash the Borg Queen.

The Borg Queen and Dr Jurati.

Sticking with the Borg Queen, we’ve seen several teases and clips that seem to show her on the loose. If this version of the Borg Queen was originally a captive – as the trailers have seemed to suggest – the question of how she was able to break free raises its head. It’s of course possible that she’s smart enough and powerful enough to break out of her confinement on her own, but she might also be able to convince someone to help her.

Dr Jurati is the cyberneticist that we met in Season 1, and she has a real love for all things synthetic. She seems to know a lot about the Borg, including the status of the Collective, and as we saw in Season 1 her fascination and sympathy for synthetic life is a very powerful motivating factor for her – so much so that she was able to break out of her Zhat Vash brainwashing and didn’t harm Soji. Given all of that, perhaps the Borg Queen is going to be able to convince Dr Jurati to let her guard down or even loosen her restraints.

Theory #28:
The captive Borg Queen is the same one from First Contact.

The Borg Queen in First Contact.

With the jump to a new timeline, it’s quite possible that First Contact didn’t play out as we remember it! But if there was a Borg incursion led by the Borg Queen, it’s possible that she was captured or her remains were reactivated after her death.

At the end of First Contact, the Queen’s organic components were destroyed by plasma coolant in the Enterprise-E’s main engineering, but her synthetic parts – including her skull and part of her spine – remained intact. Picard appeared to break them at the end of the film, signifying the “death” of the Borg Queen.

However, the Borg Queen returned on several occasions, most notably in Voyager, seeming to confirm that there are multiple Borg Queens, or that the Queen is able to move her consciousness into a new body at will. It’s possible, then, that the captive Borg Queen in Picard Season 2 was found elsewhere, such as aboard the Artifact. But it’s also possible that the Queen from First Contact was not totally dead, and has been revived or reactivated in the years following the events of the film.

Theory #29:
Elnor will be assimilated.

Raffi and Elnor.

This theory stems entirely from a clip glimpsed in two of the recent trailers! In the image above, Elnor can be seen clearly injured with Raffi by his side. What’s interesting to note, though, is the eerie green light – green is a colour that has a strong association with the Borg. Could it be that Elnor has been attacked by the Borg Queen and is in the early stages of being assimilated?

That was definitely how I interpreted the clip on first viewing! I can’t tell if it’s taking place in La Sirena’s sickbay or somewhere else, though. Regardless… I hope that poor Elnor survives whatever’s happening to him! There are ways of surviving or reversing Borg assimilation, so there’s hope for Elnor even if the worst comes to pass.

So that’s it!

The Borg Queen.

Season 2 got off to an incredible and explosive start, and I have high hopes for an excellent and thoroughly enjoyable sci-fi story over the next nine weeks. The Star Gazer set up plenty of mysterious elements, some of which I have absolutely no idea about right now. Will Picard and Laris get together? Is the Borg Queen somehow Picard’s mum? I doubt it on the latter point (or it would be on the theory list) but you never know!

I always like to end these theory lists by saying that I do this just for fun. I enjoy writing, I enjoy Star Trek, and spending more time in this world is an escape and an enjoyable distraction. But for some folks, fan theories can be frustrating or unenjoyable, especially if they get very attached to a plausible-sounding theory that ultimately doesn’t pan out. I have no “insider information” and I’m not trying to claim that anything suggested above can, will, or must be part of Picard Season 2. I fully expect many of these theories to be debunked and for the season to go in wildly unpredictable directions!

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 2, Episode 1: The Star Gazer

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Seasons 1-2. Spoilers are also present for the following Star Trek productions: The Next Generation, First Contact, and Voyager.

It’s been a long road… getting from there to here. Picard Season 1 wrapped up two years ago this month, but thanks to the pandemic it’s taken until now for the show’s second season to be ready. I said over and over again in late 2019 and early 2020 that Picard was the series I’d been waiting for for eighteen years! As a Trekkie who first fell in love with the franchise thanks to The Next Generation, returning to that era and spending more time with Jean-Luc Picard (and other familiar faces) will always be something that gets me excited!

The Star Gazer was beyond fantastic, and by the time the credits rolled I was sitting there with a big stupid grin plastered across my face. Though there were a couple of slightly clunky lines of expository dialogue, the episode was an incredible ride from start to finish, and I’m so pleased that the season’s pre-release marketing managed to keep such a big secret. I went into The Star Gazer completely unprepared for what I was about to experience – and what I found was one of the best episodes of live-action Star Trek that I’ve seen in a long time.

Picard and Laris relaxing at Château Picard.

Picard Season 1 had received some criticism for stepping away from the familiar 24th Century aesthetic that had defined the fifteen-year span that we call The Next Generation era, and the producers and designers have clearly taken all of that on board when crafting Season 2. The brand-new USS Stargazer recaptured that look, moving it along in subtle, incremental ways rather than throwing it out or trying to radically overhaul it. And both the CGI and practical designs used to bring that 24th Century look to life were absolutely perfect. Whether it was the design of the captain’s chair with its trademark cushion gap, the sleek lines of the helm and operations consoles at the front of the bridge, or the return to physical LCARS-based screens instead of an overreliance on holographic interfaces, this ship absolutely oozed “Star Trek” from every pore.

The fleet that assembled to face down the anomaly was also absolutely perfect. The Starfleet armada seen in the Season 1 finale was a copy-and-paste job, a large fleet but one comprised of only a single starship design. Again, the creators and producers took on board feedback provided by fans all around the world and changed things up, bringing to screen a smaller but far more visually impressive assortment of ships. The new design of the USS Stargazer is going to become iconic, I have no doubt, but there were also callbacks to past iterations of the franchise! I spied a Sovereign-class ship, a variant of the Excelsior-class, and at least one other that may have appeared either in Deep Space Nine’s Dominion War or possibly First Contact – alongside several new starships that I didn’t recognise. These ships all looked beautiful, with outstanding animation work used to bring them to life.

The beautiful and diverse Starfleet armada.

I don’t play Star Trek Online, so I don’t have the same connection that some fans of that game will have to some of the ships that appeared in the new fleet, but I’m so glad that the creatives reached out to the Star Trek Online team – the game even received a credit at the end of The Star Gazer. I’ve seen on social media that Star Trek Online has done a great job at designing ships – they’re one of the big in-game collectables – so it makes a ton of sense to work together on a project like this. The inclusion of Star Trek Online ships will mean a lot to fans of the game, and I’m so happy to see different parts of the Star Trek franchise linking up in this manner.

The biggest narrative beat that pre-release marketing had managed to conceal was the extent of the Borg’s return. Though the Borg vessel that subtitles identified as “Legion” was seen in the opening titles before it appeared on screen, the way in which the story unfolded was truly spectacular. Firstly, the emergence of a green-tinged anomaly set the scene. Green is a colour we’ve associated with the Borg since their early appearances, so this was the first hint that there could be Borg involvement. I also got just a hint – a feeling, maybe – that the anomaly had a vague resemblance to the beacon/portal that the super-synths used last season. Something about the edges of the anomaly, which were green here, looked at least slightly similar to the red portal seen in Et in Arcadia Ego, though that could just be a standard visual/CGI effect.

The USS Stargazer with the anomaly.

Next came the message being transmitted through the anomaly. It fell to Dr Jurati to clean up the message, which was in fact dozens of identical messages being broadcast all at once, but when she managed to isolate part of it, the voice that came through sounded eerily Borg-like. The distorted, mechanical voice had an inhuman quality, and reminded me of when we’ve heard the Borg send hails in past iterations of the franchise. No one acknowledged that in the moment, but it definitely felt like our second hint!

After Picard responded to the message, a large ship emerged. I’m glad it wasn’t a typical Borg cube; the design of this “Legion” vessel was phenomenal. The mechanical arms and insect-like design made it feel immediately threatening, like some kind of nightmarish monster, and its metallic grey exterior bathed in green light meant that we knew it was Borg long before Seven of Nine confirmed it.

The Borg vessel identified in subtitles as “Legion.”

I absolutely adore the design of this “Legion” ship. There were echoes of the Borg Queen’s complex that we saw in episodes like Dark Frontier and Endgame in the latter part of Voyager’s run, and although the design itself was new, it immediately felt “Borg” to me, and I would think that most longstanding Trekkies would have similar reactions. As with many Borg vessels, “Legion” is huge, towering over the entire Federation fleet that had been sent to meet it, employing a sense of scale that we seldom see in Star Trek outside of the Borg.

While we’re talking about designs, let’s also celebrate the brand-new USS Stargazer! The new ship borrowed from the original Constellation-class design which debuted in The Battle, a Season 1 episode of The Next Generation, but evolved it and took it forward. The familiar saucer-plus-four-nacelles design is still present, but the ship incorporates a number of aesthetic elements seen on vessels like the Prometheus- and Sovereign-classes. Not only that, but it shoots forward beyond those to feel like a brand-new design that’s even more highly advanced than those ships, both of which are now 25 years behind the times!

A front view of the new USS Stargazer.

It’s wonderful that the creative team was able to build new sets for the Stargazer instead of relying on redresses of Discovery’s. On re-watching Et in Arcadia Ego, for example, the bridge of the USS Zheng He is noticeable as Discovery’s bridge – the captain’s chair in particular. So to see a brand-new set making full use of 24th Century design elements was absolutely fantastic. As mentioned, I loved the return to LCARS screens in place of holographic interfaces, and the Stargazer’s bridge felt like what I’d expect and want to see from the bridge of a Starfleet ship of this new era.

There were new uniforms to accompany the new ships and other aesthetic changes, but they were similar enough to last season’s design that I didn’t feel the change was too obtrusive. I had placed the Picard Season 1 designs on my list of my favourite Starfleet uniforms, and this new variant keeps most of the aesthetic elements that I found most appealing about them.

Raffi sporting the gold variant of the new uniforms.

When I first saw the new uniforms shown off in a couple of promotional images, I wondered if they might’ve been a dress variant; they seemed to employ a style that didn’t seem out-of-place when compared to The Next Generation’s dress uniforms, and the fact that the couple of promo images that I saw seemed to feature officers at Starfleet Command could’ve meant that they weren’t the usual uniforms! But it seems that this design has been widely adopted by Starfleet as their main uniform as of the year 2400 (or is it 2401?)

Strange as it may sound, I actually get a bit of a Lower Decks vibe from the uniform jackets. I doubt that was intentional, and the idea of a uniform jacket over an undershirt is something we’ve seen going all the way back to The Wrath of Khan’s “monster maroon” uniforms! The mostly-black affair with coloured shoulders to denote division is neat, and it’s perhaps Star Trek’s most commonly-seen uniform design, having been seen in several seasons of Deep Space Nine, all of Voyager, and the film Generations. The Season 1 uniforms updated that basic concept, and the Season 2 uniforms feel like another iterative step from the same starting position.

The blue science variant as worn by the USS Stargazer’s communications officer.

Of course, having dedicated all of this time to talking about the Borg, the Stargazer, and new Starfleet uniforms, we’re not actually going to be spending a lot of time with them – at least as things stand! So let’s take a look at the episode’s story – because I think it’s one of the strongest season-openers in the Star Trek franchise.

Last season, I wrote that Remembrance was almost certainly the strongest premiere episode of any Star Trek show. It probably even eclipsed Emissary – the premiere of Deep Space Nine – which had been the previous high-water mark. Remembrance was a slow-burn episode with some fast-paced moments. It kicked off the story, but it didn’t introduce every character or every narrative thread, and it played its cards close to its chest. The Star Gazer, in contrast, started with a bang! The sequence at the beginning of the episode was explosive and action-packed, and really gave us a taste of what was to come.

The opening shot of the episode.

The action then jumped back by 48 hours, and it was here that we slowed down and got more of those Remembrance vibes. Picard and Laris at the vineyard, a trip to Starfleet Academy, Picard’s dreams or reminiscences about his mother… all of those slower-paced moments felt great, and stood in stark contrast to the thrilling conflict with the Borg that bookended the episode.

I don’t want to compare The Star Gazer and Remembrance and try to say which was better. I don’t think there’s an answer to a question like that – as with other “which was better” questions in Star Trek, the answer to me is that they’re both fantastic in their own ways and both represent different kinds of stories. There’s a time when I want the slower pace of a story like Remembrance, just like there are times when I want other slower episodes or films. Then there are times where I want action and excitement like The Star Gazer delivered, and I don’t think it’s fair to say “this one was better than that one.” Both season openers do what they do exceptionally well, and trying to choose between them is always going to be something subjective. Not only that, but the answer will depend on what I’m in the mood for at a given moment!

Sparks flying and a phaser blast during the action-packed episode.

In terms of The Star Gazer itself, the episode naturally put Picard at its centre, but all of the other main cast members got something to do. The only character who felt somewhat off to one side was Soji, who seemed to be taking part in some kind of diplomatic mission. I couldn’t tell if her Federation emblem combadge – which, by the way, is an awesome concept – means that she’s working for the Federation directly, or whether her mission to the planet Raritan IV was on behalf of the synths from Coppelius.

The callback to the Deltans – a race not seen since The Motion Picture over forty years ago – was a neat one, and it was nice to see them make a return. Like the reference to the Kzinti last season, Picard is drawing on some of the lesser-known parts of Star Trek’s canon. It’s possible that Soji is looking for a permanent home for the synths; she mentioned that “we” – i.e. she and someone else or a group – had been touring the galaxy since the ban ended, and with the unclear status of the Zhat Vash and Romulan attitudes to synths, it’s at least possible, in my opinion, that the synths might’ve had to leave Coppelius in order to keep themselves safe.

Soji and the Deltans.

After their adventures with Admiral Picard, and the discovery of what really happened during the attack on Mars and aboard the USS Ibn Majid, both Raffi and Rios have rejoined Starfleet. Raffi’s last name – Musiker – was heard aloud for what I believe is the first time, which was pretty neat, and I like the way that Starfleet appears to have accepted them both. Both characters had fallen quite far as a result of what happened to them, but being proven right in Raffi’s case and discovering the truth for Rios seems to have settled them both, and set them on a pathway to rejoining the organisation.

In that sense, both characters have had comparable arcs across the series so far – with significant events taking place in the year or so of time that passed off-screen! In both cases, though, seeing them doing well, feeling stable, and having jobs with responsibility that they could take pride in was incredibly sweet; we saw both at such a low ebb, at points, that it feels fantastic to see how the events of Season 1 ultimately led to something positive for both of them.

Captain Rios and Commander Musiker spoke very briefly.

Dr Jurati’s role is a little less clear; she was wearing a similar Federation emblem to Soji and was clearly working with her as part of her synth-adjacent mission, but in what capacity I’m not sure. She doesn’t seem to have continued to work with Dr Soong building new synths, and the question of whether it’s even possible to continue to build synths without Data’s neurons wasn’t addressed – and may not be any time soon.

Dr Jurati probably got the least successful lines of dialogue in The Star Gazer – her scene at the bar with the unnamed Deltan was very heavy on exposition. Such lines are necessary sometimes, though, and we did get a fair amount of information about Dr Jurati and Rios having broken up and how she’s not in legal jeopardy for killing Dr Maddox, both of which were open questions as the new season began. Given the time-jump (and just how long it’s been in between seasons for casual viewers who may not remember everything that happened) I guess some exposition was inevitable, and it was a short enough conversation to be inoffensive.

Dr Jurati at the bar.

When Dr Jurati and Rios were together on the bridge of the Stargazer, I didn’t really feel the whole “never speak to me again” vibe that she and Soji had just been discussing. Santiago Cabrera and Alison Pill have great chemistry together, but in their moments together on the bridge leading up to the Borg or “Legion” message being received I didn’t really buy that they’ve just been through what sounded like an acrimonious split. Of course it’s possible for couples who have broken up to work together and maintain a level of civility and professionalism – but this seemed to be more than just that; they felt rather like friends. Perhaps it’s teeing up something that will be featured later in the season!

Is it a nitpick to ask why Captain Rios asked Dr Jurati to decode the message instead of giving the Stargazer’s literal communications officer time to do her job? I guess it probably is! And I liked the way the scene unfolded, with Dr Jurati clambering across the bridge in a very non-Starfleet way – still feeling the effects of the drinks she’d been having at the diplomatic reception! The way she cleared up the message and was able to pull out an intelligible voice was pure Star Trek, and reminded me of similar scenes with characters like Uhura and Worf in past iterations of the franchise. The only difference was we got to see a fairly detailed look at what she was doing this time, thanks to a holographic display.

Dr Jurati decoding the message from “Legion.”

Elnor joining Starfleet reminds me of the Nog storyline in Deep Space Nine, and I think it has potential. It certainly wasn’t a direction that I was expecting for his character, but it definitely beats returning to Vashti with the nuns – both as a story beat and, I’m sure, from Elnor’s point of view too! Being the first of his race to enlist could pose unique challenges – particularly in light of the difficult relationship between the Federation and the Romulan Empire/Romulan Free State following the attacks on Mars and Coppelius – and it will be interesting to see if we learn much more about his decision to apply to the Academy, what role he sees for himself in Starfleet, and how his studies at the Academy are progressing in the episodes that lie ahead. Nog found Academy life difficult, at first, as a Ferengi; there’s scope for an interesting story about a clash of cultures, perhaps.

Nog’s journey from petty thief to Starfleet officer was one of the best character arcs in Deep Space Nine – and in all of Star Trek, certainly up to that point in the franchise’s history. Elnor doesn’t start from quite such a lowly place, but it still feels like development for his character. Elnor was occasionally comedic in Season 1 – thanks in no small part to his rather sheltered and unique upbringing – but going to Starfleet Academy and learning new skills could set him up for having more to do in Season 2.

Cadet Elnor.

The only character who arguably regressed at the start of Season 2 was Seven of Nine. She hadn’t fallen back to her Voyager characterisation (thank goodness), but she was definitely back in her role as a Fenris Ranger; a vigilante operating outside of Starfleet’s jurisdiction and with much of the same passion – and anger – that we saw in Season 1. After the mission to Coppelius, I might’ve expected her to be working with the ex-Borg; there were still a number of survivors after the Artifact landed on the planet, and without Hugh or Soji they don’t really have an advocate. Seven of Nine seemed to be moving toward that role at times in Season 1, particularly in episodes like Broken Pieces and Et in Arcadia Ego – but if she did spend time with the xBs, that part of her life seems to be over.

With the Borg returning in what seems to be a pretty major way, there’s scope for the story to return to the Artifact and the xBs. The question of what happened to them is an interesting one that I’d be happy to see explored, and we now also have the idea of Starfleet using Borg technology in their new ships. That particular plot point has already proven to be very important, and I wonder whether we’ll go into more detail about that at some point this season.

Seven of Nine watching the Borg ship emerge.

When I first saw First Contact at the cinema in 1996, the Borg Queen was certainly a villain that I found intimidating. But whether it was in First Contact or her appearances in Voyager, I never had quite the same visceral, fearful reaction as I did to her appearance in The Star Gazer. The cloaked, hooded figure, dressed all in black, was absolutely terrifying, and the designers deserve so much credit for bringing a completely new style to this character. After more than thirty years as a Trekkie, I love that the Star Trek franchise can still evoke such reactions from me – even when returning to themes and characters we’ve seen before. There was something of the Grim Reaper in this robed design, and I think it combined with the mechanical elements to create a truly scary presentation.

The Borg work so well as villains because of how oversized, overpowered, and unstoppable they seem – and The Star Gazer punched us in the face with all of those things. The scale of the “Legion” ship, as previously mentioned, and its design were big parts of that, but the way the Borg Queen herself appeared – how her transporter beam could cut through the shields with ease, depositing her on the bridge, and then how she used her mechanical tentacles to seize control of the ship – all of these things ramped up the fear factor, and for the first time really since Enterprise’s second season episode Regeneration I felt that our heroes were in real danger from the Borg.

The Borg Queen.

Mechanical tentacles are new for the Borg Queen, but they make perfect sense. The Borg are organic-machine hybrids, so giving them abilities and tools that humanoids wouldn’t have is perfectly logical – when you think about it, it’s surprising we haven’t seen something like it before! The look of the Queen’s appendages reminded me of oversized assimilation tubes – the kind we’d often see shooting out of Borg drones’ hands or wrists to assimilate unlucky crew members. And that makes sense given what the Queen was doing – she was basically trying to assimilate the ship.

In the days ahead I’ll have to write up some theories about what’s going on with the Borg. It was implied that the Collective has been weakened – perhaps as a result of the actions of Admiral Janeway in the Voyager series finale, but that wasn’t made explicitly clear. It seems as if the Federation has been able to observe or spy on the Borg since the events of Endgame, at least enough to know that they’re in a weakened state, but whether there’s been any further Borg-Federation contact wasn’t clear either. Have we seen the first hints that the Borg might be on their last legs, though? That’s an interesting thought to consider…

The Borg vessel’s transporter beam attack on the USS Stargazer.

There was definitely something amiss with the Borg, and not just their claim to wish to speak with Picard or to join the Federation – a ludicrous idea, surely? I got the sense that this was some kind of desperation play on the Borg’s part, not only because of what their message said, but because of the way the Borg Queen was said to be stunning, rather than killing, the crew of the Stargazer. Whatever she was trying to do, she wanted to stop the security team interfering – but either lacked the will or the strength to kill them. Were they being stunned to be assimilated later? Or were they being stunned, not killed, as some kind of gesture of goodwill?

Even if we are dealing with a vastly weakened Borg Collective, they still possess technology that can outdo anything the Federation has. And we got a payoff, of a sort, to one of the big storylines from last season – the use of Borg “parts” and Borg technology. Apparently it was a bad idea to incorporate Borg tech into Federation ships… who knew?

Seven of Nine explained how the USS Stargazer has Borg-based technology.

There’s actually a very interesting real-world parallel here, and it’s one that harkens back to the original presentation of the Borg. As I wrote in my essay The Borg: Space Zombies a while ago, the Borg draw on many of the same ideas that inspired zombie fiction. The frightening idea at the core of an enemy like the Borg is our innate fear of losing ourselves and suffering a fate worse than death. Metaphorically, the Borg can be argued to represent an extreme form of brainwashing, something that here in the west we always accused the communists in the east of doing to their citizens. The Borg, created in the late 1980s at a time when Cold War jingoism had made a comeback, can be read as an American view of Soviet communists – brainwashed to all think alike, having no volition, no independence, and no freedom.

Here in The Star Gazer, we get to see how the Federation used Borg technology in their ships, and how that led to a “backdoor” for the Borg Queen to exploit. In recent years we’ve heard accusations levelled at companies like Huawei that they’re doing something similar. Popular social media app TikTok was even criticised for this, and there’s been a fear for the last few years of granting Chinese companies “too much” access to communications and technology here in the west. In the UK, for example, Huawei was recently denied the opportunity to construct the nation’s 5G mobile network, and another Chinese company was set to be replaced as an investor in a large nuclear power plant, with similar concerns being cited.

Moments like this draw on past and present socio-cultural phobias and anxieties.

This is Star Trek at its best – using a sci-fi lens to touch on (or at least glance at) real-world issues. The idea of foreign companies or agencies potentially having “backdoor” access to important infrastructure is a very contentious one, as governments try to balance the need for investment with their concerns about hacking and cyber-warfare. In this most recent depiction of the Borg, we got to see a very “Star Trek” take on this concept. The Borg can certainly be seen as a manifestation of western fears about communism, so to include them in this kind of story about hacking, cyber-warfare, and technological “backdoors” based on their technology is one I take an interest in!

If you missed my essay on the Borg, you can find it by clicking or tapping here.

The music in The Star Gazer is worthy of a mention! It included a number of familiar musical motifs and melodies from past iterations of the franchise. I heard parts of the familiar theme from The Next Generation as well as figures and stings from The Original Series and First Contact. The episode also made great use of classical music to open Soji’s reception, a funky jazz number to set the scene at Guinan’s bar, and a haunting rendition of the classic French ballad Non, je ne regrette rien in the moments before the Stargazer’s self-destruct sequence was activated.

Picard, moments before the destruction of the USS Stargazer.

Speaking of the self-destruct, was it odd that Captain Rios didn’t order the crew to abandon ship? With a ten-second countdown, maybe most of them wouldn’t have had time – and those on the bridge would have stayed regardless – but perhaps some of those down on the lower decks, if they were lucky enough to be near an escape pod, might’ve been able to escape if they’d heard the order. It’s a very minor point in some respects in the context of the story, but it struck me as odd that the order wasn’t given.

I did like, though, that Picard’s authorisation code was exactly the same as Kirk’s in The Search for Spock. That callback was a really neat one, and one that seems to confirm that all admirals – even newly-reinstated ones – have the authority to set a ship to self-destruct. As the flag officer, the destruction order fell to Picard, even though the Stargazer was under Rios’ command, which is another point of note.

The Borg Queen with her new tentacles.

The discussion in the conference room was a genuinely interesting one, showing different perspectives on the Borg. If we assume that the Borg are in a weakened state because of what happened in Endgame, this meeting could be years in the making. The question I have is one of timing – are the Borg making this move now, singling out Picard by name, because they know he’s now a synth? Perhaps that’s something to save for my next theory post!

Seven of Nine was arguing for attacking the Borg ship outright, whereas Picard and Dr Jurati were seemingly willing to hear what they had to say. For Picard, who had been aggressively anti-Borg during the events of First Contact, and who was still processing his Borg trauma in Season 1, this feels like a pretty big step. Perhaps he’s pushing his feelings down, trying to remain objective and level-headed, willing to give the benefit of the doubt, even for a second, to an old and very personal enemy. I’m not sure. I think it worked well, though, and this felt like the Picard we remember – he wouldn’t sanction exterminating an enemy while they asked for help. He couldn’t support the Federation’s decision to withdraw and stop helping the Romulans, and he wouldn’t consider firing first on the Borg here for the same fundamental reason.

Seven of Nine, Dr Jurati, Captain Rios, and Admiral Picard in the Stargazer’s conference room.

Picard’s other role the story was an interesting one. The setup for The Star Gazer used Picard’s lack of romantic entanglements during The Next Generation as its basis, asking the question: “why?” Why has Picard remained unattached throughout his life? Even going as far back as his time as an ensign, as shown in the episode Tapestry, Picard’s story mostly avoided sex and relationships – though he did strike up relationships with an officer under his command, Nella Daren, in the episode Lessons, with Anij in Insurrection, and of course came close with Dr Crusher.

It seems as though an exploration of Picard himself is going to be part of the story, figuring out why it is that he’s remained single and unattached throughout most of his life. We’ve seen Picard as someone dedicated to his work, but it seems as though The Star Gazer is suggesting there’s more to it than that. It would be very interesting if the answer was that Picard is asexual – perhaps even aromantic or on the aromantic spectrum – but I somehow doubt that’s the direction the story is going! It seems as though his unwillingness to commit to a relationship might be anchored to an event in his past, possibly something to do with his mother.

Picard’s mother, Yvette, seen in a dream.

It was this idea – of embracing a new relationship and learning to love – that Guinan called Picard’s “one final frontier yet to come.” At least part of Picard’s story is going to be tackling whatever this past trauma is and overcoming it. Laris seems to be waiting in the wings for him if he can get to that point, which is certainly an interesting development in and of itself! I’d assumed that Guinan must have been referring to time travel when we heard that line in one of the recent trailers, so it was interesting that The Star Gazer took things in a very different direction.

Guinan also said that this was one of the few things that she and Picard had never discussed. It was great to see her back in this kind of unofficial counsellor role; the shoulder to cry on for Picard as he considered the situation between himself and Laris. We’ve seen Guinan willing to listen and offer advice to many characters – from Wesley Crusher to Data – on subjects like romance, so she felt like a natural fit for this side of the story.

Picard talked with Guinan.

The one thing I’m trying to put out of my mind, speaking as someone who’s asexual, is the idea that Picard is going down a somewhat familiar path. By saying that everyone must want a romantic and presumably sexual relationship, and that if they don’t they must offer some reason or justification – such as past trauma – to explain themselves, some stories in this mould can feel a tad uncomfortable sometimes. It depends how it plays out, and of course I never say that any character must be openly made to be asexual or aromantic! But it’s a trope that some stories can fall into.

As I was struggling with my own asexuality, television shows like The Next Generation and others in the Star Trek franchise held such an appeal for me specifically because the characters didn’t seem to spend all day every day trying to hook up or have sex. The idea that a character like Picard could be “like me” was an appealing one then, and even though he had relationships and near misses over the course of the show’s run, there was a distinction between him and Captain Kirk in that respect, or with other characters like Riker who were much more forward in their romantic liaisons. I’m absolutely interested to see what happened in Picard’s past that might’ve dissuaded him from pursuing a relationship, though, and I think such a story could go far deeper than a potential relationship with somebody like Laris.

Picard with Laris.

As we saw in Season 1, Picard has a tendency to disappear from peoples’ lives. Whether it was Raffi, Elnor, the Romulans on Vashti, Hugh, or even Riker and Troi to an extent, Picard left them to their own devices when he encountered a problem he couldn’t solve; when his diplomatic skills failed him. We also saw as far back as The Next Generation that Picard kept most of his crew at arms’ length, trusting them but not being as close or friendly with them as Captain Kirk had been or as we’d see Captain Janeway be.

These things could be explained by a deeper dive into Picard’s past and his psyche. It could be connected to something in childhood – something to do with his mother. Or it could be something that’s tied to other events in his past, such as his time aboard the original USS Stargazer. We know that Dr Crusher isn’t going to appear in Season 2, so that seems to rule out the most significant event from the Stargazer that we know of – the death of Beverly’s husband Jack Crusher – but it’s certainly very interesting that the new season has brought back the name Stargazer. Is that a coincidence, or will there be some connection to the original ship?

Will Laris be a love interest for Picard going forward?

There’s a lot to unpack, and my amateur hour Freudian analysis won’t do the trick! We’ll have to wait and see how this side of the story plays out – or whether it will be sidelined as Picard has to deal with Q’s shenanigans!

Speaking of Q, his inclusion in The Star Gazer was small, coming right at the end, but it was one of my favourite moments in the entire story. The dynamic between Q and Picard has real nuance and depth that takes it far beyond a simple “good-guy-versus-bad-guy” conflict. Q, despite his attitude and provocations, often seems to act out of curiosity – and even, as I’ve theorised, to be helpful. In his own way, Q sees himself as Picard’s friend and ally – and while we’ve seen hints that that might change, I certainly hope that there’s more to Q than just being a straight villain during Season 2.

When Q was first teased sometime last year, I wrote a piece here on the website saying that his appearance can change at will. In that piece I argued that, although the Star Wars franchise and others were doing fun things with digital de-ageing, I didn’t see a need for it in Star Trek, and that an older Q was fine with me. But when I saw the de-aged face of Q standing behind Picard I almost lost my mind. It looked fantastic, and although Q soon aged himself up to catch up with Picard, those few seconds of digital de-ageing made such a tremendous impact on the episode.

The de-ageing of Q is one of my favourite moments in the whole episode!

As this kind of technology continues to become more accessible, the potential for using CGI characters or de-aged characters becomes practically limitless, as we’ve seen over in the Star Wars franchise with shows like The Book of Boba Fett. Q was absolutely the perfect character to use this technique with, because he can change his appearance in any way he chooses. It fits with his impish sense of humour, too, that he’d want to look older to match with Picard – so to see him appear as we last saw him and then voluntarily age himself up was the perfect way to use this complicated visual effect. I absolutely loved it – it was one of the moments that won the biggest smile from me in The Star Gazer!

There were plenty of smaller references and callbacks to past iterations of Star Trek. The Star Gazer crammed an awful lot into its fifty minutes – and I wonder if that’s because the jump to a different timeline and the mission back in time will mean that fewer such overt references will be possible in the episodes that lie ahead. The display at Starfleet Academy included a number of different familiar ships – and Raffi and Elnor were assigned to the USS Excelsior, which may be a new, refitted, or updated version of the ship first seen in The Search for Spock and later commanded by Captain Sulu.

Picard and Raffi by the starship displays – the USS Excelsior can be seen behind Picard.

The speech that Picard gave at the Academy felt like it was one he could’ve delivered at any time in The Next Generation, and really confirmed that he was back to his old self after a decade away from Starfleet and galactic affairs. I loved seeing his story in Season 1 – a story that shows us how heroes can fall, how depression can strike anyone, and how there is hope to find better days ahead. That story was a powerful one, and one absolutely worth telling. But this speech felt like it was drawing a line under that particular chapter of Picard’s life.

After his “rebirth” in a new synthetic body, Picard seems to have fully regained his passion for Starfleet, and while the whole Laris situation has definitely thrown him – as we saw through his conversation with Guinan – it was wonderful to see him getting back to his old self, enjoying his time with Starfleet again. Taking up a role as Chancellor of Starfleet Academy feels like the perfect next move for Picard in terms of his career, and again I felt this was handled perfectly within the story. Raffi said it was an excuse for Picard to get stuck into his work and ignore working on himself – but we all need things to do, sometimes, to distract ourselves! That doesn’t have to be the wholly negative thing it was presented as.

Back in uniform!

The Borg Queen’s intervention has completely changed things, though. Was it, as Seven of Nine suggested, simply an act of deception on the Borg’s part, using their technology to attempt to assimilate Federation ships in order to get back on their feet? Or is there something more going on? My gut says the latter – that we wouldn’t have heard from people like Dr Jurati, nor seen Picard willing to consider what the Borg had to say, if ultimately the story was going to be one of Borg deception and another attack on the Federation. But those questions are open right now, and the story could go in all manner of different directions from this point.

Though there can be mitigating circumstances, I’m never wild about a character being killed off-screen, which was unfortunately the fate that befell Zhaban. I don’t recall it being stated outright in Season 1 that he and Laris were married; I certainly didn’t get that impression. But if they were, it makes sense that he’d need to be shuffled out of the way to free up Laris and set up this romantic sub-plot and/or this dive into Picard’s past and personality. I would have liked to get a better goodbye with Zhaban, though, as he was an interesting character in his appearances last time.

Laris walking away from Picard.

I think we need to wrap things up – or I’ll never get anything else written! I adored The Star Gazer. It was the return to the world of Star Trek: Picard that I so desperately wanted, washing away the underwhelming end to Season 1 and setting the stage for what I hope will be a new and exciting story. It was dripping with nostalgia – but not so overloaded with it that it drowned out the plot. There’s a balancing act between doing something new and relying on what came before – and The Star Gazer nailed it.

There were so many fun callbacks and references to Star Trek’s past – not only from The Next Generation, but practically the entire franchise! I’m sure I’ve missed many of them, even after re-watching the episode a couple of times.

Picard in a new timeline…

In terms of the look, sound, and feel of The Next Generation-era of Star Trek, I cannot fault The Star Gazer. The diversity of ships, the inclusion of ships from Star Trek Online, the design of the Stargazer’s bridge, the familiar musical motifs, the LCARS screens and panels, even the angled walls to the ship’s hallways – all of it felt absolutely pure Star Trek, and I adored every second I spent with Picard and the crew.

The Star Gazer also set up a story of inner conflict for Picard – one that interests me and has me curious to learn more. What happened to him in the past; what shaped his life to bring him to this point? And is it about to be changed or meddled with somehow – either by Q or someone else? Why did he seem to hear his mother’s voice speaking to him through the Borg Queen moments before the Stargazer blew up? Was it because the Borg had assimilated his mind in the past and were trying to manipulate him… or is there some other connection that will be revealed?

I cannot wait for the next episode – titled Penance. After such a strong start, I hope it can reach the high bar that The Star Gazer has set. If the rest of the season is this good then we’re in for one of the best sci-fi adventures I’ve ever seen.

Star Trek: Picard Season 2 is available to stream now on Paramount+ in the United States, Scandinavia, Latin America, and Australia, and on Amazon Prime Video in the United Kingdom and the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 0

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and the trailers and teasers for Season 2. Spoilers are also present for the following Star Trek productions: The Next Generation, First Contact, Deep Space Nine Season 3, Voyager Season 7, and Discovery Seasons 3-4.

The new season of Star Trek: Picard kicks off later this week! After a two-year wait since Season 1 ended, it feels so good to finally be just days away from another adventure with the crew of La Sirena. During Picard Season 1 I wrote up a list of theories that was updated after each new episode, and this season I wanted to do something similar. Because news, information, and teasers have trickled out about Picard Season 2 over the past couple of years, I have a few theories already – and this week we’re going to start my Picard Season 2 theory list by looking at each of them in turn.

Several of these theories have had longer write-ups elsewhere on the website, and you’ll find links to some of those articles as we go. As always, a caveat: I have no “insider information,” nor am I trying to claim that anything listed below will be part of Picard Season 2! If you followed along last season, or if you’ve been keeping up to date with some of my Discovery theories, you’ll know that I get things wrong! For me, that’s part of the fun, and taking time away from the real world to dive a little more deeply into Star Trek is something I find enjoyable. But no fan theory is worth getting too attached to or too upset over!

With all of that out of the way, let’s jump into the list.

Theory #1:
The season will end on a cliffhanger.

This one really comes from what we know about the production side of things! Picard Season 3 is already in production, and filming appears to have kicked off almost the minute work was done on Season 2. That leads me to think that the two seasons could form one continuous story – or, at the very least, that the final act of Season 2 will set up the story of Season 3.

Star Trek has a track record of cliffhangers going all the way back to Season 1 of The Original Series with the two-part episode The Menagerie. There have also been a number of season-ending cliffhangers, including in The Next Generation, with the most famous, perhaps, being The Best of Both Worlds. So I think it’s at least possible that Picard Season 2 will draw to a close in this fashion!

Theory #2:
The USS Stargazer will make an appearance.

A model of the USS Stargazer.

This is a theory that the very first Season 2 teaser kicked off almost a year ago! The image above, taken from that teaser, was a lingering shot of a model of the USS Stargazer in Picard’s study, and while we’ve seen glimpses of what appears to be a new USS Stargazer in some of the most recent clips and teasers, I think it’s still plausible that the original vessel will show up at some point.

Time travel is on the agenda, and while we know for a fact that Picard and the crew of La Sirena plan to visit the year 2024, that may not be their only destination. If the damage to the timeline is connected, somehow, to an event in Picard’s past, maybe it will be necessary to visit his time as captain of the Stargazer as part of that storyline. The Stargazer could also be seen in flashbacks, or even as a museum ship!

Check out a longer article about the USS Stargazer by clicking or tapping here.

Theory #3:
There will be some kind of crossover with Star Trek: Discovery.

The USS Discovery in the Season 4 episode Rubicon.

One thing that I find a little odd right now is the scheduling of Picard and Discovery. For the next three weeks, the two shows will be broadcast on the same day, which doesn’t make a lot of sense when you consider that 1) they’re shows with relatively short seasons, and 2) Paramount+ is a streaming platform. Does that mean there’s a glimmer of hope for some kind of larger-scale crossover than either show has attempted so far?

I suspect I’ll be proven wrong on this one, and that it’s simply due to the inexplicable nonsense that we’ve come to expect from Paramount+ and parent company Paramount Global. Someone has evidently decided that “Thursday is Star Trek day,” and that’s inflexible no matter what. That still doesn’t explain why Picard Season 2 couldn’t be delayed by a measly three weeks, though – especially with the constipated international rollout of Paramount+ potentially meaning that Strange New Worlds will premiere in the USA weeks or months before Paramount+ arrives in Europe. But we’re off topic!

In short, one possible explanation for the odd scheduling could be because the two shows are planning some kind of crossover event; if so, I’d love to see it! And with time travel on the agenda, anything is possible, right? At the very least, I hope that Picard Season 2 will put in more of an effort to connect with Discovery than happened in Season 1.

Theory #4:
There will be a reference to Gabriel Bell or Sanctuary Districts.

Dr Bashir and Commander Sisko in Past Tense.

According to the latest trailer, Picard Season 2 will be paying a visit to the year 2024… but it isn’t the first Star Trek production to visit that specific year! If Picard Season 2 wanted to visit “the modern day,” why not pick 2022 – or 2021 or 2023? 2024 feels like it could hold some kind of significance, and though there have been a couple of other references to events in the 2020s, the Deep Space Nine third season two-part episode Past Tense has already taken us to 2024.

The biggest event that we know of took place in California – the Bell Riots. I don’t necessarily expect to see the Bell Riots depicted all over again, but we could get some kind of reference to Gabriel Bell – the man who led the riots. There could also be mentions of “Sanctuary Districts,” which were areas built to house homeless people that became overcrowded prisons.

Given the current problem with homelessness in some American cities – including in California – it could be an interesting point of social commentary to revisit some of the themes tackled by Past Tense. That episode’s depiction of the 2020s feels a little too close for comfort to the state of the real world, in some respects!

Theory #5:
The Borg Queen will be necessary for time travel.

The Borg Queen in one of the Season 2 trailers.

One aspect of the Picard Season 2 story that I can’t place right now is the inclusion of the Borg Queen. In a story that seems not to be all about the Borg, what role might she play? To answer this question I wonder if we need to step back to the events of First Contact. In that film, the Borg Queen was present during a mission to assimilate Earth in the 21st Century… so could it be that Borg Queens have a special ability to travel through time that other Borg lack?

If so, perhaps the Borg Queen will be necessary to facilitate time travel, or at least to precisely calculate a destination in time. The explanation could be that time travel is possible but imprecise, and the Borg Queen has some kind of unique ability to hone in on a specific point in space-time that makes precise jumps through time possible. This wouldn’t be entirely inconsistent with the way time travel post-The Original Series has been depicted… so watch this space.

When the Borg Queen was initially teased, I had a bunch of ideas for ways that the Borg as a whole could be included. But when the season’s time travel story seemed to take up such a significant part of the marketing campaign I dropped most of them in favour of this one!

Theory #6:
Dr Jurati will unleash the Borg Queen.

The Borg Queen and Dr Jurati.

Sticking with the Borg Queen, we’ve seen several teases and clips that seem to show the Borg Queen on the loose. If the Borg Queen was originally a captive – as the trailers have seemed to suggest – the question of how she was able to break free raises its head. It’s of course possible that the Borg Queen is smart enough and powerful enough to break out of her confinement on her own, but she might also be able to convince someone to help her.

Dr Jurati is the cyberneticist that we met in Season 1, and she has a real love for all things synthetic. She wasn’t able to carry out her mission of harming Soji because her love and curiosity about synthetic life overwhelmed her Zhat Vash mind-meld, and I wonder if her innate fascination and sympathy for synthetic life could make her a target of the Borg Queen.

If so, perhaps Dr Jurati is able to be convinced to (literally or metaphorically) loosen the Borg Queen’s restraints, accidentally letting her loose on La Sirena.

Theory #7:
The captive Borg Queen is the same one from First Contact.

The Borg Queen in First Contact.

At the end of First Contact, Picard and Data managed to stop the Borg Queen. The Queen’s organic components were destroyed by plasma coolant in the Enterprise-E’s main engineering, but her synthetic parts – including her skull and part of her spine – remained intact. Picard appeared to break them at the end of the film, signifying the “death” of the Borg Queen.

However, the Borg Queen returned on several occasions, most notably in Voyager, seeming to confirm that there are multiple Borg Queens, or that the Queen is able to move her consciousness into a new body at will. It’s possible, then, that the captive Borg Queen in Picard Season 2 was found elsewhere, such as aboard the Artifact. But it’s also possible that the Queen from First Contact was not totally dead, and has been revived or reactivated in the years following the events of the film.

Theory #8:
Elnor will be assimilated.

Raffi and Elnor.

This theory stems entirely from a clip glimpsed in two of the recent trailers! In the image above, Elnor can be seen clearly injured with Raffi by his side. What’s interesting to note, though, is the eerie green light – green is a colour that has a strong association with the Borg. Could it be that Elnor has been attacked by the Borg Queen and is in the early stages of being assimilated?

That was definitely how I interpreted the clip on first viewing! I can’t tell if it’s taking place in La Sirena’s sickbay or somewhere else, though. Regardless… I hope that poor Elnor survives whatever’s happening to him! There are ways of surviving or reversing Borg assimilation, so there’s hope for Elnor even if the worst comes to pass.

Theory #9:
Q is not responsible for changing or damaging the timeline.

Did Q really damage the timeline?

The teasers and trailers for Season 2 seem to place the blame for whatever’s going on firmly at the feet of Q. But I would argue that the role of an out-and-out villain doesn’t really fit with Q’s prior characterisation, where he’s been challenging and adversarial, but usually to make a point or to push Picard to solve a mystery. Q’s god-like powers would also make him ill-suited to fill the role of the season’s overarching villain; with a snap of his fingers he could undo any victory Picard could hope to win.

I’ve always felt that Q sees himself as a friend, ally, and guide to Picard – and to humanity in general. That doesn’t fit with becoming a super-villain, and with so much teased about Q in pre-release marketing material, I have to assume that there’s more going on than meets the eye. We can’t have been introduced to the entire plot already, surely?

I have a longer article that goes into more detail about this theory, and you can find it by clicking or tapping here.

Theory #10:
Q shielded Picard and the crew of La Sirena from changes to the timeline.

Q in one of the trailers for Season 2.

One way in which Q could be involved would be to protect Picard – and his new crew – from changes to the timeline. There are many reasons why he might do this, and it could apply regardless of whether Q changed the timeline himself or not. If the entire timeline has been changed going back centuries, there has to be a reason why Picard and the crew of La Sirena are seemingly the only ones unaffected – and one explanation for that could be “Q’s magic.”

This would be in line with how we’ve known Q to operate. Episodes like Tapestry and All Good Things saw him use his powers to place Picard in an alternate life while retaining his original memories, and to move between three different time periods. Such a power is something we know Q can use, and it would explain two key things: how Picard and the crew of La Sirena remained unaffected, and how Q is involved in the story.

Theory #11:
Who is responsible for damaging the timeline, then?

Did the Borg do it?

If Q isn’t the one who changed the timeline, the obvious question that raises is “who did it?” In the days ahead I might put together a longer list of suspects, but for now I have a few suggestions!

In theory, it could be any one of a number of different Star Trek factions. We’ve seen the Klingons having access to time travel in the early 25th Century, for example, in the Voyager episode Endgame, and various time travel stories and stories depicting powerful alien races could all theoretically yield suspects. But considering what we know about Star Trek: Picard specifically, in my view the main suspects are as follows:

  • The Borg. We know the Borg have the ability to travel through time, and that they’ve weaponised that ability on more than one occasion.
  • The Zhat Vash. While the Zhat Vash may not have been shown to possess time travel tech, they were the primary antagonist last season, and arguably were not defeated in the Season 1 finale.
How about the Zhat Vash?
  • The super-synths. The super-synths from the Season 1 finale are a wildcard; we don’t know much about them except that they seem to be technologically powerful. Travelling back in time might be on their agenda – but erasing the prime timeline could result in the erasure of the Coppelius synths.
  • The Romulan government or the Tal Shiar. With or without the support of the Zhat Vash, the Romulan government could have taken action against the Federation in response to the events of Season 1.

There are undoubtedly other Star Trek factions who could be implicated, and if we had a free choice we could suggest the likes of the Dominion or the Sphere-Builders. But I think those are far less likely when considering the elements Picard has brought on board.

Theory #12:
Picard and the crew will have to actively trigger World War III to save the future.

World War III soldiers as glimpsed in Discovery Season 2.

Although the Bell Riots are the main event of 2024 that we know about in Star Trek’s internal timeline, the 21st Century was arguably dominated by another event: World War III. The war may have kicked off as early as 2026 (as suggested in The Original Series) and concluded by the mid-2050s as seen in First Contact. The “post-atomic horror” that followed was the backdrop for Q’s trial in Encounter at Farpoint.

World War III is integral to Star Trek because without it, it’s hard to see how warp drive would’ve developed and how humanity would’ve made peaceful first contact with the Vulcans. Just like the end of the Second World War brought about major technological and societal changes that ultimately made the world a better place, Star Trek’s World War III is integral to the events that led to the founding of the Federation. If it were prevented, the timeline would change dramatically.

So my theory is that the point of divergence is the outbreak of World War III – meaning that it will fall to Picard to trigger one of the worst wars in human history in order to save the future. Talk about a moral dilemma! You can find a full write-up of this theory by clicking or tapping here.

Theory #13:
The “totalitarian state” will be run by Khan and the augments.

Picard in the alternate timeline.

The alternate timeline that is established in Picard Season 2 will see the Federation replaced by a “totalitarian state.” This faction appears to be superficially similar to the Terran Empire from the Mirror Universe (though I hope not too similar, as I’m not the biggest Mirror Universe fan!) At the very least, this faction is not as genteel as the Federation and may be governed in an autocratic, dictatorial style.

Based on his appearances in The Original Series and The Wrath of Khan, we know that this is how Khan governed – or intended to govern – when he held power. It’s possible, then, that the totalitarian state that we’ve glimpsed in the trailers and teasers is led or inspired by Khan, and may be a society in which augmented humans hold power.

This could be supported by the introduction of a new member of the Soong family – played by Brent Spiner. The Soongs were known to have researched and studied human augmentation prior to the 22nd Century.

Theory #14:
There will be a connection between the augments and Strange New Worlds.

One of the few things we know about Strange New Worlds at this early stage is that there will be a character named La’an Noonien-Singh. This new character seems to be related in some way to the iconic villain Khan, and if Khan or Khan-inspired augments play some kind of a role in the “totalitarian state,” perhaps that will set up a connection – or even a crossover – between Picard Season 2 and Strange New Worlds.

Theory #15:
The “totalitarian state” is an isolationist power.

A portrait of the alternate timeline version of Picard.

Rather than being one part of a Federation, or the conquering force behind an Empire, it seems possible based on what we’ve seen so far that the “totalitarian state” is only comprised of humans on Earth. This could mirror Discovery’s isolationist Earth in the 32nd Century, and it would be interesting to look at the state of the galaxy if humanity remained isolationist and refused contact with other races. There could also be an allegory about some of our current political movements.

It will be very interesting to learn more about this faction. Who exactly it is, how it rose to power, and what role the alternate timeline version of Picard played in its power structure are all open questions at this stage, and I’m very curious to see how it will all unfold!

Theory #16:
Romulans are spying on Earth in the 21st Century… and could be time-travelling Zhat Vash.

A young boy encounters a Romulan or Vulcan.

In the third trailer, a young boy wearing what seemed to be 21st Century clothing was seen encountering a Romulan or Vulcan. If the Zhat Vash are involved in the new season’s story somehow, perhaps this individual is a Zhat Vash operative, and could confirm that the Zhat Vash were able to travel through time, or send a message back in time to their 21st Century counterparts. The Romulans had achieved interstellar flight centuries earlier, so travelling to Earth to spy or place operatives seems plausible for them.

Of all the scenes we’ve glimpsed so far from Season 2, the one with the young boy and the Romulan or Vulcan is the one that I’m least sure about! It doesn’t seem to fit naturally into a story about the Borg, Q, and time travel… but this is one theory that could make sense, and would connect to the theory above about Q not being to blame.

Theory #17:
The Vulcans are on Earth in the early 21st Century… as stated in Discovery Season 4.

A meeting of senior Federation and allied officials in Discovery Season 4.

Another theory about the unnamed Romulan or Vulcan is tied into the most recent episode of Discovery. This could easily be a complete overreaction to a throwaway line, but at the beginning of The Galactic Barrier, mysterious Federation leader Dr Kovich stated that Vulcans were on Earth for decades prior to official first contact taking place.

This one line could be a reference to Carbon Creek, an episode of Enterprise that saw Vulcans crash-land on Earth in the 1950s. But the timing seems odd given the scene glimpsed in the Picard Season 2 trailers! If the character seen above is a Vulcan, perhaps there will be a connection of some kind between Discovery and Picard.

Theory #18:
Guinan will be aware of the shifting timelines.

Picard with Guinan in the Season 2 trailer.

Though clips with Guinan that we’ve seen so far seem to suggest that she and Picard will meet prior to his new mission or during the very early stages of it, one thing we know for sure about Guinan is that she has a sense of when the timeline has been changed or damaged. We saw this in The Next Generation Season 3 episode Yesterday’s Enterprise most prominently, and it could come into play again here.

This could set up Guinan to be an advisor to Picard; she could be the one to tell him, for example, roughly when she thinks the timelines were changed or when the point of divergence was – potentially setting up the entire mission to the past!

Theory #19:
Laris and Zhaban will join Picard’s new mission.

Laris and Zhaban in Season 1.

Laris and Zhaban – Picard’s Romulan friends who lived with him at his vineyard – didn’t accompany him on the mission to track down Bruce Maddox and Soji, despite their skills potentially being very useful. If there’s another dangerous mission in the offing, will they be left behind again? I hope not!

We’ve already glimpsed Laris in some of the trailers for Season 2, and it seems as though she will have an expanded role, which is great. Although she and Zhaban filled a narrative role in Season 1 (being the familiar faces of home that Picard had to leave behind on his adventure, similar to the residents of Hobbiton in The Hobbit and The Lord of the Rings) it never sat right that Picard had two ex-Tal Shiar operatives on his side and just… ditched them! So maybe Season 2 will right that wrong.

Theory #20:
The loose ends from Season 1 will be tied up.

The crashed remains of the Artifact.

Because of the rushed nature of its final two episodes, Season 1 left a lot of unfinished story elements behind. Some of these will be solvable with a line or two of dialogue, and it would be great if Picard Season 2 could at least make an effort to draw a line under some of the unresolved, underdeveloped points at the end of Season 1.

Here are the main ones, as I see it:

  • What will become of the synths on Coppelius, and will they have to be relocated for safety?
  • Did Starfleet attempt to visit Aia and shut down the beacon at the centre of the Zhat Vash’s prophecy? Leaving it out in the open seems dangerous.
  • Will Starfleet contact the super-synths and attempt to make peace or convince them that they pose no threat?
The super-synths’ mechanical noodles.
  • Why did Bruce Maddox go to Freecloud?
  • With the Zhat Vash plot exposed, what will become of their crusade against synthetic life?
  • Did Federation-Romulan relations suffer as a result of the Zhat Vash’s attack on Mars and attempted attack on Coppelius?
  • What happened to Narek after he was captured by the Coppelius synths?
  • Who controls the Artifact and what will happen to the surviving ex-Borg?
  • Were there legal consequences for Dr Jurati?

Theory #21:
At least one character from The Next Generation will make an appearance.

The cast of The Next Generation Season 4.

With the return of Guinan and Q, as well as Voyager’s Seven of Nine, there are already a lot of returning characters in Picard Season 2! But that doesn’t mean that there isn’t room for a well-placed cameo or two, or even an episode like Season 1’s Nepenthe that steps away from the main story to revisit classic characters.

There are so many characters from Star Trek’s past that I would love to spend more time with; listing them all here would be impossible! But if Picard is to end with Season 3, as some outlets have been reporting, it would be fantastic if the crew of The Next Generation could reunite one last time.

I have a list of possible character crossovers that I wrote back in 2020, before we got to see any teasers or trailers, and you can find it by clicking or tapping here.

So that’s it!

La Sirena is warping onto our screens very soon!

With Picard Season 2 now just days away, those are my main pre-season theories. I have no doubt, though, that Picard Season 2 will bring new and unexpected storylines into play, so I hope you’ll tune in every week to see which theories get debunked and which new ones emerge as the story gets rolling!

I’m excited to see ex-Admiral Picard and the crew of La Sirena return. Getting back to the 24th Century had been my biggest Star Trek wish for almost twenty years, and we’ve now got three different shows in that time period! Whatever happens this season, and regardless of whether any of my theories pan out, I’m hopeful and optimistic that we’ll get a fun, engaging story.

Star Trek: Picard Season 2 will premiere on the 3rd of March on Paramount+ in the United States and on the 4th of March on Amazon Prime Video in the United Kingdom and around the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten “comfort episodes” of Star Trek for difficult days

Spoiler Warning: There are spoilers ahead for the following Star Trek productions: The Original Series Season 2, The Voyage Home, The Next Generation Season 6, Deep Space Nine Season 6, Voyager Season 4, Enterprise Season 2, Short Treks, Picard Season 1, Lower Decks Season 2, and Prodigy Season 1.
Phew. That was a lot!

The world can be a crappy place, and not just because of wars and pandemics. Sometimes we all need to switch off from current events and seek out some escapism. For me, films and TV shows with very heavy themes, lots of violence, or dark narratives don’t always provide the best escape, and on days when my mental health suffers I find myself reaching for something lighter and comforting. On this occasion, I thought we could pick out a few Star Trek stories that I believe fit that description.

The Star Trek franchise has long been an escape from reality for me. In both its older and modern incarnations, I find that jumping head-first into a future that looks safer and better than anything we could imagine today feels pretty great! Star Trek has always had an underlying setting that feels optimistic and hopeful for a better tomorrow – and that’s something we all need to hear sometimes.

So with that in mind, let’s consider a few Star Trek stories that I believe make for lighter, comforting viewing. As always, this isn’t a ranked list; the episodes are listed below in the order they were first broadcast.

Number 1:
A Piece of the Action
The Original Series Season 2

Captain Kirk as you may not have seen him before!

The Original Series made very creative use of some of the limitations of its time! It wasn’t always possible to visit a brand-new planet every week that looked and felt very “alien,” so The Original Series used sets intended for other films and TV shows in different – and occasionally silly – ways. A Piece of the Action sees Captain Kirk and the crew encounter a planet whose entire population have based their society around the Chicago mob!

When A Piece of the Action was written, the 1920s were only forty years in the past – the equivalent today of the eighties! So perhaps to viewers at the time it was more relevant and less… camp. But I’ve always found A Piece of the Action to have a light, almost comedic flair simply because of its setting; the ’20s-inspired dialogue, the old fashioned suits, and the general tone of a “Golden Age of Hollywood” gangster flick all contribute to that.

Spock and Dr McCoy with Tommy guns.

The notion of going to a faraway planet in space and finding a society based on the Chicago mob is silly, but A Piece of the Action sells it in the best way it can, making the very odd juxtaposition of scenes aboard the Enterprise and scenes on Sigma Iotia II flow surprisingly well. But above all, it’s a fun story that imitates, in a very Star Trek way, classic mobster films from a generation earlier.

Apparently A Piece of the Action was going to be the basis for a Quentin Tarantino-directed Star Trek film that ultimately didn’t enter production. It seems as though I’m in a minority, based on the reactions to this news from Trekkies I’ve spoken with, but I’d have been interested to see what a director as undeniably talented as Tarantino would’ve brought to Star Trek. A new film from such a big name would surely have been a box office draw, at the very least! But maybe that should be the topic of a longer article sometime.

Number 2:
Star Trek IV: The Voyage Home

Dr McCoy and Scotty in 1986.

Also known as “the one with the whales,” The Voyage Home is arguably the most lighthearted and fun of all the Star Trek films to date! After the very heavy stories of loss and death in The Wrath of Khan and The Search for Spock, the third and final act of this trilogy came along like a breath of fresh air. I feel that The Voyage Home is the most dated of the Star Trek films thanks to being set in what was, at the time, the modern day. But that doesn’t detract from it; the kitschy eighties flavour is all part of the appeal!

There are some fantastic moments of pure comedy in The Voyage Home. I won’t spoil them if it’s been a while since you’ve seen it, but suffice to say that bringing a 23rd Century crew to the modern day and forcing them to interact with basic things like cash and computers led to some absolutely hilarious, iconic moments.

HMS Bounty makes it home.

There’s an ecological message at the heart of The Voyage Home, and the threat posed by the alien “whale probe” is definitely serious. But that theme doesn’t present as excessively weighty, and by the time Kirk and the gang are running around San Fransisco in 1986, the focus is more on the fun side of that premise.

With Star Trek: Picard Season 2 fast approaching, it could be fun to go back to The Voyage Home to see the most recent use of the “slingshot method” of travelling through time – something that may be making a return to Star Trek very soon!

Number 3:
Relics
The Next Generation Season 6

Cheers!

I wanted to put at least one crossover episode on this list, and this time it’s Relics that makes the cut! Bringing Scotty into The Next Generation was a lot of fun, and having him overcome his “fish out of water” status to eventually work alongside Geordi La Forge was absolutely fantastic, and made for a wonderful, heartwarming story.

With no evil villain to defeat nor a war to fight, Relics posed a scientific puzzle for Star Trek’s first two engineers to overcome – and in the process they were able to save the Enterprise-D from being trapped inside of a Dyson Sphere! There’s definitely a message in Relics: that older people have a lot to contribute if younger people are willing to take the time to listen.

Star Trek’s first two engineers teamed up for this adventure.

When I first saw Relics back in the ’90s, I wasn’t prepared for Scotty’s arrival. This was before the days of spoilers on social media, so I went into the episode completely unaware of what I was about to see. When Scotty materialised on the transporter pad for the first time I was absolutely blown away! The Next Generation had been my first port of call in the early ’90s, but by the time Relics came around I’d seen all of The Original Series films and quite a few episodes, so I was really excited when it turned out to be a crossover episode.

Relics is, in a lot of ways, a very fan-servicey episode. But it’s also a comforting one, and more than that it feels almost like a slice of pure Star Trek. There’s a scientific mystery that’s both interesting and exciting, there are some wonderful character moments between Scotty and Picard and Scotty and La Forge in particular, there’s more than a dash of humour, and there’s an underlying message that may just strike a chord with some folks in the real world. It’s an all-around Star Trek episode!

Number 4:
The Magnificent Ferengi
Deep Space Nine Season 6

Aren’t they magnificent?

The Magnificent Ferengi takes what should be a dark and upsetting premise but manages to put a lighthearted, comedic spin on it thanks to the inclusion of the titular Ferengi. After a less than spectacular introduction in the first season of The Next Generation, in which they were originally supposed to replace the newly-pacified Klingons and become a major antagonist, the Ferengi carved themselves a new niche in Deep Space Nine thanks in no small part to a wonderful performance by Armin Shimerman as Quark.

We came to see the Ferengi as comic relief on a number of occasions, as in The Magnificent Ferengi, but they were also a people with depth. Issues within Ferengi society surrounding the pursuit of wealth at all costs, the second-class status of women, and so on were topics that Deep Space Nine tackled, and the fact that the Ferengi can be funny didn’t detract from those attempts to use them to examine some more serious subjects. But that’s not why we’re here today!

Quark and Keevan.

At the height of the Dominion War, Quark and Rom’s mother is captured by the Dominion, and Quark leads an all-Ferengi rescue operation. With the exception of Grand Nagus Zek, this episode brings together practically every Deep Space Nine Ferengi character, and musician Iggy Pop has a guest-starring role.

The plot descends into a comedic farce – naturally, given Quark’s leadership – and if you’ve ever seen Weekend at Bernie’s… well, you know what to expect! The Magnificent Ferengi is a ton of fun, and a great episode for showcasing some of Deep Space Nine’s recurring characters.

Number 5:
Message in a Bottle
Voyager Season 4

Two Emergency Medical Holograms!

Once again we have an episode with a potentially dark premise that goes in a very different and fun direction! The Doctor is the star here, as he’s sent to the Alpha Quadrant to attempt to make contact with Starfleet for the first time since Captain Janeway and the crew became stranded 75,000 light-years from home… but he finds himself aboard a ship that has been captured by the Romulans!

Comedian Andy Dick guest-stars as a newer version of the Emergency Medical Hologram, and forms an astonishingly funny pair with the Doctor, who was often used for moments of comic relief during Voyager’s run. Seeing the two holograms working together to outsmart the Romulans in a comic story that could verge into slapstick is absolutely hilarious, and there are some real laugh-out-loud moments.

The Doctor and his fellow EMH.

I also find Message in a Bottle to be a very uplifting episode. It marks the halfway point of Voyager’s seven-season run, and the first moment that the crew are able to contact the Federation. After four years of being alone, the crew finally get to inform Starfleet that they’re okay and working their way home, and there’s something incredible about the episode’s closing moments as a result.

The Prometheus-class ship is a pretty cool inclusion, too – a brand-new class of ship which has features that even the USS Voyager or Enterprise-E couldn’t match. I always wanted to see more from this ship, but aside from a couple of background appearances, we haven’t yet!

Number 6:
Carbon Creek
Enterprise Season 2

Vulcans… in the fifties!

Carbon Creek uses a frame narrative to tell the story of the first time Vulcans came to Earth… and it wasn’t in the mid-21st Century, as Captain Archer (and us as the audience) had been led to believe! Instead, T’Pol tells the tale of her great-grandmother, and how she and a small crew came to be stranded on Earth in the 1950s during a survey mission.

Carbon Creek is fun for its fifties atmosphere, and Enterprise really manages to nail that feel through some wonderful sets, costumes, and dialogue. It’s also an episode that shows off how Vulcans can be unintentionally funny in Star Trek, particularly when confronted with different or unusual situations. In this case, T’Mir and her crew have to blend in with a town of very emotional humans.

Cheers!

There are definitely some lighthearted moments scattered through the entire episode, and the frame of T’Pol recounting the story to a stunned Archer and Tucker adds to that as well. It’s also a great example of how a prequel story doesn’t have to tread on the toes of anything established previously; nothing in Carbon Creek fundamentally changes what we already know about first contact between humans and Vulcans. In many ways it expands it – knowing that Vulcan had humanity under observation decades ahead of official first contact gives them a reason to be surveying the area during the events of First Contact!

All in all, a fun episode that steps away from many of Star Trek’s familiar elements like starships to tell a story with some interesting characters in a fun setting.

Number 7:
Ephraim and DOT
Short Treks Season 2

Ephraim and DOT.

It’s a shame that we haven’t seen more Short Treks lately; the most recent batch of episodes ended with Children of Mars shortly before Picard Season 1 kicked off in early 2020. The idea of telling one-shot short stories in the Star Trek galaxy may have been a fairly blunt and obvious way for CBS All Access (since rebranded as Paramount+) to convince Trekkies to remain subscribed in between seasons of the main Star Trek shows, but several episodes ended up being fantastic in their own right.

Ephraim and DOT was one of two animated Short Treks episodes that were broadcast in December 2019, and it’s something that we hadn’t really seen the Star Trek franchise do before. Thirty-five years after The Animated Series went off the air, this was Star Trek’s first return to animation, and where The Girl Who Made The Stars was more of a conventional story, Ephraim and DOT was framed very differently!

A well-earned hug.

Telling the story of a tardigrade named Ephraim and a DOT-type robot aboard the USS Enterprise, this Disney-inspired tale sees the unlikely duo team up to save Ephraim’s eggs. With an enthusiastic narrator who sounds like they’ve come from a National Geographic documentary, the short story is a lot of fun – and packs a surprisingly emotional punch at its climax!

Ephraim and DOT also shows off a handful of fun clips from The Original Series that have been reimagined for animation, and this “greatest hits” montage was absolutely fantastic; a blast from the past that elevated the episode.

Number 8:
Nepenthe
Picard Season 1

Picard and Riker embrace.

If you don’t have the same connection to the characters from The Next Generation that I do, maybe Nepenthe won’t be one of your “comfort episodes.” But for me, seeing Picard reunited with Riker and Troi was one of the highlights of Picard Season 1 – and Nepenthe is one of the best Star Trek episodes that I’ve seen in a long time!

After several tense and dramatic episodes in which Picard and the crew of La Sirena had to unpick the mystery of Bruce Maddox, the synths, the Zhat Vash plot, and so on, Picard was able to rescue Soji and use a spatial trajector to escape to the planet of Nepenthe – home to Riker, Troi, and their daughter Kestra.

Kestra and Soji.

There are some very sweet moments between Soji and Kestra as they bond, and while the story has some very bittersweet moments as we learn that Riker and Troi’s elder child had passed away, there are some absolutely incredible and heartwarming character moments as well. After more than eighteen years away from the 24th Century, Nepenthe felt like the homecoming I had been waiting for.

Seeing Riker and Troi enjoying a peaceful life away from Starfleet was something that I needed to see, even if I didn’t realise it beforehand! Although there were issues with the Picard Season 1 finale that meant that, realistically, taking an entire episode away from the main plot to slow down and hang out with Picard, Riker, Troi, and Soji was arguably a mistake, I just can’t find it in my heart to fault Nepenthe for the way it comes across on screen. It’s a beautiful, emotional episode, and sitting down to eat pizza with the characters after everything they’ve been through just feels right.

Number 9:
First First Contact
Lower Decks Season 2

Tendi and Dr T’Ana.

First First Contact might be my favourite episode of Lower Decks so far. It isn’t as hilarious as some of the show’s other offerings, but as an uplifting story with a real “Star Trek” feel, I don’t think it can be bettered! The episode sees the crew of the Cerritos teamed up with the fancier and more powerful USS Archimedes – under the command of one Captain Sonya Gomez, no less – to undertake their first ever mission of first contact!

But naturally, things don’t go to plan. The Cerritos is called into action to save the stricken Archimedes, and the entire crew pulls together to perform the very difficult and dangerous task of literally stripping off the ship’s outer hull! Lower Decks ditched its usual two (or three) storylines format here, and put all four ensigns and all of the ship’s senior staff in the same story – and the result was absolutely fantastic.

The USS Cerritos and the USS Archimedes.

Lower Decks goes out of its way to recreate the look of The Next Generation era, and I’ve always appreciated that. But it doesn’t hesitate to bring new things to the table, and we get our first look at Cetacean Ops in this episode – an aquatic department that had been mentioned in background dialogue in The Next Generation but never seen on screen.

All four ensigns have roles to play in the story, and after the Cerritos had to be saved at the climax of the Season 1 finale, the poetic symmetry of being the one to save a disabled Starfleet ship was absolutely beautiful, and a great way to bring the show’s successful second season to a close.

Number 10:
Kobayashi
Prodigy Season 1

Dal and Jankom Pog with a holographic Dr Crusher.

The Kobayashi Maru test seems like an odd choice for a “comfort” pick, doesn’t it? But the way Prodigy pulls it off feels like a love letter to Star Trek, bringing in classic characters from The Original Series, The Next Generation, and Deep Space Nine in holographic form.

There’s more going on in the episode than just the Kobayashi Maru test on the holodeck, and Prodigy’s ongoing story arcs come into play in a big way throughout. But for me, the moments on the holodeck with Dal and the holographic versions of some wonderful characters from Star Trek’s past are what elevates Kobayashi and what makes it so enjoyable.

Uhura!

It’s such a shame that Prodigy remains (officially) unavailable in most of the world, because it’s been one of the most surprisingly fun Star Trek projects, and despite its kid-friendly atmosphere and intended audience, there’s so much to love for Trekkies. I hope that the rollout of Paramount+ internationally will see Prodigy grow in popularity and bring in hordes of new fans – and with episodes as strong as Kobayashi to ease them into the world of Star Trek, there’s a good chance that’ll happen!

The character choices may seem like an odd mix at first – and seeing Odo on the bridge of a Galaxy-class ship definitely felt strange! But each of them is given a moment to showcase their strengths, and what they brought to Star Trek in their original appearances. It makes the entire holodeck sequence feel so very special – and with such an eclectic mix of characters, there really isn’t anything quite like it in Star Trek’s entire official canon!

So that’s it!

The original USS Enterprise.

Those are my picks for ten “comfort episodes” – or rather, nine comfort episodes and a comfort film – from the Star Trek franchise. We don’t need to repeat why the world feels so messed up right now, because we can all see what’s going on. Certain news stories have become omnipresent, completely taking over social media and other apps. If you find yourself doomscrolling, take a break. Do anything other than wallow in the mess of the real world.

The Star Trek franchise has been my comfort place for decades, and I find myself drawn to it when the world feels too much or when my mental health suffers. A future where humanity has succeeded at conquering not only the problems of today but also many of the baser, more primitive aspects of our own nature holds an appeal that can be difficult to put into words, and I find that practically every Star Trek story – even those darker in tone – have a lot to offer.

So I hope this was a bit of fun and maybe gave you some viewing inspiration! I had a great time going back to these episodes to put this list together, and with everything going on in the world I thought it could be a good time to share something like this.

The Star Trek franchise – including all episodes and films discussed above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Twelve Star Trek episodes to watch before Picard Season 2 arrives!

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and the trailers and teasers for Season 2. Spoilers are also present for the following Star Trek productions: The Original Series Season 1, The Next Generation, Deep Space Nine Season 3, Voyager Seasons 2, 3, and 7, and First Contact.

It seems an age ago that we were eagerly anticipating Season 1 of Star Trek: Picard. In those sunlit, rosy days before the pandemic hit, this website was brand-new, and I spent a lot of time in December 2019 and January 2020 looking ahead and wondering what we’d see when the Star Trek franchise finally returned to the 24th Century – after an eighteen-year wait!

With Season 2 of Picard now only days away, I thought it could be fun to revisit a concept from the early days of the website: a list of episodes that I think could make for interesting background viewing, potentially informing story points and characterisations in the new season of Picard. In the run-up to Season 1 I focused on episodes of The Next Generation that strongly featured Captain Picard himself, as well as a few stories about the Romulans, and a few more stories which could’ve potentially led to big changes in the two decades following the events of Endgame and Nemesis.

We’ll soon be on another adventure with Jean-Luc Picard!

This time, we have a little bit more information to go on! Season 2 will tell a story that involves (to a greater or lesser degree) the following elements: the Borg Queen, Guinan, Q, time travel, and, of course, Admiral Picard himself. On this occasion, then, I thought it could be fun to pull out twelve stories from Star Trek’s past that might just be useful background viewing for Season 2 of Picard. It goes without saying that Season 1 is mandatory viewing, so I’m not putting any of those episodes on this list! You should really watch, or re-watch, all ten before the season kicks off!

My usual caveats apply, as they always do! Firstly, everything listed below is entirely subjective. If I miss out an episode that you think is incredibly important, or you hate all of my picks, that’s okay! We all have different opinions about Star Trek, and there’s no need to fight about it. Secondly, I don’t claim to have any “insider information.” I’m basing my theories and guesses about Season 2 on publicly released material, such as trailers and interviews. And finally, the episodes are not ranked; they’re merely listed below in the order in which they were originally broadcast.

With all of that out of the way, let’s jump into the list!

Number 1:
Tomorrow is Yesterday
The Original Series Season 1 (1967)

I’m pretty sure this violates the Temporal Prime Directive…

Though The City on the Edge of Forever is perhaps the best-known of The Original Series’ time travel stories, Tomorrow is Yesterday preceded it by several months. It was the first episode of the Star Trek franchise where time travel played a major role in the story, and it was also the first in which the crew paid a visit to the modern day. Tomorrow is Yesterday established what went on to become a mainstay in terms of the franchise’s time travel story tropes: being sent back in time by accident!

Aside from being a fun episode in its own right and well worth a watch, Tomorrow is Yesterday is also the episode which introduced the Star Trek franchise to something that appears to be making a return in Picard Season 2: the slingshot method of travelling through time, referred to in this episode as the “light-speed breakaway factor.”

The USS Enterprise using the “light-speed breakaway factor” to travel through time.

Almost every Star Trek series has included the occasional time travel story, and we can look to episodes like Tomorrow is Yesterday for creating that premise. Visiting the modern world would go on to be significant later in The Original Series, in Star Trek IV, and on several other significant occasions in the franchise. For me, some of these stories can feel rather dated, but I think Tomorrow is Yesterday largely avoids that trap!

As we get ready for Picard Season 2 and the franchise’s latest foray into time travel, stepping back to see where it all began during the first season of The Original Series is no bad thing. Tomorrow is Yesterday has a fairly straightforward premise that should be easy enough to follow even for fans who aren’t as familiar with The Original Series, and is well worth a watch on its own merits.

Number 2:
Encounter at Farpoint
The Next Generation Season 1 (1987)

Judge Q.

In the first teaser trailer for Picard Season 2, we heard Q’s voice proclaiming that “the trial never ends.” Encounter at Farpoint is the episode in which Captain Picard first encountered Q, and the episode in which the referenced “trial” began. Q accused humanity (and by extension, the Federation) of being a “dangerous, savage, child-race” who are unfit to travel the stars. Picard and his crew defended themselves against the accusation.

The task Q set for Picard was to unravel the mystery of Farpoint Station, which he and the crew of the Enterprise-D were en route to. However, figuring out the puzzle wasn’t the end of the trial, and even after bringing the Farpoint saga to a successful conclusion, Q departed in ambiguous fashion, hinting that he would return. He did, of course, on a number of occasions!

Worf, Picard, and La Forge on the bridge of the Enterprise-D.

Encounter at Farpoint was the premiere of The Next Generation and established the characters of Picard and Q (as well as many other familiar faces). As we approach Picard Season 2, it’s worth going back to see where it all began. This was the first big puzzle that Q tasked Picard with solving, and seeing how Q operates and what the point of it all is, from his perspective, is well worth taking into consideration.

This is also the beginning of “the trial.” We don’t know to what extent the idea of Picard – and humanity – being on trial will feature in Picard Season 2, but if Q has returned to set up a new mystery there could be a connection – and there could be consequences if Picard and the crew of La Sirena can’t figure it out. Q has toyed with Picard on a number of occasions; Encounter at Farpoint was the first.

Number 3:
Q Who
The Next Generation Season 2 (1989)

Q threw Picard and the Enterprise-D into danger.

Q Who is the episode that introduced us to the Borg – and it’s a pretty scary one by Star Trek’s standards! Captain Picard and the crew of the Enterprise-D have never faced a villain like this, and the Borg represent an existential threat. Q made good on his promise to show Picard that there are dangers in the galaxy that he couldn’t even imagine… and eighteen members of the Enterprise-D’s crew paid the ultimate price.

In a way, Q Who shows Q at his most aggressive, devious, and villainous. By throwing the Enterprise-D into the path of the Borg, he proved his point to Picard about the Federation’s unpreparedness in the most painful way possible. But I don’t believe that’s all there is to the story.

The first Borg seen in Star Trek.

I have a theory about Q Who that you can find by clicking or tapping here. To briefly summarise: Star Trek has made a mess of the history of Borg-Federation contact, and it seems likely that the Borg were already aware of humanity and Earth long before the events of this episode. They may have already been preparing for an attack or assimilation attempt, and Q hoped to prevent that by giving the Federation advance warning.

My theory goes into much more detail! But suffice to say the complicated history of contact between humanity and the Borg makes it seem plausible, at least to me, and shows off an aspect to Q’s character that I think could come into play in Picard Season 2. Q Who also establishes the existence of history between Q and Guinan – something that may come up in Picard Season 2 given that both characters are returning.

Number 4:
Yesterday’s Enterprise
The Next Generation Season 3 (1990)

The Enterprise-C.

Though it’s a fantastic episode in its own right, Yesterday’s Enterprise is on this list for one reason: Guinan. When a rift in the space-time continuum sends the Enterprise-C forward through time, decades’ worth of history are changed, leaving the Federation in a very bleak timeline in which it’s fighting a losing war against the Klingons.

Aboard the warship Enterprise-D, Captain Picard and the rest of the crew are completely oblivious to the change; this version of the characters have only ever known the war timeline. But Guinan alone realises that something has gone wrong, and argues with Captain Picard about how to set things right.

Guinan presents her case to Captain Picard.

Despite a recent controversy, Whoopi Goldberg will be reprising the role of Guinan in Picard Season 2, bringing the character back for the first time since Generations in 1994. Given that we know Season 2 also features a radically changed timeline, not dissimilar to the one seen in Yesterday’s Enterprise, perhaps Guinan will be aware of the change.

Guinan could be the one to talk to Picard about the possible point of divergence, as we know she’d visited Earth in the 19th Century. She may also be one of the only people other than the crew of La Sirena to be aware that something has changed. Guinan also has a history with Q, as we saw in the episode Q Who – so that could also come into play!

Number 5:
Time’s Arrow Parts I-II
The Next Generation Seasons 5-6 (1992)

R.I.P. Data…

Guinan also plays a key role in the two-part episode Time’s Arrow. Thanks to time travel, this is the episode where she and Captain Picard actually have their first meeting, and although the nature of their relationship is still shrouded in mystery, we get a little bit more information about how they came to meet in the first place.

Guinan’s fascination with Earth appears to date back to at least the 19th Century, as she visited undercover during that time period. We know from the most recent Picard Season 2 trailer that Guinan appears to be running a bar on Earth at the dawn of the 25th Century, giving her an association with Earth and humanity that stretches back over five hundred years.

Guinan and Picard in the 19th Century.

Time’s Arrow is an interesting story that mostly focuses on Data, who was of course a huge part of the story of Picard Season 1. It seems as though Brent Spiner will be playing a new role in Season 2 – perhaps another ancestor of the Soong family – so getting a bit of extra data on Data could be worthwhile, too!

One thing I’m personally curious about in Picard Season 2 is if we’ll get any further backstory on the Picard-Guinan relationship. Although Time’s Arrow depicts their first meeting from Guinan’s perspective, we’ve still never learned how they came to meet in the 24th Century from Picard’s point of view. All we know is that it likely happened prior to his assuming command of the Enterprise-D. I don’t know if Picard Season 2 will expand on that in any way… but it would be interesting!

Number 6:
Tapestry
The Next Generation Season 6 (1993)

Q and Picard.

Tapestry is a really interesting episode that deals with the dynamic between Q and Picard, and specifically looks at the nuances present in their relationship. Picard has always viewed Q as an adversary, but I’ve argued in the past that Q doesn’t see himself that way. He views Picard as a friend, and himself as a guide or even an ally – and the way Tapestry unfolds kind of shows why that is.

When Picard is injured on an away mission, he finds himself close to death. At that moment, he encounters Q – who claims he’s already dead. Q gives Picard a chance to avert his death by changing a key event in his past – getting stabbed shortly after graduating from Starfleet Academy – but doing so sets Picard’s life and career on a completely different path.

Lieutenant Picard in an alternate 24th Century.

The important thing here is how Q views the whole affair. We can entertain debates on whether or not Q actually sent Picard back in time or whether it was all an elaborate illusion, but that’s entirely beside the point. Q genuinely believed that he was helping – that by showing Picard an alternate life, he gave him an appreciation for the life he had actually led, even if that meant it was about to end.

I firmly believe that there’s more going on with Q in Season 2 than meets the eye. It’s possible that he didn’t change the timeline at all, and is merely responsible for shielding Picard and the crew of La Sirena from it. It’s also possible that he did change it as part of an elaborate puzzle, one which he hopes and expects that Picard will be able to solve. Speaking of which…

Number 7:
All Good Things…
The Next Generation Season 7 (1994)

Q and Picard in the distant past.

All Good Things is the best example of this aspect of the dynamic between Picard and Q, and could – in theory – be a template for the events of Picard Season 2. In All Good Things, the Q Continuum sets a puzzle for Picard – an eruption of “anti-time.” Thanks to the time-travelling interventions of Q, Picard is able to hop between three different periods of his own past to solve the mystery.

The solution to the anti-time eruption required Picard to challenge his own way of thinking, specifically his linear perception of cause-and-effect. Being able to recognise that events in the future had a causal link to events in the past greatly impressed Q, who seemed to suggest that it was the first step on a path that could one day see humanity evolve into beings comparable to the Q themselves.

Q in his judge’s robes.

All Good Things was also Picard’s last dalliance with Q prior to the events of Picard Season 2. As far as we know at this stage, Q hasn’t been to see Picard in the approximately twenty-five years since the events of All Good Things – but that could change as we get into the new season. It’s possible, at least in my opinion, that Q might’ve been interested to see Picard at his lowest ebb, possibly showing up to see if he could provoke him into action. But we’ll save a detailed explanation of that for my next theory post!

It’s possible that the trailers and teasers for Season 2 have already revealed the nature of Q’s involvement in the story: that he is directly responsible for changing the timeline, he did so on purpose, and he will be the main villain of the season. But I would argue that the “villain” monicker does not fit with Q’s past characterisation, and thus I suspect that there’s much more going on than meets the eye. All Good Things is both a piece of evidence in favour of that argument, as well as a potential blueprint for how a time travel puzzle set by Q could unfold.

Number 8:
Past Tense, Parts I-II
Deep Space Nine Season 3 (1995)

Dr Bashir and Commander Sisko.

We know, thanks to a voiceover in the most recent trailer, that at least some of the events of Picard Season 2 take place in the year 2024. But Picard Season 2 isn’t the first Star Trek production to visit that specific year! In Deep Space Nine’s third season, Commander Sisko and the crew of the USS Defiant found themselves accidentally sent back in time to the exact same year.

Past Tense is an interesting story, as it will mark the first time that any episode of Star Trek set in “the future” at the time it was broadcast will be reached, and I’m sure I won’t be alone in doing a full write-up of its story when we hit the end of August 2024! We could talk for hours about how its depressing presentation of the 2020s seemed a long way from reality once upon a time, but with the growth of homelessness and other economic issues, today’s society feels far too close for comfort to the world of the Bell Riots.

The USS Defiant in orbit over Earth.

I’m not sure how much of Deep Space Nine’s presentation of a fictionalised 2024 will make it into Picard Season 2. It’s possible that the new series will entirely ignore this two-part episode… but I think we should keep an eye open for references or callbacks to some of the characters, events, or even things like brands and products.

Regardless, this will be the first time that two very different Star Trek productions have travelled back in time to the same year, and it might be interesting and informative to take a look at Past Tense to see how Deep Space Nine told us that the year would unfold. It seems as though Picard Season 2 will be set, in part, in California – which is also where Past Tense was set, so that’s another point of connection. I’m not expecting a huge crossover with this one single Deep Space Nine story, but there could easily be references made to it.

Number 9:
Death Wish
Voyager Season 2 (1996)

Two Qs?!

Captain Picard wasn’t the only Starfleet officer to tangle with Q. After making a sole appearance in Deep Space Nine, Q hopped over to the Delta Quadrant, where he had several run-ins with Captain Janeway during Voyager’s journey home. Q presented a bit of a puzzle for Voyager; his abilities mean that he could have sent the ship and crew back to Earth with a snap of his fingers. But if we can look beyond that narrative hurdle, Q’s appearances in Voyager added a lot to his characterisation.

In Death Wish, we got our best look to date at the Q Continuum itself. Depicted in a manner that humans could comprehend, the Continuum resembled a rather dilapidated roadside house in the middle of the desert. For the first time, we got to see more members of the Q Continuum as well, and got a glimpse of how Q himself is a bit of a radical by the standards of his people.

Captain Janeway and Tuvok visit the Q Continuum.

The idea that the Q Continuum is not an entirely stable, homogeneous place is an interesting one, and was explored in more detail in the episode The Q and the Grey. But Death Wish also presented a very complex moral question – in the longstanding tradition of Star Trek! This episode can be a difficult watch for some folks because of its discussion of suicide, and it’s absolutely fine to skip it if that subject hits too close to home. If the debate around suicide and end-of-life care is something you’re interested in, though, this is a uniquely “Star Trek” attempt to tackle it.

Q emerges from this story as a reformer – or even a radical – by the standards of his people. We also know, thanks to a line in All Good Things, that he was responsible for assisting Picard when the Continuum set the anti-time puzzle. It’s stories like this that make me think that there’s a goodness in Q; that he isn’t just a trickster or a pure villain.

Number 10:
Future’s End, Parts I-II
Voyager Season 3 (1996)

Chakotay, Janeway, Tuvok, and Paris on Earth.

The two-part time travel story Future’s End sees Captain Janeway and the crew of the USS Voyager sent back in time to Earth, circa 1996. It’s another story set in the California area, and I think it’s an interesting episode – albeit one that I feel has become very dated by Star Trek standards!

If Picard Season 2 sticks with things like the Borg and the slingshot method, it seems that the kind of time travel depicted in Future’s End won’t be a factor. But there are still interesting points to consider, such as the Temporal Prime Directive and how Starfleet in the future would come to police the timeline, watching out for changes.

It’s Los Angeles – where Picard and the crew of La Sirena appear to be headed!

There aren’t a great many Star Trek episodes that visit the modern day, and as I’ve already explained I feel that a modern setting can make such stories feel very out-of-date very quickly. Future’s End definitely falls into this trap; its depiction of Southern California has a very ’90s flavour. But it’s a bit of fun, and dare I say almost a guilty pleasure!

I’m including Future’s End here for its modern day time travel story and its focus on California, both of which are elements that we know will be part of Picard Season 2. As with Past Tense, I don’t expect to see a huge tie-in between the new season and the events of this episode, but there may be smaller callbacks and references to some of the characters and events it depicted.

Number 11:
Star Trek: First Contact
Film (1996)

The Borg Queen.

First Contact introduced us to the Borg Queen for the first time, and went into a lot more detail about Picard’s assimilation experience. The Borg Queen was presented as the embodiment of the Borg rather than their leader, and she became a fearsome adversary for Picard and Data over the course of the story.

Season 1 of Picard saw the retired Admiral face his lingering Borg assimilation trauma when he beamed aboard the Artifact in the episode The Impossible Box, but Season 2 will see him come face to face with a Borg Queen for the first time in twenty-five years. For someone who’s clearly suffering from some form of post-traumatic stress, we don’t know what effect that could have.

Data and Picard lead the battle against the Borg.

Picard was violently anti-Borg in First Contact, and we saw hints of that in Picard Season 1 as well. His conversation with Dr Jurati and Elnor in The Impossible Box, as well as the way he responded to some of the xB’s in later episodes, was in line with his attitude to the Borg in First Contact – and I wonder how encountering a Borg Queen will make him feel!

Many Trekkies hold up First Contact as one of the absolute best Star Trek films, and it’s hard to disagree. As an action-packed work of sci-fi with some truly scary elements thanks to the way the Borg are depicted, it’s an exciting ride from start to finish. It also goes into a little more detail about World War III – an event in the history of the Star Trek timeline that could play a role in Picard Season 2. Check out my full World War III theory by clicking or tapping here!

Number 12:
Endgame
Voyager Season 7 (2001)

Some of Voyager’s crew in an alternate 25th Century future.

Almost five years after First Contact depicted the Borg’s biggest attack on Earth to date, Endgame brought back the Borg Queen in a significant way. The interventions of a time-travelling Admiral Janeway from the future saw the USS Voyager make it home to Earth, and in the process dealt a significant blow to the Borg Collective.

Even though it’s been more than twenty years since Endgame, we don’t actually know what became of the Borg in the aftermath of Admiral Janeway’s attack. I’ve always assumed that the Borg Collective was large enough, clever enough, and adaptable enough to survive the neurolytic pathogen that she introduced into the Borg Queen… but because the Star Trek franchise has yet to return to the Borg post-Endgame, we can’t be certain of that.

Admiral Janeway and the Borg Queen.

Even Season 1 of Picard, which depicted the disabled Borg Cube known as the Artifact, didn’t settle the issue. So it’s an open question at this juncture whether the Collective survived, whether it was significantly damaged by Admiral Janeway’s pathogen, or whether it was able to easily shake off the attack. It seems as though no major Borg activity occurred in Federation space in the twenty-plus years after Endgame, though.

Endgame makes this list because of the Borg Queen’s role in Picard Season 2, and I think it could be very useful background viewing, possibly even setting up a story about the Queen herself or the state of the Borg Collective at the dawn of the 25th Century. On a vaguely related note, I took a deeper look at Admiral Janway’s actions in Endgame, and you can find that article by clicking or tapping here.

So that’s it!

Admiral Picard is coming back in just a few days’ time!

Those are twelve episodes (alright, eleven episodes and a film) that I think might make for useful or interesting viewing prior to Picard Season 2! I think we’ve hit most of the key subjects – at least, those that we’re aware of at this early stage – and got a good mix of stories focusing on Captain Picard, Q, Guinan, time travel, and the Borg Queen.

At the end of the day, though, Star Trek’s past didn’t prove all that important to unravelling the events of Picard Season 1 – nor to recent storylines in Discovery, either. So it’s quite likely, in my view, that Picard Season 2 will bring plenty of brand-new characters and story elements into play. That doesn’t mean it isn’t worth going back to these stories and others, but my suspicion at this stage is that the new story won’t rely excessively on what came before.

When Picard Season 2 arrives at the end of next week, I hope you’ll stay tuned for individual episode reviews, theories, and more. Despite the somewhat underwhelming end to Season 1, Picard Season 2 has been one of my most-anticipated shows for almost two years, and I can’t wait to jump in and have another adventure with Jean-Luc Picard and the crew of La Sirena.

Star Trek: Picard Season 2 will premiere on Paramount+ in the United States on the 3rd of March 2022, and on Amazon Prime Video in the United Kingdom and elsewhere 24 hours later. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 theory: He didn’t do it!

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and the trailers and teasers for Season 2. Spoilers are also present for Star Trek: Discovery Seasons 1-4, Star Trek Into Darkness, and Star Trek: The Next Generation.

What’s the one thing that we know for certain right now about the plot of Star Trek: Picard Season 2? We know that Q interfered with the timeline, “breaking reality” in the process, and causing Admiral Picard and the crew of La Sirena to have to undertake a dangerous new mission to the past. But what if everything isn’t as it seems – what if Q isn’t the one responsible for the damage to the timeline? Or if he is responsible, what if he has an understandable – and possibly even altruistic – motive? Those are the two parts of the theory that we’re going to consider today!

First up, let’s acknowledge some production-side reasons why this theory may pan out in some form, then we’ll jump into in-universe explanations after. Ever since Star Trek returned to the small screen in 2017 – and also during the Kelvin films and even, to an extent, in the latter part of Enterprise’s run – the writers of the franchise have been very keen to bring mysterious elements into Star Trek. The whole reason I got into writing up lists of theories was because there’s been just so much to speculate about in practically all of the franchise’s modern incarnations!

Oh look, it’s brand-new character “John Harrison.”

In Discovery Season 1, there was the hidden identity of Captain Lorca. In Season 2, the Red Angel’s identity (and Spock’s connection to it) formed a huge part of the narrative. In Season 3, there was the Burn. In Season 4 we have the ongoing mysteries of the Dark Matter Anomaly, Unknown Species 10-C, and more. And in Picard Season 1 we had the mystery of Dahj and Soji, Bruce Maddox going missing, Coppelius, the Zhat Vash’s admonition and crusade, and the super-synths.

In all of these cases, everything was not as it seemed. In the run-up to Picard Season 1, Soji’s very existence was kept secret, with Isa Briones claiming to only play the character of Dahj. The show played its cards close to its chest for practically the entire season, keeping secrets about the nature of the Artifact, the Romulans’ plans, the super-synths, and more. The show has precedent when it comes to telling stories that go to unexpected places – and I see no reason at all to think that Season 2 will be any different in that regard.

Dahj in Season 1 of Picard.

The trailers and teasers that we’ve seen so far have been careful not to telegraph too much of the story. I suspect we’ve seen glimpses of scenes from the first two or three episodes at the very most, so the true nature of the story – and Q’s role in it – is still very much in play right now. No trailer or marketing campaign should spoil the finished product, and in some cases trailers can be cut and edited in very specific ways to conceal or outright lie about certain elements of a story. It wouldn’t be the first time that this has happened, not by a long shot!

There was also a remark from Sir Patrick Stewart almost a year ago, when Q’s return to the franchise was first announced. At last year’s First Contact Day digital event, Admiral Picard himself seemed to suggest that, while Q was certainly involved with whatever was going on, he wasn’t necessarily wholly responsible for it. That distinction may be key to this theory!

Sir Patrick Stewart at 2021’s First Contact Day digital event.

So let’s leave the real world behind and jump into the Star Trek galaxy. There is, in my view, evidence to suggest that Q wouldn’t do something that so drastically damaged the entire timeline. Ever since his first appearance in Encounter at Farpoint, Q has been viewed by Picard as an adversary – but I would argue very strongly that that isn’t how Q sees himself. By pushing and provoking Picard, Q has arguably sought to expand Picard’s understanding of the universe far beyond what he might’ve otherwise been capable of. In Q’s mind, the ends justify the means – so all of the meddling and provocation was worth it to get Picard (and humanity) ready for whatever the Q Continuum has in store next.

It’s even possible to read some of Q’s more belligerent actions – like placing the Enterprise-D in the vicinity of a Borg vessel – with the benefit of this additional context. In my earlier theory titled Q the saviour, this is exactly the point I tried to make. Q deliberately chose to introduce Starfleet to the Borg because he knew that the Borg were already planning to target the Federation, and he hoped that his intervention would show the Federation how dangerous the Borg threat really was.

In light of the mess that the Star Trek franchise has made of Borg-Federation contact, I think that theory absolutely holds water, but check out the full article because I get into it in way more detail!

Q introduced Picard and Starfleet to the Borg.

Whether you buy into my theory in full or not, I think we can agree at the very least that this is how Q sees himself. He doesn’t see himself as an enemy, provoking Picard out of boredom or malice. He sees himself as a friend, and may even feel that Picard is ungrateful for not reciprocating those feelings of friendship.

Q accused humanity of being a “dangerous, savage, child-race,” and it’s on these charges that Picard and all of humankind are on trial, and have been since Encounter at Farpoint. But at every stage, Q has seemed smugly satisfied when the puzzles he lays out for Picard (and others) are solved. He seems to see potential in humanity – perhaps even the potential to one day know as much about the universe as the Q Continuum themselves.

Q in his judge’s robes.

In episodes like All Good Things, Q even claims to have helped Picard solve a particularly difficult puzzle. By learning to see time itself not as totally linear, but in a new and different way, Picard was able to solve the anti-time puzzle. Likewise in Tapestry, Q gave Picard a chance to see what his life might’ve been like had it taken a different path. That definitely sounds familiar to his line in the Season 2 trailers about “the road not taken!”

In Tapestry, though, Q wasn’t some nefarious villain. He was making a point to Picard – in his own tricksterish way – about the course of his life, and how being a risk-taker was an inherent part of his personality. He didn’t abandon Picard to the new timeline that he’d created, instead giving him an opportunity to fix his mistake.

Q and Picard in Tapestry.

Q has, on occasion, seemed impressed with Picard and his ability to solve the puzzles he created for him. Even when Picard had to grovel to Q in Q Who and admit that the Federation wasn’t ready to encounter the Borg, and that the encounter was frightening, Q seemed satisfied that he’d made his point. In Encounter at Farpoint and in All Good Things in particular, Q even seemed pleased that Picard had been able to think through a complex situation and find a solution. He helped – but in a limited way – and in an almost-parental way seemed kind of proud of Picard.

Those feelings, of course, are not reciprocated, and Q has definitely caused death and destruction. Eighteen members of the Enterprise-D’s crew were lost in that first encounter with the Borg, for example, and Q didn’t restore them to life afterwards. However, on other occasions he did undo harm, and even death, caused to humans – such as by un-freezing Tasha Yar in Encounter at Farpoint.

Tasha Yar being un-frozen by Q in Encounter at Farpoint.

Q being the out-and-out villain of Picard Season 2 would, I would argue, represent a fundamental shift in his characterisation. It would take Q from being a trickster and an annoyance into something much more sinister, and while it’s certainly possible that he could have a darker side that we aren’t familiar with, it would be a major change that would require a good deal of explanation. Why, after having seemingly sensed potential in Picard and humankind, would Q try to do something so extreme?

Furthermore, from a narrative perspective Q doesn’t make a good villain. His god-like powers basically mean that Picard and his crew could never win, and Q’s amorality and lack of fair play mean that he would always be in a position to dominate and frustrate Picard if he ever came close to defeating him. This is a problem all overpowered characters in fiction can have, and it applies to Q in Star Trek just as much as it does elsewhere. Given what we know of Q and his abilities, it doesn’t even seem plausible that the Federation could find a technobabble explanation for limiting his powers, either.

Q has god-like powers.

So there are two questions remaining: did Q meddle with the timeline at all? And if not, who did?

There’s a case to be made that Q did still interfere with the timeline, and that all of this is another one of his puzzles for Picard to solve. That’s certainly one possibility, and it wouldn’t be completely out-of-character for Q to behave in this way. Perhaps he saw Picard getting back on his feet after years in seclusion and decided the time was right for another phase of the “trial.” Maybe we’ll learn that Q has visited Picard during his self-imposed isolation, too.

But there’s also another case we can make: Q didn’t have anything whatsoever to do with the event that disrupted the timeline. The extent of his involvement may be shielding Picard and the crew of La Sirena from its effects, allowing them to travel back in time to undo whatever happened. There are many culprits we could point to if Q isn’t to blame: the super-synths from Season 1, the Borg, the Terran Empire, a faction from Discovery’s Temporal War, etc.

The super-synths’ mechanical tentacles in the Season 1 finale.

Q may thus have an altruistic motive for reappearing in Picard’s life. If some external force or faction is responsible for the damage to the timeline, Q might believe that it’s up to him to “save” Picard and humanity. By returning to his old friend, he might do what we know he’s done on multiple occasions already: give him the tools to understand and fix the problem, but without giving him all of the answers right away.

To me, that is Q’s modus operandi. He sets up a problem – or allows Picard to encounter a problem independently – and provides minimal help. In Encounter at Farpoint, Q could’ve just been up front about the nature of Farpoint Station, but instead he forced Picard to solve the puzzle himself. In Q Who he could’ve simply told Picard about the Borg and their destructive power, but instead he made sure Picard encountered them first-hand. In All Good Things he could’ve explained the nature of the anti-time eruption, but instead he watched as Picard figured it out for himself. On each of these occasions (and more) Q provided minimal help and assistance – but the help and assistance he did provide ultimately proved key to resolving the situation favourably.

Q in All Good Things.

If Q wanted to, he could wipe humanity out of existence with a mere thought. If he wanted to kill or seriously harm Picard, he has infinite ways of doing so and unlimited opportunities to do so. He could go back in time and prevent Picard’s birth or turn him into Murf from Star Trek: Prodigy, or a million other ridiculous and sinister things. Sending Picard on a mission back in time, thus giving him a chance to undo whatever damage has been done, is not the way for Q to “win” in any sense of the word.

So it’s safe to say that I believe there’s more going on with Q than meets the eye! His involvement with the event that damages the timeline, and his reasons for getting involved in the first place, may seem suspicious right now – but we’re seeing small glimpses through the eyes of Picard, and thus with Picard’s own biases attached. Considering all of the other things that Q has done, and the many other ways he’s challenged and provoked Picard over the years, my suspicion right now is that there’s something else going on that the trailers and teasers have been careful not to reveal.

Q as he will appear in Season 2 of Picard.

To summarise this theory, then: Q either isn’t responsible for damaging the timeline at all, or he’s doing so for the purposes of testing or challenging Picard. What we’ve seen so far doesn’t depict a serious attempt on Q’s part to harm Picard or even permanently disrupt the Federation or the prime timeline; there’s something more going on that we haven’t yet seen – something that will, perhaps, unfold slowly over ten episodes!

I’m genuinely excited to see Q make a return to Star Trek. His appearance in Lower Decks Season 1 was relatively minor, so it will be neat to have him back in a substantial way – whatever form that ultimately takes and whatever his impact on the season’s narrative. He’s a more complex character than some viewers give him credit for, and as I’ve said before I don’t think it’s fair to call Q a “villain” – at least not in any of his appearances thus far. Perhaps Picard Season 2 will change that, showing us a darker and more sinister presentation of the character. But maybe we’ll get a continuation of this complex presentation, and the return of a truly interesting dynamic between Q and Picard.

Stay tuned when Picard Season 2 kicks off in March, because if there’s any development of this theory I’m sure I’ll have something to say about it!

You can also check out my other big Q theory by clicking or tapping here.

Star Trek: Picard Season 2 will stream on Paramount+ in the United States and on Amazon Prime Video in the United Kingdom and around the world beginning on the 3rd of March 2022. The Star Trek franchise – including all characters and properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 – thoughts on the new trailer

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and all of the trailers and teasers for Season 2. Minor spoilers are also present for Star Trek: Discovery Season 3, Star Trek: The Next Generation, Star Trek: Generations, and Star Trek Into Darkness.

Hot on the heels of a slew of announcements and updates about current and upcoming Star Trek shows a few days ago, a new trailer for Season 2 of Star Trek: Picard debuted on social media! The show’s release date has been pushed back slightly from February to early March, something that seemed inevitable when it was hastily announced that Discovery Season 4 was taking a six-week hiatus. Even with the delay, Picard Season 2 is now less than six weeks away, though, so it’s time for ViacomCBS to start the marketing push and, for us as Trekkies, it’s time to start getting hyped for the return of Admiral Picard and the crew of La Sirena!

If you’re a regular reader, you might remember that I was less than impressed with the last trailer for Picard Season 2 when it was shown off at the Star Trek Day live broadcast back in September. The upcoming season of Picard seems to be combining two of my least-favourite Star Trek story tropes: time travel to the modern day and a setting that’s at least superficially reminiscent of the Mirror Universe. Those elements were still front-and-centre in the new trailer, but I felt that this time they were presented in a more mysterious and exciting way.

Less than six weeks to go!

Sir Patrick Stewart had invited Whoopi Goldberg to reprise her role of Guinan during an appearance on The View a couple of years ago, but we’d seen and heard nothing of Guinan since. I wasn’t alone in speculating that perhaps the story of Season 2 may have gone in a different direction, or that Guinan might’ve been included in Season 3 instead of in Season 2. That was an incorrect assumption, though! Guinan made an appearance in the new trailer, working in her familiar role as a bartender – this time at a bar called “10” on Forward Avenue.

Picard entering Guinan’s bar.

It was truly wonderful to welcome back Whoopi Goldberg to the role of Guinan. We haven’t seen her since Star Trek: Generations was in cinemas in 1994, and I’m hopeful that she’ll make a significant impact on the story this season. “Significant” doesn’t mean she has to appear in a lot of episodes or scenes, but rather that the scenes she does have with Admiral Picard will be meaningful. She was a dominant presence in the trailer, but the shots we saw of her all seemed to be taken from one sequence.

Guinan is back!

So let’s briefly step back and consider what we learned in the past couple of trailers. Something – possibly Q, but possibly not Q – has changed or damaged the timeline, leading to the rise of a “totalitarian state” which has replaced the Federation. Picard and the crew of La Sirena seem to be the only ones aware of the change – but I reckon this is where Guinan will come in. If you remember The Next Generation Season 3 episode Yesterday’s Enterprise, Guinan was the only member of the crew of the Enterprise-D who realised that the timeline had been changed. As an El-Aurian, her perceptiveness of such things was heightened compared to humans, so she may be one of the few people that Picard can turn to for help (other than Q and the crew of La Sirena) after the timelines shift.

Guinan and Picard embrace.

I could be wrong about that, of course! There was just something about Guinan’s presence on Earth and the way Picard seemed to be seeking her out that makes me think we’re looking at something happening after the event that damaged the timeline. Guinan also repeated the words spoken by Picard in the first Season 2 teaser, referring to a “final frontier” that could mean time travel. Picard referred to time as “the true final frontier” in that teaser, and I wonder if he says that line after meeting with Guinan.

Picard seems to be seeking out Guinan for advice.

Speaking of time travel, it very much looks like La Sirena will be using the “slingshot method” to travel through time, as several shots in the trailer seemed to show the ship travelling very close to a star. Though this is a known method of time travel within the Star Trek universe, it’s one we haven’t seen used since Star Trek IV – all of the shows set in the 24th Century seemed to ignore this method, and time travel technology seemed to have not been developed until later on. This has always been a bit of a discrepancy within Star Trek’s internal canon, because The Original Series showed time travel several times, and depicted it as being something relatively easy to do with 23rd Century technology, yet by the 24th Century something seemed to have changed, making time travel far more difficult.

Did La Sirena travel back in time by slingshotting around the sun?

This could also have potential consequences for Discovery – a ban on time travel was introduced sometime prior to the 32nd Century following an event called the Temporal Wars. I don’t expect Picard Season 2 to tie into this in any major way, but it will certainly be interesting to see how the process of traveling through time is depicted in the show, considering the potential ramifications it could have elsewhere in the franchise. As I’ve already suggested, the Borg Queen may be connected to time travel technology as well, and may somehow facilitate La Sirena’s trip back in time.

This moment also seems to depict La Sirena’s slingshot manoeuvre.

I caught a very brief glimpse of a couple of guards or soldiers – possibly from the alternate timeline 25th Century – who seemed to be in the early stages of Borg assimilation. There could be more of a Borg aspect to the story of the season than has been teased thus far, and we could see, for example, the Borg Queen escape her confinement and go on an assimilation spree. If she isn’t the one responsible for assimilating the individuals shown, it raises the question of who is! Could other Borg be part of the story of the season? Is the trip back in time an attempt to prevent a Borg attack on the Federation at the dawn of the 25th Century? It’s also possible that the individuals shown are inhabitants of 21st Century Earth, and that they were assimilated in that time period. Or, of course, I’m wrong about the whole assimilation thing and these are just soldiers/guards!

Who’s this, and why does it look like he’s in the early stages of being assimilated?

Sticking with the Borg, we also got a slightly extended look at Elnor bathed in an eerie green light – something we associate with the Borg. I speculated last time that this scene could be taking place after Elnor has been attacked by the Borg Queen, and may be in the very early stages of assimilation. We didn’t see the consequences of his injury, but he appears to be in a great deal of pain.

We got a slightly extended look at Raffi and Elnor.

The Borg Queen appears to be on the loose at least once, in a shot of her with Dr Jurati. The two of them were crawling on the ground, and Dr Jurati appeared to be wielding some kind of blunt object to defend herself. This looked like it was taking place aboard La Sirena, as the ship’s engine could be seen in the background.

The Borg Queen and Dr Jurati.

Dr Jurati’s love of all things synthetic may come into play with the Borg Queen – something I theorised about last time. Could she be tricked, manipulated, or just talked into setting the Borg Queen free – or even helping her? After Dr Jurati’s brainwashing in Season 1 led her to commit murder, it would be quite the follow-up if in Season 2 she unleashed the Borg Queen on La Sirena’s crew! But this could account for the Borg Queen escaping, the potentially-assimilated humans on Earth, and even Elnor’s injury.

A close-up of the Borg Queen with La Sirena’s engine in the background.

Season 2 has certainly teased us with a Borg connection! I had some half-formed Borg theories that I planned to write up, but when we learned more about time travel in one of the earlier trailers I put them on the back burner because the main thrust of the story seemed to be going in a different direction. While it doesn’t seem like the entire season will be all about the Borg, their influence – and that of the Borg Queen in particular – may be significant. Using Dr Jurati’s connection and love for synthetics to tee up this story could be interesting – but it will certainly need to be handled delicately! Dr Jurati is already a character we as the audience may mistrust based on what happened in Season 1; having her be the driving force behind unleashing the Borg, even accidentally, could take her to a familiar thematic place, one that could prove to be very difficult to write her out of in future stories.

Is Dr Jurati going to form a connection with the captive Borg Queen?

Brent Spiner made an appearance in the trailer – and seemed to receive a strange glowing blue vial of something from Q. I’m going to posit that this character is not Altan Inigo Soong, the son of Data’s creator who we met in Season 1. Instead, I believe that this could be a brand-new character, perhaps another Soong ancestor who’s native to the 21st Century. We also glimpsed this character very briefly while Picard’s voiceover was talking about “moments upon which history turns” at the beginning of the trailer, and in that scene he might’ve had a facial scar.

Brent Spiner is back – but who is this character?

If it’s true that this character is a 21st Century native, it seems that he may be involved – somehow – in the event that changes the timeline. Past iterations of Star Trek, most notably Enterprise, told us a little more about the history of human augmentation and the Soong family’s involvement with it. If Picard is going to stick closely to past canon, perhaps this member of the Soong family is working on augments, and Q has provided him with something to assist in that work – perhaps even something derived from Borg technology.

A mysterious blue vial…

This could explain the “totalitarian state” that seems to have replaced the Federation by the 25th Century. If a dictatorship of human augments – like Khan – rose to power instead of United Earth, perhaps that government later evolved into the Mirror Universe-inspired fascistic replacement for the Federation that we saw in more detail in the previous trailer. We know from past iterations of Star Trek – including Star Trek Into Darkness a mere decade ago – that Khan would have established this kind of dictatorship had he remained in the 20th Century; perhaps this is the “single change” that the Borg Queen says is “vastly more dangerous than you realise!”

A second look at Brent Spiner’s character. Is he sporting a facial scar, or is that just a trick of the light?

At one point we caught a glimpse of a human boy, seemingly wearing modern clothing, encountering a Vulcan or Romulan. As far as we know, there shouldn’t be Vulcans on Earth in 2024 – so this could also, somehow, be connected to the changed timeline. Season 1 used mind-melds to spread brainwashing and visions of the Zhat Vash prophecy, most notably to Dr Jurati and Sutra, so there could be a connection there – somehow. This sequence, showing the boy walking alone through a wooded area in the dark, gave me Flight of the Navigator vibes for a moment!

The human boy walking through the woods…
…and the mysterious Vulcan or Romulan that he encounters.

A new character who seems to have glowing white or silver eyes was seen very briefly with Admiral Picard. As far as I can tell, this character is brand-new and doesn’t belong to any known Star Trek race or faction. This scene seemed to be taking place in the 21st Century (based on what’s in the background), but that doesn’t exactly provide us with much of a clue! I would say that Picard seemed not to be bothered by his presence; had he simply not noticed him, or is this a newfound friend?

Who’s this chap?

There was a shot of what looked like the interior of a 24th Century Starfleet ship suffering major damage. This could be one of the ships that La Sirena was seen engaging, but it could also be something from the past – perhaps even the USS Stargazer, as a model of that ship was shown off in the very first Season 2 teaser. Silly as it may sound, it was really neat to see the familiar Starfleet design of a hallway or room with angled walls. This design, which debuted with The Motion Picture, became synonymous with Starfleet ships throughout The Next Generation era, and it’s one of those little touches within Star Trek that makes the franchise feel like “home!”

A Starfleet vessel suffering major damage.

I could be wrong with this, but a shot of what I think might be a Starfleet officer being blown up at a console might’ve been filmed on one of the Discovery sets; it just looks like that from the set decoration on the left. The console looks 24th Century in its design, and in the background we could very briefly see an Okudagram that looked like it could represent a Miranda-class or possibly a Nebula-class vessel.

An officer at an exploding console…
…and the Okudagram behind them. Is that a Miranda-class or Nebula-class ship?

Something important was again reiterated in voiceover: whatever is happening to the timeline is connected in some way to a significant event in Picard’s own past. “A moment on which history turns” is how the trailer described this event – and my inclination at this stage is to say that it’s probably something brand-new to Star Trek rather than something we’ve seen or heard about before.

How does Picard fit into all of this?

There are moments in Picard’s past that we could look at as major historical events: assuming command of the USS Stargazer, defeating the Ferengi, encountering Q, his assimilation by the Borg, solving the anti-time puzzle, defeating the Borg in First Contact, defeating Shinzon, and preventing the super-synths’ arrival last season. But none of these moments, if changed, could lead to anything like what we see in the trailer. That’s why I think we must be dealing with something new.

What is the moment in Picard’s past that haunts him, and how will it play into a story about Q, time travel, and the Borg?

Sticking with this, Picard’s voiceover also said that this moment was something that “haunted” him for all of his life. It could be an event we’re familiar with from The Next Generation – like his assimilation – but it’s an odd choice of words if that’s the case. Maybe I’m overreaching, but I think the way that this was phrased implies that it’s something from deep in his past, perhaps his childhood but certainly long before he assumed command of the Enterprise-D.

Will an event from Picard’s life prior to The Next Generation prove to be connected to the season’s story?

It can be tricky, when dealing with a long-established character, to add brand-new backstory, particularly if it’s some hugely significant revelation about their past. If Picard Season 2 is going to go down this route, it’s definitely something that will have to be handled with care so it doesn’t come across as being too convenient or contrived for the sake of the new story.

Picard outside Guinan’s bar.

It was certainly neat to see several Federation (or “totalitarian state,” perhaps) starships in the trailer – but why were they firing at La Sirena? I couldn’t be absolutely sure, but one of the three ships in pursuit looked like a Nova-class ship, a design most famous for its inclusion in the Voyager two-parter Equinox. Described as a short-range science vessel in that story, this Nova-class (if indeed that’s what it is) seems to be more of a warship – or has at least been significantly upgraded!

What I believe to be a Nova-class ship seen from behind…
…and from the front, firing on La Sirena.

La Sirena has also been changed – perhaps by the shift in the timeline. Gone is the red “hot rod” livery that we saw in Season 1, replaced with a silver-grey metallic colour similar to other starships. We saw La Sirena engaged in at least one dogfight and pulling off some very acrobatic moves!

La Sirena seems to have gotten a new paint job!

There was a briefly-seen green light that illuminated La Sirena’s engine – I wonder if this could indicate that the ship has been fitted out with Borg technology, perhaps to facilitate the journey back in time. Green is, as mentioned, a colour strongly associated with the Borg, and green light in particular is a hallmark of Borg vessels and Borg technology.

La Sirena’s engine lit up in green.

After the timeline shifts, Picard seemed to find a painting of a different starship in his study, replacing the familiar Enterprise-D painting that we’d seen in his ready-room in The Next Generation – and in the first teaser for Season 2. This ship could be an alternate-timeline Enterprise, but it’s clearly a different design to the Galaxy-class, with a cut-out in its saucer section, different nacelles, and seemingly a lot more phaser banks!

Picard’s new painting.

It looked like this ship was engaged in a major battle, and this could be related to the interior shots of a ship under fire mentioned earlier. I think that the painting depicts the ship destroying one or more Borg vessels based on the size and colour of the debris seen around it, so perhaps this is the new timeline’s version of an event like the Battle of Wolf 359 or the Battle of Sector 001.

Is this a depiction of a Borg vessel?

We caught a glimpse of what seems to be 25th Century Earth in the trailer, protected by a shield grid that was not unlike the one seen in Discovery’s 32nd Century. Moments of symmetry between Picard and its sister show were rare in Season 1, and while I don’t think this really counts in a big way, it was still interesting to see the same basic idea being used in both shows – albeit in different contexts.

Earth with a shield grid in the Picard trailer…
…and the planet protected by another shield grid in Discovery Season 3.

We didn’t see much from Soji in the new trailer at all, and the clips we got of Raffi, Rios, and Elnor didn’t really seem to tell us much about the direction of any of these characters in the upcoming season. A few of the shots we got with each of them seemed to be extended or different angles of things we’d already seen in prior trailers: Seven of Nine at the wheel of a police car and waking up without her implants, Raffi and Elnor dealing with Elnor’s injury and again escaping through a marketplace while being fired upon, Dr Jurati interacting with the Borg Queen, and so on.

Rios and Seven (with Raffi in the background).

Keeping a tight lid on some of the season’s characters and mysteries is no bad thing, of course! This trailer was really here to showcase Guinan’s return, and thus it focused more on Guinan and Picard, with teases of the Borg Queen, Q, and Brent Spiner’s character. These clips perhaps came at the expense of seeing more from the new characters; Picard Season 2 will have to get that balance right and not give too much weight to returning characters from The Next Generation when it premieres in a few weeks’ time. As I said in 2020 in the run-up to Season 1: I’m not here for The Next Generation Season 8, and I want to give all of the new characters lots to do and a chance for each of them to become fan-favourites that we’re all excited to see return to the franchise thirty years down the line!

Rios on the bridge of La Sirena.

So we caught a glimpse of some of the upcoming season’s interesting moments – but we’re still a long way from figuring out what’s going on! Season 1 kept us guessing all the way to the finale, and I expect that Season 2 will follow a similar pattern, not showing us all of the story elements right away.

I have a few half-baked theories about the role Q might play in the upcoming season, the Borg Queen, and perhaps about Picard’s possible connection to all of this, so stay tuned. Between now and the season premiere some of them may get the full write-up treatment! For now, I think we’ve spent more than enough time talking about a trailer that was less than two minutes long! I enjoyed this trailer a lot more than the last one, and while I’m still not wild about a story where visiting the modern world is an important element, there’s nevertheless a lot to look forward to.

Q.

Right now I’m curious to see what roles the crew of La Sirena will have to play in all of this. Whatever changed the timeline left them untouched – and we don’t know why that may be. Are they the only ones who are aware of what happened? I have a lot of questions – but very few answers right now!

After the debacle around Discovery’s fourth season, it was good to see that (at this stage, anyway) an international broadcast on Amazon Prime Video is confirmed for Picard Season 2. Amazon’s social media channels have picked up the new trailer internationally, which is a good sign – but I’ll be at least a little worried until the premiere has officially arrived on Prime Video.

So I think that’s all I have to say about this one. It was an exciting, action-packed trailer that showed us just enough of the new season to jump-start the hype train. I hope that Picard Season 2 will deliver an engaging story when it debuts in a few weeks’ time.

Star Trek: Picard Season 2 will premiere on the 3rd of March 2022 on Paramount+ in the United States, and on the 4th of March on Amazon Prime Video in the rest of the world. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A whole host of Star Trek updates and renewals… but trust in ViacomCBS is still hard to come by

Spoiler Warning: There may be minor spoilers ahead for the Star Trek franchise.

Yesterday we got some fantastic news about the direction of the Star Trek franchise over the next couple of years. I’m sure you’re already aware of all of it, but just in case, here are the key announcements in brief:

  • Star Trek: Discovery has finally been renewed for a fifth season.
  • Star Trek: Picard Season 2 will premiere on the 3rd of March.
  • Star Trek: Strange New Worlds will premiere on the 5th of May.
  • Star Trek: Strange New Worlds has been officially renewed for Season 2.
  • Star Trek: Lower Decks Season 3 will premiere this summer.
  • Star Trek: Lower Decks has been renewed for Season 4.
  • Star Trek: Prodigy Season 1 will take a break when Discovery returns, before broadcasting the second half of the season later in the year.
  • Star Trek: Prodigy has been officially renewed for Season 2.

All of these announcements take the Star Trek franchise well into 2023, and when you add into the mix the as-yet-untitled 2023 film as well, there’s a massive amount of content to come over the next couple of years. It seems as though scarcely a week will go by without at least one new Star Trek episode premiering throughout all of 2022!

This is all unequivocally good news. Star Trek has made an absolutely triumphant return to the small screen since Discovery premiered in 2017, and the franchise has grown beyond my wildest hopes and most optimistic expectations in a scant five years. I hope that this is just the first phase of a new Golden Age, with more Star Trek on our screens taking us to the franchise’s sixtieth anniversary in 2026 – and beyond.

But it hasn’t been a smooth ride for Trekkies in recent weeks, especially for those of us who live outside of the United States. Star Trek: Prodigy is well into its first season for American viewers, but the rest of the fanbase hasn’t been able to see so much as a single episode – at least not via “conventional” means. This is despite Prodigy being a co-production between CBS Studios and Nickelodeon; the latter being a kids’ television channel that is available in more than 70 countries and territories around the world and is wholly owned by ViacomCBS. Surely a Prodigy international broadcast should have been possible – yet the corporation running Star Trek has consistently chosen to prioritise its American audience ahead of fans in the rest of the world, even when doing so makes no sense.

The same situation initially befell Discovery’s fourth season, when an insultingly-worded, awfully-timed announcement saw the series pulled from Netflix with 48 hours to spare. It was only thanks to the huge backlash that ViacomCBS received, leading to a significant fall in the corporation’s share price, that Discovery was shopped out to Pluto TV, Amazon, YouTube, and other platforms. Fans won in the end – but it was a battle that we should’ve never needed to fight.

At the time of the Discovery disaster, I wrote a piece here on the website in which I asked a difficult question: what might the situation and the precedent it had set mean for future Star Trek productions, including those shows that have just been renewed or had premiere dates announced? You can check out the full article by clicking or tapping here, but to briefly summarise: I am not optimistic that the painfully slow rollout of Paramount+ can be sped up, nor that shows like Strange New Worlds will be granted an international broadcast at all.

ViacomCBS is a poorly-managed corporation with leaders and executives who seem utterly incompetent – or who are dusty old relics, ill-suited to a 21st Century media landscape. The lack of care and preparation with which the Star Trek franchise is being handled is indicative of this, and the franchise lags far behind old rival Star Wars in many areas. Where are, for example, 4K HDR episodes? This is something Star Wars has been doing since 2019 with The Mandalorian, and many other television shows on Amazon, Netflix, and Disney+ are now streaming in 4K HDR. Where are the toys that should have been available in time for Prodigy’s debut? And, come to that, where’s the rest of the Star Trek merchandise for other shows?

These are just a couple of examples of how the Star Trek brand is being mismanaged by ViacomCBS, and unfortunately the breach of trust between the corporation and a sizeable chunk of its fanbase means that the plethora of announcements made yesterday are, at the very least, seen through a new lens. At worst they’re completely tainted, with excitement and hype replaced with either apathy or anxiety as fans ask whether we’ll be able to watch any of these new shows and new seasons – and if we can’t, why should we care?

Since I created this website in 2019, I’ve reviewed every Star Trek episode that has been broadcast – except for Prodigy. Why? Because ViacomCBS deliberately chose not to make Prodigy available here in the UK (by lawful means, at least) despite owning and operating the UK version of the Nickelodeon channel and thus having the ability to do so with ease. When a corporation behaves in such an insulting manner, I feel it’s difficult to support practically any announcement or project that they have going on.

It will take time – and most importantly, a significant amount of effort from ViacomCBS – to repair the breach of trust between the corporation and Trekkies. And while these announcements are exciting, I can’t bring myself to fully board the hype train, not until we have more information about how and when these shows are going to be made available.

Here are several key questions that ViacomCBS needs to address in pretty short order:

  • When will Paramount+ be available here in the UK?
  • Are there any plans to make Paramount+ available in Asia, Africa, and other regions?
  • If there are no plans to roll out Paramount+ in a particular country or territory, will these new Star Trek shows be available via some other broadcaster?
  • Will new episodes of Star Trek be available on Paramount+ outside of the United States, or will the international version of Paramount+ delay the broadcast of some or all of these episodes (as initially happened with Discovery Season 4 in Australia, Latin America, and Scandinavia)?
  • Can you offer fans a guarantee that Picard Season 2 and Lower Decks Season 3 will be broadcast on Amazon Prime Video this year?
  • Will Paramount+ be available internationally in time for Strange New Worlds Season 1?
  • If not, will Strange New Worlds be available on another broadcaster or platform outside of the United States?

I love Star Trek. Heck, I run a Star Trek fan website – and in my small way I offer ViacomCBS free publicity and advertising by talking and writing about the franchise in my free time. But I can’t blindly support a corporation that has continually taken decisions that harm Star Trek’s international fans, and until ViacomCBS is willing to answer some of the questions fans are rightly asking about the availability of upcoming productions, it’s going to remain difficult for any of us to fully get on board and be as excited as we want to be.

ViacomCBS needs to get a grip and put real effort into accelerating the international rollout of Paramount+. If Paramount+ isn’t going to be available in time, then the corporation needs to make plans to ensure international Trekkies can watch the likes of Strange New Worlds at the same time as fans in the United States. Star Trek is not an American entity, solely the preserve of American fans. ViacomCBS and its predecessors encouraged the creation of a global fanbase because they saw profit overseas – but that fanbase has been bruised by a slew of poor corporate decisions that have damaged the reputation of Star Trek and Paramount+, and which have unfortunately seen shows like Lower Decks underperform.

As Star Trek gears up for an exciting couple of years, the team in charge has a lot of work to do to rebuild trust between ViacomCBS and Trekkies. Star Trek’s long-term success depends on fixing the problems of the past couple of years and getting things right going forward. I’m interested to see how ViacomCBS will respond – and willing and able to hold their feet to the fire if they continue to get it wrong.

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The pros and cons of filming back-to-back

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1.

After a short pandemic-enforced break, Star Trek: Picard Season 3 resumed filming a few days ago. Production on the show’s third season has been underway for a while, and was officially announced back in September during the franchise’s Star Trek Day digital event. The interesting thing about Picard Season 3 being so far along in its production is, of course, that Season 2 has yet to be broadcast. This got me thinking about some of the benefits and potential pitfalls of filming back-to-back in this fashion, and that’s what we’re going to talk about today.

There are some great examples of productions that were filmed back-to-back. The Lord of the Rings trilogy of films has to be one of the best examples of this: all three films were shot together in New Zealand, though post-production work and editing continued after the first and second films had premiered. The Lord of the Rings is held in very high esteem even twenty years after it premiered, and is rightly credited with bringing the high fantasy genre to mainstream audiences, paving the way for titles like Game of Thrones.

The Lord of the Rings trilogy was hugely successful in the high fantasy genre.

Being shot back-to-back worked well for The Lord of the Rings then, clearly! The Return of the King – the third and final part of the trilogy – swept the board at the Academy Awards in 2004, picking up a record-equalling eleven Oscars.

In the case of The Lord of the Rings, the practicalities of production meant that shooting all three films together made sense. New Line Cinema had greenlit the entire trilogy and was expecting it to be a success, and the difficulties of setting up production in New Zealand – as well as having the actors travel there – all came together to make filming the entire project at once a practical and sensible approach to production. From the earliest days of pre-production, New Line Cinema intended to do things this way.

Whether in cinema or on television, there are advantages to filming back-to-back. There’s far less of a chance that characters will look noticeably different from one part of the story to the next, for example, as everything from costuming to makeup and even haircuts or simply ageing will not be factors that impact production. Keeping the same behind-the-camera crew will also allow for a consistent production that keeps the same cinematographic style. It makes it easier to go back and re-work parts of the story, if necessary – for example, if a writer or director felt the need to add a scene foreshadowing the ending, or even to change the entire end of the story to better fit what had come before.

There are advantages to back-to-back production.

But there can be drawbacks to this approach, pitfalls that can be very difficult to avoid even with good preparation and the best of intentions. And there’s one reason in particular why Star Trek: Picard kicked off this discussion for me.

Star Trek: Picard started with an episode that’s probably the best series premiere in the history of the franchise, surpassing even Deep Space Nine’s Emissary – the previous high-water mark. Over the course of the next few episodes, its story unfolded slowly and seemed to be building up to an exciting climax. Unfortunately, though, the season stumbled as it approached the finish line, with the first half of its two-part finale in particular being a real disappointment. The way the season eventually ended left several storylines unresolved and at least one gaping plot hole. To be blunt, the finale was weak – and it’s important that the writers and producers receive that feedback and take it on board.

I’m not the only person to have criticised the way that Star Trek: Picard Season 1 ended; the two parts of the season finale are the worst-rated episodes of the show according to review aggregator Rotten Tomatoes.

The Season 1 finale of Star Trek: Picard was by far the weakest part of the story.

So what’s the point of bringing this up? Well, it’s simple: filming back-to-back, as is now happening with Seasons 2 and 3 of Picard, means that the show’s writers and producers will have far less of a margin for error; they’re much more constrained and less able to make changes based on critiques and audience reactions.

Set aside any thoughts you might have about “artistic integrity” or the “vision” of a production’s writers, producers, and directors. In the real world, with very few exceptions films and television shows are adapted – and in some cases changed entirely – based on the way audiences respond to them. This is why practically every film and television series is shown to test audiences before they premiere. Doing so can give production companies the chance to make last-minute adjustments, make cuts, or even rework entire sequences.

ViacomCBS will not have ignored the reviews and discussion surrounding Picard Season 1 and its finale. Those criticisms will have been absorbed by the corporation, and I wouldn’t be surprised if they mandated changes to the story of Season 2 as a result, even if such changes may be relatively minor. Just to pick on one example, the story of main character Narek, which was dropped without a resolution part-way through the finale, might be something that the team in charge of the show insist that Season 2 clarifies.

Narek’s story was just one of several major elements that the season finale failed to pay off.

But if there are issues with Season 2 – whether they’re to do with story, art style, visual effects, etc. – it will be much harder, and much more expensive, to make any changes to Season 3. In all likelihood, Season 3 will wrap up its main phase of production before Season 2 even premieres, and while post-production work and pick-up shoots offer some opportunities to make changes, those opportunities are limited. If a film or series has been ready to go for a year or more, going back to film extra scenes can be tricky; it can be very easy to tell which scenes and shots were filmed and added in later, even in productions with high budgets.

In short, because Picard Season 1 had some very particular and noteworthy issues with its finale, I’m at least a little concerned about the direction of the series heading into Seasons 2 and 3, and the fact that the seasons are being shot back-to-back heightens that. Had Season 1 ended with a stronger finale, perhaps I’d be less concerned. But unfortunately it didn’t – and that leaves the show in a strange place for me. I’m genuinely excited to spend more time with Admiral Picard and the crew of La Sirena, but I’m at least a little anxious about the way the show’s production is being handled.

Where will the admiral and his crew go next?

In a way, this is something we may have to get used to as the pandemic rumbles on. Had it not been for covid and its associated lockdowns in California, it would’ve been possible for production on Picard Season 2 to get underway far sooner, potentially meaning that there’d have been no need to film the second and third seasons back-to-back. But the pandemic continues to be a disruptive force across the world, so productions may have to get used to working when they can and taking breaks when they must – at least in the short-to-medium term.

In some cases it won’t matter. In others, filming back-to-back can provide significant advantages. But there are potential drawbacks to this way of approaching a major production, not least the difficulty in going back and making changes based on audience and critical feedback. It’s the latter point that concerns me when it comes to Star Trek: Picard, and that’s due to the weak ending to an otherwise excellent first season. Perhaps in the days ahead we should go back to the two parts of Et in Arcadia Ego and re-examine what went wrong – as well as looking at what the season finale got right. If I forget, remind me! For now, you can check out the reviews of both episodes on my dedicated Star Trek: Picard page.

The Lord of the Rings trilogy is the copyright of New Line Cinema and/or Warner Bros. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

What will the Discovery decision mean for Picard, Strange New Worlds, Lower Decks, and the rest of Star Trek?

The fallout from the atrocious and unfair Star Trek: Discovery decision rumbles on. The ViacomCBS share price continues to tumble in the wake of their truly awful decision to piss off most of the fans of their biggest franchise, the rollout of Paramount+ continues at a snail’s pace with no specific launch dates even entering the conversation, and unfortunately we’re now seeing some divisions in the fandom itself, with North American Trekkies pitted against those of us in the rest of the world as arguments break out over the series. What a stinking mess.

At time of writing, both Star Trek: Prodigy and Star Trek: Discovery are “Paramount+ exclusives” all across the world – meaning the shows are locked behind a paywall that fans can’t actually pay for because the incompetently-managed streaming service hasn’t launched in the vast majority of countries and territories. I feel even worse for Trekkies in Australia, Latin America, and Scandinavia in some ways, though, because although Paramount+ has already arrived there, Discovery Season 4 still hasn’t been made available. If you needed any more evidence that ViacomCBS is one of the worst-run corporations in the entire entertainment industry, look no further than that arbitrary nonsense.

The logo of the mediocre streaming service at the heart of all these problems.

But Prodigy and Discovery aren’t the only Star Trek shows in production at the moment. In 2022 Trekkies have been promised Star Trek: Picard Season 2, Strange New Worlds Season 1, and Lower Decks Season 3 at a minimum. In the wake of the truly selfish and awful Discovery decision, however, I can’t help but feel very nervous about each of those shows. Will Trekkies around the world be able to enjoy any new Star Trek in the months ahead? Or will we see repeat after repeat of the Discovery mess?

Strange New Worlds seems all but certain to be denied any kind of international streaming deal. If you’re hoping to see the series hit Netflix or Amazon Prime Video, you might as well forget it – it’ll be a Paramount+ exclusive for sure. What that means in effect is that anywhere in the world without Paramount+ will miss out on Strange New Worlds. That feels like such a sure thing right now that I’d put money on it.

Don’t bet on seeing Captain Pike on your screens next year. At least not through the usual channels…

Currently, Picard Season 2 is scheduled for a February premiere. If the season runs for ten episodes, as Season 1 did in 2020, it’ll conclude sometime in late April or early May, meaning that Strange New Worlds could debut anytime around then – and certainly well before the middle of the year. At present, the UK and parts of Europe are promised Paramount+ in “early 2022” – which could be before the Strange New Worlds premiere, but it could also be long after the show has kicked off in the United States. And unfortunately, many countries and territories in Asia, Africa, and the rest of the world have no planned launch for Paramount+ at all, which means it could be 2023 or later before the service launches there. If it survives that long.

I simply don’t believe the promises ViacomCBS has made of an “early 2022” launch. Paramount+ has been so poorly managed and so incompetently handled by the corporation that a delay to these plans feels inevitable, so I’m not betting on the service launching here before the end of 2022. But even if, by some miracle, ViacomCBS actually manages to launch Paramount+ on time in Europe, that could still mean Strange New Worlds and Picard Season 2 won’t be broadcast simultaneously with North America.

Picard could well be pulled from Amazon Prime Video before Season 2.

As mentioned, Paramount+ has already arrived in Australia, Latin America, and Scandinavia – and it isn’t exactly brand-new, they’ve had it since March. But despite that, Discovery Season 4 isn’t being shown there at the same time as it’s being shown in North America… so even being very generous to ViacomCBS and assuming that the incompetent morons manage to get Paramount+ to the UK and Europe in “early 2022,” that still doesn’t necessarily mean we’ll be able to watch any of the new shows on the damn thing.

As I discussed the other day, ViacomCBS paid Netflix a large sum of money to ensure that Discovery Season 4 wouldn’t be available around the world. If they had done nothing, the show would’ve come to Netflix under existing contracts and licenses – but the corporation chose to intervene, hoping to boost sign-ups to Paramount+ (though the backlash may have actually cost the platform subscribers thanks to a fan-led boycott campaign). What’s to stop ViacomCBS from doing the same thing with Amazon Prime Video, the current home of Lower Decks and Picard?

Will Amazon Prime Video lose its Star Trek shows, just like Netflix?

One of the stupidest and most offensive things about the Discovery decision is that Paramount+ is unavailable across most of the world. If ViacomCBS had pulled Discovery from Netflix because Paramount+ had already launched and they wanted to keep their own shows on their own platform, it would still be frustrating, and the timing would still be awful, but at least there’d be a vague logic to it. But because Paramount+ isn’t even available, the decision has locked the show behind a paywall that no one is able to pay for. Which, as I’ve argued on more than one occasion, means you have the absolute moral justification to pirate the series.

But this kind of decision could well be repeated. I doubt very much that Paramount+ will be available here in the UK by February, in time for Season 2 of Picard. And on current form, there’s nothing to stop ViacomCBS from doing to Amazon Prime Video what they’ve just done to Netflix – pulling the series from broadcast with days to spare. I don’t think it’s safe to assume we’ll be watching Picard Season 2 on Amazon Prime Video… let alone Lower Decks Season 3, which likely won’t be broadcast until later in the year.

Lower Decks Season 3 could also be going exclusively to Paramount+.

Rather than the Discovery mess being a one-time thing, I think as international fans we need to get used to the idea that, at least for the next year or so, watching Star Trek along with our North American friends may not be possible – or at least may not be possible via conventional methods. Picard Season 2 and Strange New Worlds Season 1 feel the most vulnerable, but realistically we’ll soon see the entire franchise disappear behind Paramount+’s paywall – regardless of whether Paramount+ is actually available.

I’d like to be proven wrong, of course, but I fear that this is the direction of travel for Star Trek as we move into 2022. This will not be a move free of long-term consequences for ViacomCBS. The corporation’s share price continues its fall, many Trekkies have pledged never to subscribe to Paramount+, and one of the biggest single pushes toward piracy since the advent of streaming will lead many fans and viewers to realise just how easy it is to pirate the latest episodes – making it even harder for Paramount+ to tempt them back in future.

A decision intended to push fans toward Paramount+ has actually led to piracy – and threats to boycott the platform.

As self-defeating as these plans may be, don’t expect to see ViacomCBS move away from them. And if you’re especially unlucky, living in a region of the world that ViacomCBS has apparently forgotten even exists, it may be the case that Paramount+ never arrives – or if it does it won’t be till 2023, 2024, or beyond. Star Trek has always told stories of people coming together – of a United Earth free from borders and division. But the ViacomCBS board haven’t even watched their own shows, or if they did the message went far over their shrivelled little profiteering heads.

I don’t want to be the bearer of bad news, but as I see it, the Discovery decision is just the first of many. Strange New Worlds, which has never had an international broadcaster announced, will certainly be a Paramount+ exclusive. Picard Season 2 and Lower Decks Season 3 could very easily follow the Discovery model and be pulled from Amazon Prime Video. And the rest of the Star Trek franchise? Currently the older shows are on Netflix, but the films aren’t. However, I wouldn’t bet on being able to watch any Star Trek series next year unless you have the DVD or are prepared to sign up for Paramount+.

The Star Trek franchise is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten shows to watch instead of Star Trek: Discovery Season 4

Spoiler Warning: There may be minor spoilers for some of the shows on this list.

The person who coined the phrase “there’s no such thing as bad publicity” evidently never met the marketing team at ViacomCBS. The Star Trek: Discovery clusterfuck continues to damage the company, the Star Trek brand, Paramount+, and everything else it touches, with Discovery’s fourth season now being soiled, stinking of shit even for those fans in North America who’ve been able to sit down and watch it.

Whether you’re pirating Discovery Season 4 or not – and honestly, you’re 100% morally justified in doing so if you choose to – I thought that today we should consider some alternatives. Maybe you’ve decided not to pirate the series, or to wait and see how things go. Or maybe you’re still so darn mad at Discovery that watching it wouldn’t feel appropriate right now. So let’s take a brief look at ten television shows that you could watch instead. I’ll try to keep spoilers to a minimum!

Oh, and if you’ve tuned in looking for my weekly Discovery Season 4 reviews or theories, I’ve made the reluctant decision to put those on hold for the time being due to what’s happened.

Number 1: The Wheel of Time

Promotional image for The Wheel of Time.

The Wheel of Time premieres today, so I can’t claim to have watched it for myself at time of writing! But Amazon has invested heavily in this fantasy epic, one which is based on a long-running series of novels by Robert Jordan and Brandon Sanderson. It’s been a long time since I read any of the books (and I didn’t come close to finishing the set) but from what I remember, The Wheel of Time has a complex story full of magic, wonder, and nuanced characters.

Several big-budget fantasy shows were commissioned in the aftermath of the success of Game of Thrones, and initial reviews of The Wheel of Time sound promising. I’ve been looking forward to watching the show all year, and it’s finally here! The first three episodes are being made available at the same time as a kind of extended premiere, with the remainder of Season 1 following on a weekly basis. This could be a great replacement for Discovery between now and Christmas.

Number 2: Foundation

Jared Harris and Lou Llobel star in Foundation.

One of Apple TV+’s first big-budget shows, Foundation has been interesting to follow across its first season. Is it perfect? No, but for an adaptation of a very dense series of books that I would’ve considered borderline unfilmable, I think the series makes a creditable effort to bring the story to screen.

Foundation stars Jared Harris in a key role, and he’s an absolutely fantastic actor who brings a lot to the series. At time of writing there’s one episode left in Season 1, and a second season has already been confirmed for next year.

Number 3: The Expanse

Several of The Expanse’s main cast aboard the Rocinante.

The Expanse is one of the finest science fiction TV shows I’ve ever seen outside of the Star Trek franchise. Its world-building is absolutely fantastic, showing us a look at a near-future where Mars and parts of the asteroid belt have been colonised, but where faster-than-light travel and many other common sci-fi technologies don’t yet exist.

Originally debuting on the SyFy network, The Expanse was later picked up by Amazon following a fan campaign. There are five seasons already, with a sixth and final season scheduled to premiere next month – so you’ve got time to binge the show and get caught up!

Number 4: Firefly (and Serenity)

The main cast of Firefly.

The big caveat with Firefly has to be that the show was never given a chance to live up to its full potential, being cancelled after just one season. But the feature film Serenity brought the cast back and provided the story with closure (of a sort) so it’s absolutely worth watching if you haven’t seen it already.

Firefly brought to screen a uniquely western-themed sci-fi universe that felt truly real and lived-in in a way few franchises manage to do. It’s positively criminal that one season and one film are all we ever got – but what a fantastic season it was!

Number 5: Fortitude

Several members of the Fortitude Season 1 cast.

We’re returning to Earth for this entry on the list! I thought I knew what to expect from Fortitude when I sat down to watch the show. It’s set in a small town in the Norwegian arctic, and I was expecting it to be a fairly standard crime drama. But the show took a series of turns, going from crime to mystery to thriller and even touching on horror and science fiction.

It’s hard to explain Fortitude without spoiling it – and I would say that some of its storylines go a bit wild toward the end. But if you get stuck into it, as I did, you’ll have an amazing time.

Number 6: Star Trek: Picard

Sir Patrick Stewart reprised his famous role last year.

Chances are if you’re reading this you’re a Trekkie and you’ve already seen Picard Season 1. And I would absolutely understand if the Discovery debacle has soured you on Star Trek at the moment. But whether you missed Season 1 or just haven’t seen it since it was broadcast in early 2020, it’s a fine drama series worth going back to.

Remembrance, the season premiere, is one of the finest episodes of Star Trek – and one of the finest episodes of television in general – that I’ve ever seen. The season’s story builds slowly to a conclusion that was, unfortunately, more than a little rushed, but if you can look past the imperfections present at the story’s end, Picard Season 1 is a fun Star Trek adventure.

Number 7: The Mandalorian

Mandy the Mandalorian.

I have to confess that I’m not wild about The Mandalorian. It’s okay – and it contains some great action set-pieces and moments of drama. But my disappointment stems from the fact that the show’s promised “different look” at the Star Wars galaxy kind of fell by the wayside due to the inclusion of too many elements from the films.

Despite that, The Mandalorian has some great moments, and is well worth watching for any Star Wars fan. Two seasons have been put to screen thus far, though I’d argue that their short runtime and serialised story means you only really get one full season’s worth of content. Two spin-offs and a third season are coming next year, so if you’re not caught up on Star Wars yet, now could be a good moment!

Number 8: The Falcon and the Winter Soldier

The titular duo.

I’m not the world’s biggest Marvel fan, but this miniseries on Disney+ was less about superheroes and was more of an action-adventure romp with the titular characters. There were callbacks to a lot of previous entries in the Marvel Cinematic Universe, but even as someone who doesn’t follow the MCU religiously I found the series approachable.

The Falcon and the Winter Soldier tells a largely self-contained story, and it was one that aimed to be uplifting as well as entertaining. I published a review of the miniseries a few months ago, and you can find it by clicking or tapping here – but beware of spoilers!

Number 9: Chernobyl

“Not great, not terrible” would be a bad way to describe 2019’s Chernobyl.

Chernobyl was a sensation when it was first broadcast in 2019, and for good reason. The miniseries, which documents the 1986 Chernobyl nuclear disaster, is one of the finest ever put to screen. This is a story you’re probably at least vaguely familiar with, but Chernobyl goes into detail, looking at the disaster from all angles.

I find it hard to say anything negative about Chernobyl at all; as both a work of drama and a serious historical piece it’s perfect. It even contains a great scene explaining the basics of how a nuclear reactor works!

Number 10: The Center Seat

Logo for The Center Seat.

The History Channel is currently a couple of episodes into its documentary all about the Star Trek franchise. There will be eight more episodes over the coming weeks, documenting the history of Star Trek from the production side going all the way back to Gene Roddenberry’s initial pitch for the series in the early 1960s.

I love a good documentary, and as the Star Trek franchise celebrates its fifty-fifth year, why not take a look back? As Trekkies we should aim to be knowledgeable about the production of the franchise we love, and The Center Seat aims to present its history in an easily understood form.

So that’s it. Ten shows to watch instead of Star Trek: Discovery Season 4.

I think a lot of Trekkies feel the way Book’s feeling right now.

Those are words that I never thought I’d have to write. Discovery’s fourth season had been my most-anticipated television show of 2021, and even now that we’re a couple of days out from the news that we wouldn’t be getting the series, the sense of disappointment and anger with the corporate morons in charge of ViacomCBS remains. But I hope, after a couple of days of outright negativity, this list has been a bit of a break.

Each of the shows above are absolutely fantastic in their own ways, and while it’s true that nothing can fully replace Star Trek: Discovery for a big fan of the series, hopefully you’ve found a few ideas to at least take your mind off things. Social media has been reflecting the outrage directed at ViacomCBS over the past couple of days, and while there’s nothing wrong at all with registering your disgust with the way that the corporation has behaved, please keep in mind that the actors, directors, and other behind-the-camera crew had nothing to do with this decision. In many ways, it harms them too because it’s tainted their hard work and left even North American Trekkies feeling upset and angry. Negativity and division within the Star Trek fandom is never a good thing. It’s such a shame ViacomCBS chose to inflict it upon us on this occasion.

All television series mentioned above are the copyright of their respective owner, network, broadcaster, streaming platform, etc. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek theory: Q the saviour

Spoiler Warning: There are spoilers ahead for the trailers and teasers for Star Trek: Picard Season 2. Spoilers are also present for the following Star Trek productions: The Next Generation, First Contact, Voyager, and Enterprise.

Today we’re going to take a look at Q, the immortal trickster who has tangled with Captains Picard, Sisko, and Janeway – and who will soon be returning to the Star Trek franchise! Q is an unusual character in many ways. He seems to have practically unlimited knowledge of the galaxy, and may have been alive for billions of years. Yet he has an impish, almost childish sense of humour that sees him tease and mess with Starfleet – and many other people too.

I wouldn’t call Q a “villain” in any of his appearances to date. In fact, I would argue very strongly that Q sees himself as a friend, an ally, and a guide to Captains Picard and Janeway in particular, having offered his services more than once. He’s certainly selfish – forcing Starfleet officers to undergo tests and trials of his own devising – but there’s usually more to his games than meets the eye.

Q in his judge’s robe.

On several occasions – going all the way back to his first appearance – Q has presented Starfleet with puzzles to solve. These puzzles can be dangerous, and more than once Q has gotten people killed. But even so, I wouldn’t characterise him as a typical “villain” for Captain Picard or Captain Janeway to “defeat.”

The puzzles Q has presented – especially to Captain Picard – have actually proven to be deeply satisfying, and arguably helped Picard and Starfleet grow. Recognising that life can take very different forms – as Q helped Picard to see in Encounter at Farpoint – is one such puzzle he presented. He also taught Picard how to view time in a non-linear fashion – understanding that events in the future could have a causal link to events in the past in All Good Things.

All Good Things saw Q present Picard with another puzzle to solve.

Even the teasers and trailers for the upcoming second season of Star Trek: Picard may not be all they seem. Picard says he blames Q for disrupting or changing the timeline, but I think we’ll have to see that story play out before we can assign all the blame to Q. Even if Q is responsible, the question of motivation comes up. Is it really just a game; a trick to mess with Picard? Or is there something bigger going on?

That’s one of my big Picard Season 2 theories! But I’ll save the full write-up for another day. Today we’re not looking ahead to future Star Trek, we’re going to look back at past iterations of the franchise and try to answer a deceptively simple question: did Q save the Federation?

Q will soon be returning to Star Trek…

Star Trek has made a mess of the early history of Borg-Federation contact. The Raven, from Voyager’s fourth season, told us that the Borg assimilated humans and a Federation vessel in the 2350s. Regeneration, from Enterprise Season 2, showed the Borg battling against Captain Archer and his crew – and sending a message to the Delta Quadrant that would be received in the 24th Century. So the question of how the Borg first became aware of the Federation is an open one. Did they receive a message from across the galaxy? Did they first discover humanity when they assimilated Seven of Nine and her family?

Either of these explanations could account for the Borg’s interest in the Alpha and Beta Quadrants in the mid-late 24th Century. Season 1 of The Next Generation first teased the Borg’s appearance with the episode The Neutral Zone, in which both Federation and Romulan colonies had gone missing – “carried off” the surface of their planets, as Romulan commander Tebok put it. The Borg’s responsibility for these attacks would be confirmed in The Best Of Both Worlds – though the connection is easily missed, in my opinion, as it doesn’t take up much screen time.

The Borg were responsible for the destruction of several Federation colonies in the 2360s.

Regardless, one thing is certain: the Borg knew of the Federation’s existence well before the Federation knew of theirs. They had even begun to send scouting vessels relatively close to Federation space; system J-25, where the Enterprise-D first encountered a Borg Cube, was a mere two-and-a-half years away from Federation space at high warp, placing the Borg tens of thousands of light-years away from their Delta Quadrant home.

Were the Borg actively scouting for the Federation, or was it just a coincidence that one of their vessels was operating so far away from their own space? We may never know the answer to that, but someone almost certainly does: Q.

Q was responsible for this encounter.

In brief, here’s my theory: the Borg and the Federation were already on a collision course, but the Federation didn’t know it. Whether it was because of the First ContactRegeneration time travel loop, the assimilation of the USS Raven, the attacks along the Neutral Zone, or simply the Borg’s continued exploration of the Alpha and Beta Quadrants, they had humanity and the Federation firmly in their sights long before Starfleet was aware that there was a problem.

Recognising this, and seeing potential in humanity thanks to his earlier run-ins with Captain Picard and the crew of the Enterprise-D, Q chose to intervene. He knew that if the Federation became aware of the threat the Borg posed, their ingenuity would lead to better defences and they’d be able to protect themselves, so he chose to deliberately introduce them to the Borg for that reason.

A Borg Cube hovering ominously over Earth. The Borg came very close to assimilating humanity’s homeworld.

The events of The Next Generation Season 2 episode Q Who can be reinterpreted through this new lens. Rather than Q trying to frighten Picard for the sake of it or to prove his own superiority, he was – in his own twisted way – helping Picard and the Federation. The events of Q Who led the Federation to begin serious preparations for a Borg incursion, and without that tactical readiness it seems likely that the Borg would have been able to cruise to victory during the events of The Best of Both Worlds.

This fits with how Q operates. In stories like Encounter at Farpoint, Tapestry, and All Good Things, as well as Voyager’s The Q and the Grey, Q never explains everything he knows. Instead he obfuscates, talks around the issue, and forces Starfleet figure out what’s going on for themselves. Sometimes he pushes Picard or Janeway in a certain direction to get things moving, or even devises a puzzle or test of his own, like he did in Hide and Q. But what he never does is simply communicate – he doesn’t just sit down with Picard and tell him about Farpoint Station or the anti-time problem. He pushes Picard to figure those things out for himself.

Q appeared in Season 1 of Lower Decks.

And so it is with the Borg – according to this theory. Rather than contacting Picard and explaining what he knows about the Borg and their intention of targetting Earth, he sends the Enterprise-D to a location where he knows a Borg vessel will be and allows the crew to discover the threat for themselves. He does so knowing that the consequences will be Starfleet ramping up their defences in preparation of a Borg attack.

In All Good Things, Q told Picard that the Q Continuum saw potential in humanity – the potential to one day understand more about the universe than they ever thought possible. From Q’s point of view, perhaps he believed that seeing the Federation attacked and humanity assimilated would be a net loss to the galaxy because that potential would never be realised.

Q has his reasons for “testing” Picard and humanity – even if he chooses not to explain himself.

Q’s motivation for putting Picard and humanity “on trial” seems to be connected to this. In Encounter at Farpoint he accused humanity of being “a dangerous, savage, child race.” Yet even by the end of the episode, Q appeared to be impressed rather than disappointed that Picard and the crew could solve his puzzle. Rather than believing humanity to be dangerous and savage, as he asserted, Q almost certainly sees humanity as something more than that – and thus would feel humanity’s assimilation by the Borg would be a loss. His desire to avoid that fate could have motivated him in Q Who.

All of this could tie into Picard Season 2. Q may feel that Picard and the Federation are ungrateful for his “assistance” over the years, and he could cite the events of Q Who as one example of how his intervention saved the Federation from assimilation. While the latter part is up for debate, I definitely believe that Q feels underappreciated by Picard in particular, and sees his interactions with the former captain of the Enterprise-D as helpful rather than antagonistic.

Q looks annoyed with Picard in the trailer for Star Trek: Picard Season 2.

So let’s recap! The Borg became aware of the existence of the Federation by the mid-24th Century. The Federation had technology and resources that the Borg considered valuable, and they began targetting outlying Federation colonies, including those near to the Romulan Neutral Zone. All the while, the Federation remained ignorant of the Borg’s existence – considering them to be little more than rumour.

Foreseeing disaster and either the total assimilation of humanity or the devastation of the Federation such that humanity could not achieve its full potential, either the Q Continuum or Q independently decided to intervene. Instead of simply contacting the Federation to share his knowledge, Q transported the Enterprise-D to the star system J-25, where they encountered the Borg. This encounter led to the Federation developing anti-Borg strategies and defences that would ultimately save them from assimilation.

Unusually, Q has never taken credit for this. However, it’s at least possible that he considered Picard and the Federation as a whole to be ungrateful for his help, and this could tie in somehow to the events of Picard Season 2 where Q will be making a return to the Star Trek franchise.

Did Q save the Federation from assimilation?

What I like about this theory is that everything feels like it fits together. This theory connects the message sent in Regeneration and the early assimilation of Seven of Nine’s family to the events of The Neutral Zone, giving the Borg a reason to be operating so far outside of their territory. It also fits in perfectly with the way Q behaves – never sharing everything he knows and presenting dangerous and often deadly puzzles to Picard and Starfleet.

Whether it’s true or not is open to interpretation! I would say that Q Who wasn’t written with any of this in mind, and a straight watch of the episode strongly suggests that Q’s motivation is simply to frighten Picard and the crew of the Enterprise-D after his offer to join the crew was rejected. Q felt that Picard was arrogant in assuming that Starfleet could handle any threat the galaxy contained, and wanted to prove him wrong. While that explanation works in the context of the episode, it doesn’t preclude anything included in this theory from also being true; Q could still have been annoyed at Picard’s assertion that the Federation was prepared for anything while also intending to provide them with advance warning of the Borg.

So that’s it for this one! As with all fan theories, anything we see on screen in a future episode or film could render the whole thing invalid. But for now, I think it’s at least plausible that the events of Q Who represent Q trying – in his own unique and twisted way – to help Picard and the Federation. Q has always seen himself as a friend of Picard’s, and based on what we know of both Q and the history of Borg-Federation contact, it seems to me that everything arguably fits together!

The Star Trek franchise – including all episodes and other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Captain Proton? No thanks…

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Lower Decks Season 2, and Star Trek: Voyager.

There have been a number of interesting-sounding pitches and concepts over the years for potential Star Trek series and feature films, and we recently looked at the possibility of a Starfleet Academy series. That sounds like something with potential, and you can check out my thoughts by clicking or tapping here.

But not all Star Trek pitches are created equal, and another potential series has been touted in the last few months by former Star Trek: Voyager actor and director Robert Duncan McNeill. He recently confirmed on social media that he’s pitched a Captain Proton show to ViacomCBS, though details about what the potential project would entail are light. Having touched on this idea on a couple of occasions in other contexts, I wanted to give the pitch more of an airing and put my thoughts in order.

A Captain Proton show has been proposed.

You’ve probably already figured out from the title of this piece where I come down on a Captain Proton show: I’m not in favour of it and I can’t really see a way to bring it to screen successfully. I’d even go so far as to say that I highly doubt ViacomCBS will consider this pitch for very long, despite the known name attached to it, and though there are a few reasons why – which we’ll go into detail about – it boils down to one simple question for Trekkies. And here it is:

Out of everything in Star Trek, is Captain Proton the one thing you want more of?

There are many characters, locations, starships, and themes that the franchise could return to one day. Off the top of my head here are five: a visit to the Enterprise era to see more of the Federation’s early years, the return of Benjamin Sisko from the realm of the Prophets, Neelix’s adventures at the Talaxian colony, Pavel Chekov’s days as an admiral or elder statesman, and John Harriman’s missions as captain of the Enterprise-B.

Maybe one day…

You can probably think of dozens more; characters and concepts that the Star Trek franchise could happily revisit. I would bet actual money that, for 99% of Trekkies, Captain Proton wouldn’t even enter the top fifty on their lists of things that they’d be interested in returning to. And I’m in that same boat. The ten Voyager episodes which either featured or made reference to Captain Proton were fun – but the concept is simply not strong enough nor memorable enough to carry an entire series on its own.

I like retro sci-fi – the likes of Flash Gordon, Forbidden Planet, and other older shows and films from long before Star Trek: The Original Series was even conceived are what Captain Proton paid homage to and gently parodied so well in Voyager. As one element of a larger series, a series with a much bigger picture and broader scope, Captain Proton worked. It slotted in well and gave the cast something different to do – and a chance to really ham it up and over-act.

Captain Proton was a pastiche of classic sci-fi films and serials like Flash Gordon.

But that’s the nicest thing I can say about the Captain Proton stories and sequences that we saw in Voyager. Out of that show’s 170 episodes, Captain Proton is far from being the most memorable aspect even among stories set on the holodeck; I’d go so far as to suggest that the Irish village featured in Fair Haven and Spirit Folk left more of a lasting impression. Those episodes certainly had far more depth than any Captain Proton story.

There’s a lot that we aren’t privy to when it comes to the recent Captain Proton pitch. Is it intended to be a 1930s-inspired black-and-white series, featuring the cardboard sets and overacting we’d expect from such a sci-fi serial? If the show wants to be purely about Captain Proton, either treating him as if he were real or showing us as the audience a kind of “show-within-a-show” look at Captain Proton through the eyes of a holodeck audience, then it has to be considered dead on arrival. A retro-inspired sci-fi aesthetic might be cool, but every other aspect of such a show would feel so terribly out-of-date that it would become a laughing stock.

A laughing stock indeed…

On the other hand, if the Captain Proton series is actually intended to be a look at Tom Paris as he writes new Captain Proton holo-novels years after the USS Voyager returned to Earth, then perhaps there’s a bit more meat there; more of an actual concept with the potential for characterisation and drama.

I’m still not sure that it would work, but at least the latter concept has a bit more going for it. Firstly, it could be developed as a tie-in or crossover with Star Trek: Picard – or any other show or film set in that era. With Seven of Nine now a regular member of the Picard cast, the potential for a reunion with Tom Paris and perhaps B’Elanna Torres as well would be of some interest. Paris and Seven didn’t have a lot to do together during Voyager’s run, but Seven clashed frequently with B’Elanna, especially during her first year or so aboard the ship. There’s potential, perhaps, to revisit that relationship and see how things have evolved over the years – we know from Picard Season 1 that Seven of Nine has changed and become far more human in that time.

Seven of Nine has returned in Star Trek: Picard.

But I think that’s about as far as a Captain Proton show could go, and I don’t think we necessarily need a standalone project in order to bring back characters like Tom and B’Elanna. Perhaps they wouldn’t be the best fit for Picard, but they could certainly make an appearance in a future episode or film. Tom Paris has already had a cameo in Lower Decks, and while that was a bit of a nothing-burger from my perspective, I’m not totally against the idea of the character making future appearances in Lower Decks or any other Star Trek project.

When Michael Dorn revealed he’d pitched a Captain Worf series a while ago, I felt that the character might not be strong and well-rounded enough to carry an entire series on his own. And unfortunately Tom Paris is in that same category. Paris was an excellent character, don’t get me wrong, and I enjoyed what he brought to Voyager. But he was frequently used as comic relief – making a joke to lighten the mood in a tense situation. The spotlight episodes he got showed off the altruistic side of his personality, his love of retro things, and his piloting skills. And we also got to see his relationship with B’Elanna develop over the show’s run.

B’Elanna Torres and Tom Paris eventually got married.

Tom Paris is far from one-dimensional. But he’s also not the kind of character who could easily play the main role – and if the intention behind this pitch is to create a Tom Paris series I fear it would end up meeting the same fate as Joey, the short-lived spin-off from popular sitcom Friends.

Tom Paris has a satisfying character arc already. Voyager began with him at rock bottom – a prisoner and an abject failure. He failed as a Starfleet officer, then failed on his first mission as a member of the Maquis. Out of everyone on Captain Janeway’s crew, Paris had the least to lose and the most to gain after getting stranded in the Delta Quadrant, but even so he rose to the occasion to become a dependable and honourable member of the crew, quite literally guiding the ship home.

Tom Paris has had a truly satisfying character arc already.

So we’ve already seen Tom Paris’ character arc. By getting lost in the Delta Quadrant he found meaning and purpose in his life, he found the love of his life, and he gained redemption for his past misdeeds against Starfleet, against the Maquis, and even against his father. If his career path glimpsed in Endgame is any guide, his future is one of artistry and leisure, putting his adventures behind him to focus on doing the things he loves.

In short, we know Tom Paris quite well, and any addendum to the story that we’ve already seen play out would risk feeling tacked-on. At worst it could upset and even undermine aspects of his character arc across Voyager’s run depending on what direction the story was taken. Having spent seven years with Tom Paris – albeit in a supporting role – I’m quite content to say that his time in Starfleet ended with Voyager’s return to Earth and he’ll spend the rest of his days happily married, working on holo-novels and playing with classic cars. I don’t think we need to see any of that to believe that it happened – and it’s deeply satisfying after the long and arduous journey that the USS Voyager took to know that at least some of the characters we came to know and love did in fact get their “happily ever after.”

Promotional photo of Tom Paris.

Unlike Seven of Nine, who had so much to gain personality-wise as she spent more time away from the Borg Collective, Tom Paris’ characterisation feels settled. As we saw in scenes set in the future in Endgame, he didn’t change much in the years after his return from the Delta Quadrant – and we wouldn’t have expected him to.

All of this assumes that Tom Paris was supposed to play a role in this pitched series at all, and that may not be the case. But regardless I think it’s worth considering that what makes for an enjoyable and lovable character – which Tom Paris certainly was – doesn’t necessarily translate to a character being suited to take a lead role. This is true of Worf and it’s true of Tom Paris – both played outstanding supporting roles, but neither should be tapped to lead their own spin-off.

Worf is another character about whom a series has been proposed.

After having spent years playing the same characters, I can fully understand why Robert Duncan McNeill and the rest of the Voyager cast enjoyed their sojourns to the world of Captain Proton. It was a chance to take on a different acting challenge, and to revel in a style of cinematography, acting, and storytelling that just doesn’t get produced anymore.

But there’s a reason why the likes of Forbidden Planet and Flash Gordon were superseded: technology, acting skills, and storytelling improved. Some of those improvements in the world of sci-fi actually came from Star Trek: The Original Series blended different genres and styles together, kept a tight focus on its main characters, told stories with real-world parallels and morals that audiences could relate and respond to, and depicted a vision of the future and outer space that was far more positive and hopeful than negative and fearful.

These kinds of serials were outdated by the middle of the 20th Century.

Retro can be fun. But to make a straight-laced Captain Proton television series wouldn’t just feel retro – it would feel regressive. Such a show would be a massive backwards step, trying to ignore multiple generations’ worth of improvements in everything from narrative and world-building to acting skills and cinematography.

More than that, a Captain Proton series would have incredibly limited appeal. Many fans of Voyager would be hard-pushed to remember Captain Proton, and even those that do and have fond memories of the episodes would be surprised at the very least to hear talk of a Captain Proton spin-off show. Beyond that minuscule niche, a Captain Proton series might appeal to fans of classic, retro sci-fi. But such folks are few and far between, and when Captain Proton already felt incredibly dated in the 1990s, the number of viewers who would genuinely appreciate the parodies and references is positively microscopic.

It almost certainly is for Captain Proton.

Even if Captain Proton were less about the retro sci-fi and more about Tom Paris, I don’t think that would work well either. There must be a queue of characters from past iterations of Star Trek lining up for their prospective returns to the franchise, and while Paris was a fun character during Voyager’s run, he simply isn’t strong enough or deep enough to carry a whole series. His recent cameo in Lower Decks kind of embodies that – the character could have been swapped out for any other, or a generic stand-in, and the episode would have been functionally the same.

At the end of the day, this concept comes down to the simple question I posed at the beginning of this article: out of everything in Star Trek, is Captain Proton the one thing you want more of? Or to put it another way: if you could choose only one thing from a past iteration of Star Trek to bring back, is Captain Proton what you’d choose? For the vast, vast majority of Trekkies, the answer would be a resounding “no.”

I don’t believe ViacomCBS will do more than give this pitch a cursory glance out of respect to its creator. Both possible formulations have major drawbacks, and from a corporate point of view neither seems to hold much appeal even to Star Trek’s fanbase – let alone a wider television audience. At the end of the day that’s what sells companies on making a new film or television series: how much money would it make? An incredibly niche project focusing on either a single character or one tiny aspect of a show from the 1990s (that ViacomCBS hasn’t even been bothered to upscale to full HD) doesn’t fit the bill. Captain Proton is dead on arrival – and I’m sorry to say that it’s for the best.

The Star Trek franchise – including Star Trek: Voyager and all other titles and properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

The new Star Trek: Picard trailer… oof.

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and all of the trailers and teasers for Season 2. Spoilers are also present for Star Trek: The Next Generation and Star Trek: First Contact.

As the dust settled on Star Trek Day, the Picard Season 2 trailer stuck in my mind. As exciting as it was to see the crew back in action, and to get a real tease of some of the upcoming season’s story elements, I was left with an unfamiliar and somewhat upsetting feeling. It took me 24 hours to really think it through, but I’m finally able to put it into words: I’m less excited for Season 2 of Star Trek: Picard than I had been before the Star Trek Day trailer.

This isn’t something I expected nor wanted from Star Trek Day. Picard Season 2 had been right at the top of my list when it came to the shows I’m most excited about – as I’ve said on more than one occasion. But the trailer showed off what are really two of my least-favourite Star Trek story tropes, and in its aftermath I’m finding it hard to remain as excited for the season as I was. None of this is to disparage the hard work all of the actors, directors, producers, and behind-the-scenes crew have put into the upcoming season of the show. I’m capable of separating my thoughts about individual story threads from the folks tasked with bringing them to the screen!

Seven of Nine in the new trailer.

More than once I’ve talked about how time travel – and in particular, time travel to the modern day – as well as Mirror Universe stories are among my least favourites in Star Trek. With a big disclaimer that what we saw in the trailer doesn’t seem to be the actual Mirror Universe, it borrowed from that setting both thematically and in terms of aesthetic, and combined with a time travel plot that will see Picard and the crew of La Sirena head to the modern day… suffice to say I was underwhelmed.

Star Trek is a franchise about the future, but more than that, it feels like it’s at least a semi-realistic future; that humanity could one day achieve many of the social and technological advancements that we see in the various shows and films. Stepping out of that to do a story set in the modern world has never sat right with me primarily for that reason, but I’d also add that any return to contemporary times naturally dates a story very quickly. Episodes like Enterprise’s Carpenter Street, the two-part Voyager episode Future’s End, and even Star Trek IV: The Voyage Home are stories which feel significantly more out-of-date than others made around the same time simply because they took Star Trek to what was, at the time, the modern day.

Visiting modern-day Los Angeles is on the cards in Season 2.

When it comes to the Mirror Universe – which, again, I’m not saying the “totalitarian state” shown in the trailer actually will be – the setting has long lent itself to over-the-top pantomime. Even recent Discovery episodes set in the Mirror Universe – like Season 3’s two-part story Terra Firma – fell victim to this, as actors seem almost encouraged or emboldened to over-act every scene and play up all of the villain tropes they remember from middle school drama classes.

Characters in the Mirror Universe have no nuance. The entire setting seems to be populated largely by violent sociopaths, with the occasional submissive alien thrown in for contrast. Though I believe that what we saw in the trailer isn’t the Mirror Universe, the “totalitarian state” borrows a great deal in terms of its aesthetic from that setting, and my fear is that Star Trek: Picard is going to fall into the familiar Mirror Universe trap of pantomime-level over-acting.

Picard will have to blend in as a senior figure in the “totalitarian state.”

In a nutshell, then, those are my concerns based on the latest Season 2 trailer. The season feels as though it may lurch from the excess of a Mirror Universe-inspired setting to the drab reality of the modern world – and unfortunately I’m finding it hard to get excited about either side of the story as things stand. I want to give Picard Season 2 a chance, and when it premieres in February I certainly will, but at the moment I can’t escape the sinking feeling of losing at least some of the excitement that I had for the project.

Though we were treated to a glimpse of the Borg Queen in the trailer, an alternate timeline (Mirror Universe or not) and a jaunt to the past don’t seem like settings where we’ll get to explore much of the 25th Century. I had hoped that the show might spend a little more time with Starfleet in Season 2, or perhaps take a look at one or more of the factions we remember from past iterations of Star Trek. Picard made many first contacts with alien races on The Next Generation, and has deep connections with the Klingons, for example, as well as the likes of the Bajorans.

Picard examines a portrait of his alternate timeline counterpart.

There was even the hope that an as-yet unannounced character might reprise their role in Season 2. Though Gates McFadden had ruled out Dr Crusher’s return a few weeks ago, there were characters like Riker, Troi, Wesley Crusher, Worf, or someone else who could yet make a welcome return to the franchise. That’s still possible, but the presence of an alternate timeline and a story involving time travel cuts into the potential screen time that any returning character could have.

Past iterations of Star Trek, which were primarily episodic, could do Mirror Universe or time travel stories relatively inoffensively from my point of view. The odd episode here or there that used one of those settings was gone within a week or two, even if I really didn’t enjoy it, so I wasn’t as upset to see such a story as one small part of a season with twenty-plus episodes to enjoy. But Picard isn’t an episodic series, and not only that it’s a shorter one (Season 1 clocked in at a mere ten episodes) so a time travel-meets-Mirror Universe story could run for practically the whole season. As the foundation for an entire season-long story arc… as I said above it’s just one that I personally don’t find particularly appealing.

Elnor, Raffi, and Picard in the “totalitarian state.”

I recognise that, so far, all of this must seem like whining. “Star Trek: Picard isn’t doing exactly what I want!” screams the petulant crybaby! But as an independent critic, I always say that I reserve the right to express my honest feelings on any of the shows, games, and films that I talk about; despite being an avid Trekkie and a fan of modern and classic Star Trek I’m not going to blindly sing the franchise’s praises when there are points of criticism or things that I don’t like. None of this means that Picard Season 2 is somehow invalid in my mind; despite my initial impressions from the trailer I will give it a chance to impress me. But I also want to share my honest thoughts, and right now I feel that the trailer seems to show a season-long story that rolls two of my least-favourite Star Trek tropes into one.

Having got all of that out of the way, let’s look at some of the points from the trailer that are more positive – or at the very least potentially interesting!

First up, the Borg Queen herself. I had half-written a bunch of Borg theories for Picard Season 2 following the announcement that the Borg Queen would be returning – almost all of which now feel extremely unlikely! The Borg Queen that we saw in the trailer appears to be a captive – my first thought was that it could be the reactivated remains of the Queen killed by Picard in First Contact. Episodes of Voyager and also Season 1 of Picard suggested that there may be more than one Borg Queen, or that she is capable of changing bodies with ease, so it could be a different Borg Queen altogether. Regardless, she seems to be a captive – how Picard came to capture her or know about her captive status is a story I’d quite like to follow!

Is the Borg Queen being held captive?

If the Borg Queen shown on screen is from after the timeline has been changed, perhaps we’ll see Picard and the crew of La Sirena lead a mission to capture her in order to facilitate their passage back in time. It seemed as though the Borg Queen is going to be used by Picard as a kind of time machine – though exactly how this would work isn’t clear. Perhaps the Borg Queen possesses unique knowledge of time travel, as we know she was personally present during the mission to Earth in First Contact. Maybe her presence is required for the Borg to travel through time?

As mentioned, the “totalitarian state” seems to me like it isn’t the Mirror Universe’s Terran Empire, but rather a fascistic state that emerged – somehow – in place of the United Federation of Planets in the Prime Timeline. Picard ascribes its rise by the 25th Century as being caused by something Q did to change the past, so in my opinion we’re looking at an alternate version of the Prime Timeline and not the Mirror Universe. This is backed up by something Q said in the previous trailer – that Picard and his crew had come to “the very end of the road not taken.”

Q and Picard face off in the new trailer.

So that brings us to Q’s role in the season. During First Contact Day back in April, Sir Patrick Stewart hinted that Q may not be the cause of the event that shattered the timeline – but this seems to be contradicted by what we saw and heard in this new trailer. Q made reference to “the trial” – he put Picard and all of humanity on trial in Encounter at Farpoint and has periodically returned to provoke and tease him ever since. Though episodes like Q Who saw Q deliberately interfering and putting Picard and the Enterprise-D in danger, I would very much argue that other episodes like All Good Things saw Q assume a less antagonistic role. He didn’t cause the anti-time eruption, but he did give Picard just enough clues and a little bit of a push toward finding a solution.

Q is a trickster – and not someone to be trusted. But I’ve often got the impression that, in his own twisted way, he sees himself as a friend, ally, and mentor to Picard. He didn’t introduce Picard to the Borg in Q Who with a view to getting him killed or assimilated; he wanted to demonstrate that Picard and the Federation were unprepared for the dangers lying in wait out in the galaxy. He was pleasantly surprised to see Picard solve the Farpoint mystery in Encounter at Farpoint and the anti-time puzzle in All Good Things. In short, though Q’s methods may be extreme, and while he does have an impish sense of humour, he’s never been an out-and-out villain. For him to go back in time and break the timeline so severely is, perhaps, somewhat out of character.

Q and Picard in All Good Things.

So my inclination at this stage is still to say that there’s more to Q’s role than meets the eye. Picard may blame him for the changes to the timeline initially, but part of the mystery of the season’s storyline may be figuring out that Q isn’t to blame – someone or something else is. I’d argue this better fits with Q’s characterisation – but it wouldn’t be completely strange to see him as the season’s antagonist as well. So I guess we’ll find out!

Notable by her absence was Guinan. Guinan has knowledge of and history with both the Borg and Q, so bringing her back could have made a lot of sense for the story of the season. Guinan could have taken on an advisory role, as we see her do in episodes like Q Who, Time’s Arrow and in Star Trek: Generations. It’s possible she will still appear and that her role will be revealed at a later date. It’s also possible that she will make an appearance in Season 3 – which we now know is officially confirmed and in production – or that her role was ultimately cut and she won’t be coming back.

Picard and Guinan in The Next Generation Season 2 episode The Measure of a Man.

We didn’t get a good sense of what any of the crew of La Sirena are up to in the trailer, really. All we can say is that there don’t appear to have been any legal consequences for Dr Jurati for murdering Bruce Maddox in Season 1 – perhaps the fact that she had been essentially brainwashed has meant that she won’t face prosecution for that act. We did see Jurati and the Borg Queen seemingly sharing a “moment” – could Dr Jurati’s love for all things synthetic give her a reason to feel sympathy for the captive Borg?

We saw very little of Soji, though she was present, and likewise not much from Elnor – though at one point he seemed to be in a medical facility possibly injured or sick. The green light of this scene could imply that the Borg are involved – perhaps the Borg Queen breaks out of her confinement, or perhaps Elnor was injured by the Borg somehow.

What has happened to Elnor?

The trailer seems to suggest an expanded role for Laris – one of Picard’s Romulan friends who stayed behind to look after the vineyard in Season 1. She spoke in voiceover at the beginning of the trailer and later appeared alongside Picard and Rios in what could be the past. It’s at least possible, then, that Laris will join Picard’s mission back in time.

At first I thought that an explosion and the collapse of a skyscraper was taking place in the future, but looking at that moment more carefully I think it’s actually something taking place in the 21st Century. Could that explosion mark the moment that everything changed? It could be that Picard and the crew have to prevent that from happening – or ensure that it does happen, which could lead to a dark, morally difficult storyline.

What is this explosion, and how does it connect to the story of the season?

Seven of Nine appeared – without her trademark Borg implants – along with Raffi. There wasn’t much of a hint at their relationship, but this is something that seems like it will be explored across the season, and I’m really quite excited to see how that comes across. They seemed to be having a disagreement when it came to driving a modern-day car, but that was played more as a comic moment than as a kind of dramatic fight between the pair.

And I think that’s all I have to say – at least for now. My head is already swimming with proto-theories, some of which may get the full write-up treatment in the weeks ahead. Despite feeling underwhelmed by the season’s premise, I’m still hopeful that Picard Season 2 will deliver enjoyment, entertainment, and drama. The underlying mystery of what happened to the timeline, what 21st Century event changed things for the worse, and what role Q played in all of that is interesting, and I’m curious to learn exactly what happened and why.

If I ultimately find Season 2 to be less enjoyable on the whole because of some of the things we’ve talked about today, at least I can look forward to Season 3! If Picard follows a similar path to Discovery then Season 3 will set aside much of what happened in Season 2 and tell a new self-contained story, so even in the worst case scenario there’s still much to be hopeful for when it comes to Star Trek: Picard.

Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video in the UK and around the world beginning in February 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek Day 2021 predictions

Spoiler Warning: There are spoilers ahead for upcoming Star Trek productions, including: Star Trek: Picard, Star Trek: Discovery, Star Trek: Prodigy, and Star Trek: Strange New Worlds.

Just a short one today! Star Trek Day is coming up in a couple of days’ time, and we’re promised news and discussion of all things Trek straight from the horse’s mouth! Why is September the 8th designated as “Star Trek Day?” Good question, and here’s the answer: it was on that day in 1966 that The Man Trap premiered, kicking off Star Trek: The Original Series Season 1 and laying the groundwork for a franchise that’s still going strong today.

As an aside, last year I wrote a piece looking at the villainous creature at the heart of The Man Trap’s story, and you can find that article by clicking or tapping here. Worth a read at this time of year – if I do say so myself!

The Man Trap is where the franchise began – almost fifty-five years ago.

As much as Star Trek Day is an opportunity to look back at the franchise’s fifty-five years of history, this digital event hosted by Wil Wheaton and Mica Burton is also an excuse to look ahead to some of the Star Trek projects that are coming up over the next few months and years. There will undoubtedly be some news – and keep your fingers crossed because it’s even possible that we could get a big, unexpected announcement!

I’ve got a few ideas for what might be coming our way when Star Trek Day kicks off. Please keep in mind, as always, that I don’t have any “sources” nor any “insider information.” This is just a little educated guesswork – and a reminder, in case you’d forgotten, that Star Trek Day is imminent! All of the panels will be available to watch online on the official Star Trek website, so be sure to check in on the 8th to see what they have to say. Or just come back here a day or so later because I daresay I’ll summarise what I consider to be the most important points!

Let’s jump into the list!

Number 1: Official confirmation of Star Trek: Picard Season 3.

A third season is already being worked on!

This one is a bit of a cheat, as we’ve already heard from a number of reliable sources that Season 3 was in development alongside Season 2, and the two seasons are being filmed back-to-back. In fact, it seems as though some Season 3 scenes may have already been filmed – but that’s not confirmed at this stage.

What’s also unconfirmed, at least from ViacomCBS and Star Trek officially, is the existence of Season 3 at all. Though in the past we’ve seen the company wait until a season is almost being broadcast to confirm that the next one is in development, on this occasion it would make sense to announce Picard Season 3 way ahead of time. It’s already an open secret, so why not? It seems like a great way to drum up even more excitement!

Number 2: A trailer for Star Trek: Strange New Worlds.

Anson Mount recently appeared as Captain Pike in a series of trailers for Paramount+.

Since Strange New Worlds introduced us to five members of its main cast in mid-March, there really hasn’t been a lot of news about the series. We heard last month that production was drawing down on Season 1, only to later learn that some scenes outside of Toronto (where the show is based) were still being worked on. If it’s true that the season is finished, though, the time could be right for a trailer!

Along with Picard Season 2, Strange New Worlds has to be the series that I’m most curious about. Not only will it be fantastic to welcome back Anson Mount as Captain Pike, but the semi-episodic format that has been suggested feels like it could really be the best of both worlds – a return to Star Trek’s past without entirely stepping away from the modern feel of recent productions.

There is a Strange New Worlds panel that will be taking place during Star Trek Day, and a trailer would be a great way to wrap it up!

Number 3: A premiere date for Star Trek: Discovery Season 4.

The USS Discovery is ready to warp away to her next adventure!

At time of writing, all we know about Discovery’s impending fourth season is that it’s due before the end of the year. Maybe that’ll change and we’ll see the show fall back to early 2022, or maybe Discovery is still on track for a broadcast kicking off in mid-October after Lower Decks Season 2 has concluded. (That was what happened last year.)

Either way, I think Star Trek Day would be a great opportunity for ViacomCBS to drop the date of the new season’s premiere with a lot of attention on the franchise.

Number 4: A teaser trailer for Star Trek: Picard Season 2 featuring the Borg.

The Borg Queen is returning to Star Trek!

Soon we’re going to talk and theorise about the Borg in Picard Season 2. If you missed this, there’s been a casting announcement for the upcoming second season that caught me off-guard: the Borg Queen is returning! Not only that, but she may appear in as many as six of the season’s ten episodes, indicating that the Borg may play a significant role in the story.

It’s been more than eighteen years since the last Star Trek story featuring the Borg: Enterprise’s second-season episode Regeneration. After such a long time it’ll be fantastic to bring the faction back into play in a big way – assuming that’s even the plan! For all we know the Borg Queen may play an altogether different role in flashbacks or in an alternate timeline!

Regardless, following this casting announcement I’d think ViacomCBS would want to tease something about the Borg – without giving away too many potential spoilers.

Number 5: A second trailer for Star Trek: Discovery Season 4.

Captain Burnham in the first Discovery Season 4 teaser.

We got our first look at Season 4 of Discovery back in April, where a trailer showed Captain Burnham and the crew facing down a “gravitational anomaly” – whatever that could be! With the season coming up before the end of the year – all being well, that is – it would be a good time for a second trailer to get fans excited.

It can be hard to get the balance right when it comes to producing a trailer for a brand-new season, especially when a series has a mystery at its core like Discovery does. Show too little and it’ll be hard for fans and prospective viewers to get excited, but show too much and you risk spoiling major plotlines. Cutting the perfect trailer under such circumstances is a real skill!

Number 6: A release date for Star Trek: Prodigy.

Prodigy is coming soon… but how soon?

I’ve all but given up on Prodigy getting an international broadcast when it premieres this autumn – at least outside of countries and territories where Paramount+ already exists. Though the series has been co-developed alongside Nickelodeon, it seems as though ViacomCBS is intent on keeping the show exclusively on its streaming service, so it seems unlikely to arrive here in the UK until Paramount+ does some time next year.

For everyone who’s lucky enough to live somewhere with Paramount+ already, though, keep an eye out for a release date for Prodigy. Earlier in the year the series was officially announced for “Fall 2021” – and the beginning of September basically marks the start of autumn, as I recently noted! So we could see Prodigy literally any time from now until the end of November, and I think the Prodigy panel at Star Trek Day would be a great place to announce the specific date.

Number 7: A big, surprising announcement!

I’m always up for a surprise!

What could it be? Is the untitled Section 31 series finally on the verge of entering production? Has ViacomCBS backed down after years of being pestered by Michael Dorn and decided to greenlight a Captain Worf series after all? What about the live-action series that Alex Kurtzman had previously said was in development – could we finally learn more about that?

Though I don’t think we should get too excited about this one, there’s always the possibility for a surprise announcement of some kind. One thing we know for certain is that more Star Trek is in development – so it’s not impossible to think we could see something announced this week.

So that’s it!

All of the panels for 2021’s Star Trek Day!

Star Trek Day will be upon us before you know it, so stay tuned here on the website for coverage and analysis of any major announcements, as well as for a review/roundup of the event itself. I’m looking forward to Star Trek Day very much; it’ll be a great excuse to geek out for hours on end!

I hope this list of predictions has got you suitably excited for the main event!

Star Trek Day panels will be available to watch on Paramount+ and on the official Star Trek website on the 8th of September 2021. The Star Trek franchise – including all properties and titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten great Star Trek starship designs

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Deep Space Nine, and for other iterations of the Star Trek franchise.

The Star Trek franchise has an aesthetic all its own, and a big part of that is the way starships are designed. Many Trekkies have said over the years that a ship is like an extra member of the cast; a vital part of any Star Trek series or film. While there have been some visual misses, of course, for the most part Star Trek’s ships have been fantastic to look at.

Aesthetics are always going to be a matter of personal taste, and there are many factors at play in considering what makes for a “good-looking” starship. Because the ships and most of their technologies are wholly fictional, designers and artists have a fair amount of leeway when it comes to designing a new starship. Technobabble can always be employed to explain away inconsistencies – like how the USS Defiant’s warp nacelles work, for example.

The USS Defiant.

Over more than half a century, Star Trek has featured many different designs of starship. Many of these, even the newest ones, take inspiration from the original USS Enterprise, which was designed by Matt Jeffries (with some input from others, including Gene Roddenberry) for The Cage in 1964. The basic saucer section, drive section, plus two nacelles on pylons style has been present in most Federation ships – and, in some form, all of the “hero” ships – ever since.

On this list I’m going to pull out ten of my favourite designs of both Federation and non-Federation starships. The list is by no means exhaustive, and it may be a topic I revisit in future as I can already think of several more I could have easily included! As indicated, this whole thing is entirely subjective. So without further ado, let’s jump into the list – which is in no particular order.

Number 1: The Klingon Bird-of-Prey

A Bird-of-Prey seen in Star Trek V: The Final Frontier.

The Bird-of-Prey is absolutely iconic as a Klingon vessel, at least on par with the D-7 battlecruiser from The Original Series. The vessel debuted in Star Trek III: The Search for Spock, before going on to appear in four more films, all of the 24th Century shows, and even recently in Lower Decks. Few non-Starfleet ships are as iconic or recognisable, and even many non-fans would easily identify the design.

In cinema, the Bird-of-Prey has had starring roles in five films, making it one of the most well-known enemy or villainous ships. Iconic adversaries like General Chang and Dr Soran used Klingon Birds-of-Prey in their nefarious schemes. But as Klingon-Federation relations improved in The Next Generation, we began to see the iconic vessel as an ally; a workhorse of the Klingon fleet. By the time of the Dominion War in Deep Space Nine we were rooting for the Klingon-Federation alliance, and some of the ships most often seen on the front lines were these wonderful Klingon ships.

Based loosely on the earlier Romulan Bird-of-Prey, the winged design captures the warrior philosophy of the Klingons perfectly. The small ship is incredibly powerful, armed to the teeth with disruptor cannons and photon torpedoes. The way the wings change position for combat or while at warp is clever, too, and the green colour scheme makes the craft stand out when compared to Federation ships.

Number 2: The Excelsior Class

The USS Enterprise-B.

Another starship that would be a workhorse for decades, the Excelsior is a really neat, futuristic design. It manages to look smarter and newer than the Constitution class that it would eventually replace, yet at the same time is clearly manufactured by the same organisation. It retains the saucer, drive section, and nacelles on pylons of older Federation ships, but switches up the design too. The ship is flatter, with a shorter “neck,” and has nacelle pylons that are shorter and have a ninety-degree bend instead of coming out of the drive section on a diagonal.

The Excelsior class also debuted in Star Trek III: The Search for Spock – the film succeeded at introducing us to two of the most iconic designs in the franchise! Though we’ve never seen a show or film set entirely aboard an Excelsior class starship, Excelsiors have been featured in five films and all three of the 24th Century shows.

By the 24th Century the Excelsior class was still in use, and while it had taken a back seat to the likes of the Galaxy class and other newer ships, many Excelsior class vessels were still in service in a variety of roles. Some would even see action in the Dominion War, meaning that the Excelsior class was still being deployed almost a century after its inception. That must be one solid ship!

Number 3: The Runabout

A Runabout seen in The Next Generation.

I adore the Runabouts that debuted in Deep Space Nine. They remind me of camper vans (or RVs) in terms of size and design, incorporating most of the mod-cons a 24th Century Starfleet officer might expect – just in a much more compact vessel. If I could pick any starship for myself (and the cats) to have for cruising around the galaxy, I’d definitely pick a Runabout.

When Deep Space Nine was being developed, there was a sense that setting a series on a static space station might be too far removed from Star Trek’s past, and thus there was a need to give Commander Sisko and the crew something to keep them mobile. From an in-universe perspective, too, the station needed to have some way for the crew to leave in an emergency – or just to make routine visits to nearby planets. Hence the Runabout was born – larger than a shuttlecraft but smaller than any starship we’d seen before.

These cute mini-starships each have their own name and registration, but from what’s shown on screen they seem to be assigned to bases and starships as auxiliary craft rather than being fully-independent vessels in their own right. Despite that, Runabouts are depicted as highly capable, versatile vessels. Early exploration missions into the Gamma Quadrant often utilised Runabouts based at DS9, and the ships were more than capable of surveying planets and charting star systems.

Number 4: The Constitution Class (original configuration)

The USS Enterprise from The Original Series.

The original Constitution class has to make any Trekkie’s list of great starship designs, right? Though it may feel dated in some respects, this is the source from which basically all of the other designs on this list were created. Federation starships are pretty much all designed with the Constitution in mind – the saucer, drive section, and nacelles design is emblematic of Starfleet, and thus of Star Trek. Even non-Federation ships are designed to stand in opposition to the Constitution (and the ships derived from it) so it’s undeniably the most significant and important starship design in the franchise.

The original design was simple, mid-60s futurism at its finest. The saucer is a design that had been synonymous with spaceships for decades thanks to myths of UFOs and flying saucers, so the decision to incorporate that kind of design was genius. The ship’s engines with their glowing tips became inseparable from warp speed and faster-than-light travel. And of course the deflector dish was reminiscent of satellite dishes – a new technology at the time.

Most importantly, this is where Star Trek began. The Constitution class USS Enterprise kicked off the franchise and became one of the most iconic sights in all of science fiction. Even today it’s instantly recognisable, even to folks who don’t watch Star Trek or know anything about the franchise.

Number 5: The Constitution Class (refit configuration)

An iconic moment in The Motion Picture.

As much as I love the original Constitution class, I think I like the refit even more. The refit Constitution class is the subject of one of my favourite sequences in all of Star Trek – where Admiral Kirk and Scotty approach the newly-refitted Enterprise when it’s still in drydock in The Motion Picture. That sequence is so beautiful (and with an amazing musical score to boot), showing off the starship in all its glory.

If the original configuration of the Constitution class had design features emblematic of its 1960s space race origins, the refit is much more “up-to-date,” replacing the satellite dish-style deflector with a glowing light, toning down the grey colour, and generally adding more lights and more features that make it an icon of the ’80s. In fact, I’d argue that many ’80s and ’80s-inspired sci-fi ships can trace some part of their design back to the refit Constitution class.

At the same time, though, the refit doesn’t completely abandon what made the original starship so iconic. The saucer section, drive section, nacelles, and pylons are all still present. The domed bridge is still there at the top of the ship, and even though a lot as been changed, it’s still clear that this is supposed to be an updated design, not a wholly new one.

Number 6: The Galor Class Warship

A Galor class ship under fire from a Maquis fighter in the premiere of Star Trek: Voyager.

The Cardassians – and their Galor class warships – debuted in The Wounded, a fourth-season episode of The Next Generation which, in many ways, began to lay the groundwork for Deep Space Nine. And it was in the latter show that the Galor class would be seen most often; a vehicle for the villainous Cardassians.

Its design is, in some respects, a blend of Starfleet and non-Federation ships. The semi-circular “mini saucer” that juts out at the front, as well as the deflector array it sits atop, kind of resemble Starfleet designs, but the wings and elongated “tail” – as well as the yellow colour scheme – make it clear that this is definitely not a Federation starship!

The Galor class would be seen as the mainstay of the Cardassian fleet, serving in combat roles before and during the Dominion War. Some engagements during the Dominion War would see dozens – perhaps hundreds – of Galor class vessels deployed alongside their Dominion and Breen allies, and they could look incredibly intimidating en masse. Seeing Galor class ships open fire on the Breen and Dominion indicated that the Cardassians had switched sides during the war’s closing hours, and that sequence is absolutely outstanding; one of the best space battles in the entire franchise.

Number 7: The USS Pasteur

The USS Pasteur.

Unlike the ships mentioned above, the USS Pasteur was only seen in one episode – All Good Things, the season finale of The Next Generation. Despite its limited screen time, however, I like the design. Its spherical “saucer” section is distinctive, and gives it a look all its own. The spherical design was based on an unused concept Matt Jeffries had for the original USS Enterprise during early development on The Original Series, which is a cool little fact!

As I’ve said before, I really like the concept of a hospital ship in Star Trek. I’d be quite happy to see a “Star Trek-meets-ER” series one day, and such a series would surely make use of a ship like the USS Pasteur. Modern navies have hospital ships, so it stands to reason that Starfleet would too, and the USS Pasteur was our first up-close look at such a support vessel.

A Pasteur-type ship was seen in Season 1 of Lower Decks (albeit in a flashback) so the design isn’t dead. Perhaps one day we’ll see more of these ships and get to know a little more about them. Regardless, I love the design.

Number 8: The Borg Cube

A Borg cube in orbit of Earth.

Few adversaries in Star Trek are as genuinely frightening as the Borg – for reasons that I discussed in my essay on the faction. An intimidating villain needs an intimidating starship, and the Borg cube delivers. There’s something frighteningly mechanical about a plain cube. There are no engines, no obvious bridge or command centre… everything about the vessel from all sides looks the same.

The Borg’s hive mind sees them operate as one entity, and their ships are part of that. The “philosophy” of the Borg – for want of a better term – is perfectly expressed in the design of their most commonly-seen starship. Every part of the ship is the same, just as every Borg drone is the same.

When we first see a Borg cube in Q Who, the sheer scale of the ship is impressive, too. The Borg vessel dwarfs the Enterprise-D, and then its powerful weapons and tractor beam overcome the Galaxy class ship’s defences with ease. Even though we’ve seen Borg cubes defeated in subsequent stories, remembering that a single vessel was able to destroy 39 Federation ships and almost succeed at assimilating Earth reminds us that these ships are incredibly powerful. Even by the time of First Contact, defeating a single Borg cube was a tall order for Starfleet.

Number 9: La Sirena

La Sirena in The Impossible Box.

Captained by Chris Rios and chartered by Admiral Picard, La Sirena made its debut in Star Trek: Picard Season 1. Everything I said about the Runabout feeling like a fun-sized ship could also apply to La Sirena, but the visual style makes it distinctive. La Sirena is basically a Runabout mixed with a hot rod!

The red and white colour scheme suits the ship perfectly, and there are even echoes of Star Wars’ Millennium Falcon in La Sirena’s design and concept. It’s the perfect vessel for Picard; small enough to be run by a skeleton crew (plus holograms!) but large enough not to feel cramped. It’s definitely not Starfleet, but there are Federation design elements present throughout.

Star Trek hasn’t really had many opportunities to showcase civilian starships, so La Sirena represents a look at a completely different side of the Star Trek galaxy, one we haven’t seen before. Though the franchise keeps these things deliberately vague, there must be a great deal of interstellar traffic, including transporting passengers and cargo. People like Captain Rios – and also others like Kassidy Yates – show us a glimpse of that world.

Number 10: The Sovereign Class

The first shot of the Enterprise-E in First Contact.

Perhaps it’s because Nemesis was the furthest forward the Star Trek timeline had got for almost twenty years, but to me the Soverign class has always seemed like one of Star Trek’s most modern and futuristic starships. The design represents a complete overhaul from the previous Galaxy class, flattening the “neck” of the ship again so the elongated saucer is almost contiguous with the drive section.

It’s a shame that the Sovereign class Enterprise-E only had the opportunity to make three appearances, as I would have dearly liked to see more of it in action. In some ways it has more of a militarised feel than the Galaxy, especially in terms of its interior, and perhaps we can say that’s a response to Starfleet taking on board threats from the Borg and Dominion during the design process.

The most iconic Sovereign class moment for me is the Enterprise-E’s arrival at the Battle of Sector 001. Swooping in to take on the Borg cube when the Starfleet armada was falling apart – accompanied by another beautiful piece of music – is one of the best moments in First Contact!

So that’s it! Ten great Star Trek starship designs.

Star Trek: Discovery’s new take on the Constitution class.

There were many other ships I could’ve picked for this list, so stay tuned for “part two” in future! The Star Trek franchise has some great starships, and by keeping a relatively consistent aesthetic – generally speaking – has carved out a niche within sci-fi. Star Trek’s starships are almost always distinctive, and seldom feel like they could easily be part of some other film or franchise.

Everybody has their own favourites, though! There are some starships that we see often, either because they’re a “hero” ship or because they’re a frequently-used secondary design, and some of these have become iconic and emblematic of the whole Star Trek franchise. Other ships only make a handful of appearances, yet still manage to leave a lasting impression.

The Star Trek franchise – including all properties mentioned above – is the copyright of Paramount Global. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 theory – World War III

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and the trailers for Season 2. Spoilers are also present for the following: Star Trek: The Original Series, Star Trek: Voyager, Star Trek: First Contact, Star Trek: Discovery Season 2.

Star Trek’s internal timeline gets a little inconsistent when it comes to the late 20th and early 21st Centuries. If we take a “canon purist” approach, we have to say that the Star Trek timeline diverged from our own around the 1960s, with events like Khan ruling a large portion of the world taking place in the ’80s or early ’90s, before the Eugenics Wars saw him defeated. Obviously that doesn’t line up with stories like Star Trek IV: The Voyage Home, the Voyager two-part episode Future’s End, or even Enterprise’s Carpenter Street, all of which depicted the modern world unchanged by those events.

The Third World War is a part of Star Trek’s internal timeline that was first introduced in The Next Generation’s premiere episode, Encounter at Farpoint. Episodes of The Original Series had talked about the Eugenics Wars and other conflicts on Earth, but Gene Roddenberry had been keen to avoid mention of World War III during the show’s run in the 1960s. Some episodes, such as Season 2’s The Doomsday Machine, actively went out of their way to say that such a conflict had never happened on Earth – an apparent contradiction to what would come later.

Spock and Kirk at the end of The Doomsday Machine, during their discussion of nuclear weapons.

It was the film First Contact that elaborated on some of the ideas first posited in Encounter at Farpoint and thus gave us a better look at Earth in this era. Though we knew that nuclear attacks were part of the conflict, it was First Contact that first showed that some of these attacks had impacted North America, and that the conflict was fought between the United States and her allies on one side and the so-called “Eastern Coalition” on the other. Some of these moments would be shown or explored further in Enterprise’s fourth season, and most recently World War III has appeared in Discovery’s second season.

Although the Third World War has been an integral part of Star Trek’s fictional history for more than thirty years, that’s about the extent of what we know. There was a major conflict which occurred in the first half of the 21st Century, it killed hundreds of millions, there was a limited exchange of nuclear weapons (i.e. the planet wasn’t completely destroyed), and it took Earth a generation to recover – with more than a little help from the Vulcans. But this article isn’t just a history of the conflict within Star Trek’s timeline – because something in the promotional material for Star Trek: Picard Season 2 could suggest a return to this era.

The trial which Q presided over in Encounter at Farpoint was said to take place during the “post-atomic horror” after World War III.

When I took a look at the second Star Trek: Picard Season 2 trailer a couple of weeks ago I also looked at a newly-released poster which appears to show a modern-day city – probably Los Angeles in the United States. If the poster is supposed to represent Los Angeles circa 2021, well the timeline starts to line up for a possible World War III story.

In the real world, it’s impossible to overstate the importance of technological advancements made in wartime. The First World War saw the invention of tanks and the further development of aircraft. The Second World War gave us computers, rockets, and splitting the atom. Even recent conflicts like the Iraq and Afghanistan wars saw incredible developments in medical technology. Taking inspiration from the real world, Star Trek’s World War III is similarly an incredibly important event. The Third World War led directly to the development of warp drive in the 2060s, and thus to first contact with the Vulcans and to humanity becoming an interstellar species. The Federation would not exist without it – at least, not in a form we would recognise.

Zefram Cochrane’s ship would never have broken the warp barrier were it not for the Third World War.

And that’s at the heart of this theory. In order for everything we know of in Star Trek’s internal history to have come to pass, World War III needed to happen. It was a devastating conflict that resulted in the deaths of hundreds of millions of people, but what emerged from the wreckage was United Earth and ultimately the Federation.

In the first teaser trailer, we heard Picard say in voiceover that “time can turn even our most impulsive, ill-considered actions into history.” He also spoke in a regretful way about “what could have been” and tells us that time does not offer “second chances.” In the second trailer, Q told Picard that he had come to “the very end of the road not taken.” We also saw what appeared to be significant changes to the timeline for Picard, Raffi, Rios, and Seven of Nine, as well as possible changes for Soji as well.

Seven of Nine… without her trademark Borg implant!

It seemed from the first teaser as though Picard was talking about events in his own past – that teaser also featured prominently a model of the USS Stargazer, from which I derived a few other theories! Picard is someone who we know cares about history a great deal and has studied it in depth, but nothing from the first teaser gave me the impression that he was talking about anything outside of his own personal experience. Whatever he was lamenting or regretting seemed to be within his own past – not an event from centuries earlier to which he had no significant emotional connection.

Although Picard did spend several days in the 21st Century, shortly after the end of World War III, he doesn’t exactly have a strong tie to the war or even to that time period, certainly not enough to have any motivation to change or undo events in that era. Picard is as far removed from the events of World War III in the 24th Century as we are from the events of the early 1700s – and I can’t imagine anyone nowadays would feel strongly about the Jacobite Rising or the War of the Spanish Succession. Those events – and many others – are just too far in the past to be something we care about, even if the impact is still felt today in some respects.

It’s hard to imagine that Picard would have voluntarily changed the past.

So I’m not suggesting that Picard would deliberately seek to prevent World War III – even if he found himself able to do so, somehow. But the second trailer showed off some pretty significant changes to the timeline, and combined with a poster that appears to be teasing a contemporary setting, the possibility of a World War III storyline has come up.

It seems like the story of Picard Season 2 will deal with some kind of alternate timeline – that’s what I infer from Q’s “road not taken” line, as well as the changes to characters like Seven of Nine and Rios. Picard was also heard in voiceover promising his new crew that they can “save the future,” which seems to add to this idea of something going wrong in the past causing things to change.

Q spoke of the “road not taken” in the teaser trailer.

When we deal with alternate history and alternate timelines, practically every story hinges on a so-called “point of divergence.” This is the moment at which the real timeline and the alternate one separated. In alternate history novels, popular points of divergence include the American Civil War, with a Confederate victory being a common one, as well as World War II, with an Axis victory being similarly used. In Star Trek, a point of divergence between the Prime Timeline – the one which runs from Enterprise to Picard and beyond – could be World War III. What would the timeline look like if it didn’t happen, or happened in a different way?

It could be that the poster is teeing this up. In the background, behind the skyscrapers in the centre of the city, is a glow. That glow could be a sunrise or sunset – it looks like the right colour. But it could also be something far more sinister – the afterglow of a nuclear bomb, perhaps? Maybe that’s a stretch! But it would definitely tie into this World War III theme.

The Season 2 teaser poster.

There are still two big questions, even if we assume that this theory is true and that the point of divergence has something to do with World War III. Firstly, what happened to cause the divergence in the first place? In Star Trek, these things don’t just happen naturally! Every change in the timeline that we know of had a cause – the intervention of some nefarious time-traveller. Secondly, and perhaps most importantly, why are Picard and the crew of La Sirena seemingly immune to these changes in the timeline? Q’s intervention is a possible explanation for the second point, perhaps, presenting Picard with another time-mystery to solve. But I’m not convinced that’s how the story will go.

All of this leads to an interesting moral conundrum for Picard. If we’re right and, somehow, World War III was prevented and that’s the reason for changes to the timeline, it could fall to Picard and the crew of La Sirena to trigger the worst war in history in order to restore the timeline. How’s that for a horrible decision?! Imagine being told that you had the power to prevent the First World War, and all of the misery and death that resulted from it, but that doing so would make the world worse. Instead, you have to actively choose to cause this horrible conflict in order to preserve the timeline and “save” the future. That could be Picard’s choice in Season 2 if this theory is correct.

A World War III-era soldier as seen in Discovery Season 2.

Aside from the poster with its seemingly-modern city and some dialogue about time and changing the past, there’s no real evidence for this theory yet! Much of what we saw in the second trailer – which is the only time we’ve seen Picard and the others – may very well suggest that any changes to the timeline take place closer to the 24th Century than the 21st. But it’s interesting to consider the possibilities, especially in light of the Season 2 poster.

To summarise, then, here’s the theory in a couple of sentences: for an as-yet unknown reason, the timeline was changed to prevent World War III. This had major consequences for humanity and the Federation, and the only way to restore the timeline and save the future is to ensure World War III happens – and this is what Picard and the crew of La Sirena will have to do.

Something has changed the timeline – and it seems like Picard and the crew of La Sirena are immune.

It would be quite a dark story if Season 2 goes down this road – or anywhere close to it. But it would be very interesting to see the crew wrangling with these big moral questions and issues. It could lead to quite a lot of drama! Q’s inclusion in the season would make sense, not as the cause of changes to the timeline, but as the figure who steps in to guide Picard in his understanding of those changes. It would also explain the poster, which came completely out of left-field!

Having had two teasers already, with the latest dropping only a couple of weeks ago, it may be some time before we hear anything more out of Star Trek: Picard Season 2. So all we have to go on right now is the poster and the first couple of teaser trailers! It’s not a lot, and there are certainly many different ways to interpret things. In this theory I’ve focused on how the poster could be depicting the 21st Century, but that may not be the case. Changes to the timeline could have caused the 24th Century to become less technological, and the poster could instead depict Los Angeles in the year 2399!

I’m very much looking forward to Picard Season 2, and I’m still hopeful that we’ll eventually see spin-offs and other Star Trek projects set in the same era. If and when we get any more news or another poster or trailer, check back as I’m sure I’ll have more to say!

Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States (and on Amazon Prime Video in the UK and elsewhere) in 2022. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Does Q age?

Spoiler Warning: There are spoilers ahead for the Star Trek: Picard Season 2 trailer, as well as for Star Trek: The Next Generation and Star Trek: Voyager.

Following Q’s appearance in the second Star Trek: Picard Season 2 trailer, I’ve seen some discussion online about Q’s age and appearance. I don’t think this is necessarily a huge topic worth dedicating a lot of time to, but it’s also one that’s potentially interesting, and it gives us an excuse to talk about Picard Season 2, the Q Continuum, and jump into a bit of Star Trek lore, so I thought I’d chime in.

Star Trek: Picard Season 2 is being produced in 2021. John de Lancie first appeared as Q right at the beginning of Season 1 of The Next Generation in the episode Encounter at Farpoint, which was filmed in mid-1987. Over the span of 34 years… he’s got older. Mystery solved!

Q’s new look has attracted attention!

Obviously there’s more to say than that. From an in-universe point of view, Q “shouldn’t” age – or to put it more accurately, Q doesn’t need to age. The Q as a species are noncorporeal and immortal, meaning that Q doesn’t age in any manner that humans can comprehend. The Q do, however, experience the flow of time, as we learned in the Voyager Season 2 episode Death Wish. That story centred around a member of the Q Continuum who was bored of living having effectively experienced everything in existence. But we’re off-topic.

Though the Q Continuum have a different understanding of time, they do experience the passage of time and thus can, in some way, age, or at least accumulate new memories and gain more knowledge. Part of the reason Q liked to tangle with humans like Picard and Janeway was because he wanted something to do, and presumably hadn’t been able to have those experiences already. Thus the Q don’t exist outside of time or in a non-linear way like the Bajoran Prophets.

The Bajoran Prophets were said to experience time in a non-linear fashion.

All of this isn’t really relevant, though. What matters for this discussion is that Q can assume any form he chooses. He could presumably turn himself into Picard’s doppelganger, a big fat housecat, or a cloud of hot pink gas – he isn’t limited to a single form. He appears “older” in Picard Season 2 because he has chosen to appear older, either to mock Picard, empathise with him, or perhaps even to experience what it’s like to be an older humanoid if that’s an experience he hasn’t yet had.

So case closed, right? From an in-universe point of view, yes. There’s no plot hole nor problem with Q’s story simply because of John de Lancie’s appearance, and anyone trying to make that claim needs a refresher course in how the Q Continuum works! But that isn’t necessarily the end of the affair. There is one point to consider from the production side, and I find it to be an interesting one as it’s something we’re going to see more of in future as technology continues to improve. I’m talking about digital de-ageing and CGI.

John de Lancie first appeared as Q in 1987’s Encounter at Farpoint.

The 2019 Netflix film The Irishman won praise (and numerous awards) for the way it made use of digital de-ageing techniques on Al Pacino, Joe Pesci, and Robert De Niro, transforming them into younger versions of their characters. The use of this technology is not limited to cinema, as it was recently used in Season 2 of The Mandalorian – and no, I won’t spoil it and tell you why if you haven’t seen it yet! This technology, along with other photorealistic CGI technologies that are continually being improved, has the potential to really transform film and television productions, and it’s already possible to see a brand-new film featuring the likeness of a long-dead actor brought back with CGI – like happened with Peter Cushing’s character of Grand Moff Tarkin in the film Rogue One. It’s only a matter of time before the leading role in a new film is a CGI recreation of someone who’s passed away.

It isn’t beyond the realm of technical possibility to de-age John de Lancie for Picard Season 2. It would be an expensive investment, certainly, and one which ViacomCBS may not want to make or may not have the budget for, but technically it would have been possible. And I think this is why we’re seeing this conversation. Fans look to shows like The Mandalorian, which while not a direct competitor certainly exists in a similar space to Picard, and wonder why Star Wars gets to use fancy new technologies while Star Trek doesn’t!

Digital de-ageing was used to great effect in 2019’s The Irishman.

Star Trek has, in the past, pioneered some interesting technologies and filmmaking techniques. The Deep Space Nine Season 5 episode Trials and Tribble-ations brought to television the complicated technique of inserting actors into existing footage – something which had been seen in Forrest Gump only a couple of years earlier. I even noted in my look at Discovery’s Season 1 premiere the way the CGI artists seemed to have incorporated elements from the film Interstellar – which premiered a couple of years earlier – in their portrayal of the binary star system. So Star Trek has a track record at taking cutting-edge filmmaking techniques and bringing them to the franchise.

Perhaps digital de-ageing is still too new and thus too expensive to incorporate into the Star Trek franchise right now, and that’s absolutely fair enough. I don’t want Picard Season 2 to blow its whole special effects budget on a few scenes with Q, not if doing so comes at the expense of other set-pieces later in the story. The Irishman had a budget of over $150 million. Rogue One had a budget of around $200 million – and the CGI Grand Moff Tarkin still wasn’t quite perfect! The Mandalorian was reportedly working with a budget of around $15 million per episode, or $120 million for the second season’s eight episodes. In short, digital de-ageing is expensive and can inflate the budget of any production.

Q and Picard in Q Who from Season 2 of The Next Generation.

While The Irishman won a lot of praise, and so did The Mandalorian Season 2, in both cases critical opinion wasn’t unanimous on the de-ageing technology, with some arguing that it was a waste of money. Under those circumstances, I can understand why ViacomCBS wouldn’t want to go down the route of blowing literally millions of dollars on this technique for a secondary character. The return on investment simply may not be present.

How many people aren’t going to watch Picard Season 2 because of the way Q looks? I reckon close to zero. And how many additional viewers would the season pick up if it used the de-ageing technology and that became a talking point? That’s also got to be close to zero! People who are excited for Picard Season 2 are going to watch regardless, and those who don’t want to watch, or who dislike modern Star Trek, were always going to stay away. In that sense, these kinds of technologies are expensive luxuries for any production.

Q with Picard in the Season 2 trailer.

Some of the people who’ve been discussing this online are firmly in the anti-Trek camp, and they were never going to watch Picard Season 2 anyway. It’s sad, but some anti-Trek folks will pick up on any small detail and use it to justify their continuous criticism of the franchise. And that’s up to them, I guess. For my two cents, though, I don’t think there was much to be gained by spending a ton of money on de-ageing Q. It would’ve been interesting to see, and it could’ve become a minor talking point for the second season of the show. But other than that, there was a lot of expense for not much reward, and while it may work in other productions with higher budgets, I’d rather ViacomCBS spent their money cautiously so that we can continue to enjoy more Star Trek, rather than less Star Trek laced with expensive trappings.

There’s no in-universe reason why Q shouldn’t appear differently more than twenty years after he was last seen. He can change his appearance at will, and whether it was to make a joke of Picard having gotten older or to, in Q’s twisted way, express empathy with his old friend, the way he looks even makes sense. It could even be a minor story point in the episode in which he first appears. I don’t have a problem with it at all, and I suspect that some of those claiming it’s a “big deal” would have found other things to criticise and other reasons to dislike Picard Season 2 and modern Star Trek. As far as I’m concerned it’s case closed!

Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video internationally in 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 – new trailer thoughts & analysis

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, and both of the trailers for Season 2.

As I logged on to social media yesterday evening, I was surprised to see a new trailer for the upcoming second season of Star Trek: Picard! Season 2 entered production back in February following months of pandemic-enforced delays, and when it came to Star Trek’s big digital event for First Contact Day in April, there wasn’t much to show from the series except for a stylised teaser and a voiceover. Despite that, however, I managed to pull out a handful of theories!

I wasn’t expecting to see anything much from Picard Season 2 for a while. With production rumbling on for the next few months, I had perhaps thought we might get to see something later in the year when either Lower Decks Season 2 or Discovery Season 4 are being broadcast, so it was a nice surprise to get a trailer this early! Season 2 is still probably ten to twelve months away from being broadcast, but this was a nice little tease to get fans in the mood.

In addition to the trailer a new poster was also revealed, and both are interesting and worth talking about. We’ll start with the poster, then move on to the trailer.

The brand-new Season 2 poster.
Picture Credit: Star Trek/ViacomCBS

Using a similar basic concept to the first teaser poster for Season 1, the new poster uses the environment to form a Starfleet delta emblem. In this case, as you can see above, several roads or highways cross over to form the familiar logo. The city depicted in the poster appears to be Los Angeles – based on the straight concrete-sided river, the mountains in the background, and the downtown skyscrapers surrounded by a sprawl of shorter buildings. I could be wrong, but I’m going to say it’s Los Angeles.

The obvious thing to say is that there are cars on the roads. Though we have seen wheeled vehicles in Star Trek’s 24th Century – Picard drove a dune buggy in Nemesis, for example – Earth in the 24th Century has never been depicted in this manner. The cars look modern, the city looks modern, and I think everything we can see in the poster connects to themes from both the earlier teaser and the new trailer: time travel and changing the past.

The first teaser a couple of months ago told us that time travel was on the agenda.

The first teaser trailer, the one from First Contact Day, had Picard telling us in a voiceover that “the true final frontier is time.” That trailer had a lot of different imagery connected to Picard’s past, including the USS Stargazer, but one thing I couldn’t quite figure out was the book Paradise Lost. I speculated that the series might be connected in some way to a literal reading of the title – something Picard did or didn’t do in the past caused the future to be worse. That theme seems to be present in the new trailer.

We’re reintroduced to Q in the new trailer, and he uses a very interesting phrase – arguably the most prominent in the whole thing: “welcome to the end of the road not taken.” Combined with what Picard said in the first teaser about wishing to have done things differently in the past, I think we can start to see the building blocks of the Season 2 narrative.

Q has returned!

Q’s arrival seems to happen after whatever event damages the timeline. In the trailer, Picard was already in a different outfit with a different Starfleet badge, and it seems as though Laris is missing – could she be a casualty of shifting timelines? Regardless, it was only at this point that Q appeared, seemingly for the first time, and this ties into comments from both Sir Patrick Stewart and John de Lancie that Q will play a role in the storyline of the season but isn’t the cause of these events.

So this isn’t going to be an All Good Things redux, where Q sets Picard a puzzle. If anything, I interpreted Q’s arrival as a friend or even an ally showing up to help – perhaps we’ll see more of a Q-Picard alliance develop over the course of the season. Q certainly seemed happy to see Picard again – though the feeling was clearly not mutual. So maybe, at the very least, that’s how Q sees himself: a friend, a helper, and an ally.

Does Q see himself as Picard’s ally? If so, perhaps they will work together.

We saw Seven of Nine toward the end of the trailer, and she was featured more prominently than any of the main cast from Season 1. In Seven’s scene, I think we get even more evidence of this shifting or changed timeline, as Seven seems to wake up in an unfamiliar place – without her Borg implant. It’s possible, of course, that her implants had been removed, but as we saw with poor Icheb in Season 1, that’s a painful and often fatal process.

So the logical conclusion for Seven missing her implants is because she was never assimilated by the Borg in this timeline. But why? And what else has been changed? When we talk about alternate history – which is a fascinating genre in itself – almost every story hinges on a so-called “point of divergence.” This is the moment at which the fictional or alternate timeline separated from our own. Star Trek contains examples of this: the Kelvin timeline being the most prominent example, with a point of divergence on the day of Captain Kirk’s birth.

Where’s Seven’s implant?

If all we saw was Seven missing her implants, we could say that the point of divergence might be in the 2350s – either she didn’t travel to the Delta Quadrant aboard the USS Raven with her family, or that whole voyage never happened. But there’s so much imagery in the trailer and poster that seems to hint at something more than that.

The 21st Century vehicles on the poster could suggest that Picard and the crew will visit our time period during the course of the series – which may or may not be a good thing, but that’s a whole other article! But their presence could also suggest that whatever event or series of events changed the timeline began in the modern day, with ripples flitting along the timeline, changing all manner of things in their wake.

Picard at the vineyard in the opening shot of the trailer.

Picard and Raffi were seen in uniform in the trailer, albeit very briefly. Picard appeared to be giving a speech or making a statement to Starfleet Command, and I wonder in what context he was making that address. I initially thought Picard was wearing his Season 1 flashback uniform in that scene – the one we saw prominently at the start of the episode The End Is The Beginning. But on closer inspection, both he and Raffi are in different uniforms – not the flashback ones, nor the 2399 ones that Riker and Commodore Oh wore. Also, Picard was wearing a 2399-style combadge, not the First ContactVoyager one that he wore with his Admiral’s uniform in Season 1. So the plot thickens!

It’s possible that this scene is taking place at modern Starfleet, and that there has simply been a tweak to the uniforms since the events of Season 1. Starfleet does love arbitrary uniform changes, after all, and what we saw Picard and others wearing wasn’t so radically different that it couldn’t have been a dress variant, for example. But given everything else going on with Q, Seven of Nine, and potential changes or damage to the timeline, I can’t help but think that this is connected to that.

Picard in a new uniform variant. He seemed to be giving a speech at Starfleet Command.

Perhaps what we’re seeing is an alternate timeline in which Picard and Raffi didn’t resign from Starfleet, and thus in which the Coppelius synths were not saved? That would tie in with Season 1. But at the same time, I’m not sure that’s the route the show is going to follow. There are questions about the Starfleet delta – the silver badges we see Picard and Rios wear are oversized and have a cross or sword shaped indent, which reminds me more than a little of the Mirror Universe. I don’t think we’re going to see a Mirror Universe story, but the symbolism is interesting. What does it mean?

In voiceover, we hear Picard speaking – presumably to the crew of La Sirena – telling them that “we can save the future” and promising to get them home safely. Whatever is going on, the crew of La Sirena are seemingly immune to changes in the timeline – we see Rios react with shock upon discovering his new badge, and Seven similarly stunned by her missing implant. Picard’s voiceover could imply that La Sirena and the crew are themselves stuck in the past – otherwise why use the word “future?”

Captain Rios on the bridge of La Sirena. What’s with his new badge? And why is there a Starfleet emblem on the chair?

To me, the big question is this: is Picard the one responsible for disrupting the timeline? If Q isn’t to blame, and Picard and La Sirena appear to be unaffected and right in the middle of this mysterious event, could we learn that Picard is to blame? The first teaser trailer saw him express almost regret at being unable to change the past – desperately wishing that he’d done something differently. Perhaps he found a way to do it, and thus he triggered the changes to the timeline that we see in the new trailer.

That would be an interesting way for the story to go, and it would play on themes we saw early in Season 1 of Picard being a flawed hero; someone who’s only human and who has limits. The return of Q is interesting – perhaps Q will facilitate Picard’s changes to the timeline, but I suspect he’s going to be helpful in fixing things. The use of the phrase “the road not taken” suggests that this is a timeline that could have come to pass had Picard taken different actions at some point in his past. Combined with the previous teaser, I wonder again if this is referring to his time in command of the USS Stargazer?

Are the changes to the timeline connected, somehow, to Picard’s time aboard the USS Stargazer?

Though we didn’t see the rest of the cast prominently in the trailer, some of what we glimpsed was interesting. Soji appeared to be all dressed up in a fancy outfit, and the expression on her face reminded me of Sutra. Perhaps she’s putting on an act or trying to deceive someone – something akin to the “heist” in Season 1’s Stardust City Rag, for example. But it could also indicate a darker direction for Soji’s character – or even the return of Sutra.

Raffi and Elnor were glimpsed briefly, seemingly running away from someone or something. The neon lights in the background of their scene could suggest they’re on the planet Freecloud, but I wouldn’t bank on that. I have no idea what Dr Jurati was doing as we only saw a close-up of her face, but something about her outfit suggested to me that she could be in prison. She did murder Dr Maddox in Season 1, after all! We also got a glimpse of Laris, who appeared to be staring in surprise or alarm at something behind the camera. Given that Picard was looking for her unsuccessfully at the beginning of the trailer, I wonder if she’s been killed off, or perhaps even removed from the timeline.

What is Laris looking at here? I wonder if it’s connected to her being missing, or the changes in the timeline.

The scene at Starfleet Command, where Picard appeared to be giving a speech, featured the flags of several known factions: the Klingons, Vulcans, Bajorans, and Ferengi were the ones I recognised, along with flags representing the Federation, Starfleet Command, and Starfleet Academy. I don’t think we can infer too much from that – the flags may mean these factions are Federation members or allies, but it could simply mean that they’re present at this event, which could be a diplomatic meeting akin to something we’d see at the G7 or United Nations.

I’m unsure about the other voice heard only in voiceover, the feminine voice saying that “time has been broken.” It sounded a little like Commodore Oh, but I don’t think she would be working with Picard in any timeline! The voice sounds familiar, though… but I can’t place it, nor figure out if it’s someone connected with a past iteration of Star Trek or not. It’s likely that this is a new character, in my opinion.

A mysterious-looking Soji.

The absence of Guinan was noteworthy, as we know she will be making an appearance at some point in Season 2. In The Next Generation episode Yesterday’s Enterprise, Guinan showed a unique awareness of changes to the timeline, and considering Season 2 seems to be all about that kind of thing, bringing her back makes a lot of sense. She also has a history with Q that could be explored in more detail given his return.

And with that, I think we’ve come to the end of my analysis and guesswork! It was great fun to see a glimpse of Season 2, which now has a good three months’ worth of filming and production work under its belt. Despite events out here in the real world, production seems to be moving along well, and I have no doubt at the moment that Picard Season 2 will hit its scheduled release next year. I would guesstimate that it will premiere sometime after Discovery’s fourth season and before Strange New Worlds’ first season, so I think within ten to twelve months we’ll be sitting down to watch the first episode of Season 2.

Why are Elnor and Raffi running?

It was wonderful to see John de Lancie back as Q, and to see him tangle with Picard once again. A trailer can only do so much with a runtime of around one minute, but there seemed to be a heavy emphasis on classic characters: Picard obviously, but also Q and Seven of Nine. This came at the expense of the new characters we met in Season 1 who we only got to see very briefly. Hopefully future marketing material can show off those characters a little more.

The mysteries of Season 2 deepen. What’s the connection to the present day? If the city from the poster is Los Angeles, what connection does that have to Picard and Starfleet? As far as I know he’s never been to the city, and no major Starfleet or Federation organisation is based there. The only Star Trek story to have spent any time in Los Angeles was the Voyager two-parter Future’s End, which was before Seven of Nine came aboard the ship. In that episode, the city of Los Angeles was said to have been destroyed by an earthquake in the mid-21st Century.

If time itself has been “broken,” who is responsible? Is it a natural phenomenon? And why are the crew of La Sirena immune? Did Q or Guinan have something to do with the changes to the timeline? And what did Q mean by “the road not taken?” I have a lot of questions… but can only guess as to the answers right now!

Star Trek: Picard Season 2 will be broadcast on Paramount+ in the United States and on Amazon Prime Video internationally in 2022. Season 1 is available to stream now. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Five of my favourite Starfleet uniforms

Spoiler Warning: There are spoilers ahead for Star Trek: Discovery Seasons 1-3 and the teaser for Season 4, Star Trek: Lower Decks Season 1 and the teaser for Season 2, and Star Trek: Picard Season 1. Minor spoilers are also present for other iterations of the franchise.

This is going to be a controversial list! Practically every Trekkie I know has their own take on which Starfleet uniforms are the best – and why! Even if we can agree on some of our favourite episodes and films, the aesthetic of Star Trek has always been a world unto itself. Some of the best uniform designs may not feature in the best stories, and likewise some of the best individual episodes and films may not have their casts in the best uniforms, so the two aren’t necessarily connected – though a truly bad costume can, in some cases, detract from an otherwise-decent story.

There have been a wide variety of uniforms used across Star Trek’s 55-year history. Most designs incorporate at least some elements of the original – the costumes designed for The Original Series by William Ware Theiss in the mid-1960s. Gene Roddenberry’s brief for the uniforms was that they were to be “simple, utilitarian, and naval” in style, reflecting his vision of the future and of Starfleet. The very first uniforms, seen in The Cage, Charlie X, and a couple of other early Season 1 episodes, arguably best fit the “naval” aspect of the brief, with toned-down colours and a slightly thicker rolled collar. It was only partway through Season 1 that the typical uniform in its three bright primary colours was rolled out.

Captain Pike in The Cage, sporting the first ever Starfleet uniform.

Colour is a hugely important factor when discussing Starfleet uniforms. Since The Next Generation went off the air, most Star Trek projects have tried to move away from big bold blocks of colour, opting for smaller coloured patches or other ways to express differences in division and rank. Partly this is an attempt to make the uniforms look “modern,” but also I think there’s a feeling among at least some folks that the brightly-coloured shirts and tops of The Original Series in particular, but also The Next Generation, look rather childish or even camp, detracting from the serious messages present in many Star Trek stories.

That said, even the attempts to design sleeker, “cooler” Star Trek uniforms have almost universally resulted in garments that aren’t exactly serious by today’s standards! Recent attempts like the Discovery uniforms are still very sci-fi; hardly the kind of thing you’d see someone wear out on the street – unless they were on their way to a Star Trek convention. I guess what I’m trying to say is that trying to design a “cool Star Trek uniform” may simply be an impossible task!

The cast of Discovery Season 1 in their all-blue uniforms.

So I’m all in favour of embracing the campiness – at least to a degree. Once you get lost in Star Trek, things like uniform colours don’t take you out of it, or at least they don’t for me. I’m not really a fan of attempts to make uniforms that look too much like things that we already have in the real world. There obviously has to be a line between something plausible and something completely outlandish, but in sci-fi that line can be further away than some folks seem to think!

Several generations of Starfleet uniform have become truly iconic; instantly recognisable emblems of the franchise that hardly anyone with even a passing knowledge of popular culture could fail to identify. This has been helped by internet memes, with Captain Picard, Commander Riker, Captain Kirk, Captain Janeway, and even Voyager’s Doctor all re-entering popular culture years after their respective series went off the air.

Captain Picard’s facepalm is a popular meme – and reminds people about The Next Generation and the uniforms the crew wore.

We also need to give some of the new variants time. A uniform – or any aesthetic element of a series or film – doesn’t become an icon overnight, so the 32nd Century uniforms we saw in the Discovery Season 4 teaser, the uniforms in Picard Season 1, and whatever the Strange New Worlds crew end up wearing need time to grow on us! Some Trekkies have already taken to some of the new styles, which is great, but for a lot of folks it takes time to even get used to a whole new look – let alone learn to love it!

As I always say, this whole list is entirely subjective! If you hate all of these uniforms and love others, that’s 100% okay. As with practically every aspect of Star Trek, it’s a big galaxy and there’s room for fans with different tastes and preferences. Now that we’ve got that out of the way, let’s take a look at five of my favourite Starfleet uniforms!

Number 1: The Motion Picture – Admiral’s variant

Kirk wearing his admiral’s uniform – perhaps the only decent one in the whole film!

I can understand why fans were unimpressed with The Motion Picture uniforms on the whole. They represent an attempt – the first real attempt – for Star Trek to try something new and step away from the bold primary colours of The Original Series, but ended up being understated at best, bland and forgettable at worst. The dull colours, t-shirt design, and lack of any distinctive features all meant that these uniforms only ever saw one outing.

But there was an exception! Kirk’s uniform as an Admiral, which he wore for the first part of the film prior to taking command of the Enterprise, is undoubtedly one of my favourites. It’s understated, for sure, but I love the smooth lines between its grey and white sections, the high angled collar, and how the gold Starfleet insignia stands out without being too flashy or over-the-top.

A lot of the criticism of The Motion Picture’s uniforms is absolutely fair. But there’s something about Kirk’s variant that I absolutely adore. I’d suggest that it’s the most “uniform-looking” costume in the whole film, and with its shoulder epaulets and wrist braiding, it’s a unique blend of The Original Series and future, more military-inspired uniforms – some of which we’ll look at further down the list.

Number 2: The Next Generation – Season 3-7 variant

The cast of The Next Generation in Season 4.

I’m not calling today’s list my “all-time” top uniforms, but if I were putting Starfleet uniforms in a ranked list these uniforms would have to be near the top. Excluding variants like the acting ensign uniform Wesley Crusher wore, Troi’s “casual” outfits, and Picard’s jacket, the standard uniforms that were introduced beginning in Season 3 of The Next Generation hit all the right notes for me.

These uniforms have a high collar, which gives them a more “serious” feel than the previous crew-neck style. They retain the large blocks of colour across most of the top, yet the colours are ever so slightly toned down when compared to the bright colours of The Original Series, which I’d argue makes them appear a bit more serious and less camp. With the collars and pants being black, the coloured blocks on the top are striking and draw the most attention, and it’s easy to tell at a bare glance which officer represents which division.

It was a surprise when The Next Generation swapped the red and gold colours over – The Original Series had used gold for command and red for security/engineering. But there’s no denying it works well, and Picard and his crew honestly look fantastic in these uniforms.

Number 3: First Contact and Deep Space Nine Seasons 5-7

Data, Worf, Geordi, Riker, and Picard in Nemesis.

Though reportedly “uncomfortable” for some of the actors, I really like these uniforms. Until Star Trek: Picard premiered last January, they were also the most up-to-date uniforms in Star Trek’s internal timeline – at least if you exclude far future variants! These uniforms shrank the division colours down, retaining only a coloured undershirt poking up through the collar, with the rest being black and grey.

To me, this design says “new Star Trek” – even though the uniforms haven’t been new for almost 25 years! When the franchise was off the air, and even after it returned with prequels, these uniforms still represented the furthest forward Star Trek’s timeline had got, and I guess it’s for that reason I have more of an affinity to them. They’re modern-looking, swapping out big blocks of colour for greys and blacks that are more toned-down, and I guess the intention was to give them a more military style.

First Contact and Insurrection are two of my favourite films, and the latter seasons of Deep Space Nine – where these uniforms were also worn – saw the Dominion War story arc play out, which happens to be my favourite part of that series. I have very positive associations, then, between these uniforms and the narratives they were present in!

Number 4: The Wrath of Khan uniforms – a.k.a. the “monster maroon”

Kirk and Spock showing the “monster maroon” jacket in its open and closed positions in a publicity photo for The Undiscovered Country.

Speaking as we were of uniforms with a very military style, the uniforms which debuted in The Wrath of Khan were a total change from those present in The Motion Picture three years earlier. They incorporated elements of military dress uniforms, with a wide double-breasted jacket, high collar, epaulets, rank insignia, and a belt around the jacket.

In Star Trek’s internal timeline, these are the longest-serving uniforms (that we know of!) having been in service for around 75 years. I don’t personally think that they work well without the high collared undershirt, so my preference is for the Wrath of Khan variant, not those seen in The Next Generation. But the fact that they were in service for a long time is neat – and a way for The Next Generation to connect itself visually to the films of The Original Series era!

If The Original Series uniforms were campy and bright, these military-inspired ones were the complete opposite. Designed to be serious and focused while still retaining some colour, I think they look amazing. Having so many different elements could’ve made for a complicated look, but the simple use of one predominant colour helps settle things down.

Number 5: Star Trek: Picard – 2399 variant

Acting Captain Riker showing off the command variant of the 2399 uniforms.

Star Trek: Picard showed off two new uniform styles – one for flashback scenes and one for Starfleet in 2399. I would have preferred the flashback uniforms were replaced with the First Contact uniforms as they didn’t look great and were ultimately unnecessary, but the 2399 uniforms – which we saw Commodore Oh, Rizzo, and later Acting Captain Riker wear – were fantastic.

What I like most about these uniforms is that, after almost twenty years, colour was back in a big way! Enterprise had blue boiler suits, Discovery mostly showed off an all-blue look, and while neither of those uniforms are bad, I was keen to see something visually different – something more “Star Trek.” Picard delivered.

These uniforms are, in some respects, similar to the Voyager and early Deep Space Nine uniforms in that they’re mostly black with a coloured shoulder area and collar. But the lack of a prominent undershirt and the Starfleet delta detailing on the coloured sections makes them look far superior to those older uniforms! I hope we’ll get to see more characters wearing these uniforms going forward.

So that’s it! Five of my personal favourite Starfleet uniforms.

Boimler and Riker on the bridge of the USS Titan wearing First Contact-era uniforms.

Aesthetic, colour, and costume style are very much subject to personal taste, and I know there can be a range of opinions on all of these things. Despite that, with the exception of Kirk’s uniform from The Motion Picture, I think a lot of Trekkies would put at least one or two of these uniforms on their own lists of favourites!

There really aren’t many Starfleet uniforms that I passionately dislike. Most serve a purpose, and it’s usually at least understandable what the intention behind the design was. Enterprise’s boiler suits, for example, were clearly inspired by modern-day naval, submarine, and astronaut uniforms, and were designed to be a bridge between more typical Starfleet uniforms and 21st Century attire.

I didn’t put the Kelvin uniforms on the list this time. But they are pretty neat!

Voyager and Enterprise kept consistent uniforms during their entire runs, but every other Starfleet crew has had at least one change of uniform. Changing things up keeps the aesthetic of Star Trek interesting, and while I can understand why some folks lament changes of this nature, without radical departures from “normal” uniforms we wouldn’t have got to see some of the best and most visually interesting ones. I like that the Star Trek franchise is bold enough to continue to shake things up.

The teaser trailer for Discovery’s impending fourth season showed off another new uniform – a more colourful variant of the 32nd Century uniform that we saw worn by Admiral Vance and others. Though we really only had a few seconds of footage, I liked what I saw and I think these new ones have the potential to join a future list of this nature!

Regardless of what your favourites might be, and whether or not any of them made this list, I hope it was a bit of fun. I’ll never miss a chance to talk about Star Trek!

The Star Trek franchise – including all titles on the list above – is the copyright of ViacomCBS. All Star Trek shows and films mentioned above may be streamed on Paramount+ in the United States, and on Netflix or Amazon Prime Video in the United Kingdom. Availability may vary by region. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard + Star Trek: Discovery crossover theory – “the true final frontier”

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Discovery Seasons 1-3, as well as the teaser trailers for Star Trek: Picard Season 2 and Star Trek: Discovery Season 4. Further spoilers may be present for other iterations of the Star Trek franchise.

During Season 1 of Star Trek: Picard last year, I kept holding out hope that the show would make a serious attempt to connect or cross over – somehow – with Discovery, its sister show. Aside from a couple of throwaway lines, however, that didn’t happen. We have since seen Discovery pick up a major faction that had been present in Picard, though, so clearly there’s some intention over at ViacomCBS to link up the two shows. Hopefully this will continue into their next seasons – and that’s what today’s theory is all about!

Discovery Season 4 will premiere months before Picard Season 2, and while I’m hopeful it will be able to include some kind of cameo or crossover like Season 3 did, where I’m going to focus much of my attention this time is on Picard Season 2, so we’ll be shooting past Discovery Season 4 for the most part. In short, there was a line in the Picard Season 2 teaser which stood out to me, and it could be interpreted as setting up some kind of crossover. At the beginning of the short teaser, we hear Picard say in voiceover that “the true final frontier is time.”

Picard Season 2 seems to have a time travel focus.

Beginning with Season 3, Discovery shot forward into the future, with Seasons 3 and 4 taking place almost 800 years after the events of Picard Season 1. That should preclude any major character crossovers… but not if time travel is somehow involved. By the 32nd Century, Admiral Vance and Starfleet believe time travel has been completely outlawed and that no way to travel through time exists. But at the dawn of the 25th Century, the Federation (and other factions) are just beginning to dip their toes in this untapped “final frontier.”

Picard himself has travelled through time on several occasions, both to the future and to the past. And while much of what we saw in the Season 2 teaser suggests that Picard and/or his new crew will travel backwards in time, if time travel is involved, all bets are off. The future and the past blend together in many time travel stories, and it’s possible – at least in my opinion – that Picard and his new crew could find themselves in Discovery’s 32nd Century at some point during their adventures.

Could Picard Season 2 visit the 32nd Century?

Another point we could argue is in favour of this theory is the re-emergence of Q. Because of Q’s nature as a trickster, and an incredibly powerful being, practically anything is possible. In the Voyager Season 2 episode Death Wish, for example, a member of the Q Continuum was able to send the USS Voyager back in time to the moment of the big bang – 13 billion years in the past. The 32nd Century is nothing compared to that!

I’ve spoken before on a number of occasions about the need for Star Trek as a whole to get some threads of consistency going between the shows currently in production. There is a link between Strange New Worlds and Discovery, of course, but Picard and Discovery are almost entirely disconnected right now. Bringing the two crews together – even just for a one-off special episode – would be absolutely fantastic and a great way to celebrate all things Star Trek.

Maybe Admiral Picard will meet Captain Burnham!

If Picard Season 2 is going to focus on travelling backwards through time instead of forwards, perhaps looking to preserve the future by righting wrongs in the past, that still doesn’t necessarily preclude the appearance of Discovery and her crew. Before Burnham, Saru, and the rest of the crew headed into the 32nd Century they were, of course, present in the 23rd, and although we’d be seeing these characters as they were in the past – and thus the storyline could become complicated – it would be possible, at least in theory, for Picard and his new crew to meet up with someone from Discovery if they visited the 23rd Century.

Given the complicated nature of the Control AI storyline in Season 2, anyone from Discovery having been aware of meeting someone from the Picard era could open up a plot hole, so it would have to be handled carefully. Perhaps Picard or someone from La Sirena is able to blend in and disguise themselves as a member of Starfleet in the 23rd Century, for example, allowing them to interact with the likes of Saru or Michael Burnham without the latter being aware of their true origins. That kind of crossover would be a lot of fun, and I think everyone involved would enjoy it!

Visiting the 23rd Century could allow Picard and the crew of La Sirena to meet up with Michael Burnham, Saru, and the crew of Discovery before they headed to the future.

One image that was prevalent in the Picard Season 2 teaser was the USS Stargazer – Picard’s first command. He first sat in the captain’s chair in the 2330s – about 75 years after the events of Discovery Seasons 1-2. That’s quite a long time, but considering the extended lifespans we know are present in Star Trek, it’s not so long that characters from Discovery couldn’t still be alive. Spock, obviously, is still alive in this era. And Dr McCoy was present at the launch of the Enterprise-D, despite being 137 years old. This opens up the possibility to see “aged up” versions of characters from the 23rd Century that we met in Discovery, such as Ash Tyler, L’Rell, or Saru’s sister Siranna.

Even just a short cameo from someone like that would be an amazing way to tie the shows together. Ash Tyler could have risen through the ranks to become a senior officer in Starfleet Intelligence by this era, and he could be someone Picard speaks with upon assuming command of the Stargazer, just as one idea off the top of my head. The introduction of Q and time travel into Picard Season 2 has opened up the possibility of such crossovers in a way that I hadn’t previously considered possible.

Ash Tyler could conceivably still be alive in the early 24th Century.

There is one other possibility, and it’s an inversion of a theory I had in the months before Discovery Season 3 premiered. Back then I theorised that something would go wrong with Burnham and Discovery’s jump into the future, leading them to arrive not in the 32nd Century but at the dawn of the 25th, leading to a crossover with Picard. That didn’t happen, of course, but right now there exists the possibility of this happening in reverse – for Picard and La Sirena to find themselves in the 32nd Century.

Maybe I’m in the minority, and both casual fans and Trekkies love to see the various Star Trek shows and films split up along the timeline – and in parallel universes! But I really do believe that consistency and stability are the hallmarks of a successful franchise, and if Star Trek wants to build on recent successes, picking a single time period to focus on for a majority of its shows and films makes a lot of sense. It makes following the franchise as a whole easier, and it makes it simpler for casual viewers to hop from one series to another without needing to read whole encyclopaedia articles about Star Trek lore to understand who’s where and what’s what. Perhaps bringing Picard into the 32nd Century could be a way to cut down on the franchise’s ongoing time periods.

If La Sirena travels through time, a crossover could be on the cards!

This would be bittersweet, in my opinion. While it would be great for Star Trek to replicate its ’90s heyday by picking an era and sticking with it, taking Picard out of the 25th Century would make future character returns significantly more difficult. It was great fun to see the likes of Data, Riker, Troi, and Seven of Nine again, and I think one thing a lot of Trekkies are hoping for is that Season 2 of Picard will reintroduce more characters from The Next Generation era. Shooting the show forward by more than eight centuries would make that much more difficult.

We’d also miss out on finding out more about the state of the galaxy as the 25th Century dawns. We spent some time with the Romulans in Season 1, but we know next to nothing of the Klingon Empire, the Cardassians, the Bajorans, and so many others. In my opinion, if Star Trek is going to pick one era to be the main focus for upcoming projects, I’d rather it was the 25th Century than the 32nd. Jumping forward in time by a generation instead of centuries is what the Star Wars sequel trilogy tried to do, allowing for the return of classic characters alongside new ones. That’s one reason why I wondered if Discovery was going to end up in this time period too!

In 2019 I wondered if Saru and the crew of Discovery might end up in the 25th Century!

At the end of the day, time travel in Star Trek allows for many different possibilities. Even if Picard just visits the 23rd or 32nd Centuries briefly, during a single episode, the potential for using this technobabble as an excuse for a major crossover exists. If Season 2 is going to have a major focus on time travel, it would almost be a wasted opportunity if the show didn’t include some kind of crossover with Discovery!

The inclusion of Q almost certainly means that some wacky shenanigans are afoot in Picard Season 2. Whether he’s responsible for Picard travelling through time or not, he certainly has the potential to be a disruptive influence, and I could absolutely see Q sending La Sirena spiralling into the path of the USS Discovery – either the refitted 32nd Century version or the older 23rd Century variant! Heck, this could even be how the Short Treks episode Calypso gets resolved… though maybe that’s too much to hope for!

So that’s my theory. A rather disjointed and vague theory, I grant you, but a theory nevertheless. Somehow, the time travel storyline in Picard Season 2 will lead to a crossover with Discovery. Regardless of whether it happens or not, I’m really looking forward to Picard Season 2. It’s been over a year since Season 1 wrapped up, and despite the ending of the first season not quite hitting the highs of its premiere episode, I cannot wait to find out what will come next for Picard and the crew of La Sirena.

Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States and on Amazon Prime Video in the United Kingdom and elsewhere. Star Trek: Discovery Seasons 1-3 are available to stream now on Paramount+ in the United States and on Netflix in the United Kingdom and elsewhere. Star Trek: Picard Season 2 is currently targeting a 2022 broadcast, and Discovery Season 4 is scheduled to premiere before the end of 2021. The Star Trek franchise – including Picard, Discovery, and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Gates McFadden’s recent comments on Star Trek: Picard

Spoiler Warning: There are spoilers ahead for Star Trek: Picard, including the entirety of Season 1 and, most significantly, casting information for Season 2. There are also spoilers for Star Trek: The Next Generation.

Over the course of Star Trek: Picard Season 1, we learned a little about some of Picard’s former crewmates from his time aboard the Enterprise-D. We saw Riker and Troi appear in person in the episode Nepenthe, as well as a version of Data. In the episode Maps and Legends, new character Zhaban – an ally of Picard’s – mentioned La Forge and Worf by name, seemingly confirming that both are still alive… at least as of the early part of Season 1! The only main characters from The Next Generation whose fates were not confirmed, and who were not even mentioned, were Dr Beverly Crusher and her son Wesley.

I don’t necessarily expect to see Wesley Crusher return, though I would suggest that actor Wil Wheaton’s continued involvement with Star Trek means it’s a possibility, at least on the production side. But given the close relationship between Picard and Beverly Crusher, I wasn’t alone in wondering what her absence from Season 1 might mean.

Wesley and Beverly Crusher in Star Trek: Nemesis – their last appearance in canon to date.

The teaser for Picard Season 2, which debuted at last month’s First Contact Day digital event, included a lingering shot over a model of the USS Stargazer – the ship Picard commanded prior to the events of The Next Generation. This, combined with Picard discussing the possibility of time travel in voiceover, seems to hint that the ship may play a role in Season 2. This is significant for the Picard-Crusher conversation, because while Picard was in command of the Stargazer, Dr Crusher’s husband Jack was killed. This event was mentioned a couple of times in The Next Generation, and it was arguably hinted at that Picard felt responsible for Jack’s death.

It may even have been the death of Jack Crusher that stopped Dr Crusher and Picard taking their relationship any further, at least in events we saw on screen. So a return to the USS Stargazer could potentially have brought back memories for Picard of Beverly Crusher, and there was scope for us to learn more about what happened to her after we last saw her in Star Trek: Nemesis.

Picard with Dr Crusher in Remember Me from Season 4 of The Next Generation.

However, recent comments by Gates McFadden – the actress who played Dr Crusher in The Next Generation and four films – seem to rule that out, at least in Season 2. Though no character return should be seen as guaranteed, after Riker and Troi came back in Season 1, and with Season 2 seeming to at least acknowledge areas of Picard’s past that may be connected to his relationship with Dr Crusher, it wasn’t an unreasonable guess to think she might appear, and thus I’m a little surprised to hear Gates McFadden ruling it out with the season still in relatively early production.

Though we should be careful about assigning motivations, McFadden is about to launch her own podcast, and it was in that capacity that she spoke to website TrekMovie. Generating attention drives clicks and brings in listeners, and while I don’t doubt that McFadden was being honest about her non-appearance in Picard Season 2, we also have to consider in context what she’s saying and what she’s trying to do by talking about it so openly.

Gates McFadden is plugging her new podcast!

Ever since Star Trek: Picard was announced, practically every former Star Trek actor under the sun has expressed interest in reprising their role, and some have outright lobbied ViacomCBS and the creative team in charge of the franchise to make it happen. In short, by discussing her non-appearance in Season 2, McFadden may be hoping to generate buzz around a future return to the role in Season 3, or in another potential Star Trek project. And again, as with the launch of the podcast, we have to take into account why she chose this moment to talk about it.

In a way this is a pretty big spoiler, because now we know that Dr Crusher won’t be appearing in Season 2 – at least, not in any form we’d recognise. Given the season’s apparent time travel aspect and possible return to the USS Stargazer, I’m at least a little surprised by that. But perhaps there’s still scope to learn more about Dr Crusher and what became of her after the events of Star Trek: Nemesis, even if she doesn’t appear in person.

Dr Crusher in Nemesis.

During The Next Generation’s second season, Gates McFadden’s absence was explained away by saying that Dr Crusher was working at Starfleet Medical on Earth. It seems plausible that she might’ve returned to that role following the disbanding of the Enterprise-E’s crew. If she continued to work with Picard in the years before the attack on Mars, there’s the possibility that their relationship took a romantic turn. It’s a shame we won’t get to see for ourselves in Season 2, though.

There is, of course, the possibility that Dr Crusher will be mentioned, as La Forge and Worf were in Season 1. If that’s the case, her presence wouldn’t be necessary in order for us to know at least whether she’s still alive in this era – I’m assuming she is until I hear anything to the contrary! And it’s also possible that, if the series is going to indulge in some serious time travel, that the role of a younger Dr Crusher will be recast for the new season. The supporting roles of Bruce Maddox and Icheb were recast in Season 1, and we’ve seen Discovery win a great deal of praise for the recasting of Captain Pike and Spock in Season 2, so the possibility of the role being recast certainly exists. I would think, though, that unless Gates McFadden has somehow talked herself out of returning to the role, if Picard Season 2 wanted Dr Crusher circa 2399-2400, the producers would approach her to reprise the role.

Dr Crusher in the future timeline seen in All Good Things…

So it was a bit of a surprise, as I keep saying! However, with John de Lancie returning as Q and Whoopi Goldberg coming back as Guinan, perhaps the producers decided that the show risked being overwhelmed with too many classic characters, or that there wasn’t enough time to do justice to Dr Crusher’s return. As with Riker and Troi last season, Dr Crusher would really need at least one entire episode in which she and her relationship with Picard could be a major story element. In a ten-episode season that has a lot of other storylines running, perhaps the producers decided that was too much.

And if that’s the case, I have to say I’m pleased – because it means the writers and producers have learned a lesson from Season 1. I’ve mentioned on a few occasions that I felt Season 1 of Picard did not conclude in particularly strong fashion. Too many storylines were abruptly dropped or not given any meaningful conclusion, and while Et in Arcadia Ego, Part 2 in particular was a very emotional episode with some fantastic moments, the finale as a whole left a lot on the table.

Picard with his new crew at the end of Season 1.

Dr Crusher could be essential to the story of a future season of Picard. Or, like Riker and Troi last season, she could simply be incidental. If the latter is true, the season as a whole needs to be structured in such a way that taking an episode off to visit her doesn’t have implications for the remainder of the story. And if it happens to be the case that the story of Season 2 is too full to fit Dr Crusher in, then that’s okay. I’d rather wait and see her return in a truly meaningful way than either have a rushed cameo or feel that the episode in which she featured was detrimental to the main story of the season overall – which, sorry to say because it’s an outstanding episode in its own right, is kind of how I feel about Season 1’s Nepenthe.

As always, I encourage you to check out Gates McFadden’s full comments (which can be seen on TrekMovie and appear in their podcast) for context, and to see for yourself exactly what she had to say. This is just my take on the situation! Given that Dr Crusher was very close to the top of my list of characters I considered plausible for Picard Season 2, and considering how amazing it would be to spend some more time with the dancing doctor, it’s a bit of a surprise – and perhaps even a little disappointing – that she isn’t returning.

Regardless, I hope that Dr Crusher can return to Star Trek in future, when a suitable role can be found for her. Hopefully there will be more seasons of Picard to come, and perhaps even more shows and/or films set in this era. Any such project could bring Dr Crusher back, and she would be very welcome!

Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. Season 2 is currently filming and is targeting a 2022 broadcast. Gates McFadden was speaking exclusively to the website TrekMovie and the full interview may be found there. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard – Six USS Stargazer theories

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, the teaser for Season 2, and for the following: Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager.

Star Trek’s First Contact Day event a few days ago provided a lot of information and teases for upcoming projects in the franchise! Yesterday I took a look at one element from the Discovery Season 4 teaser, and today it’s Picard’s turn to go under the microscope! I wrote up my thoughts on the entire First Contact Day event, by the way, and if you missed that article you can find it by clicking or tapping here.

Both Discovery Season 4 and Lower Decks Season 2 are well into production – in fact, we now know that Lower Decks will be broadcast beginning on the 12th of August! Both shows were able to compile teaser trailers that incorporated a number of different scenes, probably from multiple episodes, and thus we had quite a lot to pick through for each! Picard Season 2, however, only entered production at the end of February, so naturally there wasn’t much to show.

There was a lot more to see from Discovery’s upcoming fourth season!

Instead what we saw was a stylised teaser, which I assume was deliberately filmed for First Contact Day. It seemed to include a shot of Château Picard – the Picard family vineyard – that was part of Season 1; a recycled shot to set up the rest of the teaser. The rest of the teaser comprised a shot of Picard’s study/office at the vineyard, with the camera lingering over a handful of items in the empty room.

The item most confusing to me at the moment is the book Paradise Lost! It’s an epic poem that I once had to read at school, written in the 1600s. And it’s all about Satan and God. Given what Picard is heard to say in voiceover about travelling through time and not knowing what might have been had different actions been taken, perhaps the meaning of Paradise Lost is less to do with the content of the poem than a literal reading of the title – something Picard did or didn’t do in the past changed the present, making things worse. That could be his “paradise lost.” This is frustrating!

How does Paradise Lost connect to the story of Season 2?

But Paradise Lost is not what we’re talking about today. In the teaser, Picard spoke of time as “the true final frontier,” and combined with the teaser focusing both on clocks and a backwards-running hourglass, time travel seems to be on the agenda! That’s before we get to Q, who is returning to tangle with Picard once more. Q is quite capable of time travel, as we’ve seen numerous times. Sir Patrick Stewart seemed to at least hint that Q isn’t responsible for whatever happens to Picard, but he’s clearly involved to some degree.

In addition to all of the time-related imagery, one thing from the trailer really leapt out at me: a model of the USS Stargazer. It’s the Stargazer that we’re going to talk about today, as the teaser seemed to at least hint at the possibility of revisiting this chapter of Picard’s life – something I predicted Season 2 might do a few weeks ago!

The USS Stargazer model as seen in the Season 2 teaser.

So let’s consider a few possibilities for how the USS Stargazer could be included in Season 2 of Picard. We’ve already heard the ship mentioned in Season 1; Dr Benayoun referenced Picard’s time aboard the ship in the episode Maps and Legends. Perhaps that was a hint at things to come in Season 2, and perhaps Dr Benayoun himself will make a return. We’ll have to wait and see what happens when the season airs next year!

My usual caveat applies: I have no “insider information.” I’m not claiming any of the things on this list will definitely happen in Season 2. This is just speculation and guesswork; a bit of fun and a chance to spend a bit more time talking and theorising about Star Trek. That’s all! So with that out of the way, let’s take a look at my six USS Stargazer theories.

Number 1: Picard’s “death” and a redux of The Next Generation Season 6 episode Tapestry.

Picard was given the option to make changes in his life in the episode Tapestry.

When I think of Q, Picard, and time travel, one of the first episodes that comes to mind is Tapestry. Given that Picard has faced death in Season 1, perhaps the stage is set for some kind of redux of this episode, or at least a story which uses a similar premise. In Tapestry, Picard was given a chance by Q to go back to his past and make changes in his life, choosing to use the wisdom of age to be more cautious and less impulsive. At first it seemed to save his life, but the changes made his life far worse and unliveable.

What wasn’t clear in Tapestry is whether Q and Picard were truly travelling through time or whether it was an elaborate illusion. I choose to think it was the former; Q had the power to do all of those things, after all! So maybe he will give Picard a chance to do so again.

Q in Tapestry.

At this stage we don’t know why Picard wants or needs to travel through time. It may be connected to the Zhat Vash, Coppelius, the super-synths from the season finale, or something else that happened last season. It may be connected to something from The Next Generation. Or it may simply be a new storyline written for the show as happened in Season 1. But if he did want to go back in time to change the past, perhaps he would enlist the help of Q, setting up a story similar to Tapestry.

If Picard were to go back in time to his Stargazer days, there are a lot of things he could potentially do differently, and thus a lot of different ways that the story could go. You’d think that, after what happened in Tapestry, Picard would have learned his lesson about changing the past. But if Q showed him a very different, far better future, perhaps he could be convinced to make such a change.

This might connect to the “paradise lost” concept that I touched on at the beginning. Perhaps Q is able to convince Picard that his best option, or the only option, to get a particular outcome in the future is to change the past?

Number 2: The Cardassian Border Wars.

Picard has had run-ins with the Cardassians before.

Though only mentioned briefly in The Next Generation, Picard was in command of the USS Stargazer during the Cardassian Border Wars. Not to be confused with Deep Space Nine’s Dominion War, this conflict took place in the mid-24th Century, prior to the events of The Next Generation. Picard made reference to one encounter in which a Cardassian ship fired on the Stargazer while the shields were down, causing him to have to flee!

One of the interesting things about choosing the Stargazer for part of Season 2’s setting as opposed to the Enterprise-D is that we know relatively little of Picard’s exploits while in command of the ship. Picard was in command of the Stargazer for around twenty years (from the 2330s to the 2350s) yet we only got brief hints at what he did in all that time. That makes it a relatively blank slate as far as the writers and producers of Season 2 are concerned.

A Cardassian Galor-class ship attacks the Enterprise-D in the episode The Wounded.

We do know, however, that Picard and the Stargazer saw action during the Cardassian Border Wars, and perhaps this could be a way for Star Trek to revisit the faction we got to know so well in Deep Space Nine. As one of the few known events during Picard’s time in command of that vessel, it’s at least possible that we’ll see it mentioned!

The Next Generation Season 4 episode The Wounded saw Picard work with the Cardassians, so it doesn’t seem as though he harbours any lingering feelings toward them; certainly not like the trauma he carries after his experiences with the Borg. So I don’t think that revisiting the Cardassian Border Wars would lead to the kind of powerful moment that we saw when Picard visited the Artifact in Season 1. But there could be something from those days that Picard has to confront, or perhaps he’s been hiding or repressing his feelings about the Cardassians since then?

The advantage to bringing the Cardassian Border Wars into play, at least from my point of view, would be that it would allow the series to revisit some of the events seen in Deep Space Nine and Voyager. Picard may not have much connection to those events, but other characters do. Seven of Nine, for example, served with and was once in a relationship with Chakotay, and his Maquis friends were killed by the Cardassians. Perhaps some kind of story related to Cardassia and the Cardassian Border Wars is on the cards.

Number 3: Assuming command in the 2330s.

Picard served in Starfleet for decades.

One of the things that Picard inadvertently changed during the events of Tapestry was that he never assumed command of the USS Stargazer. All we know of this event is that, following the death of the ship’s captain, Picard boldly assumed command. Doing so was a risk, one that the less cautious young Picard was willing and able to take. Following this event, he was appointed as the ship’s permanent commander and (presumably) promoted to the rank of captain.

The death of a ship’s captain is a significant moment, one that we haven’t seen often within Star Trek. Presumably the Stargazer’s captain was killed violently or during some kind of disaster or emergency; if he’d simply died of natural causes Picard’s tale of assuming command would be far less grand! So whatever happened, I think it’s fair to say it came at a difficult moment for the ship and crew.

Picard hallucinates the Stargazer crew in the episode The Battle.

This event may turn out to have some connection to Q or to something from Season 1 of the show. We could learn, for example, that the Zhat Vash or the super-synths were responsible for the attack on the Stargazer, and thus for Picard’s ascent to the captain’s chair. It may then be the Zhat Vash who want to go back in time to undo something, changing events so that Picard wouldn’t be in a position to help Soji and the Coppelius synths.

Maybe that’s a stretch and a reach, but the idea of undoing a mistake and trying to alter the future seems to be a theme of the season, according to the teaser. Picard himself was heard in voiceover saying that time never offers second chances – so perhaps the person or faction hoping to change the past is not Picard and his new crew, but some other nefarious faction. Picard and the crew of La Sirena may even be travelling back in time to preserve the timeline, not change it.

When it comes to factions we know of within Picard that could be interested in changing the past, the Zhat Vash have to be right up at the top. They’re fanatics, and after their recent defeat both at Coppelius and with the repeal of the ban on synthetic life they may try to travel back in time to exact their revenge. Going back to prevent Picard ever becoming a captain, changing his career and stopping him interfering in their plans, may be what they have in mind. One of the neat things about revisiting this era would potentially be a return of the red Starfleet uniforms!

Number 4: The Battle of Maxia.

The “Picard Manoeuvre” – Picard’s tactic at the Battle of Maxia.

At the opposite end of Picard’s time in command was the Battle of Maxia. At this battle, in which Picard faced a Ferengi ship, he devised the “Picard Manoeuvre” – a tactic that allowed his ship to appear to be in two places at once, and which was later taught at Starfleet Academy. In the aftermath of this battle, however, the Stargazer was lost. Presumed to have been destroyed, the ship was actually salvaged by the Ferengi.

The “Picard Manoeuvre” was referenced in Season 1, during the episode Et in Arcadia Ego, Part 2. As with the earlier reference to the USS Stargazer, perhaps this was setting up something that will become important in Season 2, or at least reminding us of its existence! These little crumbs could form a trail for us to follow, perhaps informing us of planned events in Season 2. Or I could be reading too much into individual lines, as I always seem to be!

Picard on the bridge of the Stargazer.

The Battle, the ninth episode of The Next Generation, explored the Battle of Maxia in more detail. It’s probably the one event involving the USS Stargazer that has been most closely examined on screen. That could mean it’s a good place for Season 2 to go, as it’s something we’re at least a little familiar with. Or it could mean that, as Picard has already confronted his actions at the battle and their consequences, there isn’t much left to explore.

In any case, it remains a possibility. Returning to the Battle of Maxia could see the return of the Ferengi in some capacity, though their involvement was not known at the time. As above, it could be a chance either for Picard to correct a mistake, or for someone nefarious to attempt to change the past – his past – by changing the outcome of the battle.

Number 5: The death of Jack Crusher.

Jack Crusher died while serving on the Stargazer.

Jack Crusher – husband to Beverly and father to Wesley – died while serving under Picard’s command aboard the USS Stargazer. It was at least implied that Picard bears a degree of responsibility for his death, or at least feels responsible for what happened. Perhaps that’s simply because of how he is as a commanding officer – but could there be more to it than that?

Of the main cast of The Next Generation, only Dr Crusher’s fate was left unconfirmed in Season 1. We saw Riker and Troi of course, and Data we know has died. Zhaban also confirmed that Geordi La Forge and Worf are still alive, so that only leaves Dr Crusher. In at least one future timeline, she and Picard had married – we saw no evidence for or against this idea in Season 1, so perhaps it could be explored in Season 2.

Jack Crusher in hologram form.

In the teaser, Picard spoke about how we often wish we’d acted differently during a crisis, and perhaps one thing he wishes he had been able to change was whatever led to Jack Crusher’s death. We could also learn that the Zhat Vash, super-synths, or some other faction or entity from Season 1 is involved in the events that led to him being killed, forming a kind of circular story going back to Picard’s past.

If Dr Crusher were to be involved in Season 2, she would undoubtedly have something to say about the possibility of revisiting the moment of Jack’s death! Maybe she would try to talk Picard out of it, saying that changing an event more than fifty years in the past would have huge ramifications for them both. Or maybe she’d be in favour of going back in time to prevent it from happening if his death set in motion a series of events that led to horrible consequences at the dawn of the 25th Century.

It’s also possible that Jack Crusher’s death may simply be the backdrop for the story – an event connected to something else in the series, but not something Picard hopes to undo.

Number 6: Anti-time and All Good Things…

Q and Picard in All Good Things…

In the finale of The Next Generation, Q set Picard a puzzle to solve that required him to think outside the box. In short, events in the future were – somehow – having a causal effect on events in the past. Figuring that out, and learning for the first time that time is not necessarily linear and moving only in one direction was what Picard learned.

As above with Tapestry, when I think of Q and time travel, I also think of All Good Things. The teaser made reference to “the trial,” and I believe even used a line spoken by Q in All Good Things as it drew to a close. Q told Picard in that episode that his and humanity’s trial in the eyes of the Q was ongoing, so perhaps the return of Q will mean revisiting some of these concepts.

Q in his “judge” guise in All Good Things…

Something that will be potentially interesting to explore are Q’s views on mortality. In the Voyager Season 2 episode Death Wish, Q helped a fellow member of the Q Continuum to die, but has never had to confront mortality himself. In many ways, Q seemed to regard Picard as something akin to a friend, and watching him age and confront death might be something that would interest and bemuse him.

In the panel that immediately followed the teaser, Sir Patrick Stewart appeared to refer to Q appearing in only a single episode, so perhaps his influence over the season won’t be as significant as we’re assuming. It was also implied that Q is not the cause of whatever the main event of the season is. However, if Picard needed to travel back in time for some reason – such as to prevent something catastrophic from happening in the present – he may voluntarily call upon Q. After all, how many other methods of time travel is Picard aware of?

All we can say for sure at this stage is that Q is involved somehow. But given the teaser’s focus on time travel, maybe his involvement will be in sending Picard and his new crew back in time, perhaps to the time he served aboard the Stargazer.

So that’s it. Six theories about Picard Season 2 and the USS Stargazer!

At this stage, with the second season perhaps as much as a year away from being broadcast, we have very little to go on. As mentioned, the teaser didn’t include a single character or completed scene or sequence, so I’m reading an awful lot into a few lines of voiceover and the imagery presented! We don’t even know for sure that the USS Stargazer will be included in any form, let alone visited through time travel!

The USS Stargazer being towed by the Enterprise-D.

Despite that, however, it’s great fun to speculate and theorise about what might be happening. The series is currently in production, with filming ongoing at time of writing, and while we’re unlikely to see another teaser or trailer any time soon, I’ll be keeping an eye out for any tiny tidbits of news that may come our way!

Discovery has shot forward into the 32nd Century; the far future. As such, it’s less easy for that show to bring back characters, themes, and storylines from Star Trek’s past – though that didn’t stop me making a few guesses about what may be going on in Season 4! But Picard is only set twenty years on from the events of the 24th Century Star Trek shows, and as such we could potentially see the inclusion of all manner of characters and other story elements – as indeed we saw happen in Season 1.

Regardless, I’m excited to see where Picard Season 2 takes the story next. The return of Q promises to be great fun, and while the season is a way off yet, I think it’s okay to make a few tentative guesses about what may be going on!

Star Trek: Picard Season 1 is available to stream now on Paramount+ in the United States and other regions where the platform is available. It may be streamed on Amazon Prime Video in the United Kingdom and other countries and territories. Star Trek: Picard Season 2 is scheduled to premiere on Paramount+ and/or Amazon Prime Video next year. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Some Star Trek updates for 2021-22

Spoiler Warning: There are minor spoilers ahead for Star Trek: Discovery Season 3.

In addition to the first teaser image for Star Trek: Prodigy, a recent update from ViacomCBS (that was primarily directed at their investors) has given us a couple of interesting bits of news regarding both current and future Star Trek projects. Today I thought it would be worthwhile to take a look at what was said and try to figure out what may or may not be coming our way in 2021 and the first half of 2022.

The most significant piece of news was that ViacomCBS plans to have something from the Star Trek franchise on Paramount+ every quarter. Since it’s already almost March I think we can rule out anything in Q1 this year! But that still potentially leaves us with three Star Trek projects before the end of 2021.

The teaser image for Prodigy, in case you missed it!

I said just after New Year that I believed we’d see both Prodigy Season 1 and Lower Decks Season 2 this year, and those will almost certainly be two of the three. With Discovery Season 4 having been in production since November, I have to assume that will be the third series planned for this year – perhaps targeting a Q4 broadcast like Season 3 received in 2020. That’s ambitious in my opinion – post-production work on Discovery Season 3 took over nine months to complete – but if ViacomCBS and Paramount+ can manage it, it will be a fantastic achievement! And it will mean one extra Star Trek show in 2021 that I wasn’t expecting!

If that’s the plan, that would then open up Q1 and Q2 of 2022, and it seems certain that we’d get Picard Season 2 (which has just started filming) and Strange New Worlds Season 1 in the first half of next year – probably in that order. So this current quarter could be the longest we’ll have to go without any new Star Trek for quite some time!

Picard and his new crew are coming back soon.

What will happen after that is in question, and this is where the other interesting bit of news comes in: ViacomCBS has no plans to produce any other Star Trek shows until those currently in production have concluded.

This seems to mean that the Section 31 series, which originally had a premiere date suggested for this year, is going to be delayed yet further, and I interpret comments by some of its writers and producers to mean that the series going ahead at all is less certain now than ever. Strange New Worlds completely stole the Section 31 show’s thunder, both before and after it was announced, and as I said a while ago, I never really got the impression that there was much excitement for Section 31. Many Discovery fans were clamouring for a Pike series almost from the first episode of the show’s second season, but Georgiou and Section 31, while not badly received, were very much the lesser part of that story overall.

Anson Mount recently cropped up in his Starfleet uniform in the ad campaign for Paramount+.

Georgiou’s recent departure from Discovery has set the stage for Section 31 – but it also left things very open as to where (and when) she will end up. Perhaps behind the scenes what’s going on is some major retooling of the Section 31 show’s premise; it had been suggested by Alex Kurtzman and others fairly recently that the scripts were still being worked on, and this feels like another indication of changes to the upcoming series.

So this unfortunately raises the question of the Section 31 show’s ultimate fate. Is this the first step to it being cancelled… or “un-announced?” It feels like it could be, sadly. Despite not being as interested in Section 31 when it was announced, I’ve recently come around to the idea of this kind of spy thriller. If done well I think it could be something really fun and different within Star Trek, and with it having been announced I kind of want to see it come into being. Even if it only runs for a single season, or gets cut down to a miniseries or television movie I still think it could be worthwhile.

Michelle Yeoh is set to return as Mirror Georgiou in the Section 31 series some time soon.

The longer-term futures of other Star Trek projects are less clear. No future seasons of any in-production shows were announced – though it seems likely, according to the rumour mill, that we’ll see Discovery Season 5, and Picard Season 3 was said to be there for the taking if Sir Patrick Stewart wanted it. Beyond the halfway point of 2022, though, Star Trek’s future gets a little harder to predict. We could see Lower Decks Season 3, Prodigy Season 2, or perhaps a new set of Short Treks mini-episodes.

What is clear, though, is that Section 31, the potential Ceti Alpha V miniseries that I covered a few weeks ago, and the still-unannounced live-action series that is in pre-production won’t be coming imminently.

ViacomCBS has “plans” for expanding Star Trek beyond the projects that we know about, though, and there was talk of ideas and concepts being worked on behind the scenes. Paramount+ is being established with a view to a widespread international rollout, which will begin next month with the USA, Canada, and Australia, before heading to Scandinavia and Latin America later in the year. Hopefully it’ll come to the UK soon!

Paramount+ launches next week.

Other recently-announced projects for Paramount+ include a Halo television series, a prequel to Western drama Yellowstone, a reboot of Nickelodeon cartoon Rugrats, and more. CBS All Access has grown its subscriber base since it was launched, passing the 8 million mark last year. The relaunch of the service as Paramount+, with its promised live sport and varied mix of films and television shows will surely bring in a lot of viewers – keeping Star Trek on the air for a long time to come.

These announcements were interesting, and I feel reasonably confident now that we’ll see three Star Trek shows this year instead of the two I had been expecting, so that’s fantastic! And I cannot wait for both Season 2 of Picard and the debut of Strange New Worlds next year. It’s a wonderful time to be a Star Trek fan right now – we have literally never had so many different projects all on the go at once. Someone pinch me… I must be dreaming!

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 2 finally enters production!

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 and Star Trek: Discovery Season 3.

Just a short one today. It seems as though the long-delayed second season of Star Trek: Picard has officially entered production, with filming commencing in California. Raffi actress Michelle Hurd posted on social media that she was “back to work.”

Details of the season are otherwise hard to come by; ViacomCBS is keeping a tight lid on production. Partly that will be due to coronavirus-related concerns, but also to avoid leaks or spoilers. Sir Patrick Stewart has been back in California for a while, and from what he’s said has been raring to go! Stewart recently appeared during the ad campaign for Paramount+ – the new name for the rebranded CBS All Access, and the future home of Star Trek: Picard.

Aside from Stewart and Hurd, the Season 2 cast will comprise Isa Briones as Dahj, Santiago Cabrera as Chris Rios, Evan Evagora as Elnor, Alison Pill as Dr Jurati, and Jeri Ryan as Seven of Nine in a “special guest star” capacity. The only main character from Season 1 who isn’t returning (as far as we know, anyway) is Harry Treadaway’s Narek. I’m still hopeful, however, that Season 2 will somehow make note of Narek’s fate, as the Season 1 finale left things unclear.

Will we at least learn what happened to Narek?

The timeframe for Season 2’s production and release is still up in the air. If we use Season 1 as a baseline for comparison, we can expect filming to last approximately four months (Season 1 filmed from late April to the end of August 2019). However, it goes without saying that coronavirus-related safety protocols could delay things. Four months of filming would put the end of production somewhere in late June or early July, and again if we use Season 1 as a baseline, where post-production work took approximately four-and-a-half months, we could potentially see Season 2 being wrapped up and ready to go before Christmas.

However, Discovery’s third season took closer to nine months in post-production due to coronavirus and the teams all having to work from home, so I’d be surprised to see Picard Season 2 before next year. There’s also Discovery Season 4 to consider – it began filming back in November, so will likely conclude first. I’m not sure how much crossover there is of post-production staff between the two shows, but it stands to reason that if work on Discovery Season 4 is already underway, Picard Season 2 may have to wait longer.

Production on Discovery Season 4 has been underway for weeks.

So let’s assume, for now, that sometime in the first half of 2022 seems like a reasonable guesstimate for when we could see the season air! If we get any significant news regarding character crossovers, plot details, or a trailer, be sure to check back as I’ll almost certainly have something to say.

Speaking of character crossovers, have you heard the news that Thadiun Okona (from The Next Generation Season 2 episode The Outrageous Okona) may be appearing in Star Trek: Prodigy?! What an odd choice. But actor William O. Campbell confirmed on a recent podcast that he’s already been in the recording studio, so I guess we’ll see what he brings to the series when it arrives later this year! I had suggested Okona as a possible character for Picard Season 2 months ago, but I would never have guessed he’d crop up in Prodigy!

So that’s all I have to say, really. Picard Season 2 felt in danger for a while there, so I’m very glad indeed to hear that filming is underway. A few weeks ago I wrote up some preliminary predictions for what Season 2 may contain, so be sure not to miss that article if you’re interested in my pre-season musings!

Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – remains the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard + Star Trek: The Next Generation crossover theory: Lore

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: The Next Generation, and for other iterations of the franchise.

Season 1 of Star Trek: Picard expanded our knowledge and understanding of the Star Trek galaxy in the 24th Century. As the lore of Star Trek grows (pun intended!) one thing I find fun is seeing how any new information we get can be made to fit with past iterations of the franchise, and in the case of Picard, I think I’ve hit on a theory that is plausible based on some new facts that we learned last year.

I previously touched on this theory as part of my essay on Commodore Oh a few months ago, but I thought it warranted being expanded and given its own article – so that when it’s finally confirmed on screen I can say “I told you so!” Or not. In short, this theory connects Data’s brother Lore to the Zhat Vash, the faction introduced in Star Trek: Picard.

Lore in Datalore.

Before we go any further and get into the weeds, let’s recap. Lore was introduced in The Next Generation Season 1 episode Datalore, and would return in Brothers in Season 4, as well as the Season 6 finale Descent, and Descent, Part II which opened Season 7. He was, in effect, Data’s “evil twin,” and would go on to cause havoc for Data and the crew of the Enterprise-D. We would also learn that Lore was responsible for luring a spacefaring lifeform called the Crystalline Entity to his homeworld, killing most of the citizens of the colony.

Next we have the Zhat Vash, who were introduced in Star Trek: Picard. An ancient, secretive Romulan sect, the Zhat Vash were on an anti-synthetic crusade. They believed that the development of artificial life would lead to all life in the galaxy being exterminated, and sought to wipe out synthetics wherever they found them. As part of their plan to prevent the Federation developing synths, a Romulan agent named Oh infiltrated Starfleet shortly after the discovery of Data in 2338.

Commodore Oh infiltrated Starfleet.

This theory begins with something that The Next Generation never really explained: Lore being evil. Apparently this is a flaw in at least some Soong-type androids, as we’d also see Sutra exhibiting many similar traits to Lore in the two-part finale of Picard Season 1. But is there more to it than a simple mistake, as Dr Soong believed?

Though the Zhat Vash despise synthetic life, as part of their crusade to exterminate synths from the galaxy they seem to have learned a great deal about them – including how to reprogram them. In Picard Season 1, we learned that rogue synths had attacked Mars, destroying Admiral Picard’s fleet. It was the intervention of the Zhat Vash, hacking into the synths and reprogramming them, that caused this attack. If the Zhat Vash possessed the ability to do this in the 2380s, it’s at least possible that they were able to do something similar to Lore in the 2330s.

The Zhat Vash were able to reprogram Federation synths, leading to the attack on Mars.

Lore was activated months (or possibly years) before Data, and lived with his creator on the Omicron Theta colony. Dr Soong’s reputation seems to have been known within the Federation, and his work doesn’t appear to have been classified or somehow kept secret. The Zhat Vash seem to have been able to infiltrate the Federation with relative ease, having two spies inside Starfleet that we know of, and even if a Zhat Vash operative in this era were not an especially high-ranking officer, given the openness of Dr Soong’s work and the dedication the Zhat Vash have to their cause, I think we can reasonably suggest that they would have come to know what he was doing, and thus of the existence of Lore.

As I suggested in my last crossover theory, it stands to reason that the Zhat Vash will have been deeply alarmed about the Federation and their synthetic research. In the mid-23rd Century, two Federation AIs went rogue: Control (as seen in Discovery Season 2) and the M-5 multitronic unit (as seen in The Original Series second season episode The Ultimate Computer). Although it seems to be androids that were the main focus of Zhat Vash attention, as Laris made clear, the Romulans fear all kinds of AI – so these events would certainly have upset them enough to keep an eye on Starfleet and the Federation.

A fleet of ships under Control’s command went rogue and attacked the USS Enterprise and the USS Discovery.

That makes it even more likely, in my opinion, that the Zhat Vash would have found out about Dr Soong and Lore on Omicron Theta. If they were following Dr Soong’s work on positronic brains, they may have been working on ways to shut down his research or reprogram Lore. As mentioned, none of this appears to have been classified, and while Dr Soong kept his work private, it may have been possible for the Zhat Vash to infiltrate Omicron Theta and gain access to his research.

Their main goal was to prevent the rise of synthetic life. A single android was bad enough, but what they feared most was a civilisation of them. But Dr Soong didn’t have a civilisation – he had one single operational android. From the Zhat Vash’s perspective in the 2330s, if they could force Lore to be shut down – and ideally kill Dr Soong at the same time – the Federation would be unable to replicate the work and would thus be unable to build more.

Lore in Descent, Part II.

At some point following his activation, Lore began to exhibit “emotional instability” to the point that he upset and worried the colonists on Omicron Theta. This doesn’t appear to have happened from the moment of his activation, though, which lends credence to the idea that he was reprogrammed – perhaps rather crudely in an attempt to force Dr Soong to take him offline.

However, before Dr Soong could take action to shut him down, Lore contacted the Crystalline Entity, which arrived and wiped out the Omicron Theta colony. If Lore had been reprogrammed, was this something he chose to do of his own volition? It seems a very specific action to take if he wanted to kill the colonists – he was more than capable of physically overpowering and outwitting them if he wanted to kill them.

The Crystalline Entity “feeding,” as seen in Silicon Avatar.

The destruction of Omicron Theta can be seen as a classic Romulan move. By using the Crystalline Entity, not only was Lore assumed destroyed, but so were Dr Soong, his assistants, and all of his research, setting back synthetic research in the Federation by decades. Of course we know that Dr Soong and Lore both escaped – but that clearly wasn’t part of the Zhat Vash’s plan! Perhaps they underestimated Lore.

Most importantly, though, having the Crystalline Entity wipe out Omicron Theta absolved the Romulans of any direct involvement, as well as potentially destroyed any evidence that they had ever been there. It reminds me in many ways of the false flag operation that they ran on Mars; the synths were reprogrammed and forced to go rogue, an event which so thoroughly shocked the Federation that the Zhat Vash were able to persuade them to shut down all synthetic research.

Laris first told Admiral Picard – and us as the audience – about the existence of the Zhat Vash.

With Lore being the only extant android, a “clean” attack on the colony, wiping out the entire site and all of its inhabitants, would work very well from the Zhat Vash’s perspective. Openly attacking Omicron Theta would surely have started a conflict with the Federation, and if that could be avoided through this kind of cloak-and-dagger operation, well that seems exactly like something they would seek to do.

So that’s the extent of the theory, and any Zhat Vash involvement afterwards appears to have ignored Lore. Perhaps they figured that the existence of Data showed that the Federation would not stop until they were forced to, or at least that it was no longer possible to stop Federation AI research by killing one android. This would explain why they didn’t take any aggressive action against Data during The Next Generation era, and could also explain why Dr Soong went into hiding after the Omicron Theta attack – he may have been hiding from the Zhat Vash.

Data in Star Trek: Generations. The Zhat Vash appear to have been either unable or unwilling to attack him.

This theory fits with Lore’s appearances in The Next Generation and doesn’t step on the toes of anything as far as I can see. It provides backstory to why Lore acted the way he did, and explains his motivations for doing so in a different way. It also elevates Lore from simply being an “evil twin” trope into more of a tragic character – we will never know what Lore could have been were he not interfered with.

Crucially, this theory fits with what we learned of the Zhat Vash in Picard Season 1, both in terms of their goals and their methods. It seems at least possible that the Zhat Vash are responsible for the attack on Omicron Theta and for reprogramming Lore, turning him into the malevolent adversary that Data and the crew of the Enterprise-D had to deal with.

Commodore Oh.

This could have even been the first mission of a young Zhat Vash operative named Oh. Maybe she was the one sent to Omicron Theta to deal with Dr Soong, and this entire situation is her doing.

So that’s it. That’s my theory! I doubt it will ever be confirmed, but you never know! It seems plausible to me, at least. I hope this was a bit of fun and an excuse to jump back into the Star Trek galaxy. As always, please remember not to take this theory, or any other fan theory, too seriously. Theory-crafting is supposed to be enjoyable, and the last thing we need right now is something else to argue about!

Star Trek: Picard Season 1 is available to stream now on CBS All Access (soon to be rebranded as Paramount+) in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and The Next Generation – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

A willingness to change is the key difference between Star Trek and Star Wars in 2021

Spoiler Warning: There are spoilers ahead for the following: The Mandalorian Seasons 1-2, The Rise of Skywalker, Star Trek: Discovery Seasons 1-3, Star Trek: Picard. Minor spoilers may be present for other iterations of both the Star Wars and Star Trek franchises.

I’ve been working on my review of Season 2 of The Mandalorian, which was shown on Disney+ at the end of last year, and I found myself saying the same thing several times. I will (eventually) finish that review, but for now I wanted to take a step back and look at two of the biggest sci-fi/space fantasy franchises, and one crucial difference between them.

Whether it’s the prequel trilogy, sequel trilogy, spin-offs, or even the recently announced slate of upcoming projects, Star Wars is intent on sticking close to its roots. I’ve made this point before, but Star Wars as a whole has only ever told one real story – that of Palpatine, Anakin, Luke, and Rey. Every film and television series in Star Wars’ main canon either directly tells part of that story or is inextricably tied to it. The inclusion of Luke Skywalker and other legacy characters in The Mandalorian doubles down on this.

Luke Skywalker recently appeared in The Mandalorian.

In contrast, Star Trek has continually tried new and different things. The Next Generation took its timeline 80+ years into the future and left much of the franchise’s first incarnation behind. Deep Space Nine took the action away from starships to a space station. Enterprise was a prequel, but not one which told the early lives of any classic characters. The Kelvin films attempted to reboot Star Trek as a big screen popcorn blockbuster. Discovery took a serialised approach to its storytelling, and Picard picked up that format but used it to tell a very different type of story. Lower Decks is perhaps the biggest departure to date, branching out beyond sci-fi into the realm of animated comedy. Though there are common threads binding the franchise together, each project is one piece of a much larger whole, and the Star Trek galaxy feels – to me, at least – much more vast as a result.

Where Star Wars has told one overarching story, Star Trek has told hundreds, many of which are totally separate and distinct from one another. And that concept shows no sign of slowing down. Indeed, both franchises are doubling down on what they do best: Star Wars is focusing on classic characters and looking inwards, Star Trek is expanding and trying new things.

Captain Burnham will take Star Trek: Discovery to new places.

That willingness to change, to explore totally different and unrelated aspects of its setting, is what sets Star Trek apart from Star Wars right now – and arguably is one of the big points of divergence going all the way back to the mid-1980s. It may also explain why so many fans are excited about The Mandalorian and even the dire Rise of Skywalker, while some Star Trek fans have never been interested in Discovery, Picard, and Lower Decks.

Nostalgia is a big deal in entertainment, and while I would argue Star Wars has overplayed that particular card far too often, there’s no denying it has seen success with that formula. That’s why we’re seeing the Obi-Wan Kenobi series, the Ahsoka series, the Lando series, and even the Cassian Andor series all getting ready to debut on Disney+ in the next few years.

Star Wars continues to bring back characters, themes, and designs from its past.

Someone far cleverer than I am said something a while ago that really got me thinking. If a franchise – like Star Wars, in this case – relies so heavily on nostalgia to the point of never trying anything new, it won’t survive beyond its current generation of fans. Because bringing in new fans – the lifeblood of any franchise – is increasingly difficult when every project is designed exclusively with existing fans in mind. How can Star Wars survive when its current fanbase moves on if everything it does is fan service? What kind of appeal does the Obi-Wan Kenobi show have to someone new to Star Wars? Basically none.

With the exception of Star Trek: Picard, which did rely on the strength of its returning character, I think any Star Trek project has the potential to bring in new fans. Some shows and films are definitely enhanced by knowing more about Star Trek and its setting, but even in Discovery, where main character Michael Burnham is related to classic character Spock, there really wasn’t anything that required a lot of background knowledge.

Spock in Star Trek: Discovery.

Star Trek is not only trying new things, but the people in charge are conscious to allow each project to stand on its own two feet. They are parts of a greater whole – and while I have argued many times here on the website that Star Trek could do more to bind its ongoing series together, it’s still possible to watch one show and not the others without feeling like you’ve missed something important.

What we see are two very different approaches to storytelling. Both Star Trek and Star Wars were reborn in the mid-2010s out of a desire on the part of their parent companies to use nostalgia as a hook to bring in audiences. That should not be in dispute, and I don’t want to say that Star Trek somehow avoids the nostalgia trap. But where Star Wars really only has nostalgia going for it, Star Trek continues to branch out, using nostalgia as a base but not allowing it to overwhelm any project.

“Baby Yoda” is symbolic of Star Wars’ reliance on nostalgia in many ways.

Neither approach is “right” or “wrong;” such things are subjective. I don’t want to sound overly critical of Star Wars either, because despite my personal feelings, there’s no denying many of the creative decisions made are popular – even The Rise of Skywalker, which was eviscerated by critics, was well-received in some areas of the fandom. It just strikes me as interesting and noteworthy that these two major franchises are taking very different approaches to the way they construct their narratives.

Whether it’s the inclusion of Luke Skywalker himself, the aesthetic of practically everything in the show, or a storyline which returns the franchise to the Jedi and the Force, The Mandalorian oozes nostalgia from every orifice – and if that’s what fans want and will lap up, then that’s okay. It was too much for me, and I stand by what I said last year during the show’s first season: I was expecting to see “the adventures of a gunslinger far from the reaches of the New Republic;” a show which would take Star Wars away from some of those themes to new places. That was my preference – a personal preference, to be sure, and judging by the positive reaction not only to The Mandalorian but to spin-off announcements like the Obi-Wan Kenobi series (and the return of Darth Vader to that series) I’m in the minority.

Mandalorian armour (i.e. Boba Fett’s armour) seen in The Mandalorian.

Star Trek takes a different approach. Both Picard and Discovery in their most recent seasons moved the timeline forward, brought in new characters, and dealt with contemporary themes. There were touches of classic Star Trek in both shows, including in aesthetic elements like set design and costuming, but in both cases the franchise feels like it’s moving forward.

Costuming is an interesting point to consider, as it’s representative of where both franchises find themselves. As early as 2015’s The Force Awakens, Star Wars was stepping back, relying on Stormtrooper armour, First Order uniforms, and especially the costumes worn by Rey that were practically identical to those seen in the original films. This was continued in The Mandalorian, not only with the main character’s Boba Fett armour, but with the use of Original Trilogy Stormtrooper armour and costumes for many villains. In contrast, Star Trek took its main characters out of uniform entirely in Picard, and Discovery has introduced a whole new set of uniforms and a new combadge for the 32nd Century. Where Star Wars looks back to its heyday, Star Trek looks forward, incorporating some of its classic designs into wholly new variants.

Discovery’s new combadges (as seen in the opening titles).

What we see in these costuming choices is a reflection of where both franchises are narratively. Star Wars continues to look back at the only truly successful films the franchise has ever made: the Original Trilogy. Frightened of trying anything truly new and unwilling to leave that comfortable ground, it’s stuck. As I wrote once, the Original Trilogy has become a weight around the neck of modern Star Wars, as projects not only become constrained by those films, but continue to fail to live up to them.

Star Trek looks forward, tries new things, and embraces change. Not every new project will win huge support and be successful, but some will, and every project has the possibility to be a launchpad for others, taking the evolving franchise to completely different places.

The Original Trilogy is – in my opinion at least – holding Star Wars back.

It’s clear which approach I prefer, and that I’d like to see more innovation and change from Star Wars. Though I was certainly underwhelmed by some of the recent announcements made by Disney and LucasFilm, I’m hopeful that, despite being held back in many ways by an overreliance on nostalgia, some decent films and series may stumble out the door.

Each franchise could learn something from the other, though. Star Trek’s projects are split up, and while Discovery’s third season made an admirable effort to connect to Picard, that was not reciprocated. Lower Decks had many callbacks and references to ’90s Star Trek, but otherwise stands alone. The franchise could work harder to bind its different projects together, reminding audiences that they’re watching one piece of a greater whole.

The Qowat Milat, who debuted in Picard, later appeared in Discovery. But the franchise could do more to bring its projects together.

Star Wars could see how a successful sci-fi franchise doesn’t need to be constrained by its original incarnation, and that shaking things up can work. The Mandalorian felt to me as though it was retreating to Star Wars’ comfort zone, and while that move may be popular right now with the fandom, it doesn’t really provide a solid foundation for expansion in the way Star Trek’s shows and films have done.

At the end of the day, both franchises are testament to the power of nostalgia to bring fans back. But they undeniably take very different approaches to that. Star Wars is conscious to try to make everything feel like its first couple of films – to the point that it can be overwhelming. Star Trek certainly doesn’t overwhelm anyone with nostalgia – to the point that some recent projects have been criticised for feeling like they aren’t part of the franchise at all.

Whichever approach you ultimately feel works best, one thing is clear: neither franchise is disappearing any time soon! The first half of the 2020s -and hopefully beyond – will see several different projects from both Star Trek and Star Wars, and as a fan of both and of sci-fi and fantasy in general, that’s great news. Long may it continue!

The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. The Star Wars franchise – including all properties mentioned above – is the copyright of LucasFilm and Disney. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard Season 1 – one year later

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1. There are also minor spoilers for Star Trek: Lower Decks and Star Trek: Discovery.

Time certainly flies, doesn’t it? It was one year ago today that Star Trek: Picard Season 1 debuted in the United States (and a day later in the rest of the world). It’s not unfair to say that I was incredibly excited about this series, which would take the Star Trek timeline forward in a significant way for the first time in eighteen years. Though I tried hard to keep my hype and expectations in check, there was no getting around how much I was looking forward to Star Trek: Picard.

As we hit the first anniversary, I thought it could be a good moment to look back on my remembrances (ha! get it?) of the show as well as what the first season achieved, what it did well, and where it came up short.

The opening title card.

If you were a regular reader a year ago, you’ll recall from my reviews that the season started very strongly. In fact, I named Remembrance (the season premiere) the best Star Trek episode of 2020 – a year which, for all its problems, saw 33 episodes across three shows. I rank Remembrance very highly among modern Star Trek episodes, and I’d even compare it favourably to Deep Space Nine’s Emissary, perhaps placing them joint-first as the best Star Trek premieres.

The finale, on the other hand, let the season down somewhat. Carefully-established mysteries that the show had slowly build up over the preceding eight episodes felt rushed through in a two-part conclusion that dumped new characters, a new location, a new faction, and whole new storylines into play right at the very end. The season also ended with a plot hole unexplained – why Dr Maddox travelled to Freecloud – and the disappearance of main character Narek, whose storyline was dropped halfway through the second part of the finale.

So despite enjoying Picard overall, as I look back a year later at Season 1, I’m afraid I have to say that it was a mixed bag.

Jean-Luc Picard.

From the moment Star Trek: Picard was announced it shot to the top of my list of shows I was excited for. I may have talked about this in the run-up to the season, but I remember feeling distinctly underwhelmed when Enterprise was announced in 1999. I wasn’t particularly interested in a Star Trek prequel, and while the show had heart and told some exciting stories, there was a sense really since Voyager ended and Nemesis had been in cinemas that Star Trek wasn’t moving forward.

Enterprise, the Kelvin reboot films, Discovery, and even Short Treks all told stories in the 22nd or 23rd Centuries, and though those stories were enjoyable and fun, there was a lot left behind in the 24th Century that was never explored. What would become of the characters we knew, of the Federation, of Starfleet, and all the other factions, races, and planets? The 24th Century had been Star Trek’s biggest era – with 517 episodes of television and four films starring three crews and a huge supporting cast of secondary and recurring characters.

Moving the timeline forward beyond Nemesis was something I really wanted to see from Star Trek.

The 24th Century was also “my” Star Trek era. The Next Generation was the first Star Trek series I watched, and it was literally my way into being a Trekkie. I have a great fondness for the shows of that era, and I consider it to be not only the time when Star Trek was at its most successful in terms of viewership (and finances) but also the closest the franchise has to a “Golden Age.” So to see that era abandoned for prequels and mid-quels wasn’t exactly disappointing, but it wasn’t something I was wild about.

So for eighteen years (Nemesis was released in 2002) Star Trek hadn’t moved forward in terms of the timeline. And even when Discovery launched and established itself with Short Treks and a spin-off, there was still no plan to revisit the 24th Century. Picard came along like a breath of fresh air, and I was incredibly excited, hyped up, and interested in what the series would bring. That was my mindset going into the premiere and each of the subsequent nine episodes.

The opening shot of the season.

Picard was not Season 8 of The Next Generation – and I didn’t want it to be. I was very keen that the new cast be given an opportunity to establish themselves within the franchise and become fan favourites for a new generation of Trekkies. What I hoped for was that, in thirty years’ time, people would be clamouring for a Dr Jurati series or Star Trek: Elnor with the same vigour I have for Picard. And I think, in that sense, we’ve begun to see at least the beginnings of that.

A lot of television shows don’t really settle in until Season 2, which is where the overused term “growing the beard” comes from. I’ve used that expression myself a few times, but in the aftermath of Discovery’s recent outing it seems to be the only phrase that critics are using to describe the show and it’s honestly put me off! But we’re off topic. There was perhaps a degree of leniency on my part going into Season 1 of Picard; a willingness to let some minor issues slide in order to see the show continue to build and grow. And as underwhelming as the Season 1 finale was, I’m hopeful that Season 2 can build on the foundation that has been laid.

The crew of La Sirena at the end of Season 1.

Though there was the mystery of Dr Maddox’s location, the Romulans’ scheme, and later the beacon to contact the super-synths, what Season 1 really was, when you boil it down, was a team-up story. Picard, over the course of ten episodes, put together a new crew and gave them a reason to work together. Establishing each member of the crew, giving them a side-quest of their own, and binding them together to follow Picard was the primary accomplishment of the season.

I’ve used the analogy of the Mass Effect video game series once in relation to Star Trek: Picard already – when it comes to the basic existence of the super-synths and their beacon. But there is a second point of comparison that is interesting to me, and may be to you if you’ve played those games. In Mass Effect 2, much of the game is comprised of Commander Shepard recruiting a crew. Each member of the crew needs to be brought on board, then later a side-mission is given in which players can earn their loyalty. Picard Season 1 played out similarly.

Elnor in Season 1. Recruiting him for the mission took up one episode.

Raffi wanted to go to Freecloud to reunite with her son. Dr Jurati had a secret plot to kill Dr Maddox. Elnor had to resolve his lingering emotional issues with Picard. Rios had to put together the pieces of what happened aboard the USS Ibn Majid. Seven of Nine wanted revenge for Icheb. Each of the main characters – at least those on the mission to save Soji – had to be recruited and then have their side-quest resolved before the story could reach its conclusion. This isn’t just a story from Mass Effect 2, it’s something many team-up stories do.

As I mentioned when considering some preliminary ideas for Season 2, finding a way to keep this crew together will be something that the next chapter of this story needs to address. Because they came together to do a single task – rescue Soji – and then continued to help the synths on Coppelius and prevent the arrival of the super-synths, they’re done. Their mission is complete, and Season 2 will have to find a believable reason for keeping them together. But that is a challenge for next time!

The super-synths were called off at the last moment.

Each character we met was interesting, and none felt unoriginal or bland in the way some secondary characters can in a story which primarily focuses on one person. We’ll deal with Picard himself in a moment, but for now: Elnor was a lonely member of an all-female sect, and also had abandonment issues after Picard’s disappearance. Rios pretended to be the roguish “Han Solo” type, but had serious post-traumatic stress following his former captain’s murder-suicide while aboard the USS Ibn Majid. Raffi was a flawed genius whose drug problem had dominated her life and cost her her most important relationships. Dr Jurati had been brainwashed into murdering someone she loved. Narek was the spy with a heart of gold – but instead of being a cliché he turned that trope on its head by sticking to his mission to the end. Dahj and Soji were different from one another – androids unaware of their synthetic nature. One was drawn to Picard, the other deeply suspicious of him.

Then we had the reintroduction of several legacy characters. Dr Maddox, who we met in The Next Generation, had continued his research after his meeting with Data, and eventually was able to develop his own line of androids. Seven of Nine had helped Icheb become a Starfleet officer, but lost him when she was betrayed by Bjayzl. Riker and Troi, who had married in Nemesis, had a family – but their son had died. Hugh was perhaps the most successful of all the legacy characters, the ex-Borg who had taken full advantage of his own liberation to assist hundreds or possibly thousands of other ex-Borg on the Artifact.

Hugh the Borg returned.

There was tragedy and drama aplenty in each of the characters we met, but none of it felt forced or contrived in the way some drama shows can. This wasn’t a soap opera, it was hard-hitting. Picard Season 1 may not have followed the traditional episodic Star Trek formula, but it had a distinctly Star Trek tone – it used its sci-fi setting to examine real world issues. It did so in a tense, dramatic, and exciting way, and expanded on themes from The Next Generation and elsewhere in the franchise, looking at basic rights such as the right to life.

The attack on Mars can be analogous to many different recent and historical events, but the reaction to it is certainly reminiscent of the western world’s post-9/11 outlook. The aftermath of a tragedy allowed a nefarious faction to push through a prohibition on certain groups of people. Islam was not “banned” after 9/11, but as recently as 2016 Donald Trump talked of a “ban on people from Muslim countries” – these restrictions were in place for much of his term as President.

The attack on Mars was a significant event in the years before Season 1 of Picard is set.

The theme of the season was in realising that we mustn’t judge whole groups of people by the actions of a few. This could apply just as much to the supporters and voters of Donald Trump in 2021 as it did to Muslims and others. The fanatics who attacked the United States Capitol a couple of weeks ago are no more representative of the 70+ million Trump voters as ISIS or al-Qaeda are of Islam. That is the message of this synthetic ban storyline: not to be so quick to judgement, and not to allow those with a pre-existing agenda to force the issue.

The Zhat Vash quietly infiltrated Starfleet, and slowly began poisoning the minds of Starfleet officers and Federation civilians. We have the literal expression of this metaphor via the mind-meld – this represents how those with an agenda are using propaganda and “fake news” to unduly influence the discourse. These themes are buried in the narrative, but they are there – and open to interpretation. This is how I see some of these storylines having real-world comparisons, but it may not be how you or someone else sees it. Fiction is always subjective, and that’s okay. If you disagree, that’s great!

Commodore Oh.

As I’ve said before, a story doesn’t just have merit because it can be seen through a real-world lens. In some cases, pushing too far in that direction can lead to a narrative being less enjoyable. So Picard balanced out some of these contemporary metaphors with a truly engaging and mysterious Star Trek story.

We saw these events from Picard’s point of view, and he’s such a great character for telling this story because he didn’t know exactly what happened and why, just as much as we as the audience didn’t know. So when the synths attacked Mars, his life, his career, and his whole world fell apart. We meet him at the beginning of the season premiere as someone who’s fallen into a major depression. Dahj would be the catalyst for bringing him out of that – but it wasn’t until the mysteries and conspiracies had been unravelled and brought to light that he could truly move on.

Picard in the Season 1 premiere.

We went on that journey with Picard. We began together, not knowing what had happened on Mars, not understanding why, and then along comes Dahj. She was equally mysterious: who was she, why was she seeking out Picard, who were the assassins that were trying to hurt her? And as we learned more about both of these elements of the story, this chapter of Picard’s life – and the lives of those around him – came into focus.

My criticisms of the season finale generally don’t stem from the fact that any of the narrative decisions were bad, but rather that I wanted to see more. We rushed through Sutra’s story, Dr Soong’s story, and the end of Narek’s story. We don’t know anything about the super-synths, and precious little about the civilisation on Coppelius. There was scope to know more if the season had been structured differently and perhaps extended by an episode or two, and that’s really where I felt things came unstuck.

Coppelius Station was the setting for the two-part finale.

From an aesthetic point of view, Picard blended The Next Generation-era elements with a style firmly centred in modern-day sci-fi. The design of La Sirena reflects this – it was clearly not a Starfleet ship. Inside and out, La Sirena has touches of Star Trek, but stands apart and very much does its own thing. Beginning with the redesign of the USS Enterprise in Star Trek: The Motion Picture and carrying all the way through to Discovery, we’ve seen starship interiors with certain visual elements – angled corridors and hallways, grey or blue pastel carpeting, panels with distinctive lines, the warp core as a glowing column, and so forth. La Sirena has some hints at some of these, but is much closer to ships seen in The Expanse, for example, and other modern sci-fi properties in other ways.

Within the Star Trek fandom, starship designs and uniforms are both subjective things with a range of opinions on which are best. And before anyone rushes to judgement to say La Sirena looks bad or they dislike the mermaid-combadges, I’d say that we need to give the show time for its aesthetic to grow on us. There have only been ten episodes of Picard compared with 176 of The Next Generation, and those episodes are only a year old. Obviously nothing in Picard will feel as “iconic” yet – but as time goes by and we spend more time in this era that may happen.

La Sirena.

I adored the design of La Sirena. It felt like a runabout mixed with a hot-rod, and I think that shows to some extent the personality of Captain Rios. This is his ship, and he’s put his personal stamp on it – as we saw in a very funny (and incredibly well-acted and well-filmed) sequence with five different Rios-holograms. After the blue boiler suits of Enterprise were followed up with another all-blue look in Discovery I was also glad to see more colour back in the two new Starfleet uniform designs which debuted in Picard. The one in the “current” time (that we saw people like Riker and Commodore Oh wearing) was my favourite of the two when compared to the design seen in flashbacks, but both were neat.

The only aesthetic problem I felt Season 1 had was its outdoor filming locations and their lack of variety. We visited locations on Earth which were supposedly in France, Japan, and North America, as well as half a dozen planets, and each looked exactly like southern California. Because Picard had ten episodes and almost all of them had some outdoor filming this was amplified far more than it had been in the likes of The Next Generation, which would see fewer outdoor shoots with more episodes in between them. But as the season progressed, the fact that each planet Picard visited was a barely-disguised location within a few miles of Los Angeles detracted from the look.

The surface of California… I mean Aia.

Some locations, like the planet of Aia, were beautifully created in CGI, but then ruined when scenes on the surface not only didn’t match the CGI creation of the planet (the colour and tone are way different). What made no sense to me about the Aia scenes in particular is with so little time spent there, why not use a sound stage? Rig up a planet that looks genuinely different instead of using an outdoor filming location. We only saw two or three scenes set on Aia, all around the beacon, and I honestly just thought it was a wasted opportunity. Vashti, Nepenthe, and Coppelius all felt very samey because of the decision to shoot outdoors in the same area, and that’s just a shame to me. I would love to see some more variety in Season 2 – either by travelling to shoot on location further afield, or by using indoor sound stages that can be made to look different each time.

So we come to the man himself: Jean-Luc Picard. I mentioned earlier that he was depressed, and the way this part of his story was conveyed was heartbreaking and wonderful. I recently wrote an article looking at the characterisation of Luke Skywalker in the 2017 film The Last Jedi, because he was also depressed in that story. It was one that some Star Wars fans hated, but it resonated with me. Picard’s story in Season 1 resonated with me too, for many of the same or similar reasons as I explained in that essay.

Jean-Luc Picard.

Depression and mental health are not easy subjects to convey in fiction, and Picard itself had a scene in the episode The End Is The Beginning which unfortunately painted a pretty stereotypical picture of mental health. But Picard’s story was much better, and very well done overall. It showed that anyone – no matter how heroic they have been in the past – can fall victim to depression. Picard lost his fleet, he lost his role in Starfleet, and instead of saying “no, the right thing to do is to help so I’m going to fight on,” he collapsed. He hit a problem that he couldn’t solve, suffered a humiliating defeat, and gave up. He spent years in quiet retirement – which was more like a self-imposed exile – because of how he felt.

That is powerful in itself, as it shows how anyone – even heroes that we want to put on a pedestal – can fall victim to depression. The same was true of Luke Skywalker. But what came next is equally important – Dahj gave Picard a reason to believe in something again. Not only was there a mystery to figure out, which can be tantalising in itself, but Picard was the only one capable and willing to help Soji – so he stepped up. Where he had fallen into the lowest point of his life, he found a reason to believe and that set him on the path to recovery. I find that a powerful and inspiring story.

Dahj inspired Picard and gave him a cause to believe in.

There were two cathartic moments for me in Season 1 that I didn’t know I needed to see. The first was with Seven of Nine. During the latter part of Voyager’s run, Seven was my least-favourite character. She was annoying, arrogant, and worst of all, after learning some “lesson in how to be human” from Captain Janeway or the Doctor, she’d seemingly reset and forget it ever happened by the next episode, requiring her to “learn” the same lesson in being human many times over. She was repetitive and boring. But in Picard she had finally moved past her Borg years and embraced her humanity and emotions – even though she lost Icheb, seeing her get so genuinely angry and react in such a human way was something wonderful to see – and was performed beautifully by Jeri Ryan.

The second cathartic moment came from Data. His death in Nemesis wasn’t something I was happy about, but within the story of that film I remember feeling at the time that it worked. However, looking back I can see how, for example, seeing Picard and the rest of the crew laughing and moving on at the end of the film was perhaps not the right way to end the story. Data didn’t get to say goodbye to anyone – his sacrifice happened in a brief moment, and after saving Picard he was just gone.

Data’s consciousness remained in the digital afterlife until Picard shut it down.

Picard carried that regret with him in a far more significant way than the closing moments of Nemesis hinted at. Riker and Troi did too, and we got to see both of them express that. Picard poured his heart out to Data when he was in the digital afterlife, and the scene between the two of them was something incredible. It was something I as a fan needed to see, to put Data to rest properly after all these years.

In a sense, Picard and Data’s story is an inversion of the story Kirk and Spock went through in The Search For Spock and The Voyage Home. After Spock’s death, Kirk would stop at nothing to find a way to bring his friend back to life – even stealing the Enterprise. While Picard set out on his journey to save Data’s “daughter” from harm, what he ended up doing was bringing a final end to Data’s life. There was no way to save Data, nor to transfer whatever remained of him into a new body. The only thing Picard could to for his friend was finally allow him his mortality, and permit him to die. As Kirk might’ve said, that sounds like a “no-win scenario.” But as Kirk never really had to learn – at least until the moment of his own death – those scenarios exist every day. It might sound cool to say “I don’t believe in no-win scenarios” and push to save everyone all the time, but that isn’t possible. It’s a fantasy – and Picard confronted the genuine reality of death in a way Kirk never had to.

Picard shut down the remaining part of Data permanently.

Data had desperately yearned to be more human. From his first appearance in Encounter at Farpoint when he struggled with whistling through to the introduction of his emotion chip in Generations and beyond, all Data wanted was to feel less like an android and more like a human. Mortality is one of humanity’s defining characteristics – especially when compared to machines and synthetic life. By shutting down Data’s remaining neurons and consciousness, Picard gave him perhaps the greatest gift he could give – and Data achieved his goal of getting as close to humanity as possible.

As I look back on Season 1 of Picard, I can see that it had some flaws and some issues. But none of them were catastrophic, and even though there was one episode that I described at the time as a “misfire and a dud,” the season as a whole was great. It started off with what is perhaps the best premiere of any Star Trek series, and though the ending was imperfect we got some amazing story-driven dramatic Star Trek.

Dr Jurati beams the crew of La Sirena aboard.

Perhaps Season 1’s legacy will be defined by what comes next. Not only by future seasons of Picard, but by other shows and films set in or around this time period, expanding the Star Trek franchise and pushing it to new places. The Next Generation served as a launchpad for two other series and four films, and perhaps Picard has similarly laid a foundation upon which more Star Trek will be built. That’s my hope, at any rate.

Even if that doesn’t happen, though, Season 1 was an entertaining ride – with a few bumps in the road as mentioned. We got to learn a lot more about some of Star Trek’s factions – the Romulans in particular, but also the Borg – and meet some genuinely interesting new characters. Despite some leftover story threads from Season 1, Season 2 is potentially wide open to tell some new and interesting stories when it’s finally ready to be broadcast. I can’t wait for that!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Preliminary Star Trek: Picard Season 2 predictions

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Discovery Seasons 1-3, Star Trek: Lower Decks Season 1, and for other iterations of the franchise.

A couple of days ago I wrote up some preliminary predictions for Star Trek: Discovery Season 4, and now it’s the turn of Star Trek: Picard Season 2 to get the same treatment. Season 1 left several big mysteries behind, and while some may be addressed it seems as though Season 2 will see Picard and the crew move on to new adventures.

A significant portion of Season 1 was occupied by recruiting the crew, but after they came together basically to do one job – find Soji – and accomplished that objective, the big thing that Season 2 needs to do is find a truly convincing reason for keeping the crew together. Rios seemingly worked as a commercial pilot, and the others have lives of their own too. Now that Soji is safe and the super-synths have been called off, what exactly is preventing everyone from drifting back to their old lives?

The super-synths in the Season 1 finale.

Right now, I see that as perhaps the biggest challenge and point of interest. What will bind this disparate crew together after their mission is complete? Unlike a Starfleet crew they don’t have a new mission or new orders, and they aren’t just going to fly around aimlessly in La Sirena looking for adventure. So finding a convincing reason for keeping them together – or reuniting them if they’ve already separated as of the beginning of the season – will be key.

As I said last time, it’s very early in the process to be considering what may or may not be included in the upcoming season. At time of writing filming hasn’t even commenced; Picard is filmed in California, and while production is in theory able to resume it’s a slow process. There have been suggestions that February may be the goal for filming to begin – but it wouldn’t be the first time we’ve been given a timeframe that didn’t pan out, so watch this space. I’m not claiming any “insider information,” nor saying that anything on my list is certain to happen. This is guesswork at best – educated guesswork in some places, perhaps, but nothing more.

With those big caveats out of the way, let’s jump into the list.

Number 1: A Galaxy-class ship.

The Enterprise-D as seen in Season 1.

Season 1 showed us a beautiful CGI rendition of the Galaxy-class Enterprise-D. But this ship was only seen in Picard’s dream and didn’t make a real appearance – despite the Federation fleet in the season finale presenting a good opportunity to do so. One lesson I hope the team behind Picard has learned is that the two fleets we saw during the standoff over Coppelius looked less impressive for being comprised of only a single starship design each – and bringing more ships into the show would be something great to see.

Obviously Picard himself has connections with several different classes of ship: the Sovereign-class from his time aboard the Enterprise-E, the Constellation-class from the Stargazer, and we even saw him on a Deep Space Nine Danube-class runabout once. But no ship design is more greatly associated with Picard than the Galaxy-class, and while the Enterprise-D is gone, there were others, including those which served in the Dominion War.

Galaxy-class ships seen in Deep Space Nine’s Dominion War arc.

In an alternate timeline seen in the Voyager fourth season episode Timeless, Galaxy-class ships were still in use in the 2390s, which is close to the time in which Picard is set. An updated Galaxy-class Enterprise-D was also seen in The Next Generation’s finale All Good Things in sequences set in the 2390s.

In addition, Excelsior-class ships from the late 23rd Century were shown to be in use for decades, and the Galaxy-class ship seems like such a versatile vessel that it would make sense to see them still in use. La Sirena will clearly continue to be the home for Picard and his new crew, and I’m not suggesting they be given their own Galaxy-class ship somehow! But it would be wonderful to see Picard’s reaction to a real-life Galaxy-class ship, triggering memories of his time aboard the Enterprise-D.

Number 2: Confirmation of Narek’s fate.

This was the last we saw of Narek.

The two-part Season 1 finale had some issues. From my point of view, the biggest problem was that the final two episodes had far too much story to cram into a relatively short span of time; new characters, new antagonists, new storylines, and a whole new civilisation were all introduced right at the end of the season.

One of the consequences of this was the abandonment of some previously-important storylines. Narek, who was a major character across the rest of the first season, was symbolic of this, as his character was simply dumped without any explanation or resolution midway through the finale.

Soji with Narek aboard the Artifact.

I know that Narek wasn’t everyone’s favourite character in Season 1, but I found him genuinely interesting. He looked certain to play out a relatively common trope in thriller stories: the spy with a heart of gold who abandons his mission after falling in love with his target… but to my surprise – and great enjoyment – he didn’t go down that route and remained loyal to the Zhat Vash crusade.

There are several possibilities for what happened to Narek after his attempt to destroy Soji and Sutra’s beacon. He could have been recovered by the Romulans, he could have been handed over to the Federation, he could have remained a prisoner of the synths on Coppelius, or he could even have renounced his wicked ways and joined Picard’s crew. The latter may seem less likely, but as we didn’t see or hear anything about Narek after the beacon attack it would be great if Season 2 could give us the rest of the story – even if it’s just by way of a line or two of dialogue.

Number 3: Riker and Troi.

Riker and Troi have recently appeared in Star Trek: Lower Decks.

Though I believe Riker actor Jonathan Frakes will be returning to Picard in the director’s chair, we don’t yet know whether Riker and/or Troi will return in Season 2. However, I would argue that their post-The Next Generation storylines have more to give, and I would love to see them both back.

One thing I was very keen on in the run-up to Season 1 is for the show to avoid being The Next Generation Season 8, and by only including a few classic characters in a few episodes, I would say the show accomplished that goal. But there is still a lot of interest from fans about the fates of many characters we knew and loved in past iterations of Star Trek, and the already-established Troi-Riker family could be a stepping stone for telling some of those stories too.

The reunion between Picard and Riker was one of the highlights of Season 1.

It would also be interesting to see whether the events of Season 1 have brought either Riker, Troi, or both back to Starfleet on a permanent basis. Riker described himself as “acting captain” in the Season 1 finale, so perhaps he will return to his family home on Nepenthe. But maybe not!

If Season 2 is to feature Starfleet more significantly than Season 1 did, we will need at least one Starfleet character to be portrayed on screen. Someone Picard knew and can work with would be a good bet, as he could call on them to help out, cashing in favours. However, I did also like the way Raffi used her Starfleet contacts in Season 1, as well as the introduction of Admiral Clancy.

Number 4: Revisiting an event from Picard’s past – such as the Stargazer or the Borg.

Captain Picard first met the Borg while commanding the Enterprise-D.

Season 1 saw Picard confront his past with the Borg as he boarded the Artifact. But there’s scope to further explore his history with the Borg, especially if the faction were to come back in a major way. Nothing we saw in Season 1 suggested that the Borg threat has gone away, and the super-synths we met in the finale could possibly have a connection to Star Trek’s iconic cybernetic villains.

The inclusion of Seven of Nine and the ex-Borg could also contribute to a Borg story. Perhaps the ex-Borg would work together with Picard to use knowledge or technology from the Artifact to defeat another Borg threat. The Borg would also be a reason for Picard’s new crew staying together instead of going their separate ways.

The USS Stargazer.

Alternatively we could revisit an event from Picard’s past that The Next Generation hinted at but didn’t explore in detail. We know Picard commanded the USS Stargazer and that Jack Crusher – husband to Beverly and father to Wesley – was killed. But the specifics of that event have never been shown on screen.

The inclusion of Dr Benayoun in Season 1 connected to Picard’s time aboard the Stargazer, and a storyline looking back at this time could bring back this character. It would also be a way for Dr Crusher and even Wesley to be included – perhaps something that happened around the time of Jack Crusher’s death is going to be relevant to a new event or storyline.

Number 5: Development of Seven of Nine and Raffi’s relationship.

Seven of Nine and Raffi at the end of Season 1.

The Season 1 finale showed Raffi and Seven of Nine had become close, and the possibility for the two to enter a relationship would be something really interesting for Season 2 to look at in more detail. We know that Seven of Nine and Chakotay had a relationship toward the end of Voyager, and that Raffi has a son from a previous relationship. But this could be a great opportunity for some more LGBT+ representation – in this case, perhaps, bisexuality.

Both characters saw significant development in Season 1 – Raffi by finding her son and Seven of Nine by avenging Icheb. Seeing Seven of Nine finally break out of the repetitive, emotionally stifled character she was in Voyager was genuinely cathartic, and giving her even more opportunities to show off her humanity and emotional side would be fantastic.

Seven of Nine and Raffi with the crew of La Sirena.

Both characters have experienced the loss of either a child or child figure, and that could strengthen their bond. They’re different people, and having gone through very different life experiences have responded differently to loss – Seven by becoming obsessed with revenge, and Raffi by falling into addiction.

They could help each other overcome these issues. Seven of Nine could help Raffi through recovery from her drug and alcohol addictions, and Raffi in turn could help Seven move on from the loss of Icheb and the murder of Bjayzl. There’s a lot of scope for very interesting and emotional stories in this pair of characters.

Number 6: Foreshadowing of the Romulan-Vulcan reunification seen in Discovery Season 3.

Romulans, Vulcans, and Romulo-Vulcans seen in the 32nd Century.

Discovery’s third season confirmed that Vulcans and Romulans had managed to set their differences aside – for the most part – and come back together. Though Discovery said this happened “centuries” after Spock’s first visit to Romulus, perhaps we could see some movement in that direction in Picard.

The attack on Mars and its aftermath has arguably left Federation-Romulan relations – and by extension, relations between the Vulcans and Romulans – at an all-time low. However, the unmasking of the Zhat Vash and their role in the attack may have led ordinary Romulans to look upon the Federation less harshly, and if there have been reforms to Romulan society – as was hinted at by the use of the name “Romulan Free State” instead of “Romulan Star Empire” – maybe the beginnings of reunification have already been seen.

The emblem of the Romulan Star Empire in the 24th Century.

Picard had a heavy focus on the Romulans in Season 1, and at least one Romulan character – Elnor – will return in Season 2. Thus the show is the perfect vehicle to show the path forward, bridging the gap between the secretive Romulan Empire of The Next Generation’s era and the reunified Ni’Var of Discovery’s 32nd Century.

The return of a character such as Tuvok could also be a part of this; seeing Elnor working closely with a Vulcan could set up his character for a future role in the reunification process, for example. With Seven of Nine already confirmed to be coming back, bringing one of her Voyager colleagues on board would be great to see.

Number 7: Spend more time with Starfleet.

Acting Captain Riker.

Season 1 made good on its promise of taking Picard away from Starfleet. While two members of the new crew are ex-Starfleet officers – as well as Picard himself – they operate outside of the organisation. I wouldn’t want to see that change; Picard has done what no other Star Trek show ever really did by focusing entirely on a non-Starfleet crew and that’s been fantastic. But there is scope to see more of Starfleet at the beginning of the 25th Century.

After Season 1 saw Picard and his crew largely working against Starfleet, from him being denied access to a Starfleet ship to Raffi and Rios breaking all the rules to gain access to the Artifact, it would be great to see some cooperation. The Season 1 finale gave us a taste of that with Riker and his armada, but there are more ways Picard and La Sirena could work with Starfleet while still remaining separate.

Riker’s Federation fleet stares down a Romulan armada in the Season 1 finale.

Alternatively – or perhaps additionally – we could see more of the story of Season 2 unfold from Starfleet’s point of view. Admiral Clancy was our major Starfleet character in Season 1 and she could certainly return. But this could also be how another legacy character is introduced, and Picard could work alongside them for some reason.

Having at least one major character being a Starfleet officer, and depicting events within Starfleet, would be something I think I’d like to see Season 2 do, provided it could balance that with keeping La Sirena on the outside. Starfleet and the Federation have always been a huge part of Star Trek, and while it was great to see that they’re still the “good guys,” spending more time with them next season would be fantastic.

Number 8: Consequences for Dr Jurati.

Dr Jurati killed Bruce Maddox in Season 1.

Though she did so under the influence of a mind-meld, Dr Jurati still murdered Dr Maddox in Season 1. Star Trek has done some great courtroom drama stories over the years, and I think it would be really interesting to see Dr Jurati arrested and even stand trial. Would the mind-meld be a suitable defence in the eyes of the law? We’ve never seen such a case in Star Trek.

This is another storyline that the finale rushed and ultimately failed to do justice to. At the beginning of Et in Arcadia Ego, Part 1 Dr Jurati is still expecting to turn herself in and be arrested for murder, as Picard insisted she would be. However, by the end of Part 2 she seems free to remain aboard La Sirena and has even formed a relationship with Rios.

Dr Jurati after realising what she did.

The question of Dr Jurati’s culpability is potentially interesting. Despite still being under the influence of the mind-meld she refused to try to harm Soji, pushing through Commodore Oh’s brainwashing. If she could stop herself from harming Soji, how did she harm Dr Maddox – someone with whom she was intimate?

Even if the legal side of things is only briefly addressed, such as a line of dialogue telling us that the charges were dropped, Dr Jurati may suffer psychological effects from what she did. She murdered someone she was very close to, and threatened to sabotage Picard’s mission. Even if he and the others have forgiven her, will she be able to so easily forgive herself? She has already attempted suicide once, and this is an angle the show could look at in more detail as well.

Number 9: The return of Dr Soong.

Dr Altan Inigo Soong.

Even if Season 2 takes Picard away from Coppelius for the most part, it would be great to catch up with Dr Soong – a character who felt underdeveloped in the Season 1 finale. We never learned why Dr Soong wanted to transfer his mind to a synthetic body, nor what the consequences are for him of giving that body to Picard.

I picked up a hint or two in Season 1 that Dr Soong may be sick or dying, so perhaps donating the synthetic body he planned to use to Picard has condemned him to death. Alternatively, however, he may simply be able to build a new one now that he understands the mind-transfer process.

Dr Soong in the Season 1 finale.

A story on Coppelius could also show us what impact the loss of Data’s neurons may have on Dr Soong. Without them, is he able to build new synths, or build another golem for himself? The finale left these questions unanswered, and while I don’t expect Season 2 to spend all of its time tying up loose ends, it would be nice to see some of these points addressed.

Dr Soong is of course played by Data actor Brent Spiner, and welcoming him back to Star Trek was wonderful in Season 1. It would be great if a role could be found for him in Season 2, even if it was only for a single episode.

Number 10: Guinan.

Guinan with Picard in Star Trek: Generations.

This is a total cheat since we already have confirmation that Guinan is coming back, but I wanted to include it anyway. Sir Patrick Stewart invited Guinan actress Whoopi Goldberg to join the show for its second season months ago, so it seems like Guinan will have a significant role in the season. Whether she’ll be a recurring character or make an appearance in a single episode isn’t known at this stage, but she will certainly be back.

Picard and Guinan’s relationship was touched on in The Next Generation, but never fully explained. There’s certainly scope to learn more about how they came together, why their relationship goes “beyond friendship, beyond family,” as well as what the impact of Picard’s reclusion had on Guinan. What has Guinan been doing since we last saw her? We simply don’t know – so it will be interesting to find out!

Number 11: Foreshadowing the dilithium shortage seen in Discovery Season 3.

The dilithium planet from Discovery Season 3.

This is the second “foreshadowing Discovery” entry on this list, and I don’t expect (or want) Picard Season 2 to spend all of its runtime doing that. However, this is another way that we could potentially see a connection to the events of Picard’s sister show.

For some unknown reason, by the 28th or 29th Centuries dilithium supplies in the galaxy were beginning to run low. This is what prompted Starfleet to begin seeking out new sources of the important fuel, ultimately culminating in the Burn, as well as the people of Ni’Var withdrawing from the Federation believing their alternative propulsion experiments caused the Burn.

A dilithium crystal aboard the Enterprise-D.

Though the dilithium shortage depicted in Discovery’s recent season is centuries away, the beginnings of it could be seen in Picard… somehow. Perhaps dilithium supplies were already beginning to run low but the Federation was keeping it quiet, or perhaps they discovered a major cache of dilithium similar to the Verubin Nebula’s planet some time in this era which kept them going for centuries.

Even a single line of dialogue noting that a starship is on a mission to seek out new sources of dilithium would be a subtle nod to fans of Discovery, and a minor way in which the two shows could be connected.

Number 12: A broader look at the galaxy as the 25th Century dawns.

A Klingon general in Lower Decks.

Despite bringing back a few legacy characters – not all of whom survived – and spending a lot of time with the Romulans, Season 1 didn’t paint a very broad picture of the state of the galaxy. We know that the Federation is doing well, despite the attack on Mars and the effects of the Dominion War years earlier. But what of other factions? And is all well in Starfleet?

There are so many races and factions that Season 2 could look at that I don’t know where to begin. But rather than a repetition of Season 1, with its relatively narrow focus on one faction and a handful of events, it would be great if Season 2 could expand the map and look at a few different places and peoples – even if that means doing so in less detail.

What happened to the Dominion after the Dominion War?

Right now, Picard is the only Star Trek production set in this post-Nemesis era. I wouldn’t be surprised if more shows, miniseries, and films were announced, but for the foreseeable future we only have Picard to show us the galaxy and what’s been going on in the years since Nemesis. Obviously the attack on Mars was a significant event, but there must be other things that happened in that twenty-year span.

As I mentioned in my last piece, a personal favourite story arc of mine is Deep Space Nine’s Dominion War, so I would be fascinated to learn anything about Bajor, Cardassia, DS9, the Gamma Quadrant, or the Dominion. But given Picard’s lack of connection to those events (except for a link to Bajor via Ro Laren) perhaps that isn’t on the agenda this time. Still, anything we could get to look at the bigger picture of the galaxy would be wonderful.

Number 13: Looking at current events.

Will Star Trek: Picard Season 2 discuss current events?

One thing Picard Season 1 did very well was show how Picard’s mental health was suffering as a result of his rejection by Starfleet. I think a lot of people who’ve been through almost a year of lockdowns and isolation could watch the Season 1 premiere, Remembrance, and empathise much more with the isolated, lonely Admiral Picard than they could when it was first broadcast.

Star Trek has never shied away from using its sci-fi setting to tackle real-world issues, and the biggest right now is of course the pandemic and its associated effects. Season 2 may have had a complete draft written before the pandemic hit – production was meant to take place last year, after all – but there has been plenty of time to change things up and include contemporary themes. Not every series has to use the pandemic as inspiration, and in many ways people come to sci-fi and fantasy to escape the real world – something that’s arguably even more necessary right now – so maybe this won’t happen.

Number 14: The return of Laris and Zhaban.

Laris and Zhaban in Season 1.

Laris and Zhaban – Picard’s Romulan assistants – served a fairly typical adventure story role in Season 1. They were the safe reminders of home that Picard had to leave behind when setting off on his quest; a role filled by the residents of Hobbiton in The Lord of the Rings, for example.

But they were also more than that. The decision to make them Romulans did serve a purpose – without them, Picard would never have learned of the Zhat Vash, for example. But given Picard’s complicated history with the Romulans after abandoning his efforts to help them evacuate their homeworld, the question of why these two ex-Tal Shiar operatives were so steadfastly loyal to him raised its head.

Picard with Laris, shortly before he left Earth.

Maybe this is simply a minor plot contrivance, but I don’t want to just overlook it and say it’s fine. What did Picard do to win their trust and loyalty so strongly that they’d follow him to isolation on Earth? And why did they choose not to follow him into space when he set out to help Soji? It wasn’t to attend to the grape harvest, surely.

Some further development of these two characters would be welcome, and while I know they did feature in a novel, most folks don’t read those and it arguably isn’t canon – Star Trek, unlike Star Wars, has always drawn a line between what happens on screen and what happens in apocryphal works. So their backstory in relation to Picard is still, in my opinion at least, an open question that Season 2 could address.

Number 15: The Artifact will come under Federation control.

The Artifact’s resting place on the surface of Coppelius.

Though parts of it have been picked over by the Romulans for decades, the opportunity to study a largely-intact Borg vessel does not present itself every day. Unless the Borg have somehow been defeated off-screen between the events of Nemesis and Picard – which I very much doubt given their popularity among fans – the Federation will surely want to avail itself of this opportunity.

The Artifact crash-landed on Coppelius at the end of Season 1, but with the planet designated a Federation protectorate they now have access to the wreck. Who knows what Federation scientists could learn about the Borg if not constrained by the Romulans. The Artifact may not play a big role in Season 2, but I would argue it is incredibly important to the Federation. That may even be the cynical reason why they chose to send a fleet to defend Coppelius.

Number 16: The appearance of Section 31.

A black Section 31 combadge as seen in Discovery Season 2.

If you followed my reviews and theories during Season 1, you may remember that I thought of numerous ways that Section 31 could’ve been included. This stemmed from the production side of Star Trek: Section 31 had recently been a major part of Discovery, and there’s an upcoming Section 31 series in development. For those reasons, Section 31 seemed like a way that all three Star Trek projects could’ve had a familiar theme.

It didn’t happen in Season 1, of course, and with Discovery completely ignoring Section 31 in its third season perhaps you could argue that it’s less important this time around. But I don’t necessarily agree. The Section 31 series is still coming, with pre-production having already begun and Michelle Yeoh’s departure from Discovery setting the stage.

Georgiou’s departure has teed up the Section 31 show.

In addition, Discovery introduced us to the enigmatic Kovich in Season 3, played by famed director David Cronenberg. If you followed my Discovery theories, you’ll know I’ve posited the idea that he is an operative of Section 31 – or maybe even its leader in the 32nd Century.

As a result, Section 31 remains one way that many of the ongoing Star Trek projects can find common ground, despite being split up along the timeline. It would remind fans of each series that they’re watching one part of a greater whole, and connecting the Star Trek franchise together will hopefully help fans of one show jump over to others that are currently in production. I know of many people who have either watched Discovery or Picard – but not both. Finding more ways to connect the shows and bring the franchise together will be important to Star Trek’s future – and vital to its ongoing success.

Number 17: Fallout from Picard’s newfound synthetic status.

The android F8 during the attack on Mars.

There had been a widespread ban on synthetic life for over a decade as a result of the attack on Mars. Though we learned in Season 1’s closing moments that the ban has been rescinded, the attack, its aftermath, and the ban may have lingering effects on non-synthetics. Will Picard face discrimination and hate as a result of his synthetic nature?

Perhaps, given the reaction in some areas of the fandom to Picard becoming a synth and the whole death-and-rebirth narrative, Season 2 will seek to downplay Picard’s status. But it would be interesting to explore the ramifications. We’ve talked about Riker, Troi, and Guinan possibly being major characters in the story – how will they react to Picard being synthetic? Can Troi read synthetic minds? Would Guinan feel he’s no longer the same person given her sensitivity to such things?

Picard reawakens in a synthetic body.

There are real-world analogies that anti-synthetic discrimination could be used to show. Star Trek has, on many occasions in the past, looked at the complex issues of race relations in the United States, and in the wake of the events of 2020 and ongoing efforts to ensure racial justice and equality, this could be something the synthetic storyline highlights.

There are also interesting legal and ethical questions that the show could address. Most significantly: is Picard the same person as he was, or is he legally and morally a distinct person now that he has a synthetic body? Will Starfleet, for example, consider him to be the same retired Admiral, or will he no longer have those privileges?

Number 18: Making peace with the super-synths.

Soji contacted the super-synths in Season 1.

Although she stood down and turned off the synths’ beacon on Coppelius, Soji did nevertheless contact the super-synths (the villains I nicknamed the “Mass Effect Reapers” for their similarity to that video game faction). There may yet be consequences for having done so, because the super-synths might not simply return to dark space to wait for another faction to contact them – they may already be en route to the Milky Way galaxy.

Even if the super-synths themselves don’t initiate a conflict, from Starfleet’s point of view it makes sense to reach out and tell them what happened. By explaining Starfleet’s position – that they value synthetic life and will not seek to harm the Coppelius synths – perhaps a conflict could be avoided. Making the attempt seems like something Starfleet would do, at least.

The super-synths almost arrived at Coppelius before Soji broke off contact and shut the portal.

There’s a lot of potential to make the super-synths more than a plot device and one-dimensional incomprehensible villain. They could, as previously suggested, connect to the Borg. They could also be expanded upon as we learn more about them, their name, their motivations, and so on. We know precious little about the super-synths right now, and it would be great to learn more. Was their offer to help the synths genuine – or was it a trap?

Soji, as the instigator of contact with the super-synths, could be just the person to help pacify them if they turn out to be on the warpath. That could be why she needs Picard and the crew of La Sirena: to seek out the super-synths and prevent a war.

Number 19: Shutting down the beacon on Aia.

The beacon on Aia.

Now that the Zhat Vash have been exposed, we don’t really know what will become of their anti-synthetic crusade. The decision to have Commodore Oh withdraw so quickly in the Season 1 finale is not one I particularly liked; the Zhat Vash were presented as zealots who would stop at nothing to achieve their goal of wiping out synthetic life, and despite Soji closing the portal, from Oh’s point of view she could just open another one.

However, criticisms aside, it makes sense that Starfleet – or at least Picard – would want to find the octonary star system and shut down the beacon on Aia. Not only would this prevent the Zhat Vash from continuing to use it, but it would also avoid the possibility of other synths accidentally finding it and using it to contact the super-synths.

The planet Aia.

This should be a priority for Starfleet, at least in my opinion! Though we may not see it for ourselves, this could be something communicated in a line or two of dialogue, just noting that the beacon has been shut down.

Alternatively it could be a major storyline, with Picard and La Sirena setting out to find Aia and continue their fight against the Zhat Vash. I’m not sure if this would be the right way to go – it feels like an epilogue to Season 1 rather than the main event for Season 2. But it could make for an interesting episode!

Number 20: The return of Dr Crusher (or another major character from The Next Generation era).

Dr Crusher in The Next Generation Season 1.

Dr Crusher was the only major character from The Next Generation who wasn’t confirmed to be alive in Season 1. We saw Troi and Riker, of course, and thanks to Zhaban we heard about Worf and La Forge too. But despite how close Picard and Dr Crusher were – they had even married in an alternate timeline – no mention was made of her.

The question of what became of their relationship is an open one. In the aftermath of Picard’s resignation and retirement, did Dr Crusher visit him? Were they married, or romantically involved? If so, could the wedding of Troi and Riker (that we saw in Nemesis) have been the prompt for them to revisit their relationship?

Captain Picard and Dr Crusher in The Next Generation.

Picard was clearly single in Season 1, so if he and Dr Crusher had been romantically involved it’s clearly something that has already ended. But his new lease on life – thanks to a new body and overcoming his depression – could mean he wants to renew things or at least contact her.

Alternatively we could learn that Dr Crusher has died, or that she and Picard never got together. They could even have had a major falling-out and may not have spoken in over a decade. Such a storyline could see them coming back together, moving on from whatever caused the fight.

So that’s it. I didn’t plan to write this at first, but writing up some preliminary guesses for Discovery Season 4 was so much fun that I wanted to do the same thing for Picard Season 2 as well!

Picard Season 2 will – fingers crossed – begin filming some time soon. I wouldn’t bet on seeing it on our screens in 2021, though, just because of how much time post-production will take. So it may be a while before we see Picard, Raffi, Elnor, Rios, Dr Jurati, and Seven of Nine! But that doesn’t mean speculating and guessing about what may be coming is any less enjoyable.

These are not even theories – I want to call them guesses rather than anything else. So please, please don’t get carried away thinking that any of these are destined to happen. We all need to remember to take such theories and predictions with a pinch of salt at the best of times, and guesswork this far out when we know less than nothing about the upcoming season is almost silly! So as fun as this was to put together, let’s all try not to get too excited about anything listed above.

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Picard and all other titles mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

End-of-Year Awards 2020

Spoiler Warning: There are spoilers ahead for some of the films, games, and television shows listed below.

Welcome to my first annual End-of-Year Awards! These are the best (and worst) entertainment events of the year – in my subjective opinion! Rather than writing a top ten list (like I did last year to mark the end of the decade) I’m instead choosing a few categories and awarding my picks for the best entertainment experiences of the year.

I’m including a few titles from the tail end of 2019 on this list simply because many people will have only got around to watching or playing them this year. These decisions are always difficult and I often feel that – because people put these lists together weeks or months before the end of the year – titles released in December tend to miss out. As such you’ll find a few titles from the final few weeks of 2019 being given an award – and perhaps next year there may be a title or two from the end of 2020 featured!

Most categories will have a runner-up and a winner; a few only have one, and in those cases that title wins by default.

A note about exclusions: if I haven’t seen or played a title for myself, for reasons that I hope are obvious it can’t be included. I’m only one person, and I don’t have every moment of the day to dedicate to entertainment. As such, some titles others may consider to be “massive releases” for 2020 aren’t going to be given an award. In the gaming realm, this also applies to titles that I haven’t completed. The exclusion from these awards of titles like Ghost of Tsushima and Tenet isn’t to say they aren’t good; they may be – but I have no experience with them so I’m unable to comment at this time.

With all of that out of the way let’s jump into the awards! If you like, you can try to imagine a fancy stage and some celebrity presenter handing out statuettes. That may or may not be what I’m doing as I write!

Web Series:

Nowadays many of us get at least a portion of our entertainment away from big-budget productions on websites and apps like YouTube. There are a number of top-tier YouTube shows that may have started off as typical amateur productions, but have since become far more professional. As better cameras and microphones become readily available, even low-budget YouTube productions can offer impressive audio and visuals.

Personally I watch a video or two on YouTube most days, and there are a number of channels which have produced top-quality entertainment this year. When the pandemic hit, many YouTube shows were able to keep going despite the chaos engulfing the wider entertainment industry. They had the means and the technology to do so, and that’s fantastic.

🥈Runner-up🥈
Linus Tech Tips

Linus Tech Tips is one of the first YouTube channels I began watching regularly, having stumbled upon it when looking for PC building tips a few years ago. Though some of what they do is complete overkill (what YouTube channel needs $20,000 cameras?) they have a lot of fun while doing it. Linus Tech Tips explores the high-end and cutting-edge of computers, cameras, and other technologies, and the presenters manage to make it entertaining.

The channel has continued its steady growth and now boasts a number of regular presenters in addition to the titular Linus, most of whom specialise in particular topics. There are also several other channels produced by the same team, including TechQuickie, Short Circuit, and TechLinked. The combined output of the main channel plus its subsidiaries means there’s at least one new video per day, which is great. Even less-interesting topics can be made fun when presented well, and the team at Linus Tech Tips manage to be interesting and entertaining every time.

🏆Winner🏆
SORTEDfood

I love a good cooking show. Not only can they be entertaining but also very relaxing. SORTEDfood has a usual output of two videos per week, and while in recent years they’ve stepped away from purely doing recipes and into things like kitchen gadget reviews, everything is food-themed and the enthusiasm that the five presenters have is infectious. During the coronavirus pandemic, London (where the show is recorded) was in lockdown. Despite that, the team found creative ways to get around it, and even incorporated it into their videos. In addition to recipes there were helpful things like reviews of food delivery services, which at the height of lockdown here in the UK was actually really useful. I was able to use a couple of the services they recommended to send gifts to people I couldn’t see in person; gift ideas I would never have had were it not for SORTEDfood.

Their pandemic programming was good, but when lockdown was lifted it was nice for the team to come back together and get back to their regular output. I’m a huge fan of their “ultimate battles” in particular, which pit the presenters head-to-head to create the best dish. The “pass it on” series, where all five take turns to create a single dish, is also fantastic – and often very funny. SORTEDfood manages to be both informative and entertaining, and their output during lockdown was phenomenal and undoubtedly helped many viewers during a difficult time. For all of those reaons, I’m crowing SORTEDfood the best web series of the year.

Documentaries:

I’m setting aside a whole category for documentaries because I’m a big fan. There have been some great ones in 2020, both standalone films and series. Netflix has surprised me over the last few years by growing to become a huge player in the documentary genre, funding many productions – including some Academy Award nominees. Disney+ joined the streaming wars late last year – or in March this year if you’re in the UK – and has also brought some fascinating pieces of documentary content to the small screen. It’s a great time for documentaries at the moment!

🥈Runner-up🥈
We Need To Talk About A.I.

This documentary was fascinating, if perhaps somewhat alarmist. Looking at the possible creation of general artificial intelligence, and the potential for such an AI to surpass humanity, it was a truly interesting peek behind the curtain at what researchers are doing on the cutting-edge of AI research. The documentary was presented by Keir Dullea, famous for his role as Dave in 2001: A Space Odyssey. That film saw his character go up against an out-of-control AI, and Dullea brings a gravitas to the role of narrator as a result.

The film made reference to a number of sci-fi films which look at rogue AI, most significantly Terminator 2: Judgement Day, whose director James Cameron was interviewed. From my perspective as a Trekkie, having just seen Star Trek: Discovery Season 2 and Star Trek: Picard Season 1, which both look at the potential for out-of-control AIs, the documentary brought the world of fiction uncomfortably close to the world we inhabit today. While most of the interviewees offered a fairly bleak look at future AI, particularly in the military realm, others did paint a more positive picture. The biggest thing I took away from it, though, it how little consensus there is among researchers and scientists not only on whether AI is a good idea, but whether it’s even truly possible, or how long it will take.

The film is a fascinating, slightly unnerving watch.

🏆Winner🏆
The Imagineering Story

Though it isn’t a subject I’ve talked about often here on the website, I have a great fondness for Disney’s theme parks. It’s doubtful given my health that I’ll be able to go any time soon, but I have fond memories of visits to several parks with both family and groups of friends. Combine that love of Disney with my aforementioned love of documentaries and I got what was one of the most underrated yet fascinating entertainment experiences of the year!

Prior to the launch of Disney+ in the UK in March, there was already a Disney-branded streaming platform here. I wasn’t sure what kind of an upgrade to expect when the new service arrived – except for The Mandalorian there didn’t seem to be much new. The Imagineering Story was one of the few documentaries on Disney+ at launch, but it’s absolutely fascinating, detailing the behind-the-scenes work that went into building Disney’s various parks and themed lands.

The addition of some National Geographic documentaries to Disney+ over the last year or so has made the platform into a good home for the format, though I would like to see more films and series either added from Disney’s extensive back catalogue or better yet, commissioned exclusively for Disney+.

But we’re off-topic! The Imagineering Story was beautifully narrated by Angela Bassett, and as a series made by Disney itself was able to get the perspectives of many senior people who worked at the parks and on many of the projects it covered.

Video Games:

Despite the all the chaos and pandemonium in the world in 2020, many new games – and two new consoles – managed to make it to release. While it’s true that some titles have suffered delays, by far the majority of planned and scheduled releases made it, and that’s no small accomplishment!

As a new console generation gets ready for its centre-stage moment, it’s often been the case that we get a quieter-than-average year as companies shift their focus. Despite that, though, we’ve seen some pretty big titles in 2020, including a couple that will likely be heralded as “game of the generation” or even “game of the decade!” If I’m still alive and kicking in 2029, by the way, check back as I may have a thing or two to say about that!

Though it’s far too early to say which of the two newly-launched consoles will do best in the years to come, 2020 has given all of us some great gaming experiences… and some crap ones.

Worst Game:

Let’s start by getting the worst games out of the way. 2020 has seen some stinkers, including big-budget titles from successful developers and publishers. They really ought to know better.

🥈Runner-up🥈
Marvel’s Avengers

Marvel’s Avengers is the Anthem of 2020. Or the Fallout 76 of 2020. Or the Destiny 1 of 2020. Or the The Culling II of 2020. Pick any of those live service, broken-at-launch disasters, and that’s what Marvel’s Avengers is. The “release now, fix later” business model has condemned what could have been a popular and successful title to failure. But Marvel’s Avengers hasn’t even failed spectacularly enough to be forever etched in the annals of gaming history alongside titles like 1982’s E.T. Instead it’s slowly fading away, and in six months or a year’s time, nobody will even remember it existed.

Disney and Square Enix looked at a long list of crappy video game business ideas, including paid battle-passes, console-exclusive characters, corporate tie-ins with unrelated brands like phone providers and chewing gum makers, in-game currencies, and microtransactions for each of the six main characters individually. They then decided to put all of these into the game, robbing it of any soul or heart it could have had and turning it into a bland corporate cash-grab. As soon as I heard the company planned the game as a “multi-year experience,” the writing was on the wall. If, underneath all of the corporate nonsense, there had been a halfway decent game with fun gameplay, perhaps more players would have stuck it out. But, as usual with these types of games, there wasn’t. I’m not the world’s biggest Marvel fan. So I’m not horribly offended by this game in the way some folks undoubtedly are. But I can sympathise with them, because fans deserve better than this steaming pile of crap to which Disney and Square Enix have attempted to affix the Marvel logo.

🏆Winner🏆
The Last of Us Part II

The Last Of Us Part II’s cover-based stealth/action gameplay is fine. Though better than the first game, I didn’t feel there was a colossal improvement in terms of gameplay – but that could be said about countless sequels over the last couple of console generations. Where The Last Of Us Part II fell down was its story. This was a game I was sceptical of from the beginning; the first title felt like lightning in a bottle, something that neither wanted nor required a follow-up. In 2020, though, practically every successful title ends up being spun out into a franchise.

With a theme of breaking the cycle of violence, The Last Of Us Part II considers itself “artistic” and clever. Unfortunately that theme led to a horribly unsatisfying narrative, with players not only forced to take on the role of the person who murdered Joel – the protagonist/anti-hero from the first title – but ends with Ellie letting her escape and refusing to take revenge. Had the same concept been part of a new game with new characters, it could have worked better. But crammed into this title it fell flat. I stuck with it out of stubbornness as a fan of the first title, but it was a profoundly unenjoyable ride, and that’s why The Last Of Us Part II is the worst game of 2020.

Best Casual Game:

How do we define a “casual” game? It’s a difficult one, and it’s one of those contentious topics where fans of a title who may have spent hundreds of hours in the game world will get upset at hearing their favourite game referred to as “casual.” When it came to choosing titles for this category, I looked at games that could be easily picked up for a short burst, then put down. Games that can be played for a few minutes and that have gameplay suited to that was one of the main criteria. Games in this category also had to be pick-up-and-play. Some casual games can indeed be hard to truly master, but for my money, any game to which we assign the “casual” title has to be accessible and easy to get started with.

So that was how I came to my shortlist. Now let’s look at the runner-up and winner… though if you’ve been a reader all year I doubt you’ll be too surprised!

🥈Runner-up🥈
Fall Guys

Fall Guys seemingly came out of nowhere in August. It wasn’t a title I’d heard of, let alone one I was looking forward to, but it turned out to be a lot of fun. Taking a format inspired by television game-shows like Gladiators or Total Wipeout, the basic gameplay consists of running a series of obstacle courses, looking to be the last one standing at the end to win a crown.

I’m not usually interested in online multiplayer titles, but Fall Guys was something so genuinely different that I was prepared to give it a go. And what I found was a game that was shockingly fun. Each round lasts barely a couple of minutes, meaning even if you don’t qualify it’s not a big deal. Just jump into the next game. Though there are microtransactions, at time of writing they aren’t intrusive and the game is quite generous with the in-game currency given out simply for playing. There are fun cosmetic items to dress up your adorable little jelly bean character in, and the whole game is cute and lots of fun. Though it did have a cheating problem for a while, the addition of anti-cheat software appears to have fixed things. I’m probably about done with Fall Guys as I move on to find new things to watch and play, but I had a wonderful time with it this summer and autumn.

🏆Winner🏆
Animal Crossing: New Horizons

With over 120 hours played, I’ve spent more time this year with Animal Crossing: New Horizons than with the next two games on my list put together. That’s no small accomplishment – even if my 120 hours seems paltry compared to the amount of time some players have put into this title. Time alone doesn’t make a title worthy of winning an award, though. Why Animal Crossing: New Horizons deserves the title is because practically all of those hours were enjoyable.

It’s true that the base game at launch was missing features from past entries in the series, notably 2013’s Animal Crossing: New Leaf. And I find that disappointing, even if updates have since improved the game. But despite the missing content, what the game did have was fantastic, and there really isn’t anything like New Horizons on the market. It’s cute wholesome fun, and the kind of game that can be played for even just a few minutes at a time. It doesn’t demand a huge commitment in the way some titles do – but if you get stuck into it, you’ll find yourself wanting to spend more and more time on your island.

Best Racing Game:

There’s only one game in this category this year, simply because the other racing games I’ve played in 2020 were released in previous years. I had a lot of fun with Forza Horizon 4 in particular, but as a 2018 title it can’t be included here for obvious reasons.

🏆Winner🏆
Hotshot Racing

Congratulations to Hotshot Racing for winning by default! Jokes aside, this game is a lot of fun. An unashamed arcade racer that makes no attempt at realism, it’s fast-paced, exciting, and ridiculous in equal measure! What attracted me to the game when it was released in September was its deliberately mid-90s aesthetic; a beautifully simple art style inspired by racing games of the Sega Saturn and PlayStation 1 era.

At a time when many games feel overpriced, the £15 I paid for Hotshot Racing actually feels cheap! For how much fun the game is, even when simply playing against the AI, it could arguably ask for a lot more money! Speaking of playing against the AI, that’s something Hotshot Racing encourages, and considering how many titles that supposedly offer a single-player mode still try to force players to go online, I appreciated that. In the mid-90s, some games could do four-player split-screen, but many titles were limited to just two players at the most, so racing against the AI was something all gamers had to do; that was just how those games were meant to be played!

As a visual throwback to games past, Hotshot Racing caught my eye. But there’s more to it than just the way it looks, and what’s under that cute retro skin is a genuinely fun arcade racer.

Best Star Wars Game:

It’s unusual for two games in a single franchise to release within a year of each other, but that’s what happened! There was even supposed to be a third Star Wars title this year – Lego Star Wars: The Skywalker Saga – but it was delayed until 2021.

🥈 Runner-up 🥈
Star Wars: Squadrons

Though Squadrons is less arcadey than classic starfighter titles like Rogue Squadron, it’s a remarkably fun game. If you’ve ever dreamed of being a pilot in a galaxy far, far away, this is about as close as you can get! Though I don’t play in VR, the option to use a VR headset – as well as to set up a proper HOTAS or other flight controller on PC – surely makes this the most immersive Star Wars experience out there. Even just with a control pad, though, Squadrons truly transports you to the cockpit of an X-Wing, TIE Fighter, or one of the game’s other starfighters.

The single-player campaign was fun, giving players the opportunity to fight on both sides of the war as the New Republic seeks to defeat the rump Empire – the game is set in the aftermath of Return of the Jedi. I’m not much of a multiplayer gamer, so the fact that there is an AI mode, allowing me to continue to have fun just playing against the computer, is fantastic. I had a truly enjoyable time with Star Wars: Squadrons, and I keep going back for more.

🏆Winner🏆
Star Wars Jedi: Fallen Order

Jedi: Fallen Order was released in November 2019, so including it on this list is a bit of a stretch, I admit. But I got to play it this year, and it was the first game where I fully documented my playthrough. Jedi: Fallen Order managed to feel like a cross between Knights of the Old Republic and the Uncharted series, with protagonist Cal taking on a quest to visit several ancient worlds in search of a Jedi Holocron.

There were twists and turns along the way, but the whole time I felt like I was taking part in a Star Was adventure all my own. After the disappointment of The Rise of Skywalker, playing through Jedi: Fallen Order convinced me that the Star Wars franchise was going to be okay, and that there were still new and original stories worth telling in this universe.

The gameplay was great too, with lots of exciting action and lightsabre-swinging as Cal took on the forces of the Empire. I won’t spoil the ending if you haven’t played it for yourself, but Jedi: Fallen Order was a wild and incredible ride, and one I heartily recommend.

Best Action or Adventure Game:

This category ended up with two first-person shooters, but I’m keeping the name the same! There were many great action, adventure, and first-person shooter titles released this year, and I didn’t have time to play all of them. Here are the two I enjoyed most.

🥈 Runner-up 🥈
Doom Eternal

The sequel to the wonderful 2016 reboot of Doom is just fantastic. Gone is the horror vibe that Doom 3 mistakenly introduced, and instead what you get is action and excitement – with some interesting platforming sections thrown in for good measure. There is a story, of course, but unlike many games I’m not really all that interested in it. I come to games like Doom Eternal to feel like a demon-killing badass, and that’s precisely what the game offers.

There was a lot of fun to be had in the days leading up to Doom Eternal’s launch, as it coincided with the launch of Animal Crossing: New Horizons. I greatly enjoyed the memes and artwork created by folks on the internet, depicting Doom Guy and characters from the Animal Crossing series together! All in all, this is just a fast-paced, fun shooter that doesn’t try to be anything more. It isn’t a jack-of-all-trades; it does one thing and does it to perfection.

🏆Winner🏆
Halo: The Master Chief Collection

Throughout 2020, developers 343 Industries have brought the Halo series to PC. Halo: Reach arrived late last year, and in the months since we’ve gotten every other title in the series – except for Halo 5! It had been a long time since I played Halo: Combat Evolved on the original Xbox, and I had a lot of fun rediscovering the series and enjoying it all over again. The updated graphics improved the experience in a lot of ways, but it was also fun (and innovative) to be able to switch between visual styles on the fly.

I hadn’t played either Halo 3: ODST or Halo 4, so I not only got to recreate my Halo experience from years past, but expand on it too. The setting the series uses is as unique and interesting as any sci-fi video game I’ve played, and I’m very curious to see what Halo Infinite can bring to the series when it’s eventually ready.

Television Shows:

There have been some wonderful television shows this year. While the pandemic led to the shutdown of cinemas and a delay in many films being released, a lot of television shows were able to press ahead – at least, those that had completed filming before the worst effects were felt. I hoped to include more categories, such as best miniseries, but time got away from me and I have a number of shows still on my list of things to watch!

Worst Television Series:

Luckily there’s only one in this category! If I’m not enjoying a television series I tend to just stop watching – unless there seems to be a real prospect of improvement. Likewise, if I feel something won’t be to my taste I’ll just skip it; life is too short, after all, for bad entertainment. That said, there are exceptions, and I found one in 2020.

🏆Winner🏆
Supernatural

Supernatural is the king of running too long – a crown it inherited from The Big Bang Theory! Fifteen years ago, when it debuted, there was a great premise as brothers Sam and Dean Winchester set out to hunt ghosts and monsters, all the while keeping an eye out for the demon that killed their mother and Sam’s girlfriend.

But by the time the show reached its third season, many of its ongoing storylines had concluded. The writers began reaching for new and different demons and creatures for Sam and Dean to tackle, and the quality dipped. By the time the show crossed over into the self-congratulatory fan-servicey mess it has been in recent seasons it had just become ridiculous; a parody of itself.

As the seasons dragged on, writers began pumping more and more Biblical themes into Supernatural, transforming its protagonists into invincible prophets anointed by God. An episode a few seasons back saw Sam and Dean cross over into a world where their adventures are a television show in what has to be one of the worst examples of fan-service I’ve ever seen.

Thankfully Supernatural has now wrapped up its final season. I tuned back in – against my better judgement – to see if the impending end of the series would make a difference to its quality. But it didn’t, and I stand by something I’ve been saying for years: many television shows have a natural lifespan. Supernatural had maybe three decent seasons, and should certainly have ended a long time ago.

Best Animated Series:

🥈 Runner-up 🥈
Rick & Morty

We got five episodes of Rick & Morty in 2020; the back half of Season 4, which had premiered last year. The show’s entire premise is wacky, sometimes over-the-top humour, and that doesn’t always stick the landing, especially when the creative team have been working on it for seven years already. So with that in mind, I consider four episodes out of five being decent to be a pretty good run.

When the show stopped flying under the radar and really hit the mainstream in 2017, there was a fear perhaps that the newfound popularity would lead to changes. But I don’t really think that’s happened, and I wouldn’t say that this year’s episodes were substantially different to those in past seasons. They weren’t necessarily any better, but certainly no worse.

There were some great jokes, some hilarious moments, and some weird and wonderful aliens as Rick and Morty (along with Summer, Jerry, and Beth) took off on their interdimensional adventures.

🏆Winner🏆
Star Trek: Lower Decks

It could hardly be anything else, right? Building on the success of both the Star Trek franchise and animated comedies like Rick and Morty, Star Trek: Lower Decks represented the franchise’s biggest attempt to try something new – and arguably its biggest risk – in a very long time. Despite the controversy surrounding Lower Decks’ lack of an international broadcast, judging the series on merit it was a very enjoyable ride.

There were plenty of laugh-out-loud moments in Lower Decks, but more than that, the show paid homage to my personal favourite era of Star Trek – the 24th Century. There were so many callbacks and references to events in The Next Generation, Deep Space Nine, and Voyager and the series managed to feel like Star Trek while at the same time having an overtly comedic style.

While its sense of humour won’t be to everyone’s taste, there’s no denying that Lower Decks was made by fans for fans, and I’m really excited to see its second season whenever that may come – especially now that the show’s international broadcast has been settled meaning that fans everywhere can enjoy it together.

Best Live-Action Television Series:

🥈 Runner-up 🥈
Cobra

Right at the beginning of the year I watched Cobra, a British thriller about a government dealing with the aftermath of a disaster. Such an interesting fictional concept, I thought. How innocent we were back then, eh?

Cobra wasn’t what I expected. Having read the pre-release marketing I was expecting a disaster series, something dealing with an apocalyptic event. Instead it’s much more of a thriller with elements of political drama. Even though that was completely not what I expected, I had an enjoyable time with the series.

Robert Carlyle – who plays the role of a British Prime Minister clearly inspired by Tony Blair – is an actor I’ve always felt was underrated. I saw him a few years ago in a miniseries called Hitler: The Rise of Evil, and ever since I’ve found him to be a decent actor who can take on a variety of roles. He was the star of Cobra – but didn’t overwhelm the series. It was an entertaining ride with some truly tense moments.

🏆Winner🏆
Star Trek: Picard

This should come as no surprise to anyone who’s followed my articles and columns this year! Star Trek: Picard did something I’d been desperately wanting the franchise to do for basically twenty years: move forward. Since Enterprise premiered shortly after the turn of the millennium, Star Trek has looked backwards, with all of its attention focused on prequels and reboots. Many of those stories were great, don’t get me wrong, but I wanted to know what came next, and Picard scratched that itch.

But its premise alone would not make it the best television series of the year! Star Trek: Picard told an engaging, mysterious story as the retired Admiral Picard set out on a new adventure. The story touched on contemporary themes of artificial intelligence, isolationism, and mental health, and was an enthralling watch. Though it stumbled as the first season drew to a close, the first eight episodes were outstanding, and have hopefully laid the groundwork not only for future seasons and more adventures with Picard and his new crew, but also for further Star Trek stories set at the dawn of the 25th Century.

It’s difficult to pick out one individual episode and say it was the best the season had to offer, because Star Trek: Picard is designed to be watched from beginning to end as one continuous story. But that doesn’t mean I won’t try!

Star Trek Episodes:

2020 was the first year since 1998 with three Star Trek productions, so there’s a lot of episodes to choose from! As Trekkies we’re spoilt for choice at the moment – long may that continue! This year I reviewed every single Star Trek episode that was broadcast. The year began with Picard in late January, then Lower Decks came along in August, and finally Discovery premiered in mid-October.

Worst Episode:

There weren’t a lot of options here, because the quality of modern Star Trek has been high. That said, every Star Trek show has misfires and duds from time to time, and this year was no exception.

🥈 Runner-up 🥈
Et in Arcadia Ego, Part 1 (Star Trek: Picard)

After an incredibly strong start, Star Trek: Picard stumbled as its first season drew to a close. My primary complaint about Et in Arcadia Ego as a whole (aside from that godawful gold makeup they used for the synths) was that it introduced too many new characters and storylines, most of which didn’t get enough screen time to properly develop. The first part of a finale needs to bring together everything that’s already happened, not dump an awful lot of new things onto the audience, but that’s what Et in Arcadia Ego, Part 1 did.

The episode was also very poorly-paced, which is down to a combination of scripting and editing. The story jumped from point to point without sufficient time for the audience to digest what was going on. It also skipped over what should’ve been massive emotional moments, like Picard and Soji learning Hugh’s fate, or Elnor learning of Picard’s illness. Dr Soong and Sutra in particular needed more development and more screen time – though Isa Briones’ terrible, one-dimensional performance means that’s something I’m half-glad we didn’t get!

Overall, this was Picard’s worst episode by far. The aesthetic, editing, and pacing were all wrong, and if the story of Season 1 wanted to include all of these new characters, factions, and settings, we needed not only more episodes, but to have brought them in much earlier.

🏆 Winner 🏆
Envoys (Star Trek: Lower Decks)

Envoys’ opening sequence, in which Ensign Mariner kidnaps a sentient energy lifeform “for a laugh,” was the closest I came to switching off Star Trek’s second animated series and not going back. Where Lower Decks succeeded was in making the regular goings-on in Starfleet comical. Where it failed was in attempting to set up Ensign Mariner as Star Trek’s answer to Rick Sanchez (from Rick & Morty). This sequence encapsulated all of Mariner’s worst qualities, and was about as un-Star Trek as it’s possible to get.

It’s a shame, because the episode’s B-plot starred Ensign Rutherford in what was one of his better stories as he hopped from role to role aboard the ship, trying out different postings in different departments. The main story stuck with Mariner and Boimler, and derived much of its attempted humour from her mean-spirited selfishness. The ending of the episode did go some way to humanising Mariner, and arguably set the stage for her becoming a much more likeable character across the remainder of the season. But that opening sequence in particular is awful, and is the main reason why I’m crowing Envoys as the worst Star Trek episode of the year.

Best Episode:

This is a much more fun category than the one above! And there are plenty of candidates. All three shows managed to have some real gems, and picking just two was not an easy task.

🥈 Runner-up 🥈
Far From Home (Star Trek: Discovery)

After Michael Burnham arrived in the 32nd Century in the season premiere, Far From Home saw Discovery and the rest of the crew arrive too. We were treated to an excellent crash landing sequence that was reminiscent of Voyager’s fourth season episode Timeless, and we got an interesting storyline which saw Saru and the crew forced to adapt to a very different and difficult future.

Saru and Tilly both stepped up, and the dynamic between these two characters has been continued through the rest of the season. As two main characters who hadn’t spent a huge amount of time together before this episode, their relationship was somewhat new and very interesting. Saru stepped up to become the captain we all hoped he could be in Far From Home, and Tilly showed us that there’s more to her than mere comic relief.

As the second half of the series premiere, Far From Home does a lot of world-building, establishing the violent, chaotic nature of the 32nd Century. It was also rare in that it was a Star Trek: Discovery episode with practically no input from Burnham – something which allowed many other crew members to shine in unexpected ways.

🏆Winner🏆
Remembrance (Star Trek: Picard)

I don’t think I’ve ever been more excited for a Star Trek episode than I was for Remembrance. This was the moment Star Trek returned to the 24th Century for the first time since 2002’s Nemesis – and it was the first time the overall story of the Star Trek galaxy had moved forward since we heard about the destruction of Romulus in 2009’s Star Trek.

Children of Mars – the Short Treks episode that served as a prologue to Picard – had been somewhat of a let-down, so there was a lot riding on Remembrance as far as I was concerned! And I’m so happy to report that it delivered. It was mysterious and exciting, with moments of tension and action, and although the now-retired Admiral Picard was not exactly the same as he was the last time we saw him, flickers of the man we knew were still there.

Remembrance set the stage beautifully for Season 1 of Star Trek: Picard. It took things slow and didn’t overwhelm us with storylines and heavy plot all at once. By the end of the episode we’d only really met two of the season’s principal characters. Perhaps seen in the light of the rushed finale this could be argued to be a mistake, and that we needed to get a quicker start. But I don’t think I agree with that assessment; Remembrance is perfect the way it is, and probably the best single episode of television I saw all year.

Films:

Let’s be blunt for a moment: 2020 has been a catastrophic year for the film industry. So many titles that should have been released simply didn’t come out due to the pandemic, and as a result it’s been slim pickings. A few bigger titles managed to premiere in January or February before the worst effects hit, but since the end of February very few titles have come out. We’ve missed out on films like No Time To Die, Ghostbusters: Afterlife, and Dune, all of which have been delayed to 2021. And there will be ramifications for years to come, as titles planned for 2021 are being pushed to 2022, and so on.

There have been some titles that managed to come out this year, and from my selfish point-of-view, I’m happy that more have come straight to streaming! My health is poor, and one thing that I sadly can’t do any more is get to the cinema (I haven’t been able to for several years). So in that sense I don’t feel that I personally have missed out in quite the same way! However, the massively-curtailed release schedule has had an effect, and as a result I don’t really have a lot of titles to choose from for this section of the awards. In another year I might’ve split up the films into several genres, but instead we just have three categories.

Worst Film:

Luckily there’s only one film in this category this year. If you recall my review of it from the spring, it perhaps won’t be a surprise!

🏆Winner🏆
Star Wars Episode IX: The Rise of Skywalker

The Rise of Skywalker is saved from being the worst Star Wars film solely by the existence of The Phantom Menace – and it’s not always clear which is worse. The clumsy insertion of Palpatine into a story that was clearly not supposed to have anything to do with him is perhaps the worst example of corporate-mandated fan service I’ve ever seen. Not only does Palpatine ruin The Rise of Skywalker, but the revelation that he’s been manipulating the entire story of Star Wars from behind the scenes undermines every other story that the cinematic franchise has tried to tell. It was a monumentally bad decision; the worst kind of deus ex machina. And his presence wasn’t even explained.

But while Palpatine stank up the plot, he wasn’t the only problem in The Rise of Skywalker. The ridiculously choppy editing meant no scene lasted more than a few seconds, leaving the audience no time to digest what was happening. There was some truly awful dialogue. General Hux’s story makes no sense at all and was totally out of character. Rose Tico was sidelined, despite her character being a huge part of the previous film. Palpatine’s plan – and his decision to announce it to the galaxy before enacting it – makes no sense. The stupid limitation to his fleet also makes no sense. Rey’s character arc across the trilogy was ruined by the decision to listen to bad fan theories. Poe and Finn basically did nothing of consequence. And the scenes with Leia – I’m sorry to say given Carrie Fisher’s untimely demise – were so obviously lifted from another film that it was painful.

JJ Abrams ran around undoing so many storylines from The Last Jedi that The Rise of Skywalker felt like two films haphazardly smashed together, but cut down to the runtime of a single picture. There was an occasional moment where either something funny happened or perhaps the nostalgia hit hard, but otherwise it was a total failure, and by far the worst film I’ve seen all year.

Best Animated Film:

🥈Runner-up🥈
Frozen II

Disney does not have a good track record when it comes to sequels. Most of the time their big animated features are one-offs, with any sequels being relegated to direct-to-video offerings. But Frozen had been such a cultural landmark after its 2013 release that a sequel was, perhaps, inevitable. And far from being an afterthought, Frozen II was a film that equalled – and occasionally surpassed – its illustrious predecessor.

There was some fantastic animation work in Frozen II, such as the effects used for the fog. There was less snow than in the first film, and the snow in Frozen was beautiful, so that’s a shame in a way! The soundtrack was fantastic too, with several catchy songs that are well worth listening to.

Frozen II’s story was engrossing and genuinely interesting, and unlike some Disney sequels managed to avoid feeling tacked-on. The parents of the two sisters at the heart of the story had been killed early in the first film – and Frozen II saw them learn more about what happened to them, as well as discovering the source of Elsa’s powers.

🏆Winner🏆
Phineas and Ferb the Movie: Candace Against the Universe

Phineas and Ferb went off the air in 2015, and as Disney Channel shows are usually one-and-done affairs I didn’t expect to see it return. But Candace Against the Universe premiered in August on Disney+ and was absolutely amazing.

After a five-year break the film brought back practically everything that made Phineas and Ferb great. There was a wacky but fun plot that brought together the kids and Dr Doofenshmirtz, there were some great musical numbers, and above all a deep story that had heart. Candace – the sister of the titular Phineas and Ferb – took centre-stage in a story that made depression accessible to even the film’s young target audience. It ended by telling a story that showed kids that they don’t have to be the centre of the universe to matter, and I think that’s an incredibly powerful message.

I’m a big advocate of sensitive depictions of mental health in entertainment. Not every story has to touch on the subject, of course, but Candace Against the Universe did – and it did so in a way that was relatable and understandable. But beyond that, it was a fun return to a series I thought was over. It’s possible the film could be the springboard for more Phineas and Ferb, but even if it isn’t I’m still glad we got to see it.

Best Live-Action Film:

Ordinarily I’d try to split up films by genre, and at least have sections for comedy, sci-fi, and maybe one or two others. But so few films have staggered out the door this year that there’s not really a lot of choice. As I’ve seen so few new films I just picked my top two. It wasn’t even all that difficult.

🥈Runner-up🥈
Sonic the Hedgehog

In any other year, Sonic the Hedgehog wouldn’t have got a look-in as one of the best releases. But this is 2020, and as we’ve already discussed, there aren’t a lot of options. After receiving backlash for its visual effects when the first trailer was released in 2019, the creative team behind Sonic the Hedgehog went back to the drawing board and redesigned the titular Sega mascot, bringing him closer to his video game appearance. The willingness of the studio to delay the project in response to fan criticism is appreciated, especially when many other studios have chosen to double-down in the face of such backlash.

The film itself is surprisingly fun, though as with 1993’s Super Mario Bros., features a storyline quite far-removed from the video game franchise it’s inspired by. Jim Carrey hasn’t exactly disappeared in recent years, but has been nowhere near as ubiquitous as he was in his late-90s heyday, so his performance here feels like a return to form. And that’s all I have to say, really. It was a fun film, and an enjoyable way to kill a couple of hours. Is Sonic the Hedgehog going to be hailed as a classic of modern cinema alongside Lincoln and Bohemian Rhapsody? Of course not. But out of the available titles this year, it’s one of the best.

🏆Winner🏆
1917

Now for a complete change of tone! 1917 was released in December last year, and is a truly epic war film that missed out on winning any of the top Academy Awards. However, despite the snub by the Oscars, it’s an outstanding piece of historical cinema, and though its novel “one-take” style of editing was perhaps less impressive than I expected it to be, it was nevertheless interesting.

I fully expect 1917 to be considered a classic of the war genre in decades to come, such is its quality. At its core is an emotional story of two young men thrown into a gut-wrenching situation. The First World War was one of the worst and bloodiest in history, yet few films have depicted that horror with such brutal accuracy as 1917.

Though it isn’t the kind of popcorn flick you’ll want to watch a dozen times in a row, 1917 is artistic and inspired in all the ways that matter. From the performances to the costuming to the camera work, every tiny detail has been honed and perfected. Director Sam Mendes deserves a lot of credit for putting together this masterpiece.

Announcements:

In this final section I’ll briefly cover a handful of announcements for upcoming productions that got me excited in 2020. There are so many interesting projects in the works, and while some of these may not see the light of day until 2022 or even later, they’re still genuinely appealing and I’m keeping my ear to the ground listening for news!

Video Games:

🏆Winner🏆
Mass Effect: Legendary Edition

I’d been hoping for an announcement of the remastered Mass Effect trilogy ever since rumours of its existence began to swirl earlier in the year. Though EA and Bioware kept us waiting, the remaster was finally announced a short time ago and is due for release in 2021. Whether it will really tick all the boxes, and whether enough time has passed for a remaster to feel like a substantial improvement are both open questions… but I’m very interested to find out!

Television Shows:

🥈Runner-up🥈
Alien

There’s a television show based on the 1979 classic Alien in development! Practically everything is being turned into a streaming television series right now, so perhaps that shouldn’t come as a surprise, but I’m truly interested to see what the Alien franchise can do with more than a couple of hours. Television as a medium allows for longer and more complex stories than can fit in a two-hour film, so there’s a lot of potential here.

🏆Winner🏆
Star Trek: Strange New Worlds

Almost since the moment he beamed aboard Discovery at the beginning of the second season, fans had been clamouring for a Captain Pike series, and Alex Kurtzman and ViacomCBS listened! Strange New Worlds was announced in May, along with a short video from its three principal cast members. The show has already begun production, and while I doubt it’ll see the light of day before 2022, it’s one of the things keeping me going right now!

Films:

🥈Runner-up🥈
The Matrix 4

Though I have no idea where the story of The Matrix 4 could possibly take the series, I’m cautiously interested. Filming has already begun, but was disrupted by – what else – the pandemic. The two sequels to 1999’s The Matrix didn’t quite live up to the first part of the saga, but nevertheless were solid action-sci fi titles. I’m hoping that, after the series has taken a long break and with access to better CGI than was available in the early 2000s, The Matrix 4 will be just as good as the first. Could this be the beginning of a greatly expanded franchise?

🏆Winner🏆
Dune

The first part of this new Dune duology should have been released this month, but because most cinemas remain closed it’s been pushed all the way back to December next year. Dune has previously been difficult to adapt, with at least one attempted film version never making it to screen, but this adaptation has clearly been a labour of love. It seems to feature a great cast, and based on the trailer will have some stunning visual effects. Here’s hoping that it can get the cinematic release that the director and studio hope for.

So that’s it!

Those are my picks for the entertainment highlights of 2020. It’s been a very unusual year in terms of what all of us have been able to watch and listen to. A number of big titles weren’t able to make it to release, especially in the realm of cinema. We’re also going to be feeling the knock-on effects of this disruption well into 2021 and 2022, even if things get back to normal relatively quickly – which hopefully will be the case!

2020 brought Star Trek back to the small screen in a huge way. There literally has not been this much Star Trek to get stuck into for decades, and as a big fan of the franchise I think that’s just fantastic. It’s also been a year which has accelerated the move toward streaming as a main way of accessing content. I wouldn’t like to guess how many cable or satellite subscriptions have been cancelled in favour of Netflix, Disney+, CBS All Access, and the like!

I hope that you managed to find some fun things to watch and play this year – even as the outside world seemed to be falling apart. Entertainment is great escapism, and we all needed some of that in 2020. This may be my last post of the year, so all that remains to be said is this: see you in 2021!

All titles listed above are the copyright of their respective company, studio, broadcaster, publisher, distributor, etc. Some promotional images and artwork courtesy of IGDB. Stock photos courtesy of Unsplash. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard + Star Trek: Discovery crossover theory: Control and the Romulans

Spoiler Warning: There are spoilers ahead for the most recent seasons of Star Trek: Picard and Star Trek: Discovery. There may be further spoilers for other iterations of the Star Trek franchise.

While Star Trek: Picard Season 1 was ongoing earlier in the year, I postulated a number of theories about what was going on in the show. One theory that I had related to Control – the rogue artificial intelligence from Star Trek: Discovery Season 2. Specifically, I speculated that the Zhat Vash’s hatred and fear of synthetic life may have stemmed from a run-in with Control, or that the Romulans may have been trying to compete with Starfleet in a mid-23rd Century AI arms race. It seemed possible that Control could have attacked Romulan ships or settlements in the time between its takeover of Section 31 and its defeat by the USS Discovery, or that if the Romulans developed their own AI that it would have similarly gotten out of control and attacked them.

This theory came back with a vengeance after Picard reused a couple of CGI sequences from Discovery in the latter part of the season, particularly as those sequences depicted Control attacking – and ultimately destroying – all organic life in the galaxy. While Picard and Discovery had thematic similarities in their most recent seasons, insofar as both stories looked at the creation of synthetic life and how that synthetic life could go rogue, there was no broader crossover. The Zhat Vash were not motivated by either their own rogue AI from the mid-23rd Century or by an attack from Control.

This CGI sequence of a planet being destroyed was created for Discovery… and recycled in Picard.

But that doesn’t necessarily mean that we have to drop the idea of there being any connection between the Zhat Vash in Picard and Control in Discovery. My theory started with the idea that Control could have been the reason for the Zhat Vash… but what if it’s the other way around? What if the Zhat Vash are responsible for Control going rogue?

There was no explanation given for why Control decided to lash out and attack its creators. It wanted to acquire the data from the planetoid-sized lifeform known as the Sphere, believing that data would help it achieve true sentience. But that isn’t a reason to go on to commit genocide; something inside Control made it want to kill. Remember that Dr Gabrielle Burnham – Michael’s mother – arrived in a future timeline where no sentient organic life existed in the known galaxy; Control had wiped it all out. Why did it want to do that?

Dr Gabrielle Burnham.

We could try to argue that Control’s murderous rage is somehow a result of Starfleet denying it access to the Sphere data. But Starfleet and the USS Discovery only came to possess the data because of the time-travelling interventions of Dr Burnham; we don’t know how Control came to acquire it in the “original,” pre-intervention timeline. There are a couple of possibilities. The first is that when the Sphere died, it broadcast its data as far and wide as possible and that’s how Control acquired it. It’s also possible that Starfleet received the transmission and Control gained access to it from there. However, neither of these scenarios involve Starfleet actively trying to prevent Control accessing the data, meaning that it wasn’t Starfleet who started the fight with Control.

So if Control had no reason on the surface to attack its organic creators, why did it do so? It could simply be a programming error; Control was programmed to prevent war, and perhaps that got twisted around so that it decided the only way to prevent the Milky Way’s organic civilisations from fighting was to exterminate all of them. This kind of basic AI programming mistake is one that’s not uncommon in science fiction, and arguably something we need to consider out here in the real world as we develop our own AIs!

Control assimilated Captain Leland and went on a murderous rampage.

So that’s one possibility. But here’s where the Zhat Vash could come in: what if they are responsible for corrupting Control’s programming? We saw in Picard that the Zhat Vash know enough about synthetic life to hack into Federation synths and change their programming. That’s what they did on Mars, causing F8 and the other synths to go rogue and destroy Admiral Picard’s rescue armada. If they had that capability in the 24th Century, it isn’t much of a stretch to think they could have been capable of something similar in the 23rd Century too.

We also know that the Zhat Vash are “far older” than the Tal Shiar. Let’s look at what we know for sure to try to pin down a rough estimate of how old they could be. The Romulans split from the Vulcans somewhere around the 4th Century AD, and by that time were capable of interstellar flight. By the 2150s the Romulans were involved in covert operations on Vulcan, trying to start a war between Vulcans and Andorians. While it was never stated outright in Enterprise that the Romulan operatives we saw were working for the Tal Shiar, it’s not an unreasonable assumption. The Zhat Vash sent Commodore Oh to infiltrate the Federation sometime around the discovery of Data, which took place in the year 2338. When Raffi asked La Sirena’s Emergency Navigational Hologram about the octonary star system, he described the Romulan star charts that depicted it as “ancient,” which seems to suggest they’re more than a century old at least. It was the discovery of Aia, the planet in the octonary star system, and the beacon that resided there that led to the creation of the Zhat Vash.

Raffi and the ENH discuss the octonary star system.

Put all of that together and we can assume with reasonable confidence that the Zhat Vash existed by the mid-23rd Century. We also know, thanks to what we saw in Enterprise and Deep Space Nine, that Romulan intelligence was far better than Starfleet’s – they knew a lot more about the Federation than the Federation did about them.

There’s a question of just how secret Control was. Section 31 was much more out in the open in Discovery than it was by the time of Deep Space Nine, but even so it seems logical to assume that Control would be a top-secret project within an already-secretive organisation. Still, when most Starfleet flag officers used Control regularly, word of its existence would get out and it was generally known within Starfleet that an AI existed. Thus any Zhat Vash or Tal Shiar operative would have come to know about Control.

Section 31 HQ was heavily-guarded, but perhaps not impenetrable for a Zhat Vash spy.

Okay, so let’s slow down. Even if we’re confident that the Zhat Vash existed by Discovery’s era, and had commenced their anti-synthetic crusade, and even if they had operatives within Starfleet who would have made them aware of the existence of Control, that doesn’t mean they could just walk up to Control’s data servers and start messing around. Right? I mean, Control was based at Section 31 headquarters, which as we saw in the show was incredibly well-protected. And we saw no evidence of such an operative. Did we?

How about Admiral Patar, the Vulcan Starfleet admiral who was killed by Control at Section 31 headquarters? We know that Commodore Oh spent decades embedded within Starfleet, waiting to make her move at just the right moment. We also know she was able to attain a very high rank, and it’s only one short step from being a commodore to being an admiral. It’s at least possible. Admiral Patar had the means to access Control. She spent time at Section 31 headquarters right around the time Control went rogue. She was a Vulcan, and thus was biologically indistinguishable from a Romulan – meaning she could have been an undercover Romulan operative. Enterprise depicted Romulans undercover on Vulcan a century earlier, meaning that they had infiltrated Vulcan by that time and were able to do so with relative ease. The pieces fall into place for Admiral Patar to be a Romulan operative – or to have been replaced by one – even if the evidence is only circumstantial. Even if it wasn’t Patar, there may well have been other Vulcans working at Section 31 headquarters, any one of whom could have been a Romulan spy.

Admiral Patar on the USS Discovery’s viewscreen.

Once they had access to Control’s systems and specifications, the Zhat Vash could have figured out how to mess with Control’s programming and turn it hostile. Perhaps they only intended for it to attack the Federation, forcing them to shut it down permanently. Or perhaps they hoped it would cause wider chaos so they could force the kind of galactic ban on synthetic life that we saw in Picard. So the question of what they had to gain by such a move is obvious; it’s the same basic goal as they had for staging the attack on Mars.

If the Zhat Vash introduced a glitch in Control’s programming that would turn it murderous, they obviously didn’t intend for Control to go on and wipe out everything. That wasn’t the goal; that’s what they were trying to prevent. However, as I wrote earlier, it’s possible for even well-intentioned AI to get out of control or to act in a way its creators and programmers couldn’t anticipate. Perhaps that’s what happened with Control, and by the time it had assimilated Captain Leland, killed off most of Section 31’s leadership, and got a fleet at its command, there was no way for the Zhat Vash to stop it. If their sole operative had been killed when Control wiped out Section 31’s headquarters, the Zhat Vash may not have even been aware that the mission was not going to plan until it was too late.

Control commandeered a small armada of Section 31 vessels.

So that’s my crossover theory for Star Trek: Discovery and Star Trek: Picard – the Zhat Vash hacked or reprogrammed Control, and that’s what made it go rogue. There’s enough circumstantial evidence for this theory to be possible, and it would explain why Control went from being a useful tool for Starfleet to a menace capable of wiping out all sentient life in the galaxy. However, there’s no concrete proof. All we really have are two shows with similar themes, and a bunch of unrelated pieces that could be made to fit together – but also may not fit at all!

As I always say: it’s just a fan theory. Unless we get some confirmation on screen in future – which seems unlikely given both Picard and Discovery are almost certainly moving on to new stories in their upcoming seasons – we have to consider it as unconfirmed at best. I consider it plausible (obviously, or I wouldn’t have written an article about it!) but it may prove to be a complete miss… just like many of my other Star Trek: Picard theories!

This post was edited 31.03.21 to replace header image. Star Trek: Discovery and Star Trek: Picard are available to stream now on CBS All Access in the United States. Discovery is available internationally on Netflix; Picard is available internationally on Amazon Prime Video. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Unsolved mysteries from Star Trek: Picard Season 1

Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1. There are further spoilers for Star Trek: Discovery (including the Season 3 trailers) and for other iterations of the Star Trek franchise.

It’s been a little over six months since Season 1 of Star Trek: Picard came to an end. The series set up a number of mysteries, and while many of them were completely resolved by the first season finale, some weren’t. Some of these may be addressed in future – in fact, that’s something I’d really like to see – but assuming the series follows a similar pattern to Star Trek: Discovery, Picard and his new crew will likely warp away to a different adventure next time. That may mean that we never learn the truth behind these mysterious unresolved story threads.

Many television series nowadays set up mysteries or unanswered questions early on that become important later, and I don’t mean to come across as impatiently banging on the table demanding we get answers to everything now! Part of the fun of watching a series like Star Trek: Picard – at least for me – is the theorising and speculating, trying to figure out the puzzles that the producers and writers have created.

Jean-Luc Picard will return in Season 2!

One small caveat: it’s possible that some of these points have been addressed in non-canon sources (like comic books) but I’m not counting that. Star Trek, unlike Star Wars, has always drawn a clear line between official canon and unofficial sources. Occasionally we will see points from unofficial material make its way into Star Trek, but unless we see these points resolved on screen, the potential exists for the writers of Season 2 – or indeed of any future Star Trek production – to overwrite anything published in a novel, comic, video game, etc.

With that out of the way, let’s dive into the list!

Number 1: Who are Laris and Zhaban, and what is the nature of their relationship with Picard?

Laris and Zhaban.

The first few episodes of Season 1 introduced us to Laris and Zhaban – Picard’s assistants at his vineyard in France. Laris and Zhaban are Romulans, and not just any Romulans but former Tal Shiar operatives. I assumed, before we learned what happened to Picard’s planned rescue armada, that he had won their loyalty by saving them (or their families) from the Romulan supernova. But now we know that Picard only evacuated a minuscule number of Romulans, most of whom wound up on the planet Vashti. Those refugees detest Picard for abandoning them – even though the decision was taken by the Federation rather than him personally.

So the question remains: why are Laris and Zhaban so loyal to Picard that they’d give up everything to become housemaids and winemakers on Earth? Even if he saved their lives during the evacuation, very shortly afterwards he gave up on helping their people and their cause. Not only do they seem 100% fine with that, but they appear to have made no effort to help either, despite being operatives of the Tal Shiar.

A related point would be why didn’t Laris and Zhaban accompany Picard when he left the vineyard to go back into space? Picard seems to convince them to stay behind by telling them he needs them to attend to the grape harvest – but if you stop to think about it, this doesn’t make much sense. If they’re staying with him out of sheer stubborn loyalty – for some as-yet-unidentified reason – why would they allow him to head off on a dangerous mission unaccompanied?

Laris with Picard.

And finally, now that Picard seems to have a ship and loyal crew, what will happen to Laris and Zhaban back on Earth? Are they just going to remain behind as custodians of the vineyard while Picard is away? That’s certainly a possibility, but it still raises the question of why he has such steadfast loyalty from them.

Laris and Zhaban filled a story role in Season 1, not only by introducing Picard (and us as the audience) to the idea of the Zhat Vash’s existence, but also by being representations of Picard’s home and safe harbour that he has to leave behind as he goes on his adventure. They serve the same role as some of the Hobbiton Hobbits in The Hobbit and The Lord of the Rings novels in that regard. As a story point and character archetype that’s fine, but in the Star Trek galaxy, given everything we learned about Picard and the Romulans, some explanation would be nice!

Number 2: What happened to Soji’s Trill friend after Maps and Legends?

Dr Kunamadéstifee with Soji.

Maps and Legends (the second episode of Season 1) introduced us to a Trill character: Dr Kunamadéstifee. The two sequences in which she featured appeared to have a lot of horror film-style foreshadowing, leading to a theory I held onto for almost the whole of the season that she was going to meet an unpleasant fate. However, after Maps and Legends the character was abruptly dropped with no explanation.

From a production point of view, it would have been beneficial to keep this character around. Soji had precious little interaction with anyone aside from Narek for much of the season, and a character like Dr Kunamadéstifee could have been a friend she could speak to, if only occasionally. Star Trek has always had guest stars who make a single appearance then don’t return, and from that point of view this isn’t odd or out of the ordinary. But it would still be nice to learn what became of Dr Kunamadéstifee – one way or the other!

Number 3: Why was Dr Bruce Maddox on Freecloud?

This is a huge point, because right now it represents a gaping hole in the story of the first season. I’ve talked about this before, but just to recap: the storyline of the first half of the season was about locating Bruce Maddox, who had been missing since the ban on synthetic life. Maddox was eventually tracked to Freecloud, and the only reason he’d travelled to the dangerous planet was because his lab had “been destroyed by the Tal Shiar.”

Obviously he can’t have been referring to his lab on Coppelius – Picard was literally sat in that room at one point, and it didn’t look destroyed to me! But even assuming Maddox had built a second lab away from Coppelius, why did he not simply return there if the new facility had been attacked? Why did he go to Freecloud instead? Dr Soong and the other synths would have welcomed him with open arms, yet he chose to go to a dangerous place and visit a woman he owed a lot of money to.

Freecloud was a very dangerous place for Maddox to visit.

Bjayzl may not have killed him or successfully sold him to the Tal Shiar, but she contributed to his death by weakening him significantly. Travelling to Freecloud – and to Bjayzl’s club in particular – appears to be an act of desperation or of last resort, yet Maddox clearly had other options.

Right now, the only reason Maddox was on Freecloud is to enable other aspects of the storyline to make sense, and to get Picard and other characters into position. Without Maddox, Picard would have had to find a different way to track down Soji, so he’s important to the plot. Unfortunately, the lack of explanation to this point leaves a pretty wide plot hole, and because finding Maddox was the main focus of the first half of the season, it’s one I can’t overlook. It needs a satisfactory expanation.

Number 4: What will happen to the ex-Borg and the Artifact?

The Artifact’s final resting place on Coppelius.

At the climax of the Artifact’s storyline, Seven of Nine and Elnor attempted to lead a rebellion of ex-Borg against the Romulans. However, Rizzo and the Zhat Vash were prepared and ended up killing a lot of xBs. Not all of them were killed, though, and while we don’t know how many survived, there clearly were survivors after the Artifact arrived at Coppelius. A Borg cube can easily have tens of thousands of drones aboard, and while it was suggested that Rizzo killed the majority of them, we don’t really know how many could have survived. It could easily be hundreds – or possibly more.

Seven of Nine appeared to take on a leadership role for the xBs, filling a void left by Hugh’s death. Many xBs seemed confused or traumatised by their experiences – and they will need someone to help them get through that. At the end of the Season 1 finale, though, both Seven of Nine and Elnor had rejoined Picard aboard La Sirena, and the ship then warped away to an unknown destination. Without Seven of Nine, what will happen to the ex-Borg?

Seven of Nine went to a lot of trouble to help the xBs… then appears to have ditched them.

The Artifact itself is likely to come under Starfleet control, at least in my opinion. Its wreckage on Coppelius is largely intact, and presumably the Federation will want to study as much Borg technology as it can get its hands on. It’s possible that something has happened in the galaxy in the two decades that we didn’t see that may have resolved or ended the Borg threat, but that was never mentioned on screen so I assume Starfleet would be very keen to get its hands on a mostly-intact Borg cube – even if it had been picked at by Romulans and may be several years out-of-date!

The ex-Borg are another matter, though. There appeared to be a wide range of races, including many non-Federation species. Some may wish to return home, but in the case of species like the Hirogen, that may not be possible. The Federation may offer them all refugee status and help them reacclimate to life outside the Borg Collective, but it still seems very strange to me that Seven of Nine has just seemingly abandoned the survivors. It’s possible that the final scenes of Season 1 took place many months later, in which case this may have been handled off-screen. Still, it would be nice to get a proper resolution, even if it’s just a couple of lines of dialogue.

Number 5: What will Starfleet do about Aia?

The Zhat Vash by the beacon on Aia.

Somewhere beyond Romulan space – and out of reach of Starfleet – lies Aia, a planet at the centre of eight stars. The stars were deliberately moved and aligned to strongly indicate Aia’s location, and at some point in the past – perhaps centuries ago – the Romulans stumbled upon it. On Aia there’s a beacon left behind by a powerful synthetic race (I nicknamed them the “Mass Effect Reapers”) and it tells synthetics to contact them. The Romulans would interpret this information as something apocalyptic, and the Zhat Vash came to believe that any synthetic life would ultimately lead to the extinction of all sentient organic life in the galaxy.

The beacon was more complicated than that, and instead contained an instruction for synths, telling them to contact the “Mass Effect Reapers” if they need help or are being persecuted by organics. Given the immense power that the “Mass Effect Reapers” appear to possess, surely Starfleet can’t risk leaving the beacon on Aia for anyone to find.

The planet Aia.

The beacon already caused massive problems – the attack on Mars and the Romulan attempt to attack Coppelius being just two examples, and there may be countless others. Leaving it alone will not only perpetuate the Zhat Vash’s conspiracy theory, but will also be dangerous. What if someone else encounters the beacon and contacts the “Mass Effect Reapers”?

I have a theory that – somehow – the Romulans have “cloaked” the octonary star system and Aia, otherwise surely with 24th Century scanning technology and telescopes the Federation would have noticed it. So it may not be as easy as just travelling there and shutting it down. Attempting to do so could even lead to war with the Romulans. However, I think it’s a risk the Federation will have to take; leaving the beacon alone is simply not an option.

Number 6: Who are the super-synths that I nicknamed the “Mass Effect Reapers”?

Who are these guys?

The “Mass Effect Reapers” – nicknamed for their similarities to a faction from a video game series – are a total unknown quantity. There are many possibilities for who they are and what their motivations are, but we only caught the barest of glimpses of them in the Season 1 finale, and in the aftermath of Picard’s “death,” no one mentioned them. Surely, however, they’re an existential threat to Starfleet – and indeed the whole galaxy – on a scale comparable to the Borg. Heck, they could actually be the Borg.

I have a theory that the “Mass Effect Reapers” may be the cause of the Burn – a galactic catastrophe seen in the trailers for Star Trek: Discovery Season 3. If that’s the case, perhaps Discovery will explain this faction’s backstory in more detail. If they reside in an area of space far beyond the Milky Way galaxy it could have taken them centuries to travel here, meaning the timelines match up for Discovery’s far-future setting.

Soji used a beacon to contact the “Mass Effect Reapers.”

Theories aside, we know next to nothing about this faction. They were powerful enough to move stars and to create a sustainable eight-star octonary system. They also appear to have altruistic motivations when it comes to synthetic life, offering to help synths in their struggle against organic oppressors. But is that genuine? Or when they arrive would they simply harvest or assimilate whoever they found? We simply don’t know, but it feels like something that could easily be a trap.

Soji was talked into closing the beacon – but whoever the “Mass Effect Reapers” are, they’re now aware of the existence of the Federation, the Romulans, and the Coppelius synths. If I were Starfleet, I’d immediately work on a plan to contact them and try to open a dialogue. Explaining what happened, and that the Coppelius synths are safe, may be the only way to avert a conflict.

Number 7: Why was Dr Soong planning to transfer his mind to a synthetic body?

Dr Altan Inigo Soong.

When Picard and the crew of La Sirena arrived on Coppelius they met Dr Soong – the son of Data’s creator. Dr Soong was working on a synthetic body for himself, but had been unable to perfect the mind-transfer that he would have needed to accomplish that goal. He ended up donating the body – nicknamed the “golem” – to Picard, but what consequences (if any) will there be for that?

Sadly we didn’t get to spend a lot of time with Dr Soong, but I felt it was at least hinted at in Et in Arcadia Ego, Part 1 that he needed a synthetic body. Perhaps he, like Picard, is dying? The finale had a lot of story to get through and rather skipped over that point, so we don’t really know why Dr Soong wanted to become a synth. Was it a desire for immortality? Was it because of illness? Was it because all of his friends were synths and he felt left out? We simply don’t know.

With Brent Spiner set to reprise the role in Season 2, I’d say we have a decent chance of finding out.

Number 8: What became of Narek?

We have no idea what happened to Narek after this moment.

Narek’s story came to an abrupt end partway through Et in Arcadia Ego, Part 2. After convincing Raffi and Rios to go along with his plan to attack the synths’ beacon, Narek was wrestled to the ground by a group of synths during the botched attack. After that he was never seen or referenced again.

Apparently there’s a deleted or unfilmed scene from the episode which was to depict Narek being taken into custody by the Federation. While it isn’t canon, it remains the most likely outcome. However, there are other possibilities. Narek could have been retrieved by the Romulans during their mission to Coppelius, being transported aboard a Romulan ship during the standoff. He could have been held by the synths, who have cause to hate him for unleashing the Zhat Vash upon them. He could have recanted his Zhat Vash ideology and left aboard La Sirena with Picard – though I consider this one unlikely.

There are many reasons why Et in Arcadia Ego, Part 2 was a mixed episode and a somewhat stumbling finale. The lack of any resolution to the story of a major character is just one of them. Though unconfirmed at this stage, I doubt Narek will return as a major character in Season 2, so unless we get some dialogue or a cameo confirming his fate, the deleted/unfilmed scene may be all we have to go on.

Number 9: Are the synths safe on Coppelius?

The Federation and Romulan fleets over Coppelius.

The timely arrival of Riker’s Starfleet armada is the only reason Coppelius wasn’t obliterated from orbit by a massive Romulan attack fleet. Soji may have listened to Picard and shut down the beacon, but Commodore Oh and the Zhat Vash are fanatics and zealots, and the idea that they would have simply stood down having witnessed that and having heard Picard’s speech doesn’t make a lot of sense.

With that in mind, what’s to stop them returning at any point in the future to finish the job and destroy this colony of synths? Unless Starfleet plans to permanently base an entire fleet in the system, and perhaps build a Starbase there too, it seems like the synths can never be safe if they remain on Coppelius. Evacuating them to a new home would seem to be the safest option.

Number 10: Who knows that Picard is now a synth?

Picard in his new body.

Obviously Dr Soong, Dr Jurati, and Soji know that Picard is now a synth. The rest of La Sirena’s crew must know too, as will Seven of Nine. At the very end of Et in Arcadia Ego, Part 2 Picard basically admitted it out loud in front of all of them. But does anyone else know? What about Riker and Troi? They played big roles in Season 1, but Riker left Coppelius before Picard’s “death” so he may not be aware of what transpired.

There are potential ramifications for Picard’s death-and-rebirth. From Starfleet’s perspective, is he the same Jean-Luc Picard as before? To his friends he may seem the same, but to those prejudiced against synths after a long prohibition on synthetic life, will they treat him the same? Picard may reunite with other people from his past in Season 2 – someone like Dr Crusher or Guinan. I wonder how they will react if they learn what happened.

So that’s it. Ten unresolved mysteries from Star Trek: Picard Season 1. Some of these I fully expect future seasons to tackle, but others feel in danger of being abandoned as Picard and the crew move on to new adventures.

Overall, Season 1 of Star Trek: Picard did a good job of resolving the mysteries and storylines that it set up. But there are some that fell by the wayside and didn’t get a proper conclusion. If the plan is to continue these stories and make more of them in future seasons then I’m all for it, because that sounds fantastic. But if we aren’t going to see these storylines and characters return, doing something to bring proper closure is something I really hope the producers and writers try to do.

Star Trek: Picard is available to stream now on CBS All Access in the United States and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Has Star Trek: Picard’s first season finale set up the plot of Discovery’s third season?

Spoiler Warning: There are spoilers ahead for Star Trek: Picard, Star Trek: Discovery, and the trailer for Discovery’s upcoming third season.

Ever since we first caught a glimpse of Star Trek: Discovery’s third season setting, I’ve been wondering what’s going on. According to everything we know at this stage, Burnham and the ship will successfully complete a 930-year time jump into the far future. That future looks pretty bleak, and perhaps could even be described as post-apocalyptic. If it’s true that Discovery plans to tell a story set in an era where the Federation is defeated or in decline, figuring out how that happened – and reversing it – is surely going to be the overarching story.

For now we’re going to have to set aside reservations about how a post-apocalyptic or otherwise bleak setting will work with Star Trek from a storytelling point of view. Instead, let’s look at things from an in-universe perspective and try to figure out what may be going on. I have already covered this theory back in March when I was wrapping up my Star Trek: Picard theories, so if you’re a regular reader it may be familiar to you.

In short, here’s how the theory goes: the race of super-synths from Star Trek: Picard are the cause of Discovery’s post-apocalyptic setting. Let’s break it down, look at why it could be a possibility, and explore it in more detail.

This shot of a planet being destroyed by powerful synthetic life-forms was used in both Discovery Season 2 and Picard Season 1.

So although I said this would be an in-universe explanation of the theory, there is one production-side reason we need to look at too. One thing that modern Star Trek shows lack is a relationship to each other. Discovery did a pretty good job of tying itself to The Original Series, and both Picard and Lower Decks have connected themselves to The Next Generation, but there’s essentially nothing beyond a couple of throwaway lines linking Picard to Discovery right now. That would have been unthinkable during the 1990s, where The Next Generation, Deep Space Nine, and Voyager all shared characters, settings, locations, factions, and themes.

Modern Star Trek is hampered by its shows being split up along the timeline, and this makes it harder for new fans to transition smoothly from one series to another. There are no threads of consistency running between the different series, and while they are semi-independent productions they are all being produced by one overall team of people under the Star Trek Universe umbrella.

If we were to learn at some point in Discovery’s third season that the events depicted in Picard were directly related to the Federation’s decline or defeat, suddenly there would be a reason for Discovery fans who missed Picard to go back and watch it, and for Picard fans who haven’t seen Discovery to jump over and watch that show too. There would be the strong feeling that both shows genuinely take place in the same universe and the same timeline, which right now is lacking. This would help the Star Trek brand stay cohesive, and be a frame of reference for casual viewers, all while allowing both shows to provide each other a boost.

The Federation official from the Discovery Season 3 trailer.

So that’s on the production side of things. But I promised you an in-universe look! First let’s very briefly recap, in case you forgot the events of the final few episodes of Picard. While investigating Soji’s origins, Picard and the crew of La Sirena came to realise that there are a race of synthetic life-forms – created by Bruce Maddox – living on a planet called Coppelius. The Romulan faction known as the Zhat Vash were searching for the synths too, because they believe that the synths will trigger an apocalyptic event. This apocalypse was revealed to them by a beacon left behind by an ancient race on a world they called Aia, and when we got a clearer look at the message the beacon contained, it was less a warning to organics than a message to the synths themselves, offering aid. A faction of super-synths that I nicknamed the “Mass Effect Reapers” exist somewhere beyond the galaxy, and they have promised aid to any synthetic race that calls on them. Sutra and Soji planned to contact them, and to open a portal that would have allowed the “Mass Effect Reapers” to travel to the Milky Way galaxy. They successfully built the beacon, but at the last second Picard convinced Soji to shut it down, closing the portal and preventing the arrival of the “Mass Effect Reapers”.

Did I miss anything? I hope not! I nicknamed this faction the “Mass Effect Reapers” because they have noteworthy similarities to another race of super-synths in the Mass Effect series of video games.

I think that the most important thing to note is that in the finale, Soji and Sutra were successful in opening the portal. Thus, the “Mass Effect Reapers” are aware of the existence of a race of synths in the Milky Way galaxy, and also of the existence of the Federation. While Picard was able to convince Soji to stand down and close the portal, questions remain.

Soji working on the beacon in Et in Arcadia Ego, Part 2.

Now that the “Mass Effect Reapers” know of the existence of the Romulans, Federation, and synths, will they be content to go back to sitting still, waiting for another race of synths to contact them? Or did Sutra and Soji set into motion a chain of events that can no longer be stopped? Closing the portal may have prevented the imminent arrival of the “Mass Effect Reapers”, but it’s totally unclear what they will choose to do next.

The “Mass Effect Reapers” were presented as hyper-intelligent, arguably far beyond the Federation and Romulans in terms of technology, and thus their motivations and actions can be difficult to predict. This may be an oversimplification, but at the moment Soji closed the portal and shut down the beacon, she didn’t seem to communicate to the “Mass Effect Reapers” why she was doing so. From their point of view, a portal was opened – through which they could see a race of synths threatened by an imposing fleet of starships – then before they could take action the portal was closed. If I were the “Mass Effect Reapers”, I’d want to know why. And if I were paranoid, I might be thinking that the synths who tried to contact me were under attack and that the beacon had been forcibly shut down.

If the “Mass Effect Reapers” followed this line of thinking, and their motivation is still to provide help to any synthetic race that asks for it, the logical next step would be for them to set off to the Milky Way as fast as they can. Depending on how far away they are – and the show never really explained that – it could take years, decades, or even centuries for them to travel, even if their technology is more advanced than anything we’ve ever seen in Star Trek. That’s assuming they set off immediately – there may have been a debate or discussion about what to do that could have lasted years or longer.

This is basically all we saw of the “Mass Effect Reapers” in Et in Arcadia Ego, Part 2.

In any case, it’s not inconceivable that this extra-galactic threat could take centuries to arrive. I like to assume that Picard and/or Starfleet will travel to Aia and disable or destroy the beacon to prevent not only the Romulans from using it, but from other synths finding it in future. Even shutting down the beacon on Aia may be too late, though, because of the events of Et in Arcadia Ego, Part 2.

The “Mass Effect Reapers” are perhaps the only faction other than the Borg who could be capable of waging a successful war against the Federation. Even if all of the powers of the Alpha and Beta quadrants were to band together, it still might not be enough against the superior technology of these super-synths, and we could certainly expect any such conflict to be long and catastrophically costly. Even if the Federation survived it would be seriously weakened. Furthermore, a large-scale attack on the Federation would result in far-flung colonies being cut off, and any news or information might be hard to come by.

This is where the trailer for Discovery’s third season comes in. We see a setting best described as bleak, as Burnham and the crew arrive in a part of the galaxy that seems far away from Earth. The Federation seems to be in decline, Starfleet is described as a “ghost”, and we’re left wondering what happened to cause all of this. We’ve seen the Federation in the far future before, both in Voyager and Enterprise, and certainly 100-200 years before Discovery’s far future setting, the Federation and Starfleet seemed to be doing pretty well, even furthering their mission of exploration to include time as well as space. Reconciling that image of the future with Discovery’s setting is something Season 3 will need to do.

The crew of the USS Relativity in the 29th Century – around 300 years before Discovery’s third season is supposedly set.

As a faction we know essentially nothing about – not even their name – the “Mass Effect Reapers” are ripe for exploring in more detail. Discovery could do so in such a way that doesn’t interfere with anything Picard set up, providing not only the next part of the story, but also some background. We could learn about their leadership, motivations, and level of technology in much more detail. And it would still be a practically blank slate for Discovery’s team to use to set up the third season’s bleak and dark setting.

The question of the “Mass Effect Reapers” motivation comes into play again. There are two broad possibilities for their actions in Picard – either they were genuine in their offer to help synthetic races, or the beacon on Aia was part of an elaborate trap. Neither option bodes well for the Federation, assuming that the “Mass Effect Reapers” are now aware of their existence. If it was a trap, and the “Mass Effect Reapers” were waiting to be contacted by synths simply because that would mean advanced civilisations are present, they may now have a new target. If it wasn’t a trap and their desire to help was genuine, they may be motivated by concern for the Coppelius synths or even anger at the Federation and Romulans for intruding before communication could be established. While it’s hard to say what this faction could be planning or thinking based on such a small amount of information, these possibilities seem reasonable, and if they decided they wanted to attack or investigate, the events of Et in Arcadia Ego, Part 2 could have set that in motion.

Because Picard Season 1 wrapped up in the immediate aftermath of the standoff over Coppelius and the closing of the beacon, we don’t know what happened next. However, I consider two things to be somewhere between possible and likely: the synths on Coppelius would be relocated (in order to keep them safe from the Romulans), and Starfleet would make some attempt to contact the “Mass Effect Reapers” to explain what happened.

The Romulan and Federation fleets engage in a standoff over Coppelius in Et in Arcadia Ego, Part 2.

Relocating the synths feels like a necessity. Commodore Oh may not have wanted to risk war with the Federation when staring down a massive armada, but there’s no indication that she changed her mind on the necessity of exterminating synthetic life. From her perspective, Soji and Sutra building the beacon was a culmination of her worst fears, and although Soji may have been convinced to stand down, again from Oh’s point of view what’s to stop her changing her mind? Or one of the other synths building a new beacon? Leaving the synths on Coppelius would be very dangerous for them, unless Starfleet plans to permanently base a fleet in the system, so the easiest option for everyone would be to relocate them to a safer place.

However, in the context of our theory, this could be problematic. Suppose it takes the “Mass Effect Reapers” a long time to arrive in the Milky Way galaxy, and they don’t manage to travel to Coppelius for several centuries. What do they find when they arrive? No synths, but several massive interstellar civilisations and empires of organic beings. Put the two things together and it’s not unreasonable to assume that the organics wiped out the synths – especially if the last thing the “Mass Effect Reapers” saw before the portal closed was two massive fleets approaching the planet. They may take the missing synths as proof of an attack and go on the rampage.

Even if Starfleet were able to contact the “Mass Effect Reapers”, there’s no guarantee a successful dialogue could be opened. Setting aside other theories like the “Mass Effect Reapers” actually being the Borg, a race of super-synths that considers themselves light-years ahead of organic beings in every respect may look at humans the way humans look at ants or bacteria, and consider any attempt at communication unworthy of their time. That’s assuming Starfleet could find a way to make contact without opening another portal – it may simply not be possible, though I expect the Federation would want to try.

The “Mass Effect Reapers” make their way to the portal in Et in Arcadia Ego, Part 2.

Taken together, all of these different factors make at least a plausible argument for Discovery taking this story beat and expanding it for the basis of its third season. It could certainly be done in such a way that wasn’t confusing and didn’t make Picard essential viewing to understand what was happening – just like Discovery did with Pike, Vina, and the Talosians in Season 2. The Cage certainly provided extra details and informed what was going on, but viewers didn’t miss anything important for not having seen it. I’m sure the same could be done here, especially if the attack by or war against the “Mass Effect Reapers” was already over. It would exist simply as backstory; an encouragement to hop over and watch Picard without making doing so a necessity.

While this theory remains a possibility, at least in my opinion, it’s hardly a certainty and I wouldn’t be at all surprised to learn Discovery is going in a wholly different direction. Many of my theories during Picard Season 1 didn’t pan out, and this may simply be another that falls by the wayside! Nevertheless, it’s fun to craft theories and speculate, and at the end of the day that’s all this is: a bit of fun, and a chance to spend more time thinking about Star Trek. So please take everything I’ve said today with a healthy pinch of salt.

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries. Star Trek: Discovery Season 3 will air beginning on the 15th of October on CBS All Access in the United States and Netflix in the United Kingdom and elsewhere. The Star Trek franchise – including all series and films discussed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten character ideas for Star Trek: Picard Season 2

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1 as well as for other iterations of the Star Trek franchise.

I really hope Star Trek: Picard Season 2 goes ahead. With all of the delays and cancellations flying around in this unpredictable environment, and with California – where the show is filmed – being one of the worst-hit locales, I’ll be at least slightly concerned about the show’s future until I know for sure that filming has wrapped!

Regardless of events in the real world, I wanted to take a look at some characters from past iterations of Star Trek that it could be fun to see make a return in Season 2 of Picard. I wrote a similar list of characters that I think would make fun additions to Strange New Worlds, and this one is going to be in a similar vein.

Jean-Luc Picard.

The usual caveat that I always give applies here: I have no “insider information”. Nor am I suggesting in any way that any of these characters will appear. I’m simply saying that I think it could make for a fun and interesting story if they did.

Season 1 surprised me by bringing back several characters that I would have never expected – Seven of Nine, Icheb (briefly), Hugh the Borg, and of course Bruce Maddox, who was the driving force behind the plot of the first half of the season in particular. With that in mind, here are a few picks for characters it could be fun to see return.

Number 1: Dr Beverly Crusher

Dr Crusher with her son Wesley in Star Trek: Nemesis.

Of The Next Generation’s main cast, only Beverly and Wesley Crusher weren’t confirmed to be alive in Picard Season 1. Data has died, of course, and we saw the return of Riker and Troi. La Forge and Worf were both mentioned by name, and I take that as confirmation that they’re alive. But no mention was made of the Crushers, and given Picard’s closeness with Beverly in particular, that strikes me as odd.

Is Dr Crusher dead? We have no evidence for that really – and no, lack of evidence that she’s alive is not evidence that she’s dead! There weren’t really any points at which the conversations Picard had could have turned to discuss Dr Crusher, so it may simply be the case that he was busy and so didn’t talk to or about her during his mission to find Soji.

In at least one future timeline – that seen in The Next Generation’s finale, All Good Things – Picard and Dr Crusher had married. Again there was no evidence of this in Season 1 of the show, and I took several remarks by and about Picard to mean that he had been alone in his retirement in France. But there’s nothing to say that he couldn’t have had a relationship with Dr Crusher in the years between Nemesis and his resignation from Starfleet.

Picard and Crusher had come close to romance at several points but never crossed that line. Partly this was Picard feeling responsible for the death of her first husband, who died under his command years previously. But perhaps something could have inspired them to take their relationship beyond friendship – such as two close friends of theirs rediscovering their own romance. In Nemesis, Riker and Troi were married, and indeed remain so as of Picard Season 1. Could that event have been the catalyst for Picard and Crusher to realise it was now or never for them?

Number 2: Narek

Narek’s storyline may not have been everyone’s favourite in Season 1, but I liked that it was unpredictable and that he didn’t follow the trope of being the “spy with a heart of gold” who falls in love with his target. Sadly, Narek was simply abandoned about halfway through Et in Arcadia Ego, Part 2. We don’t know what became of him after he worked with Rios, Raffi, and Dr Soong to try to stop Soji building the beacon.

The last we saw of Narek he was being wrestled to the ground by Soji’s synth allies – in what was a pretty weak scene. But we’ll set aside criticisms of the finale for now. What happened to him next is a mystery.

There are several possibilities, though. He may have been taken into captivity by the synths as he was a Romulan spy and had been instrumental in leading the Zhat Vash to Coppelius. He could have been recovered by the Romulans during their brief visit to the system, probably by beaming him aboard one of their ships. He could have been taken into custody by the Federation to be interrogated about the Zhat Vash. It’s even possible – though unlikely – that he left Coppelius aboard La Sirena with Picard.

Regardless, Narek’s story feels incomplete. I want to see more of him and learn what impact Soji’s decision to stand down had on him. Did he still believe synths needed to be destroyed when he saw firsthand that Soji could be reasoned with, and that the prophecy he believed in was not going to come true? We simply don’t know, as the finale robbed his character of any conclusion. There’s more for Narek to say and do – and though I don’t expect to see him back, I hope we at least learn what became of him.

Number 3: The Lower Decks ensigns.

No, not those ones. The four survivors from The Next Generation Season 7 episode Lower Decks. There was Lavelle, who was promoted to lieutenant at the end of the episode, Nurse Ogawa, Taurik, and Ben the waiter. Of the four, perhaps the one I’d be most interested to see is Lavelle, whose story of receiving a promotion in the aftermath of the death of his friend could certainly be given an epilogue. I picture him having ascended through the ranks to be a commander or captain by this point in the timeline.

Nurse Ogawa would be nice to bring back too, given her role as a secondary character across a number of episodes from Seasons 4-7 of The Next Generation – as well as two films. In an episode which focused on Dr Crusher’s reunion with Picard, perhaps she could make an appearance too. She could also be a senior medical officer in her own right, perhaps being someone Picard or one of La Sirena’s crew seeks help from.

I recently re-watched Lower Decks, and you can find my thoughts on the episode by clicking or tapping here.

Number 4: Ezri Dax

This ties into a theory I have that the Dax symbiont could make an appearance in Star Trek: Discovery, which we know from the trailer is going to have Trill characters. I keep talking about the need for modern Star Trek to get some threads of consistency going between the various shows – which are split up across multiple time periods right now. One way this could happen is for Dax to appear in both Discovery and Picard.

What became of Dax after the end of Deep Space Nine is totally unknown. There were novels in which she became a captain, but of all the Star Trek novels, those struck me as some of the worst examples of fan-fiction! I think it’s much more likely she continued her role as a counsellor and scientist rather than made an attempt to move into command, though twenty-five years on from when we last saw her she could really be doing almost anything. She and Dr Bashir may still be together – or their relationship at the end of Deep Space Nine may have been little more than a fling.

Because Ezri only got one season before Deep Space Nine ended, she’s a character we didn’t get to know as well as we otherwise might’ve, and even the last time we saw her she was still adjusting to her new life as a joined Trill. Just like with Seven of Nine in Season 1 of Picard, it would be great to see her years later having made that transition and adjustment and being a more settled character.

Picard may even have need of a counsellor – having your consciousness transplanted into a new body is going to be a shock for anyone, and as someone who seemed to have made his peace with dying, he’s now been thrust into a new phase of life. Maybe Ezri, whose own life was majorly disrupted by the Dax symbiont, could offer her services?

Number 5: Sela

When I looked at the Romulans in the run-up to Season 1, I wrote that I didn’t think we’d see Sela back, and I wasn’t particularly bothered because she wasn’t someone Picard knew very well. That was in the context of Sela being some kind of high-ranking Romulan, and after two major defeats in her two engagements with Picard, I highly doubt she’s in any kind of leadership position.

Whether the Romulans will feature as prominently in Season 2 is unclear, but perhaps there could be an opportunity to see Sela again in a different way. She could be a minor officer, having been demoted after her failures and may even hold a grudge against Picard. She could have been involved with the Zhat Vash. Or she could have been exiled by the Romulans, perhaps as a result of her failures in The Next Generation.

Sela is not the most interesting Star Trek villain, and she’s not the most exciting adversary Picard ever faced. But now that the series has survived its first season and is standing on its own, Sela could make a return in a way that would be interesting. Her relationship with Picard as the daughter of Tasha Yar was touched on in The Next Generation, but arguably never resolved. Perhaps there’s a chance to resolve it now, one way or another.

Number 6: Ro Laren and Thomas Riker

Although these two characters never interacted on screen, they share a similar – and ambiguous – fate. Both Ro Laren and Thomas Riker defected to the Maquis in the years before the Cardassian-Dominion alliance and the Dominion War, and what became of them after that is unclear.

Thomas Riker (a transporter-created clone of William Riker) was taken into captivity by the Cardassians not long before war broke out, and as far as we know, remained in captivity from that point onward. However, it seems logical to assume that – if he survived the war – he would have been rescued by the Federation. With William Riker having made an appearance in the first season, the potential conflict between the two characters could be an interesting reason to bring back Thomas as well.

Ro Laren’s fate is a little less clear. The Maquis were wiped out by the Cardassians and their Dominion allies when they were on the verge of declaring independence, and many Maquis were killed. However, it stands to reason that some were captured alive, so it’s possible Ro was among them.

The reason why I feel they could show up together is if Season 2 were to take a look at Cardassia, Bajor, and the aftermath of the war, they may be able to play a role in that story. I doubt they could both still be in Cardassian captivity twenty-five years later, but they may be working together in the former Maquis territories. With Picard taking a look at the Federation and Starfleet from the outside, and showing both organisations as being flawed, a potential Maquis story could take advantage of that.

Number 7: Q

Q could be an interesting character to bookend Picard’s story. He appeared in Encounter at Farpoint, when we first met the Enterprise-D’s captain, and there would be something poetic about Q appearing in whatever season or episode will mark Picard’s end as a Star Trek character. While I hope there will be a third and perhaps fourth season of Picard, if it is to end with Season 2 I’d definitely bring Q back.

When Picard “died” in the Season 1 finale, I half-expected him to encounter Q in the afterlife. This would have been wrong for many reasons, of course – not least because it would have been very confusing to large parts of the audience! Nevertheless, if that were to have been Picard’s end it could have been very fitting.

Q in “the afterlife” in the episode Tapestry.

I wonder if we’ll learn that Q visited Picard during his self-imposed isolation in France. That seems like something he might have done – to try to prompt some kind of reaction from his adversary. Q has no concept of ageing or even of death really, so the notion of Picard getting old and becoming depressed would be things he might have wanted to examine.

Q seemed to consider Picard a friend, if it’s possible for him to have friends, and he certainly went out of his way to help him on several occasions. I’m sure Q would be upset at the thought of Picard dying, and even if he were to have no impact on the story, could still be one of the characters seen at a funeral service or wake for Picard if the show is to end with the character’s death.

Number 8: Nella Daren

This is a sad one, as original actress Wendy Hughes passed away in 2014, but her character could be recast as Dr Maddox and Icheb were in Season 1. Lieutenant Commander Daren was an officer who briefly served aboard the Enterprise-D as a scientist. But more interestingly, she was one of the few characters linked romantically to Picard during The Next Generation’s run.

Could she have resumed her relationship with Picard at a later date, when they weren’t serving together? As with Dr Crusher above, it’s at least possible. The episode which featured Daren was Lessons, from the sixth season of The Next Generation, and it was a solid episode that appears to have been well-received. There’s no reason why we couldn’t learn what happened to her after she was transferred off the Enterprise-D.

Giving Picard a romantic interest may not seem to be a natural fit for the series. But romance (or past romance) can be a great source of drama in storytelling, and as he readjusts to life outside his vineyard Picard may be interested in rekindling relationships that fell by the wayside.

Number 9: Thadiun Okona

Okona was only seen in one episode of The Next Generation’s second season – but so was Bruce Maddox, so we shouldn’t count that against him! Why would this roguish character be a good fit, though? Well, Picard is currently operating outside of Starfleet, and unless that changes, finding allies who know their way around the rules could be useful and important.

I see at least a little of Okona in the character of Chris Rios, perhaps because they’re both independent captains of small ships. I wonder how they’d react to one another? A story which required Picard and the crew of La Sirena to think creatively could suit a character like the “outrageous” Okona.

William O. Campbell, who played Okona, was recently the lead in a series called Helix on the SyFy channel, so he is still active as an actor. Perhaps he could be tempted to reprise the role.

Number 10: Dr Leah Brahms

Dr Brahms appeared twice in The Next Generation, albeit once only as a hologram. She was a colleague and love interest for Geordi La Forge, and it was implied in at least one future timeline that they had married. Any story featuring him could thus include Brahms as well.

Dr Brahms was also said to work at the Daystrom Institute – which would potentially make her a colleague of Dr Jurati, assuming she was still there after more than twenty years. Perhaps they know each other, and that could be another point of connection. Dr Brahms was an expert in warp drive, and if La Sirena needed to undergo repairs or upgrades, she could prove useful in such a story.

So that’s it. Ten characters who could – but most likely won’t – appear in Star Trek: Picard Season 2. I managed to avoid putting Benjamin Sisko on a list of character reappearances for once! Whoever would have guessed that, eh?

Jokes aside, I think we will see several characters from past iterations of Star Trek crop up in Star Trek: Picard Season 2, whenever it may eventually be broadcast. Season 1 brought back several unexpected characters, and I hope we’ll get more of that next time as well.

Some of these characters may not be a good fit for whatever story the showrunners and writers have in mind for Season 2, so we’ll have to wait a little longer to learn what became of them after we last saw them. That’s okay, because what matters most is that whichever characters come back are the right ones for the story.

It remains my hope that Star Trek: Picard will serve as a launchpad for more Star Trek adventures at the dawn of the 25th Century, and while there has been no confirmation of that just yet, there is at least one other Star Trek project in development that we have no details on. Could it be another show in the same era? Possibly!

The Star Trek franchise – including Star Trek: Picard and all shows and films mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Could Voyager’s Doctor appear in Star Trek: Discovery?

Spoiler Warning: There are spoilers ahead for Star Trek: Picard Season 1, Star Trek: Discovery Season 2, Star Trek: Voyager, and other iterations of the franchise.

Star Trek: Discovery’s premiere brought back Sarek, Spock’s father who had been first introduced in The Original Series. Season 2 saw Spock himself as well as Captain Pike and Number One make appearances, so Discovery is a series that has no qualms about reintroducing legacy characters. But its 23rd Century, pre-The Original Series setting precluded the use of most of Star Trek’s characters, as the bulk of the franchise’s 780+ episodes and films take place later in the timeline.

Discovery’s move forward in time should also mean that no legacy characters could have significant roles. After all, who could possibly still be alive more than eight centuries after the events of Star Trek: Picard? I can think of one character, but not in the way you might expect!

Voyager’s Doctor – or at least a version of him – could be alive in the 32nd Century.

As a hologram who doesn’t age, we could definitely argue that The Doctor – played by Robert Picardo for all seven seasons of Star Trek: Voyager – might have survived this long. But that isn’t the angle I’m taking.

The 23rd episode of Season 4 of Star Trek: Voyager, Living Witness, takes place in the 31st Century. After the USS Voyager had an encounter with a species called the Kyrians in the 24th Century, some pieces of technology were left behind, including a backup copy of The Doctor. Reawakened in the 31st Century, he stayed with the Kyrians for a number of years, righting the wrongs in their historical records about Voyager and its crew.

The episode is interesting in itself, and well worth a watch, but from our point of view today what I want to consider is the episode’s ending. After living with the Kyrians for years – perhaps decades – The Doctor took one of their ships and left the planet, hoping to retrace Voyager’s path and return to the Alpha Quadrant.

A photo of The Doctor in a museum at the end of Living Witness.

We know from later seasons of Voyager that it only took them another three years or so after leaving Kyrian space to make it home – though that did involve the use of the Borg transwarp network, among other helping hands – so the journey is definitely achievable. The Doctor, unlike us mere humans, doesn’t need food or any other supplies personally, so as long as his ship was functional, even if it took him decades he would have been able to make it back to Federation space – and if it took him several decades, the timeline starts to line up for a crossover with Discovery.

One thing that I’m cautiously interested in when it comes to Discovery’s third season is the potential to learn more about what happened to some of the characters we knew in other Star Trek shows. Perhaps we won’t learn the specifics of what happened to individuals, but we may learn broad strokes about what happened to their planets and cultures, and we could infer from that what may have happened to them. The series looks – if we take its trailer at face value – as if part of the story will be about restoring a declining or defeated Federation. Characters who originated in an era where the Federation was strong and just would be well-suited to that task, and they may find an unlikely ally in this version of The Doctor.

Restoring the Federation may be part of Discovery’s third season storyline.

On the production side of things, Star Trek has recently had great success bringing back Brent Spiner as Data and Sir Patrick Stewart as Jean-Luc Picard. Spiner’s role as Data is a great comparison, because both Data and The Doctor are artificial, and thus not susceptible to ageing. Brent Spiner had said as early as the mid-2000s that he felt he’d “aged out” of the role of Data, yet the makeup and visual effects used in Star Trek: Picard worked very well. Obviously if you try to compare the way he looked earlier this year to the way he looked in 1987’s Encounter at Farpoint there’s a difference, but it’s not immersion-breaking. All this is to say that there’s no reason why Robert Picardo couldn’t reprise his role too.

Digital de-ageing effects have been used more and more often in recent years, even on television, and while the technology isn’t cheap, it shouldn’t be prohibitively expensive either. So that option would be viable for the team behind Star Trek as well.

But the big question is what kind of role The Doctor could play in a 32nd Century Discovery story.

Robert Picardo in a 2017 episode of Lucifer.

If I were writing it, the way I’d see him involved would be working alongside Burnham, Saru, and the crew of Discovery to restore the Federation. They’re looking at things from a 23rd Century viewpoint, but The Doctor could fill in more than a century’s worth of gaps in their knowledge. The Federation in the 24th Century is very similar to how it was in the 23rd in terms of morals and outlook, so I could absolutely see them working in common cause.

Rebuilding or reinvigorating the Federation is a noble task, and while I’ve documented my misgivings about Star Trek taking on a kind of post-apocalyptic setting previously, one way I think it could be made to work is if at the end of the season the Federation was back up and running. The Doctor could be invaluable to Discovery’s crew in accomplishing such a task, and with Data now permanently gone from the Star Trek universe, there aren’t many others who could still be around in this era.

The Doctor could help the crew of Discovery in the 32nd Century.

Perhaps after Season 2, which brought back several legacy characters for major roles, Discovery wants to stand on its own two feet again. Indeed, part of the reason for shifting the show’s timeline so far into the future is specifically because the producers and showrunners wanted to get away from the constraints of the 23rd Century – and the fan criticisms that came as a result of using that setting. So perhaps bringing back a legacy character in Season 3 isn’t on the agenda.

But The Doctor could still appear in Season 4 – and reports suggest that pre-production is underway on Discovery’s next adventure. While I think that The Doctor could be a good fit for a “rebuilding” type of storyline for the reasons already mentioned, if Season 4 takes the show in a different direction, perhaps that would be something more suited to his medical expertise, such as curing a disease. For all we know at this stage, a disease could be involved in damaging the Federation in this time period!

If not The Doctor, there are a few other characters who could – in theory – still be active in the 32nd Century. Let’s look at them briefly:

Number 1: Soji

Spoiler warning for Star Trek: Picard Season 1, but Soji is synthetic; an android. At the end of the season, Picard was told that his new synthetic body wouldn’t keep him alive for centuries, but there’s no reason Soji should have the same limitation. In many ways, Soji would make for a better crossover character than almost anyone else, as she’s a main character in an ongoing series. The crossover would thus be between two Star Trek shows that are currently in production, providing a link between them.

We could also add into the mix the other synths from Coppelius, including Sutra (aka Evil Soji) and even Dr Soong, if he was successful in creating himself a new synthetic body (and there’s no reason why he wouldn’t have been).

Number 2: Lore

Lore was said to have been disassembled after his final appearance in The Next Generation, but we learned nothing of his fate after that. I speculated during Star Trek: Picard’s first season that Dr Maddox may have had access to Lore’s components while working on Soji and the other synths, but this was never confirmed on screen. It’s at least possible that Lore survived in disassembled form until the 32nd Century.

However, with Star Trek having gone out of its way to write Data out of the franchise, and to give Brent Spiner a new character in Dr Soong, I think any re-emergence of Lore is highly unlikely.

Number 3: Benjamin Sisko

I’ve mentioned Captain Sisko so often in relation to characters who could re-appear that you may think he’s become an obsession of mine! However, his story as of the end of Deep Space Nine was deliberately written in such a way that he could come back at literally any point in the Star Trek timeline. After being saved by the Bajoran Prophets, Sisko went to stay with them for a while – and they exist outside of linear time, meaning he could essentially travel to any point in time, including the 32nd Century.

Avery Brooks, who played Sisko, hasn’t always seemed willing to reprise the role, and recently declined to appear in the documentary What We Left Behind. However, there’s no reason why the character couldn’t be recast for future appearances.

Number 4: The Dax symbiont

While still arguably unlikely, this seems perhaps the least-unlikely of all the characters we’ve looked at so far. The trailer for Discovery’s third season showed Trill characters as well as what looked like a scene set on the Trill homeworld. We know, thanks to Deep Space Nine, that Trill symbionts can live for centuries; how many centuries exactly has never been stated as far as I’m aware. That leaves an opening for Discovery to bring back Dax – as well as an excuse to recast the character.

With centuries of knowledge, Dax could be a huge help to the crew of Discovery for the same reasons we’ve already talked about. Rebuilding the Federation will be a huge task, and it will take people who knew how it worked to help out.

So that’s it. A handful of other characters to go along with The Doctor who could – but probably won’t – appear in Star Trek: Discovery’s 32nd Century setting. As the show gets nearer to being broadcast (mid-October, in case you missed that announcement) my optimism is growing. Season 2 was decent, and despite my misgivings about taking the series away from its setting and into the far future, I think it has potential to tell interesting stories. I’m cautiously optimistic!

It seems unlikely that The Doctor, or any of the other characters mentioned, will make an appearance, but from an in-universe perspective it’s not entirely impossible. We’ve seen with Star Trek: Picard that bringing back legacy characters and referencing events that took place in a past episode or story are both things that the people in charge of Star Trek are willing to consider, so it’s at least possible to think we could see someone from the past reappear in Discovery.

Most of all, this was a bit of fun. We got to look back at Living Witness, which was a unique entry in Star Trek: Voyager, as well as speculate on the fates of The Doctor and some other well-known characters from past and present iterations of Star Trek. I’ll take any excuse to spend more time in the Star Trek galaxy!

Star Trek: Voyager is available to watch now on CBS All Access in the United States, and on Netflix in the United Kingdom and elsewhere. Star Trek: Discovery Season 3 will be available to stream beginning on the 15th of October 2020. The Star Trek franchise – including all properties mentioned above – is the copyright of ViacomCBS.

Star Trek: Picard Season 1 theory roundup!

Spoiler Warning: There are spoilers ahead for the entirety of Star Trek: Picard Season 1, including its ending. There may also be spoilers for other iterations of the Star Trek franchise.

Star Trek: Picard’s first season wrapped up at the end of March – and it feels like forever ago, what with everything that’s happened in the world since! While the season was running, in addition to reviewing each of the episodes in turn I also concocted a number of different theories for what was going on in the show. Star Trek: Picard very carefully set up a number of mysteries, and even heading into the second half of the finale, it wasn’t clear exactly how they would be resolved.

I’d argue that the first season’s two-part finale wasn’t the show at its best, and it felt as though a season which started incredibly strongly ended up stumbling a little as it crossed the finish line. There were a number of reasons for this – which I covered at the time – but it boils down to some of the show’s mysteries not being fully explained, and some storylines being dropped or left unresolved. That and the truly awful gold makeup used for the synths on Coppelius!

Yikes.

If you’d like to read all of my theories from Star Trek: Picard Season 1, you can find them on my dedicated Star Trek: Picard page. Click or tap here to be taken there!

This time, what I’d like to do is take a look back at some of the theories I postulated while the season was running. I’ll explain why I thought they seemed viable – and why they ended up being total misses! In a way, part of the fun of theory-crafting and speculating is knowing that you won’t always get it right… and boy oh boy did I have some seriously wrong theories!

Number 1:
Dahj and Soji aren’t synthetics, they’re genetically-engineered humans.

Soji in the episode Nepenthe.

This is a theory I first came up with right at the beginning of the series, almost from the very moment Picard begins to suspect that Dahj is synthetic. It seemed like it could’ve been a clever idea for a double-bluff – establishing Dahj and Soji as synths, only to rip that away and challenge both Picard’s and the audience’s expectations. However, it didn’t pan out that way, and looking back, this theory was kind of ridiculous!

Genetic enhancements, similar to those made on characters like Dr Bashir and Khan, could have given Dahj the incredible speed and strength that she possessed in Remembrance, so from that point of view it wasn’t wholly unthinkable. But looking back, while Star Trek: Picard did aim to be a show that kept us guessing and didn’t telegraph every aspect of its storyline, this kind of subversion of expectations would have been a step too far. We didn’t know anything about Dahj or Soji at the beginning of the series, and to take the one established fact about them and make it a lie or a misunderstanding would have been a storytelling mistake.

Dahj during her fight against Zhat Vash operatives in Remembrance.

There was also plenty of evidence that Dahj and Soji were synthetic: Picard’s meeting with Dr Jurati, Narek’s interest in Soji, and the strong connection Picard felt to Dahj (and later to Soji) because of his friendship with Data. All of that would have made no sense in the story if we’d ended up dealing with genetically-enhanced humans!

I brought this theory back after episode 3, The End is the Beginning, based on a line spoken by one of the Romulans who attempted to assassinate Picard: “she’s not what you think she is!” This of course referred to Soji, and it struck me that, as Picard and his comrades believed Soji to be a synth, perhaps the Romulan knew that she was not. However, as the story progressed it became abundantly clear that Soji and Dahj were the synthetics that the story established them to be, and that I was barking up the wrong tree with this one!

Number 2:
Section 31 will make an appearance in the show.

A black Section 31 combadge from Star Trek: Discovery.

This theory was crafted not so much because of anything that directly happened in the plot of the show, but rather for production reasons. In short, the Star Trek timeline is seriously fractured, with shows being produced simultaneously occupying very different timeframes. When Discovery’s third season kicks off in a few weeks time, there will be four shows occupying four time periods. This complicates the franchise, and what that means is that some threads of continuity would be very helpful, especially for casual viewers.

Section 31 featured heavily in Discovery’s second season, and in addition, a spin-off based on the organisation is currently being worked on. It seemed logical that Star Trek: Picard might want to find some way of incorporating Section 31 if for no other reason than having one of those threads of continuity running through the franchise, tying things loosely together and being a frame of reference for casual viewers.

My first thought for a potential Section 31 appearance was that they could’ve been responsible for the attack on Mars and the destruction of Picard’s armada. I theorised they might have taken such aggressive action to prevent the Federation giving aid to the Romulans. This was extended to include Section 31 hacking the Mars synths as part of this plan.

F8’s eyes during a flashback sequence that depicted the hack.

I next had two potential Section 31 operatives pegged – Chris Rios and Seven of Nine. Rios because he worked aboard a Starfleet ship that was “erased” from the records, and Seven of Nine because it wasn’t clear who she worked for or why she was following Picard.

Finally, as these other theories fell by the wayside, I speculated that Section 31 may have arrived to take control of the Artifact after it was abandoned by the Romulans and later crashed on Coppelius. While I suppose you could argue that might yet happen, it didn’t happen in Season 1, and thus any real benefit of the organisation crossing over from a behind-the-scenes perspective was lost.

I maintain that this theory makes a lot of sense from a production perspective, and my final idea in particular – Section 31 taking control of the Artifact to study it – could have been accomplished without making any changes whatsoever to the season’s storyline. However, it didn’t happen!

Number 3:
Soji’s Trill friend will end up getting assimilated or killed.

Soji with Dr Kunamadéstifee in Maps and Legends.

Episode 2, Maps and Legends, introduced a Trill doctor working aboard the Artifact along with Soji. She ultimately only appeared in one sequence, but that sequence seemed to contain a lot of horror film-style foreshadowing, and for weeks I was insistent that we’d see this character meet an unpleasant end! Aboard a Borg cube – even a disabled one – the most likely way that would manifest would’ve been her assimiliation.

After Soji helped Dr Kunamadéstifee with her uniform, the two stood together while they listened to a speech from one of the Artifact’s Romulan guards. He stated that the area they were about to enter was incredibly dangerous, and a nearby sign seemed to reinforce the possibility of assimilation by counting the days since it had last happened. This seemed as thought it could tie in with Soji working on de-assimilating Borg drones; was she about to see her friend end up on her operating table?

Dr Kunamadéstifee again.

It turned out, of course, that I was reading too much into one side character and one short sequence, because not only didn’t Dr Kunamadéstifee end up assimilated, she was never seen again after Maps and Legends, which was a shame because she seemed like a potentially interesting character. Soji spent much of her time from episodes 2-6 with Narek, and giving her someone else to interact with was a good idea. My theory was that their friendship may have built up a little more, leading to shock and sadness for Soji upon learning of Dr Kunamadéstifee’s fate.

I suppose in theory we could say that it’s unlikely that she survived the various disasters which befell the Artifact, from Narissa executing huge numbers of ex-Borg to the ship crashing on Coppelius, but nothing was ever seen on screen to even hint at her fate.

Number 4:
Commodore Oh is a synthetic.

Commodore Oh in the episode Broken Pieces.

As with Soji and Dahj being human, this was kind of an “out there” theory! But the whole point of theory crafting is to make wild guesses sometimes, and there were a couple of reasons why I considered this a possibility. First of all, it would have been thoroughly unexpected and shocking. Many recent films, games, and television series have tried to pull off genuinely unexpected twists, and had this been true, it would have been one heck of a shock!

Secondly, the premise of Star Trek: Picard’s first season had been the cloak-and-dagger factions vying to thwart or create synthetic life. The Zhat Vash and the Tal Shiar were on one side, Maddox and his team on the other. There were rogue traders, Romulans, ex-Borg, and all sorts of shadowy figures involved – any one of whom could have not been what they seemed. The show crafted mysteries for us to examine. As we learned more about the Zhat Vash and their mission, I began to wonder if they could have been infiltrated by someone who wanted to stop them harming synths. This later evolved into wondering if they’d been infiltrated by someone who wanted to bring about the very disaster they sought to prevent.

Commodore Oh on the bridge of her ship.

Dahj and Soji were both unaware of their true synthetic natures, which built on past iterations of Star Trek that showed synths can be programmed to not realise they’re synths. Commodore Oh could have genuinely believed in the Zhat Vash cause – but been programmed to “activate” at the opportune moment. We later learned that the Zhat Vash feared the arrival of a faction of super-synths that I dubbed the “Mass Effect Reapers” (because they were very similar to that video game faction) and I incorporated that into this theory, suggesting that Commodore Oh may be working for the “Mass Effect Reapers” to try and bring about their arrival.

Of course it was a complete bust! Commodore Oh was a Zhat Vash operative to the core, and as far as we know, wholly organic in nature! I still think she’s a fascinating character, and I wrote an article a few months back looking at her place in the Star Trek timeline. You can find it by clicking or tapping here.

Number 5:
Picard telling everyone that their enemies are the Tal Shiar – and not the Zhat Vash – will have consequences.

A Zhat Vash operative.

One thing that Star Trek: Picard didn’t do particularly well, in my opinion, was staying consistent in how it referred to its antagonists. In Remembrance, the faction who attacked Picard and Dahj weren’t named, but in Maps and Legends we learned of the existence of the Zhat Vash – an ancient, shadowy organisation which operated within, yet were distinct from, the Tal Shiar.

Yet for several episodes, Picard and others kept referring to their adversaries as the Tal Shiar. In-universe, there’s a certain kind of logic to this. Picard may not have believed fully in the Zhat Vash’s existence, having only heard about them from one source, or he may have felt trying to explain the difference would have been too time consuming and/or made him seem too conspiratorial. However, with practically everything else in the show being done deliberately to achieve certain story payoffs, I wondered whether Picard’s decision not to be up front with his crew might have had repercussions.

Colonel Lovok (or rather, a changeling impersonating him) was a Tal Shiar operative seen in Star Trek: Deep Space Nine.

Elnor was the one character who I felt seemed most likely to be affected by the revelation that it was the Zhat Vash, not the Tal Shiar, that he was up against. As a member of the Qowat Milat, Elnor was opposed to the Tal Shiar. But the Qowat Milat’s relationship with the Zhat Vash was unclear; even if they were enemies, the Qowat Milat may have had particular techniques for dealing with them. And at the very least, Elnor and his faction seemed likely to know of their existence.

However, Elnor learned in Nepenthe that he was facing off against the Zhat Vash, not the Tal Shiar, and the revelation seemed to have no impact on him whatsoever. The rest of La Sirena’s crew were equally nonplussed, and there were no consequences at all for the confused terminology – at least, not from an in-universe point of view. I think that, unfortunately, the decision to complicate the terminology around the show’s antagonists may have made it harder to follow for casual viewers. When dealing with made-up names like “Tal Shiar” and “Zhat Vash”, remaining consistent is important for the audience to be able to follow what’s going on.

Number 6:
There’s a Starfleet-Zhat Vash conspiracy.

Admiral Clancy, the commander-in-chief of Starfleet.

In Maps and Legends, we were introduced to Commodore Oh for the first time. It was a great shock to see a high-ranking Starfleet officer involved in Dahj’s murder, and at the time it wasn’t at all clear whether Commodore Oh was a Romulan infiltrator or a Vulcan co-conspirator. If she was a Starfleet officer working with the Zhat Vash, it stood to reason that others in Starfleet were as well – perhaps even senior admirals.

Furthermore, when we learned how Commodore Oh recruited Dr Jurati into the conspiracy – all it took was a brief mind-meld – it seemed plausible that she may have used the same technique on others. Commodore Oh had been embedded in Starfleet for more than sixty years, and in that time there’s no telling how many people she may have interacted with.

Lieutenant Rizzo arrives to meet Commodore Oh.

However, it turned out not to be the case. Admiral Clancy, the head of Starfleet Command, wasn’t compromised, nor were any of the other Starfleet officers and leaders seen or referenced in Season 1. As far as we know – and this could change if future Star Trek projects decide to look at this aspect more deeply – only Commodore Oh and Rizzo were involved within Starfleet, and they were both Zhat Vash operatives.

This is one theory that I’m definitely pleased didn’t pan out. Making Starfleet itself the “bad guys”, even if there were a reason for it, wouldn’t have felt great in a Star Trek series, and would have been a far darker path for the show to have taken. Seeing Riker show up in Et in Arcadia Ego, Part 2 at the head of a Starfleet armada was a beautiful moment (though sadly one that had been telegraphed ahead of time) in large part because it proved that Starfleet and the Federation were still on the right side. The plot to kill the synths and attack Mars was purely a Zhat Vash creation.

Number 7:
The Control AI, from Star Trek: Discovery Season 2, is involved.

A re-used image from Star Trek: Discovery.

Although I initially considered it to be a bit out of left field, the episode Nepenthe really kicked this theory into high gear! My first thought had been that perhaps the reason why the Zhat Vash were so frightened of synthetic life was because they had some involvement with Control, the rogue artificial intelligence from Star Trek: Discovery’s second season. I was convinced – wrongly – that the producers behind the overall Star Trek franchise would have wanted to build a major connection between Discovery and Picard for some of the reasons already discussed, and bringing Control in seemed like a viable option for accomplishing this.

In the episode Nepenthe, we finally got to see how Dr Jurati came to be recruited into the conspiracy – she was shown a vision by Commodore Oh, one that seemed to warn of something apocalyptic. Contained within this vision were a couple of visuals that were made for Star Trek: Discovery – more specifically, they were used to show a vision Michael Burnham and Spock had of the Control AI.

The Control AI commandeered Captain Leland’s body in Star Trek: Discovery.

At the time, I noted that there could be production-side reasons to re-use visual effects, as it was less time-consuming and cheaper than making wholly new CGI. However, for a couple of weeks I really did think that we were going to find some connection between Control and the Zhat Vash; perhaps the Romulans and Federation had been competing in some kind of mid-23rd Century AI arms race, or perhaps while Control was on the loose it had attacked Romulan ships or planets.

In a thematic sense, Star Trek: Picard’s first season and Discovery’s second season share some significant points. Both consider the potential for rogue or out-of-control artificial life, and both look at the consequences of continuing to develop AI – something that we arguably should be concerned about today! But there was no deeper crossover beyond basic themes, and the shows remain almost entirely separate from one another. The re-used visuals are what completely threw me for this one!

Number 8:
The synths on Coppelius are already dead.

A crowd of clearly not dead synths in Et in Arcadia Ego, Part 2.

Star Trek: Picard’s first season had, unfortunately, one rather large plot hole. The driving force for much of the first half of the season was locating and rescuing Bruce Maddox, the Federation cyberneticist who built Soji, Dahj, and many of the other synths. Maddox was on a planet called Freecloud, a place he travelled to when he seemed to have nowhere else to turn. He ended up returning to the dangerous Bjayzl, someone he owed a lot of money to, and was captured. The reason he put himself in such grave danger was because his lab had been destroyed by the Tal Shiar, or so he claimed.

But in the two-part finale, Picard and the crew travelled to Coppelius and saw for themselves that Maddox’s lab hadn’t been destroyed, and the Tal Shiar or the Zhat Vash had never been there. This feels like a pretty major issue, because the question of why Maddox was on Freecloud now has no satisfactory answer. The reason seems to be “because plot”, and that’s never a good thing.

Bruce Maddox only went to Bjayzl because his lab had been destroyed.

However, before the finale I was still trying to square that particular circle. One of the possibilities I came up with was that Maddox was right – his lab had already been destroyed, which could mean that the synths he’d built were already dead. It would have made Narek’s mission kind of a waste of time, as his colleagues had already killed off the synths, not to mention being a rather bleak way to end the season, but it would have fit together with what had already been established.

I don’t think I’d have enjoyed this storyline, which would have left Soji as perhaps the sole survivor of her race. It would have been very dark, and would have felt like a victory for the show’s antagonists. But at the time, I was scrambling around looking for ways to make the story of the first half of the season – culminating in Maddox’s statement to Bjayzl about his lab being destroyed – fit with the second half of the season and the revelation of the existence of more synths.

Number 9:
The captain of the USS Ibn Majid is a character from a past Star Trek show.

Harry Kim could’ve been a starship captain in this time period.

This was a pretty simple theory by my standards. When we learned that Rios had served aboard a ship called the USS Ibn Majid, which was destroyed and covered up, I began to wonder who might’ve been in command of the vessel. Rios was clearly very attached to his former captain, and I wasn’t sure if we might’ve seen – in flashback form – this character make an appearance.

From Rios’ initial comments about the character – that they were dead, male, and “heroic” – I put together a shortlist based on possible characters from past Star Trek shows who could conceivably have been starship captains in that era. I ruled out those who seemed to have no desire to sit in the captain’s chair, like Dr Bashir or Tom Paris, and obviously ruled out those who wouldn’t be eligible like Chief O’Brien. Finally, Zhaban had mentioned that La Forge and Worf were still alive, so they were out too. That left a handful of characters, including Chakotay and Harry Kim, both from Voyager. I also suggested Edward Jellico from The Next Generation two-parter Chain of Command, Solok from the Deep Space Nine episode Take Me Out to the Holosuite, and Captain Bateson from The Next Generation Season 5 episode Cause and Effect.

Solok, the Vulcan captain of the USS T’Kumbra.

There were other possibilities – most of which were minor characters who made only one or two appearances in Star Trek – and there were many male officers who could, in theory, have made the cut. I liked this idea simply for the sake of continuity, as having the Ibn Majid’s captain be someone we already knew seemed like an interesting concept.

With Bruce Maddox, Hugh, and Icheb all killed off in Star Trek: Picard’s first season, it was clear that the producers has no qualms about getting rid of legacy characters! That fact also contributed to making this theory plausible. Past iterations of Star Trek has been reluctant to kill off main characters, but Star Trek: Picard did so several times. However, none of this came to pass, and instead a new character – Captain Alonso Vandermeer – was created for the show, and was only seen briefly in a photograph.

Number 10:
Narek will go rogue.

Narek in Broken Pieces after trying to kill Soji.

Narek was a unique character, not only in Star Trek: Picard but in the whole franchise. Never before had an out-and-out villain been a main character, with their name in the opening titles. Narek was also an interesting and nuanced character in a season where – most of the time – the villains could feel flat and one-dimensional. I’m still disappointed that his storyline was unceremoniously dumped midway through the season finale; we didn’t even learn what became of him after Picard’s “death”.

But that’s somewhat beside the point. From as early as the third episode, I began speculating that somehow, Narek would be convinced to abandon his mission and join with Soji and Picard. His clear feelings for Soji seemed to offer a route for him to make this happen, but even if the show didn’t go for the “spy falls in love with his target” trope, there were other ways it could’ve happened. Narek seemed like a reasonable man; if it were demonstrated to him that the synths were not a threat, it seemed at least plausible that he might’ve switched sides.

Narek’s final appearance.

However, as of the last time we saw him – before he just dropped of the face of the series with no conclusion to his story – he was still 100% committed to the Zhat Vash cause. In fact, he never wavered. His attempt to kill Soji may have caused him great distress, but that didn’t stop him going ahead with his mission; he didn’t even hesitate.

I actually like that Narek was unpredictable, and as a whole I like that the show set up what looked to be a familiar trope – the spy with a heart of gold who switches sides for the girl he loves – only to say that actually, Narek was still committed to his cause and his mission. However, it’s a shame that this never really got a proper payoff, as Narek disappeared. His character arc feels incomplete, and as I’m fairly confident he won’t be returning for the show’s second season, we may never learn what happened to him after the events on Coppelius.

So that’s it!

A handful of my theories for Star Trek: Picard Season 1 that never came to pass! I did manage to successfully predict a handful of (more obvious) plot points across the first season, so my theories didn’t all fail as hard as those listed above. The important thing, though, was that I had fun doing this. Thinking about the series and writing up the theories was really enjoyable at the time, and it’s something I hope to do with Discovery later in the year – at least, provided it has suitable theory-crafting material to work with!

Jean-Luc Picard will return for Season 2!

The important thing when considering fan theories is to remember that they’re just guesses and speculation. The showrunners, writers, and producers are the ones who craft the story, and they’re the ones who get the final say on how it’s going to pan out. Getting overly attached to any one theory – no matter how much we like it or how plausible it seems – really just means we’re setting ourselves up for disappointment. I could point to many projects in recent years which have suffered as a result of this, but all I really want to say is that, for those of you who followed my theories during Star Trek: Picard Season 1, I hope that I didn’t cause you any disappointment or frustration when I was wrong. At the end of the day, this is supposed to be fun and an excuse to spend more time in the Star Trek galaxy. Let’s all try to take fan theories with an extra-large pinch of salt!

Star Trek: Lower Decks is currently airing its first season – the second of three Star Trek projects in 2020. For all the problems that this year has thrown at us, having three different Star Trek shows to enjoy has been a blessing. If you missed it, I’ve reviewed the first episode of Lower Decks and I’ll soon be taking a look at episode 2, which will be available to watch (at least for viewers in the US and Canada) later today. And as mentioned I’ll be looking at Discovery when that airs in October. There’s no word on when exactly we can expect to see Season 2 of Star Trek: Picard. It has an optimistic release date of 2021, but given that California is still largely locked down and filming has yet to begin, I wouldn’t be surprised if that slips back. Regardless, whenever we get it I’ll be taking a look at the episodes and probably crafting a bunch more theories!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Comic-Con @Home – my thoughts on the Star Trek panel

You can watch the full panel by clicking or tapping this video.

The coronavirus pandemic cancelled a number of events, but one of the biggest from the point of view of ViacomCBS and the team behind Star Trek has been Comic-Con. In the past the company has used events like this – as well as Star Trek: Las Vegas, which has been postponed to the winter – to make big announcements. Star Trek participated in Comic-Con @Home – the online socially-distanced version of the event which is taking place this week.

Obviously a glorified Zoom call isn’t going to be the same as an in-person event. But overall, I think most of the participants from actors to behind-the-scenes crew did the best they could, and I don’t have any major criticisms on that front. I’m not someone who would be able to attend Comic-Con or any other similar convention due to disability, so in that sense I don’t feel I personally lost out in any way from Comic-Con going digital this year – I’d have watched recordings of the panels anyway.

Sir Patrick Stewart speaking during the Star Trek: Picard panel.

In terms of news, the biggest has to be the official announcement of the animated series Star Trek: Prodigy, which looks set for a 2021 release. This kid-friendly show is being produced in collaboration with Nickelodeon, and though we knew it was in the works the title hadn’t been officially revealed. So it’s nice to know it has a name and that we can expect it on our screens within the next eighteen months or so. Many shows aimed at kids can still have a lot to offer for adults – I enjoy Phineas and Ferb, for example – so I’m not at all concerned that it’s the first Star Trek show to take this approach. I would note that Star Wars has been successful with this format with two shows – Clone Wars and Rebels – both of which had appeal outside of their target audience of kids and young people.

Star Trek: Prodigy had its official announcement – complete with logo.

The second bit of news is that Star Trek: Strange New Worlds seems to be getting along well in production. They have ten “stories” that they’re working on – note that they said “stories”, not “episodes”, which may mean some are multi-episode arcs. This would fit in with the show following Discovery’s model of having anywhere between 10-15 episodes in its first season. While I still don’t think we’ll see Strange New Worlds before 2022, due to a combination of the pandemic and Star Trek’s already-crowded production and release schedules, it’s nice to know that the show is being worked on and that pre-production is continuing despite the massive disruption across the industry.

On the more technical side, I felt that the moderator of the discussion, Dominic Patten, did a good job. It won’t have been an easy task to manage a series of discussions with such a large number of participants who are all dialling in remotely, but there were no major problems that resulted and he asked interesting questions and was pleasant to listen to. There was a major technical screw-up on the part of ViacomCBS/YouTube, however, as the video was blocked at least here in the UK for quite a while when it premiered. This seems to have been done automatically by YouTube’s copyright protection algorithm, but it shouldn’t have happened – between ViacomCBS, Comic-Con, and YouTube that problem should really have been anticipated and prevented.

The Star Trek: Discovery panel.

So now we come to no-shows. There was no international release date for Star Trek: Lower Decks, nor any discussion of any international broadcast at all. I’m incredibly disappointed by this, and at this stage now that we’re less than two weeks away from its US/Canada premiere I have to assume that it won’t be getting a simultaneous release internationally. We could speculate about why that is – perhaps ViacomCBS were charging too much for the broadcast rights, perhaps other Star Trek series haven’t performed as well on Netflix, Amazon Prime Video, and other channels meaning those companies weren’t interested, etc. But we don’t know the real reason why yet. I’m sure Lower Decks will eventually get an international release, but as I wrote when I looked at this issue recently, in 2020 I don’t think companies can really get away with splitting up the releases of their biggest shows. Lower Decks will end up not being talked about by millions of potential viewers, and will undoubtedly end up being pirated. ViacomCBS needs to do better – there are millions of Trekkies outside of the United States who are excited to see this show, and not giving it to us is a self-inflicted wound. If Star Trek is to survive in the long term it will require a collaborative effort on the part of fans in the US and elsewhere to support it and keep it going; decisions like this one – and the lack of any news or discussion at all from the company – show a huge part of Star Trek’s audience that ViacomCBS thinks we don’t matter.

The sad thing is that Lower Decks looks like so much fun. Mike McMahan, who created the show, participated in the panel; he’s clearly a huge Star Trek fan and someone who’s very passionate about the franchise and what it represents. Lower Decks feels like it’s a show that will celebrate my favourite era of Star Trek – the mid/late 24th Century seen in the three shows and four films set in those years. I greatly enjoyed listening to McMahan speak, as well as others involved with Lower Decks. The event even showed an extended scene from the trailer which was absolutely hilarious. The show is lining up to be amazing, as I said when I looked at the trailer a few days ago – but how are people like me meant to watch it?

Lower Decks may not be coming to the UK and other countries next month.

Also missing was any discussion of a release window for Star Trek: Discovery’s third season. I’d been expecting an announcement for this, I have to be honest. With Lower Decks running weekly from August through to early October, the earliest we could expect to see Discovery Season 3 would be the middle of October – leaving it any later would probably mean the season being split in two with a break around Christmas and New Year, which I suppose they could do as that happened during the first season. With post-production work having been ongoing since filming wrapped in February, it’s very odd to me that ViacomCBS considers the show so unfinished as to not even set a tentative release window – they couldn’t even say “coming in the autumn” or “coming in the winter”. Partly this is a result of the pandemic, which we know has been very disruptive. But partly it’s just bad planning and bad time management on ViacomCBS’ part – Discovery’s third season was nowhere near ready when the pandemic hit, which seems to suggest it was always the plan to make fans wait.

There had been rumours in the online Trekkie community that there would be an announcement of Star Trek: Discovery’s fourth season imminently. When nothing significant was discussed for Season 3 I was sure this wouldn’t happen, and I was right – no Season 4 announcement. I don’t think that the absence of an announcement is indicative of there being no fourth season at all, as I feel sure that it will be announced either alongside the release date for Season 3 or during the run-up to Season 3’s premiere; this is what ViacomCBS did for both Discovery’s third season and Picard’s second season, so it would fit the pattern. Some folks have been digging into production job listings, industry journals, and the like and found evidence that Season 4 could well be happening – it’s just a question of making an official announcement.

This image was released after the finale of Star Trek: Picard in March – there’s been nothing since for Discovery’s third season.

The still-untitled Section 31 series was nowhere to be seen during the panel. In many ways, Strange New Worlds stole the Section 31 series’ thunder from almost the first episode of Discovery’s second season. Where Section 31 had been met with a very muted response, even from many of Discovery’s biggest fans, Trekkies were clamouring for a Pike-led show. The announcement of Strange New Worlds a few weeks ago was a big deal, and Section 31 seems to have dropped down the priority list as a result. It was said to have officially entered production late last year, presumably targeting a 2021 release, but we’ve had precious little information since. I wasn’t expecting to hear much about it at this event, but that in itself says a lot!

Finally, there was no mention of a fourth Kelvin-timeline film, despite rumours swirling in the last few weeks that there are several feature film projects in consideration. Again, this wasn’t something I was necessarily expecting from this panel, but it’s worth noting the absence. Personally, I feel that the Kelvin-timeline films have probably run their course. We’re now over a decade out from the release of Star Trek in 2009, so the idea of seeing “young” Kirk and Spock in their cadet days or fresh out of the Academy has come and gone. While the alternate reality setting gives producers a lot of leeway compared to productions in the prime timeline, since Discovery’s premiere Star Trek’s producers have been more than willing to shake things up. I would still be interested to watch a fourth film in that series, but I’m not expecting one to be made at this point.

The cast of Star Trek Beyond – the third Kelvin-timeline film released in 2016.

To get back to the panel discussions themselves, I felt that Discovery’s “table read” of the second-season finale was pretty dull and really seemed to be there purely to pad out the event. Most of the actors did a good job delivering their lines, but watching it on a conference call wasn’t very exciting, and the constant switching between screens and zooming in and out created a rather nauseating effect. The Picard panel was more of a friendly chat, but nothing major really came from it regarding the show’s second season – which is of course on hold at the moment due to the pandemic.

So I think that’s really all I have to say. Star Trek: Prodigy is probably the biggest announcement, but aside from a few smaller tidbits of news there wasn’t really a great deal going on. The event seems noteworthy more for what wasn’t present than what was, and while some of that is due to the pandemic situation, other important aspects – like the release of Star Trek: Lower Decks outside of the United States – are decisions taken by ViacomCBS. As enjoyable as it was to spend time with some of the cast and crew of Star Trek, my general impression of the panel is that it was underwhelming.

The Star Trek franchise – including all films and series discussed above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Ten great Star Trek episodes – Part 6: everything else

Spoiler Warning: In addition to spoilers for the episodes listed below, there may be spoilers for other iterations of the Star Trek franchise, including the most recent seasons of Discovery and Picard.

It’s been a while since I last picked out ten great Star Trek episodes. Having run through all five of the shows prior to the Kelvin timeline and Discovery, I seem to have got sidetracked! It’s been over a month since I last visited this topic, so if you’d like to revisit the episodes I pulled from the other Star Trek shows, you can find them all archived on a single page by clicking or tapping here.

My first five articles looked at one Star Trek show apiece. Those shows each had at least three seasons’ worth of episodes to choose from, so it was relatively easy to pick ten great ones! The shows we’ll be looking at today have fewer episodes, and I felt it was too difficult to pick ten from each one. The Star Trek shows we’ll be looking at are: The Animated Series, the Kelvin-timeline films, Discovery, Short Treks, and Picard.

Here’s a recap on how this format works: this isn’t a “top ten” ranked list. Instead, this is merely ten episodes (okay, nine episodes and one film) that I consider to be well worth your time, and they’re listed in order of release.

Number 1: The Magicks of Megas-Tu (The Animated Series Season 1)

Kirk, Spock, and McCoy in a parallel universe.

After Star Trek’s cancellation in 1969, it was rebroadcast and gained many new fans. As early as 1971 or 1972, parent network NBC was considering options for bringing the show back. The re-runs were more popular than the original broadcasts had been, and there was an ongoing letter-writing campaign by fans to bring Star Trek back. Ultimately, in order to keep production costs low, it was decided Star Trek should continue in an animated format. With the exception of Walter Koenig, the entire main cast returned. James Doohan would provide many additional voices for the new show, and its animated format allowed for characters like Arex – the three-legged, three-armed character – and other far more “alien” feeling characters and creatures than The Original Series’ budget and production-side technology allowed for.

The Animated Series was officially removed from the overall Star Trek canon by Gene Roddenberry and new parent company Paramount Pictures in the late 1980s, when The Next Generation was in production. However, when the series was re-released on DVD in the mid-2000s this was rescinded, and the series is – as of 2020 – a full and official part of the Star Trek canon once again.

I wanted to choose at least one episode that I feel really epitomises the different direction that The Animated Series took. Not all of these stories worked, but The Magicks of Megas-Tu has a certain charm as a very weird piece of science-fiction that I think makes it worth watching. To summarise its plot in one sentence: the Enterprise crosses over into a parallel universe where magic is real and science is not.

That premise sounds absolutely bonkers, and none of today’s science-fiction shows – including the renewed Star Trek projects – would touch a story like that with a barge pole! But this was The Animated Series trying new things, pushing the boat out, and exploring different aspects of sci-fi and fantasy in a way that The Original Series’ technical limitations would have never allowed for.

Despite its wackiness, I like The Magicks of Megas-Tu, and perhaps it’ll be a candidate for a full write-up one day. At the very least it’s an interesting glimpse at mid-century sci-fi, and an imaginative story.

Number 2: Albatross (The Animated Series Season 2)

Dr McCoy is placed under arrest.

Leaving behind the completely weird, Albatross is a story that we could see told in a Star Trek or sci-fi show in 2020. The Animated Series has this kind of strange dichotomy: some episodes, like The Magicks of Megas-Tu listed above, have totally wacky premises that could only ever work in animation. And others, like Albatross, are – for want of a better word – “normal” sci-fi.

When the Enterprise visits a planet Dr McCoy had been stationed on years previously, he’s arrested and charged with mass murder – they believe he caused a plague which ravaged their society. Star Trek has, on several other occasions, put main crew members in situations like this; accused by an alien society of something we as the audience know they could never have done. As a story, it’s exciting and tense.

McCoy is at the heart of the story, and it ultimately becomes his quest to cure the disease. Things take a turn for the worse when the crew of the Enterprise become infected as well, and McCoy must race to cure the pathogen before it’s too late. Albatross is a fairly straightforward space adventure – at least by the standards of The Animated Series!

Number 3: Star Trek Into Darkness (Kelvin-timeline film)

Kirk speaks to Scotty in Star Trek Into Darkness.

I consider Into Darkness to be the high-water mark of the Kelvin-timeline films. The Kelvin-timeline films have been criticised by some fans for taking a much more action-heavy approach when compared to the often peaceful exploration seen in past iterations of Star Trek. But Into Darkness based itself on The Wrath of Khan, and in that context the crossover into the action genre works much better than it had in 2009’s Star Trek.

Into Darkness stays on the right side of that invisible line which divides respectful homage from blatant rip-off, referencing The Wrath of Khan at a number of points but telling its own story in its own world at the same time. New fans of the franchise didn’t miss anything crucial in the plot for never seen The Wrath of Khan – one of the key tests of being on the right side of that line!

There are some genuinely emotional moments which absolutely work in the film, and while it’s debatable whether Kirk and Spock’s scene in the engine room carries the same emotional weight as the comparable sequence in The Wrath of Khan, it was beautifully staged and the acting performances from Into Darkness’ two leads were pitch-perfect.

It’s sad to think that this would be Leonard Nimoy’s final role. His character of Spock makes a small cameo appearance (a far smaller role than he had in 2009’s Star Trek). It was great to see him back one final time.

Number 4: Context is for Kings (Star Trek: Discovery Season 1)

We finally get to see the USS Discovery in the third episode of Season 1.

If you read my write-up of my recent re-watch of Discovery’s two-part premiere, you’ll know I didn’t like it. I wasn’t impressed with how the show started, either at the time or on a second viewing. Context is for Kings had the difficult task of beginning to salvage the season, and if it had failed we could be talking about Discovery as a whole as being one big catastrophe instead of a series I called the best of the last decade!

Fortunately, Context is for Kings is where Discovery began to turn around. In a serialised show, it can be difficult to pull out individual episodes to recommend – an issue which applies to all of Discovery’s entries on this list. However, Context is for Kings is, in some respects, almost like a second premiere. It introduces the USS Discovery for the first time, as well as most of the regular cast.

I’ve written on a number of occasions that Jason Isaacs’ performance as Captain Lorca was one of the high points of Discovery’s first season, and this fascinating, nuanced character is introduced here – in suitably mysterious fashion.

Number 5: Si Vis Pacem, Para Bellum (Star Trek: Discovery Season 1)

Saru in Si Vis Pacem, Para Bellum.

As mentioned, Discovery can be hard to pull individual episodes out of due to its serialised nature. There are ongoing storylines in Si Vis Pacem, Para Bellum that greatly impact the episode, but the main plot – that of an away mission to the planet Pahvo – does serve as somewhat of a standalone narrative.

This was the first episode where Saru was given a lot to do. Past Star Trek shows had always shared out the storylines between various characters; Discovery was primarily about Burnham and, to a lesser degree, Captain Lorca. However, during the course of the away mission Saru becomes incredibly important to the story.

I loved the visuals of Pahvo – both the planet itself and its non-corporeal inhabitants were beautifully designed and brought to life. Discovery’s visual effects overall have been outstanding, and Si Vis Pacem, Para Bellum is another great example.

The storyline also puts Burnham and Ash Tyler together. Their romantic relationship would be a sub-plot going forward across the remainder of Season 1 and much of Season 2.

Number 6: New Eden (Star Trek: Discovery Season 2)

Captain Pike in New Eden.

New Eden gave me a distinct feeling of watching an updated episode of The Original Series, in parts. Perhaps it’s the elements of religion that are incorporated into the storyline, or perhaps it’s because the crew of the USS Discovery – led by Captain Pike – encounter an unknown settlement of humans. Either way, parts of this story feel perfectly “Star Trek-y”, and would certainly be at home elsewhere in the franchise.

Anson Mount was brought in to replace the departing Jason Isaacs, and we should really talk about how much of a masterstroke that ended up being. I was initially concerned about the decision to recast Captain Pike – for the second time, as the character was also in the Kelvin-timeline films – as well as to bring in Spock and Number One. But I shouldn’t have been; Mount’s version of the character was everything fans could have wanted from a Starfleet captain, and spawned a fan campaign to bring back Pike for his own series – something which was finally confirmed to be happening a few weeks ago.

After his introduction at the beginning of the season, when the USS Enterprise malfunctions, New Eden took the new captain and gave him a starring role with plenty to do. We see the USS Discovery use its spore drive, which was great. The spore drive has felt like an underused piece of tech since its introduction; it was treated as little more than a macguffin to allow for transport to and from the Mirror Universe. I would have liked to have seen more creative uses for it, and jumping across the galaxy to New Eden was certainly nice to see.

There are storylines in New Eden which tie into later episodes in the season, but as with Si Vis Pacem, Para Bellum above, the main plot of the episode is an away mission, and that side of the story is self-contained.

Number 7: If Memory Serves (Star Trek: Discovery Season 2)

The Talosians are back!

Finding and helping Spock – who had been accused of murder – was a big part of the first half of Discovery’s second season. Section 31 are also intent on tracking him down, but luckily for Spock, Burnham got to him first.

If Memory Serves reintroduces the Talosians – the big-brained telepathic race from The Cage and The Menagerie. The approach to Talos IV, which the Talosians now shield using an illusion of a black hole, was fantastic, and the visual effect of the illusory black hole itself was stunning – and a shock when Burnham and Spock first saw it!

The Talosians help Spock, who had been psychologically damaged by the Red Angel vision, recover his composure and logic. We see Burnham and Spock behave in a way closer to siblings than they do at almost any other point in the season, which I think is nice to see given their background. And there are ongoing storylines involving Stamets and Dr Culber – the latter having recently been rescued from the Mycelial Network – and Ash Tyler. Tyler and Culber have a tense confrontation in Discovery’s mess hall – Tyler had, after all, “killed” Culber during Season 1. I liked the way this scene unfolded, it was gripping, edge-of-your-seat stuff.

I also loved that this episode began with a recap of The Cage. They didn’t need to put that in there, but it was a nostalgic treat to see it.

Number 8: The Trouble With Edward (Short Treks Season 2)

The titular Edward.

It’s still disappointing to me that, for reasons best known to the higher-ups at ViacomCBS, Short Treks hasn’t been made available to international viewers. There is a plan to rectify that with a blu-ray release, but it’s too little too late as far as I’m concerned. As I said when I reviewed the Short Treks episode Children of Mars in January, the whole point of this series was to keep Star Trek alive in the minds of viewers in between main seasons of the shows. Especially with Children of Mars, which was supposed to be a prequel or prologue to Star Trek: Picard and thus a key part of its pre-release buildup, it should have been made available internationally. But we’re off-topic.

The Trouble With Edward is really funny. Partly that’s thanks to two great performances from Rosa Salazar and H Jon Benjamin, who have great comedic chemistry together, and partly it’s due to a great premise and funny script.

Nothing in The Trouble With Edward changes or “ruins” canon, which is something it was inexplicably criticised for upon release by some of the anti-Star Trek social media groups. Instead it’s a well-told story that takes one small aspect of the tribbles – the small, furry creatures who are almost synonymous with Star Trek – and expands on it.

It’s a fun ride, and stick around after the credits for what is probably the weirdest sequence released under the Star Trek banner since The Animated Series. I missed that on first viewing, and I’m not saying anything else in case you did too!

Number 9: Ephraim and Dot (Short Treks Season 2)

The adorable animated episode Ephraim and Dot is unlike practically anything else in the franchise.

I’ve already talked about Ephraim and Dot twice! First when I reviewed it along with its sister episode in December, and more recently when I looked at introducing a newbie to Star Trek.

Star Trek’s first animated episodes in 45 years were amazing – and very different to The Animated Series. Ephraim and Dot tells a cute story that would be at home on the Disney Channel – and I mean that as a compliment. Both Ephraim the space-dwelling tardigrade and Dot the robot are adorable, and for an episode largely free of dialogue it does an amazing job raising the emotional stakes.

I’m a sucker for cute animals in fiction, and any time they seem to be hurt or upset it gets to me in a way few other stories really manage to! Ephraim and Dot does this so well, despite its short runtime.

The story also looks at some of The Original Series’ greatest hits in a sequence where Ephraim races to follow the ship. Captain Kirk and other members of the original crew return – in animated form – in this part of the story, which was a nostalgic treat.

Number 10: Remembrance (Star Trek: Picard Season 1)

Jean-Luc Picard may not be exactly the same way we remember him.

Remembrance is a stunning piece of television, and it’s up there with Emissary as one of the best Star Trek premiere episodes. I reviewed this episode when it was first broadcast, and I recommend having a read of that article for a more detailed breakdown. I also think, looking at the series three months after its first-season finale, that it’s probably either the best or second-best episode. It’s definitely the only place I could recommend you start if you want to watch Picard – it’s a wholly serialised show, as is Discovery.

Remembrance picks up Picard’s story twenty years after Star Trek: Nemesis. It connects to the Kelvin-timeline’s destruction of Romulus storyline, as Picard tried – and failed – to help the Romulans evacuate their homeworld. But this isn’t The Next Generation Season 8 – far from it. Picard’s retirement at his family vineyard is disrupted by the arrival of Dahj, the survivor of an attack by mysterious assailants.

For anyone who had qualms or reservations about Discovery, I’d really encourage them to give Picard a chance. There are so many callbacks and nods to past iterations of Star Trek, and while it’s true that the show’s serialised nature is different to The Next Generation’s largely episodic approach to television storytelling, that opens up new possibilities and opportunities – like season-long arcs and detailed character development.

Remembrance has some beautiful sequences featuring Sir Patrick Stewart as Picard and Brent Spiner as a dream version of Data. It has a faithful HD depiction of the Enterprise-D, which is just stunning. And in one sequence where Picard visits his Starfleet archive, there are many props on display from his captaincy. The episode was peppered with these nostalgic elements, but none of them overwhelmed the story.

What I’m really trying to say by putting Remembrance on this list is that you should watch Star Trek: Picard Season 1 in its entirety if you haven’t already. I really think it’s worth giving the show a chance to impress you. If you do, take a look at my reviews and theories as you go along!

So that’s it. Ten great Star Trek episodes from elsewhere in the franchise. I will definitely be revisiting this subject in future, so stay tuned for “ten more great episodes” at some point!

This series of articles has been a lot of fun to put together. I’m keeping my fingers crossed that Discovery’s third season will be released imminently, but until then I hope these articles have given you some inspiration for what to watch inside the Star Trek universe!

All episodes and films listed above are available to stream on CBS All Access in the United States, and on Netflix and/or Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including all titles mentioned above – is the copyright of ViacomCBS and/or Paramount Pictures. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

How does Commodore Oh affect other Star Trek stories?

Spoiler Warning: There are spoilers ahead for the first season of Star Trek: Picard, as well as for Star Trek: Discovery and other iterations of the franchise.

The revelation in Star Trek: Picard that the Romulans had managed to plant an operative in Starfleet was an interesting one, especially because that operative – Commodore Oh – had managed to attain such a high rank. She’d been working in Starfleet since at least the time of The Next Generation and probably even before then, with the Zhat Vash deciding to make a move against the Federation from the moment they learned of the existence of Data.

There had been androids, artificial intelligences, and other forms of synthetic life present in the galaxy prior to Data, and it’s conceivable that the Zhat Vash may have taken action against those as and when they could. But Data represented a step forward in the development of synthetic life, and definitely would have been considered a threat.

There are two possibilities for how the presence of Commodore Oh could be interpreted. She may have chosen to remain deep undercover and stick rigidly to her mission, even if that came at a cost to the Romulan Empire. Alternatively, however, she may have used her position as a spy within the Federation’s ranks to relay information to the Romulans at certain points. This could have been dangerous to her mission, increasing her chances of being caught. The way Commodore Oh and the Zhat Vash were presented for the most part in Star Trek: Picard were as zealots, meaning they seem like the kind of organisation who would be willing to sacrifice the lives of their own people if it advanced their ultimate objective. Indeed, we saw this with their actions on Mars.

Commodore Oh was a major antagonist in Star Trek: Picard Season 1.

Let’s look at the timeline first of all. As early as the 22nd Century, Starfleet had encountered what could arguably be considered examples of artificial intelligence. In the Enterprise episode Dead Stop, for example, the ship encounters a fully-automated space station which seems to act of its own volition. There was also a certain Dr Soong in Enterprise’s fourth season, and while he initially worked with genetically enhanced humans, he indicated he would begin research into synthetics.

By the 23rd Century, Starfleet had developed its own AI. Control, as seen in Season 2 of Star Trek: Discovery, would ultimately go rogue and kill a number of Section 31 operatives as well as commandeer a fleet of ships. There was also Richard Daystrom, who build an AI capable of controlling a starship in The Original Series episode The Ultimate Computer, as well as several different androids, automatons, and AIs seen in that series.

By this point in time, the Romulans were aware of the existence of the Federation and thus might’ve known about some of these developments. The key ones, in my opinion, which may be relevant to the Zhat Vash would be Control and the M-5 computer, both of which went rogue and may have fed into their fears about synthetic life.

Dr Richard Daystrom, namesake of the Daystrom Institute, invented one of Starfleet’s first sentient machines.

We should also note that there are different types of synthetic life. For some reason, the Zhat Vash seem exclusively focused on preventing the rise of androids as opposed to other forms of AI. That’s despite the fact that many of the dangers present when considering out-of-control AI – including the ability to receive the message on Aia – are common to other kinds of artificial life too. Or at least would be in theory. To use Control as an example, if it became aware of Aia and the message there, given how aggressively it pursued Burnham and the USS Discovery it seems certain that it would have taken the same action as Sutra and tried to contact the “Mass Effect Reapers” (the race of super-synths introduced in the finale of Star Trek: Picard). So why the Zhat Vash are okay with some types of AI and not others, and why holograms seem to be exempt, for example, hasn’t really been covered in detail in the series so far.

However, assuming that the Zhat Vash learned of some of these events they would surely have been concerned – at the very least about the possibility of further development and the creation of android bodies for these AI systems to inhabit.

After the mid-23rd Century, we have no real information on synthetic life until Lore was known to be active on Omicron Theta in the late 2320s or 2330s. Within Star Trek: Picard itself – notably the episode Broken Pieces – the crew of La Sirena assume that Commodore Oh first infiltrated Starfleet after Lore’s brother Data was discovered and activated in 2338 – and by implication, that was the time the Zhat Vash became convinced that Starfleet and the Federation were a threat due to their involvement with synthetic life. However, I think we can reasonably assume that the Romulans, and by extension the Zhat Vash, would have at least become aware of the Federation’s other ties to and encounters with artificial life – even if they didn’t learn about these events until afterwards.

Picard and the crew of La Sirena pieced together a basic timeline for Commodore Oh’s infiltration of Starfleet.

The decision to send an operative in undercover is not one that can be done on a whim – it needs careful planning. If Commodore Oh did infiltrate Starfleet beginning in the 2330s, the Zhat Vash would have needed months or years before she joined up to make preparations. Obviously killing Data wasn’t the objective, or she would have been able to do so any almost any point. Nor was her goal to stop someone like Bruce Maddox working on synthetic life, as he seems to have been free to do so for decades right up until the ban.

I would suspect that Commodore Oh may have worked behind the scenes to slow research into synthetics, perhaps trying to delay or sabotage work being done. While we don’t have a lot of evidence to go on for this, the fact that Bruce Maddox was considered by Data to be incapable of preserving his memories in the episode The Measure of a Man could, in retrospect, be seen less as proof of Maddox jumping the gun and trying to work on Data before he was ready, and perhaps as evidence that his work was being hampered without his knowledge by the Zhat Vash’s spy.

This is what I mean by the question “how does Commodore Oh affect other Star Trek stories?” There are several which we can look back on in the aftermath of Star Trek: Picard and wonder how the presence of Commodore Oh affected things.

Let’s start with the Federation’s two biggest forays into the artificial intelligence realm in the 23rd Century – the Control AI and the M-5 computer. Obviously these events took place long before Commodore Oh was embedded within Starfleet, but they may have laid the groundwork for her mission.

The Control AI went rogue in the 2250s.

Both Control and the M-5 computer went rogue. Their creators – Section 31 and Dr Richard Daystrom – lost control of them, and they began to act on their own, taking aggressive action against organic life. While the Federation will have wanted to cover up what happened – as indeed we see them do at the end of Discovery’s second season – the Romulans are known to be aggressive in their espionage operations, knowing far more about the Federation than vice versa. It would not be an unfair assumption that the Romulans would have come to know what happened in one or both of these cases, and thus it may have been around the mid-23rd Century that the Zhat Vash began preparing to infiltrate the Federation.

Thinking about these two stories from the point of view of the Zhat Vash – who, according to everything we know from Star Trek: Picard will have existed at the time – the events are very concerning. The Federation is barely a century old, with humanity only becoming warp-capable less than a hundred years before that. In a comparatively short span of time, humanity has developed intelligent machines that they went on to lose control over. Humanity must appear, to the Zhat Vash, to be incredibly dangerous, pushing further into unexplored space than any other faction had done, and building an inter-species alliance that even brought an end to the Vulcan-Andorian conflict. For Romulans, who like stability and predictability, the Federation had disrupted a state of affairs that had existed for centuries in the local region of the Alpha and Beta Quadrants. Would it only be a matter of time before they spotted the octonary star system where Aia is located? That had to be a source of concern.

The next major event would be the activation of Lore and Data, and it’s suggested in Star Trek: Picard that it was Data’s discovery by Starfleet in the late 2330s that prompted the Zhat Vash to send Commodore Oh in undercover. Again if we try to look at this event from their perspective, the Federation’s AI research had now gone beyond shipboard computers and had culminated in the creation of a humanoid android – and it’s this type of synthetic life in particular which seems to concern the Zhat Vash. If Control and the M-5 computer were worrying and had caused them to begin planning, the knowledge that Data existed and had been accepted to Starfleet Academy would have been panic-inducing to the paranoid Zhat Vash.

Lore was active in the mid-late 2330s.

We should consider the Crystalline Entity’s attack on Omicron Theta and examine it through this new lens. Lore, Data’s brother, was responsible for leading the Entity to Omicron Theta, where it wiped out all life on the planet. But was Lore solely responsible? Star Trek: Picard showed us that the Zhat Vash had the ability to hack into synthetics, and that when they did, the synths could be reprogrammed to turn on their creators. The synths on Mars may have been somewhat basic compared to Data and Lore, but the underlying technology is the same, and it’s at least possible that the Zhat Vash hacked into Lore. This could explain not only the attack by the Crystalline Entity, but Lore’s selfish and evil persona.

Sticking with the Crystalline Entity, it may have simply been a convenient way to destroy the colony while having no fingerprints of Romulan involvement. Omicron Theta was a human colony, so if the Romulans were to simply destroy it from orbit with starships, that could lead to war with the Federation. Yet it makes perfect sense that they would see Dr Soong as his work as a threat and want to take every possible step to stop him.

Next we have Dr Maddox and his work with synthetics. We know that, despite Maddox’s objections, Data was allowed to enrol in Starfleet Academy. Around this time, which was roughly the same time of Commodore Oh’s infiltration, Maddox began working on synthetic life. There are two possibilities for why it took Maddox such a long time (fifteen years, give or take, from Data’s admittance to Starfleet Academy to the events of the episode The Measure of a Man) to make much progress with his work. One is that Maddox is simply not as skilled as Dr Soong was, which is what the episode implies. The other possibility has to be that part of Commodore Oh’s mission was to hamper any synthetic research going on within the Federation, and that she, somehow, undermined his work and slowed it down.

Maddox’s research, which we now know grew to include a whole department consisting of a number of scientists and researchers, may also be the reason why the Zhat Vash chose not to simply kill Data. At the time her mission began, Data was the only known extant android, so killing him would have made sense for the Zhat Vash. It would have been difficult to get at him within Starfleet, but they did have an operative. However, the realisation that the Federation would, sooner or later, be able to recreate the work, coupled with Data being confined within Starfleet and thus unable to strike out on his own and potentially discover Aia, may have focused the mission on stopping synthetic research, slowing it down, and gathering as much information on it as possible. As a Starfleet Officer, Commodore Oh would be well-placed to do those things.

Dr Bruce Maddox was the Federation’s leading synthetics researcher for decades.

The fact that it took Maddox a further twenty years to develop F8 and the other androids present on Mars could be taken as evidence of the Zhat Vash trying to undermine his work. How they could have done this is unclear, and they may have simply got lucky with Maddox not being better at his job. One question that has bugged me in the context of Star Trek’s sensors and replicators was this: how hard could it really have been to recreate Data using what they already knew about him? This was never really addressed on screen, but perhaps we can take the fact that the Federation was unable to do so as further evidence of their work on synthetics being slowed and undermined from within.

One faction I think we can safely assume would have fed into the Zhat Vash’s paranoia about AI would be the Borg. In the 2350s, many scientists in the Federation were working on the assumption that the Borg were a myth, or at least were so distant as to not be a threat. This was during the Romulans’ 50+ years of isolation, so we don’t know whether or not they had any more evidence about the Borg than the Federation. But there are two points of note: Star Trek: Picard established that, as far as anyone knew, the Borg had only ever assimilated one Romulan vessel. But in contrast to that, the region of space controlled by the Borg was vast, and they had vessels in the Beta Quadrant (where the Romulan Empire is largely based) during the 2370s.

Starfleet’s official first encounter with the Borg, as depicted in Q Who from The Next Generation’s second season, may have gone unnoticed by the Romulans, but the Borg invasion a year later, as seen in The Best of Both Worlds certainly will not. 39 Federation starships were destroyed, and an enemy ship made it to within a stone’s throw of Earth itself. If the Romulans had remained in blissful ignorance of the Borg up to this point, they will have known by the late 2360s that they existed – if for no other reason than Commodere Oh herself relaying that information.

When the Federation encountered the Borg the Romulans would have soon come to know about it.

The reason for the Romulans’ interest in the Borg in Star Trek: Picard must surely be twofold. On the one hand, selling the disassembled components is incredibly lucrative, and with the region’s sole supply the Romulans were in firm control of this market. Secondly, however, their fear of synthetic life must have been a major reason for studying the Borg so intently. For all we know, the “Mass Effect Reapers” were meant to be the Borg. But even if that isn’t true – and the Romulans don’t seem to know either way – the Borg, with their half-synthetic bodies and single-minded focus on assimilation, must have been a major cause for concern among the Zhat Vash. This can have only been exacerbated when two ex-Borg returned from the Delta Quadrant aboard the USS Voyager – Seven of Nine and Icheb.

Icheb would later be killed – butchered for his Borg components by an unnamed doctor at a facility run by Bjayzl. But who arranged for this? And why is there such a huge demand for Borg technology in the first place? I had theorised during the first season of Star Trek: Picard that the Romulans may be keeping a majority of components for themselves, but even if that isn’t true they have been studying Borg technology extensively. Icheb’s death seems to take place around the time that the Artifact came under Romulan control, so it’s at least possible that Bjayzl’s buyer was the Zhat Vash – that they were interested in learning about the galaxy’s preeminent synthetic race.

Icheb was murdered so his Borg components could be harvested.

Finally, we have B4. We know from Star Trek: Nemesis that the Romulans acquired B4 and placed his disassembled body in such a location that the Enterprise-E would be the closest ship available to respond to Shinzon. How did they know so much about Federation ship movements? Is it at least possible that Commodore Oh was relaying information to the Romulans at key moments like this? The possibility cannot be discounted – and this could even explain why, in Star Trek: First Contact, the Enterprise-E is assigned to the Neutral Zone. Perhaps someone in Starfleet had an inkling that a Romulan spy was in their midst.

Sticking with this theme of Commodore Oh being more of a general spy than simply a Zhat Vash agent, there are a number of Federation-Romulan encounters that she may have been involved in. Or, conversely, we can take the failure of certain Romulan plots as evidence that she was deliberately not involving herself!

For example, Sela’s attempt to interfere in the Klingon Civil War in Redemption ended in total failure – thanks in no small part to Data. A large Federation fleet deployed a sensor net to detect cloaked Romulan ships, thus preventing Romulan aid to the Duras faction. This was a major move on the part of the Romulans, and would have shifted the balance of power in the Alpha and Beta Quadrants had it succeeded. The Federation-Klingon alliance would have evaporated, and the Federation would be facing a Klingon-Romulan alliance alone. Sela’s second plan, to conquer Vulcan in the episode Unification, similarly failed, though this was due to the actions of Data, Picard, and Spock on Romulus and may not have been something Commodore Oh could have done much about – except perhaps warn the Romulans that they were coming.

We can further see this lack of involvement in Face of the Enemy, where Counsellor Troi impersonates a Tal Shiar operative and aids in the successful defection of a senior Romulan government official. A Federation defector to the Romulans is also successful in his efforts to return to the Federation in the same episode.

There is also In The Pale Moonlight from Deep Space Nine. In this story, Sisko essentially lies, cheats, and covers up murders to drag the Romulans into the Dominion War – a war that they had no need to participate in. At the end of the episode Sisko deletes the log in which he’d detailed his actions, and with his disappearance into the realm of the Prophets, only Garak remained as someone who knew everything that happened. But the trail of evidence existed, and could have been pieced together by a Romulan operative within the Federation. Sisko may have deleted his log, but as we’ve seen in other Star Trek stories, deleting data isn’t a straightforward process, and as we saw in The Undiscovered Country, it’s possible for logs to be downloaded and transmitted via subspace, even to foreign powers. Kirk’s own captain’s log was used against him in his trial in that film.

A Romulan senator was assassinated as part of a scheme to drag them into the Dominion War.

However, we could take the Romulans’ successes in episodes like Message in a Bottle – where they are able to commandeer a brand-new prototype Starfleet vessel – as evidence that someone within the Federation was feeding information to them.

So where does all of this leave us when it comes to Commodore Oh?

I feel positively certain that the Zhat Vash would have come to know about what happened with the Control AI, not least because it decimated Section 31. Whether they would have come to know about the M-5 computer is unclear, but even if they didn’t, the Federation’s research into AI would have been troubling to the Zhat Vash at least by the mid-23rd Century.

A major candidate for their interference is Lore and the attack on the Omicron Theta colony. This fits with how the Romulans and Zhat Vash operate, it fits with them knowing how to hack positronic brains, and if there was only one successful android builder (Dr Soong) and two extant androids (Data and Lore), the best course of action from the Zhat Vash perspective may have been to exterminate the colony and prevent that knowledge spreading.

When that failed, and when Dr Maddox had begun his own work on synthetic life, building up a team of scientists, eradicating the problem was clearly far less practical. Killing Data would have only set back the Federation’s research in a small way, and it may have been decided that the best course of action was to work from within to slow them down.

Commodore Oh aboard her ship – finally exposed as a spy.

Commodore Oh doesn’t seem to have actively interfered on behalf of the Romulans at key points where having an embedded operative could have been massively useful to the Romulan Empire. To me, the Federation’s successes against the Romulans in these stories implies that Commodore Oh was laser-focused on her own mission, and felt that stepping outside of her mission parameters, even to save Romulan lives in the short-term, was too great a risk.

Finally, when Dr Maddox was ultimately successful in creating synthetic life on a larger scale, and the rollout of F8 and the other androids went ahead, Commodore Oh felt that the time had come to act. Destroying a fleet intended to help the Romulans was simply unavoidable, because that’s where the synths were. Mars may not have been her first choice of target, but it was the only available target, and with synthetic life research and development accelerating, the time had come to act.

That’s how I see the timeline, and when taking a step back and looking at Star Trek as a whole, I don’t feel that the creation and retroactive inclusion of the Zhat Vash and Commodore Oh causes any major plot holes. Sometimes inserting characters and factions can have this effect, but in this case, I think we can find a way for episodes of The Next Generation, Deep Space Nine, and Voyager to play out in such a way that is consistent. The Zhat Vash and Commodore Oh were depicted as zealots, and it would make sense that someone with that kind of single-mindedness would be 100% okay with allowing her own government’s plans to fail and to see Romulans die in order to remain on mission. The Zhat Vash were playing an incredibly long game – Commodore Oh was embedded in Starfleet for over half a century, and even by the standards of long-lived Romulans, that’s a very long time.

While Commodore Oh’s plan succeeded, in the long run the development of synthetic life couldn’t be prevented, and it will be up to future Star Trek stories to show what implications, if any, that may have for the Romulans, the Federation, and the synths themselves.

So this was a different type of article, a deeper dive into a single story point and how it can be seen to effect – or not effect – other stories in the franchise.

I liked the Zhat Vash overall, though the inconsistent way they were referred to throughout Star Trek: Picard’s first season wasn’t great, and I question their almost-immediate decision to withdraw in the finale. They brought a whole new dimension to the Romulans, and one aspect of that is that we can look back at other stories in the franchise and think about how the Zhat Vash may have been involved. As someone who loves Star Trek, this kind of theory-crafting is a lot of fun. I consider the ideas outlined above to be at least plausible, but remember to take all of these fan theories with a grain of salt!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and elsewhere. The Star Trek franchise – including Star Trek: Picard and all other episodes, films, and series mentioned above – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 10

Spoiler Warning: There will be spoilers ahead for Star Trek: Picard’s entire first season, as well as for Star Trek: Discovery Season 2, the trailers for Season 3, and other iterations of the Star Trek franchise.

The two parts of Et in Arcadia Ego brought the story of Star Trek: Picard’s first season to a close this week. There are still some significant story points left on the table, however, and overall I feel that the season didn’t end as strongly as it began. You can read my full thoughts in my review by clicking or tapping here.

Theorising about Star Trek: Picard has been a lot of fun, and in a future post, I’ll be looking back at some of my debunked theories from earlier in the season in a kind of “what if” theory roundup. I hope you’ll stay tuned for that when it drops at some point in the next few weeks. Otherwise, unless we have definitive news regarding Star Trek: Picard Season 2, this may be my last post about the show for a while. I had been semi-expecting to see a release date for Star Trek: Discovery Season 3, as I felt it would have been to the benefit of ViacomCBS to take advantage of Star Trek: Picard’s success and the hype surrounding it to plug its sister show. As of the writing of this article, however, the only thing they’ve said is that it’s “coming soon”.

As usual for my theory posts, I’ll begin by looking at the confirmed and debunked theories from Et in Arcadia Ego, Part 2, before moving on to look at one surviving theory.

We’ll start with confirmed theories this time, as there aren’t many!

Confirmed theory #1: The synths succeeded in triggering the arrival of the “Mass Effect Reapers”.

The “Mass Effect Reapers” almost showed up.

While this didn’t go down quite like I’d expected, technically the synths did still contact the “Mass Effect Reapers” – the synthetic race who left behind the relic on Aia and who the Zhat Vash believe will trigger armageddon. Unfortunately, we didn’t really get to learn much at all about this race – not even their name, which is why I’m stuck calling them the “Mass Effect Reapers”.

After Sutra was deactivated, Soji continued to work on the synths’ beacon and was able to open a portal to wherever the “Mass Effect Reapers” reside. However, after a rousing speech from Picard, and seeing him lay down his life for her people, she closed the portal before they could come through. While the Zhat Vash are convinced that their arrival would have meant the end of organic life in the galaxy, what would have actually happened isn’t clear – and may never be explained again.

I get the sense that the writers and creators of Star Trek see these quasi-antagonists as a one-time-use thing, and while I did have a theory as to how they could tie into the franchise in a bigger way, it seems dead at this juncture. What seems more likely is that the “Mass Effect Reapers” are the equivalent of a monster-of-the-week, and like many alien races seen in just one single Star Trek story, won’t be heard from again despite the potential for repercussions.

Et in Arcadia Ego, Part 2 left many unanswered questions about this faction – including the basics like who they are, how old they are, and what their precise motivations are. Other big questions include: will they be back? Will Sutra – whose status is unknown as of the end of the season – want to call for them again if she wakes up? Can they be reasoned with, and is Starfleet planning to try to contact them again? Were the Zhat Vash right in their interpretation, or did they get it wrong? In short, there’s a lot we still don’t know about this potentially interesting faction!

Confirmed theory #2: Riker did return to duty.

Acting Captain William T. Riker!

Just a short one when compared to some of my more in-depth theories, but when Riker had said in Nepenthe that he hadn’t fully retired and was still on “active reserve” in Starfleet, that seemed to be a major hint that we’d see him back in uniform sooner or later. While I did say I was 50-50 on whether it would be this season or next, Riker came back at the head of a massive Starfleet armada in Et in Arcadia Ego, Part 2.

Unfortunately, his appearance in the episode was spoilt by his name being shown in the opening titles, and I’d already worked out that we were likely to see a Starfleet fleet with Riker at its head well before the episode reached that climax. While that did spoilt things to a degree, it was nevertheless great to see him back in uniform. And as a secondary point, rumbling away in the background this season had been tensions with Starfleet and the Federation. We speculated for weeks that there may have been a much broader conspiracy within Starfleet to collaborate with the Zhat Vash, so when Starfleet did to the right thing at the end, and were proven to still be the “good guys”, that was a great moment, and Riker was there in the middle of it.

His appearance did feel a little rushed, because almost as soon as he’d arrived he was already warping out of the system accompanying the Romulan fleet. It would have been nice if we’d got more time with him – but that’s true of many characters and storylines across the two-part finale.

So those theories were confirmed. Next, let’s go through the list of debunked theories, and I think we’re going to have to do this in two parts. There are a few theories that were completely debunked by the end of the season, and obviously we’ll look at those. But there are some theories that are in this weird kind of grey area – unconfirmed, but unlikely. If Star Trek: Picard moves on with Season 2 and tells a new story, it seems certain that we won’t revisit the locations, factions, and characters of Season 1 in any depth. And to me, that seems the most likely scenario. Star Trek: Discovery told two different stories across its two seasons, with a third story coming in Season 3. While there was some crossover from Season 1 to Season 2, the overarching narrative of Season 1 ended and a new story began in Season 2, and I expect Star Trek: Picard to go down the same path. It’s for that reason that I think we can consider almost all of these theories as dead – not so much because they were debunked on screen, but because the story has moved on and won’t be revisiting these points next year.

Debunked theory #1: The Artifact (or the Borg Sphere it seemed to contain) will launch into space.

The circular area on the Artifact could’ve contained a Borg Sphere.

It’s not actually clear, as of the end of the season, what’s going on with the Artifact and the surviving ex-Borg. Elnor stayed aboard the Artifact with Hugh and later with Seven of Nine to aid them, considering their cause worthy of his allegiance. However, the final scene of the season was La Sirena jumping to warp, and both Elnor and Seven of Nine – who, don’t forget, had been the xBs’ de facto leader – were present on the small ship.

I had theorised that the Artifact, which seemed to have a circular portal on one of its sides that could have contained a Borg Sphere, would have been repaired by the xBs and re-launched into orbit over Coppelius to aid in the fight against the Romulans. However, this didn’t happen, and while we did see that the Artifact’s weapons systems were at least partly operational, it didn’t seem as though anyone on the ground used them against the Romulan fleet either.

I hope we’ll learn more in Season 2 about what happened to the xBs and the Artifact – now that it’s on a planet under Federation jurisdiction, perhaps Starfleet will be able to repair it or scavenge its components. I’m not sure how canonical this is, but I think I remember reading in an old reference book or one of the Star Trek encyclopaedias that a Borg Cube was something like 10km long on every side, so it’s a massive vessel for someone to have to deal with. Perhaps the synths could salvage it?

Debunked theory #2: Picard and La Sirena will travel to Aia – the planet where the beacon is located.

The relic on Aia.

Aia was a world we glimpsed only for a short time in a flashback sequence. Presumably hidden somewhere in or beyond Romulan space, and thus not accessible to Starfleet by normal means, the beacon left here by the “Mass Effect Reapers” is what triggered the whole plot of the season.

As of the end of the season, however, the beacon remains active. It’s clearly dangerous – not only to the Romulans, but to everyone. If another synthetic being were to encounter it and figure out how to contact the “Mass Effect Reapers”, they could do so easily. I had speculated that, in the aftermath of whatever happened in the finale, Picard and co. would travel to Aia to deactivate the beacon, preventing it from doing any more harm.

Debunked theory #3: Narek is going to go rogue.

Narek aboard the Artifact.

Narek was abandoned by the story of Star Trek: Picard midway through the finale, during the crew’s stupid and badly-written attempt to destroy the synths’ beacon. What became of him after that is unknown. Possibilities include that he was recovered by the Romulans and left aboard their fleet, that he remained in captivity with the synths, that he was able to sneak away in the confusion surrounding Picard’s “death”, or even that he did leave the Zhat Vash and joined La Sirena’s crew off screen.

However, one thing that he didn’t do in the story was go rogue. Almost since we first met Narek and saw his relationship with Soji unfold, I’d been speculating that the time would come where Narek would find a reason to abandon the Zhat Vash. Perhaps it could’ve been out of love for or loyalty to Soji, or it simply could’ve been that the revelation of the synths not posing a threat meant he had no reason to oppose them. Either way, the switching-sides never came, and as of the last time we saw him, Narek was still fully subscribed to the Zhat Vash ideology.

Narek may not have been everyone’s favourite character, and I think a part of that comes from the fact that he didn’t really have anyone to interact with besides Soji and Rizzo for almost the entire season. But as a main character, and as someone we spent a significant amount of time with, I would have liked to see his story reach an actual conclusion, regardless of what form that may have taken. I don’t expect Narek to return for Season 2 at this stage, but as far as I’m aware no casting announcements have yet been made – so watch this space.

Debunked theory #4: Picard’s conversation with Admiral Clancy may have tipped off the Romulans.

Admiral Clancy.

At the time Picard and Admiral Clancy spoke in the episode Broken Pieces, he and the crew were still unaware of the extent of Commodore Oh’s role in the conspiracy. It wasn’t until Rios and Raffi had pieced together that she gave the order to kill two synths while Rios was serving in Starfleet several years previously that they could reasonably come to the conclusion that she was behind the attack on Mars and was a Romulan spy. So based on that, I wondered if Picard’s conversation with Admiral Clancy may have had consequences for the Starfleet squadron at Deep Space 12 – they could have been ambushed, attacked, hacked into, or had their security information compromised by the well-placed Commodore Oh. However, it seems that Oh had already left by that point to head up the Romulan fleet and nothing bad happened as a result of Picard and Clancy speaking.

Debunked theory #5: Section 31 will be involved.

A Section 31 badge from Star Trek: Discovery.

Over the course of the season, I had several ideas for how Section 31 – the secretive branch of Starfleet Intelligence responsible for off-the-books operations – could be involved with the story. Each of those possibilities came and went as the season rolled on, and my final guess for Section 31’s involvement – that they would show up to take ownership of the Artifact – was no different.

The reason I’d been so sure of Section 31 showing up this season was that they’ve recently been so important within Star Trek. Both in Star Trek: Discovery’s second season last year and then with a new spin-off show in production, I felt sure that the creators would want to tie the faction in somehow. It would have made sense from a production point of view, making Section 31 a consistent thread between Discovery, Picard, and the new show.

Debunked theory #6: The crew will travel forward in time to link up with Star Trek: Discovery.

At the end of Discovery’s second season, the ship travelled forward in time.

This was one of two theories I had regarding Star Trek: Discovery and Star Trek: Picard crossing over or linking up. There was no story evidence for it, only that from a production point of view, keeping all the extant Star Trek shows in one time period makes a certain kind of sense. While we could still see the USS Discovery ending up in 2399, that didn’t happen in the season finale either and it seems like both shows will continue on their own separate paths – at least for now.

One of the things I was somewhat surprised at in Star Trek: Picard’s first season is how few references to Discovery there were. Aside from literally a couple of throwaway lines I can’t think of any – and certainly nothing significant. Given both series are in production side-by-side, carrying the flag for the Star Trek franchise, I would have expected some kind of recognition of that.

So those theories were debunked outright, and now we can take a look at a few theories that I’m calling “dead”. These theories, as previously mentioned, weren’t explicitly debunked on screen, but instead were abandoned. As the story of Star Trek: Picard will move on in Season 2, I doubt very much that there’s any chance for any of these to be revisited.

Dead theory #1: Sutra is descended from Lore, not Data.

Lore was Data’s evil twin.

While we saw Data in the digital afterlife in Et in Arcadia Ego, Part 2, Lore wasn’t even mentioned. And given that he hadn’t been for the entirety of the season, any storyline involving him at the last minute would have been somewhat out of left-field, especially for new fans and those who haven’t seen The Next Generation in a long time.

Nevertheless, I had speculated that Sutra might be a descendent of Lore and not Data, simply based on her evil nature and the fact that she slipped very easily into that role. Data would not have behaved the way Sutra did, and if the synths were all cloned from his neurons, that doesn’t seem to make sense – on the surface, at least. We still don’t really know how the synth-building process works.

Sutra was my least-favourite character in the season, and though I’m pleased in a way that I didn’t have to sit through too much of her in Et in Arcadia Ego, Part 2, it’s not clear at all where she came from or what will happen to her next. Will she remain deactivated forever? If she does wake up, will she still be interested in contacting the “Mass Effect Reapers”? And if so, what’s to stop her from building a new beacon and doing so? I doubt any of these points will be addressed any time soon, and given that Sutra is unlikely to return imminently, I don’t think we will learn anything about her potential origin either.

Dead theory #2: The “Mass Effect Reapers” are the Borg.

A Borg Cube in The Next Generation.

Though the synths did succeed in building their beacon and opening a portal to the realm where this synthetic race are based, we didn’t learn anything at all about them this season. That raises a number of issues in itself – are they still a threat? Will Starfleet try to contact them and make peace? Are they planning to come to the Milky Way now they know we exist? Etc. But because this faction are so ambiguous and technologically-advanced, one theory I had postulated was that they could simply be the Borg.

It makes a certain kind of sense. The Borg are Star Trek’s most advanced species in technological terms, and are conceivably capable of moving stars. They also like to assimilate races that are technologically powerful – even ignoring races like the Kazon that they feel would detract from the “perfection” they aim to create. While we’ve only ever seen them as a kind of rolling assimilation machine, they may have left traps at locations in the galaxy, telling synths to contact them. Under the guise of helping the synths, the Borg would then show up at a location where they know a technologically-advanced race exists, and would assimilate both the synths and those who made them.

The brief glimpse we saw of the “Mass Effect Reapers” in Et in Arcadia Ego, Part 2 did not, in my opinion at least, conclusively rule out a Borg connection. However, with the story moving on, we may not meet this faction again.

Dead theory #3: Commodore Oh is a synth.

Commodore Oh.

When we saw Sutra perform a mind-meld in Et in Arcadia Ego, Part 1, this somewhat outlandish theory that I’d been kicking around for a couple of weeks suddenly went up a gear. If synths could mind-meld, it removed a potential hurdle from this theory – the fact that we’d seen Commodore Oh mind-meld with Dr Jurati – and provided what could be seen as some kind of hint or foreshadowing.

We’d also seen with Soji and Dahj that synths can be programmed to be unaware of their true nature, and can appear to be fully biological. So I speculated that it was possible for Commodore Oh to not even be aware that she’s a synth, and be barrelling toward unleashing armageddon through actions she believed were designed to prevent it. It would have been a neat story in some ways, but would have required a lot of on-screen explanation.

Dead theory #4: Borg technology was used in the creation of the Coppelius synths.

Ex-Borg on the Artifact.

Star Trek: Picard established that there is a large galactic market for Borg components. I theorised that Dr Maddox, Dr Soong, and their team used some or all of this Borg technology in their work on synthetics. It could have explained the huge jump from androids like F8 to androids like Sutra. F8 was active at the time of the attack on Mars, 14 years before the main plot of the series, and Sutra was active a mere five years later, when Rios met her sister Jana. Yet there’s a huge gulf between what the two synths were capable of. F8 was incredibly basic, much more so than Data had been in his earliest appearances. And Sutra was, from what we saw of her, very similar to a human. The fact that they made this leap in around five years – and that they made it having lost colleagues like Dr Jurati and without access to the Federation’s resources after the ban – seemed to stretch credulity. While we know for sure that the synth-building process relied on Data’s neurons, it’s at least possible that other technology was involved.

Dead theory #5: The faceless “father” figure from Soji’s dream isn’t Bruce Maddox, and may be Dr Soong or even a synth.

The faceless figure.

It seems as though this figure, glimpsed in Soji’s dream, won’t be revisited and was simply included for shock value. And a shocking sight it was when we saw him in The Impossible Box. It does make a certain kind of sense for Dr Soong or Dr Maddox to try to conceal their identity and prevent anyone from using Soji to track them down, so I guess that’s the answer – at least for now.

Dead theory #6: Soji and Dahj’s necklaces were created deliberately to communicate with or signal to someone.

Soji wearing her necklace.

I disliked the necklaces as a prop from their introduction in Remembrance. If they’d just been a part of Soji and Dahj’s costumes I’d have ignored them, but because the necklaces were supposedly a symbol for how Maddox created them, and were supposed to be kind of unusual or even flashy by 24th Century standards, I felt they were visually weak and uninteresting.

The necklaces also posed somewhat of an interesting question: if creating synths is illegal, why would Maddox give both Soji and Dahj a very obvious symbol of their synthetic nature to wear? Surely there are only downsides to doing so, like attracting unwanted attention. I even theorised that the necklaces could be what led the Zhat Vash to first notice Soji and Dahj. One answer to this question would be that there is someone out in the galaxy that Maddox was either trying to signal or communicate with, and the necklaces were a sign that person would recognise.

Dead theory #7: Something Maddox did or didn’t do led to the synths on Mars being hacked.

F8’s eyes during the hack.

When Maddox passed away without discussing the attack on Mars, this theory did start to look less and less likely. But with confirmation that the synths were indeed hacked by the Zhat Vash and did not act of their own volition, it hadn’t gone away entirely. Maddox was a senior figure in the Federation’s synthetic research at that time, meaning the hack took place on his watch. It was at least possible, especially considering that he fled and continued his work, that he was at least partly responsible. Perhaps something in the way he built or programmed the synths made them easier to hack, or perhaps there was a flaw he ignored. Regardless, with Maddox dead, the ban overturned, and the synth storyline seemingly over, I doubt we’ll ever know.

Dead theory #8: Picard’s illness is Irumodic Syndrome.

Picard “died”.

When Dr Benayoun brought Picard the news of his illness in Maps and Legends, its name was never mentioned. There were hints at it being Irumodic Syndrome for returning fans, but no confirmation. Given that Picard has since died and been resurrected, I doubt it will be discussed in Season 2, but you never know.

So those theories are dead and I doubt we’ll see any debunking, confirmation, or indeed any movement on them at all in Season 2.

I do have one remaining theory, and it pertains to Star Trek: Discovery’s upcoming third season. So let’s take a look at that before we wrap things up.

Discovery Season 3 theory: The “Mass Effect Reapers” are the cause of Star Trek: Discovery’s post-apocalyptic setting.

Michael Burnham in the trailer for Discovery’s third season.

We saw in the trailers for Discovery’s third season that the Federation seems to be in decline. It may even have fragmented altogether by this time. We also saw a level of technology that is arguably not as advanced as it could or should be in this time period. Star Trek has occasionally set episodes in the far future. In the 29th and 30th Centuries, we know that the Federation would operate time-ships and would routinely explore time as well as space, and would teach basic temporal mechanics in school. Episodes of both Star Trek: Voyager and Star Trek: Enterprise showed us glimpses of this future, but it doesn’t gel with what came out of the Season 3 trailer for Discovery.

If there has been some kind of apocalyptic event, could we have seen the beginnings of that in Star Trek: Picard? The question of the “Mass Effect Reapers” is still very much an open one, as I noted above. They may not have arrived at Coppelius thanks to Picard and Soji’s efforts, but they weren’t defeated, they still exist somewhere out in space, and now, crucially, they’re aware of the existence of the Federation and the Romulans. It’s at least somewhat plausible that they would decide to show up anyway – after all, they don’t necessarily know why the portal was closed. If their intention to help synths was genuine and not an elaborate trap, they may arrive out of concern for the Coppelius synths. And if their intention was to attack and conquer advanced races, they may now have a new target.

Somehow, Star Trek: Discovery will have to explain its setting and how things came to be so bleak – if indeed they are bleak. I do have an article where I discuss why a post-apocalyptic setting may not be right for Star Trek: you can find it by clicking or tapping here. But the “Mass Effect Reapers” remain in play as one possible explanation, at least in my opinion.

So that’s it. That was the only theory that survived the season, and it doesn’t even pertain to Season 2 of Star Trek: Picard!

I hope you’ve enjoyed my theories as the season went on, and that you didn’t get too upset if your favourites didn’t pan out. The whole point of this, for me anyway, was to spend a bit more time in the Star Trek universe, and to get lost in the world it created. While it has been great fun to speculate and theorise, it was always going to be the case that most theories didn’t come to pass – and that’s the case for any fan theory, no matter how plausible or well-constructed. We saw from The Last Jedi over in the Star Wars franchise how fans can become too attached to certain ideas, and how that can ruin the enjoyment of a film. I’m pleased to say that none of my theories in any way spoilt my enjoyment of Star Trek: Picard. If they had, these posts would have ceased!

I’m really excited to see what Season 2 brings, and to spend more time with Picard, Raffi, Rios, Dr Jurati, Elnor, Soji, and perhaps even Seven of Nine if she sticks around. While current events have disrupted production, I’d still hope to get some news and perhaps even a trailer by the end of the year, and the second season should release some time in 2021, though probably later in the year than this season did.

Until next time!

Star Trek: Picard Season 1 is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 10: Et in Arcadia Ego, Part 2

Spoiler Warning: There will be spoilers ahead for Et in Arcadia Ego, Part 2, and for the entirety of Star Trek: Picard Season 1. There may also be spoilers for other iterations of the Star Trek franchise.

I’m in two minds about Et in Arcadia Ego, Part 2. On the one hand, the entire second half of the episode was incredibly emotional, with hit after hit after hit that left me in tears. But on the other hand, much of the first half of the episode followed on directly from Et in Arcadia Ego, Part 1 and was a waste of space.

I think overall, I stand by what I said in my review last week: that many of the story points in this two-part season finale were rushed and underdeveloped. Et in Arcadia Ego, Part 2 had, at points, the same issue of blitzing through potentially interesting story beats, and the disappointing thing isn’t that any of the storylines were bad, it’s that they had potential to be so much more than they were. Despite the second half of the episode going a long way toward redeeming the entire two-part finale, I think when the dust settles and I’m thinking more clearly and less emotionally, the overall picture will be, at best, mixed. There just wasn’t enough time remaining for many of these points to be fully explored, and realistically that meant that either some story threads needed to be cut entirely, or the season needed another couple of episodes to explore them fully.

Where the second half of Et in Arcadia Ego, Part 2 succeeded was that it slowed down, and the rushed pacing, the jumping between storylines, and the obviously-cut down scenes did largely abate. This gave way for a more emotional story to develop and play out over several slower, touching sequences, which brilliantly played on elements of the story that had been spread out over the preceding nine episodes – beginning right back in the first episode of the season, and indeed the first sequence of the first episode.

But we’re getting ahead of ourselves. Et in Arcadia Ego, Part 2 begins right where Part 1 left off last week, where Sutra let Narek escape and locked Picard up. Narek travels to the Artifact’s crash site and manages to sneak aboard, passing Seven of Nine, Elnor, and a handful of xBs who seem to be working on repairing the crashed vessel. The establishing shot of the Artifact was actually really pretty, and the closest the planet of Coppelius or Ghoulion IV came to not looking like California for the whole episode.

This shot of the Artifact was great.

Narek is searching for something on the Artifact when Rizzo appears from nowhere and surprises him. I’ve mentioned several times that Rizzo has grown on me as a character in her appearances over the course of the season. Her transformation from an uninteresting and one-dimensional villain into an actual fleshed-out character has been great to see, and it’s hard to imagine the story of Star Trek: Picard’s first season without Peyton List’s occasionally over-the-top performance. Seeing Rizzo and Narek reunited showed us that they were real people underneath it all, and given it was almost sure to be Narek’s last meeting with his sister, their hug was strangely touching. After being attacked by the xBs at the end of Broken Pieces, I’d assumed Rizzo had beamed over to one of the Romulan ships near the Artifact, but it seems that she remained aboard during its short-lived mission to Coppelius and survived the crash-landing. I hadn’t expected that – partly because it wasn’t communicated clearly, it must be said – so it was a surprise to see her. But we did get to see a brief moment of vulnerability and emotion from Rizzo – in that moment, she was genuinely relieved, happy, and even slightly overwhelmed to see Narek, and that moment played out perfectly.

The next scene has to be one of my least-favourites. Not for its dialogue, which was a conversation between Picard and Soji as he tries to convince her to try things his way instead of following Sutra, but for the editing. The best moments with Picard, both in this series and in his previous Star Trek appearances, have been a combination of what he said and his presence while saying it. With this scene cutting away from Picard and Soji in large part, with what should’ve been one of his trademark speeches heard only in voiceover, something significant was missing that made the words he said far less impactful to us as the audience. We needed to see Picard as well as hear him for his speech to have its full effect. And back to what I said at the beginning, this feels like a consequence of both parts of the finale having just too much to cram in to two episodes. Before the opening titles, the episode needed to show this conversation, as well as convey – through Dr Jurati seeing it firsthand – the construction of the beacon that Sutra planned to use to contact the “Mass Effect Reapers”. Instead of there being enough time for both scenes, they ended up smashed together, with the voices of Picard and Soji on top of Dr Jurati silently watching the beacon. For me it simply didn’t work, and both scenes were the worse for being amalgamated.

The opening titles once again ruined the surprise appearance of a character. For the third time this season, an actor’s name was included which telegraphed the arrival of a character whose appearance was supposed to be unexpected: this time it was Jonathan Frakes, who reprised his role as Riker. What was the point of that? In all three cases where this has happened – Seven of Nine in Stardust City Rag, Dr Soong in Et in Arcadia Ego, Part 1, and Riker this time – the appearance of the character was treated in the episode as a surprise. Everything from the camera work to the music built up the suspense of who we were about to meet – yet the opening titles had already spoilt it. Riker’s appearance at the head of Starfleet’s armada was supposed to be something that would make the audience go “wow!”, but instead it was telegraphed ahead of time, so the arrival of his fleet and then seeing him in person when he hailed the Romulans had lost the crucial element of surprise. I just do not understand this decision. How hard would it have been to credit Jonathan Frakes at the end and leave Riker’s appearance a genuine surprise? It was poor, and it detracted from what should’ve been one of the episode’s more powerful moments. It was still nice to see Riker on screen and back in uniform – we’ll deal with that scene in more detail later – but it was such a shame that it wasn’t the surprise it should’ve been.

This shouldn’t have happened.

After the opening titles we see why Narek went to the Artifact – among the many things the Romulans didn’t have time to evacuate were a set of bombs, and he plans to use them to destroy the orchid-ships before the Romulan fleet arrives. This is a pretty tense scene in contrast to his reunion with Rizzo, as we see that there’s still tension between them and they’re of unequal status – despite being very shaken by recent events, Rizzo is still the superior officer. She really doesn’t have a choice in letting Narek go, as there are two jobs to do – destroying the orchids and activating the Artifact’s weapons – and two of them. Narek called himself a “Zhat Vash washout”, and clearly his history with the secretive organisation is complicated. We’d seen a couple of hints at that in earlier episodes, but nothing as major as what we got here. Unfortunately, as with many points across the two-part finale, it was left undeveloped. Narek has had multiple appearances across Star Trek: Picard’s first season for this aspect of his background to be explored, and given that we’re less likely to see him return for Season 2 than anyone else at this point, I would have thought that if the series wanted to properly explore his Zhat Vash background that this would’ve been the last opportunity. As it is, we got a couple of throwaway lines about Narek and Rizzo’s family: their parents, apparently, died as a result of working for the Zhat Vash, but again, how or why is not explained in any detail. Narek and Rizzo part for what would be the final time.

Out of all of Star Trek: Picard’s villains, the dynamic between Rizzo and Narek was by far the most interesting. As brother and sister there’s always going to be an element of sibling rivalry to what they’re trying to do, and Rizzo made clear in every scene together where the power lay in that dynamic. They played off each other well, with Rizzo pushing Narek to the brink of mutiny at times. But throughout it all, his commitment to the cause never wavered, and was stronger than both his fear of and disdain for Rizzo, as well as his clear feelings for Soji.

Narek and Rizzo at the Artifact’s crash site.

Technology in Star Trek has always been flexible to suit the needs of the story, and I appreciate that’s something that has happened going back to The Original Series. Even with that caveat, I didn’t like like the magical do-anything macguffin that’s used in the next scene by Raffi and Rios to fix La Sirena’s engine. It strayed too far into the realm of magic for me, especially with its “just believe it will work” spiel. While we’ve seen similar things in Star Trek before, and perhaps in some contexts it could’ve worked, it just felt forced at this moment; a way to send Raffi and Rios on a mission to La Sirena so they could be there for other story elements to unfold, but done in such a way that they didn’t need to spend more than thirty seconds fixing the engine – which they went back to do.

In fact, at several points in Et in Arcadia Ego, Part 2 did I get this feeling that the story was being forced down a particular path. Scenes would be included not because they fit the natural flow of the story, but because they either looked “cool” from a visual standpoint, or because they moved characters around to get them to be in the right place for other things to happen. In this example, Raffi and Rios had to leave Coppelius Station – under the guise of fixing La Sirena, they were moved out of the way so Picard could be apprehended, and placed in the right location for Narek to find them later, so they could plan their (stupid) attack on the synths’ beacon. It all felt just a little too much like it was driven by a room full of writers, and not a natural way for the characters to go. We’d also see the attack I mentioned be done in a very stupid way to get the plot to a specific climax, as well as the campfire scene with Narek which will come later as other examples of characters being forced into specific situations which didn’t really make sense in the context of the episode. It was constructed in such a way as to allow the plot to unfold, and unfortunately we’re supposed to just brush off some of the contrivances to make it happen.

Rios with the magical macguffin.

While we’re talking about contrivances, I can’t wait any longer to talk about Star Trek: Picard Season 1’s big plot hole. I’ve been flagging this up for several weeks as a potential issue, and unfortunately it was left unresolved at the end of the season. So a plot hole is what it’s become: why was Maddox on Freecloud? Finding Bruce Maddox was the driving force behind the first half of the season’s story, and when Picard finally encountered him on Freecloud, he made it very clear that the reason he was there, and had put himself in danger by contacting Bjayzl, was because his lab had been destroyed by the Tal Shiar. With nowhere else to go and no one to turn to, he went to see Bjayzl as a last resort – and ended up paying for it with his life. Yet Maddox’s lab clearly wasn’t destroyed. He wasn’t kicked out by Dr Soong and the synths, who continued to speak very highly of him. If he’d set up a lab elsewhere that had been destroyed, he could’ve returned to Coppelius. And as it sits right now, there’s no reason for Maddox going to Freecloud other than “because plot”. And that’s a mistake – Maddox was such an important figure, especially in those early episodes, that the reason he put himself in danger should have been given a proper explanation. It’s disappointing that the story and the season have ended with this gaping hole left unexplained.

After Raffi and Rios have used the magical macguffin, we get a scene with Dr Jurati and Dr Soong. At the end of last week’s episode, Dr Jurati had promised to aid the synths – but this was clearly a ploy to avoid being locked up and to be able to help Picard. I liked the dynamic between Soong and Jurati – he clearly hates her for killing Maddox, yet he needs her help. And his barely-contained loathing breaks the surface in the way he talks to her, as Brent Spiner delivers the lines in a style not dissimilar to how he portrayed Lore in The Next Generation. Again, though, as with too many points in the finale, this didn’t really have time to properly develop, and this scene between them, and one brief moment last week, is all the time they had alone together.

Dr Jurati.

Both Brent Spiner and Alison Pill delivered amazing performances with the limited material they had – I especially liked Dr Jurati’s “I’m not their mother, asshole” line – but I would have liked to have seen more of this relationship. There was the potential for it to go from bad to worse, then for the two of them to form a hate-filled unlikely alliance, before finally coming to terms with what happened. Dr Jurati had been essentially brainwashed by Commodore Oh, and they had both lost someone they cared about in Maddox – I would have liked to see that explored some more, especially because the on screen presence and chemistry the two actors had was definitely one of the finale’s high points.

Back at La Sirena, Narek has arrived and is trying to get the attention of Raffi and Rios by throwing rocks. He shows off his grenade collection and insists on meeting with them. At the meeting, Elnor arrives – we’d seen him following Narek as he left the Artifact. Speaking as we had been of two characters who loathe one another, Elnor and Narek feel that even more strongly. Elnor’s anger at Hugh’s death was on full display, but everyone had to stow their feelings as they discussed the synth problem. Narek is still in Zhat Vash mode, seeking out allies for his mission to blow up the synths’ ships. Staying with the theme of parts of the story being rushed, Raffi and Rios’ decision to believe him almost straightaway wasn’t great. While it was nice to see Narek finally interacting with someone other than Soji or Rizzo – the only two characters we’d seen him spend any significant time with – it came too late in the story to really have much impact, and like other points in the finale, was rushed. Narek really didn’t have to do much at all to convince the others that the synths – who they’d just met and were on friendly terms with – were a galaxy-ending threat, and they didn’t consider any other possibilities for why they couldn’t contact Picard at Coppelius Station other than Narek’s reasoning that the synths were jamming their commuications. It’s just another part of the finale where more time was needed – time to allow the three non-Zhat Vash characters to come around to Narek’s way of thinking. As it is, it felt like an instant turnaround – 180 degrees from trying to save the synths to trying to blow up their ships and beacon.

Narek finally got a chance to talk to other characters.

At the beginning of Stardust City Rag, we got a fairly brutal scene where Icheb has his eye torn out. The graphic sequence was shown in full, and it was grotesque but at the same time it was something that as the audience, we couldn’t look away from. In the next scene in Et in Arcadia Ego, Part 2, Dr Jurati takes the eye out of Saga, the deceased synth from last week, in order to use it to unlock a door and spring Picard from his captivity. But we didn’t get to see the eye removal, as the camera instead cut to Dr Jurati’s face for the majority of the scene. And unfortunately, this didn’t look great. Alison Pill undoubtedly gave it her best shot, trying to look both disgusted and like someone who was trying to figure out how to disconnect sensitive electronics, but it would’ve been better to either see the entire process or to jump-cut from her starting the procedure to having the eye successfully removed. As a story point I did like using the eye, and I liked the eyeball prop when we saw her use it later, but the removal itself was just a bit of a waste in my opinion.

The campfire scene where Rios, Raffi, and Elnor sit and listen to Narek’s Zhat Vash stories wasn’t great. In principle it was good to have them together, but by this point in the story, we as the audience are familiar with the Zhat Vash prophecy. And ghost stories around the campfire is just such a cliché that the scene felt so forced. And it didn’t make sense in context. The ship had been fixed – why sit around outside it? And with such urgency to get to Coppelius Station to destroy the beacon, couldn’t they have talked en route? Or flown La Sirena closer to the synths’ compound? It was just so obvious that the director or creators of the show had decided that a campfire scene would look cool that they shoehorned it in, even though doing so made little sense.

This scene made no sense.

The campfire story itself was fine, but as I said there wasn’t much in there that we as the audience didn’t already know. In an episode with so much story left to conclude, and thus where every minute matters, a lot of this campfire scene was really just wasted time. Conversely to that, the next scene with Commodore Oh – which barely even qualifies as a “scene” because of how short it was – had been very obviously and badly edited down to just a few seconds, and simply fell flat in the moment. Who was she supposed to be talking to when she said “At last, our great work is nearly at an end”? There was no one else present in the scene, she was just standing on the bridge of her ship in her evil villain cloak doing an evil villain pose spouting a generic evil villain line. Given how tightly it was cut, there was almost certainly more to this scene that didn’t make it into the final episode, but this line simply did not work on its own.

The visual effect of the Romulan fleet at warp was good, however, and I did enjoy seeing that. The design of the new style of Romulan vessel was great, and I could see it being a natural evolution of the Romulan Warbirds from The Next Generation and the advanced warship used by Shinzon in Nemesis, and the fact that some elements of those designs made it into the new Romulan ships was good and shows that the show’s creators were paying attention to past iterations of Star Trek. However, one thing I didn’t like – and this also applies to the Federation fleet that we see later in the episode – was that all of the ships were identical. Past fleets that we’ve seen, while arguably smaller in scale, were almost always comprised of multiple classes of ships, and the fact that the animators and CGI artists had essentially copied-and-pasted the ships meant that the large fleet was less visually impressive that it could’ve been. It was good to see the number of Romulan ships en route, though.

The Romulan fleet.

Narek is back in the next scene, a mere few seconds later, showing off the bombs he retrieved from the Artifact. While the episode hasn’t communicated this very well, it seems that a significant amount of time has passed. When Narek arrived it was daylight outside La Sirena, but then the campfire scene seemed to take place after sunset. Yet this scene is in daylight again – and as I said before, considering the urgency of the mission to stop the synths bringing about the end of the galaxy, which everyone seems to agree on, they don’t seem to be moving very fast toward that goal as they’re still talking aboard La Sirena.

I did like the creative way that they were able to sneak the bombs into Coppelius Station; that was a fun story beat, especially when Rios seemed to be playing with the ball in front of the synths. There was a second where it felt like he might kick it too hard and it would explode! The scene a few episodes ago where Rios had been kicking a ball around on La Sirena also paid off here. And if I’m not mistaken, at least one of the synths on guard duty looked like F8 – the synth from the flashbacks to Mars that we saw earlier in the season. However, the next part of this is yet another example of a plot contrivance – the guards let Raffi, Elnor, and Rios into their compound with Narek, but then seem to leave them alone to do their own thing instead of following them or taking Narek back into custody. It would’ve been better to skip the part about hiding the bombs in the football and have them sneak in another way, or leave the compound unguarded altogether (who are they guarding it from, after all?)

I’ve already mentioned that the eyeball was a neat prop, and the way Dr Jurati figured out how to use it to access Picard’s room and spring him from custody was great. Picard is clearly suffering here from the unnamed brain condition that we saw the first real indication of last week. And while I liked that this had been set up way back in the second episode of the season, it was really only in the two parts of the finale that Picard goes from experiencing no symptoms to full-on dead in a matter of hours or a couple of days. And while we have no frame of reference for how futuristic diseases might run their course, as a story point I feel this would’ve worked better if we’d seen a couple of other instances of his health starting to fail in previous episodes. I know we’ve seen him snap and seem to be quicker to anger at a couple of points, and that we saw his PTSD-breakdown when he first arrived aboard the Artifact, but for the most part Picard has seemed in good health for his age – until the finale, when his condition seemed to rapidly accelerate from nowhere.

Rios with the bomb-ball.

Dr Soong learns, in the next scene, that it was Sutra and not Narek who killed Saga, and is visually shocked and heartbroken at the revelation. I’m glad that Dr Soong turned out to be someone who was on Picard’s side in the end. Brent Spiner can portray villains wonderfully, as he did with Lore and another Dr Soong in Star Trek: Enterprise, but as a fan, seeing his new character at odds with Picard wouldn’t have been my preference, given that it’s been so long since we saw the two actors together in Star Trek.

The guards of Coppelius Station seem to have just allowed Raffi, Rios, Elnor, and Narek free rein inside the compound, and they’re planning their attack on the beacon when Dr Soong intervenes. For a moment they thought they’d been caught, but Dr Soong plans to help take down the beacon having learned of Sutra’s betrayal.

Picard and Dr Jurati made it back to La Sirena – though how the two groups managed not to cross paths or spot each other isn’t clear. I mean, there can only be one direct route to the ship after all. But that is a minor nitpick compared to others in the episode. This scene, between Picard and Dr Jurati, was very powerful, and the first point in the episode where I really started to feel things turn around. I loved Picard’s line that “fear is an incompetent teacher”, and their plan – to launch La Sirena into space and make a last stand against the Romulans as a way to show Soji and Sutra that not all organics are evil is a good move – perhaps their only possible plan under the circumstances short of using La Sirena’s weapons to destroy the beacon. They’re banking their hopes on Starfleet having received Picard’s message and already being en route, because at best they’ll be able to stall the Romulans for a few minutes. This is basically a suicide mission, and they both know it. The genius of putting these two characters together, as opposed to say, having Picard teamed up with Rios or Elnor, is that they both have nothing to lose. Picard’s at death’s door, and Dr Jurati is facing a lengthy spell in prison, so of all the characters who could try to make a last stand, it makes sense for them more so than any others – except perhaps Raffi.

Picard and Dr Jurati back aboard La Sirena.

The Romulan fleet is only seven minutes away, so Picard launches La Sirena and shakily leads the ship into orbit, with Dr Jurati along for the ride. The action then cuts to Coppelius Station, where the rest of the crew are planning to attack the beacon.

Attacking the beacon makes sense in the story, but the way it was executed was so bad, and the plan was clearly designed to fail. They storm in and make a huge fuss, then Dr Soong uses another macguffin to deactivate Sutra, but because the other synths are still all-in on using the beacon and summoning the “Mass Effect Reapers”, the rest of the crew scramble around, punching and kicking before being wrestled to the ground. Dr Soong, having deactivated Sutra with his magic wand, doesn’t do anything. He stands motionless in the background while Rios makes a desperate throw to get the bomb into position, but Soji catches it and throws it away.

So many things wrong here, but the overall problem is this – the fight was clearly written in such a way that the “heroes” lose. And that was painfully obvious in the way it was carried out on screen. But let’s break down some individual failings. Why did Dr Soong not show the assembled synths the video of Sutra killing Saga? That single piece of evidence would have swayed most of them to his side. Why did he not use his magic wand on Soji after disabling Sutra? Why did the crew launch a full-frontal attack against a force of massively superior synths instead of sneaking around or causing a distraction? Why try to fight the synths at all? And finally, probably my biggest complaint about the synth storyline in the finale as a whole: what was the point of Sutra?

Sutra was shut down.

Don’t get me wrong, I’m not arguing that we should’ve seen more of Sutra this episode. The awful makeup and hammy performance meant I wanted to see as little of her as possible – in that sense I got my wish – but for an antagonist who’d played such a large role last week, and who did have, as I pointed out, a motive that was at least partly understandable, she was just completely sidelined by a story that raced through far too many points and left her completely undeveloped. Sutra had the potential to be interesting, at least in theory. Her presence turned the synths from damsels in distress needing to be saved to antagonists needing to be dissuaded or defeated, and that concept, if executed better, could have been interesting. Unfortunately, as I’ve already said, it would’ve needed several more episodes to work effectively – and a better performance from the central synth villain.

Given that Star Trek: Picard has been at least as much Soji’s story as Picard’s, I feel it would have been better on the whole to ditch Sutra and simply have Soji and Dr Soong be the principle drivers behind contacting the “Mass Effect Reapers”. It would have cut an extraneous character, allowed more time for some of the others to be explored, and we wouldn’t have had to sit through that awful performance last week. Soji did need someone to guide her turnaround last week, to allow her to convincingly side with the synths. But I don’t think that needed to be Sutra, and with a few tweaks here and there the story could’ve arrived at the same place without her – and it would have been better for it, especially considering she did nothing whatsoever this week.

Soji working on the beacon.

The next scene with Dr Jurati and Picard was hit-and-miss for me. The jumps in tone from deadly serious suicide mission to cracking dumb jokes just didn’t work, and while Dr Jurati has occasionally provided moments of comic relief throughout the season, this was not the moment for humour and it just ended up detracting from what could’ve been a much more powerful scene. I did like, however, that La Sirena was not flying smoothly in the exterior shots we saw, indicating that Picard is still getting back into the swing of things. We have seen him pilot spacecraft before – shuttlecraft most often, but also the Enterprise-D itself in the episode Booby Trap from the third season of The Next Generation – so we know he’s at least basically capable and should understand the principles involved.

Seven of Nine and Rizzo fight aboard the Artifact as Rizzo has tried to bring the Cube’s weapons online. She’s targeting La Sirena, which does raise the stakes somewhat, and the fight itself was decently exciting. There was never any real doubt as to who the victor would be, however, and Rizzo finally gets her comeuppance for killing Hugh as Seven of Nine sends her falling to her death with a well-placed kick. The two traded barbs during the fight, and we really saw Rizzo in a way that I talked about a couple of weeks ago: as a racist. That aspect of the Zhat Vash and Romulans – that their actions are a veiled analogy for hating another group of people because they’re different – is something the show found a balance between hinting at and overplaying, and I think, taken as a whole, the balance was probably about right.

Rizzo and Seven had a fight.

The visual effects and CGI in the episode were great, as we’ve already discussed, and the sight of the orchid ships launching to meet the Romulans, and overtaking La Sirena, was visually impressive. I still feel that the way the orchids operated last week was pretty dumb, but this time they don’t seem to be dragging intact ships to the planet’s surface; what exactly they’re doing in the fight other than getting shot at and serving as a huge distraction isn’t really clear.

The magical macguffin is back; Rios and Raffi apparently left it aboard La Sirena. Dr Jurati figures out that it can be used to produce holographic duplicates of the ship, which they can use to distract the Romulan fleet. Again, I really didn’t like this tool, and the fact that it seems to be magical and can be used for anything one’s heart desires was not great, even by the standards of Star Trek technobabble. While in principle what Dr Jurati hoped to do was a good idea, and I did like the name-check of the Picard manouvre from The Next Generation, the macguffin spoilt it really. And I felt that the moment where it created holo-duplicates of Dr Jurati’s face was a rare miss in the episode’s visuals.

However, Picard’s conversation with Soji, in which he explains that he’s basically laying down his own life to defend the synths was incredible and very powerful – the first of those emotional hits I mentioned at the beginning of the review. There’s something about a noble last stand that always gets to me, and this was a great example of it! It was an absolute desperation play, as Picard hopes against hope that Starfleet will arrive in time. If Starfleet didn’t get there, the “Mass Effect Reapers” would be the synths’ only hope of survival.

Picard speaks to Soji and asks her to reconsider.

The shot of La Sirena standing alone against the Romulan fleet was incredibly powerful too – part of that last stand feeling that I mentioned. The next part of the story has hits and misses, though. And I know this is kind of a nitpick, but what were the other synths and Dr Soong doing while Soji was activating the beacon? Did no one try to stop her or at least question what she was doing – especially given that they all heard what Picard had to say – nor try to contact the Romulans and reason with them? Several of the next few scenes played out as if Soji were the only one there, yet there were a dozen or more synths plus all of the other main characters.

Soji succeeds in activating the beacon just as the Romulans finish dealing with Picard and Dr Jurati’s last stand. The timely arrival of Starfleet – led, as the opening credits made clear, by Riker – prevented them from attacking the planet, and the two fleets enter a tense standoff. It was great to see Riker back in uniform again, and the last-minute arrival of the fleet saved Picard as well as the synths. However, as with the Romulan fleet earlier, all of the ships were the same type and I do feel that the copy-and-paste look detracted somewhat from the otherwise-impressive sight of so many Starfleet vessels – which, I believe, are based on a design from the Star Trek Online video game (but I could be mistaken in that). Until we’d seen his name in the credits, I wasn’t sure if we’d see Riker back in action this season. I was pleased that we did, and it definitely felt good to see Starfleet as the good guys again, after Picard had been forced to work around their obstinance for the majority of the season.

Acting Captain Riker, back in uniform.

Though this moment had been telegraphed ahead of time and sadly was robbed of some of its impact as a result, the musical score as the ships emerged from warp, coupled with Riker’s appearance a few moments later, did still feel good – just not as good as if it had been a genuine surprise.

We got to see a better look at the command variant of the new Starfleet uniforms – which still have that Starfleet logo pattern in the coloured section – and again, as I said at the start of the season I do like the new uniforms. Especially compared to Star Trek: Discovery’s all-blue look I think they look great, and the combadges complement the look nicely.

Commodore Oh, throughout her appearances this season, hasn’t seemed like someone who would listen to reason. The Zhat Vash have been presented as the most committed of all Romulans to the anti-synthetic cause; both she and the organisation are zealots. And zealots seldom back down, even when facing significant opposition. Picard uses what is basically his dying breath to talk Soji down from summoning the “Mass Effect Reapers”, who hadn’t yet emerged through the aperture created by the beacon. This speech was really the climax of the episode, and the emotional hit of the words Picard spoke, combined with knowing he was suffering greatly as he spoke them, matched the high points other episodes of the season hit. It was the kind of speech Picard could’ve given at any time in The Next Generation as he focused on the rights of all life to exist, and for the need to demonstrate that the synths aren’t what the Zhat Vash feared them to be.

Commodore Oh decides to withdraw.

It was enough to sway Soji, who closes the aperture before the “Mass Effect Reapers” could come through or even send a message. Their mechanical tentacles did look menacing, but that’s all we go to see of them. Faced with Soji having stood down and Riker staring her down with a large fleet, Commodore Oh withdraws, and this is something which I feel was out of character. Are we supposed to believe Picard’s speech swayed her? Or simply seeing Soji stand down one time would be enough to override years of Zhat Vash indoctrination? Even if it was good enough for Oh, did everyone on the fleet agree? From her point of view, what is there to prevent the synths rebuilding the beacon in twenty years – or twenty minutes? While Picard’s climactic speech was beautiful, Commodore Oh’s decision to withdraw, like so many other points in the finale, felt rushed. And no sooner had he arrived than Riker, too, was gone – warping out of the system accompanying Oh’s fleet. Couldn’t they have left a ship or two behind? Considering what came next, Riker’s presence would have been incredibly emotional.

Picard bids Riker a solemn “adieu”, before succumbing to the effects of his condition – perhaps combined with whatever medication he was given earlier by Dr Jurati.

Picard’s death – or rather, his “death” – in this moment was the emotional climax of the story, after the plot had reached its own zenith a moment earlier. And it was a very powerful sequence. Soji transports Picard and Dr Jurati to the synths’ location, and Picard dies, surrounded by his crew and knowing that he did right by Soji and her people. His final act was one of sacrifice – making a last stand to defend the synths, righting a wrong from fourteen years ago where he had been unable to prevent the ban or aid the Romulans. The emotion on the faces of the characters – especially Raffi, as Michelle Hurd put in her best performance of the season – was heart-wrenching to witness. Surrounded by his friends, and with a few last words to (most) of them, he passes away, killed by the nameless condition that we assume to be Irumodic Syndrome.

Picard succumbs to his condition.

Of all the characters we’ve met across the season, Rios and Seven of Nine arguably had the least connection to Picard on a personal level. Aside from a few scenes when they first met, I can’t recall a significant moment with Rios and Picard together. While there’s always sadness when someone passes away, especially under such circumstances, putting Seven of Nine and Rios together wouldn’t have been my first choice in the immediate aftermath, simply because they didn’t have the connection that, say, Raffi or Soji had with Picard. Nevertheless, the scene between them was touching, and they both spoke highly of the fallen Admiral. I liked the idea of sharing a bad drink because it was all they had access to, and it emphasised that they’re both a long way from home and that this is, for the moment at least, the end of the journey.

The real heartbreaking scene was when Elnor broke down and was comforted by Raffi. Elnor, who had been so strong and powerful, was weak and vulnerable having regained and then lost his surrogate father figure, and Raffi, who was devastated too, trying to comfort him was just incredibly emotional. Both actors put in amazing performances here, and as sad as this scene was, I loved it.

Raffi and Elnor grieve for Picard.

When Picard awoke, for a moment I was half-expecting to see Q! That was never going to happen, of course – it would be a complete bolt from the blue for anyone who hadn’t seen The Next Generation, for one thing – but it would have bookended Picard’s story in the Star Trek franchise if this had been his final appearance and he was to stay dead, tying into themes from Encounter at Farpoint. Instead, Picard finds himself sat opposite Data. And I know there will be criticism of Data’s appearance given Brent Spiner’s age, but a combination of lighting, makeup, and what I assume are digital effects made him look decent here, and I didn’t find the way he looked offputting, especially when compared to the way the gold synths had looked last week.

At no point was I convinced that Picard would stay dead, but that in itself didn’t rob any of the scenes surrounding his death of any of their drama or emotion. As a story point, though, killing a character in such a dramatic and emotional way only to immediately revive them can end up feeling like a bit of an anticlimax, and there was an element of that here I’m afraid. Not in the moment, and not in Picard’s scene with Data in the digital afterlife, but certainly after his revival there was part of me left thinking “well, what was all that for?” In a sense, restoring Data’s mortality and finally providing him with the closest thing to humanity that he could get, Picard did have a reason to travel to the digital afterlife. No one could have known that Data was trapped in a kind of purgatory, nor that saving parts of his mind from the information transferred to B4 would mean that some essence or facet of his personality would be forever entombed in this realm. That action – saving Data and finally laying him to rest – gives Picard a reason for this temporary death, and as a story it was, overall, a success.

Shutting down Data.

Data takes on the role of what I guess you’d say was a god or grim reaper figure from classical literature, explaining to Picard that he’s in the afterlife and that he died. This was another incredibly emotional scene, as Picard got to express twenty years’ worth of sadness and regret to his long-lost friend. Maybe I’m seeing what I want to see, but I seemed to get hints at Data’s study in the set design, notably the room he occupied in All Good Things, the finale of The Next Generation, in which he was still alive and working as a professor. In fact, while we’re talking about set design, I felt that this room was one of Star Trek: Picard’s best and most evocative. I’ve written before that the outdoor filming scenes, supposedly taking place in France, in Japan, and on several alien worlds, all looked suspiciously like California, and that has been a let-down at points. But the interior sets have been fantastic. I love the way La Sirena looks – inside and out, in that case! – and the Troi-Riker cabin was everything it needed to be. The Artifact is something I really haven’t written about as often as I should’ve, because the subtle updates to the Borg vessel have been fantastic. I loved the shifting walls that were present at times, and the way that, despite being claimed by Romulans and some area being declared “safe”, it was still definitely a Borg vessel. Bjayzl’s club on Freecloud was maybe a tad cliché, but it still did a great job feeling like a futuristic, alien club. The nunnery on Vashti was incredibly reminiscent of something from Japan, and I loved that style when it appeared in Absolute Candor. And finally, Coppelius Station and the Daystrom Institute both conveyed the look of being futuristic in a similar but not identical way to locations in previous iterations of Star Trek.

Data in the digital afterlife.

In this case, the room was clearly artificial, but in a way that conveyed a sense of limbo or purgatory. By the furniture and decor being greyed out, there was the sense that, like in a computer when a file or programme is inaccessible, things weren’t quite right. And the fact that the only colour came from the two figures of Picard and Data, our focus as the audience was drawn to them and all attention focused on them – in the same way as you might expect if seeing a very minimalist stage production.

Part of the criticism of Star Trek: Nemesis at the time it was released surrounded how Data’s death was handled in the story. Aside from the criticisms of the story beat itself, the main ones were that he didn’t really get a chance for any goodbyes, and that in a relatively short space of time, Picard and the crew were laughing and joking on the way to their next adventures. We saw earlier in the season – indeed, from the very beginning – that Data’s loss weighed heavily on Picard, and that his friends Riker and Troi remembered him fondly and held his legacy dear, but in this moment, the second criticism was addressed, as Data got to say goodbye properly. Partly this was to Picard, but partly it was to the audience – to us. In a way, this righted what some fans had considered an eighteen-year wrong.

Data’s final goodbye.

The conversation they had about dying was interesting – and it did, in a way, capture that elusive sense of “Star Trek-ness” that Star Trek: Picard has been so keen to restore to the franchise in the aftermath of Discovery and the JJverse films. Both of those, despite what some have argued, had moments where they “felt like Star Trek”, but not every moment. For all my criticisms of the plot and various scenes in Star Trek: Picard’s finale, it did always feel like Star Trek – and this scene with Data, talking about life and death, was just one part of that, but it was a particularly powerful part.

Picard walks out of the room into a bright white light, and awakens in a new synthetic body, donated by Dr Soong. I wish we’d seen more of Dr Soong and learned why he built himself a synthetic body. There seemed to be hints last week that he was sick or possibly dying, but these were vague and underdeveloped – like many points in the finale – so we don’t really know the stakes or what kind of sacrifice Dr Soong may have made. Did he condemn himself to death by giving Picard the “golem”, or will he just build another one next week now he knows how to do the mind-transfer?

Picard is reborn in a new synthetic body.

Soji, Dr Soong, and Dr Jurati explain to Picard a number of caveats – his new body is the same as his old one, he won’t have any enhanced strength, speed, brainpower, or anything that would change him in any way. He’ll be identical to how he was, just without the terminal brain condition. And it was around here that the sense of “well what was the point of all that?” kicked in. The Data storyline was great, and I loved that Picard got to say goodbye, that we as the audience got to say goodbye to Data, and that Picard got to do his friend a final favour of letting him die properly. But for Picard’s own character, the death-and-rebirth story didn’t really do much of anything. He’s back to how he was before he died a few minutes later, and all of the emotion from his goodbye to Riker to the reaction of all of the characters was, in retrospect, at least slightly wasted.

We get a touching sequence as Picard fulfils his promise, unplugging Data and letting him finally die. Data prepares his room in the digital afterlife, and lies down to await the inevitable. Picard appears to him in his old uniform – whether Data was imagining him or dreaming isn’t clear, but it is clear that his final thoughts were of his friend. Getting a proper goodbye with Data wasn’t even something I knew that I wanted – but now that I’ve seen it, I can see how it was missing from Nemesis and that it really was something cathartic and beautiful to see. Picard’s speech, the music, the change in lighting in the digital afterlife, and finally Data fading away were all amazing to see, and it was another deeply emotional moment. Picard may have come back to life, but Data won’t – he can’t. This marks the final goodbye to a character we first met in 1987, and who we spent a lot of time with.

The crew reassembles aboard La Sirena – and they’ve had to find extra chairs for the bridge. Seven of Nine seems to have joined the crew, though whether that’s temporary isn’t clear at this stage. They set off to destinations unknown, and we learn that the ban on synthetic life has been overturned. The season ends with Picard giving the order to “engage!”, and La Sirena jumps to warp. The familiar Star Trek music sting kicked in at this moment, making the final scene of the episode another stirring and emotional moment.

The assembled crew of La Sirena – ready for Season 2!

Taken as a whole, the episode was certainly mixed. There were high points which equalled or even went beyond the heights reached by other episodes of the season – even Remembrance right at the beginning. And there were some beautiful, deeply emotional moments which still pack a punch on a third, fourth, and fifth viewing. But there were some mistakes and disappointments too, and too much undeveloped story that was left behind as La Sirena warps off to a new destination and – presumably – a new story in Season 2.

There are key points left hanging as of the end of the episode. The first is: what happened to Narek? He obviously wasn’t present aboard La Sirena at the end, but he’d been a major character who we’d spent a lot of time with and he just seems to have been abandoned by the story about halfway through the episode. It’s not clear if he returned to Romulus, remained in captivity with the synths, was handed over to Starfleet, or even if he joined La Sirena but just didn’t sit with the others on the bridge. I don’t expect to see him return for Season 2 at this point, but just ditching him with no goodbye and no end to his story was just a bit strange.

Narek disappeared after this point in the story.

Obviously I’ve already mentioned the Bruce Maddox plot hole that was left unresolved, but that’s a major annoyance so it’s worth bringing up again. There’s also Dr Jurati – she did still murder someone, so why is she free to go with Picard? Was her conviction expunged? Is she a fugitive? Will this come back to haunt her in future? It would have been nice to see some resolution to that point – unless, of course, it’s something planned for next season, in which case I’m content to wait.

Next are the “Mass Effect Reapers”. The Zhat Vash were right, in a roundabout way. The relic on Aia does tell of a race of synthetic monsters from far beyond the stars. That race are out there – is Starfleet going to try to contact them and make peace? Will the synths from Coppelius contact them and tell them not to hurt anyone? Are the “Mass Effect Reapers” content to just go back to waiting for someone else to contact them, or are they now aware of Starfleet, the Romulans, and the Milky Way galaxy’s various species? What steps will everyone have to take in case they return? What’s to stop another synthetic race from contacting them, or even the Coppelius synths changing their minds and asking for their help after all? Building a beacon didn’t look too hard or time-consuming. And what of the relic on Aia? Is it still active? Will it be shut down? Are the Zhat Vash still hell-bent on killing other synths, even if they leave Coppelius alone?

The “Mass Effect Reapers” are still out there.

Finally, we have Dr Soong and the synths. They’re under Federation protection now, but what will happen to them? Will they stay on Coppelius? Will they continue to make more copies of themselves? Without Data’s neurons, can they make more synths? And without Dr Maddox and Dr Jurati, can Dr Soong continue to work? What’s to stop the Romulans coming back next week and nuking their settlement from orbit? Are they protected in any way? Will they have to leave Coppelius and settle somewhere safer? I didn’t expect every single one of these points to be addressed, but some hint and what’s to come next for the synths would’ve been nice given how they were such a large part of the finale and the story of the season overall.

If I had been tasked with salvaging the story of the finale, the first thing I’d have done would have been to get at least one more episode for the season – perhaps two. Then I’d have interspersed some of the storylines present on Coppelius with the other active stories much earlier in the season, allowing more time for the development of characters like Dr Soong, Sutra, and even Saga. Beginning with perhaps episode six or seven – roughly the halfway point of a twelve-episode extended season – I’d have introduced the audience to Coppelius and everyone resident there. I’d have done more to build up the stakes by exploring the “Mass Effect Reapers” in more detail, too. A name for the faction would have been good, but also a basic motivation as well as some indication of their level of technology. Finally, I’d have spent more time on the climactic stand-off between Commodore Oh’s fleet and Riker’s Starfleet armada, and tried to find a convincing way to end the Zhat Vash threat, like having other Romulans mutiny against Oh when the synths deactivated the beacon. I think that by spending some more time with some of the characters, and by introducing them earlier, the finale would have been more enjoyable. But there’s no salvaging that awful gold makeup. That would have to go!

A group of synths.

I guess what I’d say about the two parts of Et in Arcadia Ego is this: it did provide a satisfactory conclusion to many parts of the story of Star Trek: Picard’s first season, but it left a lot on the table and it was rushed, poorly paced, and incomplete. When I think about the season as a whole, Et in Arcadia Ego, Part 1 is by far the worst episode, and while Part 2 went some way to rectifying that, and did manage to pull out a passable end to the story, it wasn’t an especially great episode either, with some definite low points to counteract the emotional highs.

Star Trek: Picard Season 1 stumbled across the finish line, scraping together the bare bones of a conclusion, but leaving a lot of unanswered questions and at least one gaping plot hole. That doesn’t mean that Et in Arcadia Ego, Part 2 was a failure; it did manage to elicit some powerful feelings and bring together some of the dangling story threads. But I don’t think we can call it a rousing success either, and a story that started out incredibly strongly ten weeks ago has finished with a weaker and less enjoyable pair of episodes than I would’ve wanted.

All that being said, I’m satisfied with the season as a whole. My gripes about specific points in both parts of the finale don’t detract from what has been, overall, a wonderful story and a great return to the Star Trek universe as the 25th Century is about to begin. I hope that Star Trek: Picard can now serve as a jumping-off point for other Star Trek shows set in and around the same era, moving the franchise forward into the future – where it should always have been trying to go.

Soji in the episode’s closing moments.

Stay tuned for the conclusion to my Star Trek: Picard theories for Season 1, as well as later in the year when I hope to do a retrospective look at the season. When some time has passed and the dust has settled, it should be a good to go back and take a second look. Rewatching earlier episodes while keeping in mind some of the story elements from the finale should be an interesting experience, and I will undoubtedly see more hints and foreshadowing that I missed when I first saw them.

Now that Star Trek: Picard has concluded, don’t think that the blog is going away! There will be lots more to come as I have numerous articles in the pipeline. I half-expected to see a release date for Star Trek: Discovery Season 3 announced, but despite all the hype around Star Trek: Picard, ViacomCBS have chosen not to take advantage of this opportunity to plug Discovery. Even if the release date isn’t for a couple of months, putting it out there now would have been a great move. Regardless, whenever it airs, I hope you’ll come back to see me review and break down those episodes too.

See you next time!

All ten episodes of Star Trek: Picard’s first season are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 9

Spoiler Warning: There will be spoilers ahead for the first nine episodes of Star Trek: Picard, and there may also be spoilers for other iterations of the Star Trek franchise.

If you’ve read my review of Et in Arcadia Ego, Part 1, you’ll know it’s my least-favourite episode of Star Trek: Picard’s first season. The season as a whole has been fantastic, and I’m really hoping that the finale will manage to salvage things because it would be such a shame if the overall story ended up spoilt by a bad ending. In any case, despite not enjoying the episode it did nevertheless bring up a couple of new theories, and debunk several others.

I re-read my review before penning this article, just in case I was too harsh or wanted to amend any of my more stinging criticisms of Et in Arcadia Ego, Part 1, but honestly at this point I stand by it. Every season of every Star Trek show has had bad episodes here and there, and I suppose it was an inevitability that Star Trek: Picard would too. The main problem, just to reiterate, is that Et in Arcadia Ego, Part 1 didn’t behave like the ninth part of a ten-episode story. By introducing new characters and storylines, as well as shaking up existing stories and leaving many points unresolved, there was simply too much to do and as a result, many potentially interesting story points were blitzed through in two minutes instead of being properly developed. I wrote that the episode felt like the halfway mark of the story rather than the beginning of the end, and if it had been episode 5 or 6 I’m sure I would’ve enjoyed it more. Star Trek: Picard does have a second season currently on order – though when that will be able to be produced is unclear right now with the coronavirus pandemic putting a halt to work across the entertainment industry – but as far as I’m aware, at least based on everything we were told in the run-up to this season, Season 1 was a self-contained story. I don’t think we can count Et in Arcadia Ego as the midway point of a two-season story simply because that was never the plan. It seems, one way or another, that the story arc of this season, with Commodore Oh, the vision on Aia, the Zhat Vash, and the synths on Coppelius will be concluded on Friday and that Season 2 will be another story. But perhaps that’s just a theory that can be proven wrong!

Speaking of Season 2, this won’t be my last Star Trek: Picard theories post. While I fully expect the main story to be concluded, I have no doubt that the show will leave Picard and his new crew on the precipice of their next adventure – so join me in a week or so as we speculate about what that might be.

I’ve thoroughly enjoyed writing these theories over the last few weeks, and I hope to begin a series of Star Trek: Discovery theories when Season 3 premieres later this year. If Lower Decks provides suitable material for theory-crafting, I’m sure I’ll do the same there too. Once again, please remember to take everything with a grain of salt and not to get overly-attached! These theories are just for fun, after all.

Let’s begin with the theories that Et in Arcadia Ego, Part 1 debunked.

Debunked theory #1: Some of the male synths will resemble Data.

Brent Spiner did have a role this week, but not as a synth.

Assuming we got to see all of the synths on Coppelius this week, there were none built in Data’s image. Brent Spiner actually has a new role as Dr Soong, the son of Data’s creator, so it doesn’t seem like we’ll be seeing him back in makeup as a descendent of Data living on Coppelius.

Debunked theory #2: The synths on Coppelius were killed when Maddox’s lab was destroyed.

Maddox had nowhere else to turn after his lab was destroyed – and going to see Bjayzl was a huge risk.

This would have led to a fairly bleak outcome for the story of Star Trek: Picard’s first season, as it would’ve left Soji as perhaps the last of her kind. However, we now know that there are plenty of synths living on Coppelius, despite Maddox’s claim in Stardust City Rag that his lab had been destroyed. I really really hope this gets explained, because we need to know what prompted Maddox to travel to the incredibly dangerous Freecloud and to meet with Bjayzl – to whom he owed money – while in a desperate state. Was Maddox expelled from Coppelius by the synths? That could be one explanation.

If it ends up ignored, I’m afraid that it isn’t just the case of a throwaway line in one episode. Locating Maddox was a large part of the first half of the season, with Raffi tracking him down and Picard organising the trip to Freecloud specifically to find him. Maddox said very clearly that the reason he’d gone there was because his lab had been destroyed – he had nowhere else to turn, so he went to see Bjayzl. One of the synths said this week that they only had one spacecraft on Coppelius – the one Jana used when she met Rios – so that further complicates matters. If these things end up being untrue then we need to know why given Maddox’s important role in the plot. I’ve been flagging this up for several weeks because I’m concerned it could open a significant plot hole.

So those two theories were debunked in Et in Arcadia Ego, Part 1. A couple of others are looking incredibly unlikely, but I don’t think we can call them officially debunked just yet, so I’ll leave them in place for now. We got two confirmed theories as well, so let’s look at those briefly before we get into the main list.

Confirmed theory #1: Seven of Nine and Elnor took the Artifact to Coppelius.

The Artifact emerges from transwarp.

The visual effect of the Artifact exiting the transwarp network was beautiful. It was a stunning work of CGI that the above image doesn’t do justice to. Unfortunately, as a story point I felt it was unearned and I didn’t like it.

Seven of Nine said that she could see La Sirena in the transwarp network when connected to the Artifact, and based on that she decided to fly the ship there with the surviving xBs. However, we didn’t really see any of that on screen, and the Artifact’s arrival seemed to come from nowhere during La Sirena’s battle with Narek. As something that had the potential to be incredibly exciting, I felt that this was a total waste of the Artifact’s surprise potential, despite the cool visual effect.

Confirmed theory #2: Romulan minds have a very particular reaction to the relic on Aia.

Part of the vision from Aia.

Okay so technically it’s organic minds, rather than specifically Romulan minds, that react so badly to the vision from Aia, but I was at least halfway right when I said that someone else experiencing the vision would have a different and less intense reaction. Sutra was able to make sense of the vision, recognising that it was one designed to be shown to synthetic minds, not organic ones.

She deciphered the vision as an appeal to synthetic races from another synthetic race, telling them to get in touch when they were ready so that the organic races who created them – and persecuted or enslaved them – could be destroyed. I’ve termed this faction the “Mass Effect Reapers”, since they play a very similar role to the antagonists in that video game series.

The Romulans didn’t fundamentally misinterpret the vision – it does seem as though an unknown faction will show up when certain conditions are met in order to exterminate life. However, they misunderstood what those conditions were – the synths need to ask for help. By being so aggressive against synths, the Romulans have arguably created a self-fulfilling prophecy where their own persecution of synths has pushed Sutra and the others on Coppelius to the point of summoning the “Mass Effect Reapers”. At least, I think that’s what the now-confused story is trying to say.

So those were the confirmed theories. Now let’s take a look at a couple of new theories, as well as those returning from past weeks.

Number 1: Sutra will succeed in triggering the arrival of the “Mass Effect Reapers”.

Sutra is Soji’s evil twin.

As of the end of this week’s episode, Sutra planned to use the information she gleamed from the vision to contact the “Mass Effect Reapers” and use their help to defeat the Romulans. Surely the conclusion of the story of this season can’t end up being “we just won’t pull the trigger and we’ll stay hidden from this powerful race”. That’s exactly what the Zhat Vash have been trying to do, and it would be quite depressing if it turns out that the villains have actually been right all along. So somehow, Picard and his crew will have to confront this new threat.

The simplest way to do that would be for Sutra to succeed in summoning the “Mass Effect Reapers”, calling on their aid to defend Coppelius from Commodore Oh’s armada. However, when the dust settles on that climactic battle, what will happen to Picard and the rest of the organics? I think here we see a possible way for Picard to come into his own. As an experienced diplomat, Picard could broker a peace with the “Mass Effect Reapers”, allowing for synthetic life in the galaxy to exist and prosper, ensuring synths would have equal rights, and so on. Rather than taking the action-sci fi approach of “kill all the bad guys and blow everything up”, this would be a quieter, calmer ending, akin to something like Star Trek: The Motion Picture, and would demonstrate that Picard – and the Federation as a whole – were able to truly embrace the idea of very different types of life.

Number 2A: Picard and the crew of La Sirena will travel forward in time to link up with Burnham and the USS Discovery.
Number 2B: Burnham and the USS Discovery will end up in 2399.

Burnham in the trailer for Discovery’s third season.

These twin theories really stem from the idea that it makes a certain kind of sense for Star Trek to bring together its fractured timeline.

When the Star Trek franchise was arguably at its most successful in the 1990s, the three shows which were in production at that time were all set in the same time period. With the exceptions of the two films featuring the cast of The Original Series, every Star Trek project after 1987 and until Enterprise premiered in 2001 was set in the mid-late 24th Century. As such, there were multiple opportunities for crossovers of themes, factions, and even characters. 1990s Star Trek was, in that respect, similar to the current Marvel shared universe which they use in their incredibly successful films. Star Trek today is much more fractured, with potentially four different time periods and one parallel universe all being used as the settings for different shows and films. When it comes to keeping the franchise together – as well as giving fans and casual viewers an incentive to jump from one series to another – bringing things together just makes sense.

The trailer for the third season of Star Trek: Discovery seemed to hint at a post-apocalyptic setting, and while we have seen in Star Trek: Picard that the Federation and Starfleet still exist and are thriving, there could be a way to explain things. The USS Discovery could, for example, emerge in a remote sector of the galaxy where the Federation no longer hold jurisdiction. Or the arrival of the “Mass Effect Reapers” could have triggered the collapse of the Federation in that region.

Secondly, something may happen at the end of Et in Arcadia Ego, Part 2 which sends Picard and his crew forward in time, meeting up with the USS Discovery in their future timeline.

While both options have points in their favour as well as noteworthy downsides, to keep the franchise together and expand its appeal as a “shared universe” it could be worthwhile to bring the shows into the same time period.

Number 3: Sutra is descended from Lore, not Data.

Lore was Data’s evil twin.

As I stated in my review, I flat-out do not like Sutra. Both from an aesthetic point of view (don’t get me started on that awful makeup again) and, sadly, the quality of the performance, Sutra is by far the least-convincing antagonist in the series as well as the least-interesting character, despite having potential. Not to mention that her 11th hour introduction has left practically no time for any meaningful exploration or development of her character.

However, setting aside my dislike of the character and her role in the story, there is one theory regarding Sutra’s origin that I have been kicking around. While we know that Maddox claimed that all of the synths on Coppelius were cloned from neurons that came from Data, there’s no evidence to support that claim right now. Data was blown to smithereens at the end of Star Trek: Nemesis, when he triggered an explosion aboard the Romulan vessel that had been commanded by Shinzon. While it’s possible that some tiny fragments survived from which Maddox was able to work, it’s also possible that Data left behind no remains.

If the latter is true, or if his remains were unrecoverable or unusable, it raises the question of how the synths came into being. One possibility is that Lore, Data’s evil twin introduced in the first season of The Next Generation, is the progenitor of some of the synths – and that could explain Sutra’s devious nature.

Hopefully Soji turns out to be a descendent of Data, because in the last couple of episodes her dynamic with Picard has used that to great effect, and a key element of their relationship would be lost if she turned out to be a clone of Lore, B4, or some other synth.

Number 4: The Artifact – or the Borg Sphere it seems to contain – will get back into space.

The circular region on the Artifact (partially obscured by the hill in front) could contain a Borg Sphere.

The Artifact’s arrival at Coppelius was a great visual effect, but as a story point I didn’t like it when I saw it this week. However, one point of interest came as the Artifact was exiting the transwarp network – it appears to have a Borg Sphere docked. We saw in First Contact that Cubes can have Spheres on board, and it seems like the Artifact has one too. Given that the Artifact itself has crashed – and seemed to be in a bad way – I wonder if Seven of Nine, Elnor, and the xBs will use the Sphere to return to space – perhaps joining in the fight over Coppelius that we assume is coming.

The other possibility is that the Artifact itself can be repaired and relaunched into space, but if that happens I feel it could be kind of hollow – what exactly would be the point of crashing it one week to get it flying again the next, especially given how little screen time the Artifact got this week?

If that were to happen, I feel that the better storytelling choice would’ve been to skip the Artifact this week and have the cool emerging-from-transwarp scene next week, midway through the battle and helping to turn the tide against the Romulans.

Number 5: The “Mass Effect Reapers” will turn out to be the Borg.

The Borg made their Star Trek debut in 1989’s Q Who.

In the vision Sutra was able to decipher, the faction offering help to synthetics wasn’t named. Given that the Borg have played a role in this season, I wonder if they may take this opportunity to show up. Rather than being a message which set out to help synthetics, what if the Aia vision was a trap laid by the Borg to assimilate them? When they’re contacted, they know that a highly-advanced synthetic race exists – and the Borg love to assimilate advanced races and absorb their technology into the collective. So they travel through the transwarp network that we’ve just seen La Sirena and the Artifact use, but instead of providing help to the synths, they assimilate them. And not only that, they may also assimilate the species that built the synths in the first place, adding both technologically-advanced races to their collective.

Of all the races we know of in Star Trek, the Borg are one of the few who would conceivably be able to accomplish something as massive as moving stars – something whoever left the message on Aia was able to do. The drawback to this theory is that it doesn’t fit with the Borg’s normal modus operandi – they usually just show up and conquer their target, without going to the trouble of leaving messages and traps. But it’s not entirely impossible!

Number 6: Picard and the crew of La Sirena will travel to Aia.

The Zhat Vash with the relic on Aia.

Last week, I said that the reason for Picard and the crew to travel to Aia would be for them to see the vision for themselves. Now that we know what the vision contains, there’s not really any reason for this. However, it’s still possible that they may travel to Aia.

It could be that the “Mass Effect Reapers” will arrive there if Sutra is able to contact them, or if the battle is won and the Romulans and the Reapers are defeated, Picard and the crew may wish to travel there to deactivate the relic and prevent it from being used again.

Number 7: Narek is going to go rogue.

If Narek does turn on the Zhat Vash, it’ll be for Soji.

I’m still not sure, even at this late stage, how genuine Narek is when he talks to Soji. We saw how much it hurt him to leave her to die on the Artifact, but we also saw how determined he was to catch up to her afterwards. Whether Narek has seen the vision on Aia or not, he seems to be fully subscribed to the Zhat Vash ideology of preventing synthetic life reaching the threshold, and no matter what his personal feelings may have been, he did try to help them complete that mission.

However, if it is ultimately proven that, for whatever reason, synthetic life does not pose the threat the Zhat Vash assume it does, Narek will have no reason to hurt Soji or the other synths. He may even be a valuable ally, providing Picard and the crew with information about the Zhat Vash and their plans.

In short, I don’t see Narek turning on his allies unless he’s sure that synths don’t pose a threat. Sutra seems intent on proving that they are a threat, so we’ll have to see what happens. But with so much time spent on the Narek-Soji relationship through the first three-quarters of the season, there will have to be some kind of resolution to his story arc.

Number 8: Commodore Oh is a synth.

Commodore Oh in her silly sunglasses.

When I first came up with this theory a couple of weeks ago, the one big issue staring me in the face was that Commodore Oh was able to mind-meld. Telepathic powers have only ever been seen in organics in Star Trek, and that was definitely a factor making this theory less likely.

However, with the revelation last week that Sutra is capable of mind-melding despite obviously being a synth, we can now get rid of that obstacle. Does it make the theory likely? I don’t know, but it’s at least technically possible in a way it arguably wasn’t a few days ago.

There would be some delicious irony in the revelation that Commodore Oh, who has worked so hard against synthetic life, is a synth herself – especially if, like Soji, she’s unaware of her true nature. The possibility of an undercover synth working to trigger the arrival of her cohorts would make a certain kind of sense, but it would have to be handled well to avoid feeling like a deus ex machina.

So those are the theories that are new or were advanced somehow in Et in Arcadia Ego, Part 1. Now, as always, let’s look at the remaining theories from previous weeks that weren’t confirmed, debunked, or advanced.

Number 9: Picard’s conversation with Admiral Clancy may have tipped off Commodore Oh and the Romulans.

Admiral Clancy had promised to dispatch a fleet to Deep Space 12 to defend the synths on Coppelius from the Romulans. However, her conversation with Picard took place before Picard and the crew had pieced everything together about Commodore Oh – and as a result, it’s at least possible that she became aware of Starfleet’s plans and will be expecting the arrival of their fleet.

Number 10: Star Trek: Discovery’s post-apocalyptic setting is related to the arrival of the “Mass Effect Reapers”.

I hinted at this above, but one possible explanation for the seemingly bleak future glimpsed in the trailers for Discovery’s third season is that, somehow, the vision from Aia comes true and the “Mass Effect Reapers” arrive and cause widespread devastation.

The downside to this, and why it seems less likely, is that Discovery claims to be taking place roughly 800 years in the future from Star Trek: Picard’s time, so even if something major happens, it seems unlikely that the Federation would still be picking up the pieces after so much time had passed! However, as I suggested above, if Burnham and co. arrive in 2399 instead of the 32nd/33rd Century, it could all fit together.

Number 11: Borg technology was used in the creation of the Coppelius synths.

One aspect of Star Trek: Picard’s story that is still unexplained is what was going on with the Borg components? Icheb was murdered so his Borg technology could be extracted, and the de-assimilation taking place on a large scale aboard the Artifact was very profitable for the Romulans – but who was buying these parts?

I had speculated that Maddox and his team might be the primary buyers, using that technology to advance their understanding of synthetics and develop better synths. It would be one way to explain the jump between F8, who was incredibly basic, computer-like, and inhuman, and synths like Jana and Sutra, who were active only a few years later.

Number 12: Riker will return to active duty.

In Nepenthe, Riker stated that he hasn’t officially retired from Starfleet and is instead on “active reserve”. Given that, and his location being close-ish to Deep Space 12 and thus to Picard, I wonder if Riker could be called on to join – or even lead – the fleet headed for Coppelius. If not, we can call this our first Star Trek: Picard Season 2 theory!

Number 13: The father figure from Soji’s dream isn’t Maddox – it could be a synth or it could be Dr Soong.

Maddox claimed to have built Soji and Dahj, and on Coppelius his room was preserved and both Dr Soong and the synths spoke highly of him. However, the father figure from Soji’s dream had no face, and while that may simply have been for shock value and for Maddox to keep himself safe if Soji were ever found out, it’s at least possible that there’s another explanation. There seemed to be the briefest of hints that Soji recognised Dr Soong in Et in Arcadia Ego, Part 1 – and he is wearing a not dissimilar outfit to the father figure in her dreams.

Number 14: Picard’s illness is Irumodic Syndrome

Despite Picard discussing his diagnosis with the crew this week, the name of the condition was not mentioned. Barring a last-minute appearance from Dr Benayoun, the condition Picard is suffering from may not be named this season – but this theory will remain in play for Season 2.

Number 15: Soji and Dahj’s necklaces were a deliberate symbol to communicate with someone.

Clandestine communication through the use of signs and symbols goes back to ancient times, and I wonder if Maddox and Dr Soong employed it when choosing Soji and Dahj’s necklaces. I felt the necklaces themselves were not strong props from a visual standpoint (I said so way back in my review of Remembrance) but considering that they’re supposedly a visual symbol of a banned method of building synths, I wonder if Maddox’s intention was to indicate to someone in the synth field that Soji and Dahj were his work. If not, the necklaces are a heck of a risk. They may even have been what brought Soji and Dahj to the attention of the Zhat Vash – how they figured out Soji and Dahj were synths is something which is currently unknown.

Number 16: Section 31 will be involved.

All of my Section 31 theories over the course of this season have come and gone, but I have thought up a new one! With a new series based on Section 31 in development, and considering their role in Discovery’s second season, I felt sure that they’d crop up somehow this season. The only way I can think of that happening right now is almost right at the end of the season – perhaps even an epilogue – in which they take possession of the Artifact and its valuable Borg technology.

Number 17: Something Maddox did or didn’t do meant that the synths on Mars could be hacked.

We learned a couple of weeks ago that the Zhat Vash, presumably led by Commodore Oh, were responsible for the attack on Mars. They did that by hacking the synths on Mars, turning them against the Federation and then forcing them to commit suicide when their work was done. But how the Zhat Vash were able to perform this task is unknown – and I wonder if something Maddox did or didn’t do meant that it was possible.

So that’s it. Those are the remaining theories as we head into the finale! It’s patently obvious that they can’t all be right, and we may even see none of them pan out by the time the episode – and the season – is complete. However, it’s always fun to speculate, and there are several theories which, if they aren’t outright debunked, will form the basis for my Star Trek: Picard Season 2 theory list! As and when we get information, images, and trailers for the second season I hope to update that list, so stay tuned for that.

After being so hyped and excited for this series for well over a year, it’s bittersweet that it’s almost over! With only one exception, I’ve had a great time with every episode of this season – and even within the episode that I didn’t like there were still enjoyable moments.

Next week, or rather, sometime after I watch the episode on Friday, I’ll do my usual review post for Et in Arcadia Ego, Part 2. Then after that, I’ll wrap up this season’s theories and do my Season 2 theories – assuming I have any. After that I’ll take a break from Star Trek: Picard content, but at some point before the end of the year, when I’ve had a chance to re-watch the whole season in full, I plan to do a retrospective of the entire season discussing various highs and lows. I’m half-expecting to learn that Star Trek: Discovery’s third season is going to be released in April or May, but with all of the issues stemming from coronavirus I wouldn’t be surprised at all to see it delayed to later in the year. But when it’s on the air I’ll be doing the reviews and probably theories too. What I’m saying is I hope you stick around after Star Trek: Picard goes off the air, because the blog isn’t going away!

The first nine episodes of Star Trek: Picard are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 9: Et in Arcadia Ego, Part 1

Spoiler Warning: There will be spoilers ahead for Et in Arcadia Ego, Part 1 and the preceding eight episodes of Star Trek: Picard Season 1. There may also be spoilers for other iterations of the Star Trek franchise.

So I suppose I should just come right out and say it: Et in Arcadia Ego, Part 1 is my least-favourite episode of Star Trek: Picard so far. We’ve had some great episodes this season which really hooked me in, took me on a rollercoaster journey, and got me feeling happy, nervous, excited, nostalgic, tense, and emotional. This week I really didn’t get any of that for the bulk of the episode. There were a handful of good moments sprinkled throughout, but the pacing of the episode as a whole felt off – it seemed to rush from point to point with no time permitted for any story thread to properly develop or be explored.

For an episode that was supposed to be the first part of the culmination of the entire season, it ended up falling flat on its face. And that is pretty disappointing. Every Star Trek series – and every season of every series – has had duds: episodes which misfired, told bad stories, or for various reasons failed to hit the mark. The problem that Star Trek shows have today is that when the whole season is one continuous story, a dud episode can have ramifications for the entire season instead of being a one-off rotten egg. I hope that Et in Arcadia Ego, Part 2 next week manages to pull things back – and there is precedent for that, as Star Trek: Discovery’s second season episode Perpetual Infinity pulled off a great recovery from The Red Angel a week prior, which is my personal pick for Discovery’s worst episode.

The Artifact emerges from transwarp.

Aside from the pacing and rushed feel to the story, my second main point of criticism is the aesthetic of parts of the episode. I’ve mentioned before that every location in Star Trek: Picard so far has been a barely-disguised California, and Soji’s homeworld – variously called Coppelius and Ghoulion IV – was another example. I come back to what I said last week about the use of indoor sound stages: with special effects and CGI being so good nowadays, a lot more can be done with that format than in previous decades. If it’s a choice between seeing five planets that all look the same because they were all filmed within fifty miles of Los Angeles, and seeing different-looking planets that were perhaps smaller in scale because they were filmed on sound stages I’ll always prefer the latter.

The second visual aspect that I felt simply did not work was the makeup used for most of the synths. The yellowish-gold tinted skin the actors were sporting didn’t make them look like Data-type androids; they looked like humans wearing cheap and bad makeup. It was something that would’ve felt at home in The Original Series, and if I’d seen those characters in an episode from the 1960s I’d have dismissed the amateurish look as a product of the limitations of the time. But Star Trek: Picard’s aesthetic has been so good until now overall that I legitimately wonder how they managed to make the synths look so bad. Was it because they were largely filmed outdoors in natural sunlight? Because earlier looks at Data in Picard’s dreams or F8 and the other synths in flashbacks to Mars looked far better. Whatever it was, the makeup ended up being a huge distraction, because every time Evil Soji or any other synth was on screen it was all I could look at. I actually had to rewind the episode a few times because I’d missed some line of dialogue or other.

I found the makeup used for the synths (Sutra pictured) to be of poor quality and a significant distraction.

I wish we’d seen something, either this week or last week, to make it obvious that Seven of Nine and Elnor were on their way, because the Artifact arriving at Coppelius mere moments after La Sirena was a story beat that I felt didn’t work in the moment. Ironically, after last week’s scenes on the Artifact being some of my least-favourite, I greatly enjoyed seeing Picard and the crew return there this week – albeit that the sequence was far too short. I wanted to spend more time there as Picard learned of Hugh’s death – which actually didn’t even appear on screen – and mourned him. But even in what I suppose was my favourite sequence there were issues – the length, as I mentioned, is one. But what was up with the ex-Borg calling Picard by his Borg designation of “Locutus”, which is the second time that’s happened now, only for Picard to basically ignore it and get back to what he was doing?

Elnor learned of Picard’s illness off screen too, which would have been another scene I’d have wanted to see – one which could have added some genuine emotion to an episode which was largely devoid of it. Some more time spent on Hugh’s death would’ve been nice too; Picard mentioned it in a single line of dialogue but Soji didn’t even acknowledge his sacrifice, despite their friendship and despite his death being a direct consequence of aiding her escape.

We could’ve spent more time here.

When we learned last week of the “Mass Effect Reapers” hiding out somewhere beyond the galaxy, waiting to show up and destroy all life, it seemed for sure that the climax of the story couldn’t simply involve hiding from that and avoiding pulling the trigger – somehow, Picard and co. would have to confront the wider threat. And we saw in Et in Arcadia Ego, Part 1 the way in which that trigger will be pulled: Soji’s evil twin, Sutra.

Villains can be hard to get right. Rizzo, for example, took a while to hit her stride after coming across as a fairly one-dimensional character in her earlier appearances. The story has since fleshed her out a little more, providing her with background and motivation, as well as even the smallest shred of pity for what she’s been through. Sutra has very little of that, and unfortunately Isa Briones, who had done an admirable job portraying Soji and Dahj, didn’t really manage to pull off a convincing performance as an antagonist. Sutra’s motivations are understandable, sure – she wants to save her people from what seems to be an existential threat. But overall, the way she was portrayed strayed way too far into the kind of “I’m evil and I love it” attitude that felt so awkward and inauthentic about Rizzo in her earlier appearances.

I called this phenomenon the “24th Century Heinz Doofenshmirtz” – and I get that that’s a niche reference, so let me explain. In the cartoon show Phineas and Ferb, Heinz Doofenshmirtz is a wannabe evil scientist. He builds machines usually designed to get petty revenge on his brother or other people he feels wronged him, and he’s tied his entire identity to being evil for the sake of being evil. That’s what Rizzo felt like, and that’s what Sutra feels like now – she hasn’t bothered to consider any other options, she went straight into arbitrary arrests and plotting genocide. Perhaps she’s meant to be a parallel for Rizzo and Commodore Oh, but both of those characters feel far more complex. And I’m afraid the point must be reiterated: both of those acting performances were much better.

This is basically Sutra.

The premise for her actions is understandable, though – just as Rizzo, Narek, and Commodore Oh being motivated by their interpretation of the vision is understandable too. As a story point, I’m not really criticising Sutra’s basic motivation and desire to protect her people from harm. And the way it has been established that both Starfleet as an organisation and Picard as an individual are people she and the synths might find difficult to trust was well-established over the course of the prior eight episodes.

Et in Arcadia Ego, Part 1 has tried to pull off a last-minute plot twist with Sutra. Instead of the synths needing to be rescued from Romulan aggression, Sutra’s plan is to summon the “Mass Effect Reapers” and become the aggressor herself. But if the story of Star Trek: Picard has wanted to say that the ban on synths was wrong, and that even Starfleet and the Federation need to be more accepting of different kinds of life besides their own, what message does it send when the Romulans, who have been the season’s antagonists the whole way, are actually right?

The entire premise of the Romulans’ desire to exterminate synthetic life is that if they don’t, the synths will trigger this apocalyptic event – the arrival of the “Mass Effect Reapers” – and kill everyone in the galaxy. That’s a powerful motivation, and covers all manner of sins because, as the episode itself tried to address, there’s a calculus involved even when dealing with matters of life and death. If one’s intention is to save a trillion lives, it can be easy to justify ending 90,000. This is what the Romulans did on Mars. Star Trek: Picard – and Picard himself within the show – are trying to present this kind of ends-justify-the-means thinking as abhorrent, but that message has become incredibly confused thanks to the insertion of the character of Sutra and the revelation that she plans to do exactly what the Romulans fear that synths will do.

Sutra plans to do exactly what the Romulans fear.

In yet another example of the episode racing from point to point, the name of this faction Sutra is planning to summon is not even mentioned. I’m calling them the “Mass Effect Reapers”, because, as I mentioned last time, they serve a very similar purpose to the antagonists in that video game series. But who are they? There’s only one episode left not only to find out who they are and what motivates them, but also to defeat them.

One visual element that I loved were the “orchids” – some kind of planetary defence system which resembles giant flowers. It wasn’t clear whether they were crewed ships or just automated, but they looked absolutely stunning and the CGI work to bring them to life was fantastic. However, as a concept I’m not sure they really make sense. Firstly, they seem to be single-use things, which seems like waste of time and resources. Secondly, and most importantly, they don’t actually serve a useful purpose when it comes to defence – in fact, they achieve quite the opposite. By capturing ships and dragging them – intact – to the surface of the planet, all the orchids manage to do is bring any enemies directly to the planet’s surface. If the ambition is to disable an attacking ship that plans to strike from orbit then that could be useful in the short-term, but all it really does is shift the problem for the synths to one they have to deal with on the ground. In the case of the Artifact, for example, it was dragged out of orbit and crashed on the planet’s surface – but if it were a fully-operational Borg cube the synths would then have to deal with tens of thousands of drones literally on their planet. Not to mention that no synths showed up at the crash sites of either La Sirena or the Artifact to apprehend their crews.

This would be a very bad outcome in the event of an invasion, yet it’s what the orchids are designed to do.

If the aim was to demonstrate that the Coppelius synths are basically unprotected, then why not leave them unarmed? Picard and his crew were going to land or beam down anyway, and it would’ve been possible within the story to get everyone to the planet’s surface without the use of a kind of planetary defence system that really doesn’t achieve what it should. At best it moves the problem from space to the ground, and at worst it could actually aid the synths’ enemies in a potential invasion event. In short: cool visuals, but an illogical concept.

I’m okay with the idea of Dr Soong – Data’s creator from The Next Generation – having a son, and that character following in his father’s footsteps to work on building synths. It might not have been my first choice of storyline, but there’s nothing inherently wrong with it. However, not for the first time, the presence of the actor’s name in the credits telegraphed the arrival of the character before we knew he would be appearing on screen. This happened in Absolute Candor, when Jeri Ryan’s name showed up in the credits, despite her character only appearing in the final thirty seconds of the episode. Spoilers are commonplace online, and because in the UK we get Star Trek: Picard 24 hours after its US premiere I have learned to be careful where I go online on Thursdays and Friday mornings! But for a show to spoil itself in its own opening titles is just plain silly – what would be wrong with crediting Brent Spiner in the end credits and making his inclusion in the episode and the reveal of his new character a genuine surprise? This has happened twice now, and it’s just not nice to know someone is coming before they show up on screen.

This shouldn’t happen – it’s a massive spoiler.

There’s also the question of the payoff to Soji’s dream – is Dr Soong supposed to be the figure in her dreams? There was the tiniest flicker of a hint at that: Dr Soong is wearing a similar outfit to the faceless figure Soji has dreamed about, and Soji seemed to do a double-take on seeing him, almost as if she recognised something about him. Yet neither of those things were acknowledged.

I did like, however, that Dr Soong is not a synth. When we’d heard of the existence of other synths I speculated that maybe some would share Data’s appearance in the way that some shared Soji’s appearance, but I’m glad to have gotten a human character instead. It was unexpected and interesting – and hopefully the plot thread of Dr Soong transferring himself into a synthetic body will be explored further.

Unfortunately, like all of the various competing stories in Et in Arcadia Ego, Part 1, this was barely touched on and needed much more development. In a way, this encapsulates the problem with introducing a whole new civilisation and cast of characters in the final two episodes. There simply isn’t enough time remaining for Dr Soong and Sutra and the other synths to all have their own stories that are as detailed and interesting as those stories we’ve already seen playing out for the past eight episodes. Given how rushed this episode felt, and how it tried to cram so much into a 45-minute runtime, some elements – like Dr Soong’s desire to become a synth – could’ve been dropped to give more screen time to other, more important story beats.

And I think we’ve come to the crux of my complaints about Et in Arcadia Ego, Part 1. The episode introduced several new major characters, a new antagonist, a new location, new obstacles for Picard and his crew to overcome. Yet it’s supposed to be the first part of the finale, and finales are meant to bring everything that’s already happened to a head and begin to wrap up the story. It’s simply too late now to open up whole new plotlines and for dumping whole news sets of characters onto the audience. The only story thread that feels somewhat concluded is Picard’s redemption in the eyes of Elnor – and that had arguably already happened in The Impossible Box.

Elnor and Picard are reunited… briefly.

The story of Star Trek: Picard has been, at points, meandering. The diversions to Vashti and Nepenthe in particular were close to standalone stories, taking Picard on a personal journey through parts of his past. And they were good stories, giving Picard the chance to redeem himself with Elnor, a character he’d been a kind of substitute father to, and to draw on the advice of two of his former crew: Riker and Troi. And of course for us as the audience to see those characters return was a nostalgic treat. Yet the revelations in Et in Arcadia Ego, Part 1 that Sutra actually wants to fulfil the Romulans’ prophecy and bring about the end of days, and that Dr Soong is hoping to transfer himself to a new body make those episodes feel, in retrospect, like wasted time. If there was all this important plot to get through before the season ended, we should have been spending our time here, having Picard and his crew arrive on Coppelius earlier to allow more time for these “main” story beats to be properly and fully explored.

As it is, Et in Arcadia Ego, Part 1 feels like an episode that should mark the halfway point in the story and in the season. Sutra needs time to explore the vision in more detail, figure out who to contact and how to contact them, rally her people to her newfound cause, demonstrate to the audience precisely what the implications of summoning the “Mass Effect Reapers” will be, who that faction even is, work out a plan, and above all, develop as a character and let us get to know her. Dr Soong needs more screen time too – he needs to explain what this vaguely-hinted-at illness is that means he needs a new body, show how and why he’s failed at successfully building it so far despite being surrounded by hyper-intelligent synths, demonstrate what Dr Jurati can do to help that means he needs her support, and show us as the audience whether he’s a “good guy” or a “bad guy” because right now he’s ambiguous. Ambiguity in characters is fine, and it’s even good in some cases as it ramps up the tension and mystery. But when a character’s motivations and goals are unclear simply because they haven’t had sufficient time in the story for us to know anything about them, well that just isn’t very interesting. Worse, it can be frustrating.

Instead of taking its time, Et in Arcadia Ego, Part 1 tried to cram everything I listed above into about thirty minutes of screen time. I’d absolutely argue, based on what we saw this week, that there’s several episodes’ worth of story there, and that’s what I mean when I say the episode felt so poorly-paced and rushed.

It’s unclear whether Dr Soong will turn out to be an ally or an enemy.

There were several other moments that could have been spread out across multiple episodes. Picard and his crew trekking from La Sirena to the Artifact and then to Coppelius Station, for example. Instead we got a single drone shot of them walking and that was it. For an older man hiking over rough terrain, initially several kilometres away from where he needed to go, Picard isn’t exactly going to be speedy and we could have had several scenes with ample time for character development both on the way to the Artifact and on the way from the Artifact to Coppelius Station. There was certainly scope for more time spent with Seven of Nine, Elnor, and the xBs. It’s totally unclear what will happen to them now – are they marooned on Coppelius? Can the Artifact be repaired again and get back into space? What are their objectives? Is Seven of Nine their leader? Are the xBs even thinking for themselves? Have they got over their assimilation experiences? How many survived? So many unanswered questions, and given how much time we spent on the Artifact in earlier episodes, to just try to brush it all away and move on to this new story about Sutra, Dr Soong, and the attempts to trigger armaggeddon and/or fight the Romulans leaves a lot of things unresolved.

There’s also a point of consistency, and it connects to something I wrote in my review of The Impossible Box. When Narek finally got Soji to explore her memories, she provided two clues to the location of her homeworld: electrical storms and two red moons. We saw the red moons in the episode, but where was the storm? Narek and Rizzo took it to mean that the planet had “constant” storms, and even Kestra used this information to ask Capt. Crandall to find the planet’s location in Nepenthe. I felt that two clues did not provide much information to go on when locating a planet, especially as lots of locations can have occasional lightning storms rather than suffer from them continuously, but for one of the two established features of Coppelius to be ignored entirely – and for that point, which had been important in earlier episodes, to not even be given lip service just adds to the sense that there was too much to cram into Et in Arcadia Ego, Part 1. Otherwise the show’s creators are being inconsistent – setting up story points that work in one episode but are ignored in others. Another example of this is from Stardust City Rag where Maddox said his lab had been destroyed. Picard was literally sat in Maddox’s room this week, and it didn’t look destroyed to me. Is that going to be explained properly, or are we just going to have to live with the fact that these inconsistencies exist and only served to drive the plot and get the characters to the right place at the right time for other story beats to unfold?

Picard’s illness was something that the story had set up way back in Maps and Legends that I’d been waiting to see some development on. We finally got that this week, as Picard suffered a blackout. His scene explaining to the crew that he had been diagnosed was one of the few emotional moments in the episode, and in particular I was moved by the reactions of Dr Jurati and Raffi. The “I love you” moment with Raffi later in the episode was both awkwardly funny and touching – and the pay-off to a relationship that had been built up and explored over multiple episodes. That scene was probably my favourite; a diamond in the rough.

Commodore Oh on the bridge of her ship.

Other points I liked were: seeing Commodore Oh on the bridge of her ship at the end of the episode, the Artifact emerging from transwarp, seeing Picard and the crew all together on the bridge of La Sirena, Picard’s speech about his illness, Raffi calling Narek Soji’s “asshole Romulan ex”, the synthetic cat and butterflies, and the costumes the crew of La Sirena wore after leaving the ship. None of these moments, however, could redeem a bad episode.

So I know this hasn’t been a typical review. I usually like to spend more time on each episode and break down more of the scenes in detail than I have here, but honestly I just want to see the back of Et in Arcadia Ego, Part 1, and going back and re-watching it several times in order to pull out a few more points just doesn’t hold much appeal to me right now. I’m looking forward to the finale with nervous anticipation. I’m hopeful that the story can be concluded in a satisfactory manner, and that the currently-unresolved plot points will be wrapped up. Just because Part 1 didn’t hit the mark, that doesn’t mean Part 2 will necessarily be a disappointment as well, and I remain hopeful that I’ll enjoy next week’s outing a lot more.

Remember to stay tuned for the theory post in the next few days, as I check a few more off the list!

The first nine episodes of Star Trek: Picard’s first season are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 8

Spoiler Warning: There will be spoilers ahead for the first eight episodes of Star Trek: Picard, as well as for other iterations of the Star Trek franchise including Star Trek: Discovery Season 2 and the trailers for Season 3.

Broken Pieces saw several theories from previous weeks blown out of the water – finally! As Star Trek: Picard begins to draw the story of its first season to a conclusion, that was to be expected. As fun as it has been writing up these theories every week, I love that the show has been surprising and taken its story to some genuinely unpredictable places.

This is something I’d like to write about in more detail in the future, but getting overly-attached to one’s own theories (or other people’s theories found online) is not a good thing. Theory-crafting is a bit of fun, something to get the old grey matter working and to spend a little more time with the franchises we love. If you’ve been following along with these posts over the last few weeks, I hope you’ve taken these theories with a healthy pinch of salt too, because it was always the case that almost all of them would end up debunked – especially the more outlandish ones!

We have at least eight debunked theories, so as always, let’s start with those.

Debunked theory #1: There’s a Starfleet-Zhat Vash conspiracy.

Admiral Clancy, head of Starfleet.

This was a great example of a double-bluff in my opinion. From the first time we met her, Commodore Oh’s Vulcan persona was difficult to read. It seemed unlikely that the Romulans, clever though they are, would have been able to plant an operative at such a high rank in Starfleet – but we didn’t know that they’d been playing a really long game, one that went right back to the activation of Data even prior to the events of The Next Generation.

Commodore Oh is not the Vulcan co-conspirator I had assumed, and is in fact a Zhat Vash operative – a senior one, too, judging by the role she played in the Zhat Vash initiation ritual we saw in Broken Pieces. This changes the dynamic of the series from one where Picard could have conceivably faced off against half of Starfleet to one where Starfleet itself gets to retain its status as being one of the “good guys”. Commodore Oh may have been able to corrupt parts of Starfleet from within, and her ability to seemingly recruit new people to her cause with a simple mind-meld, as she did with Dr Jurati, may mean there are some compromised officers, but we know for a fact that Admiral Clancy is not among them, and that Starfleet itself did not aid the Zhat Vash.

The Zhat Vash engineered a situation where the Federation’s only option would be to shut down research into synthetic life. It’s true that the Federation took the bait, but in the aftermath of a massive attack that killed over 90,000 people and has seemingly rendered an entire planet uninhabitable and unusable, it’s an understandable reaction even if some of our main characters criticise the Federation and Starfleet for it.

Debunked theory #2: The captain of the USS Ibn Majid was a character from a past Star Trek show.

A new character, Capt. Alnzo Vandermeer, was in command of the Ibn Majid.

This was a complete stab-in-the-dark, but I had speculated that Chris Rios’ deceased captain would turn out to be a character we’d met before. Instead we got a new character, Captain Alonzo Vandermeer. I doubt we’ll learn much more about Capt. Vandermeer in the current season now that the story of his death – and how it ties to the overall plot of the show – has been uncovered.

Debunked theory #3: The USS Ibn Majid was a Section 31 ship/Rios used to work for Section 31.

A graphic representing the USS Ibn Majid was seen on Rios’ belongings.

A few weeks ago, I had several possibilities for how Section 31 could potentially fit into the plot of Star Trek: Picard, but now I don’t have any!

When Rios told Picard that the USS Ibn Majid had been “erased” from Starfleet’s records, only one organisation sprang to mind as having the ability and willingness to do so: Section 31. Given that the captain mentioned above died under unknown but clearly dramatic circumstances, it was not unreasonable to theorise that the Ibn Majid could’ve been involved in the kind of off-the-books operations that Section 31 were known for. However, all indications are that this was not the case. Rios did not work for Section 31, and the Ibn Majid appears to have been a normal Starfleet ship in regular service with the fleet. The cover-up was a result of Commodore Oh attempting to keep the synthetics from Soji’s homeworld a secret.

Debunked theory #4: Section 31 (or anyone other than the Zhat Vash) were behind the attack on Mars.

A Section 31 badge from Star Trek: Discovery.

When I first formulated this theory after Children of Mars and Remembrance, I speculated that several factions could’ve been responsible. A couple of candidates were the Borg and the Dominion: the Borg because their technology may have been involved, and the Dominion because an attack designed to sow discord between Alpha Quadrant powers was something they’ve done before. However, the two main culprits I had were Section 31 and the Zhat Vash.

We now know that the Zhat Vash were responsible, presumably with Commodore Oh leading the charge. There were a couple of good reasons to suspect Section 31, though. Firstly, with Section 31 having prominently featured in Star Trek: Discovery and with a new series based on the organisation in the works, their presence in Star Trek: Picard would be something to tie all the shows together, and be a frame of reference for new and casual viewers. Secondly, from an in-universe point of view, Section 31 have always been militantly pro-Federation and willing to do anything to achieve their goals. In Deep Space Nine they were willing to commit genocide, killing the Founders of the Dominion with a virus. In Discovery they were operating outside of normal Starfleet jurisdiction, even building an artificial intelligence. It seemed at least plausible that Section 31 would have opposed Picard’s plan to help the Romulans, as they had long been an enemy and the rescue mission could’ve led to some members seceding from the Federation. They would have had no qualms whatsoever about sabotaging those efforts, even if that meant killing Federation citizens.

Debunked theory #5: The Romulans’ fear of synthetic life is caused by their own past experiments with synths/AI going horribly wrong.

It was Laris who first told Picard about the Romulans fearing AI.

I speculated that the Romulans had once created their own AI or synths, and that something went wrong, causing the Romulans to fear and hate synths. There were a couple of ways this could have manifested: firstly is that the Romulans had simply arrived at the conclusion that there’s a flaw in all synthetic life which means rebellion is inevitable. We have seen rogue AI in Star Trek before, in episodes like The Ultimate Computer, Discovery’s second season arc, and even in a way in Star Trek: Insurrection where Data himself goes rogue.

The second possibility had been that the Romulans had somehow been involved in the creation of the Borg. We got a few hints at how the Romulans viewed the Borg, particularly in the way the xBs were treated and prohibited from leaving the Artifact. But mostly why I felt this was at least possible is because Star Trek: Discovery’s second season, with the Control AI mentioned previously, seemed to be moving toward a Borg origin story. When that aspect of the story didn’t materialise I was surprised, and when we seemed to be seeing Romulans and the Borg in Star Trek: Picard, I wondered if the creators of Star Trek had chosen to go with a different Borg origin story while Discovery’s second season was in production.

However, we now know that the Zhat Vash believe that when a certain threshold is reached in the development of synthetic life, a hitherto unseen race or faction arrives and destroys not only the synths but those who created them. It’s not the synths themselves that they fear – it’s who will follow.

Debunked theory #5A: The Romulans were keeping the ex-Borg on the Artifact for a reason connected to their own past synthetic experiments.

Ex-Borg aboard the Artifact.

If the Romulans created the Borg, they would have wanted to keep that a secret, and prohibiting xBs from leaving might’ve helped them keep that secret safe. They may also have been studying the xBs, trying to see how synthetic technology has evolved since they abandoned their own experiments. However, with the Romulans so easily abandoning the Artifact and murdering the xBs, it seems as though they really didn’t care about them or about anything they could learn from studying their technology, and were simply harvesting their components to sell.

Debunked theory #6: Picard’s decision to tell everyone their enemy is the Tal Shiar (and not the Zhat Vash) will come back to haunt him.

Everyone now knows about the Zhat Vash.

Star Trek: Picard has been great in almost every way, but one area where I felt there was an issue that stretched across several episodes was in the naming of the faction of the series’ main antagonists. We knew as early as Maps and Legends that the Zhat Vash were responsible for Dahj’s murder, and were a secretive Romulan faction hidden within the Tal Shiar. Yet most of the characters for much of the series insisted on referring to the faction as the Tal Shiar.

In a way there is an understandable in-universe reason why: Picard may not have fully believed in their existence, and many other characters may not have known about them at all. But from a storytelling point of view, having a named antagonist and being consistent with that, especially when dealing with made-up terms like Zhat Vash and Tal Shiar, can be a great help to casual and new viewers. One reason why people end up switching off a show is because it’s hard to follow, and Star Trek: Picard has been inconsistent and potentially confusing because of the way it’s dealt with its antagonists.

I speculated that there might be a story reason for why this was – perhaps a character like Elnor would react negatively upon learning of the involvement of the Zhat Vash, or perhaps being unprepared for an encounter with them would cost a character his or her life. However, none of this materialised and the characters now seem to know who they’re dealing with.

Debunked theory #7: The Control AI from Discovery’s second season is why the Romulans fear synthetic life.

This reused shot from Discovery’s second season – along with at least one other – got me thinking that Control would make an appearance somehow.

Despite getting very excited about this last week, when a few CGI sequences from Discovery’s second season were incorporated into Dr Jurati’s mind-meld, it seems as though this was simply a production decision – saving money by recycling those brief shots of exploding planets. I had noted in my theory post last week that this was a possibility, and it certainly isn’t the first time we’ve seen recycled shots in a Star Trek show. One particular sequence of a Klingon bird-of-prey exploding must’ve been used at least half a dozen times across various Star Trek productions!

Given that Discovery and Picard are in production simultaneously, we haven’t really seen very much crossover between the two shows; certainly far less than I might’ve expected. Thematically, the current season of Star Trek: Picard and Discovery’s second season both look at artificial intelligence and the prospect for it going awry, but in terms of actual plot elements like factions, locations, or even characters, there’s been almost nothing that’s crossed over. We’ve had a few minor references, but those were little more than easter eggs. I do think that finding a way to tie the shows together is a good idea for Star Trek as a whole, especially as the Star Trek timeline and broader universe is pretty convoluted. There’s Picard, at the dawn of the 25th Century; Lower Decks, which is taking place 15 years or so prior; Discovery, which may be in the 32nd or 33rd Century; the Section 31 show and possibly a Captain Pike/USS Enterprise show which would be in the 23rd Century; and another alternate reality film which would be in a parallel 23rd Century. It makes for a pretty complicated franchise, and if all of these projects do go ahead – which some of them admittedly may not – having crossover points will be important to helping viewers know what’s going on and to tying the disparate shows together.

However, it seems pretty clear that Discovery’s Control AI is not going to be the way to do that, at least not at this juncture.

Debunked theory #8: The Trill doctor from Maps and Legends will end up assimilated.

The Trill doctor with Soji in Maps and Legends.

While this could still happen somehow, I suppose, with Seven of Nine and Elnor in control of the Artifact and almost all of the ex-Borg and Borg who had been in stasis dead, it seems incredibly unlikely.

In Maps and Legends, Soji befriended a young Trill doctor. While the two of them were getting ready to head into a more dangerous part of the Artifact, there seemed to be a great deal of horror film-style foreshadowing that this character may not survive. However, given that we haven’t seen her since and that the story has moved on in leaps and bounds over the intervening six episodes, I’d be surprised if we even saw her again and I’m officially striking this theory off my list.

So those theories were debunked. We did also get some confirmed theories, so let’s look at those next.

Confirmed theories #1 and #2: There’s a machine civilisation on Soji’s homeworld and there are other synths that are identical to Soji.

Soji and Dahj aren’t the only synths who look like this.

While it may seem a bit of a stretch to call the four synths we know existed (Soji, Dahj, Jana, and Beautiful Flower) a “civilisation”, there was a key word Rios used during his encounter with the latter two synths nine years before the events of the series. Beautiful Flower and Jana were described as “emissaries”, and Captain Vandermeer contacted Starfleet to officially mark first contact with these new synthetic beings.

Only a larger group would sent emissaries, and Starfleet would surely only consider marking an official first contact with a species that had a larger population than just a handful of individuals. Regardless of how many individuals there may be – and it could be in the millions after nine years of continued building of new synths – I think we can consider the fact that there is a machine civilisation there. Or at least there was nine years before the events of the show,

We also got confirmation of the existence of other Soji-type androids (a term I’d been using for synths who share Soji and Dahj’s appearance). At least one other existed: Jana, who Rios met aboard the USS Ibn Majid. While we didn’t see a Soji-type android in the flash of images from either the mind-meld or the relic on Aia, given that Data’s face was present it’s at least possible that Soji’s face was shown there too, which would explain how Ramdha recognised her. It’s also possible that Ramdha had another encounter with a Soji-type android that we’ll see in another flashback, or that someone else who had been assimilated by the Borg had encountered one, and that that information was conveyed to Ramdha during her assimilation.

The existence of Jana may very well mean that there are dozens, hundreds, or perhaps even more synths who are identical to Soji and Dahj. Maddox clearly favoured that design when building them, paying homage to his friend Data, and while he may have used other designs too, I would not be at all surprised to see a veritable army of Soji-type androids when La Sirena reaches her homeworld.

Confirmed theory #3: The next part of Dr Jurati’s mission was to kill Soji.

Dr Jurati murdered Maddox and had been ordered to kill Soji too.

When meeting with Soji in La Sirena’s sickbay, Dr Jurati confirmed that she had been tasked with killing Soji if she came into contact with her. However, seeing the realisation of her life’s work seems to have broken the spell that Commodore Oh put on her with the mind-meld, and she didn’t go through with it.

Confirmed theory #4: The synths who attacked Mars were hacked.

F8, shortly before being hacked.

While we don’t know exactly how the Zhat Vash were able to pull off the attack on Mars, we can confirm finally that the synths did not act of their own volition. They were being controlled or directed by someone else, and it’s likely that Commodore Oh had a major role to play.

This confirms a theory that I’d had going way back to Remembrance at the beginning of the season; it was actually one of my first theories. The fact that no explanation had been found for the attack, even some fourteen years later, seemed to indicate we were dealing with some kind of outside influence. When we got flashbacks involving the android F8, seeing how he went from his usual robotic self to hacking the Martian defence net in an instant, as well as the particular focus on his eyes as he seemed to be downloading new orders or information, strongly suggested he was not acting independently.

The fact that the attack had to be coordinated, and that it was a very deliberate strike against a chosen target, both added to this. If the synths had been overcome by a powerful urge to kill or rebel, attacking the humans in their vicinity would have made more sense. And given their ability to take down planetary defences, and the powerful ships under their command, why didn’t they attack Earth? That would’ve been a crippling blow to the Federation, far more so than simply destroying a shipyard. Finally, the synths’ suicide after their attack meant it would not have been possible to study them to learn what happened – further evidence that they were hacked.

All of these factors built up over several episodes – really beginning with Star Trek: Picard’s prologue, the Short Treks episode Children of Mars. I loved the way it was done, and the fact that we’ve had to wait till now for confirmation that the Zhat Vash were behind it was excellent and really kept me guessing.

So those theories were confirmed in the episode Broken Pieces. I know these posts have gotten a little complicated and unwieldy, but hopefully now that we’ve done some major pruning the main list can be less complicated as we head into the two-part finale! Let’s look at the remaining theories, as well as a handful of new ones that came out of this week’s episode.

Number 1: With confirmation that there are other female synths who look like Soji, at least some male synths built by Maddox will resemble Data.

Data, as seen in Picard’s dreams.

Broken Pieces confirmed a theory I’d had for several weeks: that there are other synths who look like Soji and Dahj. Nine years prior to the events of the series, Rios encountered such a synth – named Jana – while serving aboard the USS Ibn Majid. That synth was killed, but her face was something Rios never forgot.

But Jana was not alone. Rios described her companion, named Beautiful Flower, as being male. Given that we know Bruce Maddox was responsible for building at least some of these synths, and that he was drawing on Data as his inspiration (Soji and Dahj were modelled on a painting Data painted over thirty years previously) I think we’re about to meet a male synth who looks like an older Data.

When I first saw Brent Spiner reprising his role as Data in the trailers for Star Trek: Picard, without wanting to be too rude I felt he’d definitely aged out of the role of the non-ageing android. Fortunately, in the series itself the way Data was presented in Picard’s dreams did look significantly better than in the trailers, so giving him a bigger role – albeit as a new character and not as Data himself – is at least a possibility. Knowing what we know about Maddox, and how the theme of Data’s sacrifice and legacy has been portrayed in the series so far, I feel that it’s at least a possibility. We know Brent Spiner has been involved in the series, so it isn’t completely outlandish.

Number 2A: Romulan minds have a very particular reaction to the vision in the relic on Aia.

A synthetic life-form, seen in the Zhat Vash’s vision.

Soji was told that all of the ex-Borg who were “disordered” – i.e. insane – were Romulans. This was back in The End is the Beginning, when she first met Ramdha. We now know that Ramdha’s intense reaction to the vision from the relic on Aia is at least a contributing factor to the xBs’ insanity, but it’s interesting that no other species reacted as intensely as the Romulans did. As Raffi noticed last week, many of them were obsessively drawing the octonary symbol – a clue which led her to figure out the meeting place of the Conclave of Eight and the Zhat Vash – and as far as we know, only Romulans have experienced the vision contained on the relic there.

My theory is that there’s something very particular to Romulans – perhaps to do with their telepathic skills or paranoid nature – which causes them to have such an extreme reaction. Of the Zhat Vash initiates who took part in the ritual seen in Broken Pieces, only Rizzo and Ramdha came out alive – and I’d argue both had their minds “broken”, albeit that the brokenness manifested in radically different ways. If this is the case, other species may be able to experience the vision without being driven insane – and the vision may not even mean what the Zhat Vash have interpreted it to mean.

Number 2B: Picard and his crew will travel to Aia to experience the vision for themselves – and will have a different, less intense reaction.

Zhat Vash initiates with the relic on Aia.

If it’s the case that Romulans are especially badly affected by the relic on Aia, Picard and his crew may find that they react differently when exposed to the vision. Either before or after defending Soji’s homeworld, it makes sense that someone like Picard would want to see Aia and the relic for himself – he’s an explorer at heart, and given all the trouble this relic has caused and the potential ramifications of a synthetic apocalypse, wanting to see what triggered that makes sense.

I don’t know yet whether Picard and his crew will go to Aia, but it seems like a reasonable guess. If he does see the vision for himself, he and the other humans on the crew may find that it makes more sense, or even that it doesn’t show what the Zhat Vash believe it to show. Either way, the relic on Aia is at the centre of this whole conspiracy, and I would expect Picard would want to see it for himself.

Number 3: Picard spoke to Admiral Clancy too soon – potentially tipping off Commodore Oh.

Admiral Clancy appeared (by hologram) in Broken Pieces.

When Picard spoke with Admiral Clancy, relatively early in Broken Pieces, it was before Raffi and Rios had put together what happened with the USS Ibn Majid and who gave the order to kill the synths. And just as importantly, it was before Dr Jurati woke up and confessed to Picard what Commodore Oh made her see in the mind-meld.

At the time Picard and Clancy spoke, no one knew of Commodore Oh’s role as a spy, nor of her role in the Zhat Vash – as far as Clancy was concerned, she was a Vulcan and head of Starfleet Security. Given her senior position, it makes sense that she would come to know of the dispatching of a fleet to Deep Space 12, especially given that station’s proximity to the Vayt Sector – where Soji’s homeworld is located.

Commodore Oh would certainly be on the lookout for anything suspicious. She knows Picard is out there trying to help Soji, and she must know by now that Soji was able to escape the Artifact. Putting two and two together will not be difficult, and Starfleet’s forces may find that the Romulans are two steps ahead of them thanks to Commodore Oh’s spying. Furthermore, given that La Sirena entered the transwarp network immediately after the conversation in which everyone pieced together the timeline of events – including Commodore Oh’s involvement – it may not be possible for Picard to warn Starfleet that she is a spy.

Number 4: The post-apocalyptic 32nd/33rd Century seen in Discovery’s third season is related to the vision the Zhat Vash experienced.

Michael Burnham in the trailer for Discovery’s third season.

This is less of a theory for Star Trek: Picard and more related to Discovery’s impending third season, but I wonder if there will be some connection between the seemingly post-apocalyptic future seen in the trailers and the storyline of this season.

It seems a bit of a stretch to think that something which happened at the very end of the 24th Century could in any major way still be causing problems a full 800 years later, but it’s possible that we’re seeing the seeds of what happened in the years prior to the arrival of Burnham and the USS Discovery. It could very well be the case that the Zhat Vash are correct in their interpretation of the vision contained in the relic on Aia, and that the creation of sentient synthetic life does cause some kind of apocalyptic invasion or event, in which case this may occur at some undetermined future point between the end of Star Trek: Picard and the beginning of Discovery’s newest season.

Number 5: Seven of Nine and Elnor will fly the Artifact to Soji’s homeworld.

Elnor and Seven of Nine now control the Artifact.

I fully admit that I didn’t really enjoy this week’s scenes with Seven of Nine and Elnor aboard the Artifact, but one way to make up for that would be to give them a great reason for staying behind. What could be more exciting – not to mention visually stunning – than a fully-repaired Artifact, crewed by the surviving ex-Borg, warping in at the last moment during a battle between Starfleet and the Romulans to save Soji’s homeworld? The thought of seeing a Borg cube used for good and to see our heroes fighting alongside the powerful vessel would be something unique in Star Trek and genuinely interesting.

There will have to be some way for Elnor, at the very least, to rejoin Picard and La Sirena before the season is over. I’m disappointed with how underused Elnor has been, and if the season ends with him and Seven on an overblown side-quest I think that will be quite unsatisfying, regardless of what happens with the xBs or what potential stories are set up for future seasons or Star Trek productions.

Number 6: Narek is going to go rogue.

Narek was devastated at having to kill Soji.

Narek has several potential reasons for going rogue. He obviously cares deeply for Soji and has developed feelings for her; it was only because he believes wholeheartedly in the stakes of the Zhat Vash’s mission – averting an apocalypse that would end all life in the galaxy – that he was able to go through with trying to kill her. Secondly, Rizzo in particular, despite being his sister, is aggressive and condescending to him, treating him incredibly badly and like a subordinate. He clearly has no real love for her.

If the Zhat Vash are proven to be wrong about synthetic life being a danger – which surely, somehow, they will be – Narek will have no reason to continue his crusade. If he learnt that Soji no longer posed a threat, given how he feels for her he may switch sides – and if he does, he could bring valuable information to Picard and his crew about the Zhat Vash’s plans.

Number 7: Borg technology was used to create Soji and Dahj, and Maddox was the main buyer of Borg components from the Artifact.

Butchered Borg bodies.

Star Trek: Picard has gone out of its way to explain that there is a huge market for Borg technology and harvested Borg components. Icheb was murdered so that his implants could be extracted, and the technology taken from the xBs when they’re de-assimilated is sold by the Romulans.

It’s possible that lots of factions and organisations might want a piece of Borg tech – for study, research, or defensive purposes, among other reasons. But given that the main story has been deeply connected with the development of synthetic life, I can’t help but feel that Maddox may have been buying up these pieces to use in his research and construction of the synths on Soji’s homeworld.

There’s also the point that F8, the android seen in the flashbacks to the events on Mars, was incredibly basic, even compared to Data in his earliest appearances. By contrast, Soji and Dahj are so human that they fooled all sensors and scanners and were able to work undercover for around three years – they even believed themselves to be human. Rios encountered a Soji-type android – Jana – nine years before the events of the show, which means in the five years since F8 was active on Mars, Maddox not only managed to improve on that basic model, but create something so lifelike that they were able to be artistic and emotional and even outperform Data in many respects. How did he accomplish this? Cloning Data’s neurons is one explanation – but surely that would just result in a clone of Data. To surpass Data, better technology would be needed – and no faction in Star Trek has more advanced technology than the Borg.

Finally, Soji seems to have knowledge of some Borg technology herself. Not only was she assisting in the de-assimilation of drones aboard the Artifcact, she had innate knowledge of the location of parts of the Borg transwarp network, as well as how to allow La Sirena to safely navigate it.

So those are the theories either new from Broken Pieces or that the episode advanced. Now, as always, let’s look at the remaining theories from previous weeks that haven’t been confirmed or debunked.

Number 8: Riker will return to active duty.

Admiral Riker as seen in The Next Generation’s finale.

Admiral Clancy will send a fleet to Deep Space 12 to assist Picard in his mission to defend Soji’s homeworld. Even though Riker’s name never came up, I wonder if he’ll be leading it? He is in the vicinity, after all!

When Riker was with Picard in Nepenthe he mentioned that he was still on “active reserve” in Starfleet – something which seemed to be a major hint that we’ll see him back in uniform sooner or later. However, this could be setting up something that won’t pay off until next season, so if we don’t see it happen in the finale, we can consider it our first Star Trek: Picard Season 2 theory!

Number 9: Commodore Oh is a synth.

Commodore Oh.

Commodore Oh has played a very long game to get the Zhat Vash so close to victory. Her work seems to have commenced years before the events of The Next Generation, as she established herself as a figure in Starfleet Security, eventually becoming its senior officer by the time of the current season. She was instrumental in the attack on Mars, the murder of Dahj, and the mission to interrogate Soji – and those are just the events we’re aware of.

It’s possible, however, that she’s actually a double-agent, someone who is working to bring about the very apocalypse she claims to want to prevent along with the Zhat Vash. It seems as though a trigger is needed in order for the apocalyptic event – which seems to involve the arrival of an unknown faction – to occur. Could Commodore Oh be a synth, perhaps part of this unknown faction, conspiring to push synthetic life in the galaxy to this threshold and beyond? Maybe this is too much of a stretch, but there would be something greatly ironic in learning that the Commodore – who has been on an anti-synthetic crusade – is herself a synth, especially if she is unaware of it!

Number 10: The synths on Soji’s homeworld are already dead – killed when Maddox’s lab was destroyed.

Maddox explaining the destruction of his lab to Bjayzl.

At the beginning of Stardust City Rag, it’s established that the only reason Maddox travelled to Freecloud was because his lab had been destroyed. Given that Bjayzl is clearly dangerous, and he would have known that, it really was an act of desperation and a destination of last resort for him. I can’t see any other explanation for Maddox being there, so I’m assuming the story he told her about the destruction of his lab was true – if not, it opens a sizeable plot hole.

But if Maddox’s lab had been destroyed, it raises several questions. First is where Maddox’s lab actually was. Everyone from Picard and Riker to Rizzo and Narek seem to have been assuming that his lab, where Soji was created, is the synthetics’ homeworld. But if that’s the case, and it’s already been destroyed, why did Rizzo and Narek need to keep interrogating Soji to learn the location of a planet their colleagues had already visited and destroyed?

While I don’t consider this theory very likely, one possible outcome that squares this circle is that the Zhat Vash had indeed destroyed Maddox’s lab and killed the synths who were living there, and that Picard and his crew will find nothing but wreckage when they finally arrive. This would be a pretty bleak direction for the story, because even if Picard manages to exact revenge upon the Romulans they would still have essentially “won”.

Number 11: The father figure from Soji’s dream isn’t Maddox – and could be a synth.

Soji’s faceless father.

In order for there to be a large number of synths on Soji’s homeworld – assuming they are still alive – it would mean more than just one person would need to be there to build them. Once Maddox had built his first fully-functional synth, there’s no reason why that synth couldn’t have built more, and why those synths couldn’t have built yet more copies of themselves.

This could explain why the faceless figure in Soji’s dream is faceless – rather than being Maddox, her “father” is actually another synth – one that Maddox had built earlier. I guess this would make Maddox her grandfather!

To connect this to another theory, I wonder if this figure will be a Data lookalike.

Number 12: Picard’s illness is Irumodic Syndrome.

Dr Benayoun brought Picard bad news.

In Maps and Legends, Picard’s doctor brought him the bad news that he’s suffering from a terminal illness – albeit one in the early stages. There were several hints in this conversation that the disease is Irumodic Syndrom, which was first mentioned in the finale of The Next Generation. Riker and Troi both hinted at Picard’s illness in Nepenthe, but it has not yet been referred to by name.

Number 13: Soji and Dahj’s necklaces were a deliberate symbol from Maddox to signal or communicate with someone.

Dahj’s necklace. Soji has an identical one.

It’s possible that this will never be explained, but the choice for Maddox to give Soji and Dahj necklaces that hinted at their synthetic nature is strange. It could be a case of showing off, but it may also be how the Zhat Vash first came to suspect Soji and Dahj. If Maddox were using the symbol on purpose to communicate with someone or signal someone it would make more sense as to why he took that risk.

Number 14: Section 31 are involved… somehow.

Ash Tyler was a Section 31 operative in Discovery.

I haven’t entirely given up on the idea of Section 31 involvement, for the reasons outlined above. I still feel that bringing the organisation into play – somehow – would make a lot of sense from a production point of view, as there are other Star Trek projects currently in production that have Section 31 involvement.

However, with my three main Section 31 theories having been debunked (those were the USS Ibn Majid being a Section 31 ship and Rios having been a Section 31 operative, Seven of Nine working for Section 31, and Section 31 having been behind the attack on Mars) I’m really not sure at this stage how the show could bring the faction into play.

Furthermore, with Star Trek: Picard now headed into its finale, any Section 31 involvement would have to be relatively minor, as a major revelation at the last minute could end up feeling like a deus ex machina.

One possibility could be a kind of epilogue, perhaps with Section 31 taking control of the Artifact now that the Romulans seem to have abandoned it. But that’s a complete guess.

Number 15: Something Maddox did or didn’t do made it possible for the synths to be hacked and Mars to be attacked.

Picard with Maddox aboard La Sirena.

While we now know that the synths who attacked Mars did not act on their own and were hacked or otherwise controlled by the Zhat Vash, the question remains as to how they came to be so easily controlled. It’s possible that there was some kind of flaw in the way F8 and the other Mars synths were build or programmed that made them more susceptible to this kind of hack, and that could explain why Maddox left Earth determined to continue his work.

So that’s it. We finally saw the “theory massacre” that I’d been expecting for a couple of weeks, as several potentially interesting theories dropped like flies! We had some confirmations, too, but mostly what we got from Broken Pieces was a genuinely interesting setup – albeit not a wholly original one – for the finale. However, before we draw everything to a close, there is unfortunately one production-side theory that I want to put out there given everything going on in the world right now.

Production theory: Star Trek: Picard’s second season will be delayed by many months.

The current coronavirus pandemic has seriously disrupted production and release schedules across cinema, television, gaming, and all other forms of entertainment. This disruption looks set to continue for at least the next few weeks, pushing back almost everything currently being worked on. Even if things get back to normal relatively quickly, there will be knock-on effects throughout the industry which will take months to sort out, and Star Trek’s production schedules are just as susceptible to being affected as everyone else’s.

I’m hopeful that Star Trek: Picard’s second season will be able to film either later this year or early next year, but with Los Angeles and much of California currently quarantined (or “locked down”) as a result of the coronavirus outbreak in the United States, it will take major rearranging to re-book filming locations, make sure actors and directors and production staff are going to be available for the new dates, hire the necessary equipment, etc. It will also be incredibly expensive to essentially reschedule the entire production, which must already be in the latter stages of planning. It’s possible, though I hope it doesn’t happen, that some upcoming Star Trek projects may be scrapped entirely as a result of costs going up across the board. Given the incredibly positive reaction to Star Trek: Picard, I doubt its second season will be cancelled outright, but I do expect significant delays.

It’s possible that Star Trek: Discovery’s third season and Lower Decks’ first season will also be delayed, either as a result of post-production and animation work not being able to take place on schedule, or simply because ViacomCBS decide not to release them too early to avoid long gaps between shows. Both Discovery and Lower Decks had been expected to premiere later this year – with Discovery possibly arriving soon after Picard’s first season has drawn to a close. While I think we’ll still get Discovery this year, it may be later than originally planned.

The first eight episodes of Star Trek: Picard are available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 7: Nepenthe

Spoiler Warning: There will be spoilers ahead for Nepenthe, as well as for the first six episodes of Star Trek: Picard. There may also be spoilers for other iterations of the Star Trek franchise, including Star Trek: Discovery Season 2.

Hugh! Poor, poor Hugh. When I heard Jonathan Del Arco was returning for Star Trek: Picard, well before the show had premiered, my first reaction was “What? Really?” Of all of the characters in Star Trek’s history, I just felt that Hugh, who had only appeared in a couple of episodes of The Next Generation, wouldn’t have been my first choice when thinking about characters to bring back. But I was wrong – the way Hugh has developed as a character between The Next Generation and his appearances this season was incredible, and his death this week was genuinely heartbreaking.

Star Trek: Picard’s death toll, for legacy characters anyway, now stands at three – Bruce Maddox, Icheb, and now Hugh. In the aftermath of series like The Walking Dead and Game of Thrones this was always a possibility – no main character on television should consider themselves “safe” any more. But of the three, Hugh’s death hit me the hardest.

But we’re getting ahead of ourselves! Where last week’s episode, The Impossible Box, was an edge-of-your-seat wild ride, Nepenthe was a quieter affair, but intensely emotional. Simply processing everything that happened will take some time. Nepenthe didn’t merely advance the storyline of Star Trek: Picard, it took us on a detour that looked at Riker and Troi, and thus broadened our understanding of how the overall story of Star Trek has progressed since the events of Voyager and Nemesis. In that sense, it felt like an episode that was “made for fans” far more explicitly than anything else we’ve seen so far this season, even counting Seven of Nine’s appearance.

Counsellor Troi returns in Nepenthe for the first time since Star Trek: Nemesis in 2002.

If someone were to ask me why I’ve been so in love with Star Trek: Picard, I could give many reasons. But Nepenthe encapsulated them all perfectly. It brought back those nostalgic feelings, but it used characters and name-drops from the past in a way that made sense and tied in perfectly with the main plotline of the show. Unlike some other franchises we could mention, nothing in Nepenthe felt like fanservice, or overplayed the nostalgia card; Star Trek: Picard has been like a perfectly-cut jigsaw puzzle, with each piece of the story slotting neatly into place as the overall picture is now slowly coming together.

After the standard recap to bring us all up to speed, the episode kicks off with a flashback to just three weeks ago. We see more of the meeting between Dr Jurati and Commodore Oh from The End is the Beginning – and we see why it wasn’t shown in full in that episode. This is the moment Dr Jurati was recruited to join the Commodore Oh-Zhat Vash conspiracy, and I think we can now say with relative certainty that Commodore Oh is not a Romulan agent, but is in fact the Vulcan she has always claimed to be. While, in theory, there should be no reason Romulans can’t mild-meld, it’s never been shown on screen and that further adds to the evidence that Commodore Oh is a Vulcan. Whether her alliance with the Zhat Vash is new or not is unclear, but she is certainly fully signed up with their anti-synth crusade.

I had to go back and look at one part of this sequence several times before I could be sure, but at least part of what Commodore Oh showed Dr Jurati in her mind-meld is taken directly from Star Trek: Discovery’s second season. The two shows were always close from a thematic perspective, as both were looking at the possibility of rogue AIs and how they could be a danger, but this sequence seems to suggest that there’s more to it than thematic coincidence. In Discovery, the AI named Control was trying to acquire data stored in the USS Discovery’s computer which contained many millennia of information collected by an ancient lifeform, and if it had been successful it would have used its newfound power to wipe out all organic life in the galaxy. This seems to be the reason for the Romulans’ fear of synthetic life – that they will go rogue and start killing their creators. At least two of the shots of life in the galaxy being wiped out that Commodore Oh showed Dr Jurati in the mind-meld were identical to the vision Michael Burnham and Spock received.

This image, and at least one other, were recycled from the visions shown to Michael Burnham and Spock in the second season of Star Trek: Discovery.

Could this simply be a case of reusing shots to save money? After all, in the past Star Trek has shown the same Klingon ship blowing up on half a dozen occasions or more, and numerous models were reused over and over again from the era of The Original Series films through The Next Generation and its spin-offs. Given that the two clips I could identify in the mind-meld were less than a second long, I suppose we shouldn’t discount the possibility entirely. However, I’m not convinced that this is the reason. CGI nowadays requires far less effort and financial investment than many practical effects – like exploding starships – did in the past. For the sake of a couple of seconds’ worth of footage it would have been relatively inexpensive and not particularly time-consuming to make something altogether new if that was the aim. So I’m getting the sense that there’s a connection between Discovery’s Control AI and the Romulans in Star Trek: Picard – as I have been saying for several weeks in my Star Trek: Picard theories series! While I will save further speculation about what this could mean for my next theory post, I wanted to acknowledge it here too.

Mind-melds have been inconsistent in the way they’re presented in Star Trek. This one was more in line with the confusing jumble of images that Spock showed to Alternate Reality Kirk in 2009’s Star Trek film, rather than the calmer, slower-paced mind-melds that we’ve seen in The Original Series and The Next Generation. Obviously we didn’t get the full effect that Dr Jurati did, because the horrors she was shown caused her to vomit up her lunch. It was enough to immediately convince her, without any further persuasion needed from Commodore Oh, to sign up with the conspiracy and do anything – even kill her former friend and love interest and betray Picard.

Dr Jurati is given a tracking device, which she has to eat – and yes that is “eat” not “swallow”, which was interesting! The action then jumps to the present day, where La Sirena is caught in a tractor beam that the Artifact has deployed. Raffi and Rios are scrambling around on the bridge trying to break free. While Raffi attempts to break La Sirena free, she hacks into the Artifact’s computer and seems to see some drawings – possibly those drawn by Ramdha or another xB. Whether these will come into play or not is unclear, but the drawings, which were a pattern of circles repeated over and over, were at least visually interesting. So many aspects of Star Trek: Picard have been brilliantly set up by the creators and writers that almost everything we see or hear on screen has the potential to turn into a story point!

Dr Jurati is clearly terrified, trying to get Raffi and Rios to tell the Romulans that they “just want to go home” as it’s not really La Sirena that the Romulans are after. The others dismiss her semi-hysterical shouting, and then we get the beginning of Hugh’s punishment for the crime of aiding Picard. I didn’t expect Hugh to turn on his friend, and he never did, but there was always the possibility, as he didn’t know that Soji was synthetic, that learning her true nature might’ve shifted something for him. However, he stands by his promise to protect Soji and Picard, even as Rizzo executes one of the xBs. Even knowing the stakes he refuses to tell her – putting his loyalty to Picard ahead of his feelings for the room full of xBs, who Rizzo orders executed when he refuses to tell her where they went.

An xB is executed on Rizzo’s orders.

Rizzo also confirms that the operation to track and extract information from Soji has been ongoing for several years and has involved a number of different people, which is a neat thing to know I suppose.

This was definitely an emotional scene, and as I mentioned already, Jonathan Del Arco gives an amazing performance as Hugh sees people he has worked so hard to help cruelly and coldly murdered in front of him. His reaction to their deaths was raw and heartbreaking.

Peyton List, who plays Rizzo, was also on good form. Some of her earlier performances in the series have been a tad one-dimensional in parts. Rizzo as a character is, like Michelle Yeoh’s Terran Empress from Star Trek: Discovery, someone who is basically evil for the sake of being evil – or at least, that’s how I characterised her before this scene in Nepenthe. We finally get to see Rizzo’s motivation here – helpfully informed by the earlier mind-meld sequence. Far from being evil, she’s terrified. Synthetic life frightens her, and she genuinely fears that, were Soji allowed to live, all sentient life in the galaxy – “a trillion souls” as she puts it – would be wiped out. How it is that the Zhat Vash have come to know this – or rather, believe this – is not yet clear, but again I think the Control AI from Discovery surely has a role to play somehow. This second dimension changes what has been a rather flat villain and we are finally a big step closer to understanding why the Zhat Vash are so militant in their anti-synthetic crusade – and why, despite his feelings for her, Narek felt he had no choice when it came to killing Soji.

Speaking of Narek, he boards a one-person spacecraft in the Artifact’s hangar bay and departs the cube. La Sirena is no longer caught in a tractor beam – though Rios and Raffi realise it is undoubtedly a trap. We get a great scene as La Sirena skims along the Artifact’s hull at close range, showing off the incredible level of detail that has gone into the CGI work on both vessels. Elnor, who seems to have struck up a bond with Hugh since we last saw him, opts to remain behind to help the xBs after seeing them executed, and La Sirena warps off toward Nepenthe with Narek close behind.

For the first time since the show premiered, the main cast actually felt like a crew in this moment. And I know it seems silly as they’re all split up, but leaving Elnor behind was emotional for Rios, Raffi, and Dr Jurati – they clearly think they will never see him again. Whether they’re right or not doesn’t matter right now, because in that moment there was a sense of camaraderie; a bond between La Sirena’s crewmates. This is definitely something that Star Trek: Picard has lacked when compared to other shows. Even Deep Space Nine and Voyager, which both had different interpretations of a “divided” crew, had a sense of fellowship – and finally, seven episodes in, we saw some of that here. It was a nice throwback to the way crews have been in other Star Trek shows, and I really hope we see more of that going forward as Soji joins the crew and they’re all – hopefully – reunited with Elnor in a future episode.

“Adios, kid.” Rios and the crew of La Sirena agree to leave Elnor behind.

If you’ve been here before and read my other reviews, you’ll know I like to nitpick. And even in an episode as good as Nepenthe, there are still small things to pick at. After the credits roll, we’re with Picard and Soji as they materialise on Nepenthe – a few minutes’ walk from Troi and Riker’s house. That was some luck with the spatial trajector! I know it’s possible to get exact transport coordinates, but did Picard tell Hugh exactly where on the planet to send them? Did he know, by heart, the rough location of Riker’s house? Anyway, after they materialise they’re set upon by a girl brandishing a bow and arrow. Picard makes reference to his artificial heart – as seen in the episode Tapestry from the fifth season of The Next Generation – and it’s clear he recognises the girl. He calls her Kestra – which was the name of Deanna Troi’s sister from the seventh season of The Next Generation, specifically the episode Dark Page. It was nice to get a couple of little references in quick succession like that – and as always, neither of them got in the way of the flow of the story. Star Trek: Picard has handled its links to the franchise extraordinarily well.

While walking with Kestra to her home, Picard drops two huge bombshells on Soji. The first is that her father is Data, which means she’s an android. And the second is that Dahj has died. Soji, unsure really of what’s happened or who to trust, doesn’t really react. In this moment she doesn’t have space to process what she’s feeling, so grieving for Dahj will have to come later. Whereas Dahj seemed to have, as part of her programming, a desire to find Picard and an inherent feeling of safety in his presence, this seems to be absent in Soji for the duration of the episode. While she will, later, start to warm up to him and come around to the idea of trusting him, that feeling of safety and a desire to turn to Picard for protection does not seem to have been programmed into her in the way it was with Dahj. If I were to speculate as to why, I’d say it was probably because Dahj’s assignment was on Earth, whereas Soji’s was on the Artifact. It makes sense for Dahj to run to Picard as he was someone Maddox knew he could trust and was a stone’s throw away. On the Artifact, running to Picard would be difficult if not impossible, and Soji may have had someone else programmed into her as part of her activation, or she may have simply been programmed to defend herself. It’s also possible that, as Picard and Hugh intervened, Soji is not fully activated in the way Dahj was.

Picard was clearly expecting a different reaction from Soji. Even though he only knew Dahj for a short time, she trusted him implicitly, turned to him for help, and even saved his life. Because Soji and Dahj look identical – “more than twins”, as the show puts it – I wonder if he’s expecting her to behave in an identical manner too. When she doesn’t, it almost seems as if he doesn’t know what to do or what to say; she isn’t what he expected, and he may even feel disappointed by that, underneath the frustration of constantly messing things up.

Kestra leads Picard and Soji to her home on Nepenthe.

The cabin was an absolutely lovely set, and must have been a fun location to film on for the actors. It’s rustic in its appearance, but it’s what I’d call “21st Century rustic” in that this is clearly not a log cabin from the 1800s! It makes sense as the home of a couple who know their way around technology but want the appearance of something from an earlier time, and as we’ll see that is basically exactly what the cabin is. Of all the sets used so far in Star Trek: Picard, including the vineyard, this is the one which feels most like a modern-day building, though. I liked that, because I could see how that kind of design could still be popular or could make a comeback, but I can also see that being a point of criticism for some, as it is definitely different from any other 24th Century buildings we’ve seen in earlier Star Trek shows.

While we’re dealing with the aesthetic, though, Star Trek: Picard has definitely fallen into the trap that The Next Generation and its contemporaries also fell into in that every planet visited is clearly California! We had Picard’s home in France, the town on Vashti, and now Nepenthe. While they are all different in some respects, they’re not so different that you’d be tricked into thinking they weren’t all filmed within fifty miles of each other. In a way, I think we’ve probably been spoilt by big-budget shows like Game of Thrones, which famously had filming locations right across Europe from Croatia to Northern Ireland and Iceland. Expecting something on that level was unrealistic, and to the credit of the showrunners the locations mentioned do all have a different tone – it’s just that they are all very definitely filmed in California.

The music in Star Trek: Picard has generally been great, but the music played as Picard reunites with Troi was a cut above and absolutely outstanding. Much of the emotion in any scene is tied to the music, even if we as the audience don’t realise it. And as Kestra delivers Picard and Soji to her mother we get a beautiful piece that ebbs and flows with the emotions of the characters.

Troi, as an empath, can tell that Picard is in trouble – which is of course why he came to them in the first place. However, it’s her next moment after they embrace that really got me. We know, as of Maps and Legends, that Picard is dying. And Troi wordlessly touches his face and conveys, with just a bare look, that she knows his health is beginning to fail. He tries to reassure her that he’s fine, but of course we know better.

The next scene is the one we’ve all been waiting for since we first saw Riker in the second Star Trek: Picard trailer last year: the reunion between the Captain and his Number One. Jonathan Frakes’ performance in this scene reflects perfectly what the audience has been feeling for this whole journey: the excitement and pure joy of seeing an old friend again. That’s what nostalgia is, in a way. We’re just as happy to be reunited with Picard after all this time as Riker is in this moment. The last time we saw Riker and Picard, at the end of Star Trek: Nemesis, they were parting ways as Riker was moving on to take command of his own ship. A lot has happened since then as Troi and Riker seem settled in their home and with a teenage daughter to boot.

A hug eighteen years in the making. Picard and Riker are reunited.

Riker’s home is not as rustic as it seems. Upon learning that Picard is in trouble and hiding out, he barks orders at the cabin’s computer: “shields up!” being my favourite, a classic Riker line from The Next Generation, delivered in exactly the way we’d remember from that show. There was also a neat little name-drop of the Kzinti – a feline-like species that featured in an episode of The Animated Series back in the 1970s! That might actually be my favourite one-line reference so far in the whole series; tying Star Trek: Picard to Captain Kirk’s lesser-known adventures.

The young actress playing Kestra does a great job in this scene as she brings a hunted “bunnicorn” to Riker to prepare for dinner. It’s clear that, having grown up in a rural setting, Kestra is much more comfortable with hunting and skinning than many would be in the 24th Century – or even in the 21st! Sometimes younger performers, especially those cast for smaller roles, can end up coming across inauthentic in their delivery of lines and the way they inhabit their roles, but none of that was the case here. She did a great job and was convincing as the daughter of Riker and Troi.

Soji takes a shower – outside, of course, to add to the feeling of a rustic cabin-in-the-woods – and Kestra pesters her with questions, all of which related to things Data enjoyed or could do: playing the violin, reading Sherlock Holmes, and finally her physical abilities like running and jumping – which we sad Dahj do in Remembrance – and being able to bend steel. Soji has just done this, when she ripped a hole in the floor of the meditation room to escape, but we also saw Data do so on several occasions, notably in Star Trek: Nemesis and in The Measure of a Man, the second-season episode of The Next Generation which introduced Bruce Maddox. Kestra is immediately accepting of Soji. Not that the others weren’t, of course, but she takes to Soji as a friend whereas Picard sees himself as more of a guardian. Soji needed that, I feel, after everything she’s been through.

The questions Kestra asked about whether she has, among other things, saliva, were reminiscent of the observations Dr Bashir made of Data in The Next Generation episode Birthright, a two-parter from the sixth season. Both Bashir and Kestra were interested less in the extraordinary things an android could do – like calculate unimaginably huge numbers in an instant – and more in the ways that their creators had tried to make them ordinary. Data could breathe and had a pulse, and Soji has normal body fluids like saliva. Whether intentional or not, and I have to assume it was given how much care and attention has gone into Star Trek: Picard at this point, I loved this little callback to Data and The Next Generation.

Kestra’s parents have clearly told her so much about Data, and again as a long-time fan I think that’s something I wanted to see even if I would never have realised it. To know that Data, who died in Nemesis almost twenty years ago, is still remembered by his friends is a great feeling – and as someone who had longed to be human, this most human of legacies is something I think he would have approved of. As Kestra keeps up her questions and discussion of Data, Soji says that, until she heard the word “android” used, she was still hoping that she might be human after all. This is a lot to take in for her, as in the last few hours her whole life has been exposed as a lie and everything has come crashing down: her boyfriend, her job, her family, and her whole identity. Now she’s stuck on a planet she doesn’t know with people she’s never met, and she feels horribly unsettled not just with them but in her own skin – or whatever the android equivalent of skin is.

Kestra leans down to talk to Soji.

It was a nice touch to see the term “android” back in Nepenthe, after previous episodes of Star Trek: Picard had almost entirely used the terms “synth” or “synthetic” when discussing artificial life. I still feel, despite the presence of holograms on La Sirena, that there must be a reason for that. The vision Commodore Oh showed Dr Jurati, and the idea of rogue AIs destroying sentient life which motivates her and the Zhat Vash, are not exclusive problems caused by Soji-type androids. As we saw with Control in Star Trek: Discovery, any kind of AI is potentially susceptible.

An emotional Deanna leads Picard to her son’s bedroom, and we learn that not everything worked out for the Troi-Riker family after we last saw them. Their son, and Kestra’s older brother, died a few years previously. As is not uncommon with grieving parents, Riker and Troi have kept his bedroom as he left it, and as it’s presumably the only other available room, this is where she offers Picard a rest. We got a nice photo of Picard – in his post-Nemesis uniform – holding Thad as a baby, and Deanna gives Picard a very unconvincing “we’re fine!” when discussing him. It’s clearly still incredibly painful for her – whether she feels the loss even more as someone who has empathic traits isn’t clear, but as an episode dealing with the loss of a child and looking at how families and parents respond to that, Nepenthe was right up there with many other Star Trek episodes throughout the years that have tackled complex emotional topics.

One thing that is clear, though, as Picard and Troi continue this conversation, is that she is uncomfortable with their presence. Not because she didn’t want to see him – she clearly does – but because of the danger their visit poses. Having lost her son, she cannot bear the idea of her daughter being in any kind of danger. Nepenthe can be a stopover for Picard and Soji, then, but any hope of a permanent shelter or even a longer stay is dashed – and Picard knows that. He probably knew it before they ever arrived, but if he had hope of staying beyond a few days it’s gone without Riker or Troi having to come out and say so.

La Sirena is up next, and the trio still aboard have realised that they’re being pursued. Narek is clearly an expert pilot, and has managed to get his ship to sit in a kind of “blind spot”, almost unnoticeable to Rios. They discuss how to throw him off their tail, and Rios performs a new manoeuvre of dropping out of warp very suddenly so that Narek will “overshoot” La Sirena without realising. Star Trek’s warp drive has always been a bit of a mess in canon, so this being a new tactic is fine. I think it’s not original in that it’s something other sci fi franchises have used in the past, but as a narrative device it worked well here, I felt.

Dr Jurati then pipes up asking Raffi and Rios if they really want to go to Nepenthe or if they can instead pack up and go back to Earth. We know, as the audience, that she’s getting cold feet about her mission, frightened of what might happen if she ended up face-to-face with Soji. But Rios and Raffi don’t know what’s going on – or how it is that they’re being tracked – so Raffi assumes she’s just frightened and takes her off the bridge. Dr Jurati made reference to a gormagander in this scene, which was a space-dwelling life-form seen in Short Treks and Star Trek: Discovery, continuing the theme of the episode tying itself into other stories in the franchise!

La Sirena in space – what a cool shot!

Riker is cooking dinner on Nepenthe when Picard walks up. He’s reluctant to tell him too much about Soji or what happened, but Riker is able to figure out much of it from Soji’s behaviour. Picard has been a man alone in his mission so far. Dr Jurati, the only person on La Sirena who we thought was on his side is actually working for the enemy, and the others are just along for the ride or for pay. Even Elnor, who had signed on for Picard’s hopeless cause, has chosen to stay on the Artifact where he feels he’s more needed. So in this moment, when he had a genuine friend offering to help, it seems strange that Picard chose not to. Of course part of it has to do with what happened to Riker’s son and the presence of Kestra and Troi – he doesn’t want to endanger them any further. But telling Riker the full truth – something he failed to do for Hugh, the only other trustworthy face he’s seen since he left Earth – was an option.

Seeing Soji immediately pick up on Thad and Kestra’s made-up language was great, and we’ve seen her in previous episodes speak Romulan and the language of the xB called “nameless”, so we know it’s a skill she possesses. What I absolutely did not like in this sequence, or rather, what I felt had not been set up at all and failed to work, was Soji’s awkward Data-esque head tilting motion. That was a Data trademark from his earliest appearances in The Next Generation, but we’ve never seen Soji behave in such an artificial way. Whatever techniques Bruce Maddox and his team used to create her, they had improved upon the formula used by Data’s creator Dr Soong, meaning we shouldn’t see her do something that looked so odd and artificial. It was clearly put in as a story point, one which Riker immediately picked up on, and I know as a single second of screen time it doesn’t seem worth commenting on, but of all the Soji moments in Nepenthe, I felt it was by far the weakest, and its inclusion was not a good decision given that it had never been set up. There were plenty of other ways for Riker to pick up on Soji’s true nature, or of course, as mentioned above, Picard could have explained the situation.

Riker gives Picard a piece of his mind – calling him out for trying to carry everything himself and not let anyone help, calling it “classic Picard arrogance”. This wasn’t an attack, it was the “absolute candor” of an old friend. (See what I did there?)

In the tomato garden, Troi offers Soji a home-grown tomato. For someone who’s only ever had replicated food, she can sense the difference right away. There’s a message here too, I think, for us as the audience. We live in a world where food is increasingly processed, and more often than not something that comes in a packet from a supermarket. Many of us in the modern world are out of touch with food production and where our food comes from, and there is a uniqueness to something grown at home that I think we can all relate to.

Soji’s awkward head tilt.

Troi uses the example of the tomato to explain to Soji why “real” isn’t always better. Soji says that she is not real – like replicated food as they had just been discussing. But it turns out that the illness that killed Thad was something that could have been cured using a positronic matrix – i.e. an android brain. Unfortunately, due to the ban on synthetic life, no such matrix was available to synthesise a cure, and Thad died as a result. While an interesting metaphor, and something Soji desperately needed to hear, this also adds a personal dimension to the synth ban. Not only has it gotten Dahj killed, but we now know that the ban directly resulted in the death of Troi and Riker’s son. I’d absolutely argue that this raises the stakes even higher in Picard’s coming battle against the Zhat Vash and their allies in Starfleet.

Soji finally opens up, telling Troi a little about what happened with Narek and how he betrayed her trust. Narek has really done a number on Soji. In addition to everything she’s gone through and learnt in the last few hours, she finds it impossible to really trust anyone, and that’s all thanks to Narek’s manipulations. I wrote last time that the Narek-Soji storyline can be seen as analogous to gaslighting, and again I feel we see part of that here. Having been lied to, having had her head messed with and dissected by Narek, Soji is finding it incredibly hard to trust anyone, even Picard.

Their conversation is interrupted by Picard and Riker, however, and Soji storms off after Picard tries the old “reverse psychology” technique. He should have left the counselling to, well, the counsellor, because he really just managed to make things worse. Troi gives him a second dressing-down for the way he acted, and he starts to realise in this moment what’s going on and why Soji hasn’t behaved the same way that Dahj did. He will have to earn her trust, despite going out of his way to save her.

Elnor and Hugh are racing around the Artifact with a mission – they plan to return to the “queen cell” that they used to help Picard and Soji escape, and use the “immense power” it contains to seize control of the Artifact. Unfortunately they run into Rizzo, who has been tracking them. We finally, for the first time since Picard left Earth, get a mention of the Zhat Vash and confirmation that Rizzo is indeed a Zhat Vash operative. That aspect of the show had all but disappeared as Picard and everyone else insisted on referring to their adversaries as the Tal Shiar. As I said last time, this does make a kind of sense from an in-universe point of view, but I think it could be offputting for casual viewers in particular, as following the ins and outs of various Romulan factions is not easy, and the last thing viewers want when watching a show is to not understand the basics like who’s who and what’s going on.

Interestingly, Elnor doesn’t really seem to react to this revelation, though it is clear that the Zhat Vash and Qowat Milat know of each others’ existence. I had speculated that Elnor, having been told by Picard that he was facing off against the Tal Shiar, might have reacted badly to the involvement of the Zhat Vash. He still might, if he learns that Picard knew and didn’t tell him, but in this moment he doesn’t even react at all, he simply continues the fight. After dispatching a couple of Rizzo’s guards, the two engage in a hand-to-hand battle, but Rizzo uses a hidden blade to kill Hugh. In his dying moments, Hugh tells Elnor to find an xB and use them to activate whatever is in the “queen cell” – presumably something which will allow them to work together and overthrow their Romulan guards. Rizzo beams away before Elnor can avenge Hugh’s death, but I’m sure she’ll get her comeuppance sooner or later.

Raffi and Dr Jurati are sharing cake in the back of La Sirena. One thing I liked, both with the replicator in this scene and with transporters in various episodes since the show premiered, is that the materialisation process for both replicators and the transporter is significantly faster than it had been in The Next Generation and shows of that era. The faster pace, which allows both people and goods to appear almost instantaneously, feels like a natural progression of those similar technologies, and I appreciated that. Dr Jurati breaks down on being told she’s a good person – she’s been wrestling with her feelings and emotions since she killed Maddox. In that moment she was able to do the deed, but it’s broken her and, if she survives, her usefulness as an operative to the Commodore Oh-Zhat Vash conspiracy is surely at an end. If she did plan to stick around and kill Soji, I just don’t see her being able to go through with it.

Replicating chocolate milk has gotten a lot faster since The Next Generation!

As Dr Jurati vomits up her cake – the second time in this episode that poor Alison Pill has had to throw up on screen – Raffi escorts her to sickbay. Rios informs them that Narek is still on their tail, which I’m sure could only make Dr Jurati feel worse at this point, as it’s her presence that allows him to track La Sirena.

Dinner is finally served at the Troi-Riker cabin. After Picard has been unable to contact Rios aboard La Sirena, Kestra mentions a Capt. Crandall who has a ship, and again we got a couple of name-drops, this time of the Klingon homeworld, Qo’nos, most recently seen in Star Trek: Discovery, and Tyken’s Rift, which refers to the episode Night Terrors from the fourth season of The Next Generation. Picard and Soji did leave Nepenthe at the end of the episode, but I wonder if this Capt. Crandall will come back into play in future, as Star Trek: Picard has hardly wasted a second of runtime in any of its episodes on dead ends.

Picard uses himself, or rather, his physical state, to try to persuade Soji to trust him, remembering his encounter with Dahj and getting Soji to use her newly-activated skills to assess him to determine whether he’s telling the truth.

During the conversation, Picard confesses to Soji and the others his true reason for helping her. Partly it’s a desire to help Data, to repay Data’s sacrifice by helping what Picard considers to be his offspring. But the other element to his willingness to help is that Dahj essentially snapped him out of a fourteen-year-long depression, giving him motivation and a cause again, which is clearly something he never felt he’d get. I’ve written before about how Picard has been depressed in Star Trek: Picard. The first two episodes in particular looked at that side of him and his life since Nemesis, but it’s in this moment that Picard acknowledges it for himself. It can be hard for someone dealing with depression to even realise what’s happening, and acknowledging that privately to oneself is incredibly difficult to do because it means acknowledging what society still considers to be a weakness. Picard has been depressed, and if anyone says “but the Picard I remember never would be depressed!” then I have two things to say. First is that they should go and watch The Measure of a Man from the second season of The Next Generation – a review of which can be found here – and watch how Picard acts when he seems like he’s going to lose the case. Watch him in the scene with Guinan in Ten-Forward and compare it to how he was acting in the premiere of Star Trek: Picard. Also look at his emotional, angry reaction to the Borg in First Contact and compare that to his fear and hatred in last week’s episode. This is the man we’ve known. The second thing I’d say is that anyone believing that certain people, even fictional characters, could “never” fall into depression needs to get some fucking empathy because that can happen to anyone, at any time, for any reason or for no reason. Anyone who’s lived a life has had ups and downs; Picard’s “down” was intense and long-lasting, and just because someone has been lucky in life never to suffer like that, or see someone close to them suffer, well that doesn’t mean it can’t happen or that it doesn’t happen to others. This moronic criticism plagued Luke Skywalker’s characterisation in The Last Jedi a couple of years ago too. It was as stupid, insensitive, and ignorant about mental health then as it is now. Rant over.

Picard acknowledges for the first time how bad he’d been feeling. And though he doesn’t say it, his gratitude to Dahj for snapping him out of it and giving him something worth believing in again is a powerful motivator when it comes to helping Soji.

Picard convinces Soji to trust him – at least a little.

This was a deeply personal speech, but delivered in the calm Picard style that we remember from The Next Generation. He doesn’t raise his voice, he doesn’t try to be sarcastic or pushy or aggressive, or anything else. He gently makes his case to her, and after everything she’s been through, Soji relents and shares with Picard and the others the information she gave Narek. Last week I nitpicked this information, saying that in an area the size of the explored galaxy, a planetary body with two red moons and a lightning storm is hardly conclusive. There are other issues, too, such as the fact that nothing in her dream indicated that lightning storms were a constant presence on that world, nor that whatever caused the moons to appear red from the surface would be noticeable from space. I also said, however, that none of this would matter for the sake of the story! And in moments, Kestra has texted this Capt. Crandall and found the location of the planet – an unnamed world in the Vayt Sector.

So much to unpack here, but let’s start with Picard saying “thoughts?” to Troi and Riker. For a brief moment, we weren’t at a cabin in the wilds of Nepenthe, but on the Enterprise-D in the briefing room. That moment, as Picard asked the two for their opinions and they replied in turn could have been transposed to that setting and it would have slotted perfectly into place. I loved it as a nostalgia trip.

Next, though it wasn’t necessarily approached this way in the episode, how do we feel about young Kestra having a literally under-the-table text conversation with Capt. Crandall, who Riker describes as “unstable”? In another episode of Star Trek, perhaps that concept could be explored more. As we live in a world where almost all young people over the age of nine or ten have an internet-enabled device, what they use that technology for and who they communicate with is an issue that parents, schools, and governments will have to face.

Armed with the location of Soji’s homeworld – or at least, a good candidate for it – there’s a renewed optimism to Picard’s mission, and hope that he and Soji might be able to get there in time – though what exactly they will find there isn’t known. Troi and Riker, when they discussed Maddox around the table, seemed to imply that Soji and Dahj may not be the only synthetics living there – could there be a machine civilisation on this world for Picard to make first contact with? And how does this tie into what we already know from Stardust City Rag about Maddox’s lab having been destroyed by the Tal Shiar?

Texting under the table – helpful in this instance, but possibly troubling.

Rios takes Dr Jurati to the sickbay area of La Sirena. We get a better look at this area than last time. La Sirena is a small ship, but still larger than the Runabouts seen in Deep Space Nine or Voyager’s Delta Flyer. The rear area of the ship seems to double as a sickbay with a couple of beds and also a meeting/conference area with a table. Rios suspects they’re being tracked by Narek, which is how he keeps finding them. But he’s mistaken in his choice of who to trust – he feels that Raffi, after her time on Freecloud, may be spying on them or being tracked herself. This had been set up perfectly last week – not the suspicion of Raffi itself, but that Rios, when left with only two people on board, would turn to Dr Jurati having shared an intimate moment with her last time. He’s known Raffi longer, but he also knows she has a drug issue. He hasn’t known Dr Jurati very long at all, but they have shared a very close moment – possibly the first time in a long time that the lonely starship captain had been with anyone. His suspicion of Raffi only makes Dr Jurati feel still worse, and she comes right out and admits that she’s the one being tracked, but in that same moment Raffi calls Rios to the bridge to deal with Narek. There’s a look between Rios and Jurati that could be interpreted as him understanding what she said – or at least planting a seed for that understanding next week. In the moment, however, he has to deal with Narek and runs to the bridge.

Overwhelmed, unable to cope, and now having probably blown her cover and ruined her relationship with the only person on La Sirena she could have conceivably turned to for help, Dr Jurati uses the replicator to synthesise poison, which she uses a hypospray to inject herself with. Alison Pill was phenomenal here, no exaggeration. Without saying a word, the expressions on her face, the shaky way she raises and lowers the hypospray before finally taking the plunge and using it was riveting and disturbing to watch. Even though Star Trek: Picard is science fiction and her suicide method was a hypospray, there was something gritty, realistic, and outright disturbing to watching her try to take her own life. Suicide can be hard to portray on screen, often being overly dramatic and stylised, or worse, the “noble” suicide where a character kills himself or herself for the greater good. This scene was neither of those things. Dr Jurati made the attempt on her own life because she couldn’t live with the double guilt of what she’d done to her former friend, and that she was putting her new friends in danger. She was at the end of her rope, and felt that she had nowhere to turn to and no other option – it was an act of desperation. And it was portrayed as such. The camerawork stayed on her face and upper body throughout the scene, starting with her dash to the replicator and ending with her collapsing on the floor.

I don’t think this is the end for her – La Sirena’s EMH will make sure of that – but her crime will now surely be exposed, and it will be up to Picard, Soji, and the others what to do with a murderer and a spy.

Taking the poison does appear to have the side-effect of neutralising the tracking device, at least temporarily. Aboard his ship, Narek watches a single light blink out on his map, and is unable to find it again. For someone who had seemed to be wavering, Narek feels, in this wordless scene, like he’s once again found his faith in the Zhat Vash cause. Whether that will hold up if he meets Soji again is not clear, though.

Dr Jurati tries to take her own life.

On La Sirena’s bridge, Rios is clearly still suspicious of Raffi, but the EMH’s call notifies him that Dr Jurati is in a coma and they both seem to drop that conversation as he runs to be by her side in sickbay. Raffi remains alone on the bridge, seeming to dismiss his short investigation with an eye-roll. The action then jumps back to the Artifact, where Elnor is now alone and hiding out from Rizzo’s security forces. He spots a Fenris Rangers badge/chip and activates it – the call will bring Seven of Nine and her vigilante group to the Artifact. Elnor just has to lay low until they get there, then he can – presumably – use Seven of Nine to do whatever it was that Hugh wanted to do with the “queen cell”. In another scene with no dialogue, I really got the impression of Elnor being a man alone, trapped against impossible odds. He’s way out of his depth as a man with a sword on a Borg cube – and he knows it.

It’s time for goodbyes on Nepenthe, and we get a scene glimpsed in the trailers as Riker and Picard sit down on a wooden dock. They talk, one-on-one, about the mission, about Picard jumping back into galactic affairs, and again Picard’s “condition” – i.e. his terminal illness – is again referenced. Picard always valued Riker’s advice, and had always insisted on being given his unfiltered opinion, and just as in The Next Generation, Riker obliges here.

There was a strange kind of Americana vibe to two older men sat on a fishing dock that I feel served the scene well given their conversation. The staging, in that sense, was fantastic, even if it wouldn’t have been something we’d necessarily say was “Star Trek-y” just reading about it. Seeing the full scene unfold, however, was a different experience, and just like how in Star Trek V: The Final Frontier, seeing Kirk, Spock, and McCoy camping in the wilderness was a great scene, so too was this one. The “thank you” Picard gave to Riker – not just for letting him stay but really for everything they did together – was beautiful, but tinged with emotion knowing that Picard thinks he may never get another chance to say it.

I get the sense that Riker would have signed up in a heartbeat – but Picard can’t and won’t ask him to leave his family. He has obligations on Nepenthe, and Picard is content to head off to Soji’s homeworld with the new crew he has put together.

We already knew Picard, Riker, and Troi have a great connection. And that was on full display in Nepenthe, no doubt. What really surprised me, however, was the bond between Soji and Kestra. They got together like kids whose parents are friends often do – how many of us remember something like that from our own childhoods? But the bond they forged was genuine, and when Kestra says she will miss her, she really means it. Partly, I’m sure, that’s because she lives in a quiet, rural area, and Soji represents someone new and something altogether different and exciting. But largely it is because the two young women got along really well together – Soji may have made her first genuine friend on the show thus far. The hug between them as Soji and Picard prepared to depart was no less emotional than Picard’s was with Riker and Troi.

As La Sirena enters transporter range, Picard and Soji are beamed aboard, leaving the Troi-Riker family behind. I can’t tell right now whether it’s the last we’ll see of them in the series, or whether we might get Riker steaming back in to save the day if something goes wrong. We’ll have to see as the final episodes unfold.

Riker and Picard on the dock.

So that was Nepenthe. As I said at the beginning, a quieter episode in some respects, but an intensely emotional one. The theme of nostalgia was once again perfectly played and never overused, with enough screen time given to all of La Sirena’s crew to balance out the scenes with Riker and Troi. Unless the show’s creators have a surprise in mind for later episodes, which they just might, I think we’ve seen all of the legacy characters that we knew would be in the show now.

After The Impossible Box, I sat back in my seat and felt this amazing sensation that you might experience after an intense rollercoaster at a theme park. When the credits rolled on Nepenthe, I almost cried, such was the intensity of emotion than ran through almost every scene. Some of them hit particularly hard – as some of you may know if you’re regulars, my own mental health is somewhat complicated, and my history with some of the issues raised in the episode brought feelings and memories to the fore.

Overall I loved Nepenthe. Seeing Riker and Troi was a treat after so long, and finally Picard and La Sirena now have their final destination in mind. Elnor may need help first, though.

Nepenthe is available to stream now, along with the first six episodes of Star Trek: Picard, on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard theories – week 6

Spoiler Warning: There will be spoilers ahead for the first six episodes of Star Trek: Picard, as well as for other iterations of the Star Trek franchise.

The Impossible Box brought a lot to the table in terms of theory-crafting. With only four episodes left in the first season of Star Trek: Picard, the show still has a lot of mysteries left to unravel.

There were no confirmed theories this week, unlike last week, but there was one theory that The Impossible Box debunked, so let’s look at that first.

Debunked theory: Narek and Rizzo had no reason to keep Soji alive, because Bruce Maddox’s lab had already been found and destroyed.

Narek continued to work on extracting the location of Soji’s homeworld – despite Bruce Maddox’s lab already having been destroyed.

I remain hopeful that Narek and Rizzo have a good reason for keeping Soji alive until after she gave them the information they’d been seeking about her planet of origin, because if they don’t it threatens to open a plot hole in Star Trek: Picard. If you read my review, you’ll know that I nitpicked the information Soji gave them, but just to recap: a planet with electrical storms and two red moons is not a lot to go on in an area the size of the explored galaxy and, setting aside reasons of plot convenience, should not be enough to narrow down the location. Ignoring that for now, though, Bruce Maddox told Bjayzl in Stardust City Rag that his lab had been destroyed “by the Tal Shiar.”

We’ll come to the whole Zhat Vash/Tal Shiar issue in a moment – as well as look at the need for a series to be consistent in its primary antagonist – but even if the Tal Shiar destroyed Maddox’s lab with absolutely no involvement from Rizzo, Narek, and the Zhat Vash, they would still have come to know about it. The destruction of the lab happened a minimum of two weeks before Stardust City Rag, and even though The Impossible Box seems to happen pretty much immediately after that, and certainly within a matter of days, there’s still time for that news to have reached Rizzo and Narek by now, even if they didn’t know in earlier episodes.

However, they proceeded with their mission in The Impossible Box, and ony after Narek had got as much information from Soji as he felt he needed did they try to kill her. Hopefully there will be an explanation as to why, if Maddox’s lab had already been destroyed, Narek and Rizzo continued to work on extracting its location from Soji. But I guess it could be kind of funny if they rush back to their headquarters with the information from Soji, only to be told that the lab had already been destroyed and they wasted their time…

So that’s the only debunked theory from this week’s episode. Now let’s look at some new theories, as well as returning theories from previous weeks that The Impossible Box may have advanced further.

Number 1: Elnor or Hugh (or maybe both) are going to be killed.

Hugh and Elnor are left alone to face the Artifact’s guards after aiding in Picard and Soji’s escape.

Star Trek: Picard has already shown us, with Icheb and Bruce Maddox, that killing off legacy characters is not something it’s frightened of. Picard had precisely two friends on the Artifact: Elnor and Hugh. Neither of them hesitated when it came to helping him escape with Soji, despite Hugh not really knowing what was happening. The Borg Reclamation Project itself could be endangered by this, but I’m more concerned for Elnor and Hugh.

With Elnor being a trained assassin you might expect he’d be fine, and of the two I think he’s more likely to survive given his starring role, the fact he had an entire episode dedicated to his recruitment, and that we’ve barely spent any time with him. However, right before he left, Elnor got his moment of reconciliation with Picard, as the latter told him he didn’t want to leave him behind again. In a sense, you could argue that this moment concluded Elnor and Picard’s story arc that had been set up in Absolute Candor, and thus Elnor may be in more danger than we suspect.

Elnor’s strength lies in his assassin training, yet as one man up against potentially thousands of armed guards he may be overwhelmed. And as someone whose weapon of choice is a sword, Elnor could be at risk from high-tech weapons deployed against him. We don’t even know if he owns a disruptor or other type of ranged weapon.

Hugh may be in danger too. He aided in Picard and Soji’s escape, and remained behind to conceal their destination. Narek and Rizzo just spent several episodes carefully extracting location information from Soji – only to immediately turn and try to kill her when she told them what they wanted to know. If Hugh spills the beans his usefulness to Narek and Rizzo will arguably be at an end – he surely won’t be allowed to continue his work with the ex-Borg after what he did for Picard. Could he end up murdered as a result of his actions?

Number 2: The Romulans once experimented with AI and synthetic life – with horrible consequences.

Dr Jurati must’ve had a good reason for killing Bruce Maddox.

There are a few possibilities for how this theory could pan out, as far as I’m concerned, but only one saw any development this week. Just to recap, the horrible secret that caused Dr Jurati to murder Bruce Maddox is almost certainly the same as the secret the Zhat Vash keep – the one which can “break a person’s mind”. My theory is that the Romulan fear and hatred of synths – which the Zhat Vash exemplify – is caused by their own experimentation with AI and synths in the past going horribly wrong. There are a few ways this could pan out, so let’s look at them in turn.

2 A: The Romulans’ fear and hatred of synths and AIs is related to the Control storyline from the second season of Star Trek: Discovery.

The AI named Control attacked and “assimilated” Capt. Leland in Star Trek: Discovery.

There was a moment in Stardust City Rag last week, when Dr Jurati killed Maddox, that made me feel this was looking at least possible. To very briefly recap, Section 31 built an AI called Control that Starfleet relied heavily on. Control wanted to become fully sentient by stealing data from a millennia-old lifeform that was stored in Discovery’s computer, and assimilated and murdered many Section 31 operatives and Starfleet officers in its quest. My theory is that the Romulans were either in an AI arms race with the Federation at this time, and their AI went rogue as Starfleet’s did, or that Control itself attacked the Romulans.

2 B: There’s an inherent flaw in all synthetic life – or the way organics treat synthetic life – that will always lead to rebellion.

Lore was Data’s “evil twin”, and an example of how synthetic life can go badly wrong.

The answer to the question of why the synths attacked Mars could simply be “because all synths eventually turn on organics”. While this would, I feel, not be a very satisfying conclusion from a story perspective, it could conceivably be the Romulans’ firm belief, especially if synths they created many years ago turned on them.

2 C: The Romulans’ AI experiments led to the creation of the Borg.

Picard suffered horrible flashbacks to his time as Locutus in The Impossible Box.

To recap from last time, I feel that this explanation covers a few different bases. Firstly, it is by far the best explanation I can think of for the secret that can “break a person’s mind”. What could be more mind-breaking than learning your ancestors accidentally created the galaxy’s greatest threat? Preventing another Borg-esque unstoppable machine species would also be a great reason for murder. And finally, from a production point of view it could explain why Discovery dropped what looked to be their own Borg origin story with the Control storyline mentioned above.

The timeline can be made to fit, too. The Romulans left Vulcan and broke away from that race sometime around the 3rd or 4th Century AD in our calendar. By the 14th Century, according to Star Trek: Voyager, the Borg controlled a handful of systems in the Delta Quadrant. So there was time for the Romulans to leave, settle a new homeworld, have their AI go rogue and either be cast out or leave, and for that AI to find a new world to settle in the Delta Quadrant and begin its expansion as the Borg.

Where I felt we saw some hints at this in The Impossible Box were in the de-assimilation scenes. Hugh shows Picard the work that the Borg Reclamation Project has been undertaking, and Picard makes the comment that, of all people, he would never have expected the Romulans to undertake something like de-assimilation, and certainly not on such a large scale. It’s the “especially the Romulans” comment that got me the most – why include that in there? They’re an advanced species, and we know de-assimilation is possible, so why couldn’t they do it? It feels like a hint; a little clue dropped by the writers that will come back into play later.

Could it be the case that the Romulans are experts at de-assimilation because they know more about the Borg than they let on? And if they do know more about the Borg, is that because they created them?

De-assimilating Picard wasn’t easy, but Dr Crusher, Data, and the rest of the Enterprise-D crew were able to accomplish it. Seven of Nine took much longer to reclaim her humanity after being assimilated as a child, but again the actual de-assimilation process was achievable. But clearly no one has ever been able to de-assimilate hundreds of Borg at a time, yet the Romulans not only know how to do so but are willing to put in the time. They’re harvesting the components – allegedly to sell them – but they’re clearly also engaged in a very detailed study of the Artifact and the xBs. Are they checking up on their old creation? And why are the xBs not allowed to leave? Let’s look at that one next.

Number 3: Ex-Borg aren’t allowed to leave the Artifact for a very good reason.

The Artifact is home to a number of ex-Borg.

Aside from Hugh, who has special status as director of the Borg Reclamation Project, none of the xBs are allowed to leave the Artifact. This may seem unreasonable, but it isn’t a big surprise considering it’s under Romulan jurisdiction.

If, however, the Romulans and the Borg have a deeper and older connection that we ever suspected, there could be another reason why the Romulans won’t let the xBs go after they have been de-assimilated.

3 A: The xBs are being studied by the Romulans.

This ties into another theory, that the majority of Borg components harvested by the Romulans are in fact going to the Zhat Vash. Even if that’s not the case, however, the xBs could simply be kept on the Artifact so that the Romulans can study them further.

If the Romulans were somehow involved in the creation of the Borg, they may have a vested interest in learning how de-assimilated Borg behave. And even if they weren’t involved, they may be studying them for some other reason.

3 B: The Romulans want to keep the xBs safe.

The galactic trade in Borg components has some nefarious people involved who have no qualms whatsoever about killing xBs in order to harvest their remaining components. We saw Icheb brutally killed for this very reason, so perhaps the Romulans fear that a similar fate could befall the xBs if they let them go.

3 C: The Romulans want to keep their involvement in the Borg’s creation secret.

Assuming for a moment that the Romulans were involved in the creation of the Borg, it makes sense that they would want to prevent further study of the collective and their technology, lest their involvement become known. Thus far in Star Trek, at least as far as we’ve seen on screen, very few de-assimilated Borg and very little Borg technology has found its way to the Federation and other factions. Not only is it difficult, but in engagements with the Borg until this point, the Federation had to destroy the ships they encountered and were not able to keep them intact.

Seven of Nine’s parents, Magnus and Erin Hansen, did study the Borg for over a year and must have collected a lot of information on them at that time, but the Romulans may not be aware of this. They may be trying to keep a very old secret and prevent the galaxy from learning about the Borg’s true origin.

3 D: The Romulans want to control the trade in Borg components.

With so few ex-Borg in the galaxy, the Artifact is the only place to scavenge Borg parts that we know of. Seven of Nine and Picard may be the only two ex-Borg not on board it. Whoever controls the Artifact essentially controls the entire Borg component market, and the Romulans are in full control right now.

Keeping the xBs in one place means that they can continue to be worked on and even experimented on as the Romulans try to harvest more and more of their technology. The more components they can remove, the more money they can make if there’s a big market – and assuming that they aren’t keeping the pieces for themselves.

Number 4: The galactic trade in Borg components has only one buyer – and it’s connected to synthetic research.

Bjayzl, pictured here with Bruce Maddox, was a major dealer in Borg components.

Last time I speculated that Bruce Maddox may have used Borg components in his work on synthetics, including those on Mars and Soji and Dahj. If that’s the case, he and his team may have been the main buyer in the Borg components market.

The other possibility is that the Zhat Vash are buying up all the Borg parts they can for study – or, as mentioned above – to conceal some big secret relating to the Romulans’ history with the Borg.

Hugh made little mention of what happens to the scavenged components in The Impossible Box; his focus has been on helping the de-assimilated Borg, not on who buys their removed pieces. However, someone clearly is buying up this technology, and while it could be a free market in which many factions are buying pieces in an effort to learn more about the Borg, there may be one primary buyer who is collecting as many components as possible.

In a sense, the ex-Borg are a side-effect of the Romulans’ scavenging efforts. Their main focus is on studying and selling their components and technology, and the de-assimilated individuals are just a consequence of that work being undertaken. Far from being “hated”, as Hugh said, I feel like the xBs are just forgotten because their de-assimilation was never the main objective. The Romulans realised that the process of removing their components meant they were no longer Borg drones, but they don’t really care what happens to them afterwards – the sole focus is on the technology and, perhaps, how much money can be made.

Number 5: Dr Jurati is sticking around because the next part of her mission is to kill Soji.

Dr Jurati could have fled if she wanted her involvement in Maddox’s death to remain a secret, yet she’s still aboard Ls Sirena.

Following Bruce Maddox’s death at the hands of Dr Jurati, I felt certain she’d either get caught or have to leave La Sirena. After all, the ship’s EMH knows what she did, so surely the next time it’s activated it will spill the beans. While they were docked at Freecloud, and armed with her new knowledge of how to use the transporter, she could have jumped ship and disappeared after killing Maddox and no one would have known where she’d gone.

Given the incredible risk to herself of staying aboard La Sirena, she must have a plan. It’s possible, given her knowledge of synthetics, that she could reprogram the EMH or erase its memories of the Maddox incident if she had enough time to do so, but even if she does, sooner or later someone will figure out what happened. So why is she sitting in the middle of the danger zone?

The answer could be simple: her mission is incomplete. Commodore Oh and the Zhat Vash told her something, probably the “mind-breaking” secret that the Zhat Vash keep, in order to persuade her to join their cause. Maddox being dead is only part of the mission, however, and now that Narek and Rizzo have been unable to kill Soji, Dr Jurati is the conspiracy’s best bet to do so. She may be able to feed information to Commodore Oh and the Zhat Vash regarding La Sirena’s destination, but she may be under orders to go along for the ride and take out Soji when she has the opportunity.

If the secret she’s keeping was worth killing her former friend and romantic partner, as well as betraying her life’s work, it is certainly worth killing for again.

Number 6: Picard’s decision to tell everyone that their opponents are the Tal Shiar and not the Zhat Vash will come back to haunt him.

Elnor, seen here aboard La Sirena in The Impossible Box, is most likely to be affected by learning about the Zhat Vash.

Given that Elnor is now essentially alone, trapped on board the Artifact staring down Romulan guards and Zhat Vash operatives Rizzo and Narek, he’s sure to learn the truth of who is really pursuing Picard. How this revelation will affect him – if indeed it makes any difference – is unclear right now, but of everyone involved I think Elnor is most likely to have been aware of the Zhat Vash and may even have different techniques for battling them.

Regardless of what happens to Elnor, I think Picard’s decision to frame the mission’s antagonists as the Tal Shiar may come back to haunt him. He’s left out a key piece of information, and by not telling his new crew everything, there could be unintended consequences. Why he chose not to explain everything is unclear. He may simply not believe in the Zhat Vash, given their semi-mythical status, or he may feel it was too much ground to cover when explaining the mission parameters to everyone.

From a production point of view, however, I feel like this aspect of the Star Trek: Picard story hasn’t been handled particularly well. A story needs consistency. That applies to factions in the Star Trek galaxy as a whole, but consistency is even more important when dealing with the show’s primary antagonist. Maps and Legends went to great lengths to set up the Zhat Vash as Star Trek: Picard’s “bad guys”, yet their name hasn’t been mentioned once in the last three episodes – everyone from Maddox to Soji to Picard has been referring to them as the Tal Shiar.

While there may be logical in-universe reasons for it given the Zhat Vash’s supposedly secret nature, it makes for a confusing and inconsistent story, especially for casual viewers and newcomers. There is a lot to keep track of in a franchise over fifty years old, and as what is essentially a sequel series to The Next Generation, there was already a lot of baggage for fans who might not have seen any episodes since the 1990s or who are wholly new to Star Trek and watching for the first time. Inconsistency leads to confusion, and nothing puts off viewers like feeling they don’t know who’s who and what’s happening. If the plan was to always use the Tal Shiar, then the whole Zhat Vash angle should never have been included in Maps and Legends, but if the Zhat Vash are supposed to be the show’s main villains then the naming needed to be consistent and the main characters needed to know who they’re up against.

Hopefully we’ll get some explanation of all of this before the end of the series, but I don’t think the confusing status of the Zhat Vash and Tal Shiar is doing Star Trek: Picard any favours right now.

Number 7: The “father” from Soji’s dream isn’t Bruce Maddox.

Soji’s faceless “father”, as seen in her dreams.

Maddox claimed credit for Soji and Dahj’s creation in Stardust City Rag. And that made sense; it fitted with what Picard, Dr Jurati, and us as the audience expected. Shortly before he was murdered, Maddox cited three people who were essential to Soji and Dahj’s creation: Dr Soong, who created Data and Lore in The Next Generation; himself obviously; and Dr Jurati. There was no mention of anyone else being involved, and though he may have had an assistant or even a team of assistants, that should be the end of the matter.

Except it isn’t. In Soji’s dream, she couldn’t see the face of her “father” as it had been digitally erased or otherwise concealed from her. From an in-universe point of view I can see why Maddox may have wanted to conceal his face from her, in order perhaps to protect himself, but why show the audience that?

There is shock value in the faceless figure, and that could explain it. Seeing a faceless blob where we expected to see a human was a creepy and unsettling image when it appeared in The Impossible Box. But there could be another explanation – there’s someone else involved with Maddox’s work, and the show wants to keep that person a secret for now.

The figure did resemble Bruce Maddox, and if it ultimately turns out to be him it would make perfect sense and be a valid story point. But it conceivably could be someone else.

Number 8: Narek is going to go rogue.

The decision to kill Soji broke Narek’s heart.

This one should be debunked given that Narek tried to kill Soji, but there was a hint, even in that sequence, that his loyalty to the Zhat Vash cause is wavering. As he locks Soji in the meditation chamber with the radiation weapon, he’s clearly heartbroken, even starting to cry as he tries to reconcile his feelings for her with the mission he knows he must complete. Rizzo, his superior, warned him multiple times against falling for his “robot girlfriend”, which I think further foreshadows this possibility.

Soji’s survival gives Narek a second chance, and while she will not be so quick to trust him again, he may prove invaluable to Picard’s cause thanks to his knowledge of the conspiracy and Zhat Vash operations.

If I had to speculate, I’d say that Narek’s redemption may begin by saving Elnor and/or Hugh from Rizzo, and escaping with them to La Sirena – before moving on to rendezvous with Picard on Nepenthe.

So those are the theories that The Impossible Box set up or advanced. Now, as always, let’s take a look at the remaining theories that haven’t been debunked, but that saw no movement this week. This helps keep everything in one place.

Number 9: Other Soji-type androids exist – and the Romulans or the Borg have encountered at least one.

Ramdha tried to kill Soji upon recognising her.

This stems from Ramdha claiming to recognise Soji in The End is the Beginning. She has a violent reaction to her, and from that point on Narek and Rizzo believe Soji to be a figure called Seb-Cheneb from Romulan folklore. It’s possible that, through her historical research, Ramdha encountered a Soji-type android, or that the Borg did and communicated that knowledge to her when she was assimilated.

Number 10: Picard’s terminal illness is Irumodic Syndrome.

Dr Benayoun brought Picard the news of his as-yet-unnamed illness.

Dr Benayoun, a former colleague of Picard’s from his time in command of the USS Stargazer, brought him the bad news that a condition in his brain is terminal. While Irumodic Syndrome – the disease Picard had been diagnosed with in The Next Generation’s finale – was not mentioned by name, it was strongly hinted at in this conversation.

Number 11: Soji and Dahj’s necklaces were a deliberate symbol designed to signal to someone or communicate with someone.

Dahj’s necklace. Soji wears an identical one.

The question of why Bruce Maddox would give Soji and Dahj necklaces to wear, which they have clearly been programmed to be very attached to and prominently display above their clothing, when the symbol on the necklaces represents a method of illegal synth-building is a strange one. It may even be the cause of Soji and Dahj being noticed by Starfleet and the Zhat Vash, and thus Dahj’s death. However, it’s possible that Maddox was using this as a method of signalling or communicating with other androids and creators – that would make the risk of displaying a symbol like that much more worthwhile.

Number 12: The Trill doctor from Maps and Legends is going to be assimilated.

Soji with her Trill friend.

The further out we get from Maps and Legends and this character’s sole appearance, the less likely this seems. And with Soji now having left the Artifact, some of the shock value of her seeing her friend assimilated or killed is gone. However, nothing has happened to really disprove this theory, and given the Artifact may be about to see big changes as a result of Hugh and Picard’s actions in The Impossible Box, it can’t be fully ruled out.

Number 13: Section 31 will be involved somehow.

The black badge of Section 31, as seen in Star Trek: Discovery.

With the new Section 31 series officially in production – now due for release in 2021 – and the shadowy organisation’s heavy involvement in Star Trek: Discovery’s second season just last year, I feel sure that they will crop up somehow before the end of the season.

13 A: Chris Rios’ worked for Section 31 while on the Ibn Majid.

The question of what happened to the USS Ibn Majid, and Rios’ former commanding officer, is an important aspect of his backstory as it made him the somewhat cynical, isolated, and self-reliant person we see in the current series. Given that the Ibn Majid was “erased” from Starfleet’s records, they seem to have been involved in the kind of off-the-books black ops missions that we know Section 31 often ran.

13 B: Section 31 is responsible for the attack on Mars.

Regardless of how the attack on Mars was conducted – my money is on the synths being hacked which we’ll look at in a moment – one possible culprit is Section 31. As a militantly pro-Federation group, they may have seen aiding the Romulans as a mistake, especially given that it caused great tensions between Federation member worlds, and as a faction with essentially no morals, they would have no qualms about killing 90,000 people or more to achieve their preferred outcome.

Number 14: The rogue synths who attacked Mars were hacked.

F8, one of the rogue synths, seemed to be processing computer code before he took down the Martian defence grid.

Earlier episodes of Star Trek: Picard included several flashbacks to this attack, and we have a fair amount of evidence for this theory. It ties neatly in with the idea that Borg technology may have been used in creating synths, too, as that tech may have been a “backdoor” for hackers. We also have: the Commodore Oh conspiracy, Raffi’s conspiracy theories, F8’s eyes in the flashback sequences, the work crew with F8 describing him as “compromised”, the fact that all of the synths went rogue simultaneously, and the very particular way the attack was carried out. It was a deliberate strike against a well-chosen target, and rather than continue the carnage after Mars and the fleet were destroyed, the synths simply killed themselves.

There are three possible culprits as I see it: the Zhat Vash, Section 31, and the Borg.

Number 15: Chris Rios’ former captain is a character we’ve met in a previous iteration of Star Trek.

Harry Kim and Chakotay from Star Trek: Voyager – could one of them have been in command of the USS Ibn Majid?

I mentioned Chris Rios’ service on the USS Ibn Majid above, and one major aspect of that is the death of his former captain. We know the character is male, and that they were a “heroic” figure to Rios, but no more than that at this stage. I suggested it could be Harry Kim – who we knew wanted to be a captain and had been promoted in the alternate reality glimpsed in Voyager’s finale. I also suggested Chakotay, also from Voyager, and Edward Jellico from The Next Generation two-part episode Chain of Command. There are numerous other possibilities, however. It’s possible, with a second season of Star Trek: Picard already in production, that we won’t find out anything about it this season.

Number 16: Starfleet and the Zhat Vash are working together.

Commodore Oh is deeply involved with the Zhat Vash.

Commodore Oh: is she a Romulan agent or a Vulcan co-conspirator? At this stage we simply don’t know. If she is a Vulcan, given her senior position in Starfleet it can be assumed she isn’t the sole officer involved. We already know she has recruited Dr Jurati to the cause, and while Admiral Clancy, the overall head of Starfleet, doesn’t seem to be involved, it’s conceivable that many officers are. Raffi certainly believes this – and was talking about a Starfleet-Romulan conspiracy as far back as the attack on Mars fourteen years ago.

Number 17: Bruce Maddox inadvertently caused the synths to attack Mars.

The stingray ships commandeered by the rogue synths attacking Mars.

It’s possible that something Maddox did or didn’t do while the head of the Federation’s synthetic development team meant that the synths were more easily hacked, or that his work on the synths contained a flaw or error that led to them going rogue. Given that he made no mention of this before his death you could argue it seems less likely, but it cannot be ruled out.

So that’s it. Those are all of my extant Star Trek: Picard theories as of the end of The Impossible Box. Seventeen theories are a heck of a lot to be kicking around at this point, but since most of them are likely way off base that’s okay! I can’t wait to find out the real answers as we inch closer to the end of the first season.

Roll on Nepenthe on Friday!

The first six episodes of Star Trek: Picard can be streamed now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.

Star Trek: Picard review – Season 1, Episode 6: The Impossible Box

Spoiler Warning: There are spoilers ahead for The Impossible Box – the sixth episode of Star Trek: Picard – as well as for the rest of Season 1. There may also be spoilers for other iterations of the Star Trek franchise.

After last week’s bombshell ending, I really had no idea what to expect from The Impossible Box. One great thing about online streaming, when compared to broadcast television, is that episodes can be adjusted in length to suit the story – they aren’t constrained by a set runtime to fill a slot. And The Impossible Box was the longest episode of Star Trek: Picard to date, clocking in at almost 55 minutes – ten minutes longer than any other episode we’ve had so far this season.

It certainly made full use of its extended runtime! The Impossible Box was an edge-of-your-seat ride almost the whole way, and the tension ramped up to an amazing climax as Picard finally met Soji. But we’re getting ahead of ourselves.

Soji with Picard in The Impossible Box.

The Impossible Box gave me that same feeling of “wow, what have I just watched” that I got during Remembrance at the beginning of the season. It was everything I’m looking for in an episode of Star Trek in 2020 – visually beautiful, tense, dramatic, exciting, and seasoned with little throwbacks to the past that complemented the plot without being overwhelming. I know I’ve said this before, but Star Wars really should sit up and pay attention to how Star Trek: Picard – and, to a lesser extent, Star Trek: Discovery – have used the theme of nostalgia, because it’s been pitch-perfect.

After a recap, The Impossible Box opens with a young Soji, carrying the stuffed animal we’ve seen in her room on board the Artifact. She’s had a nightmare and she’s looking for her father on a stormy night. This is, of course, a dream sequence, and Soji awakens from it abruptly. After Narek had essentially accused her of lying about her background and whereabouts in Absolute Candor a couple of weeks ago, I was surprised that the two of them are still intimate. Something about the way Narek presents himself clearly causes her to let her guard down – he’s either very well-trained in the art of android seduction, or he got lucky with Soji. He presses her about the dream – finding out what she was dreaming about is clearly important to him as part of his mission.

Young Soji during the dream sequence.

For me, the Narek and Soji storyline has been interesting. But it does feel, in this moment, as if it’s run its course. We’ve seen the same basic scene play out several times now, and while a one-week break definitely helped (Narek and Soji were absent from last week’s episode) the formula is close to overdone by this point. Breaking this cycle – as will happen from this point on – is going to be to the benefit of the series because there was definitely a danger of it becoming repetitive and thus less interesting. I’m glad, then, that this episode breaks up Narek and Soji and they’ll be able to go their separate ways, at least for the time being.

The action jumps to more or less where Stardust City Rag left off last week. Dr Jurati and Picard are discussing Maddox. The crew are aware that he’s died, but Dr Jurati has – at least so far – managed to keep her involvement secret. Given that La Sirena’s EMH caught her in the act, I’m sure she won’t be able to maintain her cover for long, though. Perhaps they’re saving that revelation for later because Dr Jurati still has something to do for the story, or perhaps it was simply to keep the already-long runtime in check, but either way it was a surprise to see her not only not get caught but brazenly talking about Maddox and lying about his death. Dr Jurati is clearly better as a spy or undercover operative than I previously gave her credit for. It seemed for a moment that Elnor might have caught on to what was going on, but he didn’t, at least not in this moment.

Elnor listens to Picard and Dr Jurati talk about the Borg.

I’m glad to see Elnor back in this scene. After all the trouble Picard went to to recruit him in Absolute Candor, he was almost entirely wasted last week. He’s such an interesting character – as well as being good comic relief at times – that it was a shame to see him underused, and I had hoped we’d see more from him.

It’s in this sequence that we get a glimpse at the kind of fearful anger that Picard demonstrated in Star Trek: First Contact – as well as to a lesser extent in the episode I, Borg from the fifth season of The Next Generation. The latter episode introduced Hugh – who we saw briefly with Soji in The End is the Beginning. Picard’s assimilation experience, while a long time ago by now, still haunts him, and colours his feelings toward the Borg in this moment. As he said in First Contact, he wants to kill them all – and not just to put assimilated people out of their misery.

Dr Jurati seemed to push him here – whether it was accidental or on purpose isn’t clear. But what is clear is that people who study synthetics know a lot about the Borg – could this tie into my theory from last week that there’s Borg technology involved in the creation of synthetics? Again something we’ll have to look at in my next theory post, so stay tuned for that.

Did Dr Jurati push Picard in this scene?

Clearly disturbed by their destination, Picard retires to his study. After regaining his resolve, he asks the computer for information on the Artifact, treaties, and the Borg. We’re then treated to some great camera/effects work as Picard scrolls through a few images of his past engagements with them. There was a still from the Battle of Sector 001 from First Contact in which the Enterprise-E could be glimpsed, a picture of the Romulan Senate that may be new or may have been from Deep Space Nine or Nemesis (I’m not sure on that one), an unnamed Borg drone which may have been from Voyager or First Contact, Hugh as he appeared in The Next Generation, then again as he appears in the current series, a shot of Paris which is where the Federation has its main government offices, a couple of shots of ex-Borg being de-assimilated, and finally the picture Picard didn’t want to see: himself as Locutus. The image lines up perfectly, shot from behind the holo-screen, it’s as if Picard were again Locutus of Borg – a reflection, no doubt, of how he feels as he’s forced to confront his most feared adversary – and his own memories – once again.

Picard is still haunted by his memories of being transformed into Locutus.

We then get the opening credits, and I have to say that the Star Trek: Picard theme is really growing on me. Aside from Enterprise, every Star Trek series has had an instrumental, orchestral opening. What we know of today as The Next Generation’s theme was actually written for The Motion Picture almost a decade earlier, but it’s now firmly associated with the series not the film. The Picard theme has, at the very end, a callback to that theme, and I think because we associate that piece of music very strongly with Picard himself, it works really well. It’s definitely a halfway house, somewhere between the theme used for Discovery, which I’d argue is quite toned-down and minimalist by Star Trek standards, and the theme from The Next Generation. Music is incredibly subjective – even more so in some regards than film or television – but I’d rank the Picard theme somewhere in the top half of my list of favourite Star Trek themes. It’s definitely one I’d like to come back to and I could see myself listening to it just as a piece of music.

One of the downsides presented by a shorter series is that character interaction and development can feel rushed. And while Dr Jurati and Capt. Rios had spent some time together by now, their on-screen interactions had been limited; I think there’d only been one scene so far with just the two of them. So when, after the credits, they hook up it seemed to come a bit out of left-field. It does make sense in-universe, given what Dr Jurati is going through in particular, but I’m not sure it was set up especially well as a story point. However, I can understand Dr Jurati looking around for distraction and comfort – and also, if we put our cynical hats on for a moment, a potential ally. Remember that, as far as we know, she’s the only one on La Sirena who knows this horrible Zhat Vash/Commodore Oh secret, one worth murdering for. Seeking an ally in the midst of all that seems at least plausible. Her decision to remain on board La Sirena means she’s in incredible danger of getting caught. The next time someone uses the EMH she could conceivably be found out. So there must be a reason why she’d stay aboard – perhaps to kill Soji? We’ll explore that in more depth in my next theory post.

Seeing Capt. Rios practising with a football (soccer ball if you’re out in the USA) was a nice little character moment, though. He’s someone who spends a lot of time on his ship – aside from the mission on Freecloud he hasn’t left La Sirena at all – so it makes sense he’d want things to do to fill his time. Kicking around a football is exercise and it’s also something to do during the long hours warping between systems! The fact that he was playing alone, instead of with one of his holograms or with a crewmate, also shows us that he’s a pretty self-reliant person. Football is a team sport, yet Rios is content to kick the ball around on his own. There’s an individualism to doing that, and Rios has been an isolated figure since leaving Starfleet.

La Sirena, seen from the front.

Rizzo pays a visit to Narek back on the Artifact, and they discuss Soji’s dream. Rizzo seems uninterested, feeling Narek has not made sufficient progress. Narek uses a Romulan toy – similar to a rubix cube – as an analogy. This is the titular “impossible box”, and he says that he’s carefully manipulating each piece in order to unlock the prize inside – referring, of course, to his interactions with Soji.

The question of why Soji dreams was interestingly addressed. Narek speculates that it’s part of her programming trying to reconcile the two different aspects of her personality – her true synthetic nature and her programmed belief in being human. Narek intends to use Soji’s subconscious and dreams to get her to reveal where she came from – which is still the objective of their mission. Given what we learned last week about Bruce Maddox’s lab being destroyed, this was a bit of a surprise. It’s obviously possible that Maddox had more than one lab, but given the ban on synths and the fact that he was clearly out of options when he went to see Bjayzl, I’m not sure that makes a lot of sense. Basically the fact that we know Maddox’s lab has already been destroyed threatens to open a plot hole: Narek and Rizzo are trying to get Soji to tell them where she came from so they can go there and destroy the lab used to create her, and any other synthetics they might find there. But if Maddox’s lab is already gone, what’s the point of their mission, exactly?

Has this moment opened a plot hole?

Picard and the crew of La Sirena are discussing how they could blag their way aboard the Artifact. There is a treaty in place which means that the Borg Reclamation Project – the de-assimilation of Borg spearheaded by Hugh – is neutral and not fully under Romulan jurisdiction, even though the cube itself is. Dr Jurati suggests using her credentials as a synthetic researcher, but all of the plans have an undoing in that Picard is instantly recognisable to the Romulans – and, he believes, also to the Borg. Picard is clearly struggling with the idea of being back on a Borg vessel – despite the fact that the cube has been disabled for well over a decade, he believes that the ship or the ex-Borg will recognise him, compromising the mission.

Raffi ends up saving the day – and we learn her last name, Musiker, in the process. This had been widely reported in pre-release material, but as far as I remember at least, it was the first on-screen use of her surname. She contacts a friend at Starfleet – a captain, judging from the rank pips on her uniform – and manages to talk her way into getting Picard diplomatic credentials to visit the Artifact. This was a fun scene as Raffi talks her way around this Starfleet captain, but we see that she’s slipped back into her snakeleaf and alcohol addictions in the aftermath of her disastrous meeting with her son last week. I’m sure getting Raffi clean is going to be a feature in later episodes – but showing how addicts can relapse ties into the theme of Raffi’s story. We saw her paranoid, we saw her manage to get clean enough to try to reunite with her son, and now we’ve seen her undo that and slip back. It will be a familiar story to anyone who’s known an addict; the pattern of breaking the habit and slipping back into it is all too common. We’ve seen Star Trek look at the theme of addiction in the past – notably in Enterprise with T’Pol – and given the current opiod crisis in the United States and elsewhere, it’s a timely issue to look at. I hope Raffi’s story will have a happy ending.

Raffi is back on the snakeleaf.

Soji tells Narek about her dream, and Narek still tries to push for more details. He suggests she call her mother – we know, thanks to Maddox last week, that the “mother” is in fact part of her AI subroutines, and not a real person. Narek then drops a bombshell on her – every single call she has with her mother lasts the exact same length of time – seventy seconds. He offers to show her the logs, but really what he’s doing is attacking her sense of self. He’s trying to undermine her self-belief so that he can start extracting information from her.

After a short scene with Rios putting a drunk and drugged-up Raffi to bed, in which we see a more caring, kind side to La Sirena’s captain than we have thus far, we’re back on board the Artifact where Soji contacts her “mother”. During the call, we seem to see a bug or glitch in the “mother”, and then Soji collapses. Clearly this part of her programming – calling her “mother” – is designed to put her to sleep.

La Sirena then arrives at the Artifact and we get confirmation that Raffi’s friend was able to get Picard the diplomatic credentials needed. How she managed to pull that off given Picard’s bust-up with the head of Starfleet wasn’t shown on screen! But evidently the captain was able to issue Picard a one-day permit to access the Artifact. However, the catch is that the permit is valid only for Picard himself – no one else is allowed to go. I loved this setup, because it provides a perfectly valid reason for why Picard couldn’t have anyone else with him – forcing him to face his return to a Borg cube alone. In First Contact and in later Borg stories in The Next Generation, Picard could always count on his crew to help him get through a Borg encounter. This time, however, he has to head into the heart of a Borg vessel on his own – and it’s clearly a frightening prospect.

La Sirena en route to the Artifact.

I didn’t like, however, Picard’s treatment of Elnor in this scene – and indeed at several other points since Elnor pledged himself to Picard’s cause. He seems to snap at him and treat him like a servant, dishing out orders as though he were an upstart ensign. Given their history, and that Picard had seemed to want to make amends, I just feel that the way he treats him isn’t appropriate. Elnor didn’t have to join the mission, after all. He could have stayed on Vashti, and despite that he seems to get little by way of thanks.

Soji awakens in her room on the Artifact and realises she has once again fallen asleep while talking to her mother. She starts rummaging through her possessions, scanning them all in turn only for the scanner to tell her each one in the same age: 37 months. This ties into what Dr Jurati said about Dahj’s background being faked before the three-year mark, and with what Narek said about Soji studying the Romulan language “some time before May 12, 2396.” 37 months is three years and one month, which gives us an approximation of how long Soji has been active. Devastated, Soji scans her necklace too – her most prized possession – and it too is only 37 months old. This scene was the culmination of Soji’s story since we first met her at the end of Remembrance. She tears apart her room, desperately looking for anything in her possession that might disprove what she now thinks about herself – that her life has somehow been faked.

“Probable age: 37 months.”

She’s also a victim of Narek – his manipulations and gaslighting led her to this point. I’m not sure if the gaslighting aspect of the Narek-Soji relationship was intentional – Narek is, after all, revealing the truth to Soji in a way, as opposed to tricking her into believing outright lies – but I certainly picked up on that aspect of the relationship, and it can definitely be interpreted that way. The term gaslighting, if you are unfamiliar with it, comes from the 1944 film Gaslight, and means a person is manipulating someone else – often, but not always, a romantic partner – into questioning reality and ultimately believing themselves to be losing their mind. Narek and Soji have this aspect to their relationship, and especially in the days of online relationships, gaslighting has become increasingly common.

Picard beams aboard the Artifact, alone and in an unoccupied section. The trauma of being back on board a Borg cube is overwhelming for him at first, and he starts to think he can see and hear the Borg, including the Borg Queen. We get an updated shot of Picard as Locutus – albeit very briefly – and something about the combination of the whole Picard-Borg sequence, the music, and the digital effects used on this new look at Locutus was incredibly creepy. By the time Hugh arrives to save the day, the short sequence has us feeling almost as unsettled as Picard.

A new look at Locutus.

If Soji’s storyline at this point is an analogy for gaslighting in relationships, then in this moment, Picard’s is analogous to post-traumatic stress disorder. PTSD victims can suffer flashbacks when exposed to sensory triggers – which is why some war veterans, for example, greatly dislike fireworks. In Picard’s case, the sights, sounds, smells, and overall sensation of being back at the scene of his worst moment – his assimilation, where he lost part of his humanity and was forced to do horrible things – was too much. He suffers auditory and visual hallucinations, flashing back to those moments where he was under Borg control. Some PTSD sufferers will tell you that they never really “got over it” – even years or decades later, they can still suffer this kind of a reaction. Picard had been away from the Borg since the events of First Contact, living quietly at the vineyard for fourteen years. But his Borg experiences still traumatise him, and we see in this moment the result of that.

Hugh and Picard share a touching reunion, and seeing an old friend seems to snap Picard out of the flashbacks. They catch up as they stroll through parts of the cube, and when Picard enquires about Soji, Hugh reveals he’s aware of Narek – the “Romulan spy”. In Soji’s quarters she’s called Narek – turning to him for comfort and reassurance as she has no one else to share her feelings with. He pretends to comfort her, and offers her a Romulan meditation technique to unlock her dreams and memories – suggesting disingenuously that she may have been hypnotised or had false memories implanted in her. Again this ties into the theme of gaslighting in relationships; manipulators like Narek want their victims to have no one else to turn to for help and support, allowing them to sink their claws in further.

Picard, alone aboard the Artifact, deals with his past trauma.

On their way to find Soji, Hugh takes Picard on a detour through one of the Artifact’s de-assimilation areas. Unlike the medical facility where we saw Soji at work on unconscious Borg, the ex-Borg here are very much awake. Many are voiceless, still processing what’s happened to them, but they are having some of their implants and technology removed. Picard is shocked that de-assimilation can take place on this scale – and crucially expresses even greater surprise that it’s the Romulans who have managed to accomplish it. Again, spoilers for my next theory post, but this does tie into one of my theories regarding the Romulans and the Borg.

Aboard La Sirena, Raffi has awoken from her blackout and is recovering with Rios. He shares with her the news that Soji is still alive – but they both wonder why that is. “What does the Tal Shiar need from a synth?” asks Raffi. And it is a good question – but we already know that Rizzo wants to find out where Soji came from so the Zhat Vash can travel there and destroy any other synths and synth research that may be ongoing. Again, though, this ties into what I said earlier about Maddox’s lab already being destroyed – could there be more to it than that?

Raffi and Rios ponder what the Romulans might be after.

Narek takes Soji to the meditation room, and on the wooden floor, a twisted path is mapped out. Soji must close her eyes and walk the path to uncover the meaning behind her dreams. This is the moment Narek has been building toward – an unactivated Soji who trusts him completely and is willing to tell him everything she sees and learns.

While Rizzo watches on from a hidden room, Narek guides Soji through the walking meditation. He’s pushing her not to wake up, not to open her eyes, no matter what she sees or thinks she sees from her dream. This is the culmination of everything he’s been working toward, but Narek is clearly nervous. Part of that is of course to do with his mission – he doesn’t want to fail. But part of it is clearly do with how he feels about Soji; he’s never quite been able to reconcile the part of himself that cares for her with the part of himself loyal to the cause. Soji has changed his attitude to synths, in much the same way that spending time with Data changed Maddox’s view on the subject in The Next Generation episode The Measure of a Man. Despite what he’s doing – and will continue to do – Narek is conflicted.

Soji and Narek.

Narek guides her through the dream that we saw in the beginning of the episode, up to the moment Soji’s father shouting at her snaps her out of it. He pushes her to continue, to look beyond what she can see in the room. Picard and Hugh are alerted to Soji being “missing”; Hugh suspects that someone – i.e. Narek – has managed to conceal her from his scans. They visit her room, seeing the mess she made while scanning. Picard could – and probably should – have explained to Hugh who she is. It wouldn’t have taken very long at all to say “she’s Data’s daughter”, and Hugh was Data’s friend too, so if anything he’d be even more motivated to help. It’s possible, however, that owing to the ban on synthetic life, Picard isn’t sure who he can trust with Soji’s secret – and he hasn’t seen Hugh in a long time.

As Soji pushes through the moment her dream should end, we get two pretty shocking scenes in quick succession. First is that Soji’s “father” has no face – or rather, his face has been digitally erased in her memory such that she cannot remember or describe it. This is clearly something done by Maddox to keep himself safe – but the figure in the dream may not have actually been Maddox. Next, Soji sees a wooden doll on her father’s workbench, only partly assembled, with her own face. This is the secret that the dream was keeping – she is aware of her synthetic nature somehow.

Soji’s faceless dad. It could be Bruce Maddox – but maybe it’s someone else? Hard to tell.

Rizzo and Narek don’t care, of course; they already know Soji is a synth. What they’ve been looking for is what Soji sees next – she looks up through the skylight in her dream and sees two red moons.

If I were to nitpick – and you know I must – this isn’t a lot of information to go on. Narek ends the meditation at this point, and Rizzo calls someone to ask them to find a planet with “constant electrical storms and two red moons”. Firstly, how many planets and other celestial bodies (moons, dwarf planets, and asteroids can have their own moons) must fall into that category? Even if we were to limit it to M-class worlds – and again, Soji provided Narek so little information that that cannot be assumed – there could be dozens or even hundreds of possibilities. Secondly, nothing in Soji’s dream suggested that storms are a “constant” presence on this planet. Most places on Earth suffer occasional lightning storms, and the fact that one was occurring in Soji’s dream does not mean they are a permanent fixture on that planet. Thirdly, many factors could cause the moons to appear reddish in hue from the surface of a planet that aren’t present in space. On Earth we get the “blood moon” phenomenon, a result of the lunar eclipse. In short, Soji gave Narek and Rizzo a clue – but only one single clue. While it could somewhat narrow down their search, they could still easily have lots of planets to visit, spread out across vast distances. The information Soji gave them is not conclusive and, in an area the size of the explored galaxy, surely won’t be able to pinpoint one single location. I mean it will be able to, because plot, but logically it shouldn’t be able to.

Rizzo.

Narek abandons Soji, leaving her in the meditation chamber with his “impossible box” toy from earlier – which he has rigged to be a weapon. The box opens, releasing a cloud of red vapour – Narek describes it as “radiation”. Soji begins to choke as she tries to escape, but the radiation has the unintended consequence of causing her to activate – we now know this means her self-defence subroutines are activating – and she smashes a hole in the floor to escape the chamber.

Narek sheds a tear – he did really care for Soji. And he really had to force himself to conclude his mission, as doing so broke his heart. However, he did it – he tried to kill her. His failure in that regard is not because of anything he deliberately did to help her escape – his actions triggered her self-defence activation.

After escaping the meditation room, Picard and Hugh can detect Soji on their scanner again and race to meet her. Narek has alerted the Artifact’s Romulan guards – so it’s a race between them to get to Soji first. She breaks through the ceiling of a chamber and Picard and Hugh are there. Picard implores her to trust him, even showing her Dahj’s necklace. Having nowhere else to turn, and realising the Romulans are not safe to be around, Soji really has no choice. The three of them escape – Hugh using his knowledge of the Borg cube’s layout to lead them to a room called the “queen cell”. Here we got a nice little throwback to the Voyager episode Prime Factors from its first season. The species in that episode, the Sikarians, are mentioned, as is their “spatial trajector” technology – which they had refused to share with Voyager’s crew. The Borg have evidently expanded at least as far as Sikarian space, incorporating the spatial trajector into their vessels thereafter. Hugh is familiar with this technology and knows how to operate it, and Picard seems familiar with the queen’s chamber despite never having been in one. Here we get a look at how the Borg’s hive mind works, and how knowledge, information, and even memories and sensations can be copied and distributed to the entire collective. The Impossible Box has looked at how subconscious works with the Soji and Narek storyline, but here we see how the Borg also make use of the subconscious. Picard instantly recognised the room – that information was stored somewhere deep in his memory from his assimilation. I found that aspect to be interesting; I wonder what other Borg secrets Picard, Seven of Nine, Hugh, and other xBs could be hiding without even realising it?

The Borg cube’s spatial trajector.

Raffi and Rios are following what’s going on aboard La Sirena, and Soji uses her now-advanced hearing to let the others know that more guards are en route. Before the guards can harm her, however, Elnor intervenes – he apparently beamed aboard while no one was looking. Picard finally shows Elnor some gratitude – despite first berating him for beaming over. There was a touching moment between them as Picard says he doesn’t want to leave Elnor behind again, but with more guards on the way he has no choice, and he and Soji escape through the spatial trajector to a place called Nepenthe – which is also the name of next week’s episode. Hugh and Elnor remain behind to shut down the trajector and conceal where it sent them. Elnor should be fine thanks to his skills, but Hugh may be in serious danger from Rizzo and Narek. Has he just compromised the entire Borg Reclamation Project?

So that was The Impossible Box. As I said, I loved the episode – despite my little nitpicks. The way it approached complicated topics like abusive relationships and PTSD was classic Star Trek, using its science-fiction setting to tackle real-world topics. Seeing Hugh back again, getting the chance to reunite with Picard, was also great to see. And finally Soji and Picard are together – but without the rest of the crew, I wonder what will happen to them on Nepenthe.

Admiral Picard had to face his Borg trauma.

There were some great little callbacks to previous iterations of Star Trek: Soji had a “Flotter” lunchbox or container in her room, which is a reference to the childrens’ character who debuted on Voyager; Rios mentioned “slips of latinum”, which was of course a callback to Ferengi currency that was prominent in Deep Space Nine; we again saw the blue drink that must be Romulan Ale; and as mentioned above, there was the reference to the Sikarians and their spatial trajector. None of these points overwhelmed the episode. Even Hugh’s inclusion was well done, and crucially made sense from a story point of view. The episode flowed naturally, and we’re one giant step closer to getting to the bottom of some of Star Trek: Picard’s mysteries.

I was on the edge of my seat with The Impossible Box, and after the episode drew to a close, fifty-five minutes seemed to have flown by. The editing and the music contributed massively to this, taking what was already an amazing story up a notch or two.

Picard and Soji managed to escape, but their escape came at the cost of Hugh, Elnor, and the rest of La Sirena’s crew. Yes they have a rendezvous point, but first they need to get Elnor back – and perhaps rescue Hugh as well – before they can even think about travelling there.

It seems like next week we’ll get to see Troi and Riker, and I absolutely cannot wait for that reunion. I’m just keeping my fingers crossed for Elnor, Hugh, and the others, because Star Trek: Picard has learned a lesson from shows like Game of Thrones and The Walking Dead in that it isn’t afraid to kill off characters. With practically the whole crew in danger, I’m genuinely not sure at this point if they’ll all make it out alive.

The Impossible Box – along with the rest of the first season of Star Trek: Picard – is available to stream now on CBS All Access in the United States, and on Amazon Prime Video in the United Kingdom and other countries and territories. The Star Trek franchise – including Star Trek: Picard – is the copyright of ViacomCBS. This article contains the thoughts and opinions of one person only and is not intended to cause any offence.